Latest / Life Will Be the Death of Me with Chelsea Handler / Nicotine Grey with James McAvoy
Transcript
- 0:00Speaker 1: Okay, High and Mighty Tour, guys, is continuing.
- 0:02Speaker 2: So please come and see me in San Francisco, November 7th.
- 0:07Speaker 2: And November 13th is Salt Lake. November 20th is Austin,
- 0:11Speaker 2: then Houston, and then Irving. November 20th, November 21st, and
- 0:15Speaker 2: November 22nd, I will be touring Texas. December 5th is Denver.
- 0:21Speaker 2: December 6th, I am shooting my special in Vancouver, Canada.
- 0:24Speaker 2: I have two shows that night. There are tickets available
- 0:27Speaker 2: for the second show. Then I'm going to Palm Beach, Florida,
- 0:30Speaker 2: December 16th by popular demand. Then Hollywood, Florida, December 17th.
- 0:36Speaker 2: And then two shows in Tampa, Florida on December 18th.
- 0:41Speaker 2: So I will see you guys on the road. Come
- 0:44Speaker 2: and see the High and Mighty Tour. I'll give you
- 0:46Speaker 2: some LSD.
- 0:48Speaker 1: Hi, Catherine. Hi, Chelsea.
- 0:52Speaker 3: Hello.
- 0:52Speaker 1: Welcome to the world. How are you?
- 0:55Speaker 4: I'm great because I got lots of snuggles from both
- 0:57Speaker 4: Doug and Denise today.
- 0:58Speaker 1: I know. Doug and Denise are getting along like a
- 1:01Speaker 1: house on fire. They're just like, they're wrestling.
- 1:04Speaker 5: I know.
- 1:05Speaker 1: And she's feisty. She's going to be a bitch. Yeah.
- 1:08Speaker 2: I like what I'm seeing so far. Yesterday I had
- 1:11Speaker 2: my Sunday and I was exhausted. So I was like, okay,
- 1:14Speaker 2: I'm going to spend all day in bed. And they
- 1:15Speaker 2: were like, just wrestling in my room. Like, can we
- 1:18Speaker 2: please do something? And I was like.
- 1:20Speaker 1: No, absolutely not. I did go see Miley. I went
- 1:23Speaker 1: to go see Miley at the Hollywood Bowl.
- 1:25Speaker 6: Yeah.
- 1:26Speaker 1: She fucking tore it up. It was awesome. It was
- 1:29Speaker 1: so much fun.
- 1:30Speaker 4: She, and she famously like doesn't tour. Which I never
- 1:33Speaker 4: really thought about before until, yeah.
- 1:35Speaker 1: She does that luckily. Maybe she will tour now.
- 1:38Speaker 2: Speaking of touring, I am adding two dates in Jersey
- 1:41Speaker 2: City at the Lowe's Theater, December 12th. I'm shooting my
- 1:44Speaker 2: Netflix special, my next Netflix special. So tickets are on sale.
- 1:48Speaker 2: It's pre-sale starting today with code special to get your tickets.
- 1:54Speaker 2: We are discounting them so that you do not have
- 1:56Speaker 2: to pay a high premium to come to my special.
- 1:58Speaker 2: Two shows, 7 and 9.30, Jersey City, December 12th. I
- 2:02Speaker 2: will see you there, motherfuckers. And we have a real
- 2:05Speaker 2: hunk on the podcast today.
- 2:07Speaker 1: Yes, yes.
- 2:08Speaker 2: Yeah, I talked to a couple of people about him,
- 2:10Speaker 2: and they had the nicest things to say about him,
- 2:13Speaker 2: as do I, after having spent time with him and
- 2:15Speaker 2: his masculinity, which I liked. You know him from Atonement,
- 2:19Speaker 2: from X-Men, from Band of Brothers, and so much more.
- 2:23Speaker 2: His directorial debut is called California Schemen. It's out everywhere tomorrow,
- 2:29Speaker 2: and he also stars in the upcoming supernatural drama, Faith.
- 2:33Speaker 1: Please welcome James McAvoy. We were just getting into California scheming.
- 2:39Speaker 2: California scheming, which I asked him if that's his personal
- 2:42Speaker 2: story and he said no, but it's a little bit
- 2:44Speaker 2: analogous to your personal story. I mean, it's a true story.
- 2:49Speaker 2: It's based on a true story, but it's not based
- 2:51Speaker 2: on your true story.
- 2:52Speaker 5: No, but there's definitely moments all over it that feel
- 2:57Speaker 5: like my story and feel like, not my story, but
- 3:00Speaker 5: my journey anyway. And I come in my country and
- 3:06Speaker 5: I come for this.
- 3:07Speaker 1: Scotland, everybody. If you can't recognize the accent.
- 3:10Speaker 6: Yeah.
- 3:11Speaker 1: Is it a Glaswegian accent?
- 3:13Speaker 5: Is that how we say it? I'm Glaswegian.
- 3:14Speaker 1: Yes, Glaswegian.
- 3:15Speaker 2: I think Scotland is one of the most romantic places
- 3:17Speaker 2: I've ever been to, by the way.
- 3:18Speaker 6: Really?
- 3:18Speaker 1: And I've never been there with a love interest.
- 3:20Speaker 2: I've only been there like to perform or visit. Oh, actually,
- 3:24Speaker 2: that's not true. I did go once, but I find Scotland,
- 3:27Speaker 2: I know Scotland gets a rap.
- 3:29Speaker 5: It does.
- 3:29Speaker 1: About it not being beautiful, but Scotland is one of
- 3:32Speaker 1: the most beautiful places.
- 3:33Speaker 5: It's a stunning country. The weather. Yeah, the weather is bad,
- 3:35Speaker 5: but the land is stunning. And look, Edinburgh's a beautiful city.
- 3:40Speaker 5: I think Glasgow's got its own kind of beauty and
- 3:42Speaker 5: it's definitely got its own kind of energy. But yeah,
- 3:45Speaker 5: we get a kind of bad rap. Look, there's things
- 3:48Speaker 5: that you can't deny. You know, we're currently, we've claimed,
- 3:51Speaker 5: reclaimed the title as the drug death capital of Europe again.
- 3:55Speaker 5: And there's all these things that you're told about where
- 3:57Speaker 5: you come from and you're told them by the news,
- 4:00Speaker 5: you're told them by the movies that are made about
- 4:03Speaker 5: your places. For me, the movies made about the projects
- 4:07Speaker 5: or the council schemes that are like the one I
- 4:10Speaker 5: came from, and this is all over the world as well,
- 4:12Speaker 5: they're depressing as shit, you know what I mean? And
- 4:14Speaker 5: some of them are really good, they're excellent, but they're
- 4:17Speaker 5: usually really investigating the sort of pornography of poverty and
- 4:21Speaker 5: exploiting that. Anyway, I was like, why can't you be
- 4:23Speaker 5: in a rom-com if you're from, from a council scheme
- 4:25Speaker 5: why do you not get why do you not get
- 4:27Speaker 5: like sort of weird sci-fi comedies.
- 4:29Speaker 2: What is a council scheme when you say it Americanize
- 4:31Speaker 2: that for me oh oh when you're from okay the
- 4:34Speaker 2: projects okay got.
- 4:35Speaker 5: It social housing okay got it yes government housing yes
- 4:37Speaker 5: and I was like I walk out my door as
- 4:39Speaker 5: a kid and like my life is full of adventure
- 4:41Speaker 5: and possibility and people chasing me and my ass getting
- 4:44Speaker 5: kicked and ladies and women that I want to be
- 4:46Speaker 5: with and drink and yes drugs and just adventure, all
- 4:50Speaker 5: the stuff that goes into movies. And I never see
- 4:53Speaker 5: movies like that about projects or schemes. Ah, okay. So
- 4:57Speaker 5: that's why this true story, which comes from two people
- 5:01Speaker 5: in that environment trying to bust into show business, it's
- 5:04Speaker 5: not all about that, but it's kind of, it's a
- 5:06Speaker 5: reaction to... the way that those places and the people
- 5:10Speaker 5: from those places are portrayed sometimes.
- 5:12Speaker 1: Yeah. Do you, do you, so it is analogous to
- 5:16Speaker 1: your story to some degree.
- 5:17Speaker 5: Yeah.
- 5:18Speaker 1: Tell us about your story. Like how did you, what
- 5:21Speaker 1: did you do?
- 5:21Speaker 5: I don't know what my story is, but I, but
- 5:24Speaker 5: I know that it's, I'm in it.
- 5:27Speaker 1: This is your story.
- 5:28Speaker 5: I'm good in it. I'm really good at being me
- 5:29Speaker 5: in my story.
- 5:30Speaker 1: Yeah.
- 5:31Speaker 5: Like I say, I come from a cancer scheme in Glasgow.
- 5:35Speaker 1: Did you have brothers and sisters?
- 5:36Speaker 5: Yeah, I've got a little sister, Joy, who's in the movie, actually.
- 5:39Speaker 5: She plays the bartender at the end.
- 5:41Speaker 1: Oh, yeah, okay.
- 5:41Speaker 5: She's got a couple of lines and she always makes
- 5:43Speaker 5: me cry when she's up there. And I'm like, is
- 5:44Speaker 5: it because she's my sister? Is it because she's so warm?
- 5:47Speaker 5: She gives so much warmth, my sister. She's very brilliantly
- 5:51Speaker 5: and aptly named as Joy. And she's a really good actor.
- 5:54Speaker 5: She's in a big show back home called Two Doors Down.
- 5:57Speaker 1: Oh yeah, I know Two Doors Down.
- 5:58Speaker 5: You know Two Doors Down?
- 5:59Speaker 2: Yeah, I do know Two Doors Down, actually. I was
- 6:00Speaker 2: having a conversation with somebody about it the other day.
- 6:03Speaker 2: That's really funny.
- 6:04Speaker 5: Well, Joy's the neighbor who's, she's probably the, I think
- 6:08Speaker 5: she's the youngest woman in it. She's got blonde hair.
- 6:10Speaker 1: Wow, you two sound like two nepo babies. Look at you.
- 6:13Speaker 5: We ain't no nepo babies. We've never, I don't think
- 6:15Speaker 5: there's anybody in our family that's ever been in the arts.
- 6:17Speaker 1: That's so weird that two of you would end up
- 6:19Speaker 1: in the arts without parents that are in the arts.
- 6:21Speaker 5: Yeah, yeah.
- 6:22Speaker 1: It's the opposite of a nepo baby.
- 6:23Speaker 5: I know, I know. What is that?
- 6:25Speaker 1: It's an open baby.
- 6:26Speaker 5: It's an industry baby. Climbing the ladder baby? I don't know. No,
- 6:31Speaker 5: she's amazing. And we grew up, we were brought up
- 6:34Speaker 5: by my mother and my grandparents. And I don't know
- 6:38Speaker 5: what I was going to do. I was going to be,
- 6:39Speaker 5: I was thinking about joining the Navy. Really? Yeah, yeah, yeah.
- 6:43Speaker 5: I just wanted to get out. I wanted to go
- 6:44Speaker 5: explore the world. And then I thought I'd try acting.
- 6:47Speaker 5: I'd been in a movie when I was 16. This
- 6:49Speaker 5: happened out of the blue. There was no acting class
- 6:51Speaker 5: or anything like that.
- 6:52Speaker 1: How did it happen out of the blue?
- 6:54Speaker 5: In English class, we were reading and studying Macbeth, not
- 6:57Speaker 5: performing it, just reading it out loud and talking about it.
- 7:00Speaker 5: You know, the way Shakespeare's never been intended. It's not
- 7:04Speaker 5: meant to be read. and it might be spoken but
- 7:07Speaker 5: um that's.
- 7:07Speaker 2: Like when I tried to read the Iliad or the
- 7:09Speaker 2: Odyssey I was like oh let me go read the
- 7:11Speaker 2: Odyssey before I see the Odyssey page turner meanwhile I'm
- 7:14Speaker 2: like what the fuck is this language I'm like this
- 7:16Speaker 2: is prose it's worse than prose yeah but nobody told
- 7:20Speaker 2: me about that and I'm like how you take that
- 7:22Speaker 2: book and make it into something like that you need
- 7:24Speaker 2: like eight translators to explain what's happening.
- 7:26Speaker 5: Yeah anyway the teacher that I had Jenny she her
- 7:30Speaker 5: next door neighbor was a well-known actor director philanthropist all
- 7:34Speaker 5: around like good guy in Glasgow, and he'd famously played
- 7:37Speaker 5: Lady Macbeth in an all-male production of Macbeth in the 70s.
