Latest / Hutton & Withrow Show / Hutton & Withrow: Can Nico Iamaleava Revive His NFL Draft Stock at UCLA? | Hour 2

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Hutton & Withrow: Can Nico Iamaleava Revive His NFL Draft Stock at UCLA? | Hour 2 · Hutton & Withrow Show

• 0:00
  Speaker 1: Honey With Row presented by Hard Rock Bet. Roll with us.
• 0:03
  Speaker 1: We've got our Hard Rock lot coming up. First, though,
• 0:06
  Speaker 1: Clay Travis Law. Accidents don't wait for good timing. One
• 0:09
  Speaker 1: bad moment, a wreck, a fall, a doctor who wasn't
• 0:11
  Speaker 1: paying attention, and suddenly you're fighting an insurance company that
• 0:14
  Speaker 1: does this every single day. That's why Clay started Clay
• 0:17
  Speaker 1: Travis Law. He's a Vanderbilt law grab. He built a
• 0:20
  Speaker 1: firm around one idea. People deserve someone willing to pay attention,
• 0:23
  Speaker 1: ask the hard questions, and push back whenever things don't
• 0:27
  Speaker 1: add up. experienced trial attorneys who bring the fight to
• 0:30
  Speaker 1: corporations and insurers based in Nashville, trusted across the country.
• 0:34
  Speaker 2: Car and truck wrecks, ride share accidents, medical malpractice, premises liability,
• 0:38
  Speaker 2: product liability. If you were wrong, they want to hear
• 0:40
  Speaker 2: about it. Here's what they promise.
• 0:41
  Speaker 3: Honesty.
• 0:42
  Speaker 2: They're not going to sugarcoat your case. You'll hear what
• 0:44
  Speaker 2: it's actually worth, not what you want to hear. Case
• 0:47
  Speaker 2: evaluations are free, no charge, no pressure, no hassle. Just
• 0:50
  Speaker 2: tell them your story. Go to claytravislaw.com or call them
• 0:54
  Speaker 2: at 877-222- 4444, that's claytravislaw.com. No case is too big
• 1:00
  Speaker 2: or too small.
• 1:02
  Speaker 1: Chad, for those who missed it last week, primary complaint,
• 1:05
  Speaker 1: it's up again. We normally do this on Wednesdays. We
• 1:08
  Speaker 1: had two guests on yesterday, so we have primary complaint
• 1:12
  Speaker 1: today on this Thursday. You air your top grievance of
• 1:15
  Speaker 1: the week. You can do that with us in the
• 1:16
  Speaker 1: chat if you'd like. You can do that by hitting
• 1:19
  Speaker 1: us up in DMs on X if you're watching there live.
• 1:23
  Speaker 1: Certainly the chat on Facebook where we're streaming live right now. Sportingstate.com,
• 1:27
  Speaker 1: streaming live there each and every morning. Primary complaint. Air
• 1:30
  Speaker 1: your top grievance of the week. Get pissed off for
• 1:33
  Speaker 1: greatness with us. You get one complaint, not two, not three.
• 1:36
  Speaker 1: This is your primary complaint of the week. It can
• 1:39
  Speaker 1: be about anything you want it to be. And you're
• 1:43
  Speaker 1: able to get it off your chest. My primary complaint
• 1:46
  Speaker 1: this week, those that... I say those. It could have
• 1:52
  Speaker 1: been one person.
• 1:52
  Speaker 3: Someone....
• 1:56
  Speaker 1: Just tore up the star for Dolly Parton on the
• 1:58
  Speaker 1: walk of fame, downtown Nashville.
• 2:00
  Speaker 3: Oh, um, where they like.
• 2:03
  Speaker 1: Took like a chisel or like a shovel or something
• 2:05
  Speaker 1: to the name itself. And then I tried to scratch
• 2:07
  Speaker 1: it out. Um, there's a, you know, there's a place
• 2:13
  Speaker 1: in hell for that person. I'll just say that the
• 2:17
  Speaker 1: person that is trying to, uh, Take the face of
• 2:22
  Speaker 1: the star off the Walk of Fame for Dolly Parton
• 2:25
  Speaker 1: in Nashville just because the woman passed away.
• 2:28
  Speaker 3: Ridiculous. It's my primary complaint. The idiots that think that's funny.
• 2:33
  Speaker 2: Remember how when Keith Bullock stomped on the terrible towel
• 2:38
  Speaker 2: and Steelers fans acted like he stomped on the cloak
• 2:41
  Speaker 2: of Christ by doing that and talked about all the
• 2:44
  Speaker 2: meaning of the children's hospital and where the money goes
• 2:47
  Speaker 2: and all that, and they were just way over the top.
• 2:50
  Speaker 2: about a symbolic, like stomping on a piece of cloth,
• 2:53
  Speaker 2: and that he had desecrated some holy object because it
• 2:55
  Speaker 2: was a towel that people wave over their heads at
• 2:57
  Speaker 2: a football game. I can't use hyperbole when I talk
• 3:02
  Speaker 2: about how low that is to desecrate the star of
• 3:05
  Speaker 2: Dolly Parton. So this is one where the analogy actually fits.
• 3:09
  Speaker 2: This is almost like a religious relic that you're stomping on,
• 3:12
  Speaker 2: that you're defacing if you're that person. Totally, totally ridiculous.
• 3:18
  Speaker 2: And by the.
• 3:19
  Speaker 1: Way- This is like someone took a spray paint or
• 3:23
  Speaker 1: something and spray painted over it. I don't know what
• 3:27
  Speaker 1: you would use, a chisel or an ice pick or something,
• 3:30
  Speaker 1: but literally tried to sketch out the name Dolly Parton
• 3:35
  Speaker 1: and remove it from the streets of Nashville.
• 3:38
  Speaker 2: Ridiculous. Jake Keller in the chat says, Clay Travis is
• 3:43
  Speaker 2: a coffee company owner, law firm owner, media outlet owner,
• 3:45
  Speaker 2: and a professional flute player.
• 3:48
  Speaker 3: What can't he do?
• 3:50
  Speaker 2: My response to what can't he do, Hutton, was sell pants.
• 3:55
  Speaker 2: That's the one thing that we know that he can't do.
• 3:57
  Speaker 2: Cannot sell pants. That's my response.
• 3:59
  Speaker 1: Pants optional. Pants optional for Sporting State.
• 4:02
  Speaker 2: Cannot sell pants. He's still got a warehouse full of
• 4:04
  Speaker 2: pants somewhere that he could not unload. My primary complaint
• 4:08
  Speaker 2: this week, I get way too many text messages like
• 4:11
  Speaker 2: this one that we're going to show you right now. Hi,
• 4:14
  Speaker 2: I'm Matthew with Friends for Peace. What are your thoughts
• 4:17
  Speaker 2: on the U.S.-Israel partnership? Can we chat? Stop to end.
• 4:22
  Speaker 3: Can we chat?
• 4:23
  Speaker 2: Hello, I'm Chris Hansen from Dateline NBC. It's weird that
• 4:29
  Speaker 2: you're here, right? You see how this is weird? Chris Hansen,
• 4:32
  Speaker 2: as he talks to somebody.
• 4:33
  Speaker 3: I have a seat right there. Do you enjoy your cookie?
• 4:35
  Speaker 2: You know how this looks, right? When he shows up
• 4:37
  Speaker 2: at the house.
• 4:38
  Speaker 3: Do you enjoy your cookie?
• 4:39
  Speaker 2: Hutton, look, I try to educate myself on issues of
• 4:43
  Speaker 2: the world at times. I try to have an opinion
• 4:46
  Speaker 2: on most things. I think every American citizen has their
• 4:49
  Speaker 2: right to an opinion on any issue, if you want.
• 4:53
  Speaker 2: I'll also say that I'm smart enough to know what
• 4:55
  Speaker 2: I know, and I'm smart enough to know what I
• 4:57
  Speaker 2: don't know. And if you were sending me a blind text...
• 5:00
  Speaker 2: from some organization to ask my thoughts, Chad Withrow, on
• 5:05
  Speaker 2: U.S.-Israel relations or the war in Iran or anything else,
• 5:10
  Speaker 2: I'm here to tell you I'm not really offering up
• 5:12
  Speaker 2: much on those issues, all right? I know probably what
• 5:15
  Speaker 2: other people have seen. But the fact that anyone values
• 5:18
  Speaker 2: that is dumb to me. And the fact that I
• 5:21
  Speaker 2: continue to get hit over the head with these texts,
• 5:25
  Speaker 2: political texts all the time, someone running for Congress or
• 5:29
  Speaker 2: would Tennesseans need your help, Chad, on this issue or
• 5:32
  Speaker 2: whatever it is. It is blinding the amount of spam
• 5:37
  Speaker 2: that I receive via text, via phone call all the time.
• 5:41
  Speaker 2: I've got one company, I've looked into every possible way
• 5:44
  Speaker 2: to stop them from calling me and leaving messages, but
• 5:46
  Speaker 2: I have like American tax advisors, I think it is.
• 5:49
  Speaker 2: I look down, I see the AI description of the voicemail.
• 5:52
  Speaker 2: I get one or two a day from them and
• 5:55
  Speaker 2: I know it's them calling every time and I'm don't
• 5:57
  Speaker 2: answer it. They leave a message. I eventually go back
• 6:00
  Speaker 2: and delete the messages. Maddening Hutton. But especially when I'm
• 6:03
  Speaker 2: asked about U.S.-Israel relationships, I just, I laugh.
• 6:08
  Speaker 3: Man, and I love how it's like, can we talk?
• 6:13
  Speaker 3: Can we talk?
