Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Line Up: The Jersey Parallel (EP0878)

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The Line Up: The Jersey Parallel (EP0878) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

0:28
Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
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is your host, Adam Graham. If you have a comment, email it
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to meet Box thirteen at Great Detectives dot net. Follow us on Twitter at
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Radio Detectives, and become one of our friends on Facebook, Facebook dot com
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slash Radio Detectives. This weekend at Great Detectives dot net, we have a
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couple of articles up. On Saturday, we're pleased to bring you our continued
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countdown of the top twenty five Dragnet stories, and we cover from number ten
1:03
to number six. The next week we will have the top five stories,
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and then we also count down number fourteen and number thirteen on our list of
1:14
radio's most essential people. You can read more about it at Great Detectives dot
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net. You can also subscribe to the stories. If you have a Kendle,
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have it just directly downloaded to your Kindle through the Kindle Store and you
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can try that out free for two weeks. All right, Well, now
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it's time for today's episode of the Lineup. The Jersey Parallel. Well take
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you now behind the scenes of a police headquarters in a great American city,
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well under the cold, glaring lights will pass before us, the innocence,
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the vagrant, the thief, the murderer. This is the lineup. We're
2:21
gonna take this ro all right here? Will this take long? You can
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not too long, missus. Welland I had to do my shopping for the
2:27
weekend. It won't take long. Did you catch them in? And we
2:30
don't know. We picked up everybody in the area that has a record or
2:32
look suspicious. I hope you have got him and it would be a need
2:37
to have a man like that running around room here. People out there on
2:39
the other side of the wire of the audience room, may I have your
2:42
attention? Please thank you. My name is Greb, Sergeant Matt Greb.
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I'll explain the light up to you. Each of the suspects you will see
2:50
will be number. I'll call off a number, their name and charge.
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If you have any questions or identifications, please remember the number assigns of the
2:59
prisoner was like, call his name at the end of each shrine. When
3:02
I asked for questions or identifications, call up the number. If you're sure
3:07
or not too sure of the suspects have him out. The officers will have
3:14
a dozen or so. Please be funck with your questions or identifications. When
3:17
the prisoners leave here, they assess in the bathroom and dressed back into their
3:22
jail clothes. It makes it quite difficult to bring them back after they leave
3:25
here. The questions I asked these suspects, I'm merely to get a natural
3:30
tone of voice, So do not pay too much attention to their answers,
3:32
as they often lie. Bring on the line, all right, all right,
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move up to the end of the stage, Right on up to the
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end. Keep it moving, all right, turn and place front hands,
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see your sides, look straight ahead. You'll take off your hat, okay,
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number one Lennon Fox. They're selling a piece stakes your age and where
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you're living. I'm party two years old. I never a hundred nine was
4:00
any in stress, and you know down when I wasn't just sibing a piece.
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That's the charge runners all right, walking along with my my own business,
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doing nothing. I get hauled in for no reason. Your harm me
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and he ain't gonna charge here, you see, I'm disturbing it. Who
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am what am I disturbing? I want to know? Five arrests to conviction,
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Yeah, long time to come shut y best possession when yeah, I
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know what I've done, I done on a hundred and eighty day. For
4:19
what I done, I ain't done it lately. Just answer my question.
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I'll get here, Hong Dame with the seven a piece because I ain't disturb
4:26
nothing. I give me arrest and offer a little pubble shot because I know
4:30
you've got enough number And he tagged me with a pony charge just because you
4:33
can't kicking up in on me and you want me down here. All right,
4:36
that's enough. I turn down here. But he ain't done nothing.
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You all through shooting off your face. Some guy shakes the screw loose and
4:42
shoots up the town. So you're all and everybody with a record. I
4:45
don't go around shooting nobody number disturbing eyes shut on number two ever o'clock?
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Hello, suh? Where do you live? Edward? Same place? Sell
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the people? Bruce Steam was hundred ten s? Where do you work?
5:00
Ever? M on the twin shot? You've still got ten months to go
5:03
on your parole. Yeah, look, we all know why we got picked
5:08
up. Yeah we're not when we got picked up. I told you to
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shut up. He I know my rights, all right, get him out
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of here. Come on, I won't know why I run him down to
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the tanking. Kumarave okay, helping, but I know my reck all right?
