Latest / I Am All In with Scott Patterson / It's A Dog (S6 E2 Fight Face)

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It's A Dog (S6 E2 Fight Face) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in you.
• 0:16
  Speaker 2: I am all in with Scott Patterson and iHeartRadio Podcast.
• 0:21
  Speaker 1: Hey everybody, Scott Patterson, I am all in podcast. I
• 0:23
  Speaker 1: Heart Radio one eleven productions. We are joined by my
• 0:29
  Speaker 1: partial intrepid cru Suseyn French are newbie and and you
• 0:34
  Speaker 1: know where you lover are Stalwart, Amy Sugarman. Tara sued
• 0:39
  Speaker 1: is on an airplane right now. Danielle Romo may be
• 0:44
  Speaker 1: in labor right now, so we are we're praying for
• 0:49
  Speaker 1: a beautiful outcome.
• 0:50
  Speaker 3: There before we start fight face. This is a do
• 0:56
  Speaker 3: you know what you might not know because you're in
• 0:59
  Speaker 3: canad working.
• 1:01
  Speaker 2: Yeah, we get to see Sullivan's crossing.
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  Speaker 1: Oh my gosh, right October fourth, Yes, c W at
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  Speaker 1: eight seventh Central, so you can stream it on the
• 1:13
  Speaker 1: CWP too.
• 1:14
  Speaker 2: So yeah, so this Wednesday, if you're listening on Monday,
• 1:16
  Speaker 2: this Wednesday. And word on the street is it's very
• 1:20
  Speaker 2: good A.
• 1:22
  Speaker 1: Word on the street. Yeah, we're pretty proud of it,
• 1:26
  Speaker 1: pretty exciting. It's very exciting. It's nice to be back
• 1:28
  Speaker 1: home at the CW. I started there in two thousand
• 1:31
  Speaker 1: and you know, it turned in it was the WB
• 1:34
  Speaker 1: and then it became the CW. What two thousand and
• 1:36
  Speaker 1: five or six. Yeah, and we were there at the
• 1:39
  Speaker 1: launch of the CW and it was a big deal
• 1:41
  Speaker 1: and it was everything was green and there was a
• 1:43
  Speaker 1: frog and there was you know, we did a whole
• 1:47
  Speaker 1: photo campaign and it was fun. It was just fun
• 1:49
  Speaker 1: launching a new network. And I'm still friends with a
• 1:52
  Speaker 1: bunch of the people that used to work over there.
• 1:54
  Speaker 2: So it's funny. Some people are still there. You and
• 1:57
  Speaker 2: I were talking about that. Some of the people that
• 1:59
  Speaker 2: were there with Gilmore Girls are still there.
• 2:02
  Speaker 1: Yeah, and you know, Next Stars taking a position here
• 2:07
  Speaker 1: with the CW, and it's a big relaunch and they've
• 2:10
  Speaker 1: got a sports division and they do football, and they
• 2:12
  Speaker 1: do golf, and they do they do nightly news and
• 2:15
  Speaker 1: they're really a major network now.
• 2:17
  Speaker 2: And yeah, that's true.
• 2:18
  Speaker 1: It's quite something to see the growth from two thousand
• 2:22
  Speaker 1: and sixty today. Very very proud of these folks. They're
• 2:26
  Speaker 1: doing a great job over there. So anyway, yeah, so
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  Speaker 1: Wednesday night, ye October fourth, c W, eight o'clock, seventh Central,
• 2:33
  Speaker 1: Sullivan's Crossing.
• 2:33
  Speaker 2: Check it out and everyone should watch because we will
• 2:38
  Speaker 2: be doing some special podcast episodes.
• 2:40
  Speaker 1: So yes, we will, and I'm excited. We're going to
• 2:43
  Speaker 1: drop them into the feed and we're going to be
• 2:44
  Speaker 1: talking to the stars. Yep. And can I announce who
• 2:49
  Speaker 1: the first guest is?
• 2:51
  Speaker 2: Yeah, actually, sure, yes you can.
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  Speaker 1: It's going to be the actual star of the show,
• 2:56
  Speaker 1: Morgan Cohen. And I think you're all going to love her.
• 3:00
  Speaker 1: We all do up here, and we're going to get
• 3:04
  Speaker 1: to know her a little bit and just look out
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  Speaker 1: for that podcast episode. So anyway, aweso, let's get started here.
• 3:12
  Speaker 1: What did everybody think of the episode?
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  Speaker 2: Well, should we have Suzanne to our big synopsizing?
• 3:17
  Speaker 1: Well, that's right, we got a synopsisizations from Susanne French.
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  Speaker 1: You're on care right.
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  Speaker 4: This is a season six, episode two, fight Face. It
• 3:27
  Speaker 4: aired on September twentieth, two thousand and five. Feeling a
• 3:31
  Speaker 4: little lonely, Lorelai adopts a dog. Luke agrees to repair
• 3:34
  Speaker 4: Lorelei's house rather than buy the Twiguam house. This so
• 3:38
  Speaker 4: soon turns into trouble as TJ does some unwanted construction
• 3:41
  Speaker 4: on the house. Rory starts her community service assignment. Feeling
• 3:45
  Speaker 4: neglected and unhappy with how things are going. Rory visits
• 3:48
  Speaker 4: Luke at his diner and Luke lets it slip that
• 3:50
  Speaker 4: he and Laurlai are engaged.
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  Speaker 2: What do you think of this episode?
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  Speaker 1: I loved it. I really enjoyed it. It was very
• 3:59
  Speaker 1: very light and fun and delightful and breezy, and it
• 4:03
  Speaker 1: was a Dan Paladino written and directed episode. And you know,
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  Speaker 1: I really, I really am digging on the Dan Palladino
• 4:10
  Speaker 1: writing style and the directing style. Not that I don't
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  Speaker 1: love everybody else, but there's there's something a little different
• 4:16
  Speaker 1: about his episodes, and there's it's just kind of amazes
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  Speaker 1: me every time I see it. Dan.
• 4:23
  Speaker 2: I could be an idiot saying this, but it seems
• 4:26
  Speaker 2: like he really likes to write for you and Lauren,
• 4:32
  Speaker 2: you know, Luke and Laura Lai, to have there. There
• 4:35
  Speaker 2: was a lot of that in this episode, and I thought,
• 4:38
  Speaker 2: I loved it.
• 4:39
  Speaker 1: It's some of the best. You know, what I really
• 4:42
  Speaker 1: saw in this episode was I really saw the relationship
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  Speaker 1: between those two and it was just kind of a
• 4:50
  Speaker 1: delightful little journey there to see how they interact and
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  Speaker 1: see how they are together. It's the best. I was
• 4:56
  Speaker 1: so comfortable in their presence and with their dialogue. And
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  Speaker 1: another thing I noticed is it's it's really a wonderful thing.
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  Speaker 1: And to have a scene partner like Lauren who you
• 5:06
  Speaker 1: can trust because we're doing all that fast dialogue back
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  Speaker 1: and forth. And I always trusted that she was going
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  Speaker 1: to be there timing wise, because it's all timing as
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  Speaker 1: you see, right, And you know, I know she could
• 5:20
  Speaker 1: trust me too to keep the ball in the air,
• 5:22
  Speaker 1: because if there's a little too much of a pause
• 5:24
  Speaker 1: here and there, then there goes right out of the scene.
• 5:27
  Speaker 1: And it's like it's like pumping up a tire or
• 5:29
  Speaker 1: a balloon or something. It's the same.
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  Speaker 2: Principle, even when you're standing on a roof, when you're.
• 5:33
  Speaker 1: Standing exactly, the timing was always there. She always delivered,
• 5:37
  Speaker 1: and she's just so great, so great at that so
• 5:41
  Speaker 1: and it really made those scenes. It was all timing
• 5:44
  Speaker 1: and and and pace and all that stuff. Difficult stuff
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  Speaker 1: to do, but when you have a scene partner like that,
• 5:51
  Speaker 1: it's fun. You know, it's really fun.
• 5:53
  Speaker 2: I'm sure we'll get to it. But two things, even
• 5:56
  Speaker 2: when you were arguing, it was great right and for
• 6:03
  Speaker 2: me because you still saw the love there totally. And
• 6:06
  Speaker 2: just even like the moment where Luke says we're good,
• 6:12
  Speaker 2: we're good, and you're like, oh, yeah, they are good,
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  Speaker 2: Like they can have that and be good five seconds
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  Speaker 2: later and I know what, we'll talk about it when
• 6:21
  Speaker 2: we get to it. But the fact that Luke realized
• 6:25
  Speaker 2: I'm not buying the Twickham house. She wants to stay
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  Speaker 2: in this house was for me the moment of the episode.
• 6:33
  Speaker 1: Really being in tune with her to that degree. What
• 6:36
  Speaker 1: does she want? Let me deliver what she wants? And
• 6:41
  Speaker 1: I love that roof scene too. I thought that roof
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  Speaker 1: scene really defined their relationship to the point where they're
• 6:48
  Speaker 1: so comfortable with each other he can kind of, you know,
• 6:51
  Speaker 1: do a yellie thing like a lunatic on a roof,
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  Speaker 1: but there's still love there. Yeah, and she understands what
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  Speaker 1: it is and dissipated that that she was going to
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  Speaker 1: ask her are we still good? No, we're good. She
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  Speaker 1: didn't have to ask a.
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  Speaker 2: Question, and he was upset. It's like, you were upset
• 7:09
  Speaker 2: because Rory really threw you off. And we'll debate it.
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  Speaker 2: I get why he told her. I mean the whole thing, Well,
• 7:19
  Speaker 2: we'll go through it, because that was sort of a
• 7:21
  Speaker 2: moment when you're like, oh, no, you told her, but
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  Speaker 2: you kind of had to tell her and how could
• 7:26
  Speaker 2: you not tell her? And oh no, like.