• 6:15
  Speaker 2: I mean, who picks up the phone and it's like,
• 6:17
  Speaker 2: calls that number? And it's like, you know, actually, I
• 6:19
  Speaker 2: really do want to chat. Let's talk about it.
• 6:21
  Speaker 1: One of you are like, Matthew, this is Chad Withrow,
• 6:25
  Speaker 1: friends for war. Instead of friends for peace.
• 6:28
  Speaker 2: Right.
• 6:28
  Speaker 1: What are your thoughts on never contacting me again?
• 6:31
  Speaker 2: Yes. You and I, Matthew, will go to war. I
• 6:35
  Speaker 2: know that you're a friend for peace, but we will
• 6:36
  Speaker 2: go to war personally if you continue to text me.
• 6:39
  Speaker 3: JT, your primary complaint. Yeah, guys.
• 6:45
  Speaker 2: A couple of things I want to hit on here. Politeness.
• 6:48
  Speaker 4: It's what you do to make sure that your partner
• 6:50
  Speaker 4: likes something, too. So you wait for them to decide.
• 6:54
  Speaker 4: Vague desires. You know that you want something, but nothing
• 6:57
  Speaker 4: sounds good. A mind reading trap, hoping that the other
• 7:01
  Speaker 4: person will magically guess the exact craving that you cannot name.
• 7:06
  Speaker 2: But here's what it truly is.
• 7:08
  Speaker 4: I realize it's called decision fatigue. Your brain is tired
• 7:12
  Speaker 4: from making choices all day at work or home. Why
• 7:17
  Speaker 4: in the hell can my wife not make up her
• 7:20
  Speaker 4: mind on what the hell she wants to eat for
• 7:22
  Speaker 4: dinner every single night?
• 7:25
  Speaker 2: Amen. Amen, JT. You're speaking to a lot of partners,
• 7:30
  Speaker 2: spouses out there, everyone.
• 7:32
  Speaker 3: What if?
• 7:33
  Speaker 2: Now, the decision fatigue I get, like my wife has
• 7:35
  Speaker 2: to make a ton of decisions all day about school
• 7:38
  Speaker 2: and sports and job and all this stuff. And she's
• 7:41
  Speaker 2: making more decisions than I am in terms of our
• 7:44
  Speaker 2: kids and what's going on. But here's what does bother me,
• 7:48
  Speaker 2: and I think most husbands can.
• 7:50
  Speaker 3: Agree with this.
• 7:51
  Speaker 2: It's when you get to the, okay, what do you
• 7:53
  Speaker 2: want to eat? We're leaving a practice or a game.
• 7:56
  Speaker 2: Where do you want to stop on the way home?
• 7:59
  Speaker 2: And it's, JT knows this, it's I don't care. Whatever
• 8:02
  Speaker 2: you want. And then you go through three different options
• 8:04
  Speaker 2: that they don't want. Well, what about this? No, I
• 8:07
  Speaker 2: want something lighter than that. Well, what about this? No,
• 8:09
  Speaker 2: I'm not in the mood for that. Then tell me
• 8:11
  Speaker 2: what you want, because I can literally eat anything. Hutton
• 8:15
  Speaker 2: knows this. I am agreeable to pretty much any restaurant option.
• 8:19
  Speaker 2: I will find something to eat anywhere we go.
• 8:22
  Speaker 3: And here's the other thing, too.
• 8:23
  Speaker 1: Chad and I, if we get something on our mind,
• 8:25
  Speaker 1: chances are we've already had it. So if we're thinking Arby's,
• 8:29
  Speaker 1: we've already had Arby's. The craving's over because we had
• 8:31
  Speaker 1: Arby's on the way home.
• 8:33
  Speaker 2: Hunt and I now make it just an– if we're
• 8:37
  Speaker 2: driving to a college football game or to an event somewhere,
• 8:40
  Speaker 2: it's an Arby's stop if it's a road trip. It's
• 8:42
  Speaker 2: kind of become a tradition that it's like Pavlov's dog.
• 8:46
  Speaker 2: The bell rings and you start thinking of something. When
• 8:49
  Speaker 2: Hunt and I are in the same vehicle together, we
• 8:50
  Speaker 2: think Arby's. We think the Meats. That's what we want,
• 8:54
  Speaker 2: and we stop every time and get Arby's.
• 8:55
  Speaker 3: Now, what if we do it like this, guys?
• 8:57
  Speaker 1: What if we flip the script and we start asking,
• 9:01
  Speaker 1: tell me what you don't want, and I'll choose. That way,
• 9:05
  Speaker 1: whatever I choose is not going to be something.
• 9:08
  Speaker 3: That you don't want.
• 9:11
  Speaker 4: I mean, last night it was this. You leave the
• 9:13
  Speaker 4: ball field, 105-degree heat index. Hey, it's hot. I don't
• 9:19
  Speaker 4: really want anything heavy. Okay, how about a salad from–
• 9:22
  Speaker 4: There you go.
• 9:23
  Speaker 3: There you go.
• 9:24
  Speaker 2: No. No.
• 9:25
  Speaker 4: What about Chick-fil-A?
• 9:27
  Speaker 2: No. What about Chipotle? Hell, let's go to Toots. No.
• 9:32
  Speaker 3: Good food and fun.
• 9:33
  Speaker 2: No, I don't want that. What do you want? Toots
• 9:35
  Speaker 2: is great. I never say no to Toots. Come on. JT,
• 9:40
  Speaker 2: here's what I started doing. Give three options. I'm usually like,
• 9:43
  Speaker 2: all right, here are three things that I want, so
• 9:46
  Speaker 2: I'll give you the choice of like three differing options,
• 9:48
  Speaker 2: and you pick between the three.
• 9:49
  Speaker 3: I'm thinking here or here.
• 9:52
  Speaker 2: Yeah, like it was Burger Week in Mount Joy last
• 9:55
  Speaker 2: week in my town. All right, so I looked on
• 9:58
  Speaker 2: Instagram for all the burgers. of the different restaurants, the
• 10:01
  Speaker 2: specialty burgers off menu items they were offering. And I
• 10:05
  Speaker 2: gave Angie two options. I was like here or here
• 10:08
  Speaker 2: is what I'm thinking. And then she quickly chose between
• 10:11
  Speaker 2: the two options and it was fine. And that's where
• 10:13
  Speaker 2: we went to have our burger. When is it not
• 10:15
  Speaker 2: burger week, Chad? Well, it's always Burger Week for me.
• 10:18
  Speaker 3: There we go.
• 10:19
  Speaker 2: In the town of Mount Juliet, it's Burger Week just
• 10:21
  Speaker 2: in a way.
• 10:22
  Speaker 3: Oh, okay. That's it. Yeah, yeah, yeah.
• 10:23
  Speaker 2: It's Burger Week every day.
• 10:25
  Speaker 3: Every day, yeah.
• 10:25
  Speaker 2: Let's get it straight. Mark on YouTube says, My primary
• 10:31
  Speaker 2: complaint is straight people who call their significant others partner.
• 10:35
  Speaker 2: If you're not gay, a cowboy, or both, don't say partner.
• 10:42
  Speaker 3: My partner.
• 10:43
  Speaker 2: Well said.
• 10:44
  Speaker 3: Like, look.
• 10:45
  Speaker 2: If you're gay even, just say your boyfriend or your girlfriend.
• 10:50
  Speaker 2: The partner thing is really a last five or ten
• 10:52
  Speaker 2: year construct.
• 10:54
  Speaker 1: Chad, you know what it's done? It's taken away our
• 10:56
  Speaker 1: ability to call each other partners.
• 10:58
  Speaker 3: Right.
• 10:59
  Speaker 2: I have to say broadcast partner because people will be confused.
• 11:03
  Speaker 2: If I say, oh, I'm here with my partner, Jonathan Hutton.
• 11:06
  Speaker 2: They're going to be very confused. We watch an episode
• 11:08
  Speaker 2: of Tires on the drive back from Birmingham where.
• 11:11
  Speaker 3: There was a lot of confusion. There you go.
• 11:13
  Speaker 2: That the one guy was talking about Shane and they
• 11:17
  Speaker 2: thought that they were partners, partners, right?
• 11:19
  Speaker 3: Will the gay. Will the gay.
• 11:21
  Speaker 2: Yes. Will and Shane were deemed to be partner partners
• 11:24
  Speaker 2: and not just work partners. You got to really specify now,
• 11:28
  Speaker 2: but I do not like the term partner either. I'm
• 11:30
  Speaker 2: with him on that. It's husband, wife, boyfriend, girlfriend, or
• 11:34
  Speaker 2: I mean, if you're just dating a friend, here's my friend,
• 11:37
  Speaker 2: such and such. You don't have to, I don't need,
• 11:40
  Speaker 2: what is even the leveling up to get to partner, partnerdom?
• 11:44
  Speaker 2: I don't, I don't know. I don't understand. But like,
• 11:47
  Speaker 2: even for gay people, it's like a woman, this is
• 11:50
  Speaker 2: my wife for a man. This is my husband. Like
• 11:52
  Speaker 2: I would know exactly what that is and shake their
• 11:55
  Speaker 2: hand if, if meeting them, right? Like partner, uh, I'm
• 11:59
  Speaker 2: with you, Mark. I'm with you, man. I'm with you.
• 12:03
  Speaker 3: Good one, Mark.
• 12:04
  Speaker 2: It's one of those terms that has really risen in
• 12:06
  Speaker 2: the last, I'd say, seven years to where it's become
• 12:09
  Speaker 2: a very popular thing.
• 12:10
  Speaker 3: JT, why is that? Why do you guys always say partner?
• 12:13
  Speaker 2: Yeah. JT's like, you just don't understand. There's a reason.
