Latest / Lux Radio Theater | Old Time Radio / Luxradiotheatre - 400Thephiladelphiastory [episode 0] Broadcast 6/14/1943

Transcript

Luxradiotheatre - 400Thephiladelphiastory [episode 0] Broadcast 6/14/1943 · Lux Radio Theater | Old Time Radio

• 0:03
  Speaker 1: Lux Presents Hollywood. The Lux Radio Theater brings you Robert Taylor,
• 0:20
  Speaker 1: Loretta Young, and Robert Young in The Philadelphia Story. Ladies
• 0:25
  Speaker 1: and Gentlemen, Your producer, mister Cecil B. DeMille readings from
• 0:35
  Speaker 1: Hollywood Ladies and Gentlemen. Names make news, and these names
• 0:40
  Speaker 1: made news in Hollywood this week. Loretta Young, Robert Taylor,
• 0:43
  Speaker 1: and Robert Young. Bob Taylor made.
• 0:46
  Speaker 2: News in several hundred theaters with a nice piece of
• 0:48
  Speaker 2: acting in the Metro Goldwyn Mayor epic of American heroism Batwn.
• 0:54
  Speaker 2: Loretta Young came back to town after a tour of army
• 0:57
  Speaker 2: camps in the Middle West and caught the cub fancy
• 1:00
  Speaker 2: all over the country in the Paramount film China, and
• 1:04
  Speaker 2: Bob Young was doing the same thing in MGM's Slightly Dangerous.
• 1:09
  Speaker 2: Those are the names that fell out the headline on
• 1:11
  Speaker 2: our marquee. But that isn't the whole story. With a
• 1:14
  Speaker 2: lot more, and it's called the Philadelphia Story. Philip Barry
• 1:18
  Speaker 2: wrote the play. Broadway audiences cheered it, and Metro Goldwyn
• 1:21
  Speaker 2: Mayer followed with the motion picture Suctests to Night. I
• 1:25
  Speaker 2: saw the play on Broadway. It was pretty obvious somebody
• 1:28
  Speaker 2: was going to make a hit picture out of it,
• 1:29
  Speaker 2: so I went backstage and tried to buy it. I
• 1:32
  Speaker 2: was the last, too late. But it's as fine a
• 1:35
  Speaker 2: play for radio as it was for the stage of screen.
• 1:38
  Speaker 2: So I'm getting a great deal of satisfaction out of
• 1:41
  Speaker 2: putting on this production. Tonight had a rough guess, I'd
• 1:45
  Speaker 2: say about five or six hundred thousand people were able
• 1:48
  Speaker 2: to see The Philadelphia Story on Broadway. Perhaps another two
• 1:51
  Speaker 2: hundred thousand saw it on the road. But Tonight Luck's
• 1:55
  Speaker 2: Toilet Soap makes it possible for many millions to hear
• 1:59
  Speaker 2: it and all at the same time. That's because this
• 2:02
  Speaker 2: theater works a little differently from the ordinary playhouse. Instead
• 2:07
  Speaker 2: of having a man in a stiff shirt to guard
• 2:10
  Speaker 2: the door and collect your tickets, we throw the door
• 2:12
  Speaker 2: wide open to come in. You don't have to stir
• 2:16
  Speaker 2: from the comfort of your living room. And the only
• 2:18
  Speaker 2: ticket that's ever used.
• 2:20
  Speaker 1: Is the support you give our product.
• 2:23
  Speaker 2: I think you'll give that anyway, because lux Toilet Soap
• 2:26
  Speaker 2: knows how to make friends and how to keep them.
• 2:29
  Speaker 2: Now here's the curtain for the first act of The
• 2:31
  Speaker 2: Philadelphia Story, starring Robert Taylor as c K. Dexter Haven,
• 2:36
  Speaker 2: Loretta Young as Tracy lord and Robert Young as Mike Connor,
• 2:47
  Speaker 2: and ladies and gentlemen, you've just been listening to the
• 2:59
  Speaker 2: end of an idea your marriage.
• 3:01
  Speaker 3: That was mister C. K.
• 3:02
  Speaker 2: Dexter Haven being invited out of his happy home with
• 3:06
  Speaker 2: MSUs Tracy lord Haven issuing the invitation.
• 3:09
  Speaker 1: But all that was two years ago.
• 3:11
  Speaker 2: Right now, Philadelphia society is seething with interest over the
• 3:16
  Speaker 2: forthcoming second marriage of Tracy Lawd and the editor of
• 3:20
  Speaker 2: the national magazine Spy is determined to spread it over
• 3:24
  Speaker 2: six photographic pages of his scandal sheet on the ways
• 3:27
  Speaker 2: of the editor's office, a Spy's major writer and Spy's
• 3:31
  Speaker 2: foremost photographer.
• 3:34
  Speaker 4: I'm not gonna do it, Liz. I'm gonna tell Sydney
• 3:36
  Speaker 4: Kid very plainly and simply, I'm a writer and not
• 3:38
  Speaker 4: a society snooper. I'm gonna tell him just that, just that.
• 3:41
  Speaker 4: Let Kid fire me.
• 3:41
  Speaker 3: I'll start writing short stories again. That's what I should
• 3:44
  Speaker 3: be doing anyway. I'm gonna tell him just that.
• 3:46
  Speaker 5: Just that.
• 3:50
  Speaker 6: Hello Connor, morning, missam brain.
• 3:51
  Speaker 7: Mister Kid.
• 3:52
  Speaker 3: I don't think you're being fair to me. No, No,
• 3:54
  Speaker 3: you're treating me like you treat all your other writers.
• 3:56
  Speaker 8: You really hate me, don't you.
• 3:57
  Speaker 3: Connor, No, I don't like you very much, though. Can
• 4:00
  Speaker 3: you hate me on trustmas embrace?
• 4:01
  Speaker 9: No, I can't afford to hate anybody. I'm only a photographer.
• 4:04
  Speaker 6: Your assignment will be SPI's most sensational achievement. Fracy Samantha Lord,
• 4:08
  Speaker 6: big game hunting in Africa, fox hunting in Pennsylvania, married
• 4:10
  Speaker 6: on impulse and divorce in the rage, and always unapproachable
• 4:13
  Speaker 6: by the press. Oh, I can see the layout now,
• 4:15
  Speaker 6: the Philadelphia story.
• 4:17
  Speaker 1: Those were the portals.
• 4:18
  Speaker 6: Of snobbish fox hunting.
• 4:20
  Speaker 1: Ah see No.
• 4:22
  Speaker 6: Hundred of Foxes. Is Spy Magazine anyway presented for the
• 4:25
  Speaker 6: first time? Quote the wedding day inside mainline society, or
• 4:28
  Speaker 6: with the kitchen.
• 4:28
  Speaker 3: Maids saw through the keyhole? Unquote?
• 4:31
  Speaker 1: Go ahead, Conna writing George Job, I'm only the.
• 4:33
  Speaker 3: Publisher, all right, publisher, take this quote.
• 4:35
  Speaker 4: No hunter of buckshot in the rear is kg crafty
• 4:38
  Speaker 4: Connor unquote close paragraphs.
• 4:40
  Speaker 9: No job, close bank account. But luck, mister kid, how
• 4:43
  Speaker 9: can we possibly get inside the Lord of States?
• 4:45
  Speaker 8: I'm loan the house just a moment.
• 4:47
  Speaker 3: Ms Pauline, Yes, ask the gentleman come in.
• 4:49
  Speaker 1: Yes you will find miss Sembri.
• 4:51
  Speaker 3: I haven't overlooked anything. Sim In Please, mister come in,
• 4:54
  Speaker 3: come in.
• 4:56
  Speaker 6: I understand we understand each other.
• 4:58
  Speaker 1: Yes quite, Connor.
• 4:59
  Speaker 3: This gentleman has been.
• 5:00
  Speaker 6: Employed in our buenas out's office. I believe he can help.
• 5:02
  Speaker 1: Us with our problem.
• 5:03
  Speaker 3: Yeah, huh tell him please.
• 5:05
  Speaker 1: Tracy Lord's brother Junius is in the American embassy down there.
• 5:08
  Speaker 1: He's no friend of mine. I'll introduce you to the
• 5:10
  Speaker 1: lords as into, but friends of Junius.
• 5:11
  Speaker 4: Fear old Junius. Now this Tracy Samantha Lord? Does she
• 5:15
  Speaker 4: know you?
• 5:16
  Speaker 1: You might say, miss Lord and I grew up together. Yes. Lord.
• 5:19
  Speaker 9: You might also say you were her first husband.
• 5:21
  Speaker 1: Mister p K Extivity, Yes you might.
• 5:23
  Speaker 3: Holy Macre, what.
• 5:24
  Speaker 1: Goes on here?
• 5:25
  Speaker 9: I remember your honeymoon very well, You and she a
• 5:28
  Speaker 9: little stable?
• 5:29
  Speaker 8: The true love, wasn't it?
• 5:30
  Speaker 1: That's right? How did you know?
• 5:31
  Speaker 9: I was the only photographer whose cameron didn't smash? Oh
• 5:34
  Speaker 9: you were terribly nice about it. You threw it in
• 5:36
  Speaker 9: the ocean.
• 5:37
  Speaker 1: I had the strange idea our honeymoon was our own business.
• 5:39
  Speaker 1: Now what are the plans?
• 5:40
  Speaker 8: Haven the weddings?
• 5:42
  Speaker 2: Saturday?
• 5:42
  Speaker 6: Today's Thursday? They should spend tomorrow night, as yest of
• 5:45
  Speaker 6: the Lord.
• 5:45
  Speaker 3: Now wait a minute, there's something screwey here. Listen, mister Haven,
• 5:48
  Speaker 3: why are.
• 5:49
  Speaker 4: You doing all this unless you, oh, you want to
• 5:52
  Speaker 4: get even with your ex bride?
• 5:54
  Speaker 8: Huh.
• 5:54
  Speaker 1: I don't think there's anything further to discuss, mister Kitton.
• 5:56
  Speaker 1: I'll have a car pick him up at noon tomorrow
• 5:58
  Speaker 1: and North Philadelphia.
• 5:59
  Speaker 3: Why I take my handkerchiefs.
• 6:01
  Speaker 5: There's a little set in your eye.
• 6:03
  Speaker 10: It shows.
• 6:09
  Speaker 11: Racy, racy, Tracy, Miss Steiner Edward, is you my sister, yes,
• 6:17
  Speaker 11: miss Diner.
• 6:18
  Speaker 4: She's in the sitting room making a list of the
• 6:20
  Speaker 4: wedding givens.
• 6:21
  Speaker 12: Tracy, Mother, how do you feel?
• 6:23
  Speaker 5: Omelet?
• 6:24
  Speaker 13: Oh you, why don't you answer me?
• 6:25
  Speaker 8: Omlet?
• 6:26
  Speaker 14: Mother?
• 6:26
  Speaker 15: Omelet?
• 6:27
  Speaker 16: Oh m M E L E t oh.
• 6:28
  Speaker 8: I thought there was another l.
• 6:30
  Speaker 13: That's a funny wedding presence, an Omelet.
• 6:32
  Speaker 5: It was a dish, dear, silver dish. I trying to
• 6:34
  Speaker 5: bring some of that junk off the table.
• 6:36
  Speaker 13: That's a present.
• 6:37
  Speaker 11: Stinks, don't say stinks, darling, Absolutely necessary smells, but only
• 6:42
  Speaker 11: abouts lutely necessary.
• 6:43
  Speaker 8: Mother.
• 6:43
  Speaker 5: The cards on the gifts have been changed again.
• 6:46
  Speaker 13: There must be a ghost loose in the house. Maybe
• 6:48
  Speaker 13: the ghost of Braggroom.
• 6:48
  Speaker 11: Number one, Dona, don't talk about dexter Zo. We were dead.
• 6:51
  Speaker 13: We might just as well be for all crazy care, right.
• 6:54
  Speaker 12: If I never see mister C. K.
• 6:55
  Speaker 8: Dexter again.
• 6:56
  Speaker 5: I'm mother.
• 6:57
  Speaker 8: Look at that lamp.
• 6:58
  Speaker 13: Isn't that awful, Sennet.
