Latest / Vanity Farah with Chris Farah / 90 Day Fiancé Season 12 Episode 6 “When Two Worlds Collide” Part 2

Transcript

90 Day Fiancé Season 12 Episode 6 “When Two Worlds Collide” Part 2 · Vanity Farah with Chris Farah

• 0:05
  Speaker 1: Hi, everyone, Welcome back to Vanity.
• 0:06
  Speaker 2: Farah. My name is Chris Farah, and this is part
• 0:09
  Speaker 2: two of me talking about ninety dight Fiance Season twelve,
• 0:13
  Speaker 2: episode six, when two worlds collide. Oh my goodness, gracious,
• 0:18
  Speaker 2: let's talk Edward and Marissa. So we pick up and
• 0:23
  Speaker 2: he's like talking to his fam. Honey, he's talking to
• 0:26
  Speaker 2: his mom and they're face timing, and Marissa's pissed, really pissed.
• 0:32
  Speaker 2: She's like, oh, can't you just text them? I don't
• 0:34
  Speaker 2: understand why every time you talk to them you have
• 0:37
  Speaker 2: to be on FaceTime and on speaker. Now here's what
• 0:40
  Speaker 2: I say about that. There's two parts of this. First
• 0:43
  Speaker 2: of all, let the man fucking talk to his family.
• 0:45
  Speaker 2: He's now completely surrounded by your Blanco family, So allow
• 0:50
  Speaker 2: him sometime to talk to his family.
• 0:52
  Speaker 1: And also, maybe, Edward, I get it.
• 0:55
  Speaker 2: If you're going to put it on speaker, then like
• 0:57
  Speaker 2: just go to a room where like she can do
• 1:00
  Speaker 2: whatever the fuck she wants in peace. Like, just she
• 1:02
  Speaker 2: has a big ass house, right, so just talk to
• 1:06
  Speaker 2: your mom in one of the other rooms. Plus, you
• 1:09
  Speaker 2: don't want them, like, you don't want her hearing all
• 1:11
  Speaker 2: of your business anyway, she's like, thanks, well.
• 1:15
  Speaker 1: Can you help with dinner?
• 1:17
  Speaker 2: So he's like, ye, sure, and he tries to be
• 1:19
  Speaker 2: like lighthearted where he puts a bunch of ketchup on
• 1:21
  Speaker 2: his hand.
• 1:21
  Speaker 1: He's like whoo blood, you know when.
• 1:24
  Speaker 2: She's like Jesus Christ, she's then she realizes that she's
• 1:31
  Speaker 2: like kind of being contish. So she's like, just, you know,
• 1:36
  Speaker 2: tell me to stop being bossy. And he is such
• 1:39
  Speaker 2: a polite saying that he doesn't. He doesn't in the moment,
• 1:43
  Speaker 2: being like, oh bitch, you're bossy?
• 1:45
  Speaker 1: Stop is that the Yeah, no I can. I don't
• 1:47
  Speaker 1: think that was a fucking option. But yes, he's like no,
• 1:51
  Speaker 1: I mean he this man has like some patience.
• 1:54
  Speaker 2: Okay.
• 1:55
  Speaker 1: So then she's like, okay, great, can you cut the
• 1:57
  Speaker 1: potatoes in half?
• 1:58
  Speaker 2: And he knows, but that's not enough instruction because inevitably
• 2:02
  Speaker 2: he says, there are three different ways to do that,
• 2:05
  Speaker 2: and if I do it the way I think to
• 2:07
  Speaker 2: do it, it's gonna be wrong. Right with you, it's
• 2:09
  Speaker 2: not gonna be right. She's like, oh, okay, I'll show
• 2:11
  Speaker 2: you how, and I want to be like does it
• 2:14
  Speaker 2: really make a difference? Slice or dice? Do you want?
• 2:18
  Speaker 1: Because in the end, are you going to dice the potatoes,
• 2:21
  Speaker 1: which is what she ends up doing.
