Latest / The Daily Poem / Li Bai’s “Taking Leave of a Friend”
Transcript
- 0:00[music]
- 0:05SPEAKER_00: Welcome back to The Daily Poem, a podcast from Goldberry Studios.
- 0:09SPEAKER_00: I'm Sean Johnson, and today is Monday, October 5th, 2026.
- 0:14SPEAKER_00: Today's poem is by Chinese poet Li Bai,
- 0:18SPEAKER_00: also known as Li Po, or in the West by the Japanese rendering of his name, Rihaku.
- 0:26SPEAKER_00: He was popularized among 20th century English readers through the translations
- 0:31SPEAKER_00: of his work by Ezra Pound,
- 0:34SPEAKER_00: Including today's poem, which is called, Taking Leave of a Friend.
- 0:39SPEAKER_00: I'll read it once, offer a few comments, and read it one more time.
- 0:44SPEAKER_00: Taking Leave of a Friend Blue mountains to the north of the walls,
- 0:51SPEAKER_00: White river winding about them.
- 0:54SPEAKER_00: Here we must make separation,
- 0:56SPEAKER_00: And go out through a thousand miles of dead grass,
- 1:01SPEAKER_00: Mind like a floating wide cloud,
- 1:04SPEAKER_00: Sunset like the parting of old acquaintances who bow over their clasped hands at
- 1:10SPEAKER_00: a distance.
- 1:11SPEAKER_00: Our horses neigh to each other as we are departing.
- 1:19SPEAKER_00: This is a poem that as a young man, I would not have liked, I think.
- 1:23SPEAKER_00: I imagine I would have read this poem and complained that it was just someone naming things.
- 1:31SPEAKER_00: But I see now the brilliance of the things that the speaker chooses to name.
- 1:36SPEAKER_00: This is a poem about two friends parting ways,
- 1:40SPEAKER_00: but that reality is conveyed through these even more powerful natural images
- 1:50SPEAKER_00: that are older,
- 1:51SPEAKER_00: they are grander,
- 1:52SPEAKER_00: they are more elemental,
- 1:55SPEAKER_00: their scale is so much greater that The severity of the human emotion
- 2:02SPEAKER_00: under consideration is thrown into appropriate scale.
- 2:07SPEAKER_00: Mountains are dividing features.
- 2:11SPEAKER_00: Rivers are dividing features.
- 2:14SPEAKER_00: A thousand-mile dead grassland is a liminal space.
- 2:19SPEAKER_00: It's a space between things, just as there is now a space opening up between two friends.
- 2:26SPEAKER_00: And then I love the way he completes this effect when he arrives at the sunset.
- 2:31SPEAKER_00: Instead of saying two old acquaintances parting ways is like a sunset,
- 2:38SPEAKER_00: he looks at the sunset and says it is like the parting of old acquaintances who bow
- 2:45SPEAKER_00: over their clasped hands at a distance.
- 2:48SPEAKER_00: This human event has become so significant That it is now the point of reference.
- 2:57SPEAKER_00: The natural scenes, the natural phenomena are compared to it.
- 3:03SPEAKER_00: They take their meaning relative to it.
- 3:06SPEAKER_00: The farewell is more central to the reality of the speaker than even the sun in the sky.
- 3:12SPEAKER_00: It's a brilliant effect, all the more brilliant because of its subtlety.
- 3:18SPEAKER_00: Here's the poem one more time.
- 3:22SPEAKER_00: Blue mountains to the north of the walls, white river winding about them.
- 3:28SPEAKER_00: Here we must make separation and go out through a thousand miles of dead grass,
- 3:35SPEAKER_00: mind like a floating wide cloud,
- 3:38SPEAKER_00: sunset like the parting of old acquaintances who bow over their clasped hands at
- 3:44SPEAKER_00: a distance.
- 3:46SPEAKER_00: Our horses neigh to each other as we are departing.
- 3:53SPEAKER_00: Share them with your friends and become a subscriber and a supporter of the show.
- 4:22SPEAKER_00: For all of us at Goldberry Studios, I'm Sean Johnson wishing you happy reading.