Latest / Vanity Farah with Chris Farah / Love After Lockup S7 Episode 13 “Dating a Stranger”

Transcript

Love After Lockup S7 Episode 13 “Dating a Stranger” · Vanity Farah with Chris Farah

• 0:06
  Speaker 1: Hello everyone. Welcome back to Vanity Pharah. My name is
• 0:09
  Speaker 1: Chris Pharah and today I am picking up where I
• 0:13
  Speaker 1: left off a long time ago. Honey, we're back. We're
• 0:17
  Speaker 1: back and we're finishing up. Don't even worry because she
• 0:20
  Speaker 1: started it and she's not going to finish till it's done.
• 0:23
  Speaker 1: This love after lockup and guess what? We're episode 713. 713, honey.
• 0:32
  Speaker 1: So make up that what you will. That's what it is. Okay.
• 0:36
  Speaker 1: I know we have to sort of remind ourselves where
• 0:40
  Speaker 1: we are in things, so I will as we get
• 0:42
  Speaker 1: on to all the couples. But obviously, I hope that
• 0:45
  Speaker 1: you are doing well in this new season. And remind you,
• 0:49
  Speaker 1: if you haven't yet, please consider giving me five stars
• 0:52
  Speaker 1: wherever you listen to podcasts. You can also join my Patreon.com
• 0:57
  Speaker 1: slash Chris Farah, as well as... Just follow me for
• 1:02
  Speaker 1: free at Chriselfera on TikTok, on Instagram, honey. She has
• 1:06
  Speaker 1: a Facebook page and group. Vanity Fair is the group.
• 1:10
  Speaker 1: Chris Fair is the page. Lots of fun happening. Here
• 1:13
  Speaker 1: are the players. We're back. This is Love After Lockup.
• 1:18
  Speaker 1: And my babes, we're going to start with the thruple.
• 1:21
  Speaker 1: It is Goddess. You know her as Gigi. It's Demond.
• 1:25
  Speaker 1: You know him as Moo Moo. And Bonita, honey. And
• 1:29
  Speaker 1: Bonita is showcasing the ring. She has it, honey. She's
• 1:33
  Speaker 1: been the fiancé. So, as we know, Moo Moo, although charming,
• 1:41
  Speaker 1: is a little bit of a bad guy. And that
• 1:45
  Speaker 1: means not just that he has a criminal history, but
• 1:49
  Speaker 1: he has nefarious wants when it comes to these ladies.
• 1:53
  Speaker 1: He wants to deceive these ladies. These ladies think that...
• 1:58
  Speaker 1: They're in monogamous relationships with Moo Moo. They think it's
• 2:02
  Speaker 1: just one Moo when he's in fact Moo Moo. Having
• 2:05
  Speaker 1: said that, he is very proud of himself, honey. Wildly
• 2:10
  Speaker 1: proud of the fact that he wants to pull over
• 2:15
  Speaker 1: the biggest prank of Love After Lockup history, which is
• 2:20
  Speaker 1: that he told Benita that he was getting out of prison, honey,
• 2:25
  Speaker 1: on a Wednesday. But he got out on a Tuesday.
• 2:29
  Speaker 1: And when he got out, he had his boo, Goddess,
• 2:32
  Speaker 1: pick him up. Spent a night with Goddess. Goddess saw
• 2:36
  Speaker 1: him leave. Honey was like, where are you going? He
• 2:38
  Speaker 1: has to get business done with his cousin. And she
• 2:40
  Speaker 1: thinks he's going to come back for dinner, obviously that night.
• 2:44
  Speaker 1: And he... He's like, no, I have to go and
• 2:48
  Speaker 1: redo the entire get out scene, the entire got released
• 2:52
  Speaker 1: just now moment and let Benita think that she is
• 2:56
  Speaker 1: freshly picking me up from that and that's my life.
• 3:00
  Speaker 1: So that's what happened, okay? So we pick up. So
• 3:07
  Speaker 1: Gigi is upset because she has cooked dinner for her
• 3:11
  Speaker 1: boo and her friend has like come over and she...
• 3:16
  Speaker 1: is confused why they're why Mumu is even being at
• 3:23
  Speaker 1: all vague or at all like confusing or unclear in
• 3:28
  Speaker 1: his whereabouts or even his timeline of the day because
• 3:31
  Speaker 1: it doesn't make sense for her if he's living with
• 3:35
  Speaker 1: her and they're going to eat dinner why he wouldn't
• 3:39
  Speaker 1: want that to happen because she doesn't understand he has
• 3:43
  Speaker 1: a whole agenda, a whole different family. So now here's
• 3:48
  Speaker 1: the thing, his family, and I mean that, from cousin
• 3:52
  Speaker 1: to mom, everyone lies for Mumu. Everyone, I mean, holds
• 3:58
  Speaker 1: Mumu down, honestly. Mumu's mom lies to Benita. Mumu's cousin
• 4:08
  Speaker 1: lies to Goddess. Now, Mumu is charming. We cannot, I mean, listen,
• 4:14
  Speaker 1: he's charming. He's a very charming man. He is a wordsmith.
• 4:18
  Speaker 1: He probably has other things that he's also very good at.
• 4:20
  Speaker 1: I'm just saying he is charming. He is. So I
• 4:23
  Speaker 1: can see why people are like, no, that's our boy. Okay.
• 4:29
  Speaker 1: So when Goddess inquires about Daman's location to his cousin, obviously,
• 4:39
  Speaker 1: She has called his cousin because like his phone's not
• 4:42
  Speaker 1: working or he has to get it turned on, but
• 4:44
  Speaker 1: it's taking longer. She's like, well, are you with him now?
• 4:48
  Speaker 1: He's like, no, I dropped him off. And she's like, okay, well,
• 4:52
  Speaker 1: is he going to come by here? He's like, no,
• 4:54
  Speaker 1: I'm going to pick him up later. And she's like, well,
• 4:57
  Speaker 1: what's this plan? And the cousin says, I guess you'll
• 5:02
  Speaker 1: find out what's happening when you see him next. Honey.
• 5:08
  Speaker 1: First of all, it was kind of like half of
• 5:11
  Speaker 1: it was shady and half of it was like, I
• 5:14
  Speaker 1: don't have anything to tell you. And so leave me alone.
• 5:20
  Speaker 1: Know your place, which is just to sit around and
• 5:23
  Speaker 1: wait until you know. Like, I don't know. Because if
• 5:27
  Speaker 1: I heard that, that would be fighting words. I'd be like, oh, well, okay, cool.
• 5:33
  Speaker 1: Just tell your cousin to forget my existence. And if
• 5:36
  Speaker 1: he has anything over here, it's... being burned. You better
• 5:41
  Speaker 1: have taken everything in that plastic bag from my house then.
• 5:46
  Speaker 1: So we jump over, as we do, to Benita because,
• 5:51
  Speaker 1: of course, Benita is the one with Damon now, and
• 5:54
  Speaker 1: she is so happy to have her man. They have
• 5:57
  Speaker 1: a child, Dior, together. She obviously knows his parents. Like
• 6:00
  Speaker 1: I said, they have lied to her on his behalf,
• 6:02
  Speaker 1: but also have given her a car. So She is
• 6:06
  Speaker 1: on cloud nine. She very much loves Daman. She very
• 6:09
  Speaker 1: much has been like, oh, we're the exact same person.
• 6:11
  Speaker 1: She also has a way with her word, sorry, way
• 6:14
  Speaker 1: with words because she takes off her shoes, honey. And
• 6:17
  Speaker 1: she says, all her dogs are free today. Which meant Mumu,
• 6:33
  Speaker 1: her dog, her boy, her man, her boo, you know,
• 6:37
  Speaker 1: as well as her feeties. All her dogs are free today.
• 6:43
  Speaker 1: Them dogs are barking. The feet were hurting. I love
• 6:48
  Speaker 1: that so much. Obviously, all her dogs are free today.
• 6:53
  Speaker 1: Oh my God. I was like, yes. Yes. All three
• 6:58
  Speaker 1: of them are great characters. I love all of them.
• 7:01
  Speaker 1: You know how sometimes Shows like this will have one wild,
• 7:07
  Speaker 1: crazy character and one, let's just say like either sad,
• 7:12
  Speaker 1: weird person, you know, like where you're like, well, that
• 7:15
  Speaker 1: person's getting taken advantage of or that person, why is
• 7:17
  Speaker 1: that person around? Or, you know, someone you're like, you know,
• 7:20
  Speaker 1: it could be so many things. But for this throuple,
• 7:25
  Speaker 1: each of them are stars, right? Like even, and I mean,
• 7:30
  Speaker 1: it's like everyone involved is great. Like goddess's mom that
• 7:34
  Speaker 1: rides the horses. Great. Demond's stepdad that has like those
• 7:39
  Speaker 1: glasses with no lenses, but also like the fucking best outfits. Great.