• 2:22
  Speaker 2: So like it doesn't really make a difference how you
• 2:24
  Speaker 2: cut them in half, because you're gonna cut them in
• 2:26
  Speaker 2: half again and probably one more time, you know what
• 2:28
  Speaker 2: I'm saying. So now it's pranks all around, because the
• 2:33
  Speaker 2: boys will be boys. And so her sons come in
• 2:36
  Speaker 2: and they're like, we have a gift for you, Edward. Yeah,
• 2:38
  Speaker 2: it's this weird box and you for some reason have
• 2:40
  Speaker 2: to open the box while it's on the table, and
• 2:41
  Speaker 2: so Edward knows what's coming, and basically he opens the
• 2:43
  Speaker 2: box by sliding it down. Then a spider pops out,
• 2:46
  Speaker 2: and that felt just like like it was a little
• 2:50
  Speaker 2: bit like sound of music, remember when sound of music,
• 2:55
  Speaker 2: where like, you know, those kids don't want a new governess,
• 2:57
  Speaker 2: and so like they would do a bunch of like
• 2:59
  Speaker 2: pranks to like make the governesses leave by like you know,
• 3:02
  Speaker 2: putting frogs in my bed or whatever the fuck it is.
• 3:05
  Speaker 2: It's like a test. It's well, it's like a power
• 3:09
  Speaker 2: move kind of but you know it's whatever. This fake
• 3:13
  Speaker 2: spider is fine, and he likes it, and then he's
• 3:16
  Speaker 2: this is so kind, you know, he's like, Okay, I
• 3:19
  Speaker 2: have a gift for both of you. Okay, pick which hand,
• 3:23
  Speaker 2: and Call's like that hand and he gives him cash
• 3:27
  Speaker 2: and it's like fifty bucks, which is more than Alison
• 3:30
  Speaker 2: gets from Shay. And then Derek is like a little
• 3:33
  Speaker 2: bit older, He's like okay, and he's like yeah, the
• 3:35
  Speaker 2: other hand, and then he gives him fifty duck fifty
• 3:37
  Speaker 2: bucks and Derek doesn't accept the gift and the reasoning why.
• 3:44
  Speaker 2: At first he's like.
• 3:45
  Speaker 1: Mom, is this your money? And she's like no, and
• 3:48
  Speaker 1: then he's.
• 3:48
  Speaker 2: Like low key, like I don't want to accept this
• 3:51
  Speaker 2: gift from you because I don't think you can afford
• 3:55
  Speaker 2: it or money means a lot to you because like
• 3:58
  Speaker 2: you don't have as much money as my grandparents, and
• 4:01
  Speaker 2: so it feels weird. And Marissa's like, you have to
• 4:05
  Speaker 2: accept a gift that's given to you, and certainly Edward
• 4:08
  Speaker 2: picks up on how awkward this is.
• 4:11
  Speaker 1: Now there's a lot of things to be said.
• 4:15
  Speaker 2: A When you are Derek's age, you don't know decorum
• 4:21
  Speaker 2: super well, like I don't expect an eleven year old
• 4:24
  Speaker 2: to know how to, like, you know, move in every
• 4:27
  Speaker 2: situation perfectly and I've.
• 4:31
  Speaker 1: Already brought up the fact that.
• 4:35
  Speaker 2: I think that he has been raised hearing a lot
• 4:37
  Speaker 2: about money, you know, especially now knowing that his dad
• 4:41
  Speaker 2: never felt like rich enough to be with Marissa, And
• 4:47
  Speaker 2: certainly I'm sure from the divorce he had to overhear
• 4:50
  Speaker 2: a lot of money talk, and he already talked about
• 4:54
  Speaker 2: whether Edward would have money or whatnot. And so this
• 4:57
  Speaker 2: little boy, you know, like is high hype or a
• 5:00
  Speaker 2: tune to such a thing. And I don't think Marissa
• 5:04
  Speaker 2: has done a good job leading him on how to
• 5:08
  Speaker 2: move elegantly around the subject of money. She tries to
• 5:16
  Speaker 2: be like, yeah, you have to accept the gift, but
• 5:18
  Speaker 2: it's still awkward, right. It's like, first of all, fifty
• 5:25
  Speaker 2: dollars is a good amount of money to give anyone.
