Latest / The Ben and Ashley I Almost Famous Podcast / Kissing In Action (Farmer Wants A Wife S4 E4)

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Kissing In Action (Farmer Wants A Wife S4 E4) · The Ben and Ashley I Almost Famous Podcast

• 0:00
  Speaker 1: This is the almost Famous podcast with iHeartRadio.
• 0:05
  Speaker 2: Hey everybody, Bob Getty here with a little bit famous
• 0:08
  Speaker 2: of course, part of the almost Famous podcast, and today
• 0:11
  Speaker 2: I am a super producer to the stars Heather Munday.
• 0:16
  Speaker 2: We are talking about Farmer Wants a Wife, Episode four.
• 0:21
  Speaker 3: It is episode four.
• 0:22
  Speaker 1: Before we dive in, though, I just want to say,
• 0:25
  Speaker 1: we got quite a few comments and messages about last
• 0:28
  Speaker 1: week's episode about my square dancing debacle.
• 0:32
  Speaker 3: And I was the only one who ever experienced that.
• 0:35
  Speaker 4: You were not.
• 0:36
  Speaker 3: The answer is no, a lot of people had to.
• 0:38
  Speaker 1: Somebody even commented that they had to do it in
• 0:40
  Speaker 1: high school, which actually sounds even more traumatizing than junior
• 0:44
  Speaker 1: high when I had to do it.
• 0:45
  Speaker 3: But so thank you.
• 0:48
  Speaker 1: To our listeners out there who verified that I was
• 0:51
  Speaker 1: not the only one in Southern California who had to
• 0:53
  Speaker 1: learn how to square dance in junior high and that
• 0:56
  Speaker 1: they were traumatized by it as well. So thanks for
• 1:00
  Speaker 1: that this episode overall, before we dive into it, what
• 1:05
  Speaker 1: we're what we're kind of some of your general thoughts
• 1:08
  Speaker 1: and feelings, and how are you feeling so far in
• 1:10
  Speaker 1: the season.
• 1:11
  Speaker 2: Well, let me say this first and foremost, I'm so
• 1:13
  Speaker 2: thankful people are listening to these It looks like they're
• 1:16
  Speaker 2: pretty I'm pretty popular, so that's been pretty nice. Yeah,
• 1:20
  Speaker 2: you know, I have to say going into this episode,
• 1:23
  Speaker 2: the things I was the most excited about were was
• 1:26
  Speaker 2: going to be the square off with Carson or is
• 1:30
  Speaker 2: it Cardi at Carson? And and then also kind of
• 1:33
  Speaker 2: seeing you know, what was going to take place throughout
• 1:36
  Speaker 2: the episode. But you know, I will say this, when
• 1:39
  Speaker 2: I was the Bachelor, the biggest fear of being the
• 1:43
  Speaker 2: Bachelor was, oh my god, what if women walk up
• 1:46
  Speaker 2: and are like, hey, I'm out?
• 1:48
  Speaker 4: You know.
• 1:48
  Speaker 2: I was terrified of that, and I think, you know,
• 1:51
  Speaker 2: thankfully I didn't experience it on my season, but I
• 1:53
  Speaker 2: know a lot of seasons that they have and people
• 1:56
  Speaker 2: would be like, you know, I mean I remember watching.
• 1:58
  Speaker 4: It when it would happen.
• 1:59
  Speaker 2: I'd like, oh god, that sucks, you know yeah, And
• 2:02
  Speaker 2: I thought that was something that really kind of stuck
• 2:04
  Speaker 2: out with me in this episode was how many people
• 2:10
  Speaker 2: were out yeah like Okay, I'm done, I'm done, including
• 2:14
  Speaker 2: our former bachelor, you know, contestant to the you know,
• 2:18
  Speaker 2: a million degree.
• 2:20
  Speaker 3: We're gonna have to dive, We're gonna have to dive.
• 2:22
  Speaker 3: Into all of that.
• 2:23
  Speaker 4: Well, I thought I missed something and all, honestly, I
• 2:25
  Speaker 4: was like, did I miss something?
• 2:26
  Speaker 3: You and me both She's tapping out, and.
• 2:28
  Speaker 2: It seems like this is the second part of a
• 2:30
  Speaker 2: conversation that I never saw the first part.
• 2:32
  Speaker 3: About exactly exactly.
• 2:34
  Speaker 1: So yeah, let's I guess dive in, go ahead and
• 2:37
  Speaker 1: kick us off as to where this episode starts.
• 2:40
  Speaker 2: Yes, so the episode basically picks up where we left
• 2:44
  Speaker 2: off right on the previous previous uh uh, I don't
• 2:48
  Speaker 2: even know where they're at. They're like a dance club
• 2:50
  Speaker 2: or something, and everybody's out there on the dance floor
• 2:52
  Speaker 2: is bugging down and having a good time, and it
• 2:54
  Speaker 2: sort of kicks off with I mean, if I'm wrong
• 2:58
  Speaker 2: about how it started, I felt like it's started with
• 3:01
  Speaker 2: people basically like going up and telling him, telling the
• 3:04
  Speaker 2: different farmers. And first of all, I do love that
• 3:06
  Speaker 2: they call each other like, hey, excuse me, farmer Brett.
• 3:09
  Speaker 2: H pardon me, farmer Braden. It's like it's like you
• 3:13
  Speaker 2: can just call him Brett, okay, but it's like, you know, hey,
• 3:16
  Speaker 2: excuse me, bachelor pop.
• 3:18
  Speaker 4: I get called that every day of my life to
• 3:19
  Speaker 4: this day. But I wasn't being called that on the show.
• 3:22
  Speaker 4: You know, it's so funny, So it's kind of funny
• 3:24
  Speaker 4: to hear that.
• 3:25
  Speaker 2: No.
• 3:25
  Speaker 1: The episode kicks off with us finding out in a
• 3:28
  Speaker 1: voiceover that Heather Martin has pulled Farmer brands aside and
• 3:33
  Speaker 1: told him she's leaving the experience.
• 3:35
  Speaker 3: I just want to say that this is.
• 3:40
  Speaker 1: This is so interesting because not only do we not
• 3:44
  Speaker 1: see the conversation between the two of them, we literally
• 3:49
  Speaker 1: just get in a voiceover and see her leaving, just
• 3:52
  Speaker 1: walking off.
• 3:53
  Speaker 2: Okay, so I'm going had a chance to listen yet,
• 3:55
  Speaker 2: But what did Heather Martin tell Ben and Nashley when
• 3:58
  Speaker 2: she came on the podcast about her ext it from
• 4:00
  Speaker 2: the show.
• 4:01
  Speaker 1: So she basically didn't say, you know, whether she exited
• 4:05
  Speaker 1: or not.
• 4:05
  Speaker 3: She couldn't give that away.
• 4:07
  Speaker 1: But we kind of got the gist that there wasn't
• 4:09
  Speaker 1: a love connection based on the conversation. She had my
• 4:14
  Speaker 1: feeling because I know, you thought, oh, maybe they're doing
• 4:16
  Speaker 1: some sort of editing trick.
• 4:18
  Speaker 4: Yeah, you'll bury the lead thing.
• 4:20
  Speaker 3: Bearing the lead, yeah, not giving her a lot of attention.
• 4:23
  Speaker 1: I will say, just in by the time we got
• 4:26
  Speaker 1: to episode two three, and we weren't seeing any screen time.
• 4:31
  Speaker 1: I kind of felt like the writing was on the
• 4:33
  Speaker 1: wall at that point, the ones who don't get screen
• 4:36
  Speaker 1: time that far in. I hate to say this, I
• 4:42
  Speaker 1: really do hate to say this.
• 4:43
  Speaker 3: Yeah, it means that they weren't good on camera. They
• 4:50
  Speaker 3: weren't good.
• 4:51
  Speaker 1: So it's not even about the connection, because it just
• 4:56
  Speaker 1: means that they weren't performing well. Because even if there's
• 4:58
  Speaker 1: no connection, we've seen the other Farmers not have connections
• 5:01
  Speaker 1: with certain people and pull them aside and kind of
• 5:04
  Speaker 1: set that up.
• 5:05
  Speaker 3: The fact that they're not.
• 5:06
  Speaker 1: Even acknowledging her at all basically on camera, to me,
• 5:13
  Speaker 1: as somebody who's worked on these shows, that that says
• 5:15
  Speaker 1: a lot to me. And you know, I think that
• 5:21
  Speaker 1: on The Bachelor, she had such a strong storyline. Right,
• 5:26
  Speaker 1: She's on the Bachelor with Colton. Colton is a known
• 5:29
  Speaker 1: virgin and she at the time had never been kissed.
• 5:32
  Speaker 1: That's a strong storyline for a bachelor. Well that was
• 5:37
  Speaker 1: quite a while ago, and she's definitely been kissed and
• 5:40
  Speaker 1: had some kisses since then, so the storyline has to
• 5:44
  Speaker 1: be different. And like we kind of said, are they
• 5:48
  Speaker 1: going to acknowledge that she's been on TV?
• 5:50
  Speaker 3: Before?
• 5:50
  Speaker 1: And they did not now that is a producer decision.
• 5:55
  Speaker 1: Had they done that, there would have been a storyline.
• 5:58
  Speaker 1: There would have been a was she here for clout?
• 6:01
  Speaker 1: Oh my gosh, she's ahead of the competition, she's already
• 6:04
  Speaker 1: done this before, YadA YadA, YadA, and she knows what
• 6:07
  Speaker 1: she's doing. We didn't get any of that, and we
• 6:12
  Speaker 1: didn't even get her telling, you know, Farmer Brett about anything. Now,
• 6:16
  Speaker 1: there is a clip floating online of her and Farmer
• 6:20
  Speaker 1: Brett having a conversation about their faith. To my knowledge,
• 6:26
  Speaker 1: I never saw that on the show. So I feel
• 6:29
  Speaker 1: like there were moments of her talking to Farmer Brett
• 6:32
  Speaker 1: that made it to the cutting room floor, And that's
• 6:36
  Speaker 1: not any faults of her own, you know what I mean. Like,
• 6:38
  Speaker 1: that's just sometimes what happens because unfortunately, when you air
• 6:43
  Speaker 1: on broadcast television, the show's got to air in a
• 6:47
  Speaker 1: very tight amount of time, like it's got a window.