• 7:00
  Speaker 12: They're friends of your.
• 7:00
  Speaker 8: Father's, now, wouldn't you know it?
• 7:03
  Speaker 5: What are they tap dancers or just musical comedy producers?
• 7:06
  Speaker 11: That's hardly fair that your father's interested in doc Tree alight.
• 7:08
  Speaker 5: My eye the art of putting up one hundred thousand
• 7:11
  Speaker 5: dollars to display them shapely legs of Lena Moray.
• 7:14
  Speaker 11: That will do, Tracy, Oh mother, idea, If you just
• 7:17
  Speaker 11: face the facts squarely as I do, we both might
• 7:19
  Speaker 11: face the fact that neither.
• 7:20
  Speaker 12: Of us has proved to be a very great success
• 7:22
  Speaker 12: as a wife.
• 7:22
  Speaker 8: We just picked the wrong first husband. Don't argue about it.
• 7:26
  Speaker 11: You wanted me to take a stand, and I've taken
• 7:28
  Speaker 11: this for it's the only standing woman can take and
• 7:30
  Speaker 11: keep her soft hairs. Tracy, I know now I have
• 7:32
  Speaker 11: my solder stick and no husband.
• 7:34
  Speaker 14: May it's better this way, really, you Let's.
• 7:37
  Speaker 8: Forget about the past. We both deserve some happiness now,
• 7:42
  Speaker 8: especially you.
• 7:42
  Speaker 5: Oh, Darling, isn't Georgie and angels George the n angel?
• 7:45
  Speaker 8: Is he answer? Or is he not George's hands?
• 7:48
  Speaker 13: I get you better?
• 7:49
  Speaker 8: Really well, why don't you postpone the wedding? Get small part?
• 7:54
  Speaker 8: Don't put the idea in her head?
• 7:56
  Speaker 5: What time is it?
• 7:57
  Speaker 8: George isn't usually laid?
• 7:58
  Speaker 13: Oh he's waiting, races, waiting for us.
• 8:02
  Speaker 5: Mother.
• 8:02
  Speaker 13: If I don't choke her before Saturday, it pus on
• 8:04
  Speaker 13: the wedding, wouldn't it would not?
• 8:06
  Speaker 5: And you'll be in the car when I got bound by.
• 8:08
  Speaker 13: He's so mean about Dexter.
• 8:10
  Speaker 8: He was rabbing me to her idea?
• 8:11
  Speaker 13: Can he really soccer?
• 8:13
  Speaker 3: Please dine? Now?
• 8:14
  Speaker 5: Well?
• 8:14
  Speaker 13: The papers were full of Ernando, of what a Bernando?
• 8:17
  Speaker 8: Who's cool?
• 8:18
  Speaker 13: Pean Duncan is a dead mother. I don't, Tracy ask
• 8:22
  Speaker 13: your own father to a wedding.
• 8:23
  Speaker 11: Your sister has very definite opinions about thirty things.
• 8:27
  Speaker 13: But don't you think it's thinking not to want father?
• 8:30
  Speaker 11: Yes, Darling, between ourselves, I think it's good and stinking.
• 8:42
  Speaker 13: Will you see your fiance?
• 8:44
  Speaker 8: He's all a shiny What are you talking about?
• 8:46
  Speaker 15: Man?
• 8:46
  Speaker 13: New writing?
• 8:47
  Speaker 10: Just see hello there?
• 8:48
  Speaker 17: Well?
• 8:49
  Speaker 12: Who is that?
• 8:50
  Speaker 15: Terribly attractive man.
• 8:52
  Speaker 3: Hello darling, Hello John, Well, how do you like me?
• 8:54
  Speaker 8: I am dying but you look off awful.
• 8:58
  Speaker 5: You look like something right out of a shop windowsy.
• 9:01
  Speaker 5: Someone help me dining will we'll rub a little dirt
• 9:03
  Speaker 5: on thereat.
• 9:07
  Speaker 12: Just they're new, but they're not going to be now
• 9:08
  Speaker 12: you hold still there?
• 9:10
  Speaker 8: There is that better?
• 9:12
  Speaker 1: I don't get it. When I was a coal miner,
• 9:13
  Speaker 1: the idea was to get enough money to buy clean clothes.
• 9:16
  Speaker 1: And now that I'm general manager, what.
• 9:17
  Speaker 9: Is that thing?
• 9:18
  Speaker 1: You read this?
• 9:19
  Speaker 5: Oh?
• 9:19
  Speaker 1: I just planting?
• 9:20
  Speaker 3: Throw it at the.
• 9:20
  Speaker 1: Copy of fry.
• 9:22
  Speaker 8: Did you buy it? Or did you find it in
• 9:24
  Speaker 8: the trash pile?
• 9:25
  Speaker 13: I's got taking of everything.
• 9:27
  Speaker 1: Yes, certainly, I just want to seek those anything in
• 9:30
  Speaker 1: here about the wedding?
• 9:32
  Speaker 12: You mean?
• 9:32
  Speaker 1: Well? I thought maybe you being one of the oldest
• 9:34
  Speaker 1: families in Philadelphia, I mean, being fairly important myself.
• 9:37
  Speaker 5: Your thoughts have that thing? At an average day in
• 9:43
  Speaker 5: the life of a congressman, the congressman's wife, the kitchen
• 9:45
  Speaker 5: where has prepared one banana fly two Frida eggs. Took
• 9:50
  Speaker 5: the ideas coming into.
• 9:52
  Speaker 1: A private house with a crazy What would happen if
• 9:55
  Speaker 1: I took it into my head? Some day to go
• 9:56
  Speaker 1: into policy.
• 9:58
  Speaker 5: You the elected president.
• 10:00
  Speaker 1: I mean about publicity.
• 10:01
  Speaker 9: Not in my home.
• 10:03
  Speaker 1: You mean our home, don't.
• 10:04
  Speaker 5: You die, darling?
• 10:06
  Speaker 15: Our home?
• 10:06
  Speaker 5: Of course they're in much job.
• 10:15
  Speaker 1: Hey, where is everybody?
• 10:18
  Speaker 5: How?
• 10:19
  Speaker 1: Lord Dinah Dinah might dream girl?
• 10:23
  Speaker 5: Here?
• 10:26
  Speaker 1: He Lord Tracy?
• 10:29
  Speaker 3: How are you?
• 10:29
  Speaker 1: Mother? Lord Dexter?
• 10:30
  Speaker 8: Don't you know that tomorrow's are ready?
• 10:32
  Speaker 3: That's right?
• 10:32
  Speaker 1: So it is?
• 10:33
  Speaker 5: You can go right, that's where you came from, Dexterhavior.
• 10:36
  Speaker 1: Now Red, Look, you don't think i'd miss your wedding,
• 10:38
  Speaker 1: do you?
• 10:38
  Speaker 11: Oh Dixon, Now you wouldn't.
• 10:40
  Speaker 12: I'm not so sure he wouldn't.
• 10:41
  Speaker 1: Oh, mother, Lord, I wouldn't. I assure you I wouldn't.
• 10:44
  Speaker 8: When did you ride?
• 10:45
  Speaker 15: Oh?
• 10:45
  Speaker 8: Tell us all about Junius?
• 10:46
  Speaker 1: Well, Junius is fine, he should be here. Well, he's heartbroken.
• 10:50
  Speaker 1: But I suggested representing him as best man, that George might.
• 10:53
  Speaker 5: Prefer to have his best man sober.
• 10:56
  Speaker 13: I wish you'd represent George.
• 10:57
  Speaker 1: That's my loyal little girl. Oh, but you like the
• 11:00
  Speaker 1: people Junius did send. I'm sure you.
• 11:02
  Speaker 5: Haven't switched from liquor to soap, by any chance, have you.
• 11:05
  Speaker 11: Dexter the people Junius did send.
• 11:07
  Speaker 1: Yes, you don't happen to know a mcaulay connor or
• 11:10
  Speaker 1: Elizabeth Imbrey.
• 11:10
  Speaker 8: Do you No, I.
• 11:11
  Speaker 5: Don't want you.
• 11:13
  Speaker 1: Better come along and be introduced to see they're great
• 11:14
  Speaker 1: friends of Junius.
• 11:15
  Speaker 13: Do they expect to stay here over the wedding?
• 11:18
  Speaker 1: I think that's very clear.
• 11:19
  Speaker 8: Indeed, I think as queerer than that.
• 11:20
  Speaker 5: I think it's paranoid. You're lying, Dextor.
• 11:23
  Speaker 12: I can always tell.
• 11:25
  Speaker 8: And you read you went to work after the divorce,
• 11:27
  Speaker 8: didn't you.
• 11:28
  Speaker 1: Well, yes, except for a brief interlude and a couple
• 11:30
  Speaker 1: of alcoholic sanitariums.
• 11:33
  Speaker 5: But you took a job in South America before magazine.
• 11:37
  Speaker 5: It wasn't buying any chance by magazine.
• 11:39
  Speaker 1: You're a massive intuitions and I don't.
• 11:41
  Speaker 5: Suppose that juniors are friends of photographers buy any chance.
• 11:44
  Speaker 5: Oh I knew that you were alone, but I never
• 11:46
  Speaker 5: thought you'd think so I'm going to do after I've
• 11:49
  Speaker 5: telephoned Junius, I'm going to do planty.
• 11:50
  Speaker 1: Oh no, wait, wait a minute, read wait a minute,
• 11:52
  Speaker 1: I confess you don't have to telephone juniors.
• 11:55
  Speaker 8: Oh you can pess.
• 11:57
  Speaker 1: Oh you're slipping red. I used to be afraid of
• 11:59
  Speaker 1: that look, the withering glance at the goddess.
• 12:02
  Speaker 5: I didn't think that alcohol would shut up.
• 12:05
  Speaker 1: Now book read about this man, Connor, and I'll.
• 12:08
  Speaker 12: Take care of them.
• 12:09
  Speaker 5: Who do they think they are barging in here on
• 12:11
  Speaker 5: peaceful people.
• 12:13
  Speaker 1: They'll think you don't want them.
• 12:14
  Speaker 5: I want an out and you too.
• 12:16
  Speaker 1: Yes, your majesty, but the first could I interest you
• 12:19
  Speaker 1: in some small black men?
• 12:20
  Speaker 12: You could not?
• 12:21
  Speaker 5: What do you mean, black man?
• 12:23
  Speaker 1: Well, it's an article, complete with snapshots, details and insinuations,
• 12:26
  Speaker 1: and it's ready for publication in spy. It's about your
• 12:29
  Speaker 1: father and that dancer in New York.
• 12:32
  Speaker 5: Father and len him more may listen, but they can't
• 12:35
  Speaker 5: even if it's do this. Where did you get this
• 12:38
  Speaker 5: stuff from?
• 12:38
  Speaker 1: Sydney Kid? The editor and publisher.
• 12:40
  Speaker 8: Well, he's got to be stopped.
• 12:42
  Speaker 1: Well he is, temporarily, that is, if you'll allow these
• 12:45
  Speaker 1: two to turn in a story on your wedding. And
• 12:47
  Speaker 1: when Kid says a story, he means a story.
• 12:51
  Speaker 8: Oh I'm going to be sick.
• 12:52
  Speaker 1: Yes, they're an intimate day with a society bribe. I
• 12:56
  Speaker 1: am sick to but that's where it seems to be.
• 13:00
  Speaker 5: So I'm to be examined and dragged through the streets
• 13:04
  Speaker 5: and generally humiliated. At fifteen cents of coffee, and you
• 13:09
  Speaker 5: why you're.
• 13:10
  Speaker 1: Nothing at am?
• 13:11
  Speaker 8: I read all right? All right, I'll give him an interview.
• 13:15
  Speaker 5: I'll give him a picture of Tracy Lord it will
• 13:17
  Speaker 5: stand their hair on him.
• 13:26
  Speaker 3: Look at this joint.
• 13:28
  Speaker 1: What is this room?
• 13:29
  Speaker 5: I've forgotten my company?
• 13:30
  Speaker 4: Well, this would be the South Southwest parlor by living room.
• 13:34
  Speaker 3: They watched this guy have enough to k Dexter Haven. Yeah,
• 13:38
  Speaker 3: what kind of a name is that? Anyway?