• 7:29
  Speaker 1: Just oh boy, yeah, great stuff, really great stuff. Thank you, Dan,
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  Speaker 1: appreciate it.
• 7:40
  Speaker 2: So we start with the Twickham House and Suki and
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  Speaker 2: Laura liar in front of the Tickham House, and I
• 7:45
  Speaker 2: actually thought that scene was really funny because Suki knows
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  Speaker 2: Laura life so well that she's like it's sticking right,
• 7:53
  Speaker 2: like the engagement and then they had It was just
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  Speaker 2: a good scene.
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  Speaker 4: It was good to see Suki and I don't think
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  Speaker 4: she had was in the episode before. I felt like
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  Speaker 4: I hadn't seen her for a while.
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  Speaker 2: I totally agree. I totally agree, And I like how
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  Speaker 2: she calls her out like are you gonna bolt? I'm
• 8:09
  Speaker 2: not gonna bolt, and then they sort of have their
• 8:12
  Speaker 2: flirty moment. It was a little dirty. It just got bigger,
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  Speaker 2: that's what she said, you know, like they definitely throw
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  Speaker 2: those sort of I don't know double entendre a little bit.
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  Speaker 1: I didn't understand what they were talking about. Y'all have
• 8:24
  Speaker 1: to fill me in later.
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  Speaker 4: It was good best friend time, like we did.
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  Speaker 2: Yeah, I mean one of them is is good greed.
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  Speaker 2: It was just that was great. Then I think, do
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  Speaker 2: we go to the community service. We see we go
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  Speaker 2: to the community service right away, and the like leader
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  Speaker 2: of the community service is kind of like that guy,
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  Speaker 2: that guy that you see and everything. I have to
• 8:50
  Speaker 2: look up what his name was while you guys talk,
• 8:52
  Speaker 2: because that guy's in everything.
• 8:56
  Speaker 1: Oh he was great.
• 8:57
  Speaker 2: Yeah, and he's in it great.
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  Speaker 1: He you know, that was one of the best pieces
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  Speaker 1: of casting I've seen on the show. I mean, he
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  Speaker 1: really made me believe that she was in that situation.
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  Speaker 1: That's exactly the type of guy that's going to be
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  Speaker 1: employed at that level doing that in the Department of Corrections,
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  Speaker 1: you know, you know what I mean. He was perfect,
• 9:20
  Speaker 1: and the casting for those extras was perfect. All these
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  Speaker 1: shady looking people and then Rory.
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  Speaker 4: He really hit like every stereotype as they you know,
• 9:32
  Speaker 4: kind of panned across the room.
• 9:34
  Speaker 1: Ye what was his name? What was Oh? John Capellos?
• 9:38
  Speaker 5: He was he.
• 9:40
  Speaker 2: Is in so many He's so good.
• 9:44
  Speaker 1: He was so good.
• 9:45
  Speaker 2: Oh man, I know I'm jumping ahead, but when she
• 9:48
  Speaker 2: says anyone need to smoke like, I was just like,
• 9:51
  Speaker 2: oh my god, I'd love to.
• 9:53
  Speaker 1: I'd love to interview him, you know, if you get
• 9:55
  Speaker 1: him on.
• 9:56
  Speaker 2: Yeah, I'm sure we can.
• 9:58
  Speaker 1: Yeah, that'd be cool. He really hit it out of
• 10:01
  Speaker 1: the park, saying there's no there's no such thing as
• 10:04
  Speaker 1: small scenes, just small actors. This guy's a big actor.
• 10:07
  Speaker 1: You know. He really made it his own, really great.
• 10:10
  Speaker 2: I agree. I think that's important for it to be believable,
• 10:14
  Speaker 2: and I actually sort of do even though she had
• 10:16
  Speaker 2: like fake dirt on her face. I do believe that
• 10:20
  Speaker 2: she did have a lot of fake dirt on her face.
• 10:23
  Speaker 4: First of all, I.
• 10:25
  Speaker 2: Know we're not there yet, but when she when the
• 10:26
  Speaker 2: person's mad, when she goes for the trash and the
• 10:29
  Speaker 2: person goes for the trash at the same time, and
• 10:31
  Speaker 2: then she takes the trashaw like the community service stuff
• 10:37
  Speaker 2: is actually kind of funny and laying better than I
• 10:41
  Speaker 2: even thought it would. Oh my god, you know what
• 10:46
  Speaker 2: I just realized as I'm looking him up. He's in
• 10:49
  Speaker 2: the breakfast club.
• 10:51
  Speaker 1: Oh yeah, that.
• 10:52
  Speaker 2: Guy's in the He's totally that.
• 10:54
  Speaker 1: Guy, like he's like, he's like a badass in the
• 10:58
  Speaker 1: breakfast club. He was was heither janitor or something?
• 11:02
  Speaker 2: I think, so I have to look it up, but yes,
• 11:03
  Speaker 2: now it's totally coming back.
• 11:05
  Speaker 1: It's like they could they couldn't put one over on him,
• 11:07
  Speaker 1: and he just like, oh, he schooled he schooled the judge. Yeah.
• 11:15
  Speaker 2: Anyway, Okay, so we go into the diner and that
• 11:22
  Speaker 2: was sort of interesting, Like at first I couldn't figure
• 11:24
  Speaker 2: out what you two were talking about, but you're talking
• 11:26
  Speaker 2: about Star Wars obviously last and that was that was funny.
• 11:36
  Speaker 2: That was a funny bit. And then you know, she
• 11:38
  Speaker 2: throws in George Lucas own San Francisco, and then you
• 11:41
  Speaker 2: go into Bewitched, which I actually also thought because I
• 11:46
  Speaker 2: they did sort of screw up Bewitched with that movie.
• 11:48
  Speaker 1: Do you know why George Lucas got so rich?
• 11:52
  Speaker 2: Don't tell me, hold on them. Let's think merchandise.
• 11:56
  Speaker 1: Yes, because the studios at the time, what was it,
• 12:01
  Speaker 1: the seventies, Yeah, mid seventies, late seventies were not hep
• 12:08
  Speaker 1: to uh what merchandising could bring in, and George knew
• 12:13
  Speaker 1: that this was going to be a real windfall merchandising wise,
• 12:17
  Speaker 1: and so they cut him in. I don't know, I
• 12:21
  Speaker 1: think he got all of it. Whoa, I think he
• 12:24
  Speaker 1: got one hundred percent of the merchandising. I might be wrong.
• 12:27
  Speaker 1: Maybe the studios got a little bit, but he got
• 12:28
  Speaker 1: the lion's share of the merchandising in that and that's.
• 12:30
  Speaker 4: Imperfectly Yeah, smart move.
• 12:33
  Speaker 1: Yeah yeah, billions.
• 12:36
  Speaker 4: Did you notice in that diner scene that they had
• 12:39
  Speaker 4: the windows covered, No, so you could like the blinds,
• 12:44
  Speaker 4: the blinds were partially closed, but you couldn't see through
• 12:48
  Speaker 4: them like they had the windows covered.
• 12:51
  Speaker 1: In that first in that first the Star Wars.
• 12:54
  Speaker 4: Yeah, the first diners, he's talking to TJ. I don't know.
• 12:59
  Speaker 4: I wasn't sure why that was if I thought maybe
• 13:01
  Speaker 4: the scene was shot possibly at night, and so they
• 13:04
  Speaker 4: had to cover the windows so they could blast them
• 13:07
  Speaker 4: with light and make it look like daylight outside.
• 13:09
  Speaker 1: Yeah, that's they do do that sometimes. I do not recall.
• 13:12
  Speaker 1: All I know is that there we are as soon
• 13:15
  Speaker 1: as we see Michael day Lewis, we're laughing. The posture,
• 13:21
  Speaker 1: the attitude, and it's just like the guy. He's a
• 13:24
  Speaker 1: great physical comedian, yes, great physical comedic actor. He just
• 13:30
  Speaker 1: owns that character.
• 13:31
  Speaker 2: We see more of the diner, and there was some
• 13:33
  Speaker 2: interesting shots of the diner in this episode where you
• 13:37
  Speaker 2: see more because obviously we see where the shelves went
• 13:40
  Speaker 2: and that wasn't something that I've ever like. I didn't
• 13:42
  Speaker 2: really know that it went around like that. There's sort
• 13:45
  Speaker 2: of that little alcove there, and then later there's another
• 13:49
  Speaker 2: scene where we see the two tables shot just differently.
• 13:53
  Speaker 2: We just saw more of the diner in this episode.
• 13:57
  Speaker 4: I love it when TJ said he was going to
• 13:59
  Speaker 4: give Luke one of the shelves is a wedding gift,
• 14:02
  Speaker 4: but then he raised the price on the other two shelves,
• 14:04
  Speaker 4: so it came out the same.
• 14:09
  Speaker 2: Oh man, it's a good scene. It's a good it's
• 14:12
  Speaker 2: all good. Their banter's good right from the start. And
• 14:15
  Speaker 2: then does she say bye doll? Did I mishear that
• 14:18
  Speaker 2: or does she say bye doll? I'm oh, I think
• 14:22
  Speaker 2: so cute. It was cute.
• 14:25
  Speaker 1: It's just everything between those two, Luke and Laural ives
• 14:29
  Speaker 1: just a delight to watch. It really solidified and and
• 14:33
  Speaker 1: and showed how easy their relationship is and how comfortable
• 14:38
  Speaker 1: they are. Yeah, they've found, they've found, they've both found
• 14:43
  Speaker 1: their north stars.
• 14:44
  Speaker 2: Should we stop going to movies? She said? Should we
• 14:47
  Speaker 2: stop going? She said, should should we stop going to movies?