• 7:42
  Speaker 1: Also his mom is beautiful. Like, okay. Everyone love it. Everyone. Okay.
• 7:46
  Speaker 1: Everyone is just like, they're all, they're just all remarkable
• 7:50
  Speaker 1: slash interesting. And I'm so happy. Okay. I'm just so thankful. Okay.
• 7:54
  Speaker 1: So now, Dior, like I said, is the daughter of
• 8:00
  Speaker 1: Benita and Daman. He doesn't want Dior to know that
• 8:03
  Speaker 1: he has spent some time locked up. And Dior doesn't,
• 8:07
  Speaker 1: because Benita has decided she's really young and she just
• 8:12
  Speaker 1: told Dior that daddy was away at school. So he
• 8:16
  Speaker 1: also has two young girls from different women and both
• 8:21
  Speaker 1: are relatively the same age, born within months. And I'm sorry.
• 8:27
  Speaker 1: Daman really gives Benita her, I guess, emotional maturity grace
• 8:35
  Speaker 1: by being like she didn't ever make the daughter feel
• 8:41
  Speaker 1: weird or bad about the situation. She always treated both
• 8:45
  Speaker 1: girls like they're fun sisters and wasn't either awkward or
• 8:50
  Speaker 1: possessive or just being like, that person doesn't exist, whatever
• 8:53
  Speaker 1: you could do. So I'm not quite sure what her
• 8:56
  Speaker 1: relationship is like with Daman's other baby mama. Although I
• 9:01
  Speaker 1: would love to know, I certainly would love to know, like, yeah,
• 9:06
  Speaker 1: how close are they in the Baltimore, Maryland, like, do
• 9:10
  Speaker 1: they know each other situation? Okay. So he has four
• 9:15
  Speaker 1: children total, though, all different moms. He describes himself as
• 9:19
  Speaker 1: a Rolling Stone. Papa was a Rolling Stone. Wherever he
• 9:27
  Speaker 1: lay his head was his home. And when he died. Okay.
• 9:34
  Speaker 1: So I cannot sing that song. When you think about
• 9:37
  Speaker 1: how good that song is, like, can you imagine the
• 9:39
  Speaker 1: funk and groove? You have to really get the soul
• 9:42
  Speaker 1: for that song. Can't do it. Temptations. Okay. Now, like
• 9:48
  Speaker 1: I said, Daman is the one that said this about himself. Like,
• 9:52
  Speaker 1: he knows who he is. He also has quite... an
• 9:57
  Speaker 1: air and idea of himself. Like he fancies himself, obviously,
• 10:02
  Speaker 1: as I said, somewhat of like a head of a
• 10:07
  Speaker 1: polygamous household, multiple women, wives situation, obviously multiple kids, where
• 10:13
  Speaker 1: he is sort of treated like a king. He really
• 10:18
  Speaker 1: wants to be on Mrs. Polly. And he really wants
• 10:22
  Speaker 1: to be Yahweh without Yahweh's hair. But you know what
• 10:26
  Speaker 1: I'm saying? Like he does want that. And another part
• 10:30
  Speaker 1: of that is the man loves sex, loves it, you know, loves,
• 10:35
  Speaker 1: loves it. Now here's the thing. We are also seeing
• 10:38
  Speaker 1: someone on day one, day two, in day two to
• 10:43
  Speaker 1: someone named Benita is supposed to be day one when
• 10:47
  Speaker 1: it's day two. He obviously hasn't had sex with women for,
• 10:55
  Speaker 1: you know, we don't know what's been happening or whatever.
• 10:57
  Speaker 1: So all his horniness makes sense or whatever, but he
• 11:00
  Speaker 1: is also so expressive with it. And I appreciate that.
• 11:04
  Speaker 1: So until that happens, he's like, I'm just trying to
• 11:09
  Speaker 1: keep this all going. And let's just be honest, when
• 11:13
  Speaker 1: it comes to Gigi, goddess, I know that it's like,
• 11:18
  Speaker 1: she's waiting for me to come home and it's a
• 11:21
  Speaker 1: little like, what am I going to do about that?
• 11:24
  Speaker 1: But I'm really banking on her sort of still being
• 11:27
  Speaker 1: digmatized from last night. Like she should just be laying
• 11:31
  Speaker 1: in a puddle, you know? Here's the thing though, from
• 11:34
  Speaker 1: what we heard, he didn't last long. Which made sense
• 11:40
  Speaker 1: because of all the thing I said before, I gave
• 11:42
  Speaker 1: you grace for, you know, your previous incarceration. Why would you?
• 11:45
  Speaker 1: But I wouldn't be able to link you thinking that
• 11:49
  Speaker 1: you have digmatized someone into submission. They're not going to
• 11:52
  Speaker 1: ask any questions or let you do the entirety of
• 11:56
  Speaker 1: what you want when you also didn't last long. Okay.
• 12:00
  Speaker 1: So yeah, she's made him dinner. Gigi, goddess, because she's
• 12:03
  Speaker 1: not digmatized. She's hungry. Ha ha ha. And she wants more.
• 12:08
  Speaker 1: She is not satisfied, like I said. And Michelle, her
• 12:10
  Speaker 1: friend's there. And Michelle is going to start to lay
• 12:15
  Speaker 1: some raising of an eyebrow groundwork. And at the same time,
• 12:20
  Speaker 1: that's already what Benita's feeling because it makes no sense
• 12:24
  Speaker 1: to her that there would be any vagueness about what's
• 12:27
  Speaker 1: happening because the truth is she's right. When things are
• 12:37
  Speaker 1: like easy and going well, there usually isn't confusion or
• 12:45
  Speaker 1: vagueness or weirdness or something where so early on, one
• 12:49
  Speaker 1: of the lovers has to be like, hey, are you
• 12:56
  Speaker 1: not coming over? You don't want to hang out, I guess?
• 13:01
  Speaker 1: It doesn't seem like the plans we assume we had
• 13:04
  Speaker 1: from the contract our bodies made, which is that we're
• 13:06
  Speaker 1: into each other like this, it seems like we would
• 13:09
  Speaker 1: want to hang out or like that's what we were
• 13:11
  Speaker 1: planning on. And now you're pretending that never happened. So
• 13:15
  Speaker 1: what the fuck? You know, it's like this, yeah, it's
• 13:18
  Speaker 1: just obviously awkward. So at the same time, Daman sort
• 13:27
  Speaker 1: of feels like he thinks Goddess is less intelligent than Benita.
• 13:33
  Speaker 1: And that is not true. And more so that Benita
• 13:40
  Speaker 1: knows his shit because she's been with him longer. And
• 13:47
  Speaker 1: so she, he feels like Benita knows him better and
• 13:52
  Speaker 1: knows when he's lying or when he's being fake or,
• 13:55
  Speaker 1: you know, obviously the same thing when he's being like dodgy.
• 13:58
  Speaker 1: Now here's the thing about him. Anyone could tell. It's
• 14:06
  Speaker 1: very obvious when he is like, it's just, It's hard
• 14:09
  Speaker 1: because when he lies, he has these giveaways. It's very
• 14:17
  Speaker 1: hard for him to stand 10 toes down. It's like
• 14:20
  Speaker 1: he's about to bust out laughing. Gigi's just newer in
• 14:26
  Speaker 1: the equation, right? So like he is just thinking that
• 14:29
  Speaker 1: Gigi hasn't realized he's kind of an asshole and therefore
• 14:34
  Speaker 1: is not to be trusted. And therefore she should probably
• 14:37
  Speaker 1: still trust him. And therefore he feels this way. However,
• 14:41
  Speaker 1: Gigi also knows about Bonita because they have a child
• 14:44
  Speaker 1: together and stuff like that. So Gigi knows about Bonita
• 14:47
  Speaker 1: and also understands logically, like I assume she should, that
• 14:51
  Speaker 1: if a man just got out of prison- that there
• 14:56
  Speaker 1: are a couple people on his list that are going
• 14:58
  Speaker 1: to have to be seen. Parents, kids. And if they're babies,
• 15:05
  Speaker 1: the kids, odds are the kids' parents, the people that
• 15:10
  Speaker 1: they made the kids with, are going to be people
• 15:16
  Speaker 1: he's probably going to have to see. So she understands that.
• 15:18
  Speaker 1: So she knows that if he's seeing people and checking
• 15:23
  Speaker 1: up and seeing family, like he's saying he has to do,
• 15:26
  Speaker 1: like odds are one of those people is Bonita. Okay.
