Latest / Drama, Darling: A Real Housewives Comedy Podcast / 🌴 RHOM "Is it Cake...Math?

Transcript

🌴 RHOM "Is it Cake...Math? · Drama, Darling: A Real Housewives Comedy Podcast

0:05
Speaker 1: Drama Darling Drama Darling Drama Darling.
0:19
Speaker 2: Coming Back in Atcha. Darling's Talking Miami Today. Hello, Hello everybody. Hi,
0:26
Speaker 2: Diana Diana Chang is with us. Hi.
0:29
Speaker 3: Welcome to myself and to you and everybody. Welcome to
0:34
Speaker 3: your Friday, you know, thank you, Thank you very much, Darlings.
0:38
Speaker 2: Thank you so much again for listening. If you want
0:40
Speaker 2: extra episodes, head on over to Patreon dot com slash
0:43
Speaker 2: drama Darling. Lots over there now. We did the Charlie
0:47
Speaker 2: Sheen aka Charlie Sheen documentary yesterday. The partial recap is up.
0:52
Speaker 2: We went really long, so I cut it. If you
0:56
Speaker 2: want to listen to the full episode, that is over
0:59
Speaker 2: on patreon dot com slash Drama Darling. Also, please get
1:03
Speaker 2: your Cabaret Me tickets now so you don't have to
1:05
Speaker 2: worry about what you're gonna do on that Thursday night,
1:08
Speaker 2: Friday night, Saturday night during the weekend of bravocn if
1:11
Speaker 2: you don't have tickets to watch what Happens live so
1:14
Speaker 2: you can head on over to the hard Rock and
1:16
Speaker 2: see my cabaret. It's gonna be so much fun. The
1:19
Speaker 2: bio on Meeting Me Phillips Instagram ticket link is there
1:22
Speaker 2: or go onto the podcast notes. Do you guys know
1:25
Speaker 2: how to do that? It's like where the description is
1:27
Speaker 2: and where all the ad links are. I link it
1:29
Speaker 2: there as well. I am gonna be going to the
1:34
Speaker 2: orthopedic doctor again today to follow up on what's happened here.
1:39
Speaker 2: You know, it could be a combination of like carpal
1:42
Speaker 2: tunnel and arthritis because of all the editing that I do.
1:46
Speaker 2: You know what I mean? Only time will tell. Two
1:49
Speaker 2: o'clock this afternoon, I'll be heading in there with baby
1:52
Speaker 2: Dwaters coming with me in tow and we're gonna see
1:55
Speaker 2: what's up.
1:56
Speaker 3: And is it the same level of pain or yes,
1:59
Speaker 3: it is the same level of right back where we were.
2:02
Speaker 2: When I move it. It's crazy. Yeah, it's really annoying.
2:06
Speaker 2: Thank you, thank you for that frustration. Well, it's really debilitating,
2:11
Speaker 2: you know what I mean? Like, yeah, well, yeah, it's
2:12
Speaker 2: only right hand. Yeah, it's the whole thing.
2:16
Speaker 3: You know. It's like, well, I guess if we lost
2:18
Speaker 3: this that would be bad too.
2:20
Speaker 2: But meaning your lips quest in the mouth, you know,
2:24
Speaker 2: the hand is you know, speaking of mouth, I'd like
2:28
Speaker 2: to welcome us both in the Real Housewives of Miami
2:32
Speaker 2: recap and I really like last week we really landed
2:37
Speaker 2: on Lars's butt, and this week I'd like to land
2:40
Speaker 2: on her lips. No, no, no, I'd like to land
2:43
Speaker 2: on her whole face. Because here's the thing that I discovered.
2:46
Speaker 3: Like it's a tougher land. But okay, okay, buckle up, baby,
2:53
Speaker 3: we're going. Okay, let me stretch a little bit here. Yeah, okay,
2:59
Speaker 3: it's very simple. It's just certainly it's just that her
3:05
Speaker 3: face does not move when she's mad. And I know
3:09
Speaker 3: that that's like a very generic thing to say. I mean,
3:11
Speaker 3: people have been saying it for years about people who
3:14
Speaker 3: get worked nder their face and stuff. But you know,
3:19
Speaker 3: botox these days, like it's really good, so that doesn't
3:23
Speaker 3: necessarily always freeze up so bad where you have no
3:26
Speaker 3: movement and no expression. But between her lips that really
3:32
Speaker 3: only stay in one position and the eyes do not
3:38
Speaker 3: emote at all, the forehead doesn't move, so we're really
3:45
Speaker 3: left with, like what a a face that has plateaued
3:53
Speaker 3: with zero emotion. So when she's yelling, it almost doesn't
3:56
Speaker 3: come off as bad because she's not making mean looks.
4:02
Speaker 3: That's amazing. I don't know, like when she's stirring the plot,
4:08
Speaker 3: she just really wants to get in there about Julia's cake,
4:12
Speaker 3: Who did it?
4:13
Speaker 2: Who did those numbers? Who did it? Who did it?
4:16
Speaker 3: I mean she's stirring, yeah, sorry, sorry, Adriana's cake that
4:22
Speaker 3: Julia had made is she keeps calling.
4:24
Speaker 2: It Julia's cake. Got it, so that's why I said that,
4:26
Speaker 2: But let's call it Adriana's cake because that is confusing.
4:29
Speaker 2: She keeps wanting to get to the bottom of who
4:33
Speaker 2: did it, right, who it's a? Who done it? And
4:37
Speaker 2: she can't let it go. And so when she gets
4:39
Speaker 2: to the point where she finally Adriana finds out who
4:44
Speaker 2: done it by way of like, uh, the two I
4:48
Speaker 2: don't know, two gaggling gals over on the side, Lisa
4:52
Speaker 2: Yes and someone else, and she's like, oh, I think
4:56
Speaker 2: I heard that. Yeah, I heard that Kiki did it.
4:58
Speaker 2: I Kiki did it. Kiki did it?
5:01
Speaker 3: He did it? Yeah, Kiki did it, And.
5:04
Speaker 2: Then Adrianna's like no, and then larsa, of course, she
5:08
Speaker 2: just pumps it up so fast. She's like, yes, she
5:10
Speaker 2: did she did it. There's no other excuse, there's nobody
5:13
Speaker 2: else has done this before, like, and she's yelling. And
5:17
Speaker 2: then when they try to give her the benefit of
5:19
Speaker 2: the doubt. She goes in so hard and her voice escalates,
5:22
Speaker 2: but her face doesn't move. And that's where I landed, Like, Wow,
5:26
Speaker 2: she's like a camera with stirring it up, but it's
5:28
Speaker 2: nowhere near as intimidating because of her face.
5:32
Speaker 3: What an assessment?
5:33
Speaker 2: Thank you?
5:34
Speaker 3: I really no, because it's so true and I have
5:41
Speaker 3: with her face. You know, we don't talk about bodies
5:44
Speaker 3: or faces, yeah, unless we do, and we are so
5:49
Speaker 3: her face. I don't look at it directly.
5:53
Speaker 2: Like the sun like you wouldn't, but her butt.
5:56
Speaker 3: I I don't go right in on it. I look
6:00
Speaker 3: above it, to the side. I try.
6:03
Speaker 2: I can't get you. Can't make eye contact.
6:05
Speaker 3: With it, don't make I don't drill right down the
6:08
Speaker 3: center on it because.
6:12
Speaker 2: Yes, okay, I'm hearing you.
6:13
Speaker 3: Okay, go on, because I I don't think it that's
6:17
Speaker 3: how it's meant to be received. You know, at this
6:20
Speaker 3: point it's not meant for direct attacked and a straight
6:27
Speaker 3: on gaze. That is not what the face is asking
6:31
Speaker 3: for at this time. It's you got to take it
6:34
Speaker 3: from the side a little bit or over it. I look,
6:38
Speaker 3: I can look right over it and get what my
6:40
Speaker 3: peripherals will receive, but I don't do it right.
6:44
Speaker 2: Like the sun again, back to the sunrise and sunset,
6:48
Speaker 2: Like her face is also that, Like her button is
6:51
Speaker 2: the sunrise and her face is the sunset. Where you
6:54
Speaker 2: can't look directly at the ball of fire, but everything
6:57
Speaker 2: around it looks beautiful. Poor Larson's getting it from us
7:06
Speaker 2: from top to bottom, you know, and like we haven't
7:09
Speaker 2: even touched her toes, but we'll get to her feet
7:12
Speaker 2: because she put them out there. So I feel like
7:14
Speaker 2: we're allowed.
7:15
Speaker 3: Okay, okay. The moneymakers, so many moneymakers, that's the other thing.
7:21
Speaker 3: She's got a lot of moneymakers. Yeah, but it was funny. Yeah,
7:27
Speaker 3: it's quite a situation. You know. She also has gone
7:32
Speaker 3: from someone we met who was angular point you know,
7:38
Speaker 3: she had right angular features, right rownded.
7:46
Speaker 2: It's like you go to things, you get your nails done,
7:49
Speaker 2: and they're like, do you want do you want square?
7:52
Speaker 3: Square?
