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New Broadway Musical Cast (with Chris Renfro) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: Sit down, boy, do we have an episode for you
• 0:10
  Speaker 1: this week.
• 0:11
  Speaker 2: We are talking to the cast of a Broadway musical
• 0:14
  Speaker 2: who just found out their show closed.
• 0:17
  Speaker 3: It is a very sad thing that happens in Broadway
• 0:20
  Speaker 3: almost every day. These shows go up with hopes and
• 0:24
  Speaker 3: dreams and get taken down as abruptly as a curtain
• 0:27
  Speaker 3: goes down. So we sat down with a cast of
• 0:30
  Speaker 3: Diary of a Dame, a very very exciting, full of
• 0:34
  Speaker 3: promise revival that ended up being closed.
• 0:39
  Speaker 1: So close that s corporate count figure out your future
• 0:41
  Speaker 1: plans and let's listen in.
• 0:49
  Speaker 4: Oh wow, guys, let me let me.
• 0:53
  Speaker 5: I have to send a couple more text messages to.
• 0:57
  Speaker 4: Is just on my phone and just like I'm just
• 1:01
  Speaker 4: fielding a lot of I mean, my friends are out
• 1:04
  Speaker 4: there right now, certainly out there.
• 1:07
  Speaker 5: Yeah, I mean, they tell Miranda we can book the
• 1:12
  Speaker 5: house in Montague this year July is opened.
• 1:17
  Speaker 2: Sand Tell Jane I'll be home early to pick her
• 1:22
  Speaker 2: up from soccer.
• 1:25
  Speaker 4: Hey, Siri, can you text Jonathan and say I regret
• 1:32
  Speaker 4: the things I said. I wasn't thinking long term and
• 1:39
  Speaker 4: I I I'm not gonna call the police. I think
• 1:43
  Speaker 4: I was just experiencing a moment of inflated ego. I
• 1:47
  Speaker 4: love you so much. Please okay, thank you?
• 1:56
  Speaker 5: Tell you guys can do it at the same time,
• 2:00
  Speaker 5: I think, SERI years If it's at the same time,
• 2:01
  Speaker 5: I'm still.
• 2:03
  Speaker 3: Tell Diana it's time to close the relationship again.
• 2:09
  Speaker 4: I'm coming back. She's in the tears. Is didn't to
• 2:15
  Speaker 4: tell Dana.
• 2:18
  Speaker 6: He knows.
• 2:21
  Speaker 1: Tell Brandon and Trevor. I'd love to move back in.
• 2:25
  Speaker 1: And it's not the end of the month, so I'm
• 2:27
  Speaker 1: claiming my spot back.
• 2:29
  Speaker 6: Uh.
• 2:30
  Speaker 5: Text to Monica. I actually think the script was kind
• 2:33
  Speaker 5: of good and I'd like to read it another time.
• 2:36
  Speaker 5: Maybe we can workshop it.
• 2:38
  Speaker 2: Send text to Rachel the Dog. I would like to
• 2:44
  Speaker 2: adopt it. I would no longer like to be a foster.
• 2:50
  Speaker 2: I would like to be an adopter.
• 2:53
  Speaker 4: To send text, mom, Hey, is it too late to
• 2:59
  Speaker 4: visit or is he gone already? I love you. I'll
• 3:05
  Speaker 4: wait for your reply.
• 3:08
  Speaker 3: Tell Diana the shed can no longer be used as
• 3:13
  Speaker 3: an airbnb. I will be using it as my studio again.
• 3:21
  Speaker 3: Thank you, and you guys let us know when we're rolling, Because.
• 3:29
  Speaker 4: What a journey with oh my god, this has been
• 3:35
  Speaker 4: This has been so fun.
• 3:36
  Speaker 7: Guys.
• 3:37
  Speaker 4: I really feel like we've become a family.
• 3:43
  Speaker 8: It's just like Broadway dreams come true. And no matter
• 3:48
  Speaker 8: how many shows we did, we were still on Broadway.
• 3:54
  Speaker 8: We still had our show. Diary of a Dame still went.
• 3:59
  Speaker 8: That's things are written in the sand.
• 4:01
  Speaker 5: This is the story of a show.
• 4:04
  Speaker 4: No one's experience is like anyone else's experience.
• 4:07
  Speaker 9: Like, we don't have to We don't have to attach
• 4:10
  Speaker 9: our ideas to anyone thing.
• 4:11
  Speaker 4: We don't have to be wicked. We don't have to
• 4:13
  Speaker 4: be Hamilton.
• 4:14
  Speaker 2: And who needs that all of those all of those
• 4:17
  Speaker 2: signatures and the Netflix and the oh will you come
• 4:22
  Speaker 2: speak at graduation mister John Cho will you?
• 4:25
  Speaker 4: Oh?
• 4:26
  Speaker 2: Why don't you come? I don't need any of that.
• 4:29
  Speaker 8: Look, sorry, not all of us want to be in
• 4:31
  Speaker 8: a Hamilton. I want to come to call time. I
• 4:33
  Speaker 8: don't want to sing for people who are dying to
• 4:35
  Speaker 8: get This.
• 4:36
  Speaker 1: Is such an amazing, This is such an amazing, is
• 4:39
  Speaker 1: such an amazing, This is such an amazing.
• 4:41
  Speaker 2: It's such a Hey it's okay, okay, your hand off.
• 4:49
  Speaker 10: Hey, I can't touch someone there anymore.
• 4:54
  Speaker 9: You know that Leo fell into the pit orchestra early
• 4:58
  Speaker 9: on and correct me if I'm wrong.
• 5:01
  Speaker 4: Your ribs are still kind of broken.
• 5:02
  Speaker 1: It's not yes, I don't mind you're touching me there,
• 5:04
  Speaker 1: it's my ribs are sensitive because I felt the pit
• 5:07
  Speaker 1: or you know, it.
• 5:08
  Speaker 4: Was just it was so high.
• 5:10
  Speaker 2: Hi.
• 5:11
  Speaker 1: Hey, I am Leo Leo Dine. I was the one
• 5:16
  Speaker 1: of the lead men.
• 5:18
  Speaker 4: Roles in this beautiful performance. Thank you.
• 5:21
  Speaker 1: I was one of the are new men. And it's
• 5:26
  Speaker 1: it's closing night. I guess it's well, it is closed.
• 5:29
  Speaker 1: We don't get our last night, but it's closed.
• 5:32
  Speaker 5: And we're supposed to do this interview. I want to
• 5:34
  Speaker 5: be clear.
• 5:34
  Speaker 4: Yes, we were supposed to do.
• 5:35
  Speaker 1: This was planned before, a big kind of promo for
• 5:38
  Speaker 1: the thing, but they closed it right before we got
• 5:41
  Speaker 1: to opening night.
• 5:41
  Speaker 4: Yeah, we we had. We had just done the red
• 5:44
  Speaker 4: carpet out front and we had just gotten changed into art.
• 5:48
  Speaker 4: We're still in costume.
• 5:51
  Speaker 2: Came running in and said, you know what, it doesn't
• 5:54
  Speaker 2: add up. I biffed it. I biffed it hard. It
• 5:58
  Speaker 2: doesn't add up. That accountant was, to be honest, throwing up,
• 6:02
  Speaker 2: freaking out. It was the biggest mistake of his professional army.
• 6:05
  Speaker 4: They were allowed to talk to us. By the way.
• 6:07
  Speaker 5: Yeah, I was going to say. It was a first
• 6:09
  Speaker 5: show on Broadway ever closed physically, by the account, they
• 6:13
  Speaker 5: locked their doors.
• 6:14
  Speaker 4: Literally.
• 6:14
  Speaker 5: He came in physically and said stop what you're doing.
• 6:17
  Speaker 1: He put he put a baseball bat on the doors
• 6:19
  Speaker 1: and then and then chained himself to the door like
• 6:21
  Speaker 1: people trade.
• 6:22
  Speaker 4: He changed to the doors that this can't happened. There
• 6:26
  Speaker 4: just can't happen.
• 6:27
  Speaker 9: And there were security guards with firearms lining if.
• 6:31
  Speaker 1: We have pached the doors, we've been told told they
• 6:34
  Speaker 1: will will shoot us on side.
• 6:37
  Speaker 2: It was his most expensive mistake.
• 6:39
  Speaker 5: He just kept saying, I'm thinking about the train. They
• 6:43
  Speaker 5: built the train, the.
• 6:45
  Speaker 8: Track was going to be a success. Story of a
• 6:50
  Speaker 8: Dame was a classic nineteen thirty nine musical written by
• 6:53
  Speaker 8: Lerner and Lo. It was about a gorgeous young woman
• 6:56
  Speaker 8: who moves to New York City from London and learns
• 6:59
  Speaker 8: that street smarts are a little more important than book smarts.
• 7:03
  Speaker 5: And the curtain falls as she eats lunch.
• 7:06
  Speaker 3: Yeah, it happens between nine thirty am and at twelve
• 7:09
  Speaker 3: to fifty nine pm.
• 7:11
  Speaker 4: It was such a.
• 7:13
  Speaker 2: Show twenty four, except it is five minutes and it's
• 7:19
  Speaker 2: four three.
• 7:21
  Speaker 5: A gorgeous story, and her arc is gorgeous, I mean
• 7:25
  Speaker 5: beautiful and gorgeous.
• 7:27
  Speaker 4: I'll never forget Diary of the Dame. Does somebody want
• 7:35
  Speaker 4: to introduce themselves as we go around?
• 7:38
  Speaker 7: Leo?