• 13:40
  Speaker 9: McAuley Connor is no home from.
• 13:42
  Speaker 12: Tag my tet.
• 13:43
  Speaker 3: Yeah, well you must try calling me McCauley.
• 13:45
  Speaker 14: You know mcaulay.
• 13:47
  Speaker 5: I knew a clanjel Smith one.
• 13:49
  Speaker 9: He was only a curse in a hardware stour, but
• 13:52
  Speaker 9: he was an absolute rap.
• 13:54
  Speaker 5: Oh my, take your feet.
• 13:55
  Speaker 8: Off the table.
• 13:56
  Speaker 4: Tell four footmen to call me for lunch, will you?
• 13:59
  Speaker 1: Oh I'm sorry, don't pro get up.
• 14:02
  Speaker 5: I'm Tracy Lowe.
• 14:03
  Speaker 8: It's so nice having you here.
• 14:05
  Speaker 13: How did you leave you?
• 14:06
  Speaker 12: Oh?
• 14:06
  Speaker 3: We left Junior. Fine.
• 14:07
  Speaker 11: Is such a lam, isn't it?
• 14:09
  Speaker 12: Yes?
• 14:10
  Speaker 8: It's a city that none of the male members of
• 14:11
  Speaker 8: the family will be here.
• 14:12
  Speaker 3: To William, you no, where's your father?
• 14:15
  Speaker 5: Darling?
• 14:16
  Speaker 8: To Pa, I do hope you'll say's my wedding? We've
• 14:19
  Speaker 8: liked you very much, so blass that it's occurred to you.
• 14:21
  Speaker 3: Is your father sick?
• 14:22
  Speaker 5: Oh? What a cunning little camera. I'm afraid I'm an
• 14:26
  Speaker 5: awful new Sea. Oh but you couldn't be.
• 14:28
  Speaker 14: I hope you'll take loads of pictures.
• 14:31
  Speaker 5: You're kind of a writer, now, aren't you, mister Conner?
• 14:34
  Speaker 3: Sort of book, well, a book of short stories.
• 14:38
  Speaker 8: I'm the name you publish?
• 14:40
  Speaker 3: Hy Oh McAuley connor. What's McAuley for? Well, my father
• 14:44
  Speaker 3: taught English history.
• 14:45
  Speaker 5: I'm mi my friends, of whom you have many, I'm
• 14:49
  Speaker 5: sure English sisty are always fascinates me. Comwell, Robin Hood
• 14:52
  Speaker 5: Jack the River?
• 14:54
  Speaker 12: Where did he keep?
• 14:54
  Speaker 3: I mean your father own little high school in South ben.
• 14:58
  Speaker 12: In the You know that sounds like answer, doesn't it.
• 15:01
  Speaker 5: You must have had a most happy childhood there.
• 15:03
  Speaker 3: Yeah, it was terrific.
• 15:04
  Speaker 15: I'm so glad.
• 15:04
  Speaker 3: No, I didn't mean it that one.
• 15:05
  Speaker 15: I'm so sorry.
• 15:06
  Speaker 5: Why, Well, it's.
• 15:08
  Speaker 3: Lack of Wherewithal, I guess.
• 15:10
  Speaker 5: Oh, but that doesn't always cause unhappiness, does it. Al?
• 15:12
  Speaker 15: Don't you married?
• 15:13
  Speaker 3: No? No?
• 15:15
  Speaker 12: No, oh you mean you were?
• 15:16
  Speaker 5: But now you're divorced.
• 15:17
  Speaker 12: Well, the fact is when I come now, surely you're
• 15:18
  Speaker 12: not ashamed of it, of course, I'm not ashamed of it.
• 15:21
  Speaker 5: What well, it was years ago.
• 15:23
  Speaker 3: I was only a kid, and to loose, well, good heavens, Liz.
• 15:27
  Speaker 3: You never told me anything.
• 15:28
  Speaker 15: You never asked.
• 15:29
  Speaker 1: Well, I know, but Joe hardware.
• 15:32
  Speaker 3: When you're the darnest girl is? I think I'm sweet
• 15:35
  Speaker 3: to loose?
• 15:36
  Speaker 8: There must be a lovely spot.
• 15:38
  Speaker 5: It's Laci's West here, isn't it. It's short of but
• 15:41
  Speaker 5: occasionally we get to breathe it.
• 15:42
  Speaker 15: This is your first visit to Philadelphia.
• 15:44
  Speaker 5: It's a quaint old place.
• 15:44
  Speaker 12: Don't you think it's filled with relics?
• 15:46
  Speaker 15: Tell me something?
• 15:47
  Speaker 8: Are you two going together?
• 15:48
  Speaker 3: I beg your pardon.
• 15:50
  Speaker 15: That is an odd question.
• 15:51
  Speaker 5: I don't see why. I think it's very interesting. And
• 15:53
  Speaker 5: don't you agree that if a man says he loves
• 15:55
  Speaker 5: a girl he ought to marry her?
• 15:57
  Speaker 3: Can she be human?
• 15:58
  Speaker 6: Now?
• 15:58
  Speaker 5: Please, mister Connor, I asked this young lady a question.
• 16:01
  Speaker 12: Well, that depends.
• 16:02
  Speaker 5: I haven't really thought I'll see what's keeping them?
• 16:04
  Speaker 12: Mind? You excuse me now?
• 16:05
  Speaker 3: Won't you look who's doing the interviewing around here?
• 16:10
  Speaker 9: You don't suppose she caught on somehow?
• 16:12
  Speaker 3: Oh no, she was born that way. But I've still
• 16:15
  Speaker 3: got to get an interview.
• 16:16
  Speaker 18: Try the town library.
• 16:17
  Speaker 9: You can probably dig up enough stuff to hang the
• 16:19
  Speaker 9: whole family.
• 16:27
  Speaker 1: Return.
• 16:28
  Speaker 4: Just leave it?
• 16:29
  Speaker 3: Please excuse me? Please? Are you the librarian?
• 16:32
  Speaker 18: Yes, what is the wish?
• 16:35
  Speaker 3: Well, I'm looking for some local But what did you say?
• 16:40
  Speaker 8: What is the wish?
• 16:43
  Speaker 3: Uh? Local biography or history?
• 16:46
  Speaker 8: If they will consult with my colleague over there?
• 16:50
  Speaker 4: Uh dost thou have a washroom?
• 16:56
  Speaker 15: To the left?
• 16:57
  Speaker 3: Thank thee? Oh? Readly?
• 17:05
  Speaker 12: Now look, I know this is a public library.
• 17:08
  Speaker 3: Oh hello, my book? Huh couldn't you afford to buy
• 17:11
  Speaker 3: a copy?
• 17:13
  Speaker 12: The bookstore didn't have one?
• 17:15
  Speaker 3: Well? Are you sure you're doing the right thing? You
• 17:17
  Speaker 3: know what happens to girls like you when they read
• 17:18
  Speaker 3: books like mine? They begin to think that's bad?
• 17:22
  Speaker 15: These stories are beautiful? Why connor?
• 17:24
  Speaker 12: They're almost poetry?
• 17:26
  Speaker 3: Well, don't kid yourself, they are.
• 17:29
  Speaker 12: I can't make you out at all?
• 17:31
  Speaker 3: Now, Really, I thought I was easy, Yes, so did I.
• 17:33
  Speaker 15: But you're not.
• 17:33
  Speaker 5: You talk so big and tough, and then wow, and
• 17:36
  Speaker 5: then you're right like this, which is which both?
• 17:40
  Speaker 3: I guess?
• 17:40
  Speaker 5: No, No, I believe that you put the toughness on
• 17:44
  Speaker 5: too well to save your skin?
• 17:45
  Speaker 3: Do you think so? Yeah?
• 17:47
  Speaker 8: I know a little about that?
• 17:48
  Speaker 15: Do you quite a lot?
• 17:49
  Speaker 14: Please?
• 17:51
  Speaker 15: Look, let's get out of here.
• 17:52
  Speaker 3: You want to swim, all right? Come on? Thanks? You
• 18:03
  Speaker 3: know you've really got something here where? Oh this garden
• 18:06
  Speaker 3: swimming pool? You could sail a small yacht in here?
• 18:08
  Speaker 5: Oh? Uh, Connor?
• 18:10
  Speaker 15: About your book?
• 18:11
  Speaker 3: My book?
• 18:12
  Speaker 5: Yeah, tell me something, will you? When you can do
• 18:15
  Speaker 5: things like this book, how can you possibly do anything else?
• 18:18
  Speaker 3: Well? You may not believe this, but there are people
• 18:20
  Speaker 3: in this world that must earn their living.
• 18:22
  Speaker 5: Of course, but oh heck, that's dexter. Look stand by me,
• 18:27
  Speaker 5: will you. I don't want to be alone with him, certainly.
• 18:29
  Speaker 3: If you like.
• 18:30
  Speaker 5: Thanks?
• 18:30
  Speaker 19: Oh oh they're red.
• 18:32
  Speaker 5: Well, fancy seeing you here?
• 18:34
  Speaker 1: What hash you been drinking, aren't you?
• 18:35
  Speaker 8: Huh?
• 18:36
  Speaker 1: I love something?
• 18:37
  Speaker 5: Don't tell me you have forsaken your beloved whiskey and whiskey.
• 18:39
  Speaker 1: Oh no, no no, I've just changed the color. That's all.
• 18:42
  Speaker 1: I go in for the pale pastel shades. Now, how
• 18:45
  Speaker 1: about you and mister Connie? You drink, don't you?
• 18:47
  Speaker 3: Uh? Little little?
• 18:49
  Speaker 1: And you're a writer. I thought all writers drank to
• 18:52
  Speaker 1: excess and beat their wives.
• 18:53
  Speaker 12: Dexter, would you mind doing something for me or anything?
• 18:57
  Speaker 8: What get the heck out of here.
• 18:58
  Speaker 1: Oh, my dear Red, I couldn't that you need me
• 19:00
  Speaker 1: too much?
• 19:01
  Speaker 12: Now, would you mind telling me just what it is
• 19:03
  Speaker 12: you're hanging around for.
• 19:04
  Speaker 3: Look I better.
• 19:05
  Speaker 12: No, no, no, no, no, don't you go, mister Connor.
• 19:06
  Speaker 1: No no, no, no, please don't go. Mister Connor. As a writer,
• 19:09
  Speaker 1: this ought to be right up your street.
• 19:11
  Speaker 12: Don't you miss a word.
• 19:13
  Speaker 1: I never saw you looking better. Red, you're getting that
• 19:15
  Speaker 1: fine tawny look.
• 19:16
  Speaker 5: Oh we're going to talk about me, are we?
• 19:19
  Speaker 15: Goody?
• 19:20
  Speaker 1: It's astonishing what money can do for people, mister Connor.
• 19:23
  Speaker 1: Not too much, you know, just more than enough. Now
• 19:26
  Speaker 1: take Tracy here for example. It's even changed her shape.
• 19:29
  Speaker 1: She was a dumpy little thing at one time.
• 19:31
  Speaker 12: Only as it happens, I'm not interested in myself for.
• 19:34
  Speaker 1: The moment, not interested in yourself. No, you're fascinated Red.
• 19:37
  Speaker 1: You're a far and away your favorite person in the world,
• 19:40
  Speaker 1: of course, mister Connor. She's a girl who's generous to
• 19:43
  Speaker 1: a fault, except to other people's faults. For instance, she
• 19:47
  Speaker 1: never had any understanding at all of my deep and
• 19:49
  Speaker 1: gorgeous thirst.
• 19:50
  Speaker 15: It was disgusting.
• 19:52
  Speaker 12: It made you unattractive.
• 19:53
  Speaker 1: Hm. A weakness sure and strength is her religion, mister Connor.
• 19:57
  Speaker 1: She finds human imperfection unforgivable. And when I gradually discovered
• 20:01
  Speaker 1: that my relationship to her was supposed to be not
• 20:04
  Speaker 1: that of a loving husband and a good companion, but
• 20:07
  Speaker 1: that of a kind of high priest to a goddess,
• 20:10
  Speaker 1: and my drinks grew deeper and more frequent.