- 7:41Speaker 5: He came in, chatted to us, took some stick from
- 7:45Speaker 5: the boys in the class. I went up to him
- 7:47Speaker 5: because I was like, I'd seen him in a movie
- 7:48Speaker 5: with Arnold Schwarzenegger, you know? And I was like, dude,
- 7:51Speaker 5: is there any chance next time you're making a movie,
- 7:53Speaker 5: can I come and make the tea or make the
- 7:55Speaker 5: coffee or whatever? So you had to all do work
- 7:57Speaker 5: placement for a week. And I said, yeah, sure. So
- 7:59Speaker 5: he phoned the school back about six months later. He says,
- 8:01Speaker 5: that wee guy there, They sent me over and he
- 8:05Speaker 5: gave me a script. He went, go away and read that.
- 8:07Speaker 5: Come back tomorrow. And I came back tomorrow and I went,
- 8:08Speaker 5: you see the part of Kevin, Kevin Savage. He said,
- 8:13Speaker 5: you're going to read that and I'm going to read
- 8:15Speaker 5: the other guy. And I was like, I'd never done
- 8:18Speaker 5: any acting class or nothing. And he said, that was good.
- 8:21Speaker 5: That was really good. He said, can you make yourself
- 8:22Speaker 5: cry next time? And I was like, I don't know.
- 8:25Speaker 5: And we did it. And because I'm emotionally incontinent, I
- 8:28Speaker 5: was like, and he was like, all right, cool. And
- 8:31Speaker 5: he took me out of the room, put his arm
- 8:32Speaker 5: around me and was like, This is the guy that's
- 8:33Speaker 5: going to play Kevin. Can we get him into costume
- 8:35Speaker 5: and do some fittings? And then in walked this actor.
- 8:37Speaker 5: I'm an actor now for roughly 90 seconds. And then
- 8:40Speaker 5: walked this actor into the production office. And I was like,
- 8:44Speaker 5: I know that guy. Because he was in a kid's
- 8:46Speaker 5: TV program playing a saxophone, playing mountain bike riding, crime
- 8:51Speaker 5: fighting parcel courier in London in a TV show called Streetwise.
- 8:56Speaker 5: And it was Andy Serkis. And Andy walked in and
- 9:00Speaker 5: he went, and I started talking. I was like, you're
- 9:02Speaker 5: Andy Serkis. He went, oh, is this guy from Glasgow?
- 9:04Speaker 5: I was like, I know he's from Drum Chapel. He's
- 9:06Speaker 5: from a scheme. And he went, is there any chance
- 9:08Speaker 5: I could sit with you? He said, play a Glaswegian.
- 9:10Speaker 5: And he was like, is there any chance I could
- 9:11Speaker 5: sit with you and just like, you know, record your accent?
- 9:14Speaker 5: I was like, excellent. So I've been an actor for
- 9:16Speaker 5: 90 seconds. I'm sitting down teaching Andy Serkis how to
- 9:19Speaker 5: suck eggs.
- 9:20Speaker 1: Becoming a dialect coach, basically.
- 9:22Speaker 2: So with a Scottish accent that you have, what is
- 9:25Speaker 2: the easiest accent for you to do?
- 9:28Speaker 5: Oh, I don't know. I mean, like, you know, I
- 9:32Speaker 5: grew up, there's not a ton of output from Scotland,
- 9:37Speaker 5: whether it's television or film. Everything that we see in
- 9:39Speaker 5: film is English or American. So those are the accents
- 9:43Speaker 5: you hear every day growing up in your life. And
- 9:45Speaker 5: it doesn't mean that every Scottish person can do English
- 9:48Speaker 5: and American easily, but I would suggest it's easier for
- 9:51Speaker 5: us to do you than it is for you to
- 9:53Speaker 5: just immediately be able to do.
- 9:55Speaker 6: Us.
- 9:55Speaker 2: Well, nobody's able to do a Scottish accent. I mean,
- 9:57Speaker 2: have we ever heard, oh, I guess Mel Gibson did one.
- 9:59Speaker 5: Mel Gibson did all right.
- 10:00Speaker 1: Did he do one at Braveheart?
- 10:02Speaker 5: We would criticize it, but he did all right.
- 10:04Speaker 2: I mean, when I think about Mel Gibson doing that,
- 10:06Speaker 2: I forgot, I was like, because it could have been
- 10:08Speaker 2: one of those movies where you get away without doing
- 10:10Speaker 2: the accent, you know, where all of a sudden everyone
- 10:11Speaker 2: speaks American and you're like, like what?
- 10:14Speaker 4: I was going to say like the Odyssey where they
- 10:15Speaker 4: even made the Brits have an American accent.
- 10:16Speaker 7: I still haven't seen it.
- 10:17Speaker 2: I still haven't seen The Odyssey, actually, because I haven't
- 10:20Speaker 2: finished the book.
- 10:20Speaker 5: The Brits have an American accent. Well, you've got to
- 10:22Speaker 5: pick one, right?
- 10:23Speaker 3: Yeah, right.
- 10:23Speaker 5: Or you just go, everybody just be yourselves. I mean,
- 10:25Speaker 5: I remember it was The Girl with the Dragon Tattoo.
- 10:28Speaker 5: And was it set in Denmark? Yeah. Or Sweden? I
- 10:31Speaker 5: think it's Denmark. Yeah. And everybody is kind of doing it.
- 10:34Speaker 5: I don't know what I'm doing. It's like I was
- 10:35Speaker 5: fucking Russian. But like everybody's doing a kind of bit
- 10:38Speaker 5: of Danish-ified. Do you know what I mean? Except Daniel
- 10:40Speaker 5: Craig just went, that's stupid. I'm just doing me. And
- 10:42Speaker 5: I was like, yeah, I get it. You should.
- 10:45Speaker 1: Can you do an Australian accent?
- 10:46Speaker 5: Yes, esh. But Australians would probably go, no, you can't.
- 10:49Speaker 1: Okay, let's hear something in an Australian accent.
- 10:51Speaker 5: I don't know. What would you like me to say?
- 10:54Speaker 5: I don't know. Like sometimes when people say to me,
- 10:55Speaker 5: you've got to do an accent and you're like, I
- 10:57Speaker 5: can do this. I can do this for like 90
- 10:59Speaker 5: seconds when I'm on my own. Yeah. But the minute
- 11:02Speaker 5: that I start to riff, it just goes out the
- 11:05Speaker 5: fucking window.
- 11:06Speaker 2: It's like me and my Spanish basically.
- 11:08Speaker 1: I can do Spanish for about 90 seconds before I
- 11:10Speaker 1: start panicking.
- 11:11Speaker 5: Do you know the worst thing I hear is when
- 11:12Speaker 5: you see an actor do an interview. And somebody goes like,
- 11:15Speaker 5: can you do an accent? And you go, well, yes,
- 11:17Speaker 5: I can actually. And do you know the thing about
- 11:19Speaker 5: this accent? Is that it's actually, you really go to like,
- 11:22Speaker 5: accentuate the R's or whatever, and you're kind of going,
- 11:24Speaker 5: oh God, actors wanking about acting.
- 11:27Speaker 2: It's pretty tricky to see straight men specifically. It's hard
- 11:30Speaker 2: to hear anyone, like I understand acting is a craft.
- 11:33Speaker 2: I understand there is a lot of effort that goes
- 11:36Speaker 2: into it. But as a bystander, it is pretty sickening
- 11:39Speaker 2: to watch people talk about it seriously for such a
- 11:43Speaker 2: length of time.
- 11:44Speaker 1: Do you know what I mean?
- 11:45Speaker 2: Because it's more fun to talk about what's going on
- 11:47Speaker 2: with you as a person to get a little color
- 11:49Speaker 2: to why you're such a good actor rather than hear
- 11:51Speaker 2: you talk about fucking acting. And anybody who really wants
- 11:54Speaker 2: to sit around and talk about acting is eventually really
- 11:57Speaker 2: fucking annoying.
- 11:58Speaker 1: And that's just the way it is.
- 11:59Speaker 5: I love acting and I love and I will talk
- 12:02Speaker 5: to actors about acting all day long. But I hear you, man.
- 12:05Speaker 5: It's like the end product is the thing that's interesting. Right.
- 12:09Speaker 5: Our process or our little dance that we do or
- 12:11Speaker 5: our little mind games that we play is like, ah,
- 12:13Speaker 5: who cares?
- 12:13Speaker 2: But don't you think you also get to a point
- 12:15Speaker 2: in your career where it's kind of, I don't know,
- 12:17Speaker 2: maybe I feel like this and maybe this is singular
- 12:19Speaker 2: to me, but like as far as comedy goes, like
- 12:21Speaker 2: stand up, like when people ask me questions seriously about
- 12:24Speaker 2: creating a stand up routine or an hour or a
- 12:27Speaker 2: special or something, I don't really want to talk about that.
- 12:30Speaker 1: I just find it to.
- 12:31Speaker 2: Be a little bit like it's not that serious.
- 12:34Speaker 1: It's like you're telling stories, right?
- 12:36Speaker 2: So I would think like once you get good enough
- 12:38Speaker 2: at something, it actually becomes less interesting.
- 12:41Speaker 1: To talk about.
- 12:42Speaker 5: Yeah. And also as well, I feel like you spend
- 12:45Speaker 5: the first sort of 10 years of your career, maybe
- 12:48Speaker 5: less if you're really good, like sort of clawing at
- 12:51Speaker 5: handholds and footholds and like this is my technique and
- 12:54Speaker 5: this is what I'm wrestling. And Stanislavski and like Meisner
- 12:57Speaker 5: and fucking The Method and all that. And then after
- 13:00Speaker 5: a while you start to internalize all that stuff and
- 13:02Speaker 5: it becomes more instinctual. And I'm actually less able to
- 13:05Speaker 5: talk about it now because I don't have like technique
- 13:09Speaker 5: that I'm relying on that's conscious. It's just more like
- 13:12Speaker 5: you're just kind of, like you said, telling a story actually.
- 13:15Speaker 2: Yeah, because could you imagine sitting here with Robert De Niro, sorry,
- 13:18Speaker 2: Bobby De Niro, and being like, tell us how to
- 13:20Speaker 2: get into character.
- 13:21Speaker 1: He'd be like, fuck off. He doesn't have any patience
- 13:24Speaker 1: for that, to talk about that. And I respect that.
- 13:27Speaker 5: Yeah, me too.
- 13:28Speaker 1: I like that.
- 13:29Speaker 2: Okay, so let's talk about some of your favorite movies
- 13:31Speaker 2: that you've been in without talking about the acting process.
- 13:36Speaker 1: First of all, have you forgiven Saoirse Ronan?
- 13:39Speaker 5: Saoirse. Saoirse.
- 13:40Speaker 1: Saoirse Ronan. It's a beautiful name if you can get
- 13:42Speaker 1: it right.
- 13:43Speaker 5: I mean, I've heard some real bastardizations of it, like Swarcy. Hey, Swarcy,
- 13:48Speaker 5: why didn't you come on in?
- 13:49Speaker 2: Which is right around the corner from Swastika, so people
- 13:51Speaker 2: should not be saying Swarcy.
- 13:53Speaker 1: Seriously. Have you forgiven her for the ending of Atonement?
- 13:57Speaker 3: Oh, my.
- 13:58Speaker 5: No, that film gets me still. And sometimes I think
- 14:01Speaker 5: about those characters and I get upset. That film is
- 14:02Speaker 5: so beautiful. I think it's one of the best things.
- 14:04Speaker 1: Beautiful film.
- 14:05Speaker 5: It's one of the best things I've ever done. Joe
- 14:07Speaker 5: Wright did an incredible job on that. What a brilliant book.
- 14:11Speaker 5: Maybe the most faithful book adaptation, not ever, but I've
- 14:15Speaker 5: been in anyway. And I've been in a lot of
- 14:17Speaker 5: book adaptations.
- 14:17Speaker 1: Yeah, what other book adaptations have you been in? One
- 14:21Speaker 1: other one.
- 14:22Speaker 5: Last King of Scotland.
- 14:23Speaker 1: That was a great fucking movie too.
- 14:25Speaker 5: That was a good film. I liked that a lot.
- 14:28Speaker 1: The Last Station.
- 14:29Speaker 5: Oh yeah, do you know the Zadie Smith novel? Yeah, yeah, yeah.
- 14:33Speaker 5: White Teeth. Yes. His Dark Materials. I've done tons more. Filth,
- 14:37Speaker 5: which is one of the movies that I'm most proud
- 14:39Speaker 5: of as well. I'd say Atonement and Filth are the
- 14:41Speaker 5: two movies and performances, maybe not Atonement performance, but the
- 14:45Speaker 5: movie itself that I'm most proud of.
- 14:47Speaker 2: What about if you could pick a group of superheroes
- 14:51Speaker 2: that would save us from AI, would you choose X-Men
- 14:54Speaker 2: or the Avengers?
- 14:57Speaker 1: All of our lives depended on it.
- 14:59Speaker 5: I mean, I've got to be honest here. I'd say
- 15:01Speaker 5: the Avengers because they seem to have people in their
- 15:03Speaker 5: kind of ranks that are more like tech savvy than
- 15:05Speaker 5: the X-Men.