• 14:49
  Speaker 2: Because they just argue and banter about the movies. It's
• 14:53
  Speaker 2: just they have a great relationship.
• 14:55
  Speaker 1: Yeah.
• 14:57
  Speaker 2: I love in this scene when.
• 14:58
  Speaker 1: They're both highly critical people Yeah, they like to go
• 15:02
  Speaker 1: to things, you know how it's kind of fun to
• 15:04
  Speaker 1: go with go to the movies and then pick them
• 15:06
  Speaker 1: apart at totally totally.
• 15:09
  Speaker 4: I also love how you just kind of what we're
• 15:11
  Speaker 4: doing do a podcast about it.
• 15:13
  Speaker 2: Exactly, good one, Susan, exactly. Is this the scene where
• 15:19
  Speaker 2: he says I think he says like both our ladies
• 15:24
  Speaker 2: were squiring them or something like he's kind of doing that.
• 15:28
  Speaker 2: Oh my god, and Luke's like, that's my sister, Like stop.
• 15:32
  Speaker 2: It was just a good bit. It was just all good. Yeah,
• 15:37
  Speaker 2: and then he gives that random couple's card.
• 15:40
  Speaker 1: Oh god, that was funny. He's just so you don't
• 15:45
  Speaker 1: want to seem to end, you know, It's like you
• 15:47
  Speaker 1: know it's going to end, and you just sort of
• 15:49
  Speaker 1: feel it's gonna end any minute. But it's like, no,
• 15:52
  Speaker 1: I hope there's I hope Luke comes back and there's
• 15:54
  Speaker 1: more engagement, but you can go. I just want to
• 15:57
  Speaker 1: see I just want to see Dailuise on screen more,
• 15:59
  Speaker 1: you know.
• 16:01
  Speaker 2: Yeah, I mean I I love him, and I actually
• 16:03
  Speaker 2: liked seeing Liz back again. We haven't seen them in
• 16:06
  Speaker 2: a bit, so I was happy about it.
• 16:09
  Speaker 4: Then we go to the hilarious.
• 16:11
  Speaker 2: Then we go to the scene in the center of
• 16:15
  Speaker 2: town town square, and we see the animals and we
• 16:20
  Speaker 2: meet paul Anka for the first time. I never I mean,
• 16:27
  Speaker 2: I had forgotten that sort of her history with animals.
• 16:30
  Speaker 2: That was a funny bit that like I'd slipped my mind.
• 16:33
  Speaker 1: It was, it was, and it was good to see
• 16:36
  Speaker 1: Liz Torres come in there and deliver yeah, some great stuff,
• 16:39
  Speaker 1: you know, and uh yeah, that was that was a
• 16:42
  Speaker 1: nice setup for what came later, you know, because it
• 16:45
  Speaker 1: because we mentioned there was a Luke and Laurel. I
• 16:48
  Speaker 1: seen in there when he's meeting the dog for the
• 16:50
  Speaker 1: first time where it pays off in there.
• 16:52
  Speaker 2: And that was even better because it's like very subtle
• 16:55
  Speaker 2: at that point when he's like should should you?
• 16:58
  Speaker 1: She just jumped off. Was so funny.
• 17:02
  Speaker 2: Speaking of the timing, like that's where you guys are
• 17:05
  Speaker 2: just like home runs, because that's not easy and it
• 17:08
  Speaker 2: only works because you're so subtle about it, and she's
• 17:13
  Speaker 2: so it was a hamster was defective. There's like a
• 17:21
  Speaker 2: pig in town, the rabbits, it's just the turtle, the
• 17:25
  Speaker 2: whole It was just really good. And then we see
• 17:28
  Speaker 2: now this was the first time I have noticed Loralai
• 17:32
  Speaker 2: really wearing her ring, her engagement ring. I don't know
• 17:37
  Speaker 2: if I missed it sort of at the end of
• 17:39
  Speaker 2: the other episode, but I definitely was noticing it, and
• 17:41
  Speaker 2: then we bump into Liz and they're talking about being engaged.
• 17:49
  Speaker 4: Yeah, because the last episode ended with Luke coming in
• 17:53
  Speaker 4: and saying, you know, time's here, let's go, like, so
• 17:56
  Speaker 4: she hadn't didn't even have the ring yet, yeah, at
• 17:58
  Speaker 4: the end of the last episode, So that was the
• 18:00
  Speaker 4: first time we saw her wearing it.
• 18:03
  Speaker 2: It's great. Now, Okay, this is something that I've been
• 18:06
  Speaker 2: excited to talk about. Should she change her name?
• 18:12
  Speaker 1: Well she if she proposed to him, oh god, then
• 18:17
  Speaker 1: probably not.
• 18:19
  Speaker 2: You know, can you see her being Laura I can Danes?
• 18:25
  Speaker 1: I can? I can?
• 18:26
  Speaker 2: I can see her hyphenating oh, Gilmore Dan because she
• 18:31
  Speaker 2: already has kind of, you know, her professional career going,
• 18:34
  Speaker 2: and people know her as Laura Gilmore who.
• 18:36
  Speaker 4: Owns the Inn, and I see her as a hyphenator.
• 18:41
  Speaker 1: That's a good that's a good flow of a name,
• 18:42
  Speaker 1: Laura Gilmore Danes.
• 18:44
  Speaker 2: It's not. Yeah, it's pretty good.
• 18:45
  Speaker 1: That's kind of cool.
• 18:47
  Speaker 2: But I had never thought about that before until you know,
• 18:51
  Speaker 2: because we have this, we're able to talk about it.
• 18:53
  Speaker 2: I was like, oh my god, she wouldn't be Laura
• 18:55
  Speaker 2: like Gilmore and I love that. Liss is like we're
• 18:58
  Speaker 2: sister in law's like, you know, it's just everything's perfect
• 19:05
  Speaker 2: in this episode so far. It's moving fast, there's new things.
• 19:08
  Speaker 2: She takes the dog and you're like it was almost
• 19:11
  Speaker 2: so like quick and subtle that you're just like, did
• 19:15
  Speaker 2: she just get a dog?
• 19:17
  Speaker 4: Oh my god?
• 19:18
  Speaker 1: Why does Luke hate dogs?
• 19:20
  Speaker 2: I don't know. He doesn't seem to type.
• 19:24
  Speaker 4: He gave a pretty good list. They smell. They know
• 19:28
  Speaker 4: he gave a whole list about why he hates dogs.
• 19:31
  Speaker 1: But that doesn't that seems a bit out of character
• 19:35
  Speaker 1: for me.
• 19:35
  Speaker 2: I agree. He seems like he would have a dog
• 19:37
  Speaker 2: in that truck to take.
• 19:38
  Speaker 1: Fishing absolutely, you know, especially God, Yeah, yeah, I love dogs. Yeah.
• 19:48
  Speaker 2: It seems like, yeah, then you'd think that they would
• 19:51
  Speaker 2: have had Luke be a dog guy. I don't know
• 19:52
  Speaker 2: why they're not, because it doesn't really change anything. If
• 19:55
  Speaker 2: he was a dog guy. I guess you'd have to
• 19:56
  Speaker 2: be more.
• 19:57
  Speaker 1: Like, yeah, it was anyway.
• 20:02
  Speaker 2: So we go to the Gilmours and the breakfast spread
• 20:09
  Speaker 2: was so amazing that I literally was like, can I
• 20:12
  Speaker 2: live there?
• 20:14
  Speaker 1: Right? Yeah?
• 20:15
  Speaker 4: I loved when Emily when they were leaving and Emily says,
• 20:18
  Speaker 4: finish the rest of this, and Barye's like, I'll try.
• 20:21
  Speaker 1: Amy, you would have You would last about five minutes
• 20:24
  Speaker 1: with Emily.
• 20:26
  Speaker 2: Would not go well.
• 20:28
  Speaker 1: It would not go well. You would get in her
• 20:30
  Speaker 1: face and you would storm out. Give me a break.
• 20:33
  Speaker 2: Come on, I would enjoy I would enjoy the food.
• 20:36
  Speaker 2: But yeah, she's yeah, but she's very you get in
• 20:43
  Speaker 2: this episode why she drives Lorlai crazy because she's subtle
• 20:48
  Speaker 2: with her controllingness, if that's a word. It's so passive
• 20:52
  Speaker 2: aggressive and it's like, oh yuck.
• 20:57
  Speaker 1: Yeah, she was particularly rough with Rory was and.
• 21:00
  Speaker 2: She in a passive aggressive way, like suddenly Rory's joining
• 21:04
  Speaker 2: the da R Like what in the heck?
• 21:07
  Speaker 1: H Well, now she's got her under her roof, so
• 21:12
  Speaker 1: you know, it's easy pickings. Now she doesn't even have
• 21:15
  Speaker 1: to go through Lorela anymore. Yeah, she can just you know,
• 21:18
  Speaker 1: she can just be her her horrible self. I mean,
• 21:22
  Speaker 1: she walks into the room with that. They want to
• 21:24
  Speaker 1: talk to her, and she's like sit, sit, like she's
• 21:27
  Speaker 1: a you know, like she's a domesticated house pet or something.
• 21:32
  Speaker 1: A couple of questions your granddaughter like that, you know, when.
• 21:35
  Speaker 2: You steal a yacht, why do they impound your car,
• 21:40
  Speaker 2: because like, it's if her car was in the parking lot,
• 21:43
  Speaker 2: it's not.
• 21:43
  Speaker 1: Like they used the car and the commission of the crime.
• 21:46
  Speaker 2: Like that didn't really make sense to me, because I'm like,
• 21:48
  Speaker 2: but yes.
