Latest / Vanity Farah with Chris Farah / 90 Day Fiancé Before the 90 Days Season 8 Episode 17 “Welcome to Your Destination”

Transcript

90 Day Fiancé Before the 90 Days Season 8 Episode 17 “Welcome to Your Destination” · Vanity Farah with Chris Farah

• 0:03
  Speaker 1: Hi, everyone, Welcome back to Vanity Farah. My name is
• 0:05
  Speaker 1: Chris Fara, and I'm excited to talk to you today
• 0:08
  Speaker 1: about ninety Day Fiance. It's Before the ninety Days. It's
• 0:10
  Speaker 1: season eight, it's episode seventeen. Welcome to your destination. I
• 0:15
  Speaker 1: have no guest except for the Bengals on my arms.
• 0:18
  Speaker 1: They're back and they're going to you know, probably talk
• 0:21
  Speaker 1: as much as me. But I'm going to tell you this,
• 0:24
  Speaker 1: I want ninety eight Fiance producers to like take their
• 0:31
  Speaker 1: foot off the gas a little bit, because we're now
• 0:35
  Speaker 1: in episode seventeen of this again, season eight, Before the
• 0:38
  Speaker 1: ninety Days, and the stories are toggling between I mean
• 0:44
  Speaker 1: incredibly repetitive, like within each couple and trying so hard
• 0:51
  Speaker 1: to have like dramatic moments that are you know, falling
• 0:55
  Speaker 1: flat and also feel like fucking deja vu and also
• 0:59
  Speaker 1: are like what buddies and I really want to like
• 1:05
  Speaker 1: lean into less seasons of BS and you know, perhaps
• 1:12
  Speaker 1: a focus on what brought us here, which is like
• 1:15
  Speaker 1: authentic storytelling. Why am I talking about this? This is
• 1:18
  Speaker 1: why A Because we're about to get a brand new
• 1:20
  Speaker 1: season of regular ninety Day Fiance, which is supposed to
• 1:24
  Speaker 1: be the bread and Butter which started this, which is
• 1:26
  Speaker 1: this format we know ninety days, they get here, cultures,
• 1:30
  Speaker 1: fish out of water, people coming together, finding love, who
• 1:34
  Speaker 1: knows what's happening, dealing with families and the situations, and
• 1:38
  Speaker 1: that I think that the other thing that happened for
• 1:40
  Speaker 1: me is I watched Love on the Spectrum, which as
• 1:44
  Speaker 1: a docuseries format feels very different from ninety day and
• 1:48
  Speaker 1: it feels easier or more organic sometimes, and it's funny
• 1:53
  Speaker 1: because I want to care and be invested in couples,
• 2:00
  Speaker 1: like that's why we're watching this. But sometimes what feels
• 2:03
  Speaker 1: like the heavy handedness from the producers to make something
• 2:06
  Speaker 1: happen is giving us like a lot of similar bs.
• 2:11
  Speaker 1: So and for me, nothing is more boring than like
• 2:16
  Speaker 1: scene after scene of Forest having to confront Mollie, Like
• 2:20
  Speaker 1: how many times can we have that scene? How many
• 2:23
  Speaker 1: times can we have Molly yelling at Forest and then
• 2:28
  Speaker 1: like what, Forest stands up for himself a little bit
• 2:31
  Speaker 1: or sheena a little bit. It's like this is the
• 2:33
  Speaker 1: sixth conversation of that. Like I want to think that
• 2:38
  Speaker 1: producers sit down and they're like, well, this is what
• 2:41
  Speaker 1: happens in episode one of this couple and this is
• 2:43
  Speaker 1: what happens in episode two, and it's like they have
• 2:46
  Speaker 1: to realize that they're doing the same thing over and
• 2:49
  Speaker 1: over again. They got to know that is this all AI?
• 2:53
  Speaker 1: Come on? Like, so I'm going to start with them,
• 2:56
  Speaker 1: and I'm mad. Okay, so I'm mad, But I also
• 2:58
  Speaker 1: really need you to watch Love in the Spectrum. So
• 3:00
  Speaker 1: if you need like a pala cleanser of like maybe
• 3:03
  Speaker 1: a little more what feels like a softer and or
• 3:07
  Speaker 1: smaller and or more real and like a more nuanced
• 3:11
  Speaker 1: idea of people coming together loving, the Spectrum is going
• 3:15
  Speaker 1: to give it to you. At the same time, let's
• 3:17
  Speaker 1: start with Forest and Ghena I already have, and then
• 3:20
  Speaker 1: let's move on to you know, Anna and javaon and
• 3:23
  Speaker 1: you know, really it's like, what what can be done? Okay?
• 3:27
  Speaker 1: So with Forest and Shena, if you were going to
• 3:29
  Speaker 1: move the you know, past the point that the producers
• 3:33
  Speaker 1: decided to make it a storyline that he had never
• 3:36
  Speaker 1: been there. When the Internet exists and people saw that
• 3:39
  Speaker 1: he had been there before. That's confusing to me because
• 3:43
  Speaker 1: to me, it's not like such a big thing that
• 3:47
  Speaker 1: he either had or had not been there before. She's
• 3:50
  Speaker 1: still not living in America, so like it's still before
• 3:53
  Speaker 1: the ninety days. It just felt like an extra layer
• 3:57
  Speaker 1: of nonsensical, not real stakes that gets found out because
• 4:03
  Speaker 1: the internet's really big and people be doing things with
• 4:08
  Speaker 1: time on their hands. I mean, I feel like if
• 4:12
  Speaker 1: you should. I feel like the documentary Don't Fuck with
• 4:14
  Speaker 1: Cats also is like we do things on the internet now.
• 4:19
  Speaker 1: We're little sleuths, you know. Like I'm not saying we're
• 4:21
  Speaker 1: right or wrong, and we mean the entirety of the world,
• 4:24
  Speaker 1: but like people have an idea and they want to
• 4:26
  Speaker 1: find out an answer. It's like so not hard to
• 4:29
  Speaker 1: find it out now, and it's like sucky but true. Why.
• 4:32
  Speaker 1: I mean, because you really can just go up and
• 4:34
  Speaker 1: down people's social medias and then the friends of theirs,
• 4:37
  Speaker 1: you know, and really find out whatever the f you want.
• 4:40
  Speaker 1: You can find out what people's ex girlfriends look like
• 4:43
  Speaker 1: or ex boyfriends. You can find out what ex wives
• 4:45
  Speaker 1: look like. You can find out people are married, you
• 4:46
  Speaker 1: can find out what they've been doing. You know, people
• 4:50
  Speaker 1: can tell you, honey that they're an entrepreneur, but like
• 4:52
  Speaker 1: you can really find out that you know, no, they
• 4:55
  Speaker 1: they you know, God bless them. Trying to think of
• 4:57
  Speaker 1: a they're a task rabbit or something. I'm just saying
• 4:59
  Speaker 1: it's it's like, there is the ability to find out
• 5:02
  Speaker 1: the truth on the Internet with quite easy digging, and
• 5:06
  Speaker 1: so I really just want to challenge the producers to
• 5:10
  Speaker 1: sort of like get that, so lean back on the
• 5:13
  Speaker 1: laurels of like truth and reality. Okay, so here we
• 5:16
  Speaker 1: are Forest and Sheena are going to be sort of
• 5:19
  Speaker 1: this is their single scene, have another spa moment. That's
• 5:24
  Speaker 1: the best part, I guess. Really. I think about those
• 5:26
  Speaker 1: hot tubs a lot in the Philippines. Basically they get
• 5:29
  Speaker 1: wrapped in banana leaves kind of like thunderjackets and then
• 5:33
  Speaker 1: just like put out there. Now the ladies are like, yeah,
• 5:36
  Speaker 1: the banana leaves are really good for your skin, and
• 5:39
  Speaker 1: so it's confusing when yeah, Forest and Sheena just like
• 5:44
  Speaker 1: just go in fully clothed, so the banana leaves are
• 5:49
  Speaker 1: just laying on top of their clothes, you know. Like
• 5:52
  Speaker 1: He's wearing his trusty avocado shirt, the button down that
• 5:55
  Speaker 1: has little baby avocados on it. So I don't know
• 5:58
  Speaker 1: if like the banana leaf is supposed to penetrate into
• 6:00
  Speaker 1: the avocado shirt. But here we are Forest is like
• 6:04
  Speaker 1: it became you know, it's really highly recommended by the hotel.
• 6:07
  Speaker 1: Like okay, well at this point, go back to Sheena's
• 6:10
  Speaker 1: ARABNB and do like some due diligence around that community.
• 6:13
  Speaker 1: I mean, if you're just gonna, you know, want to
• 6:15
  Speaker 1: bring business. So basically from episodes ago, we are like, oh, yeah,
• 6:21
  Speaker 1: you know, the lawyer said that he doesn't have enough
• 6:23
  Speaker 1: money for her to come to America and they're in love.
• 6:25
  Speaker 1: So he's like, well, you know, I think I'm gonna
• 6:27
  Speaker 1: stay here, but we gotta tell Mollie. And we're like,
• 6:30
  Speaker 1: oh no, this cannot be. It like you have got
• 6:34
  Speaker 1: like you've got to give us just something interesting that
• 6:37
  Speaker 1: they have, Like there's no drama in their lives. There's
• 6:40
  Speaker 1: no there's nothing. It's only Mollie. It feels like they
• 6:44
  Speaker 1: just put all of their ducks in the Molly basket,
• 6:46
  Speaker 1: you know. And Dev's giving hardly anything, but here we are.
• 6:49
  Speaker 1: So it starts after they're like, we gotta tell Molly
• 6:51
  Speaker 1: that Forest is gonna stay here. It cuts to Molly
• 6:54
  Speaker 1: yelling at Dev like well we haven't heard from him,
• 6:56
  Speaker 1: you know, and Dev's like, oh God, bless And then
• 6:59
  Speaker 1: for and Sheena come back from their romantification and they
• 7:03
  Speaker 1: go eat somewhere. We get a little scene of this
• 7:07
  Speaker 1: like interesting dance that looks sort of like a fun
• 7:11
  Speaker 1: version of double Dutch, but then we hear that it's
• 7:15
  Speaker 1: has its roots during this Spanish, you know, colonization of
• 7:19
  Speaker 1: the Philippines, and this dance was actually like born of
• 7:23
  Speaker 1: the punishment that people would inflict, like from bamboos and
• 7:27
  Speaker 1: hurting people's feet, and we're like, oh shit, they get
• 7:31
  Speaker 1: yemmy short ribs and then yeah, I mean I don't. Yeah,
• 7:34
  Speaker 1: there's another scene where Forrest gets yelled at by his mom. Okay, great,
• 7:38
  Speaker 1: I mean I'm you know, unwatchable truly at this point, unwatchable.
• 7:41
  Speaker 1: So that's what that happens. I came. It's so boring.
• 7:43
  Speaker 1: I can't And I feel bad because I feel like
• 7:46
  Speaker 1: Forrest and Shina probably probably want people to like be
• 7:49
  Speaker 1: on their side and probably want people to really care
• 7:51
  Speaker 1: about their storyline and stuff like that. And the truth
• 7:53
  Speaker 1: of the matter is they themselves are fine people, but
• 7:56
  Speaker 1: they have been, like Anna and Javonn, given a really
• 8:00
  Speaker 1: shoddy production that that is not interesting and it doesn't
• 8:05
  Speaker 1: let us really engage with like any authenticity that would
• 8:11
  Speaker 1: make us empathetic to them, which again is what feels
• 8:15
  Speaker 1: like the opposite of love on the spectrum, right, like
• 8:17
  Speaker 1: the authenticity of the people and love on the spectrum
• 8:21
  Speaker 1: like how open they are of what they're doing and
• 8:25
  Speaker 1: feeling feels so real that you fall in love with
• 8:28
  Speaker 1: them and you like want the best for them, and
• 8:30
  Speaker 1: you're like, you know, on their journey, even if they
• 8:33
  Speaker 1: were just going to the supermarket, and it's like can
• 8:35
  Speaker 1: they make eye contact with the you know, you're just
• 8:37
  Speaker 1: like they're really watching someone deal with like what could
• 8:41
  Speaker 1: be smaller things, but they are huge of importance because
• 8:46
  Speaker 1: you care so much about these people, their wants, their dreams,
• 8:50
  Speaker 1: and the truth of the matter is, you know, that's
• 8:52
  Speaker 1: just not happening here. So here's the thing. Having said that,
• 8:57
  Speaker 1: ninety day Fiance is coming up, and I'm excited about that.
• 9:00
  Speaker 1: Hunt for Love is also coming up, and I feel
• 9:02
  Speaker 1: mixed emotions, but you know we're gonna get into I
• 9:04
  Speaker 1: guess both things at some point, you know, if I
• 9:07
  Speaker 1: don't want to talk about a season or something that
• 9:09
  Speaker 1: might happen, because at the same time, I want to
• 9:12
  Speaker 1: be able to give you guys, like really excited and
• 9:16
  Speaker 1: or invested, not saying always positive, but like invested in
• 9:22
  Speaker 1: the story of whatever reality shows or docuseries I'm talking about,
• 9:27
  Speaker 1: Like it means a lot to me, and I don't
• 9:30
  Speaker 1: want to like just talk about superficial things, and I
• 9:32
  Speaker 1: can't just assign myself to bad production, boring storytelling. Like
• 9:39
  Speaker 1: the reason why I don't try and do Bravo shows
• 9:43
  Speaker 1: on here right is because it feels really fucking fake.