- 15:07Speaker 1: That's a good answer.
- 15:08Speaker 5: They can do a good like Excel spreadsheet and all that,
- 15:10Speaker 5: you know?
- 15:10Speaker 1: Yeah. Right. That's actually pertinent. So do you spend a
- 15:16Speaker 1: lot of time in Los Angeles?
- 15:17Speaker 5: No.
- 15:17Speaker 1: You don't live here?
- 15:18Speaker 5: No. I mean, I think I've shot here a couple
- 15:20Speaker 5: of times for like a week here and a week there.
- 15:22Speaker 1: What do you think of Los Angeles?
- 15:23Speaker 5: I think it's a city that I would take a
- 15:27Speaker 5: long time to come to grips with. However, I think
- 15:29Speaker 5: that it reminds me a lot of London in some ways.
- 15:32Speaker 5: I know that sounds crazy because they're so different. They're
- 15:34Speaker 5: both cities that don't have high rises. They didn't build
- 15:38Speaker 5: up the way like Manhattan. They spread. So they both
- 15:41Speaker 5: get this like low rise spread. And it takes you
- 15:44Speaker 5: forever to get anywhere, which in a weird way kind
- 15:47Speaker 5: of isolates you sometimes. And you spend a lot of
- 15:50Speaker 5: time traveling to work or to people. And the effort
- 15:55Speaker 5: put into it, I think, makes people stay in a
- 15:57Speaker 5: wee bit more. I think they're harder to penetrate than
- 16:00Speaker 5: cities like Glasgow, Philly, that I know well, and New York.
- 16:04Speaker 1: Why do you know Philly well?
- 16:06Speaker 5: My wife's from Philly. Oh, she's from Delco.
- 16:09Speaker 1: Oh, that's cool.
- 16:10Speaker 5: Yeah, yeah, yeah. So I'm like a Plastic Eagles fan.
- 16:13Speaker 5: But in those times, I feel like you go into
- 16:17Speaker 5: a bar and you do go like, hey, man, can
- 16:19Speaker 5: I get a such and such? And somebody's, you know,
- 16:21Speaker 5: invariably 10 minutes might be the limit. And you're like, yeah, yeah, yeah. So,
- 16:25Speaker 5: you know, I'm doing this and that. What do you do?
- 16:27Speaker 5: Like there's a bit more, like I've made friends in
- 16:30Speaker 5: those cities. And I find London quite, it's quite hard.
- 16:35Speaker 5: I'm not dissing London. I love London. I've lived there
- 16:37Speaker 5: for 26 years.
- 16:38Speaker 1: You've lived there?
- 16:39Speaker 3: Yeah.
- 16:39Speaker 5: 27 years, actually, yeah. And I'm not one of those Scots.
- 16:42Speaker 5: So a lot of Scots are down on London. I
- 16:44Speaker 5: can't wait to get back up the fucking road.
- 16:46Speaker 1: Well, Scots are down on a lot of things. Yeah, thematically.
- 16:50Speaker 5: I'm a chirpy guy. I'm a cheerful chirpy guy.
- 16:53Speaker 2: Yeah, well, I just say Scots like to keep to themselves.
- 16:57Speaker 1: There's not a lot of Scottish people roaming around the world.
- 17:00Speaker 5: Well, do you know what? I feel like the Irish
- 17:03Speaker 5: diaspora is sort of celebrated and very, very evident The
- 17:08Speaker 5: Scottish diaspora isn't. And it's not as big as the
- 17:12Speaker 5: Irish one because the potato famine forced people out in
- 17:14Speaker 5: a way that, in Scotland, we weren't forced out quite
- 17:17Speaker 5: so much like that. It was a longer, insidious, kind
- 17:20Speaker 5: of more stealth, kind of hostile takeover. But I don't
- 17:26Speaker 5: know what that is. I do sometimes think, because I
- 17:27Speaker 5: think we're very similar people as Celts and as Irish
- 17:32Speaker 5: and Scottish cousins. We're almost the same people, but There
- 17:36Speaker 5: is a sort of joy, joie de vivre for the Irish.
- 17:40Speaker 5: That's the kind of label we put on them. And
- 17:42Speaker 5: it's not what gets put on the Scots. And I
- 17:44Speaker 5: don't know why, because I think if you're looking to
- 17:46Speaker 5: have a party, like Glasgow's the place.
- 17:49Speaker 6: Yes.
- 17:49Speaker 5: Do you know what I mean?
- 17:50Speaker 1: I do.
- 17:50Speaker 5: I've been to parties there. They start tours, like I
- 17:53Speaker 5: think it was, what was it? Beyonce and Jay-Z started
- 17:57Speaker 5: their worldwide joint tour in Glasgow.
- 17:59Speaker 1: Did they?
- 17:59Speaker 5: Yeah, because everybody starts their tours in Glasgow and Cardiff
- 18:03Speaker 5: are the two cities in Wales. Because they just know
- 18:06Speaker 5: it's going to like, they could go out and like
- 18:08Speaker 5: fart on a lighter and people are like, yes! I mean,
- 18:13Speaker 5: to be honest with you, if Jay-Z and Beyonce farted
- 18:15Speaker 5: on a lighter, I would stand in cheer for them.
- 18:17Speaker 1: You would still be interested.
- 18:18Speaker 2: Yeah, I think that there is. There's a definite like,
- 18:22Speaker 2: who was it? Craig Ferguson. He was our, who came
- 18:25Speaker 2: over and he left too. He came over to America
- 18:27Speaker 2: and he was like, I've had it after a while.
- 18:29Speaker 1: He lived here in LA.
- 18:30Speaker 2: He was one of my favorite people to do interviews
- 18:32Speaker 2: with when he had his late night show.
- 18:33Speaker 5: Did you ever do it?
- 18:35Speaker 2: Three or four times yeah he's funny he was fast
- 18:37Speaker 2: yeah he's funny and sober so we had nothing to
- 18:40Speaker 2: talk about funny and sober yeah sober well he used
- 18:42Speaker 2: to have a drinking problem so I mean I guess
- 18:44Speaker 2: everyone from Scotland you could say has a drinking problem
- 18:46Speaker 2: but that's a really I don't know what place doesn't
- 18:49Speaker 2: drink I get I guess Muslim places you know like
- 18:51Speaker 2: I mean who doesn't have um like a culture of
- 18:55Speaker 2: alcohol like most places do unless you're in Arab countries
- 18:58Speaker 2: or in the Middle East somewhere.
- 18:59Speaker 5: Right I think look I think you're right I'm not
- 19:01Speaker 5: looking to ever perpetuate stereotypes about Scottish people I've been
- 19:07Speaker 5: offered roles that do that and I don't take them
- 19:09Speaker 5: because of that. At the same time, you've got to
- 19:11Speaker 5: kind of understand and know, why is there a stereotype?
- 19:13Speaker 5: Because usually there's some sort of truth in it. And
- 19:17Speaker 5: I'm not saying that all Scottish people drink tons and
- 19:20Speaker 5: all that, but at the same time, I think there
- 19:22Speaker 5: are certain realities about my country, about the way that
- 19:26Speaker 5: it's been handled, that the second class citizenry as a
- 19:29Speaker 5: part of the UK, that not just us, but Wales,
- 19:33Speaker 5: Northern Ireland, and Scotland suffer, and even parts of England.
- 19:35Speaker 1: You guys are trying to separate now, Scotland, right?
- 19:38Speaker 5: We tried to in 2015, is it? 2016, we had
- 19:41Speaker 5: the referendum. We nearly got it across.
- 19:44Speaker 1: But isn't that happening again? I feel like it's happening again.
- 19:46Speaker 5: We're pushing for it. We're pushing for it. And, you know,
- 19:50Speaker 5: there is no legal. I guess there's like, all right,
- 19:53Speaker 5: you made it a law that we can't do this again.
- 19:54Speaker 5: But that's weird as well. You're saying to a whole
- 19:57Speaker 5: bunch of people they can't vote on their sovereignty. Yeah,
- 20:01Speaker 5: I think that I said it at the time. I
- 20:04Speaker 5: think it was poorly led last time. And the leader
- 20:08Speaker 5: of the national party who is leading it just didn't
- 20:13Speaker 5: have answers. He spoke really well in headlines and just
- 20:16Speaker 5: didn't have any detail. There was a point where he
- 20:18Speaker 5: was doing one of those, you know, like the leader
- 20:20Speaker 5: stands on a plinth and they kind of battle each other.
- 20:21Speaker 5: And he said, what's going to happen with the currency?
- 20:24Speaker 5: Are we going to keep the UK pound? Are we
- 20:26Speaker 5: going to go into the euro? Euro might not let
- 20:29Speaker 5: us in. What are we going to do? I mean,
- 20:30Speaker 5: we'll cross that bridge when we come to it. And
- 20:32Speaker 5: we're like, we're fucking standing on the bridge, motherfucker. I
- 20:36Speaker 5: think shit like that lost the vote.
- 20:41Speaker 1: Oh, wow.
- 20:42Speaker 5: And it was marginal. We marginally remained in the UK.
- 20:44Speaker 5: And don't get me wrong. I live in London. My
- 20:47Speaker 5: kids are English. It's like, I'm not down in England.
- 20:51Speaker 5: I'm just like, even the English, I'm like, why do
- 20:53Speaker 5: you want us? Do you know what I mean?
- 20:54Speaker 1: Yeah, why do you want them?
- 20:56Speaker 6: Yeah.
- 20:56Speaker 3: Right.
- 21:01Speaker 1: So you met your wife. Did you meet her in Philly?
- 21:03Speaker 1: Where did you guys meet?
- 21:03Speaker 5: I met her in Philly. We worked on, she used
- 21:06Speaker 5: to run M. Night Shyamalan's film company. She was like
- 21:10Speaker 5: head of operations there. And I did two movies with Night.
- 21:13Speaker 5: And yeah, we got together after that.
- 21:16Speaker 1: And then you convinced her to move to London?
- 21:18Speaker 5: Yeah, I said, if you don't move to London, this
- 21:20Speaker 5: is over. Yeah, because I've got a kid over there
- 21:25Speaker 5: from a previous relationship. So I couldn't.
- 21:28Speaker 2: And so how many kids do you have? Just one
- 21:30Speaker 2: or two? Now you have another one with your wife.
- 21:33Speaker 1: And so, okay. So you're a father.
- 21:34Speaker 5: Yeah.
- 21:35Speaker 1: And has that had an impact on your acting?
- 21:43Speaker 5: No, I don't think so. I don't know. Uh, no.
- 21:46Speaker 2: Well, if you were able to cry naturally so easily
- 21:49Speaker 2: on the first day of your acting career, I mean,
- 21:52Speaker 2: I want to know what you were thinking about when
- 21:53Speaker 2: you were able to cry that quickly. Like what did
- 21:56Speaker 2: you must've had a little anxiety about going in there
- 21:58Speaker 2: and being able to pull the trigger and make it
- 22:00Speaker 2: happen on command.
- 22:01Speaker 5: I've had a massively active imagination for my entire life. And, um,
- 22:06Speaker 5: and also I'm quite, uh, empathetic doesn't necessarily mean I'm compassionate. Um,
- 22:11Speaker 5: but I'm empathetic and I have been since quite a,
- 22:14Speaker 5: I'd say a fairly remarkable age. I've been sort of
- 22:18Speaker 5: sensitized to what other people are going through. So when
- 22:21Speaker 5: I ended up in a situation where I was acting
- 22:22Speaker 5: in something, even though I'd never done any acting before,
- 22:27Speaker 5: I was sort of ready for it in a way.
- 22:30Speaker 5: And it's best when, this is actors talking about acting,
- 22:34Speaker 5: but it does explain why I did okay in that
- 22:36Speaker 5: first audition, I think. At its best, what I love
- 22:39Speaker 5: when I'm acting is when they say action, like you
- 22:41Speaker 5: don't try and do it and you're trying to work.
- 22:44Speaker 5: You're not really doing techniques or anything. You're just like,
- 22:46Speaker 5: you're a person and this situation could happen to you.
- 22:50Speaker 5: And it's not that you have to imagine that it's
- 22:52Speaker 5: happening to you. There is a guy running at me
- 22:54Speaker 5: with a knife. All right. Maybe he's not going to
- 22:57Speaker 5: put it in my face, but like that is actually
- 23:00Speaker 5: happening to me. It's not hard to imagine. I don't
- 23:03Speaker 5: have to imagine. The things I'm saying are the things
- 23:06Speaker 5: I'm fucking saying. There's no acting.
- 23:09Speaker 2: Which is why I don't think it's a conversation talking
- 23:11Speaker 2: about acting because you're talking about instinct and you're talking
- 23:13Speaker 2: about being a human being reacting to a situation. It's
- 23:15Speaker 2: not a method of acting. But also, wait, I want
- 23:19Speaker 2: to go back to what you just said that you
- 23:20Speaker 2: have empathy. You had empathy, but you're not sure you
- 23:23Speaker 2: have as much compassion because I have the opposite.