• 21:49
  Speaker 1: I just explained it. She they used, she used her car,
• 21:52
  Speaker 1: and the commission of that crime. Did she Yeah, she
• 21:56
  Speaker 1: drove to the dock, right, How did she get that?
• 22:00
  Speaker 2: Not a lawyer nor police officer.
• 22:03
  Speaker 4: No, it's probably like some private parking lot for the
• 22:06
  Speaker 4: harbor or something. And when she was in jail.
• 22:08
  Speaker 2: They came and told her car. That all makes sense,
• 22:12
  Speaker 2: but they also have money, like they could have gotten
• 22:14
  Speaker 2: her car back. The thing. I kind of liked in
• 22:22
  Speaker 2: that scene. And I don't know, I want to hear
• 22:23
  Speaker 2: what you guys say. She talks about the car being
• 22:26
  Speaker 2: and impounded, and they sort of say it's forgotten. It's forgotten,
• 22:32
  Speaker 2: like the yacht, the whole thing, it's forgotten. I don't
• 22:37
  Speaker 2: know if that's good parenting and quotes are bad, but
• 22:39
  Speaker 2: I sort of thought, Okay, I'm gonna give them some
• 22:43
  Speaker 2: points for that. They're not beating her.
• 22:45
  Speaker 1: Up over it.
• 22:46
  Speaker 4: I felt a little bit differently about that. I felt
• 22:50
  Speaker 4: it was because Emily literally said, She's like, oh, it
• 22:52
  Speaker 4: didn't happen, Like you're not gonna have to face any
• 22:56
  Speaker 4: consequences for what you did, Like we're just basically they
• 22:59
  Speaker 4: kind of replace Lorelai as their daughter and now the
• 23:03
  Speaker 4: three of them are going to move on with their
• 23:04
  Speaker 4: lives together. I did notice that because they were completely
• 23:10
  Speaker 4: dismissive of the whole thing, like she hadn't just done this.
• 23:15
  Speaker 4: And Emily makes a comment about the orientation and she says, oh,
• 23:21
  Speaker 4: you're bearing this angelically like like.
• 23:24
  Speaker 2: Rory's the victim.
• 23:26
  Speaker 4: I just I thought that was a weird take.
• 23:29
  Speaker 1: So what more can they do? I mean, she's already
• 23:31
  Speaker 1: getting three hundred hours and she's got to do it
• 23:33
  Speaker 1: in six months. That's almost a full time job. I
• 23:37
  Speaker 1: mean she's putting in, you know, a lot of hours
• 23:41
  Speaker 1: per day to get that down to zero. So it's like,
• 23:47
  Speaker 1: I don't, Yeah, this state has stepped in and meet
• 23:50
  Speaker 1: it out there justice and you know.
• 23:52
  Speaker 4: Yeah, I mean I can see that too. I don't
• 23:55
  Speaker 4: think they should necessarily keep punishing her over and over
• 23:57
  Speaker 4: again for it. But I just thought it was interesting
• 24:01
  Speaker 4: how they really kind of had the attitude that, you know,
• 24:04
  Speaker 4: none of this was Rory's fault and she was the
• 24:06
  Speaker 4: victim in the hole.
• 24:07
  Speaker 2: So yeah, I think both takes are kind of interesting
• 24:10
  Speaker 2: because I sort of liked how sweet they were and
• 24:12
  Speaker 2: that they weren't beating her up over it. But then
• 24:16
  Speaker 2: I also get your point where you're like, she committed
• 24:19
  Speaker 2: a total felony, Like what what are we doing? So
• 24:24
  Speaker 2: we go back to we see her in the chair
• 24:27
  Speaker 2: with the TV on, and then she's got the bathing
• 24:30
  Speaker 2: suit on, and all of a sudden, I'm like, oh
• 24:33
  Speaker 2: my god, she's totally bored.
• 24:35
  Speaker 4: It was so symbolic, right, like she's sitting in this
• 24:38
  Speaker 4: empty room. There's nothing in the room, there's nothing in
• 24:42
  Speaker 4: her life, Like she doesn't have her mom, she doesn't
• 24:45
  Speaker 4: have school, Like she's just literally sitting in an empty
• 24:49
  Speaker 4: room symbolically as well as physically.
• 24:52
  Speaker 1: Yeah, but she does have the graduate, she does have
• 24:54
  Speaker 1: Mike Nichols and Tustin Haman and that great scene.
• 24:59
  Speaker 2: I'm so I'm so happy you're saying that, because I
• 25:01
  Speaker 2: was like, is this Jacques Cousteau like she was watching.
• 25:06
  Speaker 1: That was exactly the scene where he took some time
• 25:09
  Speaker 1: off from his getting his PhD. He or no a
• 25:14
  Speaker 1: fast great remember, and then he's he's on the He
• 25:18
  Speaker 1: hadn't started the I don't think he'd started the affair yet. No, no,
• 25:22
  Speaker 1: he had started the affair. Uh oh no, that was
• 25:29
  Speaker 1: his birthday present. Okay. And Anne Bancroft and her husband
• 25:33
  Speaker 1: came over that that great actor who was in Jaws. Gosh,
• 25:36
  Speaker 1: his name escapes me.
• 25:38
  Speaker 2: Schneider. No, no, the main guy in Jaws.
• 25:44
  Speaker 1: No, no, no, I'm talking about the graduate, right, but he
• 25:46
  Speaker 1: was in Jaws. Uh, Anne Bancroft's husband in the Graduate. Yes,
• 25:54
  Speaker 1: he was in Jaws as the town mayor.
• 25:56
  Speaker 2: Oh not Roy Schneider, okay, hold Robert Shaw now the mayor,
• 26:01
  Speaker 2: the mayor, Murray Hamilton.
• 26:03
  Speaker 1: Murray Hamilton, that's him. Fantastic actor. Wow, he was in
• 26:09
  Speaker 1: the Graduate. So anyway, so that's the scene in the
• 26:12
  Speaker 1: Graduate where he put on his They were all waiting
• 26:15
  Speaker 1: for him to put on his his deep diving equipment
• 26:20
  Speaker 1: and test it out in the pot. And he felt
• 26:23
  Speaker 1: like he he he just felt like, what is my
• 26:27
  Speaker 1: life turning into? And then he starts up the affair
• 26:30
  Speaker 1: with the bankroft friend's wife. I'm that's the but I'm
• 26:36
  Speaker 1: let me get to the scene. So the scene is
• 26:38
  Speaker 1: he's laying on the raft after and his father comes
• 26:41
  Speaker 1: by and says, Benjamin, Benjamin, have you thought about graduate school?
• 26:46
  Speaker 1: Have you thought about this? And he goes, no, I'm
• 26:49
  Speaker 1: just sort of taking some time off, and and his
• 26:52
  Speaker 1: father says, well, you would think a person who's put
• 26:55
  Speaker 1: in some good hard work and has earned some accolades
• 26:58
  Speaker 1: would want to get off his but he says, there's
• 27:02
  Speaker 1: no problem with a young man taking a couple of
• 27:05
  Speaker 1: weeks off. It's great, you've earned it, but now it's
• 27:08
  Speaker 1: time to get off your ass. And so that's what
• 27:11
  Speaker 1: the reference was.
• 27:13
  Speaker 2: But that's so it's so major, and like I'm bummed
• 27:17
  Speaker 2: I didn't get it because it's so parallel. So it
• 27:21
  Speaker 2: was really actually genius. I just didn't get it because
• 27:24
  Speaker 2: I was like, is a joque custa? Like I didn't
• 27:26
  Speaker 2: understand what was happening. But it's the parallel to Rory.
• 27:30
  Speaker 4: Yeah, So she's literally watching.
• 27:33
  Speaker 2: Her own thing.
• 27:35
  Speaker 1: She's watching her I think it.
• 27:36
  Speaker 2: Just popped into my head. If she's got three hundred
• 27:39
  Speaker 2: hours of community service in six months, she actually couldn't
• 27:42
  Speaker 2: go to school.
• 27:44
  Speaker 1: Right, right, yeah, yeah.
• 27:48
  Speaker 2: I mean I guess if she was still in school,
• 27:50
  Speaker 2: maybe they give you a longer time. I don't know.
• 27:57
  Speaker 1: I guess it is odd that they gave her three
• 28:00
  Speaker 1: hundred hours if they If did the judge know that
• 28:03
  Speaker 1: she was in school.
• 28:05
  Speaker 4: You would think the judge didn't know that said you're
• 28:07
  Speaker 4: a student at Yale, and Rory said yes, so she knew.
• 28:11
  Speaker 1: Although technically back again, giving a student, any student anywhere
• 28:17
  Speaker 1: trying to get by, you know, trying to do their studies,
• 28:20
  Speaker 1: giving them three hundred hours of community service, it's just
• 28:22
  Speaker 1: it's just like overkill. It's like you're ruined that kid's
• 28:25
  Speaker 1: school year. They're gonna they're gonna fail. Right, they don't
• 28:28
  Speaker 1: have that much free time. How's she supposed to study exactly?
• 28:31
  Speaker 2: So anyway, I mean, I think that's kind of an
• 28:33
  Speaker 2: interesting thing. Interesting and that she's bored and she's, you know,
• 28:40
  Speaker 2: happy to polish silver. I don't understand why she's not
• 28:44
  Speaker 2: realizing I need to go back to you. What am
• 28:47
  Speaker 2: I doing?
• 28:48
  Speaker 5: So?
• 28:48
  Speaker 4: A fun fact on the silver polishing scene, where Rory
• 28:53
  Speaker 4: is speaking beginner Spanish with the Maid people, fans, some
• 29:00
  Speaker 4: fans probably already know this, but Spanish was actually Alexis's
• 29:04
  Speaker 4: first language. Yes, she didn't learn English until she went
• 29:08
  Speaker 4: to school, so I forgot that.