• 12:24
  Speaker 3: Yeah. You guys will never understand. That is primary complaint.
• 12:30
  Speaker 2: Straight white guys will never understand, Hutton. Same to you, Mark.
• 12:33
  Speaker 2: We just won't ever get it.
• 12:35
  Speaker 1: Yeah, Chad and I are no longer broadcast partners because
• 12:37
  Speaker 1: we say partners and our microphone messes up.
• 12:40
  Speaker 3: Chad and I are partners. That's all you hear.
• 12:44
  Speaker 2: It's not what you think. We promise. What is the
• 12:47
  Speaker 2: straight white guy? SWG? Is that what they go by?
• 12:50
  Speaker 2: What is that?
• 12:50
  Speaker 3: I don't know.
• 12:51
  Speaker 2: In the acronym world. I got something from Kelly Stewart yesterday.
• 12:55
  Speaker 2: Asking me a question, I responded, and then she gave
• 12:58
  Speaker 2: me an acronym back, and I was like, I have
• 12:59
  Speaker 2: no idea what you just said. And it was FFS.
• 13:02
  Speaker 2: No idea.
• 13:04
  Speaker 3: You know what that is, Sutton? Yes, I do know
• 13:06
  Speaker 3: what it is.
• 13:07
  Speaker 2: For F's sake.
• 13:09
  Speaker 3: Yeah.
• 13:10
  Speaker 2: Is what that is.
• 13:10
  Speaker 3: That's what I was going to guess.
• 13:11
  Speaker 2: Never, yeah. Good job. Good job, because I.
• 13:14
  Speaker 3: Had no clue.
• 13:15
  Speaker 1: But it had to come from her for me to
• 13:16
  Speaker 1: figure it out. If you would have said FFS or whatever,
• 13:20
  Speaker 1: I would have had no clue.
• 13:22
  Speaker 2: Yeah, we were talking college football. I responded with an
• 13:25
  Speaker 2: answer to a question, and the response was FFS. And
• 13:28
  Speaker 2: I said, I'm either too old, not cool enough, or something.
• 13:31
  Speaker 2: I have no clue. I didn't want to Google it either.
• 13:34
  Speaker 2: I just wanted her to explain it to me. But
• 13:37
  Speaker 2: did not know FFS until yesterday. Thank you, Kelly. And
• 13:40
  Speaker 2: by the way, on tilt, 4 o'clock Eastern time, 3
• 13:43
  Speaker 2: o'clock Central, every afternoon.
• 13:45
  Speaker 1: Nico, year two. We discuss it next here on Hunting
• 13:49
  Speaker 1: with Roe. David Crockett, King of the Wild Frontier, and
• 13:53
  Speaker 1: also Crockett Coffee. Started by Clay Travis, Buck Sexton, and
• 13:57
  Speaker 1: Buck's brother Mason. Named after Davy Crockett, the hunter, the storyteller,
• 14:01
  Speaker 1: the patriot, the backwoods legend.
• 14:03
  Speaker 3: Look at the logo. Davy surfing on the backs of crocodiles. Beautiful.
• 14:06
  Speaker 3: It tells you everything about the attitude here. It is beautiful.
• 14:08
  Speaker 1: 100% pure Arabica, high altitude beans, small batch roasted right
• 14:13
  Speaker 1: here in America, in Tennessee, the heart of the country.
• 14:16
  Speaker 1: It ships fresh roasted, fresh roasted, not sitting on a
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  Speaker 1: warehouse shelf for six months. Light, medium, dark, decaf, organic,
• 14:24
  Speaker 1: even a mushroom blend. Whole bean, you've got ground, you've
• 14:27
  Speaker 1: got K-cups, however you make it in the morning. That
• 14:30
  Speaker 1: logo goes great.
• 14:32
  Speaker 2: On a hat, too, because I've seen it on a hat.
• 14:33
  Speaker 2: You can buy some merch. The coffee mugs goes great
• 14:37
  Speaker 2: on that as well. You can get all that with
• 14:38
  Speaker 2: Crockett Coffee. You can also set up a subscription that
• 14:41
  Speaker 2: shows up on your schedule, change it or cancel it
• 14:43
  Speaker 2: anytime you want as the free market intended. free shipping
• 14:46
  Speaker 2: on orders of $ 59 or more, and there's a discount
• 14:49
  Speaker 2: for veterans. And Crockett partners with Tunnels to Towers, building
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  Speaker 2: mortgage-free homes for the families of fallen service members and
• 14:55
  Speaker 2: for catastrophically injured veterans and first responders. Good coffee, made
• 15:00
  Speaker 2: in America, doing some good. CrockettCoffee.com. That's Crockett, C-R-O-C-K-E-T-T-Coffee.com.
• 15:09
  Speaker 1: David Crockett. One of my favorite movies growing up. David Crockett,
• 15:13
  Speaker 1: King of the Wild Frontier.
• 15:15
  Speaker 2: Excellent. That one, it reminds me kind of of another
• 15:17
  Speaker 2: great Tennessee story, Walking Tall, the Buford Pusser story. My
• 15:21
  Speaker 2: dad showed me that when I was really little, and
• 15:23
  Speaker 2: I thought I was watching something I shouldn't be watching,
• 15:26
  Speaker 2: but about the sheriff and I think McNary County in
• 15:29
  Speaker 2: West Tennessee, the true story. Awesome. I think it's in
• 15:32
  Speaker 2: the 70s, probably that movie came out. Really good. I
• 15:35
  Speaker 2: hear Tunnel to Towers also, and I think about Gary Sinise.
• 15:38
  Speaker 2: who I believe has a lot to do with that organization.
• 15:41
  Speaker 2: I just recently, it took me about four nights to finish,
• 15:43
  Speaker 2: but I finished Apollo 13 and went back and watched it.
• 15:46
  Speaker 2: Movie from 1995. I want to raise this quickly before
• 15:50
  Speaker 2: we talk, Nico. The 90s and the movies of that era,
• 15:54
  Speaker 2: and the 80s also, did a remarkable job of ending
• 15:58
  Speaker 2: at the most climactic point and not giving you 25
• 16:02
  Speaker 2: minutes of filler after the ending. The ending of Apollo 13,
• 16:06
  Speaker 2: first off, incredible movie. A great story of American ingenuity
• 16:10
  Speaker 2: when you think about what they did. We never went
• 16:12
  Speaker 2: up there, Chad. We know plenty of people who don't
• 16:16
  Speaker 2: think we were ever up there. Watching even the engineers
• 16:20
  Speaker 2: get all the materials they had on the ship in
• 16:22
  Speaker 2: the room and figure out how are we going to
• 16:25
  Speaker 2: get this into this and make this happen. They're just
• 16:28
  Speaker 2: working day and night. to make it happen is incredible.
• 16:31
  Speaker 2: Love the movie. But I mean, the moment, spoiler alert,
• 16:34
  Speaker 2: they make it home. In Apollo 13, when they touch
• 16:37
  Speaker 2: down in the ocean and they get pulled out and
• 16:39
  Speaker 2: they're on the USS Iwo Jima, they're on the aircraft carrier.
• 16:42
  Speaker 2: Tom Hanks still has the beard from when he was
• 16:44
  Speaker 2: up in space. And they're waving to everybody. Tom Hanks
• 16:47
  Speaker 2: is doing the voiceover. The thing ends. I mean, three
• 16:50
  Speaker 2: minutes after they splash down, And the control room's going nuts.
• 16:55
  Speaker 2: You can't beat a mission controller. Cigarettes flying. Cigarettes flying
• 16:58
  Speaker 2: in the air. Ash is everywhere. They just end the
• 17:03
  Speaker 2: damn movie, and it's perfect. And I'm like, man, I
• 17:06
  Speaker 2: leave on a high. I had a hard time going
• 17:08
  Speaker 2: to sleep last night watching this, the end of it.
• 17:10
  Speaker 2: I'm like, I'm pumped up. Let's go beat the commies
• 17:13
  Speaker 2: at something else right now. I would also say I
• 17:16
  Speaker 2: feel like America's at its best when we have a
• 17:19
  Speaker 2: clear enemy. and that we accomplished more. Like during the
• 17:23
  Speaker 2: Cold War, we got stuff done because there was the
• 17:26
  Speaker 2: specter of the USSR at all times. We haven't had
• 17:30
  Speaker 2: that since the Berlin Wall fell and since communism fell
• 17:34
  Speaker 2: in Russia. We have these different shadow enemies, sure, but
• 17:38
  Speaker 2: when it was like a clear cut, here's the enemy,
• 17:40
  Speaker 2: we must beat them to the moon, we must beat
• 17:43
  Speaker 2: them in weapons, we must beat them with our economy,
• 17:47
  Speaker 2: I think America has thrived at its best in that time,
• 17:50
  Speaker 2: and it feels like since the early 90s on, we
• 17:54
  Speaker 2: don't have the same ingenuity that we had during Apollo 13.
• 17:58
  Speaker 2: But I wanted to give a shout-out to Ron Howard
• 17:59
  Speaker 2: and the makers of that great film for ending the
• 18:02
  Speaker 2: movie where it should have, because if that movie's made today, Hutt,
• 18:05
  Speaker 2: it's three hours long.
• 18:06
  Speaker 3: It's another 30 minutes. Why does it need to be
• 18:08
  Speaker 3: three hours long?
• 18:10
  Speaker 1: Why did it change to where the producers.
• 18:14
  Speaker 3: The directors.
• 18:16
  Speaker 1: The cutting room floor doesn't leave more on the cutting
• 18:18
  Speaker 1: room floor. Why the necessity to say, you know what?
• 18:23
  Speaker 1: The audience needs more. They're demanding more. I'm not demanding more.