- 23:26Speaker 1: When I went to a.
- 23:27Speaker 2: Psychiatrist for the first time in my life at 40
- 23:29Speaker 2: years old, I discovered that I was very compassionate, but
- 23:33Speaker 2: I lacked empathy. So you're saying the opposite is true
- 23:37Speaker 2: for you or has been?
- 23:39Speaker 5: I have empathy to the point where it's like, I
- 23:40Speaker 5: think empathy is sort of highlighted as something that is
- 23:43Speaker 5: like a positive quality and like empathy without compassion is
- 23:46Speaker 5: kind of pointless because you're going like, oh God, that
- 23:48Speaker 5: person's going through this terrible thing. You can still then go,
- 23:51Speaker 5: don't give a shit. But just because I'm able to
- 23:53Speaker 5: understand and imagine what it's like to walk in your
- 23:55Speaker 5: shoes doesn't mean I'm going to be charitable or kind.
- 23:58Speaker 5: The compassion needs to come in after that. I do
- 24:00Speaker 5: think I can be charitable and kind. I do think
- 24:02Speaker 5: I do have compassion, but I feel like the compassion
- 24:04Speaker 5: is sometimes a choice. And it's something that's to do
- 24:07Speaker 5: with selflessness a lot of the time as well. But
- 24:11Speaker 5: the empathy definitely helps me being an actor.
- 24:14Speaker 6: Yeah.
- 24:14Speaker 5: Yeah.
- 24:15Speaker 1: I would imagine.
- 24:16Speaker 2: I think I'm reading that there's been a couple of
- 24:17Speaker 2: times that you've been told you were wrong for a
- 24:19Speaker 2: part because you were too small.
- 24:21Speaker 6: Yeah.
- 24:22Speaker 5: Which is fine. And it's like, look, there's some parts
- 24:25Speaker 5: that I've told myself I'm too short to play. I'm like, yeah,
- 24:28Speaker 5: I want a guy who's six foot five in that role.
- 24:30Speaker 1: But there's so many actors that are small.
- 24:33Speaker 5: I know. Do you know, my mate had a really
- 24:35Speaker 5: funny theory about why small actors do better. And I
- 24:38Speaker 5: don't think small actors do do better necessarily. But his
- 24:41Speaker 5: theory behind it was brilliant. He's like, well, because when
- 24:43Speaker 5: you're on stage, if you're really tall, you're always like this, right?
- 24:49Speaker 5: But that's closing down your body and your energy to
- 24:51Speaker 5: the audience. When you're really short, you're like this. So
- 24:55Speaker 5: your energy is kind of open going out to the audience.
- 24:57Speaker 5: And he says, plus, if you're short, you've usually got
- 25:00Speaker 5: quite a big head, which means it's quite easy to
- 25:03Speaker 5: identify you. And I was like, why do short people
- 25:05Speaker 5: always have big heads? He's like, I don't know. It's
- 25:07Speaker 5: just the way it is, man. And I don't know
- 25:10Speaker 5: if that's true. I don't think short people do have
- 25:11Speaker 5: big heads. I think I've got a rather small head.
- 25:14Speaker 5: But I loved that explanation. I thought it was great.
- 25:16Speaker 1: I think your head goes nicely with your body. I
- 25:18Speaker 1: don't think it's big or small.
- 25:20Speaker 5: I think the ridiculous size of my hair right now
- 25:21Speaker 5: compensates for my tiny noggin. No, I think I'm proportional.
- 25:24Speaker 1: Are you growing your hair out?
- 25:27Speaker 5: I did a TV show. I had hair extensions. They
- 25:29Speaker 5: were like, we need to do a marketing shoot. I
- 25:30Speaker 5: was like, great. When are we going to do that? Oh,
- 25:32Speaker 5: we don't know. We'll do it next week. And it's
- 25:33Speaker 5: like four months later. And they keep moving it. And
- 25:36Speaker 5: I'm like, so I just need to keep growing it.
- 25:38Speaker 2: That must have been humiliating to have to wear hair extensions.
- 25:41Speaker 5: No, it was quite good, actually.
- 25:43Speaker 1: I used to wear those and they were humiliating. And
- 25:45Speaker 1: even when I look at pictures, I'm humiliated by them.
- 25:48Speaker 5: Was it a choice to wear them?
- 25:50Speaker 2: Yeah, it was just to have longer hair and thicker hair.
- 25:53Speaker 2: And then I outgrew that. And I'm like, listen, this
- 25:55Speaker 2: is what I got.
- 25:55Speaker 5: Mine's obviously to play this alcoholic drug addict. It's a comedy.
- 26:00Speaker 5: But you know Frankie Boyle?
- 26:02Speaker 6: Yeah.
- 26:02Speaker 5: Yeah, Frankie Boyle wrote a book called Meantime and we
- 26:04Speaker 5: turned it into a TV show. It'll be out hitting
- 26:06Speaker 5: TVs next year.
- 26:08Speaker 1: Oh, that's fun. When is that going to be on?
- 26:10Speaker 5: I think it will be April, March or April, something
- 26:13Speaker 5: like that.
- 26:14Speaker 1: Is it on BBC or is it on?
- 26:15Speaker 5: It's Sky. It's Sky TV. They usually partner up with,
- 26:19Speaker 5: they often partner up with HBO over here, but I
- 26:21Speaker 5: don't know. We'll see who it is when it comes
- 26:22Speaker 5: over here. Anyway, I decided that to play this kind
- 26:25Speaker 5: of Jakey guy, which is, we call it a Jake.
- 26:28Speaker 5: You guys call it like a tramp or something like
- 26:29Speaker 5: that or a kind of junkie or whatever. I'd have
- 26:32Speaker 5: a man bun. Anyway, so that's why I got the
- 26:35Speaker 5: hair extensions put on.
- 26:36Speaker 1: And was it the color of your hair? The natural
- 26:39Speaker 1: color of your hair?
- 26:39Speaker 5: Nicotine gray.
- 26:40Speaker 1: Yeah.
- 26:42Speaker 5: That was me.
- 26:43Speaker 1: That's the name of this episode. Nicotine gray.
- 26:47Speaker 5: I like that.
- 26:48Speaker 2: Have there been any roles in movies that you haven't
- 26:50Speaker 2: gotten that you were real, that you really, or that
- 26:52Speaker 2: you passed on? Not that you didn't get because of
- 26:54Speaker 2: your height or because of your accent, something that you
- 26:56Speaker 2: passed on that you've seen and were like, shit, that
- 26:59Speaker 2: was a mistake.
- 27:01Speaker 5: Oh, that's a good question. Um, No, I don't think so.
- 27:06Speaker 5: Not too much. There was, no, not that it was
- 27:09Speaker 5: a mistake. The stuff that I've passed on that I
- 27:11Speaker 5: knew I wasn't right for, that I thought was great.
- 27:14Speaker 5: And when it came out, I'm like, I'm glad I
- 27:16Speaker 5: passed that because that guy rocks. The one I always remember,
- 27:19Speaker 5: I never properly passed it because I was never offered
- 27:20Speaker 5: it properly. I got approached to play a part in
- 27:23Speaker 5: the new Star Trek years ago when they were first, J.J.
- 27:26Speaker 5: Abrams was first doing it and J.J. wanted me to
- 27:28Speaker 5: play a part and I was like, I don't want
- 27:29Speaker 5: to play that part. He says, I'll play Kirk. And
- 27:32Speaker 5: he went, do you want to come and camera test?
- 27:33Speaker 5: And I was like, I was like, because I'm wrong
- 27:36Speaker 5: for it. And when they got Chris Pine, I was like,
- 27:40Speaker 5: this is exactly what I thought should be doing it.
- 27:43Speaker 5: He was so good in that first one. He's a
- 27:46Speaker 5: great actor. And because in my head, I was like,
- 27:49Speaker 5: it should be like the quarterback, like high school quarterback. Well,
- 27:52Speaker 5: he's gone a bit fucked up. and he's like you just.
- 27:58Speaker 2: Gave us a little Russell Crowe there oh yeah yeah
- 28:00Speaker 2: that was a little Russell.
- 28:02Speaker 7: Crowe but yeah and anyway bloody black he was amazing
- 28:09Speaker 7: so there's been times where it's never where I've turned
- 28:12Speaker 7: it down I'm glad I've turned it down but I
- 28:14Speaker 7: can't remember one that I'm like oh Christ I should.
- 28:16Speaker 2: Have done that okay what do you like to drink
- 28:18Speaker 2: I don't anymore you're sober Oh.
- 28:21Speaker 1: God, another one.
- 28:22Speaker 6: I know.
- 28:23Speaker 1: Another one bites the dust.
- 28:25Speaker 5: Do you know what happened? Like lockdown. I'm not blaming
- 28:27Speaker 5: it on the lockdown, but yeah, it went all through.
- 28:29Speaker 5: It was a wee bit.
- 28:30Speaker 2: Well, that's what a lot of people got sober after lockdown.
- 28:32Speaker 2: It's so funny that everyone started drinking during lockdown because.
- 28:35Speaker 1: I was like, there's nothing to drink. Nobody's around. Why
- 28:38Speaker 1: are we all drinking?
- 28:39Speaker 5: Here's the thing though. Like before previously, before that kind
- 28:43Speaker 5: of time in my life, I would never, I would
- 28:44Speaker 5: never think to have alcohol in the house. I'd never
- 28:47Speaker 5: buy it. I'd drink like a fish sometimes when we're
- 28:49Speaker 5: out on a night out. Or if there were people
- 28:51Speaker 5: coming over, I'd make sure we had wine and beer
- 28:53Speaker 5: or whatever. And I'd never think to just like have
- 28:56Speaker 5: stuff to make drink drinks in the house. And during
- 28:59Speaker 5: lockdown that changed. And so it was always a social
- 29:02Speaker 5: thing for me. It was always like when I'm with people,
- 29:04Speaker 5: I can have a drink and that's great. And then
- 29:07Speaker 5: it just started to be like, I would have a
- 29:08Speaker 5: drink of my own. And it didn't get like crazy,
- 29:10Speaker 5: crazy bad, but I was like, I need to nip
- 29:12Speaker 5: this in the bud.
- 29:13Speaker 1: And so you just quit cold turkey? Yeah.
- 29:16Speaker 6: Yeah.
- 29:17Speaker 5: Wow.
- 29:18Speaker 2: All of the people from that side of the world
- 29:21Speaker 2: seem to have the most to drink and then are
- 29:24Speaker 2: able to stop it whenever.
- 29:25Speaker 1: They feel like it.
- 29:26Speaker 5: Look, it's not as easy as that. It is a struggle.
- 29:29Speaker 1: Was it a struggle?
- 29:30Speaker 5: It wasn't to begin with. There's been times over the
- 29:34Speaker 5: last sort of like, it's nearly two, was it coming
- 29:36Speaker 5: up in two years year and year and a half
- 29:38Speaker 5: where um where i've struggled more with it times of
- 29:42Speaker 5: stress yeah it's just so like obvious times of emotional
- 29:46Speaker 5: stress emotional sort of upset that's that's when i'm like
- 29:50Speaker 5: oh my god i could do with a fucking three
- 29:53Speaker 5: fingers of vodka do.
- 29:53Speaker 2: You know what i mean What do you think about
- 29:56Speaker 2: the public aspect of your job? Like, what do you
- 29:58Speaker 2: think about having to come and do stuff like this, podcast, press,
- 30:02Speaker 2: promotional stuff?
- 30:03Speaker 1: Like, is that something that you are annoyed by or
- 30:07Speaker 1: do you, like, how do you feel about all that?
- 30:09Speaker 5: I've never been annoyed by it.
- 30:10Speaker 1: Yeah.
- 30:10Speaker 5: I've always seen it as people, because the chat is
- 30:13Speaker 5: always like, oh my God, you must be so bored
- 30:14Speaker 5: of this or you must hate this. And I'm like, no,
- 30:17Speaker 5: it's usually people, fairly nice people chatting away. And because
- 30:20Speaker 5: we don't have to do so many of those five minute,
- 30:23Speaker 5: five minute, five minute, five minute, 500 of them a
- 30:25Speaker 5: day junket interviews because they seem to be a thing
- 30:28Speaker 5: of the past a little bit it's actually nicer you
- 30:31Speaker 5: get to have conversations like this and it's a little
- 30:34Speaker 5: bit more varied being away from your family because you
- 30:36Speaker 5: don't get paid for this stuff um being away from
- 30:39Speaker 5: your family all the time is that's a bit of
- 30:41Speaker 5: a pain in the arse but no it's fairly pleasant
- 30:43Speaker 5: actually i find and you're usually in some like far-flung
- 30:46Speaker 5: place and a nice enough hotel the flow in your
- 30:48Speaker 5: business it's like it's not the worst way to sort
- 30:51Speaker 5: of like sell your wares you know Yeah, yeah.
