Latest / Blerd’s Eyeview / LANTERNS EPISODE 7: THE JORDAN BOYS LEGACY
Transcript
- 1:09Speaker 1: So so Yeah.
- 2:48Speaker 2: Yeah.
- 2:50Speaker 3: Yeah.
- 2:56Speaker 4: Love crazy ate the great nerdcore rap guy got into
- 3:00Speaker 4: a dual fate and i just pulled a trap card
- 3:02Speaker 4: third-rate rappers with a fourth-rate catalog destined for the shadow
- 3:06Speaker 4: realm y'all should never act hard flow is so insidious
- 3:09Speaker 4: that i need an apprentice tribe master with the force
- 3:12Speaker 4: pick the context of my sentence right and i'm like
- 3:14Speaker 4: the sentence just don't ask me what my pen is
- 3:16Speaker 4: like they know that i'm the menace who you kidding
- 3:18Speaker 4: bitch i'm dangerous sweet to drive high Rhymes are surely
- 3:22Speaker 4: cold Tested, you can never twist my metal like the
- 3:25Speaker 4: jury goes I ain't.
- 3:26Speaker 2: Never mad when I push it to the max I
- 3:28Speaker 2: got Chris ridin' with me, bout.
- 3:29Speaker 3: To turn this bitch to Fury Road.
- 3:31Speaker 4: Since animated, I'm the one the crew congratulated When this
- 3:34Speaker 4: world provide protective cover like it's laminated Damn, I made
- 3:38Speaker 4: this 16 like a guillotine It's fascinating, if you think
- 3:41Speaker 4: that you're ahead, you get decapitated All out of sight,
- 3:44Speaker 4: I ain't nearly here to rap birds I'm here to
- 3:46Speaker 4: tell you who representin' for the Black Yards And to
- 3:49Speaker 4: remind you, neither one of.
- 3:50Speaker 2: These Who be the.
- 3:55Speaker 4: Leaders of discussion when a topic trends? Dissection's got the
- 3:59Speaker 4: culture under microscopic lens.
- 4:01Speaker 2: Who got the type that you can miss it.
- 4:02Speaker 4: From the start and make you feel like an expert
- 4:04Speaker 4: on the subject by the time it ends? Check the stat, Louis,
- 4:08Speaker 4: viewership is mad nice.
- 4:09Speaker 2: All these other shows don't seem to cut it. That's
- 4:11Speaker 2: a bad slice. Off the books, with unscripted drills you
- 4:14Speaker 2: can't write. No vampires, but.
- 4:19Speaker 4: Yeah, this is the best part rhymes on Mandalorian the
- 4:22Speaker 4: pin is made a best start in the war with
- 4:25Speaker 4: these stars You won't get far.
- 4:27Speaker 2: This is the way you.
- 4:28Speaker 4: Play a game of life a death star so far
- 4:30Speaker 4: removed from the drama We don't know this I don't
- 4:33Speaker 4: hesitate to shed a light like a.
- 4:35Speaker 2: Patronus and with mr.
- 4:36Speaker 4: Mannish troubles at a disadvantage must be something in the
- 4:39Speaker 4: water dip because you know it's warm.
- 4:41Speaker 3: Where can you.
- 4:42Speaker 4: Find another show with such a fine cast? And if
- 4:45Speaker 4: you try to box them in, they playing Minecraft. And basically,
- 4:48Speaker 4: they sum it up like you define math. This crew's
- 4:51Speaker 4: the best, and it figures like a line graph.
- 4:53Speaker 2: I'm Mary Ben, like the words I do. I'm level-headed.
- 4:56Speaker 4: You don't have to have absurd IQs. They know you
- 4:59Speaker 4: can't relate because.
- 5:00Speaker 2: They're nerds like you.
- 5:01Speaker 4: With their help, you'll see the world from a bird's-eye view.
- 5:07Speaker 2: You are now tuned in. So Blur's out of view.
- 5:13Speaker 2: And without further ado, we out.
- 5:18Speaker 3: Yeah.
- 5:32Speaker 1: Hey, everybody. We are back. Blur's out of view.
- 5:34Speaker 5: Thursday evenings. Back again for your second show for the week.
- 5:38Speaker 5: Thank you for tuning in. Thank you for everybody who's watching.
- 5:41Speaker 5: Shout out to Christy Love. Mal is in the building.
- 5:43Speaker 5: I think Bama's in the building. Did I see Bama?
- 5:45Speaker 5: I could have swore I seen Bama. No, Bama's not
- 5:47Speaker 5: here yet? That is unheard of.
- 5:49Speaker 1: Bama, get your ass in here.
- 5:52Speaker 5: Thank you everyone for tuning in to Blurred W. I'm
- 5:54Speaker 5: your host and captain of the ship, Chris Fury. Thank
- 5:57Speaker 5: you for watching us. Thank you for listening to us.
- 5:59Speaker 5: Go over to your Apple podcast or wherever you listen
- 6:01Speaker 5: to your podcast. Leave a five-star review and tell them
- 6:06Speaker 5: people that you would like to see more of us.
- 6:09Speaker 5: because we like to have fun.
- 6:12Speaker 1: Tonight, we are talking.
- 6:14Speaker 5: About Episode 7 of Lanterns, The Legacy Boys. So you
- 6:20Speaker 5: want to stay tuned for that. That is going to
- 6:22Speaker 5: be spoiler-filled, so get ready. It's a lot going on,
- 6:29Speaker 5: especially gearing up for Episode 8, the season's finale. And
- 6:33Speaker 5: we're also going to be talking about a little bit
- 6:35Speaker 5: later in the show, indie horror with the results of Obsession,
- 6:40Speaker 5: The Iron Lung, and now Backrooms, is this the way
- 6:44Speaker 5: to go for Hollywood now? It seems to be a trend,
- 6:47Speaker 5: so we're going to be talking about that a little
- 6:48Speaker 5: bit later. So, without further ado, let's get my second
- 6:54Speaker 5: command up on board.
- 6:56Speaker 1: Lady Mandalore. Well, hello.
- 6:58Speaker 3: Good evening.
- 6:58Speaker 2: How are you?
- 7:00Speaker 6: It's been so long since I've seen you, Laz.
- 7:02Speaker 7: It's like 48 hours.
- 7:07Speaker 1: It runs so close. It's just like, wait, I gotta
- 7:10Speaker 1: put a promo out. Let me hurry up. Yeah, yeah, yeah.
- 7:13Speaker 8: Catch this up. Yeah, you forgot how often that happens.
- 7:15Speaker 1: Yeah. That time off. That time off. But no.
- 7:20Speaker 5: Yeah, I am looking forward to doing some of this
- 7:23Speaker 5: breakdown for this lanterns because.
- 7:27Speaker 1: I've come up with some theories. Really good stuff.
- 7:33Speaker 5: But we have our What would we call her? Keeper
- 7:38Speaker 5: of the tomes? A bibliophile?
- 7:46Speaker 6: There's a better name for that.
- 7:47Speaker 1: Yeah, I believe so.
- 7:51Speaker 6: Nooks and Nails.
- 7:52Speaker 1: Nook. There we go. Our goddess of nooks and nails.
- 7:56Speaker 1: Whoopty freaking doo.
- 7:58Speaker 3: Hi. Hi.
- 8:03Speaker 1: Thank you, Mal. Thank you, Mal.
- 8:05Speaker 5: This is actually the old logo. I got to reach
- 8:08Speaker 5: out to the guy so I can get the new
- 8:09Speaker 5: one done. I would like to have the new one.
- 8:11Speaker 5: So there he is.
- 8:14Speaker 1: I called. He answered. What's going on, Bama? Chrissy loves
- 8:19Speaker 1: in the building. What's going on?
- 8:20Speaker 5: And everybody is where they're supposed to be. So real quick,
- 8:31Speaker 5: do a quick little breakdown for those who... don't know
- 8:35Speaker 5: the lore of the lanterns we're excluding alan scott because
- 8:43Speaker 5: technically he's the first green lantern not in the sense
- 8:48Speaker 5: of hal jordan john stewart uh guy gardner and the
- 8:52Speaker 5: what is seven kyle rainer is like seven human lanterns
- 8:55Speaker 5: right now i think it's seven a total of seven
- 8:58Speaker 5: but We're not going to talk about Alan Scott because
- 9:03Speaker 5: they actually brought him in later, even though he was an.
- 9:08Speaker 1: Earlier hero from the 40s.
- 9:10Speaker 6: He don't count.
- 9:11Speaker 9: It's a name that you'll forget as soon as, look,
- 9:14Speaker 9: I just forgot who he is.
- 9:16Speaker 1: Yeah, exactly. It's not that what you want to do.
- 9:21Speaker 1: So we'll start.
- 9:22Speaker 10: With the more.
- 9:26Speaker 5: Common version of Hal Jordan. Now, Hal Jordan was a
- 9:31Speaker 5: test fighter pilot for the Air Force. And he took
- 9:37Speaker 5: after his father, of course. He did see his father
- 9:39Speaker 5: die in a car crash. Test pilot crash. But he
- 9:46Speaker 5: took up the job himself later on in the day.
- 9:50Speaker 5: And I've been sure, who was also a Green Lantern,
- 9:52Speaker 5: had crash landed and As we've seen in the show,
- 9:57Speaker 5: the the ring seeks out a new, um, where a
- 10:01Speaker 5: new bear ring bear, a new ring bear. Uh, so it,
- 10:05Speaker 5: he seeks, it seeks how out and brings him to
- 10:09Speaker 5: the crash site where I've been serious at. That is
- 10:14Speaker 5: what starts how Jordan to become the green lantern. Uh,
- 10:19Speaker 5: John Stewart's, It's a little bit different, and we're going
- 10:23Speaker 5: to talk about his a little bit. I want to
- 10:25Speaker 5: say Prime Earth. We'll start with his early life, just
- 10:32Speaker 5: a little bit. Obviously, still, as the saying, born in Detroit, Michigan.
- 10:40Speaker 5: He was marked by a lot of poverty because.
- 10:41Speaker 1: It's Detroit, Michigan. But it's Detroit, Michigan. No shade to Detroit, Michigan.
- 10:48Speaker 1: It's just... I got people in Detroit. We know what
- 10:54Speaker 1: it is.
- 10:54Speaker 5: Look, I live in Gotham. I can't throw stones. Also
- 11:02Speaker 5: a Marine and an architect, which for ring bearers like
- 11:08Speaker 5: John Stewart and Kyle Rainier, it's a beautiful thing. Kyle
- 11:13Speaker 5: Rainier was an artist. John Stewart's an architect. That means
- 11:17Speaker 5: their mind can create the most complex intricate yes very
- 11:24Speaker 5: much so constructs oh yes so his mom didn't like
- 11:30Speaker 5: him being in the marines of course so he decided
- 11:37Speaker 5: well yes he decided to go to college protest without
- 11:39Speaker 5: action full combat training excellent marksman because there is a
- 11:44Speaker 5: story where he takes out a target as a green
- 11:48Speaker 5: lantern Using a construct of a sniper rifle.
- 11:53Speaker 1: From. Several light years away. That's. That's how good he is.
- 12:01Speaker 1: You know.
- 12:01Speaker 5: Because when we do something. We go all the way.
- 12:06Speaker 1: It is what it is.
- 12:08Speaker 7: Yes.
- 12:08Speaker 1: Joe Mullen. Jessica Cruz. Guy Gardner. Kyle Rainier. It goes on.
- 12:17Speaker 5: Out of the lore of Green Lantern Corps. They're intergalactic cops.
- 12:22Speaker 5: There's really no other way to place it. They're cops.
- 12:24Speaker 5: They're intergalactic cops. And they used to go by one
- 12:32Speaker 5: lantern per sector.
- 12:35Speaker 1: And somewhere along the line, that changed. That rule, quote unquote, changed.
- 12:42Speaker 1: They decided. Yeah, go ahead.
- 12:44Speaker 7: Go ahead.
- 12:45Speaker 9: Y'all motherfuckers was wilding with this side of the goddamn galaxy.
- 12:48Speaker 9: That's why they had to get eight or nine of
- 12:49Speaker 9: y'all because y'all just don't know how to fucking act.
- 12:52Speaker 8: Don't know how to act.
- 12:54Speaker 3: Yes.
- 12:55Speaker 6: Reckless.
- 12:57Speaker 1: It's similar.
- 12:59Speaker 5: John really is him.
- 13:01Speaker 1: Don't get it twisted. John really is him.
- 13:06Speaker 5: It was similar to the Slayer lore. Slayer goes down,
- 13:11Speaker 5: one awakens or one is chosen. And that was the
- 13:14Speaker 5: same way with the lanterns.
- 13:15Speaker 1: But... As the ladies have said, Earthman coming up. Like now.
- 13:26Speaker 9: And that's why we can't have a Green Lantern because
- 13:29Speaker 9: we went too far.
- 13:30Speaker 1: Went too far. Went too far with the thing.
- 13:33Speaker 5: So he was hired right out of school in architecture
- 13:37Speaker 5: for Ferris Air. However, what he did not know was
- 13:39Speaker 5: that since John was very young, the Guardians of the Universe,
- 13:42Speaker 5: those bastards.
- 13:45Speaker 5: Probably not more on them later. They kept the iron
- 13:48Speaker 5: believing he could be an invaluable member of the Corps.
- 13:50Speaker 5: They sent a Manhunter to Ferris Air facility to test
- 13:53Speaker 5: his worth. Without hesitation, he sprang into action, fought the
- 13:56Speaker 5: Manhunter with his bravery, which earned him the ring.
- 14:02Speaker 1: Very close to what we're dealing with right now in
- 14:06Speaker 1: the show. Very close.
- 14:11Speaker 5: He mastered the ring very quickly. defeated the Manhunter and
- 14:15Speaker 5: was brought to Oa where he met the Guardians face-to-face.
- 14:18Speaker 5: They lauded him for his desire for peace and willingness
- 14:21Speaker 5: to fight. And they feared that he had cause he
- 14:24Speaker 5: would even challenge the Guardians.
- 14:27Speaker 1: Rightfully so.
- 14:29Speaker 6: Rightfully so.
- 14:32Speaker 5: He challenged the Guardians and they vowed never to reveal
- 14:35Speaker 5: to Jon that they were the ones who sent the
- 14:36Speaker 5: Manhunter to Earth.
- 14:38Speaker 1: Although that secret came out much, much later in comics.
- 14:41Speaker 5: Now, as you've seen in the show... That's exactly. Just
- 14:47Speaker 5: a little out of turn, but it's still happening.
- 14:51Speaker 6: What is it?
- 14:53Speaker 9: Liberties to massage the story so that y'all ain't confused
- 14:59Speaker 9: and quite as angry as the folks over on the
- 15:02Speaker 9: Marvel side of things.
- 15:03Speaker 1: Oh, yeah.
- 15:05Speaker 5: Earth is ground zero for a lot of intergalactic shenanigans.
- 15:09Speaker 1: Yes. And in layman's terms, Earth is the ghetto of
- 15:14Speaker 1: the universe. Thank you, Mal.
- 15:17Speaker 6: Roll up your windows.
- 15:18Speaker 1: What's going on, Dark Elite? Dark Elite's in the building. Look.
- 15:23Speaker 5: He said people were crying for weeds the blacks were
- 15:25Speaker 5: stealing from Kyle. Why is John drawing?
- 15:27Speaker 1: Hey, who knows?
- 15:30Speaker 2: You don't need that money.
- 15:31Speaker 5: At least he didn't find his girlfriend in the refrigerator.
- 15:35Speaker 5: There were some dark times.
- 15:36Speaker 1: Dark times.
- 15:39Speaker 2: Wait, he's the one?
- 15:40Speaker 6: No, he's not the original Fridge.
- 15:42Speaker 8: Kyle.
- 15:43Speaker 1: Kyle?
- 15:43Speaker 7: Yeah. Yeah.
- 15:44Speaker 8: No, he did not.
- 15:45Speaker 6: I thought that was a Superman thing.
- 15:48Speaker 1: No, it was Kyle.
- 15:49Speaker 6: Get the fuck out of here.
- 15:50Speaker 1: Get the fuck out of here. Kyle found his girlfriend
- 15:54Speaker 1: in the refrigerator.
- 15:56Speaker 6: Sorry to that man.
- 15:59Speaker 1: Why does it always have to be tragedy? It's what
- 16:02Speaker 1: molds them. No, it shouldn't be.
- 16:05Speaker 6: Better him than John.
- 16:06Speaker 3: Anyway.
- 16:07Speaker 1: Hey.
- 16:08Speaker 6: Which is negligible because he had to shoot his hook
- 16:10Speaker 6: up in the goddamn brain.
- 16:11Speaker 3: So.
- 16:13Speaker 6: Never mind never i mean.
- 16:16Speaker 1: It's a lot it's a lot.
- 16:19Speaker 5: Al called it backwater yeah we can take that ghetto
- 16:23Speaker 5: backwater and all the above it's one of them things
- 16:28Speaker 5: it's like earth is a bit and all you can
- 16:30Speaker 5: do is say you got me there.
- 16:35Speaker 1: So we are on episode seven the Jordan Ward's legacy.
- 16:42Speaker 6: Yeah, it's a sad tale.
- 16:46Speaker 5: It is very sad tale. This opens up Hal's background,
- 16:53Speaker 5: you know, his upbringing. And, you know, almost a level
- 17:00Speaker 5: of entitlement is placed. And I blame his father for this.
- 17:07Speaker 5: This particular case, Hal, as a young boy, He's on
- 17:11Speaker 5: the softball team. He had two more innings, I.
- 17:18Speaker 1: Think he said.
- 17:19Speaker 10: Sorry.
- 17:20Speaker 1: And the coach pulled him.
- 17:21Speaker 6: One more.
- 17:22Speaker 8: Two more hits.
- 17:23Speaker 1: Two more hits. Yeah, two more hits.
- 17:25Speaker 5: But the coach pulled him, which that small inkling, I
- 17:32Speaker 5: get it. I get why.
- 17:34Speaker 1: Like, hey, you should have had. That's a conversation you
- 17:36Speaker 1: should have had. Not in front of your kid.
- 17:39Speaker 6: And don't do that in front of the whole fucking team.
- 17:42Speaker 9: Okay, look, listen, look, hold on. I'm not a baseball head,
- 17:45Speaker 9: but I know baseball. You had this boy bust his
- 17:49Speaker 9: whole arm for fucking damn near nine innings straight. And
- 17:52Speaker 9: then the last two fucking outs, you going to pull him?
- 17:55Speaker 6: Are you out your fucking rabid ass mind? He got
- 17:57Speaker 6: a whole no, what is it?
- 17:58Speaker 11: No hitter?
- 17:59Speaker 1: Yeah.
- 18:00Speaker 6: Use a, use a.
- 18:01Speaker 1: It was like, if you were going to pull him,
- 18:03Speaker 1: you should have pulled him earlier. Number one. And since
- 18:06Speaker 1: you didn't, and you let him go practically all the way.
- 18:10Speaker 1: All the way. Yeah, you should have just let it
- 18:13Speaker 1: finish out.
- 18:14Speaker 9: So, my headcanon is that Hal's daddy slept with the
- 18:19Speaker 9: coach's wife or something.
- 18:20Speaker 6: There's no reason.
- 18:22Speaker 8: That's my headcanon.
- 18:23Speaker 6: He did something.
- 18:24Speaker 1: Yes, almost a perfect game. Almost a perfect game, Tafari. Yeah,
- 18:29Speaker 1: almost a perfect game.
- 18:30Speaker 7: Yeah.
- 18:31Speaker 1: I get it.
- 18:34Speaker 5: In Hal's father's case, still a conversation you should have
- 18:40Speaker 5: had away from your son.
- 18:42Speaker 8: No.
- 18:44Speaker 1: No. I'm with the fucking... So....
- 18:50Speaker 5: Hi.
- 18:50Speaker 1: It's the way he said it.
- 18:53Speaker 5: If he's going to have the conversation, it's the way
- 18:56Speaker 5: he had the conversation. Because it was a way he
- 18:59Speaker 5: could have done it.
- 19:01Speaker 6: But you're having a pissing match with a nine-year-old also.
- 19:05Speaker 1: Exactly.
- 19:06Speaker 9: So that is also why I'm like, no, Hal's dad
- 19:11Speaker 9: was on point. Nah, mush that motherfucker in the head.
- 19:15Speaker 6: Take your son's ball and then deck him in the
- 19:17Speaker 6: head with the ball and then say, baby, pick up
- 19:19Speaker 6: the ball, let's go home. Then the conversation is over
- 19:22Speaker 6: for me.
- 19:23Speaker 9: But also, don't get sucker punched by the man that's
- 19:25Speaker 9: having a pissing match with a nine-year-old.
- 19:27Speaker 6: That's sad.
- 19:32Speaker 1: Yeah, some adults aren't adults.
- 19:34Speaker 5: I think part of the reason is, for me, that
- 19:39Speaker 5: particular situation, I'm like, oh, you've done this before. Which
- 19:44Speaker 5: is why Hal is so comfortable speaking the way he's speaking.
- 19:49Speaker 1: Like, oh, wait.
- 19:50Speaker 5: I mean he's right as a kid you know he's
- 19:52Speaker 5: right he's just a kid and he was like well
- 19:56Speaker 5: I had two more hits he pulled me this kid
- 19:59Speaker 5: comes out here he's trying to take the ball from
- 20:01Speaker 5: me next you know this other kid's trying to take
- 20:03Speaker 5: it next you know the whole team's.
- 20:04Speaker 1: All on my ass They just don't like him.
- 20:09Speaker 9: Like, at that point, the team does not like him.
- 20:12Speaker 9: But that's no reason for the coach to do that
- 20:16Speaker 9: to him.
- 20:16Speaker 1: Right. Like, they should have just... Like I said, if he.
- 20:19Speaker 5: We're not saying the kid isn't good, but if you
- 20:23Speaker 5: were going to pull him, you should have pulled him earlier.
- 20:25Speaker 6: At the half.
- 20:27Speaker 1: At the half point.
- 20:28Speaker 6: Or even at seven. I would give him at seven.
- 20:31Speaker 1: Yeah. Let his arm rest. Get an arm rest.
- 20:34Speaker 6: And then put him back in.
- 20:35Speaker 2: Because, you know.
- 20:38Speaker 6: But the fuck? There's so much backstory to that whole situation.
- 20:43Speaker 6: There's got to be.
- 20:45Speaker 1: But see, that's why I was getting, like, darkly, it's
- 20:47Speaker 1: a team sport.
- 20:48Speaker 7: Yes.
- 20:49Speaker 1: The dad backing him up is why Hal is not
- 20:50Speaker 1: a team player.
- 20:53Speaker 5: True, but it kind of helps him later on at
- 20:57Speaker 5: the same time. And when you get just that interaction
- 21:03Speaker 5: right there and then him fighting the coach.
- 21:07Speaker 5: Is giving me, this isn't the first time your dad
- 21:13Speaker 5: went to, which he should, but this isn't the first
- 21:16Speaker 5: time something of this magnitude has happened. Like, I'm going
- 21:21Speaker 5: to talk back to everybody. My dad's not going to
- 21:25Speaker 5: do anything. That's where that level, that's where I get
- 21:27Speaker 5: that level of entitlement. Because, you know, because, you know.
- 21:32Speaker 9: You know what, but the other thing is that if the,
- 21:35Speaker 9: if The other side of that is, why would he even.
- 21:38Speaker 6: Bother to call his father?
- 21:41Speaker 1: Who, the coach?