• 29:13
  Speaker 2: So yes she should have.
• 29:15
  Speaker 4: She didn't speak Spanish when she did that scene. I
• 29:17
  Speaker 4: always thought that was kind of a fun.
• 29:19
  Speaker 2: That's a great note. That's a great note. So I
• 29:21
  Speaker 2: want to talk about the scene now after this where
• 29:25
  Speaker 2: Luke meets paul Anka. So Segott, tell us about your
• 29:30
  Speaker 2: thoughts with that full scene where you come in and
• 29:33
  Speaker 2: you're meeting paul Anka for the first time.
• 29:36
  Speaker 1: Well, it's always it's always takes a lot longer when
• 29:40
  Speaker 1: you're working with an animal or a baby, even at
• 29:44
  Speaker 1: Rubber Baby. But you know, it's nice to see a
• 29:49
  Speaker 1: dog on set. I'm a dog person, so I really
• 29:52
  Speaker 1: enjoy when when dogs are on set, and this was
• 29:55
  Speaker 1: a I remember this being a particular well behaved dog
• 29:58
  Speaker 1: and well trained, and they all are because you know,
• 30:02
  Speaker 1: the Warner Brothers only brings in the best animals. And
• 30:07
  Speaker 1: uh yeah, that was a very lovely, loving dog who
• 30:12
  Speaker 1: was very professional and didn't freak out and picked up
• 30:15
  Speaker 1: did all that it was supposed to do, and the
• 30:17
  Speaker 1: trainer the trainer was really great and you know, we
• 30:21
  Speaker 1: we we didn't like seeing that dog go. We wanted to.
• 30:26
  Speaker 1: It's rare that any actors want more animals on the
• 30:29
  Speaker 1: set because it just takes to so much time wrangling
• 30:32
  Speaker 1: them and handling that right. You know, they call they
• 30:34
  Speaker 1: cause a lot of delays because well, you know they're animals,
• 30:37
  Speaker 1: and you know people cause delays too, so uh but
• 30:43
  Speaker 1: it was Yeah, that was a particularly enjoyable experience. I
• 30:46
  Speaker 1: remember just really loving that scene and loving the work
• 30:49
  Speaker 1: we were doing.
• 30:50
  Speaker 2: And there's a lot of movement. There's a lot of
• 30:53
  Speaker 2: movement in that scene. You're in the house, you're out
• 30:55
  Speaker 2: of the house on the one door, you come around
• 30:57
  Speaker 2: to the porch, you're back in the house. It was
• 30:59
  Speaker 2: a it's a good scene. And then there's major stuff
• 31:02
  Speaker 2: because we really start to get the vibe that Loralai
• 31:06
  Speaker 2: does not want to sell her house.
• 31:11
  Speaker 1: You mean the movement from the living room to the
• 31:12
  Speaker 1: kitchen and then outside.
• 31:14
  Speaker 2: Yep.
• 31:15
  Speaker 1: Yeah, it's all shot separately, right, no, or with a
• 31:20
  Speaker 1: steady cam. They follow us into the You got Steve
• 31:24
  Speaker 1: with a steady cam strapped to him. That those things
• 31:27
  Speaker 1: are like eighty pounds ninety pounds hundred pounds. They're really heavy.
• 31:30
  Speaker 1: And Steve was always great. I guess he followed us
• 31:33
  Speaker 1: into that scene. If it was a continuous scene, we
• 31:35
  Speaker 1: just didn't just cut to it, and that's how you
• 31:37
  Speaker 1: get that master shot. But with the steady cam, you
• 31:40
  Speaker 1: can come in and get close ups, and you can
• 31:42
  Speaker 1: get two shots, you can get all kinds of things,
• 31:44
  Speaker 1: and sometimes they like to do that, I think, especially
• 31:47
  Speaker 1: to keep a scene flowing like that. And I'll go
• 31:49
  Speaker 1: back and watch it, but I think I think they did.
• 31:51
  Speaker 1: I do remember Steve with his steady cam, Steve we
• 31:54
  Speaker 1: called him, who even directed a really wonderful episode as well.
• 31:59
  Speaker 1: He earned his stripes man, you know, because that guy, yeah,
• 32:02
  Speaker 1: putting in a lot of work, a lot of legwork
• 32:04
  Speaker 1: doing that.
• 32:06
  Speaker 2: So we go from that scene and then I think
• 32:09
  Speaker 2: we get to the scene where Rory's in a pretty
• 32:12
  Speaker 2: dress drinking club soda, and we learned that they're going
• 32:15
  Speaker 2: to help her find a job, and it was just oh, no, Suzanne,
• 32:21
  Speaker 2: were you like here we go?
• 32:24
  Speaker 4: I thought Alexis did a great job in that scene.
• 32:29
  Speaker 4: The face acting. I know Scott says there is no
• 32:32
  Speaker 4: such thing as face acting, but when they were telling
• 32:35
  Speaker 4: her that they're going to find her a job. She's like,
• 32:37
  Speaker 4: oh really, Like she's you could see the wheels turning
• 32:41
  Speaker 4: inside her head. I thought that was a great scene
• 32:45
  Speaker 4: because she's like, oh, my gosh, how am I going
• 32:46
  Speaker 4: to do this?
• 32:47
  Speaker 2: And I think she isn't standing up for herself because
• 32:52
  Speaker 2: she knows she's screwed up so bad and they've taken
• 32:55
  Speaker 2: her in and they're paying for everything that she feels
• 32:57
  Speaker 2: like she has to do what they say, right, you know,
• 33:01
  Speaker 2: I get that same vibe in the DAR thing, right,
• 33:06
  Speaker 2: and she she.
• 33:06
  Speaker 4: Knows that she needs to keep them on her side
• 33:10
  Speaker 4: because otherwise she'll have nothing. So I agree that she
• 33:16
  Speaker 4: kind of felt like, I don't have any choice. I'm
• 33:17
  Speaker 4: going to have to do this.
• 33:18
  Speaker 2: You see her face in that scene, and you see
• 33:21
  Speaker 2: her face with the ladies of the luncheon, which is
• 33:24
  Speaker 2: of a scene, but she feels like she's just going
• 33:28
  Speaker 2: along with it because she has no choice.
• 33:32
  Speaker 5: Yeah.
• 33:32
  Speaker 4: I agreed with that. And when the one at that
• 33:37
  Speaker 4: where they're sitting out on the patio and the one
• 33:39
  Speaker 4: woman asks when she joined the DAR, and she has
• 33:43
  Speaker 4: this look on her face like, Oh, that hadn't even
• 33:44
  Speaker 4: occurred to me to join the dar But then she's like, Okay, well,
• 33:47
  Speaker 4: I guess I'm joining right.
• 33:49
  Speaker 2: She's just literally going to do whatever. Emily says. Although
• 33:52
  Speaker 2: those ladies.
• 33:54
  Speaker 5: Talking about which forefather was the hottest, I thought that
• 34:04
  Speaker 5: was pretty funny because I personally I don't know what
• 34:07
  Speaker 5: any of them look like, so I that would not
• 34:09
  Speaker 5: even be something that I would think.
• 34:10
  Speaker 4: To form an opinion.
• 34:11
  Speaker 2: Not typically super attracted to George Washington or Ben Franklin,
• 34:16
  Speaker 2: just saying, oh my god, John Adams, I have no
• 34:20
  Speaker 2: idea what he looks like. Is that his name? Yes? Yes, Scott,
• 34:27
  Speaker 2: do you have a forefather that you thought was the hottest?
• 34:31
  Speaker 1: I'm sorry, I just I don't think those terms regarding
• 34:38
  Speaker 1: forefathers crazy. But I've never sort of.
• 34:46
  Speaker 2: Thing I love about it, isn't.
• 34:48
  Speaker 1: It in that that way? That's a that's an odd
• 34:50
  Speaker 1: conversation for me to be engaged in.
• 34:53
  Speaker 2: So I was like, who's ever had that conversation?
• 34:58
  Speaker 4: It's so good, it's so da R.
• 35:02
  Speaker 1: Yeah. I mean the Fellows were sitting around, Hey, hey, John,
• 35:05
  Speaker 1: glad you showed up. Listen, we're talking about the founding follows,
• 35:08
  Speaker 1: which one you know, get your motor runner? Can you
• 35:10
  Speaker 1: imagine Scott's like, once you think of the hottest.
• 35:13
  Speaker 2: If you're the reverse. Scott's like, you know, Martha Washington,
• 35:16
  Speaker 2: she really did it for me.
• 35:21
  Speaker 1: That's why it's That's why it's any funny face.
• 35:28
  Speaker 2: The only bone to pick I have with that scene
• 35:31
  Speaker 2: is and Scott, you may be able to correct me.
• 35:35
  Speaker 2: You can tell when they're outside, and you can tell
• 35:38
  Speaker 2: when they're inside pretending they're outside.
• 35:41
  Speaker 1: Right.
• 35:42
  Speaker 2: It's like the juxtaposition between the DA R Luncheon where
• 35:46
  Speaker 2: you're like, you're acting like you're outside, but you're definitely inside,
• 35:49
  Speaker 2: and then the jeep pulling up and you're like, oh,
• 35:52
  Speaker 2: she's outside.
• 35:53
  Speaker 1: Mm hmmm. Actually the jeep pulling up is inside.
• 35:59
  Speaker 2: No, don't say that to me.
• 36:01
  Speaker 1: To the to the Gilmore House. Yeah, it's inside. Stop,
• 36:05
  Speaker 1: that's not outside.
• 36:07
  Speaker 4: What but at her house it's it was outside because
• 36:10
  Speaker 4: you could see the shadow.