• 15:33
  Speaker 1: Now she finally gets him on the phone and he,
• 15:37
  Speaker 1: cause he knows he has to call her to like,
• 15:39
  Speaker 1: let her know. And also, yeah, that he's not coming
• 15:41
  Speaker 1: home tonight, which is hard. And the way he does
• 15:45
  Speaker 1: it is that he's calling her or whatever. And he,
• 15:51
  Speaker 1: She's like, well, what's happening? And he's like, oh, I'm
• 15:54
  Speaker 1: just playing with my little girls. I was doing a
• 15:56
  Speaker 1: tea time, you know, just like this is the best,
• 15:58
  Speaker 1: you know, living my life. And she's like, okay, well
• 16:01
  Speaker 1: then FaceTime me. And he's like, oh, fuck. You know, Zeg.
• 16:09
  Speaker 1: So he ends up calling her to be like, hey girl,
• 16:13
  Speaker 1: I cannot come home tonight or probably going to be
• 16:15
  Speaker 1: tomorrow or whatever. It's like hard for me to leave.
• 16:17
  Speaker 1: And that's when she's like, well, FaceTime me. So sorry.
• 16:20
  Speaker 1: And he like literally pulls a, oh, bad service. I
• 16:25
  Speaker 1: got to go. You know, like, like he really does
• 16:27
  Speaker 1: like one of those things where his voice makes those noises.
• 16:30
  Speaker 1: And she doesn't take a fucking Einstein rocket scientist to
• 16:36
  Speaker 1: be like, this motherfucker's lying. Lying to me. Why? Why
• 16:43
  Speaker 1: is he being so shifty? Why? Also, there's a world
• 16:45
  Speaker 1: in which you might think, well, this man loves me.
• 16:47
  Speaker 1: And that he also has to spend time with, and
• 16:51
  Speaker 1: I get it, with his family or his kids. Like,
• 16:54
  Speaker 1: does he want me to be there? Does he want
• 16:57
  Speaker 1: to introduce me to his family and kids? Does he
• 17:01
  Speaker 1: like think that that might be important? Because he sees
• 17:06
  Speaker 1: a world in which we're all going to be hanging
• 17:08
  Speaker 1: out anyway. Like, I don't know. You can think about
• 17:10
  Speaker 1: all the things. And surely Benita, I'm sorry, surely Benita,
• 17:14
  Speaker 1: Goddess just gets to sit there with Michelle now and
• 17:16
  Speaker 1: then just look back and forth, honey, with her girly
• 17:19
  Speaker 1: and be like, can you fucking believe that? What? When
• 17:24
  Speaker 1: Michelle heard that he was just a cat FaceTime, sorry.
• 17:28
  Speaker 1: I mean, I don't even know what would happen if
• 17:31
  Speaker 1: I was like watching my friend deal with that kind
• 17:33
  Speaker 1: of bullshit on the phone. I mean, I would just
• 17:39
  Speaker 1: be like, well, you have two options. You either block
• 17:41
  Speaker 1: him or you block me. I can't be friends with
• 17:42
  Speaker 1: someone who would block someone after they did that to them.
• 17:46
  Speaker 1: I can't be friends with someone who doesn't love themselves.
• 17:49
  Speaker 1: Who's going to be walked on. So it's either you
• 17:51
  Speaker 1: block him or you block me. Block him. I'm bossy.
• 17:58
  Speaker 1: I'm trying to get better about it. There was a
• 18:00
  Speaker 1: time I was just so bossy. Not about people. Well.
• 18:07
  Speaker 1: not about people's love lives, but about their personal lives.
• 18:13
  Speaker 1: That doesn't involve other people. I don't know. I mean,
• 18:15
  Speaker 1: maybe kind of, I guess it was, it was, listen,
• 18:16
  Speaker 1: we're all changing. Okay. So she's like, you know, obviously
• 18:24
  Speaker 1: pissed at him. And at this point she's like, don't
• 18:28
  Speaker 1: even come back, you know? And, um, He goes back
• 18:38
  Speaker 1: into Bonita's room and there is this other annoying drama
• 18:42
  Speaker 1: and the annoying drama of this other small situation is
• 18:45
  Speaker 1: that he procured a large amount of goods, designer goods,
• 18:49
  Speaker 1: clothing items, the whole situation. And what happened was he
• 18:52
  Speaker 1: had all of those things in a storage unit and
• 18:55
  Speaker 1: Benita needed money because he left her high and dry
• 18:58
  Speaker 1: with the kid. And so what did she do? She
• 19:00
  Speaker 1: sold a vast majority of it. But then what happened
• 19:03
  Speaker 1: was that she felt guilty about it. So then she
• 19:05
  Speaker 1: tried to buy back some of the choice or items
• 19:08
  Speaker 1: or whatever. But it was like, Mumu also knew there
• 19:13
  Speaker 1: was some like treachery afoot and then somehow got his
• 19:19
  Speaker 1: mom to like cut off the locks to see what his,
• 19:25
  Speaker 1: like what his, storage locker actually had in it at
• 19:29
  Speaker 1: a certain time is fucking convoluted. Okay. So it's just,
• 19:33
  Speaker 1: if it's annoying to you to hear this, just believe me,
• 19:35
  Speaker 1: it's like annoying to hear it. But anyway, he's like,
• 19:37
  Speaker 1: he finds his cologne and then he like wants to
• 19:39
  Speaker 1: go to a storage unit because it's like, yeah, he
• 19:41
  Speaker 1: cares about all his things. This is like the most
• 19:45
  Speaker 1: consumer materialistic person. Like, yeah, he really is just like,
• 19:48
  Speaker 1: I need to see women. kids things i need my
• 19:53
  Speaker 1: fancy shoes i need those jeans like you know it's
• 19:55
  Speaker 1: just i can't wait to be i guess and all
• 19:57
  Speaker 1: the lux goods any you know that kind of thing
• 20:00
  Speaker 1: so um he had gone through it obviously he's smoking
• 20:06
  Speaker 1: a blunt um When we see him reunite with his daughters,
• 20:12
  Speaker 1: it's really cute. He has two daughters, like I said.
• 20:15
  Speaker 1: One's Dior, and that's the daughter of him and Benita.
• 20:18
  Speaker 1: And he has this other beautiful little girl named Dream.
• 20:21
  Speaker 1: And when they see Dream, they're like, hey, girl. They're like,
• 20:25
  Speaker 1: your hair is so cute. It's so good. And she's like, hey,
• 20:30
  Speaker 1: my mom's homegirl did my hair. Like, girl, your mom's
• 20:34
  Speaker 1: homegirl did such a good job. Your mom's homegirl, yes.
• 20:40
  Speaker 1: She got that fucking hair laid, honey. But of course,
• 20:46
  Speaker 1: the way that he says, you know, hello to them
• 20:48
  Speaker 1: is sort of like surprising them. And they have not
• 20:51
  Speaker 1: really spent a lot of time with their dad, thought
• 20:53
  Speaker 1: that their dad was gone away. And so it's incredibly
• 20:55
  Speaker 1: moving because they're young girls to watch them just like
• 20:57
  Speaker 1: cry and be reunited. He actually also tears up. He
• 21:01
  Speaker 1: like can't, of course, deal. Like, and he is, you know,
• 21:04
  Speaker 1: like a tough guy. guy or whatever to so, you know,
• 21:09
  Speaker 1: to watch him really warm up and break down with
• 21:12
  Speaker 1: the ladies. It's like a really beautiful scene. I really
• 21:15
  Speaker 1: like watching them. Again, I already said, like, I think
• 21:17
  Speaker 1: that they, I'm so happy they're on the show. Yeah, like,
• 21:24
  Speaker 1: his mom is Nikita and she's so chic and Charles,
• 21:27
  Speaker 1: the stepdad, is also just so well-dressed. He has a sister, Logan,
• 21:32
  Speaker 1: that's there. Now, he says he doesn't want his daughters
• 21:38
  Speaker 1: being with a man like him, which when he says that,
• 21:42
  Speaker 1: it's like, okay. It's interesting because he does feel like
• 21:48
  Speaker 1: he wants so badly to be like, you know, kind
• 21:51
  Speaker 1: of like a bad boy who also just gets around
• 21:56
  Speaker 1: like a Rolling Stone, but also holding down multiple women
• 22:00
  Speaker 1: and all that stuff. And I get there's a certain
• 22:02
  Speaker 1: kind of like, cool factor of all of that. But
• 22:08
  Speaker 1: when he says he wouldn't want his daughters being with
• 22:11
  Speaker 1: a man like him, I wonder what his highest ideal
• 22:16
  Speaker 1: of a man that he'd want his daughters to be with.
• 22:21
  Speaker 1: And is there any part of him that also wants
• 22:24
  Speaker 1: to be that kind of man? Because it's like, I
• 22:28
  Speaker 1: don't want, if he was like, I want my daughters
• 22:31
  Speaker 1: to be with a square, which is like obviously an
• 22:33
  Speaker 1: archaic term, or just like, you know, a soft, someone
• 22:37
  Speaker 1: who is just whatever, boring or stuff. Like, I mean,
• 22:40
  Speaker 1: if he said that, then surely he wouldn't want to
• 22:42
  Speaker 1: be that kind of person. But I would wonder when
• 22:46
  Speaker 1: he thinks about the ideal suitor for his daughters, like,
• 22:51
  Speaker 1: could he also see a version of himself being that
• 22:54
  Speaker 1: type of man? And what is that type of man?