• 9:46
  Speaker 1: Bravo Real Housewives just feel so inauthentic that I just
• 9:51
  Speaker 1: like don't have the time in my day to watch
• 9:53
  Speaker 1: all of it, write notes and then want to talk
• 9:55
  Speaker 1: about it, like I think that this is all real.
• 9:57
  Speaker 1: And I'm not saying I think every moment of Nande
• 9:59
  Speaker 1: Fiance is, but there used to be, I swear to God,
• 10:04
  Speaker 1: semblances of truth and honesty. I mean, especially when you
• 10:08
  Speaker 1: get to meet new people, right, and it's their stories,
• 10:11
  Speaker 1: and like, the more and more I think that they
• 10:13
  Speaker 1: either reuse the same people, it gets just absolutely boring.
• 10:17
  Speaker 1: And the more and more that they like in their
• 10:19
  Speaker 1: offshoots like Before the ninety Days and Love and Parrot
• 10:22
  Speaker 1: or like Hunt for Love and all that stuff, the
• 10:23
  Speaker 1: more that they try and manufacture what they think is
• 10:26
  Speaker 1: going to be like oh shit moments or talkable moments,
• 10:30
  Speaker 1: it's it's not working. And the funny thing is with
• 10:33
  Speaker 1: this season of Before the ninety Days, Emma and Zied
• 10:37
  Speaker 1: got a lot of you know, like fan and or
• 10:41
  Speaker 1: like engagement Forrest and Sheena did early on, and probably
• 10:45
  Speaker 1: Lisa and Daniel are like the stars of this season.
• 10:48
  Speaker 1: And by that I mean like where they've been on
• 10:51
  Speaker 1: almost every episode. And you know, for Lisa, this feels
• 10:55
  Speaker 1: like she is authentically trying to have relations with this
• 11:00
  Speaker 1: man and or be in love with this man, or
• 11:02
  Speaker 1: she is obsessed with this man and whether he is
• 11:06
  Speaker 1: you know, equally and truthfully and authentically you know, probably not,
• 11:10
  Speaker 1: but at least we have that. At least we have her,
• 11:13
  Speaker 1: you know, so here we are. So when Molly starts yelling,
• 11:17
  Speaker 1: you know, then we also get back to like Molly
• 11:19
  Speaker 1: being overly into like their sex, you know what I'm saying.
• 11:22
  Speaker 1: So for she's like we bonded in more ways than one,
• 11:24
  Speaker 1: and she's like you had sex, didn't you? And you
• 11:26
  Speaker 1: know her and dev like give a little like houray
• 11:28
  Speaker 1: for that, and it's like, okay, so yeah, we'd been
• 11:33
  Speaker 1: knowing that she you know, talks about sex too much.
• 11:35
  Speaker 1: Sina just sits there and just like takes it, you
• 11:37
  Speaker 1: know what I'm saying, Like Molly yells at Sheena, She's
• 11:39
  Speaker 1: been yelling at she know the whole time. Sheina runs
• 11:41
  Speaker 1: away crying forced sort of like half Switzerland, dances in
• 11:46
  Speaker 1: between pacifying his mom and then somehow you know, like
• 11:49
  Speaker 1: not just throwing Sheena to the wolf, you know, like
• 11:53
  Speaker 1: it's gosh, yeah, like feels familiar, right. Can you believe it?
• 11:58
  Speaker 1: I mean yeah, can you believe that we haven't like
• 12:00
  Speaker 1: hung out with her friends? Like I know she says
• 12:02
  Speaker 1: she likes animals, but like does she have one friend?
• 12:05
  Speaker 1: I mean, we didn't meet her mom, her sister. You know,
• 12:07
  Speaker 1: she's not close to like we I'd rather see her
• 12:08
  Speaker 1: at work. Who's her best friend at work? Is it
• 12:10
  Speaker 1: a dog? Give me something like it can't? I mean
• 12:15
  Speaker 1: it really just it is what it is, and so
• 12:17
  Speaker 1: got to change it up. Okay, I'm just going to
• 12:21
  Speaker 1: move on quickly to Anna and Javon. So we haven't
• 12:25
  Speaker 1: seen them in a long ass time. We pick up
• 12:27
  Speaker 1: on a carnival. We're supposed to believe everything's fine now, and
• 12:29
  Speaker 1: it's like we're doing really we're doing really good. So
• 12:31
  Speaker 1: now we're gonna have our anniversary party. And we're like, oh, okay,
• 12:34
  Speaker 1: who's gonna pay for the anniversary party? So their anniversary
• 12:37
  Speaker 1: party is happening, We're like, who's who's planning that? Who's
• 12:40
  Speaker 1: been planning that? Where is that happening again? Who's paying
• 12:42
  Speaker 1: for it? Who's coming? You know what I'm saying? Does
• 12:44
  Speaker 1: he know that he's having an anniversary party? Like member
• 12:46
  Speaker 1: his sister and stuff like that, Like Zebra gonna FaceTime
• 12:49
  Speaker 1: with any of them? How like the sister should have
• 12:51
  Speaker 1: been gifted a flight to fly out here. I mean,
• 12:53
  Speaker 1: the sister was the best part with those glasses. Oh
• 12:55
  Speaker 1: my god, he is the worst part of this. So
• 12:57
  Speaker 1: so then my love's after sposed to believe that suddenly
• 13:01
  Speaker 1: everything is really good, and we're supposed to and I
• 13:03
  Speaker 1: mean this care about them. We don't anna Like, if
• 13:07
  Speaker 1: you're watching this, you got a really bad atit. I
• 13:09
  Speaker 1: mean as like maybe you know charming as you've been
• 13:12
  Speaker 1: in certain moments, like this story has not been good.
• 13:16
  Speaker 1: He is like boring and cynical and negative all the time.
• 13:21
  Speaker 1: And when you guys are smiling at each other, it
• 13:26
  Speaker 1: doesn't really feel real. I don't quite understand how you
• 13:29
  Speaker 1: even connect. He just sort of plays at the idea
• 13:33
  Speaker 1: of having like a wife, but he and he wants
• 13:36
  Speaker 1: the wife. I guess to Anna to like let him
• 13:40
  Speaker 1: live easily. And at the same time, it's like, oh,
• 13:45
  Speaker 1: do you want a ring, Well, here's fifty dollars. And
• 13:47
  Speaker 1: I think that if you're going to be someone that
• 13:50
  Speaker 1: cares about getting married, like why get married and then
• 13:53
  Speaker 1: yell at someone for like wanting a ring, that's the point,
• 13:56
  Speaker 1: but don't get married. He's like, Gully, the ring means
• 13:58
  Speaker 1: something to you. Yeah, well, I mean, yes, okay, I guess,
• 14:02
  Speaker 1: so I gotta pick it up. So oh no. So
• 14:04
  Speaker 1: basically my loves after this incredibly fun carnival scene, Wow,
• 14:09
  Speaker 1: what fucking joy I mean, and then also just like
• 14:13
  Speaker 1: being like we're back, We're back on board, and everyone
• 14:16
  Speaker 1: should just really be like, oh hearts open, care bear
• 14:19
  Speaker 1: stare for this couple. Then they go ring shopping, and
• 14:23
  Speaker 1: he is cheap, because we've been knowing that he's cheap
• 14:26
  Speaker 1: the entire time. He has absolutely no money, and so
• 14:30
  Speaker 1: I'm not quite sure why, but she says that they
• 14:32
  Speaker 1: talked about going ring shopping. She says that he wanted
• 14:35
  Speaker 1: to go ring shopping. He's like, I bought a ring
• 14:38
  Speaker 1: once ads has silver in the middle, or like what's
• 14:41
  Speaker 1: on the outside paper? I don't want to what what's
• 14:44
  Speaker 1: on the Okay? So he's like, I got you a ring.
• 14:47
  Speaker 1: And what had happened was he sent her money and
• 14:49
  Speaker 1: then she bought a ring. It was under one hundred
• 14:51
  Speaker 1: and made her finger green, which happens. So they go
• 14:55
  Speaker 1: ring shopping. She finds a band it's two hundred and
• 14:57
  Speaker 1: sixty eight dollars, and he's like, nah, I uh will
• 15:00
  Speaker 1: come back for I just wanted to get an idea.
• 15:03
  Speaker 1: You're already married, buddy. If you wanted to get an
• 15:05
  Speaker 1: idea of the ring, why didn't you, I don't know,
• 15:07
  Speaker 1: do that over email. You're in this country, the you
• 15:10
  Speaker 1: know the party's supposed to happen. If you can't afford
• 15:13
  Speaker 1: a two hundred and sixty eight dollars ring, who is
• 15:16
  Speaker 1: paying for the anniversary party? It better not be her mom.
• 15:19
  Speaker 1: She's embarrassed, she says, and we are embarrassed for her, like, yeah,
• 15:24
  Speaker 1: I half of me is like maybe it's also like
• 15:27
  Speaker 1: his personality, maybe he is so unlikable that the producers
• 15:31
  Speaker 1: were like, oh no, went on, Amber, we're gonna make
• 15:33
  Speaker 1: this work, So we're just gonna kind of cut them
• 15:36
  Speaker 1: out of the majority of the season and then like
• 15:38
  Speaker 1: pop them in here and there. And they were like,
• 15:40
  Speaker 1: oh yeah, okay, I swear to God his sister better
• 15:43
  Speaker 1: come to this anniversary party. I mean, someone that we
• 15:46
  Speaker 1: care about, someone that we have met before, like makes
• 15:48
  Speaker 1: something happen. Because at the same time, it's like Anna
• 15:51
  Speaker 1: has a life here, Why aren't we seeing Anna's life more?
• 15:55
  Speaker 1: Like we only got the fact that she lives next
• 15:58
  Speaker 1: to her mom, and her mom smealls, sells cute snacks,
• 16:01
  Speaker 1: and she gets massages all the time. So in my mind,
• 16:03
  Speaker 1: I'm like, she lives a fabulous life. She has friends, right,
• 16:06
  Speaker 1: and like you know, like she wants, like to me,
• 16:09
  Speaker 1: there could be a lot more of her and him
• 16:12
  Speaker 1: like having to deal with the fact that his like
• 16:16
  Speaker 1: kind of shitty attitude towards life doesn't come up against
• 16:20
  Speaker 1: what can be the joy in life, Right. I would
• 16:23
  Speaker 1: love this storyline to have been that he sort of
• 16:28
  Speaker 1: he understands that a lot of like the negative feelings
• 16:32
  Speaker 1: that he has is his own perception of this world,
• 16:34
  Speaker 1: and that if he could have put himself outside of
• 16:38
  Speaker 1: his himself, his body and enjoy being in the Philippines
• 16:44
  Speaker 1: outside of your comfort zone, watching people live in a
• 16:48
  Speaker 1: way that you happened before, Like not just think about
• 16:50
  Speaker 1: the fact that they have a small dick and like
• 16:52
  Speaker 1: no bake account all the time, Like if maybe there
• 16:54
  Speaker 1: was a moment of Javon to like grow as a
• 16:57
  Speaker 1: person either like become somewhat appreciative of the things he
• 17:03
  Speaker 1: does have, of the fact that he supposedly has found
• 17:07
  Speaker 1: love in this world with a very beautiful fun at
• 17:12
  Speaker 1: times when we see her fun side lady that like
• 17:16
  Speaker 1: supposedly loves him. Could there have been any pockets of
• 17:20
  Speaker 1: moments where we could have seen him come against that
• 17:24
  Speaker 1: challenge or I don't know, like even a heart to
• 17:27
  Speaker 1: heart with like a translating with a translator with her mom,
• 17:30
  Speaker 1: because his sister is a great part of the story
• 17:34
  Speaker 1: and her mom is a great part of the story,
• 17:36
  Speaker 1: and I think, yeah, I would love to see him
• 17:39
  Speaker 1: have to deal with a reality of the fact that, yeah,
• 17:42
  Speaker 1: like it's not some like weird cynical in and out game.
• 17:47
  Speaker 1: He feels like he's dating her even though they're married.
• 17:50
  Speaker 1: Do they not get married? Maybe it's maybe the whole
• 17:52
  Speaker 1: thing was we're supposed to really like have lock stock
• 17:55
  Speaker 1: and barrel that they're married, but like everyone who talks
• 17:57
  Speaker 1: about it, it's like you can get married online? Did he
• 17:59
  Speaker 1: do it? Like a tax? Right off? I don't understand
• 18:03
  Speaker 1: why Javonne even got married to someone who he's like,
• 18:07
  Speaker 1: I don't know if I should be able to buy
• 18:09
  Speaker 1: her a ring? Okay, it's kind of the same thing
• 18:13
  Speaker 1: where I'm like, Rick, if you can't afford to have
• 18:16
  Speaker 1: like a child in America, I mean, I don't think
• 18:18
  Speaker 1: you can afford to like bring on, you know, a
• 18:20
  Speaker 1: whole grown woman who can't work, you know as well?
• 18:25
  Speaker 1: And now maybe you can. I'm talking about Trici and Rick.
• 18:27
  Speaker 1: Trish will be able to work, I guess in two years.
