Latest / Conspiracy! The Show / Who Killed Superman?
Transcript
- 0:10Speaker 1: Welcome to Conspiracy The Show, the world's most trusted conspiracy
- 0:16Speaker 1: dairy podcast, with your hosts Adam Todd Brown and Olivia Heidar.
- 0:32Speaker 2: Hey, everybody, welcome to Conspiracy the Show. I'm your host,
- 0:38Speaker 2: Adam Todd Brown joining me is co host this week. Oo,
- 0:41Speaker 2: my favorite co host of all no co host, but
- 0:44Speaker 2: I do have a guest in the room of Tiff
- 0:47Speaker 2: Myers is here.
- 0:48Speaker 3: It's up. It's gonna be sad.
- 0:50Speaker 4: That's good, said, Yeah, this is gonna be a bummer.
- 0:56Speaker 2: You all know a Tiff. He's been on this show
- 0:58Speaker 2: a bunch of times. You've heard him on you don't
- 1:00Speaker 2: even like this show on unpopular opinion all over the
- 1:04Speaker 2: place on this network. And the last couple episodes we
- 1:08Speaker 2: were delving back into the jfk assassination, and so I thought, hey,
- 1:13Speaker 2: let's keep it in your parents' time and dive into
- 1:17Speaker 2: another story from relatively that time, a few years earlier, sure,
- 1:22Speaker 2: the death of George Reeves, or, as the title of
- 1:26Speaker 2: the episode says, who killed Superman. This is fun because
- 1:30Speaker 2: when I came up with the idea for this, I
- 1:32Speaker 2: was like, you know, who'd be perfect for this a
- 1:35Speaker 2: Tiff because he's a big comic book guy. So I
- 1:38Speaker 2: reached out and was like, you want to do an
- 1:40Speaker 2: episode about the death of George Reeves? And you were like, sure,
- 1:43Speaker 2: who's George Reeves?
- 1:45Speaker 5: And I think I said who the fuck is? I
- 1:48Speaker 5: felt bad for storing it. I was like, why didn't
- 1:50Speaker 5: come off that aggressive to be asked on a podcast.
- 1:53Speaker 3: I felt so bad. I was like, why did I
- 1:55Speaker 3: say this?
- 1:55Speaker 2: Who the fuck is George Reason?
- 1:56Speaker 3: Who are you? Yes? Yeah? Yeah he was not Jack Superman.
- 2:03Speaker 2: Yeah, he was like he was like dad Bod Superman.
- 2:08Speaker 3: Yeah.
- 2:08Speaker 2: He was like the first person to play Superman on TV.
- 2:12Speaker 3: And who like what it was? Like, silly Superman.
- 2:15Speaker 2: I feel like, yeah, yeah, it was before Superman really
- 2:19Speaker 2: uh got his footing in the entertainment world. There was
- 2:22Speaker 2: someone else who played Superman in like movies before this,
- 2:26Speaker 2: but George Reeves like really popularized the role. Sure, And
- 2:31Speaker 2: I mean there were obviously the comic books before.
- 2:33Speaker 3: That, oh of course.
- 2:34Speaker 5: And it's like, but the com books, I mean back then,
- 2:36Speaker 5: it's like follow adheres to like the comics code more
- 2:40Speaker 5: strictly because they're worried that it can get like too dark.
- 2:43Speaker 5: That's why like a lot of those earlier issues A
- 2:46Speaker 5: Superman and Batman were just like fucking stupid and silly,
- 2:49Speaker 5: where it's like, oh my god, Batman's trapped in a
- 2:51Speaker 5: cake because like it's just they could have been like
- 2:55Speaker 5: as dark as some of like the other more indie
- 2:58Speaker 5: comics at the time were.
- 2:59Speaker 2: Yeah, and then it turns out the cake was income inequality.
- 3:04Speaker 3: Yeah, I don't know which.
- 3:06Speaker 2: I don't know why Batman would be trapped in that.
- 3:08Speaker 2: He is, no, that is because of that not a
- 3:12Speaker 2: problem that affects that dude.
- 3:14Speaker 3: Yeah, so yeah.
- 3:16Speaker 2: George Reeves he was an actor, best known for playing
- 3:19Speaker 2: the role of Superman in the TV series Adventures of
- 3:22Speaker 2: Superman from nineteen fifty two to nineteen fifty eight. He
- 3:26Speaker 2: died at the age of forty five, and his death
- 3:28Speaker 2: was ruled a suicide. But as you can imagine from
- 3:31Speaker 2: the fact that we're covering it here today, there are
- 3:34Speaker 2: lots of questions surrounding his death. A whole lot of
- 3:38Speaker 2: people believe he was murdered, and they believe that for
- 3:42Speaker 2: pretty good reason. I would say, like before before we
- 3:45Speaker 2: get into the details, I'm just gonna say right now,
- 3:48Speaker 2: I think George Reeves was murdered.
- 3:50Speaker 3: He was definitely murdered.
- 3:51Speaker 5: Like everything was just as shady and lazily like handed
- 3:57Speaker 5: to the cops as possible.
- 3:58Speaker 2: Yes, And before we get into that, before we dive
- 4:01Speaker 2: into the murder, we should talk about George Reeves a
- 4:04Speaker 2: little bit, just to you know, humanize him, and also
- 4:07Speaker 2: because no one listening to this knows anything about George Reeves,
- 4:10Speaker 2: probably unless you've seen the two thousand and six film
- 4:14Speaker 2: Hollywoodlands starring Ben Affleck.
- 4:17Speaker 3: Yeah, I don't. Yeah, because if you're one of two
- 4:19Speaker 3: people that have God bless you.
- 4:21Speaker 2: Yeah, it's one of those movies that I feel like
- 4:24Speaker 2: I've seen and I can't remember anything about it, which
- 4:27Speaker 2: doesn't speak well for that movie.
- 4:29Speaker 3: It looked depressing.
- 4:30Speaker 5: It looked really the trailer was like the most depressing,
- 4:32Speaker 5: but it looked Yeah, I couldn't.
- 4:34Speaker 2: This guy seemed depressing.
- 4:36Speaker 5: Oh yeah, wildly so, especially for the time. I feel
- 4:39Speaker 5: like you never hear about depression from like major people
- 4:43Speaker 5: from that era.
- 4:44Speaker 3: They were just boozing.
- 4:45Speaker 2: Yeah. His film career began in nineteen thirty nine, when
- 4:49Speaker 2: he was cast as one of Scarlett O'Hara's suitors in
- 4:52Speaker 2: Gone with the Wind. Ever heard of it? Everybody? It
- 4:56Speaker 2: was a minor role, but also he's in the opening scene,
- 5:00Speaker 2: so there's that. Oh, not that I remember it. My
- 5:03Speaker 2: mom fucking loved Gone with the Wind, and I watched
- 5:05Speaker 2: it with her once and was like, come on, Mom.
- 5:08Speaker 3: I don't think i've ever seen it, or if I
- 5:10Speaker 3: saw it, I just blocked out of memory.
- 5:12Speaker 2: Yeah. I don't know about you, but I'm just not
- 5:15Speaker 2: a fan of movies from this time. I feel like
- 5:19Speaker 2: movies are a thing that we as a society have
- 5:22Speaker 2: mostly just gotten better at over the years, and like,
- 5:26Speaker 2: why do I want to go back and watch shit
- 5:27Speaker 2: from when we weren't good at it?
- 5:29Speaker 5: Yeah, or like when there were already black people. If
- 5:34Speaker 5: there's an option for black face.
- 5:35Speaker 3: At that era, then I'm not going to watch it.
- 5:38Speaker 2: Yeah, and Yeah, like a lot of the like Citizen
- 5:42Speaker 2: Kane is the one that comes up the most. I
- 5:44Speaker 2: feel like that has become a really polarizing film where
- 5:48Speaker 2: half of society is like, such an artistic achievement and
- 5:52Speaker 2: the other half is like, cool, they did dolly shots,
- 5:55Speaker 2: big fucking deal, thank.