- 21:42Speaker 6: Yeah.
- 21:43Speaker 9: If you have a history with this person of letting
- 21:47Speaker 9: this eight-year-old kid get over, that's not a kept secret.
- 21:53Speaker 5: No. If anything, not only that, he's probably done it
- 21:57Speaker 5: with school, too.
- 21:58Speaker 9: And that's what I'm saying. That was a dick-slinging contest
- 22:04Speaker 9: for the fucking... pardon, for the ages.
- 22:08Speaker 6: I'm sorry.
- 22:09Speaker 1: It is.
- 22:10Speaker 5: No, because see, I can say this with complete certainty
- 22:14Speaker 5: because I've been in a situation similar to this as
- 22:16Speaker 5: a kid. First grade. I have a very sharp memory.
- 22:25Speaker 5: They are telling me that Christopher Columbus discovered America. However,
- 22:30Speaker 5: from reading history books that y'all had us going through,
- 22:34Speaker 5: that ain't true.
- 22:35Speaker 6: Something ain't right.
- 22:37Speaker 1: How you gonna tell me the Native Americans were here
- 22:42Speaker 1: and then this son of a bitch shows up later
- 22:46Speaker 1: and you're telling me he discovered it?
- 22:49Speaker 5: As a kid, I'm just saying, hey, I'm asking questions. Hey,
- 22:56Speaker 5: but y'all just say it.
- 22:58Speaker 1: So, like, he discovered it. I'm like, but he didn't.
- 23:01Speaker 1: It was already there. It's not his. And here we are,
- 23:07Speaker 1: years later. I was fucking right, Ms. Johnson.
- 23:12Speaker 5: I don't know if she's on this earth anymore, but
- 23:14Speaker 5: there it is. At which point my mother comes to
- 23:19Speaker 5: the school. They bring her up. I don't get in trouble.
- 23:26Speaker 5: But she says, you can't talk back to the teacher.
- 23:29Speaker 5: But she takes me behind where the cubby holes and
- 23:31Speaker 5: everything else.
- 23:32Speaker 1: She's like, you were right. I'm not.
- 23:34Speaker 5: You're not in any trouble. But because she's an adult,
- 23:40Speaker 5: it looks like I'm showboating. I'm not showboating. I'm just
- 23:45Speaker 5: laying down the facts. You can't double talk me.
- 23:49Speaker 9: I'm not going to learn your wrong-ass lesson just because
- 23:51Speaker 9: you were taught the wrong-ass lesson.
- 23:53Speaker 6: I can't do it.
- 23:55Speaker 9: I can't do it, Teach. You got to tell me
- 23:57Speaker 9: why this square ain't a square. Explain that to me. Trapezoid,
- 24:03Speaker 9: I get you.
- 24:03Speaker 6: A little massage into But nah, fuck.
- 24:06Speaker 8: You, homie.
- 24:06Speaker 6: I'm going all nine innings. Eat a dick.
- 24:09Speaker 5: Lil Fury has always been here. I just didn't have
- 24:12Speaker 5: the name yet. You're not going to lie to me.
- 24:17Speaker 5: So you get that level of, but once again, it's
- 24:22Speaker 5: how my mother handled the situation compared to how Hal's
- 24:25Speaker 5: father handled the situation. My mother knew he was like,
- 24:31Speaker 5: black woman, of course. She knows the lay of the land.
- 24:35Speaker 1: She's like. I know what to do here.
- 24:39Speaker 5: Opposed to Hal. Who is not a black woman. Or
- 24:43Speaker 5: a black man. And that's where I get that level of.
- 24:49Speaker 5: Hal has that sense of. When I'm right.
- 24:53Speaker 1: I'm right. Which in a lot of cases. Yeah he is. But.
- 24:59Speaker 5: It's that air of entitlement. That makes him a bit
- 25:03Speaker 5: of an asshole.
- 25:05Speaker 1: Makes him an asshole. It makes him an asshole. When
- 25:09Speaker 1: I'm right, I'm right. I mean, I ain't saying you're
- 25:12Speaker 1: not right, but....
- 25:15Speaker 6: You ain't got to like it, but you can't say
- 25:17Speaker 6: I'm wrong.
- 25:18Speaker 8: That.
- 25:20Speaker 1: So it's that really hard balancing act. So, yeah.
- 25:28Speaker 7: Exactly.
- 25:28Speaker 1: He says that my gut's never wronged. And I'm like...
- 25:36Speaker 1: It's almost... You're bragging about it. You know?
- 25:42Speaker 6: The bragging, I agree. Like, relax. Fucking relax.
- 25:48Speaker 5: And the bragging will be fine, but I think it's
- 25:50Speaker 5: because the abrasiveness. The abrasiveness of it all. Especially when
- 25:56Speaker 5: you just meet him.
- 25:58Speaker 1: And he's just like... I'm the Green Lantern. It's... It's
- 26:02Speaker 1: a weird dynamic.
- 26:03Speaker 6: Wait, you got me defending this white man. I'm sorry.
- 26:06Speaker 1: Please stop.
- 26:08Speaker 6: Wait a minute.
- 26:10Speaker 7: No.
- 26:12Speaker 6: He's wrong. He's wrong.
- 26:16Speaker 1: Dark Elite hit it.
- 26:17Speaker 3: Entitled.
- 26:18Speaker 6: He's gone.
- 26:18Speaker 5: White privilege never faced punishment for his consequences until that
- 26:23Speaker 5: 10 year being.
- 26:25Speaker 6: I'm good.
- 26:28Speaker 1: We brought her back around, people.
- 26:31Speaker 6: No, he was wrong. He should have shut the fuck up.
- 26:36Speaker 1: But they do have.
- 26:37Speaker 12: Of this world's problems will be solved if people just
- 26:39Speaker 12: shut the fuck up.
- 26:40Speaker 6: At least once.
- 26:42Speaker 1: At least once.
- 26:43Speaker 5: I know one particular individual. They just did that. A
- 26:47Speaker 5: hole so much shit would be solved. That's all you
- 26:52Speaker 5: had to do.
- 26:53Speaker 6: Just a grand mal seizure.
- 26:54Speaker 1: Just once. Just once. That's all I need.
- 27:01Speaker 5: So later on, Hal and his father, they're on the
- 27:06Speaker 5: tarmac of the airport.
- 27:09Speaker 1: And they're talking.
- 27:10Speaker 5: And he says, if something ever happens, you know, there's
- 27:14Speaker 5: this box under my bed that I'm going to pass you.
- 27:16Speaker 1: Here's the key.
- 27:17Speaker 5: And he's like, well, you know, why can't mom have it?
- 27:20Speaker 5: He said, it's something like what me and my father had.
- 27:23Speaker 5: So I'm doing this stuff that me and my father
- 27:25Speaker 5: have that's just meant for me and him. Just like
- 27:27Speaker 5: it's stuff in that box that's just meant for me
- 27:29Speaker 5: and you. And then you find out later that the
- 27:36Speaker 5: supposed accident in the airplane.
- 27:41Speaker 1: Was not an accident. He did it on purpose.
- 27:46Speaker 5: As to why, we don't know. I don't know if
- 27:51Speaker 5: that's going to play into episode 8 at all.
- 27:54Speaker 1: I don't know.
- 27:56Speaker 5: But it comes back to 2026 where john is just
- 28:02Speaker 5: walking this town he's trying to you know figure out
- 28:06Speaker 5: what's going on who shot hal what's happening here sheriff
- 28:11Speaker 5: keen is telling him well you can stay at this
- 28:13Speaker 5: house that hal was at and.
- 28:17Speaker 1: But go through the back door and you know just through.
- 28:21Speaker 5: Certain interactions uh i can't remember the girl's name who's
- 28:24Speaker 5: trying to Muscle John for money.
- 28:27Speaker 1: I just gave you $ 200, 000. Timo Annie. Timo Annie. Oh
- 28:30Speaker 1: my God. Good Lord. From this day forward, Timo Annie
- 28:38Speaker 1: wants his watch, which is clearly a highly expensive watch.
- 28:42Speaker 9: It's gotta be. I, that's a, I think, I, I
- 28:48Speaker 9: can't remember what it's called.
- 28:50Speaker 6: It's like, it's like a diver watch or something. I
- 28:53Speaker 6: can't remember what it's called.
- 28:54Speaker 9: I think that's like a $ 10, 000 watch.
- 28:57Speaker 5: So already you got a $ 10, 000 watch in hand and
- 29:01Speaker 5: you want $ 350, 000 from me?
- 29:04Speaker 9: $ 15, 000.
- 29:06Speaker 6: Let's not overdo it. Her reparations.
- 29:11Speaker 1: I'm still a gasp at that line. Oh, we're not racist.
- 29:15Speaker 1: I want reparations.
- 29:19Speaker 8: You know what now?
- 29:19Speaker 1: I'll Look, I spit my drink out. Bitch, what? Wait, what?
- 29:29Speaker 1: Is this what we're doing?
- 29:30Speaker 8: Nobody knows you're here.
- 29:31Speaker 6: I'm just going to kill. Like, I couldn't be John.
- 29:34Speaker 6: I couldn't be John.
- 29:35Speaker 9: I'm pushing you right, like everybody said, into the fucking plant.
- 29:38Speaker 1: I'm gonna tell sheriff.
- 29:42Speaker 5: Keen so while he's out he's walking around rushville at
- 29:48Speaker 5: night he comes across the beacon which is similar to
- 29:51Speaker 5: batman something that guy gardner sets up and it's defaced
- 29:56Speaker 5: it all has all this graffiti on it And who
- 29:59Speaker 5: shows up but a couple of Rushvillians, including Sheriff King's.
- 30:05Speaker 1: Ex-husband, Billy.
- 30:09Speaker 6: Okay, Billy.
- 30:12Speaker 1: Okay, Billy. Whatever.
- 30:14Speaker 6: Sure, Billy.
- 30:15Speaker 1: I'm going to give you the.
- 30:16Speaker 6: Let's go down to the creek, Billy.
- 30:18Speaker 5: Y'all want to surround this black man and say, I'm
- 30:21Speaker 5: going to give you to the count of five or three.
- 30:25Speaker 1: I think he said three.
- 30:29Speaker 5: Irrelevant it's irrelevant because john knows he's like i can
- 30:35Speaker 5: whoop every last one y'all y'all are not just gonna
- 30:39Speaker 5: walk away from this it was like i was minding
- 30:41Speaker 5: my own mind you you actually could kill each and
- 30:46Speaker 5: every one of them let alone whoop that ass they
- 30:49Speaker 5: oh lord they provide And he says one, and then
- 30:54Speaker 5: he says two, three, and then John says two, three.
- 30:56Speaker 5: Let's just get this shit going. Let's get this shit
- 30:59Speaker 5: out the way. I ain't got time. He said, I
- 31:04Speaker 5: am not here for a good time, nor a long time.
- 31:06Speaker 5: I got business to handle, and now I got to
- 31:09Speaker 5: deal with this.
- 31:12Speaker 1: Whoops, they're as royally. I mean, royally. And basically, it
- 31:17Speaker 1: was like, tail between they legs, leaves.
- 31:22Speaker 7: Okay.
- 31:23Speaker 1: He hit me. It's so many words. The crying. The crying.
- 31:32Speaker 1: It's so many words.
- 31:36Speaker 5: Where Chef Keen has already invited him to dinner and
- 31:38Speaker 5: she says, I'm making meatloaf. And then she says, oh,
- 31:40Speaker 5: I forgot. You don't eat meat. And he says, no, no,
- 31:44Speaker 5: I'm fine.
- 31:44Speaker 1: I can do that.
- 31:47Speaker 5: So already we are getting, you know, Sheriff Keene seems
- 31:50Speaker 5: to be the only one, obviously, and Noah, her son Noah,
- 31:54Speaker 5: who are accepting of John. Now, what Sheriff Keene has
- 31:59Speaker 5: told John about Hal getting out of prison was, yeah,
- 32:04Speaker 5: he went, he was going around. He came back to Rushville.
- 32:07Speaker 5: He was like, he came back for me. And he
- 32:11Speaker 5: was going around knocking door to doors. trying to make
- 32:14Speaker 5: redempts making make amends make a kind of a redemption
- 32:17Speaker 5: arc but i have a theory.
- 32:18Speaker 1: About that and i.
- 32:22Speaker 5: And then even even finding his body in the state
- 32:25Speaker 5: that it was you'd be a fool to think that
- 32:30Speaker 5: it was somebody close to him because it had to
- 32:34Speaker 5: be somebody he trusted somebody he knew that let him
- 32:38Speaker 5: get that close because the Like she said, other than
- 32:41Speaker 5: the busted nose in which John gave Hal earlier at
- 32:44Speaker 5: the diner. Which, that was funny.
- 32:48Speaker 9: So, going back to the morgue, or going to the morgue,
- 32:54Speaker 9: I can't remember if the mortician said that there was
- 32:59Speaker 9: like muzzle fire or gun powder residue around the hole.
- 33:04Speaker 6: I don't remember her saying that.
- 33:06Speaker 1: No.
- 33:07Speaker 5: I have to look back at it myself. Because what
- 33:10Speaker 5: I got more from that conversation was.
- 33:13Speaker 1: She couldn't stand him. And I'm like, Jesus Christ, lady.
- 33:15Speaker 1: Do your job. And then you giving John a cold
- 33:19Speaker 1: shoulder treatment. Like, what the fuck?
- 33:22Speaker 6: We saw you, motherfucker. We saw both of y'all.
- 33:25Speaker 8: It's not a secret.
- 33:26Speaker 1: It's been 10 years and we ain't forgot. You know?
- 33:30Speaker 9: I don't... The bullet to the head is bothering me.
- 33:34Speaker 9: Because it's not It's not a simple shot to the head.
- 33:40Speaker 9: John had to sit there and wait for that to happen. Like,
- 33:44Speaker 9: it didn't feel like he didn't know it was coming.
- 33:47Speaker 8: You know what I mean?
- 33:48Speaker 9: He went to the original scene of the crime, and
- 33:52Speaker 9: he just sat down there in the.
- 33:54Speaker 6: Fucking cold, ring gone.
- 33:58Speaker 2: What.
- 34:00Speaker 6: There's.
- 34:01Speaker 9: Something, like, premeditated or something to it.
- 34:04Speaker 1: Because at first thought, I.
- 34:06Speaker 5: beginning of the series i'm thinking sniper fire right that
- 34:10Speaker 5: the first thing i thought i was like you but
- 34:12Speaker 5: then again why are you in the stadium right and why.
- 34:17Speaker 9: Did you bring it back to where everything started for
- 34:19Speaker 9: for everybody.
- 34:20Speaker 5: Like you didn't have your ring and i think john
- 34:22Speaker 5: checked checked his hand to see if he still had
- 34:24Speaker 5: it in case the guardians decided to give it back
- 34:27Speaker 5: to him or something but He checked his hands to
- 34:30Speaker 5: see if he had the ring, and that was that
- 34:32Speaker 5: one thing. I was like, okay, no, John, you got
- 34:34Speaker 5: rid of the ring. You didn't take it, but I
- 34:36Speaker 5: see why you checked his hand. You were saying maybe
- 34:39Speaker 5: they gave it back to him because he don't trust
- 34:41Speaker 5: the Guardians.
- 34:42Speaker 13: No.
- 34:44Speaker 1: But why was how?
- 34:45Speaker 6: But it's decommissioned. He wouldn't need to give it back
- 34:47Speaker 6: to them.
- 34:49Speaker 1: Yeah.
- 34:49Speaker 5: At least that's the story that was told. That's the
- 34:52Speaker 5: other thing. It definitely was decommissioned, or at least when people,
- 34:58Speaker 5: not depowered.
- 34:59Speaker 1: Just be commissioned.
- 35:01Speaker 6: How are you going to leave a fucking ring out
- 35:03Speaker 6: in the goddamn world and not turn the motherfucker off?
- 35:06Speaker 1: Yeah.
- 35:07Speaker 9: It so much does not make any fucking sense. I still, oh,
- 35:12Speaker 9: and they still haven't opened up his body. I need
- 35:15Speaker 9: to see the heart.
- 35:16Speaker 8: I need to see that heart.
- 35:19Speaker 1: Mm-hmm.
- 35:21Speaker 6: Then I'll be like, all right, it's Hal's body, my bad.
- 35:25Speaker 6: I'll come up with it.
- 35:26Speaker 9: But the fact that they keep not showing the one
- 35:28Speaker 9: piece of evidence that will prove definitively that he is
- 35:32Speaker 9: how is annoying.
- 35:34Speaker 1: They, all they said was broken nose, no signs of fighting.
- 35:39Speaker 5: Uh, whoever punched him to break his nose was probably
- 35:44Speaker 5: one that killed him, which that even then, if you
- 35:47Speaker 5: say it out loud, it doesn't make sense. Like you're
- 35:49Speaker 5: going to fight the person first and then shoot them.
- 35:51Speaker 7: Right.
- 35:53Speaker 5: It was, which is still funny because John is sitting
- 35:56Speaker 5: there like the, the, corner is like yeah they probably
- 35:59Speaker 5: have wounds on their hands or something from breaking his
- 36:02Speaker 5: dude's note which he's just like oh shit let me
- 36:04Speaker 5: iron my.
- 36:05Speaker 1: Hands real quick i don't know nothing.
- 36:11Speaker 5: But now he's got to keep quiet because that does
- 36:15Speaker 5: put him in a really weird predicament he's like yeah
- 36:19Speaker 5: i i punched a son of a bitch i didn't
- 36:22Speaker 5: shoot him and so as this is going on they're
- 36:28Speaker 5: making some discoveries. And he has the key with the
- 36:32Speaker 5: bird on it. They go to the storage locker where
- 36:34Speaker 5: Hal said this box is, and it only uses Hal's.
- 36:40Speaker 1: Voice.
- 36:42Speaker 5: And Sheriff Keene had his voice mail on her phone
- 36:47Speaker 5: calling her buttercup. You know, which I'm thinking, I'm like.
- 36:55Speaker 1: No. I'm like, it sounds so.
- 36:57Speaker 6: No, not Hal.
- 36:59Speaker 1: It just.
- 37:02Speaker 9: I would rather expect Hal to call her sugar tits
- 37:05Speaker 9: long before he calls her buttercup.
- 37:10Speaker 5: But the way he's talking, and he said it even
- 37:14Speaker 5: in the previous episode, this job keeps you alone. Which
- 37:22Speaker 5: is weird because you're always off world. Supposedly, you're supposed
- 37:26Speaker 5: to be off world a lot. you have no true ties. Now,
- 37:32Speaker 5: in Hal's case, he doesn't.
- 37:33Speaker 1: He has no parents. You know, there's no one else.
- 37:37Speaker 5: So, to do the job he's doing, yeah, drinking and
- 37:42Speaker 5: everything else would probably be a thing for him, but nah.
- 37:48Speaker 1: He doesn't have... So, he's talking about when he.
- 37:59Speaker 6: Captain, your Wi-Fi.
- 38:04Speaker 9: Is trying its darkest day and wildest night.
- 38:12Speaker 5: Because I'm not even looking at the playback, so I
- 38:17Speaker 5: don't know.
- 38:18Speaker 1: Okay.
- 38:21Speaker 6: You might be fine. Press on, press on.
- 38:26Speaker 1: But he's basically.
- 38:28Speaker 5: I'm going to look at it on the YouTube, too,
- 38:30Speaker 5: just to see how it looks.
- 38:33Speaker 1: There we go.
- 38:35Speaker 5: So it's... Oh, no, I'm fine. There's something with Hal
- 38:45Speaker 5: that is really throwing me. And when they go to
- 38:50Speaker 5: that storage locker and they try to open it up
- 38:54Speaker 5: with the voicemail, it doesn't work. And basically the box says,
- 38:58Speaker 5: if you try it again.
- 38:58Speaker 7: That's.
- 39:00Speaker 8: Not going to be good.
- 39:03Speaker 5: So he goes back. That's when Sheriff finds the shit.
- 39:09Speaker 5: You know, she invites him to dinner. And he whooped
- 39:12Speaker 5: Billy in the boy's ass. And while he's at dinner
- 39:16Speaker 5: at Sheriff King's house, talking to the sheriff and talking
- 39:18Speaker 5: to Noah, that's when she gets the call about what
- 39:23Speaker 5: John just did. And really it's kind of, It's a
- 39:27Speaker 5: bullshit charge.
- 39:28Speaker 1: He's like, look. they came to me.
- 39:30Speaker 2: Right.
- 39:33Speaker 1: She's like, but you started the fight. I'm like, no.
- 39:35Speaker 3: How?
- 39:36Speaker 1: How?
- 39:37Speaker 6: With five people?
- 39:40Speaker 7: How?
- 39:40Speaker 5: She was like, and then you got beer afterwards? He said, no, technically,
- 39:45Speaker 5: I got the beer before.
- 39:46Speaker 1: It was like, this is... He was like.
- 39:50Speaker 6: And it was still cold when I got here, so
- 39:52Speaker 6: you're welcome.
- 39:53Speaker 1: Yes, so it's not his fault. So he gets locked up.
- 40:04Speaker 5: Prior to that, he had turned on the beacon light
- 40:07Speaker 5: just to see what it was going to do.
- 40:09Speaker 1: This was prior to the fight. He was just curious.
- 40:14Speaker 5: Not only just curious, he probably was going to call
- 40:16Speaker 5: whoever had it. Because there always has to be a
- 40:20Speaker 5: lantern somewhere for that sector. Like, if it ain't John,
- 40:23Speaker 5: who is he? And he probably knows this guy. Just
- 40:27Speaker 5: doesn't know much about Guy. Gets into the fight, goes
- 40:31Speaker 5: to Sheriff King's house for dinner, gets arrested, gets put
- 40:34Speaker 5: in a jail. That's when Guy shows up the next day.
- 40:38Speaker 5: And he says, hey, I need you to get his suit.
- 40:45Speaker 1: And his ring.
- 40:46Speaker 5: And he says, why? Because I'm going to bury him.
- 40:48Speaker 5: I'm going to give him a burial. He's like, lanterns
- 40:50Speaker 5: don't do that. He says, fuck that.
- 40:52Speaker 1: Since when? Like, we're going to do it now. Yeah.
- 40:55Speaker 1: And he kind of bucks guy. He's like, what, are
- 41:00Speaker 1: you scared? Are you scared?
- 41:03Speaker 5: He's like, the only reason why you have that run
- 41:08Speaker 5: is because you didn't take it.
- 41:09Speaker 1: Everything you have is because I didn't take it. Which is.
- 41:15Speaker 1: Great pissing contest at this point.
- 41:20Speaker 6: Yeah.
- 41:24Speaker 8: Tell me I'm wrong.
- 41:26Speaker 1: The guy is thinking. He's like, okay. He gets the ring.
- 41:34Speaker 1: He gets the suit. They have the body in the church.
- 41:38Speaker 9: Which I was going to say, which is an interesting
- 41:42Speaker 9: conversation for the Guardians to have with fucking Guy.
- 41:45Speaker 6: Yeah.
- 41:46Speaker 9: Yeah, we had somebody else in mind, but it's not
- 41:49Speaker 9: working out the way that we thought.
- 41:51Speaker 8: So here you go.
- 41:53Speaker 1: Yeah.
- 41:54Speaker 5: That's if, because he said it was decommissioned. He didn't
- 41:57Speaker 5: say it was locked up, but wouldn't you think it
- 41:59Speaker 5: would be?
- 42:01Speaker 6: That's why I'm like, where did the ring go?