• 18:29
  Speaker 1: But it doesn't make logical sense to me. And it
• 18:32
  Speaker 1: sort of feels the same way where like the insecurity
• 18:36
  Speaker 1: that men have like is palpable, and it comes out
• 18:40
  Speaker 1: as being kind of this weird like not wanting to
• 18:45
  Speaker 1: take accountability of their own choices in life because if
• 18:49
  Speaker 1: they if you know, if Javon's like, you know what,
• 18:52
  Speaker 1: I have such a shitty personality. I am negative. I
• 18:56
  Speaker 1: am like a black hole of energy. I suck the
• 18:58
  Speaker 1: life out of the room. I know that I am
• 19:02
  Speaker 1: wildly appreciative that this person would spend more than one
• 19:05
  Speaker 1: moment with me. I know I've treated her poorly. I
• 19:09
  Speaker 1: know that I want to make her feel you know, small.
• 19:11
  Speaker 1: I know that when I feel like I haven't made
• 19:15
  Speaker 1: enough money, or I feel broken this world, or I
• 19:17
  Speaker 1: think about my small dick, I know that I feel
• 19:19
  Speaker 1: bad about that, and I can see how my energy
• 19:22
  Speaker 1: and my words, you know, are stemming from that. And boy,
• 19:26
  Speaker 1: I wish that I could just feel better about myself
• 19:28
  Speaker 1: and then people around me will have a better experience
• 19:32
  Speaker 1: with me. Now, Rick could be like, oh, same, if
• 19:35
  Speaker 1: I feel better about myself and like either how either
• 19:39
  Speaker 1: my bank account numbers or you know, how I've moved
• 19:44
  Speaker 1: through this world with integrity and dignity. I think that
• 19:48
  Speaker 1: his like confidence in himself would be a more palatable
• 19:53
  Speaker 1: thing for everyone involved. But his insecurity, you know, makes
• 19:58
  Speaker 1: it so he needs an escape plan because he feels
• 20:02
  Speaker 1: like he is at the end of the day, someone
• 20:06
  Speaker 1: who can't sustain a relationship and therefore is going to
• 20:09
  Speaker 1: need an escape and usually an escape plan for someone
• 20:13
  Speaker 1: who wants female companionship and knows that they're not doing
• 20:19
  Speaker 1: enough to sustain an actual relationship. We'll just you know,
• 20:22
  Speaker 1: keep someone on the side options and that's basically I
• 20:26
  Speaker 1: think what happens with him. So but let's go back.
• 20:28
  Speaker 1: So obviously with Javon and Anna, he doesn't buy the
• 20:32
  Speaker 1: ring like I said, and she's embarrassed. I guess that's
• 20:34
  Speaker 1: the another story. So we guess we can want I
• 20:37
  Speaker 1: mean this is right, I mean I have him. He
• 20:39
  Speaker 1: is like, oh no, how do I make this good
• 20:41
  Speaker 1: for you? In this episode? But I think, if I'm
• 20:43
  Speaker 1: being honest, this wasn't a great episode and they really
• 20:47
  Speaker 1: need to pick it up because this is almost the
• 20:49
  Speaker 1: end of the season and these stories are wrapping up horribly. Okay,
• 20:53
  Speaker 1: so don't worry. I have some good I have some
• 20:56
  Speaker 1: choice moments. I'm getting past all the ones I can't
• 20:59
  Speaker 1: stand now I can at least get to you to
• 21:01
  Speaker 1: some you know, pockets of grace and joy. Don't even worry.
• 21:06
  Speaker 1: But here we are, all right, So we're freaking trish
• 21:09
  Speaker 1: because okay, so obviously we're in the middle of the
• 21:12
  Speaker 1: scene where her dad and uncle have to literally put
• 21:15
  Speaker 1: his whole fucking body to fire coals and be like,
• 21:19
  Speaker 1: have a child with our daughter, or leave sir, and
• 21:23
  Speaker 1: like Rick is tap dancing, you know, like just like
• 21:26
  Speaker 1: did did Diddy? And at one point he's like, well,
• 21:29
  Speaker 1: have you told them it's only been a year of
• 21:31
  Speaker 1: us talking? And I'd be like, but that's kind of
• 21:33
  Speaker 1: a long time. A year. Yeah, they've been knowing that
• 21:36
  Speaker 1: you've been talking a year, Like did you? A year
• 21:39
  Speaker 1: is a long time. A year is not like three months.
• 21:42
  Speaker 1: So anyway, she's like, bitch, fuck you. They're saying now
• 21:46
  Speaker 1: or never, you know, you can. You know. The good
• 21:48
  Speaker 1: thing about this moment, and the shitty thing about this
• 21:50
  Speaker 1: moment is that Rick is only forced to do something
• 21:56
  Speaker 1: by the pure act that other men are in the room,
• 21:58
  Speaker 1: and it forces him to make a choice. But if
• 22:01
  Speaker 1: the men weren't there, he wouldn't. Rick's not great. Rick's
• 22:05
  Speaker 1: hard is Rick's a hard pill to swallow and like
• 22:07
  Speaker 1: and by that I mean I would be like, no,
• 22:09
  Speaker 1: give me a fucking different prescription or I'll just die
• 22:12
  Speaker 1: from this disease. I can't take this pill. You know,
• 22:14
  Speaker 1: it's like a horse pill, honey, And like I don't
• 22:16
  Speaker 1: want to swallow it, and like it's coming back up
• 22:19
  Speaker 1: and you know, I don't think it's doing any good.
• 22:21
  Speaker 1: It's a long bit about that pill, honey. You know
• 22:24
  Speaker 1: that's my that's my either comedic flaw is that I
• 22:28
  Speaker 1: will just well, I'll beat a horse to death with
• 22:31
  Speaker 1: a joke, you know. So my love he has the
• 22:34
  Speaker 1: audacity to be like her. Happiness is all I want.
• 22:36
  Speaker 1: Your happiness is all you want. Your happiness is all
• 22:39
  Speaker 1: you want. Okay, So anyway, I gotta remind myself that, like,
• 22:43
  Speaker 1: not all men are horrible. No, there are really lovely people,
• 22:47
  Speaker 1: not just people. There are bad women too. There are
• 22:49
  Speaker 1: horrible people in this world, and there are fine people
• 22:53
  Speaker 1: in this world, and there are great people in this world.
• 22:55
  Speaker 1: And the horrible people have great moments and the great
• 22:57
  Speaker 1: people have horrible moments. You're we getting a lot of
• 23:01
  Speaker 1: one type. And I guess like that kind of goes
• 23:03
  Speaker 1: back to maybe the storytelling of it all is because
• 23:06
  Speaker 1: people aren't one hundred percent good. People aren't one hundred
• 23:08
  Speaker 1: percent bad. Like I said, So, if everything is the
• 23:10
  Speaker 1: exact same that you're giving me about someone that's bad
• 23:13
  Speaker 1: writing bad storytelling, you have to give us like fatal flaws.
• 23:18
  Speaker 1: You have to give us like inside moments. You have
• 23:20
  Speaker 1: to give us like vulnerability, And it has to be
• 23:23
  Speaker 1: real because we can sniff it on us. We can
• 23:25
  Speaker 1: smell it on us. You know, it's interesting. I thought
• 23:28
  Speaker 1: a lot about this, and you can imagine that all
• 23:30
  Speaker 1: I do is just like have obsessive thoughts, intrusive thoughts
• 23:33
  Speaker 1: all day long. I haven't been sleeping. Everything is fine.
• 23:35
  Speaker 1: But let me tell you. I love theater so much,
• 23:37
  Speaker 1: right I love plays? And I thought about why do
• 23:40
  Speaker 1: I like like certain reality shows? And why did reality
• 23:42
  Speaker 1: shows become such a big thing, and what's happening? And
• 23:44
  Speaker 1: it's because a couple of things. Entertainment exists in the
• 23:47
  Speaker 1: wide variety, right like, and we need all types at
• 23:52
  Speaker 1: its core. Storytelling or theater is like this sort of
• 23:55
  Speaker 1: compulsive need to watch human behavior. We are humans to
• 24:00
  Speaker 1: watch authentic human behavior because at the end of the day,
• 24:05
  Speaker 1: it like makes us all feel seen, validated, not alone
• 24:09
  Speaker 1: part of it understanding. It gives us clarity, It gives us,
• 24:13
  Speaker 1: you know, perspective. It's like all of that. Now it
• 24:18
  Speaker 1: doesn't have to be when I say real authentic storytelling
• 24:21
  Speaker 1: or whatnot. There are so many styles and tones and like,
• 24:25
  Speaker 1: really great artists of certain mediums can tell an authentic
• 24:30
  Speaker 1: story about wants and human needs. While doing it in
• 24:34
  Speaker 1: like a hilarious way, you know, and that would be
• 24:37
  Speaker 1: like comedy, and comedy can be good or comedy can
• 24:40
  Speaker 1: be bad. It's funny, like there's I've talked about this
• 24:44
  Speaker 1: so Oh Mary right is a very campy, funny play
• 24:49
  Speaker 1: quick play on Broadway. I've talked about it. You know,
• 24:52
  Speaker 1: if you're a theater person, you've heard of it. Cola
• 24:54
  Speaker 1: Scola wrote this play. It's very funny, and now it's
• 24:56
  Speaker 1: done so well, has a bunch of different people, and
• 24:58
  Speaker 1: I think maybe mya Rudolph Steer right now, and it's
• 25:00
  Speaker 1: going to come to LA. It's great. It's can't be
• 25:03
  Speaker 1: camp it's can't be comedy. It's you know, and by
• 25:06
  Speaker 1: that I mean it's a highly stylized almost like it's
• 25:09
  Speaker 1: a farce right where the glass are coming and they're
• 25:13
  Speaker 1: big and it looks big. It looks with the timing
• 25:16
  Speaker 1: and everything, you can really lean into it being over
• 25:19
  Speaker 1: the top. Now, when you watch good comedic actors do this,
• 25:25
  Speaker 1: you will still feel empathy for the characters even though
• 25:29
  Speaker 1: you know it's not real. But because like there is
• 25:34
  Speaker 1: an the idea of how to showcase the human spirit
• 25:40
  Speaker 1: in smart and or nuanced and or very specific in
• 25:44
  Speaker 1: real ways, even if there's a wig, and even if
• 25:48
  Speaker 1: there is like a hahaha a little bit, it's like
• 25:51
  Speaker 1: the the empathetic watcher will cling on to this character's
• 25:59
  Speaker 1: desire most in their life and cares so much. Now,
• 26:02
  Speaker 1: obviously this free play we're seeing, you know, like a
• 26:05
  Speaker 1: piece of a narrative that we get to follow and
• 26:08
  Speaker 1: docu series formats, we're getting people in and out. At
• 26:10
  Speaker 1: the same time, there are story producers. So someone is
• 26:13
  Speaker 1: assigned to Trician Rick and they're going through the whole thing,
• 26:16
  Speaker 1: and they're going through you know, there was producers assigned to,
• 26:20
  Speaker 1: you know, Javonne and Anna. I mean personally, those people
• 26:24
  Speaker 1: should be fired. For Javon and Anna. I mean if
• 26:25
  Speaker 1: I was in and I would fucking sue them, be like, yeah,
• 26:28
  Speaker 1: you're the made us boring af I mean, or maybe
• 26:31
  Speaker 1: that was Javon, I can't quite tell. But at the
• 26:33
  Speaker 1: same time, I wonder if the producers were like, this
• 26:35
  Speaker 1: is not really watchable. Let's bring back ben On, Let's
• 26:37
  Speaker 1: bring back Elise. So interesting. So Trician Rick, you know,
• 26:41
  Speaker 1: like he says that he wants only her happiness and
• 26:43
  Speaker 1: we're like no, but okay, and then as they're driving
• 26:47
  Speaker 1: away from her parents' house, they're going to go back
• 26:50
  Speaker 1: for a few days before he has to leave, and
• 26:53
  Speaker 1: she asks in the car, like, what if you change
• 26:55
  Speaker 1: your mind about wanting to have a kid? He's like, oh, baby,
• 26:57
  Speaker 1: I won't, and things still keep going the way they're going.
• 27:00
  Speaker 1: And even there, I was like, oh, it feels like
• 27:02
  Speaker 1: a threat. If things keep going the way they're going.
• 27:06
  Speaker 1: Is that your way of being like if you do
• 27:07
  Speaker 1: what I say? I thought it was very telling, and
• 27:10
  Speaker 1: I think that she knew it too. She's young, so
• 27:12
  Speaker 1: she's like, I think that she's young, so she's trying
• 27:14
  Speaker 1: to figure out what's real and Trisha is smart. So anyway,
• 27:17
  Speaker 1: so they get to the airport and their flight is delayed,
• 27:21
  Speaker 1: and as we're like filming, can't quite tell it's just
• 27:24
  Speaker 1: one person in the like airport area with them, an
• 27:29
  Speaker 1: hour goes by, and she's like, do you love me?
• 27:31
  Speaker 1: And he's like yeah, babe, yeah, And another hour goes
• 27:34
  Speaker 1: by is their flight's delayed, and then we see her
• 27:37
  Speaker 1: grabbing his phone, and then we get him being like yeah.