7:52
Speaker 2: Oval?
7:55
Speaker 3: Are they coffin now you.
7:57
Speaker 2: Know coffin right? Or say like do you want like
8:01
Speaker 2: squound or like you know, or they'll be like, do
8:04
Speaker 2: you want square with a round it edge? That's what
8:07
Speaker 2: we'll do. Yeah, it's like, you know, that's what we
8:10
Speaker 2: used to be more of a go to just to
8:14
Speaker 2: but she's full round, She's full full.
8:18
Speaker 3: She said, take the edges off, she said, Sam, the
8:23
Speaker 3: edges down. Now, I don't. I don't want a hard
8:28
Speaker 3: angle to be left on this face.
8:32
Speaker 2: I want to see a hard angle. Yet they're gonna.
8:35
Speaker 3: Roll roll, just not over here and not actually they're yeah,
8:44
Speaker 3: so take all the take all of the angles off
8:47
Speaker 3: my body, if you don't mind, if you'd be so kind.
8:55
Speaker 3: And the people said, don't mind if we do, don't
9:00
Speaker 3: if we do, and come.
9:01
Speaker 2: Back for more. So here we are now as we're
9:05
Speaker 2: talking about like the face, I do want to point
9:08
Speaker 2: out something that is fun to watch, which is that
9:12
Speaker 2: Larsa doesn't have those expressions that she can utilize. You know,
9:15
Speaker 2: she's disarmed her entire face.
9:19
Speaker 3: Ability so so.
9:27
Speaker 2: And that's why we find her so disarming when she
9:29
Speaker 2: stirs things up and gets mad because she doesn't have
9:32
Speaker 2: like the Disney villain look like she can't get there,
9:37
Speaker 2: like it's impossible. But Lisa, though, you know, she's had
9:42
Speaker 2: her work done with her lips, you know, like she's
9:45
Speaker 2: so funny that when she goes to make a word,
9:49
Speaker 2: like she's always kind of doing the duck face like
9:51
Speaker 2: when and that makes me laugh and I do enjoy that. Like,
9:55
Speaker 2: so this is not a dig I, just like how
9:57
Speaker 2: she works with works with her beauty and works with
10:00
Speaker 2: what's been done. Because like when even when she's not
10:04
Speaker 2: talking and she's about to say something, she has to
10:08
Speaker 2: like really like, what's the word I'm looking for? Yeah,
10:12
Speaker 2: she has to gear up. She has to like prepare
10:16
Speaker 2: for that engine.
10:18
Speaker 3: Yeah, you know.
10:19
Speaker 2: That's what it is. So she's got to like put
10:22
Speaker 2: those lips up her position before she says anything and
10:26
Speaker 2: she's ready to go.
10:28
Speaker 1: She does.
10:29
Speaker 3: She has to get them in position position before she
10:35
Speaker 3: begins speaking. And if now that you've heard us articulate this,
10:40
Speaker 3: please go back and look at this episode that we
10:42
Speaker 3: just watched in particular, because there were so many parts
10:45
Speaker 3: at that end party or wherever they were about fighting
10:48
Speaker 3: with the cake where she was trying to get in there,
10:51
Speaker 3: and I remember her standing up and she was like
10:53
Speaker 3: her head was bobbed the side and hair was hanging down,
10:55
Speaker 3: and she.
10:56
Speaker 2: Was like she was wanting to say something and it
11:01
Speaker 2: was ready and it was right there, and I was like,
11:02
Speaker 2: look at her pucker up and ready to get in there,
11:05
Speaker 2: you know.
11:06
Speaker 3: Well, she got she she you know, yeah, she got
11:09
Speaker 3: herself in a nice position, and she she got the
11:13
Speaker 3: lips sorted and ready and in place. Whether they get
11:21
Speaker 3: used or not, it's nice to have them prepped. Positions, positions.
11:25
Speaker 3: Everybody on your marks, Can I see it again?
11:32
Speaker 1: So? And then and then.
11:36
Speaker 2: I'd like to kind of pivot into a little more
11:38
Speaker 2: about Lisa in this episode because I just really enjoy her.
11:41
Speaker 2: I'm really enjoying her right now. I love when she
11:44
Speaker 2: cracks a joke that she is completely incidental but is
11:48
Speaker 2: really on the nose. She's done that so many times
11:51
Speaker 2: this season.
11:52
Speaker 3: And almost wondering if she is funny. I am, well,
11:57
Speaker 3: I'm starting to wonder that.
11:59
Speaker 2: Yeah.
12:00
Speaker 3: Yeah, it's so too many, too many yeah incidences. Yeah,
12:10
Speaker 3: And honestly they come off very organic because she trips
12:14
Speaker 3: into them, right, So that's yeah, comedian. I mean it's like,
12:20
Speaker 3: you know, it's.
12:22
Speaker 2: Which is not the mark of a housewife in a
12:26
Speaker 2: confessional who has good one liners. Those were dancing with
12:31
Speaker 2: the devil of a writer. And don't tell me any different.
12:34
Speaker 2: Don't tell me any different. Don't tell me especially now.
12:39
Speaker 2: I mean, it's unfortunate and we don't point it out
12:43
Speaker 2: but we know they're getting lines fed.
12:46
Speaker 3: I know this one that one and the other are
12:49
Speaker 3: shooting them lines at you know, midnight. This has happened,
12:54
Speaker 3: you know, it is what it is. It's like the
12:56
Speaker 3: game is so big that they can't be left to
13:01
Speaker 3: their own devices. You know, it's not enough.
13:04
Speaker 2: You know, we're not back in Orange County. We're not
13:08
Speaker 2: like Day one. We're not in New York Day one,
13:10
Speaker 2: where we can just take the littlest thing, you know,
13:15
Speaker 2: and run with it. You've got to have a real zinger.
13:19
Speaker 3: Yeah, And like Ammary Saul, she's not using a writer.
13:23
Speaker 3: I'd love to actually go through at some point and
13:26
Speaker 3: just sort of figure out how to identify Yeah, spend
13:30
Speaker 3: some time.
13:31
Speaker 2: Many don't use writers, absolutely, but there are some where
13:34
Speaker 2: I'm like, this is just too and people then then
13:38
Speaker 2: they get the credit for it, which is annoying because
13:40
Speaker 2: it's like that's not you. You know. Of course, like
13:43
Speaker 2: any good character that has been created by you know,
13:47
Speaker 2: and I'm going to just say the actor only because
13:50
Speaker 2: in this situation, these women are their own persons. So
13:54
Speaker 2: for them, any great housewife created inspires the writing for them.
14:00
Speaker 2: So it's like, yes, they are a huge part of it.
14:04
Speaker 2: They've it's their signature. Yeah, so I give them that credit,
14:09
Speaker 2: but uh, you have to. But Lisa is so funny
14:13
Speaker 2: and I am honestly amazed at how good she looks.
14:18
Speaker 2: Like think about her all those years ago on Miami.
14:21
Speaker 2: She looks like exactly the same, Like her body is
14:24
Speaker 2: exactly the same. And I'm not saying that she hasn't
14:27
Speaker 2: gotten work done, but like if you look at her arms,
14:30
Speaker 2: like the skin everything on her is not moving. It's
14:35
Speaker 2: not aging. Whereas the other ladies, though they look great
14:38
Speaker 2: and we know that they have work, and I'm sure
14:40
Speaker 2: they work out too, but we can see the age
14:43
Speaker 2: on their skin. Right, Lisa, I don't see it, not
14:47
Speaker 2: even a little bit.
14:49
Speaker 3: So true, she's been like dipped in some sort of
14:51
Speaker 3: hamaldehyde and it's just you know.
14:54
Speaker 2: Strange, staying staying Okay, while we're talking, Lisa, I'm really
15:01
Speaker 2: curious to hear what your thoughts are on the scene
15:03
Speaker 2: about she and Jody and what he said, like he
15:07
Speaker 2: kind of brought me over to him a little bit
15:10
Speaker 2: in this episode. I was shocked, what are your thoughts agree?
15:14
Speaker 3: I was cringing that we are now this is the
15:19
Speaker 3: third or fourth episode where she's asking him point blank
15:24
Speaker 3: for an engagement you know in my work that I
15:28
Speaker 3: do with friends, and anyone who asks you know, I
15:33
Speaker 3: would steer you so clear of that if you are
15:37
Speaker 3: my friend. That said, he gave her some direct feedback,
15:45
Speaker 3: actionable feedback with like with the results at the end
15:51
Speaker 3: of the rainbow.
15:52
Speaker 2: It was incredible, actually.
15:55
Speaker 3: And she didn't deny it, She didn't push back on it.