• 22:58
  Speaker 1: Someone who, you know, like, yeah, what kind of, does
• 23:02
  Speaker 1: this person have a job? What kind of job does
• 23:04
  Speaker 1: this person have? How does this person treat people or communicate? Like,
• 23:11
  Speaker 1: what are this person's, like, priorities and values? Like, would
• 23:13
  Speaker 1: he ever want to align himself with those things? So interesting.
• 23:16
  Speaker 1: It's like, I think about, I think I personally have
• 23:20
  Speaker 1: an annoying, like, perfectionist quality, like, riddled with also like
• 23:27
  Speaker 1: stuff doubt and fatigue. And therefore I can like, sort
• 23:29
  Speaker 1: of only like muster whatever I muster now. But I
• 23:32
  Speaker 1: have an utter need to better myself and whether I
• 23:35
  Speaker 1: do so in my life, truly who knows. But I
• 23:38
  Speaker 1: wonder like the highest ideal version of me is a
• 23:47
  Speaker 1: version of me now. Like I'm not, I'm not doing
• 23:51
  Speaker 1: things that are so far different. Like truly this person
• 23:55
  Speaker 1: that is like a better version of me, haha, like
• 23:57
  Speaker 1: the Fiona Apple song, you know, is motivated and incredibly
• 24:01
  Speaker 1: self-confident and self-assured and not reactive and doesn't take things
• 24:06
  Speaker 1: personally and rather lets things rolls off. And, you know, has,
• 24:10
  Speaker 1: and I sort of mind that like, doesn't assign unnecessary
• 24:19
  Speaker 1: meaning to things, but also just moves through things without
• 24:23
  Speaker 1: taking anything unnecessary on or draining energetically wise. And those
• 24:29
  Speaker 1: things are vastly different. But it isn't like I'm like, well,
• 24:31
  Speaker 1: this person is a homemaker mother who has had 17
• 24:40
  Speaker 1: children and lives in Denmark. Where I'm like, oh, that's
• 24:44
  Speaker 1: so not me. I mean, yeah, my ideal version of
• 24:46
  Speaker 1: me is a version of me now just with more money,
• 24:49
  Speaker 1: has a better career, and probably has... a better daily
• 24:54
  Speaker 1: routine and perhaps a more exciting love life. But I'm
• 25:01
  Speaker 1: just so tired, like I said. Anyway, let's get to sex,
• 25:06
  Speaker 1: shall we? So he tells Bonita that he is trying
• 25:12
  Speaker 1: to dig in them guts. Dig them up. Yeah, dig in, honey,
• 25:21
  Speaker 1: get in like a little scavenger. scavenger scavenger no that's
• 25:27
  Speaker 1: not what i want to say excavate excavate you know
• 25:34
  Speaker 1: like a little archaeologist i did it took a very
• 25:42
  Speaker 1: long time yeah he wants to you know go and
• 25:44
  Speaker 1: find pompeii dust off every artifact dig everything up in
• 25:51
  Speaker 1: her guts put them on display For America to learn. Yeah,
• 25:57
  Speaker 1: he is, you know, he, yeah, but he is so
• 25:59
  Speaker 1: excited to like, you know, rub up on Bonita. He
• 26:02
  Speaker 1: was just like, yeah, like that ass, you know, like
• 26:04
  Speaker 1: she looks good. He just like, remember what it's like.
• 26:07
  Speaker 1: He just loves it. It's so comforting. He says that
• 26:10
  Speaker 1: he just wants to ball her like a piece of paper.
• 26:14
  Speaker 1: All right. Pablo Neruda, you know what I'm saying? Like, geez.
• 26:25
  Speaker 1: It was a love song at that time. Ball you
• 26:29
  Speaker 1: like a piece of paper. I just want to scrunch
• 26:34
  Speaker 1: you up, roll you around in my palm and my hand,
• 26:41
  Speaker 1: and then toss you into the air and then go, Colby!
• 26:47
  Speaker 1: And then just watch as you fall to the ground
• 26:48
  Speaker 1: near a waste paper basket. I want to ball you
• 26:52
  Speaker 1: like a piece of paper. Okay. I mean, yes. Thank you.
• 26:57
  Speaker 1: I need it. Okay. So the next morning, the producer
• 27:01
  Speaker 1: comes to Benita's and guess what? Honey, Mumu was complaining
• 27:06
  Speaker 1: about a toothache. And so when she left to drop
• 27:09
  Speaker 1: the kids off, he left with a car. Now she's
• 27:13
  Speaker 1: popping up the balloons, cleaning up all the roses from her, like,
• 27:17
  Speaker 1: you know, she set up her like fuck fest with
• 27:19
  Speaker 1: him with all the rose petals and the candles and
• 27:21
  Speaker 1: all that stuff. Like one does, like they all do.
• 27:24
  Speaker 1: They love a decorated fuck fest. And now she's like,
• 27:28
  Speaker 1: what the fuck did all of this? All the kids,
• 27:32
  Speaker 1: all the signs. I put all those letters on the walls, everything. Where,
• 27:37
  Speaker 1: where the fuck is he? So he is, you know,
• 27:43
  Speaker 1: as I said, he does have a toothache and it's
• 27:48
  Speaker 1: convenient because then in allows him to have this window of,
• 27:53
  Speaker 1: I'm on someone else's time when they can see me.
• 27:56
  Speaker 1: And I'm also, I am in pain, so you should
• 28:02
  Speaker 1: feel bad for me. I'm in a sympathetic state, so
• 28:05
  Speaker 1: you can't be mad at me. You can only feel
• 28:08
  Speaker 1: bad for me. I have a toothache. I've been in prison.
• 28:11
  Speaker 1: They probably didn't have great Tooth care, you know that?
• 28:15
  Speaker 1: Dentist care, that's what they call it. They actually don't
• 28:17
  Speaker 1: even call it dentist care. They just call it tooth care.
• 28:19
  Speaker 1: That's how bad it is, prison. Anyway, he calls Gigi
• 28:25
  Speaker 1: to pick him up because he's like, yeah, this is
• 28:27
  Speaker 1: my way to get around. Now, of course, Gigi doesn't
• 28:30
  Speaker 1: have a car. So what he's doing is he's asking
• 28:32
  Speaker 1: Gigi to get an Uber for herself over to him
• 28:37
  Speaker 1: and then pick him up in that Uber and bring
• 28:39
  Speaker 1: him back. Now, she's not happy. with him because she
• 28:47
  Speaker 1: knows that he's been suspect. So she's like, I, listen,
• 28:52
  Speaker 1: I don't want to have to do that. I'll get
• 28:53
  Speaker 1: you a ride and you can just come over here,
• 28:55
  Speaker 1: but I'm not going to fucking do that. Do that.
• 28:57
  Speaker 1: I'm just going to have you come over here and
• 28:59
  Speaker 1: then I'm going to give you the cold shoulder. So,
• 29:00
  Speaker 1: you know, I'm upset. So he does, he goes to
• 29:04
  Speaker 1: Gigi's and like, he has this like shirt pulled over
• 29:06
  Speaker 1: his mouth to really signify that he's barely alive. When
• 29:13
  Speaker 1: he walked through that door, I mean, it's like you
• 29:15
  Speaker 1: could be looking at an angel. The toothache is that bad.
• 29:20
  Speaker 1: Devastating toothache. The doctor, the urgent care said they haven't
• 29:24
  Speaker 1: seen a tooth that bad in so long. So painful.
• 29:28
  Speaker 1: How am I still alive? They were like, you must
• 29:30
  Speaker 1: be an incredibly strong, tough guy. Must just be the
• 29:37
  Speaker 1: love of a good, hot woman. Keeping you alive through
• 29:41
  Speaker 1: this pain. You better go to her. You better call
• 29:45
  Speaker 1: her for a ride. See if she'll come to you.
• 29:47
  Speaker 1: That's what they said. And here I am. Gigi. You know.
• 29:51
  Speaker 1: And she's still... She won't kiss him. She's like, let's
• 29:56
  Speaker 1: go walk the dog. We... We know what that means.
• 30:02
  Speaker 1: He says he slipped up. She's like, who was at
• 30:06
  Speaker 1: your mom's house? And at this time, honey, this is
• 30:09
  Speaker 1: when the producers go absolutely bananas because they're in Baltimore, Maryland.