• 27:40
  Speaker 1: She get asking me if I really loved her, and
• 27:43
  Speaker 1: I didn't understand why, and then she asked my phone,
• 27:45
  Speaker 1: and then I realized, oh shit, she saw that I
• 27:50
  Speaker 1: like had texted my ex. So she was testing you
• 27:54
  Speaker 1: to be like, why the fuck are you at my
• 27:56
  Speaker 1: dad's house telling me you're and to have kids? Why
• 27:59
  Speaker 1: are you saying you are like me? And then why
• 28:01
  Speaker 1: are you texting this X? And what he had texted
• 28:04
  Speaker 1: was this, So I guess his ex was like, you
• 28:05
  Speaker 1: never really loved me, and he was like some of
• 28:09
  Speaker 1: the most beautiful moments I had was with you, which
• 28:11
  Speaker 1: is interesting in itself because I'm like, well, he didn't
• 28:13
  Speaker 1: even say that he loved you. He's not even that's
• 28:15
  Speaker 1: not an answer. Some of the most beautiful moments I've
• 28:18
  Speaker 1: had were with you, like the moment in which you
• 28:21
  Speaker 1: thought that your current girlfriend was cheating on you. And
• 28:24
  Speaker 1: so this other ex girlfriend was like, yeah, come to Columbia,
• 28:26
  Speaker 1: and I'm like, God, I think she's from Columbia. I
• 28:29
  Speaker 1: can't remember where. I'm so sorry. It was like she's
• 28:32
  Speaker 1: from like a lot. I'm like, is it yeah, some
• 28:35
  Speaker 1: South American I believe country. Maybe not though, but I'm
• 28:38
  Speaker 1: just sorry she's not from Madagascar. So anyway, Goda blush.
• 28:40
  Speaker 1: So Rick's like, oh, should I got found out. Everything
• 28:45
  Speaker 1: was going so well. Then I fucked it up, is
• 28:47
  Speaker 1: what he says. Now at this point, Trish is like,
• 28:49
  Speaker 1: I can't. She gets up and goes to the bathroom
• 28:52
  Speaker 1: and we're like, girl, you know, you know this man
• 28:55
  Speaker 1: isn't shit. She He's picked so many fights with you.
• 28:57
  Speaker 1: He keeps blaming you and like saying that you're with
• 29:00
  Speaker 1: your ex like he's disgusting. Please please, when Rick has
• 29:05
  Speaker 1: the audacity, it's like, some of the most beautiful moments
• 29:07
  Speaker 1: were with you to this person that was like he
• 29:08
  Speaker 1: never really loved me, and it's not an answer to that.
• 29:10
  Speaker 1: It's so interesting because it's of course, like one question
• 29:13
  Speaker 1: is why even right back, why engage you never really
• 29:15
  Speaker 1: loved me? Well, I'm sorry you feel that way, but
• 29:17
  Speaker 1: I am in a relationship now, so I'm gonna honor
• 29:19
  Speaker 1: that one. Thank you so much, correct answer or block
• 29:23
  Speaker 1: even better answer. But no, he wants to like keep
• 29:26
  Speaker 1: this person in his life by not giving her a
• 29:29
  Speaker 1: straight answer that he ever loved her, because I don't
• 29:30
  Speaker 1: think he can love anyone. I think that he's truely
• 29:32
  Speaker 1: a selfish person who only operates for himself because his
• 29:36
  Speaker 1: happiness is all that he wants, and so His version
• 29:39
  Speaker 1: is to be like, again, I've had great moments with you,
• 29:42
  Speaker 1: and we know that those moments are in his mind
• 29:46
  Speaker 1: sexual sexual moments. Anyway, let's move on, my babes. Okay,
• 29:50
  Speaker 1: So feels like we got those people done and let's
• 29:54
  Speaker 1: have some fun, all right, So let's move on to
• 29:57
  Speaker 1: Elise and Joshua, which like now she calls him Joshua,
• 30:04
  Speaker 1: She's gonna go to the gym, and we're like hot
• 30:06
  Speaker 1: in the heels of her having a whole, uh spiraling
• 30:10
  Speaker 1: kind of meltdown over his well, let's talk about it.
• 30:15
  Speaker 1: She's like his relationship with Nat. Now, she's like, I
• 30:18
  Speaker 1: triggered because you lied about Nat. And the truth of
• 30:20
  Speaker 1: the matter is she is triggered because in her core,
• 30:24
  Speaker 1: she's like, I've been taken advantage of by men, and
• 30:28
  Speaker 1: you know, specifically, I, you know, want someone who has
• 30:33
  Speaker 1: like a financial stability about him, and josh is not
• 30:36
  Speaker 1: that has never been that. It wasn't for isn't gonna
• 30:39
  Speaker 1: be for release, wasn't for his ex that like you know,
• 30:42
  Speaker 1: complained that he didn't have enough money. He's not been
• 30:44
  Speaker 1: having enough money for anyone for him, for a lease
• 30:47
  Speaker 1: for you know, what seems like his ex wife and
• 30:51
  Speaker 1: the son. Like Josh knows that to his core and
• 30:53
  Speaker 1: it eats away at him and he feels shitty about it.
• 30:56
  Speaker 1: And then so anytime anyone actually like brings it up,
• 30:58
  Speaker 1: he is like he feels a mass. And the way
• 31:00
  Speaker 1: that Elise does it is loud and a lot. So
• 31:03
  Speaker 1: I mean, here's the thing. So Josh is like, yeah,
• 31:06
  Speaker 1: he's telling his friend Chris everything that happened and how
• 31:09
  Speaker 1: embarrassing it was, and Chris is like, yeah, that does
• 31:12
  Speaker 1: sound embarrassing. Also, it would be so much easier, buddy,
• 31:15
  Speaker 1: if you could just get a job that, like, you know,
• 31:17
  Speaker 1: you could just adhere to and like wouldn't try and
• 31:19
  Speaker 1: fuck up by getting you know, like taking joy rides
• 31:22
  Speaker 1: only because like if you are pushing what looks like
• 31:24
  Speaker 1: forty seven and you complain about money this much, like
• 31:28
  Speaker 1: might as well fucking put the beer can down, put
• 31:31
  Speaker 1: the vegamite can down, and then just do some due diligence.
• 31:35
  Speaker 1: If you love boats, find a better boat job. Josh
• 31:38
  Speaker 1: has like no responsibility in his life. Leise knows it,
• 31:42
  Speaker 1: and Elise instead of like taking care of herself and
• 31:45
  Speaker 1: then oh, that's the thing that I need and I
• 31:47
  Speaker 1: want is like a man that has like responsibility, integrity.
• 31:49
  Speaker 1: I mean, I'm not saying it seems like that's what
• 31:51
  Speaker 1: she kind of was hinting at in the beginning. She
• 31:54
  Speaker 1: would have to realize that this person has told her
• 31:56
  Speaker 1: no and shown her no. Okay, basically, so she comes
• 32:00
  Speaker 1: back in the room and she's she says that she's
• 32:04
  Speaker 1: embarrassed for last night, and then she kind of like pauses,
• 32:07
  Speaker 1: and Chris is like, I'm sorry, it's an apology. And meanwhile,
• 32:10
  Speaker 1: Josh has like, you know, just a bunch of red
• 32:12
  Speaker 1: rye bread in his mouth. Those men love carbs, God
• 32:15
  Speaker 1: bless them. You know. She's like, I don't know if
• 32:20
  Speaker 1: that's an apology. So then she immediately bends over and
• 32:22
  Speaker 1: she's like, but are we still going to the zoo?
• 32:24
  Speaker 1: They do go to the zoo. Now, best part of
• 32:26
  Speaker 1: the episode, honey, is that we meet Camira. Camia is
• 32:31
  Speaker 1: a Koala honey that does not like to be touched
• 32:36
  Speaker 1: hands off. And at the same time, Elise looks that
• 32:39
  Speaker 1: and it's like a weird I can't imagine that. No
• 32:43
  Speaker 1: hands on for me, honey, Like, you know, meanwhile, Josh
• 32:47
  Speaker 1: is like, let'll tell you one thing about Koala is
• 32:49
  Speaker 1: that do carry chlamydia and we're like all of them
• 32:51
  Speaker 1: certain ones, how did they get it? And is there
• 32:54
  Speaker 1: some really gross things happening down under that made sure
• 33:00
  Speaker 1: that that was a known thing and that happened, And
• 33:02
  Speaker 1: does it cross species? Is that why it's a known fact.
• 33:06
  Speaker 1: I just don't want to think about that, but you're
• 33:08
  Speaker 1: gonna bring it up. I can't. So syphilis is the
• 33:10
  Speaker 1: one STD that makes people go crazy, right like kings,
• 33:14
  Speaker 1: like the kings in the past all had syphilis and
• 33:16
  Speaker 1: stuff like that. Anyway, chlamydia, I've got blessed chlamydia. I
• 33:20
  Speaker 1: mean that gross guy got chalmydia that you know, dated
• 33:24
  Speaker 1: faith from the Philippines. I shouldn't say that. I should
• 33:26
  Speaker 1: say STDs are a part of human life, so it's
• 33:28
  Speaker 1: not gross. You know, people get it or whatever. But
• 33:31
  Speaker 1: he was gross. That's what I meant. You know, is
• 33:33
  Speaker 1: chlemydia that kick the clap. I'll tell you one thing.
• 33:36
  Speaker 1: I think because I've had like such, you know, like
• 33:38
  Speaker 1: insecurity in my life, even though I've had a lot
• 33:40
  Speaker 1: of sex, I've just not God blessed had STDs like
• 33:43
  Speaker 1: I'm knock on wood, just have never had to deal
• 33:45
  Speaker 1: with it. You know, like that's the one thing that
• 33:48
  Speaker 1: being like so heavily Catholic indoctrinated into my soul that like,
• 33:52
  Speaker 1: you know, I really you know, can really hardly ever
• 33:56
  Speaker 1: enjoy you know, casual sex. It's like very difficult for me. Yeah,
• 34:00
  Speaker 1: I don't have to deal with that as much. And
• 34:03
  Speaker 1: now that I said that, God bless like hope, I
• 34:05
  Speaker 1: don't turn the tables. So we get to the zoo, honey,
• 34:10
  Speaker 1: as we said, and we met the koala. Who's the
• 34:12
  Speaker 1: best part. And by the way, also like in zoo
• 34:14
  Speaker 1: News and like animal news right now, it's like, you know,
• 34:17
  Speaker 1: we're coming off of Easter and then Orthodox Easters the
• 34:19
  Speaker 1: next week, my babes and in Big Bear in California,
• 34:22
  Speaker 1: there's like brand new bald Eagles. Well here's the thing.
• 34:26
  Speaker 1: There's this like bald eagle couple. Okay, it's like a
• 34:29
  Speaker 1: whole thing. Once name Shadow on the other one is
• 34:31
  Speaker 1: like Jessica or something like that. I'm not quite sure.
• 34:33
  Speaker 1: It's like a normal name in Shadow. Okay. So they
• 34:35
  Speaker 1: have a whole story and you can like follow online.
• 34:38
  Speaker 1: There's stories that last year Babes they had two eggs,
• 34:41
  Speaker 1: two like bald eagle eggs and those babies were like
• 34:45
  Speaker 1: taken by predators. And so this year they had two
• 34:50
  Speaker 1: more eggs, and so like the whole internet and everyone
• 34:53
  Speaker 1: has been like, oh my god, it's gonna happen on
• 34:54
  Speaker 1: these eggs. And last weekend one of the eggs started
• 34:59
  Speaker 1: chirping like and broke forth, and so like that baby's out.
• 35:05
  Speaker 1: By the time you're hearing this, the baby's out. But
• 35:07
  Speaker 1: this whole week and people have been watching that baby
• 35:09
  Speaker 1: like come out of the eggs. And I had to
• 35:11
  Speaker 1: learn so much. Like so when a bird is in
• 35:14
  Speaker 1: an egg, there's like a whole mucous membrane and then
• 35:16
  Speaker 1: they got to poke through the mucous membrane, right, and
• 35:19
  Speaker 1: so once they start chirping, you re realize that they've
• 35:22
  Speaker 1: taken their first breath. Oh, isn't that so crazy? And
• 35:26
  Speaker 1: so then there's like the of course, like the kind
• 35:29
  Speaker 1: of like you know, a caterpillar coming out of the cocoon.
• 35:32
  Speaker 1: There's like the time it takes for the body of
• 35:36
  Speaker 1: this bird to get the strength and literally experience the
• 35:41
  Speaker 1: age to have its muscles like break through the egg.