• 36:11
  Speaker 1: Oh okay, okay, it is outside Gilmore House.
• 36:14
  Speaker 2: Okay, okay, Gilmore.
• 36:16
  Speaker 1: House is on a sound stage.
• 36:18
  Speaker 2: Oh my god, you panicked me there that when the
• 36:20
  Speaker 2: jeep pulls up to Laurelize House that it was inside.
• 36:22
  Speaker 2: I was like, well, then.
• 36:24
  Speaker 1: That's definitely outside.
• 36:25
  Speaker 2: So then we get to the scene my favorite scene
• 36:28
  Speaker 2: in this episode is you're all on the roof. Oh no,
• 36:33
  Speaker 2: not yet. This is where George, this is where we learn.
• 36:37
  Speaker 2: This is one of my favorite things. This is where
• 36:39
  Speaker 2: we learn that you, Luke slash Scott, figured out her
• 36:45
  Speaker 2: vibe that she doesn't want to sell the house. So
• 36:47
  Speaker 2: you're taking the measurements and figuring out how you're going
• 36:50
  Speaker 2: to remodel this house to make it work. Oh, it's
• 36:54
  Speaker 2: the sweetest.
• 36:55
  Speaker 1: It's a great example of a relationship where you know everybody.
• 37:00
  Speaker 1: He's in tune with everybody, you know. It's like they
• 37:02
  Speaker 1: just kind of vibe each other. They feel each other.
• 37:05
  Speaker 1: Definitely feels her and what she needs and what she wants.
• 37:08
  Speaker 1: And I think he's right a good amount of the time.
• 37:13
  Speaker 1: I'm sure there's examples where he's been dead wrong and
• 37:17
  Speaker 1: he's been off the mark, and he's just a human
• 37:19
  Speaker 1: being like everybody else. But yeah, in this, in this regard,
• 37:22
  Speaker 1: he's really tuned into what she wants, which really makes
• 37:25
  Speaker 1: it appealing, you know, for me to watch, and I
• 37:28
  Speaker 1: think everybody else great character, great character.
• 37:32
  Speaker 4: I love that scene. It was great between Luke and Lorelei.
• 37:36
  Speaker 4: And then you had the comic relief with TJ not
• 37:38
  Speaker 4: knowing how to work the screwdriver and paul Anka locks
• 37:43
  Speaker 4: himself in the car somehow. Like I just loved everything
• 37:46
  Speaker 4: about that scene. I thought it was good. And then
• 37:48
  Speaker 4: the frisbee. She caught the frisbee. How many takes did
• 37:52
  Speaker 4: that take?
• 37:53
  Speaker 2: Oh my god, that was amazing. That was amazing. I
• 37:57
  Speaker 2: can't decide if we're blurring the two scene with the roof.
• 38:01
  Speaker 2: Oh maybe because this is but that's fine, everybody gets it.
• 38:04
  Speaker 2: There's two major scenes. This is just the preliminary one
• 38:08
  Speaker 2: where she learns they're not TJ hasn't made the hole yet.
• 38:11
  Speaker 4: Oh, you're right, you're right.
• 38:12
  Speaker 2: But that's fine. That's fine. But the frisbee, Oh my god,
• 38:16
  Speaker 2: the frisbee was epic, and she gets credit for the catch.
• 38:20
  Speaker 2: But good throw, dude, good throw.
• 38:22
  Speaker 1: Huh he you know I still got it or had
• 38:25
  Speaker 1: it back then.
• 38:26
  Speaker 2: You know, I just wrote in this particular scene, the
• 38:29
  Speaker 2: first house one, I just wrote, cute, really cute Luke,
• 38:33
  Speaker 2: Like he just is a great boyfriend, fiance husband, knowing
• 38:39
  Speaker 2: what she wants and not making a big old stink
• 38:42
  Speaker 2: out of it, just going I'm good with Like he.
• 38:44
  Speaker 4: Just scheduled the guys to come over and start talking,
• 38:47
  Speaker 4: like he didn't even ask her.
• 38:49
  Speaker 2: He's like, I'm just going to take care of this.
• 38:51
  Speaker 4: And he gets the architect over there, and yeah, he
• 38:53
  Speaker 4: just starts moving forward because he knows that's what she's
• 38:56
  Speaker 4: gonna want.
• 38:57
  Speaker 1: Yeah, and he's fully comfortable within the relationship now that yeah,
• 39:01
  Speaker 1: fully be himself. Not that he was hiding any part
• 39:05
  Speaker 1: of himself before, but now he's demonstrably Yeah, Loop dings right.
• 39:12
  Speaker 2: Then to jump to the other roof scene, because we
• 39:14
  Speaker 2: might as well talk about it here since we're talking
• 39:16
  Speaker 2: about it. I love the scene. I love their sort
• 39:19
  Speaker 2: of fight that they work out. The only flag I
• 39:21
  Speaker 2: have is like, come on, TJ's that big of an
• 39:24
  Speaker 2: idiot that he's going to make a ginormous ole in
• 39:28
  Speaker 2: the house.
• 39:29
  Speaker 1: Like, yeah, I don't know. I didn't really, It didn't
• 39:34
  Speaker 1: really track a register for me then, But now that
• 39:37
  Speaker 1: you say it, hmmm, that's a what kind yeah, exactly
• 39:42
  Speaker 1: what kind of a person would make create a hole
• 39:44
  Speaker 1: in somebody's master bedroom and then leave it like that
• 39:47
  Speaker 1: plastic putting plastic over or something. It just left a
• 39:50
  Speaker 1: giant hole.
• 39:50
  Speaker 2: Well, and maybe if you had a misfire with a hammer,
• 39:54
  Speaker 2: right like you got someone I mean, I guess the
• 39:57
  Speaker 2: idea is he was trying to start the project to
• 40:00
  Speaker 2: like expand the bedroom. But it's just like what But anyway,
• 40:05
  Speaker 2: I mean I can susp what's it called suspend belief?
• 40:09
  Speaker 4: Yeah, suspend disbelief, Yes, suspend disbelieve. But now we see
• 40:13
  Speaker 4: why he keeps failing the contractor exam.
• 40:15
  Speaker 2: Right, it's terrible. So anyway, we jumped over a scene
• 40:26
  Speaker 2: that I love so much, which is Rory and Emily
• 40:28
  Speaker 2: in the Jaguar and she's giving her her rules for
• 40:32
  Speaker 2: community service. Two you guys, lunchbox. Lunchbox, she says, turned out,
• 40:44
  Speaker 2: turned out, she's I don't know what that is. And
• 40:47
  Speaker 2: the shift and the whole I just was like, I
• 40:50
  Speaker 2: am dying. This is so funny. Here's your cigarettes to barter.
• 40:59
  Speaker 4: I can just see Emily walking into a liquor store
• 41:01
  Speaker 4: to buy cigarettes, the whole.
• 41:04
  Speaker 2: Thing, and then she's like, I don't know that it's
• 41:06
  Speaker 2: helping us here in the jag which I also just like, yeah,
• 41:12
  Speaker 2: oh my god, that's so good. Anyway, Okay, so we
• 41:21
  Speaker 2: should talk about the scene where Rory comes into the
• 41:23
  Speaker 2: diner and Scott I really want to just sort of
• 41:25
  Speaker 2: hear you because I don't know what Luke was supposed
• 41:29
  Speaker 2: to do.
• 41:33
  Speaker 1: You know, he's you know, he's in that strange kind
• 41:37
  Speaker 1: of in between place where you know, he's not her
• 41:41
  Speaker 1: stepfather yet, right, he's not. He's just been there her
• 41:48
  Speaker 1: whole life. He's just been there for her. So it's like,
• 41:53
  Speaker 1: you know, they have a closeness, but there's also a
• 41:57
  Speaker 1: bit I think he's so I think he's always been
• 42:01
  Speaker 1: so respectful of the closeness between mother and daughter that
• 42:06
  Speaker 1: he doesn't intervene without it being appropriate or asking permission
• 42:10
  Speaker 1: or you know, getting the go ahead from Laurele I.
• 42:14
  Speaker 1: So now that he's in a situation where clearly, you know,
• 42:17
  Speaker 1: she's in need of a little comfort, you know, a
• 42:23
  Speaker 1: shoulder to lean on or something. Yeah, because it's well,
• 42:29
  Speaker 1: you know, she didn't where else to go, yeah, right,
• 42:32
  Speaker 1: I mean he was the only one that has never
• 42:36
  Speaker 1: he's always been had her back and he's never been
• 42:39
  Speaker 1: judgmental of her. And yeah, I mean where else could
• 42:44
  Speaker 1: she go?
• 42:45
  Speaker 4: Yeah, Like she couldn't. She knew she couldn't go to
• 42:48
  Speaker 4: talk to laurel I. So Luke's was kind of that
• 42:50
  Speaker 4: buffer zone where she could be loral I adjacent and yeah,
• 42:57
  Speaker 4: kind of scope out the situation without having to actually
• 43:00
  Speaker 4: talk to Laurai.
• 43:02
  Speaker 2: What do you guys think she was going to say
• 43:05
  Speaker 2: to him?
• 43:06
  Speaker 1: Like?
• 43:07
  Speaker 2: What? What?
• 43:07
  Speaker 1: What?
• 43:08
  Speaker 2: What did she want to talk about?
• 43:09
  Speaker 1: Like is she going to say to I don't think
• 43:12
  Speaker 1: she knew what she was going to say. I think
• 43:14
  Speaker 1: she was just seeking some comfort and a familiar place
• 43:17
  Speaker 1: that was going to put her mind at ease or
• 43:19
  Speaker 1: a different She wanted to come back to Star's Hall.