- 5:56Speaker 3: You, thank you.
- 5:57Speaker 5: It's like, oh my god, look how he pans in,
- 6:00Speaker 5: look at the zoom into this window, and then they
- 6:02Speaker 5: come out the other It's like, Okay, I don't give
- 6:04Speaker 5: a fuck.
- 6:04Speaker 2: Yeah, the ending is still fucking stupid.
- 6:06Speaker 3: I think don't even remember that.
- 6:08Speaker 2: Oh Rosebud was his childhood sled or some shit white nonsense.
- 6:13Speaker 5: It falls under the category of white nonsense, it sure does.
- 6:18Speaker 3: Sorry, if I've lost.
- 6:19Speaker 5: Most of your listeners and or viewers, I don't know
- 6:22Speaker 5: if this is video to help out now.
- 6:25Speaker 2: So, like a whole lot of other entertainers of his day,
- 6:29Speaker 2: George Reeves was drafted in nineteen forty three and served
- 6:33Speaker 2: until the end of World War Two, which kind of
- 6:35Speaker 2: derailed his career a little bit. But also it seems
- 6:37Speaker 2: like he wanted to go to war.
- 6:40Speaker 3: Yeah, he signed up, but it's also like he didn't
- 6:43Speaker 3: really go to war. Let's just be real.
- 6:45Speaker 2: He made movies and plays for the military.
- 6:49Speaker 5: He was Captain America, Captain America one. He just had
- 6:53Speaker 5: him dancing with showgirls to like it, entertain the troops.
- 6:56Speaker 5: Like it wasn't it wasn't really war.
- 6:58Speaker 2: I don't know.
- 6:59Speaker 3: Take a PTSD.
- 7:00Speaker 2: Yeah. Yeah, when I read that part at first, I
- 7:02Speaker 2: was like, oh shit, he had to fight in World
- 7:04Speaker 2: War two, and it's like, not exactly. Yeah, he just
- 7:08Speaker 2: had to live somewhere else and keep doing what he
- 7:10Speaker 2: did during World War.
- 7:12Speaker 3: Teah with like free housing and probably still got paid. Maybe.
- 7:16Speaker 2: Yeah. One of my favorite conspiracy theories that we've never
- 7:19Speaker 2: dove into on an episode, but we should is the
- 7:22Speaker 2: one that claims Ted Williams when he got drafted, came
- 7:26Speaker 2: back and brought amphetamines to baseball. Like that's how because
- 7:31Speaker 2: baseball had a big, big, big amphetamine problem for a
- 7:34Speaker 2: long time that they I think kind of swept under
- 7:37Speaker 2: the rug by way of the steroid scandal. Sure, like
- 7:42Speaker 2: everyone's attention is on that now. It's like Barry Bond
- 7:46Speaker 2: shouldn't be in the Hall of Fame. It's like, yeah,
- 7:48Speaker 2: Roger Marris probably shouldn't either, because all your granddad's heroes
- 7:52Speaker 2: were hopped up on amphetamines.
- 7:54Speaker 3: Yeah. I hate Baseball Hall of Fame where they're just
- 7:57Speaker 3: so holier than now.
- 7:58Speaker 2: Oh yeah yeah. And here's the thing. I dreamed of
- 8:04Speaker 2: going to the Baseball Hall of Fame my whole life,
- 8:07Speaker 2: and when I moved to California, I was living in
- 8:10Speaker 2: New York at the time, and we were like, fuck it,
- 8:13Speaker 2: before we leave New York, let's drive up to Cooperstown
- 8:16Speaker 2: and hit the Baseball Hall of Fame and the minute
- 8:18Speaker 2: we parked, I was like, this is a mistake. This
- 8:21Speaker 2: is gonna be really really boring, and it is. It's
- 8:25Speaker 2: it's like going to the baseball library.
- 8:28Speaker 3: It's baseball, this sport. It is pretty fucking boring. Yeah, yeah,
- 8:32Speaker 3: it's pretty pretty boring. And they can imagine the museum entertaining.
- 8:36Speaker 2: And they do have a like exhibit for Barry Bonds,
- 8:39Speaker 2: but it's like very reluctant, Like you can tell they
- 8:42Speaker 2: didn't want to have that there. It's like, get off
- 8:45Speaker 2: your fucking high horse, you nerds.
- 8:47Speaker 3: They're the worst.
- 8:48Speaker 2: So he returns home from the war, and that coincided
- 8:53Speaker 2: with a point in time when movie studios were kind
- 8:57Speaker 2: of slowing down or all together stop their production schedules,
- 9:02Speaker 2: and so more and more time starts passing between George
- 9:05Speaker 2: Reeves getting these acting jobs. At one point it got
- 9:09Speaker 2: so bad he took a second job digging cesspools. And
- 9:12Speaker 2: it's like, what, it couldn't have been that bad.
- 9:15Speaker 3: You know, what is a cesspool?
- 9:17Speaker 2: You know? I read I looked it up and I'm
- 9:19Speaker 2: still not quite sure. It seems like, you know, a
- 9:22Speaker 2: thing where human waste goes.
- 9:24Speaker 3: But that's okay.
- 9:25Speaker 2: I don't know how they work.
- 9:27Speaker 3: I don't know, people had to dig that up or
- 9:29Speaker 3: make it.
- 9:29Speaker 5: I just thought it was a thing that existed, like
- 9:31Speaker 5: next to like quicksand like, I just thought it exists.
- 9:34Speaker 3: In a while.
- 9:35Speaker 2: Maybe he invented them. I don't know.
- 9:38Speaker 5: Yeah, I can't imagine your job being that bad or
- 9:41Speaker 5: kid finding work where you're like, let's go fucking dig
- 9:43Speaker 5: some shitholes to make money.
- 9:45Speaker 2: Yeah, I get the sense maybe this guy was kind
- 9:47Speaker 2: of bad with money, just a dick.
- 9:49Speaker 3: I don't know, because they all were factory.
- 9:52Speaker 2: They also talk about how he was making like four
- 9:55Speaker 2: thousand dollars a week and they're like, but that was
- 9:58Speaker 2: only during the weeks he was filmed Superman, which is
- 10:01Speaker 2: only like eight weeks out of the year, and it's
- 10:03Speaker 2: like that sounds bad. But also like thirty two grand
- 10:07Speaker 2: a year back then.
- 10:08Speaker 3: It was five, it was five a week.
- 10:11Speaker 2: Oh yeah, so in today's money, like adjusted for inflation,
- 10:15Speaker 2: he was making like four hundred grand a year.
- 10:17Speaker 3: Yeah, but it's blowing it on who knows what?
- 10:20Speaker 2: Yeah, what the fuck's he doing with his money?
- 10:22Speaker 3: He did have a listening to records, Yeah, smoking his
- 10:27Speaker 3: pipe by.
- 10:29Speaker 2: Black and White TVs, putting seventy eight's on the old
- 10:32Speaker 2: Victrola at night, eating women who won't date him, stuff
- 10:37Speaker 2: like that, you know, fifty shit, having his wife hospitalized
- 10:41Speaker 2: for arguing with him.
- 10:42Speaker 3: You know, just these dudes did in.
- 10:43Speaker 2: The fifties man shit seats, Yeah, exactly, pushing back against
- 10:50Speaker 2: civil rights, all the stuff our parents did, well maybe
- 10:55Speaker 2: not all of our parents.
- 10:57Speaker 3: I hope not see a fucking trader.
- 11:00Speaker 2: So then he gets Superman, he gets the role of Superman,
- 11:04Speaker 2: and one would assume, oh, well, he's got to be
- 11:06Speaker 2: psyched by that, Like that, dude, that's a career turn
- 11:10Speaker 2: for the for the positive. But no, not really, no,
- 11:14Speaker 2: just but.
- 11:15Speaker 3: Just a sad, fucking guy.
