Latest / I Am All In with Scott Patterson / I just had to tell you. I won. (S7 E12 “To Whom It May Concern”)

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I just had to tell you. I won. (S7 E12 “To Whom It May Concern”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in.
• 0:08
  Speaker 2: That's you.
• 0:16
  Speaker 3: I am all in with Scott Patterson an iHeart radio podcast.
• 0:21
  Speaker 3: It's so weird how you remember like moments in a
• 0:25
  Speaker 3: show that are like upsetting and with ed herman not
• 0:30
  Speaker 3: being alive anymore, it's even more painful.
• 0:33
  Speaker 1: That it was hard to watch for that reason. Yeah,
• 0:38
  Speaker 1: I agree, Yeah, but I enjoyed the episode. I really
• 0:42
  Speaker 1: got a lot of cackles. I've never liked Paris more.
• 0:47
  Speaker 1: Me too, I saw another side of Lucy.
• 0:52
  Speaker 3: Lucy was good in this one. Guys, see that that's
• 0:54
  Speaker 3: the Lucy I like she was alady under.
• 0:59
  Speaker 1: I just enjoyed. Was just a very enjoyable episode from
• 1:02
  Speaker 1: from top to bottom.
• 1:03
  Speaker 2: Iually agree.
• 1:04
  Speaker 3: And Paris was at her best, and like, you know what,
• 1:06
  Speaker 3: Paris is a good friend to Rory and she she
• 1:08
  Speaker 3: has been a longtime friend and I kind of we'll
• 1:11
  Speaker 3: talk about it, but yeah, it's like that.
• 1:14
  Speaker 1: Nice balance she had between being a supportive friend and
• 1:17
  Speaker 1: still having her edge right being Paris, and that's the
• 1:20
  Speaker 1: that's the Paris that I like.
• 1:22
  Speaker 3: Christopher is a toolbag in this he just did is
• 1:25
  Speaker 3: He's a tool bag.
• 1:26
  Speaker 1: He didn't really come off to me, like with God.
• 1:30
  Speaker 3: I think he's overreacting so bad.
• 1:32
  Speaker 1: He is, but he is, But that's he's not wrong,
• 1:36
  Speaker 1: but he's not right.
• 1:37
  Speaker 3: Yeah. I would also like if you marry a girl
• 1:40
  Speaker 3: who canceled her engagement one day before, there's going to
• 1:44
  Speaker 3: be some residual sort of good What did.
• 1:46
  Speaker 2: He think was going to happen?
• 1:49
  Speaker 1: The unconscious nature of love, that's the unconscious nature of desire.
• 1:55
  Speaker 1: We don't see things that are right in front of
• 1:58
  Speaker 1: our face. And I think that goes for Laura too.
• 2:00
  Speaker 1: So we're talking about two people who are operating on
• 2:04
  Speaker 1: levels where they're missing a lot of stuff because they
• 2:08
  Speaker 1: have this sort of this agenda where you know, they
• 2:11
  Speaker 1: both want to be together to think it's the right
• 2:13
  Speaker 1: thing to do. They've been sort of, I don't know,
• 2:16
  Speaker 1: almost convinced themselves that this is the right thing to do.
• 2:20
  Speaker 1: And it's not coming from, you know, a really centered,
• 2:24
  Speaker 1: emotionally mature place. And so they're both you know, it's
• 2:32
  Speaker 1: fraught with error. And I don't blame them, you know,
• 2:35
  Speaker 1: and you can't judge them. It's like they're they're trying
• 2:38
  Speaker 1: to do their best here and make a family. And ye, boy,
• 2:43
  Speaker 1: I tell you.
• 2:45
  Speaker 3: That ship is sailing away.
• 2:46
  Speaker 1: That was always hanging by a thread anyway, right, and
• 2:50
  Speaker 1: we all know that. And I think that's the brilliance
• 2:52
  Speaker 1: of it, you know, with the brilliance of the writing
• 2:54
  Speaker 1: that's set up the whole thing is we see that
• 2:57
  Speaker 1: it's hanging by just a thread, and the tension is
• 3:01
  Speaker 1: when's it going to break? When's it going to break? Oh? God?
• 3:04
  Speaker 1: And it did?
• 3:05
  Speaker 4: Was that?
• 3:05
  Speaker 3: Is this episode? Thirteen twelve? Okay, so Christopher's got one more?
• 3:10
  Speaker 1: Right?
• 3:10
  Speaker 3: One more? No?
• 3:12
  Speaker 5: Yeah, you can't and there has to be something.
• 3:14
  Speaker 3: There's one.
• 3:15
  Speaker 6: No, I think there's I think there's more than one.
• 3:18
  Speaker 3: Yeah.
• 3:18
  Speaker 6: Because the end of this episode, I actually started remembering
• 3:21
  Speaker 6: like every I feel like I blacked out the first
• 3:24
  Speaker 6: half of the season and then now I'm like, oh,
• 3:26
  Speaker 6: now get to do everything.
• 3:27
  Speaker 3: Yeah. Yeah. And it was very very hard for me
• 3:30
  Speaker 3: to not watch the next episode, almost just for my
• 3:34
  Speaker 3: own anxiety, because I was like, I need to know
• 3:37
  Speaker 3: that Richard is like okay, which obviously we all know
• 3:40
  Speaker 3: he is okay, but I'm not spoiling. Sorry.
• 3:43
  Speaker 2: Oh sorry, Daniel, it's hard when it shows now for
• 3:49
  Speaker 2: twenty year.
• 3:50
  Speaker 3: God, I'm so sorry, Daniel. It's okay.
• 3:52
  Speaker 5: I figured that there's going to be a hospital scene
• 3:55
  Speaker 5: and Lucas and I think it's a repeat of the
• 3:59
  Speaker 5: last hospitals.
• 4:00
  Speaker 3: You know that he lives. I'm sorry, Scott, but I
• 4:04
  Speaker 3: know you know because you have scenes with Betterman. But anyway,
• 4:07
  Speaker 3: I was kidding, it's uh upsetting this episode. The end
• 4:13
  Speaker 3: is very very like I got like Ajida and cried.
• 4:17
  Speaker 5: Like there's anxiety cliffhanger, like I didn't need that anxiety.
• 4:23
  Speaker 3: Going to no, especially what Danielle I have been through,
• 4:29
  Speaker 3: and like Scott YouTube and with Sam it's like it
• 4:33
  Speaker 3: was not it was the really deep breathed because it
• 4:38
  Speaker 3: was very triggering.
• 4:40
  Speaker 1: But especially after what we went through witnessing this this
• 4:43
  Speaker 1: beautiful kind of montage letter, the reading of the letter
• 4:48
  Speaker 1: which started out and really great and then his voice
• 4:53
  Speaker 1: taking over and we're going, very well done, And that was.
• 4:57
  Speaker 3: Great face acting, Scott Patterson. Great face acting during the
• 5:01
  Speaker 3: reading of the letter, because you conveyed so much of
• 5:05
  Speaker 3: how much that letter meant to you.
• 5:07
  Speaker 1: And I'm going to throw a flag on myself because okay,
• 5:16
  Speaker 1: I'm gonna tell you when he blurted out his little
• 5:19
  Speaker 1: speech about how he thinks he's going to be a
• 5:22
  Speaker 1: good father and all that, I just thought it wasn't
• 5:25
  Speaker 1: invested enough. I didn't believe it.
• 5:28
  Speaker 2: I didn't believe it did be worried about your parking pass,
• 5:33
  Speaker 2: your parking ticket.
• 5:35
  Speaker 1: I thought that speech should have been far more heartfelt
• 5:40
  Speaker 1: and I should have raised stakes on it more and
• 5:43
  Speaker 1: I could.
• 5:44
  Speaker 3: I guess I thought it.
• 5:46
  Speaker 1: Was flat for me, and I just I would have
• 5:49
  Speaker 1: not if I was editing the episode and I had
• 5:52
  Speaker 1: a better choice, I would not have used used.
• 5:54
  Speaker 3: A different version of that.
• 5:55
  Speaker 5: And I kind of disagree because I feel like Scott
• 5:59
  Speaker 5: Scott Luke Luke was so was so scrambled in this episode,
• 6:04
  Speaker 5: Like his thoughts were just like all over the place,
• 6:05
  Speaker 5: and he gets to the courthouse early and he's nervous
• 6:09
  Speaker 5: and and I don't know, I felt like and he
• 6:11
  Speaker 5: wasn't even supposed to speak right, So like him, I
• 6:15
  Speaker 5: kind of liked him lobbing that a little bit because
• 6:18
  Speaker 5: then it the emphasis on lorealized letter locking in custody situation,
• 6:24
  Speaker 5: you know, it just like made it like yep, it's
• 6:26
  Speaker 5: that letter that really that really really helped because I
• 6:31
  Speaker 5: don't know, and I like.
• 6:32
  Speaker 3: Ask something Scott and tell me, like I don't know
• 6:35
  Speaker 3: Diddley about acting right other than just like I like
• 6:38
  Speaker 3: watching acting, I find that you tend to be and
• 6:42
  Speaker 3: this is a compliment, like an understated actor. I never
• 6:47
  Speaker 3: feel like you're over the top or over acting, and
• 6:50
  Speaker 3: I think that's why your performance, especially as Luke, is
• 6:53
  Speaker 3: so genuine.
• 6:55
  Speaker 1: Well that's why I think I'm throwing the flag because
• 6:57
  Speaker 1: it wasn't emotionally full and it was too large to
• 7:03
  Speaker 1: try to overcompensate. So it should have been a bigger feeling,
• 7:08
  Speaker 1: but smaller gestures almost.
• 7:10
  Speaker 5: You know.
• 7:10
  Speaker 1: I learned a great lesson very early on in my
• 7:13
  Speaker 1: acting training, and that was because I was larger than
• 7:19
  Speaker 1: your normal actor.
• 7:20
  Speaker 3: Oh you're tall, because you're tall, right, that's interesting.
• 7:23
  Speaker 1: Less I do, the better it is. And that's interesting
• 7:26
  Speaker 1: because I used to be very expressive and very.
• 7:29
  Speaker 3: Physical on Seinfeld. What was it was like your episode?
• 7:38
  Speaker 2: Were you worthy of the worthy?
• 7:42
  Speaker 3: Do you ever think about the fact that you're like
• 7:44
  Speaker 3: in an iconic Seinfeld?
• 7:46
  Speaker 1: That's so insane, that's kind of I got a nice
• 7:49
  Speaker 1: residual check from that. Yeah, I got a fairly big
• 7:53
  Speaker 1: one too.
• 7:54
  Speaker 3: More than Gilmore.
• 7:55
  Speaker 1: No, Gilmore is kind of tapering off, but it's once
• 8:00
  Speaker 1: in a while you get a big one that what year.
• 8:03
  Speaker 6: Did those stop? Because like some people a certain show
• 8:06
  Speaker 6: a certain year no longer get residuals uh I does it.
• 8:10
  Speaker 1: Depends on I think as long as they're on the air,
• 8:12
  Speaker 1: you get the residence.