• 20:12
  Speaker 20: I never considered you as that normal son you did
• 20:14
  Speaker 20: without knowing it that night you got drunk on champagne
• 20:18
  Speaker 20: and climbed out on the roof and stood there in
• 20:20
  Speaker 20: your night shirt with your with your arms out to
• 20:23
  Speaker 20: the moon, wailing like a bansheet.
• 20:26
  Speaker 5: That I have told you I know had the slightest
• 20:28
  Speaker 5: recollection of doing any such thing.
• 20:30
  Speaker 1: Oh, I know you drew a blank. You wanted to
• 20:33
  Speaker 1: just a kind of what would you say? Where'd he go?
• 20:36
  Speaker 12: He's gone? But I hope you heard what you said.
• 20:38
  Speaker 12: It would make a wonderful story for spot to bad.
• 20:41
  Speaker 1: We can't supply photographs of you on the.
• 20:43
  Speaker 3: Roof, Dexter.
• 20:44
  Speaker 12: What are you trying to make me out as?
• 20:46
  Speaker 1: Tracy? What do you fancy yourself as? When I read
• 20:49
  Speaker 1: you were going to marry Kettrich, I couldn't believe it.
• 20:51
  Speaker 1: That's why I'm here. How in the world can you
• 20:53
  Speaker 1: even think of it?
• 20:54
  Speaker 12: Because he's everything that you're not. He's been poor, and
• 20:57
  Speaker 12: he's had to work, and he's had to fight for everything.
• 21:00
  Speaker 12: I love him as I never even began to love you.
• 21:02
  Speaker 1: Maybe so, but I doubt it. I think it's just
• 21:04
  Speaker 1: a swing from me. But Kittrid is no great tower
• 21:08
  Speaker 1: of strength, Tracy, He's just a tower.
• 21:10
  Speaker 8: You hardly know him well.
• 21:11
  Speaker 1: I hardly know him as to know him well. Kittrides
• 21:13
  Speaker 1: not for you.
• 21:14
  Speaker 12: Read you bet, he's for me.
• 21:16
  Speaker 5: He's a great man and a good man already. He's
• 21:18
  Speaker 5: of national importance.
• 21:20
  Speaker 1: Oh, you sound like spy magazine talking.
• 21:23
  Speaker 5: You know, you seem quite contemptuous of me.
• 21:24
  Speaker 15: All of a sudden.
• 21:25
  Speaker 1: No, or not of you. I'm contemptuous of something inside
• 21:28
  Speaker 1: of you. You're so called strength. You're prejudice against weakness.
• 21:32
  Speaker 1: You're blank intolerance.
• 21:33
  Speaker 12: Is at all.
• 21:33
  Speaker 1: That's the gist of it, Because you'll never be a
• 21:36
  Speaker 1: first class human being or a first class woman until
• 21:38
  Speaker 1: you that you have learned to have some regard for
• 21:40
  Speaker 1: human fraily. It's a pity your own foot can't slip
• 21:44
  Speaker 1: a little sometime. But your sense of divinity wouldn't allow that.
• 21:48
  Speaker 1: A special class of American female and married maidens.
• 21:52
  Speaker 12: So help me if you say another.
• 21:53
  Speaker 1: Word, I'm all through red for the moment. I've had
• 21:56
  Speaker 1: my say, Oh, the tower of Strength. I suppose I
• 22:01
  Speaker 1: should object to this too, Well, that would be most objectionable. Well,
• 22:06
  Speaker 1: any time either of you want my advice, we'll give
• 22:08
  Speaker 1: you a ring. Yes, thanks to that, will you so long? Read? Oh? Oh,
• 22:12
  Speaker 1: by the way, here's a little wedding present. Sorry, I
• 22:15
  Speaker 1: hadn't any ribbon to tie it up with. So long,
• 22:18
  Speaker 1: kiddrid so long? Well shall we open this tracing?
• 22:22
  Speaker 10: Go ahead?
• 22:23
  Speaker 5: I must remember to send a note to him along
• 22:25
  Speaker 5: with three others.
• 22:28
  Speaker 1: Look at your friend considers a wedding present.
• 22:31
  Speaker 15: Why, it's the model of the true love. So what
• 22:33
  Speaker 15: the true love?
• 22:34
  Speaker 5: It's a boat that he designed them built, practically sailed
• 22:38
  Speaker 5: it down the coast of mainem back the summer we
• 22:39
  Speaker 5: were married. Oh my, but she was young.
• 22:44
  Speaker 1: Yeah? What's that mean?
• 22:46
  Speaker 15: Yeah?
• 22:47
  Speaker 5: Why what does it mean? It means that she's easy
• 22:50
  Speaker 5: to handle and quick to the helm, fast and bright.
• 22:52
  Speaker 5: Everything about should be until she develops dry rot.
• 23:09
  Speaker 1: In a few moments, Mister the Mill presents Robert Taylor,
• 23:12
  Speaker 1: Loretta Young and Robert Young in Act two of the
• 23:15
  Speaker 1: Philadelphia Story. But now here's some music that'll have special
• 23:19
  Speaker 1: meaning for lots of young people this summer.
• 23:31
  Speaker 18: So that all to put us in the right mood.
• 23:32
  Speaker 12: Jane, Yes, a week from today, I'll be an expert
• 23:35
  Speaker 12: the rake and the hole.
• 23:37
  Speaker 18: It'll be hard but fun.
• 23:38
  Speaker 15: We'll be real farm hands only, Anne.
• 23:41
  Speaker 12: Yes, Jane, I hope we don't get all grimy and
• 23:44
  Speaker 12: weather beaten lohing.
• 23:45
  Speaker 18: Well, don't you worry, sweetie pie. I got us a
• 23:47
  Speaker 18: couple of big straw hats to keep the sun off.
• 23:50
  Speaker 18: And the most important thing of all, I have a
• 23:52
  Speaker 18: supply of lux toilet so no blair on our tender
• 23:55
  Speaker 18: little faces in the daytime, and plenty of creamy lucks
• 23:58
  Speaker 18: so flatter every night to get out all the dirt
• 24:01
  Speaker 18: and grime and help our skin stay salt and smooth.
• 24:04
  Speaker 18: And don't forget a luck soap. Beauty bath is going
• 24:07
  Speaker 18: to feel mighty good to our weary limbs too.
• 24:09
  Speaker 1: Now there's a pair of young war workers just bound
• 24:12
  Speaker 1: to be successful. They know what a grand beauty, ah,
• 24:15
  Speaker 1: gentle lux toilet soap will be to them all summer long.
• 24:18
  Speaker 1: A refreshing, fragrant beauty bath that will leave skin really sweet.
• 24:23
  Speaker 1: A gentle, thorough facial care that'll help to keep complexions
• 24:26
  Speaker 1: soft and smooth and lovely for busy women everywhere. Here's
• 24:30
  Speaker 1: a tip straight from Hollywood. Use the screen star's beauty soap,
• 24:34
  Speaker 1: Lux toilet soap. A finer soap can't be bought. It's
• 24:37
  Speaker 1: pure and very mild, gentle as a caress on the skin.
• 24:42
  Speaker 1: We pause now for station identification. This is the Columbia
• 24:47
  Speaker 1: Broadcasting System.
• 25:00
  Speaker 2: Act two of The Philadelphia Story, starring Loretta Young as
• 25:11
  Speaker 2: Tracy Lord, Robert Taylor as c. K. Dexter Haven, and
• 25:16
  Speaker 2: Robert Young as Mike Connor. On the eve of Tracy
• 25:24
  Speaker 2: Lord's wedding, her ex husband's presence is no comfort. No
• 25:28
  Speaker 2: comfort either is Dinah, who rushes in with news of
• 25:31
  Speaker 2: a new complication.
• 25:34
  Speaker 13: Tracy, he came anyway, He's right here.
• 25:36
  Speaker 15: Now, who's here?
• 25:37
  Speaker 1: Father?
• 25:43
  Speaker 2: I'm the terrace.
• 25:43
  Speaker 1: Tracy Lord faces her father.
• 25:45
  Speaker 2: And mother in her eyes.
• 25:47
  Speaker 1: There's nothing but scorn.
• 25:50
  Speaker 5: Now, remember Crazy, your uncle Willie's guest of honor tonight.
• 25:53
  Speaker 5: You mustn't be late.
• 25:53
  Speaker 7: I just saw that fiance of yours, Tracy. He rolled
• 25:56
  Speaker 7: out of here on two wheels, does he buy any
• 25:58
  Speaker 7: chance of a walk anywhere he likes? I expect I
• 26:01
  Speaker 7: have a feeling he'll take the ring tomorrow and go
• 26:02
  Speaker 7: right through set it with it.
• 26:04
  Speaker 5: That's you, idiot, very amusing, I'm sure, almost as amusing
• 26:07
  Speaker 5: as the sight of.
• 26:08
  Speaker 12: You with your arm around mother.
• 26:10
  Speaker 7: I find very unamusing the stupid, undignified spectacle we're making
• 26:13
  Speaker 7: of ourselves for the benefit of those two newspaper.
• 26:15
  Speaker 5: People, of course, inasmuch as you let us in for
• 26:18
  Speaker 5: us in the first place.
• 26:19
  Speaker 7: Oh, do keep that note out of your voice, Chacy,
• 26:21
  Speaker 7: it's very unattractive.
• 26:22
  Speaker 15: Oh how does.
• 26:22
  Speaker 12: Your dancer friend talk?
• 26:24
  Speaker 15: Or does sheep?
• 26:24
  Speaker 1: Per?
• 26:25
  Speaker 13: Tracy?
• 26:25
  Speaker 15: Sweet and blow?
• 26:26
  Speaker 5: I suppose dust it and very ladylike. You've got a
• 26:30
  Speaker 5: heck of a nerve to come back here in your
• 26:31
  Speaker 5: best head of the family matter and strike attitudes and
• 26:34
  Speaker 5: criticize my fiance and give orders and messings up generally,
• 26:37
  Speaker 5: and can't have it at fickening as if he's done
• 26:40
  Speaker 5: nothing at all.
• 26:41
  Speaker 8: Anyway, it's not your affair, Tracy.
• 26:43
  Speaker 7: If it concerns anyone, well, actually, I don't know whom
• 26:45
  Speaker 7: it concerns except your father. It's very wise of you. Margaret,
• 26:48
  Speaker 7: What most wives fail to realize is that their husband's
• 26:51
  Speaker 7: philandering has nothing whatever to do with him.
• 26:53
  Speaker 5: Oh then, who has it to do.
• 26:55
  Speaker 3: With a reluctance to go old?
• 26:57
  Speaker 7: I think I suppose the best mainstay a man can
• 26:59
  Speaker 7: have as he gets long in years is a daughter.
• 27:01
  Speaker 3: The right kind of.
• 27:02
  Speaker 7: Daughter, how sweet, full of warmth for him, full of foolish, unquestioning,
• 27:05
  Speaker 7: uncritical affection, none of which none. You have a good mind,
• 27:08
  Speaker 7: a pretty face. You have everything it takes to make
• 27:11
  Speaker 7: a lovely woman except the one essential, an understanding heart. Tracy,
• 27:15
  Speaker 7: You're not even human. You're made a bronze.
• 27:18
  Speaker 5: That's an awful thing to say to anyone.
• 27:20
  Speaker 3: Yes it is.
• 27:21
  Speaker 12: Indeed, so I'm to blame for Lena moray Ema.
• 27:24
  Speaker 7: To a certain extent, I expect you are.
• 27:26
  Speaker 15: Are you coward?
• 27:27
  Speaker 5: No?
• 27:27
  Speaker 7: But better that than a prig or a perennial spinster. However,
• 27:30
  Speaker 7: many marriages.
• 27:31
  Speaker 5: Set that too much.
• 27:33
  Speaker 15: What did you say I was?
• 27:34
  Speaker 3: Do you want me to repeat it?
• 27:36
  Speaker 12: No?
• 27:36
  Speaker 5: No, Pagan, you mean that you think I think I'm
• 27:42
  Speaker 5: some kind of a.
• 27:43
  Speaker 3: Goddess or something if your ego wants it that way.
• 27:45
  Speaker 16: Yes, come along, Margaret, Tracy, haven't you danced enough.
• 27:58
  Speaker 1: Do you know what time?