• 43:22
  Speaker 1: I think this is a way. It's like the waiting
• 43:25
  Speaker 1: room for getting back into her mom's house and her
• 43:28
  Speaker 1: house and she grew up in, and maybe she was
• 43:31
  Speaker 1: hoping that her mother would be there. I don't know,
• 43:33
  Speaker 1: but interesting, comforting, warm place that's in Star's Hollow because
• 43:39
  Speaker 1: she had to get out of that poolhouse. I think she.
• 43:42
  Speaker 4: Wanted to know if Laura I was feeling as lost
• 43:46
  Speaker 4: as she was feeling, and so she was trying to
• 43:50
  Speaker 4: kind of figure that out without having to, you know,
• 43:54
  Speaker 4: just call Lorelai. And that's I think that's probably she
• 43:58
  Speaker 4: was just kind of putting her feelers out there to
• 44:00
  Speaker 4: to see what the what the environment was because she
• 44:02
  Speaker 4: was kind of feeling awkward and weird in this new
• 44:06
  Speaker 4: place in her life, and she was just trying to
• 44:08
  Speaker 4: see where Laurel I was with all of it.
• 44:10
  Speaker 1: Yeah, growing pains right, just lonely. She just needed a
• 44:15
  Speaker 1: she needed some stars hollow, She needed a dose of
• 44:18
  Speaker 1: stars hollow and yeah, she just needed to relax and
• 44:22
  Speaker 1: be able to breathe a little bit. Do you think
• 44:23
  Speaker 1: he will not feel so out of place because I
• 44:25
  Speaker 1: think she now feels really out of place. Yeah.
• 44:29
  Speaker 5: Yeah.
• 44:30
  Speaker 2: Do you think there's anything Luke? Do you think there's
• 44:32
  Speaker 2: anything Luke could have done? Like, could he have said, Rory,
• 44:37
  Speaker 2: you need to get it together. This isn't you. You
• 44:39
  Speaker 2: should go. Should he have been more firm with her
• 44:41
  Speaker 2: and said, you need to go back to Yale, you
• 44:44
  Speaker 2: need to finish your community service, you need to make
• 44:46
  Speaker 2: up with your mom. Like, I don't know, I don't
• 44:49
  Speaker 2: know him, He's that's not him.
• 44:52
  Speaker 4: Yeah, I don't see him saying that directly to Rory.
• 44:56
  Speaker 4: I could because he always has let Laurel I drive
• 44:59
  Speaker 4: that bus, so I he may have been thinking it.
• 45:04
  Speaker 4: I think she caught him off guard when she should.
• 45:06
  Speaker 4: It was late at night, he was closing the diner,
• 45:08
  Speaker 4: and I think she just kind of caught him off guard,
• 45:10
  Speaker 4: and he was like, uh, I don't know what to
• 45:11
  Speaker 4: do with her, and yeah, yeah, but I don't know
• 45:16
  Speaker 4: that he would say that directly to her because he
• 45:19
  Speaker 4: always was kind of behind, you know, lined up behind Laurlai.
• 45:24
  Speaker 1: Yeah.
• 45:25
  Speaker 2: Yeah, yeah, It's not him to do it. Do you
• 45:30
  Speaker 2: how do you think Lorelai should have reacted with Luke
• 45:34
  Speaker 2: when she finds out he did tell her they're engaged,
• 45:37
  Speaker 2: And I get why he did. It just sort of
• 45:40
  Speaker 2: came out.
• 45:41
  Speaker 1: M hm.
• 45:44
  Speaker 4: I felt bad for Luke because he was right when
• 45:47
  Speaker 4: he said that he was caught in the middle. And
• 45:50
  Speaker 4: you know, laurel I in her mind it's just between
• 45:53
  Speaker 4: her and Rory, and she was kind of forgetting that
• 45:56
  Speaker 4: Luke has a stake in this too, because that affects
• 45:59
  Speaker 4: him as well, and so I think she needed to
• 46:04
  Speaker 4: take that into account. So I was glad that he
• 46:08
  Speaker 4: said that and pointed that out to her because then
• 46:10
  Speaker 4: she realized, oh, wait, you're right, this does affect you,
• 46:12
  Speaker 4: So then she could see his side a little bit more.
• 46:16
  Speaker 2: So, Scott, like, if you were.
• 46:19
  Speaker 1: Luke, I am Luke, not were I am?
• 46:25
  Speaker 2: Do you think he handled it right on the roof
• 46:29
  Speaker 2: sort of their little I call it a tiff? He
• 46:33
  Speaker 2: had handled it differently kind of telling her how he
• 46:36
  Speaker 2: told Rory about the engagement.
• 46:40
  Speaker 1: No, otherwise you wouldn't have had that great scene.
• 46:47
  Speaker 2: And this is where we have the frisbee.
• 46:49
  Speaker 1: Are you it's not it's not Seventh Heaven? Okay?
• 46:56
  Speaker 2: Are you?
• 46:57
  Speaker 1: It was on brand.
• 46:59
  Speaker 2: Known as a frisbee, an excellent frisbee player in frisbee circles.
• 47:04
  Speaker 1: My frisbee abilities are known throughout the universe. Yes, that's
• 47:08
  Speaker 1: why they wrote that in It's well known.
• 47:11
  Speaker 2: I wish you could remember how many times you had
• 47:13
  Speaker 2: to shoot that for her to catch it. Uh.
• 47:17
  Speaker 1: I think it was the first take, and then we
• 47:19
  Speaker 1: just went home rather standing ovation and off I went
• 47:23
  Speaker 1: into my frisbee glory yet again, So.
• 47:27
  Speaker 4: Were you really standing on the roof or was that
• 47:30
  Speaker 4: just to create a camera angle?
• 47:33
  Speaker 1: No? No, no, yeah, how do you recreate that?
• 47:36
  Speaker 2: That seems dangerous?
• 47:38
  Speaker 1: No, it's not that high.
• 47:41
  Speaker 2: It seems dangerous.
• 47:42
  Speaker 1: Well, yeah, they you know, they have stunt people on there,
• 47:45
  Speaker 1: and they have safety people and and they check out
• 47:49
  Speaker 1: the roof or any loose shingles, and you know, I
• 47:53
  Speaker 1: don't know that there was a an air bag below
• 47:56
  Speaker 1: us if somebody had fallen off.
• 47:58
  Speaker 2: Oh my gosh.
• 47:59
  Speaker 1: Yeah, I don't know that they went to that extent.
• 48:01
  Speaker 2: But or what if you were harnessed somehow maybe No,
• 48:04
  Speaker 2: I don't know who. They look dangerous and Stars Hollow.
• 48:08
  Speaker 1: Wo. We do the risky stuff, man, That's why we
• 48:11
  Speaker 1: get the big bucks.
• 48:14
  Speaker 2: So then we then have the scene that actually, I
• 48:18
  Speaker 2: it was pretty intense. So Laura lies driving by and
• 48:22
  Speaker 2: she sees Rory picking up the trash, which for any
• 48:24
  Speaker 2: mother that would be rough, right, that's rough, and she
• 48:28
  Speaker 2: you turns it, pulls over and they kind of go
• 48:33
  Speaker 2: at it.
• 48:36
  Speaker 1: Were it both? Yeah, it's it's listen. They have they're
• 48:44
  Speaker 1: best friends and their mother and daughter, and now we're
• 48:47
  Speaker 1: seeing where that isn't working out well for either one
• 48:52
  Speaker 1: of them. But I think mothers and daughters and fathers
• 48:54
  Speaker 1: and sons that you know, have conflict. It's not uncommon, right,
• 48:58
  Speaker 1: And they're both you know that is Rory is uh
• 49:02
  Speaker 1: you know, grew up with that. She's got the same
• 49:07
  Speaker 1: sort of strength, right, She's her own Rory has been
• 49:11
  Speaker 1: always been her own person. She was taught to be
• 49:14
  Speaker 1: that way. She had that that glowing example of Laurel I,
• 49:18
  Speaker 1: you know, sticking her flag in the ground and Stars
• 49:21
  Speaker 1: Hollow and being independent and strong. Yeah, and so of
• 49:25
  Speaker 1: course you know she's going to be independent and strong,
• 49:28
  Speaker 1: which is what Laurel I wants wants for her daughter
• 49:31
  Speaker 1: to make her way through the world. So it was
• 49:35
  Speaker 1: one of my favorite scenes between those two because it
• 49:37
  Speaker 1: again showed an aspect of the relationship that is completely
• 49:42
  Speaker 1: uh right on I mean on brand. As I've said before,
• 49:47
  Speaker 1: that that's what you're going to get, these two strong
• 49:50
  Speaker 1: women standing up to one another, and it's a necessary
• 49:54
  Speaker 1: step in a relationship, in any relationship is standing your ground.
• 50:01
  Speaker 1: So it just is a little more fraught with you know,
• 50:05
  Speaker 1: feelings when it's a mother and a daughter. Yeah, especially
• 50:08
  Speaker 1: for the audience to watch, because we've all been there
• 50:11
  Speaker 1: with our parents.
• 50:13
  Speaker 2: So you make great points. Yeah, I mean you're right, Like,
• 50:16
  Speaker 2: even though it's sort of like awkward and sort of
• 50:20
  Speaker 2: ouch to watch, right, you're right. She's not going to
• 50:23
  Speaker 2: pull over the car and be like, oh no, you're
• 50:26
  Speaker 2: picking up trash, and she's not gonna say I miss you, mommy,
• 50:30
  Speaker 2: you know, like, yeah, I mean.
• 50:31
  Speaker 1: It shows how far the mighty have fallen and how
• 50:35
  Speaker 1: Rory is not fulfilling her potential and how quickly life
• 50:40
  Speaker 1: can change for you. Just the nature of life, and
• 50:43
  Speaker 1: it also is also emblematic of a right of passage
• 50:47
  Speaker 1: for mother and daughter. It's a necessary, necessary situation.