• 8:13
  Speaker 3: Yeah, I think so, Like it's probably like you get
• 8:15
  Speaker 3: less though if it's on up TV, then if it's
• 8:17
  Speaker 3: on the CW or something like that. But Seinfeld, good
• 8:21
  Speaker 3: for you.
• 8:22
  Speaker 1: Yeah, just I realized, you know what I realized the
• 8:26
  Speaker 1: other day because I realized that Jerry Seinfeld is the
• 8:31
  Speaker 1: person who really helped jumpstart my career because that show
• 8:36
  Speaker 1: really vaulted me into anyway, enough about.
• 8:38
  Speaker 3: Me, you should send him a little note. Maybe he'll respond.
• 8:41
  Speaker 1: I just I just saw an interview with him and
• 8:43
  Speaker 1: Barry Weiss. He was fascinating.
• 8:44
  Speaker 3: Yeah he was. He says some things, but okay, okay, Jerry, whatever,
• 8:55
  Speaker 3: stand up. Not that long ago I went to his show.
• 8:57
  Speaker 1: Comedy is a big deal right now. Comedy is really
• 9:00
  Speaker 1: in demand right now.
• 9:03
  Speaker 5: Yeah.
• 9:03
  Speaker 3: Yeah, I have a handful that I like. But anyway, I.
• 9:06
  Speaker 1: Wish I'd been better in that scene. That's all I'm saying.
• 9:09
  Speaker 1: I wish I'd been better.
• 9:10
  Speaker 3: Well that's good for you to say. We don't agree,
• 9:13
  Speaker 3: but good people to say Susanne, you want to take
• 9:14
  Speaker 3: it away?
• 9:15
  Speaker 1: Oh first, hang on, I think we need to do it.
• 9:18
  Speaker 1: I got to do an intro. Hey, three two one,
• 9:21
  Speaker 1: Hey everybody, Scott Patterson here, I am all in podcasts,
• 9:24
  Speaker 1: well on professions. iHeartRadio. I heart podcast. I know Amy's
• 9:27
  Speaker 1: always trying to avoid that. No, but I like it.
• 9:30
  Speaker 3: Like we've been on the air the whole time. I
• 9:32
  Speaker 3: got here a little lake because.
• 9:33
  Speaker 1: I would, because I like doing it, because it's now,
• 9:36
  Speaker 1: it's official.
• 9:37
  Speaker 3: It's sometimes I don't know if we're just chatting, because
• 9:39
  Speaker 3: like we all chat a lot. I know you.
• 9:41
  Speaker 1: I know you're trying to get me not to do it.
• 9:44
  Speaker 1: I'm doing it, and the episode I'm actually gonna do
• 9:49
  Speaker 1: it again. Hey everybody, Scott Patterson. I season seven, episode twelve,
• 9:55
  Speaker 1: what's the name of this thing?
• 9:56
  Speaker 5: Straight out of to concerns who are make it?
• 10:00
  Speaker 6: Sorry?
• 10:01
  Speaker 1: Of course, the original title was straight out of Brooklyn,
• 10:03
  Speaker 1: but they changed the title. I am joined by my I.
• 10:06
  Speaker 3: Forget my setup. I'm fully in bed.
• 10:09
  Speaker 1: She's one hundred and seven degrees in bed in normal.
• 10:11
  Speaker 6: It looks like you're on a top bunk and sweating.
• 10:14
  Speaker 1: Danielle rom terror suit is out of her cast she's
• 10:18
  Speaker 1: putting on the leg Yes, in.
• 10:21
  Speaker 3: Time for Janet Jackson, just for Janet, Tara and Danielle
• 10:26
  Speaker 3: and I sorry, Scott's ant are going to Janet Jackson
• 10:28
  Speaker 3: on Wednesday. Oh wow, what have you done for me lately?
• 10:34
  Speaker 1: I tell you, I keep missing those Janet Jacksons. There's
• 10:38
  Speaker 1: there's a hole in my life.
• 10:41
  Speaker 3: Size Yeah, up side, Danielle, miss Romo. If your nasty,
• 10:48
  Speaker 3: thank you.
• 10:51
  Speaker 5: Okay, guys, this is season seven, episode twelve, To whom
• 10:55
  Speaker 5: it May Concern, Air date January thirtieth, two thousand and seven.
• 10:58
  Speaker 1: You know, I was trying to think of that, and
• 11:00
  Speaker 1: then said I heard, but.
• 11:03
  Speaker 3: I couldn't think that's the best one.
• 11:06
  Speaker 1: I heard the rhythm of it, but I'm.
• 11:08
  Speaker 3: Like, we are a part. I can't the nation?
• 11:13
  Speaker 2: Go ahead?
• 11:13
  Speaker 3: Go ahead? He's Scott walked me right into that, Like
• 11:16
  Speaker 3: I couldn't come on, okay.
• 11:18
  Speaker 5: Rory returns to Yale after winter break and leaves Lucy
• 11:21
  Speaker 5: a note apologizing. While Paris plans for their future, Sukie
• 11:26
  Speaker 5: finds out she is pregnant. Meanwhile, Luke's custody back April
• 11:30
  Speaker 5: comes to an end with a victory, and Christopher questions
• 11:34
  Speaker 5: Laura like about her true feelings for Luke after reading
• 11:37
  Speaker 5: her character reference letter.
• 11:39
  Speaker 3: Dude, Christopher was like, outy five thousand. That was like crazy,
• 11:41
  Speaker 3: But anyway, we'll get to that.
• 11:44
  Speaker 2: This was the first episode that had Lauren credited as
• 11:48
  Speaker 2: a producer.
• 11:49
  Speaker 3: Oh really, no, no, I thought I've seen that before. Guys.
• 11:53
  Speaker 3: Oh no, you know what, and I'm confusing that with
• 11:55
  Speaker 3: a different show.
• 11:58
  Speaker 5: It just makes sense as to why it's getting good again.
• 12:01
  Speaker 2: Yeah, yes, I have a big red flag, but we'll
• 12:08
  Speaker 2: get to that.
• 12:09
  Speaker 3: I have a couple but still it's yeah, it's mostly good.
• 12:12
  Speaker 3: And it's like it's Gilmore good. It's not even just
• 12:14
  Speaker 3: season seven good. It's like Gilmore good.
• 12:16
  Speaker 2: It's good, yeah, right in the grand scheme of Gilmore.
• 12:20
  Speaker 3: Yeah.
• 12:22
  Speaker 2: So it starts out at the end of Friday Night
• 12:24
  Speaker 2: Dinner where they're leaving. Oh yeah, the gross the tequila
• 12:31
  Speaker 2: cactus sauce on the quail, like that whole thing just
• 12:36
  Speaker 2: none of that sounded right.
• 12:40
  Speaker 1: Concoction.
• 12:41
  Speaker 2: Yeah, And I googled it because I was curious, like
• 12:44
  Speaker 2: is this a real thing? And I found a recipe
• 12:46
  Speaker 2: for chicken mast lawn, but it didn't have a tequila
• 12:50
  Speaker 2: cactus sauce. It just was like taco sauce or something.
• 12:54
  Speaker 6: Yeah.
• 12:54
  Speaker 2: So, and one thing that caught my eye in the
• 12:58
  Speaker 2: scene will not my eye, I guess it was my
• 13:00
  Speaker 2: but so had we had a big gap we had
• 13:05
  Speaker 2: when they had the argument about the party. That was
• 13:09
  Speaker 2: at the beginning of December, and then we skipped to
• 13:13
  Speaker 2: January twenty third was the Christmas episode, and I just
• 13:18
  Speaker 2: assumed that the party had happened kind of in that interim.
• 13:21
  Speaker 2: But in the opening of this episode, Emily says to
• 13:26
  Speaker 2: Laura I that she's not going to be available to
• 13:28
  Speaker 2: work on the seating chart for the party. So I realized,
• 13:31
  Speaker 2: oh wait, that that big like re wedding party hasn't
• 13:35
  Speaker 2: happened yet. I guess that kind of surprised because it's
• 13:37
  Speaker 2: been like six weeks.
• 13:38
  Speaker 6: Yeah yeah, and like school's just getting.
• 13:41
  Speaker 3: Back, like it may never happen.
• 13:44
  Speaker 2: Yes, So I just thought that was one of those
• 13:47
  Speaker 2: things that they never showed us that they had the party.
• 13:49
  Speaker 2: We just didn't see it. But apparently it hasn't happened yet.
• 13:51
  Speaker 2: But anyways, so they go outside and Christopher wants to
• 13:57
  Speaker 2: just three with the chicken or the quail. In the book,
• 14:01
  Speaker 2: Laurel I tells the story about how they did that
• 14:03
  Speaker 2: once and the neighbor's cat dragged it onto the backpack.
• 14:07
  Speaker 2: That made me laugh, and then okay, so then it
• 14:13
  Speaker 2: goes to Laurel's house. The next morning, uh Suki shows
• 14:18
  Speaker 2: up with coffee and muffin tops, and she's acting like
• 14:22
  Speaker 2: kind of whiny and kind of like she's acting really.
• 14:27
  Speaker 3: Wait, sorry, sorry, sorry, did we talk about whatever gross
• 14:30
  Speaker 3: thing they ate? Sorry if my brain glitched. Okay, yeah,
• 14:35
  Speaker 3: because I've never eaten that and I don't want to Okay, sorry,
• 14:37
  Speaker 3: back to the muffin tops, which I'm a huge fan of.
• 14:41
  Speaker 2: Yeah, I agree, I like muffin tops. I and I
• 14:44
  Speaker 2: was curious about the muff and bottom pie that they
• 14:47
  Speaker 2: can't talk.
• 14:48
  Speaker 3: Can I give a couple of flags on this scene? Yes,
• 14:52
  Speaker 3: Suki constantly getting up and getting those napkins, the cloth napkins,
• 14:57
  Speaker 3: and then getting up again and getting a cloth napkin,
• 14:59
  Speaker 3: and then and the cloth napkin. It was like very distracting,
• 15:04
  Speaker 3: and she was so weird. It's like they weren't they
• 15:07
  Speaker 3: didn't want to eat, which I is kind of like
• 15:09
  Speaker 3: a pet peeve. Like Christopher was eating the muff and
• 15:11
  Speaker 3: like a pea sized crumb of them, and I'm like
• 15:15
  Speaker 3: that is so distracting. Just don't eat it, you know
• 15:18
  Speaker 3: what I mean? Just be like, yuh, I can't wait
• 15:20
  Speaker 3: to eat this muffin and then chitter chattered, chitter chatter,
• 15:22
  Speaker 3: and we'll just assumuate it after clock.
• 15:24
  Speaker 2: Napkins are not at all consistent with lauralized at all.
• 15:27
  Speaker 2: I'm like, she's paper towels all the way, dude.
• 15:30
  Speaker 6: For sure.
• 15:31
  Speaker 3: Those were like those were like pressed like with an
• 15:34
  Speaker 3: iron cloth, napkins folded. I'm like, did Suki bring those?