• 7:38
  Speaker 5: I do want to say before we move on from
• 7:40
  Speaker 5: your introduction your performance as the Male Ingenoue, that the
• 7:45
  Speaker 5: name Male Ingenue incredible, tordiforce, uniforce.
• 7:52
  Speaker 2: When you found that diary and you read all of
• 7:56
  Speaker 2: the Dame's personal thoughts about New York City's.
• 7:58
  Speaker 4: Dame is this day? I must find this damn.
• 8:02
  Speaker 5: Scenes with you and the therapist talking about the day.
• 8:05
  Speaker 1: Yeah, in nineteen thirty nine, and men usually don't do this,
• 8:09
  Speaker 1: don't tell anyone.
• 8:10
  Speaker 4: Well, then we can forget the big number. Tapping on
• 8:12
  Speaker 4: a manhole, tap it on a mand I was so
• 8:16
  Speaker 4: excited to be able to get to do that. I
• 8:19
  Speaker 4: was so excited after after Peter had his unfortunate accident,
• 8:23
  Speaker 4: I finally got to step up as understudy. Yes, in principle,
• 8:27
  Speaker 4: tell us your name Scaparelli, Frank name just Frank.
• 8:35
  Speaker 5: Scaparelli.
• 8:37
  Speaker 1: I was cassid if Scaparelli is a stage name, but no,
• 8:40
  Speaker 1: your real name is Caparelli.
• 8:41
  Speaker 4: Frank but your stage name is just Frick.
• 8:43
  Speaker 9: No, my real name is Scaparelli. Francisco.
• 8:46
  Speaker 6: Frank.
• 8:47
  Speaker 4: Frank is the stage and.
• 8:48
  Speaker 2: So we as your friends can call you Scaparelli Frank,
• 8:51
  Speaker 2: and the stage calls you just Frank.
• 8:53
  Speaker 4: Correct. Yes, yes, I know, and we didn't really get
• 8:55
  Speaker 4: to talk. Come into your little whole thing. We're going
• 8:59
  Speaker 4: to call you rappy, scrappy scrappy, yeah, and I sort
• 9:05
  Speaker 4: of I sort of just dealt with it. This is
• 9:08
  Speaker 4: my first Broadway experience. So all of you season seasoned season, well,
• 9:14
  Speaker 4: you were.
• 9:14
  Speaker 1: So amazing as the as the fly in. I mean,
• 9:16
  Speaker 1: it was great that we are you kind of like
• 9:18
  Speaker 1: we're better than Peter the Original. And I thought this
• 9:21
  Speaker 1: was going to make your career in a big.
• 9:22
  Speaker 5: Way stand Bys, right. I don't think we say it
• 9:25
  Speaker 5: enough that Broadway is the stand the.
• 9:27
  Speaker 4: Back Broadway they are.
• 9:31
  Speaker 5: And I'm so sad you didn't get.
• 9:32
  Speaker 11: To go on.
• 9:33
  Speaker 4: So sad.
• 9:34
  Speaker 9: Look I moved here, I left everything behind, and what
• 9:39
  Speaker 9: do you leave? I left my my family. My dad
• 9:43
  Speaker 9: is unfortunately passing away tonight. It's been sort of all week,
• 9:51
  Speaker 9: so this week is particularly it sucks for you.
• 9:54
  Speaker 4: I've not been thinking about it at all. You know,
• 9:57
  Speaker 4: sometimes there are those moments its.
• 10:03
  Speaker 10: But it's funny too because the show died and your
• 10:05
  Speaker 10: dad's dying.
• 10:06
  Speaker 4: Yes, yeah, yeah, yeah, I can't get on. I cannot
• 10:09
  Speaker 4: get a hold of my mom today, so I'm like
• 10:11
  Speaker 4: a little worried that it might be happy if she
• 10:13
  Speaker 4: died too. Okay, well, because it is highly contagious.
• 10:20
  Speaker 2: Oh yes, it's highly contagious terminal illness.
• 10:25
  Speaker 4: Yes.
• 10:25
  Speaker 5: Yeah, someone called the Diary of a Dame it seems
• 10:28
  Speaker 5: like she caught it.
• 10:29
  Speaker 3: Well, it's actually fun In fact, the lead a Diary
• 10:35
  Speaker 3: of a day in nineteen thirty nine, she died of tuberculosis.
• 10:38
  Speaker 3: No that the show was supposed to last through dinner,
• 10:41
  Speaker 3: but in the first run it ended at lust, so
• 10:45
  Speaker 3: they said, that's actually the show mission. This was on purpose.
• 10:49
  Speaker 3: Back then, you couldn't just die on stage. They had
• 10:52
  Speaker 3: to act like it was on purpose.
• 10:55
  Speaker 4: This was on purpose, al goodbye.
• 10:57
  Speaker 5: That's what I liked about it is that arks back
• 11:00
  Speaker 5: then was smaller. Now you have even a story about
• 11:04
  Speaker 5: healing people so long.
• 11:06
  Speaker 10: People did live as long, so shows were shorter.
• 11:10
  Speaker 9: That you have so many facts because you've been on
• 11:13
  Speaker 9: Broadway the most, Yes out of.
• 11:15
  Speaker 4: Anyone, really, Yes, Hi. My name is Dan Maroon Drama.
• 11:22
  Speaker 6: Tur Dan. We call you.
• 11:25
  Speaker 3: Because not only did I play old mister Farnsworth in
• 11:30
  Speaker 3: the show, but I know quite everything about theater.
• 11:34
  Speaker 5: The unofficial drama, everything you're around.
• 11:36
  Speaker 3: I mean, there's a seat dedicated to me in the
• 11:39
  Speaker 3: booth because I the booth theater, because I sit in
• 11:42
  Speaker 3: it's so much it has a stink. They can't get out,
• 11:45
  Speaker 3: and so it's my seat.
• 11:46
  Speaker 12: It is.
• 11:46
  Speaker 1: The smell is unlike anything. There's a sweetness, a sweetness
• 11:50
  Speaker 1: like death is.
• 11:51
  Speaker 5: And for us to do twelve previews and for you
• 11:53
  Speaker 5: to have that remark that that uh mark mark on
• 11:57
  Speaker 5: that seat.
• 11:57
  Speaker 3: Well, people tell me I smell like a Delhi that
• 12:00
  Speaker 3: doesn't exist anymore. But if you grew up on the
• 12:02
  Speaker 3: Upper West Side in the sixties, you would smell me
• 12:05
  Speaker 3: and gold.
• 12:05
  Speaker 4: That's green blats And that's why I was like home.
• 12:08
  Speaker 1: Well, that's and it's so fitting because you play Farnsworth,
• 12:10
  Speaker 1: the deli owner on the show and you sing that
• 12:12
  Speaker 1: beautiful one of a kind number named your meat, Name
• 12:17
  Speaker 1: your meat, of.
• 12:17
  Speaker 9: Course, Turkey, turkey, turkey, turkey, all day long.
• 12:22
  Speaker 4: Turkey, turkey, turkey. He's lammy at home. It's so nice.
• 12:32
  Speaker 4: I understudied you as well. You did understudy. I understudied
• 12:35
  Speaker 4: all of you, and I.
• 12:37
  Speaker 3: Actually saw you go on for me once. Then I said,
• 12:38
  Speaker 3: why are they putting a pillow in that shirt? That's
• 12:41
  Speaker 3: not right.
• 12:42
  Speaker 4: I wanted it to be true.
• 12:44
  Speaker 9: My interpretation of your character was that he was severely ailed,
• 12:50
  Speaker 9: but by a beer gut or maybe perhaps a parasite.
• 12:53
  Speaker 4: I was supposed to do that, but I love it.
• 12:56
  Speaker 5: I thought it was a funny little bit.
• 12:58
  Speaker 4: But I love this show.
• 12:59
  Speaker 1: I've been so sad. A lot of people call me
• 13:01
  Speaker 1: the curse. Oh yeah, because you've never seen a show.
• 13:06
  Speaker 4: You've never stepped on stage on an opening night. And
• 13:08
  Speaker 4: I was so this was a risk. We knew this
• 13:12
  Speaker 4: was a risk to push for you. You know, it
• 13:15
  Speaker 4: was exciting.
• 13:16
  Speaker 3: It's just they tell me I nail the callback, and
• 13:19
  Speaker 3: I'm undeniable and a callback and then I never make
• 13:22
  Speaker 3: it to opening night.
• 13:23
  Speaker 4: One of these days, I'll make it opening night. I
• 13:25
  Speaker 4: mean I've been to opening nights, you know. I saw
• 13:27
  Speaker 4: the opening of Next to Normal.
• 13:29
  Speaker 5: It's never a part of them, right, Yeah.
• 13:30
  Speaker 4: And how many shows have you done?
• 13:32
  Speaker 10: I've done forty eight.
• 13:33
  Speaker 5: Wow, God, that's really awful.
• 13:37
  Speaker 4: It is hard.
• 13:37
  Speaker 2: This is quite a curse.
• 13:40
  Speaker 4: We all have a journey curse.
• 13:41
  Speaker 5: Right, I mean, listen, I when I saw you in
• 13:44
  Speaker 5: the table read, I've known you for years, right, and
• 13:47
  Speaker 5: I saw you in the table riot and I said,
• 13:49
  Speaker 5: my god, we're not getting past the first preview and
• 13:52
  Speaker 5: let alone readed twelve. So there's a feat.
• 13:54
  Speaker 4: I mean, that's amazing.