- 42:04Speaker 11: Yeah.
- 42:06Speaker 6: Wait, I'm forgetting how John even got the fucking ring.
- 42:12Speaker 5: John got the ring when he fought Hal, took it
- 42:15Speaker 5: off his hands, and then took it to Liana and
- 42:19Speaker 5: just said, here's your crystallized heart, that's your sins, here's
- 42:22Speaker 5: the ring, I don't want this shit. It's not because
- 42:26Speaker 5: he didn't want it because he seen what it did
- 42:29Speaker 5: to Hal.
- 42:30Speaker 9: I'm talking about how did he get it in episode seven?
- 42:32Speaker 9: Who did he get it from in episode seven?
- 42:35Speaker 6: If Hal didn't have it on his hand, where did
- 42:38Speaker 6: the ring go?
- 42:39Speaker 5: Hal didn't have it on his hand. I think Guy
- 42:42Speaker 5: brought it in. I think they put it on before
- 42:45Speaker 5: the burial. They put it on him before the burial.
- 42:49Speaker 9: Did Guy bring it to the funeral?
- 42:52Speaker 1: I think he brought it to the funeral. Okay.
- 42:54Speaker 7: Yeah.
- 42:55Speaker 5: And they had it on his hand. They waited until
- 43:00Speaker 5: they had their funeral, which, number one, that is the
- 43:03Speaker 5: saddest fucking funeral.
- 43:05Speaker 7: Three people?
- 43:07Speaker 9: Because out of planetary levels two.
- 43:12Speaker 5: Ex-girlfriend and an ex-trainee no one else guy didn't come
- 43:17Speaker 5: he came to the viewing but he's like I can't
- 43:21Speaker 5: do anything else basically I'm bound I'm gonna be in
- 43:25Speaker 5: some bullshit basically if I keep going I'm thinking to
- 43:28Speaker 5: myself no you're not like the guardians have everyone thinking
- 43:33Speaker 5: oh we're always watching you never know where we are
- 43:36Speaker 5: we never know oh we see you went to this
- 43:38Speaker 5: funeral And is that against the crime?
- 43:43Speaker 1: Is that a crime? Is that against the law of
- 43:45Speaker 1: some rule of nature or whatever? I don't know. It's weird.
- 43:50Speaker 1: So here we are at this sad-ass funeral.
- 43:58Speaker 5: And as John is reading the note, he's like, Hal,
- 44:02Speaker 5: with his reading the obituary that Hal wrote, And he's
- 44:06Speaker 5: thanking the president, the first lady, all these dignitaries.
- 44:11Speaker 7: Or fella.
- 44:13Speaker 1: Or fella.
- 44:16Speaker 5: He's going down the line, and he's expecting this grand thing.
- 44:22Speaker 5: And I said, that is sad. So that no one
- 44:28Speaker 5: showed up? Like, no one knows you're dead.
- 44:32Speaker 12: Right.
- 44:33Speaker 1: Outside the people in this room. Right.
- 44:37Speaker 6: A little more pomp and circumstance might.
- 44:39Speaker 5: Have been yeah yeah because I forgot because even the
- 44:41Speaker 5: coroner said like I can't I'm not announcing that he's
- 44:44Speaker 5: dead until Monday so you got time get your shit
- 44:47Speaker 5: together so yeah the word hasn't gotten out so there's
- 44:52Speaker 5: that but still to have this self-absorbed obituary like it's
- 44:59Speaker 5: gonna be this grand thing yeah.
- 45:03Speaker 6: It's like I hope I mattered.
- 45:07Speaker 5: But then there was, like, there was, yeah, like, when
- 45:10Speaker 5: he says that, there are definitely some words in there
- 45:12Speaker 5: that just, like, okay, this is, that's fine to say.
- 45:16Speaker 1: That's fine. But when he says, I hope I mattered,
- 45:17Speaker 1: I'm like, dude, that's fucked. Oh, my God. That's really bad. Like, yeah. Yeah,
- 45:29Speaker 1: guy says it's bad optics. Like, bad optics. That's a thing. But,
- 45:37Speaker 1: You know.
- 45:38Speaker 5: They have their thing. Carol Ferris is there. She talks
- 45:41Speaker 5: about how. So Hal been like this all his life.
- 45:44Speaker 5: Because she was just like.
- 45:48Speaker 1: Yeah. His only relationship he had was with the ring.
- 45:53Speaker 7: Yeah. It is.
- 45:55Speaker 1: That's kind of the only thing he had. And.
- 45:59Speaker 5: As after dark. And John digs up the body. And
- 46:04Speaker 5: that's when he takes the ring. And he does the
- 46:07Speaker 5: thing where he basically kind of jump starts it. It's 5%,
- 46:11Speaker 5: as always, but we know why. And Hallegram shows up.
- 46:16Speaker 5: And he looks down and he's like, shit.
- 46:22Speaker 1: God damn it.
- 46:23Speaker 5: This brings us to 7, where he's trying to solve
- 46:27Speaker 5: this whole thing. And.
- 46:31Speaker 5: He's telling them, and this version of Hal is the
- 46:33Speaker 5: same version of Hal that we've seen in the very
- 46:35Speaker 5: first episode that kind of kicked off this whole Rushville thing.
- 46:39Speaker 1: It's the same hologram. Halogram. Halogram.
- 46:44Speaker 5: And it kicks off this whole thing. But this version
- 46:49Speaker 5: is likable. It's not as contentious relationship. It's not as tense.
- 46:55Speaker 5: It's back and forth.
- 46:57Speaker 6: He's a little jovial.
- 47:00Speaker 1: A little more jovial. There's stuff that's going on. Yeah.
- 47:05Speaker 6: He's like a nine on the grits instead of a three.
- 47:10Speaker 5: Yeah, because even that version is like, okay, I'm trying
- 47:13Speaker 5: to figure out who shot me, who killed me.
- 47:15Speaker 1: Maybe you did. Did you guys get along? He's asking
- 47:19Speaker 1: the right questions. Hold on. Tafari's here. Tafari's in the video. Hello.
- 47:27Speaker 5: So, yeah, he's asking the right questions. It's just, but
- 47:32Speaker 5: I like this version of Hal. You know, he's not as,
- 47:36Speaker 5: like you say, the grit is not as hard. It's
- 47:39Speaker 5: not that, everybody's an enemy. No, this one, like, there's
- 47:45Speaker 5: a scene, and by the way, shout out to Vanessa
- 47:48Speaker 5: Kelly and this entire team, because this is the second
- 47:50Speaker 5: time we get an OutKast reference through this entire episode,
- 47:55Speaker 5: besides the AT Aliens episode.
- 47:58Speaker 1: But they're sitting in the.
- 48:00Speaker 5: Car and the hologram is getting on John's nerves at
- 48:05Speaker 5: this point while they're in the car. And he starts
- 48:10Speaker 5: doing the verse from Sporty Odie Dopealicious. And that makes
- 48:17Speaker 5: the hologram disappear.
- 48:19Speaker 7: Clock that joint immediately.
- 48:21Speaker 13: Yeah.
- 48:23Speaker 1: Only to find out somehow that's Hallegram is always present,
- 48:32Speaker 1: I guess?
- 48:34Speaker 7: He's, like, present, but, like, isn't conscious to a degree,
- 48:37Speaker 7: because this is still 30-year-old Hal, technically. He still hasn't
- 48:42Speaker 7: been backed up, so he has little to no information
- 48:45Speaker 7: from the last 10 years and the 10 years before that. Yeah.
- 48:51Speaker 5: Yep, this is the Hal that John Adelaide's growing up.
- 48:53Speaker 1: It is. This version. Maybe a little later after his appearance.
- 49:01Speaker 5: And he's like, I'll just take the ring off. Mind you,
- 49:08Speaker 5: when John asked how much charge is left, Hallegram never
- 49:12Speaker 5: answered him. Because I was like, that 5% lasts a
- 49:16Speaker 5: very long time. You're talking about it's going to be
- 49:19Speaker 5: a couple hours i think i think he said a
- 49:22Speaker 5: day or a couple of hours they had.
- 49:24Speaker 9: No i think he said a little a little i
- 49:28Speaker 9: think he said he's got like a little over an
- 49:30Speaker 9: hour and some change first.
- 49:32Speaker 6: It was a day and then it was like a
- 49:33Speaker 6: couple of hours.
- 49:35Speaker 7: And then it was, I'll be gone by sunup tomorrow.
- 49:40Speaker 5: And right now, it's like, but when John took the
- 49:44Speaker 5: ring off, the hologram was still there and he witnessed it.
- 49:48Speaker 5: He was like, little shit. And he congratulated, he was like,
- 49:52Speaker 5: I've never seen or heard of another Green Lantern being
- 49:56Speaker 5: able to do this. He was like, good job, Trent.
- 49:59Speaker 5: He's congratulating me. Like, He's genuinely proud of you. Like, dude,
- 50:06Speaker 5: what did I teach you? And as he says later,
- 50:09Speaker 5: he's like, what did I teach you? He's like, jack
- 50:11Speaker 5: and shit. So the first time they go to the
- 50:18Speaker 5: storage locker, Halle Graham will not speak. He will not
- 50:24Speaker 5: say anything. And he's basically doing charades and he's pissed.
- 50:28Speaker 5: He's like, yo, I need to know. I'm trying to
- 50:31Speaker 5: solve this murder. And he's like, you think I'm not?
- 50:34Speaker 5: And they have this. It's a real buddy cop move
- 50:36Speaker 5: at this point. They're really trying to find out what's happening.
- 50:40Speaker 5: And after doing some explanation, they go see Sheriff King,
- 50:44Speaker 5: which is at the high school where Noah in that.
- 50:51Speaker 5: I don't know why you call that an offensive line.
- 50:54Speaker 7: No offense. That can be a defensive line, an offensive line.
- 50:57Speaker 7: That ain't protected shit. No. Who are these? And then
- 51:01Speaker 7: you're telling me cornbread, corn, Fred, Nebraska? That's the biggest
- 51:06Speaker 7: boys y'all got? Because I've seen who they dads are.
- 51:10Speaker 7: Y'all got some husky gun-toting rednecks. I refuse to believe
- 51:13Speaker 7: they all had skinny children.
- 51:16Speaker 1: Y'all all look like backup quarterbacks.
- 51:18Speaker 7: Y'all state school mascot is the corn huskers.
- 51:26Speaker 1: Y'all not Y'all not thinking of that? I'm just saying.
- 51:29Speaker 1: I'm like, what's going on?
- 51:31Speaker 7: He must scramble on every play or just run for it.
- 51:34Speaker 7: And it's just truck sticking the entire state. Because then
- 51:38Speaker 7: they're like, yeah, we're going to the championship. I'm like, either.
- 51:41Speaker 7: And they never say which one. So either your entire conference, district, region,
- 51:47Speaker 7: and possibly state is just completely ass.
- 51:50Speaker 1: Because you look at it and I'm like. One of
- 51:54Speaker 1: them is shorter than Noah. You called me out.
- 51:58Speaker 5: You had, what was it? It was four major colleges
- 52:02Speaker 5: that were supposed to be there.
- 52:03Speaker 1: It's like six. Yeah.
- 52:07Speaker 5: And this is supposed to be the hat ceremony that
- 52:11Speaker 5: you announce what school you're going to go to for
- 52:14Speaker 5: the following year.
- 52:16Speaker 1: And you say, no, I'm not going to make a decision.
- 52:23Speaker 9: How do you tell a whole auditorium full of people
- 52:26Speaker 9: that took off work, yo mama, yo daddy, the people
- 52:30Speaker 9: flew in in order to see who you actually were
- 52:33Speaker 9: going to pick. Say, no, we'll do it after the Easter,
- 52:36Speaker 9: whatever bullshit championship.
- 52:38Speaker 1: The vegan defensive line.
- 52:39Speaker 6: Get the fuck out of here.
- 52:40Speaker 1: What's going on?
- 52:41Speaker 9: I would have taken, snatched my goddamn hat off that
- 52:44Speaker 9: table so fucking fast.
- 52:46Speaker 1: The way I said, what?
- 52:47Speaker 5: Like, everybody has hope for this kid because even earlier
- 52:58Speaker 5: even earlier for the funeral this was extremely I don't
- 53:06Speaker 5: know I haven't heard anyone ask this question Noah comes
- 53:10Speaker 5: by the house where John is staying and he gives
- 53:14Speaker 5: John a suit and I'm like how do you know
- 53:18Speaker 5: that suit even fits this.
- 53:19Speaker 1: Man movies.
- 53:24Speaker 9: His grandmother's memory. I promise she knows. She remembers.
- 53:34Speaker 5: I'm inclined to believe that John picked up on it.
- 53:39Speaker 5: Because the suit fits fine.
- 53:41Speaker 1: No problem.
- 53:43Speaker 5: But he doesn't question it right then. How would you
- 53:47Speaker 5: know what my size is? Why would you know that?
- 53:52Speaker 5: So that was one thing that kind of pinged them, like,
- 53:56Speaker 5: something ain't right. Like, that's not one of the things.
- 53:58Speaker 5: That's just, that's not one thing. That's just one of
- 54:00Speaker 5: the things. The other thing is.
- 54:05Speaker 1: Eric. Eric.
- 54:10Speaker 6: Correct. So, I would say, grandmama told him.
- 54:21Speaker 5: And then he says, then he could probably draw my wife. Yeah,
- 54:25Speaker 5: there's things that they know. I'm just saying. So there's
- 54:33Speaker 5: so much that's happening underlying that a lot of people
- 54:37Speaker 5: may miss because there's so much going on.
- 54:42Speaker 1: And I'm going to.
- 54:43Speaker 5: Circle back to that. So after they go there, And
- 54:48Speaker 5: he's like I need to talk to you. He talks
- 54:50Speaker 5: to the sheriff. I need to talk to you real quick.
- 54:52Speaker 1: Talks to her. And he brings up Hallegram again. After
- 54:57Speaker 1: over explaining that. This is before.
- 55:00Speaker 5: And everything. He just over explaining. And that's when Hal
- 55:03Speaker 5: just says screw it. You're doing too much. And he's
- 55:06Speaker 5: talking to Sheriff King.
- 55:08Speaker 1: And she has.
- 55:09Speaker 5: She touches his face. And she has like the. I
- 55:17Speaker 5: can't remember if she cried in that moment or was
- 55:19Speaker 5: almost coming to tears.
- 55:21Speaker 7: She ain't shed a single tear in the last two episodes.
- 55:25Speaker 7: She's been sitting there trying to force it out of
- 55:27Speaker 7: her face.
- 55:28Speaker 1: Okay, that's what it is.
- 55:30Speaker 7: You ever seen somebody on trial and they're trying to
- 55:32Speaker 7: get sympathy but you're not an actor so you can't
- 55:34Speaker 7: do it on cue? That's what she's been looking like
- 55:36Speaker 7: this entire thing. Even when she hears Hal behind... You
- 55:41Speaker 7: can see her trying to force the fake tear before
- 55:44Speaker 7: she turns around. It's just not working. I'm not... That's
- 55:47Speaker 7: part of why I'm not buying any of her bullshit.
- 55:50Speaker 1: Which is whack.
- 55:52Speaker 9: You do know that she's like a... Technically speaking, she's
- 55:55Speaker 9: a hardened fucking cop from Gotham. She was also like
- 55:58Speaker 9: an undercover... What.
- 56:01Speaker 7: Is it?
- 56:03Speaker 9: Getting kickbacks from the fucking gangsters of Gotham.
- 56:07Speaker 6: She don't need to show any fucking fear.
- 56:09Speaker 7: She's a runaway... child criminal's child from gotham she was
- 56:14Speaker 7: running away because her dad yes you're related to the
- 56:18Speaker 7: snitch we killed that's why she was.
- 56:20Speaker 9: Working with them too her and her father they were
- 56:23Speaker 9: both working together not sort of they.
- 56:26Speaker 7: Were i thought she said her and her dad weren't
- 56:28Speaker 7: close No, they're not close.
- 56:31Speaker 8: No, no, no.
- 56:32Speaker 7: They don't have to. She's not spoken great of him
- 56:35Speaker 7: at all. I thought she was completely removed from what
- 56:37Speaker 7: he was doing.
- 56:38Speaker 9: You can be involved in the same book. Look, look
- 56:41Speaker 9: at the fucking mafia. I know that fucking Tommy, the
- 56:44Speaker 9: fucking brains Gambino ain't shit, but he's still.
- 56:49Speaker 6: My fucking father. You know, I'm still, I'm in this shit.
- 56:52Speaker 1: Because I can't get out. I thought that was a
- 56:54Speaker 1: Sopranos moment just right there. I'm just fucking saying.
- 56:57Speaker 6: Big Tommy, you know, he's my brother.
- 56:59Speaker 1: But he ain't fucking shit either. I don't like the
- 57:02Speaker 1: son of a bitch sometimes.
- 57:03Speaker 7: But we all in this shit together. But also getting
- 57:06Speaker 7: killed when somebody getting killed when you chose that life
- 57:09Speaker 7: is different than they're here now and then they're gone.
- 57:12Speaker 7: So again, the hologram pulls up and I'm just like,
- 57:16Speaker 7: just stop. I'm not buying this shit. On top of
- 57:19Speaker 7: the fact that watery eye can't get nothing to fall.
- 57:23Speaker 7: And then listening to her describe him Hal don't even
- 57:27Speaker 7: sound like Hal to Hal. Because even he's like... There's
- 57:32Speaker 7: elements of the conversation where he's like, I see why
- 57:34Speaker 7: I like her. Eric.
- 57:38Speaker 1: Just because we all... I like that.
- 57:39Speaker 5: He said, I'm saying the signs were perfect. Not like
- 57:42Speaker 5: Issa Panties from Pharmacy and Insecure.
- 57:45Speaker 7: What was you saying, Carol?
- 57:51Speaker 1: That took her out a little bit. It took me out.
- 57:56Speaker 10: That was a lot.
- 57:58Speaker 7: Take it back. She got one. She got a singular
- 58:01Speaker 7: tear to fall. But also, I don't think she was
- 58:05Speaker 7: a cop in Gotham. How do you take people to
- 58:09Speaker 7: a hotel and you don't know they can't get out
- 58:11Speaker 7: your car? There's been little shit she's done that says, alright,
- 58:15Speaker 7: you're a cop for play. Did she name drop Gordon?
- 58:18Speaker 1: She name dropped Gordon.
- 58:23Speaker 9: Hal did a background check on her, saying that she
- 58:25Speaker 9: looked better with bangs in Gotham PD. Or I get
- 58:28Speaker 9: why he got rid of the bangs from checking her
- 58:31Speaker 9: out in the Gotham PD.
- 58:32Speaker 8: So she is a cop.
- 58:34Speaker 7: Oh, she's a fucking terrible one, then.
- 58:36Speaker 1: Terrible cop.
- 58:36Speaker 6: Which is why the mob was fucking after her.
- 58:39Speaker 9: The mob was after her and tried to fucking mark
- 58:41Speaker 9: her after her daddy did some wild shit, probably.
- 58:45Speaker 7: Well, that's literally what they said. She didn't do anything.
- 58:48Speaker 7: It's just because y'all are related.
- 58:49Speaker 1: It wasn't.
- 58:50Speaker 10: You are a snitch by association. I'm like, God dang.
- 58:54Speaker 1: Which means that she knew.
- 58:56Speaker 6: What he was doing, which means that she was involved
- 58:58Speaker 6: with him.
- 58:59Speaker 9: You can't be that close to that nigga and not
- 59:02Speaker 9: try to get him arrested.
- 59:03Speaker 5: Even if she wasn't involved with it in mob ties,
- 59:10Speaker 5: they're just like, no, cut off all ties. We might
- 59:15Speaker 5: have something going on with his kid cop. We don't
- 59:17Speaker 5: know which side of the fence she's on. Let's get
- 59:20Speaker 5: rid of.
- 59:21Speaker 7: The problem altogether. I thought she had just said she
- 59:24Speaker 7: didn't like her dad and that she was not involved.
- 59:26Speaker 7: I don't know if she was undercover or not. I
- 59:28Speaker 7: know that they literally were chasing her just because she
- 59:30Speaker 7: hadn't actually done shit to deserve it or earn it.
- 59:33Speaker 1: That's the thing. She didn't do it. She really didn't.
- 59:37Speaker 1: She said it.
- 59:38Speaker 11: I took it as the fact the guy said, look,
- 59:43Speaker 11: your daddy's a snitch.
- 59:44Speaker 1: You a snitch.
- 59:45Speaker 10: We can't take no chances. All y'all got to go.
- 59:48Speaker 7: Did her dad, was her dad a snitch or did
- 59:53Speaker 7: he just betray the gang?
- 59:55Speaker 1: Her dad was a snitch.
- 59:57Speaker 7: He was a snitch.
- 1:00:00Speaker 11: It was the way old boy said it. He said, look,
- 1:00:03Speaker 11: I don't like this. I don't necessarily go after women.
- 1:00:06Speaker 11: Orders is orders. It's like, look, we can do this
- 1:00:11Speaker 11: nice and quiet or everybody that's dying can die.
- 1:00:16Speaker 1: It's on you.
- 1:00:18Speaker 7: Everybody chose the wrong night to come get dinner then. Sorry.
- 1:00:22Speaker 1: Well, they got the best coffee in town. I'm like, Folgers?
- 1:00:26Speaker 11: All I got to say right now is thank God
- 1:00:29Speaker 11: Rushville did not have a Waffle House.
- 1:00:33Speaker 6: They do. That fucking diner is the Waffle House.
- 1:00:36Speaker 7: No, no.
- 1:00:36Speaker 1: I'm like, no.
- 1:00:40Speaker 2: The diner and the bar.
- 1:00:42Speaker 1: Who starts a bite at a Waffle House?
- 1:00:45Speaker 7: I mean, everybody.
- 1:00:47Speaker 1: I was going to say, yeah.
- 1:00:49Speaker 7: Meanwhile, somebody just got their neck snapped in a diner
- 1:00:52Speaker 7: and no one reacted. They were just like, hey.
- 1:00:55Speaker 1: She just said, to the corner, she got one coming.
- 1:00:58Speaker 1: That was it. She got party of one coming. So
- 1:01:00Speaker 1: that was it.
- 1:01:01Speaker 11: And that was the rub. That whole thing of like, look,
- 1:01:05Speaker 11: you can cut the pinky or I can do it.
- 1:01:08Speaker 11: How do you want this to go? Hey, look. She
- 1:01:13Speaker 11: slept with Anton. She slept with Megan and she snatched
- 1:01:17Speaker 11: up John. Hal was probably sitting in the wings like,
- 1:01:20Speaker 11: what am I, chopped liver?
- 1:01:22Speaker 1: Yeah. You ain't giving off that type of aura.
- 1:01:29Speaker 8: Speak up!
- 1:01:30Speaker 1: I'm sorry. That's still sticking with me.
- 1:01:34Speaker 5: So, after all of that, after they leave Sheriff King,
- 1:01:39Speaker 5: that's where Halle Graham says, she shot me. He's not sure,
- 1:01:43Speaker 5: because at first he said John did it. Now he's
- 1:01:46Speaker 5: not sure. Now he's saying the sheriff did it. He
- 1:01:49Speaker 5: said the way she looked at me and everything, I
- 1:01:51Speaker 5: don't know much about her, but.
- 1:01:54Speaker 1: She did it.
- 1:01:54Speaker 5: He's doing an investigative move as a hologram.
- 1:02:01Speaker 10: But it's not a bad theory.