16:01
Speaker 2: Did that Like a lot of scenes feel in all
16:06
Speaker 2: of the cities feel like, Okay, they've already talked about
16:09
Speaker 2: this off camera. Now they're going to talk about it
16:11
Speaker 2: again to get this out there. And it doesn't necessarily
16:13
Speaker 2: mean that it's it's still going to be emotional if
16:16
Speaker 2: it's something serious, you know, having to talk about it
16:19
Speaker 2: again and bring it all up again, right, But I
16:22
Speaker 2: got the vibe almost that they hadn't talked about this,
16:25
Speaker 2: did you, because yeah, that was kind of amazing. And
16:29
Speaker 2: that's why when she started to break down, I think
16:33
Speaker 2: it was an eye opener for her. And if it
16:36
Speaker 2: wasn't an eye opener for her, then then it was
16:38
Speaker 2: earlier and it still is. But like her recognizing whoa
16:43
Speaker 2: like I can't like he sees so much what a
16:47
Speaker 2: serious problem that or struggle or issues that I have
16:50
Speaker 2: right now with anger, with obviously with everything that's gone
16:55
Speaker 2: on in her life and with Lenny that it's so
16:58
Speaker 2: bad that he doesn't even want to move forward to
17:01
Speaker 2: the next step. So it's up to me to actually
17:05
Speaker 2: do something about it. And so for her to start
17:07
Speaker 2: recognizing I thought it was a good sign of life,
17:11
Speaker 2: you know that, yes, because most would be like it
17:16
Speaker 2: would turn into a fight and it would be like,
17:19
Speaker 2: you know, she wouldn't. They wouldn't own it, they wouldn't
17:22
Speaker 2: consider it. I like, I don't.
17:25
Speaker 3: I did too. It does to your point, I don't
17:27
Speaker 3: think Lisa has been asked to do any self evaluation
17:32
Speaker 3: in maybe her lifetime, So it does feel new, like
17:38
Speaker 3: a new color for her to like have to engage with.
17:44
Speaker 3: But and would does it feel fair to say that
17:49
Speaker 3: this season we haven't okay? In my opinion, I don't
17:53
Speaker 3: feel I've seen her very annoyed. I've seen her hurt.
17:56
Speaker 3: I don't know that I've seen her that angry. We
17:58
Speaker 3: haven't okay. So yeah, so it's I'm also yeah, which
18:04
Speaker 3: is interesting.
18:04
Speaker 2: Which is concerning. Yeah, But I also and who knows
18:09
Speaker 2: what he means by that? Like, is she's so angry
18:12
Speaker 2: that and she's high, and she's pushing it down so
18:15
Speaker 2: that it's coming out in other ways. What does he
18:18
Speaker 2: mean by that? Because they did, you know, for them
18:21
Speaker 2: to land on anger was wild. It did take me back.
18:24
Speaker 2: It's interesting that we're talking about this now instead of
18:26
Speaker 2: at the beer beginning, very beginning of this. So apologize,
18:29
Speaker 2: but like that is kind of a shocker. She doesn't
18:31
Speaker 2: seem like somebody who would have anger issues at all.
18:36
Speaker 3: I know, which means she is blowing her lid off
18:39
Speaker 3: behind closed doors.
18:43
Speaker 2: Yeah, yeah, wow, And and we said it what happened?
18:51
Speaker 2: I feel like she was blowing her lid off at
18:55
Speaker 2: Lenny behind closed doors because of the horrible things that
18:57
Speaker 2: he was doing. Maybe, and I could see that.
19:01
Speaker 3: She was definitely like completely unhinged with the Lenny stuff
19:07
Speaker 3: and not not in it. It was warranted, I got it.
19:11
Speaker 2: You know.
19:12
Speaker 3: I don't know if it was last season or the
19:14
Speaker 3: season before, but she was like consumed colt utterly consumed.
19:26
Speaker 3: But I wouldn't file it under angry, right.
19:31
Speaker 2: Do you think that Jody has his emotions wrong?
19:39
Speaker 3: He has emotions she seems to know. Yeah, like, let's
19:43
Speaker 3: put them up.
19:45
Speaker 2: You're this and I can't marry you until you're that.
19:49
Speaker 3: It's like when Kid's good as psychologist had you feel
19:52
Speaker 3: all right? She seemed to understand exactly what he was saying.
19:59
Speaker 2: M Whether he got the right word or not, she
20:02
Speaker 2: knew what he was saying.
20:04
Speaker 3: Well, I think I think we're not seeing it amy,
20:07
Speaker 3: and I think it may have to do with also
20:11
Speaker 3: her being smarter than she lets on. Mm hm, oh wow,
20:21
Speaker 3: I don't know. Are we going crazy here on the front?
20:24
Speaker 2: We might?
20:26
Speaker 3: I'm going cookie.
20:27
Speaker 2: Is Lisa the most diabolical? No, I'm kidding. Diabolical wouldn't
20:32
Speaker 2: be the right word.
20:33
Speaker 1: But uh.
20:35
Speaker 2: Crafty two face, I mean two faces, not like in
20:38
Speaker 2: a gossipy way.
20:39
Speaker 3: Yeah, I don't see.
20:41
Speaker 2: I have to cough, hold on, thank you, I'm back.
20:47
Speaker 1: Yeah.
20:47
Speaker 2: She I don't know, but she's got more cards in
20:49
Speaker 2: her hand than we thought, let's put it that way.
20:53
Speaker 3: Yeah, you know.
20:57
Speaker 2: And Jody does seem to answer the question that you know,
21:02
Speaker 2: at least I was wondering. I'm sure all of us were,
21:04
Speaker 2: which is that, like, why would I stay with you
21:07
Speaker 2: through all of this madness if I didn't care for
21:10
Speaker 2: you this much? Like, of course I want to be
21:12
Speaker 2: with you whereas before I really just thought he was
21:15
Speaker 2: a hanger honor, a passer buyer that just ended up
21:19
Speaker 2: hanging on her. You know, that was on that was
21:23
Speaker 2: there for the ride. Ne'ir duell. I love that when
21:26
Speaker 2: you say that. Yeah, like what did you call them?
21:32
Speaker 3: Was it ne're do wells or vagrant? Vagrant? Yeah, and
21:38
Speaker 3: ne're duell. But yes, he was categorized for us under
21:41
Speaker 3: that vagrant label.
21:44
Speaker 2: And uh, I'm gonna go ahead, and I think I'm
21:46
Speaker 2: gonna take him out. How do you feel? What do
21:48
Speaker 2: you think? Are you ready yet to do that?
21:50
Speaker 3: I don't have enough information to take him the label
21:54
Speaker 3: to delabel him at okay time, okay, but uh, he's
22:00
Speaker 3: lucid and he's making sense. I also wonder and this
22:08
Speaker 3: can just be a prejudice, like I don't know that
22:10
Speaker 3: I love his look.
22:12
Speaker 2: Yeah, so I think I'm always with that.
22:14
Speaker 3: That's always informing my feelings. Yeah, better or for worse.
22:20
Speaker 2: Shocking, It is for worse because he's got a face
22:23
Speaker 2: that you just can't trust. That's that's it. That's it.
22:30
Speaker 2: So he's got to use his voice for us to
22:32
Speaker 2: hear him. Very much so much like Larsa, I mean,
22:36
Speaker 2: we are too, the similar, except she's more beautiful to
22:40
Speaker 2: look upon, gaze upon, not directly on, not directly, and
22:43
Speaker 2: i'd say Jodie, not directly on either.
22:46
Speaker 3: Never, I'm never gonna go straight in no way, no
22:50
Speaker 3: freaking way am I gonna go look straight?
22:54
Speaker 2: You lock on? You do not like you know, when
22:56
Speaker 2: you're playing a video game or you're trying to scan something,
23:00
Speaker 2: you know, and it's the boxes, fine, trying to find
23:03
Speaker 2: the paper edges, you know, and you let it. You
23:07
Speaker 2: let it do that so that I can capture. Don't
23:10
Speaker 2: don't do that. Don't lock those up, don't lock that
23:13
Speaker 2: frame on.
23:14
Speaker 3: No locking.
23:15
Speaker 2: So yeah, I am really I think I might take
23:19
Speaker 2: him out. I think that was enough for me. I
23:22
Speaker 2: know I'm being light on it, but our vagrant file
23:24
Speaker 2: is so full and I'm ready to like get it moved.
23:27
Speaker 2: I want it to circulate a little bit. So I'm
23:29
Speaker 2: gonna be a little more liberal than you, and I
23:31
Speaker 2: think you should stick to your guns. Okay, So I'm
23:34
Speaker 2: gonna flip them out and put them into you know,
23:37
Speaker 2: I don't know what category gory he goes into, but
23:40
Speaker 2: let's just put it. He's on watch okay, well.
23:44
Speaker 3: I mean, listen add this to the mix. I don't
23:47
Speaker 3: think Lisa should be getting married to head to anyone.
23:50
Speaker 2: You know, you're absolutely right. And for her to have these,
23:55
Speaker 2: you know, alleged anger issues, of course she does because
24:00
Speaker 2: of the situation. And then to top it off, she
24:03
Speaker 2: never was alone to deal with that. She immediately went
24:08
Speaker 2: into a relationship, which is the worst thing you can
24:10
Speaker 2: do most times, you know.