• 13:55
  Speaker 5: And I think today name hello, I'm Flala Lady. I'm
• 14:04
  Speaker 5: Flala Lady Gugenheim and I I play old Dame and
• 14:10
  Speaker 5: she looks at young Dame and she sees her right,
• 14:14
  Speaker 5: and I was called My call time was always later
• 14:17
  Speaker 5: because I'm only in the second half of the show.
• 14:22
  Speaker 5: Then I'm sad to see it go. But as someone
• 14:24
  Speaker 5: who's done this for so long, I I feel as
• 14:27
  Speaker 5: if it's just another another notch.
• 14:31
  Speaker 1: On our belt and you can and you can't save it,
• 14:33
  Speaker 1: and you can't save the show and you can't.
• 14:35
  Speaker 4: Because you, I mean, I feel like you have. We
• 14:37
  Speaker 4: know you're a huge backer of the production. The Guggenheim
• 14:40
  Speaker 4: Come on, lady, come on, you're part of.
• 14:47
  Speaker 5: Lady sure, sure, come on, come on, lady, come on,
• 14:56
  Speaker 5: come on, lady.
• 14:58
  Speaker 4: It's not a sw.
• 15:01
  Speaker 5: Sing it sing it a song. It's a redest Sure
• 15:04
  Speaker 5: I financed the revival, but that accountant put me at gunpoint.
• 15:09
  Speaker 5: I can't. I can't say no to him.
• 15:11
  Speaker 3: So do we need to get a military coup to
• 15:13
  Speaker 3: take down the accountant and then we can do the show.
• 15:15
  Speaker 5: I don't think that's what the interview should be about,
• 15:17
  Speaker 5: but it is a gold.
• 15:19
  Speaker 4: Okay, okay in relationship to the accountant.
• 15:31
  Speaker 5: My relationship to the accountant is he says where I
• 15:34
  Speaker 5: can go and what I can do right he's in
• 15:37
  Speaker 5: charge of the Gudenheimen account And when I said, I.
• 15:40
  Speaker 12: Want to put what's going on over there, come on,
• 15:49
  Speaker 12: come on, come on.
• 16:02
  Speaker 4: Little show for I know you've been practicing that tumble.
• 16:06
  Speaker 13: Do you want to do the tumblefore lady lady.
• 16:26
  Speaker 6: I can't hear you.
• 16:26
  Speaker 4: Follow lady, Tumble lady, tumble flow lady. She's going to
• 16:33
  Speaker 4: sleep well tonight. That's a lot of action for lady.
• 16:37
  Speaker 2: I think that that that satisfied me.
• 16:40
  Speaker 4: I'm good to move on. It'll come back. It will
• 16:53
  Speaker 4: come back, Spirits. You really needed that. I needed to
• 16:57
  Speaker 4: do that, so I'm I'm glad we really helped. That
• 17:00
  Speaker 4: was that and and I was waiting until.
• 17:02
  Speaker 2: The bar was filled, and it was filled, and now
• 17:04
  Speaker 2: and now we can go.
• 17:05
  Speaker 4: Thanks for the laugh, lady.
• 17:07
  Speaker 7: So much sallow lady, lady, you were always a hoot.
• 17:14
  Speaker 5: You are too much Sunday Lady, I'm starting to feel
• 17:18
  Speaker 5: too much in the center of attention.
• 17:22
  Speaker 4: Said sorry. I said sorry, lady.
• 17:29
  Speaker 2: Lady.
• 17:35
  Speaker 4: I haven't seen her this energetic since she accidentally took
• 17:37
  Speaker 4: my adderall and she mistakes it for her pose.
• 17:45
  Speaker 2: Lady.
• 17:46
  Speaker 4: I went to the boys and went pick up. That's
• 17:49
  Speaker 4: how the train ended up in the musical.
• 17:52
  Speaker 5: Please you, you little star.
• 17:54
  Speaker 6: Look at those feet.
• 17:55
  Speaker 4: Look at that.
• 17:59
  Speaker 2: So this is what I get for pointing out all
• 18:05
  Speaker 2: of ladies ankles.
• 18:07
  Speaker 4: I got me to show the feet. The feet were
• 18:09
  Speaker 4: a huge feature of the show.
• 18:12
  Speaker 6: They were.
• 18:14
  Speaker 2: Is Mimi Spaghetti and I am.
• 18:18
  Speaker 4: Dame herself, young Spaghetti.
• 18:24
  Speaker 2: Well, I guess there's nobody left.
• 18:25
  Speaker 4: But the Dame is there. Star of Screen moved to stage.
• 18:30
  Speaker 2: Star of Screen moved to stage. I was on the screen,
• 18:34
  Speaker 2: and I thought, too big, too many eyes. Wanted to
• 18:38
  Speaker 2: be live in a theater somewhere. I think I have
• 18:41
  Speaker 2: a plan, and so I wait the move and I
• 18:45
  Speaker 2: went to Broadway. And then when this script fell into
• 18:48
  Speaker 2: my lap, you know, I'd never heard of the Diary
• 18:51
  Speaker 2: of the Dame before. It seems like a musical that
• 18:55
  Speaker 2: Grandma forgot.
• 18:56
  Speaker 5: Stop it.
• 18:56
  Speaker 2: It's a little sorry, sorry, excuse me.
• 18:58
  Speaker 10: For a little because maybe it's considered a joke.
• 19:02
  Speaker 2: Excuse pardon me for a little jokes.
• 19:10
  Speaker 5: She plays young Dame and I.
• 19:11
  Speaker 4: Play old Yes, I forgot meaning after eleven.
• 19:19
  Speaker 5: She's a flash, she's a flash of former flash.
• 19:22
  Speaker 4: All right, the flashboard. I forgot.
• 19:24
  Speaker 2: Yes, I played young Dame and my age is well,
• 19:27
  Speaker 2: that's an interesting question.
• 19:29
  Speaker 1: Because you were on that hit HBO kind of prestige
• 19:32
  Speaker 1: TV show for.
• 19:33
  Speaker 14: Yes, Playor of East Town, Mayor of East Town, which
• 19:41
  Speaker 14: was wildly confusing.
• 19:43
  Speaker 2: Yes, I played the Mayor of Boston, who was sort
• 19:47
  Speaker 2: of a fancy British equivalent of the Mayor of East Town.
• 19:52
  Speaker 2: And she, uh, well, well, well you know she she
• 20:00
  Speaker 2: she delivered a speech that when.
• 20:03
  Speaker 1: We don't have you, we don't need to talk about
• 20:11
  Speaker 1: gorgeous voice.
• 20:11
  Speaker 5: I don't have to talk about it.
• 20:12
  Speaker 2: Thank you, thank you. You guys are always guiding me,
• 20:15
  Speaker 2: and I will never forget when the.
• 20:16
  Speaker 4: Mayor dave a speech in that show was great. It was,
• 20:20
  Speaker 4: and it's great, and we don't need to hear it.
• 20:22
  Speaker 3: Can I ask you a question? Yes, because I've always
• 20:24
  Speaker 3: been curious about this. You mentioned how you wanted to
• 20:29
  Speaker 3: move from film and the screen because there were too
• 20:33
  Speaker 3: many eyes on you there. What was it like to
• 20:35
  Speaker 3: get to the theater when there were actually hundreds of
• 20:38
  Speaker 3: us more?
• 20:38
  Speaker 4: Oh my goodness.
• 20:39
  Speaker 2: It was different than I thought it well previous, it
• 20:43
  Speaker 2: was really different.
• 20:45
  Speaker 1: I mean we have a clip actually, I mean they've
• 20:46
  Speaker 1: recorded all the previous We have a.
• 20:48
  Speaker 15: Couple of slime tutorial Yeah, so this is this is
• 20:54
  Speaker 15: a diary of a Dame previous live tutorial which if
• 20:57
  Speaker 15: you need to see any musical ever, just so slim tutorial.
• 21:01
  Speaker 5: I almost hate that you did that on YouTube. I
• 21:03
  Speaker 5: don't want people to know that trick anymore because they're
• 21:06
  Speaker 5: gonna come get us.
• 21:07
  Speaker 4: Okay.
• 21:07
  Speaker 3: I thought this was being played in the back of
• 21:09
  Speaker 3: a taxi.
• 21:13
  Speaker 1: Of you, right when you land in New York and
• 21:16
  Speaker 1: you're going up to your apartment. This was the footage
• 21:20
  Speaker 1: of you kind of.
• 21:21
  Speaker 2: You know, And this is the footage of Yes, it's
• 21:23
  Speaker 2: it's the first my first day on stage.
• 21:26
  Speaker 4: Yes, first preview.
• 21:28
  Speaker 2: Well, I'll die a dame in.
• 21:30
  Speaker 5: New York City.
• 21:32
  Speaker 2: This show is the hot Dog place where.
• 21:34
  Speaker 4: The cabs are.
• 21:36
  Speaker 2: Good and the man are even good. Well, let's now
• 21:39
  Speaker 2: see what's happening in the old school yard.
• 21:43
  Speaker 4: Oh hey, broad Hey, why don't you wiggle on over here?
• 21:47
  Speaker 4: Why don't you?
• 21:48
  Speaker 9: I got a hot dog for you, squeeze.
• 21:55
  Speaker 4: But don't mind me, jents.
• 21:57
  Speaker 2: Why does everyone looking at me?
• 22:00
  Speaker 4: Are they? Who are those people? Well?
• 22:07
  Speaker 2: I went to New York City on a hey pennies diamond.
• 22:11
  Speaker 2: I took into the Broadway and I made her mind.