• 50:51
  Speaker 2: And do you think Rory, though she says, I can't
• 50:55
  Speaker 2: believe you got engaged and didn't tell me, I think
• 50:59
  Speaker 2: she's a little bit upset in the sense that Laurels thriving,
• 51:04
  Speaker 2: or at least it's perceived she's thriving. She's got you know,
• 51:07
  Speaker 2: she's she's happy, she's engaged. You know, her life is
• 51:12
  Speaker 2: going well. And Rory's is in the pooper right, like
• 51:15
  Speaker 2: she's just picking up trash on the side of the road.
• 51:17
  Speaker 2: She's bored now she's in the daar like. Maybe it's
• 51:20
  Speaker 2: partially she's like jealous in a sense that Laurela is
• 51:24
  Speaker 2: able to move on without her.
• 51:27
  Speaker 4: Yeah, that's what I got from that whole thing too,
• 51:30
  Speaker 4: is you know, she's a little bitter that Larela is
• 51:35
  Speaker 4: not as unhappy as she is, which, of course we
• 51:39
  Speaker 4: know underneath that Larela I is right sad about the riff,
• 51:44
  Speaker 4: but at least too from Rory's point of view, she
• 51:47
  Speaker 4: sees Laurel I moving on and so that would be distressing.
• 51:52
  Speaker 1: Yeah, I think I think in a micro sense, Laurel.
• 51:56
  Speaker 1: I feels like, hey, kid, you didn't listen to me
• 51:59
  Speaker 1: about this huntsper thing. It's not the world you want
• 52:01
  Speaker 1: to be in. I warned you. I told you so,
• 52:04
  Speaker 1: now look at you. In the macro sense, it's her
• 52:09
  Speaker 1: Laurla having to come with terms with allowing her daughter
• 52:12
  Speaker 1: to make her own mistakes and then deal with the consequences.
• 52:15
  Speaker 1: So doesn't negate the fact that everybody's going to have
• 52:20
  Speaker 1: very strong feelings about it. Yeah, it's going to cause
• 52:22
  Speaker 1: some tension in the relationship, but that's that's life. They're
• 52:26
  Speaker 1: just living there. Everybody's living their lives, you know. So yeah,
• 52:31
  Speaker 1: it's it's a really really sort of uh dead on
• 52:37
  Speaker 1: portrayal that Dan wrote, you know, very very good writing,
• 52:41
  Speaker 1: very very good psychology.
• 52:44
  Speaker 2: So what do you think of the whole episode?
• 52:49
  Speaker 1: I just loved it. I just it's one of my
• 52:52
  Speaker 1: favorites because it was just so easy, breezy and I
• 52:58
  Speaker 1: just filled with the right kind of drama. There were
• 53:01
  Speaker 1: different levels of drama there was. It was all relationship
• 53:04
  Speaker 1: be drama, mother daughter, Luke, Laurele drama, sister drama. Yeah,
• 53:11
  Speaker 1: you know that all that stuff was was was there.
• 53:17
  Speaker 1: I don't know it just felt very full for me.
• 53:19
  Speaker 2: It was that.
• 53:21
  Speaker 1: Yeah, it felt yeah totally. There was no interesting that,
• 53:28
  Speaker 1: there was no tailor, no Kirk right right, it was
• 53:33
  Speaker 1: just it was just they sort of focused on these
• 53:37
  Speaker 1: powerful relationships. It was it was a Luke, Laurel I, Rory,
• 53:41
  Speaker 1: Emily Richard, Emily Richard.
• 53:43
  Speaker 2: Yeah, you're right, no Logan.
• 53:45
  Speaker 1: Not a slugfest, no Logan. You know, it was just
• 53:49
  Speaker 1: sort of.
• 53:50
  Speaker 2: You're right, Yeah, it almost every scene is really about
• 53:54
  Speaker 2: those five people. Every scene. In fact, I don't know
• 53:56
  Speaker 2: why I'm saying almost it's really an episode that focus
• 54:00
  Speaker 2: is on the core five. Yeah, and I think that's
• 54:04
  Speaker 2: one reason I like it. Those are the five I
• 54:06
  Speaker 2: care about the most. I mean, I'm not saying I
• 54:08
  Speaker 2: don't love the others, but like obviously I love Logan,
• 54:11
  Speaker 2: but those five are what makes the show, especially now
• 54:15
  Speaker 2: that we're in season six.
• 54:17
  Speaker 1: Mm. Yeah, it was it was, it felt it felt really.
• 54:22
  Speaker 2: It's hard for me to have a favorite one. I
• 54:27
  Speaker 2: love this whole thing. I would say maybe the scene
• 54:29
  Speaker 2: where they're in the jag. Every single line there is great,
• 54:33
  Speaker 2: every single line TJ. I mean I don't really I
• 54:36
  Speaker 2: can't have one because I thought this script was really
• 54:42
  Speaker 2: really really good.
• 54:44
  Speaker 1: Yeah.
• 54:44
  Speaker 2: I love them all, but this one for me, just
• 54:46
  Speaker 2: the whole thing, every zinger, every line, every everything.
• 54:52
  Speaker 4: So yeah, yeah, I think my favorite line was that
• 54:56
  Speaker 4: Hamster was defective.
• 55:07
  Speaker 1: What about Amy? What do you think I'm gonna I'm gonna,
• 55:12
  Speaker 1: I'm gonna ride on Susanne Susanne's coattails. I laughed out
• 55:15
  Speaker 1: loud on that line. I thought it was the best.
• 55:19
  Speaker 1: The best laugh in that whole episode was Laurel I
• 55:22
  Speaker 1: jumping on that one.
• 55:23
  Speaker 4: Yeah, the timing was perfect.
• 55:25
  Speaker 2: How about when Luke finds out about the hole and
• 55:27
  Speaker 2: he's all him kill t J, like not even sentences
• 55:31
  Speaker 2: like it was so that whole.
• 55:34
  Speaker 4: Bit about garrotting him and taking him to a ballgame like.
• 55:37
  Speaker 2: That was really and I forgot I do. I also
• 55:41
  Speaker 2: love when you Rory comes into the diner and you're
• 55:43
  Speaker 2: so awkward and you're like, you know, yeah, he wanted
• 55:47
  Speaker 2: to spiff it up. Spiff j.
• 55:54
  Speaker 1: Yeah, one one of my favorite episodes. Yeah, i'd say
• 55:58
  Speaker 1: top top five or which.
• 56:01
  Speaker 2: Is allegedly a bit of a miracle for season six
• 56:04
  Speaker 2: because people do not love season six, right.
• 56:08
  Speaker 1: Another word I would use for is very compact. You know,
• 56:12
  Speaker 1: it was air tight episode.
• 56:15
  Speaker 2: I'm giving it ten frisbees.
• 56:17
  Speaker 1: I am too, I'm giving it ten massive holes in
• 56:21
  Speaker 1: the master bedroom.
• 56:23
  Speaker 4: Yeah, this was a great episode. I'll just to be different.
• 56:27
  Speaker 4: I'll give it a nine point nine nine point nine
• 56:32
  Speaker 4: t J shops.
• 56:35
  Speaker 2: When you said how dare you? It made me want
• 56:37
  Speaker 2: to do and flashlight thingies. It was very Darth.
• 56:40
  Speaker 1: Bagerh Suzanne, you know exactly what to say. Talk about
• 56:52
  Speaker 1: stealing spotlight love it. Next episode, Season six, episode three,
• 56:56
  Speaker 1: The Ungraduate. So we're continuing our homage to Mike Nichols
• 57:04
  Speaker 1: wonderfully the graduate. Good good, good. Can't wait to see
• 57:07
  Speaker 1: it anyway. Uh, that's it. Thanks to say thank you, Amy, Uh.
• 57:12
  Speaker 2: Good performance, Scott good. Good performance in this episode.
• 57:16
  Speaker 1: Thank you really good, Thank you really good. Yeah. I
• 57:18
  Speaker 1: thought it was good. Yeah. I wasn't uncomfortable with any
• 57:20
  Speaker 1: of it.
• 57:21
  Speaker 2: And you had to do a lot, like you had
• 57:22
  Speaker 2: to be sweet and cute, you had to be romantic,
• 57:26
  Speaker 2: you had to deal with the dog. You have the
• 57:27
  Speaker 2: awkward scene with Alexis, you have the fight with Laura,
• 57:32
  Speaker 2: like you do it a lot, and it was good.
• 57:34
  Speaker 1: Yeah. I got to show a little bit of range
• 57:37
  Speaker 1: in this. Yeah, you know, and so thank you Dan
• 57:41
  Speaker 1: uh and uh that's going to do with best fans
• 57:44
  Speaker 1: on the planet. Keep those cards and letters coming, uh
• 57:48
  Speaker 1: and the emails and the d ms and all that
• 57:51
  Speaker 1: wonderful stuff, and we will see you next time. Remember
• 57:55
  Speaker 1: I'm gonna be at MotorCity Comic Con November ten, eleven,
• 58:02
  Speaker 1: and twelve.
• 58:03
  Speaker 2: That's pretty rad, that's rare.
• 58:05
  Speaker 1: I'm also going to be a Columbus Galaxy Con Columbus,
• 58:07
  Speaker 1: Ohio on December two and three, So come on out
• 58:14
  Speaker 1: and let's party. That's going to do it all the best,
• 58:21
  Speaker 1: and remember we I am all in. Stay safe everyone, everybody,
• 58:54
  Speaker 1: and also again follow us on Instagram at I Am
• 58:58
  Speaker 1: all In podcast and email us at Gilmour at iHeartRadio
• 59:03
  Speaker 1: dot com.