24:13
Speaker 3: And her reasoning for wanting a ring if it were me,
24:19
Speaker 3: if I was a dude on the other side of that,
24:22
Speaker 3: that would send me packing because it's so superficial. You
24:29
Speaker 3: don't like the feeling of your hand not I mean,
24:33
Speaker 3: it's not about him at all. Never, at one time
24:38
Speaker 3: has she said I love you so much.
24:47
Speaker 2: I'm worried about this spotlight.
24:49
Speaker 3: Okay, well, you know she's never said we are so
24:55
Speaker 3: incredible together. I love you so much, you know, I
25:00
Speaker 3: can't wait to heighten what we already have and make
25:03
Speaker 3: it official and express my love for you in front
25:06
Speaker 3: of my friends and family like that's not.
25:10
Speaker 2: And hire the montage queen to do a montage. Yes,
25:12
Speaker 2: at our wedding and our rehearsal dinner.
25:14
Speaker 3: Hearing that, she says, I just want someone to marry me.
25:19
Speaker 3: Who really loves me me, and I feel naked, my
25:25
Speaker 3: hand feels light. I don't like looking down and not
25:28
Speaker 3: seeing a large diamond. So who's going to fix that?
25:32
Speaker 2: Jody could be anyone. Yes, I mean, just push him
25:37
Speaker 2: through the revolving door, let him get out, and then
25:42
Speaker 2: you know, push through the next guy, because that'll be
25:44
Speaker 2: fine too.
25:46
Speaker 3: She doesn't can afford a ring, Yes, it will be.
25:48
Speaker 2: Fine, and in fact, she might want to do that
25:51
Speaker 2: at this point because he actually seems to have standards
25:54
Speaker 2: for a relationship.
25:57
Speaker 3: Yeah, I mean, i'd love him to ask the hard
26:00
Speaker 3: hitting question why do you love me? Well, she's not
26:06
Speaker 3: gonna say, because I love looking in your eyes, That's
26:08
Speaker 3: what she's not gonna say.
26:10
Speaker 2: I can tell you that I get lost in your
26:14
Speaker 2: eyes for the wrong reasons.
26:16
Speaker 3: Yeah, oh my god. People are getting taken down today,
26:26
Speaker 3: and that is what it is.
26:27
Speaker 2: It's time, and I'm glad that we here's the thing.
26:31
Speaker 2: I'm glad we have the space to do it because
26:33
Speaker 2: like some of the other shows, like on Orange County,
26:37
Speaker 2: honestly this week I was like, I'm just exhausted to
26:41
Speaker 2: even turn this on, Like I don't know what we're
26:43
Speaker 2: gonna get or where we're gonna go, but I'm tired
26:47
Speaker 2: and so like they don't even give us the space
26:51
Speaker 2: to just sit with someone for a second and take
26:54
Speaker 2: them from.
26:55
Speaker 3: Head to toe.
26:58
Speaker 2: And sometimes, Darlings, we need to step away from the
27:01
Speaker 2: actual drama and zoom in on what we have in
27:04
Speaker 2: front of us. Thank you, thank you.
27:07
Speaker 3: Thank you, thank you. Miami.
27:10
Speaker 2: Yeah, but I think we can step away from that
27:13
Speaker 2: for a second, and I would love to talk about
27:16
Speaker 2: Art Basl and Adriana's you know, involvement in this and
27:22
Speaker 2: Deanna had you had such a great point before we
27:24
Speaker 2: popped on. Tell the darlings what you mentioned to me.
27:27
Speaker 3: Well, I was watching it and I'm thinking, God, you know,
27:31
Speaker 3: I never had heard sadly sad for myself, but I
27:35
Speaker 3: had never heard of Art Basil before Bravo Zone Gallery Girls, indeed,
27:41
Speaker 3: and the same with me, right, And that was a
27:45
Speaker 3: great I loved that show.
27:48
Speaker 2: Loved it. I miss it, yeah, And we can never
27:52
Speaker 2: get something like that back. And that's such a bummer
27:56
Speaker 2: that they canceled that, because that would have been one
27:59
Speaker 2: that would have evolved and would have been still standing
28:02
Speaker 2: at this point and then it would be like a summerhouse.
28:06
Speaker 2: But if Summerhouse would have started when New York or
28:10
Speaker 2: Oh See started. You know, I can't even compare it
28:14
Speaker 2: to that, but I just mean because they're younger, that's all.
28:16
Speaker 3: No. And you know the new show with next Gen
28:21
Speaker 3: Next Gen, which I was so thrown by the first
28:24
Speaker 3: episode and then really came to enjoy truly. I guess
28:30
Speaker 3: that's a window in together. But just being immersed in
28:33
Speaker 3: the gallery girl world of it was really cool because
28:38
Speaker 3: it's not a world I had any connection.
28:41
Speaker 2: To, right, so I do miss it, I agree, And
28:45
Speaker 2: it's much like it's not a competition show, but it
28:48
Speaker 2: is the same kind of feeling when you get into
28:50
Speaker 2: someone else's world that you have no idea how they
28:53
Speaker 2: do it, how they got there, what it's all about.
28:56
Speaker 2: And you know, I just I was in love with it.
29:00
Speaker 2: So yeah, Art Basil, that was great to see it
29:03
Speaker 2: back then. Nice and Adriana has brought us there a
29:06
Speaker 2: few times back in the day, and I love that
29:10
Speaker 2: she calls it the super Bowl of art, of course,
29:13
Speaker 2: and she represents these artists, remember, and I love that
29:16
Speaker 2: flashback when she was representing Martina and those tennis ball paintings.
29:21
Speaker 3: That was a wild time, so wild time. I was like, well,
29:25
Speaker 3: we've been through things, you know. Yeah, just slapping a
29:29
Speaker 3: tennis ball against a canvas. You know, God, bless America
29:33
Speaker 3: at the end of the day, we do have to
29:35
Speaker 3: go bless America for yes, you know.
29:40
Speaker 2: But before we get back to the uh, the actual
29:42
Speaker 2: event at art Basil, you know that Adrianna put on
29:47
Speaker 2: Martina and Julia having this fine They finally had some
29:51
Speaker 2: movement with the daughters and they're now coming around. But
29:55
Speaker 2: wasn't it interesting to see Martina just call it what
29:59
Speaker 2: it is is on camera, just she's so raw.
30:03
Speaker 3: She is. I feel like that's going to set us
30:07
Speaker 3: all the way back.
30:08
Speaker 2: Yeah, okay, it will.
30:09
Speaker 3: You know, I understand the daughters, so I said that
30:14
Speaker 3: very long eye, but I really do obsessed it.
30:19
Speaker 2: I can't believe you don't give that to us more often.
30:22
Speaker 3: But okay, you don't have control over it. But it
30:25
Speaker 3: really did come out darling. Did you guys hear that?
30:29
Speaker 2: Do that thing where you go back like ten seconds
30:32
Speaker 2: and listen to it again.
30:36
Speaker 3: I get where they're coming from, and it's interesting, Like
30:41
Speaker 3: Martinez obviously hurt very and she doesn't feel supported. She
30:47
Speaker 3: doesn't feel her and Julia are being supported, right, now
30:50
Speaker 3: by the girls, and that they're taking something positive and
30:54
Speaker 3: making it a negative and all of that. But and
30:59
Speaker 3: I did feel like it was information to hear that
31:01
Speaker 3: they didn't want to be a part of the process.
31:04
Speaker 2: Big piece of information. I wish that we would have
31:07
Speaker 2: known that sooner. I don't know if they withheld that
31:10
Speaker 2: on purpose of protecting them, but that made me not
31:13
Speaker 2: feel as upset at Julie and Martina, not to take
31:18
Speaker 2: away from me understanding where the girls are coming from,
31:21
Speaker 2: but it did paint more of a story that they
31:24
Speaker 2: were like, Nope, we don't want to hear about it.
31:25
Speaker 2: We don't agree, no, thank you. So they were painted,
31:30
Speaker 2: if you will, into a corner of not being able
31:33
Speaker 2: to share anything any updates so that when these types
31:37
Speaker 2: of things happen adoptions, like they can happen within it,
31:41
Speaker 2: as we all know, in a second overnight and then
31:44
Speaker 2: you have the baby or babies. So and I don't
31:48
Speaker 2: think that the girls understood that, and so that was
31:51
Speaker 2: really shocking for them, and rightfully so, like their whole
31:56
Speaker 2: life changed overnight and they had no choice because then
31:58
Speaker 2: it's there and so oh it's tough.
32:02
Speaker 3: And they probably were thinking this is gonna be years
32:05
Speaker 3: from now. You know, they probably didn't think it was pending,
32:08
Speaker 3: so like just gonna happen so quickly, and they might
32:12
Speaker 3: have thought, like they're not talking about it because we
32:15
Speaker 3: asked them not to, but maybe it's not happening. Maybe
32:18
Speaker 3: it's they've thought.
32:19
Speaker 2: Yeah.
32:20
Speaker 3: Also, I think the girls are probably feeling and I'm
32:23
Speaker 3: pulling this out of my ass, but like I guess
32:27
Speaker 3: if we promised we would see our mom more, she
32:30
Speaker 3: wouldn't have gotten additional children, you know. So it feels
32:36
Speaker 3: like this may be punitive because the girls were like
32:40
Speaker 3: trying to live their life a little bit and Julia
32:42
Speaker 3: was being so.