• 5:30
  Speaker 2: Like if my dad gave me fifty dollars right now,
• 5:33
  Speaker 2: I'd be like, oh, thank you, you know, like it's
• 5:36
  Speaker 2: a good amount of money. It's not ten dollars. It's
• 5:41
  Speaker 2: not a twenty dollar bill, which is nice. Like when
• 5:43
  Speaker 2: I was younger, Like, yeah, when I was younger, my
• 5:48
  Speaker 2: like in high school and stuff, my dad would give
• 5:50
  Speaker 2: me twenty dollars, you know, and that would be like
• 5:53
  Speaker 2: enough for me to go to Fashion Island, you know,
• 5:55
  Speaker 2: and go see a movie or like you know, buy
• 5:58
  Speaker 2: a meal or whatever. Fifty dollars is like a lot.
• 6:01
  Speaker 2: You can do a lot with fifty dollars. But yeah,
• 6:07
  Speaker 2: Derek already operates under the assumption that Edward is without
• 6:12
  Speaker 2: and that his mom is a lot has a lot.
• 6:15
  Speaker 1: And so.
• 6:18
  Speaker 2: Where Derek feels like he falls in that, you know,
• 6:22
  Speaker 2: I don't know, I don't want to say it's like
• 6:24
  Speaker 2: super rude of him where he thinks that he has
• 6:27
  Speaker 2: so much money and you know he won't you know,
• 6:30
  Speaker 2: bother taking you know, the bits from a popper. But
• 6:36
  Speaker 2: I think that it makes him feel a little awkward
• 6:38
  Speaker 2: and he doesn't know how to deal with it. And
• 6:42
  Speaker 2: you know, surely Edward's like you know kids in the
• 6:45
  Speaker 2: dr if you gave him any money, like you know,
• 6:48
  Speaker 2: not fifty, maybe even less, but surely fifty, they would
• 6:50
  Speaker 2: be like so thankful, they'd be like wide eyed, you know.
• 6:52
  Speaker 2: And I'm sure Edward thought that he could pull a
• 6:54
  Speaker 2: Shay and buy some love with the fifty and it
• 6:56
  Speaker 2: worked with Cole, but Derek is like one year older
• 6:59
  Speaker 2: and you know, like a different breed. I don't know
• 7:03
  Speaker 2: how you would approach this as a parental figure, because like,
• 7:08
  Speaker 2: discussing money and how to be gracious about it is hard, right,
• 7:15
  Speaker 2: It's it's hard. And I think that like kids get
• 7:20
  Speaker 2: judged in school or judge each other based upon how
• 7:25
  Speaker 2: much money they think they have in relationship with someone else,
• 7:28
  Speaker 2: whether someone has like new shoes or someone doesn't, or
• 7:32
  Speaker 2: someone you know has cool birthday parties or someone you
• 7:36
  Speaker 2: know has you know, like all of that's.
• 7:40
  Speaker 1: A weird thing to navigate in school. And so.
• 7:47
  Speaker 2: I give grace to the whole situation because Edward didn't
• 7:52
  Speaker 2: realize that there would be like a weird reaction to money,
• 7:57
  Speaker 2: and he did give like a good amount. And you know,
• 8:04
  Speaker 2: Derek is living in a world where I think that
• 8:08
  Speaker 2: he thinks that, yeah, like saying, asking his mom in
• 8:11
  Speaker 2: real time if it was her money was fucked up.
• 8:15
  Speaker 2: But at the same time, Marissa didn't lay good groundwork
• 8:19
  Speaker 2: of like being gracious with money and telling him that, like,
• 8:23
  Speaker 2: Edward's a grown man who has his own.
• 8:25
  Speaker 1: Money, so.
• 8:30
  Speaker 2: What he chooses to do with his money is his
• 8:34
  Speaker 2: choice as a grown man, you know. And also yeah,
• 8:40
  Speaker 2: and yeah, it was just it's obviously awkward, Okay, But
• 8:44
  Speaker 2: I think there's probably a lot of awkward moments, so
• 8:47
  Speaker 2: God bless they get to eat, which is nice because
• 8:49
  Speaker 2: someone on Reddit said this, which is so true that like,
• 8:53
  Speaker 2: Marissa is an almond mom. Thankfully she has two boys
• 8:57
  Speaker 2: so she allows them to eat. But if Marissa had
• 8:59
  Speaker 2: a daughter, I don't fucking know what she would do
• 9:01
  Speaker 2: to that woman. Honestly, she cooks the kids steak, potatoes
• 9:04
  Speaker 2: and broccoli. And then Edward's like, and at some point
• 9:07
  Speaker 2: I'm gonna make Dominican food. And you can tell that
• 9:11
  Speaker 2: coal is like way more open to Edward. Cole's like,
• 9:14
  Speaker 2: what is that? And He's like rice, beans, chicken. Now listen,
• 9:21
  Speaker 2: you know Derek's like black beans, which I thought the
• 9:24
  Speaker 2: answer would be yes, but that's the answer is no,
• 9:27
  Speaker 2: it's red beans. He's like, oh, I'll stick with black beans. Now,
• 9:31
  Speaker 2: this is where Marissa can be like, buddy, you're gonna
• 9:33
  Speaker 2: eat them red beans, red beans, and rice didn't miss her.