- 11:16Speaker 5: But also, like I want to say, up until maybe
- 11:20Speaker 5: the last like twenty years or so, of the tides
- 11:22Speaker 5: really turned where people were actually happy to do TV,
- 11:26Speaker 5: you know what I mean, Like, because for a long
- 11:27Speaker 5: time it was like a fucking people are like, Nope,
- 11:29Speaker 5: you're a fucking TV actor.
- 11:30Speaker 3: You're gonna stick with that shit.
- 11:31Speaker 2: Yeah, And for a long time, yeah, you're right, like
- 11:34Speaker 2: Hollywood actors, like movie actors, were really reluctant to cross
- 11:38Speaker 2: back over to TV. And you're right, that did seem
- 11:40Speaker 2: like it changed sometime in the two thousands.
- 11:43Speaker 5: Super like, because I remember, uh god, just think we
- 11:46Speaker 5: sound like a dick. Remember there was an episode about
- 11:48Speaker 5: Entourage about that he was. He was just like, I
- 11:52Speaker 5: can't go to TV. I'm a movie actor.
- 11:55Speaker 2: And I think like the age of like prestige television
- 11:59Speaker 2: changed that because like once like cable networks started figuring
- 12:03Speaker 2: out like oh hey, we can put out good shows too,
- 12:06Speaker 2: and we can put out stuff to networks like the
- 12:08Speaker 2: big networks won't put out. I think that's when it
- 12:11Speaker 2: started changing for sure.
- 12:13Speaker 5: So I could imagine in the fifties, when like TV
- 12:16Speaker 5: started becoming a thing that he's going to be like,
- 12:18Speaker 5: He's like, ah, fuck, I guess this is like like
- 12:20Speaker 5: porn for him, you know.
- 12:22Speaker 2: Yeah, this would be a little bit like asking a
- 12:24Speaker 2: Hollywood actor to do a podcast in like twenty ten
- 12:30Speaker 2: gonna be like the fucking podcast you crazy, And now
- 12:33Speaker 2: everyone has a fucking podcast.
- 12:35Speaker 3: It's a way better example than my porn example. You're
- 12:37Speaker 3: completely right examples Why am I so dumb?
- 12:46Speaker 2: He was offered the role of Superman in June nineteen
- 12:50Speaker 2: fifty one, took it very reluctantly because television was also
- 12:54Speaker 2: a very new thing. Yeah, and people were like, oh,
- 12:57Speaker 2: why do I have to look at moving pictures in
- 12:59Speaker 2: my home? You see, I can go to the theater.
- 13:04Speaker 2: And they just like viewed movies as the superior art form.
- 13:07Speaker 2: But he was like, fucking, I'm broke, I'll do Superman.
- 13:10Speaker 5: I guess again, it's either digging shitholes or being Superman.
- 13:16Speaker 5: And he's like, fuck, I guess I'll be Superman. This
- 13:19Speaker 5: guy's not a good guy.
- 13:21Speaker 2: Yeah, he didn't make the best career choices. I don't think.
- 13:24Speaker 2: I mean, taking Superman was arguably a good choice for him,
- 13:29Speaker 2: Like it definitely made him a huge star for a while.
- 13:32Speaker 3: For sure, and he just was like, well, I guess
- 13:34Speaker 3: I'm Superman.
- 13:36Speaker 2: And so yeah, the show finally airs in nineteen fifty two,
- 13:39Speaker 2: and he was very surprised to find that he had
- 13:44Speaker 2: become a national celebrity.
- 13:46Speaker 3: Just an idiot.
- 13:47Speaker 2: Again. TV was new, so he assumed no one was
- 13:51Speaker 2: gonna watch it. So that's why he was so surprised
- 13:54Speaker 2: by that.
- 13:54Speaker 5: It never even thought like, this combook is one of
- 13:57Speaker 5: the biggest combooks in the world, to people buying it
- 14:00Speaker 5: a week or a month or whatever.
- 14:02Speaker 3: I don't know why he wouldn't correlate those two.
- 14:04Speaker 2: And Also, he's a Hollywood actor at the time, so
- 14:07Speaker 2: you know, he was surrounded by the people who probably
- 14:11Speaker 2: took to television first. Yeah, because shit like that always
- 14:16Speaker 2: goes to rich people first, Like the first TV was
- 14:19Speaker 2: probably nineteen hundred dollars in today's money, so it's only
- 14:24Speaker 2: going to be his rich actor friends and shit who
- 14:27Speaker 2: have it so Like, wouldn't one of them been like, no, actually,
- 14:31Speaker 2: it's pretty cool. You should come over and watch mine sometime.
- 14:34Speaker 2: But he was just like, eh, TV, just see.
- 14:38Speaker 5: I think his unlikability is also why like no one
- 14:41Speaker 5: ever dug deeper.
- 14:43Speaker 3: Into his death.
- 14:45Speaker 5: Yeah, finally, not a good thing to say about a
- 14:47Speaker 5: dead guy, but people are like, ah, fuck up, who cares?
- 14:50Speaker 2: Yeah, this ungrateful bastard god.
- 14:52Speaker 3: Yeah.
- 14:53Speaker 2: He was also uncomfortable with the role because he thought
- 14:56Speaker 2: it was only earning him kid fans and that he
- 15:00Speaker 2: was gonna be like forever typecast as a kids show actor.
- 15:04Speaker 2: And sure he did get type cast, but just as
- 15:07Speaker 2: the guy who plays Superman. Like he had plenty of
- 15:09Speaker 2: adult fans. But after a while, studios were like, listen,
- 15:14Speaker 2: if we book you in this movie, people are just
- 15:16Speaker 2: gonna be like, oh, it's Superman, and it kind of
- 15:19Speaker 2: fucked his career up in that way.
- 15:22Speaker 3: Well, he could have kept on doing Superman shit though.
- 15:25Speaker 2: Yeah, And as much as they talk about him hating
- 15:28Speaker 2: this role and being depressed over it, some of that
- 15:32Speaker 2: is just people trying to explain what happened to him
- 15:36Speaker 2: and trying to like make it seem more plausible that
- 15:40Speaker 2: suicide is what happened to this guy. Because they also
- 15:44Speaker 2: mention like, yeah, he was bummed about this, but also
- 15:47Speaker 2: he like was moving into producing and directing, and like
- 15:52Speaker 2: he directed I think the last fifteen episodes of the
- 15:55Speaker 2: Superman Show. So he had plans. Like it's not like
- 16:00Speaker 2: he had completely hit a wall, Like he was planning
- 16:03Speaker 2: on doing shit in the future.
- 16:05Speaker 3: Did he start his own production company? Right?
- 16:07Speaker 5: Yeah, Yeah, that's a good point. That's also like he
- 16:10Speaker 5: didn't have to get like jacked to be Superman, right,
- 16:14Speaker 5: And this was in the steroid air where now he
- 16:16Speaker 5: could just be a dude to be Superman.
- 16:18Speaker 2: Yeah, he was all fucking fat fly is it a
- 16:23Speaker 2: bird that's not a fucking bird? Year old dude, he's
- 16:27Speaker 2: been drinking a bunch smoking, Yeah, And yeah, but he
- 16:32Speaker 2: eventually came to view this role of Superman as like
- 16:37Speaker 2: kind of a waste of his time, like he was
- 16:39Speaker 2: just wasting his life playing one of the most iconic
- 16:42Speaker 2: characters in the history. But again as a different time
- 16:45Speaker 2: he didn't know, like the comic books were a thing,
- 16:48Speaker 2: but he didn't really have any way of knowing that
- 16:51Speaker 2: Superman was going to take off take off the way.
- 16:54Speaker 3: It did he did.
- 16:57Speaker 5: Dude, it just seems very silly at the time where
- 16:59Speaker 5: there's like mainstream combooks that are constantly selling out, and
- 17:03Speaker 5: he's just like, I don't know if he's gonna you
- 17:05Speaker 5: know what I'm saying, I don't.