- 1:02:04Speaker 1: It's not.
- 1:02:04Speaker 11: She did look guilty as all get out. She looked
- 1:02:08Speaker 11: guilty as all get out when she saw him. It's like,
- 1:02:10Speaker 11: And then he was like, it's just the way she
- 1:02:12Speaker 11: approached me. It's like looking at somebody for the last time,
- 1:02:17Speaker 11: I'm like, God dang. I said, virtual hell might be right.
- 1:02:21Speaker 1: Yeah.
- 1:02:23Speaker 5: So they go back. She's like, follow me back to
- 1:02:26Speaker 5: the house. We can go back to the storage locker
- 1:02:29Speaker 5: and find out. And that's when the boys get in
- 1:02:31Speaker 5: the truck and they're just like, fuck that. Go straight
- 1:02:33Speaker 5: to the storage locker. We can't trust anybody right now.
- 1:02:37Speaker 5: Go straight to the storage locker. And they go to
- 1:02:40Speaker 5: the storage locker. it's an Acme orb.
- 1:02:46Speaker 7: Man.
- 1:02:47Speaker 5: And a paper bag. I was like, oh, there's just
- 1:02:49Speaker 5: like no planning. And a book bag full of protein
- 1:02:52Speaker 5: bars and a pistol.
- 1:02:56Speaker 11: I just want to ask, I just want to ask,
- 1:02:58Speaker 11: did anybody check with Acme about the inflatable hole that
- 1:03:02Speaker 11: you can just stretch and just.
- 1:03:04Speaker 7: I literally was like, you know, James Gunn is part
- 1:03:08Speaker 7: of the reason Coyote vs. Acme got off the ground.
- 1:03:10Speaker 7: He never talks about that. I'm like, right. These are
- 1:03:13Speaker 7: all Warner Brothers properties right here.
- 1:03:16Speaker 11: I was like, was it just me or was anybody
- 1:03:17Speaker 11: expecting Bugs or Daffy to pop out that hole when
- 1:03:20Speaker 11: it popped up?
- 1:03:22Speaker 10: I was expecting something. Just like, eh, wrong dimension.
- 1:03:26Speaker 1: Just go right back in. It's crazy. It's crazy.
- 1:03:31Speaker 5: So they go to that water tower. First they found out,
- 1:03:35Speaker 5: you know, right there in the storage locker, okay, we
- 1:03:37Speaker 5: got an orb here. What's the protein bar for in
- 1:03:40Speaker 5: the poncho, in the gun?
- 1:03:41Speaker 1: Like, I don't know.
- 1:03:44Speaker 5: And that's when he tells John about what this orb does.
- 1:03:47Speaker 5: He's like, that means there's something on the other side.
- 1:03:49Speaker 5: And he puts his head in. He's like, yeah, there's
- 1:03:52Speaker 5: something over there.
- 1:03:54Speaker 1: So, yeah.
- 1:03:58Speaker 6: Good thing it wasn't a vacuum of fucking space.
- 1:04:03Speaker 5: Which he said he was like it seems breathable he
- 1:04:06Speaker 5: says wait a minute I'm a hologram maybe I'm not
- 1:04:10Speaker 5: breathing I don't know so they take the orb and
- 1:04:16Speaker 5: they go to the water tower and that's when they
- 1:04:19Speaker 5: walk in and then they walk onto this desolate fucking
- 1:04:22Speaker 5: planet with a green beacon off into.
- 1:04:25Speaker 1: The distance it's pretty though yeah It was pretty. Yeah,
- 1:04:32Speaker 1: it was pretty.
- 1:04:33Speaker 5: John finds a decimated skull or a fragment of a skull.
- 1:04:37Speaker 5: And that's when Hal says, he was like, he told
- 1:04:42Speaker 5: him what happened when Anton snatched him up. And it
- 1:04:45Speaker 5: was like, it seemed like they were all here and
- 1:04:48Speaker 5: the Manhunter did it. And then he's like, no, or
- 1:04:50Speaker 5: they jumped from the sky.
- 1:04:51Speaker 1: And that's when they looked up, it's a whole city
- 1:04:52Speaker 1: up there.
- 1:04:55Speaker 5: And in so many words, He says, all you need
- 1:04:59Speaker 5: to do is visualize me up there. He's like, oh,
- 1:05:01Speaker 5: you didn't fly. He says, yeah, because you taught me
- 1:05:04Speaker 5: jack shit. He's like, well, all you need to do
- 1:05:11Speaker 5: is visualize me up there and just kind of, without
- 1:05:14Speaker 5: a thought, John does it.
- 1:05:15Speaker 8: Mm-hmm.
- 1:05:16Speaker 5: And so he goes on. He's still looking around.
- 1:05:18Speaker 1: And then he comes by.
- 1:05:19Speaker 5: He's like, there's no one up there. He was like,
- 1:05:22Speaker 5: whatever happened, these people jumped to their death.
- 1:05:27Speaker 7: Mm-hmm.
- 1:05:27Speaker 1: Along with being decimated.
- 1:05:29Speaker 5: Something happened. So they're in there just going. He's like
- 1:05:31Speaker 5: well I see a boat in a lake.
- 1:05:34Speaker 1: So let's go.
- 1:05:35Speaker 5: Get in the boat. And he's like so. You're not
- 1:05:39Speaker 5: going to help. Halle Grant was like no. I don't
- 1:05:42Speaker 5: want to burn out any more energy. Any more power.
- 1:05:47Speaker 1: Which he still doesn't tell him. Well how much power.
- 1:05:50Speaker 1: How much charge do we have left. He doesn't tell him.
- 1:05:54Speaker 1: They pull up.
- 1:05:56Speaker 5: They're sitting there and then someone hooded. Well, before that happens,
- 1:06:03Speaker 5: Hal is getting on John's nerve again. John decides to
- 1:06:06Speaker 5: do the song again. Halogram disappears. And then that's when
- 1:06:10Speaker 5: the real shit starts happening. And he sees, he hears
- 1:06:14Speaker 5: his father with the apple on his head.
- 1:06:17Speaker 1: He's asking him if he's scared. And then it flashes again.
- 1:06:20Speaker 5: And then it's his childlike self with the same thing,
- 1:06:23Speaker 5: calling him out, saying he's scared. pulls out the pistol.
- 1:06:27Speaker 5: He's ready to pull it. He gets knocked in the
- 1:06:29Speaker 5: water and that's when he gets pulled back up and
- 1:06:32Speaker 5: it's hologram. He was like, dude, you had the gun
- 1:06:35Speaker 5: to your head and you were getting ready to pull
- 1:06:39Speaker 5: the trigger until I stopped you. What the hell did
- 1:06:42Speaker 5: you see? And he never told him. And so much
- 1:06:47Speaker 5: is happening. And Spartan, I don't know if you were
- 1:06:51Speaker 5: thinking this. This is where the fear It's starting to
- 1:06:56Speaker 5: come into play.
- 1:06:58Speaker 1: It's right on cue. It's right on cue.
- 1:07:02Speaker 7: It was right on cue. I thought you had a
- 1:07:05Speaker 7: point to make.
- 1:07:08Speaker 10: She did a brain clap.
- 1:07:09Speaker 1: I was laughing about that for a second.
- 1:07:13Speaker 5: They pull to shore. Someone hooded grabs Hal from behind.
- 1:07:20Speaker 5: Hal looks at John. He says, Junior, they're playing our song.
- 1:07:25Speaker 5: And Hal disappears. And John punches him in his Sinestro.
- 1:07:32Speaker 5: And I'm just like, wait a minute. We already know
- 1:07:36Speaker 5: Sinestro got broke out of prison. So somebody dropped your
- 1:07:40Speaker 5: ass off here.
- 1:07:44Speaker 1: Could have been.
- 1:07:44Speaker 5: I'm still hanging on to the Hal is a clone theory.
- 1:07:48Speaker 5: But I'm going to swing back. When Sheriff King said
- 1:07:52Speaker 5: Hal was going around trying to redeem himself and asking
- 1:07:55Speaker 5: people for doing things, I was like, he wasn't doing
- 1:07:58Speaker 5: that for redemption. He came back to Rushfield to find
- 1:08:02Speaker 5: out if there was another Manhunter. He was doing a census.
- 1:08:06Speaker 7: That or see if the Guardians are maybe giving his
- 1:08:08Speaker 7: shit back.
- 1:08:09Speaker 3: Right.
- 1:08:11Speaker 10: Because again, Sinestro, I said, there's something interesting.
- 1:08:13Speaker 11: I said, all I'm going to sit there and say is,
- 1:08:16Speaker 11: if you read Blackest Night... There is a certain part
- 1:08:20Speaker 11: in that comic that is eerily familiar to the planet
- 1:08:23Speaker 11: that they visited.
- 1:08:24Speaker 10: And the reason why Sinestro is there.
- 1:08:27Speaker 7: The entire planet they went to gave Midgar from Final
- 1:08:31Speaker 7: Fantasy VII. There's the Mako reactor they went to, which
- 1:08:35Speaker 7: is clearly pumping the gas out through, I think, the fumes.
- 1:08:41Speaker 7: And then there's just the Sector 7 plate just floating
- 1:08:44Speaker 7: in the air that everyone went skydiving off of. Yep.
- 1:08:48Speaker 7: If you look at some of those skulls, you realize
- 1:08:50Speaker 7: those are like impact dents from how they landed, which
- 1:08:53Speaker 7: is why he starts looking up in the first place. Also,
- 1:08:56Speaker 7: Sinestro clearly is on that shit and has been strung up.
- 1:09:00Speaker 7: uh strung out because he is here way too long
- 1:09:02Speaker 7: because how do you not even if it's a concert
- 1:09:04Speaker 7: you don't recognize your own protege who you just saw
- 1:09:07Speaker 7: not too long ago.
- 1:09:09Speaker 11: Well that's the thing i'm getting at is that sinestro
- 1:09:10Speaker 11: is devoid of power so his fear he doesn't even
- 1:09:13Speaker 11: have his fear ring which uh again which goes back
- 1:09:17Speaker 11: to the whole thing. I said, when I sat there
- 1:09:19Speaker 11: and saw him, I'm like, oh, how busted out Sinestro?
- 1:09:22Speaker 11: And he's been hiding out in this altered dimension this
- 1:09:25Speaker 11: entire time. And that's the only thing that makes sense.
- 1:09:30Speaker 11: The only person that could have got him, the only
- 1:09:32Speaker 11: person that knew where he was, and you just tell
- 1:09:35Speaker 11: me that you have a perfectly good Acme hole direct
- 1:09:38Speaker 11: portal to this person? And it was, I'm sorry, the
- 1:09:41Speaker 11: Acme hole is still going to stick with me.
- 1:09:43Speaker 9: Wait, so here's a something that's bothering me now that
- 1:09:48Speaker 9: I'm thinking about it. John had all, everybody on that
- 1:09:53Speaker 9: planet's memories or experiences from that genocide downloaded into his brain, right?
- 1:09:59Speaker 7: Yep.
- 1:10:01Speaker 6: Why wouldn't Sinestro, not Sinestro.
- 1:10:05Speaker 9: Why wouldn't there be a clue about how all of
- 1:10:08Speaker 9: that fear toxin got made? Like, somebody fucking knew. The
- 1:10:12Speaker 9: guys that downloaded the information to his brain.
- 1:10:15Speaker 1: It could have, it all it also could have been selective.
- 1:10:18Speaker 11: It seems like the guy did sit there and say
- 1:10:21Speaker 11: that this is the culmination of our tragedies, our memories,
- 1:10:26Speaker 11: our pain of an entire people. That's a lot to
- 1:10:29Speaker 11: shift through if you really think about an entire civilization's
- 1:10:33Speaker 11: emotions going straight through you.
- 1:10:36Speaker 5: Yeah, because Anton's whole thing was it's a Manhunter that
- 1:10:39Speaker 5: did it and we're after the Manhunter. They didn't mention
- 1:10:42Speaker 5: anything about maybe the Manhunter... did something with gas or
- 1:10:46Speaker 5: created gas.
- 1:10:47Speaker 1: We don't know.
- 1:10:47Speaker 5: We really don't know. So it just said this was
- 1:10:51Speaker 5: a decimation of our people. This Manhunter is behind it.
- 1:10:54Speaker 5: You know, so it could be selective. Like, I'm showing
- 1:10:59Speaker 5: you what happened to my people. Not so much the
- 1:11:04Speaker 5: domino that started the whole thing, because they probably didn't know.
- 1:11:08Speaker 11: But also the fact that that rain, that rain that
- 1:11:12Speaker 11: literally brought in all... well, sorry, the water, I guess
- 1:11:16Speaker 11: we can call it rain, water, whatever was on that planet,
- 1:11:19Speaker 11: also did affect his emotions. Because keep in mind, he's
- 1:11:23Speaker 11: seeing himself, and he kind of had to come to
- 1:11:25Speaker 11: grips with the fact that you might not be as
- 1:11:29Speaker 11: fearless as you think you are. So right there is
- 1:11:32Speaker 11: a freaking test. And he sat there and said the
- 1:11:35Speaker 11: whole time, it's like, are you afraid? It's like, you
- 1:11:37Speaker 11: want to be the lantern so bad, then you throw
- 1:11:40Speaker 11: it away. But at the same time, you question yourself,
- 1:11:42Speaker 11: but did you want it at all? So that whole
- 1:11:44Speaker 11: internal battle he's having all started the moment he didn't
- 1:11:49Speaker 11: put on a poncho, to which Hal loved to point
- 1:11:51Speaker 11: that out.
- 1:11:52Speaker 5: He's like, that's why the poncho was there. But see,
- 1:11:56Speaker 5: there's some lines, and Dark Elite mentioned one of the two.
- 1:11:59Speaker 5: It's not just the nice arm kid. There's some other stuff.
- 1:12:02Speaker 5: Hal says, Halogram says, I'm not fearless because I'm not afraid.
- 1:12:08Speaker 1: I have no fear. I'm fearless because I'm broken.
- 1:12:12Speaker 11: I mean, but your daddy kind of spoiled your bratty
- 1:12:17Speaker 11: ass because he really should have sat you down with
- 1:12:19Speaker 11: that coach, sat you down for a no-hitter, but that's
- 1:12:23Speaker 11: just me.
- 1:12:25Speaker 7: You always cuss a coach out in private.
- 1:12:28Speaker 5: Which means John isn't fearless because of his training. He's
- 1:12:35Speaker 5: probably fearing what that ring, the weight of that ring
- 1:12:38Speaker 5: will do to him as it did to John.
- 1:12:40Speaker 1: Or as it did to Hal. And that's what it is.
- 1:12:45Speaker 11: It comes down to the fact that you don't want
- 1:12:47Speaker 11: to be Hal. Even though Hal is irreparably broken.
- 1:12:52Speaker 5: Because John is creating... John is trying to create a
- 1:12:59Speaker 5: relationship with him and his brothers. Him and Marcus get
- 1:13:03Speaker 5: along fine.
- 1:13:04Speaker 1: Yep. Him and Aaron, he's reluctant. Aaron is still hanging
- 1:13:08Speaker 1: on to shit.
- 1:13:09Speaker 5: If I was Aaron, I'd shut the fuck up because
- 1:13:11Speaker 5: I don't know how old you are to still want
- 1:13:13Speaker 5: to do a rap record right now at your age,
- 1:13:16Speaker 5: but the fact that your youngest brother is bankrolling you,
- 1:13:21Speaker 5: you might want to shut up.
- 1:13:23Speaker 11: I love that part right there. It's like, I'll stop
- 1:13:27Speaker 11: sending checks to the studio.
- 1:13:28Speaker 1: How about that? He had to pull rank on him.
- 1:13:31Speaker 1: He had to pull rank on him.
- 1:13:33Speaker 7: Now, why don't y'all go pick up our father? Because
- 1:13:36Speaker 7: who or how did he get a gun in a mental,
- 1:13:38Speaker 7: not a mental, but an old folks home more than likely? Like,
- 1:13:41Speaker 7: how did you... Don't you have to do bed checks?
- 1:13:44Speaker 7: Don't you have to do bed checks? Like, once there's a... One,
- 1:13:47Speaker 7: the police aren't... It has to be like a veteran's hospital.
- 1:13:50Speaker 7: The police aren't already there after gunshots in the building.
- 1:13:54Speaker 10: I'm just saying, the orderlies got real lenient about not
- 1:13:56Speaker 10: checking people.
- 1:13:57Speaker 5: That woman said, yeah, you need to come pick him
- 1:13:59Speaker 5: up right now.
- 1:14:00Speaker 1: Oh, man. No discussions need to be had. That's it.
- 1:14:05Speaker 7: Did you have another epiphany?
- 1:14:06Speaker 6: I have a lot. I have a big theory.
- 1:14:09Speaker 7: Okay.
- 1:14:12Speaker 3: Hal.
- 1:14:13Speaker 1: Okay.
- 1:14:15Speaker 9: Hal's the one that captured Sinestro and put him in
- 1:14:18Speaker 9: Space Azkaban, right?
- 1:14:20Speaker 1: Yeah.
- 1:14:20Speaker 7: That's part of the Hal Jordan lore. Okay.
- 1:14:25Speaker 1: Hal.
- 1:14:26Speaker 6: Okay.
- 1:14:26Speaker 1: Hal.
- 1:14:27Speaker 6: I'm going to try to go in order.
- 1:14:28Speaker 8: I'm really sorry.
- 1:14:30Speaker 9: Hal meets John For the first time, whatever, 20 some
- 1:14:35Speaker 9: odd years ago.
- 1:14:36Speaker 1: Okay.
- 1:14:37Speaker 9: Tells him I'm going to train you. You're getting this
- 1:14:39Speaker 9: ring over my dead body. And then takes off.
- 1:14:43Speaker 1: Okay.
- 1:14:46Speaker 9: Cut to whenever Hal meets John again. Hal says, you know,
- 1:14:51Speaker 9: I would be pissed if I were you. I was
- 1:14:52Speaker 9: two weeks late. And I'm acting like I'm hungover.
- 1:14:57Speaker 1: I think.
- 1:14:59Speaker 7: So that's three months apart.
- 1:15:01Speaker 8: Three months apart.
- 1:15:01Speaker 7: Okay.
- 1:15:03Speaker 9: Hal was supposed to go up and basically said that
- 1:15:06Speaker 9: he stopped a civil war. I think what happened, Sinestro,
- 1:15:14Speaker 9: one of the guardians, and one of the man hunters,
- 1:15:21Speaker 9: they built that fear fucking tower. I think that was
- 1:15:26Speaker 9: supposed to be a secret and it was a testing
- 1:15:28Speaker 9: ground to see what they could do. I think Hal
- 1:15:33Speaker 9: might have been in on it and Sinestro might have
- 1:15:35Speaker 9: been trying to convince.
- 1:15:37Speaker 6: Hal to join along. Hal wasn't with the shits.
- 1:15:42Speaker 9: Sinestro may have gotten the upper hand on him or
- 1:15:45Speaker 9: had a backup plan to make a clone of Hal.
- 1:15:49Speaker 9: Hal is where the fuck ever, question.
- 1:15:52Speaker 1: Mark, now.
- 1:15:55Speaker 9: Clone Hal comes back to Earth and does this whole
- 1:15:57Speaker 9: fucking song and dance, whatever. I think also maybe Alvin
- 1:16:02Speaker 9: Sir might have been involved with this Manhunter thing, trying
- 1:16:05Speaker 9: to rescue him, maybe to bring him back to Earth
- 1:16:07Speaker 9: in order to be this piece of evidence against this
- 1:16:12Speaker 9: one fucking guardian.
- 1:16:14Speaker 7: Probably.
- 1:16:15Speaker 1: As well. Because he was leaving her alive. Right. It
- 1:16:19Speaker 1: was a scorpion and a frog situation.
- 1:16:21Speaker 7: And that's the scorpion and the frog, and Hal also
- 1:16:24Speaker 7: wanted Zoe alive. Right.
- 1:16:26Speaker 1: That's true.
- 1:16:27Speaker 7: So.
- 1:16:30Speaker 9: Clone Hal is coming to Earth to try to pick
- 1:16:34Speaker 9: up the trail of this loose Manhunter. I think that's
- 1:16:37Speaker 9: the reason why, if it is not Hal, he was
- 1:16:41Speaker 9: sent there. So I think Clone Hal, at some point,
- 1:16:48Speaker 9: helped Sinestro break out of the prison. What I'm confused
- 1:16:55Speaker 9: about is the fucking box that he left.
- 1:16:57Speaker 6: Behind, real Hal left behind.
- 1:16:59Speaker 7: No.
- 1:17:00Speaker 6: Not real Hal left behind.
- 1:17:01Speaker 9: I think fake Hal left that box behind in order
- 1:17:04Speaker 9: to get them to get Sinestro off that planet somehow now.
- 1:17:08Speaker 9: I think that's where this is all going potentially. I
- 1:17:13Speaker 9: could be very wrong.
- 1:17:14Speaker 1: I would say there's some levity to that.
- 1:17:20Speaker 5: I say yes, there is a clone running around. That
- 1:17:23Speaker 5: might be the one we were looking at that got shot.
- 1:17:28Speaker 6: Not man hussies.
- 1:17:30Speaker 8: That's what I.
- 1:17:32Speaker 1: Had.
- 1:17:33Speaker 7: I'm also curious how big this ship was that Alvin
- 1:17:35Speaker 7: Stewart crashed.
- 1:17:36Speaker 5: Because Hal was trying actively to keep people away from it.
- 1:17:41Speaker 1: Wherever it is, it's near that field.
- 1:17:44Speaker 7: And clearly, Rushville was not there 30, 40 years ago
- 1:17:49Speaker 7: whenever Hal got the ring. However, he obtained it, which
- 1:17:52Speaker 7: we still haven't fully seen.
- 1:17:53Speaker 1: I'm sorry, go ahead, Tamar.
- 1:17:56Speaker 7: No, you got it.
- 1:17:57Speaker 11: No, I was going to sit there and say that's
- 1:17:58Speaker 11: where I think, I was going to say that's where
- 1:17:59Speaker 11: Hal is. I think the real Hal is in that ship.
- 1:18:06Speaker 1: Or in that bunker.
- 1:18:08Speaker 11: I would say the bunker is a possibility too, but
- 1:18:12Speaker 11: I say the ship because it's the one thing nobody
- 1:18:14Speaker 11: has seen.
- 1:18:15Speaker 10: They haven't seen that.
- 1:18:17Speaker 8: I'm sorry, what?
- 1:18:18Speaker 1: No, I was going to say they haven't seen that.
- 1:18:20Speaker 3: Nope.
- 1:18:21Speaker 11: Nobody has seen it. And who's the only person outside
- 1:18:24Speaker 11: of Abin Sur that actually knows the existence of that
- 1:18:27Speaker 11: ship in that town? There's only one person. John's never
- 1:18:33Speaker 11: seen the ship.
- 1:18:34Speaker 7: Keep in mind.
- 1:18:34Speaker 1: He's never seen the ship.
- 1:18:36Speaker 10: John's never seen the ship. Sinestro was in prison. So
- 1:18:39Speaker 10: who else would know the location of where this crash
- 1:18:41Speaker 10: site is? Because none of the townspeople know where it is.
- 1:18:46Speaker 1: There's still the whole thing with Noah. There's something going
- 1:18:49Speaker 1: on with Noah. I don't know what it is.
- 1:18:53Speaker 6: Noah's a super agent.
- 1:18:54Speaker 1: He's a super agent. I think Noah either is.