• 9:39
  Speaker 1: Sorry, you know I'm talking about baby got back.
• 9:42
  Speaker 2: A bean is a bean. A bean is a bean.
• 9:47
  Speaker 2: I like them all. I like them refried, I like
• 9:49
  Speaker 2: pinto beans, like fava beans, I like I like black beans.
• 9:54
  Speaker 2: I like Lento's and I like chickpeas, I like white beans.
• 9:58
  Speaker 2: I was like those canelini beans. I love a bean anyway.
• 10:03
  Speaker 2: So she's like tries to change the subject, but the
• 10:07
  Speaker 2: way she changes the subject is like one other thing
• 10:09
  Speaker 2: about Edward is that he's never seen snow, and they're like, oh,
• 10:14
  Speaker 2: we see it all the time. I want to be like,
• 10:16
  Speaker 2: and what those kids probably have I've ever seen is
• 10:18
  Speaker 2: like day in, day out beautiful beaches. So yeah, it's
• 10:24
  Speaker 2: like you kind of have to raise kids who you
• 10:29
  Speaker 2: think are privileged with the knowledge that they don't have
• 10:34
  Speaker 2: the universal experience of what is good in the world.
• 10:39
  Speaker 2: You know what I'm saying, Like, who cares if Edward
• 10:43
  Speaker 2: hasn't ever seen snow? He lives in the dr you know,
• 10:47
  Speaker 2: like those kids haven't been raised in like a tropical paradise.
• 10:50
  Speaker 2: They live in Pennsylvania. But I like, if you are
• 10:55
  Speaker 2: eleven and you think that like your shit does instinct
• 10:57
  Speaker 2: because your parents are you know, parents are rich, and
• 11:01
  Speaker 2: you're used to find nice things, It's like you would
• 11:04
  Speaker 2: have to have the wherewithal as a human to impart
• 11:07
  Speaker 2: upon your kids that that doesn't mean that they've lived
• 11:12
  Speaker 2: the best life in every possible vicinity. Surely they're privileged,
• 11:16
  Speaker 2: and that's true, but like there are beautiful environments in
• 11:21
  Speaker 2: spaces that they don't know. There are elegant, deeply elegant,
• 11:26
  Speaker 2: rich ass experiences that those kids don't know. But the
• 11:30
  Speaker 2: thing is Marissa doesn't know them all. Like Marissa hangs
• 11:33
  Speaker 2: her hat on, like Edward hasn't been able to experience
• 11:37
  Speaker 2: what I have, And.
• 11:41
  Speaker 1: Okay, you've also haven't experienced the things that he has.
• 11:47
  Speaker 1: There are.
• 11:49
  Speaker 2: Privileged quote unquote beautiful quote unquote wealthy.
• 11:54
  Speaker 1: Experiences that he's had.
• 11:56
  Speaker 2: Wealthy is a weird word, but like deeply lovely experiences
• 12:02
  Speaker 2: that you have not known that he has. Because I
• 12:07
  Speaker 2: think that being surrounded by family that like sings and
• 12:12
  Speaker 2: laughs and is loud together and like shows that kind
• 12:15
  Speaker 2: of palpable support and like family unit is probably not
• 12:21
  Speaker 2: what she experienced in her like waspy, white rich Land parents.
