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Pink Floyd · Deprogrammed Music Podcast

• 0:33
  It's Deprogram, the podcast where we try to get you into a
• 0:37
  band. That's right.
• 0:38
  We have done all the work for you.
• 0:40
  All you have to do is press play and listen by the work.
• 0:42
  I mean, we slogged through the records, we plucked out songs,
• 0:47
  we made a list, and we're going to compile them into a top 10
• 0:50
  starter kit list for you. Oh boy, we did the work.
• 0:55
  But you could say that I'm band curious and I like to, I like to
• 1:01
  dive into conversations with my friends about the bands that
• 1:04
  they love and find out why they love them.
• 1:07
  And my name is Justin. I've, I've tried to get better
• 1:10
  at doing that because I never actually introduced myself, but
• 1:14
  my name is Justin. I am your humble host and you
• 1:18
  could say I don't know which one do we want to start with.
• 1:22
  You know, we're just another pod in the wall or another brick in
• 1:24
  the wall. You know, whatever man.
• 1:26
  You know, I'm going to go low effort because this is this
• 1:31
  one's been a long time coming. Fredo.
• 1:33
  This is literally, I think after you did Devo, you gave me a list
• 1:38
  of bands that you wanted to do. And this one, actually you, you
• 1:42
  and the person who did Devo put this on the board at the same
• 1:45
  time. And it's just sat there for, I
• 1:48
  don't know, 78 years now. So Pink Floyd, man, talk to me
• 1:53
  about Pink Floyd. I can't even remember why I put
• 1:56
  it. It was so long ago.
• 1:58
  Like I've gotten out of Pink Floyd and back into Pink Floyd.
• 2:02
  That's how long it's been nice a ma No Sir.
• 2:06
  Pink Floyd is, is one of the essential bands that if you grew
• 2:12
  up and if you're of my age group, it was one of the
• 2:17
  essential bands that you got into as you got into music.
• 2:21
  You know, getting into Pink Floyd was a rite of passage.
• 2:26
  It was a, it was an opening yourself up to a whole new, a
• 2:35
  whole new area of music. Everything that would come after
• 2:42
  Pink Floyd in the sense of your musical growth that is of any
• 2:49
  significance in my era started with Pink Floyd.
• 2:55
  So even if you got into punk, if you got into hip hop, if you got
• 2:59
  into whatever, it was Pink Floyd that made you realize that it
• 3:06
  didn't have to be what everybody expected out of music.
• 3:12
  And so I've so I've been a huge Floyd fan ever.
• 3:16
  Plus the fact that Dark Side of the Moon, which people will hear
• 3:21
  mentioned a million times throughout this podcast, is my
• 3:24
  favorite album of all time. I owe well tied with Depeche
• 3:29
  Mode Violator. I own 28 copies of it.
• 3:32
  Yeah, I was going to say, as many times as we've had, you
• 3:35
  know, these type of conversations, I'd never heard
• 3:37
  that. Yeah, no.
• 3:39
  Pink Floyd is is is tied with the Depeche Mode.
• 3:42
  Violator is my favorite album of all time.
• 3:46
  Yeah, like I said, I own 28 copies of it.
• 3:48
  That's wild. All right, so I want to say
• 3:53
  somewhere in that, that senior again, we're talking 2016,
• 3:57
  Peter. So almost 10 years ago, you got
• 3:59
  a dig in your brain. You you jumped on and said you
• 4:03
  would do it and it just sat and sat and sat.
• 4:05
  So now that it's finally happening, talk to me about Pink
• 4:07
  Floyd. They're just one of the all time
• 4:12
  greatest classic rock bands, but they're not quite like the other
• 4:17
  classic rock bands. Like they're not really flashy,
• 4:20
  like they're really good musicians, but they play what
• 4:25
  needs to be played instead of showing off.
• 4:28
  And the run of albums that that that we're going to cover in the
• 4:33
  70s is one of like the best run of albums ever by a band.
• 4:38
  And I'm just jazzed to talk about them.
• 4:42
  I can't wait. I mean, you know, sometimes it's
• 4:46
  the the simplest way forward. And I think this is your answer
• 4:49
  is going to be somewhat similar, Chris, because I believe you
• 4:52
  officially jumped on the Floyd bandwagon after we said we we
• 4:57
  said you must do Rush. And so I think after that
• 5:03
  episode, you said, yeah, I'd love to do Floyd.
• 5:04
  So talk to me about Pink Floyd, Chris.
• 5:09
  This is the one band that I could probably talk for hours
• 5:12
  about, so I'm going to try not to do that for the sake of your
• 5:15
  hard drive. I for me, it's 1979 and there is
• 5:22
  a before another brick in the wall and after another brick in
• 5:25
  the wall. Brick 2 was charted and it was I
• 5:29
  I heard Casey Kasem on American Top 40 bring it up and I'd heard
• 5:35
  Brick 2, at which at the time was the neatest guitar solo I'd
• 5:39
  ever heard. And I'm nine years old.
• 5:42
  We don't need no education is something every kid can relate
• 5:45
  to at one point or another. But then FM 99 came along and,
• 5:50
  and prior to that, I'm listening to, you know, whatever mom and
• 5:54
  dad are listening to. I found FM 99 and every five
• 5:59
  songs was a Pink Floyd song on FM 99 for a minute.
• 6:03
  And I went then to buy buy the my first Pink Floyd album, which
• 6:06
  was which was The Wall. And of course I loved that.
• 6:12
  But then I went and got Dark Side of the Moon and and that
• 6:16
  was great. You say it's one of the best
• 6:19
  albums that I say it's one of the greatest albums ever made.
• 6:24
  But then I got some early stuff that we're not covering, like
• 6:29
  the soundtrack to more or something like that.
• 6:31
  And I said this is what my head sounds like.
• 6:34
  And, and I was, I was hooked. And I've been following Roger
• 6:39
  and David and everything that goes with that ever since.
• 6:43
  I you said a couple things that I feel one thing that we for
• 6:46
  sure need to revisit and after the fact, this is what my head
• 6:49
  sounds like. So everybody please put a pin in
• 6:51
  that. We're going to come back to that
• 6:53
  on after the fact. And one other thing I want to
• 6:55
  address before we move into our last panelist is it's funny you
• 6:58
  mentioned we don't need no education.
• 7:00
  Every kid can, you know, relate to that?
• 7:02
  My kid got in the car the other day and and hooked up their
• 7:06
  phone to just charge it and it automatically switched to her
• 7:11
  phone. And when a when it automatically
• 7:14
  popped on, she was listening to brick too.
• 7:18
  And I, you know, I didn't expose her to that.
• 7:21
  Like they she found that on her own.
• 7:24
  I was like, oh, wow, that's that's interesting.
• 7:26
  So it's funny that you mentioned that when I literally just
• 7:29
  experienced that earlier this week.
• 7:31
  So Chad, you got roped into this through Fredo.
• 7:38
  So talk to me about Pink Floyd and how, you know, how did he
• 7:41
  rope you and what made you, what made him?
• 7:44
  What did he say that made you go?
• 7:46
  Yes, I'd like to punish myself in this way.
• 7:50
  It's funny you phrase it that way because actually I would
• 7:52
  argue it's quite the opposite. Infredo could probably attest to
• 7:55
  this. But after the rush episode, good
• 7:58
  friends with Bob and Fredo both. And so, you know, we're just
• 8:01
  talking about music and he we're talking about the show
• 8:04
  eventually. And I was like, man, I just
• 8:06
  really like the sound of that show, that idea.
• 8:08
  And I had been looking through the the previous playlist.
• 8:10
  It goes back to yours, of course, And I said to Fredo, I
• 8:13
  said, where's where's Pink Floyd?
• 8:15
  Like I was shocked because that's, that's probably my
• 8:18
  favorite band of all time. And so they, yeah, that's,
• 8:21
  that's actually kind of what led me to get involved with this.
• 8:24
  I'm not nearly as, as musically knowledgeable as, as Fredo or
• 8:28
  Bob, but when it comes to Pink Floyd, I'm definitely fairly
• 8:33
  well schooled, I guess. And, and I've been a fan, gosh,
• 8:35
  since I was in high school, which is, which is funny because
• 8:39
  you know, I'm, I'm a little younger than Fredo, but not
• 8:41
  much. But, you know, I, I graduated in
• 8:44
  95. So when you look at the, the,
• 8:46
  the, the albums and when they're released, I mean, basically I
• 8:49
  missed Pink Floyd, but I had a great dad.
• 8:51
  I had a cool dad, you know, And so I got to hear the good stuff.
• 8:55
  And my first exposure was probably actually The Wall or
• 8:59
  Momentary Lapse of Reason as far as what I heard.
• 9:03
  And then I kind of worked backwards from there and 95, you
• 9:07
  know, I graduate high school, you know, after I've been a Pink
• 9:09
  Floyd fan for like two or three years and just listen to it on
• 9:12
  the radio and, and tapes. And then we migrated the CDs and
• 9:15
  I joined the Marine Corps and I get the box set as a, as a boot
• 9:18
  camp graduation gift. And man, from there it was on.
• 9:22
  Then I discovered everything about him and fell in love, read
• 9:24
  a book or two. Just their, their weird love for
• 9:27
  cats, like just some of the weird things about them.
• 9:30
  And so, yeah, so that's what brought me here.
• 9:32
  Thanks to Fredo actually. So I'm actually honored just to
• 9:34
  be a part of it and participate. Well, I have a feeling that once
• 9:38
  we get to the song selection part you, you won't feel the
• 9:42
  same. But we'll cross that bridge when
• 9:44
  we get there. So I am obviously, you know, a
• 9:49
  big reason why this took nearly 10 years to do because Pink
• 9:53
  Floyd, other than the songs I already knew, was completely new
• 9:57
  to me. I, of course got exposed to Dark
• 9:59
  Side of the Oz. You know, at this point,
• 10:01
  probably 15, maybe even 20 years ago, somebody tried to do that.
• 10:05
  And oh, dork saw the Oz And I was like, oh, man, that sounds
• 10:08
  fun. Let's do that.
• 10:09
  And, you know, I just was thoroughly unimpressed with with
• 10:13
  it it, you know, so like that kind of left a weird taste in my
• 10:18
  mouth when it comes to like just the band in this show.
• 10:23
  I I kind of briefly alluded there was another person there
• 10:26
  with Fredo. When Pink Floyd got put on the
• 10:28
  board, that person kind of fell off the face of the earth.
• 10:31
  Nothing against them, just they disappeared.
• 10:34
  And because of that, I kind of just kept sidelining it.
• 10:37
  And when you look at the discography, especially at the
• 10:41
  time in 2016 when this show started, we did everything and
• 10:46
  woof, like, no, thank you. So you know it.
• 10:52
  I feel like this is both the perfect time for this band to
• 10:55
  come up on the show and also the worst time.
• 10:58
  And we'll get into why it's the worst time next go around.
• 11:02
  We did. Do you know, as Peter mentioned,
• 11:04
  like, you know, the perfect run and somebody actually not
• 11:08
  knowing what era we covered brought up the run that we
• 11:11
  covered as essential. Like they when I asked threads,
• 11:16
  hey, what do you consider essential?
• 11:18
  Somebody said this run didn't mention songs, just these albums
• 11:22
  specifically. So I think we nailed it.
• 11:25
  But when you're looking at this, Fredo, and you're trying to put
• 11:29
  together a list of 20 for this, like, what are you looking at?
• 11:33
  Because it it feels, it felt like it could be.
• 11:37
  And I'll, I'll get into this when it's my turn.
• 11:39
  Like it felt like it could be just really difficult.
• 11:43
  Well, you know, this run is essential, and I'll tell you
• 11:48
  why. If you look at the history of
• 11:49
  Pink Floyd, it starts off with with a guy named Sid Barrett,
• 11:55
  right? And this is when Pink Floyd,
• 11:58
  this is early Pink Floyd, when it's really psychedelic and he,
• 12:05
  you know, he does one too many hits and he goes away, actually
• 12:10
  goes crazy. And, and then David Gilmour
• 12:13
  joins in. And now you have David Gilmour,
• 12:16
  you have Roger Waters, Nick Mason and Richard Wright.
• 12:22
  Those are the four members of Floyd who take us throughout
• 12:25
  this run. Then there's a rift between
• 12:30
  Gilmour and and Roger Waters and Roger Waters leaves, tries to
• 12:39
  disband Pink Floyd doesn't happen.
• 12:41
  And then you have the two or three or four albums at 3
• 12:47
  albums, I believe after the final cut, which is Pink Floyd
• 12:51
  without Roger Waters. So this run is is the essential
• 13:00
  Floyd. This is this.
• 13:02
  This has all characteristics of Floyd.