• 35:45
  Speaker 1: And then it's like here I am world, I'm coming out. Oh,
• 35:49
  Speaker 1: it's like so eastery it's like so spring, It's so
• 35:52
  Speaker 1: great anyway, so love animals. Really feeling great about that,
• 35:55
  Speaker 1: you know, I mean, like camera, I feel like can
• 35:57
  Speaker 1: really tell probably so many tales. I love that she
• 36:00
  Speaker 1: loves people, but I also loves that she doesn't like
• 36:02
  Speaker 1: to be touched. And it's funny because the next thing
• 36:05
  Speaker 1: out of Alisa's mouth is like, it's so weird you're
• 36:07
  Speaker 1: not touching me to Joshua, who's like still, I guess
• 36:09
  Speaker 1: somewhat mad at her, because yeah, like Elise's and if
• 36:15
  Speaker 1: you're hearing this girl, your addiction to male attention is
• 36:21
  Speaker 1: only going to hurt you in the end. I mean
• 36:23
  Speaker 1: literally if you have a lot of anal sex ha
• 36:25
  Speaker 1: ha ha. No, but I mean straight up, she wants
• 36:26
  Speaker 1: to be touched. She wants to be like, you know,
• 36:28
  Speaker 1: like wanted, and she wants and she definitely wants, of course,
• 36:31
  Speaker 1: to be considered sexy. She wants men to like, you know,
• 36:34
  Speaker 1: bust a nut all over her and she's going to like,
• 36:37
  Speaker 1: you know, showcase that was he's her dressing later. But
• 36:39
  Speaker 1: at the same time, it's interesting, like Alise has to
• 36:43
  Speaker 1: me a lot of great qualities. And I want to
• 36:46
  Speaker 1: say this because the women on the show. There's a
• 36:49
  Speaker 1: I hate a lot of them men on the show, right,
• 36:51
  Speaker 1: like I really don't like Rick, and I really don't
• 36:52
  Speaker 1: like Javon, and on the show, Elise, Lisa and Emma
• 36:57
  Speaker 1: have gotten a lot of internet hate, like not like
• 37:02
  Speaker 1: so much more than Javon and Rick. Rick Is Rick
• 37:06
  Speaker 1: is to me like, I can't, I don't, I can't,
• 37:08
  Speaker 1: I don't have to tell you, like I don't have
• 37:10
  Speaker 1: to tell you except that he scares a living hell
• 37:12
  Speaker 1: out of me. Lisa to me has like some issues, right,
• 37:17
  Speaker 1: some challenges that she's working on, and you know, we
• 37:20
  Speaker 1: can talk offline of what she says those are. She
• 37:23
  Speaker 1: did an interview and she diagnosed herself or she said
• 37:27
  Speaker 1: that she has bipolar disorder. That's true. And she also
• 37:30
  Speaker 1: low Ki said that she got malaria while on the
• 37:32
  Speaker 1: trip and that's why she shot the bed. And that's
• 37:34
  Speaker 1: also confusing because we think that malaria is being like
• 37:36
  Speaker 1: not just like a one night thing. Okay. Alisa gets
• 37:38
  Speaker 1: a lot of hate online a because she dresses the
• 37:42
  Speaker 1: way she does, and she is she has a body
• 37:45
  Speaker 1: right like a like a super slender body, and she
• 37:48
  Speaker 1: dresses like a certain way and people for sure comfort
• 37:50
  Speaker 1: her the way she looks and also the way that
• 37:52
  Speaker 1: she presents herself, because you know, there's like a choice.
• 37:55
  Speaker 1: Now she's Miami esque and we're you know, blood to
• 37:58
  Speaker 1: believe that that's how you know, they operate down there.
• 38:00
  Speaker 1: And I will tell you I'm going to go and
• 38:02
  Speaker 1: I'll check it out myself, you know, and I better
• 38:04
  Speaker 1: get tanned beforehand because I'm going to, you know, really
• 38:06
  Speaker 1: look out a place. But Alise has really great qualities too,
• 38:09
  Speaker 1: And these are like great qualities. But Elise, she's fun
• 38:13
  Speaker 1: and she genuinely wants to, I think, be appreciated and loved.
• 38:19
  Speaker 1: And to me, if you're going to be someone who
• 38:23
  Speaker 1: accepts that, like there's many different bodies in this world
• 38:28
  Speaker 1: and that women are allowed to express themselves in the
• 38:31
  Speaker 1: way that they're allowed to express themselves, and if you're
• 38:34
  Speaker 1: going to like stand on all of that, you can't
• 38:37
  Speaker 1: be like hating on Elise one hundred percent all the time.
• 38:44
  Speaker 1: I have specific things, right, I'm gonna be honest. I
• 38:47
  Speaker 1: went through all of her purses, but to me, those
• 38:50
  Speaker 1: all can't be real just purely based on the fact
• 38:54
  Speaker 1: that the actual clothing and fabric that Elise wears is cheap, cheap.
• 39:00
  Speaker 1: I don't know if it's fashion no less, some people
• 39:01
  Speaker 1: say that there's just no way that a rich lady
• 39:04
  Speaker 1: who's gonna spend what looks like fifty thousand dollars at
• 39:07
  Speaker 1: least on purses, is going to also just put on
• 39:10
  Speaker 1: like a twelve dollar chi asked piece of fabric on
• 39:13
  Speaker 1: their body that like, you know, never like it always
• 39:16
  Speaker 1: is like puckered, and it's it's she really dresses like
• 39:19
  Speaker 1: horribly and that I mean cheaply. Now she does dress
• 39:24
  Speaker 1: like provocatively, and I don't mind it because I think
• 39:28
  Speaker 1: it's Miami. I just wish that I could see one
• 39:31
  Speaker 1: other side of my of like her wearing a different
• 39:34
  Speaker 1: style top that isn't like you know, pieces of like
• 39:38
  Speaker 1: napkins where she puts her boobs in them and stuff
• 39:40
  Speaker 1: like that. I mean, it's more so that it looks
• 39:43
  Speaker 1: the same all the time, or I'm like, give us
• 39:45
  Speaker 1: something else, because the truth of the matter is she
• 39:48
  Speaker 1: can wear so much. I'm like, if you had, you know,
• 39:51
  Speaker 1: you could be giving us like better fashion. And it's
• 39:55
  Speaker 1: funny because let's move on to Lisa. Lisa is someone
• 39:58
  Speaker 1: who has given us like look after look, I mean
• 40:02
  Speaker 1: this Lisa storylines a banana one, you know, like absolutely bananas,
• 40:06
  Speaker 1: but like she really does, like you know, change up
• 40:09
  Speaker 1: her looks and she really tries. And Emma, Emma also
• 40:13
  Speaker 1: is fun. Like sure she has a wig and I
• 40:17
  Speaker 1: talk about the wig all the time. She's not a
• 40:19
  Speaker 1: horrible person, she's just you know, she's she's absolutely Elys.
• 40:22
  Speaker 1: She's like an Elise. Elise is the same as you know, Vanya, Sorry,
• 40:29
  Speaker 1: Varya is it Vanya? It's Fanya. I can't remember her name.
• 40:33
  Speaker 1: This is my brain. Fog is the same to me
• 40:36
  Speaker 1: as Emma, and it's a little bit the same as Darcy. Right.
• 40:41
  Speaker 1: It's just like the desperate need of love and it's
• 40:44
  Speaker 1: the driving force and the driving want and you can
• 40:46
  Speaker 1: see it in her eyes and I'm not getting it and
• 40:48
  Speaker 1: it's it's heartbreaking for them. And like the fact that
• 40:51
  Speaker 1: it really means so much and they're either getting it
• 40:54
  Speaker 1: or not getting it is what makes them ultimately watchable.
• 40:57
  Speaker 1: I don't think Rick wants love, and that's why he's
• 41:00
  Speaker 1: not watchable. Rick wants a warm pocket, a hot pocket,
• 41:04
  Speaker 1: a wet hot pocket that can squored out. Like that's
• 41:07
  Speaker 1: what Rick wants, and it gives us all the ick rick.
• 41:11
  Speaker 1: So it's like not something that we care about. Okay.
• 41:14
  Speaker 1: So also, the thing about Elise is that she is
• 41:18
  Speaker 1: honest with her insecurity right, Like she's not pretending to
• 41:22
  Speaker 1: be wildly queenly like meanly confident. She's not mean towards others.
• 41:29
  Speaker 1: She doesn't like, she's she's completely to me, accountable to
• 41:35
  Speaker 1: some of the flaws that she has, Like she gets it.
• 41:38
  Speaker 1: She whether she is trying to fix it. I mean,
• 41:41
  Speaker 1: you know, I don't know, but I think the fact
• 41:42
  Speaker 1: that she likes somewhat open with some of her like craziness,
• 41:46
  Speaker 1: it makes her watchable to me. Okay. So here we are,
• 41:49
  Speaker 1: so after the zoo, you know, he is like, well,
• 41:54
  Speaker 1: she's making it up to me because Elise is going
• 41:57
  Speaker 1: to spring for it means pay for the two nights
• 42:01
  Speaker 1: stay somewhere. Now this is hilarious. First of all, she
• 42:06
  Speaker 1: got so mad at him for like not being able
• 42:08
  Speaker 1: to like live by himself, and he's like, what have
• 42:10
  Speaker 1: I made you pay for? You not to put your
• 42:12
  Speaker 1: you know, your hand in your pocket for anything except
• 42:15
  Speaker 1: that now you're going to like what pay for? Like
• 42:16
  Speaker 1: what is going to be a huge kind of industrial
• 42:19
  Speaker 1: looking mid century like modern mansion with a hot tub
• 42:24
  Speaker 1: to me, if you're gonna like sit there and be
• 42:26
  Speaker 1: like she embarrassed me by saying I don't have money,
• 42:28
  Speaker 1: and then you're also going to let this woman pay
• 42:30
  Speaker 1: for this Josh, who the fuck are you? No? No,
• 42:33
  Speaker 1: buddy at lease run as you could have used this
• 42:37
  Speaker 1: money for better clothes. Alise. I mean, you know, like, girl,
• 42:40
  Speaker 1: I love you, no, but I I don't love you,
• 42:43
  Speaker 1: but you know I want the best for everyone involved.
• 42:45
  Speaker 1: And really what I want to say is like your
• 42:48
  Speaker 1: discipline and your diligence for you know, really trying to
• 42:51
  Speaker 1: showcase what is you know, a very attractive body that
• 42:55
  Speaker 1: is highly dressable. You are doing everyone, including us, but
• 43:00
  Speaker 1: mostly yourself a disservice. Not getting like a stylist. Girl,
• 43:03
  Speaker 1: go to fucking Neiman Marcus and get someone who's classy
• 43:08
  Speaker 1: and just get a couple of like outfits that look
• 43:12
  Speaker 1: like you think you are worth more than fashion nova
• 43:18
  Speaker 1: Like please go and then like see what it feels
• 43:22
  Speaker 1: like to have like some quality fabrics, And I wonder
• 43:26
  Speaker 1: if there is like maybe some sort of bridge with
• 43:29
  Speaker 1: literally feeling what it feels like to have actual quality
• 43:34
  Speaker 1: garments and materials on you. And then sitting in that
• 43:38
  Speaker 1: and be like, I wonder what it feel like to
• 43:40
  Speaker 1: also be surrounded by quality people in my life, like suitors.
• 43:46
  Speaker 1: If Elise could get like a financially stable suit on
• 43:50
  Speaker 1: her body, could she also find a financially stable suitor.
• 43:55
  Speaker 1: Now I'm not going to say you have to have
• 43:57
  Speaker 1: like rich fabrics to like date rich men, but I
• 44:00
  Speaker 1: think that if you play the game, I'm assuming that
• 44:03
  Speaker 1: Elise wants to play in Miami of like dating wealthy men,
• 44:08
  Speaker 1: I think that there's also like a yeah, I think
• 44:10
  Speaker 1: there's something to what I'm saying, but mostly I'm gonna
• 44:13
  Speaker 1: say this, I don't want to make it around men,
• 44:15
  Speaker 1: even though I do think that the point of Lease
• 44:17
  Speaker 1: is that she is man centric. If she can you know,
• 44:19
  Speaker 1: decent deep she could decenter men in her life and
• 44:22
  Speaker 1: put the focused on herself, then she can you know,
• 44:24
  Speaker 1: I would hope to dress and you know, with clothes
• 44:28
  Speaker 1: of like someone who's you know, thirty five and like
• 44:31
  Speaker 1: doesn't need to be you know, in house of CB
• 44:33
  Speaker 1: all the goddamn time. You know, girl, Like, where were
• 44:38
  Speaker 1: you for the quiet luxury movement? You know, like do
• 44:41
  Speaker 1: you I don't know any part of like how Margot
• 44:45
  Speaker 1: Robbie dresses. Is that like that does that like feel
• 44:48
  Speaker 1: good to you or something? You know? I don't know.
• 44:52
  Speaker 1: I'm not saying that, Margo. What Robbi always dresses well,
• 44:54
  Speaker 1: but like there's just we're not seeing, you know, like
• 44:57
  Speaker 1: the same pashmina titty shirt, you know. Okay, So in
• 45:01
  Speaker 1: this scene where we get fun scene, we get a
• 45:04
  Speaker 1: fun scene where she again is trying to make it
• 45:08
  Speaker 1: up to him, you know, and the way that she
• 45:10
  Speaker 1: is doing it, which is like throwing money at him
• 45:12
  Speaker 1: in this airbnb. But she also is like, I'm going
• 45:14
  Speaker 1: to cook, and her version of cooking is like a
• 45:16
  Speaker 1: packaged Caesar salad. Nothing says I don't care about anything
• 45:22
  Speaker 1: more in this world than a package salad. Salad is
• 45:25
  Speaker 1: the easiest thing to make. You don't cook it, you
• 45:27
  Speaker 1: just get different things and report in the bowl. Now,
• 45:31
  Speaker 1: I guess the hard part about a good salad is
• 45:35
  Speaker 1: a fresh dressing. But my god, if you just have
• 45:37
  Speaker 1: a little nutribullet, not even that. If you can just
• 45:40
  Speaker 1: get a tall glass my loves and get olive oil,
• 45:45
  Speaker 1: lemon salt and pepper, dijon mustard and a little honey,
• 45:48
  Speaker 1: then what the f are you doing with any sort
• 45:51
  Speaker 1: of package dressing disgusting. I don't know what it is
• 45:54
  Speaker 1: about package dressing. It's like the oils, the way that
• 45:57
  Speaker 1: package dressings, the way that the emulsifi come in with
• 46:01
  Speaker 1: the oils, and and the fact that the dressing ends
• 46:03
  Speaker 1: of becoming like super shiny to me is grotesque. And
• 46:09
  Speaker 1: it's like maybe like maybe a sensory thing, but it's
• 46:11
  Speaker 1: like I can't eat it. I would not be able
• 46:13
  Speaker 1: to eat. She can't eat it either, mostly because she
• 46:15
  Speaker 1: opens that packet of Caesar honey and I mean it
• 46:17
  Speaker 1: just becomes like a full comshot. I mean it's all
• 46:20
  Speaker 1: over her. I mean she just is like, isn't it
• 46:23
  Speaker 1: up with the cameras? You know, But it's funny, it's lighthearted.