• 30:15
  Speaker 1: And then we're supposed to believe that Benita now is like,
• 30:18
  Speaker 1: this fucker left my house for this toothache. And now
• 30:21
  Speaker 1: he's not answering his phone. I don't trust him. So
• 30:27
  Speaker 1: I'm going to get in this car. I think it's
• 30:29
  Speaker 1: the car that his mom gave me. And I'm going
• 30:31
  Speaker 1: to drive around this town, which I think is a
• 30:39
  Speaker 1: major metropolitan city. Find them. I can do that. I'm Bonita. Anyway,
• 30:50
  Speaker 1: so the way they cut it is literally like Bonita driving.
• 30:56
  Speaker 1: And they do this a lot. It's perfect. Where they have...
• 31:00
  Speaker 1: Like 0.5 seconds of her looking up and being like,
• 31:04
  Speaker 1: and like looking out the window in such a way
• 31:08
  Speaker 1: that we're like, oh my God, she sees them. And
• 31:11
  Speaker 1: then they'll edit, you know, somehow Moo Moo just looking
• 31:15
  Speaker 1: up from being outside with Gigi and being like, looking
• 31:20
  Speaker 1: around as if he somehow spots Benita in a car,
• 31:22
  Speaker 1: like barreling towards him. That's what they want us to
• 31:27
  Speaker 1: believe is going to happen. Babes, that crazy. That's crazy. Okay.
• 31:35
  Speaker 1: Bye babies. Okay. Let's move on to honey Dia and Cyrus.
• 31:43
  Speaker 1: Oh my God. Cyrus looks completely different from his mugshot
• 31:46
  Speaker 1: until now. And Dia, I mean, it's, it's a, it's
• 31:50
  Speaker 1: a sad Dia in the neighborhood, if you know what
• 31:52
  Speaker 1: I mean. Um, let's say stupid Mr. Rogers joke. It's
• 31:59
  Speaker 1: a beautiful day in the neighborhood. Okay. We're back in
• 32:04
  Speaker 1: Denver for a hotel and a hot tub. And they
• 32:11
  Speaker 1: say they're both chunky. He wants a margarita. So... He
• 32:21
  Speaker 1: calls his mom and he wants to go like spend time,
• 32:24
  Speaker 1: you know, with them. And the mom like wants to
• 32:27
  Speaker 1: see them. And it's very obvious that Dia feels completely
• 32:32
  Speaker 1: possessive and entitled to Cyrus's entire being for someone who
• 32:38
  Speaker 1: did not know him until he was in prison. That's
• 32:43
  Speaker 1: one of the weirder parts. Like, of course, the weirdest
• 32:46
  Speaker 1: part of this, if we have to remind ourselves where
• 32:50
  Speaker 1: we are in life, is that Dia met Cyrus because Dia,
• 32:56
  Speaker 1: Dia's ex, was Cyrus's cellmate. So when Cyrus's cellmate got
• 33:02
  Speaker 1: out of prison, she picked him up and it didn't
• 33:07
  Speaker 1: work out. And she, having had a relationship with Cyrus
• 33:13
  Speaker 1: just over the phone from talking to her last boo,
• 33:18
  Speaker 1: picked it up, honey, like, It was the exact same
• 33:21
  Speaker 1: person and just decided to do the exact same thing again.
• 33:25
  Speaker 1: Just pick someone up from prison, honey, and pretend the
• 33:29
  Speaker 1: other one didn't happen. She has a couple of kids. Okay,
• 33:33
  Speaker 1: so they are happy though in this moment because they
• 33:39
  Speaker 1: have what seems like a very weird sexual codependent relationship.
• 33:44
  Speaker 1: He seems really sad. you know, like he, you know,
• 33:47
  Speaker 1: did drugs, you know, he had like some sort of
• 33:50
  Speaker 1: future and he watched that all go away. And she
• 33:52
  Speaker 1: seems to be very strong minded. So I think something
• 33:56
  Speaker 1: about that is like promising or just he, it requires
• 34:01
  Speaker 1: of him less work when he has someone like that. So, um,
• 34:07
  Speaker 1: like I said, she feels entitled to spend all the
• 34:10
  Speaker 1: time with him that he has, uh, She wants him
• 34:15
  Speaker 1: to get approved to go to her house instead of
• 34:18
  Speaker 1: his mom's house, which I find always so interesting that's
• 34:22
  Speaker 1: even allowed that you can just get out of prison
• 34:26
  Speaker 1: and truly convene with someone you didn't know at all
• 34:34
  Speaker 1: until you were halfway through your prison sentence. I mean,
• 34:39
  Speaker 1: it'd be a personal liberty thing, but it's interesting that
• 34:42
  Speaker 1: you can, I guess, do that. Okay. Anyway. So, like
• 34:46
  Speaker 1: I said, he was going to be at his mom's house.
• 34:51
  Speaker 1: The way she says it is that. And then we
• 34:54
  Speaker 1: decided that he was going to come to our house instead,
• 34:57
  Speaker 1: my house instead. And I want to be like, we decided, girl?
• 35:01
  Speaker 1: You decided. So he goes to his parole office to
• 35:08
  Speaker 1: make sure that everything is in line with what they want.
• 35:12
  Speaker 1: She calls her sister waiting and she's just like so upset.
• 35:17
  Speaker 1: She's like, he better not get an ankle monitor because
• 35:20
  Speaker 1: then he won't be able to come to my house
• 35:22
  Speaker 1: and that will be so annoying. And it's always interesting
• 35:25
  Speaker 1: because it's all about what will make her life easy.
• 35:31
  Speaker 1: What she wants. She's very entitled to If there are
• 35:36
  Speaker 1: certain personality types that require someone to be accessible in
• 35:46
  Speaker 1: a prison dating pool as being like, you know, a
• 35:55
  Speaker 1: pro for you, it's just, there are certain personality types
• 35:59
  Speaker 1: that want that. For instance, We've seen like a kind
• 36:04
  Speaker 1: of sad, depressed guy who can't seem to keep a
• 36:12
  Speaker 1: girlfriend in the real world, a civilian lady interested, but
• 36:18
  Speaker 1: can find someone on the internet and certainly strike up
• 36:22
  Speaker 1: a pen pal conversation and somehow manages to swing $ 50
• 36:26
  Speaker 1: a month to put on the books. There's that type
• 36:30
  Speaker 1: of guy. But there's also, I think, A kind of
• 36:37
  Speaker 1: female that lives in a fantasy world that wants like
• 36:48
  Speaker 1: a prison prince. Like I think Carrington's kind of like that.
• 36:56
  Speaker 1: Like a Disney fairy tale prince. Prison Prince, like the
• 37:01
  Speaker 1: idea of that, like as if she is going to
• 37:04
  Speaker 1: tame the beast. Right. But the beast is like a
• 37:06
  Speaker 1: bad boy. You know what I'm saying? Kind of. That's
• 37:10
  Speaker 1: what feels like also is Dia's thing. So, of course,
• 37:16
  Speaker 1: he comes out to talk to them. And then he
• 37:20
  Speaker 1: says she needs to go talk to them. And 30
• 37:22
  Speaker 1: minutes later, she's crying and she's sad and she's so upset.
• 37:26
  Speaker 1: And the way she said it, she's like, I just
• 37:27
  Speaker 1: cannot believe we have to break the news to the
• 37:32
  Speaker 1: kids that he's not going to parole with them. As
• 37:38
  Speaker 1: if those kids have been like, mom. one thing happens
• 37:43
  Speaker 1: in this world, you better make sure that you have
• 37:46
  Speaker 1: different criminal men living with us. We're going to go
• 37:51
  Speaker 1: to therapy unless you make sure there's a revolving door
• 37:55
  Speaker 1: of weird white criminal men that live with us. Cause
• 37:59
  Speaker 1: there was the last one. And then he left mom
• 38:01
  Speaker 1: and we can't live without one. So where's this one mom?
• 38:05
  Speaker 1: You know? And she was like, I promise you, I
• 38:07
  Speaker 1: promise you I'll bring another one home. I mean, hilarious though.
• 38:11
  Speaker 1: That would be like, such a weird subversive horror film
• 38:16
  Speaker 1: where if there was like really bad, weird, fucked up kids,
• 38:21
  Speaker 1: like bad seeds, you know what I'm saying? Like weird
• 38:23
  Speaker 1: kids that required their like victim mom to get men
• 38:31
  Speaker 1: off prison dating sites, then to come parole with them.
• 38:36
  Speaker 1: Maybe the guys think they're like taking advantage of the
• 38:39
  Speaker 1: women or whatever. Like who knows who is like taking
• 38:41
  Speaker 1: advantage of who, but what if it's the kids that
• 38:44
  Speaker 1: want to fuck with the guys? And maybe it's like some,
• 38:49
  Speaker 1: don't steal the story from me by the way, I've
• 38:50
  Speaker 1: already copyrighted it. So I'm already in the WGA, but like, yeah,
• 38:54
  Speaker 1: could you imagine? And there was like some sort of
• 38:57
  Speaker 1: commentary on marginalized or like the most helpless of victims
• 39:05
  Speaker 1: being able to have their comeuppance. Okay. But guess what?