• 12:27
  Speaker 2: And so who's to say you know that he hasn't
• 12:32
  Speaker 2: had an incredibly rich experience with his family much richer
• 12:37
  Speaker 2: than hers, you know what I'm saying, because like the
• 12:43
  Speaker 2: fun and traditions I'm sure that his family has, like
• 12:49
  Speaker 2: when they all get together and they're celebrating holidays or
• 12:52
  Speaker 2: birthdays and it's like fun as fuck, and they're like
• 12:55
  Speaker 2: laughing because like, you know, he has this hilarious uncle
• 12:59
  Speaker 2: that does this thing here, you know, And it's like
• 13:03
  Speaker 2: those rich life experiences me a lot. And I think
• 13:10
  Speaker 2: if you're a little stoic and you are a little
• 13:13
  Speaker 2: like uppity about what you've experienced, you were not even
• 13:17
  Speaker 2: open minded to realize what you also haven't experienced.
• 13:23
  Speaker 1: Yeah, it's just like, you know, I know, there's like
• 13:27
  Speaker 1: wealth everywhere.
• 13:28
  Speaker 2: There's also like wealth in like Vienna and Geneva in Paris,
• 13:32
  Speaker 2: and you know what I'm saying, Like, so why is
• 13:35
  Speaker 2: Pennsylvania so fucking great?
• 13:38
  Speaker 1: I mean, and I can say that.
• 13:40
  Speaker 2: Like I grew up in Newport Beach, which is arguably
• 13:45
  Speaker 2: like a wealthy part of America, and I know, I
• 13:52
  Speaker 2: lack not knowing what it's like to grow up rich
• 13:56
  Speaker 2: in New York, right, Like the experience of being in
• 14:02
  Speaker 2: different cities and having different cultures is one thing, but
• 14:07
  Speaker 2: also they're just talking about monetary things. Like the way
• 14:12
  Speaker 2: that people experience wealth in certain situations is so different.
• 14:17
  Speaker 1: I don't know if this is like me beating a
• 14:19
  Speaker 1: dead horse over this, but it's like.
• 14:23
  Speaker 2: Yeah, to think that your way is it? And you've
• 14:27
  Speaker 2: accomplished and experienced so much At the same time, it's
• 14:30
  Speaker 2: like all right, girl, Like, so you get to have
• 14:33
  Speaker 2: nice leggings when you teach a bar class in Philadelphia?
• 14:37
  Speaker 2: Is that it? That's that's it. I don't know. She
• 14:43
  Speaker 2: just really has in her head like he's never flown
• 14:45
  Speaker 2: on a plane before, so he's never seen a hotel before.
• 14:48
  Speaker 2: And I think that, like it's good for her to
• 14:50
  Speaker 2: have an understanding that their experiences have been different. But
• 14:53
  Speaker 2: what's hard is that I think that she really in
• 14:56
  Speaker 2: her mind is also like in my experiences are better
• 14:58
  Speaker 2: wealthy or more privileged, and just like I'm luckier than
• 15:03
  Speaker 2: this has happened, and I've raised my kids to sort
• 15:05
  Speaker 2: of like think of money in a way where there's
• 15:09
  Speaker 2: haves and have nots, and we're better or we are
• 15:17
  Speaker 2: we look down on people who we perceive to be
• 15:20
  Speaker 2: have nots. But it's interesting. I guess it's like, yeah,
• 15:26
  Speaker 2: Edward might come from like you know, his parents might
• 15:30
  Speaker 2: still be married, and he has like brothers and sisters
• 15:32
  Speaker 2: and cousins he sees all the time. You can't look
• 15:36
  Speaker 2: down on that that's better than you, you know, I
• 15:40
  Speaker 2: don't know, okay, I'll stop. I like Edward a lot.
• 15:45
  Speaker 2: Some people in the streets of Reddit have been like
• 15:47
  Speaker 2: they think that Edward like skin bleaches his face because
• 15:50
  Speaker 2: his face is like, you know, not as tann as
• 15:52
  Speaker 2: his body. And if that's the truth, I hope he
• 15:56
  Speaker 2: doesn't have to do that anymore. I don't really understand
• 15:58
  Speaker 2: skin bleaching, like is it permanent, like or does that
• 16:05
  Speaker 2: like if he stops doing it, would that skin you know,
• 16:09
  Speaker 2: it's folly it off because like we like, you know,
• 16:11
  Speaker 2: we're like snakes and we like shud our skin every
• 16:13
  Speaker 2: like whatever six weeks and would his natural tan come back?