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Verard? What were you doing when the officer picked you up? Walk
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at where? No slice? Just walking? Not low for doll I just
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show nobody. I never even come Claus okay. Number three, stakes your
5:31
name and where you're living? John echoes in one hundred and tenths at Orange.
5:34
You've got quite a record, John, Not for killing nobody. You
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know about the killing. Sure, some cycle kicks one where they're gonna kills
5:41
everybody outside it kills seven people moved to three pirty Cycle number four I stakes
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your name and where you live? Thomas Cash and My thirty three seventy six.
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You were picked up a long way from home. I'm a longer.
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What were you doing when the officer picked you up? Wind or shopping?
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You were picked up for blocked away from the shooter. Yeah, I even
6:00
heard it, but you kept on window shopping. No, my sounded like
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backfires to me. You don't know the difference between backfires and gunshots? Well,
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how would I know? Nineteen thirty eight, arrested on suspicion of arm
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robbery. Nineteen thirty nine, breaking and entering thirty even a day. Thankteen
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forty one suspicion of murder same years convicted and served three years for rom property
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And it make a heck of a movie. You wouldn't be number five,
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every mind? Look what a lot? How about the rest of him?
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You will with him these words you were leaving girl, sergeant grab Yeah,
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no identifications, run on the next bunch. Oh I'm beat. Yeah,
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well I didn't expect an identification on any of those boys. A man we're
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looking for was probably doesn't even have a record. We better get him in
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a hurry. The whole town's yelling for an arrest is a mental case,
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no doubt about them. No motive in this killing. Shoots anybody and discriminately.
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Seven people just walked down the block and shoot him. Have you looked
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at j ballistics report? Yeah, ties in with what the witnesses said said.
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It was a big gun, logo automatic pistol. Yeah, a machine
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pistol. Oh what do we do? I think he's still in that area?
7:36
Look at figures that he lived somewhere around there. Why does it figure?
7:40
Well, that gun he had was a pretty big gun. Couldn't possibly
7:42
carry it in his pocket? He's not going to walk very far with him
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before using it. I think he walked out of his house or wherever he
7:48
was staying. He started down this block first personally saw he killed him.
7:55
If he drove a car, no, no, no, that's so good.
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If he had a motive, sure he had a reason for killing those
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particular people to be planned it, But no, this was just insane,
8:05
wild massacre. Was anybody saw anybody on the street, Yeah, yeah,
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I guess we'll look at the first person he shot. A five year old
8:13
boy playing on his roller skate, walked up to him and killed him.
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Ten people he shot like that, seven of them dead, maybe an eight.
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Now I'm convinced he probably sat around in his room this thing eating at
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him, made up his mind, walked out and started down the block and
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went crazy. Well, if you're right, you've narrowed it down to a
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pretty small area, and somebody in that area must know him and be able
8:37
to recognize him and tell you who he is. And we've got a fairly
8:39
good description from the witnesses. Nobody recognized him, but they all gave a
8:43
fairly accurate description. Let's give it to the police artist. Let him draw
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up a picture where the witnesses. Now, I've got all five of them
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down looking at the mug file. Missus Wheeler keeps selling she's got to do
8:54
her weekend shopping. She mentioned it to me several hundred times. She's probably
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got a grouch. Your husband, h go get him? Man? How
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if you all just sit on please, this is mister Collins. He's going
9:22
to listen to your descriptions of the killer and try to reconstruct his likeness.
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Mister Case, Yes, did it as nearly as you can. Will you
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again tell us what this man looked like. I certainly he was. Just
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a minute please, Now the rest of you have anything to add, speak
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up if you disagrease Hey, so immediately, all right, mister case Well
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he was about as tall as the sergeant. Yeah about You're about six feet,
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aren't. Your man was in the quarter of an inch. He was
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thin. He was wearing a white shirt. Just a minute, you said
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he was thin? How thin? What would you say? Wayne? Oh?
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I guess about one hundred and sixty. Oh sinner than that. My
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husband weighed one hundred and sixty. He was thinner than that. Well he
10:09
could have been. I'm not a very good judge, more like one hundred
10:13
and fifty. You all agree he was wearing a white shirt, mister case,
10:20
Yes, white shirt and dark pants. I don't know what color pants
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he was wearing. Just wearing a shirt and no coat. And that's right.