• 15:37
  Speaker 3: What is happening? And who eats like a cloth.
• 15:39
  Speaker 6: Nap often maybe it's a Chris thing. I don't know's
• 15:47
  Speaker 6: rearranging the house, God getting.
• 15:49
  Speaker 2: Them off of the shelf. She didn't bring them in?
• 15:51
  Speaker 3: Well I know, yeah, and it was like too many
• 15:56
  Speaker 3: props or something. But anyway you.
• 15:58
  Speaker 1: Go, Scott, I think Sukie getting up so many times
• 16:01
  Speaker 1: just you know, trying to express her nervousness. Yeah, yeah,
• 16:04
  Speaker 1: acting sense because she popped the question.
• 16:07
  Speaker 6: I kind of had an issue with like this storyline.
• 16:11
  Speaker 6: I just felt like it was dragged on too many scenes,
• 16:13
  Speaker 6: Like I could have told you she was pregnant the
• 16:15
  Speaker 6: second she showed up and was acting like I didn't
• 16:18
  Speaker 6: need four more scenes.
• 16:19
  Speaker 3: Of it, you know, or like, I also don't think
• 16:21
  Speaker 3: she's gonna like be that weird about asking lower Light
• 16:24
  Speaker 3: to babysit. It's her freaking best friend. She'd be like, Hey,
• 16:26
  Speaker 3: we really need a day. Can you just like take
• 16:28
  Speaker 3: care of the kids for a few hours? Like it
• 16:29
  Speaker 3: was so weird. It's like, really you need muffin tops
• 16:31
  Speaker 3: for that? Come on, although, is this the show that
• 16:38
  Speaker 3: invented muffin tops?
• 16:41
  Speaker 5: And assume they got it because I feel like it
• 16:43
  Speaker 5: was popular during the time.
• 16:44
  Speaker 3: Yeah, I think muffin tops became like a thing right
• 16:46
  Speaker 3: around that time.
• 16:48
  Speaker 6: I'm going to google it.
• 16:49
  Speaker 3: I don't know that whole scene was really Yeah, it
• 16:54
  Speaker 3: wasn't so.
• 16:55
  Speaker 5: I did like the coffee.
• 16:56
  Speaker 3: It's got some forst bit the coffee tibit was you
• 17:00
  Speaker 3: meek and interesting. Scott forced, Yes, it felt weird. I
• 17:02
  Speaker 3: agree with you, it's weird.
• 17:04
  Speaker 2: I didn't understand why laurla I told Chris that it
• 17:08
  Speaker 2: was Luke's coffee, Like same, why would she?
• 17:12
  Speaker 3: Why was she telling him about the letter? But yet
• 17:15
  Speaker 3: she's like, by the way, you're drinking Luke's coffee, got
• 17:20
  Speaker 3: choke on it exactly, here's my wound.
• 17:26
  Speaker 2: Like you said, it's good coffee. She could have just
• 17:28
  Speaker 2: said yeah.
• 17:29
  Speaker 3: It is asked.
• 17:33
  Speaker 1: He asked.
• 17:36
  Speaker 3: Weird and weird like and Suki is going to go
• 17:41
  Speaker 3: I don't know that.
• 17:42
  Speaker 6: What time is it?
• 17:47
  Speaker 3: Why are they up?
• 17:49
  Speaker 2: Because they were going to go skiing?
• 17:51
  Speaker 3: Why is Flora l I up?
• 17:53
  Speaker 2: She woke her up coffee?
• 17:55
  Speaker 3: No, I think Laura was in the kitchen.
• 17:57
  Speaker 2: She was in the kitchen.
• 17:58
  Speaker 6: I think all they were doing that day was Christal
• 18:00
  Speaker 6: was setting up the TV.
• 18:01
  Speaker 3: I don't think there was until ten. Where's gg what?
• 18:06
  Speaker 2: Speaking of that? I I had a I guess a
• 18:11
  Speaker 2: red flag on that because they were at Friday night
• 18:14
  Speaker 2: dinner and then they're in Laurel Live's kitchen the next morning.
• 18:18
  Speaker 6: So where's the kids?
• 18:20
  Speaker 3: Well, it's Saturday, she's at the grandparents, that's right. He
• 18:22
  Speaker 3: does call that.
• 18:23
  Speaker 2: I don't say she's at the grandparents. But the whole
• 18:26
  Speaker 2: day is Saturday, which means Luke was in court on Saturday.
• 18:32
  Speaker 3: Right.
• 18:33
  Speaker 2: Richard was in his office at Yale on a Saturday.
• 18:37
  Speaker 2: Lucy said she had a class. It was Saturday.
• 18:41
  Speaker 3: Really what?
• 18:47
  Speaker 2: Because John and I were watching it and we're like,
• 18:49
  Speaker 2: wait a minute, it's saturdayday. All this stuff happening on
• 18:52
  Speaker 2: a Saturday.
• 18:53
  Speaker 3: I had a court on Saturday.
• 18:55
  Speaker 6: Yeah, that is really that's funny. I didn't even think
• 18:58
  Speaker 6: about that all out.
• 19:01
  Speaker 2: And then another thing from this scene too before we
• 19:03
  Speaker 2: move on, one thing that that actually my husband caught
• 19:07
  Speaker 2: this was there's artwork on you know, because they're in
• 19:11
  Speaker 2: Laura on the doors right there. Did you see the artwork?
• 19:14
  Speaker 3: I saw art work on the fridge or a picture
• 19:17
  Speaker 3: of the fridge.
• 19:19
  Speaker 2: There was artwork on her bedroom door. And then when
• 19:24
  Speaker 2: Suki is at Suki's that same artwork is in substygen.
• 19:29
  Speaker 6: Stop.
• 19:30
  Speaker 3: Somebody on our crack staff needs to screenshot that and
• 19:34
  Speaker 3: screenshot that for Instagram because that's craze.
• 19:38
  Speaker 2: I actually did. I grabbed pictures of it life.
• 19:41
  Speaker 3: Thank you. Can you text it in the group? That
• 19:42
  Speaker 3: would be awesome. Because I noticed there was a picture
• 19:45
  Speaker 3: of Gigi on the fridge. Now, yes, I saw that too,
• 19:48
  Speaker 3: so I was like, oh, those an't I don't like those
• 19:50
  Speaker 3: little touches. But yeah, this scene was the napkin thing
• 19:54
  Speaker 3: was really telling me. I was like, why am I
• 19:55
  Speaker 3: so obsessed? And I couldn't get my brain to go
• 19:57
  Speaker 3: back to the conversation because I'm like, both napkins like
• 20:01
  Speaker 3: it Saturday. I like a cloth napkin too, but Saturday
• 20:04
  Speaker 3: morning with a muffin top, like, just eat that thing.
• 20:07
  Speaker 3: And then you know Christopher with his sized bites, I'm like, dude,
• 20:12
  Speaker 3: eat it, come on, eat it.
• 20:16
  Speaker 2: And then so then it goes to just a real
• 20:18
  Speaker 2: quick sort of a transitional scene where we're at Yale.
• 20:23
  Speaker 2: Everyone has a roller bag. I guess everyone takes roller
• 20:27
  Speaker 2: bags on Christmas break and then brings back their roller
• 20:30
  Speaker 2: bags because every single backack have a roller bag. And
• 20:34
  Speaker 2: Rory sticks a letter on Lucy's door apartment door.
• 20:39
  Speaker 3: I was happy though that the door was different from
• 20:42
  Speaker 3: when we left it. A few of the stickies were
• 20:44
  Speaker 3: gone and some new, so I was like, good detail. Yeah,
• 20:47
  Speaker 3: who ever does that? Scott scripty? I don't know whoever
• 20:50
  Speaker 3: does that good stuff?
• 20:53
  Speaker 6: It might be Scripty.
• 20:54
  Speaker 3: Also shout out to Brad Pitt, who eats on camera,
• 20:56
  Speaker 3: and I have to say respect, Brad Pitt, thank you.
• 21:00
  Speaker 6: Wait what were you watching Oceans?
• 21:02
  Speaker 3: He eats through the whole movie and.
• 21:04
  Speaker 1: I love he's always snacking.
• 21:06
  Speaker 3: It's so good. I would it's great, Like, come on,
• 21:12
  Speaker 3: you're a.
• 21:13
  Speaker 5: Good, good fake eater. I mean you actually eat Scott
• 21:17
  Speaker 5: better at it?
• 21:18
  Speaker 6: Yeah, yeah, he's good.
• 21:19
  Speaker 7: At it.
• 21:21
  Speaker 1: That it's just because I'm always hungry.
• 21:25
  Speaker 5: Like great, this is snack time.
• 21:26
  Speaker 1: I just enjoy eating.
• 21:37
  Speaker 2: So then we go to laurel I's living room. I
• 21:40
  Speaker 2: guess I should say laurela in Christopher's living room because
• 21:43
  Speaker 2: you know it's his house now too. And he's got
• 21:47
  Speaker 2: the flat screen and a bunch of pieces all over
• 21:49
  Speaker 2: the living room and his plan for the day is
• 21:53
  Speaker 2: going to be to set up this, uh, this TV.
• 21:56
  Speaker 2: Laurel I makes fun of him because he was using
• 21:58
  Speaker 2: her conditioner and his hair smells good. I thought that
• 22:00
  Speaker 2: was kind of cute, that little banter. She's like, you
• 22:02
  Speaker 2: don't have anything to condition and yeah, that was a
• 22:07
  Speaker 2: good little scene. He can't find the level to make
• 22:11
  Speaker 2: sure the TV is straight, which becomes important later.
• 22:15
  Speaker 5: Which is my red flag, but we'll deal with that later, Okay.
• 22:21
  Speaker 2: Then we go to outside the courtroom and Luke looks
• 22:26
  Speaker 2: very nice. He's shaved, he's in a nice suit and
• 22:32
  Speaker 2: kind of talks to the lawyer about what's going to happen.
• 22:34
  Speaker 2: And then Anna shows up and she's her typical obnoxious
• 22:38
  Speaker 2: self and making it sound.
• 22:40
  Speaker 6: Like I just wanted to like off my screen.
• 22:42
  Speaker 5: Yes, like she's trying to intimidate Luke get out of here.
• 22:48
  Speaker 2: Yeah, and when she was saying like, you don't have
• 22:51
  Speaker 2: a history of long relationships with women like that has
• 22:55
  Speaker 2: zero to do with parenting. So yeah, that's completely irrelement.
• 23:00
  Speaker 2: First all, it's not even really that true, but it's
• 23:01
  Speaker 2: completely irrelevant.
• 23:03
  Speaker 5: I have a question a diner like she was like
• 23:06
  Speaker 5: totally liken to squish him down. Yeah, but I do
• 23:11
  Speaker 5: have a question.
• 23:11
  Speaker 6: I can't I can't remember. And Susanne you might know
• 23:13
  Speaker 6: the answer to this, But does Anna know about Luke's
• 23:18
  Speaker 6: relationship with Rory or was the letter the first time
• 23:23
  Speaker 6: that she may have heard it?