• 6:51
  Speaker 3: So you know, on other shows that I've.
• 6:55
  Speaker 1: Worked on that have had the multiple lead thing, the
• 6:58
  Speaker 1: episodes have been longer, and they've been on streaming platforms.
• 7:04
  Speaker 1: When you try to cram all these people in and
• 7:07
  Speaker 1: give them each kind of their own moments on camera,
• 7:11
  Speaker 1: it doesn't happen, and we'll get to it later in
• 7:13
  Speaker 1: the episode where I had a moment where I went,
• 7:16
  Speaker 1: who is that?
• 7:17
  Speaker 3: Who is that standing there?
• 7:19
  Speaker 1: I actually didn't know who somebody was in a scene
• 7:22
  Speaker 1: and I was like, what's going on? Who is that person?
• 7:25
  Speaker 1: Why do I feel like I'm losing my mind that
• 7:28
  Speaker 1: I've never seen this person? But we'll get into it.
• 7:30
  Speaker 1: But yeah, So Heather Martin exited. We didn't even get
• 7:34
  Speaker 1: an exit interview. That's that's also to me super surprising,
• 7:39
  Speaker 1: right because we had we had quite a few women
• 7:42
  Speaker 1: this episode that did their own exits, and we even
• 7:46
  Speaker 1: got the goodbye to the other women. We even got
• 7:49
  Speaker 1: a tearful OTF, you know, on the before getting into
• 7:55
  Speaker 1: the car. So to me, you guys, I like Heather Martin,
• 8:00
  Speaker 1: but I think this says a lot when we're not
• 8:02
  Speaker 1: even getting an OTF, we're not even getting a goodbye
• 8:05
  Speaker 1: to the other women, And that is again a producer
• 8:09
  Speaker 1: decision of and I'm not saying she didn't do those things.
• 8:12
  Speaker 1: Maybe she did, and they were like, yeah, we actually
• 8:15
  Speaker 1: haven't given her any screen time, so we just are
• 8:18
  Speaker 1: going to skip over all of this with her, right right.
• 8:21
  Speaker 2: I mean, it was bananas, because I really will say
• 8:24
  Speaker 2: I didn't expect.
• 8:25
  Speaker 4: I mean, she came in like a lamb. I guess
• 8:28
  Speaker 4: I was thinking she might go out like a lion.
• 8:29
  Speaker 1: I don't.
• 8:30
  Speaker 2: I mean, she didn't go out at all. Like there
• 8:32
  Speaker 2: was just not even to remotely a ripple. I mean
• 8:35
  Speaker 2: that's and for someone with that kind of experience under
• 8:38
  Speaker 2: her belt, I'm shocked. But at the same time, I mean,
• 8:41
  Speaker 2: I guess it says you know, it says a lot
• 8:43
  Speaker 2: about the connection she must have not had on camera
• 8:45
  Speaker 2: because correct the girls. I mean, we didn't even get
• 8:48
  Speaker 2: to see if the girls were sad. But you know
• 8:49
  Speaker 2: what another thing that resonated with me was with so
• 8:51
  Speaker 2: many women self eliminating on this episode too, was I
• 8:55
  Speaker 2: felt what was interesting about that was it was almost
• 8:59
  Speaker 2: like they were more sad to leave the girls.
• 9:02
  Speaker 4: Oh that they had become friends with.
• 9:06
  Speaker 2: Yeah, it's okay, I mean I get it totally, and
• 9:08
  Speaker 2: then they walk over to the girls, They're like, oh
• 9:09
  Speaker 2: my god.
• 9:10
  Speaker 3: We'll get into it.
• 9:11
  Speaker 1: There was one specifically zero tears when she was getting
• 9:15
  Speaker 1: axed went to the girls.
• 9:17
  Speaker 4: I think it was ali Beth, right, and there was another.
• 9:20
  Speaker 1: And like ali Beth wasn't even crying when she told
• 9:23
  Speaker 1: the other girls, Macy started bawling that she was leaving,
• 9:27
  Speaker 1: and then Ali Beth cried in her ota.
• 9:32
  Speaker 3: Exactly, So okay.
• 9:33
  Speaker 1: So Heather Martin exits and then Sean and Macy have
• 9:37
  Speaker 1: another conversation. Macy pulls him for another chat, and you know,
• 9:44
  Speaker 1: from the last episode we already saw Macy was feeling
• 9:47
  Speaker 1: extremely insecure and upset over farmer Sean's decision to take
• 9:53
  Speaker 1: Rihanna back to the farm after saying he wasn't going to.
• 9:56
  Speaker 1: So she's really like putting it out there and she's
• 10:00
  Speaker 1: telling him, you know that she really doesn't like that
• 10:02
  Speaker 1: he you know, went back on his word when he
• 10:05
  Speaker 1: said she wasn't going. And he says he doesn't want
• 10:07
  Speaker 1: this to change anything between them because he's made this decision.
• 10:11
  Speaker 1: But then he like reassures her and she feels fine,
• 10:14
  Speaker 1: yeah about everything. That's the funny thing I think about
• 10:17
  Speaker 1: Macy is like she's really upset and then all he
• 10:20
  Speaker 1: has to do is be like, hey, you're cool, and
• 10:22
  Speaker 1: she's like, okay, I'm good, I'm good.
• 10:24
  Speaker 4: Okay, let's stand right, that's good. Yeah. It is interesting.
• 10:28
  Speaker 4: I mean, I think Macy really shows her age.
• 10:30
  Speaker 2: Right now you know when you're watching this, how you know?
• 10:33
  Speaker 4: First of all, come on, guys, it's a dating game show.
• 10:36
  Speaker 2: Let's not kid ourselves, right, and we all if you've
• 10:38
  Speaker 2: never been on one before, which the majority of the
• 10:41
  Speaker 2: world has not, you've definitely seen one. So it's like,
• 10:44
  Speaker 2: this is such a foreign concept to you. You know
• 10:46
  Speaker 2: what you're getting into.
• 10:47
  Speaker 4: I get it.
• 10:48
  Speaker 2: The emotions of it can be a little different and
• 10:50
  Speaker 2: maybe pull you in a different way. But to be
• 10:53
  Speaker 2: so insecure about it, and then to be so easily
• 10:56
  Speaker 2: comforted by it, and then to be so insecure about
• 10:58
  Speaker 2: it all over again, It's.
• 11:00
  Speaker 4: Like, these are some red flags, folks, the red flags
• 11:03
  Speaker 4: for me.
• 11:03
  Speaker 1: I also think it's good to like, these women are
• 11:06
  Speaker 1: so adorable, right, We've already said that.
• 11:08
  Speaker 3: Many times before.
• 11:10
  Speaker 1: But it's obvious to me when I watch these things
• 11:14
  Speaker 1: that most of them have never had to compete for
• 11:16
  Speaker 1: a man's attention ever in their life.
• 11:20
  Speaker 2: Isn't that?
• 11:20
  Speaker 4: Isn't that the whole science of these shows?
• 11:22
  Speaker 2: Though, like I say it all the time, I'm like
• 11:24
  Speaker 2: the women they are cast on these shows, it's.
• 11:27
  Speaker 4: Not like they can't get a date. It's like they've.
• 11:29
  Speaker 2: Always been probably the most popular girl at school or
• 11:31
  Speaker 2: the cheerleads team or whatever.
• 11:33
  Speaker 3: It's like these girls, the serial dater.
• 11:35
  Speaker 1: We always a lot of those who go from relationship
• 11:40
  Speaker 1: to relationship, and I always always say behind the scenes
• 11:42
  Speaker 1: that always be like, hot people don't stay single for
• 11:46
  Speaker 1: very long. And I still believe that, I still believe
• 11:49
  Speaker 1: that to be true. Is that hot people might a
• 11:54
  Speaker 1: grief for this. Hot people live in a different caliber
• 11:59
  Speaker 1: than non hot people.
• 12:01
  Speaker 3: And I'm saying that as a non hot.
• 12:04
  Speaker 1: Person that I can objectively no, no, no, I can objectively
• 12:08
  Speaker 1: see that they live in a different world. And I
• 12:12
  Speaker 1: feel that we get to see a portion of that
• 12:15
  Speaker 1: world when we watch these shows because they are so
• 12:21
  Speaker 1: confused sometimes when they get sent home rejected when there's
• 12:27
  Speaker 1: no chemistry, but they don't get to, like, you know,
• 12:30
  Speaker 1: acknowledge first that there's no chemistry, like it's just it
• 12:33
  Speaker 1: is extremely jarring to them. And that is because a
• 12:38
  Speaker 1: lot of them have never faced this before.
• 12:41
  Speaker 2: Well I've said this a million times, and you know
• 12:44
  Speaker 2: I've said it, so it's not this is not a
• 12:46
  Speaker 2: mystery to anyone who's ever heard me talk before. But
• 12:49
  Speaker 2: even when I was the Bacheler, I would say to people, guys,
• 12:52
  Speaker 2: this is.
• 12:52
  Speaker 4: Not about me.
• 12:53
  Speaker 2: Okay, if you could have a monkey up her hand
• 12:55
  Speaker 2: and on a flower, when someone doesn't get one, they're
• 12:57
  Speaker 2: gonna cry. And the reason they're gonna cry is because,
• 13:00
  Speaker 2: first of all, they got a producer going, so what
• 13:01
  Speaker 2: does this say about you? And they're challenging everything that's
• 13:04
  Speaker 2: in their head or the heart, how.
• 13:05
  Speaker 4: They feel about themselves.
• 13:07
  Speaker 2: But it's also because they've never lost to that bitch,
• 13:11
  Speaker 2: you know what I mean.
• 13:11
  Speaker 4: It's like, who's that check.
• 13:13
  Speaker 1: It's also got to be mortifying to be sent home
• 13:17
  Speaker 1: on television.
• 13:18
  Speaker 3: Do you remember that TV show next? The dating show next?
• 13:22
  Speaker 4: I don't think so.
• 13:23
  Speaker 1: Oh my god, Bob, that was actually the most mortifying
• 13:28
  Speaker 1: dating show of all time.
• 13:30
  Speaker 3: So really quickly, I'll just explain.
• 13:32
  Speaker 1: Next was there was a single person and then there
• 13:36
  Speaker 1: were a bunch of people on a bus, like the
• 13:39
  Speaker 1: opposite sex on a bus, and then they would get
• 13:43
  Speaker 1: off the bus and they would do like mini dates
• 13:47
  Speaker 1: and depending on like how long you stayed in the
• 13:51
  Speaker 1: date like equated to.