- 30:54Speaker 1: I like that attitude about it.
- 30:56Speaker 2: It is a nice way because now, you know, there
- 30:58Speaker 2: is something very put on about like, you know, being
- 31:02Speaker 2: on late night shows where you have to have a
- 31:04Speaker 2: funny story and it's like, and that feels very fraudulent
- 31:07Speaker 2: or not.
- 31:09Speaker 1: It just feels generic, right?
- 31:11Speaker 2: But this whole podcast world and the way they're doing
- 31:14Speaker 2: press now is different than what it was even 10
- 31:16Speaker 2: years ago.
- 31:17Speaker 1: And I actually, I agree with you.
- 31:19Speaker 2: I'd rather sit down and have a conversation with somebody
- 31:21Speaker 2: rather than be like have all this stuff lined up
- 31:23Speaker 2: because it's like it's nice to walk in and not
- 31:25Speaker 2: know what the fuck you're going to talk.
- 31:26Speaker 5: About absolutely and people are always they're always trying to
- 31:30Speaker 5: prep you and like it'll go like this and then
- 31:32Speaker 5: he'll say this and then you can take it to
- 31:33Speaker 5: that nice anecdote and then blah blah and some of
- 31:36Speaker 5: them you're like I've done that anecdote like 12 times
- 31:38Speaker 5: in the last five years you know what I mean
- 31:39Speaker 5: I'll wheel that one out again and um and it's
- 31:42Speaker 5: fine I get it it's the way those ones work
- 31:44Speaker 5: and it's also because it's on network they need to
- 31:46Speaker 5: be careful and kind of know what you're going to
- 31:48Speaker 5: say but I'm always like, I prefer to just shoot
- 31:51Speaker 5: the breeze and sort of see where it goes, you know?
- 31:53Speaker 1: What is your favorite thing about growing up in Scotland?
- 31:56Speaker 5: Oh, wow.
- 31:57Speaker 2: I think watching this movie, you can see what you
- 32:00Speaker 2: like about Scotland and it captures the essence of what.
- 32:04Speaker 1: You were describing.
- 32:05Speaker 5: I grew up in the council estate or the council
- 32:09Speaker 5: scheme or the project that the boys come from in
- 32:11Speaker 5: this film is different from the one I grew up
- 32:13Speaker 5: in a little bit. That one in this film is
- 32:16Speaker 5: like in the city itself on a hill perched above
- 32:18Speaker 5: the city. The one that I come from, Drumchapel, was
- 32:22Speaker 5: they took everybody from the slums in the centre of
- 32:25Speaker 5: the city, knocked the slums down, and they moved like
- 32:27Speaker 5: 80,000 people to the edge of the city. So what
- 32:30Speaker 5: that meant is that you've got this urban development for
- 32:33Speaker 5: 80-odd thousand people in two schemes with a massive valley
- 32:38Speaker 5: and a kind of stream, or as we call it,
- 32:40Speaker 5: a burn, that goes through the middle of it. But
- 32:43Speaker 5: the two schemes perched on the top of the hill
- 32:44Speaker 5: at either side. It was like fucking epic. and there's
- 32:48Speaker 5: like a word over there, the blue bell woods and
- 32:49Speaker 5: the Campsey Hills, not quite mountains, but the Campsey Hills
- 32:52Speaker 5: were like coming out of the trees at the back.
- 32:54Speaker 5: And like, not only did it look beautiful and all that,
- 32:56Speaker 5: because parts of drum chapel weren't beautiful and still aren't, but, um,
- 33:01Speaker 5: it's epic. And that's what like my life felt like
- 33:04Speaker 5: going out. It's why I shot the Dundee part of
- 33:07Speaker 5: this film on anamorphic lenses. And I made it quite
- 33:10Speaker 5: sort of big country as opposed to starting small and
- 33:13Speaker 5: a kind of like social housing scheme. And, um, I'd
- 33:16Speaker 5: go out my door and I'd just feel like anything
- 33:19Speaker 5: could happen. It's like walking out the door in New York.
- 33:21Speaker 5: Do you know that feeling when you're in New York
- 33:22Speaker 5: and you're like, I can't in this place get energy?
- 33:24Speaker 5: It was like that. And yeah, bad stuff happened. Like,
- 33:27Speaker 5: really bad stuff happened. But there was like flight and
- 33:32Speaker 5: peril and chases. And the amount of times I got
- 33:35Speaker 5: chased and got my ass kicked.
- 33:36Speaker 6: Really?
- 33:37Speaker 5: But at the same time, it was kind of like,
- 33:39Speaker 5: it was exciting. And a couple of that with a,
- 33:42Speaker 5: you know, a pretty... I wouldn't say overactive imagination, but
- 33:45Speaker 5: a pretty sort of engaged imagination. The possibilities were endless,
- 33:50Speaker 5: you know. And the stories in my head always, one
- 33:52Speaker 5: of my favorite things to do is go to bed
- 33:54Speaker 5: at the end of the night. And I'd be excited
- 33:56Speaker 5: to go to bed to kind of, and I'd have
- 33:58Speaker 5: to be like, I'd have to choose what it is
- 34:00Speaker 5: I wanted to think about. Because like, you're so many
- 34:03Speaker 5: things bubbling in your brain. Like, I want to think
- 34:05Speaker 5: about this tonight. And you just sit and look at
- 34:07Speaker 5: the sky, at the ceiling and like, think, think, think, think, think.
- 34:10Speaker 2: It makes you wonder what people who grow up who
- 34:12Speaker 2: are just born rich and in these mansions have.
- 34:14Speaker 1: To dream about.
- 34:15Speaker 7: You know what I mean?
- 34:16Speaker 2: Because I remember growing up and always daydreaming and thinking
- 34:19Speaker 2: about where I was going. And I didn't come from
- 34:20Speaker 2: anything similar to what you came from, but I didn't
- 34:23Speaker 2: have what I wanted.
- 34:24Speaker 1: I didn't have the life. But the dreams are born
- 34:27Speaker 1: out of a desire to be in a different place, right?
- 34:29Speaker 5: Yeah, yeah. Yes, yes.
- 34:30Speaker 2: And so if you're born with everything, what do you
- 34:33Speaker 2: have to dream about when you lie down at.
- 34:34Speaker 1: Night in your bed?
- 34:35Speaker 5: And I loved, don't get me wrong, I loved what
- 34:38Speaker 5: I grew up, but I did have this Dreaming of
- 34:40Speaker 5: another place thing, huge. I was always thinking about getting
- 34:43Speaker 5: away and seeing the world. I'm not proud of where
- 34:45Speaker 5: I come from and I didn't think it had good
- 34:47Speaker 5: things in it. I knew there was this world outside
- 34:51Speaker 5: the borders of this place that I was sort of
- 34:54Speaker 5: like kept in, socially, kind of sort of economically kept in.
- 34:58Speaker 5: And I wanted to go and visit that. And that's,
- 35:01Speaker 5: you know, this career that I've been lucky enough to
- 35:03Speaker 5: have has absolutely delivered that dream.
- 35:07Speaker 2: Yeah, and this is your first directing job. This is
- 35:10Speaker 2: your directorial debut. So this was, did.
- 35:13Speaker 1: You write this film?
- 35:14Speaker 5: No, no, no, by no means. Two writers, Archie and Elaine,
- 35:18Speaker 5: and I worked with them over the course of a
- 35:20Speaker 5: couple of years. While we were finding the money, it's
- 35:23Speaker 5: this weird thing. You get a script you want to
- 35:24Speaker 5: do and you go, oh my God, this is perfect.
- 35:26Speaker 5: I can't wait to make it. And then you spend
- 35:27Speaker 5: the next two years like tinkering with it and changing
- 35:29Speaker 5: it a bit. Just tightening, tightening, focusing the story on
- 35:32Speaker 5: the elements that are really important. And then by, so
- 35:35Speaker 5: by the time we found the money, I'd had two
- 35:38Speaker 5: years with the writers just developing and yeah, and it
- 35:42Speaker 5: was off to casting and finding these young people, like
- 35:45Speaker 5: two of whom, it was their second jobs. When I,
- 35:48Speaker 5: I mean, when I cast Seamus who plays Gavin, it
- 35:50Speaker 5: was his first job. Lucy, who's amazing. She's in the
- 35:53Speaker 5: Testaments at the moment. They kind of, you know, she's
- 35:56Speaker 5: trying to infiltrate Gilead. She, it was her second job. So,
- 36:01Speaker 5: You're really looking for relative unknowns and relative rookies, you know?
- 36:07Speaker 5: So that was a long search.
- 36:09Speaker 2: And then you're in it, and James Corden is in
- 36:11Speaker 2: it too.
- 36:12Speaker 5: The film wouldn't have happened without James Corden.
- 36:13Speaker 6: Really?
- 36:14Speaker 5: Yeah. We lost some finance at the 11th, like six
- 36:18Speaker 5: weeks before we started shooting, and we found a new financier.
- 36:21Speaker 5: It was great. But they were like, we need a
- 36:22Speaker 5: cameo in it. And I'm like, I'm in it. What
- 36:24Speaker 5: are you talking about? And they were like, no, we
- 36:26Speaker 5: need another one. So there was no role that would interest,
- 36:30Speaker 5: I think, an actor of great note. So we were
- 36:33Speaker 5: like frantically scrambling, trying to like augment this scene with
- 36:37Speaker 5: a record label exec to make it funnier and bigger
- 36:40Speaker 5: and more of like, you know, demonstrative. And I'm going
- 36:43Speaker 5: through every fucking actor I've ever met or worked with.
- 36:46Speaker 1: In my career.
- 36:47Speaker 5: Totally. I was like, I will come over and blow you.
- 36:54Speaker 5: You don't want me to do that.
- 36:54Speaker 1: You'll pay me not to do that. You blew James Corden?
- 36:59Speaker 5: No, he was charitable. but the list of people who
- 37:02Speaker 5: nearly did this role is nuts but the first person
- 37:05Speaker 5: to come and say I can do this for you
- 37:07Speaker 5: was James and so I'm going to be in his
- 37:09Speaker 5: TV show that he writes with Ruth Jones the choir
- 37:12Speaker 5: he wrote Gavin and Stacey with her oh yeah but
- 37:16Speaker 5: he put it in his contract he was like I'll
- 37:18Speaker 5: do this for you but part of the contract was
- 37:20Speaker 5: that I had to agree contractually to come and do
- 37:22Speaker 5: it for him one day so I've just done it
- 37:24Speaker 5: that's cute so we got James but if we hadn't
- 37:26Speaker 5: got James that financier I don't think they would have
- 37:28Speaker 5: given us the money and we wouldn't have a film Oh, wow.
- 37:32Speaker 5: That's cute.
- 37:32Speaker 1: I like that. Okay, we take some callers for this
- 37:39Speaker 1: part of the interview. Is this live?
- 37:42Speaker 4: Well, I mean, it'll be edited, but there will be
- 37:45Speaker 4: people calling in.
- 37:46Speaker 1: There's real people that are live.
- 37:48Speaker 4: Wait on your headphones, but this first one is just
- 37:50Speaker 4: a read.
- 37:51Speaker 1: Okay, we give advice on this podcast.
- 37:53Speaker 5: Really?
- 37:53Speaker 6: Yeah.
- 37:54Speaker 1: Dr. McAvoy is your new name.
- 37:56Speaker 4: Oh, no.
- 37:57Speaker 1: And pharmacist handler. I'm a pharmacist, so don't worry about it.
- 38:00Speaker 2: I can handle anything that you can't.
- 38:02Speaker 5: Got it. Are you really a pharmacist?
- 38:04Speaker 3: No.
- 38:04Speaker 1: I'm a farm-to-table gynecologist.
- 38:07Speaker 5: Are you? No. I will believe anything you say.
- 38:11Speaker 1: I said three different things in a row. Doctor, gynecologist,
- 38:13Speaker 1: and then I said no. Gynecologist, I said no.
- 38:16Speaker 5: No, you said farm-to-table gyno.
- 38:18Speaker 1: Farm-to-table gyno. But think about it. What is that?
- 38:20Speaker 5: I know.
- 38:21Speaker 1: I love it.
- 38:22Speaker 5: I'm trying to figure it out. Farm-to-table gynecologist. It's, yeah,
- 38:26Speaker 5: like you're a gynecologist for cattle?
- 38:29Speaker 1: For, yeah, I guess. Cattle, grains, beef, meat. Meats? Meats?
- 38:35Speaker 5: Loose meats?
- 38:36Speaker 1: Loose meat gyno.
- 38:37Speaker 5: Cold cuts, great job.
- 38:40Speaker 4: Melanie says, dear Chelsea, what are your quote unquote professional
- 38:44Speaker 4: thoughts on ketamine? My husband recently went to a bachelor party,
- 38:48Speaker 4: tried ketamine and loved it. He knew I'd get FOMO
- 38:51Speaker 4: and brought some home.