• 18:28
  Speaker 3: More is less.
• 18:30
  Speaker 2: I'm with you. And also, it's almost a point of
• 18:32
  Speaker 2: pride for the filmmaker that, you know, and I love
• 18:34
  Speaker 2: Christopher Nolan. I'll sit through all three hours of his movies.
• 18:37
  Speaker 2: It's three plus hours for The Odyssey. It's a good movie.
• 18:40
  Speaker 2: It was an enjoyable experience. It's really well done. But
• 18:42
  Speaker 2: I would also argue that with Christopher Nolan or others,
• 18:45
  Speaker 2: it almost becomes a point of pride that I've shot
• 18:49
  Speaker 2: this much film and I've got this much great stuff
• 18:51
  Speaker 2: and I'm not going to take as much out. So
• 18:53
  Speaker 2: let's bloat this thing up to two hours and 53
• 18:56
  Speaker 2: minutes or however long it's going to be. There should
• 18:59
  Speaker 2: be a point of pride for making a tight, action-packed,
• 19:05
  Speaker 2: fantastic hour and 40-minute movie. Like the art of the
• 19:09
  Speaker 2: hour and 35, hour to 45 movie is a lost art, right?
• 19:15
  Speaker 3: I don't think it's a lost art.
• 19:17
  Speaker 1: I think it is like there's some necessity to stretch
• 19:22
  Speaker 1: out what is the artful, like you're saying, hour 50.
• 19:27
  Speaker 1: And for whatever reason, it's like a demand to stretch
• 19:30
  Speaker 1: it to 215.
• 19:30
  Speaker 2: Yep. Well, another movie I rewatched, and all these movies,
• 19:35
  Speaker 2: by the way, are on Netflix, where I'm mostly at
• 19:37
  Speaker 2: at night if I'm watching something. But another 90s movie
• 19:40
  Speaker 2: I watched recently, Speed. It's the opposite of what we
• 19:43
  Speaker 2: see today. It's an hour and 40-minute movie. There's not
• 19:46
  Speaker 2: a second that you're not on the edge of your
• 19:47
  Speaker 2: seat in that movie. It goes from one second. piece
• 19:50
  Speaker 2: to the next. You're on the bus, you know, for
• 19:52
  Speaker 2: the bulk of it with Keanu Reeves and Sandy Bullock,
• 19:55
  Speaker 2: but no wasted time, Hut. And when that thing ends,
• 19:58
  Speaker 2: it ends quickly. There's not 25 minutes of, oh, here's
• 20:02
  Speaker 2: Keanu and Sandra Bullock getting to know each other better. No,
• 20:06
  Speaker 2: They made out on the ground when he saved her.
• 20:10
  Speaker 2: They're off to the races. I mean, you know exactly
• 20:13
  Speaker 2: what's happening that night.
• 20:14
  Speaker 3: It was done.
• 20:15
  Speaker 1: The deal was done, right? I mean, it was perfect.
• 20:18
  Speaker 1: There's no big storyline afterwards.
• 20:20
  Speaker 4: No.
• 20:21
  Speaker 2: There's no second film. No, it was perfect.
• 20:24
  Speaker 3: It's a perfect.
• 20:26
  Speaker 2: encapsulation of what you want in an hour and 40
• 20:28
  Speaker 2: hour and 45 minute movie we've lost our way with
• 20:31
  Speaker 2: that that every big movie now spider-man i talked about
• 20:34
  Speaker 2: spider-man doesn't need to be over two hours i enjoyed
• 20:37
  Speaker 2: the movie i would have enjoyed it more than an
• 20:38
  Speaker 2: hour and 50 minutes than two and a half hours.
• 20:41
  Speaker 1: It's like but but do you can you recall when
• 20:44
  Speaker 1: this changed this is within the last like 10 years i.
• 20:46
  Speaker 2: Think i remember streaming right is it the streamers that
• 20:50
  Speaker 2: did this um No, I don't think the streamers have
• 20:56
  Speaker 2: done it. I think it's the movies that are made now.
• 21:01
  Speaker 2: There's more event-type movies like The Odyssey, like Spider-Man. When
• 21:05
  Speaker 2: you make that movie that most people will see and
• 21:08
  Speaker 2: many will go see in the theater, it's as if
• 21:10
  Speaker 2: the studio and the filmmakers are like, well, we've got
• 21:12
  Speaker 2: to give them as much time as possible. And it's almost,
• 21:16
  Speaker 2: like I said, it's a point of pride or it's
• 21:18
  Speaker 2: a mark for you if you made a really long movie.
• 21:21
  Speaker 2: I remember, JT, look up when Braveheart The year it
• 21:25
  Speaker 2: came out, I want to say 94, 95, 93 around there. 95,
• 21:29
  Speaker 2: I'm guessing. But the length of that movie was a
• 21:33
  Speaker 2: big deal. I feel like when I watched it on VHS,
• 21:37
  Speaker 2: I didn't see it in theaters. I love Braveheart and
• 21:39
  Speaker 2: love the movie, but it was like a big deal, Hutton,
• 21:42
  Speaker 2: when our preteen selves would watch that movie and make
• 21:46
  Speaker 2: it through it because it was so long. I don't
• 21:48
  Speaker 2: know how long it was exactly, but there you go.
• 21:53
  Speaker 2: Being three hours long was like, oh my gosh, you're
• 21:56
  Speaker 2: going to watch a three-hour movie? And I loved it,
• 21:59
  Speaker 2: but that was a big deal. Now it's the norm.
• 22:02
  Speaker 3: And that gave way to Titanic. Yeah.
• 22:07
  Speaker 1: The three-hour film, or whatever it was. And then what
• 22:11
  Speaker 1: was the next three-hour film after that? I can't even remember.
• 22:16
  Speaker 2: I mean, there's been plenty of them. I can't remember
• 22:18
  Speaker 2: the one that everybody talked about that was a big
• 22:20
  Speaker 2: event movie thing. That was that long. But again, now
• 22:23
  Speaker 2: all of them are that way. Look, it's not a
• 22:27
  Speaker 2: short movie. Apollo 13 is two hours and 28 minutes
• 22:30
  Speaker 2: or something like that.
• 22:30
  Speaker 3: Two hours and 25 minutes.
• 22:32
  Speaker 2: But it was well worth the two hours and 28
• 22:34
  Speaker 2: minutes I spent with it then. Well worth it now
• 22:37
  Speaker 2: to see that level of ingenuity in our space program.
• 22:40
  Speaker 2: But I also, I just wanted to give credit where
• 22:43
  Speaker 2: credit is due. They shut that thing off at the
• 22:45
  Speaker 2: right time. And I feel like it would have gone
• 22:47
  Speaker 2: to three hours today had they done it again.
• 22:51
  Speaker 3: Chad, I'm looking up the best 90s movies that were
• 22:53
  Speaker 3: three hours long.
• 22:55
  Speaker 2: And I bet I've seen all of them, whatever they are.
• 22:58
  Speaker 3: Gettysburg.
• 22:59
  Speaker 2: Braveheart's the one that immediately comes to mind. It was like, oh,
• 23:01
  Speaker 2: my gosh.
• 23:02
  Speaker 3: Gettysburg. We just watched a movie for three hours. What
• 23:04
  Speaker 3: was that? Gettysburg.
• 23:07
  Speaker 2: Gettysburg was over four hours, I think.
• 23:10
  Speaker 3: Yeah, Gettysburg was four hours and 15 minutes. Hamlet. Didn't
• 23:15
  Speaker 3: see it.
• 23:16
  Speaker 2: Didn't catch that one. I didn't watch Hamlet, and I
• 23:18
  Speaker 2: also will not watch Hamnet. Which was recently nominated for
• 23:21
  Speaker 2: an Oscar. Not going to see either one of those.
• 23:23
  Speaker 1: Malcolm X in 92. Didn't see it. Three hours and
• 23:26
  Speaker 1: 20 minutes.
• 23:27
  Speaker 2: I have seen that way too long, I will say.
• 23:30
  Speaker 2: That's one that felt long. We mentioned Titanic. There's also
• 23:33
  Speaker 2: Dances with Wolves. Three hours and one minute. I'll give
• 23:37
  Speaker 2: you one, Hutton, that I watched multiple times. JFK also
• 23:40
  Speaker 2: three hours. What was the three hours you said?
• 23:43
  Speaker 3: JFK.
• 23:44
  Speaker 2: JFK is one I like that was very long and
• 23:46
  Speaker 2: known for being long. I'll give you one of the
• 23:49
  Speaker 2: 90s that I watched multiple times that I loved, and
• 23:52
  Speaker 2: I almost loved in part because of its length, is
• 23:54
  Speaker 2: Hoop Dreams, which is the first documentary I remember watching,
• 23:57
  Speaker 2: which I believe is over four hours. And it follows
• 24:00
  Speaker 2: the two kids in Chicago from age 14 to 21
• 24:04
  Speaker 2: throughout their basketball lives and their home lives, trying to
• 24:07
  Speaker 2: make it as basketball players. Arthur Agee and William Gates,
• 24:11
  Speaker 2: still remember the two players' names. One ends up going
• 24:14
  Speaker 2: to a private school. One ends up at public school.
• 24:16
  Speaker 2: In Chicago, it's really, really well done, but that's one
• 24:19
  Speaker 2: that was, I think, well over four hours.
• 24:22
  Speaker 3: The other two, The Green Mile and Schindler's List.
• 24:27
  Speaker 4: Guys, I've got one for you, too, that's going to
• 24:29
  Speaker 4: blow your mind just doing some research. Chad, did you
• 24:32
  Speaker 4: ever watch Logistics, the film from 2012?