- 17:06Speaker 2: Know, like give it a shot at least don't be
- 17:09Speaker 2: sad about it right away.
- 17:10Speaker 3: Didn't ask me to be like fucking Marmaduke or some
- 17:13Speaker 3: shit like.
- 17:15Speaker 2: Fine, we got to cover the guy who played Marmaduke next.
- 17:22Speaker 2: So there are a couple really important figures when it
- 17:26Speaker 2: comes to the story of George Reeves and how he died.
- 17:30Speaker 2: The first is Tony Mannix. At one point during his
- 17:33Speaker 2: run as Superman, Reeves struck up an affair with Tony Mannix,
- 17:37Speaker 2: and that was risky business because Tony Mannix's husband was
- 17:43Speaker 2: a guy named Eddie Mannox who was a fixer for
- 17:48Speaker 2: MGM Studios. Meaning you know, if you need someone killed
- 17:52Speaker 2: to keep something quiet, you call Eddie Mannix. He had
- 17:56Speaker 2: mob ties. He was a bad dude. And so in
- 17:59Speaker 2: nineteen fifty eight, he and Tony Mannox ended their affair
- 18:03Speaker 2: and he announced his engagement to a woman named Leonor Lemon,
- 18:07Speaker 2: who is the other really important figure in this And
- 18:10Speaker 2: so before we get into why that is, let's talk
- 18:13Speaker 2: about his death. June fifteenth, nineteen fifty nine, Reeves and
- 18:18Speaker 2: Lemon went out for a night of drinking and returned
- 18:22Speaker 2: home around eleven PM. A couple hours later, two friends,
- 18:26Speaker 2: Carol von Ronkel and William Bliss stopped by for a drink.
- 18:31Speaker 2: Apparently William Bliss was like not part of this friendship group.
- 18:36Speaker 2: They didn't really know William Bliss.
- 18:38Speaker 3: Here's some dude.
- 18:40Speaker 2: There's just some dude that a friend of theirs brought over.
- 18:43Speaker 2: And then there was.
- 18:43Speaker 3: Also these old timing names.
- 18:44Speaker 2: By the way, Oh yeah.
- 18:46Speaker 5: Carol.
- 18:48Speaker 3: H Leon Lemon, and they had.
- 18:53Speaker 2: A writer named Robert Condon was also living in the
- 18:57Speaker 2: house at the time, and he was there the night
- 19:00Speaker 2: all happened.
- 19:01Speaker 3: A Kato kaelin, yeah, exactly.
- 19:05Speaker 2: And by the point those two friends arrive Reeves was
- 19:09Speaker 2: already in bed and he was bothered by all the noise,
- 19:13Speaker 2: so he flies downstairs to ask everyone to quiet down.
- 19:19Speaker 2: He's like, hey, I'm fucking superman, can you tone it down?
- 19:22Speaker 3: Potentially butt ass naked? Right, he would be naked during.
- 19:26Speaker 2: All this, Yeah, and if he was, people aren't saying so,
- 19:29Speaker 2: and that seems like an important detail to leave out,
- 19:32Speaker 2: like was to be dark naked when he came downstairs.
- 19:35Speaker 5: Because if he wasn't, again, that means he was wearing clothes.
- 19:38Speaker 5: And then was like, I'm gonna fucking end it. I
- 19:40Speaker 5: don't want to ruin my sweater. They got butt ass
- 19:44Speaker 5: and then shut himself.
- 19:45Speaker 2: Yeah, he comes down. He's mad that they're being so loud,
- 19:48Speaker 2: but they're like, George, fucking relax, have a drink with us.
- 19:52Speaker 2: It's fine. So he has a drink with him and
- 19:54Speaker 2: then he went back upstairs. And this is when the
- 19:59Speaker 2: official explanation of what happened gets really fucking weird and
- 20:04Speaker 2: kind of unbelievable according to the people in the house.
- 20:08Speaker 2: After he walks upstairs, Leonora Lemon first blurted out He's
- 20:13Speaker 2: going upstairs to shoot himself, and then everyone hears like
- 20:18Speaker 2: the sound of like a drawer opening, and she goes
- 20:20Speaker 2: see he's opening the drawer to get the gun, and
- 20:23Speaker 2: then they hear a shot, at which point Leonora Lemon goes,
- 20:27Speaker 2: I told you he shot himself, and then they immediately
- 20:30Speaker 2: call the police. Forty five minutes later, that part alone,
- 20:35Speaker 2: I'm like, these motherfuckers know what happened, and they're lying.
- 20:39Speaker 5: A million percent because, first of all, how loud is
- 20:42Speaker 5: his furniture where you're hearing fucking drawers open, you know? Yeah,
- 20:46Speaker 5: then to call it, but then to admit that you
- 20:49Speaker 5: called it, and no one casts suspicion on you, like
- 20:53Speaker 5: y'all know what the fuck you did?
- 20:54Speaker 2: Yeah, and the forty five minute thing, like what were
- 20:57Speaker 2: you doing in those forty five minutes? Like if someone
- 20:59Speaker 2: is like, oh, the gentleman upstairs just shot himself in
- 21:02Speaker 2: the head Superman, you know, Superman turns out his kryptonite
- 21:06Speaker 2: is handguns, actually, And then for the next forty five minutes,
- 21:11Speaker 2: you're just like, all right, but these drinks aren't gonna
- 21:13Speaker 2: finish themselves, Like, right, we can call the police later.
- 21:16Speaker 3: Yeah, he's not going anywhere.
- 21:18Speaker 2: Yeah, And the weirdness doesn't end there. For one thing,
- 21:23Speaker 2: we've already kind of hinted at it. When police show
- 21:26Speaker 2: up and find George Reeves, he is stark fucking naked. Yeah,
- 21:33Speaker 2: And it's not like there's an instruction manual for suicide.
- 21:36Speaker 2: There's no laws, there's no rules, there's no regulations. But goddamn,
- 21:40Speaker 2: is it very rare for a person to strip naked
- 21:44Speaker 2: and then kill themselves?
- 21:46Speaker 5: Yeah, Like, no one's that considerate to like the mortician
- 21:50Speaker 5: that they're like, get naked for this guy.
- 21:51Speaker 3: I don't even take it off my clothes.
- 21:54Speaker 2: Police also found two gunshot holes in the carpet as
- 21:58Speaker 2: well as one in the ceiling.
- 22:00Speaker 3: So that house the second floor.
- 22:02Speaker 2: Yeah, he was on the second floor, So.
- 22:04Speaker 5: If he's shot downward, you would think the people downstairs
- 22:07Speaker 5: that were boozing would at least be like, Yo, why
- 22:10Speaker 5: the fuck we get a shot.
- 22:11Speaker 2: At right, Or when they tell their story to police,
- 22:15Speaker 2: they'd be like, yeah, we heard three shots, but everyone
- 22:17Speaker 2: in the house says they only heard one, Like, if
- 22:20Speaker 2: you heard one, you're gonna hear the other two. Also,
- 22:24Speaker 2: in the week after, when police were still investigating Leonora
- 22:29Speaker 2: Lemon cut the evidence tape seal on the home went
- 22:33Speaker 2: in took four thousand dollars worth of travelers checks and
- 22:37Speaker 2: then fucked off to New York and never returned to California,
- 22:41Speaker 2: Which that's weird too. There were also issues with the autopsy,
- 22:46Speaker 2: the main one being that it wasn't conducted until after
- 22:50Speaker 2: the body had been thoroughly washed. Who the fuck washed
- 22:53Speaker 2: his body? Yeah, no, like the coroner's not going to
- 22:56Speaker 2: do that. So like nod who gave this man a
- 22:59Speaker 2: bath before he got he.
- 23:00Speaker 3: Was naked, So they were like, might want to get cleaned.
- 23:04Speaker 2: Up, Yeah, maybe sprang him down.