• 16:17
  Speaker 1: And or if he was like in the sun, would
• 16:18
  Speaker 1: it come back?
• 16:20
  Speaker 2: I don't know. So Edward's trying to like get the
• 16:25
  Speaker 2: boys on his side, like does either of you have girlfriends?
• 16:28
  Speaker 1: And they're like, what No, But you know what age.
• 16:32
  Speaker 2: Do boys don't start liking whoever they're gonna like.
• 16:37
  Speaker 1: It would be hilarious. And one of them was like,
• 16:38
  Speaker 1: I have a boyfriend.
• 16:39
  Speaker 2: I was just kidding. You know, kids nowadays got bless so,
• 16:44
  Speaker 2: but it doesn't seem like they're end of that. They
• 16:45
  Speaker 2: seem like there are still about roadblocks, you know. That's unfortunately,
• 16:48
  Speaker 2: what Edward would have to do to get those kids
• 16:50
  Speaker 2: in them sides like being like, let's go play video games.
• 16:53
  Speaker 2: That's the truth, that's what they like. Now. Having said that,
• 16:56
  Speaker 2: I did spend like an hour this evening playing Dressed
• 17:01
  Speaker 2: to Oppress on Roadblocks, which is the only game I
• 17:03
  Speaker 2: know how to play on Roadblocks with my nieces and nephews,
• 17:06
  Speaker 2: who really kill it that game.
• 17:10
  Speaker 1: So you know, Cole's like, can I go? Can I
• 17:14
  Speaker 1: go upstairs?
• 17:15
  Speaker 2: Now? This is awkward? Can I leave? And versus like, okay, fine.
• 17:18
  Speaker 2: So the next scene he's like arm wrestling colds at
• 17:21
  Speaker 2: the next morning, and Risa's like getting the kids ready,
• 17:25
  Speaker 2: and then you know, Edward asks if he can help Marissa,
• 17:29
  Speaker 2: and she's like upset, and she's like half upset that
• 17:34
  Speaker 2: he's like.
• 17:34
  Speaker 1: Scrolling on his phone, but also.
• 17:36
  Speaker 2: Upset that he's not like put me in coach, like
• 17:40
  Speaker 2: watching her being like what can I do? What can
• 17:42
  Speaker 2: I do? And that's weird because I think that, like
• 17:46
  Speaker 2: he just got there, you would have to observe someone's
• 17:50
  Speaker 2: like usual morning routine before you could insert yourself to
• 17:56
  Speaker 2: that way, especially someone who thinks everything you're gonna do
• 17:59
  Speaker 2: is bad or also like Marissa, this is your morning
• 18:03
  Speaker 2: routine that I'm assuming that like it's kind of done
• 18:05
  Speaker 2: like at a clockwork. He is like, okay, can I help.
• 18:08
  Speaker 2: She's like I already did that. I already did it,
• 18:10
  Speaker 2: so like okay, well, then guess what tell him to
• 18:13
  Speaker 2: do it in real time when you want it done
• 18:15
  Speaker 2: or in bed before it starts. Be like, hey, I
• 18:19
  Speaker 2: would love you to watch one time and see how
• 18:22
  Speaker 2: we do things, and then like tell me what you
• 18:24
  Speaker 2: could sort of like do for the morning rush, you know,
• 18:29
  Speaker 2: like I have to get the kids up, they shower
• 18:33
  Speaker 2: or I don't know, I just have to remind them
• 18:34
  Speaker 2: to do so. Then they have to get their backpacks
• 18:37
  Speaker 2: and to fill it with their homework, and I make
• 18:39
  Speaker 2: sure their water bottles have water in them, you know,
• 18:42
  Speaker 2: like and then whatnot.
• 18:43
  Speaker 1: But like there's also a difference in culture of like.
• 18:47
  Speaker 2: Go go go go go right now right now, Like
• 18:50
  Speaker 2: Marissa definitely has the patience of like a stockbroker, and
• 18:55
  Speaker 2: then in the eighties that has done like fourteen lines
• 18:58
  Speaker 2: of cocaine. You know, I think it's a different vibe
• 19:01
  Speaker 2: than the like other cultures that have like a siesta
• 19:05
  Speaker 2: or is like a little like okay, like he hasn't
• 19:07
  Speaker 2: gone his shoes on yet, versus like out the door
• 19:09
  Speaker 2: now He's like, let me get my shoes.