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And in this weather too, and that makes it look more like he
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didn't walk too far. Shirt and brown pants, that's right. Anything else
10:39
I can't think of anything? No, I can't. The rest of you
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all right, now, this is really important. How many of you got
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a really good look at his face? Good enough so you could give an
10:48
artist a description fairly close? Raise your hands please, everybody, but Missus
10:54
Wheeler. I only saw how he was dressful. It's all right, Missus
10:58
Wheeler. We'll start with a complex Lieutenant. Yes, as long as I
11:03
can't help, all right, Missus Wheeler, you can go get your shopping
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down. I can't do much good. No, you certainly can't. Goodbye,
11:11
and thank you, Missus Willing you think I didn't want it? Will
11:13
you shore out my pleasure? Now? Would you say the man had a
11:18
dark, medium or light complexion in this case? Well, I'd say it
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was definitely dark. Okay, dark hair, that's right, it's cut very
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short. She couldn't miss it. Would you say he had a long head
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or a short round head? We had a very thin face. The head
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was long, very heavy eyebrows, dark eyes. Well wait a minute,
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they weren't so heavy, heavier than yours. Well, not so. Look
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I got a good look at him. Wait a minute, please hold it,
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hold it a little more on the nose. Yeah, you're right on
12:05
the bridge of the nose, not so, not so straight, Luke,
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Could I be excuse for a second. I'm sure, go ahead and say
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we've been in here over an hour. I've been okay. The squad room
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is crawling with reporters. We'll have to give him some action soon. Don't
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you think I'd like to give him some action? And I don't get jumpy,
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that's billiot. That's pretty close to what he looked like. I think
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he had more of a point as the chin, you know it stood out
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more. I don't know. That's pretty close. You'll disagreed with everything I've
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said. Look, lady, I'm sorry, I just don't think it's chin.
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You don't think anything. You just say no, don't look like that.
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Say what you're like, lady, Get as nasty as you want I
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don't. Please, please look look. I know it's tough for everybody here
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a monkey. No, wait a minute, please, wait a minute.
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I heard one of you say that it looked pretty much like the killer,
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said if the chin was more pointed. Yes, all right, but it's
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close. Yeah, it's all right. Then. I hope I didn't take
13:01
too long. That's all right, mister Kay said. Take a look at
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the picture. Please, do you think it looks like the Killer? Yes,
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that's very close. Now, if you'll just share, thank you,
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mister Kay. Get the picture, Matt, and let's get out of here.
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I heard it. Boys, this is as close a description as we
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could get on the Killer. Each one of you take one and start circulating
13:35
in the area. Show it to everybody. Newspapers already have these, but
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they won't be out for a while. Hand I'm up, wine, Come
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on, man, right, well we're too the start up the scene and
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work south and north. Hey, I just thought a septh of one.
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I haven't had breakfast that much. I'm started. It's an event you wait
14:16
for for twelve months, the grand finals of Horace Heights Original Youth Opportunity Program
14:20
and next Sunday Night's the Big Night for nineteen fifty. The most talented young
14:24
Americans Horace Height has ever discovered in his famous nationwide auditions will be heard competing
14:30
for the championship and the five thousand dollars grand prize. Arthur Olson, seventeen
14:35
year old piano sensation from Minneapolis City barabus. The brilliant young coloratura Jesse Owens
14:41
baritone who left the Shoeshine Stand to win one of Horace Heights quarterfinal rounds.
14:46
You will find them and the others on CBS next Sunday night, when the
14:50
Horace Height Original Youth Opportunity Program comes your way on most of these same stations.
15:00
Yes, sir, something I can do for him? Police? Oh
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oh, yes, sir? About the killing, h I shot. A
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couple of policemen were in earlier. I didn't see it. This man ever
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been on your store before? Well, I don't recognize him. You're sure,
15:39
Yeah, I think so. I don't think I've ever seen him before.
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You run the store alone? Yes, all right, thank you very
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much. On pole a few games if your head sure. It's very funny.
16:03
There's a bar over the methods taken. I'll talk to whoever's in charge
16:07
of the Alley's right, you want an alle? No? You ever seen
16:11
this guy before? Your cop? NIC's right? Ever see him? No,
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he's a guy that killed all those people. Yeah, what a terrible
16:19
thing that was. How long you've been working? Game mee? I run
16:22
a place. I hope he catch that guy. Stay for the guy like
16:26
that around? How many people you got working for you? And just the
16:30
people who might have seen this man if he came in and let me see.