- 23:07Speaker 5: No, this is just it's just like everything you want
- 23:09Speaker 5: to do for like a cover up and then get
- 23:12Speaker 5: everybody involved, are like these steps, like it's like the
- 23:15Speaker 5: perfect cover up.
- 23:16Speaker 2: People also these days make a big deal out of
- 23:19Speaker 2: the fact that the coroner didn't really check for gunshot
- 23:22Speaker 2: residue or gunpowder residue. But I've also read that that
- 23:27Speaker 2: wasn't really a thing police did that much at the
- 23:30Speaker 2: time anyway, Like forensic science hadn't really like they knew
- 23:35Speaker 2: about it, but it hadn't caught on in a widespread
- 23:37Speaker 2: way where anytime there's a situation like this they check
- 23:41Speaker 2: for that, because that would have proven if he shot
- 23:44Speaker 2: himself or not, he would have had for sure gunpowder
- 23:47Speaker 2: residue on his hands and near his head where he
- 23:50Speaker 2: fired if he was shooting at close blank range. There
- 23:53Speaker 2: was also significant bruising on his face and chest, which
- 23:57Speaker 2: everyone involved, even the corner, was just like, ah, I
- 24:00Speaker 2: don't know, who knows. It's like, what do you mean
- 24:03Speaker 2: you don't know? You have to tell us, you have
- 24:05Speaker 2: to find that out and tell us.
- 24:08Speaker 5: And again this is again, this was like the first
- 24:11Speaker 5: major TV star and like, no one dug any deeper
- 24:15Speaker 5: onto this dude's death.
- 24:17Speaker 2: No, he also didn't leave a note, which people who
- 24:20Speaker 2: commit suicide don't always leave notes. But he also showed
- 24:24Speaker 2: no signs of being suicidal, and I know again like
- 24:28Speaker 2: it doesn't always work that way, sure, but also there's
- 24:32Speaker 2: all the other stuff, like you have to take like
- 24:35Speaker 2: you can't just take each of these things individually and
- 24:39Speaker 2: judge them based on like what you know about suicide,
- 24:42Speaker 2: Like you have to take the no signs of suicide,
- 24:46Speaker 2: no note, and all the weird forensic shit into account together. Yeah,
- 24:51Speaker 2: and then it makes like doesn't make sense. It doesn't
- 24:56Speaker 2: make sense that anyone got away with this. That's the
- 24:59Speaker 2: crazy part.
- 25:00Speaker 5: Yeah, Like, no one dug deeper, right, like it was
- 25:03Speaker 5: just like they just took vimit their word and been
- 25:06Speaker 5: going all right, cool, bye.
- 25:09Speaker 2: Yeah with you or whatever, which is a thing that
- 25:15Speaker 2: is uh one of the big problems with the death
- 25:18Speaker 2: of Kurt Cobain. Also, at sure the time Kurt Cobain
- 25:23Speaker 2: died or was killed, whatever, the Seattle PD had a
- 25:26Speaker 2: policy where if like a patrol officer came across a
- 25:30Speaker 2: suicide and he decided it was a suicide, they just
- 25:33Speaker 2: didn't send homicide investigators. So like the cop that found
- 25:37Speaker 2: Kurt Cobain was like, oh, yeah, he killed himself, and
- 25:40Speaker 2: they just fucking left it at that and never looked
- 25:42Speaker 2: into it more. And kind of the same thing here.
- 25:45Speaker 2: It seems like Jesus. And so there are three different
- 25:49Speaker 2: theories about what happened to George Reeves, obviously, the first
- 25:52Speaker 2: being he shot himself and that's what the ruling was
- 25:56Speaker 2: when it happened, and that remains the official theory to
- 25:59Speaker 2: this day, and I just I don't buy it at all.
- 26:03Speaker 3: No, I don't buy it at all either.
- 26:05Speaker 2: Another theory is that Leonora Lemon killed him. And I'm
- 26:11Speaker 2: honestly on the fence about which of these two these
- 26:16Speaker 2: next two theories is correct, Like Leonora Lemon seems like
- 26:21Speaker 2: the obvious suspect. Yeah, because of the forty five minutes,
- 26:26Speaker 2: Like her story is blonkers, Like the idea that she
- 26:30Speaker 2: was like, he's gonna go kill himself and he did
- 26:32Speaker 2: and they just chill for forty five minutes. It's not
- 26:34Speaker 2: how people react.
- 26:35Speaker 5: No, And it's like if she didn't kill him, then
- 26:38Speaker 5: she like had him killed, right.
- 26:40Speaker 2: And Yeah, a lot of people suspect that forty five
- 26:43Speaker 2: minutes was the time that the household spent cleaning up
- 26:47Speaker 2: the scene and you know, removing any evidence that a
- 26:51Speaker 2: murder had happened and making it look like a suicide.
- 26:55Speaker 2: The thing that makes me unsure about that theory is
- 27:00Speaker 2: is the people in that room who all said Leonora
- 27:04Speaker 2: Lemon was like, he's going upstairs to kill himself. Those
- 27:06Speaker 2: people aren't criminals. Those people aren't murderers. They're like actors
- 27:10Speaker 2: and writers and shit. The other theory involves actual fucking criminals.
- 27:18Speaker 2: Leonora Lemon they definitely had a rocky relationship, and a
- 27:22Speaker 2: lot of that apparently centered around her finding out that
- 27:25Speaker 2: the guy who plays Superman on TV is not TV rich.
- 27:28Speaker 2: He's just like kind of struggling and She's been painted
- 27:32Speaker 2: as a bit of a gold digger over the years,
- 27:35Speaker 2: and who knows how true that is. We're talking about
- 27:37Speaker 2: nineteen fifties Hollywood.
- 27:38Speaker 5: Right in their view of women, where they're like, ah,
- 27:40Speaker 5: she had hysteria, and it's like exactly Bride's dying.
- 27:43Speaker 3: Man, Like, who knows what she's got?
- 27:45Speaker 2: Yeah, actors were kind of paid shitty back then, but
- 27:49Speaker 2: also that five thousand a week, again, it was a
- 27:52Speaker 2: lot of money in today's money, so who knows. But
- 27:56Speaker 2: also everyone in that house was super duper drunk, and
- 28:00Speaker 2: people do dumb things when they're drunk, and sure suicide
- 28:04Speaker 2: is one of them, but murder could be. Also, you
- 28:06Speaker 2: never know. I can't reconcile that forty five minutes with
- 28:10Speaker 2: them being not involved, Like there's no fucking way.
- 28:14Speaker 3: Yeah.
- 28:14Speaker 5: Like even if you're like, say, you have a house
- 28:16Speaker 5: party and then that happens, but then you hear like
- 28:19Speaker 5: a collapse up the stairs, you'd.
- 28:21Speaker 3: Go check that out. Bicko fuck did they fall over?
- 28:23Speaker 3: Like what the fuck was that noise?
- 28:24Speaker 2: Yeah? And right, I'm like crazy, and I think there
- 28:27Speaker 2: are like reports that some of the friends in the
- 28:30Speaker 2: house did run up and check on them, and it's like,
- 28:32Speaker 2: but then you waited forty five minutes to call police,
- 28:34Speaker 2: Like that doesn't make any sense, No, And so there's
- 28:38Speaker 2: that theory, the theory that Leonora Lemon killed him, and
- 28:43Speaker 2: her friends who were present that night just helped her
- 28:46Speaker 2: cover it all up and concocted this crazy ass story
- 28:50Speaker 2: and police just bought it. But also there's the other theory,
- 28:53Speaker 2: the theory that Eddie Mannox had Reeves killed over his
- 28:57Speaker 2: affair with Tony Mannox. On the one hand, that makes sense,
- 29:02Speaker 2: like you would hear that and go, well, of course,
- 29:04Speaker 2: this guy's super fucking powerful, like, of course he would
- 29:08Speaker 2: have someone killed for fucking his wife. But not so fast, yeah,
- 29:13Speaker 2: because it turns out Eddie Mannix, like he was working
- 29:18Speaker 2: at MGM in the days when the casting couch was
- 29:22Speaker 2: like not only an accepted part of Hollywood, it was
- 29:25Speaker 2: like expected, like if you had a job like Eddie Mannix,
- 29:28Speaker 2: you just got to bone actresses in exchange for putting
- 29:32Speaker 2: them in movies. And this motherfucker did that openly, to
- 29:36Speaker 2: the point that he didn't care that his wife was
- 29:39Speaker 2: fucking George Reeves. They would go on double dates. He
- 29:43Speaker 2: would bring his mistresses, she would bring George Reeves. They
- 29:46Speaker 2: would go out on dates.