• 22:14
  Speaker 4: But who are these people?
• 22:18
  Speaker 2: These fucking creeps and purpose there's a bunch of creeps
• 22:20
  Speaker 2: and purples, and they're they're ugly.
• 22:23
  Speaker 6: They're sitting in the.
• 22:24
  Speaker 4: Dark and they're ugly. The vamp's almost over. Where do
• 22:27
  Speaker 4: you get off the subway?
• 22:34
  Speaker 2: It kind of absolutely you guys always had my back
• 22:38
  Speaker 2: out there.
• 22:39
  Speaker 4: We were trying to got your back.
• 22:41
  Speaker 3: And can I say that person who's grouped the subway
• 22:44
  Speaker 3: got cast in this that was very funny.
• 22:48
  Speaker 5: Lovely by the name of Amber.
• 22:52
  Speaker 9: After after the orchestra incident, we did have to get
• 22:55
  Speaker 9: a lot of recastings.
• 22:57
  Speaker 4: Yes, yeah, it was.
• 22:58
  Speaker 1: It was unfortunately we were There were a lot of disasters.
• 23:01
  Speaker 1: I had a lot of disasters happened to me personally,
• 23:03
  Speaker 1: you had.
• 23:03
  Speaker 4: So many stunts. I had a lot of stunts that
• 23:06
  Speaker 4: just went wrong, more more injuries than Spider Man Turn
• 23:10
  Speaker 4: Off the Dark.
• 23:11
  Speaker 16: The ladder Domino was hard to the latter Domino, the
• 23:14
  Speaker 16: song about how dominoes keep falling in New York City,
• 23:18
  Speaker 16: and they set up a whole ladder Domino and it
• 23:20
  Speaker 16: just went south from the beginning.
• 23:22
  Speaker 2: It was there was nobody holding the other side of
• 23:25
  Speaker 2: the ladder. No, yeah, and I just wanted you to
• 23:27
  Speaker 2: go straight up it.
• 23:28
  Speaker 4: Yeah, yeah, yeah, they they wanted. It was just it was.
• 23:31
  Speaker 3: They attached you to that that fly in the harness,
• 23:34
  Speaker 3: but then they attached the fly to the ladder.
• 23:36
  Speaker 4: So I got stuck in as they're falling.
• 23:39
  Speaker 1: I'm going up while grabbing a ladder in the falls,
• 23:42
  Speaker 1: and it's kind of like what would happen is when
• 23:45
  Speaker 1: I started going up, my velocity would accidentally end up
• 23:49
  Speaker 1: raising the ladders back up to create a back of
• 23:51
  Speaker 1: domino into me. It was just kind of this back
• 23:54
  Speaker 1: and forth. Are you guys picturing what I'm painting?
• 23:56
  Speaker 4: Oh?
• 23:56
  Speaker 6: Yeah.
• 23:57
  Speaker 4: It really discovered the resonant frequency of the theater and
• 24:00
  Speaker 4: it just would not stop. The true scientific phenomena it shook.
• 24:05
  Speaker 5: I think, like just in case, I don't know, it's
• 24:08
  Speaker 5: so sad today, today's so sad.
• 24:10
  Speaker 10: Right, we're mourning the loss.
• 24:12
  Speaker 6: But I don't want to.
• 24:12
  Speaker 5: Talk about the negatives. I thought you, I thought the
• 24:14
  Speaker 5: stunts you did will thank you.
• 24:17
  Speaker 3: I mean, this was a bold reimagining of Diary of
• 24:20
  Speaker 3: a Dame, if you guys know Diary of a Dame.
• 24:22
  Speaker 10: Originally Geen Harlowe played the lead of the Dame.
• 24:26
  Speaker 3: And this was a bloody interesting you know. Jamie Lloyd
• 24:31
  Speaker 3: came in for one punch up and changed the thirty
• 24:34
  Speaker 3: five minute forty five minute punch up changed everything, and
• 24:38
  Speaker 3: so we had a bit of a It was a
• 24:39
  Speaker 3: stripped down vibe.
• 24:40
  Speaker 10: It was honest and pretty and interesting, clear stark.
• 24:45
  Speaker 4: You know.
• 24:45
  Speaker 10: We didn't get rid of all the props. We got
• 24:47
  Speaker 10: rid of some.
• 24:47
  Speaker 9: Props and we never got to act too so so
• 24:50
  Speaker 9: Act one is very different than acting.
• 24:53
  Speaker 1: Pretty bloody, and then Act two is just more of
• 24:55
  Speaker 1: like a nineteen thirty nine beautiful yeah farce.
• 25:00
  Speaker 5: That's what I liked about it. Sometimes I wish your
• 25:02
  Speaker 5: Revival would do more of a comparison before and after piece.
• 25:05
  Speaker 5: And that's why I thought it was kind of bold.
• 25:08
  Speaker 5: I thought it was like what this used to be, right.
• 25:11
  Speaker 10: I think it would have gone great. I think the
• 25:14
  Speaker 10: audience is being robbed. I think the audience would love
• 25:17
  Speaker 10: to have seen this. So if you want to get
• 25:19
  Speaker 10: out there and say.
• 25:20
  Speaker 8: Save the Dame, hashtags say save.
• 25:22
  Speaker 4: The Dame, Save the Dame.
• 25:24
  Speaker 2: If you're watching this right now, someone has stolen something
• 25:27
  Speaker 2: from you and it's the opportunity to see this show.
• 25:31
  Speaker 2: Someone has robbed it of your person. They've committed a felony.
• 25:34
  Speaker 2: Don't you forget it?
• 25:35
  Speaker 1: You are you could sue them. You could call the police,
• 25:39
  Speaker 1: call the police and say save the Dame.
• 25:40
  Speaker 2: I've been robbed one and say save the Dame.
• 25:44
  Speaker 5: Even Frank or whatever.
• 25:50
  Speaker 4: That's your Italian.
• 25:50
  Speaker 6: Brother, lady.
• 25:52
  Speaker 3: It's not massacring people's names for lady, lady.
• 25:58
  Speaker 4: Lady to call to other people's names, to call you Fatini,
• 26:06
  Speaker 4: my mother, Leo, you don't remember my name? Le okay,
• 26:12
  Speaker 4: fun about me, Maroon.
• 26:18
  Speaker 5: But anyway, I I like you learned every track. I
• 26:21
  Speaker 5: learned every track, and that's just a shame that you.
• 26:24
  Speaker 4: You are only cover I mean, the only one that's incident. Yes,
• 26:30
  Speaker 4: talk about it.
• 26:31
  Speaker 5: Do you think that's why we close.
• 26:33
  Speaker 4: It certainly got to be.
• 26:35
  Speaker 1: I can't figure out what the reason is why we
• 26:37
  Speaker 1: exactly closed, because there were so many reasons.
• 26:39
  Speaker 4: It was sort of it was sort of phenomenal effects.
• 26:43
  Speaker 9: To take a metaphor from an earlier part of the conversation,
• 26:48
  Speaker 9: But the orchestra incident, which a couple of you weren't
• 26:51
  Speaker 9: there for you were having personal.
• 26:53
  Speaker 17: Days, personally annoyed, didn't in one way a year I bleed,
• 27:02
  Speaker 17: all right, lady, okay, follow.
• 27:11
  Speaker 12: Lady.
• 27:14
  Speaker 9: We were rehearsing the day with Jamie Lloyd, right the
• 27:17
  Speaker 9: forty five minute consultation, and he suggested that perhaps we
• 27:21
  Speaker 9: start the opening number outside of the theater, and so
• 27:25
  Speaker 9: we were rehearsing the big tap number outside.
• 27:30
  Speaker 4: Unfortunately, that really disturbed a lot of the people in
• 27:33
  Speaker 4: the community. They did not like it. But we kept
• 27:36
  Speaker 4: tapping and tapping and tapping, and finally when it was
• 27:39
  Speaker 4: time to move on, we entered the theater through that
• 27:42
  Speaker 4: side door right over there, and a flood of angry,
• 27:47
  Speaker 4: angry New Yorkers came in and they just they threw
• 27:52
  Speaker 4: Leo right into the pit.
• 27:53
  Speaker 1: They kind of had that moment of like a big
• 27:55
  Speaker 1: pit and they pushed you all to the edge and
• 27:57
  Speaker 1: said they said this is this is New York and
• 28:00
  Speaker 1: started kicking you guys into the pit one by and
• 28:02
  Speaker 1: they were cheering.
• 28:04
  Speaker 4: I thought we double booked with stomp On accident.
• 28:06
  Speaker 3: Well, and I also think and and and the New
• 28:09
  Speaker 3: Yorkers told me this after they all sat me down
• 28:11
  Speaker 3: and said, I want to tell you what happened. They
• 28:14
  Speaker 3: told me what the problem was was you were all
• 28:17
  Speaker 3: tapping on this this thing, this big tin roof, and
• 28:21
  Speaker 3: it turns out you were releasing rats. These rats had
• 28:24
  Speaker 3: been sleeping and you were They were scattering throughout and
• 28:27
  Speaker 3: they were strong, were strong, they.
• 28:30
  Speaker 4: Were incredibly strong. Solut you not get thrown into the pit.
• 28:35
  Speaker 4: How did that?
• 28:35
  Speaker 9: Well, I'm the I'm the youngest person in the cast,
• 28:38
  Speaker 9: so I was the only one who was sort of
• 28:40
  Speaker 9: able to and sorry about whatever happened there.
• 28:43
  Speaker 4: Okay, we can break whatever we want.