• 13:53
  Speaker 3: A dollar amount or something.
• 13:54
  Speaker 1: At the end of the show, Uh so people would
• 13:57
  Speaker 1: get off the bus and like start the daters. But
• 14:00
  Speaker 1: sometimes people would get off the bus and the main
• 14:03
  Speaker 1: dater would go next, and they just got off the
• 14:08
  Speaker 1: bus and had to get right back on. That was
• 14:10
  Speaker 1: the most mortifying dating show out there. Literally, can you
• 14:15
  Speaker 1: imagine walking down the steps and somebody going next.
• 14:18
  Speaker 4: Yeah, you don't need to say hell out, you're like next. Oh.
• 14:23
  Speaker 3: It was horrible.
• 14:24
  Speaker 1: I miss TV being mean, though sometimes I really do.
• 14:28
  Speaker 1: That was the kind of reality shows that raised me,
• 14:30
  Speaker 1: and I do kind of miss them sometimes.
• 14:32
  Speaker 4: That's the opposite of our Farmer Wants a Life.
• 14:34
  Speaker 1: That is literally the opposite of this show, the total opposite.
• 14:39
  Speaker 3: So we kind of hinted at it.
• 14:40
  Speaker 1: Next is Sean and Alibeth's conversation.
• 14:44
  Speaker 3: You know, we saw right.
• 14:46
  Speaker 1: This is kind of another thing that I pointed out earlier,
• 14:50
  Speaker 1: the episode where the farmers didn't send anybody home. We
• 14:54
  Speaker 1: had mass exodus on this, you know episode, because we
• 14:58
  Speaker 1: had farmers sending people home and we had girls self eliminating.
• 15:01
  Speaker 3: So he pulls Ali Beth.
• 15:03
  Speaker 4: Who is super cute, by the way, super cute.
• 15:05
  Speaker 1: When I saw her again on camera, I went, this
• 15:09
  Speaker 1: girl is so cute. It is such a combo of
• 15:14
  Speaker 1: how cute she is and that accent. I'm like, this
• 15:18
  Speaker 1: girl seems oh my god, and you know what I bet,
• 15:23
  Speaker 1: you know what I bet. If I'm the casting person,
• 15:26
  Speaker 1: I probably know I probably thought that this girl was
• 15:30
  Speaker 1: extremely charismatic in interview. But this is what happens is
• 15:34
  Speaker 1: you never know. Sometimes you get them out there and
• 15:37
  Speaker 1: you get them in the environment, or you get them
• 15:39
  Speaker 1: on camera yea, and they freeze or they become somebody different.
• 15:43
  Speaker 1: I know that I've had this experience where I've been like, whoa, whoa, whoa,
• 15:47
  Speaker 1: where's the person that I talked? Like their ear off,
• 15:50
  Speaker 1: like where is that person? And they It just doesn't
• 15:53
  Speaker 1: always translate. And so I feel like that maybe was
• 15:58
  Speaker 1: the case with Alibeth because she doesn't get me shy
• 16:00
  Speaker 1: reserved when she's like around the other girls. But I
• 16:04
  Speaker 1: mean something about her being with Farmer Sean on camera,
• 16:07
  Speaker 1: she you know, really clams up. And so he says
• 16:11
  Speaker 1: he's not feeling the connection and he has to follow
• 16:13
  Speaker 1: his heart. And she goes back and tells the other
• 16:16
  Speaker 1: women that she's going home, and Macy immediately bursts into tears,
• 16:20
  Speaker 1: which is hilarious because Macy is the one who's the
• 16:22
  Speaker 1: most pressed about the competition and there being too many women,
• 16:28
  Speaker 1: So like one girl's leaving and you're upset about that.
• 16:31
  Speaker 2: Yeah, I think it was this one girl. Like I
• 16:33
  Speaker 2: think it seems to me like Ali Beth really made
• 16:37
  Speaker 2: an impact on the other ladies because they're all like, here.
• 16:38
  Speaker 4: Are not and she's leaving and I'm like, what does
• 16:42
  Speaker 4: that even mean?
• 16:42
  Speaker 2: And they were like, I think sad that it was
• 16:45
  Speaker 2: her leaving, and that's what she starts crying like she
• 16:47
  Speaker 2: wouldn't cry it.
• 16:48
  Speaker 1: At all, was not crying at all. Wasn't crying at
• 16:50
  Speaker 1: all when he broke up with her. When she's talking
• 16:52
  Speaker 1: to the other girls. It's only in her OTF that
• 16:55
  Speaker 1: she starts crying when the producer is pressuring her off care.
• 17:00
  Speaker 4: Yeah, R what does it say about you? Do you
• 17:01
  Speaker 4: think you're ever going to have the family? Yeah? Cause
• 17:04
  Speaker 4: you imagine.
• 17:05
  Speaker 2: I know. Well, first of all, I know you can imagine,
• 17:07
  Speaker 2: because I know you've had to do it. But those
• 17:10
  Speaker 2: little exit interviews when it's like if they're not crying,
• 17:13
  Speaker 2: you're you're losing your job.
• 17:14
  Speaker 4: You're a producer, So.
• 17:16
  Speaker 3: First of all, it's really rough.
• 17:19
  Speaker 1: I can make somebody cry extremely quick.
• 17:24
  Speaker 3: It is a bit of an art.
• 17:25
  Speaker 1: I actually did make a man cry in under five minutes.
• 17:30
  Speaker 3: I thought, I think it was a record was that on.
• 17:32
  Speaker 4: Ben Higen's season because he cried a lot.
• 17:36
  Speaker 3: For Ben. Ben did cry a lot on his season.
• 17:41
  Speaker 3: Making people cry is a reason.
• 17:46
  Speaker 1: It's it's an honest reason why I don't like working
• 17:49
  Speaker 1: in production on set. There's a difference between making somebody
• 17:52
  Speaker 1: cry and an intimate conversation. And I feel like it
• 17:55
  Speaker 1: is intimate when it's just me doing an audition because
• 17:58
  Speaker 1: nobody else is around now. Granted, forty plus people will
• 18:01
  Speaker 1: end up watching said audition later, so it's not like
• 18:05
  Speaker 1: it's a private conversation. But there's a difference when you're
• 18:08
  Speaker 1: on set and your job is to make them cry.
• 18:13
  Speaker 3: It was a real struggle for me.
• 18:15
  Speaker 1: Because I had connections with my talent and when they
• 18:21
  Speaker 1: would cry, then I would start crying. And I've actually
• 18:24
  Speaker 1: been told by a producer, can you get it together
• 18:28
  Speaker 1: and go like walk away?
• 18:29
  Speaker 3: And I've been told that by somebody and been like, yeah, yes,
• 18:34
  Speaker 3: I'll take a minute.
• 18:34
  Speaker 1: But it's just like, oh, it's too rough for me.
• 18:38
  Speaker 1: I'm a little too sensitive to do it, and I
• 18:41
  Speaker 1: don't want to desensitize myself to the point where I'm
• 18:45
  Speaker 1: just making people cry and I like, don't care now Granted,
• 18:50
  Speaker 1: I have worked on shows. I won't say what show,
• 18:53
  Speaker 1: but I did work on a show where every single
• 18:58
  Speaker 1: audition was boohoo, bawling tears, and that was because it
• 19:04
  Speaker 1: was extremely sad and emotional, and so I did have
• 19:08
  Speaker 1: to put on some armor and just like quickly roll
• 19:11
  Speaker 1: through things. And it wasn't because I was trying to
• 19:15
  Speaker 1: minimize their pain by any means, but it was just
• 19:18
  Speaker 1: what the show was, and I had to do it. Now,
• 19:21
  Speaker 1: I would not do a show like that on the regular.
• 19:24
  Speaker 1: I much prefer a dating show, but not that anybody cares.
• 19:28
  Speaker 1: But that is why I objectively don't love to work
• 19:32
  Speaker 1: on set so much, is because of the making people cry.
• 19:35
  Speaker 3: Thing is not my favorite to do in person. It's rough.
• 19:39
  Speaker 1: But so when Ali Beth is crying in her exit interview,
• 19:43
  Speaker 1: I felt for her. But anyways, then we move on
• 19:47
  Speaker 1: to Farmer Brett and oh, man, I'm gonna get it wrong.
• 19:51
  Speaker 3: Is it Casey or Cassie?
• 19:52
  Speaker 1: I don't remember, uh, but he says he immediately pulls
• 19:57
  Speaker 1: her and start to let her down, And I thought, oh,
• 20:02
  Speaker 1: I was on the money with this one, because.
• 20:05
  Speaker 3: I said it. I said on that solo date.
• 20:10
  Speaker 1: The body language was not there, and we saw him
• 20:13
  Speaker 1: and that's when I was like, Okay, maybe I'm giving
• 20:15
  Speaker 1: him the benefit of the doubt. Maybe he doesn't have
• 20:17
  Speaker 1: it in him. But when I saw episode after episode
• 20:20
  Speaker 1: that he had it in him, I was like, that
• 20:22
  Speaker 1: girl is going home, Like the vibe is not there.
• 20:27
  Speaker 4: I couldn't believe it, Like that was my pick.
• 20:32
  Speaker 3: And she cries telling the other girl she's going home.
• 20:35
  Speaker 2: They all cried telling the other girls. That's what's so funny.
• 20:38
  Speaker 2: None of them are really breaking down.
• 20:40
  Speaker 4: With the guy.
• 20:41
  Speaker 3: No, no, they aren't.
• 20:43
  Speaker 1: And then we have this very interesting moment where Sean
• 20:48
  Speaker 1: and Emily walk off and start kissing.
• 20:53
  Speaker 4: It sounds like a horse chewing cut.
• 20:56
  Speaker 2: You're her cow chewing cut, Like I don't know what
• 20:59
  Speaker 2: the hell was going on with that kiss, but it's like.
• 21:02
  Speaker 1: I'm like, down, Farmer Sean loves to kiss. He is
• 21:08
  Speaker 1: a kiss He's a kisser. And meanwhile, I'm over here
• 21:12
  Speaker 1: waiting on baited breath for Farmer Brett to just get
• 21:15
  Speaker 1: one in and.