• 24:36
  Speaker 2: I did not.
• 24:37
  Speaker 3: There's a reason.
• 24:37
  Speaker 2: 51 hours, 420 minutes. I'm sorry. Let me redo this.
• 24:40
  Speaker 3: It's a miniseries.
• 24:42
  Speaker 4: 800 and 40, 857 hours, 35 days and 17 hours.
• 24:47
  Speaker 4: If you'd like to watch that the longest ever logistics, 2012.
• 24:52
  Speaker 2: Do you have a log line for logistics? Do you
• 24:54
  Speaker 2: have like the plot summary of this, or is it
• 24:56
  Speaker 2: just like a, is it like an art installation? A
• 24:58
  Speaker 2: bunch of images flashing over and over. Is there sex
• 25:01
  Speaker 2: in that movie?
• 25:03
  Speaker 4: Don't see a rating, uh, concepts that tracks and reverse
• 25:07
  Speaker 4: chronicological journey of a person from a store in Stockholm, uh,
• 25:12
  Speaker 4: Back to.
• 25:13
  Speaker 2: A manufacturing plant in China.
• 25:15
  Speaker 4: So it sounds intriguing.
• 25:17
  Speaker 1: Chad, JT, I googled three-hour movies of the last three years. Oppenheimer,
• 25:28
  Speaker 1: Killers of the Flower Moon, way too long.
• 25:31
  Speaker 2: Both good. Killers of the Flower Moon felt long. Oppenheimer,
• 25:34
  Speaker 2: to me, was about right. But again, I'm in the
• 25:38
  Speaker 2: back for Christopher Nolan, what he does.
• 25:40
  Speaker 1: Having read the book, Killers of the Flower Moon, that
• 25:44
  Speaker 1: was a huge disappointment.
• 25:45
  Speaker 3: Huge disappointment. The Brutalist of 2024.
• 25:50
  Speaker 2: Seen it. Very depressing film. Way too long.
• 25:53
  Speaker 1: Horizon, an American saga chapter one with Kevin Costner.
• 25:59
  Speaker 2: I liked it. I don't think anyone else did. There's
• 26:02
  Speaker 2: a part two that won't see the light of day
• 26:04
  Speaker 2: because no one saw part one. And Kevin Costner got
• 26:07
  Speaker 2: bashed for it. I thought it was a good Western.
• 26:10
  Speaker 2: I enjoyed it. It is long, but I enjoyed Horizon
• 26:13
  Speaker 2: part one.
• 26:14
  Speaker 1: Now, if you keep going back, there's Cloud Atlas, Boyhood,
• 26:20
  Speaker 1: Straight Outta Compton. Straight Outta Compton was not three hours long,
• 26:24
  Speaker 1: was it?
• 26:26
  Speaker 3: There's no way. They didn't fill three hours.
• 26:29
  Speaker 2: Do you know the premise to Boyhood?
• 26:31
  Speaker 3: Hateful Eight. Hateful Eight.
• 26:32
  Speaker 2: Yeah.
• 26:33
  Speaker 3: That's one. What'd you say, Chad?
• 26:34
  Speaker 2: Do you know the premise to Boyhood, the movie?
• 26:37
  Speaker 3: Do you ever watch it? I know that it follows
• 26:40
  Speaker 3: the kids. Yeah, yeah.
• 26:41
  Speaker 2: It's a little like Hoop Dreams, but it's the dramatic
• 26:43
  Speaker 2: written version of it. It follows a kid and his
• 26:46
  Speaker 2: parents who eventually get divorced, and Ethan Hawke is in it,
• 26:51
  Speaker 2: but they shot for like two weeks every summer for
• 26:55
  Speaker 2: like 10 or 11 years to make the movie. So
• 26:58
  Speaker 2: they would get back together two weeks in the summer,
• 27:01
  Speaker 2: kids older, and it took the kid from age seven
• 27:03
  Speaker 2: to age 18.
• 27:04
  Speaker 3: Wow.
• 27:05
  Speaker 2: I think it is over the course of the movie.
• 27:06
  Speaker 2: So Ethan Hawke's a year older each time. Patricia Arquette,
• 27:10
  Speaker 2: I believe, was the mom in it. It's actually, when
• 27:13
  Speaker 2: you know, it's Richard Linklater who did School of Rock,
• 27:16
  Speaker 2: has done a bunch of movies like that. He's collaborated
• 27:19
  Speaker 2: with Ethan Hawke on a lot. A Texas filmmaker. It's
• 27:23
  Speaker 2: pretty well done. When you know the story behind the movie,
• 27:28
  Speaker 2: it's impressive to see them age throughout the years and
• 27:32
  Speaker 2: what happens to the kid.
• 27:33
  Speaker 1: A great example of what we're talking about is the
• 27:35
  Speaker 1: fact that IT Chapter 2 is three hours long.
• 27:40
  Speaker 3: IT Chapter 2. Not Chapter 1, Chad. Chapter 2.
• 27:43
  Speaker 2: Do you think Stephen King demanded that it be three
• 27:45
  Speaker 2: hours long? Stephen King, who famously hates the movie The Shining,
• 27:49
  Speaker 2: which I love.
• 27:50
  Speaker 1: 27 years after their first encounter with the terrifying Pennywise,
• 27:54
  Speaker 1: the Losers Club have grown up and moved away until
• 27:57
  Speaker 1: a devastating phone call brings them back.
• 28:00
  Speaker 3: Three hours long for IT Chapter 2.
• 28:03
  Speaker 2: Do you think fans of Stephen King even want it
• 28:04
  Speaker 2: to be three hours? The biggest diehard horror IT fans
• 28:08
  Speaker 2: in the world would rather see that movie be an
• 28:10
  Speaker 2: hour and 55 minutes. This is my note for Hollywood,
• 28:14
  Speaker 2: if they're listening right now. If Paramount moves to Nashville...
• 28:17
  Speaker 2: We can get David Ellison on this program. And I
• 28:19
  Speaker 2: would explain to him that what the people want are
• 28:22
  Speaker 2: more hour and a half to hour and 50 minute
• 28:25
  Speaker 2: movies that are really good. And they want less three
• 28:28
  Speaker 2: hour versions of It Chapter Two. That's it. That's my
• 28:32
  Speaker 2: note for the studios. Let's get to work.
• 28:34
  Speaker 1: That's why they have a score of 58 on IMDb.
• 28:38
  Speaker 3: That's right there.
• 28:40
  Speaker 2: Didn't see It Chapter One, Hutton won't see It Chapter Two.
• 28:42
  Speaker 2: I'm going to go ahead and guarantee you that. Not
• 28:44
  Speaker 2: a big Pennywise guy.
• 28:45
  Speaker 1: There are, but see, there are movies where I look
• 28:47
  Speaker 1: at them like, oh, deserving. Dark Knight Rises, yes. Dark
• 28:51
  Speaker 1: Knight Rises, absolutely, yes.
• 28:54
  Speaker 3: Even The Hobbit.
• 28:54
  Speaker 1: The Hobbit, when you have a book as thick as
• 28:56
  Speaker 1: that dad-blamed book was, it better be three hours long.
• 29:02
  Speaker 2: It's a thick text that they're pulling from J.R. Tolkien,
• 29:06
  Speaker 2: so it makes a lot of sense. To do that,
• 29:09
  Speaker 2: for sure. And like the Game of Thrones stuff. The
• 29:11
  Speaker 2: Game of Thrones book fans are always disappointed because they
• 29:16
  Speaker 2: change something here and leave something out. And I'm thinking,
• 29:18
  Speaker 2: have you seen those books and.
• 29:20
  Speaker 3: How thick they are? Dude wrote it in his own language.
• 29:22
  Speaker 2: Right. I am sympathetic to the showrunners or the filmmakers
• 29:26
  Speaker 2: in that. You've got to cut some stuff out. That's
• 29:30
  Speaker 2: not how a show works or how a movie works.
• 29:33
  Speaker 2: You've got to take the highlights of it, and you
• 29:35
  Speaker 2: can't show everything that's in a book.
• 29:38
  Speaker 1: I'm just not sympathetic to those who are like, oh,
• 29:40
  Speaker 1: let the writer finish the story himself.
• 29:42
  Speaker 3: No, no, no, no, no, no.
• 29:44
  Speaker 1: You can come up with that whenever he turned things
• 29:47
  Speaker 1: over to the producers of that show.
• 29:48
  Speaker 2: Yeah.
• 29:49
  Speaker 1: And you're thinking, okay, it's not done yet, but we're
• 29:54
  Speaker 1: going to let TV determine it. You had all these
• 29:57
  Speaker 1: years to do it. It's your work. You wrote it
• 30:01
  Speaker 1: your own language in Dothraki for this fantasy. But yet
• 30:08
  Speaker 1: you can't come up with your own ending. You don't
• 30:10
  Speaker 1: get to come up with it now. The ending's over.
• 30:12
  Speaker 1: The story is complete.
• 30:14
  Speaker 2: George R.R. Martin, when he turned his story over, when
• 30:20
  Speaker 2: he turned his entire world, his Westeros world over to
• 30:24
  Speaker 2: the people at HBO, he took a check to do that.
• 30:27
  Speaker 2: He continued to get checks. for him to turn his
• 30:30
  Speaker 2: literary world over to televised entertainment at that point, then
• 30:35
  Speaker 2: you lose the right to make decisions about your timeline.
• 30:37
  Speaker 3: Yes, you do.
• 30:38
  Speaker 2: When you finish. I'm sorry. There is a price when
• 30:41
  Speaker 2: you sell something to someone that's going to happen. I
• 30:45
  Speaker 2: talked about the show I'm watching right now is The Shards,
• 30:48
  Speaker 2: which is on Hulu, which sounds funny, but it's a
• 30:54
  Speaker 2: good Brett Easton Ellis book about early 80s, rich high
• 30:57
  Speaker 2: school life in LA. Okay. And it's got a serial killer.