- 38:52Speaker 1: For us to try together. Wow, what a thoughtful.
- 38:54Speaker 5: Yeah. We have limited.
- 38:56Speaker 4: Experience with drugs besides a little college weed smoking, edibles,
- 38:59Speaker 4: and mushrooms from my friend's basement once. But before I
- 39:02Speaker 4: try it, I'm dying to know what our pharmaceutical guru,
- 39:04Speaker 4: Chelsea Handler, thinks about ketamine. Thanks, Melanie.
- 39:07Speaker 2: Okay, I have a hot ketamine take. I'm assuming you've
- 39:10Speaker 2: never done ketamine because you're sober now. Okay, because it's
- 39:13Speaker 2: new on the scene.
- 39:14Speaker 5: I still do drugs, but I'm not sure.
- 39:15Speaker 1: Well, that's what a lot of sober people do.
- 39:17Speaker 5: Yeah, California dries up.
- 39:19Speaker 2: But it should be given a different name. assignation than
- 39:22Speaker 2: California sober. Because California sober is like old. We need
- 39:25Speaker 2: to update that. Maybe it's Scottish sober or something. Because
- 39:28Speaker 2: you shouldn't have to not do drugs just because you're
- 39:30Speaker 2: not drinking.
- 39:31Speaker 1: You know what I mean? There are certain drugs that
- 39:32Speaker 1: are not addictive. Like a little weed here and there, whatever.
- 39:34Speaker 2: But my thoughts on ketamine, I'm not for ketamine. I
- 39:37Speaker 2: don't like dissociative drugs. I don't like when you don't
- 39:40Speaker 2: feel like you're in your body. So ketamine, like in
- 39:42Speaker 2: a party vibe, a lot of people like it. It's
- 39:44Speaker 2: going around. It's all over the place. Whenever I'm somewhere
- 39:47Speaker 2: with drugs, there's ketamine. But I am not a fan.
- 39:51Speaker 2: So I can only speak from my own experience. I
- 39:53Speaker 2: don't like that drug. I don't like the way it
- 39:55Speaker 2: makes me feel. It makes me feel like I'm a
- 39:57Speaker 2: little dead. And you're not in your body. You're not
- 40:00Speaker 2: in your body. I like to be like up and
- 40:02Speaker 2: at it. So that's my vibe on ketamine. And James
- 40:05Speaker 2: can't really speak to it.
- 40:07Speaker 5: Never tried it.
- 40:08Speaker 1: What do you think about drugs in general? What do
- 40:12Speaker 1: I think about drugs in general?
- 40:14Speaker 5: He's Scottish, he likes them. I never swore off any
- 40:18Speaker 5: kind of substances other than alcohol. But I am finding
- 40:23Speaker 5: the more and more I'm older, I'm not looking for
- 40:26Speaker 5: an altered state. Because I'm more and more comfortable in
- 40:29Speaker 5: my state. And I think one of the things that
- 40:32Speaker 5: not drinking has done is make me realize what the substance...
- 40:37Speaker 5: of alcohol was taken away and my ability to enjoy
- 40:41Speaker 5: the little things, not the little things that's reductive, but
- 40:45Speaker 5: the unexciting things. Cause not everything that's great and fun
- 40:49Speaker 5: and enjoyable in life is exciting. It's not adrenaline fueled necessarily.
- 40:54Speaker 5: But because of the level of sort of adrenaline I
- 40:57Speaker 5: was chasing, cause I was constantly spiking my adrenaline with
- 41:01Speaker 5: a substance. It was making the enjoyable stuff that isn't
- 41:04Speaker 5: adrenalized really hard to connect with. So I was able
- 41:08Speaker 5: to just connect with my life again and a bit more.
- 41:11Speaker 5: So I'm actually a bit scared of fucking with that.
- 41:14Speaker 6: Yeah.
- 41:14Speaker 1: That's a very eloquent way to put it.
- 41:16Speaker 2: What you're, what a lot of people talk about when
- 41:18Speaker 2: they give up alcohol is a similar kind of thought,
- 41:21Speaker 2: but the way you put it makes it seem a
- 41:23Speaker 2: attractive because that is nice, you know? And it is
- 41:27Speaker 2: important because I think a lot of drinking for a
- 41:29Speaker 2: lot of people comes out of ennui. You're just in
- 41:31Speaker 2: a fucking state of boredom and you don't know what
- 41:33Speaker 2: else to do. So you're like, I guess I'll have
- 41:35Speaker 2: a drink.
- 41:35Speaker 5: I think that's why a lot of people did it
- 41:37Speaker 5: in lockdown because it was, we were like, this is great.
- 41:39Speaker 5: We're also chill, but like also kind of bored.
- 41:42Speaker 6: Yeah.
- 41:43Speaker 7: Right.
- 41:43Speaker 2: So it's nice to, I like what you said about
- 41:46Speaker 2: appreciating like the boring things, you know, the non-stimulating things,
- 41:50Speaker 2: because that is where a lot of the beauty lies
- 41:52Speaker 2: and we skip past that stuff all the time.
- 41:55Speaker 1: So that's nice.
- 41:56Speaker 2: But so to our person who wrote in, you know,
- 41:59Speaker 2: that's just the way I feel about ketamine. But if
- 42:01Speaker 2: you want, I mean, there's no harm in trying something,
- 42:03Speaker 2: but yeah, it's not my drug.
- 42:04Speaker 4: Is it something you can do in a low dose
- 42:06Speaker 4: to start?
- 42:07Speaker 1: Yeah, you can snort it, I guess. That's what people do.
- 42:09Speaker 1: They snort it. All right.
- 42:11Speaker 2: I just, Also, snorting something just at this stage in
- 42:14Speaker 2: my life is not attractive.
- 42:16Speaker 1: You know what I mean? The ship has kind of
- 42:19Speaker 1: fucking sailed on that. We'll cut to next weekend. I'll
- 42:21Speaker 1: be in London at the Churchill Firehouse.
- 42:25Speaker 4: Well, Melanie, let us know what you do.
- 42:27Speaker 1: Our first caller today.
- 42:28Speaker 5: So we are.
- 42:28Speaker 1: We need our headphones for this one. This is Christine.
- 42:32Speaker 1: For James McAvoy's therapy session.
- 42:34Speaker 5: My wig is going to get all messed up.
- 42:36Speaker 1: You just have to act like a therapist. Right, exactly.
- 42:39Speaker 1: Your wig.
- 42:41Speaker 6: Oh, no.
- 42:42Speaker 5: Oh, no, guys.
- 42:43Speaker 1: Your wig is still.
- 42:44Speaker 5: It's still on?
- 42:44Speaker 1: Yeah, it's still situated.
- 42:47Speaker 4: Well, Christine says, Dear Chelsea, I'm a 30-year-old female tackling
- 42:51Speaker 4: the dating world. I've spent a lot of time traveling
- 42:53Speaker 4: 30-plus countries, backpacking, living abroad. That is a huge part
- 42:57Speaker 4: of who I am and what I continue to look
- 42:58Speaker 4: for in a partner, guy or girl. They do not
- 43:01Speaker 4: necessarily need to have traveled as extensively, but need to
- 43:04Speaker 4: be open to.
- 43:04Speaker 1: Breaking their passport. I like that, guy or girl. I
- 43:06Speaker 1: love how open everyone is. This is awesome. And seeing
- 43:09Speaker 1: new places.
- 43:09Speaker 3: Yes.
- 43:10Speaker 4: I've recently been on the dating apps, and I think
- 43:12Speaker 4: I'm pretty open. Recently, I matched with a guy who
- 43:15Speaker 4: was great at conversation, curious, asking questions, funny, keen to
- 43:19Speaker 4: meet up. But then I mentioned I was house-sitting for
- 43:22Speaker 4: a couple while they went to travel Europe for three weeks,
- 43:24Speaker 4: and he asked if they were seeing all of Europe
- 43:26Speaker 4: in those three weeks.
- 43:27Speaker 1: I immediately got the ick.
- 43:29Speaker 4: Maybe it's not common knowledge that seeing Europe will in
- 43:31Speaker 4: fact take much longer than three weeks.
- 43:33Speaker 5: It's huge.
- 43:34Speaker 4: He admitted geography wasn't a strength of his, but I.
- 43:37Speaker 1: Was like, where is she going with this?
- 43:40Speaker 5: So basically you don't want somebody, you want somebody who
- 43:42Speaker 5: studied geography. A geographer, if you will.
- 43:47Speaker 1: It's kind of like a farm to table gynecologist. Farm
- 43:51Speaker 1: to table geographer.
- 43:52Speaker 4: But I'm not sure if I even want to continue
- 43:54Speaker 4: talking anymore. Am I being too petty and picky? Do
- 43:57Speaker 4: I need to cool it and just see how it
- 43:59Speaker 4: goes in person? Or am I right in wanting to
- 44:01Speaker 4: move on from this guy? And I guess this is
- 44:03Speaker 4: a general question about ics as well. I quickly get
- 44:06Speaker 4: the ick and try to look past it, but sometimes
- 44:08Speaker 4: I just can't. How do you handle ics in the
- 44:10Speaker 4: talking stage?
- 44:11Speaker 5: Thanks, Christine. Just wait for that silent stage.
- 44:16Speaker 1: The ick is real. Hi, Christine.
- 44:18Speaker 3: Hi.
- 44:19Speaker 5: Hi.
- 44:20Speaker 1: This is our special guest. James McAvoy is here.
- 44:22Speaker 5: Hi.
- 44:23Speaker 7: Nice to meet you.
- 44:24Speaker 5: You too, pal.
- 44:24Speaker 2: I think that you're being pretty judgmental. Right out of
- 44:27Speaker 2: the gate. I totally get it. Like, I would be
- 44:30Speaker 2: icked out by that too, but like, That's just a
- 44:32Speaker 2: little tiny thing. And it was also in, yeah, I
- 44:37Speaker 2: think you got to give people a little breathing room.
- 44:40Speaker 2: You know, sometimes people act in a way when they
- 44:42Speaker 2: meet someone that is not representative of who they are
- 44:45Speaker 2: and they can communicate in a way.
- 44:47Speaker 1: It's like a little bit of a nervous tick.
- 44:49Speaker 2: Like I met somebody a couple weekends ago, a friend
- 44:53Speaker 2: brought a friend somewhere and this woman just was annoying.
- 44:57Speaker 2: And I was like, oh God, I wish I didn't
- 44:58Speaker 2: find this woman annoying. And then once she loosened up,
- 45:01Speaker 2: she was the fucking coolest woman I've met in a
- 45:04Speaker 2: really long time. because she just was a little bit
- 45:06Speaker 2: weird in the beginning. And like, you got to remember
- 45:09Speaker 2: that people act differently. Like, I don't believe the first
- 45:11Speaker 2: impression is the right impression. I don't believe that. People
- 45:14Speaker 2: don't act like they normally are the first time you
- 45:16Speaker 2: meet them all the time. So I would have a
- 45:19Speaker 2: little slack for this guy. But you know, if it
- 45:21Speaker 2: continues on, obviously he's fired.
- 45:23Speaker 1: Yeah, I like to give people the benefit of the doubt.
- 45:26Speaker 3: But I feel like I don't know when it comes
- 45:29Speaker 3: to travel and just assuming like, oh, I don't know.
- 45:32Speaker 1: That was just a huge ick for me.
- 45:34Speaker 3: And I know listening to your podcast that you got
- 45:35Speaker 3: icked by someone who ate salsa. I know, I know.
- 45:39Speaker 2: But I am a definitely bad role model in that
- 45:41Speaker 2: respect because I have no tolerance.
- 45:43Speaker 5: There's whole countries of people that you can't go near.
- 45:47Speaker 5: You're culinarily racist.
- 45:51Speaker 2: Well, as a gynecologist, I can't practice in all these
- 45:55Speaker 2: countries anyway. My certification is only valid in certain parts
- 46:00Speaker 2: of the world. What did you respond to him when
- 46:02Speaker 2: he said that?
- 46:03Speaker 3: I mean, we were talking for a bunch of different topics.
- 46:06Speaker 3: So I just kind of brushed it off and was like, no,
- 46:08Speaker 3: they're going to see a big chunk of it because
- 46:11Speaker 3: it takes way longer than three weeks. He's like, oh yeah,
- 46:12Speaker 3: I didn't know.
- 46:13Speaker 1: It was like, Yeah, but he didn't... But yeah, because
- 46:15Speaker 1: maybe he didn't know specifically. You know what I mean?
- 46:17Speaker 2: I would just ignore that, continue on, and then see
- 46:19Speaker 2: when you meet him. There's this thing, James. I don't
- 46:22Speaker 2: know if you know about this. There's this thing called
- 46:23Speaker 2: the ick list. So are you on social media?
- 46:26Speaker 1: Do you do all that?