- 1:19:00Speaker 7: He's either a hybrid or he is... He's kind of
- 1:19:04Speaker 7: like Speedy in Young Justice. Minus the clone text from Cadmus.
- 1:19:10Speaker 7: Just how they brain-trained Speedy and he didn't realize he
- 1:19:13Speaker 7: was a... Not only did he not know he was
- 1:19:15Speaker 7: a clone, but his entire personality was being controlled by
- 1:19:18Speaker 7: Lex and... Who was his handler that's been a fucking
- 1:19:21Speaker 7: joke the entire year? Not Mercy. Sportsmaster. Sportsmaster was his
- 1:19:27Speaker 7: fucking handler. And feeding him info, but also his entire
- 1:19:30Speaker 7: drive of, I don't want to be a sidekick. I
- 1:19:32Speaker 7: need to be a hero. I need to be a
- 1:19:33Speaker 7: recognized hero. I need to be in the league. I
- 1:19:35Speaker 7: need to get to the tower. When he finally gets
- 1:19:37Speaker 7: to the tower, he goes full sleeper agent and takes
- 1:19:41Speaker 7: down the league via the implants he's stuck in. And
- 1:19:44Speaker 7: I think Noah might be the same. She's either like.
- 1:19:46Speaker 5: Because they have all this hope for him. Whoever's left
- 1:19:50Speaker 5: in the town have all this hope for him.
- 1:19:53Speaker 7: You left the army? You left the armed forces football
- 1:19:55Speaker 7: team hanging?
- 1:19:56Speaker 11: So all I guess they're going to say is all
- 1:19:58Speaker 11: Noah's waiting on is a trigger word. A trigger word
- 1:20:02Speaker 11: or something.
- 1:20:03Speaker 9: Noah is the last piece of evidence to blow up
- 1:20:08Speaker 9: all this shit and tell on the Guardian and the
- 1:20:11Speaker 9: whole plan.
- 1:20:12Speaker 6: If I'm fucking going down, hear little niggas. take this
- 1:20:17Speaker 6: shit and bring it to the big boss.
- 1:20:19Speaker 7: That does make sense. It could be double failsafe. She
- 1:20:24Speaker 7: could be... She could be to Noah what the suicide
- 1:20:30Speaker 7: notes have been in the Jordan family. If something ever
- 1:20:32Speaker 7: happens to me, so when she told him, remember what
- 1:20:35Speaker 7: I told you, like, hey, if something happens to me,
- 1:20:38Speaker 7: here's how you're gonna handle it.
- 1:20:40Speaker 9: But the remember what I told you sounds like.
- 1:20:43Speaker 6: It sounds like.
- 1:20:46Speaker 8: That.
- 1:20:46Speaker 1: Sounds like a sleeper phrase.
- 1:20:49Speaker 5: He's definitely a sleeper agent. He's definitely a sleeper agent.
- 1:20:52Speaker 5: Somebody asked a question before, like, is that Zoe's grandson?
- 1:20:56Speaker 1: I said, not by blood. He was adopted.
- 1:21:01Speaker 5: Like, not by blood. That kid has no South Asian
- 1:21:04Speaker 5: in him. That is a white boy.
- 1:21:07Speaker 1: That's step-branny.
- 1:21:10Speaker 7: Yeah, that is a step-grandmother.
- 1:21:12Speaker 1: Yeah, yeah.
- 1:21:15Speaker 5: So you have a possible clone Hal running around. The
- 1:21:20Speaker 5: Hal that was doing the redemption arc was doing recon.
- 1:21:27Speaker 1: Finding out. I believe he's doing recon.
- 1:21:29Speaker 5: Because I'm like, you need to tell me this man
- 1:21:30Speaker 5: did 10 years in prison and wanted to do.
- 1:21:33Speaker 1: And I just want to help people. I just want
- 1:21:34Speaker 1: to help people.
- 1:21:35Speaker 5: No, you trying to get in close. So you got
- 1:21:38Speaker 5: to find out who is it. Because it's too complicated.
- 1:21:42Speaker 5: It would be too open-ended. Oh, we got rid of Anton.
- 1:21:44Speaker 5: We got rid of Zoe. And Macon is already down.
- 1:21:48Speaker 5: That's the end of it. No, because in a cop
- 1:21:53Speaker 5: mind or an investigative mind, I would say there's something
- 1:21:55Speaker 5: else going on. And I got to make sure this
- 1:21:58Speaker 5: shit is dead dead. Like, I can't trust the Guardians.
- 1:22:02Speaker 5: I can't trust anybody around me. I still find it
- 1:22:07Speaker 5: weird that he went back and got with Sheriff King.
- 1:22:10Speaker 5: That's still weird.
- 1:22:12Speaker 7: Like, what, y'all fell in love because he wouldn't go home?
- 1:22:14Speaker 7: What is this? Why did I get married? Like, y'all
- 1:22:17Speaker 7: Sheila up on the mountain?
- 1:22:18Speaker 1: Like, what is this?
- 1:22:20Speaker 11: That's what this goes to tell you. That's why it's
- 1:22:24Speaker 11: going to come out that either he's a hybrid or
- 1:22:28Speaker 11: he's a full-on Manhunter. Or he's a full-on Manhunter to
- 1:22:31Speaker 11: where he's going to want to be more powerful than
- 1:22:34Speaker 11: Zoey was.
- 1:22:36Speaker 7: Which we still haven't fully seen what she can actually
- 1:22:39Speaker 7: do outside of cutting her own limbs off, which we
- 1:22:43Speaker 7: saw you take human form. What do you actually look
- 1:22:46Speaker 7: like if you just, like when you first get caught
- 1:22:50Speaker 7: or like created? Because that's something we still haven't seen.
- 1:22:53Speaker 7: And then you also survived an explosion and just reappeared
- 1:22:56Speaker 7: as if nothing happened.
- 1:22:57Speaker 8: Right.
- 1:22:59Speaker 5: So those are our running theories for now. So before
- 1:23:02Speaker 5: we go to break, here is the season eight preview
- 1:23:07Speaker 5: trailer for the season finale.
- 1:23:10Speaker 7: Episode eight?
- 1:23:11Speaker 1: Yeah.
- 1:23:12Speaker 13: The Lantern Corps thinks that fear makes you weak. There
- 1:23:15Speaker 13: couldn't be more wrong. Fear can be the most.
- 1:23:19Speaker 3: Powerful force in the universe. Maybe you don't have to
- 1:23:24Speaker 3: have died in vain. I know a way.
- 1:23:28Speaker 2: I know a way.
- 1:23:29Speaker 8: I know a way.
- 1:23:31Speaker 6: That spot seems like a DNA sample.
- 1:23:33Speaker 1: Take a very big risk.
- 1:23:34Speaker 3: Now, what would you do?
- 1:23:41Speaker 1: Don't be afraid to be afraid. I gotta run this back.
- 1:23:46Speaker 1: It looks like a sampling thing.
- 1:23:54Speaker 6: To clone hell well.
- 1:23:57Speaker 7: Everyone's also been pointing out that John had the same
- 1:23:59Speaker 7: mark after he went through that machine that's why in
- 1:24:02Speaker 7: my video I've mentioned hey and bring me that table
- 1:24:05Speaker 7: that can bring you back from the brink of death
- 1:24:08Speaker 7: right so my torture theory is that but if we
- 1:24:11Speaker 7: run it back I mean if y'all want to talk
- 1:24:14Speaker 7: over it we can cut it to half volume or
- 1:24:15Speaker 7: just listen to it again yeah.
- 1:24:19Speaker 13: The lantern core thinks that fear makes you weak Glocko Reactor.
- 1:24:23Speaker 1: This part, we know.
- 1:24:25Speaker 6: And that's him trying to recruit John right there.
- 1:24:28Speaker 1: Yep.
- 1:24:30Speaker 3: Maybe you don't have to have died in vain.
- 1:24:33Speaker 2: I know a way.
- 1:24:35Speaker 7: Ring word.
- 1:24:36Speaker 1: He's dead. I know a way.
- 1:24:37Speaker 7: I know a way.
- 1:24:40Speaker 1: You're taking a very good verse.
- 1:24:43Speaker 3: Maybe you don't have to have died in vain.
- 1:24:45Speaker 1: I know a way. What is that? That is.
- 1:24:50Speaker 1: That is definitely a mark, the same mark where.
- 1:24:53Speaker 3: Maybe you don't have to have John Hayne.
- 1:24:57Speaker 11: That's why I still think that's where he's going to
- 1:24:59Speaker 11: wake up. I think this is a nice little editor piece.
- 1:25:05Speaker 1: Dang, that's an old school booster shot. That's old school.
- 1:25:10Speaker 6: Okay, so now I think Hal might be alive.
- 1:25:14Speaker 1: Yeah, exactly. Why would the clone Hal be afraid of
- 1:25:19Speaker 1: a firebomb? That part.
- 1:25:21Speaker 3: What would you do?
- 1:25:22Speaker 6: Because he's still tangible. He can still feel shit.
- 1:25:24Speaker 3: Don't be afraid.
- 1:25:25Speaker 8: Don't be afraid.
- 1:25:28Speaker 6: He said as much.
- 1:25:30Speaker 11: And that's the thing. You have Sinestro trying to recruit John.
- 1:25:34Speaker 11: I guarantee Hal's going to wake up on the ship.
- 1:25:37Speaker 11: Either the ship or the bunker. That's where we're going
- 1:25:39Speaker 11: to find him.
- 1:25:40Speaker 1: I'm thinking the bunker. I'm thinking the bunker. That's what
- 1:25:43Speaker 1: I'm thinking.
- 1:25:44Speaker 6: I think that's a flashback.
- 1:25:46Speaker 7: I think the fire in the house is definitely a flashback.
- 1:25:49Speaker 7: I think all the house scenes are flashbacks where John
- 1:25:52Speaker 7: is not with him.
- 1:25:53Speaker 8: Yeah.
- 1:25:54Speaker 6: And other locations.
- 1:25:58Speaker 7: Hmm. Because you're telling me they tried to burn you?
- 1:26:00Speaker 1: It's going to be a burner.
- 1:26:02Speaker 7: Because also, whose house were you in that got lit
- 1:26:05Speaker 7: on fire? Or was it your house and you stayed
- 1:26:07Speaker 7: in this town?
- 1:26:09Speaker 1: That part.
- 1:26:09Speaker 8: Because I was scared.
- 1:26:13Speaker 1: But why aren't... Okay.
- 1:26:15Speaker 7: Okay. That's triggering my thought.
- 1:26:17Speaker 6: Why wasn't John allowed to go through the front door
- 1:26:20Speaker 6: of the house?
- 1:26:21Speaker 1: Why wasn't he allowed to tell anyone he was there?
- 1:26:25Speaker 7: He had the shotgun trap at the door, remember?
- 1:26:28Speaker 1: Right.
- 1:26:30Speaker 7: That was true.
- 1:26:31Speaker 1: There was that trap.
- 1:26:32Speaker 9: Okay, so maybe the shotgun trap happened after they tried
- 1:26:35Speaker 9: to firebomb his house. Maybe that's still, what, another 10
- 1:26:39Speaker 9: years before.
- 1:26:41Speaker 6: um john comes to see him right so.
- 1:26:43Speaker 7: I mean we don't know how long he's he got
- 1:26:45Speaker 7: sentenced but at some point.
- 1:26:48Speaker 11: No it's 10 years it was 10 years yeah they
- 1:26:51Speaker 11: gave him 10 years okay so then he's only been
- 1:26:53Speaker 11: out recently doing all this then is so he's been
- 1:26:57Speaker 11: in rushville what maybe six months to a year um
- 1:27:01Speaker 11: just short enough to not be 11.
- 1:27:04Speaker 7: Um so i'm also trying to figure out how the
- 1:27:08Speaker 7: government didn't step in. Like, he's been, like, a nationally
- 1:27:10Speaker 7: recognized hero. Like, between... I mean, a ringless Green Lantern
- 1:27:16Speaker 7: is also useless. I see why Waller and Flagg wouldn't
- 1:27:19Speaker 7: come for him. But what happened? Did the whole town
- 1:27:23Speaker 7: line up to snitch? Like, hey, we have free health
- 1:27:25Speaker 7: care and Stockholm Syndrome, and it's his fault that we
- 1:27:28Speaker 7: don't have it anymore.
- 1:27:29Speaker 1: I mean, I'd be a little pissed. And then having
- 1:27:32Speaker 1: the diner saying that he took the fall. Yeah. makes
- 1:27:39Speaker 1: me think that the how that did the time wasn't
- 1:27:41Speaker 1: our how.
- 1:27:42Speaker 7: Exactly took the fall but also hey don't tell me
- 1:27:45Speaker 7: we were here or like who knows that activates my
- 1:27:48Speaker 7: kill switch of i have to no longer be here
- 1:27:50Speaker 7: i had somebody takes me out my handler offs me
- 1:27:53Speaker 7: or i do it myself because there's also like there's
- 1:27:56Speaker 7: also no blood splatter behind him where they find him
- 1:27:59Speaker 7: so no.
- 1:28:00Speaker 1: That's true so.
- 1:28:02Speaker 7: It's looking interesting. I'm curious to see how they wrap
- 1:28:05Speaker 7: this whole thing up.
- 1:28:07Speaker 9: They got a lot of shit to do.
- 1:28:12Speaker 5: We do know that Jon's story does continue. They're getting
- 1:28:15Speaker 5: a season two. They are getting a season two. But
- 1:28:20Speaker 5: he's also going to be in Manna tomorrow, next year.
- 1:28:23Speaker 12: HBO will give you at least two seasons or something.
- 1:28:28Speaker 9: Well, before Paramount got a hold of it, And wait,
- 1:28:32Speaker 9: when did we get the announcement that there's going to
- 1:28:34Speaker 9: be a season two?
- 1:28:34Speaker 7: I mean, last week yeah i mean they're calling it
- 1:28:40Speaker 7: season finale of lanterns versus just the finale of lanterns
- 1:28:44Speaker 7: i'm gonna leave it with that for now but even
- 1:28:47Speaker 7: james has said shit has been weird like Because.
- 1:28:51Speaker 1: Of the Paramount merger.
- 1:28:52Speaker 7: Between that and then Warner Brothers Discovery and who else?
- 1:28:56Speaker 7: I don't know. Y'all in these toxic-ass relationships, y'all want
- 1:28:58Speaker 7: to be in corporate. He was the reason I think
- 1:29:03Speaker 7: he was the reason My Adventures with Superman got to
- 1:29:05Speaker 7: see a second season. He's like, hey, that's the only
- 1:29:08Speaker 7: alley-oop I can give. After that, I'm not allowed to
- 1:29:10Speaker 7: touch it. Whether that comes back for next season, whether
- 1:29:13Speaker 7: My Adventures with Green Lantern gets past the first season,
- 1:29:16Speaker 7: or it gets made, we'll see how... Any of that goes.
- 1:29:20Speaker 1: Paramount is fucking everything right now.
- 1:29:23Speaker 7: But yeah, I mean, and then there's the weird-ass yellow
- 1:29:27Speaker 7: hue that's been coming in the intro. So I'm like,
- 1:29:29Speaker 7: I mean, the show's called Lanterns, not Green Lanterns.
- 1:29:31Speaker 1: It's very subtle. Yeah. It's very subtle.
- 1:29:35Speaker 7: I'm hoping a Kilowog cameo pops up in this episode somewhere. Like,
- 1:29:39Speaker 7: how is this place not crawling with other Lanterns? Because
- 1:29:43Speaker 7: y'all found what and just left the tech there. I mean,
- 1:29:46Speaker 7: the biggest piece of bullshit in this show is that
- 1:29:47Speaker 7: the Red Cross actually showed up after only two letters?
- 1:29:52Speaker 7: Oh yeah, I wrote them twice and they came through.
- 1:29:54Speaker 7: I'm like, Michelle Motel is still in shambles, so what
- 1:29:56Speaker 7: did they do exactly? We got some sandwiches and first
- 1:30:00Speaker 7: aid kits. Meanwhile, I remember why Kanye went off on television.
- 1:30:06Speaker 3: I was.
- 1:30:06Speaker 7: I was watching that broadcast. I was watching that live.
- 1:30:11Speaker 11: I'm like, George Bush don't look on Michael Myers face.
- 1:30:19Speaker 7: Gave Chris Tucker the most awkward.
- 1:30:21Speaker 1: That man had been the same since.
- 1:30:23Speaker 7: Chris Tucker was not prepared for that segue at all.
- 1:30:29Speaker 1: Mike Myers and Chris Tucker was stuck. They had no clue.
- 1:30:32Speaker 1: Mike Myers was like and then Chris Tucker was like
- 1:30:37Speaker 1: that's what y'all want to lead with. Right.
- 1:30:39Speaker 7: Yeah. Sinestro clearly got the Tyrone biggums punched out of them.
- 1:30:43Speaker 7: And I guess I'm going to guess the forge they're
- 1:30:46Speaker 7: at is probably what creates the gas. Cause I'm looking
- 1:30:48Speaker 7: at the episode and he said like, I had their
- 1:30:50Speaker 7: experience and he's like, I didn't know the city was
- 1:30:52Speaker 7: in the sky. All I saw was them scared, tearing
- 1:30:55Speaker 7: each other apart. And then everyone jumped off of something.
- 1:30:59Speaker 7: I didn't realize it was an airborne city. also like
- 1:31:02Speaker 7: how does that portal work because if stuff can leak
- 1:31:06Speaker 7: out of it while it's open like This this could
- 1:31:09Speaker 7: potentially be our fear toxins.
- 1:31:11Speaker 1: For the two-way. Is it a two-way?
- 1:31:13Speaker 7: This could potentially be our because we're out first off
- 1:31:15Speaker 7: between this peacemaker and What isn't what is the other
- 1:31:19Speaker 7: show not creature command but Superman? We're kind of becoming
- 1:31:23Speaker 7: a highway for a lot of shit. That's not supposed
- 1:31:25Speaker 7: to cross paths so a lot of things get introduced
- 1:31:29Speaker 7: to earth and stuck on earth and kind of giving
- 1:31:32Speaker 7: that movie the mist. The only good thing I can
- 1:31:34Speaker 7: say about that film. It's just the door opened up
- 1:31:36Speaker 7: and a bunch of shit got through and we're just
- 1:31:38Speaker 7: dealing with whatever made it on the other side.
- 1:31:42Speaker 10: And hoping to God that somehow DC makes this merger.
- 1:31:45Speaker 1: Yeah.
- 1:31:47Speaker 8: It's not happening.
- 1:31:49Speaker 5: So we're going to take a quick commercial break. We're
- 1:31:52Speaker 5: going to take a quick commercial break and we'll be back.
- 1:31:55Speaker 5: We're going to talk about indie horror and where do
- 1:31:57Speaker 5: we think that's going since now we are officially in
- 1:32:00Speaker 5: the spooky season. Blurred's Eye View is a proud affiliate
- 1:32:04Speaker 5: of Otaku Noir. Use the code Blurred's Eye View for
- 1:32:07Speaker 5: 10% off on all items. With a different nerd-themed box
- 1:32:11Speaker 5: filled with items made by talented Blurreds across the country,
- 1:32:14Speaker 5: you surely will not be disappointed. Go to OtakuNoir.com. Otaku Noir,
- 1:32:19Speaker 5: the number one Blurred mystery box company. Hey kids, your
- 1:32:24Speaker 5: favorite breakfast pastries are back. With famous flavors such as
- 1:32:27Speaker 5: Jack Daniels and Toss Island and Scrambled Eggs, we now
- 1:32:31Speaker 5: have Barely There Vanilla, the pop start that is practically
- 1:32:35Speaker 5: not there.
- 1:32:37Speaker 1: You can almost taste it. You can almost see it.
- 1:32:40Speaker 1: You can almost enjoy it. Gone for 90 days? No problem.
- 1:32:45Speaker 1: Still on the roll call? That's the spirit. And when
- 1:32:49Speaker 1: it's time to vote....
- 1:32:52Speaker 5: Who needs a flavor when you've got a voting record?
- 1:32:55Speaker 5: Barely there, Vanilla. You can almost believe it's breakfast. The
- 1:33:00Speaker 5: 90-day absence in voting references should be verified against a
- 1:33:03Speaker 5: specific congressman's documented record before release. I am absolutely no good.
- 1:33:13Speaker 5: And I'm okay with that. I am okay with that.
- 1:33:18Speaker 5: So we have some Indie horror has been a thing
- 1:33:22Speaker 5: this year. It has made between Markiplier's The Iron Lung,
- 1:33:28Speaker 5: The Success of Obsession, and Backrooms, it seems like Hollywood
- 1:33:33Speaker 5: is starting to go and say, oh, we have a
- 1:33:36Speaker 5: new trend. Meanwhile, actual moviegoers were like, yeah, we knew
- 1:33:43Speaker 5: these things were always going to be successful. Give me
- 1:33:47Speaker 5: a good horror film number one, horror films tend to
- 1:33:54Speaker 5: do pretty well at the box office.
- 1:33:56Speaker 3: Yeah.
- 1:33:56Speaker 5: They, they're considering the fact of big, big box office films,
- 1:34:00Speaker 5: like summer blockbusters, they're, they're cheaper to make. So it's
- 1:34:04Speaker 5: not that much, you know? So when they make a
- 1:34:07Speaker 5: nice turnaround, you're like, Oh, we didn't think it was
- 1:34:10Speaker 5: going to be that, uh, that, that good. Well, no,
- 1:34:14Speaker 5: they're always going to be good. Like you just write
- 1:34:16Speaker 5: the right story. That's really all it is.
- 1:34:19Speaker 1: You know?
- 1:34:20Speaker 5: Screen still does well. And it's almost copy-paste with that show,
- 1:34:26Speaker 5: with that franchise. Back Rooms, which was based off of
- 1:34:33Speaker 5: old YouTube lore in gaming, and same with The Iron Lung,
- 1:34:43Speaker 5: which Markiplier, he's been on YouTube.
- 1:34:46Speaker 1: Well over a decade.
- 1:34:48Speaker 10: Still holds the world record for most blood usage in
- 1:34:51Speaker 10: a movie.
- 1:34:53Speaker 1: Yeah. My God. If you have not seen that. Say it,
- 1:34:59Speaker 1: Lady Mandalore. Say the thing.
- 1:35:02Speaker 6: No, no, no.
- 1:35:04Speaker 9: I learned something about back rooms today, and I don't want.
- 1:35:08Speaker 7: To repeat it.
- 1:35:11Speaker 3: Oh, no.
- 1:35:11Speaker 7: The movie itself?
- 1:35:12Speaker 1: If she has that face. If something was said, I
- 1:35:16Speaker 1: don't want to know.
- 1:35:21Speaker 6: It was a 4chan, apparently. That's where it actually.
- 1:35:25Speaker 7: Yeah. That's where it started. All of these movies, outside
- 1:35:30Speaker 7: of Obsession, all these movies start as weird Reddit 4chan...
- 1:35:35Speaker 7: Reddit is fine.
- 1:35:37Speaker 8: It's the 4chan of it all.