• 23:24
  Speaker 3: I don't know.
• 23:25
  Speaker 2: They never really addressed that.
• 23:26
  Speaker 6: Yeah, because like I don't even think that Rory and
• 23:29
  Speaker 6: Anna cross paths, like in the way that's like, oh,
• 23:32
  Speaker 6: this is Rory. She grew up in stars Hal you know,
• 23:34
  Speaker 6: I don't think. So, just wondering, like, I.
• 23:36
  Speaker 1: Don't you have to imagine that Luke had mentioned it,
• 23:41
  Speaker 1: had mentioned it to his daughter.
• 23:44
  Speaker 6: Yeah, no, no, not.
• 23:45
  Speaker 1: To son would have gone on April, got it?
• 23:51
  Speaker 5: Got it?
• 23:51
  Speaker 6: Okay?
• 23:52
  Speaker 1: Yeah, Yeah, there's cutting a lot of time together and
• 23:55
  Speaker 1: during his hiatus from the wedding, I guess if you
• 23:59
  Speaker 1: want to call it that.
• 24:00
  Speaker 6: That's true.
• 24:01
  Speaker 1: Yeah, probably shared with her, shared with ape.
• 24:05
  Speaker 2: So then owen Uh, George Anthony Bell was in that scene.
• 24:13
  Speaker 3: He was the that's right dialg Oh yeah yeah, yeah, yeah, yeah.
• 24:17
  Speaker 1: He was the he was the officer.
• 24:19
  Speaker 2: Yes, that was nice to see him and a fine actor.
• 24:24
  Speaker 3: Yeah, definitely yes.
• 24:27
  Speaker 2: And then we go to Okay, so the lawyers come,
• 24:32
  Speaker 2: they go inside the conference room. The parking ticket, yeah,
• 24:35
  Speaker 2: the party, yeah, whatever it was.
• 24:36
  Speaker 3: That wasn't your best acting, scut, but otherwise fine, and
• 24:39
  Speaker 3: she was not. That scene was weird because I didn't
• 24:41
  Speaker 3: think Sherylyn Fenn was quite on point yet. It was
• 24:44
  Speaker 3: a little bit I don't know. Maybe it was supposed
• 24:46
  Speaker 3: to be awkward though, because it's so awkward, So maybe
• 24:49
  Speaker 3: the parking ticket thing is like just adds to the awkwardness.
• 24:52
  Speaker 3: So so maybe he didn't have anything else to make
• 24:54
  Speaker 3: small talk about that I was feeling how awkward it is,
• 24:57
  Speaker 3: so maybe bravo.
• 24:58
  Speaker 1: I don't know, it was all just too comfortable right away.
• 25:02
  Speaker 1: I mean, that's your adversary right there. Yeah, they sit
• 25:07
  Speaker 1: next to each other. Yeah, I know.
• 25:09
  Speaker 2: So then Rory comes back into her apartment, coming back
• 25:14
  Speaker 2: from winter break and Paris has these whiteboards all over
• 25:17
  Speaker 2: the place and this is her game plan that she
• 25:20
  Speaker 2: calls Operation Finish Line for getting through their last semester
• 25:24
  Speaker 2: of college. And I thought that was funny, Like, I
• 25:27
  Speaker 2: thought that was just so on point for Paris to
• 25:30
  Speaker 2: do something like that. Oh yet like all these.
• 25:32
  Speaker 3: Checkboxes, it was so funny, and yet those charts were
• 25:35
  Speaker 3: like my.
• 25:36
  Speaker 6: Eyes, I know, I was like trying to read it.
• 25:39
  Speaker 3: Am I wrong? That there were poster side hot size
• 25:43
  Speaker 3: versions and then mini versions for the table.
• 25:46
  Speaker 6: Multiple Yeah, it was that made me so Paris though,
• 25:53
  Speaker 6: like we I would expect nothing less.
• 25:55
  Speaker 2: I know, I loved it. I thought it was hilarious.
• 25:58
  Speaker 3: Yeah, me too, And that's that I know, not that,
• 26:00
  Speaker 3: but it's such a great scene in the cafeteria, Like
• 26:02
  Speaker 3: that's that's like a great scene anyway, I'll shut up.
• 26:07
  Speaker 2: Yeah, the pair is definitely was a highlight of this.
• 26:10
  Speaker 1: Episode for me.
• 26:12
  Speaker 2: So then we go to Suki's Loreleyes knocking on the door.
• 26:17
  Speaker 2: Suki can't decide what to wear, and there's.
• 26:21
  Speaker 6: So much going on with Lorelei's outfit, from the scarf
• 26:25
  Speaker 6: to the sweater.
• 26:28
  Speaker 1: Jacket.
• 26:29
  Speaker 2: That yeah, that whole outfit with the I don't know
• 26:32
  Speaker 2: she'd taken that sweater vest off, I would have liked
• 26:34
  Speaker 2: it better, But that was they went hard on that
• 26:37
  Speaker 2: trend and Gilmore girls with the tights o the big shirt. Yeah,
• 26:40
  Speaker 2: totally fall sweater over the big shirt. That was popular
• 26:43
  Speaker 2: for a while and it could just stay in the past.
• 26:49
  Speaker 2: So really there there, There wasn't really anything significant in
• 26:53
  Speaker 2: that scene. It was kind of just setting the stage
• 26:55
  Speaker 2: that Loreley gets there, and again Suki is still kind
• 26:58
  Speaker 2: of acting all weird and scattered and she's she's I
• 27:01
  Speaker 2: thought it was weird that she wanted Lorala to come babysit,
• 27:04
  Speaker 2: but then when it's actually time to leave, she doesn't
• 27:07
  Speaker 2: want to go and she's crying saying, David, don't you
• 27:10
  Speaker 2: want mommy to play with you?
• 27:12
  Speaker 3: Like that? That didn't track for me.
• 27:16
  Speaker 6: Well that's why I was like, I didn't need this
• 27:17
  Speaker 6: many scenes about yeah dookie, Yeah, but I didn't need.
• 27:21
  Speaker 2: That many, right. It was a little kind of over
• 27:24
  Speaker 2: the top, and I didn't I didn't pick up on
• 27:28
  Speaker 2: the pregnancy thing at first, so I'm like, I didn't
• 27:30
  Speaker 2: understand any of this because I'm like, where are they
• 27:33
  Speaker 2: going with this? Like why is she all weird. I
• 27:35
  Speaker 2: mean the first time I watched it, obviously I knew
• 27:37
  Speaker 2: what happened, but yeah, it just was a weird thing.
• 27:45
  Speaker 2: So then we go to Richard's office on a Saturday again,
• 27:50
  Speaker 2: and it was cute. I thought, Rory's visiting, you know,
• 27:55
  Speaker 2: her grandpa's office, and he's got a desk and everything,
• 27:58
  Speaker 2: and he's all excited to talk about this semester and.
• 28:03
  Speaker 6: Did you remember what would happen? Because this scene is
• 28:06
  Speaker 6: when I remembered the ending of this episode. This scene,
• 28:10
  Speaker 6: I was like, oh no, like this is when I knew.
• 28:13
  Speaker 2: Yeah, yeah, I didn't exactly remember that it was in
• 28:16
  Speaker 2: this episode, but I knew it was coming at some point.
• 28:20
  Speaker 3: Yeah.
• 28:20
  Speaker 2: Yeah. And but then Richard notices that Rory's kind of
• 28:25
  Speaker 2: upset because she's still agitated about the Lucy thing, and
• 28:28
  Speaker 2: so you know, they.
• 28:30
  Speaker 5: I thought, I love I love Richard and Rory scenes.
• 28:33
  Speaker 5: I really, I think they have such great chemistry as actors.
• 28:38
  Speaker 5: But also I don't know, I think they're just so
• 28:42
  Speaker 5: cute together, Like he gets excited to work and show
• 28:46
  Speaker 5: can I show you my syllabus? Can you know.
• 28:51
  Speaker 3: The way he I might be going out of order,
• 28:54
  Speaker 3: but the way he knows something's wrong exactly.
• 28:57
  Speaker 5: Yeah, He's like, what it was actually happening, and she
• 29:01
  Speaker 5: just like whatever.
• 29:02
  Speaker 3: He calls her, like an affectionate name or whatever. It's
• 29:04
  Speaker 3: just like they really do seem like grandfather and granddaughter.
• 29:07
  Speaker 3: They really really cute. Yeah.
• 29:10
  Speaker 2: I enjoyed that scene. That was a nice moment. I
• 29:13
  Speaker 2: thought it was good for him that he recognized, like
• 29:16
  Speaker 2: from her face that something was wrong, and then he
• 29:19
  Speaker 2: pivoted and comforted her about that because she was upset
• 29:24
  Speaker 2: about the whole Mitcham thing and she went to him crying.
• 29:29
  Speaker 2: He was like, I don't know what to do with this,
• 29:33
  Speaker 2: like it threw him off his game. But now this
• 29:35
  Speaker 2: time when she comes to him and she's upset, he
• 29:37
  Speaker 2: went with it and he knew like exactly what to do.
• 29:39
  Speaker 4: Well.
• 29:39
  Speaker 5: I think with Mitcham, he was took it offensively because
• 29:43
  Speaker 5: that's his person or somebody of his caliber squashing his granddaughter.
• 29:51
  Speaker 2: Yeah, I'm talking about before that, before he knew that
• 29:55
  Speaker 2: Mitcham was involved, when she just went to them and said,
• 29:58
  Speaker 2: I'm not going back to Yale, and and her parents
• 30:01
  Speaker 2: didn't know or they knew why, but they didn't believe
• 30:04
  Speaker 2: Laura Lai why. It was just a contrast for me
• 30:07
  Speaker 2: because she went to him upset one time and he
• 30:09
  Speaker 2: didn't know what to do with her, and then this
• 30:11
  Speaker 2: time when she went to him and she was upset,
• 30:13
  Speaker 2: he was like very grandfatherly and yeah, sweet and comforting.
• 30:17
  Speaker 2: So that was that was all I was trying to say.
• 30:23
  Speaker 2: And the exact quote is here, Murray, you're a great
• 30:27
  Speaker 2: person with a great heart, and that combination will always
• 30:30
  Speaker 2: win the day. That was a nice a nice sentiment.
• 30:33
  Speaker 5: That was cute.
• 30:34
  Speaker 2: So okay. Then we get to Suki's and we find
• 30:41
  Speaker 2: out that they came home early because Jackson wouldn't let
• 30:45
  Speaker 2: Suki drink. He wouldn't let her ski.
• 30:51
  Speaker 5: I would be so mad.
• 30:53
  Speaker 2: And so then like Suki's upset and she's like, I'm
• 30:57
  Speaker 2: going to go take care of my kids now.
• 30:58
  Speaker 3: Is that okay?
• 31:00
  Speaker 6: The whole time I was like where did they go?
• 31:03
  Speaker 6: Where they're like skiing? Like how far did they drive?
• 31:06
  Speaker 6: And then turn back around like how.