• 13:06
  And as we start to go through the albums, you will hear some
• 13:12
  mention of songs off of the first album that we that I, I
• 13:15
  believe we started with metal and we'll have elements of
• 13:20
  everything before, before Sid Barrett left.
• 13:24
  So you will hear some of that psychedelic stuff.
• 13:29
  Obviously as we get to the final cut.
• 13:31
  It's the last album with Roger Waters.
• 13:33
  At that point, Pink Floyd has established its sound.
• 13:36
  Roger Waters at that point who was the main the main writer,
• 13:40
  The main lyricist goes away, but the sound is 100% still Pink
• 13:48
  Floyd. Roger Waters and and and Gilmore
• 13:53
  split vocals up until that point.
• 13:55
  So you don't lose a lot in the sense of Van Halen loses David
• 14:03
  Lee Roth and you don't know where, where the sound is,
• 14:07
  right? But Pink Floyd loses Roger
• 14:10
  Waters, David Gilmour does a good chunk of their songs.
• 14:16
  You're not really, you're not losing much in the sense of
• 14:19
  vocals. So they're able to to keep the
• 14:21
  sound, but the writing is affected because, again, because
• 14:28
  Roger Waters was the main writer.
• 14:31
  So it's a, it is the essential run.
• 14:35
  And and I think as, as we discussed it, the Pink Floyd
• 14:41
  aficionados in the group were like, yeah, that's exactly where
• 14:44
  it needs to start. That's exactly where it needs to
• 14:46
  end. So Peter, I know you were
• 14:49
  having, having issues putting your 20 together for this one,
• 14:52
  like when you're looking at it again, you, you had a different
• 14:56
  idea for for the list, but then you kind of came to the same
• 14:59
  conclusion as this is what we need to cover.
• 15:02
  What What were you looking for in your 20 on this?
• 15:08
  This was hard because when we settled on doing this particular
• 15:13
  run, I was just like, there's no bad songs.
• 15:18
  Like what do I cut here? I mentioned in the chat that I
• 15:24
  like I got to my 20, but I'm really not happy about it.
• 15:30
  So like there are some obvious cuts like, you know, some
• 15:34
  interludes in the wall and stuff like that.
• 15:39
  But there's no bad songs on on this run of albums.
• 15:45
  And I don't know, this was this was really tough.
• 15:53
  Yeah, I don't know. I got my 20th and that's it.
• 15:58
  I mean, again, sometimes, man, sometimes that's the answer.
• 16:03
  Chris, this is, you know, you're still early in your number of
• 16:06
  deprogrammed episodes. You haven't done many, but you
• 16:11
  know, you're looking at like the weight of what we covered here,
• 16:15
  you know, after coming off of, you know, a heavy hitting rush
• 16:18
  episode looking at Pink Floyd, was this any easier?
• 16:22
  And, and what was, you know, what were you looking at when
• 16:24
  you're when you're bringing the songs in?
• 16:27
  Oh, hell no. The for me, and and this is a
• 16:33
  discussion or question that came up I think early on when we
• 16:36
  started talking about this is one of the problems with picking
• 16:41
  a Pink Floyd song. Is that a in the case of one
• 16:45
  album, the main song, I guess you could say bookends the
• 16:51
  album, the first five parts and then the last five parts are,
• 16:54
  are the first beginning and end of an album.
• 16:58
  Then you have this, an album where three of the songs of the
• 17:01
  five are, yeah, 10 minutes plus. And the two beginning and ending
• 17:05
  song, which you could easily cut out maybe is 2 minutes total,
• 17:10
  you know? And how do you count those songs
• 17:14
  that have multiple parts? Are they all one thing or are
• 17:18
  they like Brick Is it? Are you counting Brick one bit
• 17:22
  2, Brick 3 as three separate songs?
• 17:25
  I have not. So we get to stuff like that,
• 17:29
  that there are multiple parts. I'm considering them all as one
• 17:33
  song if that makes sense. Yeah.
• 17:36
  That's the only way I could get through this.
• 17:38
  Yeah, yeah. So I mean, you're, you're
• 17:40
  hearing, you're listening to all this Chad.
• 17:42
  And you know, this is your your first go here and I know you
• 17:45
  were super excited and you know, maybe you still are.
• 17:50
  I mean, walk me through like once we decide, hey, this is
• 17:56
  what we're covering, walk me through what you're looking at
• 17:59
  to bring songs here. So I had kind of two criteria,
• 18:05
  two ways of looking at it and I'm and I'm still, I think I've
• 18:09
  decided which way I'm leaning, but I'll I think I'll save that
• 18:11
  because I think it fits into some of the arguments later
• 18:13
  probably. But I had two ways of looking at
• 18:16
  it. What do I like and what would
• 18:18
  someone new to Pink Floyd like? And I think that matters
• 18:21
  significantly because as I believe it was Nick, the
• 18:24
  previous gentleman was speaking about, you know, the, the music
• 18:27
  is so interesting and it, and it's ready to alluded to as
• 18:30
  well. The way it evolved over time
• 18:33
  from the Sid Barrett, the ace to the period we're covering to
• 18:36
  even afterwards, the the post Roger Waters period.
• 18:41
  There's just so much there to choose from.
• 18:44
  So I would agree there was a lot to choose from.
• 18:46
  It was a it was a heck of a period, but I think it was the
• 18:49
  right mix, the discography that we ultimately ended on the
• 18:52
  albums we chose, I think was the right approach, the right cut.
• 18:56
  So for me, I, I had to weigh those two things out.
• 19:00
  What do I like? What speaks to me?
• 19:02
  And then of course, what speaks to me is different than what
• 19:05
  speaks to anyone else, which is the beauty of, of, of art, you
• 19:07
  know, music, poetry, whatever it may be, paintings, it, it's all
• 19:11
  different. And then, and then again, the
• 19:14
  other piece was if I wanted to try to entice someone to listen
• 19:18
  to Pink Floyd, where, where do I want to take him and where do I?
• 19:21
  And, and most most importantly, where do you want to start with
• 19:23
  #1 and then end on #10 to, to kind of walk him through that
• 19:26
  evolution, if that's your approach.
• 19:28
  So that's kind of what I did. Yeah, and as somebody who was
• 19:35
  essentially, you know, you can only be but so new to Pink
• 19:38
  Floyd, right. Like, you know, I'm 44, so like
• 19:42
  I'm aware of Pink Floyd. You know, I'm not completely
• 19:46
  unaware. I've never done the dive.
• 19:48
  You know, I'm aware of the stuff that's crossed over into
• 19:51
  mainstream. There's there's two things I
• 19:56
  want to I want to mention here. Number one, the songs that I
• 19:59
  already knew. Like this was the perfect time
• 20:02
  to hear them and I, they were songs that just kind of existed
• 20:08
  in my life before before this and are now songs that I really
• 20:12
  enjoyed and really felt in a very different way.
• 20:19
  And then the other thing is this was miserable.
• 20:21
  And I don't mean in the cute, you know, rush way of I don't
• 20:26
  know what to cut. I, I mean, I, I had a miserable
• 20:29
  time with this. I feel like I could like this
• 20:35
  band if there wasn't the pressure of I have to, I have to
• 20:40
  pick out songs to get somebody to like this band because it, it
• 20:44
  this feels like you're going to know if you if you're into Floyd
• 20:48
  or not like this. This feels like a band that you
• 20:51
  really only need to hear kind of like one or two things and you
• 20:54
  go, OK, yeah, that's something I can click in on.
• 20:57
  And it, it feels like if you're not into it at all, you're going
• 21:00
  to already just be out. You like I, you know, it.
• 21:08
  It feels unlike with with with Rush, it was like, I just wish I
• 21:13
  had more time, you know, just to kind of ingest the song.
• 21:17
  So I had more to say about them, but I could get the gist of what
• 21:21
  was happening with this. We had a month, I think since we
• 21:27
  put this panel together and I was trying to ingest all of this
• 21:33
  stuff in a month and it was pure misery.
• 21:37
  And I mean, I didn't expect it to be fun.
• 21:42
  When you look at a song that is 25 minutes long on on the first
• 21:45
  album that we covered, I didn't expect to have fun with with
• 21:49
  that part of this. But this feels like a band that
• 21:54
  really shouldn't be in a conversation like this.
• 21:56
  It really should be. It feels like a band that you'd
• 21:59
  kind of sit on your back porch and pop on a record and and you
• 22:03
  just listen to it and talk to your friends about without
• 22:06
  Mike's being present. You know, all that to say not I
• 22:12
  did not not like them. You know what I mean?
• 22:15
  It I think it's I could and should like them more, but the
• 22:20
  the weight of the show really took away from from what I think
• 22:27
  I could have gotten from the band.
• 22:29
  I hope that makes sense. Yeah, no, it, it makes sense.
• 22:33
  Here's the thing. And and this is where, you know,
• 22:35
  I don't feel bad for you very often.
• 22:37
  You, you, you deserve everything that you get because of how you
• 22:41
  act and and and and what you choose to do in your life.
• 22:44
  So that's on you. But I felt bad because I
• 22:47
  completely understand now. But those of you you know
• 22:51
  little, peek behind the curtain, Justin, at any moment that's got
• 22:55
  5 or 6 bands that he's trying to learn a discography.
• 23:00
  At minimum. Because yeah, because Justin,
• 23:02
  it's not like Justin says, OK, we're going to do Pink Floyd.
• 23:05
  And then he spends a month just listening to Pink Floyd at the
• 23:10
  same time. He's, he's, he's listening to
• 23:13
  Lizzo and he's listening to the Foo Fighters and he's listening
• 23:17
  to, you know, Mother's Little Helper, some other stupid little
• 23:23
  indie band that nobody's ever heard of but the panel.
• 23:26
  And, and so, yeah, I, I could see where it would be miserable
• 23:31
  because you're, this is, this is not a band where you listen to
• 23:36
  three cuts of an album and then move on and you'll get back to
• 23:39
  the album later. You know, I'm, I'm sure as a
• 23:44
  matter of fact, I know for a fact Chad and I have talked a
• 23:46
  couple times and like, oh, Chad, what are you going to do?
• 23:50
  Well, you know, I'm going to I'm going to sit in the garage and
• 23:52
  I'm going to I'm going to smoke a cigar and.
• 23:55
  And I'm going to listen to Floyd.
• 23:57
  Yeah. And.
• 23:58
  And that's the way you've got to do it.
• 24:01
  And that's part of the reason, you know, you've known me for
• 24:05
  years when I say, you know, my favorite band was, I mean, my
• 24:09
  favorite album was always Depeche Mode Violator.
• 24:13
  But it was once I got older, where I can sit, you know, I
• 24:20
  wasn't the type to run around as much and I can sit down and.
• 24:26
  And really listen to animals or metal or, or dark side of the
• 24:33
  moon. That's really when I got to
• 24:35
  really appreciate Floyd and, and, and that's what elevated
• 24:39
  dark side up to to, you know, to the point that they're at and
• 24:44
  in, in, in my eyes. And it's not just my eyes.
• 24:47
  I mean, dark side of the moon. Everybody here in this panel
• 24:51
  knows, you know, I spent I believe over 2000 weeks on, on
• 24:57
  the, on the Billboard Hot 200 album charts.
• 25:01
  They had a run of, of over 900 weeks in a row.
• 25:07
  Now, mind you, that's decades in, in the top 200, you know,
• 25:14
  going up and down the chart, up and down and selling albums
• 25:18
  because that's how you stay. That's how you stay there is you
• 25:20
  got to keep selling. You got to keep pushing units,
• 25:23
  albums, cassettes, 8 tracks, CDs, streaming, however it is.
• 25:30
  I mean, that's, that's amazing. I I think you just hit on it
• 25:34
  like, you know, I, I kind of alluded to this, but this band
• 25:37
  needs space like you can't, you can't cram for Pink Floyd.
• 25:42
  And even with a month I crammed and you know, it feels like I'm
• 25:47
  going to fail the test, you know, last minute.
• 25:49
  But you know, we do what we can. And I, I do think it is worth
• 25:54
  noting. I, I already mentioned this, but
• 25:55
  I, I want to repeat it because I, I want it fresh on
• 25:57
  everybody's head. Number one, I did enjoy the band
• 26:00
  as much as I could in this environment.
• 26:04
  And two, like the songs that I already knew, like I love now,
• 26:07
  like they were just songs before this.
• 26:10
  So like, you know, maybe maybe it was a little bit of
• 26:14
  familiarity, but it was also just like finally opening the
• 26:19
  door to those songs. You know, us doing this episode
• 26:22
  finally opened the door to those songs.