• 27:59
  Speaker 5: It is?
• 27:59
  Speaker 12: A daft four in China's ladies?
• 28:01
  Speaker 5: Madame China would be marry boy now, or perhaps it's
• 28:03
  Speaker 5: only up stay crazy.
• 28:05
  Speaker 1: I don't understand you tonight.
• 28:06
  Speaker 3: What's the matter?
• 28:07
  Speaker 5: What's the matter with everybody?
• 28:08
  Speaker 1: You never drink?
• 28:09
  Speaker 3: Tracy, Oh, you've got that wrong.
• 28:11
  Speaker 5: Griggs don't drink, nor spinster nor goddesses of neighbors?
• 28:15
  Speaker 3: Oh, Tracy, that's enough. Mcaulay Connors recorded for.
• 28:22
  Speaker 5: May.
• 28:22
  Speaker 3: I cut in.
• 28:24
  Speaker 1: I'm sorry, Connor, We're going home after this now.
• 28:26
  Speaker 4: You can't do that to me, not an old friend
• 28:28
  Speaker 4: of old Junius.
• 28:29
  Speaker 5: Oh I wish old Junius were here.
• 28:31
  Speaker 3: Crazy, I'll get your wrapped up.
• 28:32
  Speaker 5: It right back, you'll wrap me up.
• 28:35
  Speaker 3: Hello, Hello, Hey, you look fine, You're fine? Good good?
• 28:41
  Speaker 3: What was I saying? Oh, let's have another drink? Oh Wood,
• 28:45
  Speaker 3: Kittrie spank.
• 28:46
  Speaker 5: That's not what you were saying.
• 28:47
  Speaker 3: It isn't all right now? What was I saying? Oh?
• 28:51
  Speaker 3: I know? Why do you wish your brother was here?
• 28:53
  Speaker 3: Does he like Kittridge?
• 28:55
  Speaker 15: Everybody likes kitchen.
• 28:57
  Speaker 3: Everybody likes Kittridge. Everybody c K dexter Haven.
• 29:01
  Speaker 15: Huh k dexter Haven.
• 29:04
  Speaker 3: Where where is it he didn't come home. Well, I
• 29:08
  Speaker 3: think I'll go have a little talk with him.
• 29:09
  Speaker 5: Come on, let's have some wine.
• 29:11
  Speaker 3: Let's have some wine.
• 29:12
  Speaker 1: Here's your right now, we're.
• 29:14
  Speaker 8: Going to have just one more little drink.
• 29:16
  Speaker 1: Record not to you.
• 29:16
  Speaker 20: I'm afraid, dear, Well, why should you be afraid, George?
• 29:19
  Speaker 5: You know wine never affects me?
• 29:21
  Speaker 12: How to slice it?
• 29:34
  Speaker 6: K dexter Haven?
• 29:37
  Speaker 3: Oh, c K dexter Heaven. Where are you?
• 29:42
  Speaker 20: Come out?
• 29:42
  Speaker 3: Come out? Come out? What's up you are?
• 29:48
  Speaker 1: I only hope it's worth it? Come on in.
• 29:50
  Speaker 3: I bring you greetings in a bottle of champagne. Champagne
• 29:54
  Speaker 3: is a great level of sir, h leveler makes you
• 29:59
  Speaker 3: my equal?
• 30:00
  Speaker 1: Oh, I wouldn't say that.
• 30:01
  Speaker 3: Well, most my equals. C K dexter Haven. I would
• 30:05
  Speaker 3: like to talk to you.
• 30:06
  Speaker 1: Well, let's go in the talking room. Don't tell me.
• 30:09
  Speaker 1: The parties over so.
• 30:10
  Speaker 3: Some of them? No, No, no, I just felt like
• 30:12
  Speaker 3: talking to you.
• 30:12
  Speaker 1: No, that's nice.
• 30:14
  Speaker 3: Oh, I uh wonder if I might borrow at you.
• 30:17
  Speaker 1: I certainly hold the Newcastle. Here's what I am. Thank
• 30:21
  Speaker 1: you still me hm hmm nothing.
• 30:25
  Speaker 3: Listen, are you still in love with Tracy Lord? Or
• 30:30
  Speaker 3: perhaps you consider that a very personal question.
• 30:32
  Speaker 1: No, no, not at all.
• 30:33
  Speaker 4: Liz thinks you are. But of course women like the
• 30:36
  Speaker 4: romantic romanticize if I think.
• 30:40
  Speaker 1: Yes, they do.
• 30:41
  Speaker 3: Don't but there they do, don't they.
• 30:44
  Speaker 4: I don't know. I can't understand how you could have
• 30:46
  Speaker 4: been married to her and still knows a little about her,
• 30:50
  Speaker 4: don'tr No, I can't you.
• 30:55
  Speaker 3: You know, I have the hiccup.
• 30:59
  Speaker 4: I wonder if i'm have another gen Well, certainly, you know,
• 31:03
  Speaker 4: Tracy's no ordinary woman.
• 31:05
  Speaker 3: You said some things to her this afternoon that I resented.
• 31:08
  Speaker 1: Well, I apologize, mister Conna.
• 31:10
  Speaker 3: That's quite all right, quite all right. When a girl
• 31:12
  Speaker 3: is like Tracy, she's one in a million.
• 31:14
  Speaker 1: He's sort of like a uh it's like a goddess.
• 31:19
  Speaker 3: No no, no, sort of like a queen, a radiant,
• 31:22
  Speaker 3: glorious queen. You can't treat her like other women.
• 31:25
  Speaker 1: No, I suppose not. But then I imagine Kittridge appreciates
• 31:29
  Speaker 1: all that.
• 31:29
  Speaker 3: Kittridge.
• 31:30
  Speaker 4: Kittridge appreciates Kittridge, that fake man of the people, a
• 31:34
  Speaker 4: five cent edition of Sydney Kidd.
• 31:36
  Speaker 1: I always thought Kid himself was a five cent kid,
• 31:40
  Speaker 1: you know, kids just using you like he.
• 31:41
  Speaker 3: Uses everybody else. The guy's colossal.
• 31:44
  Speaker 1: It's terrific.
• 31:45
  Speaker 3: He's got everybody fool.
• 31:46
  Speaker 1: Yeah, don't mean Machiavelli has smiling, cynical Sydney kidds the
• 31:51
  Speaker 1: world's his oyster with an R and every month.
• 31:54
  Speaker 3: Hey, that's not bad. When did I say that you
• 31:56
  Speaker 3: didn't die dead?
• 31:57
  Speaker 1: I'm sorry.
• 31:58
  Speaker 4: I suppose you never heard of Kid's little arrangement in
• 32:01
  Speaker 4: Kansas City in San Francisco, and let me tell you
• 32:05
  Speaker 4: about the time he went to Boston.
• 32:07
  Speaker 3: The true story on that little jaunt would ruining.
• 32:11
  Speaker 1: Yeah, said, Look, Connor, what would happen to you? If
• 32:14
  Speaker 1: I use that stuff? Why, I might want to very much.
• 32:18
  Speaker 1: See Kid's holding an article on Tracy's father. It might
• 32:21
  Speaker 1: stop him.
• 32:22
  Speaker 3: Oh blackmail.
• 32:23
  Speaker 1: Huh, well, look.
• 32:25
  Speaker 3: You use it, use it with my blessing that I'm
• 32:28
  Speaker 3: through anyway.
• 32:29
  Speaker 1: I like, come on, sit down there, So I gotta
• 32:31
  Speaker 1: get back to Tracy yet not yet. You'll dictate and
• 32:32
  Speaker 1: I'll right, I'll shoot Boston.
• 32:35
  Speaker 4: Huh Boston, Oh, oh, the time May nineteen thirty eight,
• 32:40
  Speaker 4: the place Boston in a hotel, Kid.
• 32:42
  Speaker 5: Is just.
• 32:51
  Speaker 3: You know, Jason Champagne's funny stuff.
• 32:55
  Speaker 1: I'm used to whiskey. Whiskey's a slap on the back.
• 32:58
  Speaker 3: The champagne's are heavy, mist my eyes.
• 33:02
  Speaker 5: It was nice to the string.
• 33:04
  Speaker 8: M You know I do have any what's that uh music?
• 33:10
  Speaker 12: Yeah?
• 33:11
  Speaker 1: Uh huh, I tell you what.
• 33:14
  Speaker 5: Let's have a quick swim to brighten us up. Just
• 33:17
  Speaker 5: and I always swam at the time.
• 33:19
  Speaker 3: No, let's dip into some champagne instead.
• 33:21
  Speaker 11: Huh, hello you hello, You're fine?
• 33:26
  Speaker 1: I feel fine.
• 33:29
  Speaker 15: Did you enjoy the party?
• 33:30
  Speaker 5: Sure?
• 33:31
  Speaker 3: Sure?
• 33:32
  Speaker 4: The prettiest sight in this fine pretty world is in
• 33:34
  Speaker 4: rivileged class enjoying its privilege.
• 33:37
  Speaker 5: You're a snob, kind of.
• 33:38
  Speaker 4: No doubt. No, a wash with champagne was WILTQ Tracy's
• 33:42
  Speaker 4: pleasure Dome on the nuptial leave of Tracy Cementry.
• 33:47
  Speaker 3: Listen, you can't marry that guy?
• 33:49
  Speaker 5: Judge what I'm going to? Why not?
• 33:52
  Speaker 4: Well, I don't know.
• 33:53
  Speaker 3: I thought i'd before the first, but you just don't
• 33:56
  Speaker 3: sing the match up. Well maybe so, but all the same,
• 34:00
  Speaker 3: you're quite a girl, Tracy.
• 34:02
  Speaker 15: Lord.
• 34:02
  Speaker 5: You thinks I know, thanks to professor, But I don't
• 34:05
  Speaker 5: think I'm exceptional.
• 34:06
  Speaker 8: Oh you are, No, I know any number like me.
• 34:08
  Speaker 5: You want to get around more.
• 34:10
  Speaker 3: Than the upper class? Know who? Thank you?
• 34:12
  Speaker 5: Oh?
• 34:12
  Speaker 8: What is classes to do with it?
• 34:14
  Speaker 5: What are they matter?
• 34:14
  Speaker 8: Accept the people in them? Now George comes still called
• 34:17
  Speaker 8: lower class, dexter.
• 34:18
  Speaker 5: From the upper class.
• 34:18
  Speaker 8: I'll take the lower class.
• 34:20
  Speaker 21: Banks you.
• 34:21
  Speaker 3: You can't get a drawing room?
• 34:22
  Speaker 8: How what do you mean by that? My mistake decided?
• 34:25
  Speaker 8: I'm sorry, don't apologize.
• 34:27
  Speaker 1: Who's apologized?
• 34:28
  Speaker 8: I never knew such a man?
• 34:29
  Speaker 3: Tracy?
• 34:31
  Speaker 1: What you want?
• 34:32
  Speaker 3: You're a wonderful There's a magnificence to you, Tracy.
• 34:36
  Speaker 12: Why he likes?
• 34:39
  Speaker 8: Yeah, you're embarrassing.
• 34:41
  Speaker 3: Let's that's what?
• 34:43
  Speaker 5: Oh, I don't know, let's go up. I guess it's
• 34:45
  Speaker 5: kind of me.
• 34:46
  Speaker 3: There's a magnificence that comes out of your eyes, in
• 34:49
  Speaker 3: your voice, the way you stand there, the way you walk.
• 34:54
  Speaker 3: You're lit from within, Tracy.
• 34:56
  Speaker 4: You've got fires banked down, and you heart fires and
• 34:58
  Speaker 4: and Hollocostas.
• 35:00
  Speaker 5: Don't change even you to be made of bron Oh.
• 35:02
  Speaker 3: You're made out of flesh and blood. That's the blank,
• 35:05
  Speaker 3: unholy surprise of it. Oh you're the golden girl, Tracy,
• 35:09
  Speaker 3: full of life and warmth and delight. What's going on?
• 35:14
  Speaker 8: You get tears in your eye?
• 35:15
  Speaker 3: Shut up?
• 35:16
  Speaker 5: Shut up the one, Mike, keep talking, keep talking with you.
• 35:20
  Speaker 3: I've stuck.