• 31:09
  Speaker 1: Far part of the country. There's all kinds of little
• 31:14
  Speaker 1: ski resorts all over the.
• 31:16
  Speaker 3: Yeah, you could totally go for the day. Happened a day, okay?
• 31:21
  Speaker 2: Yeah, Because and then they talked about she wanted to
• 31:24
  Speaker 2: have alcohol at lunch so I figured like they were
• 31:26
  Speaker 2: gone at least a couple hours because it's now after lunch.
• 31:30
  Speaker 5: Yeah.
• 31:30
  Speaker 3: Yeah.
• 31:32
  Speaker 2: And then this is where lore Lean and Jackson have
• 31:38
  Speaker 2: the conversation that he never got the viseector.
• 31:41
  Speaker 3: Oh my god, dude, which we knew, but dude, so
• 31:49
  Speaker 3: well we didn't.
• 31:50
  Speaker 2: We didn't know.
• 31:51
  Speaker 3: That we need it. So because we nobody gets a
• 31:57
  Speaker 3: bisect me in five minutes.
• 31:59
  Speaker 2: I have big feelings about this. So what do you
• 32:01
  Speaker 2: guys think?
• 32:03
  Speaker 3: It's a mess. It's a total mess. It was crazy
• 32:06
  Speaker 3: that she thought he was going to go get a
• 32:07
  Speaker 3: vaseectomy four minutes later, and also crazy that he said
• 32:10
  Speaker 3: he did it and didn't do it. But it's all
• 32:11
  Speaker 3: it's all like kind of crazy in the sense of comedy, right, Scott, Like,
• 32:15
  Speaker 3: it's sort of like.
• 32:16
  Speaker 6: I laughed at it because I forgot that. I forgot
• 32:19
  Speaker 6: that in the hospital room when she gave birth, She's like,
• 32:23
  Speaker 6: go to the other room, get the.
• 32:24
  Speaker 1: Back, which is I mean, I didn't think one thing
• 32:28
  Speaker 1: about this scene was funny. Agreed, nothing about it was funny.
• 32:34
  Speaker 1: It was just kind of uncomfortable to watch, you know.
• 32:39
  Speaker 1: It's just anyway, Yeah, I I didn't.
• 32:44
  Speaker 3: It's forced a little bit again right, Scott, like it
• 32:48
  Speaker 3: is this is this like some writer's room and they're like,
• 32:51
  Speaker 3: we need something, let's do this. I don't know.
• 32:55
  Speaker 1: I don't I don't know that. I don't know that
• 32:57
  Speaker 1: vasctomy is you know, a central comedic tenant and I
• 33:05
  Speaker 1: don't know in comedy college, listen, we got to really like,
• 33:09
  Speaker 1: we got to really work on the judge, the old
• 33:12
  Speaker 1: their gold. I mean, everybody's got to have a good Vesela.
• 33:16
  Speaker 3: Do you think when when she had the baby and
• 33:21
  Speaker 3: said go get a vasectomy, like it was like, go
• 33:23
  Speaker 3: get me some gum at the you know, little market.
• 33:27
  Speaker 3: It was always intended for this scenario. No, Like, do
• 33:32
  Speaker 3: you think or do you think they were like we
• 33:34
  Speaker 3: never solved that vasectomy?
• 33:36
  Speaker 6: That's probably what they did.
• 33:37
  Speaker 3: Have a baby.
• 33:39
  Speaker 6: Wait, isn't this when she's actually pregnant. Wasn't Melissa McCarthy.
• 33:46
  Speaker 2: Yeah, presumably somebody. I don't know if it was the
• 33:50
  Speaker 2: writer's idea or Melissa McCarthy wanted it. They decided to
• 33:53
  Speaker 2: make Suki pregnant, so they had to explain away this
• 33:57
  Speaker 2: vasectomy that had supposedly transparted.
• 34:00
  Speaker 6: That has to be why. I don't think they just
• 34:02
  Speaker 6: were like, let's pick this joke from three seasons ago.
• 34:06
  Speaker 2: But it was such a crappy way to do it, Like,
• 34:10
  Speaker 2: I feel like it was so disrespectful to Suki to
• 34:15
  Speaker 2: take to have Jackson make that decision, because that makes
• 34:20
  Speaker 2: him a complete hole. It just ruined Jackson's character for
• 34:24
  Speaker 2: me that he she's been going it's been two years now.
• 34:28
  Speaker 2: Did she thought he had aseectomy? And and you know,
• 34:34
  Speaker 2: I yes, he thought she was on the pill, so
• 34:37
  Speaker 2: he thought he didn't need to tell her. But that
• 34:40
  Speaker 2: doesn't make it okay because you can still get pregnant
• 34:43
  Speaker 2: on the pill.
• 34:44
  Speaker 5: But didn't he say that the half of my cousin?
• 34:47
  Speaker 1: Oh really?
• 34:48
  Speaker 3: Yeah?
• 34:49
  Speaker 5: Didn't she same situation too, has I'm supposed to get
• 34:52
  Speaker 5: of a sectamy? Didn't? She was on the pill, got
• 34:55
  Speaker 5: pregnant with twins.
• 34:56
  Speaker 6: But wait, did she know that he didn't get the vasectomy?
• 34:59
  Speaker 3: No, she did.
• 35:00
  Speaker 5: You're talking about my cousin. Yeah, no, she she did know,
• 35:07
  Speaker 5: but she was like pressing and pressing and pressing him,
• 35:10
  Speaker 5: and he was like, I'm gonna do it. We gonna
• 35:11
  Speaker 5: do it, we gonna do it, and just do it.
• 35:14
  Speaker 6: But didn't Laurel I say, well, Suki just got off
• 35:17
  Speaker 6: the pill and then doesn't Jackson say like, I know.
• 35:20
  Speaker 3: Sause, I know that now.
• 35:22
  Speaker 1: Oh God, I would have to say, if you were
• 35:25
  Speaker 1: going to give a free pass to a guy that
• 35:29
  Speaker 1: you know, delaying the decision to end his ability to
• 35:33
  Speaker 1: have children would be a pre.
• 35:35
  Speaker 5: Legit hashtag reversible.
• 35:41
  Speaker 1: Oh is it really want to have it done and
• 35:46
  Speaker 1: then reverse it? Because that's two surgeries.
• 35:47
  Speaker 5: Now, I don't want to hear about no surgery.
• 35:55
  Speaker 2: Sections. I don't want to hear about to surgery exactly what.
• 36:00
  Speaker 1: No, I'm not I don't want to start a war
• 36:02
  Speaker 1: with you, Susanne. It's it's just you know that kind
• 36:10
  Speaker 1: of a procedure is like, I don't know. I'm just
• 36:14
  Speaker 1: trying to think if my if my wife asked me
• 36:16
  Speaker 1: to get a visectomy, how I would feel.
• 36:18
  Speaker 3: Well, a lot of people are cool with it, like
• 36:21
  Speaker 3: if they've got like.
• 36:23
  Speaker 5: What my husband's cool with it? Well, yeah, he's actually
• 36:26
  Speaker 5: like down for after that, Yeah, like when can I.
• 36:31
  Speaker 2: Get this done?
• 36:35
  Speaker 1: I'm just making an observation of view.
• 36:40
  Speaker 3: Some men might be like, I.
• 36:41
  Speaker 2: Don't want anything down there to not want one. It's
• 36:44
  Speaker 2: totally fine to not want one, but it should be
• 36:46
  Speaker 2: a conversation between the couple. It shouldn't be like, she
• 36:51
  Speaker 2: thought I had this done and I didn't have it done,
• 36:53
  Speaker 2: but I'm going to not tell her that she could
• 36:54
  Speaker 2: still get pregnant.
• 36:56
  Speaker 3: And also though she shouldn't have said like to do
• 36:58
  Speaker 3: that in the first place.
• 37:00
  Speaker 2: It was bad, but it was one hundred times worse
• 37:04
  Speaker 2: that he didn't tell her that he didn't have it done,
• 37:07
  Speaker 2: because now he has this knowledge that she can get
• 37:10
  Speaker 2: pregnant and she doesn't have that knowledge. Like that's completely
• 37:14
  Speaker 2: like an imbalance of the power in the relationship, and
• 37:17
  Speaker 2: the person who's actually going to have the pregnancy should
• 37:21
  Speaker 2: be in on that.
• 37:23
  Speaker 6: I agree with that.
• 37:24
  Speaker 1: You know, I just thought of a good vasectomy joke
• 37:26
  Speaker 1: speaking of.
• 37:27
  Speaker 3: You did you get it at comedy college?
• 37:29
  Speaker 1: No? No, no, no. It just popped into my head. I'm
• 37:34
  Speaker 1: trying to formulate the right wording, but it's something along
• 37:36
  Speaker 1: the lines of, Hey, this girl walked up to me.
• 37:40
  Speaker 1: I didn't even know she said, you know what, she
• 37:41
  Speaker 1: got to know me a little bit. She goes, you know,
• 37:43
  Speaker 1: you know how to have a best actively. I don't know.
• 37:46
  Speaker 1: That's not good, but you know what I'm saying.
• 37:50
  Speaker 2: I'm saying I just feel like it should have been
• 37:53
  Speaker 2: a conversation was that in comedy junior college, it was
• 38:00
  Speaker 2: extremely Jackson to behave that way.
• 38:04
  Speaker 3: The whole thing's totally crazy, and I don't know very many.
• 38:06
  Speaker 3: I mean, then they're a good couple. So I don't
• 38:08
  Speaker 3: know a lot of like solid couples that are like
• 38:11
  Speaker 3: doing that well.
• 38:12
  Speaker 2: And the thing is, like, if they wanted to have
• 38:15
  Speaker 2: Suki get pregnant because they needed a way to put
• 38:18
  Speaker 2: it in the story, vasectomies fail like they could have
• 38:21
  Speaker 2: just rather than having Jackson like intentionally take an action
• 38:29
  Speaker 2: that makes him into a complete jerk.
• 38:31
  Speaker 1: All right, better, you really have problems as a man.
• 38:37
  Speaker 1: If somebody who you're just friends with, whose female female
• 38:41
  Speaker 1: friend says, you know what, I think you should get
• 38:43
  Speaker 1: a vasectomy.
• 38:47
  Speaker 3: Into a bar, that's not good because it's not good.
• 38:50
  Speaker 3: It's fine anyway.
• 38:54
  Speaker 2: So I hated everything about that storyline. I think I'm
• 39:00
  Speaker 2: so out of order.
• 39:02
  Speaker 1: You're out of order. I'm out of order. You're out
• 39:05
  Speaker 1: of order.
• 39:08
  Speaker 3: This whole pods haven't the amazing Lucy and Paris yet.
• 39:13
  Speaker 2: Yet we're getting move this along, kids.
• 39:17
  Speaker 1: Did Lucy ask Paris to get actomy?
• 39:22
  Speaker 3: So Jackson goes and tells, I want to google good jokes.
• 39:27
  Speaker 3: Let me see if I can find them.