• 39:13
  Speaker 1: That's not what's happening. These fucking kids don't want this
• 39:17
  Speaker 1: man there. They don't want them there. It's awkward. They
• 39:20
  Speaker 1: don't know him. That's not comfortable for them. Just because
• 39:24
  Speaker 1: you have raised your voice, guess who's on the phone?
• 39:28
  Speaker 1: Like every time he's called is like not it. Also,
• 39:31
  Speaker 1: you're crazy. The way that he's like, oh my God,
• 39:35
  Speaker 1: I cannot tell my kids. That's not their father. And bitch,
• 39:42
  Speaker 1: you just did this. I wish some people just had
• 39:46
  Speaker 1: like an ounce of goddamn, sorry, an ounce of reflection
• 39:49
  Speaker 1: to be like, I wonder if this is a sign
• 39:54
  Speaker 1: that maybe I shouldn't bring some strange man home. Maybe,
• 39:58
  Speaker 1: I wonder if it is. He wrote her a card
• 40:06
  Speaker 1: because he's a sensitive guy. And they get to have
• 40:12
  Speaker 1: this moment where they check into the Alpine Chalet and
• 40:16
  Speaker 1: they call the kids out. And the kids are just yelling.
• 40:22
  Speaker 1: They're just kind of like yelling, crazy kids, probably like
• 40:26
  Speaker 1: cooped up. Haven't been like, you know, ran. You gotta
• 40:30
  Speaker 1: like run kids, you know what I'm saying? You gotta like,
• 40:32
  Speaker 1: like greyhounds, take them outside and make them run. And
• 40:37
  Speaker 1: if they're not run, they get, whatever the zoomies are,
• 40:41
  Speaker 1: they get feral. Truly. Anyway. Anyway. She's like, I just
• 40:49
  Speaker 1: have to like check this off the box and then
• 40:51
  Speaker 1: mommy can have mommy time. And mommy time is wine
• 40:53
  Speaker 1: time and you in that hot tub because we're just
• 40:55
  Speaker 1: gonna be fun, chubby people in a hot tub, like
• 40:58
  Speaker 1: little seals, just smacking our wet skin bodies across each other, honey.
• 41:05
  Speaker 1: You know, when you got little flabs and the flab
• 41:08
  Speaker 1: hits another piece of flab and then it's two flabs
• 41:11
  Speaker 1: flabbing against each other and making that sound, that little
• 41:13
  Speaker 1: slapping sound. And then it's a wet slapping sound. That's
• 41:17
  Speaker 1: what our bodies are going to be like in mere minutes. Okay,
• 41:26
  Speaker 1: so let's move on. K and, sorry, Zay and Carrington,
• 41:32
  Speaker 1: Xavier and Carrington. So as we know, Xavier is hot
• 41:39
  Speaker 1: and in prison and has sisters, Carrington and Carrington has
• 41:44
  Speaker 1: like a friend that was in prison and like that's
• 41:47
  Speaker 1: how she met him or something like a cousin or
• 41:48
  Speaker 1: something like that. I forgot exactly. But basically Carrington finds
• 41:52
  Speaker 1: Xavier to be incredibly hot and he is. Of course,
• 41:55
  Speaker 1: Xavier's sisters hate Carrington, hate her. Hate her with a
• 41:59
  Speaker 1: passion that rocks the heaven and the earth. And Xavier
• 42:02
  Speaker 1: has like a sort of like wifey boo that his
• 42:05
  Speaker 1: sisters love. And also she comes and like pays homage
• 42:10
  Speaker 1: to the sisters and like, you know, they feel like
• 42:12
  Speaker 1: she You know, like, whatever, chills well with them, but also, like,
• 42:16
  Speaker 1: you know, not fucking ruin a vibe. And Carrington, that's
• 42:22
  Speaker 1: her middle name, ruined vibe. Like, Carrington's aesthetic and point
• 42:28
  Speaker 1: of view is sometimes matronly, almost like in an 80s way. Like,
• 42:37
  Speaker 1: you think her name would be, like, Suzanne? Suzanne? There's
• 42:42
  Speaker 1: something about her that is from a different time and place.
• 42:45
  Speaker 1: She was raised by parents that were much older. That's
• 42:50
  Speaker 1: the exact vibe she has. Now, listen, don't get mad
• 42:53
  Speaker 1: at me because I don't think it's a bad thing.
• 42:55
  Speaker 1: I think it's a beautiful thing. But you know, when
• 42:58
  Speaker 1: you meet someone, it was much more obvious when I
• 43:03
  Speaker 1: was younger. Or I can see when people are in
• 43:07
  Speaker 1: their 20s and 30s, if they were raised by people
• 43:10
  Speaker 1: that were in their 50s and 60s, you know? It's
• 43:14
  Speaker 1: like that is the exact vibe Carrington gives with an
• 43:20
  Speaker 1: absolute touch of like ignorant delusion. If not just like
• 43:29
  Speaker 1: naivete or gullibility or. Yeah, she's just she's daft, very daft.
• 43:40
  Speaker 1: An inexperienced dad. But she sometimes says things... Okay, I'll
• 43:43
  Speaker 1: tell you. So basically, two things. Earlier on, Xavier was
• 43:51
  Speaker 1: supposed to come out of prison. But then he's like,
• 43:56
  Speaker 1: I'm not going to come out because I have disciplinarians... Disciplinaries?
• 44:03
  Speaker 1: On my record. Which means that he did bad things
• 44:07
  Speaker 1: and now he's not going to be paroled or whatever. And...
• 44:10
  Speaker 1: The bad things are not actually told to her, but
• 44:14
  Speaker 1: she just doesn't ask any questions. Now, she's used to
• 44:21
  Speaker 1: not asking questions because when she first started dating him,
• 44:25
  Speaker 1: he was sending her a bunch of money, says she,
• 44:29
  Speaker 1: and she didn't ask any questions. How he was getting
• 44:34
  Speaker 1: the money if he's in prison? Where the money coming from?
• 44:36
  Speaker 1: She zipped it. Now, the way she says that to
• 44:44
  Speaker 1: us makes it known that she had an idea that
• 44:49
  Speaker 1: it probably wasn't the best way to make money if
• 44:56
  Speaker 1: your goal is to be out of prison and never
• 45:03
  Speaker 1: go back. But that wasn't important to her. Her important
• 45:08
  Speaker 1: thing was, I got money, okay? Fast forward to now.
• 45:14
  Speaker 1: So she is gullible and she's a little daft. One
• 45:20
  Speaker 1: instance of her being daft is she's not allowed to
• 45:23
  Speaker 1: be on his phone record. So when he has to
• 45:26
  Speaker 1: call her, he has to just call his sister and
• 45:30
  Speaker 1: then his sister calls her and she somehow thinks the
• 45:33
  Speaker 1: sister just hangs up and doesn't listen to the entire conversations.
• 45:37
  Speaker 1: And surely they do. And that's one of the reasons
• 45:40
  Speaker 1: why they hate her. She's dumb. Okay. God bless. But
• 45:44
  Speaker 1: she's also in school and a full-time mom, honey. So
• 45:47
  Speaker 1: she's just like, look, I just, I really want a
• 45:50
  Speaker 1: hot man to come be my boyfriend, save me from
• 45:53
  Speaker 1: this life. And, you know, just like be my arm candy,
• 45:55
  Speaker 1: you know, and help me hold this life down because
• 45:57
  Speaker 1: he gave me money that one time and maybe he'll
• 45:58
  Speaker 1: do it again. And it's almost like a scam or the,
• 46:01
  Speaker 1: or the fact that he gave her that money once
• 46:03
  Speaker 1: it's like, she's like, well, I mean, I really want
• 46:07
  Speaker 1: him out. And the way that I can make sure
• 46:10
  Speaker 1: he gets out is this extra backdoor way he says works,
• 46:17
  Speaker 1: which is that for some reason, the American justice system
• 46:23
  Speaker 1: allows people to just sell other people money and then
• 46:32
  Speaker 1: things get expunged from records. Which is one of the
• 46:42
  Speaker 1: stupidest things to think actually happens. I, unfortunately, would assume
• 46:50
  Speaker 1: it happens like on a much higher level. Like you
• 46:57
  Speaker 1: have to, you know, invest in someone's venture capitalist thing
• 47:00
  Speaker 1: through your LLC, blah, blah, blah, blah, blah, to expunge your,
• 47:06
  Speaker 1: you know, uncle's prison record and get him released from
• 47:11
  Speaker 1: jail like you have to like that you know like
• 47:12
  Speaker 1: that kind of you know that weird that high-ass political
• 47:18
  Speaker 1: shit i just can't imagine that in the year of
• 47:21
  Speaker 1: our lord 2026 that the american justice system works in
• 47:26
  Speaker 1: such a way that people can just hack into computer
• 47:30
  Speaker 1: systems and just delete people's files from their prison situations
• 47:37
  Speaker 1: there's a lot of extra words He's like, that's how
• 47:41
  Speaker 1: hard it is for me to believe it. I can't
• 47:42
  Speaker 1: even get through the sentence. So she's like, okay. So
• 47:46
  Speaker 1: he gave me money. So all he's asking is 300
• 47:49
  Speaker 1: zel to this person. All right. So I'll do it.