• 28:47
  Speaker 2: We never know, you never know what's going to happen
• 28:51
  Speaker 2: up and you have to keep your chin up.
• 28:55
  Speaker 5: Trauma, especially after the accident, when you learned all of
• 28:59
  Speaker 5: our parts and Equity came out. I also think this
• 29:02
  Speaker 5: is why we closed, just because Equity said this isn't allowed, no,
• 29:06
  Speaker 5: and it's not fair.
• 29:07
  Speaker 9: The amount of money that I was making contractually, but
• 29:11
  Speaker 9: it's also it was.
• 29:12
  Speaker 1: A lot of walk and anybody would go play something
• 29:14
  Speaker 1: in the orchestra, you would scream and scream and scream.
• 29:17
  Speaker 4: You would scream and scream and scream. I just haven't.
• 29:20
  Speaker 9: I haven't had time to go to therapy because I've
• 29:22
  Speaker 9: been learning on the tracks that there might be something there.
• 29:25
  Speaker 4: But we actually have a clip for pre what it
• 29:31
  Speaker 4: looks like. It looks like they're they're breaking down the
• 29:35
  Speaker 4: bullet train right now.
• 29:36
  Speaker 2: Where did I gotta stop breaking down that train? Well,
• 29:42
  Speaker 2: there might be another sound of that in two minutes
• 29:44
  Speaker 2: if I didn't do that right.
• 29:46
  Speaker 1: Okay, Well we have a clip of I think this
• 29:47
  Speaker 1: is preview at nine.
• 29:49
  Speaker 4: I think this is my song. It's your song, and
• 29:51
  Speaker 4: you're screaming in the audience. Yeah, okay, let's see it.
• 29:56
  Speaker 3: There's certain things to know about wearing a tie. High
• 29:59
  Speaker 3: is ties are nice, go out, have done a wonderful night.
• 30:05
  Speaker 3: Ties make you look like a trap, a chap.
• 30:10
  Speaker 4: Happening. I'm a happening man, and I'm wearing a tie.
• 30:15
  Speaker 4: A happy guy.
• 30:17
  Speaker 18: Come on, dad and be my happy kill.
• 30:29
  Speaker 1: It's us the gang from the show you're watching it's
• 30:34
  Speaker 1: being us.
• 30:34
  Speaker 14: And if you want to see us not have weird
• 30:36
  Speaker 14: voices and actually be ourselves and make each other laugh
• 30:38
  Speaker 14: and talk about our real lives, you can do that.
• 30:40
  Speaker 4: Bye joining the patreon. I said it all at the
• 30:44
  Speaker 4: same time. You can join the patreon.
• 30:47
  Speaker 2: We have an after show that we do for every
• 30:49
  Speaker 2: single episode, where we get together on a theater on
• 30:51
  Speaker 2: Zoom and hang out and we talk about the episode,
• 30:54
  Speaker 2: and then sometimes we watch full episodes of the TV
• 30:56
  Speaker 2: show Mobbed, which is a reality flashbob competition.
• 31:00
  Speaker 4: We have so much fun on there.
• 31:01
  Speaker 3: We show our real headshots from the past, we tell
• 31:03
  Speaker 3: stories about our lives.
• 31:05
  Speaker 4: They had to dance for twelve weeks straight.
• 31:06
  Speaker 3: I wrote a screenplay about Jesus swapping bodies with a
• 31:09
  Speaker 3: thirteen year old lesbian.
• 31:11
  Speaker 5: It's all fun and games over there.
• 31:13
  Speaker 14: But truly, guys, if you love our podcast, we've seen
• 31:15
  Speaker 14: that so many of you have been coming to our
• 31:16
  Speaker 14: channel lately, so we just want to say there's an
• 31:18
  Speaker 14: other place that you can go to hang and to
• 31:20
  Speaker 14: support us, which is really important because we do it
• 31:23
  Speaker 14: all ourselves with our really small team.
• 31:24
  Speaker 5: So we'll see you there.
• 31:26
  Speaker 4: Yes, join our patreon. Please feed our baby the podcast
• 31:32
  Speaker 4: is a baby.
• 31:33
  Speaker 5: Feed the baby, see the baby, hold the baby, love
• 31:36
  Speaker 5: the baby.
• 31:37
  Speaker 10: Enjoy this episode.
• 31:38
  Speaker 4: Yeah, we'll get back to it now. Bye. The subway that.
• 31:46
  Speaker 2: Comes to the subway, guys, Amber had one thing hit
• 31:53
  Speaker 2: and she gave.
• 31:54
  Speaker 4: She tried to down down so that that was a
• 31:58
  Speaker 4: particular desperate just fit it in there. Yet she's like
• 32:02
  Speaker 4: the subway.
• 32:03
  Speaker 2: She would come and enter the green room like.
• 32:05
  Speaker 4: That, the subway. My god, I'm so sorry you had
• 32:09
  Speaker 4: sorry that. I love that shot. The man thinking about ties.
• 32:16
  Speaker 3: He's trying to show we're going out for a fancy
• 32:18
  Speaker 3: night tonight, everybody. This is the importance of wearing a tie, which,
• 32:21
  Speaker 3: if you've seen any musical from the thirties, almost every
• 32:24
  Speaker 3: show has one like that.
• 32:25
  Speaker 4: Oh, you have to address, you have to.
• 32:27
  Speaker 5: Address to tell you, Revan Hansen, how to how to.
• 32:30
  Speaker 4: Use a glove.
• 32:33
  Speaker 3: I used to love when musicals and just stop everything
• 32:36
  Speaker 3: and talk about an object.
• 32:37
  Speaker 5: It's always one man act too, about forty five minutes
• 32:41
  Speaker 5: and he goes, well, this is how this works, you know,
• 32:44
  Speaker 5: And it's always explaining the characters put in view, and.
• 32:47
  Speaker 4: It's just such a nice reprieve. When that happens.
• 32:49
  Speaker 10: You don't take any offense to your screaming thank you.
• 32:52
  Speaker 4: Nobody did.
• 32:53
  Speaker 1: It was just it was crazy that we had to
• 32:55
  Speaker 1: shut down. If that was one of the reasons, I'd
• 32:57
  Speaker 1: be so disappointed because I don't think it was not
• 32:59
  Speaker 1: even distracting even you know, I don't even think that.
• 33:03
  Speaker 4: Added to it. Sorry, I'm getting a call. Hi, Hello,
• 33:07
  Speaker 4: this is this is cap No I can I can
• 33:10
  Speaker 4: have this? Like, I'm so sorry. It was just when
• 33:13
  Speaker 4: we were among friends. Hi, okay, business, Well are you sure?
• 33:22
  Speaker 19: Okay?
• 33:22
  Speaker 4: An, It's spread so it spread to my mom as well.
• 33:30
  Speaker 4: Oh and then she went home to the family reunion
• 33:34
  Speaker 4: and no one and no one stops her with mink.
• 33:38
  Speaker 4: So they're all, okay, thank you, Can I do it? No? Okay, okay,
• 33:46
  Speaker 4: thank you so much. Are we back?
• 33:48
  Speaker 20: Hi?
• 33:49
  Speaker 4: Yeah, talking about bloop Musical. Of course, this was a
• 34:01
  Speaker 4: little bit of a messy preview. Let's talk blooper reels.
• 34:04
  Speaker 4: We filled on the previews, the bloopers of the live
• 34:07
  Speaker 4: Broadway show.
• 34:08
  Speaker 2: So this is something I brought from the screen. I'm like,
• 34:10
  Speaker 2: we got to have a blooper in my community, the
• 34:13
  Speaker 2: screen community, we have a blooper. You look like you've
• 34:15
  Speaker 2: seen a ghost.
• 34:17
  Speaker 5: Oh that reminds me of my favorite blooper. Oh yeah,
• 34:19
  Speaker 5: when you're singing how to use a tie? And you're
• 34:25
  Speaker 5: singing how to use a tie, and our stage manager
• 34:28
  Speaker 5: came outside, came out and walked, did a walk and
• 34:30
  Speaker 5: took a deep exhale. And I thought it was hilarious.
• 34:34
  Speaker 1: It was so funny when I stage manager and took
• 34:38
  Speaker 1: a deep exhale.
• 34:40
  Speaker 4: I mean, comedy writes itself, you have a deep exhale.
• 34:44
  Speaker 2: And then and then the lightning.
• 34:45
  Speaker 4: I had a big pause. I had a big pause.
• 34:49
  Speaker 3: Remember Diary, when you said I haven't just a Dane
• 34:52
  Speaker 3: like a great day.
• 34:54
  Speaker 4: Like a great day, like a dog. You gotta tried
• 34:58
  Speaker 4: to cover too much. My god, what's the dog? What's
• 35:01
  Speaker 4: the dog?
• 35:02
  Speaker 10: You're adopted?
• 35:02
  Speaker 5: Tell me that dog?
• 35:04
  Speaker 21: So I have a dog. It's a Boxer's so funny.
• 35:11
  Speaker 21: He's such a funny little dog. You can adopt him normally,
• 35:15
  Speaker 21: but now I have to. Now I have all the
• 35:17
  Speaker 21: time in the world to adopt this dog.
• 35:19
  Speaker 4: And I think we.
• 35:19
  Speaker 2: Want a name him, James Franco. I think we want
• 35:22
  Speaker 2: to Okay, want to name Dave Frankly.
• 35:32
  Speaker 6: What's your name?
• 35:33
  Speaker 4: The dog?
• 35:33
  Speaker 19: Sorry name?
• 35:36
  Speaker 6: Sorry?