• 39:30
  Speaker 1: Listen in the hands of a professional comedy writer, I
• 39:34
  Speaker 1: think my concept could elicit laughter.
• 39:39
  Speaker 5: Uh.
• 39:42
  Speaker 3: Nothing turns me on like a guy shooting blanks.
• 39:46
  Speaker 5: Did say snow seeds?
• 39:52
  Speaker 1: The big the biggest insult I ever got from a
• 39:54
  Speaker 1: woman was somebody who was who was a friend, told
• 39:58
  Speaker 1: me I should get a sectomy.
• 40:00
  Speaker 3: It's not good when it's not true. What does a
• 40:04
  Speaker 3: Christmas tree and a man who's had a vaseect to
• 40:06
  Speaker 3: me have in common? What is what a Christmas tree
• 40:10
  Speaker 3: and a man who's had a to me haven't common?
• 40:14
  Speaker 3: Get the bleep button ready, you might have to bleep me.
• 40:16
  Speaker 1: Uh, it's uh Christmas tree.
• 40:19
  Speaker 3: I don't know what ornamental balls?
• 40:25
  Speaker 1: Something a ball?
• 40:27
  Speaker 3: But hold on, let me see if I can find Oh.
• 40:29
  Speaker 2: My gosh, this is this is taking a turn top
• 40:33
  Speaker 2: ten things you don't want to hear during your vasectomy.
• 40:36
  Speaker 3: It looks like we'll need to call the pediatrician in
• 40:38
  Speaker 3: for you.
• 40:41
  Speaker 1: I don't even understand that.
• 40:51
  Speaker 2: So when like Jackson goes and tells Suki that she's pregnant,
• 40:55
  Speaker 2: so I guess that's why Suki. They made Suki act
• 40:58
  Speaker 2: so over the top. Was because somehow Jackson knows that
• 41:02
  Speaker 2: she's pregnant, Like, how does Jackson know.
• 41:07
  Speaker 3: Too? She's been acting so Perskin was clear, remember like
• 41:12
  Speaker 3: saying it just like thats so they did. I did
• 41:16
  Speaker 3: like the.
• 41:16
  Speaker 6: Line where Laura was like, well, should we go tell her?
• 41:20
  Speaker 3: I like her body?
• 41:23
  Speaker 2: Yeah, And then so she's understandably upset and she's like,
• 41:27
  Speaker 2: you better take care of that before I get back,
• 41:30
  Speaker 2: and they go they leave the house to go on
• 41:33
  Speaker 2: a walk and then we go to back to the
• 41:36
  Speaker 2: conference room. So after that insanity, we talk.
• 41:38
  Speaker 3: About like the socks, the whole like playing with the
• 41:42
  Speaker 3: kids stuff. That was awesome when.
• 41:46
  Speaker 6: She handed her purse over, Yeah.
• 41:49
  Speaker 3: To socks and then the house is a mess. Whatever.
• 41:52
  Speaker 2: But I thought it was cute, like because Laura is
• 41:55
  Speaker 2: she's on there, y, you know, she's she's like a
• 42:00
  Speaker 2: she's like a five year old.
• 42:01
  Speaker 3: And what's thatother one's name, Davy? What's the other one's name, Charlotte, Martha.
• 42:06
  Speaker 3: We didn't we didn't see her.
• 42:07
  Speaker 1: We have.
• 42:09
  Speaker 3: That those plastic babies are expensive.
• 42:11
  Speaker 1: Continue, yeah, me to you, that's sect to all of us.
• 42:22
  Speaker 3: God, keep going. I just want to get to that Paris, Lucy.
• 42:27
  Speaker 2: God, Okay, we're getting we're getting to the par scenes.
• 42:29
  Speaker 1: It's like a song lyric, you know, that's to me.
• 42:35
  Speaker 2: So now we're in we're back in the courtroom, and
• 42:38
  Speaker 2: this is where the Anna's lawyer makes that rude comment
• 42:41
  Speaker 2: about how she spent more time with the bus driver.
• 42:45
  Speaker 6: Okay, yeah, I had a really big issue with her
• 42:48
  Speaker 6: lawyer because also if I like, I don't think her
• 42:54
  Speaker 6: points were valid, She's like, well, how he wasn't in
• 42:58
  Speaker 6: her life, and I want to be like, because he
• 43:00
  Speaker 6: didn't know about her, like, it's not like a.
• 43:02
  Speaker 3: Purpose a lawyer, which is why she lost.
• 43:05
  Speaker 6: Well yeah, and then also it just made me really
• 43:07
  Speaker 6: upset that there was always that comment about being working
• 43:11
  Speaker 6: at a diner, because I I really don't understand how
• 43:14
  Speaker 6: that is like such an issue. And he's like, what
• 43:18
  Speaker 6: owned the diner? And I wanted to be like, who
• 43:20
  Speaker 6: cares whether he owned it? He worked there? Like it
• 43:24
  Speaker 6: were degrading, So what exactly it's so different? It was
• 43:28
  Speaker 6: so degrading, and it just made me mad for like,
• 43:30
  Speaker 6: I don't know, just I didn't like the way that
• 43:33
  Speaker 6: that part was written.
• 43:34
  Speaker 2: I was right, and I wanted Luke's lawyer to point
• 43:37
  Speaker 2: out that Anna didn't have any problem leaving Ape Luke
• 43:42
  Speaker 2: for weeks while she went to her mother's house.
• 43:45
  Speaker 1: So there was a lot there was a lot of
• 43:50
  Speaker 1: low hanging fruits that didn't get there. Yeah, yeah, it was.
• 43:54
  Speaker 1: It was a great right.
• 43:56
  Speaker 3: You can't you can't sum up a custody hearing in
• 43:59
  Speaker 3: an eight minute Yeah, it's like, come on, no less.
• 44:03
  Speaker 1: It was like a minute.
• 44:04
  Speaker 6: Two minute scenes and only one cord hearing.
• 44:08
  Speaker 3: It kind of.
• 44:09
  Speaker 2: Stressed me out because I felt like, oh my gosh,
• 44:11
  Speaker 2: they're really not making a good case for Luke here,
• 44:13
  Speaker 2: Like I don't know that if this is going to
• 44:15
  Speaker 2: go in his favor.
• 44:15
  Speaker 3: I think that was the whole sweat we're all supposed
• 44:18
  Speaker 3: to be like, it was the letter the letter saved
• 44:22
  Speaker 3: at all.
• 44:23
  Speaker 2: Right, So then we go to Sukie Lorelei or walking
• 44:28
  Speaker 2: around town.
• 44:30
  Speaker 3: This is cute. That was That was actually a very
• 44:33
  Speaker 3: good scene, and you really I like them? Yeah right, yeah, laure.
• 44:38
  Speaker 2: Reminding here all the good things about having a baby.
• 44:41
  Speaker 3: Yeah, that was cute.
• 44:42
  Speaker 1: How about this somebody walks up and says vest ectomy
• 44:45
  Speaker 1: and you say, no thanks, I just had a borrow soap.
• 44:48
  Speaker 3: Nope, nope, nope. But that was a cute scene. And
• 44:51
  Speaker 3: also we kind of know that Laureli's got baby fever
• 44:54
  Speaker 3: a little bit. That sort of came out in that scene, right.
• 44:58
  Speaker 2: Yeah, because she says the topic has come up and
• 45:00
  Speaker 2: it might come up again, although.
• 45:01
  Speaker 3: Her relationship's about to be blown.
• 45:03
  Speaker 1: Would you ever name a racehorsectomy?
• 45:06
  Speaker 3: There's something about this episode just remind me when we
• 45:08
  Speaker 3: get to the movies, because there's something about that has
• 45:11
  Speaker 3: me totally irritated about the movies. Just so you know, wait,
• 45:14
  Speaker 3: based off what scene the baby stuff?
• 45:18
  Speaker 1: Oh okay, got it.
• 45:19
  Speaker 2: So now we're at the Yale dining hall, so Amy,
• 45:22
  Speaker 2: I know you've been waiting for this moment.
• 45:24
  Speaker 3: Oh this. I just really loved this scene. I thought
• 45:29
  Speaker 3: it was very genuine. I thought Rory was good. I
• 45:32
  Speaker 3: thought Paris was amazing. She really shows like what a
• 45:35
  Speaker 3: true friend she is and took the bull by the horn.
• 45:37
  Speaker 3: She's like, you know what, Rory, I'm gonna handle this.
• 45:40
  Speaker 3: Lucy was very good, understated good. I just love that
• 45:43
  Speaker 3: whole scene and we needed it. It was great.
• 45:47
  Speaker 6: It also was like I just need this storyline to end,
• 45:50
  Speaker 6: and I was like, thank you Paris for just walking
• 45:53
  Speaker 6: over and making them talk to each other.
• 45:56
  Speaker 2: Yeah, it was funny. When Lucy says a Paris like.
• 46:04
  Speaker 3: Paris.
• 46:07
  Speaker 2: Yeah, so it was. It was a good scene. They
• 46:09
  Speaker 2: kind of made up, and we know, we find out
• 46:12
  Speaker 2: that Marty's like out of the picture now, which I
• 46:15
  Speaker 2: think we were.
• 46:17
  Speaker 3: That was kind of a rough twist, but you know, okay, fine, Yeah, so.
• 46:24
  Speaker 2: It was it was probably her idea to break up.
• 46:26
  Speaker 3: She seemed okay, and I actually agree with her assessment that, like,
• 46:30
  Speaker 3: at the end of the day, Rory just kind of
• 46:32
  Speaker 3: like went along with some dumb thing that Marty asked
• 46:34
  Speaker 3: her to do.
• 46:35
  Speaker 2: Right, It wasn't Rory's fault. Initially, it was all Marty,
• 46:42
  Speaker 2: so okay. And I liked the little the little miniature
• 46:45
  Speaker 2: versions of the charts that parents had made up and
• 46:48
  Speaker 2: then they've got them all on the table.
• 46:50
  Speaker 6: That was lunch.
• 46:51
  Speaker 2: That was pretty funny.
• 46:53
  Speaker 3: Yeah, I love that whole scene. I'm back on the computer.
• 46:57
  Speaker 3: I am back, So yeah, great, good good. This whole
• 47:00
  Speaker 3: episode's Good's apparently very long, but it's good.
• 47:05
  Speaker 2: So then we go back to Lorelized house and this
• 47:07
  Speaker 2: is where they're reading the letter, and so it's like
• 47:09
  Speaker 2: cutting back and forth.
• 47:14
  Speaker 5: I felt like I was watching a movie.
• 47:15
  Speaker 3: I was like, yeah, it was really good.
• 47:19
  Speaker 2: Yeah, it was really good. How half of it was
• 47:21
  Speaker 2: in lorealized voice and half of it.
• 47:22
  Speaker 5: Was in the judge.
• 47:23
  Speaker 3: The whole thing was great.
• 47:24
  Speaker 6: I cried hearing the letter. They're all emotional.
• 47:28
  Speaker 1: It was fast train.