• 31:00
  Speaker 3: I've got the shards.
• 31:02
  Speaker 2: Yeah. It's, it's not the shards, which is different shards
• 31:05
  Speaker 2: with a D shards would be more of a comedy.
• 31:08
  Speaker 2: This is not a comedy, but Brett Easton Ellis sold
• 31:11
  Speaker 2: the rights of his book to Disney and Hulu.
• 31:14
  Speaker 3: Right.
• 31:14
  Speaker 2: Like they're the ones making it. Yeah. They're trying to
• 31:32
  Speaker 2: create a TV show that can go five, six seasons.
• 31:34
  Speaker 3: Yeah, exactly.
• 31:35
  Speaker 2: So they're changing it, making it different. But Brett A. Sellis,
• 31:37
  Speaker 2: he probably doesn't like it, but he's not saying a
• 31:39
  Speaker 2: lot about it. Why? Because he sold the rights to it.
• 31:41
  Speaker 3: He sold it.
• 31:42
  Speaker 2: So at some point, TV people have to make decisions.
• 31:44
  Speaker 2: So yeah, I'm with you on that. I'm anti-George R.R.
• 31:48
  Speaker 3: Martin.
• 31:49
  Speaker 1: There's a quarterback named Nico out on the West Coast.
• 31:56
  Speaker 1: Is his story going to be longer than three hours?
• 31:58
  Speaker 3: We'll discuss that.
• 32:01
  Speaker 1: Year two of Nico next. Sutton and Withrow, we are
• 32:04
  Speaker 1: presented by Hard Rock Bet at Sport and State, founded
• 32:08
  Speaker 1: by Clay Travis. XXXY Athletics, founded by Jennifer Say, former
• 32:13
  Speaker 1: national champion gymnast, former Levi's brand president. She walked away
• 32:17
  Speaker 1: from a corporate job rather than say something she didn't
• 32:19
  Speaker 1: believe and started XXXY Athletics instead. The mission, in their words,
• 32:24
  Speaker 1: empower female athletes, take a stand for fair competition. They
• 32:26
  Speaker 1: call it the T that launched a movement. It's real
• 32:29
  Speaker 1: athletic apparel, including... the one-stop place where you go to
• 32:33
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• 32:36
  Speaker 3: Chad.
• 32:37
  Speaker 2: Tees, trucker hats, all the Balls gear you can want
• 32:40
  Speaker 2: or ever need will be at XXXY, the future WNBA
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• 32:53
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• 32:58
  Speaker 2: That's xx-xyathletics.com.
• 33:03
  Speaker 1: The forgotten quarterback out west, Chad, is Nico. I haven't
• 33:07
  Speaker 1: thought about Nico in quite some time. In a long time, actually.
• 33:11
  Speaker 2: The forgotten child of college football, Nico Yamaliova, not forgotten
• 33:15
  Speaker 2: by his father, who probably still controls every decision and
• 33:18
  Speaker 2: everything that he does in life. I saw Nico interview
• 33:21
  Speaker 2: recently about, you know, that he thinks kind of unfair
• 33:25
  Speaker 2: how he was– judge on the exit of Knoxville and
• 33:29
  Speaker 2: this and that. And I've got to be honest with you, Hutton.
• 33:31
  Speaker 2: I saw the headline. I'm like, not even going to
• 33:33
  Speaker 2: read it.
• 33:34
  Speaker 3: Don't care.
• 33:35
  Speaker 2: Don't want to hear about it. It's over. You left.
• 33:39
  Speaker 2: You played your hand. It didn't really work out for anyone.
• 33:42
  Speaker 2: It didn't work out for you. I don't think it
• 33:44
  Speaker 2: worked out for Tennessee. I don't think it worked out
• 33:46
  Speaker 2: for Josh Heupel. I don't think it worked out for
• 33:48
  Speaker 2: UCLA so far and what they paid for what they got.
• 33:52
  Speaker 3: A year ago.
• 33:52
  Speaker 2: I don't think anything's worked out at this point. Now,
• 33:55
  Speaker 2: here's the good news for Nico Yamileava is that he
• 33:58
  Speaker 2: gets another year. This is year two at UCLA, and
• 34:02
  Speaker 2: they hired a ball coach. I believe Bob Chesney is
• 34:06
  Speaker 2: going to be good at UCLA.
• 34:08
  Speaker 3: He's a good coach.
• 34:09
  Speaker 2: They also just fired their AD that was behind a
• 34:13
  Speaker 2: lot of this because they've been operating in the red
• 34:16
  Speaker 2: for way too long at UCLA. Finances aren't an issue.
• 34:18
  Speaker 2: It's why Chip Kelly left to go be a coordinator.
• 34:21
  Speaker 2: because they're not up to speed with the rest of
• 34:24
  Speaker 2: the Big Ten, especially when it comes to football. Not
• 34:28
  Speaker 2: with NIL, not with facilities, not with anything. Keep in mind,
• 34:31
  Speaker 2: UCLA is a place where the Rose Bowl is nowhere
• 34:34
  Speaker 2: near their campus, and you're traveling 45 minutes with a
• 34:37
  Speaker 2: little bit of traffic probably to get to the football
• 34:40
  Speaker 2: stadium on Saturdays for games. So it's a weird setup,
• 34:44
  Speaker 2: but it's also, I would argue, a bit of a
• 34:46
  Speaker 2: hidden gem in college football. They've had success in the past.
• 34:50
  Speaker 2: It is Los Angeles. It is UCLA. It's a beautiful
• 34:52
  Speaker 2: old-school uniform, I will say, for the UCLA Bruins also.
• 34:56
  Speaker 2: I think that Nico's going to have a good year.
• 34:59
  Speaker 2: I don't know what good. I can't define what.
• 35:01
  Speaker 3: That looks like. What do you mean by that?
• 35:03
  Speaker 2: Well, I think a year ago everyone would say that
• 35:06
  Speaker 2: was a failure, right? And we can point to it.
• 35:09
  Speaker 2: It's kind of like Cam Ward in year one. You
• 35:10
  Speaker 2: can point to a lot of things. His offensive line
• 35:12
  Speaker 2: wasn't good. His supporting cast wasn't good. The schedule's never
• 35:15
  Speaker 2: going to be easy. For UCLA, I don't think the
• 35:18
  Speaker 2: coaching was any good a year ago.
• 35:20
  Speaker 3: No, it was awful.
• 35:22
  Speaker 2: They've got a good football coach now.
• 35:24
  Speaker 3: Foster was awful.
• 35:25
  Speaker 4: Right.
• 35:25
  Speaker 2: They had Jerry Neuheisel, Rick's son, that kind of took
• 35:29
  Speaker 2: over midway through the season and became offensive coordinator also.
• 35:33
  Speaker 2: I think Chesney is going to be good for Nico.
• 35:37
  Speaker 2: I think this UCLA team will be better. Is better 6-6?
• 35:42
  Speaker 2: you know, seven and five. Yeah, it's better. And I
• 35:44
  Speaker 2: think that's probably what type of team they are. They're
• 35:46
  Speaker 2: going to surprise someone in the Big Ten. I think
• 35:49
  Speaker 2: they're going to compete a lot better. I think Nico
• 35:51
  Speaker 2: is a talented, talented quarterback. I think he can do
• 35:54
  Speaker 2: everything you ask him to do. Does he throw a
• 35:58
  Speaker 2: great deep ball? No, not all the time. But can
• 36:01
  Speaker 2: he make the intermediate throw? Is he a great athlete
• 36:04
  Speaker 2: and a good runner? Yes, he can do all these things.
• 36:07
  Speaker 2: So I'm pretty excited to watch him, Hunt, and I'm
• 36:10
  Speaker 2: going to have my top 10 college football games of
• 36:12
  Speaker 2: the week tomorrow on the show as we get ready
• 36:14
  Speaker 2: for the weekend. One of those games that would have
• 36:16
  Speaker 2: been in the top 10 being played tonight, by the way,
• 36:18
  Speaker 2: with Colorado and Georgia Tech. We may get to that
• 36:20
  Speaker 2: here a segment from now also. But I will say
• 36:24
  Speaker 2: one of the games, I'll spoil this part of it,
• 36:26
  Speaker 2: that's going to be on my list. UCLA is at Cal.
• 36:30
  Speaker 2: Cal's got a great young quarterback. as well. Nico's going
• 36:33
  Speaker 2: to be going head-to-head in a game that matters on
• 36:36
  Speaker 2: the road. I think Cal is like a three-point favorite.
• 36:39
  Speaker 2: Either Cal or UCLA's favorite by two or three points.
• 36:42
  Speaker 2: I'll have to go back and look, but that's one
• 36:44
  Speaker 2: that I'm keeping an eye on this weekend to see
• 36:46
  Speaker 2: how Nico performs and see how he does in week one.
• 36:50
  Speaker 2: I'm excited about that. Also, it took me a while
• 36:52
  Speaker 2: to realize when I saw that. My first thought, Hutton,
• 36:55
  Speaker 2: was why is a Pac-12 game being played in week
• 36:58
  Speaker 2: one between UCLA and Cal? Ten minutes later, I'm like, oh,
• 37:02
  Speaker 2: the Pac-12 doesn't exist anymore.
• 37:05
  Speaker 3: Duh.
• 37:05
  Speaker 2: UCLA is in the Big Ten now. Cal is in
• 37:07
  Speaker 2: the ACC. That is a Big Ten versus ACC matchup
• 37:12
  Speaker 2: when UCLA travels to Berkeley to take on Cal. That's
• 37:16
  Speaker 2: just the weird conference spot we're in right now.