• 46:28
  Speaker 1: He's into it, of course, you know, and like she
• 46:32
  Speaker 1: This is how you can tell that Elise is fun
• 46:34
  Speaker 1: Like Alise wants to have a good time, and like
• 46:37
  Speaker 1: to Josh's credit, so does he. You know, like he
• 46:39
  Speaker 1: sits in that fun time every day, every night. Maybe
• 46:42
  Speaker 1: a little too long, but like you could see a
• 46:44
  Speaker 1: scene where Anna would be like cooking for javaon maybe
• 46:47
  Speaker 1: and like trying to be lighthearted or funny too or whatever.
• 46:49
  Speaker 1: But your Javon would just said there the whole time
• 46:51
  Speaker 1: being like where Aliset Josh is engaging with Elise. So
• 46:56
  Speaker 1: now she does the other thing where she's like, I
• 46:58
  Speaker 1: gotta see it. This pasta is out, so I'm gonna
• 47:00
  Speaker 1: throw it at the wall. Now we're like, girl, you're
• 47:03
  Speaker 1: gonna pay the fucking cleaning for this airbnb. Could you
• 47:06
  Speaker 1: imagine being the homeowners of this gorgeous airbnb with like
• 47:10
  Speaker 1: a hot tub pool and is watching just like ross
• 47:13
  Speaker 1: pasta is being thrown at like the higher parts of
• 47:15
  Speaker 1: your wall. I'd be like, good, that'll be one thousand dollars.
• 47:20
  Speaker 1: I mean, it's just yeah anyway, So she also, like
• 47:24
  Speaker 1: you know, isn't that much of a cook. So it's
• 47:26
  Speaker 1: like the pasta that she makes, it has a bunch
• 47:28
  Speaker 1: of her hair in it. You know. God, I'd be like, babe,
• 47:32
  Speaker 1: can we just order pizza. There's just not any way
• 47:34
  Speaker 1: I would eat anything that she's cooked. But they get
• 47:39
  Speaker 1: into a hot tub, and now here is where a
• 47:42
  Speaker 1: lot happens. So I had said early on that I
• 47:45
  Speaker 1: thought it was so crazy that we had never talked
• 47:48
  Speaker 1: about his son with her, or like hardly any that
• 47:50
  Speaker 1: he had talked about his son and they really don't
• 47:52
  Speaker 1: have a lot of like what looks like personal conversations.
• 47:55
  Speaker 1: But we get a flashback that this actually did happen,
• 47:58
  Speaker 1: that she at one point was like, I don't know
• 47:59
  Speaker 1: how'm gonna leave with meeting your son, and he's like, well,
• 48:01
  Speaker 1: I don't know how you think you're gonna meet my son.
• 48:02
  Speaker 1: You're crazy, And he's like, just kidding, No, I'll let
• 48:05
  Speaker 1: you FaceTime him. And then we get the story of
• 48:07
  Speaker 1: how sad he is because the son's no longer with
• 48:09
  Speaker 1: this with him all the time and you know, love
• 48:10
  Speaker 1: bity Blue blahady blue. And then Ali says something that like,
• 48:15
  Speaker 1: especially if you're a female, you're like, no, he's crying
• 48:19
  Speaker 1: right because like his family's not together and he feels
• 48:21
  Speaker 1: like a shit person, and you know, he really has
• 48:23
  Speaker 1: to get his own life, like gather that's his own
• 48:24
  Speaker 1: due diligence, and he would resent anyone who try to
• 48:27
  Speaker 1: like do it for him or help him. And the
• 48:29
  Speaker 1: truth of the matter is you can't do it. But
• 48:30
  Speaker 1: she says, I want to help you. No, I want
• 48:34
  Speaker 1: to help make you feel like you're back together. You can't.
• 48:39
  Speaker 1: You can't fix someone, fix their life, make their life better.
• 48:43
  Speaker 1: You can't make them happy, you can't distract them. You
• 48:46
  Speaker 1: can't wildly change someone's emotional outlook or like the responsibilities
• 48:52
  Speaker 1: in their life. And I think there's two sides, Like
• 48:54
  Speaker 1: you know, there's like there are this is genderless. There
• 48:58
  Speaker 1: are a lot of people that want to save someone,
• 48:59
  Speaker 1: right Like if you're like this is in the very nineties,
• 49:01
  Speaker 1: but like remember when you would say, like this is
• 49:04
  Speaker 1: so gross, but you would be like a man. If
• 49:05
  Speaker 1: it was a man, you'd be like captain save a
• 49:06
  Speaker 1: ho or whatever, like you know, that kind of thing.
• 49:09
  Speaker 1: And then also there on the flip side, like and
• 49:12
  Speaker 1: this is I guess heterosexual, but you know probably at
• 49:16
  Speaker 1: this point whatever same for anyone dating anyone, but used
• 49:20
  Speaker 1: to be this captain save a whole thing was like
• 49:21
  Speaker 1: obviously man toward female. But also there was the thing
• 49:24
  Speaker 1: where like, you can't you know, mother someone, you can't
• 49:26
  Speaker 1: fix you know someone, And I'd be like something you
• 49:27
  Speaker 1: would say to a female who like you know, wants
• 49:30
  Speaker 1: to like take care and overly mother or whatever. And
• 49:33
  Speaker 1: that is honestly something I have dealt with too, because
• 49:37
  Speaker 1: I think that sometimes you want to fix someone and
• 49:40
  Speaker 1: sometimes people just want to have you hear them and
• 49:42
  Speaker 1: sometimes there is no fixing, and sometimes like the idea
• 49:47
  Speaker 1: that you have the power to do so almost further
• 49:52
  Speaker 1: separates the person from you, because if if you have
• 49:56
  Speaker 1: that power, that means they don't, and like the scales
• 49:59
  Speaker 1: are off, it's not even true they do have the power.
• 50:02
  Speaker 1: They actually are the only ones that have the power
• 50:03
  Speaker 1: to fix their own lives. Right, you can't do it
• 50:06
  Speaker 1: for anyone. But it's funny because if he already feels
• 50:08
  Speaker 1: less than, if he already feels emasculated, if he already
• 50:10
  Speaker 1: feels whatever he says to have her be like I
• 50:13
  Speaker 1: want to be the one that actually helps you fix
• 50:14
  Speaker 1: your life, then it really goes to show that like
• 50:17
  Speaker 1: she thinks she can, which she can't, and that she
• 50:20
  Speaker 1: thinks that he can't, which that's true. It's like the
• 50:22
  Speaker 1: psychology of that is interesting to me, right anyway, So
• 50:27
  Speaker 1: you know, don't do a girl, don't do it girl
• 50:31
  Speaker 1: like that. TikTok okay um. So let's move on to
• 50:36
  Speaker 1: Laura and beer cant So he is sitting, honey, pensively
• 50:40
  Speaker 1: by the water, I mean, existentially having a fucking full
• 50:43
  Speaker 1: on crisis. I'm still here, is what he says, which
• 50:45
  Speaker 1: for any Sondheim Follies fan, or for any person who's
• 50:48
  Speaker 1: ever seen Postcards from the Edge, good times and thumb times.
• 50:54
  Speaker 1: I've seen them all, and my dear, I'm still and
• 51:00
  Speaker 1: that is what that made me feel like so hardcore. Yes,
• 51:04
  Speaker 1: for my non musical theater nerds, God bless you, I
• 51:07
  Speaker 1: hope that you've had full lives. There is like this
• 51:10
  Speaker 1: great song, like I said, from Sondheim's Follies, which is
• 51:13
  Speaker 1: a weird ass musical, but for some reason, that one
• 51:15
  Speaker 1: weird ass musical has a bunch of great songs. I'm
• 51:18
  Speaker 1: still here as one of them. Broadway Baby is one
• 51:21
  Speaker 1: of them. Who's that woman? Great? Whre's so many great
• 51:26
  Speaker 1: songs from Follies? Right, kind of like Godspell, You're like,
• 51:28
  Speaker 1: what a weird play, but what great music anyway. And
• 51:32
  Speaker 1: then for the movie Postcards from the Edge with Meryl
• 51:36
  Speaker 1: Streep where you know she's carry Fisher in the movie,
• 51:40
  Speaker 1: please go watch it if I know you've already watched it,
• 51:42
  Speaker 1: because I know my target demographic is people like me
• 51:45
  Speaker 1: and older my age, God bless One of the best
• 51:47
  Speaker 1: scenes is you know, Sherlin McLaine at like a fancy
• 51:52
  Speaker 1: party singing that song in a like to a piano,
• 51:56
  Speaker 1: and it's it's a song of survival, and it's a
• 52:03
  Speaker 1: song about age, and it's a song about like being
• 52:08
  Speaker 1: that kind of like you cannot fucking keep a good
• 52:12
  Speaker 1: person down, that like I'm just going to keep going
• 52:16
  Speaker 1: like a terminator, you know, like whatever's happened, I've been
• 52:21
  Speaker 1: like dealt whatever cards, you just cannot stop me. And
• 52:26
  Speaker 1: alone that sentiment is. So it's such an awesome, hopeful
• 52:32
  Speaker 1: sentiment because I think that, you know, sometimes when bad
• 52:36
  Speaker 1: things happen, right like and surely we've had them, there's
• 52:40
  Speaker 1: this idea of like what now or what next? Or
• 52:43
  Speaker 1: will I come back from this? And the truth of
• 52:46
  Speaker 1: the matter is, and I mean this, there is nothing
• 52:49
  Speaker 1: that you cannot come back from because like there's a
• 52:52
  Speaker 1: resilience in the human spirit. It's like built into like
• 52:55
  Speaker 1: DNA code. And so when we see people that just
• 52:59
  Speaker 1: keep chugging a lot, they just keep going, it's inspirational
• 53:02
  Speaker 1: because it speaks to a part of us that like
• 53:05
  Speaker 1: we want for ourselves, which is at the end of
• 53:07
  Speaker 1: the day, to operate somewhat, to operate in a way
• 53:11
  Speaker 1: that is self survival because you love yourself and because
• 53:14
  Speaker 1: this is it and like, nothing can take away that
• 53:17
  Speaker 1: from you. You can't. You know, the world, no one knows.
• 53:20
  Speaker 1: Certainly experience or situation can take away your power, or
• 53:23
  Speaker 1: can take away your life for us, or can take
• 53:25
  Speaker 1: away whatever your magic. You're light, whatever it is, and
• 53:28
  Speaker 1: if you have the kind of spirit that just fucking
• 53:32
  Speaker 1: keeps going, then it's like instilled in you. That's why
• 53:36
  Speaker 1: I love the song I'm Still Here. It's such a
• 53:38
  Speaker 1: great song anyway, But here we are, beer Cuns, you know,
• 53:40
  Speaker 1: he's still there, and then you know, Laura, you know,
• 53:43
  Speaker 1: comes up and at this point I'm like, Laura, are
• 53:45
  Speaker 1: you wearing White Islander? It looks like she's like just
• 53:47
  Speaker 1: like for some reason doing like a full Trixie motel,
• 53:50
  Speaker 1: just like White island Er moment just right there, honey. Okay,
• 53:53
  Speaker 1: So you know he's hot on the heels of this
• 53:56
  Speaker 1: like Michael thing where Michael was like, why are you
• 53:58
  Speaker 1: so such a bitchy bitch to me? And beer CON's like,
• 54:00
  Speaker 1: why are you in love with my woman? And Michael's like,
• 54:02
  Speaker 1: oh what, no, no, no, no, I'm not in love with her?
• 54:05
  Speaker 1: When made you think that? And Michael's like her, you,
• 54:08
  Speaker 1: I mean you being here and mostly her and Michael
• 54:12
  Speaker 1: was like, oh, not she, buddy, she liked me and
• 54:15
  Speaker 1: of course beer con here's that. And it feels, you know,
• 54:18
  Speaker 1: betrayed by that. Now some of these things he says
• 54:20
  Speaker 1: were like all right, buddy, So he's like, she lied.
• 54:23
  Speaker 1: She lied to me about this. I can't believe it.
• 54:25
  Speaker 1: If she lies about this, what is she gonna lie
• 54:26
  Speaker 1: about her? Like, buddy, well, fifty thousand dollars in debt.
• 54:29
  Speaker 1: I mean, was that a lie? Or is that something
• 54:30
  Speaker 1: you just didn't tell her? I mean, it's a lot.