• 47:31
  Speaker 2: And then Scott with us there having his own podcast totally.
• 47:37
  Speaker 3: Scott's a whole different show. It's called Jokes and Songs, The.
• 47:43
  Speaker 1: Times of Gol.
• 47:44
  Speaker 3: I'm going whole home. Yeah. But what did you think
• 47:49
  Speaker 3: when you watched them read the letter. I know we
• 47:54
  Speaker 3: kind of talked about your performance, but the letter part.
• 47:56
  Speaker 1: I thought it was great editing, Uh, great, it was
• 48:01
  Speaker 1: just great television. And it was moving. It was very moving. Yeah,
• 48:05
  Speaker 1: and it was what I think the audience was waiting
• 48:08
  Speaker 1: for some kind of return to this Luke Laurel. I
• 48:18
  Speaker 1: what do you call it? Consciousness? I mean, yeah, yeah,
• 48:22
  Speaker 1: back in the show. Yeah and yeah, So I thought
• 48:28
  Speaker 1: it was a nice way to do it.
• 48:30
  Speaker 3: It was, I agree, And we get that scene with
• 48:33
  Speaker 3: the phone call in two scenes, you know, that really
• 48:37
  Speaker 3: kind of brought them back together, even though she's so
• 48:39
  Speaker 3: sort of devastated, right right, right.
• 48:42
  Speaker 2: I thought David Suckcliffe did a good job too, because
• 48:44
  Speaker 2: the letter kind of had a double meaning, right, It's
• 48:47
  Speaker 2: not only Luke and Larelei, but it was also Chris
• 48:51
  Speaker 2: and worry.
• 48:52
  Speaker 5: That's exactly what I say that.
• 48:55
  Speaker 2: Yeah, I totally got that.
• 48:57
  Speaker 5: When I was watching it, I was like, oh my god,
• 48:59
  Speaker 5: he is not only upset with himself right now, then
• 49:02
  Speaker 5: he's also like, oh, my relationship is threatened, you know,
• 49:05
  Speaker 5: like she.
• 49:06
  Speaker 6: Said father figure. I was like, oh, that hit home.
• 49:09
  Speaker 5: Yeah, he realized in that moment that he's the rebound
• 49:13
  Speaker 5: and he will never be as good as Luke is. Like,
• 49:16
  Speaker 5: he realized it right then and there that he lost.
• 49:19
  Speaker 2: You know what I mean, a crappy father on top of.
• 49:22
  Speaker 1: That, right, so he was he wasn't running away from
• 49:27
  Speaker 1: that relationship. He was running away in part from his
• 49:30
  Speaker 1: past self.
• 49:30
  Speaker 3: Yeah, his failure.
• 49:31
  Speaker 1: He couldn't face it.
• 49:33
  Speaker 5: I did think it was interesting that Luke and Chris
• 49:36
  Speaker 5: can totally relate on the fact of not being there
• 49:39
  Speaker 5: for their kids, their daughters lives for the first twelve years.
• 49:43
  Speaker 3: One starting now and one through the fault of you know,
• 49:48
  Speaker 3: Christopher sort of made that choice and Luke's choice was
• 49:51
  Speaker 3: made for him.
• 49:53
  Speaker 1: But you know what I thought was particularly interesting about
• 49:55
  Speaker 1: the phone call between Luke and Lorelei was that it.
• 50:00
  Speaker 1: It wasn't a hint between the both of them in
• 50:04
  Speaker 1: the acting that there was any hope for a relationship. Yeah,
• 50:09
  Speaker 1: Like she played it straight, like she's devastated from the
• 50:13
  Speaker 1: breakup of her marriage potentially right, she's so she's playing that.
• 50:17
  Speaker 1: I'm playing the whole friendship thing in gratitude and thank
• 50:20
  Speaker 1: you so much, and there's no hint of like heye
• 50:27
  Speaker 1: alone or maybe I could take it to my vax sectimate.
• 50:30
  Speaker 5: There was also a sadness from Loralai that she lost
• 50:33
  Speaker 5: to you, O, I like.
• 50:36
  Speaker 1: Did you did you see that in her performance?
• 50:38
  Speaker 5: I did, But to your point, to your point, I
• 50:42
  Speaker 5: never saw her. I didn't. It didn't read to me
• 50:45
  Speaker 5: that she was like I need to get back together
• 50:47
  Speaker 5: with It read to me that she's like I lost.
• 50:51
  Speaker 1: But I think the scene plays better when they both
• 50:54
  Speaker 1: realize that ship is sailed and they're okay with it.
• 50:56
  Speaker 1: But then you say she has a little regret.
• 51:00
  Speaker 5: Yeah, I think she really.
• 51:01
  Speaker 3: I mean I think she yeah, And when she wrote
• 51:03
  Speaker 3: the letter, I think there's some yet, right, right, first
• 51:07
  Speaker 3: of all, this all could have been solved.
• 51:09
  Speaker 1: Do you think there's some hope in that letter too?
• 51:11
  Speaker 1: Do you think that letter had some intent subcontent.
• 51:14
  Speaker 3: I think there's hope in that phone call. I think
• 51:16
  Speaker 3: there's hope in that phone call.
• 51:17
  Speaker 1: The phone call, but not the letter.
• 51:19
  Speaker 3: Okay, well, I think there's hope in all of it.
• 51:22
  Speaker 1: With these things, you think she couldn't possibly hold back
• 51:24
  Speaker 1: in the letter. And that's the thing that Christopher sniffed
• 51:26
  Speaker 1: out and it woke them up, and that Laura I
• 51:30
  Speaker 1: didn't realize it.
• 51:31
  Speaker 5: I think with Laura Li she didn't write the letter
• 51:35
  Speaker 5: out of this man is the love of my life.
• 51:38
  Speaker 5: She wrote that letter as this man is the most
• 51:40
  Speaker 5: amazing man in the entire world. And I think the
• 51:43
  Speaker 5: aftermath of it was her reflecting on the fact that
• 51:46
  Speaker 5: she lost him.
• 51:47
  Speaker 1: Yeah, I agree with that.
• 51:49
  Speaker 6: And the letter was purely for April. I didn't I
• 51:52
  Speaker 6: don't think.
• 51:53
  Speaker 5: I rarely for Luke. I think it was purely for Luke.
• 51:55
  Speaker 6: Well for that's what I mean, like for April, for Luke,
• 51:59
  Speaker 6: like it's it was for him to get April like
• 52:01
  Speaker 6: it was.
• 52:01
  Speaker 5: It wasn't like to get him back.
• 52:03
  Speaker 3: Yeah exactly.
• 52:04
  Speaker 5: Yeah, Yeah, I agree.
• 52:07
  Speaker 1: It's great, great sequence. It was just a great sequence. Yeah.
• 52:12
  Speaker 5: I do find it interesting that even with Luke hearing
• 52:16
  Speaker 5: it back, you you hear his his like happiness, but
• 52:19
  Speaker 5: it was like there was no sadness in Luke versus
• 52:22
  Speaker 5: you get the sadness from Laura Lai.
• 52:24
  Speaker 3: And that was so true, Danielle. He's so thrilled and
• 52:29
  Speaker 3: happy and like good with Laura l I. He's so
• 52:35
  Speaker 3: good with it. He's so appreciative, but he's don't feel
• 52:39
  Speaker 3: his pain or heartache, whereas hers You're like, oh, she's
• 52:43
  Speaker 3: got a heartache on heartache on heartache.
• 52:45
  Speaker 1: No, Yeah, what a contrast. So good.
• 52:49
  Speaker 5: It was so well done between the two of you.
• 52:51
  Speaker 5: It was so good, literally so well.
• 52:54
  Speaker 1: Done that that's just fun to do writing like that.
• 52:57
  Speaker 1: You know, it's really fun to act that and see
• 52:59
  Speaker 1: it it in and then you watch it it's like,
• 53:01
  Speaker 1: oh wow, that was really effective. That was really great.
• 53:04
  Speaker 6: Okay, And like whenever that music plays on Gilmore Girls,
• 53:07
  Speaker 6: it just like tugs at my heart string, Like the
• 53:10
  Speaker 6: tears are like like coming into my my tear ducks.
• 53:13
  Speaker 6: I'm like, oh, I love it.
• 53:22
  Speaker 8: Hey, friends, I'm Jessica Capshaw and this is Camilla Luddington
• 53:26
  Speaker 8: and we have a new podcast, call It What It Is.
• 53:29
  Speaker 8: You may know us from Gracelawn Memorial. But did you
• 53:33
  Speaker 8: know that we are actually besties in real.
• 53:36
  Speaker 7: Life, and as all besties do, we navigate the highs
• 53:39
  Speaker 7: and lows of life together. When one of us sends
• 53:41
  Speaker 7: out the distress signal, the other one always answers the call,
• 53:45
  Speaker 7: big or small, we are there and.
• 53:47
  Speaker 6: What does that look like?
• 53:49
  Speaker 8: A thousand pep talks a million. I've got used some
• 53:52
  Speaker 8: very urgent I'm coming.
• 53:53
  Speaker 7: Overs laughter through tears, no judgment, problem solving over glasses
• 53:57
  Speaker 7: of rose.
• 53:59
  Speaker 6: Sometimes it takes.
• 54:00
  Speaker 3: Tequila because I don't know.
• 54:02
  Speaker 8: Let's face it, life can get even crazier than a
• 54:04
  Speaker 8: season finale of Gray's Anatomy.
• 54:06
  Speaker 7: And now here we are opening up the friendship circle
• 54:09
  Speaker 7: to you.
• 54:10
  Speaker 8: Someone's cheating, We've.
• 54:11
  Speaker 7: Got you on that.
• 54:12
  Speaker 8: In laws or in line. Let's get into it, toxic friendship,
• 54:16
  Speaker 8: air it out. We're on your side to help you
• 54:19
  Speaker 8: with your concerns, talk about ours, and every once in
• 54:22
  Speaker 8: a while bring on an awesome guest to get their
• 54:24
  Speaker 8: take on the things that you bring us.
• 54:27
  Speaker 7: While we may be a license to advise, we're going
• 54:30
  Speaker 7: to do it anyway.
• 54:31
  Speaker 8: Listen to call it what it is. Starting June third
• 54:34
  Speaker 8: on the iHeartRadio app, Apple Podcasts, or wherever you get
• 54:38
  Speaker 8: your podcasts.
• 54:40
  Speaker 2: We kind of skipped ahead a little bit. I want
• 54:43
  Speaker 2: to discuss the scene where Laurel I comes home, the
• 54:47
  Speaker 2: scene with Laurela and Christopher, so that was so unchanged.
• 54:53
  Speaker 1: Now we talked about it a little bit.
• 54:57
  Speaker 3: I think I still think Christopher over reacted by storming out,
• 55:02
  Speaker 3: but I think Danielle and Susanna might be touching on
• 55:04
  Speaker 3: like he just realized he's a failure.