• 26:24
  So like, I don't know. But, you know, maybe sometime in
• 26:27
  my life I'll have the space to just kind of buy a couple Floyd
• 26:30
  records and just listen to them. It just wasn't in this month
• 26:34
  that we had for this. Now, Fredo, you know, we've all
• 26:40
  kind of alluded to like there's there's no bad songs here.
• 26:43
  And you know, with what I just walked through, it does still
• 26:46
  feel like there's there's a couple out there that should be
• 26:48
  gimmies, should be gimmies. There's five of us.
• 26:51
  So who knows? What do you think based on
• 26:53
  everything that's been said so far for the final say, how many
• 26:56
  do you think we get through? I think it's going to be
• 26:58
  interesting because it really, Chris brought up a good point
• 27:04
  and I don't know if we ever agreed on it or not.
• 27:07
  So I think it's going to be interesting when we, when we
• 27:09
  talk about like another Brick in the Wall, there's three parts to
• 27:13
  it. Part 1, Part 2, Part 3, Part 2
• 27:16
  is the one everybody knows. So did did we all as a
• 27:22
  collective pick Part 1 and two and three and counted it as one
• 27:28
  song, or did we count it as three separate songs, which
• 27:35
  becomes significant to the vote, right.
• 27:40
  So, so that kind of now I, I count and, and there's several
• 27:43
  songs like that and I put them all together as one.
• 27:48
  And Chris, it sounds like he did the same.
• 27:50
  I don't know what Peter and Chad did or what you did, but that I
• 27:54
  think really effects my count. I'm going to go even.
• 28:02
  Even with that being said, I'm still going to go with 7.
• 28:05
  Oh, I like it. Yeah, that's a, that's a good
• 28:07
  swing for a five person panel. I like that.
• 28:10
  Well thought out too. Fredo's swinging high.
• 28:13
  Peter, are you feeling as confident?
• 28:18
  I'm going big. I'm going 10.
• 28:21
  Wow, beautiful. As noted, I think we've
• 28:26
  mentioned this, if we do get the 10, since there won't be a final
• 28:29
  say, what did we agree on this? Like I know if it's past 10, if
• 28:35
  you pick past 10 and nail it, you get to make the cut, the
• 28:39
  final cut. Does it mean if we nail 10, does
• 28:44
  that mean Peter gets to pick the number one?
• 28:47
  I mean. No, I, I, I thought, I thought
• 28:52
  the way we discussed it in past is that if it's ten, it's 10.
• 28:56
  That's it. 10 is perfect. Right, so.
• 28:59
  There is no final cut, no, but nobody gets anything above
• 29:02
  anybody else because we've all agreed.
• 29:06
  Yeah, I mean, I, you know, I like to swing Peter though.
• 29:09
  I, you know, any way you look at it.
• 29:11
  I I say Peter, go 9 or 11. It's like spades.
• 29:15
  Nobody goes 10. And I'll go 9.
• 29:19
  OK, that way, that way if you if you if we hit 10, we hit 10,
• 29:26
  right. All right, Chris, everybody's
• 29:29
  swinging high here. I don't think anybody picked 8,
• 29:33
  so I'm going to go with. That All right, Everybody's on
• 29:36
  the high train. I like this, Chad.
• 29:39
  What do you think? First time here.
• 29:43
  So I'm actually going to go against all of that and I'm
• 29:46
  going to say 6 because I think that the the selection is so
• 29:51
  good, but there's going to be a lot of disagreement this
• 29:54
  particularly, and I'm going to going to throw this out there
• 29:56
  now, particularly with Dark side in the Wall, I think there's
• 29:59
  just way too much content in there to have agreement.
• 30:02
  I think there's going to be some equal arguments.
• 30:04
  So 6 is my. Number.
• 30:06
  Did you say Dark Side of the Wall?
• 30:09
  No, I think also dark side in the wall.
• 30:13
  Fredo, I don't know where you live, but I, I, I don't have a
• 30:16
  dark side of the wall. That's that's their new record.
• 30:19
  Didn't you know? Wish.
• 30:21
  You were animals. Yes, all right.
• 30:24
  So well, now it begs the question because my initial
• 30:27
  thought on all of this was 5. Just kind of to Chad's point is
• 30:31
  it feels like there's arguments to be had here and because
• 30:36
  there's five of it's, it's hard to get 5 people on board, you
• 30:39
  know, for from jump, if we do like 7-8 or nine, I think that
• 30:44
  might be a five person panel record.
• 30:46
  Don't hold me to that, but I don't recall any five person
• 30:50
  panel ever doing better than four.
• 30:54
  It's possible, depends on the band.
• 30:55
  Oh no, I take that back because the B50 twos I think was 7.
• 30:58
  So, but that's the B50 twos. Again, my inclination's 5.
• 31:07
  But I mean, if we actually do five, that means I have to pick
• 31:10
  a Pink Floyd song to to, you know, for a final say.
• 31:14
  What did I tell you, Chad? I'll take 5 reluctantly.
• 31:20
  It's there. It's what I thought initially.
• 31:23
  It feels like there's five that we're we're all probably going
• 31:27
  to agree on. I think it's it's the rest.
• 31:30
  I don't know, man. Maybe there's always one or two
• 31:32
  surprises. So we'll see.
• 31:34
  We're going to take a quick pause and when we come back, oh
• 31:36
  beautiful, 30 minutes. When we come back, we're going
• 31:38
  to play the game Jack. It's deprogrammed.
• 31:47
  And with that, the name of the game is deprogrammed.
• 31:50
  The five of us have come through a what could be considered
• 31:54
  considered the essential run of Pink Floyd to pluck out
• 31:58
  essential songs, 20 of them that are now going to mash together
• 32:01
  in an attempt to create a top ten circuit for you.
• 32:03
  In case you are like me and never actually did the dive on
• 32:08
  Pink Floyd, now I my my inclination here is to go to a
• 32:14
  song that I knew and came to love.
• 32:20
  Now you know. So I think I'm going to lean
• 32:23
  that way with my my start. How about breathe?
• 32:34
  No. No, no.
• 32:40
  No. Wow.
• 32:43
  Wow. Wow.
• 32:47
  All right, Wow. Starting off fantastic, aren't
• 32:55
  we? All right.
• 32:56
  With a with a great song too. Like I didn't find one of y'all
• 33:01
  on that. That was one that came up
• 33:02
  several times on on when I asked the the Internet what is
• 33:07
  essential Pink Floyd. So I I thought I was going to
• 33:09
  find one of you, but in the beginning.
• 33:11
  Time to be cut. Yeah.
• 33:13
  Yeah, yeah, that's exactly what and and you know what?
• 33:16
  This is why you might be the one to choose a a song.
• 33:20
  Yeah, because of the fact that things had to be cut.
• 33:22
  Yeah, I mean, I I have an early front runner if I do happen to
• 33:27
  win, so at least there's that. All right, Breathe is in the
• 33:34
  bin, Fredda, where you want to start.
• 33:36
  Oh, come on there. There's a couple songs that I
• 33:40
  think would be obvious, but come in here, dear boy, have a cigar.
• 33:45
  You going to go for I had to, I mean, I'm a big cigar smoker and
• 33:49
  and I I just love the entire vibe of that song.
• 33:54
  It's it's such a it's such a nod to to The Dirty side of the
• 34:01
  record business, you know, and so I love it.
• 34:05
  So that's that's my call. Wish you were here.
• 34:07
  I mean, excuse me, have a cigar. Pause the album.
• 34:10
  Wish you were here. I got it.
• 34:14
  I've got it. I do not.
• 34:18
  I do all. Right, so.
• 34:20
  Who said they don't? That was Chris, Chris.
• 34:22
  You son of a bitch, hey. You know what do you want?
• 34:26
  What the fuck? How the hell did you not have
• 34:28
  that one? Because neither Rodger or David
• 34:32
  sang it. I mean, sometimes you have, you
• 34:36
  got to have, you know, reasons sometimes so.
• 34:41
  I should be more specific. Nobody in Pink Floyd sang that
• 34:44
  song that was and and they they both tried and they didn't get
• 34:48
  what they wanted out of it. And I can't remember some other
• 34:50
  guy, but he came in and nailed it.
• 34:53
  That's the voice you hear. Roy Harper.
• 34:57
  All right. Thank you.
• 34:58
  Well, we, we get a four. So I mean, again, A4 is as good
• 35:03
  as A5 on a five person panel. And you know, I, I'm, I'm hoping
• 35:08
  that we just have a good, good run coming up here.
• 35:11
  Let's find out, Peter. I'm going with a song that's
• 35:16
  sung by David and Richard, and the lyrics just hit me like like
• 35:24
  a ton of bricks. And then one day you find 10
• 35:28
  years have got behind you. No one told you when to run.
• 35:31
  You missed the starting gun. It's time.
• 35:35
  Yeah, I got it. Yep.
• 35:38
  Yes. Nope.
• 35:42
  All right. Who's the who's the holdout on
• 35:45
  that one? That was Chad.
• 35:49
  All right, so time gets a four you.
• 35:52
  Son of a bitch, dad. There's your first one.
• 35:55
  First one of many. I told you there's too much.
• 36:00
  It's, it's all too good. It all speaks to us differently.
• 36:03
  Yep. Right.
• 36:05
  All right, Chris. Everybody's doing Dark Side of
• 36:12
  the Moon here, so I'm not. I'm going to do something a
• 36:15
  little earlier from the metal album.
• 36:17
  My favorite on that album is, well, Not Not the Long 1,
• 36:23
  Fearless. I got it.
• 36:24
  Yeah. Oh.
• 36:30
  No good song though. No I I agree it's a good song
• 36:35
  though. When they put me in the box,
• 36:38
  that's the song they're playing nice.
• 36:42
  We'll take that too, though, the way.
• 36:44
  You know what? No, no, no, make it a three.
• 36:47
  I could have it. I just misspelled it.
• 36:51
  And it's funny because just kind of going with that song
• 36:57
  significant because of the fact that it me that was the first
• 37:02
  time you start to hear that classic Pink Floyd sound.
• 37:07
  Yeah, I hear that. You know, Chris or Chad or Pete,
• 37:11
  you guys do agree with that as as you're listening to that
• 37:14
  album, that's where you start to hear what would eventually
• 37:19
  become a classic, a classic Pink Floyd side.
• 37:23
  You really get to hear Gilmore playing where it sounds like
• 37:28
  Gilmore playing. I think that and obscured by
• 37:33
  clouds is where their sound really solidifies.
• 37:39
  Yeah, I would agree and I would even there's another song on
• 37:41
  there, A pillow of Winds, not a highly popular song, but between
• 37:46
  fearlessness and a pillow of Winds, I think both are are I
• 37:50
  think lyrically that's where you see the change for them.
• 37:53
  That's what the first change in my opinion.
• 37:55
  Now granted I have experience with their previous music so it
• 37:58
  may not sound like it's applicable this argument because
• 38:00
  metals the first album, but that's the first time I see a
• 38:04
  musical change lyrically in what they do, so I would agree there
• 38:07
  was has great lyrics. All right, so fearless grabs a
• 38:11
  three again. That's all well and good in a
• 38:15
  five person panel. So Chad, your first time, you
• 38:20
  ready to have your heart broken? I'm going to swing.
• 38:24
  I'm going to swing right out of the gate and and I hate to to go
• 38:27
  with the easy one of wish you were here.
• 38:29
  So that's why that's what I'm going to say.
• 38:30
  Wish you were here. Yeah, I got it.
• 38:33
  Yep. Of course.
• 38:36
  No. No.
• 38:37
  Who said no? That was Chris.
• 38:40
  You son of what the fuck is wrong with you?
• 38:48
  I got to say I'm disappointed in this show now.
• 38:50
  I thought this was. I know I don't have.
• 38:53
  We don't, we don't have the time for me to explain what's wrong
• 38:57
  with me. Oh.
• 38:58
  My God, did you not like that album?
• 39:02
  Because you had to hold out on on on on the 2 on the two fours
• 39:06
  from that album. There are well, look, there are
• 39:09
  only two songs left. Yeah.
• 39:14
  So you, you want to roll the dice, man.
• 39:15
  I mean, you know. I mean, it's it grabs A4.
• 39:21
  So I mean, unless, again, unless we go on a really, really hot
• 39:25
  streak, it's as good as in unless, you know, somebody
• 39:28
  really wants to put their foot down South.
• 39:31
  We'll see where we go. I'm going to go here just
• 39:35
  because Chad already brought this song up.
• 39:36
  I might as well. I might as well officially put
• 39:38
  it into the the gameplay. I was going to let it ride till
• 39:41
  the end. A pillow wins.
• 39:44
  No. No.
• 39:47
  No. I do like it.
• 39:50
  I'm sorry but it's not my top 10 so it's a no.