• 21:16
  Speaker 3: I want to know I'm not gonna lie.
• 21:19
  Speaker 1: When we get there, I actually screamed, like I actually
• 21:23
  Speaker 1: was like watching this and I.
• 21:24
  Speaker 4: Was like, yes, you go for a shot. You go
• 21:27
  Speaker 4: for it.
• 21:27
  Speaker 2: BA.
• 21:27
  Speaker 1: Sorry for anybody listening with headphones, but I actually was
• 21:31
  Speaker 1: thrilled by that. So anyways, we see the kiss, it's
• 21:35
  Speaker 1: total to me.
• 21:36
  Speaker 3: The kiss is on the racetrack.
• 21:39
  Speaker 4: It's a long way away.
• 21:41
  Speaker 1: It is a long way away, and they're shooting them
• 21:46
  Speaker 1: with a long shot, like they're not even on the
• 21:49
  Speaker 1: dirt with them. It's a long shot. It's at night,
• 21:53
  Speaker 1: it's not even well lived. You can hardly see them,
• 21:57
  Speaker 1: but you can hear them, so you know they're kissing.
• 21:59
  Speaker 1: So we'll come back to that because that was I'm
• 22:02
  Speaker 1: glad you noticed that as well.
• 22:04
  Speaker 2: You know what reminded me of Do you remember Joe
• 22:06
  Speaker 2: Millionaire of the original season with Evan Marriott?
• 22:10
  Speaker 4: Of course when they're in the mansion, Oh, when.
• 22:13
  Speaker 1: They have the kiss that we don't even have video
• 22:15
  Speaker 1: footage of we just hear the audio.
• 22:18
  Speaker 2: Or when they're in the bushes and there's like scratch,
• 22:20
  Speaker 2: tressu rush and you're like, what is going on in
• 22:22
  Speaker 2: that bush?
• 22:24
  Speaker 1: That's the bushes? That's what I remember from that show. Yes,
• 22:28
  Speaker 1: Oh my gosh, we're just having a walk down memory
• 22:30
  Speaker 1: lane with good TV from back in the day, that's
• 22:33
  Speaker 1: for sure.
• 22:34
  Speaker 3: Okay, So then they have to do their solo.
• 22:36
  Speaker 1: Date choices, and Farmer Brett chooses Hannah.
• 22:43
  Speaker 4: I felt these were all really predictable choices.
• 22:45
  Speaker 1: Very predictable, right because we said in a previous episode
• 22:50
  Speaker 1: the girl that gave him the wishing Star in the
• 22:52
  Speaker 1: first episode, he immediately invited back to the far like
• 22:55
  Speaker 1: she's been at the top of the list this whole time. Yeah,
• 22:59
  Speaker 1: Farmer Braid chooses Brittany, which is I think the only
• 23:03
  Speaker 1: other girl that he's talked to on his group, and
• 23:06
  Speaker 1: then Farmer Sean chooses Emily. And by the way, when
• 23:10
  Speaker 1: when he was up there and he was about to
• 23:11
  Speaker 1: make this choice, I was like, if you don't choose
• 23:14
  Speaker 1: Emily after kissing her, you're gonna look like a dick.
• 23:19
  Speaker 3: Like you're gonna look awful.
• 23:34
  Speaker 1: Then we go back to the farms and this is
• 23:36
  Speaker 1: where the drama ensues.
• 23:39
  Speaker 2: Okay, so finally, finally I've been tuning in for this
• 23:43
  Speaker 2: this whole time.
• 23:45
  Speaker 3: So Farmer Braden's farm.
• 23:47
  Speaker 1: Skuyler is like, she's like, I'm nervous like to join
• 23:51
  Speaker 1: this group, you know, because she's the new girl.
• 23:53
  Speaker 3: And they ask Carson, you know, how.
• 23:58
  Speaker 1: She's doing, and she gets is the most fake ass love.
• 24:05
  Speaker 4: It was like the weirdest I've ever heard in my life.
• 24:08
  Speaker 1: And the face and the face of sarcasm, it's just.
• 24:12
  Speaker 2: Like, well, one of the women, I don't know who
• 24:15
  Speaker 2: it was, goes, wow, that's the most awkward.
• 24:17
  Speaker 3: Laugh ever, literally literally Carson.
• 24:20
  Speaker 1: And so then Carson confronts the women and asks who
• 24:24
  Speaker 1: was talking about the house dynamics to Braden.
• 24:27
  Speaker 3: Yeah, and I'm going to give her kudos, Brittany.
• 24:30
  Speaker 4: Admits, yeah, I did.
• 24:32
  Speaker 1: He asked me about it, so I told him about it.
• 24:35
  Speaker 1: Now memory serves me correct, though that's not how it
• 24:38
  Speaker 1: went down.
• 24:39
  Speaker 2: I was gonna say I didn't think that was the case,
• 24:41
  Speaker 2: And in the moment I was like, wait a minute,
• 24:43
  Speaker 2: he did ask someone about it, but it wasn't her.
• 24:46
  Speaker 3: It wasn't her.
• 24:46
  Speaker 4: She was the one who brought it up.
• 24:48
  Speaker 2: And I think later he asks someone else like exactly,
• 24:51
  Speaker 2: how's everything going back there or whatever?
• 24:52
  Speaker 4: You know, But yeah, it wasn't Britney.
• 24:54
  Speaker 1: It wasn't Britney. Britney was the one who went to
• 24:56
  Speaker 1: him on her own and divulged the information about Carson.
• 25:01
  Speaker 3: Now, I'm not gonna lie.
• 25:04
  Speaker 1: I'm a little peeved because you and I both thought
• 25:09
  Speaker 1: We're gonna find out what Carson said behind the scenes.
• 25:12
  Speaker 3: Yes, we did not. No, That to me is bad producing.
• 25:19
  Speaker 4: It's a big miss.
• 25:20
  Speaker 1: Ye, it's a huge miss because I want to I
• 25:24
  Speaker 1: want the drama to build.
• 25:27
  Speaker 3: I want to know what was said.
• 25:30
  Speaker 1: I want the girls to then say, if you don't
• 25:34
  Speaker 1: tell Farmer Braiden, I'm gonna tell him.
• 25:36
  Speaker 3: He deserves to know.
• 25:38
  Speaker 1: Then I want to see if Carson actually does it
• 25:42
  Speaker 1: or I want to see the other girls go tell
• 25:44
  Speaker 1: Farmer Braiden, and I want to see Farmer Braiden have
• 25:47
  Speaker 1: some balls and eliminate her. I was actually not impressed
• 25:54
  Speaker 1: by this whole exit situation.
• 25:58
  Speaker 4: I wasn't a mass.
• 26:00
  Speaker 2: It was like, anybody who wants to go home can today,
• 26:03
  Speaker 2: and we're not going to put the pressure on the
• 26:05
  Speaker 2: farmers to send you home. So exactly, it's almost like
• 26:08
  Speaker 2: someone gave him a pep talk in the backroom, like, hey, listen,
• 26:11
  Speaker 2: a lot of you are going to go home today.
• 26:12
  Speaker 2: If you're not feeling a connection and you want to
• 26:13
  Speaker 2: bail or early, go ahead. That's almost how it felt, you.
• 26:16
  Speaker 1: Know, Carson, the language she chooses to use in this
• 26:20
  Speaker 1: exit is extremely strategic on her part, so she says,
• 26:26
  Speaker 1: you know.
• 26:28
  Speaker 3: First of all, she says that.
• 26:29
  Speaker 1: This you know, experience has been very triggering for her
• 26:33
  Speaker 1: because it reminds her of her pageant days and she.
• 26:39
  Speaker 4: Had to move States.
• 26:40
  Speaker 1: Was so bad, exactly what you had to move states?
• 26:45
  Speaker 3: It was so bad.
• 26:47
  Speaker 1: So she goes and ends up having this one on
• 26:50
  Speaker 1: one conversation with farmer Braden, and she tells him, Uh,
• 26:57
  Speaker 1: she doesn't think that she's going to be able to
• 27:00
  Speaker 1: come back from this.
• 27:03
  Speaker 3: That to me.
• 27:05
  Speaker 1: Is a weird phrase because if you notice, everything she
• 27:12
  Speaker 1: says in the conversation with him is about outward perspective.
• 27:20
  Speaker 1: I don't think I can come back from this is
• 27:24
  Speaker 1: a disconnect from saying something like I don't know if
• 27:28
  Speaker 1: we're going to be able to get back on track
• 27:32
  Speaker 1: you and I after something.
• 27:34
  Speaker 2: Like this, it's a kind of like a victim speak,
• 27:36
  Speaker 2: I think to a certain degree, Like it's almost like
• 27:39
  Speaker 2: she's she's taking herself out of the mix with him
• 27:43
  Speaker 2: and it's only about her, you know what I mean, Like,
• 27:45
  Speaker 2: I don't know, that's how I felt, That's how I
• 27:47
  Speaker 2: interpreted that.
• 27:48
  Speaker 1: I interpreted it is as optics, like she knew the
• 27:52
  Speaker 1: writing was on the wall. She's getting painted as a
• 27:54
  Speaker 1: villain and I can't come back. I can't turn my
• 27:59
  Speaker 1: image around, so I'm going to leave. And there was
• 28:04
  Speaker 1: no talk of I really like you. This is our
• 28:09
  Speaker 1: first challenge. Let's see how we accomplish this, Let's see
• 28:13
  Speaker 1: how we get over this. And to be quite frank,
• 28:16
  Speaker 1: he was not trying to convince her to.
• 28:19
  Speaker 4: Stay at I was relieved.
• 28:23
  Speaker 3: I was so not into her.
• 28:26
  Speaker 2: And he also didn't want to have to try and
• 28:27
  Speaker 2: break up on her because he's probably terrified.
• 28:29
  Speaker 1: I felt, did you feel like the drama being brought
• 28:34
  Speaker 1: to his attention made him uninterested? Because that's the vibe
• 28:38
  Speaker 1: I got, Like, I think that on their rodeo date,
• 28:41
  Speaker 1: I thought he liked her. I thought that there was
• 28:43
  Speaker 1: a vibe there and I think when he heard one
• 28:47
  Speaker 1: girl say something, he was like okay, but the second
• 28:50
  Speaker 1: girl he was like, em eh, Like I think he
• 28:54
  Speaker 1: thought he was getting the wool pulled over his eyes
• 28:56
  Speaker 1: at that point.