• 35:22
  Speaker 12: Why is your mind having taken hold?
• 35:25
  Speaker 15: Professor?
• 35:26
  Speaker 3: All right, I lay off that professor stuff you hear me? Yes,
• 35:30
  Speaker 3: it's really all I am to you. I'm here. Are
• 35:32
  Speaker 3: you sure?
• 35:33
  Speaker 1: Are you sure?
• 35:34
  Speaker 12: I'm sure?
• 35:38
  Speaker 5: M Oh, holy golly, moved, economy. Don't don't all of.
• 35:47
  Speaker 15: A sudden, I got the ship.
• 35:48
  Speaker 3: Can't be anything like love. No, no, it mustn't be
• 35:50
  Speaker 3: a inconvenience.
• 35:51
  Speaker 5: Terribly and anyway, I know it doesn't, Mike, out of
• 35:54
  Speaker 5: our mind right into our hearts.
• 35:58
  Speaker 3: It does, doesn't it? Oh, Tracy yourself? Oh is it?
• 36:01
  Speaker 12: My young steps are melting away?
• 36:02
  Speaker 5: What is it?
• 36:03
  Speaker 2: Mike?
• 36:03
  Speaker 5: I seem to have a set of clay or some Tracy.
• 36:05
  Speaker 5: It's not part of the pool. It's just over the
• 36:07
  Speaker 5: lawn and the birch progs will be lovely thereoush put.
• 36:11
  Speaker 12: Me in your pocket.
• 36:25
  Speaker 1: Who's that out there? Hello, Mike? Yeah? Any prowlers around? No, no, promise,
• 36:33
  Speaker 1: I get in this way. If you can't, you can
• 36:35
  Speaker 1: always go in the front.
• 36:36
  Speaker 15: Sy.
• 36:36
  Speaker 1: Yeah, oh thanks Mike, good night.
• 36:38
  Speaker 14: Good night?
• 36:41
  Speaker 1: Hey, thank you Haven. Hello Kettridge. What are you doing here?
• 36:48
  Speaker 21: Oh?
• 36:48
  Speaker 1: Well, I'm a friend of the family, just dropped in
• 36:51
  Speaker 1: for a chat. Now, I don't try to be funny.
• 36:52
  Speaker 1: I asked you a question. I could ask you the
• 36:54
  Speaker 1: same question. Well, I telephone Tracy and a poondednt that
• 36:58
  Speaker 1: I was worried, So I walked over from the house. Yeah,
• 37:01
  Speaker 1: I was worried too about what oh, what do you
• 37:04
  Speaker 1: think of this? Fellaw? Connor? Or do you listen? If
• 37:06
  Speaker 1: you're trying to insinuate a chap, I wouldn't insinuate anything
• 37:09
  Speaker 1: from him. Listen, who's that? Oh that said? Come on,
• 37:17
  Speaker 1: I'll walk you around the house and tell you all
• 37:18
  Speaker 1: about it. On Then something's going on here, And I'm saying,
• 37:20
  Speaker 1: and so are you?
• 37:24
  Speaker 7: If that is Connor?
• 37:25
  Speaker 1: What's he doing with Tracy?
• 37:26
  Speaker 3: Look?
• 37:26
  Speaker 1: Just keep your shirt.
• 37:27
  Speaker 3: He can't trace you around, he can't trace it.
• 37:31
  Speaker 12: No, not my keep.
• 37:37
  Speaker 3: Well over the rainbows.
• 37:42
  Speaker 1: She's not hurting, she conna.
• 37:44
  Speaker 3: No, No, that's dead. Sees the minute she hit the water,
• 37:50
  Speaker 3: the wine hit her.
• 37:52
  Speaker 1: Now, look here a likely story, Connor, What do you say?
• 37:55
  Speaker 1: I said, A likely story? I got rid of the house.
• 37:58
  Speaker 4: Listen if you say, be down directly, Yes, if you want,
• 38:01
  Speaker 4: I want hello, Dexter, Hello, door, Hello.
• 38:08
  Speaker 1: Mine, second door of the right, Connor, and mind you
• 38:09
  Speaker 1: don't like Dina.
• 38:10
  Speaker 3: I'll be right back directly.
• 38:12
  Speaker 5: That might.
• 38:15
  Speaker 1: No, this is horrible. How are the mighty fallen? But
• 38:19
  Speaker 1: if I know Tracy, she'll remember little of this for
• 38:21
  Speaker 1: the second time in her life. She'll draw quite a
• 38:22
  Speaker 1: tidy blank. Oh well you don't believe it, do you believe?
• 38:26
  Speaker 5: What?
• 38:26
  Speaker 1: Well? The implications of what you saw? Let us say?
• 38:30
  Speaker 1: Well what else about? To believe?
• 38:32
  Speaker 5: You? Eyes?
• 38:33
  Speaker 1: I've got imagination, haven't I? I don't know, have you?
• 38:36
  Speaker 1: So you pretend not to believe it? Yes, I pretend
• 38:39
  Speaker 1: not to and you don't know women as possible, then
• 38:41
  Speaker 1: you're a fool. Well that's quite possible. Now. Look, you
• 38:44
  Speaker 1: won't be too hard on her, will you. I'll make
• 38:46
  Speaker 1: up my own mind what I'll do. We're all only human,
• 38:49
  Speaker 1: you know, all of you? Which is sophisticated idea. Ain't
• 38:52
  Speaker 1: it awful?
• 38:53
  Speaker 3: Well I'm back. What do you want to do about it?
• 38:55
  Speaker 1: Why you loads? I'll take care of this. Hey, listen,
• 38:58
  Speaker 1: hey man, this is my affair. What pride of you?
• 38:59
  Speaker 1: Your husban? And so tomorrow you can go now get rid.
• 39:03
  Speaker 1: J'll handle the rest of itself. Yeah, sure, sure, Hey, Connor,
• 39:08
  Speaker 1: come on, wake?
• 39:10
  Speaker 3: Oh how do you feel? Look if you.
• 39:13
  Speaker 1: Think I know, I know, I'm I'm sorry, but I
• 39:16
  Speaker 1: thought i'd better hit you before he did. He's in
• 39:17
  Speaker 1: better shape than I am.
• 39:20
  Speaker 3: Well you'll do. And mister Dexter is or anything wrong?
• 39:24
  Speaker 1: Since? No, No, not a thing, Mac, just as quiet
• 39:26
  Speaker 1: as a church. Who's that land there? It's mister Connor Mac.
• 39:30
  Speaker 1: A job gone.
• 39:31
  Speaker 3: I thought it might have been mister Kitridge.
• 39:33
  Speaker 1: Well we can't have everything, Mac, goodnight, good nights. After
• 39:52
  Speaker 1: a brief intermission, mister de Mill and our stars Loretta Young,
• 39:56
  Speaker 1: Robert Taylor and Robert Young will bring us at three
• 39:59
  Speaker 1: of the Philadelphia story. Now a young lady and a
• 40:03
  Speaker 1: sound that means she's busy.
• 40:08
  Speaker 14: Who I'm glad at quitting time? Neither the bus in home?
• 40:12
  Speaker 1: Yes, she's a war plant worker who's put in an
• 40:14
  Speaker 1: intensive day at the machine. And the trip home's not
• 40:17
  Speaker 1: exactly RESTful either. Step up, me, step up, that's all.
• 40:21
  Speaker 18: Next bus, Well, let's just hope I get on the
• 40:24
  Speaker 18: next bus.
• 40:25
  Speaker 14: Brother.
• 40:25
  Speaker 1: But at last she's home, and being a wise young woman,
• 40:28
  Speaker 1: it isn't long before.
• 40:32
  Speaker 14: Thanks goodness, A lots of hot water and a nice
• 40:34
  Speaker 14: new cake of Lucks toilet.
• 40:36
  Speaker 1: Soaps, yes, her Luck soap, beauty bath will make her
• 40:39
  Speaker 1: feel like a different girl in no time, ready to
• 40:42
  Speaker 1: step out for an evening's entertainment and celebration with a
• 40:44
  Speaker 1: soldier bull who's home on leaves.
• 40:53
  Speaker 3: Gosh, Mary, you look precious at daisy music swelling it.
• 40:57
  Speaker 3: Maybe it's because I'm dancing with you.
• 40:59
  Speaker 1: I think your so well. Ask any girl if she
• 41:04
  Speaker 1: doesn't like to hear a man say things like that,
• 41:06
  Speaker 1: No wonder. Mary is glad she learned a Hollywood beauty seecret.
• 41:10
  Speaker 14: I wouldn't dream of going out without my luck soap bath.
• 41:13
  Speaker 14: A nice soothing bath with that ra a greant, creamy
• 41:15
  Speaker 14: ladder make me feel like new in no time, And
• 41:18
  Speaker 14: say scream Star's a right when they tell you A
• 41:20
  Speaker 14: lux beauty bath makes you really sure of Davies.
• 41:24
  Speaker 1: Screen stars discovered that their Complexion soap Lux Toilet Soap
• 41:28
  Speaker 1: makes the perfect bath soap. Too active lather whisks away
• 41:32
  Speaker 1: dirt and grime in a twinkling leave skin fresh and sweet.
• 41:36
  Speaker 1: You'll find the rich lather makes your skin feel smooth
• 41:39
  Speaker 1: and soft, too, perfumes it with a delicate fragrance. This
• 41:43
  Speaker 1: gentle white soap is very inexpensive and it's hard. Mills
• 41:47
  Speaker 1: the last and last, why not try a lux toilet
• 41:50
  Speaker 1: soap beauty bath tomorrow Now, mister de Mill returns to
• 41:55
  Speaker 1: the microphone.
• 41:56
  Speaker 2: A personal talk with our stars is in the cards
• 41:58
  Speaker 2: following the play. Here's the third act of the Philadelphia Story,
• 42:02
  Speaker 2: starring Robert Taylor, Loretta Young, and Robert Young. The wedding
• 42:12
  Speaker 2: day has gone right and fair, and the events of
• 42:15
  Speaker 2: the wedding eve are a thing of the past. Particularly
• 42:19
  Speaker 2: for Tracy. She cannot remember anything. She cannot think of
• 42:23
  Speaker 2: anything without stropping her eyes open with her fingers. She
• 42:27
  Speaker 2: can't even see anything. To comfort her in this predicament
• 42:31
  Speaker 2: comes a little old comforter Dinah.
• 42:35
  Speaker 13: How you feel, Tracy?
• 42:36
  Speaker 8: Oh far, you look horrible here?
• 42:39
  Speaker 5: I know, Terracy.
• 42:40
  Speaker 13: I hate you to get in there and go away.
• 42:42
  Speaker 5: Well, I'll miss you, Darning, I'll miss all of you.
• 42:45
  Speaker 13: You know, I had the funniest dream about you last night,
• 42:47
  Speaker 13: did you?
• 42:48
  Speaker 8: I dreamed?
• 42:49
  Speaker 13: I got up and went over to the window. And
• 42:51
  Speaker 13: guess what I dreamed I saw coming out of the woods.
• 42:53
  Speaker 5: I am the finish.
• 42:54
  Speaker 13: Ideas were all sort of It was mister Connor. Mister Connor, Yes,
• 43:02
  Speaker 13: he'd got the arms full of something. And guess what
• 43:05
  Speaker 13: it turned out?
• 43:05
  Speaker 8: To be wall you rue me. Uh, mister Connor was.
• 43:11
  Speaker 13: Showing you wasn't funny?
• 43:13
  Speaker 5: Its stead of like you were coming from the pool
• 43:16
  Speaker 5: the fool. Oh, I'm going crazy. I'm standing here solidly
• 43:22
  Speaker 5: on my own two hands and going crazy.
• 43:24
  Speaker 14: Then wah, so I do why?
• 43:26
  Speaker 5: Oh?
• 43:26
  Speaker 13: My door cracked and there he was in the hall,
• 43:28
  Speaker 13: we all coming along with He was talking like a
• 43:30
  Speaker 13: theme engine. His wind can't be very good?
• 43:33
  Speaker 5: Senwah and he instead of coony croon Yeah.