16:33
There's Marge, she's the one over there serving the beer. Who else?
16:36
Let's see? I got one waitress and a two bartenders working in the
16:40
bar and bars being changed. You know, I seeing my wife, Marge
16:42
the waitress, two bartenders and my wife. That's all it's working here outside
16:48
of the pin void. You know came let's talk to him? Sure,
16:49
sure, talk to my life first. You want SE's the one at the
16:52
cash register. Uh huh. When I opened a place, she took over
16:56
the cash register. It's biggod come you married? No? Congratulations? Everything
17:15
seven blocks north, everything's six blocks south. And it doesn't look like we're
17:18
gonna get a thing. Don't try this one, but the Bombason, I
17:26
just have a pictures to do next. We're the police. We want you
17:32
to take a look at this picture. Police. Sure, let's see ever
17:37
see him before? Yeah? I think so. It looks like him.
17:41
I gotta say yesterday, if it's the guy, I'm six north? Who
17:44
is he? His name? Yea? His name? His name? I
17:47
don't know. He's only been in here three or fourth time. He likes
17:51
his heir short like in the pictures. He done something. Yeah, he's
17:55
done something from the guy. You know, he's all talking about the army,
17:57
about all the baby talk about where he lived. We never talked about
18:02
where he lived, just about the army and how he wanted his hair cut,
18:04
and how he didn't like the people in his novel. What do you
18:07
do? They killed some of the people he didn't like in this town.
18:11
He was the one he killed all those people. Today you think so,
18:15
holy gosh. I cut his hair and they didn't tell you where he lived.
18:18
He said nothing, but I know it at least time for he should
18:22
where the ruming cause blocked down the street. I've seen him in Glunda one
18:26
through the Girl series. Each side. I'm the corn at the end of
18:29
the block. Thanks, How do you like that he killed all those people?
18:33
I cut his hair? Yes, you're the landlady. Yes, that's
18:56
right. Do you want a police you want talk to you? Oh,
19:00
all right, we'd like to come in. All right, what's wrong?
19:07
Keep your voice down. It's about one of your rumors, one of the
19:11
rumors. Take a look at this picture. Oh, Jim, what's he
19:15
done? Who is he named? Fitch arthor Fitch? What's he done?
19:18
Jean? Yeah, it co been a couple of hours. Agoes do in
19:22
this room? I think? What do do? Is this room? Second
19:25
floor? Where's your phone? One in the wall and one we got you
19:29
like to pay a nickels? How many other people in the building? Just
19:32
see you up one day? Can see everybody else is working? Would you
19:37
mind telling me what this is all about? We want author Fitch john suspicion
19:41
of murder. Keep your voice down now, I look up the missus.
19:45
Sergeant grabb Ben and I are in a boarding house and out of the third
19:48
street three fourteen. We think I got a man. Yeah, that's right,
19:52
name author Fitcher Barber identified hi according to the land Maybe he's up in
19:56
his room now. No, no, no, no, we wait for
19:59
you by captain over the area. Stop you're going to go outside, Lady
20:04
get off the street as quickly as possible. Lady, you've got a murderer
20:08
upstairs. You want to stay here, all right? You go outside,
20:11
mat and wait for Waldop. I'll stay here, good Lord, don't move,
20:15
don't shoot better, put it down out there. All of your move.
20:22
You don't have a chance, son, I never do. Somebody's always
20:26
trying to hurt me. I never have a chance, I said, don't
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move, all right, unth you think you're smart, don't you think you're
20:37
pretty smart. I heard you talking on the phone. I heard you when
20:41
you came in. I saw you coming down the block. I knew you
20:44
just get this sooner or later. Just haven't made up my mind what to
20:48
do yet. I just haven't made up my mind. I feel so bad.
20:52
Everybody makes me feel so bad. We don't want to hurt youth.
20:56
You're lie. We just want to talk to you. I want to talk
21:02
to me. You want to talk to me. Then you want to go
21:04
out and tell people things about me. You want to make people talk about
21:07
me. You want to make them hate me. We want to show you
21:11
how to get out of here, show you what to do, help you
21:15
make up your mind. Why well, you just thought we could help you
21:18
out. You want to help me, that's right? How how can you
21:25
help me? Nobody around here wants to help me? That since I got
21:30
here, nobody likes me, just like that other town. What everybody's saying
21:34
things about me, planning things? How can we get off though? Out
21:38
of town? I just don't good. Let's run him out. I showed
21:44
him. We'll hide you off. I don't believe you. I don't know
21:47
you for sure you do. We've helped you before. Sure, Sure,
21:52
we don't want you to get hurt. We'll hide you so you can't get
21:55
hurt. You'll help me get boy? Sure? Don't you remember? No,
22:00
always helped you lots of times, no polices, you call a police?