• 35:38
  Speaker 22: Sorry, come on, sorry, come on.
• 35:48
  Speaker 5: Sorry, what.
• 35:55
  Speaker 4: Are we doing?
• 35:57
  Speaker 6: Just Frank?
• 35:57
  Speaker 4: Is something wrong? Frank? And everything is done. It's over.
• 36:03
  Speaker 9: It's not huhs and it's not everything will be fine.
• 36:07
  Speaker 4: It's all done. It's all over. It's gone. Every hope,
• 36:11
  Speaker 4: every dream, everything that we wish for is over. You
• 36:16
  Speaker 4: quit your entire career to be here.
• 36:19
  Speaker 9: You you you, You opened up your relationship and you
• 36:22
  Speaker 9: can't get back to them now and follow Lady.
• 36:27
  Speaker 4: What did I do? You don't ask. I'm wondering. They're
• 36:32
  Speaker 4: doing such good reads on people to read leope you're
• 36:38
  Speaker 4: moving back in with a couple of guys. Oh god, shit,
• 36:43
  Speaker 4: this is the lowest point. My entire family just died.
• 36:48
  Speaker 4: I did all of them.
• 36:49
  Speaker 11: I didn't want to.
• 36:50
  Speaker 4: You were being such an active listener on the phone call.
• 36:52
  Speaker 4: We kind of knew that.
• 36:55
  Speaker 1: We were trying to make you feel better with playing
• 36:56
  Speaker 1: the Bluebers from our live musical.
• 36:58
  Speaker 2: We thought it would just chick you up to just
• 37:01
  Speaker 2: kind of breeze past.
• 37:02
  Speaker 4: Okay, but what about the reality of the situation. This
• 37:04
  Speaker 4: is the what about the reality? We're all counting on
• 37:08
  Speaker 4: this hit?
• 37:09
  Speaker 1: Frank, Frank, can I call you scap?
• 37:13
  Speaker 5: Yeah?
• 37:15
  Speaker 4: Yeah, you could call me lady. Else's name scap.
• 37:24
  Speaker 11: This is the business. Unfortunately, if you.
• 37:28
  Speaker 1: Let your whole career and your whole life just be
• 37:31
  Speaker 1: promised on one moment, then you're not giving yourself enough
• 37:34
  Speaker 1: space to see how wide and how full your body is,
• 37:38
  Speaker 1: How wide your body.
• 37:39
  Speaker 2: Is, wide and full your body is you have.
• 37:44
  Speaker 1: You're more than just a failed You are art itself.
• 37:50
  Speaker 1: You are Adams and a cosmos, and time and everything
• 37:55
  Speaker 1: that has happened to each atom before has led to
• 37:58
  Speaker 1: this beautiful unification in you.
• 38:01
  Speaker 4: Hey, Leo, get fucked well, get.
• 38:06
  Speaker 1: On Sunday, get absolutely interact, Okay, because what I'm looking
• 38:10
  Speaker 1: at right now is becoming like this, sorry loser.
• 38:12
  Speaker 4: Okay, don't you fight, don't you fight?
• 38:15
  Speaker 6: Lady, calm the.
• 38:16
  Speaker 9: Fun down, okay before I switch your pills again. Bitch, Okay,
• 38:20
  Speaker 9: you did it on purpose, Yes I did, little bitch.
• 38:25
  Speaker 4: I own a gun. I do do.
• 38:33
  Speaker 6: Flow. A lady has a gun.
• 38:35
  Speaker 4: What are you gonna do about it? I'm gonna watch.
• 38:45
  Speaker 6: Bigger than.
• 39:00
  Speaker 1: Mm hmm.
• 39:05
  Speaker 4: I'm so sorry. I'm so I'm so sorry. That was like,
• 39:11
  Speaker 4: it's okay, emotions. I'm so sorry. I had a moment.
• 39:15
  Speaker 4: You're going through. What we like to say is the
• 39:18
  Speaker 4: five stages of a closing. We've all been.
• 39:20
  Speaker 10: Through that, be through.
• 39:25
  Speaker 4: Did you eat today?
• 39:26
  Speaker 7: No?
• 39:26
  Speaker 6: No, no, no, no no no.
• 39:27
  Speaker 4: I wanted to into this.
• 39:30
  Speaker 3: Don't don't eat stage makes you sad. The stages so
• 39:37
  Speaker 3: the five stages of grief kind of a pin a pun.
• 39:43
  Speaker 4: There, kind of a pin in the next which is a.
• 39:46
  Speaker 16: Pun on pun is a pun on pun.
• 39:49
  Speaker 5: I never got that. Yeah, I never thought that a
• 39:56
  Speaker 5: word different. That's a little off.
• 39:58
  Speaker 4: It's a pun.
• 40:00
  Speaker 3: Ages of closing one curtain falls, to watch out, heart falls,
• 40:07
  Speaker 3: look out, three, Darkness falls.
• 40:11
  Speaker 5: Eyes up.
• 40:12
  Speaker 4: You're kind of adding your own rules, you know.
• 40:14
  Speaker 5: I'm doing it like like when like Monday, I can play.
• 40:31
  Speaker 4: Stages. That's kind of exactly.
• 40:38
  Speaker 6: What I was going for.
• 40:40
  Speaker 3: Curtain falls, five stages of a closing, Curtain falls, heart falls,
• 40:51
  Speaker 3: Darkness falls.
• 40:52
  Speaker 4: Up, mind falls, whoa spirit? Oh no sorry? Instead of
• 41:00
  Speaker 4: mind falls, bank account falls catching, Spirit rises.
• 41:06
  Speaker 6: Wow.
• 41:07
  Speaker 10: So the show ends and just six yeah, him, So
• 41:17
  Speaker 10: that's what's happening.
• 41:18
  Speaker 3: I mean, I I you're currently in stage I would
• 41:20
  Speaker 3: say heart falls, Yes, so, darkness falls, it's coming.
• 41:23
  Speaker 4: We're gonna be So.
• 41:24
  Speaker 1: I was right there, like twenty minutes before we started this,
• 41:28
  Speaker 1: I was I was desperate.
• 41:29
  Speaker 4: I was.
• 41:29
  Speaker 1: I wasn't looking, you know, good for me. I was
• 41:32
  Speaker 1: just kind of like was broken. And now I'm just
• 41:35
  Speaker 1: that I've moved past that whole heart falls and I'm
• 41:38
  Speaker 1: at bank account falls. So I'm just talking to my
• 41:41
  Speaker 1: accountants and trying to figure out what to do next.
• 41:43
  Speaker 4: Person, I'm so sorry for saying what I said to you.
• 41:45
  Speaker 4: You don't have to apologize. That wasn't you, But I
• 41:48
  Speaker 4: take responsibility.
• 41:49
  Speaker 10: We're going through something, Listen.
• 41:50
  Speaker 4: I've had a lot of losses in my life, have gone.
• 41:52
  Speaker 10: Through forty eight shows closing right, all the same.
• 41:57
  Speaker 3: They all hurt, but I know they always come back,
• 42:00
  Speaker 3: and I always walk back in and someone goes, you
• 42:03
  Speaker 3: got casts on this too, and go yeah, and look,
• 42:08
  Speaker 3: if my crazy cowboy version of Kiss Me Kate didn't
• 42:12
  Speaker 3: go down in previews, I never wouldn't gotten too play
• 42:15
  Speaker 3: a really weird bank teller that looks really weird and
• 42:18
  Speaker 3: a Coen Brothers movie in one scene, and so that's
• 42:21
  Speaker 3: really special.
• 42:23
  Speaker 4: Can you tell us? Can you tell us again your
• 42:25
  Speaker 4: top six favorite shows that never made it? Of course,
• 42:29
  Speaker 4: and I'll do the La Hiams this time. Okay, I'm
• 42:33
  Speaker 4: curious what those will be turning of the screw set
• 42:38
  Speaker 4: at a high school.
• 42:39
  Speaker 11: Here we go, Here we go.
• 42:42
  Speaker 4: I'm doing that. I'm doing the echomams behind. I'm sorry
• 42:53
  Speaker 4: we fought back, me too, but I liked what happened
• 42:55
  Speaker 4: at the end. I was in a regional tryout of
• 42:57
  Speaker 4: Life a quadical Cesius with the musical Scooby Do, Scooby Doo.
• 43:05
  Speaker 4: I was in a John Leguzama show called Shoes for
• 43:08
  Speaker 4: a White Man. Leguism Who leguism Who.
• 43:17
  Speaker 3: I was in a updated musical version of Disney's The Fox.
• 43:22
  Speaker 4: And the Hound at the paper Ball playoffs. Scooby Who,
• 43:26
  Speaker 4: Scooby Suck. I will tell you what. I'm seventy five
• 43:30
  Speaker 4: years old. This is the worth lie I ever got.
• 43:32
  Speaker 4: I'm just trying. I'm just trying.
• 43:33
  Speaker 2: I'm just trying. I'm just trying, just trying.
• 43:36
  Speaker 5: Journey into miser I was in Trying.
• 43:40
  Speaker 3: I was in a version of This Is Our Youth,
• 43:42
  Speaker 3: but everyone was played by an old person. This is
• 43:46
  Speaker 3: our New This is Hard Now, and the show you
• 43:51
  Speaker 3: might know Diary of a.
• 43:53
  Speaker 4: Day, Oh wow, a day? What can be in any
• 44:03
  Speaker 4: that's so simple?
• 44:05
  Speaker 5: So sweet? The train comes, it sweeps, the train goes,
• 44:14
  Speaker 5: it dies.