• 37:20
  Speaker 1: My thing would be, like, where is Nico a year
• 37:24
  Speaker 1: from now in the NFL talk?
• 37:26
  Speaker 2: Yeah.
• 37:27
  Speaker 3: You know? Because.
• 37:29
  Speaker 1: We were discussing him right before he took a snap
• 37:33
  Speaker 1: for Tennessee. The thought was, okay, three years, and then
• 37:37
  Speaker 1: he's gone, right? Because of the five-star deal, the whole thing.
• 37:41
  Speaker 1: Where is he going to be in the hierarchy of
• 37:44
  Speaker 1: these quarterbacks right now? Because there's plenty of them. There's
• 37:46
  Speaker 1: a stack of them that all believe they're going to
• 37:51
  Speaker 1: be first, second-round picks next year. That won't be the case.
• 37:54
  Speaker 1: We'll see four or five of them probably. Not this
• 37:57
  Speaker 1: handful of 25 that currently stacks up on any website.
• 38:02
  Speaker 3: But where's Deco in all this?
• 38:05
  Speaker 2: Is he gaining buzz as the year goes on with
• 38:08
  Speaker 2: his play? It was an afterthought when he signed that
• 38:13
  Speaker 2: lucrative deal with Tennessee. He'll be there three years. He'll
• 38:17
  Speaker 2: start for two because they had Hindenhoeker coming back. Or
• 38:21
  Speaker 2: it'll go, no, Joe Milton. Sorry, it'll go Joe Milton
• 38:24
  Speaker 2: for one year, Nico for two after a year. And
• 38:27
  Speaker 2: then he's gone. He's a top 10, top 20 pick
• 38:29
  Speaker 2: in the NFL draft. No one's talking top 10, top
• 38:32
  Speaker 2: 20 pick right now. So does he change that narrative
• 38:34
  Speaker 2: this year? We're going to find out starting Saturday with
• 38:37
  Speaker 2: some legitimate competition.
• 38:38
  Speaker 3: We're hunting with Roe. We are presented by Hard Rock Betting.
• 38:41
  Speaker 1: Coming up, we have the Hard Rock locks for you,
• 38:44
  Speaker 1: including we as a duo will be chanting ACC.
• 38:48
  Speaker 3: We'll explain... Because it.
• 38:50
  Speaker 1: Just so happens one of them kicks off this evening.
• 38:53
  Speaker 1: That's straight ahead, right here on Hutton & Withrow. It
• 38:56
  Speaker 1: is time to roll with us on Hutton & Withrow,
• 38:59
  Speaker 1: presented by Hard Rock. Bet $ 5, get $ 100 in bonus bets.
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  Speaker 1: Right now, just download the app.
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  Speaker 3: Hardrock.bet.clay.
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• 39:15
  Speaker 3: Chad, my Hard Rock lock.
• 39:18
  Speaker 1: And I feel great about this as we kick off
• 39:20
  Speaker 1: the college football season together.
• 39:22
  Speaker 3: Give me Georgia Tech, man.
• 39:25
  Speaker 1: Georgia Tech minus six and a half taking on Colorado.
• 39:31
  Speaker 1: yeah I mean to me I'm surprised it's less than
• 39:35
  Speaker 1: seven less than a touchdown period I'll take Georgia Tech
• 39:40
  Speaker 1: by a possession absolutely give me six and a half
• 39:44
  Speaker 1: and yeah I I've got a better coach team. I've
• 39:47
  Speaker 1: got a team that executes. I've got a team that
• 39:49
  Speaker 1: runs the football very well. Yeah, Yellow Jackets all the
• 39:53
  Speaker 1: way here.
• 39:54
  Speaker 2: I just don't– looking at the two programs, Hutton, and
• 39:58
  Speaker 2: you look at the offseason that was very weird for
• 40:01
  Speaker 2: Deion Sanders and Colorado, we joked about the practice footage
• 40:05
  Speaker 2: that was out where Colorado just looks tiny on the
• 40:08
  Speaker 2: football field. And I think about what do we know
• 40:11
  Speaker 2: about Brent Key and Georgia Tech? Run the dang ball, right?
• 40:16
  Speaker 2: Let's run the dang football. He is a no-nonsense former
• 40:19
  Speaker 2: offensive lineman at his alma mater that is all about physicality,
• 40:24
  Speaker 2: that's all about accountability, toughness, all those things. I just
• 40:27
  Speaker 2: do not see Colorado going on the road to Atlanta
• 40:31
  Speaker 2: tonight in week one in front of a hostile crowd
• 40:35
  Speaker 2: and playing within a touchdown. Of Georgia Tech. I think
• 40:38
  Speaker 2: Georgia Tech takes the air out of the football in
• 40:40
  Speaker 2: the second half.
• 40:40
  Speaker 3: Suffocates them.
• 40:41
  Speaker 2: They take the life out of it. It is going
• 40:43
  Speaker 2: to be the anaconda effect, the python effect, of just
• 40:47
  Speaker 2: choking the life out of Colorado in the second half.
• 40:51
  Speaker 2: Give me the physicality of Georgia Tech to win this
• 40:54
  Speaker 2: game easily. I'm 100% with you. That is our show
• 40:56
  Speaker 2: lock of the night for college football.
• 40:59
  Speaker 1: The anaconda don't want none, Chad.
• 41:01
  Speaker 3: None in this game.
• 41:02
  Speaker 2: That's right. What a great song, by the way. Sir Mix-a-Lot. RIP.
• 41:06
  Speaker 2: Or is he still alive?
• 41:07
  Speaker 3: I don't know.
• 41:08
  Speaker 2: Did I just kill Sir Mix-a-Lot? Could have. Running bill
• 41:11
  Speaker 2: on this show is where I unintentionally murder people who
• 41:14
  Speaker 2: are actually still alive. JT can look up and see
• 41:16
  Speaker 2: if Sir Mix-a-Lot's alive. I'm guessing he's dead, but I
• 41:20
  Speaker 2: don't know that for a fact. But I love Georgia
• 41:23
  Speaker 2: Tech in this game, and I'll say this too.
• 41:24
  Speaker 3: He's 63.
• 41:25
  Speaker 2: And he's alive. Okay, good. Good job. Good for him.
• 41:28
  Speaker 2: A young man still. A very young man. If they
• 41:32
  Speaker 2: don't cover this spread, I'm talking about Georgia Tech, That
• 41:35
  Speaker 2: is a good sign for Tennessee a week from now
• 41:37
  Speaker 2: when they go to Georgia Tech. Let me say that, too.
• 41:39
  Speaker 2: I fully expect Georgia Tech to handle business tonight, though.
• 41:43
  Speaker 3: Same.
• 41:44
  Speaker 1: Give me Miami. Miami against Stanford, 24 and a half.
• 41:50
  Speaker 1: And I've got Heisman hopeful. I've got top quarterback. Most
• 41:57
  Speaker 1: money going to my quarterback in NIL. Over under here
• 42:00
  Speaker 1: is 47.5, and Miami's favored by 20. Yeah, give me
• 42:05
  Speaker 1: Miami over Stanford.
• 42:09
  Speaker 2: I'm only concerned about that trip. That game's at Stanford
• 42:15
  Speaker 2: on Friday night.
• 42:16
  Speaker 3: In front of no one.
• 42:19
  Speaker 2: Notice I didn't say I'm worried about the atmosphere. I'm
• 42:22
  Speaker 2: worried about the actual air miles and travel situation for
• 42:25
  Speaker 2: Miami in that game.
• 42:26
  Speaker 3: These guys.
• 42:27
  Speaker 1: These guys can handle a flight. These guys can handle
• 42:30
  Speaker 1: a flight. Half of them are going to be pros anyway, Chad.
• 42:33
  Speaker 2: Yeah, I'm going to regret it. I'm not going to
• 42:36
  Speaker 2: take that one. But Miami's way better than Stanford. I mean,
• 42:39
  Speaker 2: I watched some of the Hawaii game the other night.
• 42:42
  Speaker 2: Hawaii was in a dogfight with Stanford that game. They're
• 42:45
  Speaker 2: not very good right now.
• 42:46
  Speaker 3: No.
• 42:47
  Speaker 2: The crowd was even worse. Let me also say that
• 42:50
  Speaker 2: the Lincoln-Riley— We've got to find a way to use
• 42:54
  Speaker 2: our words better when describing something. Lincoln Riley yesterday is
• 42:59
  Speaker 2: talking about the discussion around the crowd, and he says,
• 43:03
  Speaker 2: I'm tired of this false narrative about the crowd. It's
• 43:06
  Speaker 2: not a false narrative.
• 43:07
  Speaker 3: It's not false.
• 43:08
  Speaker 2: There's video evidence of no one at your game.
• 43:11
  Speaker 3: What's his excuse?
• 43:14
  Speaker 2: Well, the heat. You know, it was close to 100 degrees. Oh,
• 43:17
  Speaker 2: get out of here.
• 43:18
  Speaker 1: It was hot when Matt Lyon and Reggie Bush and
• 43:21
  Speaker 1: Lindell were playing, too.
• 43:23
  Speaker 2: It's not even that he had an excuse. It's just
• 43:25
  Speaker 2: I'm mad about the coverage. So our attendance has been
• 43:29
  Speaker 2: up every year I've been here, and I'm tired of
• 43:31
  Speaker 2: this false narrative about our crowd. People are talking, they're
• 43:34
  Speaker 2: not talking about attendance as a whole during your entire time.
• 43:38
  Speaker 2: They're talking about a season opener to kick off a season.