• 54:32
  Speaker 1: So when she shows up, she is upset that this
• 54:38
  Speaker 1: piece of information has been found out, and it feels
• 54:41
  Speaker 1: like she's upset about it because it tears down like
• 54:46
  Speaker 1: the fantasy that she has had, which feels like Laura's
• 54:50
  Speaker 1: whole journey was like a sort of toxic need to
• 54:56
  Speaker 1: feel wanted. By creating the somewhat literary, you know, love
• 55:04
  Speaker 1: triangle that we've been knowing from, especially if you're you know,
• 55:07
  Speaker 1: like me, huh a check off lover, that she is
• 55:11
  Speaker 1: at the center of two men fighting over her. Now
• 55:13
  Speaker 1: she's got the first person to want that, you know,
• 55:16
  Speaker 1: she's not the first person to enjoy like people, you know,
• 55:19
  Speaker 1: like fighting over like her and wanting like wild displays
• 55:24
  Speaker 1: of you know, lust and love and whatnot, and to
• 55:27
  Speaker 1: sort of feel like a tinge of I'm a commodity,
• 55:31
  Speaker 1: a wanted commodity, because you know, I'm creating turmoil for
• 55:36
  Speaker 1: other people in my life to think that, you know,
• 55:39
  Speaker 1: at the same time, it's not just her. It's like
• 55:41
  Speaker 1: I think kind of like remember how Javon kept being
• 55:44
  Speaker 1: like with Anna, like you're getting too comfortable, Like you know,
• 55:46
  Speaker 1: I want you to think that I can just cheat
• 55:47
  Speaker 1: on you at any time. It's kind of like that
• 55:49
  Speaker 1: where you're just like you want to destabilize the other
• 55:56
  Speaker 1: person in your relationship to not feel secure with you
• 56:00
  Speaker 1: you why obvious reasons, because you don't feel secure or
• 56:04
  Speaker 1: because this kind of need to feel like jealousy is
• 56:09
  Speaker 1: like a loud enough feeling that sort of like takes
• 56:12
  Speaker 1: away what is like actual human connection and love. Does
• 56:16
  Speaker 1: that make sense? It's like and it's also like playing
• 56:19
  Speaker 1: at the idea of something like Laura really wanted to
• 56:22
  Speaker 1: create like a triangle with her in the middle where
• 56:24
  Speaker 1: like beer Kana Michael will be like you you and
• 56:26
  Speaker 1: she can be like it's just so hard my pickle
• 56:28
  Speaker 1: loving my pickleball loving bff and my you know, tall, dark,
• 56:32
  Speaker 1: mysterious person in debt, you know, like what picks and
• 56:36
  Speaker 1: which what am I going to choose? And it isn't
• 56:39
  Speaker 1: that right? Like Michael's like, oh I didn't I didn't
• 56:41
  Speaker 1: want her. No, she literally threw herself at me and
• 56:44
  Speaker 1: I was like absolutely no. This is a confusing thing.
• 56:47
  Speaker 1: And I want to give Laura some grace because Laura
• 56:49
  Speaker 1: says it this way. Laura says that they were drinking
• 56:52
  Speaker 1: and they were on the couch, and she says that
• 56:54
  Speaker 1: they were laying on top of each other and that
• 56:57
  Speaker 1: she went in for a kiss, like, Michael, were you
• 57:00
  Speaker 1: Was she laying on top of you? Because the truth
• 57:02
  Speaker 1: of the matter is she's like, I think you're in
• 57:04
  Speaker 1: love with me. The way she says it is this,
• 57:07
  Speaker 1: so make go back? So okay. So after I'm so sorry,
• 57:12
  Speaker 1: she has a conversation with beer Can where he's sitting
• 57:14
  Speaker 1: by the river and he tells her what he's you know,
• 57:16
  Speaker 1: what he found out, and she's upset and he's like,
• 57:18
  Speaker 1: I wish I never met you. And she's like, oh well,
• 57:20
  Speaker 1: I'm gonna leave and he's like good, okay, leave, and
• 57:22
  Speaker 1: then she's like ah. So she goes to Michael and
• 57:24
  Speaker 1: she's like would you tell him that? For you know.
• 57:26
  Speaker 1: Michael's like, I'm sorry the truth and she's like, well,
• 57:28
  Speaker 1: what'd you say it like that? I thought you said
• 57:30
  Speaker 1: the truth because I think that you did it this
• 57:32
  Speaker 1: sabotage my relationship because you love me so much. And
• 57:34
  Speaker 1: he's like, oh my god, no, I don't love you
• 57:37
  Speaker 1: like that. Now I have to say it to your face.
• 57:39
  Speaker 1: How awkward. And she's like, well, he's not the only
• 57:42
  Speaker 1: person that thinks that you're in love with me, which
• 57:44
  Speaker 1: is like, yeah, you know, I get that you think
• 57:47
  Speaker 1: I'm in love with you. And here's the thing. She
• 57:50
  Speaker 1: could be like, well you came here and he's like
• 57:51
  Speaker 1: yeah because the producer has told me to. Also, because
• 57:54
  Speaker 1: you know, you kept telling me that you didn't know
• 57:56
  Speaker 1: what was happening, and he might be like really fucking
• 57:58
  Speaker 1: you up? And you have no one else in your
• 58:00
  Speaker 1: life but me, your bff, and so you used what
• 58:02
  Speaker 1: like my my friendliness and like my like you like
• 58:06
  Speaker 1: stirred me up with feelings of you not being safe
• 58:09
  Speaker 1: and you like needing a second opinion, and then told
• 58:13
  Speaker 1: him that It's like this guy just wants to come.
• 58:16
  Speaker 1: I don't know why he wants to come. You know,
• 58:18
  Speaker 1: like Laura is caught in this and it's I mean,
• 58:21
  Speaker 1: it's not a good look for Laura. Laura Godless has
• 58:24
  Speaker 1: gone through a health journey and she's lost a bunch
• 58:26
  Speaker 1: of a bunch of weight. And I understand that this
• 58:29
  Speaker 1: really you can be on my YouTube channel look Back
• 58:31
  Speaker 1: my Loves. I understand that, and so it This is
• 58:35
  Speaker 1: my now expert opinion of someone who has lost like
• 58:38
  Speaker 1: over one hundred and twenty pounds and spent most of
• 58:41
  Speaker 1: their life bigger. And if you like, there's a lot
• 58:44
  Speaker 1: of people who met me in the past five years
• 58:46
  Speaker 1: where I if they see a picture of me from
• 58:48
  Speaker 1: like ten years ago, they're like, who is that? And
• 58:49
  Speaker 1: I'm like, well, it takes all time. It takes all
• 58:52
  Speaker 1: kinds to make a world. You never know where someone
• 58:55
  Speaker 1: goes and where they're gonna come from. Laura, it seems
• 59:00
  Speaker 1: like she had lived a life where she wanted a
• 59:02
  Speaker 1: sort of romance that she only saw in fairy tales
• 59:06
  Speaker 1: and stuff. And I think that also, when you feel insecure,
• 59:10
  Speaker 1: there's a way where you maybe think that everyone's having that,
• 59:14
  Speaker 1: like everyone has like romance in that kind of way
• 59:17
  Speaker 1: and maybe you know, I know that there are definitely
• 59:20
  Speaker 1: people that have people fighting over them. That's a true thing.
• 59:24
  Speaker 1: And I think that Laura secretly has wanted to feel
• 59:28
  Speaker 1: wildly wanted, wildly sexually, you know, like irresistible, wildly hot,
• 59:35
  Speaker 1: attractive and or like you know, just like needed by
• 59:39
  Speaker 1: men that for her own self esteem. She like tried
• 59:43
  Speaker 1: to concoct that storyline and it's like disintegrating in front
• 59:49
  Speaker 1: of her. And at this point, now the streets of
• 59:53
  Speaker 1: none of the fiance know that her and Michael are
• 59:56
  Speaker 1: not friends anymore, and she has like levied you know,
• 59:59
  Speaker 1: like angry accusations at him, and for some reason, he's
• 1:00:03
  Speaker 1: really good friends I think with Molly. I don't even
• 1:00:05
  Speaker 1: understand why. I don't know if that happened before. It's like,
• 1:00:07
  Speaker 1: I think this is all going to come out during
• 1:00:10
  Speaker 1: the tell all or after the tell all, but it's
• 1:00:11
  Speaker 1: really confusing. So you know, Michael's yeah, I mean, I'm
• 1:00:15
  Speaker 1: so sorry if I don't love you, but I had
• 1:00:18
  Speaker 1: made that clear then, and now that I realize that,
• 1:00:20
  Speaker 1: like you tried to make it seem like I was
• 1:00:22
  Speaker 1: in live with you, now I Michael has to maybe
• 1:00:26
  Speaker 1: do some accountability of what he has done to lead
• 1:00:30
  Speaker 1: Laura on. Because Michael seems to be wildly at least
• 1:00:36
  Speaker 1: emotionally invested in Laura, and I think that there is
• 1:00:39
  Speaker 1: like a part of a human that also has to
• 1:00:42
  Speaker 1: be like accountable to this. If you are best friends
• 1:00:47
  Speaker 1: with someone and you know that they've gone on like
• 1:00:51
  Speaker 1: a journey of themselves of like loving themselves or not
• 1:00:55
  Speaker 1: loving themselves based on the way they look, and Michael has,
• 1:00:59
  Speaker 1: you know, definitely been open about some vulnerabilities he has
• 1:01:03
  Speaker 1: because of you know, the ways that he looks, like
• 1:01:06
  Speaker 1: these are two people that you know feel a certain
• 1:01:08
  Speaker 1: way and you know, I think have also felt like
• 1:01:12
  Speaker 1: a rejection. Then he has to have the sensitivity that
• 1:01:16
  Speaker 1: if a year ago, if Laura tried to kiss him,
• 1:01:20
  Speaker 1: then for him to be so emotionally invested in Laura
• 1:01:23
  Speaker 1: a year later is fucking with her? Why is Michael
• 1:01:26
  Speaker 1: fucking with her? If Michael doesn't love Laura romantically, why
• 1:01:30
  Speaker 1: is Michael fucking with Laura like he does? And he
• 1:01:34
  Speaker 1: could be No, I'm just a really good guy and
• 1:01:36
  Speaker 1: that was my really good friend. And it's like psychologically,
• 1:01:40
  Speaker 1: you know this woman has tried to kiss you. You
• 1:01:42
  Speaker 1: are getting something Michael from being around someone like Laura,
• 1:01:46
  Speaker 1: who in the back of your mind you're likes she
• 1:01:49
  Speaker 1: wants me, and it makes you feel good because I
• 1:01:52
  Speaker 1: think there are times in which you don't feel like
• 1:01:54
  Speaker 1: women want you. So you've kept Laura. You'll go play pickleball,
• 1:01:59
  Speaker 1: or you'll get drunk with Laura and then just like
• 1:02:01
  Speaker 1: watch her look at you and you know, with like
• 1:02:03
  Speaker 1: wanting eyes, and then you'll probably go home and be like, well, Lise,
• 1:02:06
  Speaker 1: I have Laura, and is that right. I think that
• 1:02:08
  Speaker 1: we all know, like the there's like the subtle emotional
• 1:02:11
  Speaker 1: energy that you are giving off, and it's the same
• 1:02:15
  Speaker 1: reason why ber Khan's mad at Laura. Laura can be like,
• 1:02:18
  Speaker 1: I don't understand why you're mad at me. I tried
• 1:02:19
  Speaker 1: to kisshim a year ago. It's not a big deal.
• 1:02:21
  Speaker 1: And beer Coan's like, no, your emotional energy was that
• 1:02:24
  Speaker 1: you wanted him a year ago and you weren't honest
• 1:02:26
  Speaker 1: about it, right, Just like Rick's emotional energy with rix
• 1:02:31
  Speaker 1: X was that when rix X texted him while at
• 1:02:35
  Speaker 1: Tricia's dad's home that he never really loved her. His
• 1:02:42
  Speaker 1: emotional energetic response to her was disrespectful, was not right,
• 1:02:48
  Speaker 1: and he knew it right, it's the same Michael, what
• 1:02:50
  Speaker 1: the fuck are you doing with Laura? Then she's not
• 1:02:53
  Speaker 1: wrong when she's like, what are you? Why are you here? Now?
• 1:02:56
  Speaker 1: I think that she knows two things. I think that
• 1:02:57
  Speaker 1: it's an unclear situation. I think that she wants him
• 1:03:01
  Speaker 1: to love her. I think that she was given a
• 1:03:03
  Speaker 1: mixed signal, and instead of like clarifying that for herself
• 1:03:07
  Speaker 1: in like an emotional responsible way, she was like, only
• 1:03:12
  Speaker 1: too happy to facilitate this love triangle that ends ends
• 1:03:16
  Speaker 1: up looking making her look bad and somehow making beer
• 1:03:19
  Speaker 1: Con look good. So anyway, God bless so. So then
• 1:03:24
  Speaker 1: basically she's like, Okay, well I don't know what to do.
• 1:03:26
  Speaker 1: I'm gonna call beer Con And so she does and
• 1:03:29
  Speaker 1: she's like, Hi, can we talk? And he's like no.