• 44:17
  Speaker 4: What's that from I wish that was in a musical,
• 44:20
  Speaker 4: an amazing song in the musical. My God, we have
• 44:23
  Speaker 4: to call the plan. I feel like I just say
• 44:27
  Speaker 4: I have a word for you, Flying Streak. You might
• 44:37
  Speaker 4: have no I would have gotten really.
• 44:42
  Speaker 1: So heart heart filled but broken and sad, but hopeful
• 44:46
  Speaker 1: and hopeless. The song that you sing in the original
• 44:49
  Speaker 1: musical is a lot worse field, so much more.
• 44:53
  Speaker 2: Sense for the scene because what I tell in there
• 44:56
  Speaker 2: was that song about pennies.
• 44:57
  Speaker 5: I'm blaming this on our accountant, but I remember I
• 45:00
  Speaker 5: pitched that song to our composer Tema and Tima was like, no,
• 45:07
  Speaker 5: that song sounds bad, so I wanted to sing it today.
• 45:11
  Speaker 1: Can I be honest? I feel like Timo was one
• 45:13
  Speaker 1: of the big reason's wife this. You know, the school
• 45:15
  Speaker 1: just didn't songs.
• 45:18
  Speaker 4: There's no style cohesion with this, not at all.
• 45:21
  Speaker 5: My song sucks.
• 45:22
  Speaker 1: The rap, the wrap breakdowns, every bridge, the Germans you
• 45:25
  Speaker 1: had to do sometimes I have to do.
• 45:27
  Speaker 4: Can I be honest? Sometimes because I have I have
• 45:30
  Speaker 4: a nephew, that says theater and you have a nephew.
• 45:34
  Speaker 4: I was waiting to get the hell out the right time.
• 45:42
  Speaker 4: But lady has a friend with a nephew.
• 45:50
  Speaker 3: Nephew, so yeah, I have I have a nephew that
• 45:54
  Speaker 3: does a lot of theater in high school. But I
• 45:57
  Speaker 3: have a theory that I think Tima Tima was kind
• 46:01
  Speaker 3: of really gunning for a Diary of a Dame Junior,
• 46:05
  Speaker 3: and she was really trying to get this in schools.
• 46:09
  Speaker 4: She was really trying to sell this for the giniards.
• 46:12
  Speaker 2: She thought she could make a quick buck off of
• 46:16
  Speaker 2: this show. And it's really rude. I hate when composers
• 46:19
  Speaker 2: do this.
• 46:19
  Speaker 4: This is my pet peeve.
• 46:21
  Speaker 5: And you're so right now that I think about it.
• 46:23
  Speaker 5: All our merch was back to school items.
• 46:28
  Speaker 2: Cases, not reselling protractors.
• 46:32
  Speaker 20: What was that.
• 46:35
  Speaker 1: And the fact that we had to do it, we
• 46:38
  Speaker 1: had to go, I mean it was and all those songs.
• 46:40
  Speaker 1: I mean, one of my least favorite songs I can
• 46:42
  Speaker 1: say now because it's canceled, is when the Diet When
• 46:45
  Speaker 1: the Dame counts the streets in New York and she
• 46:47
  Speaker 1: just counts one to one hundred and sixty fourth Street.
• 46:50
  Speaker 4: They picked the streets that are just the name number numbers.
• 46:54
  Speaker 4: It's just a grid.
• 46:55
  Speaker 5: Will you sing it for us?
• 46:57
  Speaker 4: Will you sing her?
• 46:58
  Speaker 5: Because you cover it?
• 47:00
  Speaker 21: You know, every story honest your singer better than me?
• 47:02
  Speaker 20: One, two, three, four, five, six, seven, eight, nine, tens
• 47:08
  Speaker 20: Like Mambo, twelve, thirteen, fourteen, sixteen, seventeen.
• 47:14
  Speaker 4: Wait Where sixteen go.
• 47:16
  Speaker 23: Hey, Welcome to the streets of New Yorle, New York. Hey,
• 47:22
  Speaker 23: Welcome to the streets of New Yorle, New eighteen, nineteen, twenty,
• 47:29
  Speaker 23: twenty one, twenty two, twenty three, twenty four to twenty
• 47:32
  Speaker 23: five Wrap break.
• 47:34
  Speaker 6: Yeah, yeah, yeah.
• 47:35
  Speaker 4: We're out in New York City. Every day. I'm struggling
• 47:38
  Speaker 4: on the streets. Every day.
• 47:40
  Speaker 7: I'm trying to get the feet, walking up the streets,
• 47:43
  Speaker 7: walking down the bucks, making sure I got my bucks.
• 47:46
  Speaker 4: Shoot up on my six nail them in the heads.
• 47:49
  Speaker 4: They're done. A bullet in their heads. They're dead. They're dead,
• 47:52
  Speaker 4: They're dying. They're dead. I want the man's eyes leave
• 47:55
  Speaker 4: his body. Subway twenty for.
• 48:01
  Speaker 6: Twenty five.
• 48:04
  Speaker 1: When Saber money, Wait, is this your diary? And black
• 48:13
  Speaker 1: not blackout, just black.
• 48:18
  Speaker 4: Cut to black.
• 48:21
  Speaker 2: God.
• 48:21
  Speaker 5: I Oh, there's so many reasons the show could have
• 48:24
  Speaker 5: been closed.
• 48:24
  Speaker 1: There's so many and who are we and I don't
• 48:27
  Speaker 1: well that whole sequence about reading the diary and what
• 48:30
  Speaker 1: was in the diary was honestly quite disturbing.
• 48:32
  Speaker 4: I think it was just the diary of Frank.
• 48:35
  Speaker 6: Yes, it was the diary.
• 48:37
  Speaker 4: It was Frank. Yeah, and we were trying to go
• 48:40
  Speaker 4: for some sort of metaphor and we didn't land it. No,
• 48:45
  Speaker 4: we didn't. We didn't get it.
• 48:46
  Speaker 2: There because it kind of unfortunately a lot of the
• 48:49
  Speaker 2: early reviews kind of said, wasn't really sure which way
• 48:53
  Speaker 2: you felt about and Frank's diary, and that.
• 48:57
  Speaker 4: Is we did. We we say, this is a good diary,
• 48:59
  Speaker 4: but we were maybe like like a kid wrote.
• 49:02
  Speaker 2: This because we so we had one producer who was
• 49:05
  Speaker 2: really into comedy and one producer who was really into
• 49:07
  Speaker 2: World War two, and those two producers were at odds
• 49:11
  Speaker 2: with each other all the time.
• 49:15
  Speaker 4: It was strange.
• 49:16
  Speaker 3: I mean, this was written in nineteen thirty nine. We
• 49:18
  Speaker 3: no one even knew about the diary yet, and so
• 49:21
  Speaker 3: then they were adding in the this diary of the
• 49:23
  Speaker 3: Dame has to be the diary van Frank, and.
• 49:24
  Speaker 4: They got confusing too.
• 49:25
  Speaker 1: I feel like I feel like the way through it
• 49:28
  Speaker 1: switched to diary of a wimpy kid, and it was, yes,
• 49:32
  Speaker 1: very confusing, It was very confused.
• 49:34
  Speaker 5: I actually loved that part.
• 49:36
  Speaker 4: I mean, it's a.
• 49:37
  Speaker 2: It's a rather haunting scene.
• 49:39
  Speaker 12: There.
• 49:39
  Speaker 4: Let's see it. We've got the clip.
• 49:40
  Speaker 1: You're doing it right, Jesus, this is when it switches
• 49:44
  Speaker 1: from diary right clip and you're doing it.
• 49:54
  Speaker 4: You're doing.
• 49:57
  Speaker 5: This is the wrong clip. This is your clip.
• 49:59
  Speaker 4: You're doing it. Looks like this is your clip because
• 50:03
  Speaker 4: it was heard.
• 50:04
  Speaker 3: My gosh, I think it's been doctored for you that
• 50:06
  Speaker 3: you're doing. I think somebody tampered with somebody.
• 50:09
  Speaker 4: Doctors, Someone doctored the doctor clip.
• 50:13
  Speaker 11: Okay, I don't know what to do. I guess I
• 50:18
  Speaker 11: guess I'm just a wimpy kid.
• 50:23
  Speaker 5: Wow.
• 50:23
  Speaker 6: What a clip.
• 50:24
  Speaker 4: That's interesting. Wow. They really did not do a lot of.
• 50:29
  Speaker 2: Big effort on putting your face on that face. It
• 50:32
  Speaker 2: was like a puppet barely moving his mouth chopped and screwed.
• 50:35
  Speaker 5: Yeah, hold on, hold on, I'm getting a call.
• 50:38
  Speaker 4: Oh my god, told on a rotary phone.
• 50:44
  Speaker 6: Okay, Hello, fla lady, this is landon speak when you're ready.
• 50:59
  Speaker 4: What was that?
• 51:00
  Speaker 3: Hm?
• 51:01
  Speaker 5: What you don't say?
• 51:05
  Speaker 4: It seems like a mystery lady is all clue.
• 51:12
  Speaker 5: In the room with a knife for the door closed.
• 51:17
  Speaker 10: Lady, how you are because everything she's clearly listening. So
• 51:22
  Speaker 10: when you get onto a phone calls.
• 51:23
  Speaker 4: Who don't have to say everything that you hear. I
• 51:26
  Speaker 4: was going through a moment.
• 51:28
  Speaker 11: Who it feels like she's doing.
• 51:32
  Speaker 4: Who?