- 46:27Speaker 5: Yeah, I do a little bit.
- 46:27Speaker 1: Yeah, I've seen you on social media.
- 46:28Speaker 5: So, okay.
- 46:29Speaker 6: So.
- 46:30Speaker 1: There's a thing called the ick list, and you know
- 46:32Speaker 1: what the ick is, right?
- 46:33Speaker 5: Yeah, something that makes you go, oh, I don't like that.
- 46:35Speaker 1: Yeah, right.
- 46:36Speaker 2: But girls have it worse than guys have it. We
- 46:39Speaker 2: get pretty grossed out by little things.
- 46:41Speaker 1: It could be a belt.
- 46:41Speaker 6: Yeah, right.
- 46:42Speaker 1: It could be a belt. It could be hair extensions.
- 46:46Speaker 2: It could be the way you– there's a girl, she
- 46:50Speaker 2: runs this page, and it's called the ick list.
- 46:52Speaker 1: Have you seen this?
- 46:53Speaker 5: I have not.
- 46:53Speaker 1: It's so fucking funny. No, I'm going to look it
- 46:55Speaker 1: up now. It's so funny. These girls write in, and
- 46:57Speaker 1: they'll tell stories.
- 46:58Speaker 2: They'll be like, my boyfriend– went to go hail a
- 47:00Speaker 2: taxi and just the position of his body, she was like,
- 47:04Speaker 2: don't hail taxis. And one girl was like, oh, my
- 47:07Speaker 2: boyfriend got on a stepstool.
- 47:09Speaker 1: It's over.
- 47:10Speaker 2: Like, don't get on stepstools. So you have to be
- 47:12Speaker 2: very careful as a man. You're lucky you're married. So,
- 47:15Speaker 2: you know, you're kind of in deeper.
- 47:16Speaker 5: Why don't they like to love in people's faults or
- 47:17Speaker 5: love in the imperfections as well? Because that's stuff that's
- 47:20Speaker 5: on the necklace. Here's the thing that I think, right?
- 47:22Speaker 5: oh god I sound like such a prick here's the
- 47:26Speaker 5: thing that I think about your issue as a young
- 47:28Speaker 5: woman and I'm going to tell you about it as
- 47:30Speaker 5: a man that's really interesting isn't it it is you
- 47:35Speaker 5: know that thing when you meet somebody and you don't
- 47:38Speaker 5: go like oh my god they're devastatingly unattractive but you
- 47:41Speaker 5: kind of go like you're a person that's it and
- 47:43Speaker 5: then you spend time and suddenly the level of attractiveness
- 47:48Speaker 5: of that person grows exponentially and And that's not that
- 47:52Speaker 5: they're physically changed or their pheromones are different. It's just
- 47:55Speaker 5: that you're interested in who they are. I feel like
- 47:58Speaker 5: the Ickless is kind of like the personality version of that,
- 48:01Speaker 5: where it's like the first thing I saw was a
- 48:03Speaker 5: thing I'm not interested in. But you can give room
- 48:06Speaker 5: for that person to reveal all the other things that
- 48:09Speaker 5: are just going to make that shit grow. And then
- 48:11Speaker 5: the other thing is, well, if you don't want to
- 48:12Speaker 5: have any Icks, you're basically saying you're looking for the
- 48:14Speaker 5: perfect partner. And they're going to be imperfect at some point.
- 48:18Speaker 5: And that's going to, so you've got a high threshold
- 48:20Speaker 5: for that person to fail or a low threshold for
- 48:22Speaker 5: that person to fail. Which one? High or low? Anyway.
- 48:25Speaker 6: Low.
- 48:25Speaker 5: I guess the imperfect, I like the imperfections or the failings.
- 48:29Speaker 2: Well, I mean, that's a nice take, quite honestly, coming
- 48:32Speaker 2: from a straight man as well.
- 48:34Speaker 1: So it's a real surprise.
- 48:35Speaker 2: But I mean, you can't argue with that. It's kind
- 48:38Speaker 2: of the nicer way to be. Because, right, what are
- 48:40Speaker 2: we going to get? The perfect man?
- 48:42Speaker 1: We always say that. We're like, yeah, but they don't,
- 48:45Speaker 1: you know. But it's like we are asking for the
- 48:47Speaker 1: perfect guy.
- 48:48Speaker 5: We are going to disappoint you. Yeah. We are going
- 48:51Speaker 5: to disappoint you at some point. And it's probably going
- 48:52Speaker 5: to be quick and regular, early, and maintained.
- 48:56Speaker 1: Consistent. It's going to show up early and it's going
- 48:58Speaker 1: to be consistent.
- 48:59Speaker 5: Yeah.
- 48:59Speaker 6: Yeah.
- 49:01Speaker 5: She's done you a favor real early.
- 49:02Speaker 1: There you go. I got to figure out real early.
- 49:05Speaker 1: This guy seems like a keeper all of a sudden.
- 49:07Speaker 1: Smooth sailing from here on out. That was it.
- 49:13Speaker 5: All right.
- 49:13Speaker 1: Well, let us know how it goes with him.
- 49:15Speaker 2: If you end up going out with him for a
- 49:17Speaker 2: few months, we want to hear about it.
- 49:18Speaker 5: Okay.
- 49:19Speaker 1: I'll let you know. I'll keep you updated.
- 49:20Speaker 4: I might not.
- 49:21Speaker 5: I think this guy is going to turn up like,
- 49:24Speaker 5: in like three months time, you're going to transform him.
- 49:26Speaker 5: He's going to be on a beach in Sri Lanka
- 49:27Speaker 5: with like bongos and dreads. Like, I traveled the world
- 49:30Speaker 5: 13 times in three months. She said I couldn't do
- 49:32Speaker 5: Europe in three weeks.
- 49:33Speaker 1: She's like, look at me now. There's a new Braveheart
- 49:37Speaker 1: in town.
- 49:38Speaker 2: It's geographically different. I also love that you're open to
- 49:41Speaker 2: men and women. I just love how open everyone is
- 49:43Speaker 2: about their sexuality. Now, this is the way it fucking
- 49:45Speaker 2: should be. You know, like, especially for girls, like women
- 49:48Speaker 2: don't give a shit. We're just looking for to have
- 49:51Speaker 2: a good vibe.
- 49:52Speaker 5: Yeah.
- 49:52Speaker 1: Yeah, exactly. Yeah. I love it. Okay. Keep us posted.
- 49:56Speaker 1: I will.
- 49:57Speaker 5: Thank you so much. I thought you said it's all
- 50:00Speaker 5: about the vibe and the least amount of cervix. And
- 50:03Speaker 5: I was like, what? You just said you were into
- 50:05Speaker 5: women as well.
- 50:06Speaker 7: I was like, what?
- 50:08Speaker 5: She's breaking it out.
- 50:09Speaker 2: Somebody said they, I was reading something last night and
- 50:12Speaker 2: it was saying, It was talking about all the female parts,
- 50:15Speaker 2: and it said, like, you need to know where your vulva,
- 50:16Speaker 2: your cervix, and I was like, I don't.
- 50:19Speaker 5: Sorry, you just said vulva and cervix? Ick.
- 50:21Speaker 3: Ick.
- 50:23Speaker 1: That's sexist, James.
- 50:24Speaker 5: That is, but right.
- 50:25Speaker 1: You can't get the ick. That's only us.
- 50:26Speaker 5: But right.
- 50:34Speaker 4: Well, our next caller is Rebecca, and she says, Dear Chelsea,
- 50:39Speaker 4: I'm writing in hopes that you can help me find
- 50:40Speaker 4: the best way to support my ex during a hard
- 50:42Speaker 4: and confusing time. My mother-in-law recently passed away, and prior
- 50:46Speaker 4: to her passing, my ex did not have the best
- 50:48Speaker 4: relationship with her or the rest of his family. When
- 50:51Speaker 4: we found out she was terminally ill, he'd even gone
- 50:53Speaker 4: so far as to say he'd see her on the
- 50:54Speaker 4: other side. While she was in the hospital, he did
- 50:57Speaker 4: wind up seeing her a few days before she passed away.
- 51:00Speaker 4: The situation was really tough for me and my children,
- 51:02Speaker 4: and I found it very hard to be there for
- 51:04Speaker 4: him without trying to force him to communicate with his family.
- 51:07Speaker 4: Now that she's passed, it seems that communication with the
- 51:09Speaker 4: rest of his family has gone back to non-existent and
- 51:11Speaker 4: no services have been planned. I know this bothers him
- 51:14Speaker 4: as many people have asked about services, but when I
- 51:17Speaker 4: asked him if his siblings brought it up, he basically
- 51:19Speaker 4: says they didn't and brushes off the conversation. I know
- 51:22Speaker 4: it's something he wants and I don't want to continue
- 51:24Speaker 4: pushing him to talk to his family, but I want
- 51:27Speaker 4: him to feel like he has closure and I don't
- 51:29Speaker 4: know the best way to support him. How can he
- 51:31Speaker 4: move through the loss of a loved one he'd effectively
- 51:34Speaker 4: cut off before her passing and And should I continue
- 51:36Speaker 4: to encourage him to connect with his siblings?
- 51:38Speaker 1: Rebecca. Hi, Rebecca.
- 51:40Speaker 5: Hi.
- 51:41Speaker 7: Hi.
- 51:42Speaker 1: This is our very special guest, James McAvoy is here today. Hello.
- 51:46Speaker 6: Nice to meet you guys.
- 51:47Speaker 1: We needed some testosterone around here.
- 51:51Speaker 5: Clearly I'm like a bank of it. Do you know
- 51:54Speaker 5: what I mean? 47 years of testosterone in one podcast.
- 51:59Speaker 2: I think you should probably see yourself out of this situation, Rebecca.
- 52:04Speaker 1: Like, it seems slightly meddlesome. Like, it's your ex. It's
- 52:08Speaker 1: his mom.
- 52:09Speaker 2: It's his situation. He doesn't want to deal with it.
- 52:12Speaker 2: He didn't have a good relationship with it. Like, you
- 52:15Speaker 2: can't control that. And you're not even in his life anymore, really.
- 52:19Speaker 6: Well, we do have kids together. So it's also my
- 52:22Speaker 6: children's grandmother that passed.
- 52:24Speaker 1: Oh, right, right, right.
- 52:25Speaker 4: And I know you mentioned also when we had had
- 52:28Speaker 4: a pre-interview that they're very close. Like, she and her
- 52:30Speaker 4: ex are very close. Like you said, almost best friends, right?
- 52:33Speaker 5: Yes. Yeah.
- 52:35Speaker 1: Yeah. So they're still really in communication.
- 52:37Speaker 6: I mean, we, we share children together and she lived
- 52:40Speaker 6: with us for multiple years and you know, my, my
- 52:44Speaker 6: kids were very close to her obviously. So it's, it's,
- 52:47Speaker 6: it's more, it's my trying to help him, but also
- 52:52Speaker 6: trying to help my kids in the same.
- 52:54Speaker 1: Right.
- 52:54Speaker 5: I'm going to give you a male perspective.
- 52:57Speaker 6: Yeah.
- 52:57Speaker 1: Go ahead. Sperm bank.
- 52:59Speaker 5: Let's go. Here we go. Get ready. I might do
- 53:00Speaker 5: some pushups.
- 53:01Speaker 3: Okay.
- 53:01Speaker 1: You don't need to. I mean, we believe you.
- 53:04Speaker 5: The situation that you've described is like, he's, he's clearly
- 53:07Speaker 5: got stuff going on and issues that, that have resulted
- 53:11Speaker 5: in him not having a great relationship or not choosing
- 53:14Speaker 5: to have a, you know, a regular relationship with the
- 53:18Speaker 5: rest of his family. And what you're talking about doing
- 53:21Speaker 5: is essentially doing, is changing him and changing him into
- 53:26Speaker 5: somebody who is capable of that. And I just don't know.
- 53:30Speaker 5: I don't think you can change somebody. They got to, they,
- 53:33Speaker 5: You can't teach somebody something. They've got to learn it themselves.
- 53:35Speaker 5: Can't change somebody. They've got to evolve themselves. And you
- 53:39Speaker 5: can be there and listen to their troubles and help
- 53:42Speaker 5: ease their troubles. But I just don't think you can
- 53:44Speaker 5: force change in someone else's character or personality. Yeah.
- 53:47Speaker 2: And I think like, it's nice that you're his friend.
- 53:49Speaker 2: I would say like that you're so close and stuff,
- 53:52Speaker 2: but it's like, I'm echoing the same thing that he's saying.
- 53:55Speaker 1: Like, it's not your role.