• 39:53
  Two big whiffs from from your man's I I do want to say like I
• 39:58
  wanted to just add that I grabbed those for the very
• 40:01
  reason you guys are talking about like it it's not
• 40:04
  necessarily that they do the thing, but like I automatic I
• 40:08
  already knew what I was. I already knew what Floyd was
• 40:12
  going to be. You know what I mean?
• 40:13
  Like I'm glad we started here because I already knew.
• 40:17
  You know, there's a song before Fearless I believe, but like.
• 40:22
  Those two songs as like, OK, I these these are relative to
• 40:26
  songs that I know are coming down the line.
• 40:28
  So I, I think having those here was important for me.
• 40:32
  So OK, your boy gets two in the bin and Fredo.
• 40:38
  So here's what we start to talk about Multiple songs and and and
• 40:46
  and this combination. They're not like some of the
• 40:50
  other ones. Another brick in the wall part
• 40:52
  1-2 and three Shine on your crazy diamond Part 1 to 117.
• 40:58
  Whatever it is in this, these are just songs that go together
• 41:04
  kind of like when you think of Queen and you hear We Will Rock
• 41:09
  you automatically. The follow up is is we are the
• 41:13
  Champions. Well, Pink Floyd, this is the
• 41:17
  way I'm putting them together. So how we add them up, I don't
• 41:21
  know. But this I, I couldn't do 1
• 41:23
  without the other. And that's all for Dark Side of
• 41:26
  the Moon. It's it's the last two songs,
• 41:28
  it's Brain damage and Eclipse it go together.
• 41:32
  I can't hear them separately so I had to put them together.
• 41:36
  All right, we'll have to break this apart in a second, but I,
• 41:41
  I, I have Eclipse. Does anybody?
• 41:48
  Can anybody? I agree with.
• 41:51
  Fredo and that you have to put them together because they're
• 41:54
  they are that way. But I'm sorry Fredo, I I didn't
• 41:57
  put it on my list. Holy shit, did you put anything
• 42:00
  on your list? You had 20 songs, I mean.
• 42:04
  Yeah, yeah. Wow.
• 42:08
  I have them together and I have them on my list.
• 42:10
  All right, so. So I have Brain damage but not
• 42:14
  Eclipse, but I if we're going to, I don't disagree with
• 42:17
  Fredo's logic, especially if we're doing that with Dart with
• 42:21
  Shine On and and some of the others.
• 42:24
  However, they are distinct songs.
• 42:26
  But I'm OK with including together because I do think from
• 42:29
  a listening experience they go together and again, brain damage
• 42:32
  is on my list, but I I would go with combining them.
• 42:36
  I'm OK with that all. Right.
• 42:38
  So, I mean, we didn't. Right, I'm going to make you
• 42:40
  feel a little bit better about this.
• 42:43
  A lot of Pink Floyd stories that I have center around my oldest
• 42:46
  boy and. OK.
• 42:50
  When he was first born and was having trouble going to sleep, I
• 42:55
  could not think of anything to sing as a lullaby other than
• 43:00
  brain damage because that was the only thing that was in my
• 43:04
  head at the time. Does that make sense?
• 43:05
  No, but. Anyway, no, it does.
• 43:08
  It does. I could hear you.
• 43:10
  I you know what? I can hear you with that laugh
• 43:13
  as as as your kids like crying and just like, want to throw the
• 43:19
  kid out the window. Yeah, no, I get it.
• 43:21
  It works I it. What can I tell you?
• 43:25
  So technically that works out as a four.
• 43:29
  We'll cross that bridge as we get there.
• 43:31
  Because I had Eclipse, not brain damage.
• 43:35
  Chad had brain damage, not Eclipse.
• 43:37
  Both Peter and Fredo had them together as one.
• 43:40
  So, you know, depending on how the rest of this goes, we'll
• 43:44
  we'll cross that bridge when we get there, but tentative let's.
• 43:47
  Call it 3 1/2. Yeah, tentatively, Tentatively.
• 43:51
  That's a four. All right, Peter.
• 43:59
  I'm really going to try to go for a 5 with this one.
• 44:02
  This has got one of the best guitar solos ever.
• 44:07
  It's comfortably numb. Yeah, I got it.
• 44:10
  Yep. Yes.
• 44:13
  Absolutely. Hey, we got one.
• 44:16
  Hey, nice, good, good job my. Confidence is restored in the
• 44:21
  group. We got there, we got one, we got
• 44:27
  one. Let me find it here.
• 44:31
  I mean, again, like not to, you know, this was a song I knew
• 44:36
  going in, but something about the the contact again, the door
• 44:42
  was finally opened to the song to hear it.
• 44:47
  Even though I couldn't I couldn't take in the band the
• 44:49
  way I wanted to. I could take in some songs and
• 44:53
  this is one of them because I just needed the door opened and
• 44:57
  the door opening just needed to be us doing this episode.
• 45:01
  I this song is kind of always been on my radar, but like this
• 45:06
  just kind of happened to be the thing that was like, OK, finally
• 45:10
  just do the damn thing, man. You know, stop fucking around,
• 45:13
  listen to the song. And so I did, and now I.
• 45:16
  Story about that song. They reunited for Live 8 in like
• 45:22
  2004, 2005 or something like that and they played yeah and
• 45:27
  they played like 4 songs and they ended with Comfortably
• 45:30
  Numb. And during the guitar solo for
• 45:33
  Comfortably Numb, MTV cut them off and went to credits and my
• 45:39
  friend and I were like. What the fuck?
• 45:42
  Like. Why you do not cut off Pink
• 45:45
  Floyd reuniting after like 20 something fucking years playing
• 45:50
  comfortably numb. It's MTV that that should tell
• 45:54
  you everything you know in 2005, they're more concerned with.
• 45:58
  Real World 27. Flavor of love in real world and
• 46:01
  and road rules they don't give a shit about.
• 46:05
  You know what started as music? Television by by 2005 had
• 46:10
  nothing to do with music. Television.
• 46:13
  You know, I don't even know why they still give out video
• 46:15
  awards. Yeah, really.
• 46:17
  I do want to point out that Wish you were Here.
• 46:22
  Got second most Comfortably Numb got the most answers when I
• 46:27
  asked what people consider essential Pink Floyd.
• 46:29
  So we got one right, And we we got it on the board.
• 46:34
  Comfortably Numb is in all right, Chris.
• 46:40
  I'm going to continue with my oldest boy stories.
• 46:45
  Just before Kim and I got married in 1994, we went to
• 46:50
  Washington, DC and we saw Pink Floyd at RFK Stadium for the
• 46:54
  Division Bell concert. Nice.
• 46:56
  And I I, I never understood when I watched folks watching Michael
• 47:00
  Jackson, why they were bawling uncontrollably.
• 47:03
  And, and then all of a sudden I understood it because I was
• 47:07
  sitting there with tears rolling down my face.
• 47:11
  But this song, which has got a lot of bass in it, was loud
• 47:16
  enough and rumbly enough that my oldest boy started kicking.
• 47:21
  And that that's when he started kicking during the concert,
• 47:24
  during this particular song, and after he was born.
• 47:27
  I can tell you he knew the song because you could watch him perk
• 47:31
  up. He knew it.
• 47:32
  Wow. And that song is one of these
• 47:35
  days. You know, you hear one of these
• 47:41
  great stories and in the. Air left the room.
• 47:47
  Yeah, right. I got you.
• 47:48
  I, I, I got you. All right.
• 47:51
  I think Peter said you had it too as well, right?
• 47:54
  Yeah. OK.
• 47:57
  Chad's a no. I'm, I'm sorry.
• 48:00
  That's a fantastic story. But yeah, I apologize.
• 48:02
  That's a no for me. Great song too.
• 48:05
  Yes it is. I like it a lot I do.
• 48:07
  I don't have it either. I will say this that you know,
• 48:10
  and this might come in to add some weight to it.
• 48:13
  When we come back around to the discussion round, as I always
• 48:16
  do, I I try to listen to some of the playlist like there was no
• 48:19
  way I was getting through this playlist before we went on air.
• 48:25
  But this song, I immediately wanted to go find room on my
• 48:30
  list. And honestly, if I didn't have
• 48:33
  such a miserable experience like getting to the list that I had,
• 48:37
  I probably would have made space for it because I was like, oh,
• 48:40
  Frick, I think I've got I whiffed on this one.
• 48:43
  So, and I mean, you think about the two that I've put out there
• 48:46
  now that have both gone in the bin, it seems like I had room
• 48:51
  for it. So what are you going to do?
• 48:53
  What are you going to do? All right, so one of these days
• 48:56
  gets a three, which is still very much alive at this point.
• 49:00
  Yeah, you know, I had my Casey case a moment.
• 49:01
  And which one of you fuckers ruined it?
• 49:03
  Well. Not me.
• 49:05
  Unlike you, I I've supported you.
• 49:08
  I understand. You know what?
• 49:09
  I love you, Freda. Both Chad and I unfortunately
• 49:12
  ruined your beautiful, beautiful story.
• 49:14
  Good for us. All right, Chad, which song did
• 49:18
  you have instead of One of These Days?
• 49:21
  Why are we dropping Dimes here? If you can't remember, just let
• 49:23
  him. Let him struggle.
• 49:24
  Fair enough. Where do you want to go, Chad?
• 49:32
  I so I'm going to, I'm going to go with money, Dark side of the
• 49:36
  moon. Yeah, I got it.
• 49:38
  Yeah. No all.
• 49:41
  Right. Who said no?
• 49:43
  That was Rolly because I think it's the weakest song on the
• 49:45
  album. I mean, at least he had a reason
• 49:48
  like you got to give him that. But it's a four, which as we are
• 49:55
  learning, is very much just about guaranteed.
• 50:00
  You know, we'll we'll again, we'll cross that bridge when we
• 50:02
  get there. But at this point, the way it's
• 50:06
  going, it feels like those fours are going to going to have to be
• 50:09
  in. Has there ever been a show where
• 50:11
  you've gotten just one? I'm sure I know I've gotten at
• 50:17
  one WASP got 0 which was that was something.
• 50:22
  Yeah, how the fuck did you? Yeah, I mean, come on.
• 50:26
  Yeah, fuck. Like a beast, you know, Love
• 50:29
  Machine. And it's 2 at least.
• 50:32
  Yeah, who knew? Lying to Texas?
• 50:34
  Who knew? I'm I'm sure we've had ones, but
• 50:36
  I'd I'd really have to dig back to to find them.
• 50:39
  And that's that's something for like an after the fact or some
• 50:44
  other time when I'm not swimming in 10 bands.
• 50:49
  All right, man. Most of the ones that have kind
• 50:52
  of been mentioned when I asked the Internet have been
• 50:58
  mentioned. How about I go here?
• 51:00
  How about Hey you? Yep, yes, the wall.
• 51:07
  Yeah. Yes.
• 51:09
  Hey. There you go.
• 51:12
  All right, I went from the bin to in.
• 51:17
  Who knew? I like it.
• 51:19
  I like it. And just like that, we have two.
• 51:22
  I mean, you know, that's not like we're burning them up here,
• 51:25
  but hold on, I guess. There's still a lot, still a lot
• 51:28
  of popular songs out there. Totally.
• 51:31
  And I mean, really, I think what are what are we on?
• 51:35
  This is like our third go round, I think.
• 51:38
  Yeah. So I mean, there's a lot to
• 51:41
  still be played here. Let me cue this up real quick
• 51:44
  for a second. Anybody got anything they wanted
• 51:47
  to say about Hey you before we move on?
• 51:50
  Or is this just a you? You just picked it because it's
• 51:53
  a good song? Sometimes that's the answer.
• 51:56
  It's a good contrast between David's vocals and Roger's
• 51:59
  vocals, I think all. Right.
• 52:01
  Yeah, I picked it because I liked it.
• 52:04
  It's a good song. Well, that too.
• 52:07
  That too, yeah. All right.
• 52:10
  Hey you is in 2345 Fredo. So here's, here's my my Pink
• 52:20
  Floyd son moment. My son comes up to me and I and
• 52:29
  I, I bought my son, the little Crosby record player, my
• 52:32
  youngest son. And I say, and he was excited
• 52:38
  and I say I'm a go pick, go pick, you know, whatever.
• 52:43
  And my son at this point is about 13 and I'm expecting him
• 52:48
  to pull out. I don't know, Kanye or Ed
• 52:53
  Sheeran in or some shit like that.
• 52:55
  Something that's really going to disgust me.
• 52:56
  But all right, whatever. Your 13 year old kid.
• 52:59
  And he comes back with Dark Side of the Moon.
• 53:02
  Hey. And it was all him on his own.
• 53:06
  I, I just said go, go pick your song.
• 53:08
  And he picked it up and he said, dad, this one.