32:45
Speaker 2: You know, yeah, she immediately like she made a move
32:50
Speaker 2: out of dare I say, just panic and loneliness instead
32:54
Speaker 2: of dealing with her own self, much like Lisa did
32:57
Speaker 2: when she was getting a divorce from Lenny. It's like,
33:00
Speaker 2: I don't I don't want to negate like the beauty
33:02
Speaker 2: of adoption, and I'm glad that they did like that.
33:05
Speaker 2: That has nothing to do with it, and however people
33:08
Speaker 2: get there is fine. However, you can't ignore the psychological
33:13
Speaker 2: process that had a lot to do with her feeling.
33:18
Speaker 2: Her feeling when they left the nest if you will. So,
33:22
Speaker 2: and I know that she has a lot of trauma
33:24
Speaker 2: in her life when it comes to you know, kids, so,
33:28
Speaker 2: and who's to blame her for not wanting to sit
33:30
Speaker 2: with any feelings that are gonna come up, you know,
33:35
Speaker 2: and so.
33:37
Speaker 1: And so.
33:37
Speaker 2: Then here we are.
33:39
Speaker 3: Yeah, and listen, Martina seems to be all to be in.
33:44
Speaker 3: I'm gonna say all in. It seems to be in.
33:49
Speaker 2: Right, it's on the line, you know, in the tennis terms.
33:53
Speaker 3: Yeah, thank you. And the boys couldn't be cuter if
33:59
Speaker 3: they wanted to be. And so they're gonna have a
34:02
Speaker 3: beautiful life on that farm. Like like, it's okay that
34:06
Speaker 3: the girls are having a negative reaction to this, because
34:08
Speaker 3: I believe that they are having the correct reaction.
34:13
Speaker 2: Yes, yes, absolutely, And Julie's having the correct reaction exact Martinez.
34:18
Speaker 2: You know, everyone's living how they live, and this is
34:21
Speaker 2: just and that's why I mean, we love reality TV
34:24
Speaker 2: because these types of things are relatable and then when
34:27
Speaker 2: we watch, we're like, we get it and we can
34:28
Speaker 2: see all the different sides. And you know, for the
34:31
Speaker 2: two girls to be so young and to not fully
34:34
Speaker 2: understand how this type of stuff works, they probably just
34:38
Speaker 2: thought like, like you said, it's gonna happen later if
34:41
Speaker 2: it does. And then when they found out it happened,
34:44
Speaker 2: they didn't understand that that's how it goes. They just
34:48
Speaker 2: thought they just like our moms, just like added to
34:52
Speaker 2: KRT and like purchased. They didn't like despite us, they
34:57
Speaker 2: didn't they just like it was in the cart, I
34:58
Speaker 2: didn't know you were gonna buy. So they just thought
35:01
Speaker 2: it was something that they chose to do immediately, Whereas
35:04
Speaker 2: it's not like that, like they were going to do that.
35:06
Speaker 2: They had it out there, and it's not it was
35:09
Speaker 2: not in their control to decide when and when.
35:13
Speaker 3: You do have all the money in the world, I
35:16
Speaker 3: think you can you know, move things along.
35:19
Speaker 2: Oh and that's a good point, too interesting.
35:22
Speaker 3: You know, yeah right, I mean I'm just saying.
35:27
Speaker 2: Yeah, absolutely, because there are so many people that want
35:31
Speaker 2: kids and it's so difficult to adopt.
35:34
Speaker 3: You know.
35:35
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41:15
Speaker 2: speaking of trauma. I when Kiki went to go to
41:19
Speaker 2: her modeling gig and she brought her dad with her,
41:22
Speaker 2: I just like, I still can't get over all this.
41:25
Speaker 2: You know, first of all, her dad looks like it
41:28
Speaker 2: could be her brother. He looks so young, and it
41:32
Speaker 2: made me wonder like how old was he when he
41:34
Speaker 2: had her? And was that part of why he reacted
41:39
Speaker 2: in such an immature, you know way to be so
41:44
Speaker 2: extreme about it.
41:47
Speaker 3: Well, I think we're learning even his experience of like,
41:50
Speaker 3: oh you do have clothes on? You know, there's he's
41:54
Speaker 3: coming from what he believes this profession to be. It
41:59
Speaker 3: was a total like, yeah, it's I believe it's. It
42:07
Speaker 3: is in the same mental arena as you know, someone
42:11
Speaker 3: who's daughter going to be a stripper and if you
42:14
Speaker 3: your stripper got blessed. But like, parents are gonna have
42:16
Speaker 3: feelings about that, and so it's a cultural difference. Okay, Yeah,
42:22
Speaker 3: I think a in a very real way that we
42:26
Speaker 3: are gonna have a hard time because we put models
42:28
Speaker 3: on a pedestal, Right, doesn't seem like that's happening over
42:32
Speaker 3: in Haiti. Right, so he you know, I I he
42:39
Speaker 3: his ALP. He looked crazy to have the times we've
42:42
Speaker 3: seen him. He looks so cute. I'm like, okay, I
42:44
Speaker 3: see where you're a player. You look so cute to right,
42:47
Speaker 3: I got it. But you know, this is like healing, and.
42:52
Speaker 2: Yeah, boy, it's amazing healing.
42:54
Speaker 3: It's amazing.
42:56
Speaker 2: I just you know, she's incredible that she can can
43:00
Speaker 2: do this and have this pushing forward. I just admire it.
43:04
Speaker 3: Wait to much.
43:05
Speaker 2: Yeah, I love it. Okay, let's talk about Larsa's new
43:10
Speaker 2: house and and who called it a job site?
43:13
Speaker 3: Oh?
43:13
Speaker 2: It was Stephanie. She's like, this is a job site.
43:16
Speaker 3: I died.
43:17
Speaker 2: I died, Okay, you know we love Stephanie and that.
43:24
Speaker 2: I was like, you need to stay forever because you
43:26
Speaker 2: calling it a job And she's so used to that terminology.
43:30
Speaker 3: Yeah.
43:30
Speaker 2: All she does is like build hotels and whatever.
43:33
Speaker 3: She marches onto job sites and she's on one.
43:37
Speaker 2: You know, she's like, oh, I've got my my uh
43:40
Speaker 2: like diamond, you know, hard hat in the car. Let
43:44
Speaker 2: me go get it.
43:45
Speaker 3: Yeah. Well, I wondered, like, you know, this is the
43:51
Speaker 3: thing about a type of person like Larsa, and there
43:54
Speaker 3: is something to take from it amy that we may
43:57
Speaker 3: want to learn.
43:58
Speaker 2: Okay, okay, really okay.
44:02
Speaker 3: She not one time did she say to the girls, guys,
44:08
Speaker 3: I'm so sorry for the mess. Don't mind this. It's
44:12
Speaker 3: going to be finished in a month. I wish you
44:14
Speaker 3: had seen it when it was all done. She took
44:18
Speaker 3: them to the one table with a huge Bodha sushi
44:21
Speaker 3: and we're in our new house. Do you know what
44:25
Speaker 3: I mean? There is something that is not the wrong
44:28
Speaker 3: way to proceed in life. We don't have to shine
44:32
Speaker 3: a spotlight on all the things we're perceiving as negative
44:35
Speaker 3: all the time.
44:37
Speaker 2: And yet it's so Larsa to just ignore the reality
44:40
Speaker 2: of the situation. And and then I could see someone
44:44
Speaker 2: being like, this place is still under construction, and she's like, no,
44:48
Speaker 2: it's just it's it's just those are pieces that are
44:51
Speaker 2: going to turn into other things.
44:54
Speaker 1: You know.
44:54
Speaker 2: I could see her just negating, like the reality of
44:57
Speaker 2: it that too, so but yeah, I agree with you.
45:00
Speaker 2: We don't always need to be so apologetic about.
45:06
Speaker 3: That's true. She said, this is my dream home. Yeah
45:09
Speaker 3: her sit down, have some sit down and actually, don't
45:12
Speaker 3: have any sushi, but sit amongst a boat, a boat
45:16
Speaker 3: of sushi. Yeah, that boone is not a thank you
45:20
Speaker 3: pickup a goddamn piece of shashimi.