• 1:03:31
  Speaker 1: And she's like, okay, well can I come back to
• 1:03:33
  Speaker 1: the airbnb that I'm paying for? And he's like no, No,
• 1:03:35
  Speaker 1: I want some space. She's like, oh, okay, we were
• 1:03:38
  Speaker 1: led to believe that she's paying right for their place
• 1:03:42
  Speaker 1: to live. Now me and you we're like this this
• 1:03:45
  Speaker 1: conversation makes me feel like no production is because I
• 1:03:49
  Speaker 1: cannot imagine a space between this earth and the next
• 1:03:54
  Speaker 1: where I am paying for an airbnb and I get
• 1:03:58
  Speaker 1: in a fight with someone who lives in that country
• 1:04:02
  Speaker 1: who tells me I can't go back to the place
• 1:04:05
  Speaker 1: I'm paying for in a foreign country. Nobody, you leave
• 1:04:09
  Speaker 1: if you don't want to talk to me, that's that's
• 1:04:12
  Speaker 1: your choice. Pack your bags and go to one of
• 1:04:15
  Speaker 1: your Sheisha friends' homes, smoke it all night and gamble buddy. Anyway, Uh, weird, weird, weird, weird, weird,
• 1:04:21
  Speaker 1: weird to me weird, and I don't night, can't condone it. Okay,
• 1:04:25
  Speaker 1: So let's move on to do we have? I think
• 1:04:30
  Speaker 1: we have Lisa and Daniel left my goodness, gracious, yeah,
• 1:04:34
  Speaker 1: I've talked about them. Okay, yeah, we have Lisa and Daniel.
• 1:04:38
  Speaker 1: Guess what, honey, it's the morning of her leaving, and
• 1:04:41
  Speaker 1: Lisa is back to Lisa is back to business. Lisa's
• 1:04:46
  Speaker 1: back to square one, where she has rid herself of
• 1:04:50
  Speaker 1: all the lies, and she's back to having someone devour her,
• 1:04:55
  Speaker 1: except that it's his penis devouring her vagina, and really
• 1:05:01
  Speaker 1: what she wants come close because you don't want me
• 1:05:03
  Speaker 1: to say it twice, so you're gonna hear it once.
• 1:05:05
  Speaker 1: She wants him to go down on her and eat
• 1:05:08
  Speaker 1: every morsel of Nina. That's what she wants devoured. She
• 1:05:13
  Speaker 1: wants downstairs eating up honey. I mean like it's it's
• 1:05:18
  Speaker 1: like it's a package. Sees her dressing salad. You know,
• 1:05:21
  Speaker 1: she wants it all over his face. You, Chris, stop it.
• 1:05:26
  Speaker 1: It's not my fault. So anyway, so it's not my fault. Okay,
• 1:05:29
  Speaker 1: So it is. So she wakes up and she's like, Babe,
• 1:05:32
  Speaker 1: you did it, you really, you know, gave me what
• 1:05:35
  Speaker 1: I wanted with the dick and everything, but here's something else.
• 1:05:38
  Speaker 1: You promised me that you would go down on me.
• 1:05:42
  Speaker 1: And he's like, oh, I know, I said that, but
• 1:05:43
  Speaker 1: I don't like to do I don't do it. Then
• 1:05:45
  Speaker 1: he says a whole bunch of things. A. I don't
• 1:05:47
  Speaker 1: like to do it. I don't do it. B I
• 1:05:49
  Speaker 1: don't know how to do it. And then he says
• 1:05:50
  Speaker 1: and I believe that. And then then he says, I'm
• 1:05:53
  Speaker 1: a guy, you know, I can only give her what
• 1:05:55
  Speaker 1: I got, my dick. But he also says that she's
• 1:05:58
  Speaker 1: gone down on him, and I want to be like,
• 1:06:00
  Speaker 1: well all she then, if all you have is your dick,
• 1:06:03
  Speaker 1: then all that she has is you know, her vagina,
• 1:06:05
  Speaker 1: because you both definitely have moles and tongues attached. I
• 1:06:09
  Speaker 1: don't know why I said mouths like that. I hate
• 1:06:11
  Speaker 1: what I'm talking about. Anyway, he doesn't want to go
• 1:06:13
  Speaker 1: down on her, And you know what, I'm very happy
• 1:06:15
  Speaker 1: that she was like, oh no, I require it. It's
• 1:06:18
  Speaker 1: part of the requirements for riding this ride. You have
• 1:06:22
  Speaker 1: to be above fifty two inches or whatever most rollercoasters say,
• 1:06:25
  Speaker 1: and you have to like eat the box hungrily. You
• 1:06:27
  Speaker 1: better enjoy it and on a timely fucking basis. Yeah,
• 1:06:31
  Speaker 1: when Lisa stands up for herself, it's the best parts,
• 1:06:33
  Speaker 1: besides the fact that she really can dress herself. Okay,
• 1:06:35
  Speaker 1: So then she does this so great. She's like, here's
• 1:06:39
  Speaker 1: the thing, and I'm gonna get back to America. I'm
• 1:06:41
  Speaker 1: gonna have to like use the money that I've been spending.
• 1:06:43
  Speaker 1: I don't go to send you like clothes, clothes money
• 1:06:47
  Speaker 1: to like pay for a lawyer and immigration. Da da,
• 1:06:49
  Speaker 1: dada da. She's like, so hear me when I say that,
• 1:06:53
  Speaker 1: I will not be able to send you any more
• 1:06:56
  Speaker 1: money because every penny that I have is going towards immigration.
• 1:07:01
  Speaker 1: When you're getting to America. And his face is not amused,
• 1:07:06
  Speaker 1: and he's like, yeah, yeah, yeah, that's fine. You can
• 1:07:07
  Speaker 1: tell me that I'm not gonna you won't be able
• 1:07:09
  Speaker 1: to send any money. But what I'm telling you is
• 1:07:11
  Speaker 1: I'm still going to ask me. You have to send
• 1:07:13
  Speaker 1: it to me. It really is a conversation where she's like,
• 1:07:15
  Speaker 1: I won't be able to send you anything else for money,
• 1:07:17
  Speaker 1: so stop asking. And he's like, yes, but I'm going
• 1:07:20
  Speaker 1: to keep asking and please send it to me. And
• 1:07:22
  Speaker 1: then I don't know how they decide to end that conversation.
• 1:07:27
  Speaker 1: It feels like both of them just say their point
• 1:07:30
  Speaker 1: and then she's like, okay, well I'm just gonna listen.
• 1:07:32
  Speaker 1: I'm going to showcase that I definitely know how to
• 1:07:34
  Speaker 1: put that hat wrap on. Now. I mean, she gets
• 1:07:36
  Speaker 1: in full regalia. Meanwhile he gets in a shirt that
• 1:07:39
  Speaker 1: says I have a wife, so you know, please keep away.
• 1:07:42
  Speaker 1: She started not being able to wrap her hair up, honey,
• 1:07:45
  Speaker 1: and I mean she is now doing full fucking what
• 1:07:47
  Speaker 1: looks like roses. Is this one piece or did she
• 1:07:51
  Speaker 1: wrap it this way? You know? Good for her, I'm
• 1:07:56
  Speaker 1: gonna give her some grace also here. So when they
• 1:07:59
  Speaker 1: go to the airport. He cries. She cries, for sure,
• 1:08:03
  Speaker 1: he cries. We're like, oh my gosh, he's crying. And
• 1:08:07
  Speaker 1: then he says, yeah, you know, I I hope she
• 1:08:10
  Speaker 1: doesn't change her mind. She can get back there and
• 1:08:12
  Speaker 1: change her mind about getting me the visa. And we're like, oh, yeah, Danielle, okay,
• 1:08:15
  Speaker 1: because this is not something you say if you're crying
• 1:08:18
  Speaker 1: over someone leaving. I'm going to miss her so much.
• 1:08:20
  Speaker 1: I can't. I don't want to see her again. I
• 1:08:22
  Speaker 1: love her. I've just enjoyed being with her so much,
• 1:08:25
  Speaker 1: like her smells, her tastes, you know, like when she
• 1:08:29
  Speaker 1: even pooped the bed. I missed it. I loved it
• 1:08:31
  Speaker 1: so much. I can't. I can't stand being without it.
• 1:08:35
  Speaker 1: I'm crying because, yeah, my soulmate's leaving. Yeah. He's like,
• 1:08:38
  Speaker 1: I'm just crying because like what if she changes her
• 1:08:39
  Speaker 1: mind about the visa, not the marriage, not her life
• 1:08:42
  Speaker 1: with you, the visa. Yeah, He's just like, ah, yeah,
• 1:08:45
  Speaker 1: I just love that she's doing that for me so
• 1:08:46
  Speaker 1: we don't have to do it for myself. I love
• 1:08:48
  Speaker 1: that she's getting me to America so I don't have
• 1:08:49
  Speaker 1: to worry about it. I love that for her and me.
• 1:08:52
  Speaker 1: That's why I like her, that she does this one
• 1:08:54
  Speaker 1: thing for me. Who it's hard. It's hard to hear,
• 1:08:57
  Speaker 1: you know, it's hard watch, you know, but it's easy
• 1:09:00
  Speaker 1: to talk about. Babes. Thank you so much for listening.
• 1:09:02
  Speaker 1: Thank you so much for letting me talk at you.
• 1:09:04
  Speaker 1: Please give this podcast five stars if you have not
• 1:09:07
  Speaker 1: yet and like a helpful review, even if you're like
• 1:09:10
  Speaker 1: this one episode Chris was mad about it, But you
• 1:09:11
  Speaker 1: know what, am I being truthful with you? I have
• 1:09:13
  Speaker 1: to be. It's part of my brand. But also because
• 1:09:17
  Speaker 1: I want to experience joy with you, and so I
• 1:09:20
  Speaker 1: really want there to be like good storytelling for us
• 1:09:22
  Speaker 1: to do this journey together at the same time Single
• 1:09:25
  Speaker 1: life is happening at the same time. Of course, Ninety
• 1:09:28
  Speaker 1: Day Fiance comes back in May regular nine a Day
• 1:09:32
  Speaker 1: Fiance and Hunt for Love. The cast has been somewhat announced.
• 1:09:35
  Speaker 1: You can go to my socials if you want to
• 1:09:37
  Speaker 1: see me give you like first reactions to both. I'm
• 1:09:42
  Speaker 1: at Chris Elfara on Instagram. I'm on TikTok. I have
• 1:09:46
  Speaker 1: a Patreon. Please go join my patreon right now. I'm
• 1:09:51
  Speaker 1: going to do the Love and the Spectrum episodes for
• 1:09:56
  Speaker 1: Patreon only. It's my first Patreon exclusive. So season four
• 1:10:01
  Speaker 1: of Love on the Spectrum will be all behind the
• 1:10:05
  Speaker 1: Patreon wall except for episodes one and two. One will
• 1:10:10
  Speaker 1: be on my RSS feed with a collab with psych
• 1:10:13
  Speaker 1: Legal Pop. Episode two will be on their feed psych
• 1:10:17
  Speaker 1: Legal Pops rss feed, and then the rest of the
• 1:10:20
  Speaker 1: episodes will be in my Patreon. Chris Farra's Patreon Chris
• 1:10:23
  Speaker 1: Faras substack, Chris Farah on Facebook. Vanity Farah is the
• 1:10:27
  Speaker 1: group on Facebook. I feel like I gave you a
• 1:10:29
  Speaker 1: lot of information, but I appreciate you listening. And at
• 1:10:33
  Speaker 1: the same time, we're going to close how we always do.
• 1:10:36
  Speaker 1: Two breath and on our way. All right, Oh, what
• 1:10:38
  Speaker 1: a great day to give yourself the gift of like
• 1:10:41
  Speaker 1: a present moment because no one will be able to
• 1:10:44
  Speaker 1: take it away from you. And maybe we can have
• 1:10:48
  Speaker 1: like a beer Khan beer can, a beer con mantra
• 1:10:53
  Speaker 1: because in this present moment we are here. Put your
• 1:11:01
  Speaker 1: hand on your heart. Wherever you were before, you're not there.
• 1:11:04
  Speaker 1: You're here. You've made it, so stop thinking about the past.
• 1:11:10
  Speaker 1: It's happened in the future. You're not there, honey, Where
• 1:11:14
  Speaker 1: are you here? Presently? I'm here. It's where your heart is,
• 1:11:18
  Speaker 1: It's where your heart's beating, It's where your breath is found.
• 1:11:21
  Speaker 1: It's what's real. This is what is. So if you
• 1:11:24
  Speaker 1: get lost in your head or you get lost worrying,
• 1:11:28
  Speaker 1: this is a great authentic place that you know, you
• 1:11:32
  Speaker 1: know is. This is what it is. So you can
• 1:11:34
  Speaker 1: hold your heart, you can feel the beat of it.
• 1:11:37
  Speaker 1: You can like feel the rise and fall of your chest.
• 1:11:39
  Speaker 1: You can hear my voice. If you're listening on a podcast,
• 1:11:42
  Speaker 1: that's what's happening right now, or on a YouTube. Right now,
• 1:11:46
  Speaker 1: you're listening to this stream of conscious weird lady talk
• 1:11:50
  Speaker 1: about not an ay fiance, but we're going to share
• 1:11:54
  Speaker 1: this moment where we both breathe and we're like, yeah,
• 1:11:58
  Speaker 1: we did it, and this is all that's required of us. Okay,
• 1:12:02
  Speaker 1: I'm still here, all right, babes, listen to the song.
• 1:12:07
  Speaker 1: If you haven't, just look it up. I'm still here.
• 1:12:10
  Speaker 1: Uh Sondheim's Follies. All right, take care of yourselves and
• 1:12:14
  Speaker 1: one another, staying up for way you believe, make art,
• 1:12:16
  Speaker 1: and we'll talk later. Nice