• 28:57
  Speaker 4: Yeah, yeah, he definitely didn't. There's no question.
• 29:01
  Speaker 2: It wasn't like he even wanted to try um under
• 29:03
  Speaker 2: the real story from her point of view, it was
• 29:05
  Speaker 2: just sort of like, I'm done.
• 29:07
  Speaker 1: And he also didn't do any digging to be like
• 29:09
  Speaker 1: what exactly did she say?
• 29:11
  Speaker 2: What?
• 29:12
  Speaker 3: Could it have been misconstrued? Did it again?
• 29:15
  Speaker 1: I think this all goes back to really bad Sorry guys,
• 29:18
  Speaker 1: I think this goes back to bad producing, because that, as.
• 29:21
  Speaker 3: A viewer, is what I want to know.
• 29:23
  Speaker 1: You don't give me the breadcrumbs of she's saying stuff,
• 29:27
  Speaker 1: She's even saying stuff about farmer Braden and then never
• 29:31
  Speaker 1: tell me what was said.
• 29:33
  Speaker 2: I mean, it couldn't have been that hurtful for God's sake.
• 29:36
  Speaker 2: And he's still a nice guy. He's a decent looking dude.
• 29:38
  Speaker 2: It's like good looking guy.
• 29:39
  Speaker 1: It's like it had to have been bad though, for
• 29:41
  Speaker 1: two girls to bring it up and for them to
• 29:44
  Speaker 1: say that she was being you know, bad intentions. My
• 29:49
  Speaker 1: whole thing is just like and also I'm sorry. This
• 29:53
  Speaker 1: is also goes back to why do we not have
• 29:56
  Speaker 1: a camera on the women when they're in the house
• 29:59
  Speaker 1: by themselves?
• 30:00
  Speaker 4: Well, that's what I was gonna say.
• 30:02
  Speaker 2: Yeah, one of my favorite parts of other reality shows
• 30:05
  Speaker 2: would have been like when Britney said, well, yeah, because
• 30:07
  Speaker 2: he asked me about it, so I answered it. Then
• 30:09
  Speaker 2: to show a clip where she's like, well, I need
• 30:11
  Speaker 2: to talk to you about something that's bothering me, and
• 30:13
  Speaker 2: their name is Carson Exactly.
• 30:15
  Speaker 4: I love when they have that kind of thing that
• 30:16
  Speaker 4: exposes people for their lives on those shows.
• 30:19
  Speaker 2: And so, yeah, that would have been really ideal in
• 30:21
  Speaker 2: a situation like this for them to play it back.
• 30:24
  Speaker 4: Here's what she said, you know exactly.
• 30:26
  Speaker 1: It needed they need stationary cameras in the house that
• 30:31
  Speaker 1: the women are staying in, because I think that we're
• 30:33
  Speaker 1: missing out on a lot of moments that could be
• 30:37
  Speaker 1: really beneficial to the audience.
• 30:40
  Speaker 3: Yeah, you know, And.
• 30:43
  Speaker 4: But that had to be a choice, right, It wasn't
• 30:46
  Speaker 4: like this.
• 30:46
  Speaker 3: That's what I'm saying. It's a choice.
• 30:47
  Speaker 1: It's a choice my producers to not put cameras on
• 30:51
  Speaker 1: the women when they're not with the farmers at all times,
• 30:54
  Speaker 1: because that's a that's an easy thing. Like again, I'm saying,
• 30:58
  Speaker 1: stationary cameras, the ones that kind of see that are
• 31:00
  Speaker 1: at a bird's eye view, that are up in the
• 31:02
  Speaker 1: corners of rooms that aren't actually monitored by a person.
• 31:07
  Speaker 1: You put those up at the houses, and I guarantee
• 31:11
  Speaker 1: these girls are saying and doing stuff when these farmers
• 31:14
  Speaker 1: aren't around. That would be really interesting TV. And it's
• 31:18
  Speaker 1: also right, it's not on the Bachelor. When we have
• 31:22
  Speaker 1: this kind of conflict usually on the two on one date.
• 31:26
  Speaker 1: This gives the bachelor an opportune time to hear both sides,
• 31:29
  Speaker 1: but also to maybe play mediator for a second and see.
• 31:34
  Speaker 3: If he's got those skills.
• 31:36
  Speaker 1: And I just feel like we're kind of underutilizing our
• 31:40
  Speaker 1: farmers in some of this drama. So anyways, Carson exits
• 31:46
  Speaker 1: and tells the other women she's going home, and they're
• 31:49
  Speaker 1: surprised by this.
• 31:51
  Speaker 2: But it wasn't like Ali Beck's tears. Yeah no, it
• 31:53
  Speaker 2: wasn't like that. This was more like, oh my gosh,
• 31:56
  Speaker 2: all right there exactly, Oh goodness, all right, bye bye
• 32:01
  Speaker 2: Ben exactly.
• 32:04
  Speaker 1: So then we're at Sean's farm and Emily is getting
• 32:09
  Speaker 1: ready for their solo date that they're about to go on,
• 32:13
  Speaker 1: and she's telling them about you know, she's sitting around
• 32:16
  Speaker 1: and the women are discussing that they witnessed the kiss
• 32:22
  Speaker 1: that Emily and Sean had. I think this is absurd,
• 32:27
  Speaker 1: and I don't think that they witnessed it. And if
• 32:30
  Speaker 1: they did witness it, again, I'm gonna say they were
• 32:33
  Speaker 1: very far away. This was this did not take place
• 32:37
  Speaker 1: in the barn.
• 32:38
  Speaker 3: This did this was out on the freaking racetrack, And
• 32:40
  Speaker 3: we don't know how far away that is from where
• 32:42
  Speaker 3: they were.
• 32:43
  Speaker 1: Dancing, but it definitely was not within any sort of
• 32:48
  Speaker 1: close proximity to where they were.
• 32:51
  Speaker 3: And I feel like that.
• 32:53
  Speaker 2: In fact, the teaser of it the week before, I thought,
• 32:55
  Speaker 2: oh my god, we do it right at the table
• 32:58
  Speaker 2: and the and the you know, square.
• 32:59
  Speaker 4: Dance or something. Yeah, then you watch it, you can't
• 33:02
  Speaker 4: even see if they're actually kissing. So I'm sure the
• 33:04
  Speaker 4: women didn't have an audio feed up.
• 33:06
  Speaker 2: They're here in the chomping on the cud that we
• 33:09
  Speaker 2: had to listen to.
• 33:10
  Speaker 3: No, So this to me is two things.
• 33:13
  Speaker 1: It's either one saw it from really far away, or
• 33:16
  Speaker 1: they saw them walking off and they kind of like
• 33:19
  Speaker 1: went to the window or whatever and like kind of
• 33:21
  Speaker 1: watched on their own.
• 33:22
  Speaker 4: Again, why didn't we see that?
• 33:24
  Speaker 1: I was just about to say, again, we don't have
• 33:26
  Speaker 1: video footage of that happening. So it leads me to
• 33:29
  Speaker 1: believe that this is a producer plant of Yeah, well,
• 33:32
  Speaker 1: you guys know that they kissed right, Oh yeah, they
• 33:35
  Speaker 1: kissed right right outside, like right right.
• 33:38
  Speaker 3: You guys didn't see that. She didn't tell you.
• 33:40
  Speaker 2: Guys that they kissed.
• 33:41
  Speaker 1: Oh well she did, so them saying and like grasping
• 33:47
  Speaker 1: at straws now saying that Emily is strategic, which we'll
• 33:52
  Speaker 1: get to, is a hilarious thing to say, because guys,
• 33:58
  Speaker 1: you're on a competition show. If you don't have strategy
• 34:02
  Speaker 1: and you're just bat in your eyes, that's on you.
• 34:06
  Speaker 1: That's on you. That's your choice to not be strategic.
• 34:10
  Speaker 1: But you are in a competitive environment. And somebody having
• 34:14
  Speaker 1: strategy in that to get more one on one time,
• 34:18
  Speaker 1: to get more eye contact, to get more kisses.
• 34:21
  Speaker 3: That is not them doing something malicious.
• 34:25
  Speaker 1: That's them actually understanding the kind of world that they
• 34:29
  Speaker 1: were dropped into and using it to their advantage. So
• 34:33
  Speaker 1: that's silly. But we see Olivia and she pulls Sean
• 34:37
  Speaker 1: for a chat. And I liked this because again my feeling,
• 34:42
  Speaker 1: I don't know anything. My feeling is Olivia as the winner.
• 34:46
  Speaker 1: I get that vibe, and I think that what she
• 34:50
  Speaker 1: did here was great. She pulls him, she wants to
• 34:53
  Speaker 1: make sure he knows, Hey, I really like you. I
• 34:57
  Speaker 1: really like the time we spent together, you know so,
• 35:00
  Speaker 1: and oh, by the way, the girl that you kissed
• 35:03
  Speaker 1: is being strategic. But you'll figure that out on your own.
• 35:07
  Speaker 1: I kind of like that she said, you'll figure that
• 35:08
  Speaker 1: out on your own. Again, felt like maybe a producer
• 35:12
  Speaker 1: moment of Hey, you want to have one on one
• 35:14
  Speaker 1: time with him, Well you also need to You should
• 35:16
  Speaker 1: probably remind him that you guys think she's strategic, you know,
• 35:21
  Speaker 1: something like that. So anyway, so that happens, and then
• 35:25
  Speaker 1: we get Brett and Hannah going on there one on
• 35:29
  Speaker 1: one date and he takes her to a little town
• 35:32
  Speaker 1: in Mississippi.
• 35:33
  Speaker 3: Look at all the exclamation marks I put in.
• 35:35
  Speaker 4: The rundown has been his whole life.
• 35:43
  Speaker 1: They hold hands when they after they so they go
• 35:46
  Speaker 1: on a little shopping date and he is telling her
• 35:51
  Speaker 1: how hot she looks and things and how pretty she
• 35:54
  Speaker 1: looks in outfits.
• 35:55
  Speaker 4: He's Brett.
• 36:00
  Speaker 3: We'll get to it.
• 36:01
  Speaker 1: But my blood pressure went through the roof during one scene.
• 36:05
  Speaker 3: I was like, holy smokes, this guy is so hot.