22:03
Ah, we just said dad, Yeah, so we could fool them
22:07
get you out. You've helped me before, that's right answer. We'll help
22:11
you this time too. When did you help me before? Lots of times
22:15
when you were in trouble? Remember all the times you were in trouble and
22:19
how you got out of the Martha, how you got out of trouble.
22:22
We helped you. You haven't forgotten this? Have you answer? Will you
22:26
get the out of this trouble? Sure? We'll show you the way.
22:30
Good. Yeah, please please help me come down the stairs. Well,
22:37
you've got to hurry, You've got to help. Sure, sure like we
22:41
helped you in the army. All the times you got in trouble, you
22:44
were in the army or we were in the army. What's that? It
22:48
isn't anything artic? Come on, no, no, no, missus Levis
22:51
come up here, better shoot the hoople? Watch you. Yeah, we'll
22:56
go to my roof. I can say they were help. Where is?
23:00
He looked at it and he's got the landlady upstairs in his room. He's
23:03
got the machine crystal too. All areas surrounded and he's a complete paranoid.
23:07
Really came up part of the seams, thinks everybody hates him. What do
23:11
we do? And least kills seven people already? We can't take a chance
23:14
on that poor landlady. We almost had him just another second, and we
23:18
just about had him talked into thinking we were his only Friendless, I got
23:22
it, he'll trust anybody. Now, come on, let's get outside.
23:29
Oh here comes casting a waving back. The more cops off the spots,
23:32
the more desperate he'll get. Well, we just can't let him sit up
23:33
there. There's no tell him about an idea. Man stay close to the
23:37
building. According to the landlady, that's his room right above us. No
23:41
way to get up there, and there's a building across the street. If
23:45
we can get into the second floor, quine, go get a rifle.
24:06
Can you spot him? No? I can see right into his room,
24:11
but I can't see author of the landlady probably sitting down. If we'd only
24:18
get in front of that window, you know, we can't wait. Tell
24:21
Hi. When he's able to start using that gun, then we're no better
24:23
off than when we started. We are. If somebody can get him in
24:26
front of that window, well, how's that going to be done? And
24:30
I don't worry about that after I see whether I can talk my way into
24:33
his room. Ben, you think of a better way? No? But
24:37
how about me? J Island. You're a better shot than I am.
24:41
Okay, I hope you're a better shot. Remember, if I do get
24:45
him in that window, I'm the fat one. Arthur, Arthur, who
25:18
is it? Your friend? Arthur? Why don't you go away? I
25:22
still want to help you. Why do you lie like that? Why don't
25:26
you admit it? I don't want to kill me. You've got to trust
25:30
me, Arthur. I don't know a way to get you out. Now.
25:34
Listen, listen, you better leave. I've got missus Evans in here,
25:40
and I'll shoot her if anybody tries to get me out of here.
25:42
Go away. Then just look out the window, Arthur. You can see
25:47
the way to get out yourself. I don't want to look out the wind.
25:51
Go away. I'm warning you. Then just let me talk to you.
25:53
I can't hurt you by just talking to you. I don't want to
25:56
hear anything you gotta say. I bad, are you? Arthur? If
26:03
I can prove on your friend, if I can prove I've helped you before,
26:06
will you trust me? You can't prove it, will let me talk
26:08
to you. I'll prove. It's getting late, getting late. I gotta
26:12
make up my mind. What the girls, Hauta? How can you prove
26:18
that you want to help me? If I can prove that I helped you
26:19
other times, when you believe me, I will say. If I can
26:22
prove I helped you in the army, If I can prove I was in
26:26
the army with you, go ahead, well let me in night. I
26:30
can't talk out of here somebody might hear us. Put your hands up over
26:37
your head. I've got this gun and I'm going to open the door.
26:41
Missus Devens will be a fut of me. Get in front of me,
26:44
Missus Evan, you got your hands up? Yes, Ut, all right,
26:53
come over, okay, stand over there, sit on the floor.