- 1:35:39Speaker 7: They don't always start in the greatest way, but they
- 1:35:40Speaker 7: start in weird, very condensed... niche areas and then they
- 1:35:46Speaker 7: get bigger and then you have people making fan games
- 1:35:48Speaker 7: and minecraft games even i'd heard of the back rooms
- 1:35:52Speaker 7: i never looked into it people would just make up
- 1:35:54Speaker 7: their own lore same thing with like slender man that
- 1:35:56Speaker 7: thing started on uh i don't even think he uploads
- 1:35:59Speaker 7: anymore that started as a marble hornet it's like creepy
- 1:36:01Speaker 7: pasta and it was clearly just some tall dude in
- 1:36:04Speaker 7: a suit but they filmed it kind of blair witch
- 1:36:07Speaker 7: style and made it seem like it was this cryptic
- 1:36:09Speaker 7: dude uploading videos about some missing person but it it
- 1:36:14Speaker 7: turned into a terrible movie, but a decent video game.
- 1:36:17Speaker 7: And the original game was like pixels in pieces, but
- 1:36:23Speaker 7: looking at how far it came, Iron Lung I know
- 1:36:26Speaker 7: is also a game that Mark just really loved and
- 1:36:30Speaker 7: put all his money into, which I'm sure he could
- 1:36:32Speaker 7: budget that easily through his channel, but yeah, a lot
- 1:36:36Speaker 7: of these films are just stuff people are fans of.
- 1:36:39Speaker 7: Maybe it doesn't have the greatest origin story, but yeah.
- 1:36:43Speaker 5: I think out of all of these, the ones I've
- 1:36:45Speaker 5: mentioned anyway, Obsession is the one that just like.
- 1:36:50Speaker 8: Yeah, no, it's a winner.
- 1:36:51Speaker 5: It's a winner, and at the same time, it leaves
- 1:36:56Speaker 5: the funkiest taste in your mouth by the end.
- 1:36:59Speaker 11: Yeah.
- 1:37:00Speaker 6: I hated that fucking movie when it first came out.
- 1:37:02Speaker 9: I hated that fucking movie, but it's the best fucking movie.
- 1:37:05Speaker 6: It is the best horror.
- 1:37:06Speaker 1: Movie I've seen in a long time.
- 1:37:08Speaker 8: That, like, the instant... I.
- 1:37:11Speaker 2: I went.
- 1:37:13Speaker 6: get this shit the fuck off my goddamn screen. So fast.
- 1:37:16Speaker 6: And then I, I had to sit with it for
- 1:37:17Speaker 6: a little while, but it is, it's, it grew on me.
- 1:37:20Speaker 5: Like, it is really, it's just certain, it's certain scenes
- 1:37:24Speaker 5: that literally just like, yo, this is creepy, like in sick,
- 1:37:31Speaker 5: in the worst way.
- 1:37:33Speaker 1: But it's telling a story, you know? And I've said
- 1:37:37Speaker 1: it before, there are, there are really, really, there are
- 1:37:39Speaker 1: some good.
- 1:37:40Speaker 5: Horror films that, that, Really can turn it up and
- 1:37:45Speaker 5: you're just like, oh, wow, this is better than I thought.
- 1:37:48Speaker 1: You know, it doesn't always have to. I'm not a
- 1:37:53Speaker 1: fan of Saul like I used to be.
- 1:37:58Speaker 5: I think by the time it got to Saw 3,
- 1:37:59Speaker 5: I was just like, alright, the novelty's worn off.
- 1:38:02Speaker 11: Because at that point, you're just trying to figure out
- 1:38:04Speaker 11: inventive ways to take people out. 1 and 2 actually
- 1:38:07Speaker 11: was a decent story, and then it's like, 3, let's
- 1:38:10Speaker 11: do a merry-go-round with shotguns.
- 1:38:12Speaker 1: Yes, Bama, weapons.
- 1:38:14Speaker 7: Why?
- 1:38:15Speaker 5: That ending is still freaking hilarious.
- 1:38:20Speaker 1: And well-deserved.
- 1:38:24Speaker 12: The thing is with these indie films... A lot of
- 1:38:27Speaker 12: the people that are the directors are also the screenwriters
- 1:38:29Speaker 12: are also the first.
- 1:38:33Speaker 12: They have such an involvement in the making, the writing,
- 1:38:36Speaker 12: the producing of these films. And as they get bigger
- 1:38:39Speaker 12: and Hollywood goes, well, we see that you put a
- 1:38:42Speaker 12: little bit of money into this and garnered all this
- 1:38:45Speaker 12: extra money. Let's see if we can get our hand
- 1:38:47Speaker 12: in it. With that comes corporate meddling. Because if you
- 1:38:53Speaker 12: think about it, this indie boom for movies is not
- 1:38:55Speaker 12: a new thing. When I was much, much younger.
- 1:38:58Speaker 1: A lady of a certain age. Blair Witch.
- 1:39:04Speaker 12: That was made on a shoestring and a dream. Had
- 1:39:07Speaker 12: everybody in a chokehold.
- 1:39:09Speaker 1: Yeah. It did.
- 1:39:11Speaker 8: Then corporate did what?
- 1:39:14Speaker 1: We'll do a Blair Witch 2 and then we'll do
- 1:39:16Speaker 1: a Blair Witch 3.
- 1:39:16Speaker 7: Yeah.
- 1:39:19Speaker 6: A book and a movie.
- 1:39:21Speaker 1: Those sequels did not do it. I'm sorry. Go ahead, Cap.
- 1:39:26Speaker 1: I said, no.
- 1:39:26Speaker 5: I said those sequels did not do it for Blair Witch.
- 1:39:28Speaker 5: They did not do it for me.
- 1:39:30Speaker 1: Those were horrible. I was just like, why are we
- 1:39:32Speaker 1: doing this again? It ain't the same.
- 1:39:35Speaker 11: Now, I will say this because I am not a
- 1:39:38Speaker 11: big horror fan. I leave that to Lainey, our griot
- 1:39:41Speaker 11: of horror. I leave it to her when it comes
- 1:39:42Speaker 11: to that kind of stuff. But The ones that have
- 1:39:45Speaker 11: the stay-in powers, like, what was it? The Nun and
- 1:39:48Speaker 11: the other one.
- 1:39:50Speaker 1: The Nun. I forgot the other one. Evil Dead is fantastic.
- 1:39:57Speaker 6: Something with a C. The Covenant?
- 1:40:01Speaker 1: The Conjuring. That was another one.
- 1:40:06Speaker 12: Wasn't Evil Dead also an indie movie when it first
- 1:40:08Speaker 12: came out?
- 1:40:09Speaker 1: Yes, it was. Like all eight of them before the episode.
- 1:40:12Speaker 1: The original, original The original one was a little.
- 1:40:19Speaker 11: It was questionable as all get out. That's why they
- 1:40:20Speaker 11: had to hurry up and change the comedy and make
- 1:40:22Speaker 11: sure that no one remembered the original because, you know,
- 1:40:25Speaker 11: a tree.
- 1:40:26Speaker 1: Yeah.
- 1:40:28Speaker 6: Yeah.
- 1:40:31Speaker 1: But no, indie horror films with this, I think, what
- 1:40:35Speaker 1: was it called? Game Over? That's the one with Frankie Muniz.
- 1:40:38Speaker 1: That's the only one I never liked. I was like, really?
- 1:40:41Speaker 11: You die in the games?
- 1:40:43Speaker 7: You die in real life?
- 1:40:45Speaker 1: That one sucked. But you're right. You're right, Whoopty.
- 1:40:49Speaker 5: When it comes to corporate, they do this all the time.
- 1:40:54Speaker 5: It doesn't matter what genre it is. They do this
- 1:40:57Speaker 5: a lot. They kind of meddle and it throws everything off. Oh,
- 1:41:00Speaker 5: they see a cash grab. That's the only thing I'm
- 1:41:02Speaker 5: afraid of when it comes to indie horror is they say, oh,
- 1:41:06Speaker 5: let's do another one. Because there are only rumblings of
- 1:41:09Speaker 5: them doing another obsession.
- 1:41:10Speaker 1: And I'm like, no.
- 1:41:12Speaker 8: How? Why?
- 1:41:13Speaker 11: But you know, here's how you stop it. And it's
- 1:41:17Speaker 11: kind of funny because look, if it's ownership, you can
- 1:41:21Speaker 11: stop it. Because when Sinners came out, what were they
- 1:41:25Speaker 11: all trying to do? Oh, let's hurry and make a sequel.
- 1:41:29Speaker 11: And what did Ryan Cougar say?
- 1:41:30Speaker 1: Nope.
- 1:41:34Speaker 3: Nope.
- 1:41:35Speaker 5: We technically, in our reality, we don't want a sequel.
- 1:41:38Speaker 5: The only question we want answered is what happened to
- 1:41:40Speaker 5: the Native American tribe. That's all we want to know.
- 1:41:43Speaker 5: But we don't need... That's all we want to know
- 1:41:46Speaker 5: is that.
- 1:41:47Speaker 7: We don't... I mean, I would love a movie called
- 1:41:49Speaker 7: Choctaw where we just see them whooping ass for two hours.
- 1:41:51Speaker 11: I mean, I love the fact where he sat there,
- 1:41:54Speaker 11: the old boy getting that look like, sun's going down.
- 1:41:57Speaker 10: These white folks, these white folks have made their choice.
- 1:42:00Speaker 5: It was this move here when he kept trying to
- 1:42:02Speaker 5: warn him and trying to find out and he looked.
- 1:42:05Speaker 1: There's a robe in there. He ain't... He good.
- 1:42:09Speaker 7: They good.
- 1:42:10Speaker 8: They got it.
- 1:42:11Speaker 1: Like, we were tracking him, and he's in there? Nah.
- 1:42:16Speaker 11: We gonna go back to our side of the world.
- 1:42:18Speaker 11: We know he ain't come back over. We know he
- 1:42:20Speaker 11: ain't come up over our neck of the woods no more.
- 1:42:21Speaker 1: That was still funny, too.
- 1:42:25Speaker 5: That lean, he's like, so, no one's been around here,
- 1:42:27Speaker 5: and they seen that robe?
- 1:42:28Speaker 1: I'm like, yeah, we ain't getting no information out of them. Right.
- 1:42:32Speaker 11: But that's what I'm saying when it comes to horror.
- 1:42:36Speaker 11: I mean, even I cannot remember that woman's name right
- 1:42:39Speaker 11: now to save my life, who's actually her, where she's
- 1:42:41Speaker 11: coming out with another horror movie, and it looks good,
- 1:42:44Speaker 11: but they own it.
- 1:42:46Speaker 10: And that's why I think where Hollywood will literally.
- 1:42:50Speaker 11: Have to have that line the same. Like, we've seen
- 1:42:54Speaker 11: what Jordan Peele did with Us. We've seen what he
- 1:42:56Speaker 11: did with Get Out.
- 1:42:58Speaker 1: He just dropped a teaser trailer for his thing today.
- 1:43:01Speaker 8: Yeah.
- 1:43:02Speaker 1: Chase Infinity.
- 1:43:03Speaker 11: Yeah, so if you look at it, these are all
- 1:43:06Speaker 11: ownership of horror movies that Hollywood cannot run.
- 1:43:13Speaker 1: Into the ground.
- 1:43:14Speaker 11: And maybe that's what has to happen. You literally have
- 1:43:16Speaker 11: to protect your baby. The project, the movie being your baby...
- 1:43:20Speaker 11: You have to protect it from Hollywood, because Hollywood will
- 1:43:23Speaker 11: try to run it into the ground and beat it
- 1:43:26Speaker 11: to death, then dig up the bones and reach the
- 1:43:28Speaker 11: death again, and eventually take it to the glue factory.
- 1:43:31Speaker 11: If you look at The Conjuring, which they're trying to
- 1:43:33Speaker 11: do a Conjuring Origins with the couple in their earlier days,
- 1:43:37Speaker 11: and I'm like, okay.
- 1:43:38Speaker 6: I don't want to see that shit.
- 1:43:40Speaker 1: I'm fine with what you gave me. That entire series,
- 1:43:42Speaker 1: I liked it.
- 1:43:49Speaker 5: Yeah you know and then you said and then they
- 1:43:51Speaker 5: finished and they retired and they did i'm like okay
- 1:43:54Speaker 5: but if you were really going to do an origins
- 1:43:56Speaker 5: maybe you should have gave that to us a little
- 1:43:58Speaker 5: earlier not wait till after you've done telling the story
- 1:44:03Speaker 5: and then you're like wait we can get more out
- 1:44:05Speaker 5: this blood and i'm like no.
- 1:44:08Speaker 11: And that's why i say that's why i say it
- 1:44:10Speaker 11: feels like a cash grab it's like like i said
- 1:44:13Speaker 11: the moment i saw saw three i'm like.
- 1:44:15Speaker 5: Uh They cashed the hell out of The Conjuring. You
- 1:44:18Speaker 5: went from The Conjuring to the damn doll. Then you
- 1:44:22Speaker 5: turned around and did The Nun. Conjuring, Annabelle, and The Nun.
- 1:44:27Speaker 5: The Collector.
- 1:44:29Speaker 7: That joint did not need a second movie.
- 1:44:33Speaker 1: How the first one ended, I was like, that's freaking perfect.
- 1:44:36Speaker 7: It was a sequel? It was a collection.
- 1:44:40Speaker 1: There were three movies.
- 1:44:43Speaker 7: It was Saul-like.
- 1:44:45Speaker 1: Yeah.
- 1:44:47Speaker 11: It was very Saw-like as far as how the traps
- 1:44:50Speaker 11: were concerned, but how they wrote the story and how
- 1:44:52Speaker 11: it ended, I'm like.
- 1:44:55Speaker 5: You don't have to do anymore. And I think that's
- 1:44:58Speaker 5: the first thing. And I blame some audiences, audience or watchers,
- 1:45:04Speaker 5: and I blame the studios mostly on them. The minute
- 1:45:07Speaker 5: they see it and they see the success, they're like,
- 1:45:08Speaker 5: we can do another one and get more money from it.
- 1:45:10Speaker 5: I said, if you're going to do another one, will
- 1:45:14Speaker 5: it make sense to do another one?
- 1:45:17Speaker 9: I feel like they can validate, well, I guess they
- 1:45:21Speaker 9: can validate it in their minds by definitely cutting down
- 1:45:24Speaker 9: on the fucking budget and taking some of the money
- 1:45:28Speaker 9: away from the writers. Maybe you only have one writer
- 1:45:30Speaker 9: or one brand new writer in order to, yeah, just
- 1:45:32Speaker 9: look at what we did with this one and see
- 1:45:33Speaker 9: if you can copy it a little bit, zhuzh it
- 1:45:34Speaker 9: up a little bit. We're going to make most of
- 1:45:36Speaker 9: our money back because we're going to be paying half
- 1:45:38Speaker 9: of what we actually spent on the first one.
- 1:45:40Speaker 1: Right.
- 1:45:41Speaker 5: Final Destination is a good example of something that you
- 1:45:45Speaker 5: had a good death Death is in a circle.
- 1:45:47Speaker 1: Life is a circle. And you did your thing. And
- 1:45:49Speaker 1: then you did your origin, Bloodline Origins. And I'm like,
- 1:45:52Speaker 1: all right, stop.
- 1:45:52Speaker 8: No more.
- 1:45:53Speaker 1: You don't need to do any more. You're good.
- 1:45:55Speaker 12: But as long as people keep going to see the movies,
- 1:45:57Speaker 12: they'll continue trying to make them.
- 1:45:59Speaker 1: Yeah.
- 1:46:00Speaker 5: And I've liked all the Final Destination installments. But I'm like, okay,
- 1:46:03Speaker 5: now you can stop.
- 1:46:04Speaker 7: I think... The Collector, I think, was also an indie
- 1:46:09Speaker 7: film because that wasn't in theaters. That joint went to
- 1:46:11Speaker 7: film festivals and then the Redbox. That's where I got
- 1:46:14Speaker 7: it from. That's one of my favorite horror films, just
- 1:46:18Speaker 7: like the premise alone.
- 1:46:20Speaker 6: I was thinking of the Bone Collector. Never mind.
- 1:46:23Speaker 7: No.
- 1:46:23Speaker 5: That's Angelina Jolie and Denzel Washington.
- 1:46:27Speaker 7: That's a totally different genre. The Collector is the one where...
- 1:46:30Speaker 7: I mean, the premise is also very good. Hey, you
- 1:46:33Speaker 7: go to rob somebody and someone already beat you to
- 1:46:35Speaker 7: it and booby-trapped the entire house before you had time
- 1:46:38Speaker 7: to even break in. Also, probably one of the worst... Yeah,
- 1:46:44Speaker 7: definitely first or second worst thing I've ever seen happen
- 1:46:47Speaker 7: to a cat on camera.
- 1:46:49Speaker 8: Oh, I'm good then.
- 1:46:50Speaker 1: I'm alright.
- 1:46:51Speaker 8: I'm good.
- 1:46:52Speaker 1: I'm good.
- 1:46:53Speaker 7: What?
- 1:46:55Speaker 1: The cat was the.
- 1:46:56Speaker 6: Yeah, no, I don't like... Don't do the animals.
- 1:47:01Speaker 1: Don't do the animals.
- 1:47:03Speaker 7: I mean, the cat technically saved his life, but.
- 1:47:05Speaker 1: I'm good. I mean, he kind of did.
- 1:47:07Speaker 10: Considering that, you know what, I'm going to be alone.
- 1:47:10Speaker 7: I mean, he has the whole house booby-trapped, and he
- 1:47:12Speaker 7: thinks he finally finds a way out, and Kitty's been trapped.
- 1:47:14Speaker 7: He's like, fuck y'all, I'm out.
- 1:47:15Speaker 1: And it's like, ahhh.
- 1:47:17Speaker 7: Because it's like, the dog ain't doing shit. I can
- 1:47:19Speaker 7: outrun him. The only other movie where.
- 1:47:23Speaker 12: If you want a non-animal abuse torture porn type film
- 1:47:29Speaker 12: that's on the Indies, have you ever heard of The Cube?
- 1:47:32Speaker 6: I can't. I can't. I have a threshold.
- 1:47:37Speaker 12: I'm not into body horror, which is why I'm... I've
- 1:47:40Speaker 12: heard the name.
- 1:47:41Speaker 10: I've watched that.
- 1:47:42Speaker 12: Right, but I will watch the recent Evil Dead movies
- 1:47:45Speaker 12: because of the body horror in it.
- 1:47:47Speaker 1: I'm good.
- 1:47:48Speaker 11: Cube wasn't bad because it reminded me of a Skid Games.
- 1:47:52Speaker 7: In The Collector, the cat death isn't on purpose. That's
- 1:47:54Speaker 7: the only thing. It's an accidental death.
- 1:47:56Speaker 1: Irrelevant to the point.
- 1:47:59Speaker 7: Versus this other horror movie I'm trying to remember where
- 1:48:02Speaker 7: the guy is, like, live streaming himself torturing people, and
- 1:48:06Speaker 7: they're trying to, like, I forget the name of the film.
- 1:48:10Speaker 7: The guy's streaming himself on this crazy website. They don't
- 1:48:13Speaker 7: know who he is, but he's like Jigsaw if he
- 1:48:15Speaker 7: was a streamer.
- 1:48:17Speaker 8: Was it The Dark Web?
- 1:48:19Speaker 11: Maybe.
- 1:48:19Speaker 7: I don't know. the girl's best friend... The more likes
- 1:48:23Speaker 7: and views he gets, the more worse the thing gets.
- 1:48:26Speaker 7: At one point, the detective's friend gets caught up He
- 1:48:34Speaker 7: puts him in a tub of water, but the water
- 1:48:36Speaker 7: slowly starts getting replaced with acid. As people start viewing
- 1:48:41Speaker 7: the stream, the acid content gets big. It's little shit
- 1:48:44Speaker 7: like that. It's all because a news station showed his
- 1:48:49Speaker 7: dad offing himself and it went viral. He's like, oh,
- 1:48:53Speaker 7: this website. I saw somebody put... Shoot.
- 1:48:55Speaker 1: I know what you're talking about. Dang. It's not unfriended.
- 1:49:03Speaker 7: It's, uh... Unfriended was so stupid.
- 1:49:06Speaker 1: Dang, I can't think of it now. It's killing me.
- 1:49:08Speaker 1: What was the name of that movie?
- 1:49:10Speaker 7: We're all dying on Skype. Turn your computer off.
- 1:49:14Speaker 12: When it comes to horror content, like, with some of
- 1:49:16Speaker 12: these indie movies, like, I really loved Obsession. I really,
- 1:49:20Speaker 12: really enjoyed Obsession. I could have a whole conversation about
- 1:49:23Speaker 12: it with you right now if you want.
- 1:49:25Speaker 1: But, um.
- 1:49:27Speaker 12: Like, it wasn't just for the.
- 1:49:29Speaker 8: The body horror was minimal. Yeah. Yeah.
- 1:49:36Speaker 6: Unsettling.
- 1:49:37Speaker 1: It was disturbing.
- 1:49:39Speaker 12: Like to me, that makes a better horror movie for me.
- 1:49:43Speaker 12: Like the thing is I can watch you put people
- 1:49:47Speaker 12: in a blender. If it's anime, if it's in a book,
- 1:49:50Speaker 12: cause I read a lot of horror, if it's in
- 1:49:52Speaker 12: a book or if it's in an anime, I could
- 1:49:54Speaker 12: watch it.
- 1:49:54Speaker 8: But something about body horror on film.
- 1:49:57Speaker 1: Well, that's what I said about.
- 1:49:59Speaker 6: So.
- 1:49:59Speaker 7: Body horror animals are just.
- 1:50:02Speaker 10: Yeah.
- 1:50:06Speaker 7: What if the animals are part of the bad guy's plan?
- 1:50:10Speaker 7: Like what?
- 1:50:12Speaker 13: I know.
- 1:50:12Speaker 6: I think we can move off of that.
- 1:50:15Speaker 7: I'm just curious. No, because that's in the collection. The
- 1:50:19Speaker 7: guy trains attack dogs.
- 1:50:21Speaker 1: And I'm like, well.
- 1:50:22Speaker 11: And the attack dogs are a part of the trap
- 1:50:24Speaker 11: in the collection. You actually would like the collection, Kira,
- 1:50:27Speaker 11: because it's like John Wick with traps.
- 1:50:30Speaker 7: It was, but it was just super OD. Like, you
- 1:50:32Speaker 7: came to steal diamonds. Why are we trying to take
- 1:50:34Speaker 7: out an entire night? Also, you niggas didn't look up?
- 1:50:37Speaker 7: That was my one thing in the beginning of that film.
- 1:50:39Speaker 7: When he sets the first trap, I'm like, so none
- 1:50:41Speaker 7: of y'all... I don't care. It could be the loudest
- 1:50:45Speaker 7: Atlanta trap song. If two niggas argue in the right decimal,
- 1:50:49Speaker 7: the whole club peeps it. Y'all didn't hear these buzz
- 1:50:52Speaker 7: saws coming down from the roof. Everyone got crushed in
- 1:50:56Speaker 7: the little cheese grater thing from Loki season two.
- 1:51:01Speaker 11: Now, I will say this. But I will say this
- 1:51:04Speaker 11: as far as movies getting ran to the ground. There
- 1:51:07Speaker 11: is some retribution. And I say Resident Evil is a
- 1:51:11Speaker 11: prime example.
- 1:51:12Speaker 7: I've been hearing good things from all the skeptics who
- 1:51:14Speaker 7: are like, hey, I don't know how this is going
- 1:51:16Speaker 7: to go.
- 1:51:17Speaker 11: I can say if you leave Paul Wes Anderson out
- 1:51:23Speaker 11: of a movie, wonderful things can happen.
- 1:51:27Speaker 10: Just give it to somebody that cares.
- 1:51:30Speaker 12: But the bar for Resident Evil was in hell. Let's
- 1:51:33Speaker 12: keep it real.