• 53:11
  And I went, holy shit. And so I'm listening to it with
• 53:16
  them. And I saw Roger Waters on the US
• 53:19
  and Them tour. I don't know, about six years
• 53:23
  ago, five years ago, whatever the hell it was.
• 53:26
  And I remember hearing the song live and it brought me to tears.
• 53:37
  And there, there, there's, there's how do I describe it?
• 53:44
  It's probably one of the most emotion filled songs ever.
• 53:48
  And there's no speaking. None of the bands is singing.
• 53:54
  It starts with a, a guy saying some words really, really,
• 53:58
  really low and then a woman just kind of going in and it, it,
• 54:09
  it's if you've never seen it done live, it's amazing If
• 54:14
  you've never seen it done on a, on a Floyd laser show.
• 54:19
  And Floyd was lasers. Floyd was the epitome of a laser
• 54:25
  show in in the 80s. But this song is essential for
• 54:29
  that and it's great gig in the sky.
• 54:32
  Yeah, I got it. Yes, I got it.
• 54:36
  I got it. I do not.
• 54:39
  Sorry, Fredo. You hurt me.
• 54:43
  You hurt me. You cut me to the quick there,
• 54:45
  Chad. You wound me.
• 54:51
  What can I ask you, Chad? Why didn't you have it?
• 54:53
  Is it because it had no vocals or that's?
• 54:58
  Part of the reason I certainly like it.
• 55:01
  I mean I like the whole album to be honest, but I also not only
• 55:05
  did not have enough vocal or had vocals, but not only that, but I
• 55:09
  also just thought there were better choices from dark side
• 55:12
  and and again, I was going with not what I like.
• 55:15
  So I guess it's the time to say it.
• 55:16
  I didn't pick what I liked. I tried to pick for a top ten
• 55:20
  what I thought the the the the new listener would appreciate
• 55:25
  and like what would draw them in fair.
• 55:28
  Enough. Hold on, I missed something
• 55:31
  here. I think I just forgot the mark
• 55:36
  off. Hey, you as a 5.
• 55:41
  Yes, I did. I see now I see what I've done.
• 55:44
  It is a three. Hey you, Zen.
• 55:46
  Yes, it's in boom boom boom. All right at this point.
• 55:55
  I mean, like I'm the only one who's bend, you know, two of my
• 55:59
  songs have bend. I mean, everything else has been
• 56:02
  threes and fours and then the two that are in.
• 56:04
  So like we're not doing bad. We're just not.
• 56:07
  I mean, it's expected because it's a five person panel.
• 56:10
  So I'll. Tell you right now, the threes
• 56:12
  are out. Yeah, very likely.
• 56:14
  You know, except for. It's counting right now.
• 56:18
  Except for Eclipse brain damage, because they're that's
• 56:21
  technically. Right, right.
• 56:22
  OK, Yeah. So those those are still because
• 56:24
  we'll cross that bridge when we get there, right.
• 56:29
  All right, So great gig in the sky.
• 56:31
  Great story. By the way, Fredo, you know that
• 56:34
  got drowned out by Chad wounding you.
• 56:36
  Well, that's what. He does.
• 56:39
  He does the same thing at the shop.
• 56:42
  You know Peter. I'm going to touch on an album
• 56:46
  that we haven't touched on yet. I'm going to go with Dogs from
• 56:52
  Animals. I do not.
• 56:56
  Have no and help you. Yes.
• 57:01
  No, I mean a 2 is better than a bin, you know, I can say that
• 57:08
  much, but it is just about as good as bend.
• 57:10
  Unless, again, we go on a hot streak here, which it feels like
• 57:13
  we don't have a hot streak in US.
• 57:18
  I tried. Yeah.
• 57:20
  I mean, that's all you can really do at this point, Chris.
• 57:26
  I'm going to stay with Peter and I'm going to say pigs.
• 57:29
  Three different ones. Yeah.
• 57:35
  You got a question on that one? Are we counting pigs three
• 57:39
  different ones as a different song from Pigs on the Wing?
• 57:43
  Yeah, I think so. OK, then I don't have it.
• 57:48
  I do not either. OK, Chris and Peter together on
• 57:52
  the twos again. Not it's better than getting
• 57:55
  binned. Are Chris and I the only one who
• 57:58
  likes animals? I was going to say I hate, I
• 58:01
  hate to be that guy, but I just really did not like Animals and
• 58:05
  I'm going to as much as a Floyd fan as I am.
• 58:07
  That is just one album. I just couldn't get behind too
• 58:09
  much. I'm sorry.
• 58:11
  I fucking love animals. It's it's if it weren't for Dark
• 58:17
  Side of the Moon, Animals will probably be my favorite album
• 58:20
  because I think it's, it's harder.
• 58:23
  It if it makes sense. I think that was their attempt
• 58:25
  at trying to, well, I think somebody said it was their
• 58:27
  answer to punk rock. It came out in 77, so that
• 58:29
  sounds logical. But it's, it's a harder album
• 58:33
  than what they used to do or what they were used to doing.
• 58:36
  And and I like it. I feel like one of Claypool's
• 58:39
  project covered animals. I can't.
• 58:41
  Remember, if it was Primus or it's the one, it's it's it's, I
• 58:45
  think it's Frog Brigade. It's the one where he he's
• 58:47
  playing with Sean Lennon because I saw him do it last last year.
• 58:52
  What, a year before? That's how I was put on to that
• 58:55
  record and I just I, you know, what are you going to do?
• 58:59
  All right. And it's.
• 59:00
  A fair. It's a fairpoint with Dark side,
• 59:02
  because I don't think you could follow up Dark side.
• 59:03
  So maybe in my mind that's what I'm naturally trying to do.
• 59:06
  I'm comparing the two, which might not be fair, but but
• 59:09
  because of it, I I just can't. I can't get on board with that
• 59:11
  particular album. Yeah, man.
• 59:13
  Everybody's got their reasons, Chad.
• 59:16
  You're up. So I've got a couple that I
• 59:21
  think would be good, but I'm going to, I'm going to go down
• 59:25
  the list a little bit. I'm going to throw this one out
• 59:27
  because it is it is in my top 10.
• 59:28
  So I'm going to say welcome to the machine.
• 59:33
  No. Yes.
• 59:35
  Yeah, All right, so No 3 practically dead, but we can
• 59:43
  cross that bridge when I get there.
• 59:46
  As Fredo said, the math kind of bears out that the threes are
• 59:49
  out, but we'll see. We'll see.
• 59:56
  All right, I guess I'll do the thing and then we can talk
• 59:59
  about, you know, the parts. I specifically have Brick 2
• 1:00:06
  because it was the one I knew. It actually it hit in just the
• 1:00:10
  right way. I'm very open to taking all
• 1:00:13
  three if that's what we need to do, but Brick 2 is the one I
• 1:00:16
  took. I have all three.
• 1:00:23
  I have it as all three, but you know Brick 2 is the gateway
• 1:00:25
  drug. Yeah, I agree with the latter.
• 1:00:28
  I mean, 22 is the one, but we also bend brain damage and
• 1:00:33
  eclipse together, so I feel like we have to do the same with
• 1:00:37
  another. Brick in the wall.
• 1:00:38
  Trump's. Yeah, Brick, rather.
• 1:00:41
  You don't have to do nothing. I don't have it.
• 1:00:44
  Oh, what? Yeah.
• 1:00:47
  I, I you know what? I so so what's your criteria
• 1:00:50
  then for for John? Is it what you like is are you
• 1:00:53
  trying to introduce a new listener or is that just a song
• 1:00:55
  you just don't like? What?
• 1:00:56
  What's the reason? No, no, I, I, I love it.
• 1:00:58
  I, I, and, and had I gotten it, I'd have put all three on
• 1:01:01
  because that's that to me is, is the only way to do it.
• 1:01:04
  But the problem with the Wall itself, it's a two album set.
• 1:01:09
  It's got 8726 songs and you know, and so in order for me to
• 1:01:21
  get good representation of 20 of the albums, you know, The Wall
• 1:01:28
  and Dark Side of the Moon had to get cut down significantly, and
• 1:01:34
  that was the one that I chose to cut out.
• 1:01:38
  I mean, you know, it makes sense in one.
• 1:01:41
  Other thing, I'm sorry. No, go ahead.
• 1:01:44
  Well, as one other thing is, yeah, I've really soured on the
• 1:01:47
  wall. Well, the studio version of the
• 1:01:50
  wall, I've really soured on it over the years.
• 1:01:52
  I much prefer if I'm going to listen to it, I much prefer
• 1:01:56
  anything that they did live like back Oh God, 20 some odd years
• 1:02:01
  ago they released Is there anybody out there which is a
• 1:02:04
  live performance from Earls Court as and it's it's the only
• 1:02:08
  time that you hear all four members of Pink Floyd on the
• 1:02:11
  same album doing the same thing at the same time.
• 1:02:13
  So it's, it's an original wall performance and, and that I
• 1:02:18
  think is much better than anything else you've heard is a
• 1:02:23
  live performance of the wall over the years.
• 1:02:25
  I I would much rather do that. I think to to that point though,
• 1:02:28
  Chris, this is something we've kind of danced around.
• 1:02:30
  And this is not to say that listening to the records
• 1:02:33
  wouldn't be good, but this everything about this band that
• 1:02:37
  I was able to glean in, you know, the the month of, you
• 1:02:41
  know, kind of putting this to this together is this would be 1
• 1:02:46
  hell of a show. Like this is a band I would have
• 1:02:50
  loved to have seen, like the, you know, the original iteration
• 1:02:55
  or you know what we covered. I should say just watch.
• 1:03:00
  Pulse, you know, on YouTube, I mean that that that hits your,
• 1:03:03
  that hits the nail on the head of exactly what you're saying.
• 1:03:05
  I mean. Like.
• 1:03:06
  The light show and performance. Yeah, yeah.
• 1:03:09
  It's amazing though. But it's it's amazing.
• 1:03:12
  It's got oh, 100%. It's amazing.
• 1:03:14
  Yeah. And I've seen Rodger Waters
• 1:03:16
  twice and and you know, he'll throw in a couple pros and cons
• 1:03:21
  of hitchhiking and stuff like that.
• 1:03:23
  But I'm, but he mostly plays classic Floyd and it's
• 1:03:30
  incredible. It is incredible.
• 1:03:34
  All right, Brick 2 with me gets a four.
• 1:03:37
  We'll cross that bridge when we get there.
• 1:03:39
  Looks like we're going to as, as it stands, it looks like it's
• 1:03:43
  going to get in, you know, and you know, again, we'll open to
• 1:03:48
  taking all three if if that's what's necessary and taking it
• 1:03:50
  as one. So Fredo.
• 1:03:59
  So many that I have here that are not going to make it.
• 1:04:06
  So let's just knock out one that that's actually kind of really,
• 1:04:15
  excuse me, been on a lot of people's mind lately because of
• 1:04:19
  the release of Pink Floyd Live in Pompeii, an incredible movie
• 1:04:28
  which which showcases the band having played in Pompeii in in
• 1:04:35
  the Coliseum over there. And it's just them.
• 1:04:41
  It's literally that there's nobody in there.
• 1:04:43
  It was the exception of a couple kids who snuck in there, but
• 1:04:47
  there's nobody in there but the crew and the band.
• 1:04:51
  And this song is amazing. And, and you alluded to it when
• 1:04:57
  you said, you know, the first song with a 28 minute, you know,
• 1:05:01
  whatever. But there but there's also a
• 1:05:05
  single edit of it and the single edits 10 minutes for 12 minutes.
• 1:05:10
  But it is such a great Oh my God, to to hear Gilmore and and
• 1:05:18
  Richard Wright singing this song together.
• 1:05:23
  It's Echoes. And Gilmore said once Richard
• 1:05:26
  Wright passed away, he would never do that song again live
• 1:05:31
  because they they belong together singing that song.
• 1:05:34
  So Echoes is my call off the metal album.
• 1:05:38
  I unfortunately do not, and I think you probably know why.
• 1:05:42
  Yeah. Yes, and it is my favorite song
• 1:05:45
  they ever did. I've got it.
• 1:05:50
  I I'm a no and I will say that I absolutely love it, but I don't
• 1:05:56
  think it's going to. I don't think it belongs in the
• 1:05:58
  top 10. I you to that fair enough.
• 1:06:01
  To that point, like I like, I don't disagree, but I I think
• 1:06:08
  most people would probably be like like in part, you want to
• 1:06:13
  introduce somebody to that 25 minute song because it is what
• 1:06:17
  they do Like they don't always hit that length, but but really
• 1:06:21
  like some of these albums are technically one song.
• 1:06:25
  And so technically, yes, you know, giving them this 125
• 1:06:30
  minute long song goes, hey, by the way, like start here and
• 1:06:34
  build from that. But also I think most people
• 1:06:37
  would be like me and be like, well, shit, 25 minutes.