• 51:33
  Speaker 6: Hey?
• 51:34
  Speaker 4: All right, flow lady, all right, I gotta go, lady.
• 51:43
  Speaker 4: What on earth was whatever was happening?
• 51:46
  Speaker 5: What was happening on the freak out? Especially you you're
• 51:50
  Speaker 5: a young one. Okay, there's a potential for a new financy.
• 52:03
  Speaker 6: The knife?
• 52:03
  Speaker 4: What was about the night? What was the knife about?
• 52:07
  Speaker 15: Oh?
• 52:07
  Speaker 5: That was just me bumbling on about something.
• 52:11
  Speaker 4: Completely related. Who's the financier?
• 52:14
  Speaker 5: But before I even tell you that, all I've heard
• 52:18
  Speaker 5: so far these last thirty forty minutes is how much
• 52:21
  Speaker 5: we hated the show. If this financier is real and
• 52:27
  Speaker 5: not just some blumbling idiot I made up, would we
• 52:31
  Speaker 5: want to do this show?
• 52:33
  Speaker 3: So?
• 52:33
  Speaker 10: First off, if you made up a phone call with
• 52:35
  Speaker 10: a financier.
• 52:36
  Speaker 5: That phone call looked real.
• 52:38
  Speaker 4: It looks really real.
• 52:40
  Speaker 1: Also, I don't think we've said anything we've hated. It's
• 52:42
  Speaker 1: just things that have gone wrong.
• 52:44
  Speaker 4: Would you if you got the chance, If I could
• 52:47
  Speaker 4: have the chance to actually have an opening night on Broadway,
• 52:52
  Speaker 4: if I could have the chance to have a reason
• 52:57
  Speaker 4: to miss my entire families.
• 53:03
  Speaker 2: If I could have the chance to face those eyeballs
• 53:06
  Speaker 2: in the dark and not call them fucking perverts, couldn't.
• 53:12
  Speaker 1: If I could have the chance to not live with
• 53:14
  Speaker 1: those two guys I said at the beginning, I would
• 53:16
  Speaker 1: be living.
• 53:16
  Speaker 10: With That's good.
• 53:19
  Speaker 4: That's all I have. That's good, the only thing I have.
• 53:23
  Speaker 4: It's a miracle any of us have anything. We are.
• 53:36
  Speaker 2: Care less about having something to say.
• 53:40
  Speaker 1: Here.
• 53:41
  Speaker 5: If you had the chance, would you take it?
• 53:46
  Speaker 4: If you had the chance, would you claim it to
• 53:49
  Speaker 4: be yours?
• 53:51
  Speaker 10: If you had the chance, would you hold it in
• 53:54
  Speaker 10: your hand?
• 53:56
  Speaker 2: If you had the chance, would you dance?
• 54:00
  Speaker 4: If you had the chance, would you? Guys?
• 54:07
  Speaker 24: I think we should take it, huh. I know that
• 54:10
  Speaker 24: we've already gone through many stages of morning here, especially you,
• 54:13
  Speaker 24: especially Yes again, so sorry for the things that I
• 54:15
  Speaker 24: said on and off Mike, But think of it. Even
• 54:21
  Speaker 24: if it goes wrong, and even if we all get
• 54:24
  Speaker 24: hurt physically, emotionally, mentally, professionally, shouldn't we just take the chance.
• 54:32
  Speaker 24: Shouldn't we just take the leap into the darkness.
• 54:36
  Speaker 19: If you had the chance for nothing to be the same,
• 54:41
  Speaker 19: if you had the chance for a diary of a dame,
• 54:46
  Speaker 19: Would you take it or would you.
• 54:49
  Speaker 4: Just bow out the choices? Yours don't pout. None of
• 54:56
  Speaker 4: us learned that song, none of us got to learn.
• 54:59
  Speaker 4: We should put that, and.
• 55:02
  Speaker 5: We should put your If we had another chance, we'd
• 55:05
  Speaker 5: put my song in it. We put your song in it.
• 55:07
  Speaker 5: Maybe you would have a role, one role every time.
• 55:10
  Speaker 4: Would it be I don't know if you have a
• 55:13
  Speaker 4: chance to play a role, who put it be? If
• 55:18
  Speaker 4: I had one chance, it would be the train conductor
• 55:24
  Speaker 4: in the subway.
• 55:27
  Speaker 10: A perfect an off stage character that is spoken of
• 55:31
  Speaker 10: the entire show.
• 55:32
  Speaker 5: That we've never seen on stage, a.
• 55:35
  Speaker 10: Perfect opening to add somebody.
• 55:38
  Speaker 2: A perfect introduction to New York City.
• 55:40
  Speaker 4: And the song could go ch chu chu to to
• 55:51
  Speaker 4: train coming in the town, to day train coming in
• 55:54
  Speaker 4: the town today, Red line, blue line one to eight,
• 55:58
  Speaker 4: red line blue line eight eight cars, seven cars, six cars,
• 56:04
  Speaker 4: five cars, four three two one. Yeah.
• 56:07
  Speaker 7: I'm in New York City, just doing my thing, nineteen
• 56:10
  Speaker 7: thirty nine, and I'm saying that same thing.
• 56:13
  Speaker 4: This is the city your dreams, this switch things going well.
• 56:16
  Speaker 7: If you want to get lost, go to Queens. I'm
• 56:19
  Speaker 7: here in the city hoping that you don't run into
• 56:22
  Speaker 7: some shitty. Wait, there's a girl here with a diary.
• 56:26
  Speaker 7: I wonder if she's gonna crary one.
• 56:34
  Speaker 18: Learning turning on a time, putting on a tie, and
• 56:38
  Speaker 18: a pretty guy.
• 56:39
  Speaker 4: Putting on a tie, putting on a tie, hooting.
• 56:42
  Speaker 6: On a tie.
• 56:43
  Speaker 4: I'm a pretty la la la la la la lula
• 56:54
  Speaker 4: will wimpy kid.
• 56:57
  Speaker 2: Yes, siam o wimpy kid.
• 56:59
  Speaker 4: I am a wimpy Yes, I am all.
• 57:20
  Speaker 21: Right.
• 57:21
  Speaker 4: That's lunch. The whole opening is just the musical incredible.
• 57:28
  Speaker 2: Rachel, tell the dog he's back to Foster.
• 57:34
  Speaker 4: I don't want the house in Montgue. I'll be staying
• 57:37
  Speaker 4: on Broadway. Text the doctor. I don't need to see
• 57:41
  Speaker 4: the body, Diane, the ups guy is gonna be thrilled.
• 57:46
  Speaker 4: Let's open up that marriage and Trevor and Dominic. I'm
• 57:51
  Speaker 4: all right, you can find another roommate.
• 57:55
  Speaker 6: Who's here?
• 57:57
  Speaker 4: Who is it? Who is lady?
• 57:59
  Speaker 6: What't you tell us? Lady?
• 58:12
  Speaker 4: You know one of the bullets that she was one
• 58:14
  Speaker 4: of the bullets for my gun that you was deep
• 58:16
  Speaker 4: throating earlier, bullet in her throat.
• 58:19
  Speaker 25: It must have melted, must have melted. It makes sense,
• 58:25
  Speaker 25: a bullet lagat and melted. Lady, Polly put the gun
• 58:36
  Speaker 25: back in her throat. Maybe the bullet will go back in.
• 58:39
  Speaker 1: And also she we still might have a financier even
• 58:42
  Speaker 1: if she's dead.
• 58:44
  Speaker 4: I mean my pill bottle all the bullet to.
• 58:53
  Speaker 5: A dame is what you call a woman when a
• 58:58
  Speaker 5: woman is down on our lock.
• 59:00
  Speaker 4: Who are you singing to?
• 59:04
  Speaker 19: Dame?
• 59:04
  Speaker 5: Is what you call a man when he is nothing
• 59:09
  Speaker 5: but a schomak. I made up the phone call. There's
• 59:14
  Speaker 5: no financi.
• 59:21
  Speaker 3: Interesting question of that's why they call it show business.
• 59:23
  Speaker 3: Good Night, Hollywood? Why from the Beautiful Dynasty and.
• 59:28
  Speaker 5: Incredible guess Chris Redfrother, Oh my god?
• 59:32
  Speaker 4: Where can they find you?
• 59:34
  Speaker 9: You can find me at the Meat Skeleton, or you
• 59:38
  Speaker 9: can listen to my podcast One of Us with Finn
• 59:40
  Speaker 9: and Chris.
• 59:41
  Speaker 10: It's the best part.
• 59:43
  Speaker 4: Love you guys.
• 59:43
  Speaker 5: Find our Patreon barb Artists on Artists on, Artists on Artists.
• 59:49
  Speaker 26: Improvised Hollywood Brown People podcast created and performed and produced
• 59:52
  Speaker 26: by Kylie Brakman, Jeremy Colney, Angela Jeratana, and Patrick McDonald.
• 59:56
  Speaker 26: Music is by Gabriel pond Talk. The opinions expressed.
• 59:59
  Speaker 5: On this podcas guests do not reflect the opinions of
• 1:00:01
  Speaker 5: anyone who works on it, not even the performers, because
• 1:00:04
  Speaker 5: this is an improvised podcast and we're stupid.
• 1:00:06
  Speaker 26: All video versions of Ao ao ao A are available
• 1:00:09
  Speaker 26: on YouTube, so please like and subscribe and leave us
• 1:00:11
  Speaker 26: a five star review wherever you get your podcasts.
• 1:00:14
  Speaker 5: Good night, Hollywood,