• 43:39
  Speaker 13: Well then he yeah, Oh I couldn't possibly then he
• 43:43
  Speaker 13: just sails right into your room with you and not
• 43:45
  Speaker 13: share me so I could help win to your door
• 43:47
  Speaker 13: and peep in to make sure you were all right
• 43:49
  Speaker 13: and get what what you were. Oh, he was gone
• 43:55
  Speaker 13: by them good, he was gone.
• 43:57
  Speaker 15: He was never there.
• 43:58
  Speaker 5: I'm crazy.
• 44:00
  Speaker 8: Oh I should certainly certainly hope you did.
• 44:02
  Speaker 5: It's just a game.
• 44:03
  Speaker 13: I guess that's just said.
• 44:04
  Speaker 8: So too sick done, lord, your little fiend.
• 44:08
  Speaker 4: If you do want Oh, hello, I'm uh I'm testing
• 44:14
  Speaker 4: the air.
• 44:15
  Speaker 3: Oh I like it, but it doesn't like me. Well, hello, dinah, how.
• 44:20
  Speaker 5: Do you do?
• 44:21
  Speaker 3: Mister Connor?
• 44:22
  Speaker 9: Uh?
• 44:22
  Speaker 5: Did you have a good sleep?
• 44:23
  Speaker 3: Wonderful? Wonderful you?
• 44:25
  Speaker 5: Oh? Ma have you ever seen a handsomer day?
• 44:28
  Speaker 1: Never?
• 44:28
  Speaker 3: Never?
• 44:29
  Speaker 1: What did it set you back?
• 44:30
  Speaker 15: Oh?
• 44:31
  Speaker 8: I got it for nothing? For being a good girl?
• 44:33
  Speaker 3: Good good? Oh shy not? How are you?
• 44:37
  Speaker 13: Don't worry? I'm going Why should you?
• 44:41
  Speaker 16: No?
• 44:41
  Speaker 13: I guess you want happenings you wait to discuss. I'll
• 44:43
  Speaker 13: remember it's getting light.
• 44:45
  Speaker 5: Oh, she's always trying to make situations.
• 44:48
  Speaker 1: Well, well, what's the matter with your chin gin?
• 44:53
  Speaker 5: Uh?
• 44:53
  Speaker 3: Huh oh h does it show very much?
• 44:57
  Speaker 5: What happened?
• 44:59
  Speaker 3: Well? I yes, I stuck it out too far.
• 45:01
  Speaker 12: Into a door in the doll.
• 45:03
  Speaker 3: Yes, yes, that's it. Oh well, Tracy, what about you?
• 45:08
  Speaker 3: You're right me? Yeah?
• 45:10
  Speaker 5: Oh yes, a girl?
• 45:11
  Speaker 15: Why shouldn't I be? I had a simply wonderful evening.
• 45:13
  Speaker 15: I hope you enjoyed it too.
• 45:14
  Speaker 3: I enjoyed the last part of it.
• 45:17
  Speaker 5: Oh really well, why especially the last part?
• 45:21
  Speaker 3: Why Tracy? Are you asking me?
• 45:23
  Speaker 12: Oh you mean the swim?
• 45:25
  Speaker 3: Yeah?
• 45:25
  Speaker 5: Oh we did swim and so forth.
• 45:27
  Speaker 12: Didn't we?
• 45:29
  Speaker 3: Of course we? Oh? Tracy? Darling, Mike, what can I
• 45:33
  Speaker 3: say to you? Tell me?
• 45:34
  Speaker 5: Do? Oh?
• 45:34
  Speaker 12: Not anything?
• 45:34
  Speaker 5: Don't say anything, and especially not darling.
• 45:38
  Speaker 3: Then you're going through with it?
• 45:39
  Speaker 5: Uh?
• 45:40
  Speaker 3: Through with what the wedding?
• 45:43
  Speaker 5: Well, why shouldn't I?
• 45:44
  Speaker 3: Well, you said last night.
• 45:46
  Speaker 12: Oh, I said a lot of things last night.
• 45:48
  Speaker 3: It seems okay. No dice, also no regrets about last night?
• 45:53
  Speaker 5: Huh, Well why should I?
• 45:56
  Speaker 3: Oh, Tracy, you're wonder.
• 45:57
  Speaker 5: No, no, you don't know what I mean. I'm asking you.
• 45:59
  Speaker 5: Tell me straight out, tell me the reason why I
• 46:01
  Speaker 5: should have Well, no, no, don't don't tell me.
• 46:05
  Speaker 1: Anything on red drinkers down doctor's orders.
• 46:18
  Speaker 5: What is it?
• 46:19
  Speaker 1: Just the juice of a few flowers. It's the type
• 46:21
  Speaker 1: of stinger removes the sting dexter.
• 46:24
  Speaker 5: Don't say that?
• 46:24
  Speaker 1: Well, why not red?
• 46:26
  Speaker 12: Because nothing will nothing ever can't dexter.
• 46:29
  Speaker 15: I've done the most terrible.
• 46:31
  Speaker 1: Thing to you, to me, Oh, I doubt that. I
• 46:34
  Speaker 1: doubt it very much, Dick, What am I going to do?
• 46:36
  Speaker 1: Why ask me, darling? Where do I come into it anymore?
• 46:39
  Speaker 1: Aren't you confusing me with someone else? A fellow named
• 46:41
  Speaker 1: Kittridge or something.
• 46:43
  Speaker 5: George, I've got to tell George, tell.
• 46:45
  Speaker 1: Him what do I just got to tell him? What?
• 46:47
  Speaker 1: You gotta tell him? You gotta tell him, I suppose.
• 46:49
  Speaker 1: But if he's got any brains at all, you'll have
• 46:51
  Speaker 1: realized by now what a fool he made of himself
• 46:53
  Speaker 1: when last night.
• 46:55
  Speaker 12: Was he here too?
• 46:56
  Speaker 1: Sure?
• 46:57
  Speaker 15: Well?
• 46:57
  Speaker 13: Good golly, why didn't you sell tickets?
• 47:01
  Speaker 5: Oh, I'll say something, dex to say anything.
• 47:04
  Speaker 1: No you do.
• 47:06
  Speaker 5: Oh, I'm such an unholy mess of a girl.
• 47:11
  Speaker 1: That's no good. That's not even conversation.
• 47:13
  Speaker 5: But never in my life, not if I live to
• 47:14
  Speaker 5: be a hundred, will I ever forget how you tried.
• 47:17
  Speaker 15: To stand me on my feet again?
• 47:18
  Speaker 1: Today you're in great shape. Tell me what did you
• 47:22
  Speaker 1: think of my wedding present? I like my presence at
• 47:24
  Speaker 1: least acknowledged.
• 47:25
  Speaker 15: You know, it was beautiful.
• 47:27
  Speaker 12: M h, I'm sweet decks.
• 47:30
  Speaker 1: Yeah, yeah, she was quite a boat, the true love
• 47:34
  Speaker 1: my She was yar, she was yar. I wasn't very Oh,
• 47:41
  Speaker 1: but you were good at the bright work I made
• 47:43
  Speaker 1: her shine. I'm designing another one now, along more practical lines.
• 47:48
  Speaker 1: Her I thought the true of the second Dexter.
• 47:51
  Speaker 5: If you call any boat that, I promise you I'll
• 47:53
  Speaker 5: blow you and eat right out of the water. Well,
• 47:57
  Speaker 5: I'll tell you what you can call her if you like?
• 47:59
  Speaker 12: What in fond remembrance of me? The easy virtue?
• 48:03
  Speaker 1: Oh, I shut up, Red, I can't have you thinking
• 48:04
  Speaker 1: things like that.
• 48:05
  Speaker 5: What am I supposed to think when I.
• 48:08
  Speaker 12: Oh, I don't know, I.
• 48:09
  Speaker 3: Don't know anything anymore.
• 48:10
  Speaker 1: Well, that sounds very hopeful. Red, that sounds just fine.
• 48:14
  Speaker 13: Crazy, we're almost ready to end up there.
• 48:16
  Speaker 8: Let me see your dress, mother, Yes, dear, it's lovely.
• 48:19
  Speaker 5: George will be right over.
• 48:21
  Speaker 15: Oh here, I forgot.
• 48:22
  Speaker 8: Here's an only center this morning.
• 48:24
  Speaker 5: Oh, good morning, mister Khanna, and.
• 48:25
  Speaker 12: Hello miss Henry.
• 48:27
  Speaker 8: Oh by the way, dexter a missus Sydney Kidd telephone.
• 48:30
  Speaker 13: I wish to tell you that you.
• 48:31
  Speaker 5: Win whatever on earth is that?
• 48:33
  Speaker 3: Oh fine? Well, I have a feeling it won't piece
• 48:36
  Speaker 3: of hard for me to resign.
• 48:37
  Speaker 12: Now, and belts will be worn tight at this winter.
• 48:39
  Speaker 1: Well read, I'm afraid this is the deadline.
• 48:42
  Speaker 12: Yes, so is this.
• 48:43
  Speaker 15: Listen everybody. It's from George, my dear Tracy.
• 48:47
  Speaker 5: I want you to know that you will always be
• 48:49
  Speaker 5: my friend. But your conduct last night was so shocking
• 48:53
  Speaker 5: to my ideas of womanhood that my attitude towards you
• 48:56
  Speaker 5: in the prospect of a happy married life together has changed. Mister, Oh, hello, George,
• 49:04
  Speaker 5: come and listen, Tracy in front of all these and
• 49:07
  Speaker 5: it's only a letter from a friend. And these are
• 49:08
  Speaker 5: my friends too.
• 49:10
  Speaker 12: Here everybody, here's the last of it.
• 49:12
  Speaker 5: Your breach of common decency certainly entitles me to a
• 49:15
  Speaker 5: full exclamation before going through with our proposed marriage in
• 49:19
  Speaker 5: the light of day.
• 49:20
  Speaker 12: I am sure that you will agree with me.
• 49:23
  Speaker 5: Well, yes, George, I do agree with you.
• 49:26
  Speaker 1: That's all you have to say. What else, on the
• 49:29
  Speaker 1: very eve of your wedding an affair with another man?
• 49:31
  Speaker 3: I'll wait a minute, Kittridge. It may interest you to
• 49:34
  Speaker 3: know that this so called affair consisted of exactly two
• 49:36
  Speaker 3: kisses in a rather late swim.
• 49:38
  Speaker 12: Well, thanks, Mike, which is there's no need to defend.
• 49:40
  Speaker 3: Me, after which I deposited Tracy in her room and
• 49:42
  Speaker 3: promptly returned down here to YouTube, which doubtless you'll remember, doubtless,
• 49:46
  Speaker 3: without a doubt.
• 49:46
  Speaker 1: Do you mean to say that was all I was
• 49:48
  Speaker 1: to it?
• 49:49
  Speaker 5: I do. Why Mike, was I so unattractive, so distant,
• 49:54
  Speaker 5: so forbidding or something that you?
• 49:56
  Speaker 1: Well, this is fine.
• 49:56
  Speaker 8: Talk to you just a minute.
• 49:57
  Speaker 12: I'm asking a question.
• 49:58
  Speaker 3: You were extremely attractive, but you were also a little
• 50:01
  Speaker 3: the worse or better for wine, and there are rules
• 50:05
  Speaker 3: about that.
• 50:07
  Speaker 5: Oh, thank you, Mike.
• 50:09
  Speaker 12: I think men are wonderful, the little DearS.
• 50:13
  Speaker 1: Then if it hadn't been for the drink last night,
• 50:16
  Speaker 1: all of this might not have happened.
• 50:17
  Speaker 12: Well, apparently nothing did happen, And what made you.
• 50:20
  Speaker 5: Think it had?
• 50:20
  Speaker 1: No, I'm not gonna quiverle, Tracy. Let bygones be bygones.
• 50:23
  Speaker 3: What do you say?
• 50:24
  Speaker 5: Yes?
• 50:25
  Speaker 15: And goodbye? George?
• 50:27
  Speaker 1: I don't understand.
• 50:28
  Speaker 5: Well, you're too good for me, George, or a hundred
• 50:30
  Speaker 5: times too good.
• 50:31
  Speaker 12: But i'd make you the most unhappy that well.
• 50:34
  Speaker 5: That is, I do my best too.