- 29:48Speaker 3: Which is fucking bizarre.
- 29:50Speaker 2: It's very weird. It's so fucking weird, like to the
- 29:53Speaker 2: point that I'm like, were his dates? Dudes? Is that
- 29:56Speaker 2: what was happening here? Right?
- 29:58Speaker 3: Like something like that or just all just swinging.
- 30:01Speaker 2: And Tony Mannix was also one of his mistresses before
- 30:05Speaker 2: they got married, so she knew what kind of dude
- 30:08Speaker 2: her husband was and so on that front, it makes
- 30:12Speaker 2: it seem like Eddie Mannix wouldn't have done this because
- 30:18Speaker 2: he didn't care about the affair. But the thing is
- 30:22Speaker 2: the big quirk there, Tony Mannix wasn't just George Reeves's girlfriend.
- 30:26Speaker 2: She was like his benefactor. He was a kept man.
- 30:31Speaker 2: She paid his bills, she bought him the house he
- 30:34Speaker 2: died in, like she did a wife I know, must
- 30:38Speaker 2: be rough him. And the thing is she did all
- 30:43Speaker 2: of that with the expectation that they'd get married. When
- 30:48Speaker 2: Eddie Mannix eventually died of one of the heart attacks
- 30:52Speaker 2: he apparently had all the time, just like Dick Cheney
- 30:55Speaker 2: levels of heart attacks. Just you fucking a stiff wind
- 30:59Speaker 2: hits him and he's like.
- 31:00Speaker 5: Ooh, but this is why another reason why I can't
- 31:04Speaker 5: really root for this guy is because he fucking got
- 31:07Speaker 5: to play Superman.
- 31:08Speaker 3: Bang of this rich lady.
- 31:10Speaker 5: She buys them everything, and then he's still like kind
- 31:13Speaker 5: of a sad dude.
- 31:15Speaker 2: Yeah, cheer up man, yeah, And so he eventually leaves
- 31:21Speaker 2: her despite all of this, despite her believing they're gonna
- 31:25Speaker 2: get married. When Eddie Mannix dies, he breaks up with
- 31:28Speaker 2: her and gets engaged to Leonora Lemon. So the other
- 31:33Speaker 2: theory isn't so much that Eddie Mannix had him killed
- 31:37Speaker 2: because he was sleeping with his wife. It's more that
- 31:40Speaker 2: Eddie Mannix had him killed because he broke his wife's heart,
- 31:45Speaker 2: which that is kind of compelling because she did not
- 31:51Speaker 2: take the breakup well. She starts calling George Reeves like
- 31:55Speaker 2: twenty times a day trying to get him to come back.
- 31:59Speaker 2: She is nineteen fifties hysterical at.
- 32:02Speaker 3: The Teddy's next level was of couck if that's true.
- 32:05Speaker 2: Yeah, and Eddie again has like mob ties, like if
- 32:08Speaker 2: anyone could have gotten George Reeves killed, it was Eddie Mannix,
- 32:12Speaker 2: and like, yeah, that is such cuckshit.
- 32:13Speaker 5: Come on, dude, right, you get in like you're gonna
- 32:16Speaker 5: kill the guy that broke your wife's heart, even though
- 32:18Speaker 5: he's blowing your wife's back out.
- 32:20Speaker 3: You knew that's crazy.
- 32:22Speaker 2: It is really crazy. But the thing is it's almost
- 32:27Speaker 2: less crazy than the official story, which is that Leonora
- 32:30Speaker 2: Lemon was just like, ah, he's gonna go kill himself,
- 32:33Speaker 2: You're safe. That's how everyone talked back then.
- 32:36Speaker 3: They're all in black and white too.
- 32:38Speaker 5: Yeah, yeah, I was like again, this also supports your
- 32:43Speaker 5: theory that this guy was just dog shit with money,
- 32:46Speaker 5: because if you're making like four and k year and
- 32:49Speaker 5: then you have some lady that you're boning paying all
- 32:51Speaker 5: your bills, what are you doing with that money?
- 32:53Speaker 2: Yeah? Why are you digging cesspools? I think he probably
- 32:56Speaker 2: stopped after he met Tony Mannix, but and.
- 32:58Speaker 5: I even met, like the're a super time because like
- 33:01Speaker 5: Leonora was just upset that he wasn't as rich as
- 33:03Speaker 5: he was. I don't know, man, Yeah, I'm very confused
- 33:07Speaker 5: by this guy's fucking motives and choices.
- 33:09Speaker 2: There is one detail that kind of supports the idea
- 33:13Speaker 2: that the Mannoxes were involved. There's a woman named Phyllis Coates.
- 33:17Speaker 2: She played Lois Lane in the Adventures of Superman, and
- 33:21Speaker 2: she was friends with everyone involved. She claims that the
- 33:25Speaker 2: morning after George Reeves was killed, she got a call
- 33:30Speaker 2: from Tony Mannox. Here's a quote. She was hyper ventilating
- 33:33Speaker 2: and ranting. She said, the boy is dead, he's been murdered,
- 33:40Speaker 2: and she did call him her boy like. She gave
- 33:43Speaker 2: him a pocket watch at one point that had an
- 33:46Speaker 2: inscription that was like, to my dear boy.
- 33:49Speaker 3: How was she way older? It is like a cougar thing.
- 33:52Speaker 2: I think she was like eight years older than him,
- 33:55Speaker 2: so she would have been Yeah, I didn't look her up.
- 33:58Speaker 2: She would have been in her fifties. I'm assuming awaiting.
- 34:02Speaker 2: Oh she's okay, let's check her out.
- 34:04Speaker 3: She's okay.
- 34:06Speaker 2: Forehead, yeah, I mean she's got more of an eight head,
- 34:08Speaker 2: but yeah, beyond that, Yeah, she's all right. Now. Let's
- 34:12Speaker 2: look up Leonora Lemon. Hmm, oh, she's all right too.
- 34:15Speaker 2: Here's the thing. They look almost exactly alike, to the
- 34:17Speaker 2: point that I don't know that the pictures I just
- 34:20Speaker 2: looked at of, you know, Tony Mannix, weren't actually Leonora Lemon,
- 34:25Speaker 2: who knows, but exactly the same. Yeah. Yeah, so just
- 34:29Speaker 2: fucking stay with Tony Mannix, dude.
- 34:32Speaker 3: Yeah, you moved laterally and got murdered. Exactly.
- 34:36Speaker 2: Wasn't even lateral because he ends up with someone who
- 34:40Speaker 2: wants his money, like she wants Tony Mannox's.
- 34:44Speaker 3: That's a good point. Yeah, makes the dumbest fucking choices.
- 34:48Speaker 2: Yeah, he took a step back. Damn.
- 34:51Speaker 5: This is why there was no investigation. They were like, dude,
- 34:53Speaker 5: how could you not see this coming? You fucked up
- 34:56Speaker 5: years ago.
- 34:58Speaker 2: Yeah, he earned it, and so Eddie Mannix again did
- 35:03Speaker 2: have mob connections, and there were rumors that he had
- 35:07Speaker 2: his first wife murdered by those mob connections. She died
- 35:11Speaker 2: after being mysteriously run off the road after arguing with
- 35:16Speaker 2: Eddie Mannix at like a restaurant some of his mob
- 35:19Speaker 2: friends owned. It's like, oh, that's not suspicious at all, dude.