- 53:57Speaker 2: You can demonstrate what it's like to actively miss and
- 54:01Speaker 2: grieve or honor her with your children without, you know,
- 54:05Speaker 2: your husband, or you can do that while he's there
- 54:07Speaker 2: so he can see you doing it. So that they
- 54:10Speaker 2: don't forget her since she was a part of your
- 54:12Speaker 2: life and your children's lives. But you can't enact what's
- 54:16Speaker 2: going to happen for him and repair his brain. So
- 54:18Speaker 2: it's like, I think it would be a better use
- 54:21Speaker 2: of your time just to demonstrate what actual honoring somebody
- 54:24Speaker 2: who's passed away is rather than trying to enforce it
- 54:29Speaker 2: upon him or try to bring him to the table,
- 54:32Speaker 2: so to speak. I just think that's futile. And you
- 54:35Speaker 2: have kids, so your time is better spent with them anyway,
- 54:38Speaker 2: you know?
- 54:39Speaker 1: And let him go through his process. You're not in
- 54:41Speaker 1: charge of him.
- 54:42Speaker 2: And you know, even if it was your best friend,
- 54:45Speaker 2: which you're saying it is like, even if it was
- 54:46Speaker 2: your best and it was a female, like you can't
- 54:49Speaker 2: make somebody do something because of the way you're seeing
- 54:52Speaker 2: their situation. You kind of have to, your eyes got
- 54:55Speaker 2: very deep there for a second.
- 54:57Speaker 1: You seem entranced.
- 54:58Speaker 5: I'm just thinking about like what we just said about,
- 55:00Speaker 5: you can't tell us, you can't change somebody. And yet we,
- 55:03Speaker 5: you seem to be somebody who thinks you can change somebody.
- 55:05Speaker 6: Right.
- 55:06Speaker 5: I'm not judging you for that, by the way. Um,
- 55:09Speaker 5: And we'll try to change you by telling you you
- 55:10Speaker 5: can't do that. We'll try to do to you what
- 55:12Speaker 5: we're saying don't do to your ex-husband. And so the
- 55:15Speaker 5: reason I got deep there, because I was just thinking
- 55:17Speaker 5: about like, how would we impart this in a way?
- 55:20Speaker 5: Is it through telling a story of experience of our
- 55:22Speaker 5: own rather than just saying you shouldn't do this? But
- 55:25Speaker 5: you are asking for straight up advice.
- 55:28Speaker 2: But I think there are ways you can honor your
- 55:31Speaker 2: late mother-in-law and ways that, and you can do that
- 55:33Speaker 2: while he's there, you know, and if he wants to participate,
- 55:36Speaker 2: that's great. You know, when there's Christmas or holidays or
- 55:39Speaker 2: her birthday or the anniversary of her death, if you
- 55:41Speaker 2: want to bring, do something special for the kids and
- 55:44Speaker 2: he can be included in that, but don't, it's almost
- 55:47Speaker 2: like do it, but don't bring him to the table.
- 55:50Speaker 2: Let him decide if he wants to participate or if
- 55:53Speaker 2: he wants to take on some.
- 55:55Speaker 1: Role in that.
- 55:56Speaker 2: But yeah, it's just, yeah, you can't, you can't make
- 56:00Speaker 2: people do things. And I don't think we're making her
- 56:03Speaker 2: change because she's not adamant about it. She's asking a question.
- 56:08Speaker 2: So I think it's a good question too.
- 56:10Speaker 1: I get it.
- 56:11Speaker 6: Well, and that's where I struggle with him too, because obviously,
- 56:14Speaker 6: you know, we raise children together and I know he
- 56:18Speaker 6: doesn't handle emotion. Well, he doesn't handle goodbye. Well, especially
- 56:21Speaker 6: permanent goodbye, but he's, When it comes to my children
- 56:27Speaker 6: and them wanting to understand that their father gets it,
- 56:33Speaker 6: that's part of the hard part. But also, I lost
- 56:38Speaker 6: my father prematurely and we didn't have a good relationship.
- 56:42Speaker 6: So even before his mom passed, I tried to tell
- 56:45Speaker 6: him multiple times, you need to salvage this relationship because
- 56:49Speaker 6: I know what it's like to lose somebody And not
- 56:53Speaker 6: have that contact. And he chose not to listen to me.
- 56:56Speaker 6: And that's fine. But it's just the whole spectrum of
- 57:01Speaker 6: now he has the opportunity to keep contact with at
- 57:05Speaker 6: least his family. And it doesn't seem like he's really
- 57:08Speaker 6: choosing to do so.
- 57:09Speaker 2: Yeah, but you're projecting your situation onto him. And that's
- 57:13Speaker 2: not fair either. You lost your dad. That's your set
- 57:16Speaker 2: of circumstances. And you're trying to make sure he doesn't
- 57:19Speaker 2: repeat what happened to you. It's two different situations. So again,
- 57:24Speaker 2: I'm saying this gently, but you should stay in your
- 57:27Speaker 2: lane with regard to this and just focus on the
- 57:30Speaker 2: children because those are the people who.
- 57:32Speaker 1: You can have an impact on. You know what I mean? Absolutely.
- 57:36Speaker 1: You're not going to change him.
- 57:37Speaker 2: So if you can influence them, you can have a
- 57:39Speaker 2: positive outlook about his mom and their grandmother and your
- 57:45Speaker 2: father and however you choose to do that.
- 57:47Speaker 1: That's on you. You do it. And leave him out
- 57:49Speaker 1: of it. That's not your responsibility. He's not your responsibility.
- 57:52Speaker 1: Your children are.
- 57:53Speaker 6: So, I mean, what would your advice be as far
- 57:56Speaker 6: as his siblings? Because now, you know, I know he
- 58:00Speaker 6: does want the family to have, like, some kind of
- 58:04Speaker 6: service for his mother, but he's also not pushing it.
- 58:07Speaker 6: It's like, it's more of a, they're not saying anything,
- 58:10Speaker 6: so I'm not going to say anything. But I know
- 58:12Speaker 6: he wants it.
- 58:13Speaker 1: I just... I know, but that he's not your kid.
- 58:17Speaker 1: He's not you. It's not your dominion.
- 58:20Speaker 2: And like, I know it feels like this because you
- 58:21Speaker 2: have history with him and it's your, the father of
- 58:24Speaker 2: your kids, but this isn't your responsibility.
- 58:27Speaker 1: Like you have to step back. That's an action too.
- 58:33Speaker 2: And who knows what will happen without you trying to
- 58:37Speaker 2: make things happen.
- 58:38Speaker 5: There's a weird thing that happens sometimes, isn't it? When
- 58:41Speaker 5: you're really hurt or you're really sick and you do
- 58:44Speaker 5: need to go to the doctor. And somebody goes like,
- 58:46Speaker 5: you've got to get to the doctor. And the logic
- 58:49Speaker 5: of that is so apparent. And it immediately makes me
- 58:52Speaker 5: want to go like, I need to do the opposite
- 58:54Speaker 5: of what you're saying. I will not be told to
- 58:55Speaker 5: go to the doctor. And sometimes it's like that with advice.
- 58:59Speaker 5: Sometimes it's like that with advice as well. Everybody's telling
- 59:01Speaker 5: you what you've got to do. You've got to leave
- 59:03Speaker 5: this person. You've got to leave this woman. You've got
- 59:04Speaker 5: to leave that man. You've got to leave this town.
- 59:07Speaker 5: You've got to get out of this business. And it
- 59:08Speaker 5: makes you entrenched.
- 59:10Speaker 1: Yeah.
- 59:11Speaker 5: So weird. Yeah.
- 59:12Speaker 2: So especially if you guys have this dynamic, I would
- 59:14Speaker 2: really focus on separating yourself from his behavioral patterns and
- 59:20Speaker 2: his actions. I really think that your time would be
- 59:23Speaker 2: better spent just kind of demonstrating what you want for
- 59:26Speaker 2: him by doing it yourself. And that's not arranging a
- 59:30Speaker 2: funeral and that's not arranging how he communicates with his siblings.
- 59:33Speaker 2: You can still have a relationship with all those people
- 59:35Speaker 2: and with your kids independently, but you're not going to
- 59:37Speaker 2: be controlling his relationship.
- 59:39Speaker 1: And that's not your responsibility. It's just not.
- 59:42Speaker 2: I know you're trying to be a good person, but like,
- 59:44Speaker 2: it's not really about that. Sometimes meddling in other people's stuff.
- 59:49Speaker 2: it builds a resentment and you can get like a
- 59:52Speaker 2: result that's unwanted. So I would just really just focus
- 59:56Speaker 2: on like the positive vibes and honoring her in your
- 59:59Speaker 2: own way and without interfering in the way he's processing it.
- 1:00:04Speaker 5: Okay.
- 1:00:04Speaker 6: Yeah. No, I hear what you're saying and you're right. Okay, great.
- 1:00:08Speaker 6: I have a history of doing that with him and
- 1:00:11Speaker 6: you're absolutely right.
- 1:00:12Speaker 3: Right.
- 1:00:13Speaker 6: I need to just step back.
- 1:00:14Speaker 1: It's going to be good for you too.
- 1:00:16Speaker 5: Yeah.
- 1:00:16Speaker 1: It also means the pressure is off of you.
- 1:00:17Speaker 3: Yeah.
- 1:00:18Speaker 2: You don't, like a fixer, somebody who wants to go
- 1:00:20Speaker 2: in and fix all the time sometimes isn't always doing,
- 1:00:23Speaker 2: I've been there.
- 1:00:24Speaker 1: I get it. I get it.
- 1:00:25Speaker 2: I totally can relate to you. So no shame, but
- 1:00:30Speaker 2: step back a bit, I would say.
- 1:00:31Speaker 5: Yeah.
- 1:00:32Speaker 1: Okay, Rebecca, thank you, though, for calling and for being
- 1:00:35Speaker 1: so thoughtful.
- 1:00:36Speaker 5: Thank you so much.
- 1:00:36Speaker 6: I really appreciate you guys so much.
- 1:00:39Speaker 1: Absolutely. Take care. Have a great day.
- 1:00:41Speaker 6: Take care.
- 1:00:42Speaker 3: Bye.
- 1:00:43Speaker 5: Bye. I feel in dangerous territory right here.
- 1:00:46Speaker 1: Because you're so masculine?
- 1:00:47Speaker 5: I might need to bust out 20 push-ups in a second.
- 1:00:52Speaker 2: I told you you didn't have to do any push-ups today, James.
- 1:00:54Speaker 2: We believe that you're a man.
- 1:00:56Speaker 5: Thanks. But no, just like offering advice to complete strangers.
- 1:01:00Speaker 5: I'm like, oh my God, this is crazy.
- 1:01:02Speaker 1: It's good. It's kind of serious.
- 1:01:04Speaker 5: Who the fuck do I think I am?
- 1:01:05Speaker 1: Well, it's not about who you think you are.
- 1:01:07Speaker 2: Don't you think sometimes when you need advice in a situation,
- 1:01:10Speaker 2: the best person to ask is the person who has no.
- 1:01:12Speaker 1: Skin in the game.
- 1:01:13Speaker 5: Sometimes a stranger does give you good advice. That's what
- 1:01:15Speaker 5: we're doing here. Yeah, that's true actually.
- 1:01:17Speaker 1: It's not like I have a degree. I mean, even
- 1:01:19Speaker 1: though you believe I have all sorts of degrees now.
- 1:01:21Speaker 5: You can take these off. I think you could be
- 1:01:23Speaker 5: any kind of professional in any medical. I love it.
- 1:01:27Speaker 1: I love your faith in me.
- 1:01:28Speaker 2: James' new movie is called California Schemen, and it's now
- 1:01:32Speaker 2: in select theaters, and it's going to be out everywhere tomorrow.
- 1:01:35Speaker 1: So make sure that you watch it, people.
- 1:01:39Speaker 5: Thank you.
- 1:01:40Speaker 1: Thanks, James McAvoy. This was delightful.
- 1:01:42Speaker 5: Gorgeous talking to you guys. Thank you so much. Honestly,
- 1:01:46Speaker 5: I've admired you for– actually, it was my wife that
- 1:01:49Speaker 5: introduced me to you. more. She's been a fan just
- 1:01:52Speaker 5: for like a gazillion years. But we love you in
- 1:01:55Speaker 5: our house.
- 1:01:55Speaker 1: I love that. Thank you.
- 1:01:56Speaker 5: Yeah, not too old.
- 1:01:57Speaker 6: Thank you.
- 1:01:58Speaker 2: All right.
- 1:02:00Speaker 4: If you want advice from Chelsea, write in to DearChelseaPodcast
- 1:02:03Speaker 4: at gmail.com. Dear Chelsea is a production of iHeartMedia. Follow
- 1:02:08Speaker 4: Chelsea on all socials at Chelsea Handler and find Catherine
- 1:02:11Speaker 4: on Instagram and TikTok at eggsonaplane. Dear Chelsea is edited
- 1:02:15Speaker 4: and engineered by Brandon Dickert, executive producer Catherine Law. Find
- 1:02:19Speaker 4: full video episodes and minisodes now on Netflix and get
- 1:02:22Speaker 4: tickets to see Chelsea live at ChelseaHandler.com.