45:25
Speaker 2: I was living. I was like, if they show that
45:28
Speaker 2: boat again, and please don't show me that boat again,
45:30
Speaker 2: don't do it because it's it's triggering me in such
45:34
Speaker 2: a way, like not only are they so not appreciative
45:39
Speaker 2: of this boat, but if this doesn't get like eaten
45:44
Speaker 2: and shared, that is going to be such a waste
45:47
Speaker 2: of food and gorgeous food at that. And also it
45:51
Speaker 2: was just not accessible, like can we get down to
45:54
Speaker 2: reality that boat of sushi? Though I guess you go
45:58
Speaker 2: over to it and you get stuff out of it,
46:00
Speaker 2: and then you go back and you sit down. Okay,
46:03
Speaker 2: so it is like a little buffet, serve yourself, But
46:07
Speaker 2: like a little boat in the middle of the table
46:10
Speaker 2: would have been a smarter choice. But isn't that sushi
46:14
Speaker 2: boat such a representation of Larsa and that house? I mean,
46:19
Speaker 2: I don't know about you, but I don't like airport
46:23
Speaker 2: terminal style homes, Like it's not my vibe. But when
46:27
Speaker 2: they were like when ALECTI was walking in, I was like,
46:32
Speaker 2: we can't even see the door frame and we're on
46:35
Speaker 2: a wide shot like this is beyond Yeah, this is
46:40
Speaker 2: insane and how uncozy can you be? But you know what,
46:44
Speaker 2: this is Miami and this is Larsa Pippen and go
46:47
Speaker 2: for it.
46:48
Speaker 3: Yeah, they were like in this the Sapphire Lounge at LA.
46:54
Speaker 2: Yes, that's exactly right. It was the Delta. Yeah, I've
46:59
Speaker 2: only been there once, but uh, you know, some almost
47:04
Speaker 2: didn't get in, you know.
47:06
Speaker 3: Yeah, yeah, But and I thought it was interesting. I
47:11
Speaker 3: didn't realize Larce's kids were being educated in a in
47:15
Speaker 3: a different part of the country than she was, and
47:17
Speaker 3: they're in high school. That's very strange to me.
47:20
Speaker 2: Oh I didn't either. Can you please tell me what's
47:24
Speaker 2: going on? Because I thought at least her younger daughter
47:26
Speaker 2: was with her. I'm so confused.
47:28
Speaker 3: I don't have the full picture, but from what I heard,
47:33
Speaker 3: a minimum of two of her children are a minimum
47:36
Speaker 3: A minimum are getting and they're they're high school. They're
47:40
Speaker 3: not they're high school. They're not you know, in their twenties.
47:44
Speaker 3: They're they're finishing their education, I guess with their dad
47:49
Speaker 3: in LA and she's sitting her rear, her gorgeous rear
47:54
Speaker 3: in Miami, and she seems to be like this. You know,
47:58
Speaker 3: they're great. They love that. It's great for me. I
48:01
Speaker 3: love it for me, and you know, I love my
48:06
Speaker 3: new house. And they're like, Okay, it doesn't seem like
48:09
Speaker 3: any children are there, because Alexia is like, well, who's
48:12
Speaker 3: going to be in this house? You know, right big
48:16
Speaker 3: for one.
48:17
Speaker 2: That's what I was wondering too. I was like, well,
48:19
Speaker 2: I guess if you think about I was really trying
48:22
Speaker 2: to you know, crunch the numbers too. I was like, well,
48:24
Speaker 2: if she's just getting the setup so that like all
48:26
Speaker 2: her kids can come back and stay with her and
48:30
Speaker 2: like their kids kids like, so this is the home
48:32
Speaker 2: where it'll all be. But you know, onlike Julia that
48:39
Speaker 2: is just in despair over an empty nest, Larsa is just.
48:44
Speaker 3: Her nest isn't creating a large Her nest is just
48:48
Speaker 3: being built, and those birds got pushed out to another
48:53
Speaker 3: nest somewhere or elsewhere like that birds, and she seems
48:57
Speaker 3: so great with it, which I found and odd, I'm
49:01
Speaker 3: just gonna say it, well, you know what.
49:03
Speaker 2: I wonder Let me let me just play Devil's advocate
49:06
Speaker 2: for my own self right now. So when she was
49:09
Speaker 2: younger and when the kids were younger, and you know,
49:12
Speaker 2: all she all she was doing was having kids and
49:16
Speaker 2: raising kids and being there every second of every day. Yes,
49:20
Speaker 2: and a lot of them. So that being said, she
49:24
Speaker 2: has lived that life. So I guess I don't know.
49:30
Speaker 3: Yes, it's just like it's not over, you know, they're still.
49:35
Speaker 2: It's so she's like, you know what, this is where
49:38
Speaker 2: I punch out. Her daughter's like, but I'm still dissing.
49:41
Speaker 3: They're missing our daily shit, you know what I mean.
49:44
Speaker 3: It's not there, They're not. She didn't say, like they
49:49
Speaker 3: come over in the weekend, Scotty has them. They go
49:51
Speaker 3: and they love being in their school and I'm going
49:52
Speaker 3: to leave them there. But what I heard, right, yeah,
49:56
Speaker 3: was I want to be on the Real Housewives of
50:01
Speaker 3: Miami and I am going to set up camp here
50:06
Speaker 3: in every way, and my children were here, they didn't
50:11
Speaker 3: love it. They preferred LA. That's where their friends are.
50:14
Speaker 3: And I'm not willing to leave here. I'm gonna still
50:18
Speaker 3: stay here and they can go do their school elsewhere.
50:22
Speaker 2: Right, she didn't make it clear or that she maybe
50:26
Speaker 2: goes to LA you know, and has a place there,
50:28
Speaker 2: say it.
50:30
Speaker 3: We didn't hear that you know, because the Alexia was startled.
50:35
Speaker 3: You know, she was like, uh, oh, I guess you're
50:40
Speaker 3: gonna I mean, it's odd I am judging her.
50:44
Speaker 2: No, I am too, trust me. And you're pointing out
50:47
Speaker 2: Alexia's reaction. Yeah, I didn't catch that, but you're right,
50:52
Speaker 2: she had a big reaction to it. Yeah.
50:54
Speaker 3: Well, she was like seeming to be surprised that the
50:59
Speaker 3: kids are not here, right, She's like in Miami Amazon
51:04
Speaker 3: Fulfillment Center and why are the kids? Wait? Yeah, everyone's
51:12
Speaker 3: basically because did this just happen over the last year,
51:15
Speaker 3: because we were kids with her last year.
51:17
Speaker 2: Now I'm wondering how long they've been gone.
51:20
Speaker 3: Things are blurring, but kids were there at some point.
51:24
Speaker 2: Yeah.
51:25
Speaker 3: I almost think it wasn't last season. It was the
51:27
Speaker 3: season before. Okay, that's that's where I saw kids. I
51:31
Speaker 3: have a feeling. And that might have been when Miami
51:34
Speaker 3: came back, right.
51:35
Speaker 2: Yes, so it was the first season coming back is
51:38
Speaker 2: where I think. Yeah, that's correct. I believe you're right.
51:40
Speaker 3: So she probably yanked them out of their schools in
51:44
Speaker 3: Los Angeles and was like we live here now, and
51:48
Speaker 3: they were like, we hated here. We want to live
51:51
Speaker 3: with our friends and our.
51:53
Speaker 2: Living in oh she was living in Los Angeles.
51:55
Speaker 3: That's why I don't know. I'm pulling a vignette together
52:00
Speaker 3: for myself what I think.
52:03
Speaker 2: Okay, yeah, yeah, I hear you. Okay, we just need
52:06
Speaker 2: to understand where she was living before beginning the New
52:11
Speaker 2: Real Housewives of Miami.
52:13
Speaker 3: But she was friends with Kim. I believe they were
52:16
Speaker 3: in Los Angeles and.
52:17
Speaker 2: Then they had that big falling out. So maybe she
52:20
Speaker 2: came back to Miami.
52:22
Speaker 3: Absolutely, she got she wanted. She got the call from
52:26
Speaker 3: Bravo we're kicking Miami back up.
52:29
Speaker 2: Wait, was the Kim and Larsa fallout that quick before
52:33
Speaker 2: Miami kicked off?
52:35
Speaker 3: I don't. I'm not Emily Dursis. I do not have
52:39
Speaker 3: dates and figures at the ready.
52:42
Speaker 2: I'm asking now, we're just posing it to the darling
52:45
Speaker 2: Stath and I'll have to do this math later.
52:48
Speaker 3: I feel it was. I think Amy, that we can
52:54
Speaker 3: put some good money on the Kim fall up because
52:58
Speaker 3: it was when things were going left with Kanye and
53:01
Speaker 3: that feels.
53:02
Speaker 2: Like a few there you go, you did it. You
53:06
Speaker 2: brought us where we needed to be. Thank you. That's
53:10
Speaker 2: exactly right.
53:11
Speaker 3: Yeah, with Kim as her best friend at that time.
53:15
Speaker 3: There's no way she's not living in Los Angeles.
53:18
Speaker 2: Absolutely, no, you're one hundred percent right. This is I
53:22
Speaker 2: think we've solved it. Yeah, and then how we've Yeah,
53:25
Speaker 2: that's amazing, and like you've gotten down just twenty seconds. Okay,
53:29
Speaker 2: we're able to move on, all right, and a completed
53:31
Speaker 2: stamp approved. Let's get back to Okay, so we're at
53:36
Speaker 2: our basil, that event space with that set of stairs.
53:44
Speaker 2: Miami is for young people. Miami is for young people.
53:48
Speaker 2: Miami is for young people. Did you see those stairs?
53:51
Speaker 2: Did you see them stairs?