- 35:25Speaker 5: Murder back in the day was probably the easiest thing
- 35:27Speaker 5: to do. Oh yeah, he just fucking kill.
- 35:29Speaker 3: Someone and drive a mile away and you're innocent.
- 35:33Speaker 2: Yeah, there's no forensics. No, It's like that John mulaney
- 35:38Speaker 2: bit where he talks about cops back in the day
- 35:40Speaker 2: where someone would be like, we found a pool of
- 35:42Speaker 2: blood on the floor, and the detective would be like, interesting,
- 35:46Speaker 2: now back to my hunch, Like, what are you gonna
- 35:49Speaker 2: do with that? Blood. You just know there's blood. And
- 35:52Speaker 2: the question people have about the idea that maybe the
- 35:55Speaker 2: Mannixes were involved is, well, how would this killer get
- 35:59Speaker 2: into the house without that whole party full of people knowing?
- 36:05Speaker 2: And I think my pushback would be what if they
- 36:07Speaker 2: did know? Like what if he just showed up and
- 36:09Speaker 2: was like, Hey, I am a mafia guy and I
- 36:14Speaker 2: am here to kill George Reeves and if you don't
- 36:17Speaker 2: like it, I'm gonna kill all of you also, And
- 36:19Speaker 2: I could see that house full of drunken revelers being like, shit, okay, yeah,
- 36:26Speaker 2: because the story they come up with makes no It
- 36:28Speaker 2: makes just as much sense as someone sneaking into the
- 36:31Speaker 2: house and killing him unnoticed, for sure.
- 36:34Speaker 3: And they could have just said that, yeah, somebody's not
- 36:37Speaker 3: getting murder him.
- 36:38Speaker 2: Right, And but then you have like then you're a
- 36:41Speaker 2: snitch and you have the mob on your fucking back.
- 36:45Speaker 2: Like that guy could have been like, and if you
- 36:47Speaker 2: don't say that he killed himself, I will come back
- 36:50Speaker 2: for you, And like, what do you do, Like if
- 36:53Speaker 2: that happened, if that guy was like, listen, I'm gonna
- 36:56Speaker 2: fucking kill George Reeves because he broke Tony Mannix's heart.
- 37:00Speaker 2: That fucking party full of fucking actors and writers isn't
- 37:03Speaker 2: gonna do shit. They're gonna be like, what do you
- 37:06Speaker 2: need us to say?
- 37:07Speaker 3: Yeah, let's yes, and it's whatever you say.
- 37:09Speaker 2: Yeah. Yeah, you know, they were all good at improv,
- 37:12Speaker 2: they're actors. There are also people who suspect that that
- 37:17Speaker 2: stranger who showed up William Bliss. He was the one
- 37:21Speaker 2: guy that that friend brought that everyone knew. There are
- 37:24Speaker 2: people who suspect that he distracted everyone while the killer
- 37:29Speaker 2: snuck into the house. And I mean that would account
- 37:32Speaker 2: for those forty five minutes for sure.
- 37:34Speaker 3: I mean that does sound like a super fake name.
- 37:37Speaker 2: Yeah, William Bliss, Yeah, Bill Bliss, Yeah, Bill Bliss, Billy b.
- 37:42Speaker 5: It was might as well name himself, like, not gonna
- 37:45Speaker 5: murder someone, like that's his name.
- 37:47Speaker 2: And the idea that William Bliss was involved somehow was
- 37:53Speaker 2: lent a little credence by the fact that thirty years later,
- 37:57Speaker 2: Leonora Lemon admitted to a reporter her story about predicting
- 38:02Speaker 2: George was about to go up and shoot himself was
- 38:04Speaker 2: actually concocted by William Bliss. And apparently this reporter at
- 38:09Speaker 2: no point was like, oh so, what really happened. Apparently
- 38:12Speaker 2: they were just like written down thanks and asked for
- 38:15Speaker 2: no other questions. Also in nineteen ninety nine, a Beverly
- 38:21Speaker 2: Hills publicist named Edward Lotzi claimed that on her deathbed
- 38:26Speaker 2: Tony Mannox confessed to her priest while Lotzi was present,
- 38:30Speaker 2: that she had George killed. Oh, which that's also possible
- 38:36Speaker 2: because she would have had the same access to all
- 38:39Speaker 2: those killers that Eddie Mannox had access to, Like she
- 38:43Speaker 2: would have known someone who if she was like, listen,
- 38:46Speaker 2: you gotta kill this guy for me, like she could
- 38:49Speaker 2: have had him killed absolutely for sure. And this guy
- 38:53Speaker 2: Edward Lotzi claims she confessed because she was quote absolutely
- 38:57Speaker 2: terrified of going to hell. Oh I feel like I
- 39:02Speaker 2: like Tony Mannox for it. I think I think she
- 39:05Speaker 2: might've been the one for sure.
- 39:06Speaker 5: And then there was also something I read that said
- 39:09Speaker 5: that like George Reeves's mom tried to get it reopened. Yes,
- 39:13Speaker 5: she tried to get the case reopened, and then they
- 39:15Speaker 5: just shut her own, like no reasoning. There's like now
- 39:18Speaker 5: we can't do that.
- 39:19Speaker 2: Yeah, but yeah, that's super suspicious, Like this is obviously
- 39:25Speaker 2: a huge cover up of some sort, Like someone here
- 39:28Speaker 2: is lying and I think it's everyone. I think everyone
- 39:31Speaker 2: knows exactly what happened to George Reeves that night, and
- 39:36Speaker 2: or at least everyone knew. I'm pretty sure most of
- 39:38Speaker 2: these people are dead now, sure, and like there's not
- 39:42Speaker 2: gonna be enough time that passes where you can finally
- 39:45Speaker 2: be like, all right, here's what actually happened. The mafia
- 39:48Speaker 2: killed him, Like the mob's not going away, Like they're
- 39:51Speaker 2: still going to be around and we'll come back for
- 39:54Speaker 2: you if you make that confession. And also at that point,
- 39:59Speaker 2: everyone in the house is an accessory to that murder.
- 40:02Speaker 3: Sure, because they're all probably fucking dead by now, right.
- 40:05Speaker 2: Right right, But there's no statute limitations, Like there's no
- 40:09Speaker 2: statute of limitations for murder. So I know there are
- 40:12Speaker 2: people who want to believe like, oh, if that's what
- 40:15Speaker 2: really happened, someone would have said something. Well, for one thing,
- 40:19Speaker 2: people did say something. Tony Mannox allegedly confessed, Leonora Lemon
- 40:23Speaker 2: allegedly confessed that her story was made up. So people
- 40:27Speaker 2: did say something. But also, how much are you wanting
- 40:30Speaker 2: people to say, like you are literally identifying yourself as
- 40:36Speaker 2: someone who participated in a murder. If you're ever going
- 40:39Speaker 2: to be like all right, what actually happened as a
- 40:41Speaker 2: guy showed up and killed him and we just agreed
- 40:43Speaker 2: to stay silent about it. It's like, well, then you
- 40:46Speaker 2: also murdered that guy, Like that's how the law works,
- 40:49Speaker 2: Like accessory to murder is just as bad. Yeah, no, true,
- 40:54Speaker 2: Like the only way you would fix that would be
- 40:57Speaker 2: like testifying against the mob in the fifties, which can't
- 41:03Speaker 2: know it's a sketchy proposition.
- 41:06Speaker 5: And again, what evidence do they have other than your
- 41:08Speaker 5: word too, Like he can't go dig up his body
- 41:12Speaker 5: and see I there's any residual like fucking gun casings
- 41:14Speaker 5: or anything or gunpowder, Like no, it's fucking done.