• 1:06:40
  I'm not going to listen to that. Like, how am I supposed to make
• 1:06:43
  time for that? I, I will say Echo's got great
• 1:06:47
  consideration for me considering it was a 25 minute long song,
• 1:06:50
  but ultimately that's what took it off my list.
• 1:06:53
  And I also want to note that most people agree with you guys
• 1:06:56
  like it. It should be somewhere in this
• 1:06:58
  conversation. So I got that answer several
• 1:07:01
  times. You you said something and it's
• 1:07:05
  funny because if you look at some of the songs that we've
• 1:07:07
  talked about and that we're going to talk about another
• 1:07:09
  brick in the wall, you know, things like that, where it's
• 1:07:15
  pieced together is that, let me ask you this, does that make a
• 1:07:20
  difference? And how you look at that if they
• 1:07:23
  had taken, if they're taking echoes and pieced it, because
• 1:07:28
  essentially it's it's three parts.
• 1:07:30
  It's it's the first part and then that middle fucking
• 1:07:35
  Odyssey. Let's do hit acid and then the
• 1:07:39
  second part. You know, those two bookend that
• 1:07:42
  middle part. So it could have it could have
• 1:07:43
  easily been an Echoes part 1-2 and three.
• 1:07:46
  I think I probably would have ultimately ended up taking one
• 1:07:49
  of those parts if they were like 3 separate tracks to your point.
• 1:07:54
  But I think I mean, when we talked about Brick, I took Brick
• 1:07:59
  2. I, I'm open to taking all three
• 1:08:02
  if that's what we feel as a group needs to be done for Brick
• 1:08:05
  to get in the list. But I, I selected Brick 2 and I
• 1:08:08
  didn't view it as all three of them together.
• 1:08:12
  So I, I think to answer your question, I probably would have
• 1:08:17
  selected something from it if they pieced it out like that.
• 1:08:21
  But I probably, and I would have been open to taking echoes as,
• 1:08:25
  you know, one. But I think that, yeah, no, I,
• 1:08:32
  you know, I don't know. I, it clearly affected me in
• 1:08:34
  some way. The just the, the length of it
• 1:08:39
  affected me enough to, to put me off from choosing it.
• 1:08:42
  So. And for what it's worth, for,
• 1:08:45
  you know, I, I will say too that it was, it was right on my cut.
• 1:08:51
  And I feel, I feel like there's so much more.
• 1:08:53
  I, I, this is actually a song that I'd like to talk about
• 1:08:56
  whether we make it or not, but I have a feeling that's going to
• 1:08:58
  come up later in discussion, but it's just not close enough for
• 1:09:01
  me. But I think it's fantastic.
• 1:09:02
  And I think there's a lot lot to this song that you could talk
• 1:09:05
  about as well. Yeah, all right, so Fredo gets
• 1:09:09
  echoed. Things real quick one I I Fred,
• 1:09:12
  I mentioned it them they had the movie and they released an album
• 1:09:15
  version of it that you can go get the movie and IMAX was
• 1:09:18
  fantastic. Was it?
• 1:09:20
  I didn't get a chance to see it. Oh yeah, I mean that it was
• 1:09:23
  right up here at, there's a movie theater, like literally
• 1:09:26
  right down the street from my house.
• 1:09:27
  I live near a mall and they they did the and it was just
• 1:09:32
  fantastic. If we had gone earlier stuff, I
• 1:09:36
  I would tell you one of the things on that album is a song
• 1:09:39
  called Careful with that axe Eugene, and that would have
• 1:09:40
  definitely been on my list. The second thing regarding
• 1:09:45
  Echoes, Nick Mason, who's kind of become the historian of the
• 1:09:50
  old stuff. He's got a band that he has
• 1:09:53
  called the Saucer full of Secrets and it's got and they
• 1:09:56
  just released their version, a live performance of Echoes that
• 1:10:00
  you really. Yeah.
• 1:10:02
  Just when then? Yeah, I'm going to.
• 1:10:04
  I'm going to pick that up for sure.
• 1:10:07
  I got a couple autographed Nick Mason stuff here and a Saucerful
• 1:10:12
  of Secrets poster so I'm looking forward to seeing them next time
• 1:10:17
  they come around. So echoes Lanza 3 Peter.
• 1:10:25
  I don't have a lot left. How about run like hell?
• 1:10:31
  I don't have. Yes.
• 1:10:35
  No. No.
• 1:10:39
  All right, it's a two. I will.
• 1:10:41
  That was definitely a late late late 1 for me.
• 1:10:45
  Justin, do we do the thing? What the?
• 1:10:49
  Oh, you need to pee? Yeah, and we'll see how cleverly
• 1:10:55
  I edit that. I wanted to add this before we
• 1:10:58
  move off from run Like hell. That one, I think may have been
• 1:11:01
  song 21. I gave it a lot of
• 1:11:03
  consideration. And again, like, if my, if my
• 1:11:10
  time was a little bit better with, you know, going going
• 1:11:15
  through this discography, I probably would have found a way
• 1:11:19
  to make space for that song because it came up a lot when it
• 1:11:24
  when I asked, which means, you know, obviously I should have
• 1:11:27
  given it some more consideration.
• 1:11:29
  But what are you going to do? It gets a 2 and we move on
• 1:11:35
  Chris. I want to touch on some of the
• 1:11:39
  songs that that in Pink Floyd that explained why Rodgers
• 1:11:43
  broken. So we're going to go, actually,
• 1:11:46
  I'm going to head to the final cut for a second.
• 1:11:47
  And I think this is probably one of the most important songs that
• 1:11:52
  originally got left out. And it's called When the Tigers
• 1:11:54
  Broke Free. Oh wow.
• 1:11:57
  And that song explains Roger pretty much completely.
• 1:12:03
  So that's why I put it in there, because I think it, I think in
• 1:12:06
  the whole thing of this run, that's the one song that
• 1:12:09
  explains where Pink Floyd went and why Roger did what he did.
• 1:12:15
  I wish I could save you, but I can't.
• 1:12:18
  Yeah, me too. I've got something.
• 1:12:22
  From I've got something from the final cut, but it's not that
• 1:12:25
  one. Can you save him, Chad?
• 1:12:30
  Yeah, I'm a no, although I really like the final cut.
• 1:12:33
  That's not one of my favourites. But but I think the final cut as
• 1:12:37
  a whole is not only kind of a, a sequence to the wall, which I
• 1:12:40
  know it is chronologically, but I think musically it's it's,
• 1:12:46
  it's a lot of it didn't. There's some of it was things
• 1:12:48
  that didn't make the wall #1 and #2 I would agree with you
• 1:12:51
  because it's so close to the wall, it reflects.
• 1:12:54
  It's very heavily affected by Rodger and his personality.
• 1:13:00
  I, I'll, I'll say this as well. I do have stuff from the final
• 1:13:03
  cut, but that one was other. The wall was just the sheer mass
• 1:13:08
  of it was, was the trouble. The final cut I had a lot of
• 1:13:14
  problem with because it, it felt like it's supposed to just be
• 1:13:17
  taken as a piece. And you know, maybe I got it
• 1:13:19
  wrong because I was just kind of skipping around a little bit,
• 1:13:23
  but like, that's what it felt like.
• 1:13:24
  It felt like it felt like you're not supposed to kind of piece
• 1:13:28
  mail it so. Like Chad said though, I mean,
• 1:13:34
  you know, a lot of stuff on the Final Cut was supposed to be on
• 1:13:39
  the Wall, but at that point the Wall would have been a 47 album
• 1:13:43
  freaking set. So so that's the first thing.
• 1:13:47
  The second thing is, you know, talk about a a a a aptly named
• 1:13:57
  album. Yeah.
• 1:13:59
  It's the last album with Roger Waters.
• 1:14:02
  But you know, you figured that actually by this time.
• 1:14:06
  Roger Waters. Roger fired Nick Mason.
• 1:14:13
  No, Richard Wright. You fired Richard Wright.
• 1:14:15
  Rick Wright, yeah. Yeah.
• 1:14:16
  I mean, yeah. Rick Wright, Richard, he had
• 1:14:20
  fired Rick White from the band and then they hired him as like
• 1:14:23
  a studio musician or a touring musician, and he didn't actually
• 1:14:28
  get back into the band till after Rodger left.
• 1:14:31
  So, you know, by the wall and then the Final Cut, Rodger kind
• 1:14:40
  of believed that he was Pink Floyd.
• 1:14:45
  And that's why when he left the band and the band decided, yeah,
• 1:14:48
  we're going to, you know, we're going to keep touring, he's
• 1:14:50
  like, no, you're not. You know, it's like Pink Floyd
• 1:14:53
  does not pick Floyd without me. He's like, ah, now.
• 1:14:55
  Yeah, we are. One of the things a lot of
• 1:14:58
  people don't realize is that that Roger, to your point, Fredo
• 1:15:01
  is Roger Waters had a very strong political and social
• 1:15:05
  conviction. And, you know, it was more
• 1:15:08
  obscure in some of his music, but the final cut, because it
• 1:15:12
  was the songs that didn't make the wall to me, they stand alone
• 1:15:15
  in that, in that representing that.
• 1:15:18
  And and it kind of goes back to the other gentleman.
• 1:15:19
  I apologize on which one of you said it, but it very heavily
• 1:15:23
  reflects Roger Waters political and social beliefs and and
• 1:15:27
  convictions. And that was actually at that
• 1:15:29
  time, from what I've read and what I recall from reading years
• 1:15:33
  ago, that's kind of what caused the the division between Roger
• 1:15:36
  Waters and Rick Wright during the wall, because again, Roger
• 1:15:40
  wanted to go more in this direction and Gilmore and Wright
• 1:15:43
  did not. And that's when it was was done.
• 1:15:45
  After the wall was done, Rick Wright was like, I'm done then,
• 1:15:48
  you know, Roger Flores basically claimed he fired him.
• 1:15:50
  But anyhow, that that's what I say, a lot of people don't
• 1:15:53
  realize that, but that's he had a very strong political
• 1:15:55
  conviction that he wanted to to express to his music.
• 1:15:58
  And it was actually tempered by the other band members before
• 1:16:02
  the final cut, you know? If you see, if you see them all
• 1:16:06
  Roger Waters in concert, that makes a lot of sense with the
• 1:16:11
  imagery that he shows during the, especially during this the,
• 1:16:15
  the, the Floyd songs, his, his leanings are his political
• 1:16:20
  leanings are right out there in the open.
• 1:16:23
  You know, the, the, and the imagery just goes right along
• 1:16:28
  with the songs. And if you're not a political
• 1:16:31
  person, it's easy to overlook it till you see the imagery going
• 1:16:36
  along with the songs. Even the movie The Wall has a
• 1:16:41
  lot of political symbology and I remember the first time I saw
• 1:16:44
  it, having just gotten into Pink Floyd, I was like, what is this
• 1:16:48
  Nazi stuff? This is crazy.
• 1:16:50
  But really The Wall is symbolic of the divide between the band
• 1:16:52
  and and their fans in the music industry and that there's more
• 1:16:55
  to it. But if you don't know that and
• 1:16:57
  you just see The Wall as a movie, it leans that way.
• 1:16:59
  Which is makes sense given Rogers kind of political
• 1:17:04
  motivation so to speak. Well, for me, when I saw when I
• 1:17:09
  saw that, I was just thinking about the fact that Roger Waters
• 1:17:14
  was really affected by his father's death.
• 1:17:18
  Yes, 100% his father, right. And his father fought during
• 1:17:21
  World War 2. So me when I saw that imagery,
• 1:17:27
  it was more of of nightmarish for for character Pink, you
• 1:17:35
  know, which is supposed to be, I guess, Roger Waters.
• 1:17:41
  I always thought pink was more like Sid Barrett.
• 1:17:47
  You know, and, and, and that makes sense.
• 1:17:52
  It's to me. I mean, it, it makes sense.
• 1:17:55
  It, it's just having found, having learned about Roger
• 1:18:01
  Waters and his background and his political leanings, I see it
• 1:18:06
  more now as, as Roger Waters. Yeah, I, I can 100% see it as as
• 1:18:16
  as Sid Barrett also. I mean like the whole Rockstar
• 1:18:21
  spiraling out of control thing I always thought was a like a nod
• 1:18:26
  to Sid. Makes sense all?
• 1:18:31
  Right. Chris, what do you think?
• 1:18:34
  I, I, I think, well, actually I, I don't, I've never met anybody
• 1:18:39
  that dropped acid and became a fascist.
• 1:18:41
  But I, I think it was just a kind of an amalgam of, of Sid
• 1:18:47
  and Rodger because Rodger had his own issues, as we, as we've
• 1:18:50
  all known. I will say this.