53:52
Speaker 3: I don't know that I clopped them the way you did,
53:55
Speaker 3: but I appreciate this assessment.
53:58
Speaker 2: The drone shots of these stairs. I don't know how
54:02
Speaker 2: they got up, and I sure as hell don't know
54:05
Speaker 2: how they got down.
54:06
Speaker 3: I mean, Gertie couldn't even get out of the car,
54:07
Speaker 3: she was already down.
54:10
Speaker 2: She's like, I stuck the landing. That was amazing. I
54:14
Speaker 2: did you audibly guess when that happened? I did, yes, Okay, Yeah,
54:17
Speaker 2: we care about our ladies. That's so tough.
54:20
Speaker 3: We don't know that.
54:22
Speaker 2: So obviously Larsa is bringing up who put that on
54:26
Speaker 2: birthday cake? Who put that?
54:28
Speaker 3: Math?
54:29
Speaker 2: She's like, there were a lot of math equations.
54:31
Speaker 3: God, it was dude. That shit had me rolling I
54:39
Speaker 3: the way they were And I hate math. Guys. What
54:43
Speaker 3: I think of as math is shocking. You know, everything
54:46
Speaker 3: to me is math, so I can relate to that.
54:48
Speaker 3: But to be on camera talking about that, that calculus,
54:54
Speaker 3: it was like, I I'm dead. It brought me right
54:59
Speaker 3: back to the can't read all those texts textases, Yeah.
55:05
Speaker 2: Can't know because that looks like math to her.
55:08
Speaker 3: Math equations also ps math you know. So no one
55:15
Speaker 3: has ever or will ever read Gertie's texases. Can't it's
55:20
Speaker 3: too much.
55:22
Speaker 2: So the explanation of behind this is astounding. It might
55:28
Speaker 2: be the biggest twist we've ever seen. You don't believe it.
55:33
Speaker 3: I would love you to explain it to me, because
55:36
Speaker 3: I couldn't even make heads nor tails of Kiki's explanation
55:39
Speaker 3: as to why she did that math. Please explain it
55:42
Speaker 3: to me.
55:42
Speaker 2: I okay, So I'm I'm now I'm giving her the
55:45
Speaker 2: benefit of the doubt, okay, because it doesn't it doesn't
55:51
Speaker 2: the math doesn't math as people say, so the actual
55:55
Speaker 2: equation as as We'll just give it to Larsa. Okay,
55:59
Speaker 2: the the equation did not actually work. It was not correct.
56:03
Speaker 2: So thirty two plus thirty two obviously does not equal
56:06
Speaker 2: fifty nine. It equals sixty four. Okay. Her idea and
56:13
Speaker 2: I did like it, was that when they were talking
56:16
Speaker 2: a week ago or however long, if you could go
56:20
Speaker 2: back to any age, what age would it be. And
56:24
Speaker 2: Adrianna said, very pointedly forty five. Okay, so it should
56:30
Speaker 2: have been forty five plus forty five equals fifty nine
56:34
Speaker 2: if you're going along with her idea, okay, which is
56:39
Speaker 2: just basically like a cute way of saying, hey, your
56:43
Speaker 2: age when you split it can really just equal your
56:49
Speaker 2: dream age. Okay. That's I'm just giving it all to
56:52
Speaker 2: her of what she was trying to do, all right, okay,
56:57
Speaker 2: by breaking it into the smaller number of her ideal age,
57:01
Speaker 2: and that equals who she is and who she really is,
57:04
Speaker 2: which is her inner age is really her actual age,
57:08
Speaker 2: and I'm showing you that through this equation. But it
57:12
Speaker 2: was so wrong math wise that that didn't calculate correctly.
57:16
Speaker 2: So not only that, but it was confusing, and not
57:19
Speaker 2: only that, but she got the dream age wrong. Yeah,
57:24
Speaker 2: but I do with the way she explained it. I
57:27
Speaker 2: really believe her. She was completely believable to me, I
57:30
Speaker 2: don't think it was shady.
57:32
Speaker 3: And then this was so minus or plus five?
57:36
Speaker 2: Oh shit, there was a minus there was a plus five. Well,
57:39
Speaker 2: then that would make sense because if oh, there was
57:41
Speaker 2: a minus five.
57:43
Speaker 3: Wait, let me, could you run some numbers?
57:45
Speaker 2: Okay?
57:45
Speaker 3: If I do.
57:46
Speaker 2: Sixty four minus five, oh, that does equal fifty nine.
57:51
Speaker 3: I didn't see the minus five. I'm so sorry you
57:53
Speaker 3: guys sat four okay, sixty four thirty four, thirty two
57:58
Speaker 3: plus thirty two equals sixty four five equals fifty nine
58:02
Speaker 3: her age, So the thirty okay, So you're saying the
58:05
Speaker 3: thirty two is her version of the forty five she misheard? Yes,
58:10
Speaker 3: Gretchen would say I miss heard, I miss heard and misspecial. Yes, sorry,
58:15
Speaker 3: Darling's okay, you're all screaming it. Okay, I'm so sorry. Okay, No, okay.
58:19
Speaker 3: I still find that.
58:23
Speaker 2: Wild hard to believe or like, do you think it
58:28
Speaker 2: was being shady because I don't think she was trying
58:32
Speaker 2: to be intentionally shady.
58:37
Speaker 3: I will tell you at the end of that episode,
58:39
Speaker 3: and it was because I didn't understand the explanation genuinely,
58:44
Speaker 3: but I thought she was being shady.
58:47
Speaker 2: Okay, well I don't because of how she explained it,
58:52
Speaker 2: and I just really it seems so sincere.
58:55
Speaker 3: Horrible judgment is where we're putting it.
58:58
Speaker 2: Yeah, just a horrible and you know what, at the
59:02
Speaker 2: end of the day, I can't remember who said it, sorry,
59:04
Speaker 2: but like when Adrianna is getting so upset, oh yeah,
59:08
Speaker 2: I think it was, yeah, Julia. Adrianna was getting so
59:11
Speaker 2: upset about the cake and because Larsa is winding her up,
59:16
Speaker 2: and Julia's like, you got medical or her knees on
59:21
Speaker 2: this shit, and it's like, yeah, she yelled over the
59:26
Speaker 2: yacht in a public place that her knees were wrinkling
59:31
Speaker 2: and all this stuff. And then Adriana, without missing a beat,
59:36
Speaker 2: was like that's different. I'm like, well, it's only different
59:41
Speaker 2: because Kiki's not meaning to drag you, is the way
59:44
Speaker 2: I saw it. But there's no room for explanation if
59:47
Speaker 2: since Larsa's gotten involved, and now it went up so bad,
59:51
Speaker 2: and then Adriana is going up to her friend and saying,
59:55
Speaker 2: Kiki thinks I'm racist. She's trying to get me canceled,
1:00:00
Speaker 2: and oh my god, like I this went left so
1:00:04
Speaker 2: fast because of a game of confusion and telephone and
1:00:08
Speaker 2: bad math.
1:00:11
Speaker 3: Wow, so many things. We also had that, you know,
1:00:16
Speaker 3: Larsa's strike in the match, They're all going in. It's
1:00:23
Speaker 3: they're melting down. Larsa's like she should know. Liza like,
1:00:26
Speaker 3: I didn't mean to. I didn't mean to tell her
1:00:28
Speaker 3: how you say it? And Julia's doing what you just said.
1:00:31
Speaker 3: And in the background we see Ricky standing looking pretty
1:00:36
Speaker 3: casual with the galpals. Yeah, you know, so that was
1:00:40
Speaker 3: just a funny, like, I don't there.
1:00:43
Speaker 2: It was cinematic greatness.
1:00:45
Speaker 3: It was. And then that poor I felt that Carol,
1:00:50
Speaker 3: her friend, I believe her name was Carol.
1:00:52
Speaker 2: Oh, yes, car Yeah, okay, her friend Adriana's friend.
1:00:55
Speaker 3: Holy shit, has someone wanted to back out?
1:01:02
Speaker 2: I mean so cringe worthy. I wanted to back out.
1:01:05
Speaker 2: I was like, stop, please stop.
1:01:06
Speaker 3: She she only co signed with Adrian. That was hard.
1:01:11
Speaker 3: That was a.
1:01:12
Speaker 2: Disaster, horrible to put her in that position to run
1:01:15
Speaker 2: up to her friend who is black and say this
1:01:20
Speaker 2: to her, to make her vouch for her on camera essentially.
1:01:25
Speaker 3: And then trot her over to two other black women,
1:01:29
Speaker 3: trot and the way Carol in my opinion, my opinion
1:01:38
Speaker 3: when she when she hears Kiki and Gerty describing the ratchet,
1:01:50
Speaker 3: Carol wants to melt into the ground because I don't
1:01:55
Speaker 3: believe she was co signing any longer on this this shit.
1:02:01
Speaker 2: She was okay, but all right. I heard Adrianna say
1:02:05
Speaker 2: wretched and I and I heard Carol hear wretched and say, yeah,
1:02:10
Speaker 2: that's just a word we use like for anything. So
1:02:13
Speaker 2: I don't I think Carol understood the word wretched. Oh
1:02:17
Speaker 2: really said ratchet?