• 36:10
  Speaker 3: He's so hot.
• 36:11
  Speaker 1: Okay, So they go for a milkshake after and they
• 36:14
  Speaker 1: have a conversation where Hannah talks about her past relationship
• 36:17
  Speaker 1: and said that she had to compromise more than her partner.
• 36:20
  Speaker 3: Did and she's not going to be doing that again.
• 36:23
  Speaker 1: And she's kind of felt guarded going into this experience,
• 36:26
  Speaker 1: but she likes that Farmer Brett is getting her to
• 36:29
  Speaker 1: open up and they hold hands and then when they
• 36:33
  Speaker 1: aren't leaving, he goes in for the kiss.
• 36:36
  Speaker 3: Now, the camera angles are weird.
• 36:40
  Speaker 1: At first, I thought it was a cheek kiss, and
• 36:43
  Speaker 1: then I had to go back and rewind it a
• 36:45
  Speaker 1: couple of times and watch it, and then I realized
• 36:48
  Speaker 1: it it held a little too long, so I was like, no,
• 36:52
  Speaker 1: it's lip to lip kiss, but I'm not seeing lip
• 36:54
  Speaker 1: to lip action because of the angles that they got.
• 36:58
  Speaker 1: But again, I think she's the winner saying I'm saying
• 37:02
  Speaker 1: it now. I think that Sean and Farmer Brett have
• 37:06
  Speaker 1: clear front runners. It's Farmer Branden that I'm actually really
• 37:11
  Speaker 1: confused on where he stands.
• 37:13
  Speaker 4: He's on the fence with you.
• 37:14
  Speaker 3: What do you think about this connection between Brett and Hannah.
• 37:17
  Speaker 4: I think it's pretty awesome.
• 37:19
  Speaker 2: I like seeing Farmer Brett and I like Hannah, so
• 37:22
  Speaker 2: she's an early pick for.
• 37:23
  Speaker 4: Me as well.
• 37:24
  Speaker 2: So I feel like I'm enjoying that connection. Obviously, love
• 37:28
  Speaker 2: seeing Farmer.
• 37:29
  Speaker 4: Brett get a little lip action in there too.
• 37:31
  Speaker 2: That's pretty cool because he's so reserved, you know, and
• 37:35
  Speaker 2: so see him actually kind of you know. Plus I
• 37:38
  Speaker 2: just think it's adorable that you go up from milkshake,
• 37:40
  Speaker 2: you know, I just think that's just there's something to that,
• 37:42
  Speaker 2: like such Americana, you know it.
• 37:44
  Speaker 4: And then yeah, and then Sean and Emily, I feel
• 37:47
  Speaker 4: like that's a really sweet connection too.
• 37:49
  Speaker 2: And you know, it's like you watched them and there's
• 37:53
  Speaker 2: something about them that, yeah, the you know, the kiss
• 37:56
  Speaker 2: of the racetrack thing. I don't understand that, you know,
• 38:00
  Speaker 2: completely fabricated drama there, but it is kind of sweet
• 38:03
  Speaker 2: to see them together and to see them kind of
• 38:05
  Speaker 2: you know. So Yeah, for Braden, I feel like it's
• 38:08
  Speaker 2: just sort of like shooting in the wind. You know,
• 38:10
  Speaker 2: he's still not even close to figuring out which person
• 38:13
  Speaker 2: he has a connection with or if there's going to
• 38:15
  Speaker 2: be anybody that he feels a connection with in that regard.
• 38:17
  Speaker 4: So that's been kind of interesting so far.
• 38:19
  Speaker 1: Yeah, Sean and Emily, they go to a nearby winery
• 38:24
  Speaker 1: to his farm, which is Sunstone Winery.
• 38:27
  Speaker 3: I absolutely love this place. I have been there.
• 38:32
  Speaker 1: I celebrated my birthday once doing wine tasting in the
• 38:37
  Speaker 1: area with my then boyfriend, and I can say that
• 38:41
  Speaker 1: it is a super romantic location and if anybody cares,
• 38:46
  Speaker 1: they have I'm not even a big white wine drinker.
• 38:50
  Speaker 1: Their chardonnay that they make is so delicious. I ended
• 38:54
  Speaker 1: up leaving with three bottles.
• 38:58
  Speaker 3: Wonderful.
• 38:58
  Speaker 1: The place is covered in lavin I remember, and like
• 39:02
  Speaker 1: just so stunning. And if anybody's a reality TV fan,
• 39:05
  Speaker 1: they will know that it's where James and Raquel had
• 39:12
  Speaker 1: their engagement party on vander Pump Rules.
• 39:14
  Speaker 3: And it has been featured.
• 39:16
  Speaker 1: I mean they didn't end up getting married, it has
• 39:19
  Speaker 1: been featured in a lot of places. So beautiful Sunstone
• 39:22
  Speaker 1: Winery and they you know, go picking grapes, they drink wine,
• 39:27
  Speaker 1: and she says to him that she was born to
• 39:30
  Speaker 1: be a wife and to be a mother.
• 39:33
  Speaker 3: And then he.
• 39:35
  Speaker 1: Kind of you know, approaches her and says, listen, you've
• 39:39
  Speaker 1: been called strategic. And she's shocked by this and she
• 39:43
  Speaker 1: doesn't really understand what strategy she has other than she
• 39:46
  Speaker 1: wants to date him. And he says he really likes her,
• 39:50
  Speaker 1: and he is grasping her lap as.
• 39:53
  Speaker 4: He is telling for this it is a weird moment.
• 39:58
  Speaker 4: Is this dude just this uncomfortable? I don't know.
• 40:00
  Speaker 3: Oh, I got the other vibe.
• 40:01
  Speaker 1: He is so touchy and he is so kissy, kissy like,
• 40:06
  Speaker 1: this guy is ready, this guy is ready.
• 40:11
  Speaker 4: Twenty two right? Is that what he said?
• 40:14
  Speaker 3: I know you said Virgin.
• 40:16
  Speaker 1: I still think I think possibly Virgin as well, but
• 40:20
  Speaker 1: Virgin ready to cash in that v card is ingle?
• 40:25
  Speaker 4: Yes, Okay, okay, I get it. I get it.
• 40:39
  Speaker 1: Farmer Braden and Brittany they go to an orchard where
• 40:43
  Speaker 1: Braiden has gone since he was a kid, and they
• 40:46
  Speaker 1: make apple cider.
• 40:48
  Speaker 3: Have you ever been to an apple orchard? Have you
• 40:50
  Speaker 3: ever done this?
• 40:51
  Speaker 4: Sure have a bunch of times.
• 40:52
  Speaker 2: Yes, I've done a couple of shows that took me
• 40:55
  Speaker 2: from hosting perspective to behind the scenes of apple.
• 40:59
  Speaker 4: Citer in cider mills. So yeah, I'm very familiar.
• 41:03
  Speaker 1: I've gone apple picking a handful of times. There's some
• 41:07
  Speaker 1: farms you can go to that are like an hour
• 41:09
  Speaker 1: outside of Los Angeles. I've never made my own apple cider,
• 41:13
  Speaker 1: but I've made many apple pies from scratch, and I
• 41:17
  Speaker 1: will say apple cider donuts, Oh yeah, the bar.
• 41:22
  Speaker 3: The bets they are actually.
• 41:23
  Speaker 2: Like cinnamon or in sugar or do you prefer them
• 41:26
  Speaker 2: the standard Planeway.
• 41:28
  Speaker 3: Cinnamon and sugar? So good.
• 41:30
  Speaker 4: I'm so good.
• 41:32
  Speaker 3: I couldn't help.
• 41:32
  Speaker 1: But notice because we see a couple shots of snow
• 41:36
  Speaker 1: during Farmer Braden's date, it must have been freezing because
• 41:41
  Speaker 1: Britney's lips are blue when they.
• 41:43
  Speaker 2: Are like borderline hypothermia. I was like to get like
• 41:48
  Speaker 2: a quilt on that check, poor thing.
• 41:50
  Speaker 1: They're like, we're gonna do this date outside and it
• 41:54
  Speaker 1: doesn't matter that there's snow. I was literally like, the
• 41:56
  Speaker 1: lips are blue, she's freezing.
• 41:59
  Speaker 4: Yeah.
• 42:00
  Speaker 2: Hey, they can just be happy that they didn't have
• 42:02
  Speaker 2: to do the midshift hot tub in Alaska on the
• 42:05
  Speaker 2: bottom of a glacier like I had to.
• 42:08
  Speaker 3: I don't think there's any hot tub dates on this show.
• 42:10
  Speaker 4: Ye, there shouldn't have been on that one either.
• 42:12
  Speaker 2: That was the coldest day of my life.
• 42:18
  Speaker 1: Farmer Brandon brings up his favorite topic, moving to the farm.
• 42:22
  Speaker 1: He is really adamant about the moving to the farm
• 42:25
  Speaker 1: thing because he, like he has said several times, can't
• 42:28
  Speaker 1: pick up the farm and moved it. And so Brittany,
• 42:31
  Speaker 1: you know, talks about being long distance. She's an esthetician,
• 42:35
  Speaker 1: and you know she's got to work in the city.
• 42:38
  Speaker 3: And I don't blame her.
• 42:39
  Speaker 1: You're not getting too many people out in the middle
• 42:41
  Speaker 1: of the farm wanting to get botox and cosmetic work done.
• 42:45
  Speaker 1: So she's got to be around civilization. And so she
• 42:49
  Speaker 1: is based in Utah and she's wondering, you know, is
• 42:52
  Speaker 1: he open to long distance now?
• 42:55
  Speaker 3: Now, Brittany, you.
• 42:57
  Speaker 1: Can't do wifey long distance, but she could do dating.
• 43:01
  Speaker 1: And so, you know, he says it's not ideal, but
• 43:07
  Speaker 1: the real deal breaker for him is if they can't
• 43:10
  Speaker 1: eventually do.
• 43:11
  Speaker 3: Life on the farm right.
• 43:13
  Speaker 1: So you know, he says, for the right person, he
• 43:17
  Speaker 1: is willing to make it work.
• 43:18
  Speaker 3: And then we.
• 43:20
  Speaker 1: Maybe get I feel, the most awkward kiss of the season.
• 43:27
  Speaker 1: What 's up happening is there's a shot of them
• 43:30
  Speaker 1: walking in the orchard, and this is.