• 47:51
  Speaker 1: I'll do it. Fine. I'll do it. And we're all like, well, good.
• 47:55
  Speaker 1: You deserve to lose that money because you got money
• 47:58
  Speaker 1: and you were happy to know not where it came from.
• 48:01
  Speaker 1: And you probably assumed that it came from not the
• 48:03
  Speaker 1: greatest source. And so, you know, you're paying that back.
• 48:06
  Speaker 1: I mean, not to the people that you should, but
• 48:09
  Speaker 1: you know what? She goes to his sister's house because
• 48:13
  Speaker 1: she's been wanting to meet up with Carly the entire time,
• 48:16
  Speaker 1: but Carly wants nothing to do with her. And so, unfortunately,
• 48:21
  Speaker 1: Chimerica is there and Chimerica just woke up, honey, and
• 48:23
  Speaker 1: Chimerica has to just make a quick dinner for her
• 48:25
  Speaker 1: kids and is going to deal with this bitch for
• 48:28
  Speaker 1: this one scene. Chimerica has a Wendy's cup and thinks
• 48:36
  Speaker 1: Carrington is so naive and she's like, You think that
• 48:43
  Speaker 1: our brother is your future husband and you don't even
• 48:46
  Speaker 1: know him. Carrington's like, no, I know him. I know
• 48:52
  Speaker 1: him better when he's out of prison. That's why I
• 48:54
  Speaker 1: gave him that money. I zeldened the money. She's like, oh,
• 48:56
  Speaker 1: you zeldened a drug addict's money? Is that what you did?
• 49:01
  Speaker 1: Because I know my brother. Yeah, he's, that's his thing. Drugs,
• 49:06
  Speaker 1: of course. Yeah, how does he get the drug's money?
• 49:10
  Speaker 1: And it's Cash App, like Zelle Cash App, that whole situation.
• 49:12
  Speaker 1: That's the best way to do it. So thank you
• 49:16
  Speaker 1: for that. That's a real smart girl. You're going to school,
• 49:20
  Speaker 1: you said? You're going to school? Is it beauty school?
• 49:27
  Speaker 1: She does air fries, some chicken tenders, honey, and some
• 49:30
  Speaker 1: fries for her kids, honey. Just love an air fry.
• 49:35
  Speaker 1: Tells her that Cash App was dumb. He's been on
• 49:37
  Speaker 1: drugs the entire time. And you would absolutely see that
• 49:41
  Speaker 1: he was on drugs if you, I don't know, video
• 49:43
  Speaker 1: chatted him. Carrington is upset and cries. Sister's like, do
• 49:51
  Speaker 1: you want a shot? And Carly is like, literally must
• 49:58
  Speaker 1: be like, Shmerica, text me when she's gone. I won't
• 50:00
  Speaker 1: come home until she's gone. I will not look at
• 50:02
  Speaker 1: her that. I can't. I can't, my guys. I can't
• 50:04
  Speaker 1: even deal with that crazy bitch. I think that Carly,
• 50:06
  Speaker 1: I mean, I wish Carly would because I feel like there's,
• 50:09
  Speaker 1: unspoken things carly if he almost feels like is so
• 50:11
  Speaker 1: embarrassed by carrington's like entire being like it's too cringy
• 50:15
  Speaker 1: for carly as of yet to be on camera with
• 50:18
  Speaker 1: her shamerica's like listen get the fuck out i gotta
• 50:24
  Speaker 1: feed my kids i can't look at your face you're
• 50:27
  Speaker 1: dumb bye so then she goes to the old mill
• 50:31
  Speaker 1: to think she's like butterflies always symbolized our relationship just
• 50:37
  Speaker 1: like mariah carey It's like if you let one go
• 50:40
  Speaker 1: and it comes back to you, it's what it was
• 50:43
  Speaker 1: supposed to be. But you must let it fly free.
• 50:46
  Speaker 1: And so I've let Xavier fly free with my $ 300.
• 50:49
  Speaker 1: So it really wasn't free. It was like fly with
• 50:53
  Speaker 1: my money. But she hasn't heard from him. So she,
• 50:56
  Speaker 1: you know, sends him a breakup text because she likes closure.
• 51:01
  Speaker 1: She doesn't hate him, but she does wish him peace.
• 51:05
  Speaker 1: And she just stomps away in her like sensible black
• 51:08
  Speaker 1: satin pumps. Felicia and Rich. So they leave her Aunt
• 51:15
  Speaker 1: Stephanie's house with her cousin Haley. And this is what's up.
• 51:21
  Speaker 1: Felicia and Rich are going to go have their time
• 51:23
  Speaker 1: together now in Nolens. However, as we know, Felicia has
• 51:27
  Speaker 1: been in prison since she's been 17. And hasn't been
• 51:30
  Speaker 1: with a man this whole time. And she's young or whatever.
• 51:32
  Speaker 1: And so she, I think, feels uncomfortable. And by I think,
• 51:36
  Speaker 1: she does. She makes it very clear. She expresses that.
• 51:39
  Speaker 1: She runs over to her cousin last minute. She's like,
• 51:41
  Speaker 1: come with me. Come with me. Haley, the light is fading.
• 51:51
  Speaker 1: I'm so sorry that I keep singing. But basically, she's like, Haley,
• 51:53
  Speaker 1: come with me. I can't do it. Just be a bogo.
• 51:57
  Speaker 1: Buy one, get one free. Yeah. You're like the hooligan cousin.
• 52:01
  Speaker 1: That's the free one. I'm just afraid to interact with
• 52:05
  Speaker 1: a man. How do you do it? It's so weird.
• 52:07
  Speaker 1: I don't know how to do it. Haley. So they like, so, okay.
• 52:12
  Speaker 1: It's that they say something and then you say something
• 52:15
  Speaker 1: and then they kind of just like, what smile, look
• 52:17
  Speaker 1: at you. And then there's like, there's just silence and
• 52:20
  Speaker 1: you just wait or would, I don't, what do you
• 52:30
  Speaker 1: do there? Like, you know, like, because you can't imagine
• 52:34
  Speaker 1: that like Rich is full of like conversation topics that
• 52:39
  Speaker 1: a Felicia would love to talk about. I don't know
• 52:44
  Speaker 1: what Felicia's into. Charlie XCX? I literally don't know. Someone
• 52:51
  Speaker 1: would have to tell me. Anime? Anyway, you know, so
• 52:57
  Speaker 1: it's like, Maybe Rich is in anime, probably certain kinds, hentai. Anyway,
• 53:02
  Speaker 1: why am I talking about this? So they're obviously all
• 53:05
  Speaker 1: going to hang out. And, you know, here's the good
• 53:07
  Speaker 1: news is, you know, Rich has another weird friend. So
• 53:10
  Speaker 1: he's just hanging around there. So Haley has like someone.
• 53:15
  Speaker 1: They are double dating and they get frozen daiquiris. Now,
• 53:19
  Speaker 1: if you have been to Louisiana, know that, yeah, that
• 53:23
  Speaker 1: frozen daiquiris and me go hand in hand. I love
• 53:26
  Speaker 1: a frozen daiquiri. And I love the fact that in Louisiana,
• 53:29
  Speaker 1: you can do any of the following things. A, drive
• 53:33
  Speaker 1: up to a frozen daiquiri stand and get a frozen
• 53:39
  Speaker 1: daiquiri with alcohol in it in styrofoam, just drive away.
• 53:42
  Speaker 1: And in every flavor and all the flavors you'd want,
• 53:45
  Speaker 1: like Hawaiian ice, that kind of thing. My cousin, my
• 53:51
  Speaker 1: cousin's daughter, so it was my little cousin's cousin. Anyway,
• 53:54
  Speaker 1: shout out to Selma. Who works in a daiquiri drive
• 53:59
  Speaker 1: up in Kinder, Louisiana? So if you were ever in Kinder, Louisiana,
• 54:02
  Speaker 1: and you would like, that being to have a drive
• 54:06
  Speaker 1: up daiquiri, to have a daiquiri out in public. I mean,
• 54:09
  Speaker 1: just to like have a frozen treat and be kind
• 54:11
  Speaker 1: of fucked up. Around, honey, out and about. On the town,
• 54:18
  Speaker 1: get one. Okay. I just love that so much. And so,
• 54:21
  Speaker 1: you know, if you are a 90-day fiancé person, then
• 54:25
  Speaker 1: you've been enjoying New Orleans in the storyline of Mito
• 54:28
  Speaker 1: and Debbie. And I mean, you know, just nothing's better
• 54:30
  Speaker 1: than New Orleans. It's such a great town. It's also
• 54:33
  Speaker 1: a town of voodoo and mysticism, you know, as you know.