26:57
You'll toom Mis Devin. I know not like yours. Now I may keep
27:04
you here too. You said you let me help you. I might have
27:07
just wanted to get you into their own They won't touch me. Now.
27:12
You said, if I could prove I was in the army with him,
27:15
you'd let me help you. Were you in the army with your hu in
27:21
the war? Yeah, yeah, that's right, infantly, just like you.
27:26
I was in the army for five years, seven battles. Were you
27:32
with me then? That's right. I helped you all those times. Oh
27:37
yeah, ah, terrible times. I was decorated. Yeah, you did
27:44
a wonderful job. Yeah, I got the purple heart. I was wilding,
27:48
I know, don't you remember in the hospital I helped you. Yeah.
27:55
Yeah, somebody else was with you, another man. You both help,
28:00
that's right. Oh, you don't know what it's like. And war
28:03
missus Evans. He'll tell you, all right, kill him, have to
28:07
kill him. I get kill yourself. I can help you out of this
28:10
other just like those terrible times in the wall. Just look out of the
28:15
window. Out of the window. Yeah, I got a car down there
28:19
on the street, right below the window. I don't know. They'll never
28:25
get you. I don't know. Well you've got a gun. Yeah,
28:30
we'll look out the window, look at the car. Go come with me,
28:37
sure, sure, Oh, why do people always have to hit me.
28:44
We'll climb out of that window, get in that car. I make
28:47
them all sorry for not liking me. Well you see the car. No,
28:53
no, I don't. It's all right, missus Evans. All right,
29:03
I didn't feel the car. There wasn't any car under huh. I
29:12
gotta date something. Go ahead. I feel terrible about something. I got
29:22
the gonna tell you all right, Arthur, I'm really ashamed. But I
29:30
never really want in the army. I just made it up. The lineup
30:00
or before you passed the innocent, the vagrant, the thief, the murderer.
30:04
Listen again next week when we again bring you the line up. May
30:10
I have your attention, breeze you people out there on the other side of
30:14
the wire in the audience room. May I have your attention Green, Thank
30:18
you. My name is Greff, Sergeant Matt's Grabb. I'll explain the lineup
30:22
for you. Each of the suspects you will see will be number. I'll
30:26
call up, but number the dam chime if you have any questions. The
30:41
line up, starring Bill Johnstone as Lieutenant Ben Guthrie and Wally Mayer Sergeant Matt
30:45
Grabb, is written by Blake Edwards, with music by Eddie Dunstetter. Featured
30:49
in tonight's cast Willie Patrick, Elliott, Reid Wilms, Herbert Howard McNair,
30:53
Sydney Miller, Clayton Post, Joe Daval and Virginia Gregg. The line up
30:59
is produced and directed by him Davaye. Every Friday evening on CBS, The
31:17
Handsome Young Cop Danny Clover brings Jolie's latest adventure atrolling the theatrical district of New
31:22
York Broadways. My beat, says Danny, and his stories involve Apple,
31:26
Annie's Chorus, girls, society, women, gamblers, theatrical producers, all
31:32
of the picturesque characters that are found in Times Square be listening for this fine
31:36
mystery series Broadways My Beat Friday evening on most of these same stations. Dan
31:52
Coverley speaking, this is CBS the Stars addressed the Columbia Broadcasting System, welcome
32:15
back. The one thing I noted in this episode, and I do see
32:20
that sometimes people do this on radio programs where they had a break. Ideally,
32:32
at the break you should have something that's a cliffhanger that draws your audience
32:38
in to come back. In this case, we had Sergeant Grabb realizing he
32:45
hadn't eaten all day and I was in suspense. Is he gonna get a
32:49
sandwich? Sure? But other than that, this was a great episode as
32:52
they're dealing with a very dangerously deranged person. Some pretty tenstrument addic action there
33:00
with William Johnstone overwall, extremely well played. All right, Well that we'll
33:07
do it for this week. Next week it's our listener support campaign and we'll
33:13
tell you more about it on Monday. In the meantime, become one of
33:16
our friends on Facebook. As this recording, we only need thirty more to
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have two thousand friends Facebook dot Com. Slash Radio Detectives Also be sure and
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fill out our listeners survey survey dot Great Detectives dot net, but from Boise,
33:31
Idaho. This is your host, Adam Graham. Sign and off.