• 43:33
  Speaker 3: How I think it played out.
• 43:34
  Speaker 1: This is this is how I think because I get
• 43:37
  Speaker 1: had to rewind this one a couple of times and
• 43:40
  Speaker 1: watch how bad it was. Producer probably said to them, Okay, guys,
• 43:44
  Speaker 1: let's have you get up. We're gonna do some walking
• 43:48
  Speaker 1: scenes now. In the orchard, Brittany is holding her apple
• 43:53
  Speaker 1: cider in one hand.
• 43:55
  Speaker 3: She's got a mug, a full mug in one hand.
• 43:58
  Speaker 1: As they're walking, she's got her arm around farmer Branden,
• 44:01
  Speaker 1: and as they're walking, it doesn't look like they're talking
• 44:06
  Speaker 1: much like maybe saying, you know, beautiful sunset or something something.
• 44:10
  Speaker 3: They're not looking at each other.
• 44:12
  Speaker 1: They're literally walking, and he stops midwalk and just goes
• 44:17
  Speaker 1: in for the kiss and covers with the cowboy hat,
• 44:23
  Speaker 1: which to me was so unnatural because by the way,
• 44:30
  Speaker 1: they all do the hat thing this episode, every one
• 44:33
  Speaker 1: of them. Sean's is actually the worst. He actually takes
• 44:37
  Speaker 1: the hat off of the girl he's kissing and covers
• 44:40
  Speaker 1: their faces.
• 44:41
  Speaker 3: He's not wearing a hat. I would feel so strange
• 44:46
  Speaker 3: if I was wearing a hat and I kiss a
• 44:48
  Speaker 3: guy and he takes it off while we're kissing and
• 44:51
  Speaker 3: covers our faces with it.
• 44:52
  Speaker 2: Someone must have said something like, you know, hey, if
• 44:56
  Speaker 2: you really want to be romantic, you know, and say like,
• 44:59
  Speaker 2: I don't to kiss you on camera, I'd rather kiss
• 45:01
  Speaker 2: you in private, you know, put the hat up or something.
• 45:04
  Speaker 2: Someone must have said something, because where else would they
• 45:06
  Speaker 2: have gotten this memo of every single one of them doing.
• 45:10
  Speaker 3: Again bad producer move.
• 45:12
  Speaker 1: In my feelings, I would not want all of my
• 45:17
  Speaker 1: leads kisses to look similar in the same episode. We
• 45:23
  Speaker 1: want variation we want it to be natural. And now
• 45:26
  Speaker 1: you've done it three times in the same episode. It's
• 45:30
  Speaker 1: not even the third time we've seen it done on
• 45:33
  Speaker 1: the show, because we saw it done in the Rodeo episode.
• 45:36
  Speaker 1: It's just like and then and then Farmer Breeden. So
• 45:42
  Speaker 1: we have this awkward, jarring kiss midwalk. He covers their faces,
• 45:47
  Speaker 1: but there's a camera behind them who has a completely
• 45:51
  Speaker 1: unobstructed view, and they just.
• 45:53
  Speaker 3: Cut to that shot. Right, guys, if you're pushing.
• 45:58
  Speaker 1: The hat thing, use that shot. Why would you push
• 46:02
  Speaker 1: the hat thing on them? And then cut to the
• 46:04
  Speaker 1: camera on the other side, so we just see them
• 46:07
  Speaker 1: holding the hat, but we see the kiss. It's I
• 46:11
  Speaker 1: don't like it, guys, I don't like it. Producers, you're
• 46:14
  Speaker 1: not listening to this, but I don't like it.
• 46:16
  Speaker 3: I don't like it.
• 46:18
  Speaker 4: I want to see the kiss them and you know what.
• 46:23
  Speaker 3: I'm not going to be mad if I see some tongue.
• 46:25
  Speaker 3: It's a dating show, It's true.
• 46:28
  Speaker 2: I mean, are you gonna Are you gonna buy a
• 46:29
  Speaker 2: Ferrari if you haven't at least tried to take it
• 46:31
  Speaker 2: for a test tub.
• 46:34
  Speaker 1: I think for some of us watching who aren't getting
• 46:38
  Speaker 1: any action, let me see it.
• 46:42
  Speaker 3: Let me see it on my.
• 46:43
  Speaker 2: Screen, right, give us, you know, give us some proverbial,
• 46:48
  Speaker 2: you know, living vicariously type.
• 46:49
  Speaker 1: Of give me a little something, especially when Farmer Brett
• 46:53
  Speaker 1: starts kissing. Okay, because because I'm not interested in the
• 46:56
  Speaker 1: other two, sorry, gentlemen.
• 46:58
  Speaker 4: A lot of hearts breaking out there for Farmer.
• 47:00
  Speaker 1: Brett and that mustache. It does something for me. And
• 47:04
  Speaker 1: so if I, you know, I want to see a
• 47:06
  Speaker 1: little bit more kissing, it's a little too a little
• 47:10
  Speaker 1: too quick, little too much hat coverage for me. So
• 47:14
  Speaker 1: then the episode ends up. We're back at Farmer Brett's
• 47:18
  Speaker 1: farm and Hannah fills the women in on her solo date.
• 47:25
  Speaker 1: She tells them that they kissed, and Stephanie starts to stress.
• 47:31
  Speaker 1: She realizes that time is running out for her to
• 47:35
  Speaker 1: build a connection, and this is where she goes. She
• 47:39
  Speaker 1: it's Stephanie and Sophia there the other two. Quinn and
• 47:43
  Speaker 1: Hannah are like, are you girls feeling stressed? And Stephanie
• 47:47
  Speaker 1: is like expressing an interview that she's stressed, and Sophia
• 47:50
  Speaker 1: I go, who are you?
• 47:53
  Speaker 3: What did I miss this? Who are you?
• 47:56
  Speaker 1: I'm like so confused, and I realized, oh, that's right,
• 48:00
  Speaker 1: you're the girl from the last episode, a new girl
• 48:03
  Speaker 1: that all of these girls have been brought back.
• 48:05
  Speaker 3: But again, producers are giving you zero camera.
• 48:08
  Speaker 1: Time to say anything, so I actually have completely forgotten
• 48:13
  Speaker 1: who you are at this part, and.
• 48:15
  Speaker 3: I was like, I was like, did I miss something?
• 48:19
  Speaker 3: I literally was sitting there watching it, going who is that?
• 48:22
  Speaker 3: Who is that?
• 48:23
  Speaker 1: And then I was like Sophia, and then I had
• 48:25
  Speaker 1: to had to do some mental gymnastics to get back there.
• 48:28
  Speaker 1: And so this Brett takes the women to go cut firewood,
• 48:33
  Speaker 1: and this is this got me. I literally you see
• 48:37
  Speaker 1: what I wrote. Brett splits a.
• 48:39
  Speaker 3: Long that's hot. That is so hot.
• 48:45
  Speaker 1: So my ex boyfriend was a mountain man and cut
• 48:48
  Speaker 1: wood a ton in front of me.
• 48:52
  Speaker 4: Things making sense.
• 48:53
  Speaker 1: It was hot when my ex boyfriend did it, it
• 48:58
  Speaker 1: was hot when farmer Brett did it. And I'm a
• 49:01
  Speaker 1: city girl and I've my dad didn't chop wood, my
• 49:06
  Speaker 1: stepdad didn't shop wood. I don't have brothers. I never
• 49:10
  Speaker 1: saw men chopping wood ever, so I'm like, hell, yeah,
• 49:15
  Speaker 1: like that is I'm like that should have been in
• 49:18
  Speaker 1: the freaking promo. And then but the best part, the
• 49:21
  Speaker 1: best part is when he starts to cut the wood
• 49:23
  Speaker 1: and the women go, yeah, take your shirt off, and
• 49:26
  Speaker 1: he goes, no, no, thank you.
• 49:30
  Speaker 3: I'm just like I was just like, if I were there,
• 49:33
  Speaker 3: I would have said that.
• 49:34
  Speaker 4: I would have been like, he's not going to be objectified.
• 49:36
  Speaker 4: He's not a piece of meat, this guy.
• 49:38
  Speaker 1: But ladies, we do it a little bit more subtle
• 49:41
  Speaker 1: instead of just being like, hey, take your shirt up.
• 49:45
  Speaker 3: That's when you go, Bret, are you getting a little
• 49:48
  Speaker 3: warm like doing this?
• 49:50
  Speaker 1: I think you're getting a little sweaty. Maybe maybe you
• 49:53
  Speaker 1: should take off that top layer because you know he's
• 49:56
  Speaker 1: wearing more than one shirt. To take off the top
• 50:00
  Speaker 1: player and then you go, well, you're already taking that off,
• 50:03
  Speaker 1: so you might as well just take off the shirt
• 50:05
  Speaker 1: the T shirt too, that's underneath it. When you even
• 50:10
  Speaker 1: get me started on cowboys and tight jeans, it's something
• 50:15
  Speaker 1: that needs to translate into more men's wardrobes.
• 50:18
  Speaker 3: But anyways, we.
• 50:20
  Speaker 1: Get another exit in this episode because Stephanie pulls Brett
• 50:25
  Speaker 1: for a chat and again farmer Brett. I liked this moment.
• 50:32
  Speaker 1: She's getting really emotional with him and they're outside and
• 50:37
  Speaker 1: Farmer Brett removes his sunglasses while they're talking, and I
• 50:41
  Speaker 1: go what a class act. This guy understands that this
• 50:46
  Speaker 1: conversation is emotional for her, it's not emotional for him.
• 50:50
  Speaker 1: But he is being such a respectful gentleman that he
• 50:55
  Speaker 1: wants to make really conscious eye contact with her, because
• 51:00
  Speaker 1: he's already told us in another episode eye contact is
• 51:04
  Speaker 1: something that he's really into making eye contact. So she
• 51:09
  Speaker 1: tearfully says, you know that she is going to, you know, leave.
• 51:16
  Speaker 1: She doesn't feel like he's giving her a chance, and
• 51:19
  Speaker 1: she thinks it's time for her to go. And so
• 51:22
  Speaker 1: again he doesn't fight it. He doesn't say, please stick
• 51:25
  Speaker 1: around a little bit longer. I want to build this
• 51:28
  Speaker 1: they said.
• 51:28
  Speaker 2: They said some nice things too, though I did like that.