• 1:18:52
  I I'm kind of glad in a way that he left Pink Floyd, because if
• 1:18:55
  he hadn't, he wouldn't have made Amused to Death, which is one of
• 1:18:59
  the best damn albums. He's he couldn't have done that
• 1:19:03
  with Pink Floyd. Amused to Death is an album that
• 1:19:07
  everybody should listen to at least once, I think.
• 1:19:09
  All right. And you?
• 1:19:10
  Know Rodger and Sid were childhood friends too, so maybe
• 1:19:13
  that's why it's easy to see it both ways.
• 1:19:15
  Yeah. All right.
• 1:19:17
  So all that said, when the Tigers broke free, gets a one
• 1:19:20
  and goes into the bin unfortunately.
• 1:19:24
  So just to kind of bow that up, Chad.
• 1:19:29
  All right, well, I'm going to just, you know, say the obvious.
• 1:19:32
  Shine on, you crazy diamond. Yes.
• 1:19:36
  Yeah. Yes.
• 1:19:37
  No. Wow.
• 1:19:41
  I knew it based on Wish You Were here.
• 1:19:42
  I knew it. I knew there.
• 1:19:42
  I knew it wasn't going to get a perfect five.
• 1:19:44
  That is hilarious. Wow, wow.
• 1:19:47
  And we? Were just talking about Sid man
• 1:19:49
  I. Mean there's a story that when
• 1:19:56
  they were recording that song, Sid actually showed up to the
• 1:19:59
  studio and they're all kind of like, who the fuck is this?
• 1:20:03
  And they realized it was Sid and he was like, you know, I'm here
• 1:20:06
  to play my part. And they're like, Oh my God,
• 1:20:08
  this is really fucking weird. Yeah, he showed up bald and
• 1:20:12
  looking like like a homeless guy, and he actually sis stood
• 1:20:16
  in the back of the studio for a while.
• 1:20:18
  They didn't even notice him. I was wondering who's going to
• 1:20:21
  tell that story. And that was actually the last
• 1:20:24
  time they saw Sid before he passed away.
• 1:20:28
  Everybody was saying how sad they were.
• 1:20:32
  And when you figure if you hear that, that whole collection of
• 1:20:36
  songs that makes on Shine on you Crazy Diamond, it makes it it
• 1:20:40
  makes it that much more tragic, I think all.
• 1:20:46
  Right. Let me count here, 12345678.
• 1:20:53
  I think at this point maybe we got one more round in US and
• 1:20:57
  then we'll dump out. I don't feel like I'm going to
• 1:21:03
  find you guys on any of these, so I'll just start somewhere
• 1:21:07
  here at the top. How about burning bridges?
• 1:21:12
  Nah. No.
• 1:21:15
  All right, easy enough. Ben Fredo, I'm.
• 1:21:20
  Going to go with I think what could be the last real attempt
• 1:21:26
  at at making this list and it's off.
• 1:21:30
  Dark side of the moon, Us and them.
• 1:21:33
  No, yes. Yes.
• 1:21:36
  Yes. Who said no?
• 1:21:40
  Me. That's a four.
• 1:21:45
  That's a four. You didn't.
• 1:21:51
  You didn't you? You didn't vote for it because
• 1:21:54
  of the sax solo. If anything, that would have
• 1:21:57
  probably boosted it. I mean, looking at my list, if
• 1:22:00
  I, if I had to guess, maybe subconsciously, I just didn't
• 1:22:03
  take all of dark side like I was trying to keep space for what
• 1:22:08
  was left. I, I don't have an I don't have
• 1:22:12
  a real answer for you. So, Peter.
• 1:22:20
  This is probably This is probably their sleaziest song,
• 1:22:24
  but by design, Young lust. Yeah, I got it.
• 1:22:33
  No. I don't have it, but I'm going
• 1:22:38
  to raise a techni, A technicality here.
• 1:22:40
  I have Empty Spaces and on the studio version of the wall Empty
• 1:22:45
  Spaces goes into young lust. See, this is what This is why I
• 1:22:49
  can't stand this shit. This.
• 1:22:53
  All technicalities count, no? Yeah, this is exactly why this
• 1:22:57
  talk, this episode took so long to come together.
• 1:23:02
  So is that? Is that a yes or no?
• 1:23:05
  I do not have young lust, I have empty spaces and that's why I
• 1:23:08
  was. If if we put together brain
• 1:23:11
  damage and eclipse, I think that has to be put together.
• 1:23:17
  Which album is that again? That wall.
• 1:23:20
  That's the wall. I have to find where the fuck
• 1:23:22
  that is there it is, so I'll technically put that as U 3
• 1:23:30
  because technically I don't sign off on that technically just to
• 1:23:35
  kind of bring it in this this spreadsheet is a mess.
• 1:23:39
  Y'all, This is a mess. All right, Let me shift that up
• 1:23:44
  and we'll come back to that later, I guess.
• 1:23:48
  All right, so that was Fredo. No, that I'm sorry.
• 1:23:53
  Young Less was Peter, Chris. I'm going to go with the other
• 1:23:59
  song on the final cut that I put in the Gunner's dream.
• 1:24:04
  No, no. No.
• 1:24:06
  It's a great. Song too.
• 1:24:08
  Yeah, love the song but still a no all.
• 1:24:11
  Right in the bin it goes. And Chad?
• 1:24:16
  All right, so maybe it's maybe it's ironic that I'm going last
• 1:24:19
  year. All 10 of my songs have been
• 1:24:22
  hit, my top 10. So I could just throw one out
• 1:24:27
  there that's next on the list that hasn't been discussed yet.
• 1:24:31
  And that would be Mother on the Wall.
• 1:24:33
  Nope. No, yes.
• 1:24:36
  Hey. No.
• 1:24:40
  That's a 2. It gets to not just it just it
• 1:24:46
  gets bend later is the way. It agreed, that's how and that's
• 1:24:50
  how I thought about it as well. Yeah.
• 1:24:53
  All right. So I'll dump out here with the
• 1:24:55
  rest of mine. I think that means I how many
• 1:24:58
  got left? I think it's seven, really.
• 1:25:01
  Yeah, I've got 2 left. Yeah, see, that's, that's why I
• 1:25:04
  feel like this was the time to dump.
• 1:25:06
  All right, So starting at the top, I've got the gold.
• 1:25:10
  It's in the. Yes, yes, and that's, and that's
• 1:25:15
  such a great. I mean, Gilmore's solo on that
• 1:25:20
  is just amazing. All right, so no one else.
• 1:25:29
  No. No.
• 1:25:32
  No, no all. Right, we'll take that too then.
• 1:25:35
  It's better than getting bend. Oh, and that's also awful
• 1:25:38
  Obscured by Clouds, which might be the first song from that
• 1:25:41
  album. Yeah.
• 1:25:44
  Somebody played Burning Bridges earlier, that was.
• 1:25:47
  Me and it got bend OK so. All right, so it's just.
• 1:25:51
  All right, all right. Well, I'm staying on that
• 1:25:53
  record. Free 4.
• 1:25:56
  Nope. No, but I love that song.
• 1:26:01
  OK, I love it, but I don't have it all.
• 1:26:03
  Right, heading over to dark side, any color you like.
• 1:26:12
  Yes. OK.
• 1:26:14
  No, no. I'm accepting these twos as wins
• 1:26:20
  for me. I don't care.
• 1:26:23
  They don't stand a chance. But the fact that they're not
• 1:26:26
  just going directly into the bin is OK by me.
• 1:26:29
  All right? My two final cuts.
• 1:26:34
  Paranoid eyes. Nope.
• 1:26:37
  No. No.
• 1:26:40
  No, no. Not now, John.
• 1:26:44
  Yep. Hey.
• 1:26:47
  No. I love it, but no.
• 1:26:50
  It's #20 on my list, but it's a no.
• 1:26:55
  All right. But like you said, the fairness,
• 1:26:58
  my whole top 10 has been we're, I'm, I'm dead at this point in
• 1:27:02
  the conversation. Think it's the only Pink Floyd
• 1:27:04
  song with an F bomb in it. I didn't clock that, but why
• 1:27:09
  would I? And last but not least, the show
• 1:27:13
  must go on. No.
• 1:27:18
  No. No, that's like one of the 4000
• 1:27:23
  little bitty songs that Fredo was bitching about.
• 1:27:30
  All right, into the bin it goes. What did I get?
• 1:27:33
  Like 6 in the bin, 7 in the bin, wolf.
• 1:27:38
  All right. Get to a top ten from your bin
• 1:27:40
  songs. I know, right?
• 1:27:42
  All right, So I mean, that's it for we can't get any more
• 1:27:45
  unanimous officially, so 2, which means none of us win,
• 1:27:49
  which means we've still got a long night ahead of us, fellas.
• 1:27:55
  All right, Fredo, I mean, at this point I think you should
• 1:27:59
  have, what, 3? I got three, yeah, exactly.
• 1:28:03
  Off a metal. We got childhood's end some, I'm
• 1:28:10
  assuming, from that silence. That's nobody.
• 1:28:12
  Oh, from animals. I have pigs.
• 1:28:17
  Pigs on the wing. No.
• 1:28:21
  No. Nope.
• 1:28:24
  And, and I will say that I picked that one in honor of my
• 1:28:31
  friend Andy, who when I got out of the Navy and I got divorced
• 1:28:40
  and I was on the radio so everybody thought I was living
• 1:28:43
  large. But Justin will tell you I was
• 1:28:46
  broke as shit. And I was.
• 1:28:47
  Homeless and Yep. And and Andy was the guy who to
• 1:28:51
  who him and his wife took me in and he was a huge Pink Floyd
• 1:28:57
  friend and he always told me and he just passed away about a
• 1:29:01
  month ago, a month and a half ago.
• 1:29:02
  Oh man. And and he always wanted that
• 1:29:06
  that song Pigs on the wing one and one and two played at his
• 1:29:10
  funeral. So it was that that that means a
• 1:29:15
  lot to me. Of course, you guys honor that
• 1:29:19
  fight. Nobody voting for it.
• 1:29:21
  So woof as as is, you know, tradition with any song that
• 1:29:27
  means something to me on these shows.
• 1:29:29
  So. Do do you whine like this on
• 1:29:32
  every episode, Fredo? I mean.
• 1:29:33
  Every. Every, every fucking episode,
• 1:29:38
  it's my thing. At least everybody seems sees
• 1:29:41
  the same side of you because it's the same way at the lounge
• 1:29:43
  when when we're smoking our cigars, of course.
• 1:29:46
  And then my last one off the wall is the trial.
• 1:29:51
  Oh, very good. I want tear down the wall.
• 1:29:56
  Tear. Down the wall.
• 1:29:58
  No. All right, they go, my 3 whiz.
• 1:30:01
  All right. Let me shift that real quick and
• 1:30:04
  then we will move on to Peter at this point where you have two.
• 1:30:08
  Yeah, I've got two. I've got a sheep.
• 1:30:14
  Yes. Hey, you and Chris right in line
• 1:30:19
  the. Only ones who like animals.
• 1:30:21
  Yeah. And finally, the Fletcher
• 1:30:25
  Memorial Home. No, but oh man.
• 1:30:31
  Yeah, I'm the same way. It's a no, but again, I like
• 1:30:34
  that one. Hey I.
• 1:30:36
  Gave you pigs on the wing. You didn't jump on that one, so
• 1:30:39
  I don't want to hear it. All right, Chris, what do you
• 1:30:45
  got left? I guess I got. 1.
• 1:30:48
  For funsies, yeah. I just got 1, The Obscure but
• 1:30:53
  Obscure by Clouds, the title track.
• 1:30:56
  Just for funsies, it goes into the bin, but OK, there you go.
• 1:31:01
  I love it when they do that live because they actually live.
• 1:31:05
  They do Obscure by Clouds and they go directly into the next
• 1:31:08
  song on the album. They actually performing just
• 1:31:10
  one, the next song called When You're In and those two
• 1:31:14
  together. That's fantastic.
• 1:31:17
  Unrelated, but semi related, because the next track is what's
• 1:31:21
  the deal? I think.
• 1:31:22
  And somebody answered that on, on threads and I didn't know.
• 1:31:28
  I, I, I didn't clock that it was the name of a song.
• 1:31:31
  So I answered them thinking I was like, oh, we're doing an
• 1:31:34
  episode on Pink Floyd. And then I was looking at the
• 1:31:37
  playlist. I was like, oh, duh, that's the
• 1:31:38
  name of a song. Hey man, I'm sorry, I'm stupid.
• 1:31:41
  Here we go. What's the deal?
• 1:31:46
  Comfortably numb and hey, you are the 2 that are in this
• 1:31:50
  spreadsheet is an absolute disaster here.