• 54:35
  Speaker 1: And so she stumbles upon a tarot card reader and
• 54:39
  Speaker 1: she's like, I want to get mine done. And, you know,
• 54:42
  Speaker 1: it'd be interesting. The tarot card reader was like, huh,
• 54:47
  Speaker 1: such an interesting story. Life, I see you haven't experienced much.
• 54:50
  Speaker 1: It's such a brand new world for you. You've just
• 54:52
  Speaker 1: been so sheltered. She's like, mm-hmm, in prison. Okay. So she,
• 54:59
  Speaker 1: this is how she states it. She's like, I'm going
• 55:03
  Speaker 1: to ask what the status of my journey is going
• 55:06
  Speaker 1: to be. The status of your journey is going to be.
• 55:11
  Speaker 1: The status of your journey is going to be. What
• 55:15
  Speaker 1: a word salad. Like, what? What? Honey, she, so here
• 55:22
  Speaker 1: is what happened. And this is like the crux of
• 55:25
  Speaker 1: the miscommunication. Obviously, Felicia and Rich have been talking for
• 55:30
  Speaker 1: a long time, but they had never met in real life.
• 55:33
  Speaker 1: And they've been talking a long time while she's in prison. Okay.
• 55:36
  Speaker 1: And then when they met real life, when they were
• 55:38
  Speaker 1: at the Italian restaurant with her whole ass family, he
• 55:41
  Speaker 1: sort of like dropped this nugget of information. And it
• 55:44
  Speaker 1: was that he had been married. Previously. And his weird
• 55:50
  Speaker 1: friend was there. And when his weird friend heard that,
• 55:52
  Speaker 1: he was like, what? He's like, yeah, I was married,
• 55:58
  Speaker 1: not anymore. And his friend's like, what? He's like, yeah, no, yeah.
• 56:02
  Speaker 1: And so Felicia's like, what? What doesn't the friend know?
• 56:07
  Speaker 1: Felicia thinks the friend didn't know that he got divorced.
• 56:12
  Speaker 1: And Felicia thinks the friend didn't know that because it
• 56:16
  Speaker 1: never happened. Felicia thinks... that Rich is lying about the divorce.
• 56:22
  Speaker 1: And that's why the friend didn't know that a divorce
• 56:25
  Speaker 1: had happened. It hadn't. But what Rich is trying to
• 56:29
  Speaker 1: say is that his friend didn't even know that he
• 56:34
  Speaker 1: had gotten married. His friend's like, what? And it's because
• 56:39
  Speaker 1: his friend didn't even know he was married. I never
• 56:43
  Speaker 1: really guessed close. Or Rich is like, I don't really
• 56:46
  Speaker 1: talk about myself that way. You don't talk about yourself
• 56:50
  Speaker 1: in the way in which you get married, like major
• 56:53
  Speaker 1: life things happen. What kind of friend is this? Is
• 56:55
  Speaker 1: this just your weird drug stoner friend? Is this one
• 56:59
  Speaker 1: of those male relationships that exists on the most thinly
• 57:07
  Speaker 1: sliced of an artificial superficial level? Where you don't know
• 57:14
  Speaker 1: anything about each other, but you just exist to breathe
• 57:17
  Speaker 1: the same air so that you both sort of solve
• 57:21
  Speaker 1: each other's loneliness epidemic. You know? Just body double in
• 57:29
  Speaker 1: the same room so you know that you're both alive.
• 57:32
  Speaker 1: You don't talk. And Richard's like, oh no, he doesn't
• 57:36
  Speaker 1: know I was married. Was it a quick... What happened...
• 57:42
  Speaker 1: The problem is Rich thinks that that's a good excuse,
• 57:45
  Speaker 1: but it, of course, invites one billion other questions. And
• 57:50
  Speaker 1: Rich is not forthcoming with any of it. He wants
• 57:59
  Speaker 1: to run away from the entire conversation as fast as
• 58:03
  Speaker 1: humanly possible. The opposite of transparent. He knows he's in
• 58:06
  Speaker 1: deep waters and he's like, fuck, where's that daiquiri stand? So,
• 58:15
  Speaker 1: she wants proof that he's divorced, and he's like, you know, yeah,
• 58:22
  Speaker 1: he just doesn't really answer that. He's like, yeah, I
• 58:24
  Speaker 1: keep my friends on a need-to-know basis. I keep my
• 58:27
  Speaker 1: women on an even stricter basis of doesn't even need
• 58:31
  Speaker 1: to know. That's like my women not knowing. And they fight,
• 58:38
  Speaker 1: but then it's all fine. Then in the morning, they
• 58:40
  Speaker 1: wake up all together. she has to kick her cousin out.
• 58:43
  Speaker 1: She's like, okay, bye. I'm over it. I'll be around
• 58:46
  Speaker 1: him now. Haley's like, thank you. I'm gonna go back
• 58:50
  Speaker 1: to Stephanie. All right, baby booze. Thusly ends this episode
• 58:55
  Speaker 1: of Love After Lockup. I have a lot more coming.
• 58:58
  Speaker 1: I'm so excited to be back for this new season, honey.
• 59:02
  Speaker 1: This new year, it is a school year and I
• 59:05
  Speaker 1: am in session. So expect more episodes. Make sure you
• 59:09
  Speaker 1: will are following me as much as possible in all
• 59:12
  Speaker 1: the freeways. And you can also do the non-freeways if
• 59:15
  Speaker 1: you would like. But let me tell you, I'm going
• 59:17
  Speaker 1: to be doing YouTube lives for pop culture and just like,
• 59:22
  Speaker 1: you know, chitter chatter so I can connect and have
• 59:25
  Speaker 1: all of my opinions be absolutely free. presently validated in
• 59:31
  Speaker 1: real time by chat. So that's why I like that.
• 59:34
  Speaker 1: That's on YouTube. You can go, I'm doing them Tuesdays
• 59:38
  Speaker 1: and or Wednesdays around afternoon time. So it's going to be,
• 59:42
  Speaker 1: I'm still figuring that out. So make sure you go follow, subscribe,
• 59:47
  Speaker 1: like my videos and comment after they go up. You
• 59:50
  Speaker 1: can also pay me $ 5, patreon.com slash Chris Farah for $ 5.
• 59:54
  Speaker 1: You get everything I do first and foremost, unedited and
• 59:59
  Speaker 1: the podcasts in their totality without commercials before anyone else.
• 1:00:05
  Speaker 1: And then I have to add commercials after a certain
• 1:00:07
  Speaker 1: amount of time. Besides that, you can join Vanity Pharah
• 1:00:12
  Speaker 1: on Facebook or like my page, Chris Pharah. You can
• 1:00:15
  Speaker 1: also follow me. I'm at Chris L. Pharah on TikTok
• 1:00:18
  Speaker 1: and on Instagram. I love you guys and I appreciate
• 1:00:21
  Speaker 1: you guys. Thank you guys so much for hanging out
• 1:00:24
  Speaker 1: with me and listening to my dumb voice, but also
• 1:00:27
  Speaker 1: I appreciate all the really warm, beautiful thoughts and feelings
• 1:00:34
  Speaker 1: that you've shared with me in comments, DMs, and all
• 1:00:38
  Speaker 1: those things. No one is perfect, and I know that
• 1:00:41
  Speaker 1: I'm not either. So the fact that you would want
• 1:00:44
  Speaker 1: to listen to me talk for any amount of time,
• 1:00:47
  Speaker 1: I'm incredibly thankful for. So Let me put my hand
• 1:00:51
  Speaker 1: to my heart and let me be present in this moment.
• 1:00:54
  Speaker 1: And let me share my warmth and joy and peace
• 1:01:00
  Speaker 1: with you so that you can share yours with others, right?
• 1:01:06
  Speaker 1: That's why I say that. So my hands on my heart,
• 1:01:08
  Speaker 1: I'm going to take two breaths. I'm with everyone doing
• 1:01:12
  Speaker 1: it with me right now. I am honoring the present
• 1:01:15
  Speaker 1: moment and I'm breathing deeply. as part of the universal
• 1:01:21
  Speaker 1: energy that connects us all. Okay. All right, baby boos,
• 1:01:55
  Speaker 1: take care of yourselves and one another. Stand up for
• 1:01:58
  Speaker 1: what you believe and make art. And I'll talk to
• 1:01:59
  Speaker 1: you later. Bye.