• 51:30
  Speaker 2: They're like, you know, I don't have any hard feelings.
• 51:32
  Speaker 2: I thought, oh yeah, good experience. So I thought that
• 51:35
  Speaker 2: was nice, right, Like that was kind of a nice
• 51:37
  Speaker 2: way to kind of say, Okay, I'm not going to
• 51:39
  Speaker 2: talk trash on you when you leave.
• 51:40
  Speaker 1: Exactly exactly, And so she tells the other woman she's leaving.
• 51:46
  Speaker 3: That's the end.
• 51:47
  Speaker 1: So the scenes for next episode tension at Sean's farm,
• 51:52
  Speaker 1: him telling Macie the thing that hurts the most is
• 51:56
  Speaker 1: that you don't trust me. At all, I don't care.
• 52:00
  Speaker 1: I'm sorry, I don't care because that it doesn't Macy is.
• 52:05
  Speaker 3: Not top too.
• 52:06
  Speaker 1: You're adorable, but you're not top two. I'm really sorry.
• 52:10
  Speaker 1: It's gonna be Olivia.
• 52:11
  Speaker 3: And who that other person is gonna be.
• 52:15
  Speaker 1: I'm a little still tbd on, but Olivia is in
• 52:19
  Speaker 1: the top.
• 52:19
  Speaker 2: It can't be Macy. He's showing yourself to be way
• 52:22
  Speaker 2: too needy. It can't be in any circumstances. I can
• 52:25
  Speaker 2: tell you from experience, even though I've never been a farmer,
• 52:28
  Speaker 2: but when you are in these moments on a show,
• 52:31
  Speaker 2: that all the things that you're juggling in your head
• 52:34
  Speaker 2: to try and make sure you're being kind to everyone,
• 52:36
  Speaker 2: to try and make sure, I mean, because most of
• 52:38
  Speaker 2: the people are going on the show.
• 52:38
  Speaker 4: Are kind and good people.
• 52:40
  Speaker 2: Yes, it's like you're not trying into hurt any one's feelings.
• 52:42
  Speaker 2: The last thing you need is someone who is really
• 52:45
  Speaker 2: demanding of a lot of your emotional energy, like to
• 52:49
  Speaker 2: a point where it's like I'm almost unfairly demanding in
• 52:52
  Speaker 2: the circumstance.
• 52:53
  Speaker 4: So it's like I get it.
• 52:54
  Speaker 2: He's probably at the point where he's just like, man, yeah,
• 52:58
  Speaker 2: you know, go take a zan exers them.
• 53:01
  Speaker 1: Oh, I know who's gonna be top two, which I
• 53:05
  Speaker 1: also think is weird that he didn't give her the
• 53:07
  Speaker 1: freaking solo date after their conversation, Rihanna that he wrote.
• 53:13
  Speaker 4: That he loves saying her name Rianna.
• 53:17
  Speaker 1: He loved that she was so intense with that conversation,
• 53:21
  Speaker 1: and I thought, again, it's it's a little strange to
• 53:26
  Speaker 1: invite the new girls and then not give them the
• 53:29
  Speaker 1: one on one dates. It's like, again, nobody, It's like
• 53:33
  Speaker 1: they fall into the background then, because we've already had
• 53:37
  Speaker 1: three episodes with these other girls and we've seen their
• 53:40
  Speaker 1: faces and got to know them. That's why I'm really sorry, Sophia.
• 53:43
  Speaker 1: I had no idea who you were when you were
• 53:45
  Speaker 1: standing at the end of the episode, because I thought,
• 53:48
  Speaker 1: what is going on?
• 53:49
  Speaker 3: Because they should have if they liked.
• 53:52
  Speaker 1: Them that much, they should have then said okay, I
• 53:56
  Speaker 1: need to get to know these girls, or they just
• 53:58
  Speaker 1: should not have brought them back.
• 54:00
  Speaker 3: That that to me is what's.
• 54:01
  Speaker 4: It's almost a wasted motion.
• 54:03
  Speaker 3: It's a waste.
• 54:04
  Speaker 1: But again, that's why we have so many exit this episode,
• 54:08
  Speaker 1: and it looks like that's going to continue next.
• 54:10
  Speaker 3: Week because three of women exit next week.
• 54:13
  Speaker 1: Yes, we see Branden and Casey having a good time,
• 54:18
  Speaker 1: and then we see Farmer Brett being drawn to Quinn,
• 54:23
  Speaker 1: and this is I.
• 54:24
  Speaker 3: Think it's I've already said this.
• 54:26
  Speaker 1: It's Quinn and it's Hannah top two for Farmer Brett.
• 54:30
  Speaker 3: That's who he's got eyes for.
• 54:32
  Speaker 4: And I think that's gonna be a tough choice.
• 54:34
  Speaker 1: I think it's gonna be a tough choice. And I'm
• 54:36
  Speaker 1: scared that they're getting me. The editors are getting me
• 54:40
  Speaker 1: emotionally invested in Quinn and she's gonna get sent home.
• 54:43
  Speaker 3: I don't like it.
• 54:45
  Speaker 1: Or maybe they're doing the opposite and they're getting me
• 54:47
  Speaker 1: emotionally invested in Hannah and then they're gonna send her.
• 54:50
  Speaker 3: I don't know.
• 54:51
  Speaker 1: I don't know, and I don't like it because I
• 54:53
  Speaker 1: like both of them and I don't wish to be
• 54:56
  Speaker 1: Farmer Brett in that situation.
• 54:59
  Speaker 3: And then we see Sean kissing again.
• 55:02
  Speaker 4: He's a kissing bandit, he's a kissing.
• 55:04
  Speaker 3: Farmer and you should know that this is a wife.
• 55:06
  Speaker 4: Yeah, well, you know, listen, I know I got a little.
• 55:09
  Speaker 2: Bit of a bum rap out there for kissing a
• 55:11
  Speaker 2: lot too, But I will say this, I wasn't as loud.
• 55:14
  Speaker 4: Of a kisser. I don't think as Sean, but you know.
• 55:17
  Speaker 1: I also don't think that there's anything wrong with kissing. Again,
• 55:21
  Speaker 1: give me more, angles, Producers, give me, editors, give me more.
• 55:26
  Speaker 4: You know.
• 55:27
  Speaker 1: I need to see more because I'm not getting any IRL,
• 55:32
  Speaker 1: so I can see it.
• 55:34
  Speaker 3: I gotta see it, okay, guys, and I can't be
• 55:37
  Speaker 3: the only one listening that feels the same. The guys
• 55:41
  Speaker 3: are cute, the girls are cute.
• 55:43
  Speaker 4: Yeah, there's some cute people.
• 55:44
  Speaker 3: It's a dating show. I need to see a little
• 55:47
  Speaker 3: bit more action.
• 55:49
  Speaker 4: I will say this.
• 55:50
  Speaker 2: I think the casting team did a good job on
• 55:52
  Speaker 2: the show, because I do. There hasn't been any of
• 55:55
  Speaker 2: the women that I haven't thought, oh wow.
• 55:58
  Speaker 4: She's cute, she seems really sweet.
• 55:59
  Speaker 2: And all the guys, I feel like, you know, hey,
• 56:02
  Speaker 2: there's something about each of these guys that I think
• 56:04
  Speaker 2: is really nice, you know, like they seem like really
• 56:06
  Speaker 2: good people.
• 56:06
  Speaker 4: So I'm hopeful.
• 56:08
  Speaker 2: I'm really hopeful because this could be like one of
• 56:10
  Speaker 2: those feel good hits in the summer right where everybody
• 56:13
  Speaker 2: ends up happy, you know, can we do it just once?
• 56:16
  Speaker 1: It's a very PG dating show compared to others. I
• 56:20
  Speaker 1: mean I think it makes The Bachelor look riskue in
• 56:24
  Speaker 1: a lot of ways, Like we're not getting as far
• 56:26
  Speaker 1: as Island.
• 56:28
  Speaker 4: Is like porn compared to this, I mean, it is crazy.
• 56:35
  Speaker 3: Don't talk about my show like that.
• 56:37
  Speaker 4: Sorry, no offense, No.
• 56:39
  Speaker 1: No, guys, it's not the same.
• 56:42
  Speaker 3: It is not the same at all.
• 56:43
  Speaker 1: But but as far as I remember from last season,
• 56:49
  Speaker 1: I don't even think they do overnight dates on this show.
• 56:53
  Speaker 1: And yeah, so again makes other shows look really riskue.
• 56:59
  Speaker 3: But I love what's happening.
• 57:01
  Speaker 1: I love that we're seeing, you know, these guys open
• 57:04
  Speaker 1: up and get on you know, different levels and stuff
• 57:08
  Speaker 1: with these girls. So, you know, sorry to see Heather
• 57:11
  Speaker 1: Martin our Bachelor Nation connection exit this episode. I feel
• 57:17
  Speaker 1: like this is kind of her last chance at being
• 57:20
  Speaker 1: on a dating show.
• 57:21
  Speaker 3: I think she's probably done done after this.
• 57:24
  Speaker 2: Well, the Golden franchise might be reunited and you know,
• 57:27
  Speaker 2: might come back of another round.
• 57:28
  Speaker 1: She is way too young to be on a Golden show,
• 57:31
  Speaker 1: I'm totally I know. But we wish her all the
• 57:36
  Speaker 1: best and I think that she's adorable and she's bound
• 57:40
  Speaker 1: to find love in the real world.
• 57:42
  Speaker 4: She seems so sweet, so I'm hopeful for her.
• 57:44
  Speaker 1: Maybe reality TV isn't your place to find love, but
• 57:47
  Speaker 1: we like seeing you on this journey and I can't
• 57:52
  Speaker 1: wait for next week's episode.
• 57:54
  Speaker 3: And thanks Bob, well.
• 57:57
  Speaker 2: Thank you, I mean thanks to everybody for listening to
• 57:59
  Speaker 2: a bit famous here of course, on the almost famous
• 58:03
  Speaker 2: podcast Channel of Goodness. I've been loving this, so I
• 58:07
  Speaker 2: actually really have been loving this show. I hope everybody
• 58:09
  Speaker 2: else is loving it too, So thank you Heather for
• 58:11
  Speaker 2: always making time for me. I appreciate it.
• 58:14
  Speaker 3: Of course, we'll see you guys next week. Bie