- 1:51:33Speaker 1: It was.
- 1:51:34Speaker 5: It got further. And I've played some Resident Evil. it
- 1:51:39Speaker 5: got further and further away from the source material.
- 1:51:41Speaker 10: I mean, after Welcome to Rock in the City, it
- 1:51:44Speaker 10: was definitely in the hole.
- 1:51:45Speaker 8: That's the funny thing.
- 1:51:46Speaker 12: I'm okay with, okay, you start at the beginning, you
- 1:51:49Speaker 12: give some allusions to the original source material, and then
- 1:51:51Speaker 12: you move forward. It doesn't have to be the same
- 1:51:53Speaker 12: thing word for word, bar for bar.
- 1:51:55Speaker 8: If you want to do that, go play the game.
- 1:51:57Speaker 8: The game is still there. Go play that.
- 1:51:59Speaker 5: But they flipped it, and I didn't hate it because
- 1:52:02Speaker 5: it flipped it. But it got to the point, it
- 1:52:06Speaker 5: was like, oh, it's the Alice show. I'm fine with
- 1:52:10Speaker 5: it being a kick-ass female. I'm completely fine with it.
- 1:52:13Speaker 5: For eight movies?
- 1:52:15Speaker 1: Yeah, it's not Resident Evil anymore.
- 1:52:18Speaker 11: Paul West Anderson wanted to use Resident Evil as a
- 1:52:20Speaker 11: love letter to his wife. There are easier ways, sir.
- 1:52:23Speaker 11: There are easier ways.
- 1:52:25Speaker 5: I think that was around the time Underworld was jumping off.
- 1:52:29Speaker 7: It felt like the same kind of movies, like remakes.
- 1:52:33Speaker 7: We just get the chick and put her in a
- 1:52:34Speaker 7: bunch of action scenes.
- 1:52:36Speaker 10: Skin-tight leather.
- 1:52:37Speaker 1: Guns, guns, guns.
- 1:52:42Speaker 7: There will be nothing but long, drawn-out singing and guitar
- 1:52:46Speaker 7: riffs in the background. Evanescence will be in everyone's soundtrack.
- 1:52:50Speaker 1: It's the 90s all over again. Oh, it's the early
- 1:52:56Speaker 1: 2000s before we knew. Wake me up!
- 1:53:04Speaker 11: I almost want to sit there and say now that's
- 1:53:06Speaker 11: what i call music 11.
- 1:53:09Speaker 14: Tell me how i'm supposed to go to bed it's
- 1:53:13Speaker 14: it's it's we see that when you see that come
- 1:53:16Speaker 14: on all the greatest hits from the early 2000s oh
- 1:53:19Speaker 14: that makes me feel old.
- 1:53:20Speaker 5: I'm sorry it just made me think of that little
- 1:53:22Speaker 5: kid doing doing outcasts and i'm like oh no not
- 1:53:24Speaker 5: miss jackson um.
- 1:53:27Speaker 7: Well it makes you think of what whoop do you.
- 1:53:29Speaker 8: There's still a couple of, I guess you could call.
- 1:53:32Speaker 12: Them mainstream directors that are getting Hollywood budgets that are
- 1:53:36Speaker 12: still able to keep a good control or a good
- 1:53:39Speaker 12: hand on their projects. Like Ari Aster, for one, with
- 1:53:42Speaker 12: the Hereditary and Midsommar. And you know, like either one, Kira.
- 1:53:50Speaker 1: Kira, well, Kira. Midsommar, I was just like, mm, I
- 1:53:54Speaker 1: don't like her.
- 1:53:54Speaker 6: It was boring, bro. Like, it was so boring.
- 1:53:58Speaker 12: The thing is, Okay, the thing with Midsommar, it was
- 1:54:00Speaker 12: trying to do horror in broad daylight, in bright lights.
- 1:54:03Speaker 8: Like, there was no.
- 1:54:04Speaker 1: Yeah. And they tortured our girl. I didn't like that.
- 1:54:09Speaker 4: It just.
- 1:54:10Speaker 7: It feels like horror was the... It feels like horror
- 1:54:14Speaker 7: was the wrong label for whatever that was.
- 1:54:18Speaker 3: Right.
- 1:54:19Speaker 7: Yeah.
- 1:54:20Speaker 6: Like, a psychological thriller, I would have given that to them.
- 1:54:22Speaker 7: Yeah, because every trailer... Every trailer, oh, it's the greatest
- 1:54:26Speaker 7: horror film. Like, we... This shit is bright like an
- 1:54:29Speaker 7: iPhone at 12 o'clock at night.
- 1:54:32Speaker 8: That was his... What he was trying to do. He
- 1:54:35Speaker 8: was trying to do horror in bright light. Okay, so Hereditary.
- 1:54:40Speaker 8: Hereditary counts as a horror.
- 1:54:42Speaker 1: Yes, definitely.
- 1:54:43Speaker 8: With the shadows and the mother and, you know.
- 1:54:47Speaker 1: Oh, God, that twist ending was something else.
- 1:54:49Speaker 8: Right.
- 1:54:51Speaker 12: And then you've got this Krieger guy with weapons and
- 1:54:53Speaker 12: this recent success he seems to be having with Resident Evil.
- 1:54:58Speaker 1: And still one of the best endings. Yeah. I've seen
- 1:55:02Speaker 1: Have a Villain Get. I'm sorry. That shit's hilarious. Those
- 1:55:07Speaker 1: kids woke up and they said, what the fuck?
- 1:55:09Speaker 6: BTA!
- 1:55:14Speaker 7: And even Nia DaCosta, too. She's going to get to
- 1:55:19Speaker 7: fully do her 28 Days Later trilogy. I know she
- 1:55:22Speaker 7: set up for a third one.
- 1:55:24Speaker 3: Which.
- 1:55:25Speaker 7: Very nice to see everyone turn around on her like
- 1:55:27Speaker 7: y'all didn't try to come after her for the Marvels
- 1:55:29Speaker 7: before the movie even finished.
- 1:55:31Speaker 1: We ain't forgot. Pepperidge Farm remembers and so does the North.
- 1:55:34Speaker 8: Was 28 Days Later also an indie film?
- 1:55:39Speaker 1: Was it?
- 1:55:41Speaker 7: Oh, the original?
- 1:55:42Speaker 1: Oh, yeah.
- 1:55:43Speaker 7: The original was recorded on somebody's VHS at the house
- 1:55:47Speaker 7: with infinite tapes. We're out of footage. Go back to
- 1:55:51Speaker 7: Circuit City.
- 1:55:51Speaker 1: Get a deal. Damn. You're right.
- 1:55:54Speaker 5: There are, and I'm glad you said that, there are
- 1:55:57Speaker 5: some films that are indie films that do well. It
- 1:56:00Speaker 5: just kind of catches on through word of mouth. Safari
- 1:56:03Speaker 5: said it. VHS is one of them.
- 1:56:05Speaker 7: Oh, VHS.
- 1:56:08Speaker 1: The original VHS.
- 1:56:10Speaker 8: I think there's two or three others after. Yeah. That
- 1:56:13Speaker 8: I'm like, yeah.
- 1:56:14Speaker 9: Yeah, you could have done the one.
- 1:56:17Speaker 8: One was enough. The one was really good, to be honest.
- 1:56:22Speaker 1: ABC's A Death is another one.
- 1:56:25Speaker 5: It took like 26 directors and they all had a
- 1:56:29Speaker 5: horror short. And it was like, whatever letter they got,
- 1:56:32Speaker 5: that was the one they did.
- 1:56:35Speaker 1: Not all of them were great.
- 1:56:36Speaker 5: But there were some standouts. There were definitely some standouts. So, yeah,
- 1:56:41Speaker 5: I think indie horror has always had a place. It
- 1:56:45Speaker 5: always had a lane.
- 1:56:46Speaker 1: And sometimes you do not need sequels.
- 1:56:51Speaker 8: Uh-uh.
- 1:56:51Speaker 1: That's very much true.
- 1:56:53Speaker 8: What was the one with the hand?
- 1:56:55Speaker 1: I keep thinking... I keep thinking that. I know you're
- 1:56:59Speaker 1: not thinking Idle Hands. Yeah, that's what I was thinking
- 1:57:01Speaker 1: of at first. That's a comedy horror.
- 1:57:05Speaker 8: You have an artifact.
- 1:57:06Speaker 1: Monkey Paw? That sounded like Monkey Paw. No, it wasn't
- 1:57:09Speaker 1: Monkey Paw.
- 1:57:10Speaker 8: There's an artifact that people.
- 1:57:12Speaker 1: Will grab them, their eyes will go black.
- 1:57:16Speaker 8: Not last year, I think, but the year before that.
- 1:57:17Speaker 1: Yeah, I know what you're talking about.
- 1:57:19Speaker 5: It was like a group of kids and it was
- 1:57:21Speaker 5: almost like a truth or dare type situation.
- 1:57:23Speaker 7: Right.
- 1:57:23Speaker 1: There was another movie that.
- 1:57:24Speaker 8: Came out Last year, that was a sequel to that,
- 1:57:27Speaker 8: I think.
- 1:57:29Speaker 1: Talk to me. Was it Talk to Me? Yes.
- 1:57:32Speaker 5: At which point, we were all like, oh, no.
- 1:57:39Speaker 1: Here, they say if you take this hand, I think
- 1:57:41Speaker 1: the fuck not.
- 1:57:42Speaker 6: Let me see you do it first.
- 1:57:44Speaker 1: I'll see y'all tomorrow. Or not. That's definitely new.
- 1:57:51Speaker 5: Indie horror will always have a length. They don't always
- 1:57:54Speaker 5: need sequels. Sometimes just staying in the indie horror lane
- 1:57:59Speaker 5: and getting the funding.
- 1:58:01Speaker 1: Is the best move. Yeah. You get some of the better,
- 1:58:05Speaker 1: well-told story because they're rich. well.
- 1:58:11Speaker 5: They don't have to spend a lot, especially when you're
- 1:58:13Speaker 5: not dealing with body horror. I'm like, you whoopty. I'm like,
- 1:58:16Speaker 5: I don't need body horror. Final Destination is fine because
- 1:58:20Speaker 5: it's almost comedic.
- 1:58:22Speaker 11: And then nobody gets behind a log truck until it
- 1:58:25Speaker 11: came out.
- 1:58:26Speaker 1: Yeah. Nobody trusts a log truck anymore. To this day.
- 1:58:32Speaker 8: Right.
- 1:58:32Speaker 1: Now, don't do that either.
- 1:58:35Speaker 5: I've seen at least three of them this year. My
- 1:58:37Speaker 5: wife was like, what are you doing? I said, getting
- 1:58:38Speaker 5: the hell away from this log truck.
- 1:58:41Speaker 10: That was this morning, the way to work. I saw
- 1:58:43Speaker 10: a log truck that had nobody behind it. Marie Thompson
- 1:58:47Speaker 10: was like, nope.
- 1:58:49Speaker 1: I've seen this movie. The log truck was the.
- 1:58:51Speaker 8: Jaws for a certain generation.
- 1:58:54Speaker 12: There's a whole generation that was traumatized about going swimming
- 1:58:57Speaker 12: and being afraid of sharks. There's a whole generation that's
- 1:59:00Speaker 12: traumatized about driving behind sharks.
- 1:59:03Speaker 11: I won't go to camps anymore. Jaws kept my ass
- 1:59:07Speaker 11: from swimming in the ocean. That's all I got to
- 1:59:09Speaker 11: worry about.
- 1:59:10Speaker 7: I'm always glad that my first shark movie wasn't Jaws.
- 1:59:14Speaker 7: It was always Deep Blue Sea. I grew up with
- 1:59:18Speaker 7: LL Cool J. You killed my bird.
- 1:59:25Speaker 5: I'm so glad they didn't do a sequel to that.
- 1:59:27Speaker 1: I was just like, this is it. You don't need
- 1:59:29Speaker 1: to do any more. It's pretty good. Samuel L.
- 1:59:32Speaker 11: Jackson gives that inspiring speech as he gets taken out
- 1:59:35Speaker 11: by it.
- 1:59:36Speaker 7: I was just like, that's his own fault. You stood
- 1:59:37Speaker 7: too damn close to it.
- 1:59:40Speaker 8: When he didn't get the cast at the time, was
- 1:59:43Speaker 8: he the.
- 1:59:44Speaker 1: He was the big name, wasn't he? He was the
- 1:59:46Speaker 1: big name. It was him, Skarsgård, Jackson, and Thomas Jane.
- 1:59:55Speaker 1: Thomas Jane. What's Thomas Jane?
- 1:59:57Speaker 8: Thomas Jane, yeah.
- 1:59:58Speaker 11: Yeah, he was in that one. Although, what still will
- 2:00:01Speaker 11: still be my everlasting favorite, Rod Digger. And Rod Digger
- 2:00:06Speaker 11: in 13 days.
- 2:00:07Speaker 1: I am leaving.
- 2:00:08Speaker 5: Y'all not paying me enough for this shit here.
- 2:00:11Speaker 12: I will not tolerate any, any, listen, I, that was
- 2:00:17Speaker 12: a movie that sent me down a rabbit hole.
- 2:00:19Speaker 8: The lore on that will lure until next week.
- 2:00:22Speaker 7: Yeah.
- 2:00:23Speaker 1: Wait, what?
- 2:00:23Speaker 7: 13 Ghosts. I saw that in theaters. Is there a
- 2:00:28Speaker 7: lore behind her?
- 2:00:30Speaker 8: Not her, per se, but the actual story.
- 2:00:33Speaker 1: The actual story, yeah.
- 2:00:34Speaker 7: No, the story of the actual 13.
- 2:00:36Speaker 1: Yeah, okay.
- 2:00:37Speaker 7: I actually didn't mind 13 Ghosts as a kid because
- 2:00:40Speaker 7: I didn't do horror too much. That was actually a
- 2:00:43Speaker 7: decent tale, but her in the film was also great.
- 2:00:46Speaker 1: Oh, yes.
- 2:00:47Speaker 7: And then there's, you know, because it's canon to the
- 2:00:49Speaker 7: Halloween universe, Michael Myers versus Busta Rhymes doing karate. Trick
- 2:00:54Speaker 7: or treat.
- 2:00:57Speaker 1: Michael, come see me. Come see me, Michael.
- 2:01:01Speaker 7: This man is doing karate flips. And I swear to God,
- 2:01:04Speaker 7: you hear Michael grunting one time, and I swear that
- 2:01:06Speaker 7: kick was not scripted. Because that's not Michael. That's the
- 2:01:09Speaker 7: dude under the suit just taking a full-fledged kick in
- 2:01:13Speaker 7: the balls from Busta Rhymes. And I know he got
- 2:01:15Speaker 7: up and was like, alright, can we cut? That shit hurt.
- 2:01:19Speaker 1: Oh, that was too friggin' funny.
- 2:01:20Speaker 7: Trick or treat, motherfucker. Somewhere in them last couple Jamie
- 2:01:24Speaker 7: Lee Curtis movies, Out in the World is just a buster.
- 2:01:26Speaker 7: I was like, yeah, man, I had to karate kick dude,
- 2:01:28Speaker 7: this crazy motherfucker in a costume, and I heard he
- 2:01:30Speaker 7: got out.
- 2:01:34Speaker 1: No more Halloweens. And if you do, don't bring Buster
- 2:01:36Speaker 1: back in here.
- 2:01:37Speaker 11: I've been here before. Buster Rhymes joined the ranks of
- 2:01:42Speaker 11: black people who have successfully survived horror movies.
- 2:01:47Speaker 1: That Hall of Fame is not long.
- 2:01:50Speaker 7: That's all I'm saying. It did not work so well
- 2:01:52Speaker 7: when people tried to box Michael Myers.
- 2:01:57Speaker 1: No, you mean Jason.
- 2:01:58Speaker 11: Jason goes to Manhattan.
- 2:02:01Speaker 1: I've never seen him.
- 2:02:02Speaker 7: That's such a weird title. Why is Jason in Manhattan?
- 2:02:07Speaker 8: I've only seen one Friday the 13th movie. That was enough.
- 2:02:10Speaker 1: Yeah, you're good. If you want to.
- 2:02:13Speaker 12: Talk about old school slashers, my favorite would be Nightmare
- 2:02:16Speaker 12: on Elm Street.
- 2:02:18Speaker 7: My mom's afraid.
- 2:02:20Speaker 1: The original one?
- 2:02:21Speaker 10: I never got in a waterbed again after that scene.
- 2:02:24Speaker 5: People don't know Johnny Depp was in that film. They
- 2:02:28Speaker 5: don't know Johnny Depp was in that film.
- 2:02:32Speaker 11: You've got to be a twisted SOB to sit there
- 2:02:34Speaker 11: and say, you know what would be a perfect kill shot?
- 2:02:37Speaker 11: Let's film it upside down with blood gushing up as
- 2:02:40Speaker 11: you're being pulled into the waterbed.
- 2:02:43Speaker 1: You know what that is? Practical cinematography.
- 2:02:48Speaker 7: Oh, it was practical.
- 2:02:49Speaker 1: Don't get me wrong.
- 2:02:50Speaker 8: That was their shining Kubrick moment.
- 2:02:53Speaker 7: My mom is a Freddy Krueger fanatic. She loved everything
- 2:02:58Speaker 7: up until that last one they did where they took
- 2:03:00Speaker 7: away his nose for some reason.
- 2:03:03Speaker 1: Welcome to primetime, bitch.
- 2:03:05Speaker 7: Yeah, that last one was honestly trash. Freddy vs. Jason
- 2:03:11Speaker 7: was very much the talk of my neighborhood when it
- 2:03:13Speaker 7: came out.
- 2:03:14Speaker 8: But it was funny.
- 2:03:16Speaker 7: It was hilarious. Jason just biting a girl into a tree.
- 2:03:20Speaker 7: I'm like, she can walk that off, right? I'm like, nope,
- 2:03:22Speaker 7: that's her screen time.
- 2:03:24Speaker 1: Poor Kelly Rowland. I'm like, no, not Kelly. This is
- 2:03:32Speaker 1: really Freddie? Dark meat? You a little racist there, Freddie.
- 2:03:35Speaker 1: Hold on a second. You got room to talk. You
- 2:03:38Speaker 1: burnt some bitch.
- 2:03:41Speaker 8: Or they won't get them at all. I'm not hanging around.
- 2:03:45Speaker 1: Your house doesn't get out?
- 2:03:46Speaker 8: I'm not getting in. How about that?
- 2:03:49Speaker 1: I'm just sorry.
- 2:03:50Speaker 5: I think indie horror films will always have a place.
- 2:03:55Speaker 1: They will always have a place.
- 2:03:58Speaker 5: When they say, oh, they only made it for like
- 2:04:00Speaker 5: 30 million.
- 2:04:03Speaker 1: Okay.
- 2:04:06Speaker 5: Because you know what you can do? The rest of
- 2:04:08Speaker 5: that is on good writing. You don't have to do
- 2:04:10Speaker 5: all the flash and flare of anything.
- 2:04:13Speaker 1: You really don't.
- 2:04:14Speaker 5: This is why when they're like, oh, we got another Saw,
- 2:04:18Speaker 5: and I'm like, I'll read about it on Wikipedia.
- 2:04:22Speaker 11: You know the signs of a good horror movie when
- 2:04:25Speaker 11: you can still talk about it 20 years.
- 2:04:28Speaker 1: Past its release. People still talk about Sleepaway Camp.
- 2:04:34Speaker 11: I mean, Sleepaway Camp, Basket Case, Texas Chainsaw Massacre.
- 2:04:39Speaker 10: I'm trying to think of all of them.
- 2:04:41Speaker 1: Is it called.
- 2:04:44Speaker 8: Texas Chainsaw Massacre was also an indie film.
- 2:04:47Speaker 7: Yep. That original one shook me a little bit because
- 2:04:50Speaker 7: I was like, what do you mean this nigga never
- 2:04:51Speaker 7: got caught and y'all made a.
- 2:04:53Speaker 1: Film about him?
- 2:04:54Speaker 11: And you made a film about a supposed real life
- 2:04:58Speaker 11: chainsaw murderer.
- 2:05:01Speaker 6: What's its house? With the hatchet.
- 2:05:06Speaker 2: Oh my God.
- 2:05:08Speaker 6: It starts with an A.
- 2:05:10Speaker 1: Amityville Horror?
- 2:05:12Speaker 6: Amityville Horror, yeah.
- 2:05:14Speaker 1: I think that house is still up. Oh, it is.
- 2:05:18Speaker 9: They have wonderful tours all year round.
- 2:05:23Speaker 11: I am not visiting a place where people died.
- 2:05:25Speaker 1: Nope.
- 2:05:27Speaker 6: People die every day, homie.
- 2:05:30Speaker 7: Really?
- 2:05:31Speaker 1: I winced at animals getting 86?
- 2:05:33Speaker 6: People die every day, homie.
- 2:05:37Speaker 8: That's right.
- 2:05:39Speaker 1: It's not the fact that people died. It's how they died.
- 2:05:43Speaker 5: It's what caused their death. It's what caused their death.
- 2:05:46Speaker 5: What do you mean the dad just went crazy?
- 2:05:48Speaker 8: I'm good.
- 2:05:48Speaker 1: I don't need that.
- 2:05:51Speaker 11: You have those horror movies that, again, if they're done well,
- 2:05:55Speaker 11: they stand the test of time. Everybody has their favorite
- 2:06:02Speaker 11: horror movie. You have that go-to that you'll watch and
- 2:06:05Speaker 11: you'll still enjoy it.
- 2:06:08Speaker 1: Yeah.
- 2:06:09Speaker 10: Everybody's got one.
- 2:06:11Speaker 12: I'm going out of limits. Obsession is going to be
- 2:06:13Speaker 12: a film people are going to be talking about 20 years.
- 2:06:16Speaker 1: Oh yeah, they will. They will.
- 2:06:19Speaker 5: For the simple fact of the story, the writing of
- 2:06:22Speaker 5: the story, Indy Navarette, is that her name?
- 2:06:26Speaker 8: Yes.
- 2:06:28Speaker 1: Who's now our rogue, I want to say? She's our rogue?
- 2:06:32Speaker 8: Yeah.
- 2:06:32Speaker 5: So yeah, you know, breakout role for her, the story,
- 2:06:38Speaker 5: the movie itself causes a lot of conversation for a
- 2:06:40Speaker 5: lot of different reasons. So you're always going to get.
- 2:06:43Speaker 1: It's up there with the first Blair Witch.
- 2:06:46Speaker 5: When you have those types of films in that indie space,
- 2:06:50Speaker 5: because they're going to say, this is a great film.
- 2:06:52Speaker 1: Here's why.
- 2:06:54Speaker 5: Breakout role for such and such. Made X amount of money.
- 2:06:58Speaker 5: Great writing. It's always going to be one of those things,
- 2:07:01Speaker 5: if not all of those things. Because even Halloween, indie budget.
- 2:07:06Speaker 5: Breakout role for Jamie Lee Curtis. Even though she's a nepo,
- 2:07:10Speaker 5: but still.
- 2:07:12Speaker 1: Breakout room. She's known for it. She's a scream queen.
- 2:07:15Speaker 1: She's known for it now.
- 2:07:17Speaker 10: She's known for having that brother that.
- 2:07:20Speaker 5: Never left her alone. Tony Curtis and I can't remember
- 2:07:25Speaker 5: her mother's name.