• 50:36
  Speaker 1: All right, Possibly it's just as well. Yes, I thought
• 50:40
  Speaker 1: you'd finally come to that conclusion. I have a feeling
• 50:42
  Speaker 1: you had more to do with this than anyone. Possibly,
• 50:44
  Speaker 1: but you were a great hell you and your rocking class,
• 50:46
  Speaker 1: asked my eye.
• 50:47
  Speaker 19: They're on the way out, a lot of you and
• 50:49
  Speaker 19: good ridden. Well, there goes George, the man I'm waiting
• 50:57
  Speaker 19: for you.
• 50:58
  Speaker 12: Oh, shut the door, Shut the door, Dixie.
• 51:10
  Speaker 5: Did you see them out there? That welter of faces?
• 51:13
  Speaker 1: They look solemn?
• 51:14
  Speaker 12: What in the name of all this hole am I
• 51:16
  Speaker 12: going to do?
• 51:17
  Speaker 15: Yes?
• 51:17
  Speaker 3: Mike, Look, I got you into this thing, and I'll
• 51:19
  Speaker 3: get you out of it. Will you marry me? Tracy?
• 51:22
  Speaker 12: Oh? Hanks, Mike?
• 51:25
  Speaker 15: Thanks?
• 51:25
  Speaker 12: But no, Well, why not, Because because I don't think
• 51:31
  Speaker 12: Liz would like.
• 51:32
  Speaker 5: It, and I'm not so sure you would. And I'm
• 51:35
  Speaker 5: even a little doubtful about myself.
• 51:38
  Speaker 15: But I'm beholden to your Mike. I'm most beholden.
• 51:42
  Speaker 3: But they're in there. They're waiting now, Mike.
• 51:44
  Speaker 5: Don't get too conventional all at once, will you. There'll
• 51:47
  Speaker 5: be a reaction.
• 51:47
  Speaker 1: Cheer up, ready, It'll be all right. You've been got
• 51:49
  Speaker 1: out of jams before.
• 51:51
  Speaker 15: Mother.
• 51:51
  Speaker 8: It's all right here.
• 51:52
  Speaker 11: Your father will make a very simple announcment.
• 51:54
  Speaker 7: Do you want me to say, Tracy, No, No, I'll
• 51:57
  Speaker 7: say it.
• 51:57
  Speaker 5: Whatever it is, I'll say It'll be got out of
• 52:00
  Speaker 5: anything anymore.
• 52:01
  Speaker 12: Thanks.
• 52:02
  Speaker 15: Tell them to.
• 52:03
  Speaker 12: Stop the music, dexter, what can I see?
• 52:06
  Speaker 1: Just open that door and we'll go ahead.
• 52:07
  Speaker 22: I'll from you, ladies and gentlemen, ladies and gentlemen. Two
• 52:17
  Speaker 22: years ago, I did you out of a wedding in
• 52:19
  Speaker 22: this house by eloping to Maryland.
• 52:21
  Speaker 5: Two years ago, when you were invited to a wedding
• 52:24
  Speaker 5: in this house, and and then I did you out
• 52:26
  Speaker 5: of it by eloping to.
• 52:27
  Speaker 12: Maryland, which was very bad manners, which was very bad manners.
• 52:31
  Speaker 22: But I hope to make it up to you by
• 52:33
  Speaker 22: going through with it now as originally planned.
• 52:35
  Speaker 15: But I hope to make it up to you.
• 52:36
  Speaker 5: But guy, going beautifully through with it now as originally
• 52:41
  Speaker 5: and most beautifully planned.
• 52:42
  Speaker 3: If you'll just keep your seats for a minute.
• 52:44
  Speaker 12: So, if you'll just keep your seats for a minute,
• 52:46
  Speaker 12: that's all.
• 52:47
  Speaker 15: That's all, Dexter.
• 52:48
  Speaker 1: Are you sure not in at least? But I'll risk it,
• 52:50
  Speaker 1: will you?
• 52:51
  Speaker 5: Oh? You bet?
• 52:51
  Speaker 12: You didn't do it just to soften the blow.
• 52:53
  Speaker 1: Oh it's a nice little face, Dexter.
• 52:56
  Speaker 12: I'll be yar now.
• 52:57
  Speaker 3: I promise you.
• 52:58
  Speaker 1: I'll be whatever you're like. You're my redhead? Are you
• 53:01
  Speaker 1: all set a set? You'd be the best man?
• 53:03
  Speaker 3: Mike Honored is.
• 53:05
  Speaker 12: Matron of honor. Remember Josemith? Did this ever?
• 53:08
  Speaker 1: Have a Come on, let's get in there, see you soon, ready, darling?
• 53:12
  Speaker 3: May I kiss you?
• 53:13
  Speaker 5: Oh?
• 53:13
  Speaker 12: Father, father, you're not losing a daughter. You're gaming.
• 53:16
  Speaker 3: Don't you think I know that? I love you?
• 53:18
  Speaker 8: Father?
• 53:19
  Speaker 3: I love you too, Tracy.
• 53:21
  Speaker 12: Never in my whole life have I've been so full
• 53:23
  Speaker 12: of love before?
• 53:24
  Speaker 3: Come along? Come along?
• 53:25
  Speaker 12: Oh wait a minute, how do I look like a queen?
• 53:28
  Speaker 3: Like a goddess?
• 53:29
  Speaker 5: And you know how I.
• 53:30
  Speaker 15: Feel like a human?
• 53:33
  Speaker 12: Like a human being.
• 53:58
  Speaker 2: Oh shere entertainment, I think we're going to have trouble
• 54:01
  Speaker 2: finding plays and stars that top tonight's performance. And here's
• 54:05
  Speaker 2: the trio responsible, Loretta Young, Robert Taylor and Robert Young.
• 54:10
  Speaker 12: Thank you, mister de mill. You know you've completed the
• 54:13
  Speaker 12: circle tonight.
• 54:14
  Speaker 2: Now I've run around in circles before.
• 54:17
  Speaker 17: No, no, I mean that Bob Taylor and Bob Young
• 54:20
  Speaker 17: have made a picture together, and I've made a picture
• 54:22
  Speaker 17: with each of.
• 54:22
  Speaker 5: Them, and here we are all together in one play.
• 54:26
  Speaker 3: Cozy, isn't it.
• 54:29
  Speaker 1: Why didn't you tip me off?
• 54:31
  Speaker 12: Bob Well, we're hearing double tonight, mister de Mill.
• 54:35
  Speaker 2: Well, our cast is a little on the on the
• 54:37
  Speaker 2: young side too, Loretta, Loretta Young and Bob Young.
• 54:46
  Speaker 3: Don't you get it? We don't want it.
• 54:50
  Speaker 1: You put a couple of puns like that. In the
• 54:52
  Speaker 1: story of Doctor Wastle's being Gary Kouple toss a six
• 54:55
  Speaker 1: shooter at you. He does that very well, Bob.
• 54:59
  Speaker 2: But in Doctor Washton he plays a simple country doctor
• 55:02
  Speaker 2: who shows the world the heroism of mercy.
• 55:04
  Speaker 1: And when do you start shooting? Cebe in about three weeks,
• 55:07
  Speaker 1: bub Well.
• 55:08
  Speaker 17: Good luck with the picture, and don't work too hard,
• 55:10
  Speaker 17: mister demill take a lesson from Lock Soap and take
• 55:13
  Speaker 17: it easy. You know, I discovered long ago that lux
• 55:17
  Speaker 17: is the easy way to care for one's complexion.
• 55:19
  Speaker 2: Lux Soap's exhibit a, Ladies and gentlemen, is a screen
• 55:23
  Speaker 2: close up of Loretta at your neighborhood theater. Now for
• 55:26
  Speaker 2: some news about this theat Next week, our play is
• 55:31
  Speaker 2: Noel Coward's epic drama of a British destroyer, the motion
• 55:35
  Speaker 2: picture Success, in which we serve and starling in it.
• 55:40
  Speaker 2: Next Monday Night will be Ronald Coleman with Edna Best.
• 55:47
  Speaker 2: This play takes a single ship and follows her and
• 55:51
  Speaker 2: her crew from the day of her proud launching to
• 55:54
  Speaker 2: the still prouder day of her death in battle.
• 55:57
  Speaker 1: Well, I, for one, will be listening to that place now, Bob.
• 56:00
  Speaker 3: I know that I speak for the entire audience in
• 56:03
  Speaker 3: wishing you every good fortune until you come back here
• 56:05
  Speaker 3: again very soon.
• 56:07
  Speaker 2: Ladies and gentlemen, Robert Taylor enters the service of the
• 56:10
  Speaker 2: United States Navy Air.
• 56:12
  Speaker 10: Car Thanks everybody, good night, goodnight, good.
• 56:24
  Speaker 5: Night, good night.
• 56:25
  Speaker 2: In the In the words of the play, you three
• 56:28
  Speaker 2: are certainly yah, Ladies and gentlemen, This may seem a
• 56:35
  Speaker 2: peculiar time to talk about heating your house, but it's
• 56:39
  Speaker 2: better to talk about it now than next winter when
• 56:41
  Speaker 2: it's too late. Summer is the time to make your
• 56:45
  Speaker 2: house heat tight, time to install weather stripping and storm doors.
• 56:50
  Speaker 2: It's also the time to order coal so the coal
• 56:54
  Speaker 2: dealers won't be swamped later. And whatever you burn coal,
• 56:57
  Speaker 2: gas or oil, make sure sure your heating equipment is working.
• 57:02
  Speaker 1: Effishient play.
• 57:03
  Speaker 2: You'll save money and you save the health of your family.
• 57:15
  Speaker 2: Our sponsor, the makers of Lux toilet Soap, joined me
• 57:17
  Speaker 2: in inviting you to be with us again next Monday
• 57:20
  Speaker 2: Night from the Lux Radio Theater presents Ronald Coleman, in
• 57:26
  Speaker 2: which we serve with Edna Best is Successful be the Mill,
• 57:30
  Speaker 2: saying good.
• 57:31
  Speaker 3: Night to you from Hollywood.
• 57:42
  Speaker 1: Heard in tonight's play were Roland Drew as George, Mary
• 57:45
  Speaker 1: Lou Harrington as Dinah, Regina Wallace as Margaret, Vicky Lang
• 57:49
  Speaker 1: is Elizabeth and Norman Field, Bernard Felton, Fret McKay malas
• 57:55
  Speaker 1: Shelton leo' cleary, and Thomas Mills. Radio Theater production of
• 58:01
  Speaker 1: Philadelphia Story has come to you with the good wishes
• 58:04
  Speaker 1: of the makers of Lux toilet soap, the beauty care
• 58:08
  Speaker 1: that nine out of ten Hollywood stars use to help
• 58:11
  Speaker 1: keep their complexions beautifully clear and smooth, flawless, as every
• 58:16
  Speaker 1: woman wants her skin to be. In the Lux Radio
• 58:19
  Speaker 1: Theater next week, we will have, as usual, our producer,
• 58:22
  Speaker 1: Cecil B. De Mill, be part of the Coast to
• 58:24
  Speaker 1: Coast audience that gathers each week to enjoy this hour
• 58:28
  Speaker 1: of dramatic entertainment with the finest artists of Broadway in Hollywood.
• 58:33
  Speaker 1: Our music was directed by Lewis Silvers. And this is
• 58:36
  Speaker 1: your announcer, John M. Kennedy reminding you to tune in
• 58:38
  Speaker 1: next Monday night to hear Ronald Coleman in which we
• 58:42
  Speaker 1: serve with EDNA Best.
• 58:47
  Speaker 21: Today, you can't afford to be tired or nervous because
• 58:50
  Speaker 21: of a diet low vitamins. Yet with food shortages it's
• 58:54
  Speaker 21: harder to get vitamin rich foods, so take vims. Vims
• 58:58
  Speaker 21: are scientifically designed to help make meals complete.
• 59:01
  Speaker 1: Vims give you all the.
• 59:03
  Speaker 21: Vitamins government experts say are essential balanced in the formula.
• 59:06
  Speaker 21: Doctors and doors and BIMs supply all the minerals commonly lacking.
• 59:11
  Speaker 21: Get vims at your druggists, v I for vitamins, WMS
• 59:16
  Speaker 21: for minerals BIMs. This is the Columbia Broadcasting System