• 43:43
  Speaker 3: 657 people were there.
• 43:43
  Speaker 2: It looked like a high school game was being played there.
• 43:46
  Speaker 2: It looked like a Friday night, two big high schools
• 43:49
  Speaker 2: from the area show up and play a game. That's
• 43:52
  Speaker 2: what the crowd looked like. That's what people are talking about.
• 43:54
  Speaker 2: It's not a false narrative. If you want to say, hey,
• 43:58
  Speaker 2: I was disappointed with the crowd too. We need them
• 44:00
  Speaker 2: to get better, you know, starting this week against Fresno
• 44:02
  Speaker 2: State or whatever. And I know that as we get
• 44:05
  Speaker 2: into Big Ten play, those crowds are going to be better.
• 44:08
  Speaker 2: It was an early start to our season. You know,
• 44:10
  Speaker 2: you don't bash the fans, but you say, yeah, it
• 44:12
  Speaker 2: wasn't a very good crowd. We expect better as the
• 44:15
  Speaker 2: season goes along and we start to earn it and
• 44:17
  Speaker 2: we start to prove that this is a good football team.
• 44:20
  Speaker 2: Don't tell me false narratives. That's not the proper way
• 44:22
  Speaker 2: to describe it. I don't want to hear about the heat.
• 44:25
  Speaker 2: It is hot everywhere.
• 44:27
  Speaker 1: If it's so hot, then cancel the damn game. And
• 44:31
  Speaker 1: while we're on... I'm not saying that to be true.
• 44:35
  Speaker 3: I want that.
• 44:35
  Speaker 2: Yeah, I know what you're saying.
• 44:36
  Speaker 3: Coaches can't use that as an excuse. They're practicing in
• 44:39
  Speaker 3: this heat.
• 44:41
  Speaker 2: I'm sorry. I've got ESPN on one TV over here,
• 44:45
  Speaker 2: and it's throwing me off because what they do now
• 44:47
  Speaker 2: is when an analyst comes on, They do this during
• 44:50
  Speaker 2: their games. You notice they got rid of the ticker,
• 44:52
  Speaker 2: but they'll show who's talking. So the screen will pop up,
• 44:55
  Speaker 2: and it's like the analyst name and picture will pop
• 44:58
  Speaker 2: up when they're talking about the game at times. Now
• 45:00
  Speaker 2: with Jordan Rodgers, they've got Jordan Rodgers, Will Compton, Taylor
• 45:03
  Speaker 2: LeJuan on, on whatever one of their shows are.
• 45:05
  Speaker 3: Breaking the news on the SEC.
• 45:07
  Speaker 2: Yeah, but Jordan Rodgers, they bring up his player picture.
• 45:11
  Speaker 2: So it's Jordan Rodgers with his player credentials as a
• 45:13
  Speaker 2: quarterback at Vanderbilt, and it's a picture of him playing
• 45:15
  Speaker 2: quarterback at Vanderbilt. Sorry, it threw me off for a second.
• 45:19
  Speaker 1: They've got Will Compton and Taylor LeJuan breaking down the
• 45:22
  Speaker 1: SEC trial.
• 45:24
  Speaker 2: Yeah, they've got right now. Outside the courtroom, here's Taylor LeJuan.
• 45:28
  Speaker 2: They've got Josh Pate, LeJuan, Compton, and then Rodgers talking
• 45:33
  Speaker 2: about a hearing today in Baton Rouge on SEC rules
• 45:36
  Speaker 2: is what I'm seeing, so whatever. The fake narrative thing.
• 45:40
  Speaker 2: The other thing that I want to say about the
• 45:42
  Speaker 2: Jared Stillman situation as we close on this, and I
• 45:45
  Speaker 2: think this story will go away pretty quickly. Also, it
• 45:48
  Speaker 2: was a big story yesterday. It's going to be less
• 45:50
  Speaker 2: of a story today. By the time we get to
• 45:51
  Speaker 2: college football, it won't be a story again. Let me
• 45:54
  Speaker 2: say this, though, to Titans fans that are all in
• 45:56
  Speaker 2: my mentions, that we don't care about this. We don't
• 45:59
  Speaker 2: care about Jerry Simmons. You are proving you care about
• 46:01
  Speaker 2: it when you watched our interview with him, when you
• 46:04
  Speaker 2: post to us about it, when you continue to comment
• 46:08
  Speaker 2: about how much you hate him, right? You cared. Like
• 46:12
  Speaker 2: stop saying I don't care about something over and over
• 46:16
  Speaker 2: when by acting in that way and responding to it,
• 46:20
  Speaker 2: you're proving that guess what?
• 46:21
  Speaker 3: You care.
• 46:22
  Speaker 2: That's another thing that kills me. If you didn't care,
• 46:25
  Speaker 2: you wouldn't comment on it. And no one would have
• 46:27
  Speaker 2: a reaction or no one would watch it.
• 46:30
  Speaker 1: Also, why would you be a fan of a team
• 46:31
  Speaker 1: and won't you be a mindless robot in favor of
• 46:33
  Speaker 1: them and everything they do when they've won three games
• 46:35
  Speaker 1: in back-to-back years and haven't won back-to-back games since John
• 46:39
  Speaker 1: Robinson was the general manager?
• 46:40
  Speaker 3: Make them earn it. Make them earn it.
• 46:44
  Speaker 2: The level of glazing that goes on with Titans fans
• 46:47
  Speaker 2: that I see with that organization is insane to me.
• 46:50
  Speaker 2: I'm not saying just outwardly hate your team at all times. No,
• 46:53
  Speaker 2: I'm not saying hate the team either, but they need
• 46:55
  Speaker 2: to prove that they're going to win. Yeah, you can't
• 46:57
  Speaker 2: also defend that type of stuff. Look, it's a story.
• 47:05
  Speaker 2: You care about it. Titans fans care about it more
• 47:07
  Speaker 2: than anybody else. stop saying you don't care when clearly
• 47:11
  Speaker 2: you do care by typing up that you don't care.
• 47:14
  Speaker 1: Well, and I believe it was Easton Freeze who said
• 47:17
  Speaker 1: this from A to Z, and he's exactly right. Had
• 47:20
  Speaker 1: Jared Stillman been the opposite way for the quote-unquote journalistic
• 47:23
  Speaker 1: integrity instead of my team effing sucks, if he was like,
• 47:27
  Speaker 1: I love my effing team, are they taking away his
• 47:31
  Speaker 1: credential for that?
• 47:32
  Speaker 3: No. No, they're not.
• 47:34
  Speaker 1: And it goes both ways there with journalistic integrity. He
• 47:39
  Speaker 1: would have lost it then, too, according to the Titans'
• 47:41
  Speaker 1: definition of that. Over-the-top fanboy.
• 47:46
  Speaker 2: They have plenty.
• 47:48
  Speaker 3: Of those guys. They've lost their journalistic integrity.
• 47:50
  Speaker 2: If you cared all about fair, honest coverage of a
• 47:54
  Speaker 2: team or analysis of a team, then you should care
• 47:58
  Speaker 2: about that story. That's what I'll say on all this.
• 48:01
  Speaker 2: If you don't, if you simply want someone who's going
• 48:03
  Speaker 2: to tell you lies and tell you, things are great
• 48:07
  Speaker 2: when they're not or not be real with you, then,
• 48:09
  Speaker 2: I mean, you'll get what you want. You can follow
• 48:13
  Speaker 2: who you want. Point being, you're following me. You're following Hutton.
• 48:16
  Speaker 2: You're following Stillman. You're seeing the clips. You're seeing the videos.
• 48:19
  Speaker 2: You're responding to it. So by definition, you do care
• 48:22
  Speaker 2: at least a little bit. So stop saying you don't care, right?
• 48:26
  Speaker 2: We're all going to care less by tomorrow because the
• 48:29
  Speaker 2: story will die like every story dies. in a day
• 48:32
  Speaker 2: or two. But stop arguing that you don't care. By definition,
• 48:37
  Speaker 2: you care by watching, by responding, by doing all of that.
• 48:41
  Speaker 2: That's my two cents on this story.
• 48:45
  Speaker 1: Hey, final minute of the show. This is why I'm excited.
• 48:49
  Speaker 1: It's because of the schedule. Check out the schedule for
• 48:52
  Speaker 1: the upcoming week.
• 48:54
  Speaker 3: Give it to me.
• 48:54
  Speaker 2: We've got next round coming up. Take a look at
• 49:01
  Speaker 2: this weekend's college football TV schedule. The final minute, I thought.
• 49:07
  Speaker 3: There it is. Looks like a bracket. Looks like a bracket.
• 49:11
  Speaker 1: Chad, this is the kaleidoscope of colors that makes me
• 49:14
  Speaker 1: happy this time of year. And we get to see
• 49:16
  Speaker 1: it tonight on the screen.
• 49:18
  Speaker 2: This is like a video. like this is what you
• 49:20
  Speaker 2: have at a sports bar when you're trying to make
• 49:22
  Speaker 2: your game plan. No, I'm serious. Like a Friday, like
• 49:25
  Speaker 2: the managers. If you've seen the manager list of games
• 49:28
  Speaker 2: on a TV, you get it like this, where it's like,
• 49:30
  Speaker 2: here's what we're watching this time. Here's where we're going
• 49:32
  Speaker 2: to now. Here are the options in the 2.30, 3
• 49:35
  Speaker 2: o'clock window. I get very excited when I see this, Hutton.
• 49:39
  Speaker 2: I will say we'll have more on this tomorrow with
• 49:42
  Speaker 2: the top 10 college football games of the week.
• 49:44
  Speaker 3: You damn right. And Next Round Live has it right now.