• 1:31:54
  Let's start with these fours. Chad though.
• 1:32:00
  He said he was out. So my so my top ten are all on.
• 1:32:04
  They all made the cut except for my #10, which is welcome machine
• 1:32:07
  is a three. And I will also say I'm I'm I'm
• 1:32:10
  Tooting my own horn here because I'm such a big boy fan of my 15.
• 1:32:14
  All of them were three or higher because I only had four threes
• 1:32:18
  and then two of them were not two of them were ones and two.
• 1:32:21
  So anyhow, I I was actually pretty in line with the group,
• 1:32:23
  thankfully. You, you only did 15 songs.
• 1:32:26
  You could have did 20. Yeah, no.
• 1:32:28
  No, I did 25, but I'm saying of my top 15, of my top 15, they
• 1:32:35
  were, but all of them but two or three or higher to include my
• 1:32:39
  top nine were all fours or fives.
• 1:32:41
  All right, so. That's what I'm just bragging.
• 1:32:43
  I'm just bragging a little. Give me some.
• 1:32:45
  I mean, this part of my only episode ever.
• 1:32:46
  Let me live in my glory right now.
• 1:32:48
  Why you? I mean again.
• 1:32:49
  There you go. It hurts.
• 1:32:51
  Kind of rain on your parade comfortably numb and hey, you
• 1:32:55
  are in all right, So let's look at these fours.
• 1:32:56
  We've got 12345678 and then the 087 cuz three of these three is
• 1:33:09
  it these are brick is brick in or outlet's start there?
• 1:33:15
  I say NI. Oof, you, you know, I, I, I, I
• 1:33:25
  want brain damage eclipse then. So if, if if if if I say brick
• 1:33:36
  is in then and I want to really push for brain damage eclipse.
• 1:33:40
  I think we had I hold on 121234567891011, but three of
• 1:33:53
  those are bricks. So technically that's 88 fours
• 1:34:00
  and then technically fearless or not fearless eclipse brain
• 1:34:03
  damage is technically a four. So what I'm going to do is mark
• 1:34:08
  that those as fours so they can go up there in the conversation.
• 1:34:12
  All right, let how we'll do this.
• 1:34:17
  We'll run down. God, this is this is everything
• 1:34:21
  I was talking about. This is miserable.
• 1:34:26
  This it's just not clean. I guess, you know, is the the
• 1:34:31
  way to put it. All right, let me shift this
• 1:34:34
  around and then I'll read all these off.
• 1:34:38
  Have a cigar time Wish you were here.
• 1:34:42
  Money. Great gig in the sky, brick.
• 1:34:47
  Shine on you crazy Diamond US and them and then eclipse brain
• 1:34:54
  damage. Those are all the fours, I
• 1:34:58
  think. Yeah, yeah.
• 1:35:04
  Is is there anything? We got to kill one right?
• 1:35:06
  I think. I'm willing to, I'm, I'm willing
• 1:35:12
  to pull my support for us and them.
• 1:35:16
  OK. I can.
• 1:35:20
  I can leave that one too. Does anybody really want to
• 1:35:24
  stick up for us and them? Now's now's the time.
• 1:35:31
  There. There's a part of me that really
• 1:35:32
  wants to be a stick in the ointment here because this is
• 1:35:36
  the bartering that happened the last time I was on the show
• 1:35:40
  between the Tom Sawyer and the Spirit of Radio.
• 1:35:45
  So it Fred, is this is this kind of like the default for for for
• 1:35:49
  you? I just I I'm just wondering.
• 1:35:50
  No, what? Well, in a way it is because you
• 1:35:53
  know what, we literally I do this for Justin because by just
• 1:36:01
  saying, by by falling on the sword and saying, hey, I voted
• 1:36:05
  for this song. I'm willing to give it up so
• 1:36:08
  that we can move forward, you know, and, and I don't hear any
• 1:36:13
  of you guys saying, oh, you know what, you know what?
• 1:36:16
  Fuck, have a cigar. We won't do that one.
• 1:36:18
  And, and so it's like, OK, look, here's a song.
• 1:36:24
  I voted for it. If, if, if we got to get rid of
• 1:36:28
  it to make a more cohesive list or a, or better represent
• 1:36:33
  representation of a list, I'm willing to, you know, I'm
• 1:36:37
  willing to bite the bullet on it.
• 1:36:38
  That's why I do this. OK, All right.
• 1:36:41
  I, I can, I can, I can side with you on that.
• 1:36:44
  All right, so we'll lay us and them down.
• 1:36:48
  Is there anything else here that all the multiple parts are all
• 1:36:53
  the multiple part songs in? So we're looking at Brick Shine
• 1:36:58
  On and Eclipse Brain Damage like those are all our multi parts.
• 1:37:03
  That that should put us at 10, right?
• 1:37:06
  Hold on 123456789. Oh yeah, you're right.
• 1:37:16
  Yeah, it for some reason it has shine on in different different
• 1:37:24
  parts of my list like not, not together.
• 1:37:27
  So yes. All right, let me that sounds
• 1:37:32
  like we've got our 10 and to me that's like the simplest.
• 1:37:34
  Let me make sure. Boom boom.
• 1:37:40
  You don't read them out, just just read out the the titles.
• 1:37:43
  I will, I will. Comfortably numb.
• 1:37:47
  Hey, you have a cigar time. Wish you were here.
• 1:37:52
  Money. Great gig in the sky, Another
• 1:37:54
  brick in the wall. Parts 1-2 and three shine on
• 1:37:57
  you. Crazy diamond parts one through
• 1:37:59
  8000 and then eclipse Slash. Brain damage, I think, see, this
• 1:38:09
  isn't even going to come up to 10.
• 1:38:10
  It's going to come up to more to 10 than 10 because it's.
• 1:38:16
  Hold on. Yeah, it's going to say
• 1:38:18
  technically 14. So 12345678910.
• 1:38:25
  Yes, we're there. Holy shit.
• 1:38:32
  Miserable experience, but great, great fun episode.
• 1:38:36
  All right, so now let's do the next part.
• 1:38:40
  Comfortably numb. Comfortably numb.
• 1:38:42
  Hey, you have a cigar time. Wish you were here.
• 1:38:45
  Money. The great gig in the sky.
• 1:38:47
  Another brick in the wall. Shine on, you crazy diamond
• 1:38:49
  Eclipse slash Brain damage. Fredo, I read you those 10
• 1:38:53
  songs. Which one's the one?
• 1:39:01
  Tell you what I want and then I'll tell you what everybody
• 1:39:05
  else would probably go for. I want either have a cigar or
• 1:39:10
  brain damage slash eclipse, but the one that makes the most
• 1:39:15
  sense is going to be comfortably numb.
• 1:39:18
  I mean, what do you think, Peter?
• 1:39:24
  Definitely comfortably numb. I mean, that's the one we
• 1:39:26
  immediately all agreed on. What do you think, Chris?
• 1:39:36
  Yes, I think Comfortably Numb should be at the top of the
• 1:39:38
  list. And Chad, I agree.
• 1:39:44
  There you go. I, I love that you're wanting to
• 1:39:47
  throw some other stuff out there, but I think, I think
• 1:39:53
  basing, basing what other people's experiences.
• 1:39:58
  I mean, now, granted, other people's experiences aren't
• 1:40:01
  going to be like mine where they have to kind of like confine
• 1:40:04
  their listening in in a space. And here's the thing.
• 1:40:08
  I'll say if you if we have done our job and have convinced you
• 1:40:12
  and you listen to our list and you like it and it does make you
• 1:40:15
  want to give Pink Floyd a go. Give it space.
• 1:40:19
  Like I think that is the one thing that was lacking for me
• 1:40:23
  being able to truly enjoy this band was was having space.
• 1:40:26
  That said, I feel like comfortably numb lives in the
• 1:40:30
  space that we're trying to give and I feel like it didn't.
• 1:40:37
  It didn't do it when I first heard it, but doing this
• 1:40:41
  episode, open the door, like I said, and I think I think if we
• 1:40:45
  said here, here's comfortably Numb and somebody like went on
• 1:40:49
  and just kind of listened to it for what it was.
• 1:40:52
  I think he opened the door for what Pink Floyd is and can kind
• 1:40:55
  of expand into all this other stuff.
• 1:41:01
  I think this is a great list. All right, Fredo is accepting
• 1:41:07
  and using this acceptance stage. I mean, it's not like you didn't
• 1:41:11
  know that was going to happen. So all right, Comfortably Numb
• 1:41:15
  is going to be our number one. And then let me get that going
• 1:41:19
  underneath us and I'll go it down at one last time.
• 1:41:24
  Comfortably numb. Hey, you have a cigar time.
• 1:41:27
  Wish you were here. Money, the great gig in the sky,
• 1:41:30
  another brick in the wall parts one through 3 shine on you Crazy
• 1:41:33
  diamond, all 8000 parts of it and eclipse slash brain damage
• 1:41:38
  is our 10th. And what a beautiful mess.
• 1:41:42
  But comfortably numb. Let's let it get a moment in the
• 1:41:46
  sun. Before Spotify tries to get me,
• 1:42:01
  I'm going to head in. Scroll that down.
• 1:42:05
  We've done it. Hopefully we've turned you on to
• 1:42:07
  Pink Floyd. And I hope me using the word
• 1:42:10
  misery didn't turn you off because yes, it was a miserable
• 1:42:14
  experience. But as I mentioned, it was a
• 1:42:16
  miserable experience based on the way we do the show.
• 1:42:22
  Give this band space and I think you'll enjoy it.
• 1:42:24
  If I have the time to give Pink Floyd the space, I think I'm
• 1:42:29
  going to enjoy this band. As of right now, this was a
• 1:42:34
  mess, a very beautiful mess, but we put it together.
• 1:42:37
  We can't. We came up with it and hopefully
• 1:42:39
  we've turned you on to Pink Floyd.
• 1:42:40
  And if we have, please consider hitting the subscribe button on
• 1:42:43
  whatever platform you're listening on.
• 1:42:45
  That would be greatly appreciated.
• 1:42:47
  It's like the easiest way you can support the show is by
• 1:42:50
  hitting subscribe. If you'd like to take the next
• 1:42:53
  step, you can go to patreon.com/show.
• 1:42:56
  Hi Justin, A dollar a month gets you in the door.
• 1:42:58
  It gets you episodes of Deprogram before the rest of the
• 1:43:02
  world. It gets you the after the fact
• 1:43:05
  conversation that we're about to have.
• 1:43:06
  It goes up as soon as it's done. Basically.
• 1:43:10
  It goes up on the Patreon the occasional and very rare Oh hi
• 1:43:13
  Justin episodes. As you can tell, I'm I'm very
• 1:43:16
  much in a, a bad space for having room for that right now.
• 1:43:21
  It gets you access to channels in, in our discord, the Legion
• 1:43:25
  stupid Discord. And you know, feel free to like
• 1:43:29
  chime in on other ideas, other ideas and other things are
• 1:43:32
  coming, but I'm trying to make the space for that.
• 1:43:36
  How about that? Also, it should be noted that by
• 1:43:39
  now they're all probably out, but every all 5 episodes of the
• 1:43:45
  R.E.M. Championship edition hit the
• 1:43:49
  Patreon the same day all at the same time, whereas they hit the
• 1:43:53
  free feed every. I think I've released them on
• 1:43:57
  Mondays. So just saying you could have
• 1:43:59
  had them early if you wanted them.
• 1:44:00
  So it's I think it's worth the dollar.
• 1:44:03
  That's patreon.com/show. Hi Justin, I already mentioned
• 1:44:06
  subscribing. Rating, sharing, commenting are
• 1:44:09
  all great ways you can help the show.
• 1:44:11
  If you're listening on Spotify, we can now do little threads,
• 1:44:14
  comment threads on conversations on Spotify, which is cool.
• 1:44:19
  But if you're going to do that, please leave five stars.
• 1:44:22
  It does help us get seen in the algorithm and it's super
• 1:44:25
  important. Also, please consider clicking
• 1:44:27
  share. Same thing if you're listening
• 1:44:30
  on Apple podcast. If you want to leave, hey, man,
• 1:44:33
  I think this should have been your list or hey, I can't
• 1:44:36
  believe this didn't make it or oh, man, I'm so happy that this
• 1:44:39
  did. But if you're going to do that,
• 1:44:41
  five stars would be super duper helpful.
• 1:44:44
  The absolute best way you can help is by telling somebody that
• 1:44:47
  you listen to the show. Hey, I listen to you programmed
• 1:44:50
  and you should too. And with that said, Pink Floyd
• 1:44:53
  learning, loving people. We'll see you next week.
• 1:44:55
  Bye.