• 55:06
  Speaker 2: Yeah yeah, I mean because he's he he specifically says
• 55:12
  Speaker 2: that he he's I can't. I don't have the exact
• 55:15
  Speaker 2: line in front of me, but he says something about
• 55:17
  Speaker 2: I thought I could be your number two, but I can't.
• 55:21
  Speaker 2: And he was just knew that he was the second
• 55:26
  Speaker 2: choice and he thought he could be okay with that.
• 55:28
  Speaker 2: And now he's realized.
• 55:29
  Speaker 1: Because he tried so hard with the Paris and the
• 55:32
  Speaker 1: money and the wedding and right, it's just as hen
• 55:35
  Speaker 1: ever get he's just not measuring up to Luke.
• 55:38
  Speaker 2: Right, he thought being rich exactly exactly, and now he's like, yeah,
• 55:42
  Speaker 2: I can't be your rebound.
• 55:44
  Speaker 3: I mean, I know he touched on this in the beginning,
• 55:46
  Speaker 3: but it's like, bro, she started dating you the night
• 55:51
  Speaker 3: she broke up with yeah, that that's probably gonna have problems.
• 55:57
  Speaker 1: Funny thing about money. It doesn't it doesn't give character,
• 56:00
  Speaker 1: but it does make you one sometimes, you know.
• 56:04
  Speaker 5: I forgot to mention my red flag in the fact
• 56:07
  Speaker 5: that there was there would never be a level anywhere
• 56:11
  Speaker 5: in Lare lies like, no matter what it's in.
• 56:17
  Speaker 6: Specifically in the drawer by her bed.
• 56:19
  Speaker 5: Yeah, he does not exist.
• 56:22
  Speaker 2: So was that his that he like brought with him
• 56:25
  Speaker 2: when he moved in. So maybe it was christ.
• 56:28
  Speaker 5: It was loralized drawer because that's where she puts a
• 56:31
  Speaker 5: lot of.
• 56:31
  Speaker 3: Playing with the level with the dog, right, That's what
• 56:34
  Speaker 3: I'm thinking, level with the dog.
• 56:37
  Speaker 1: Yeah, but Christopher was using it to uh put up
• 56:41
  Speaker 1: the flat screen.
• 56:43
  Speaker 2: Right, But he was looking for it, but he couldn't
• 56:46
  Speaker 2: find it because Laurel I had taken it and was
• 56:48
  Speaker 2: playing with it with the dog. So I think she
• 56:51
  Speaker 2: just put it back in the drawer.
• 56:53
  Speaker 1: I don't know.
• 56:55
  Speaker 2: That was also a funny scene where she was talking
• 56:57
  Speaker 2: about hypnotizing the dog and then it was like, so
• 57:00
  Speaker 2: did you do and she's like, no, it's a dog.
• 57:04
  Speaker 3: I just had the weirdest thought. Can anyone tell me
• 57:06
  Speaker 3: if paul Anka and Einstein from back to the future.
• 57:10
  Speaker 3: Are the same breed of dog, that's thank you, that's
• 57:14
  Speaker 3: a question, thank you, but I'm with you on that.
• 57:19
  Speaker 2: So well, we're looking that up. We have one one
• 57:22
  Speaker 2: more scene at the apartment with Paris and Rory. They're
• 57:26
  Speaker 2: gonna go trace letting, which sounds like fun. You're going
• 57:29
  Speaker 2: to go steal some cafeteria trade.
• 57:31
  Speaker 3: Scene again, really really cute.
• 57:33
  Speaker 2: Yeah, and then Rory thanks Paris for the nice things
• 57:37
  Speaker 2: she said, So I thought that was that was a
• 57:39
  Speaker 2: nice touch for Rory to acknowledge that friendship gesture from Paris.
• 57:46
  Speaker 2: And then it goes to the scene with Luke's phone call,
• 57:49
  Speaker 2: which we just talked about, you know, she had when
• 57:52
  Speaker 2: he mentioned he said I couldn't have done it without
• 57:55
  Speaker 2: your letter. She kind of winces because now you know
• 57:57
  Speaker 2: Christopher's gone, and.
• 57:59
  Speaker 5: So they are the same dog amy sheepdogs sheep dogs.
• 58:03
  Speaker 6: But it's it says that Paul Polish Lowland sheep dog
• 58:08
  Speaker 6: and Einstein is a Catalan sheep dog.
• 58:10
  Speaker 1: Because I was just going to say that.
• 58:12
  Speaker 3: I was just so proud of myself because I almost
• 58:13
  Speaker 3: called Paul Ainka Einstein and then I was like, wait
• 58:15
  Speaker 3: a minute, are they the same dog? Okay? Thank you
• 58:18
  Speaker 3: for that's wonderful.
• 58:20
  Speaker 2: And then the final final scene is at Yale. They're
• 58:24
  Speaker 2: in the classroom, Rory's looking, She's all smiling and proud
• 58:28
  Speaker 2: of Richard.
• 58:29
  Speaker 3: Painful, painful, the heart.
• 58:32
  Speaker 2: Attack of the last thing we hear is someone called
• 58:34
  Speaker 2: nine one one.
• 58:34
  Speaker 3: That was so painful. That says it.
• 58:38
  Speaker 6: I also like the way they did that, how it
• 58:41
  Speaker 6: didn't show Richard like it showed him kind of following
• 58:45
  Speaker 6: but falling. But the end scene is just Rory going
• 58:49
  Speaker 6: out of frame. I think that was like really effective
• 58:51
  Speaker 6: and like you just see her like call nine one
• 58:53
  Speaker 6: one run off and then it ends right there. I
• 58:56
  Speaker 6: think it was.
• 58:57
  Speaker 3: Really corrected this episode. Again, was it Jamie.
• 58:59
  Speaker 1: Back It was Jamie Babbitt, Yeah.
• 59:01
  Speaker 3: Yeah, directing, really good direct Yeah.
• 59:04
  Speaker 6: And that's why it made us want to keep what
• 59:06
  Speaker 6: I don't know what I mean, Amy said she did
• 59:07
  Speaker 6: like I wanted to just keep going.
• 59:10
  Speaker 2: Yeah, that's a good episode.
• 59:13
  Speaker 1: It was, it was it was all right, kids, So
• 59:15
  Speaker 1: what do you think? What are we going to give it?
• 59:16
  Speaker 6: Who?
• 59:17
  Speaker 1: Uh, Tara, what are you going to write it? What's
• 59:19
  Speaker 1: your measuring stick?
• 59:21
  Speaker 6: I really like this episode. I feel like we're making
• 59:23
  Speaker 6: a comeback. I give it nine muffin tops. Wow, was
• 59:30
  Speaker 6: that yours? N Yelle?
• 59:30
  Speaker 5: That was literally it's okay, eight point eight levels.
• 59:35
  Speaker 3: Amy nine secret socks or whatever those things were, secret
• 59:40
  Speaker 3: travel socks whatever, those were nine nine.
• 59:42
  Speaker 2: For sure z that I'm taking a little bit off
• 59:47
  Speaker 2: just because of the whole Jackson thing. I'm just not
• 59:50
  Speaker 2: on board with that. But I'm going to give it
• 59:52
  Speaker 2: eight point five muffin bottom pies, muffin so the boy.
• 59:58
  Speaker 3: Nice Susanne, Nice, nice call there.
• 1:00:02
  Speaker 1: I think I'm going to give it. I really enjoyed it.
• 1:00:08
  Speaker 1: I really enjoyed it. Sorry, I just I just had
• 1:00:10
  Speaker 1: a shot of the oil of oregano. It's very powerful.
• 1:00:15
  Speaker 3: What does that do? What does that do?
• 1:00:16
  Speaker 1: That's some healthy, super healthy thing?
• 1:00:19
  Speaker 3: Oh great, m hmm.
• 1:00:22
  Speaker 1: I'm trying to wash it down. I'm going to give it.
• 1:00:29
  Speaker 1: I think I'm kind of nine ish eight point nine ish,
• 1:00:31
  Speaker 1: eight point eight ish, So I'll give it an eight
• 1:00:33
  Speaker 1: point nine vest ectomies.
• 1:00:37
  Speaker 6: We're making a comeback here.
• 1:00:38
  Speaker 1: That's definitely uh rounding into form here season seven. Huh.
• 1:00:43
  Speaker 6: So we've got twelve episodes in, We've got about ten
• 1:00:47
  Speaker 6: ten more episodes to go, right, ten.
• 1:00:49
  Speaker 5: More easy and then started this podcast yesterday.
• 1:00:53
  Speaker 1: It was just like last week. We all got to
• 1:00:54
  Speaker 1: know each other, all right. It's weird, so weird anyway,
• 1:00:59
  Speaker 1: that's gonna wrap it up. What's your name again, I'm
• 1:01:02
  Speaker 1: doctor Vinnie Bumbach.
• 1:01:06
  Speaker 2: I have a couple.
• 1:01:08
  Speaker 1: I was sure, go right ahead, I have to.
• 1:01:11
  Speaker 2: Actually, both of them are lorealized. One was when she
• 1:01:14
  Speaker 2: said which one of the bush daughters is Reggie? And
• 1:01:20
  Speaker 2: then the other one was when she and Suki were
• 1:01:22
  Speaker 2: walking around the town and she says, I don't think
• 1:01:24
  Speaker 2: he wants his meat cut at all.
• 1:01:26
  Speaker 3: That's just.
• 1:01:29
  Speaker 1: Anybody else's favorite line.
• 1:01:30
  Speaker 3: But this one that did make me giggle. There was
• 1:01:32
  Speaker 3: good stuff in it.
• 1:01:33
  Speaker 1: It was There was a lot. There was a lot
• 1:01:35
  Speaker 1: of good giggles and some hearty laughs as well. So
• 1:01:40
  Speaker 1: and man, I really needed that today anyway. Thank you, ladies.
• 1:01:45
  Speaker 1: Uh Susanne French, Tera sud Daniel Roma, Amy Sugarman one
• 1:01:50
  Speaker 1: hundred and seven degree Amy Sugarman Today, the boiling hot
• 1:01:55
  Speaker 1: Amy Sugarman.
• 1:01:56
  Speaker 3: Literally it's so true. I literally am fanning myself. But
• 1:02:00
  Speaker 3: thank you.
• 1:02:01
  Speaker 1: Next episode seven, episode thirteen, I'd rather be in Philadelphia
• 1:02:07
  Speaker 1: and listen. Thanks so much, you guys, are you've really
• 1:02:13
  Speaker 1: gotten us through these seven seasons. We appreciate all the comments,
• 1:02:17
  Speaker 1: both pro and con. It helps us to shape this.
• 1:02:20
  Speaker 1: We really really appreciate you. You are fabulous, loyal, incredible fans
• 1:02:25
  Speaker 1: and that's going to do it. So and remember everybody,
• 1:02:29
  Speaker 1: we and I I'm all in.
• 1:02:32
  Speaker 4: Stay safe everyone, Hey, everybody to forget.
• 1:03:03
  Speaker 1: Follow us on Instagram at I Am all In podcast,
• 1:03:07
  Speaker 1: and email us at Gilmore at iHeartRadio dot com