- 2:07:26Speaker 7: Is it Janet Leigh? Yes. I had no clue. I
- 2:07:33Speaker 7: very much know her. Her and Jack Quaid are two
- 2:07:36Speaker 7: Nepo babies. I keep forgetting her Nepo babies. They stand
- 2:07:40Speaker 7: out on their own very well.
- 2:07:41Speaker 5: Oh, there's a lot more. There's a lot more. There's
- 2:07:45Speaker 5: a couple Schwarzeneggers coming out.
- 2:07:47Speaker 3: Eastwood.
- 2:07:48Speaker 5: There's a few more.
- 2:07:51Speaker 1: Bruce Willis.
- 2:07:52Speaker 5: We only acknowledge one of his kids.
- 2:07:55Speaker 1: One of his kids. Oh, yeah, I forgot. One of
- 2:07:57Speaker 1: the other ones. The other one thinks he's Jamaican. And
- 2:07:59Speaker 1: I know Tom and you are not Jamaican. Will Ferrell's kid.
- 2:08:02Speaker 7: Yes.
- 2:08:02Speaker 3: Oops.
- 2:08:08Speaker 1: Which I forgot his kid is that old now. Magnus?
- 2:08:11Speaker 1: I think his kid's name is Magnus, yeah. I don't
- 2:08:14Speaker 1: know who y'all talking about.
- 2:08:15Speaker 10: He came out with an album and his dad is
- 2:08:17Speaker 10: over the moon about it.
- 2:08:18Speaker 6: I wouldn't know who he is.
- 2:08:20Speaker 9: Wait, let me say I still don't know who he is.
- 2:08:25Speaker 7: I'm sorry to that man.
- 2:08:27Speaker 1: Sorry.
- 2:08:27Speaker 5: I think indie films will always have a place. Everyone
- 2:08:30Speaker 5: else is always going to have those, like we just said,
- 2:08:34Speaker 5: obsession will.
- 2:08:35Speaker 1: Be on people's tongues. For years to come.
- 2:08:39Speaker 5: For years, it's going to be talked about because it
- 2:08:42Speaker 5: is good.
- 2:08:45Speaker 1: The Iron Lung by Markiplier.
- 2:08:47Speaker 5: People are going to talk about that because just the
- 2:08:51Speaker 5: journey to get that movie made. Those types of films,
- 2:08:56Speaker 5: people are going to talk about. Sometimes, those are the
- 2:08:59Speaker 5: best films. Most times, those are the best films. Especially
- 2:09:03Speaker 5: now when AMC does their Fear Fest run. and Hulu
- 2:09:07Speaker 5: does their Huluween. You can watch all these.
- 2:09:12Speaker 10: You can even watch Leprechaun.
- 2:09:15Speaker 1: Before it went left. Or Leprechaun in the Hood.
- 2:09:22Speaker 7: Tales from the Hood, or what was the one with Snoop?
- 2:09:24Speaker 1: Bones? Oh, yeah, Bones. Bones.
- 2:09:30Speaker 5: We only advise you to watch the first Tales from
- 2:09:32Speaker 5: the Hood. After that, don't bother. Uh, It never gets
- 2:09:37Speaker 5: better after the first one. But it just doesn't.
- 2:09:41Speaker 1: It never gets better after the first one.
- 2:09:45Speaker 11: There was another Hulu one that was a horror one
- 2:09:48Speaker 11: about Mr.
- 2:09:49Speaker 1: Something.
- 2:09:51Speaker 11: Something about an old school children's show.
- 2:09:55Speaker 7: Yeah, it was... Mr.
- 2:09:57Speaker 1: Brooks or something.
- 2:09:58Speaker 5: Yeah, that's on Hulu, too. Me and Laney had checked
- 2:10:01Speaker 5: that out.
- 2:10:03Speaker 11: Mr.
- 2:10:03Speaker 7: Crockett, I think it's called.
- 2:10:05Speaker 1: Yeah, Mr. Crockett. It came out, what was it, last year? Yeah,
- 2:10:08Speaker 1: it was... I don't know.
- 2:10:09Speaker 7: Oh, no worry, no worry, Navy.
- 2:10:12Speaker 1: Tell Jusuit Tigre we said hello.
- 2:10:13Speaker 7: Hey. Hey.
- 2:10:13Speaker 4: Hey.
- 2:10:20Speaker 7: Yeah, it was Mr. Crockett. My mom actually watches Mr.
- 2:10:27Speaker 7: Crockett every year. It's actually not bad.
- 2:10:30Speaker 1: It's not.
- 2:10:31Speaker 7: A horror film about a Mr. Rogers-esque person on a
- 2:10:34Speaker 7: VHS tape. Also, I I think there was a shot
- 2:10:38Speaker 7: of either Mr. Rogers or LeVar Burton towards the end
- 2:10:40Speaker 7: of that movie.
- 2:10:42Speaker 1: Yes. Another one, and I need to check it out,
- 2:10:45Speaker 1: is Buddy. That just came out this year. Yeah, Buddy
- 2:10:48Speaker 1: was another one.
- 2:10:48Speaker 7: I've heard about that one, too. Is that good?
- 2:10:50Speaker 1: I need to check it out. I don't know. But
- 2:10:53Speaker 1: I know some of it was shot here in Gotham.
- 2:10:54Speaker 1: Just the idea of horror, again, like I said, it's
- 2:10:58Speaker 1: not dead.
- 2:11:04Speaker 11: But as long, I mean, it's being kept alive by
- 2:11:07Speaker 11: indies right now. There's nothing mainstream out there that's saving
- 2:11:11Speaker 11: the genre except indie films.
- 2:11:13Speaker 5: If anything, that's the perfect formula. Indie horror film will
- 2:11:19Speaker 5: always lead to, oh, let's do a franchise. The indie
- 2:11:24Speaker 5: horror film will always be the litmus test. People will
- 2:11:28Speaker 5: always go see an indie horror film. At this point,
- 2:11:32Speaker 5: no matter what time of the year, but they prefer
- 2:11:34Speaker 5: the fall. You know, so it's, they will come at
- 2:11:40Speaker 5: it every single time, and they just say, okay, most
- 2:11:44Speaker 5: of the times they're one-or-dones, but they.
- 2:11:46Speaker 1: Will always make money.
- 2:11:48Speaker 7: Yep.
- 2:11:48Speaker 1: They will always make money.
- 2:11:51Speaker 7: So.
- 2:11:53Speaker 1: Unless they run into the ground. Oh, they'll try to
- 2:11:56Speaker 1: do that all the time, so. All right, children and ladies, gents, blerds, nerds,
- 2:12:02Speaker 1: and everybody in between. This is our time to sign off.
- 2:12:06Speaker 1: And we'll start with our second-in-command, Lady Mandalore. Talk to
- 2:12:09Speaker 1: the people. Hi.
- 2:12:10Speaker 8: It's okay.
- 2:12:11Speaker 5: While she's wearing Believe It or Not merch. Believe It
- 2:12:14Speaker 5: or Not merch on the head.
- 2:12:16Speaker 1: And on the bed.
- 2:12:17Speaker 6: That's Believe It or Not 2. No jeans. Hi, I
- 2:12:22Speaker 6: am Lady Mandalore.
- 2:12:23Speaker 9: I have a podcast that records live on Sundays at
- 2:12:26Speaker 9: 7 p.m. Eastern Standard Time. I am also trying to
- 2:12:30Speaker 9: not lie about streaming on Fridays at 8 p.m.
- 2:12:33Speaker 6: I will be doing a.
- 2:12:38Speaker 7: Say it.
- 2:12:38Speaker 9: I'm going to do a scary video game.
- 2:12:43Speaker 11: Shut up.
- 2:12:44Speaker 7: She hasn't picked one yet.
- 2:12:45Speaker 6: I don't know.
- 2:12:47Speaker 9: I'm going to go through the Xbox.
- 2:12:50Speaker 1: I thought she picked one.
- 2:12:53Speaker 6: No, I don't know and I don't want to. I
- 2:12:57Speaker 6: don't want to play Resident Evil.
- 2:12:59Speaker 1: I don't want to play it.
- 2:13:03Speaker 8: I don't know.
- 2:13:03Speaker 2: I'm not playing that either.
- 2:13:05Speaker 6: I don't know what I want to play.
- 2:13:06Speaker 8: I have to decide.
- 2:13:07Speaker 6: Resident Evil is.
- 2:13:09Speaker 1: Not that bad. Lady Mandalore is going to do a
- 2:13:11Speaker 1: soft launch.
- 2:13:13Speaker 11: At least you're not playing Silent Hill there's.
- 2:13:18Speaker 9: No fucking way on God's green earth I refuse to.
- 2:13:23Speaker 5: Play that game again I refuse for some reason every
- 2:13:26Speaker 5: time me and my brother played that game we got
- 2:13:28Speaker 5: sick on the stomach and we just said we're not
- 2:13:30Speaker 5: playing this again.
- 2:13:32Speaker 6: You can do whatever you want boo boo.
- 2:13:36Speaker 9: I'm sorry dead space one she already said no No,
- 2:13:40Speaker 9: absolutely not.
- 2:13:41Speaker 8: I'm sorry.
- 2:13:41Speaker 1: We are at 1015.
- 2:13:41Speaker 11: I am pussy.
- 2:13:42Speaker 1: Pussy. I get that reference. I don't like being scared.
- 2:13:44Speaker 6: I do want to try to defeat the beast.
- 2:13:46Speaker 8: The pussy?
- 2:13:48Speaker 6: You know what?
- 2:13:50Speaker 1: Bioshock.
- 2:13:50Speaker 8: That's too long.
- 2:13:51Speaker 1: That's too long.
- 2:14:09Speaker 8: Isn't that long?
- 2:14:10Speaker 1: The original Bioshock? No, it's not long.
- 2:14:13Speaker 8: Do the other one then. What's the other one? Infinite.
- 2:14:19Speaker 6: Let me see what I can do. Let me see
- 2:14:22Speaker 6: what I can do. Y'all throw stuff out.
- 2:14:24Speaker 11: I don't know.
- 2:14:25Speaker 1: I'm going to look.
- 2:14:26Speaker 9: Up some YouTube videos of the scary shit and then
- 2:14:29Speaker 9: we'll see how I feel.
- 2:14:30Speaker 1: I don't know.
- 2:14:31Speaker 8: Don't push.
- 2:14:32Speaker 1: As Bama said, do Five Nights. Five Nights at Freddy's.
- 2:14:35Speaker 3: Oh, no.
- 2:14:40Speaker 8: Nigga, you crazy.
- 2:14:42Speaker 9: But yeah, I will see y'all on Friday when I figure, well,
- 2:14:45Speaker 9: I guess that's to fucking morrow, when I figure out
- 2:14:47Speaker 9: what I'm playing. But yeah, Sunday, 7pm, I talk about
- 2:14:51Speaker 9: my comics. I am going to be giving a review tomorrow.
- 2:14:56Speaker 9: I will launch that on Instagram. Fumes 2 by M.
- 2:15:01Speaker 9: Shy Dash.
- 2:15:02Speaker 8: Yay!
- 2:15:03Speaker 6: I love her.
- 2:15:04Speaker 9: I love her writing style and everything. This second book
- 2:15:09Speaker 9: is the tits.
- 2:15:12Speaker 8: Yes, love it. Live it.
- 2:15:14Speaker 6: Like it a lot.
- 2:15:15Speaker 1: Okay, bye. Whoopty Freaking Do, talk to the people.
- 2:15:19Speaker 8: Hi, I'm Whoopty Freaking Do, and I'm here.
- 2:15:21Speaker 7: Hello.
- 2:15:24Speaker 8: Hi.
- 2:15:26Speaker 12: You can find me here on all social media. It's
- 2:15:28Speaker 12: Whoopty Freaking Do, whether it's Instagram, TikTok, or whatever. I'm
- 2:15:32Speaker 12: also starting, I started today, my 31 days of Halloween nails.
- 2:15:38Speaker 12: I'm already regretting having committed to this.
- 2:15:41Speaker 6: Yay!
- 2:15:44Speaker 8: And you can find those on Fresh Press by Z. Hooray!
- 2:15:49Speaker 1: That's far-eye.
- 2:15:51Speaker 7: Yeah, so you can find all of our pages if
- 2:15:54Speaker 7: you go on to the home page of this channel
- 2:15:57Speaker 7: You could see all of us and the crew and
- 2:16:00Speaker 7: what we'd be doing So you can also find me
- 2:16:03Speaker 7: on this platform or this name on all platforms I
- 2:16:07Speaker 7: actually just posted a new video right before we got
- 2:16:09Speaker 7: on here. So please go check that out It's called
- 2:16:11Speaker 7: if heaven had HR and I'm also trying... I did
- 2:16:17Speaker 7: seven damn hours getting through Custom Robo yesterday to try
- 2:16:20Speaker 7: to make room so that we can get through... I
- 2:16:22Speaker 7: don't know if I'm going to finish them all. I
- 2:16:25Speaker 7: at least want to start them in October. So I'm
- 2:16:27Speaker 7: trying to make room for Wolverine and Luigi's Mansion. And
- 2:16:32Speaker 7: we have a festival to do tomorrow. So I might
- 2:16:35Speaker 7: be doing two-a-days or Saturday streams here somewhere. I'm also
- 2:16:38Speaker 7: working in... Outlast tomorrow, and then we're doing Dead Space
- 2:16:42Speaker 7: at some point throughout this month. I'll do the original.
- 2:16:47Speaker 7: The remake apparently is a slog, and I know me.
- 2:16:49Speaker 7: I'll try to go for a platinum trophy, and I
- 2:16:51Speaker 7: don't need that stress in my life. Other than that... No,
- 2:16:57Speaker 7: apparently it's grindy as fuck. Once it's like, hey, once
- 2:17:01Speaker 7: you get to collect this same thing 50,000 times, and
- 2:17:05Speaker 7: it just eats up, like you're just eating out, it's
- 2:17:07Speaker 7: not fun anymore. Like, that's... Wait, speak for yourself.
- 2:17:18Speaker 10: I look forward to, Tafari, you playing Dead Space.
- 2:17:20Speaker 1: I look forward to it. I'm glad I'm not the
- 2:17:22Speaker 1: only one that caught that.
- 2:17:24Speaker 7: I don't even try to set these up anymore. I'm
- 2:17:29Speaker 7: the youngest one in the group, by the way, in
- 2:17:30Speaker 7: case y'all are new here. Have fun. We all failed
- 2:17:33Speaker 7: the maturity test. Go back and watch clips or something.
- 2:17:41Speaker 7: We're trying to get work back into your algorithms. Hit
- 2:17:43Speaker 7: the like, hit the hype button, whatever else is there.
- 2:17:46Speaker 1: Y'all apparently have been watching this, so I've been looking
- 2:17:49Speaker 1: at it.
- 2:17:50Speaker 5: At some of the downloads, and I'm like, oh, y'all, oh, okay.
- 2:17:54Speaker 1: Just hit the likes. Talk to Apple Podcasts and drop
- 2:17:57Speaker 1: some of them five stars. We're here. We're here.
- 2:17:59Speaker 7: Right.
- 2:17:59Speaker 8: Spartan. Yeah.
- 2:18:02Speaker 10: Like Tafara said, all our pages can be found on
- 2:18:04Speaker 10: the Blurred's Eye View site. Al the Frackley out here
- 2:18:06Speaker 10: still going strong every Wednesday. Of course, myself, Tafara, and Joe.
- 2:18:09Speaker 11: Will be live tomorrow and get bit Fridays at 730-ish.
- 2:18:15Speaker 11: I am going to be streaming tonight because your boys
- 2:18:17Speaker 11: got the weekend off, and I've got some demons to
- 2:18:20Speaker 11: kill in Omnibooch Away the Sword, so I will be
- 2:18:22Speaker 11: streaming that later on tonight. Also trying to catch Silent
- 2:18:27Speaker 11: Hill F because I was asked by Laney to finish that.
- 2:18:30Speaker 11: also doing Mouse, also doing First Light, also doing Phantom
- 2:18:34Speaker 11: Blade Zero.
- 2:18:36Speaker 10: I'm trying to knock out six games in two weeks.
- 2:18:39Speaker 6: Ain't no way, bro.
- 2:18:41Speaker 1: You crazy.
- 2:18:43Speaker 10: If I give up sleep, if I give up sleep,
- 2:18:46Speaker 10: it's possible.
- 2:18:47Speaker 1: When you got three kids, you can do that.
- 2:18:50Speaker 6: You gotta watch the kids. What you mean?
- 2:18:53Speaker 10: The kiddos are asleep and Obi goes to school now.
- 2:18:56Speaker 11: Don't make me cry because I've cry like a big-ass
- 2:18:59Speaker 11: baby since he's been going to school for the last
- 2:19:00Speaker 11: two days. Anyway, mental health is everything. Please protect your
- 2:19:05Speaker 11: mental health. At the same time, I'm going to wreck
- 2:19:08Speaker 11: some shit, daddy. I was more worried about Zuri because
- 2:19:13Speaker 11: the picture I showed y'all, Zuri was already swiping puzzles.
- 2:19:17Speaker 1: And toys from other kids. I said, this girl's going
- 2:19:19Speaker 1: to be a bully. This girl's going to be a bully.
- 2:19:22Speaker 11: But anyway, um, Go outside, check your friends, touch grass.
- 2:19:26Speaker 11: Respect the cosplayer. Cosplay is not consent. Please use soap, water,
- 2:19:30Speaker 11: and everything clean at the same time. Talk, share, and
- 2:19:34Speaker 11: invite people to your fandoms. Don't be a dick and
- 2:19:38Speaker 11: you won't get jumped.
- 2:19:39Speaker 1: That's right.
- 2:19:42Speaker 5: If you like comedy, if you like voice acting, if
- 2:19:47Speaker 5: you like all these weird little things... and you'd like
- 2:19:50Speaker 5: to read about them, go check out our friend of
- 2:19:52Speaker 5: the show, Roxy Hayes. Go ahead and check out Half Famous.
- 2:19:56Speaker 1: You can pick it up.
- 2:19:56Speaker 5: You can go to roxyhayes.com, or you can go check
- 2:19:59Speaker 5: it out at this site here. Let me take that
- 2:20:02Speaker 5: off first. I forgot it doesn't do right there. You
- 2:20:05Speaker 5: can go right here to this site, roxyhayes.square.site, and you
- 2:20:09Speaker 5: can go ahead and check out that book, Half Famous.
- 2:20:13Speaker 5: She talks about all the run-ins she does because all
- 2:20:15Speaker 5: the things that Roxy is doing. Why ain't she mofating herself?
- 2:20:21Speaker 8: Right.
- 2:20:21Speaker 6: Because she's too busy hanging out and dancing with Idris Elba.
- 2:20:25Speaker 1: I still sit at her. That's your canon? That's your canon?
- 2:20:29Speaker 6: She be doing wild shit with Idris Elba on the
- 2:20:32Speaker 6: dance floor while he DJing.
- 2:20:35Speaker 1: Look, speaking to existence, screw it. It works. It works.
- 2:20:40Speaker 8: You can't tell me that's not her.
- 2:20:43Speaker 1: Hey, look. That woman did not turn around one time.
- 2:20:46Speaker 1: Not once.
- 2:20:49Speaker 9: And that girl knows about camera placement. Don't play with me.
- 2:20:52Speaker 9: She knew what she was doing.
- 2:20:54Speaker 5: I'm like, Roxy? Everything, too much stuff lines up. But yeah,
- 2:21:03Speaker 5: check out Roxy Hayes. Go check out Half Famous and
- 2:21:07Speaker 5: get it. It's going to be an autographed copy as well. So,
- 2:21:12Speaker 5: Tuesdays and Thursdays, thank you everybody for tuning in back
- 2:21:16Speaker 5: for the first week of a new season We will
- 2:21:18Speaker 5: be back Tuesday. We're talking about the season finale of Lanterns.
- 2:21:28Speaker 5: It's going to answer some questions and it's going to
- 2:21:31Speaker 5: cause a lot more questions to be asked. I guarantee
- 2:21:35Speaker 5: you it's seven episodes in and the writing has been
- 2:21:39Speaker 5: literally hitting the mark every episode.
- 2:21:44Speaker 8: Yep.
- 2:21:46Speaker 1: Very rare. Very rare.
- 2:21:48Speaker 5: For any show very rare so tune in for that
- 2:21:51Speaker 5: and yes there will be spoilers so tune in for
- 2:21:54Speaker 5: that uh check and check us out every tuesday every
- 2:21:58Speaker 5: thursday 8 p.m eastern youtube twitch go show your love
- 2:22:01Speaker 5: to the apple podcast wherever you listen to your podcast
- 2:22:03Speaker 5: give us a great review make sure you hit those
- 2:22:05Speaker 5: likes on the youtube channel as well patreon will be
- 2:22:09Speaker 5: starting hopefully this weekend uh so you'll get some behind
- 2:22:14Speaker 5: the scenes stuff you might get some forgotten episodes of
- 2:22:20Speaker 5: me sans hair and facial hair. As DC said, he
- 2:22:25Speaker 5: looked like a thumb.
- 2:22:27Speaker 1: That's going to be fun. We can do that though
- 2:22:34Speaker 1: because we talk trash.
- 2:22:36Speaker 5: In the meantime, remember to educate yourself and others, entertain
- 2:22:40Speaker 5: yourself and others, and most of all, encourage yourself and others.
- 2:22:42Speaker 5: I'm Chris Fury. With this amazing crew. Shout out to
- 2:22:45Speaker 5: Navy Montel and Juice Sweet Tea Gray, a.k.a. Believe it
- 2:22:48Speaker 5: or not, make sure you go pick up some of
- 2:22:50Speaker 5: those wares, those bonnets, some silk bonnets, bandanas, and hats.
- 2:22:55Speaker 1: Go show your love.
- 2:22:56Speaker 5: Go show your love over to Roxy Hayes and get
- 2:22:58Speaker 5: that half-famous book. And remember, you can also get 10%
- 2:23:02Speaker 5: off at otaconoir.com, the number one leading blurred blind box
- 2:23:09Speaker 5: company where they have some amazing stuff such as Your
- 2:23:14Speaker 5: own type of cereal box.
- 2:23:17Speaker 1: Frosted Fangs.
- 2:23:18Speaker 8: Mm-hmm.
- 2:23:19Speaker 5: It's made for lovers. And you'll get a lot of
- 2:23:26Speaker 5: really cool trinkets. You'll get graphic novels, T-shirts, Legos that
- 2:23:30Speaker 5: you can't get anywhere else. Go check them out. Shout
- 2:23:33Speaker 5: out to Heath and T over there at Ataco Noir.
- 2:23:36Speaker 5: They are currently doing their cosplay as Black Calendar right now.
- 2:23:41Speaker 5: I believe the window just.
- 2:23:42Speaker 1: Closed for their game. But you can go to the website.
- 2:23:48Speaker 5: You can get a 10% off when you check out,
- 2:23:51Speaker 5: put it in Blur's Eye View.
- 2:23:54Speaker 1: Can't miss it. You'll enjoy it.
- 2:23:56Speaker 5: I haven't seen a box yet that I did not
- 2:23:58Speaker 5: like and couldn't find a use for.
- 2:23:59Speaker 1: Everything in it. It's rare. It's rare. So until then,
- 2:24:05Speaker 1: we will see you guys next Tuesday. Gear up. Rings up.
- 2:24:13Speaker 1: We're out of here.
- 2:24:13Speaker 8: Bye. Snake, are you okay?
- 2:24:21Speaker 3: Snake?
- 2:24:22Speaker 1: Snake!