- 41:18Speaker 2: And like here's the thing we're talking about cops and like, oh, well,
- 41:22Speaker 2: why didn't the cops see this? Why didn't the cops
- 41:24Speaker 2: see that? Because cops are corrupt, Like we're talking the
- 41:26Speaker 2: LAPD in the fifties, and they they might as well
- 41:30Speaker 2: have been studio executives themselves, Like Hollywood got away with
- 41:35Speaker 2: so much shit back around this time, like actors didn't
- 41:39Speaker 2: go to prison like no, never, never. So I think
- 41:45Speaker 2: it's pretty clear George Reeves was murdered for sure. It's
- 41:48Speaker 2: just a matter of who did it.
- 41:51Speaker 3: Now?
- 41:51Speaker 2: I kind of want to watch hollywood Land again.
- 41:53Speaker 3: Don't are you sure it's getting good? Note fall for
- 41:57Speaker 3: this fucking trap. You know the story now, am I?
- 41:59Speaker 2: The Joy Dreaves of this story is the Hollywoodland movie,
- 42:04Speaker 2: my fucking Leonora Lemon. I'm gonna watch it and be like, oh,
- 42:07Speaker 2: I made a huge mistake.
- 42:08Speaker 5: But how like Adrian Brody plays the one detective that cares?
- 42:12Speaker 2: Okay, there was no detective that cared.
- 42:15Speaker 3: Come, that's the thing.
- 42:16Speaker 5: I mean, they sort of based it off like one guy,
- 42:18Speaker 5: but like, you know, none of them gave a fuck.
- 42:21Speaker 2: Shout out to Adrian Brody playing pat Riley and winning
- 42:24Speaker 2: time though. Holy shit, he nailed that.
- 42:26Speaker 3: I have not seen an episode.
- 42:27Speaker 2: It's so good it got canceled, which bums me out.
- 42:31Speaker 5: It's so good it canceled, canceling the fucking everything to
- 42:34Speaker 5: try to save money.
- 42:35Speaker 2: Yeah, so I think that's our episode. I'm like, we're
- 42:41Speaker 2: obviously not gonna solve the case, but all of them, Yeah, yeah,
- 42:45Speaker 2: I think that that is what's going on. I think
- 42:48Speaker 2: everyone in that house was involved, even if just tangentially,
- 42:54Speaker 2: even if it was just the killer being like, you
- 42:56Speaker 2: shut the fuck up, you won't say anything about what
- 42:59Speaker 2: you saw. That is highly believable. That I think is
- 43:03Speaker 2: the most believable is that sure a guy just showed
- 43:06Speaker 2: up to kill him and threatened that party into not
- 43:10Speaker 2: saying anything.
- 43:11Speaker 5: Or like what like George was fucking abusive towards Leonora.
- 43:16Speaker 5: Leonora grabs a gun and shoots him. Then everybody hides
- 43:19Speaker 5: his clothes like yeah, no, no, yeah, especially when there's
- 43:23Speaker 5: a fucking stranger it just showed up.
- 43:25Speaker 2: Yeah. The part where he's naked is weird because also,
- 43:29Speaker 2: again we talked about it earlier, like was he naked
- 43:33Speaker 2: when he came downstairs? Because if so, no one said that.
- 43:36Speaker 2: And it seems like the amount of time between when
- 43:39Speaker 2: she says he's going upstairs to shoot himself and when
- 43:42Speaker 2: he shoots himself, when did he take his clothes off?
- 43:45Speaker 2: Like it seems like they just hear the drawer open
- 43:47Speaker 2: and then hear the shot, and it's like, well, when
- 43:49Speaker 2: when did he get naked? According to this timeline? That
- 43:53Speaker 2: part's weird.
- 43:54Speaker 3: It's all super fucking weird and like no one, no
- 43:57Speaker 3: one cared.
- 43:58Speaker 2: You're like all right, yeah, like ah, I'm over that
- 44:00Speaker 2: Superman show anyway.
- 44:02Speaker 3: Fuck it, he didn't want to do it anyway.
- 44:05Speaker 2: Yeah, yeah, I think that is the most plausible explanation.
- 44:08Speaker 2: I think a killer showed up and was like, hey,
- 44:12Speaker 2: you might recognize me as being the guy who just
- 44:14Speaker 2: killed someone upstairs, and if you don't want to be next,
- 44:17Speaker 2: how about you concoct a story. And also that story
- 44:21Speaker 2: they come up with sounds like a story for completely
- 44:25Speaker 2: drunk people would come up with, because why not just
- 44:28Speaker 2: say he came downstairs, went back to bed, we heard
- 44:32Speaker 2: a shot, Like why add the whole Leonora said He's
- 44:36Speaker 2: going upstairs to shoot himself. It's like, why even say that? Like,
- 44:40Speaker 2: why not just so we don't know what happened? He
- 44:42Speaker 2: went upstairs and shot himself. Who knows? But yeah, the
- 44:45Speaker 2: fact that this got treated as a suicide and was
- 44:48Speaker 2: just written off as that is nuts. Like all that
- 44:51Speaker 2: physical evidence, the bruising on his face and on his chest,
- 44:54Speaker 2: where'd that come from?
- 44:55Speaker 3: He snuck?
- 44:56Speaker 5: He's not gonna put a fucking fight club and beat
- 44:58Speaker 5: himself up and then kill himself, right.
- 45:00Speaker 3: Yeah.
- 45:00Speaker 2: The only weird piece of forensic evidence that was maybe
- 45:05Speaker 2: explained away where the two gunshots in the carpet. Leonora's
- 45:09Speaker 2: claim was that those were from a previous argument where
- 45:13Speaker 2: a gun was fired Jesus, which, uh yeah, I mean,
- 45:17Speaker 2: I guess that could be it, but also I don't know.
- 45:20Speaker 2: I don't know. It's a crazy ass story. Check out
- 45:23Speaker 2: Hollywoodland in theaters now. Oh wait, no, that was two
- 45:27Speaker 2: thousand and six. Okay from off camera. Uh yeah, that's
- 45:31Speaker 2: how these things work. We're never gonna know what happened.
- 45:33Speaker 2: But I think we know.
- 45:34Speaker 3: I think yeah, we have an idea, and I.
- 45:37Speaker 2: Think that's our episode. We did it, we made it.
- 45:40Speaker 2: Thank you so much for doing the pod. I appreciate it.
- 45:42Speaker 3: Of course.
- 45:43Speaker 2: What do you have to plug before we get out
- 45:45Speaker 2: of here?
- 45:46Speaker 3: Shit to plug? You can follow my social media if
- 45:49Speaker 3: you want. I don't know. I don't, I don't fucking
- 45:51Speaker 3: I don't care. I could be. I do not care
- 45:53Speaker 3: about social media anymore.
- 45:54Speaker 2: You sound like George Reeves Right now.
- 45:57Speaker 3: I know I'll go get butt ass naked and end
- 45:59Speaker 3: it real quick.
- 46:01Speaker 2: Don't please don't know? Uh? What do I got to plug?
- 46:04Speaker 2: I have a show November tenth at Sardine and San Pedro.
- 46:10Speaker 2: We're doing another Nerd Rockers ball that's gonna be a
- 46:12Speaker 2: damn good time. And then I'm doing a show at
- 46:15Speaker 2: El sid on November seventeenth. That is Samantha James Show.
- 46:21Speaker 2: And uh, there'll be more stuff, but for now, just
- 46:24Speaker 2: come to all that. Come see me, Come see my
- 46:26Speaker 2: second return to comedy of the year. I tried it
- 46:29Speaker 2: in February, then got debilitating mouth surgery and now I'm
- 46:34Speaker 2: back at it again until another Dennis breaks another needle
- 46:38Speaker 2: off in my face. Probably.
- 46:40Speaker 3: I hope it went very well. You're very good.
- 46:43Speaker 2: Yeah, thank you, and uh, I think that's it. Let's
- 46:48Speaker 2: get the fuck out here.
- 46:49Speaker 4: A tiff say goodbye, peace, goodbye everybody, we love you.
- 47:00Speaker 3: SUPs to be
- 47:01Speaker 1: Destroyed, instruction bands thought to be destroyed,