1:02:18
Speaker 3: She she Adriana did confirm she said ratchet. Wait, okay,
1:02:24
Speaker 3: we're having two different experiences.
1:02:26
Speaker 2: Okay.
1:02:26
Speaker 3: See when she was said, I heard okay, yes, and
1:02:31
Speaker 3: they do freaking sound similar. But I heard Adriana telling
1:02:35
Speaker 3: Carol she said, I used the word ratchet, but I
1:02:38
Speaker 3: meant it like X, Y and Z. And she was like, yeah,
1:02:41
Speaker 3: we don't. We it's not racist. Everyone can use the
1:02:45
Speaker 3: word ratchet. That's what I heard Carol saying, Okay, ratchet.
1:02:49
Speaker 3: I heard all that except replace ratchet with wretched and
1:02:55
Speaker 3: and that's what Adriana has been saying this whole time.
1:02:58
Speaker 3: What she said, she said she was saying wretched. No
1:03:01
Speaker 3: I know, and I thought, no, episode, No I know.
1:03:04
Speaker 3: She saying wretched, and then in this episode I thought
1:03:08
Speaker 3: she was saying ratchet.
1:03:10
Speaker 2: It really oh wow, okay, well that would be very
1:03:15
Speaker 2: different than what I saw. So if that's what it is,
1:03:19
Speaker 2: then well shit, I don't know why she'd all of
1:03:21
Speaker 2: a sudden change her story that she said ratchet when
1:03:25
Speaker 2: she's been saying I said wretched this whole time.
1:03:30
Speaker 3: Yeah, well, you're making great points, and I don't know
1:03:33
Speaker 3: if i'm again. This is maybe why we were all
1:03:36
Speaker 3: confused in the beginning, because the way she says it
1:03:38
Speaker 3: sounds like ratchet.
1:03:40
Speaker 2: Yeah, all right, well I'm just gonna have to leave
1:03:44
Speaker 2: it on this field, and you know, have the darlings
1:03:47
Speaker 2: just pipe in and say what you know, straighten us out,
1:03:51
Speaker 2: what's up.
1:03:52
Speaker 3: What I do know is that Carol stopped speaking once
1:03:57
Speaker 3: she was brought into the mix with everyone. She no
1:04:01
Speaker 3: longer was saying. Adriana was screaming, Carol knows, I'm not
1:04:05
Speaker 3: a racist, Caroen, you know, and again no one said racist. No.
1:04:09
Speaker 2: That was such a weird. I think in her mind
1:04:15
Speaker 2: she must have just started to go like cuckoo. She
1:04:19
Speaker 2: started to think the worst case scenario. Now she's plotting
1:04:23
Speaker 2: against me. Now she's trying to get me canceled. Now
1:04:25
Speaker 2: she put this on my birthday cake, like I don't
1:04:27
Speaker 2: know what was going on in her head, but it
1:04:28
Speaker 2: went from zero to a thousand in a not good way,
1:04:33
Speaker 2: Like it didn't need to go in that direction. Those
1:04:35
Speaker 2: are two completely separate things, like the agism aspect and
1:04:39
Speaker 2: then the potentially racist use of a word. You know,
1:04:46
Speaker 2: two totally separate things, and she was now making it
1:04:50
Speaker 2: into one. This was a cocktail of misinformation and misspeaking
1:05:00
Speaker 2: and missmthing. Souh, All right, well, Marisol and Stephanie they
1:05:09
Speaker 2: talk about why she didn't go on the plane, and
1:05:12
Speaker 2: I did like that. Marisel held to her like, I
1:05:16
Speaker 2: don't like that you talk about money. I don't like it.
1:05:19
Speaker 2: It's rude, it's daggy, Stephane. Stephanie's like, I didn't say it.
1:05:26
Speaker 2: I mean, she didn't say that it cost forty thousand
1:05:29
Speaker 2: dollars to go twenty two minutes. She didn't say that.
1:05:32
Speaker 2: Larsa said that. However, that aside, it doesn't matter. Those
1:05:36
Speaker 2: are the those are the undertones, that's what's in between
1:05:40
Speaker 2: the lines.
1:05:41
Speaker 3: So it's still that. Still, it's still that, Yeah, you know,
1:05:48
Speaker 3: you didn't She's not that the number isn't what's bumping her.
1:05:52
Speaker 3: It's the co It was the way she was dangling it.
1:05:57
Speaker 2: That's it, you know. But it was nice that moved on,
1:06:02
Speaker 2: and Stephanie did try to stir that by bringing the
1:06:05
Speaker 2: information that Alexia was like, well, Alexi said that you
1:06:09
Speaker 2: use her as a mouthpiece, and I don't think she's
1:06:14
Speaker 2: gonna get far with that. Like, I don't think that
1:06:16
Speaker 2: you can get those two to fight too much. If
1:06:17
Speaker 2: they're gonna do it, they're gonna do it off camera
1:06:19
Speaker 2: and they're gonna settle it there.
1:06:21
Speaker 1: Yeah.
1:06:22
Speaker 3: Well, and I kept waiting for Marisol to want to
1:06:25
Speaker 3: like pull Alexia in or get really mad. If she
1:06:28
Speaker 3: never did. She she kept it. She kept it cute
1:06:34
Speaker 3: as you would say.
1:06:38
Speaker 2: Oh boy, well Alexia is really not. She's kind of
1:06:42
Speaker 2: like slowly putting into this hot slowly putting us into
1:06:46
Speaker 2: this hot water that we're going to experience, which is
1:06:48
Speaker 2: that Todd is back and he never left and he'll
1:06:51
Speaker 2: be there and nothing has changed and nothing will change.
1:06:55
Speaker 3: Although we do know in real time that he's out
1:07:00
Speaker 3: right because of those Instagram accounts, like what he posted
1:07:03
Speaker 3: when we all watched it, and he was no longer
1:07:06
Speaker 3: with her.
1:07:07
Speaker 2: I mean, yeah, I guess. I mean I could still
1:07:10
Speaker 2: see him posting that and then them being back together
1:07:12
Speaker 2: the next day. But who knows. I think that you
1:07:15
Speaker 2: are probably right based on that. But yeah, well, fun episode.
1:07:25
Speaker 2: Oh one last thing, Deanna, I know you must have
1:07:29
Speaker 2: been triggered by Julia's confessional look with the side pieces
1:07:32
Speaker 2: a la Kyle. She had gelled side piece hairs that
1:07:38
Speaker 2: aren't aggressive as Kyle's because they're shorter and they're thinner. Nonetheless,
1:07:45
Speaker 2: are you okay today?
1:07:47
Speaker 3: No, it's not a good look. It's the worst look
1:07:50
Speaker 3: that she's had, and it was an ill fitting top,
1:07:54
Speaker 3: so that whenever you want to soften up your your
1:08:00
Speaker 3: look after you've done an updue and you feel compelled
1:08:04
Speaker 3: to take two pieces and bring them down, don't do that.
1:08:09
Speaker 2: Why are all the glam squads doing that to these ladies.
1:08:13
Speaker 3: It's not a good look. It doesn't do anything nice.
1:08:19
Speaker 3: It just makes us focus on the pieces, that's all
1:08:22
Speaker 3: I can see.
1:08:23
Speaker 2: M Maybe Larsia should try that. Nope too angular? Oh snap, okay,
1:08:30
Speaker 2: well Darling's Patreon Darlings, you know where to find your girl, Deanna.
1:08:35
Speaker 2: Go over to our substack. How to Be less old.
1:08:38
Speaker 2: Check out that podcast. It's so great. Substack is awesome.
1:08:41
Speaker 2: It's so it's so good. You're such great writers, you
1:08:43
Speaker 2: and Emily. I love the topics that you guys cover.
1:08:45
Speaker 2: It's just so great.
1:08:46
Speaker 3: And I share what we have up today that's going
1:08:50
Speaker 3: up in a please ooh okay, hot off the press.
1:08:54
Speaker 3: So I we had found on TikTok a new and
1:09:00
Speaker 3: it's old, but it's trending now. Which is ear seating?
1:09:05
Speaker 3: Ever heard of it?
1:09:07
Speaker 2: No? Never?
1:09:08
Speaker 3: Okay. So it's similar to acupuncture, but you put these
1:09:12
Speaker 3: metal seeds in your ear and you can You should
1:09:16
Speaker 3: take it to a provider, but you can do it
1:09:18
Speaker 3: for yourself, which I did. And so we talk about
1:09:22
Speaker 3: all the hot things that are happening. It's a we
1:09:24
Speaker 3: co write the Friday post. But I discussed my ear
1:09:28
Speaker 3: seating results on today.
1:09:30
Speaker 2: Oh my gosh.
1:09:32
Speaker 3: You know, if that suits your fancy. Had to be
1:09:34
Speaker 3: littled dot substack dot com.
1:09:37
Speaker 2: Baby Baby Baby Ding Dangs darlings. Have a great day.
1:09:45
Speaker 1: Bye, Drama Darling, Drama Darling