• 19:11
  Speaker 1: I said, get the slides.
• 19:15
  Speaker 2: It's funny because I realize, like I hate being rushed.
• 19:21
  Speaker 1: I hate being rushed, and I hate.
• 19:25
  Speaker 2: Being frazzled in the morning, like I really like to
• 19:29
  Speaker 2: like have my time with coffee and you know, like
• 19:31
  Speaker 2: hopefully have done like a certain amount of like prep
• 19:34
  Speaker 2: work the night before of like if I have to
• 19:37
  Speaker 2: have my shit together literally in some way like in
• 19:40
  Speaker 2: a bag or something. But it's like a nightmare. And
• 19:43
  Speaker 2: this is again part of me trying to be better
• 19:45
  Speaker 2: at executive functioning, which is what I talked about in
• 19:47
  Speaker 2: part one when I was talking about Katie. I hate
• 19:49
  Speaker 2: having the idea of like, oh my god, where'd I
• 19:51
  Speaker 2: put this? Where'd I have to get that? Oh?
• 19:52
  Speaker 1: I have to get that together? Like where's the keys?
• 19:54
  Speaker 2: I mean, you know, I have an Apple tag for
• 19:57
  Speaker 2: my keys, you know what I mean. The idea of
• 20:01
  Speaker 2: like not being able to find your keys when you
• 20:04
  Speaker 2: are either late or god bless about to be late
• 20:07
  Speaker 2: running out the door and where's your keys is like
• 20:09
  Speaker 2: the worst feeling of all time, Like part of my
• 20:12
  Speaker 2: own training is like I know, I have to give
• 20:14
  Speaker 2: myself I have to set an alarm for fifteen minutes
• 20:18
  Speaker 2: before I have to walk out the door. That is
• 20:21
  Speaker 2: just get your shit together. And again that's like mild
• 20:25
  Speaker 2: shit together. Like if I actually have to have like
• 20:27
  Speaker 2: let's just say clothes ready or scripts in a bag
• 20:30
  Speaker 2: or whatever I have to do, like that shit should
• 20:32
  Speaker 2: be done the night before so it's ready for me
• 20:35
  Speaker 2: so I can like easy, breezy blow through my morning,
• 20:38
  Speaker 2: you know, where things are comforting and easy. And then
• 20:41
  Speaker 2: also I have to give myself more time when I drive,
• 20:43
  Speaker 2: because sometimes it'd be like, well'll take you thirty minutes
• 20:45
  Speaker 2: to get there, and it's like, no, it doesn't. It
• 20:48
  Speaker 2: takes you five minutes again in the car and get out,
• 20:51
  Speaker 2: and then there's traffic and then you have to park,
• 20:53
  Speaker 2: so it actually takes you fifty minutes to get there, buddy, fifty,
• 20:57
  Speaker 2: especially in LA because we like cars and we hate
• 21:00
  Speaker 2: parking or having parking. It's like one of our American
• 21:06
  Speaker 2: toxic traits only in major cities, though there's a lot
• 21:09
  Speaker 2: of parts of America that has parking lots, not La anyway,
• 21:16
  Speaker 2: So Edward finally gets to the car, and he goes
• 21:19
  Speaker 2: to sit in the front seat, and guess what, Derek's there,
• 21:22
  Speaker 2: so he has to sit in the back seat. And
• 21:25
  Speaker 2: I think Marissa should have had the wherewithal to be
• 21:30
  Speaker 2: like when Derek sat in the front seat, like, hey, buddy,
• 21:33
  Speaker 2: get in the back seat. Edward's goes hit in the
• 21:34
  Speaker 2: front seat. And I think it's kind of fucked up
• 21:37
  Speaker 2: that she didn't. It's like she wanted to teach him
• 21:42
  Speaker 2: a lesson. I think subconsciously that all the kids, all
• 21:45
  Speaker 2: the babies in the back seat, because Derek is a kid,
• 21:52
  Speaker 2: and I think that at some point you have to
• 21:54
  Speaker 2: teach children respect of elders. I cannot imagine being a
• 22:04
  Speaker 2: kid and then thinking it'd be okay to take the
• 22:08
  Speaker 2: front seat if another adult was there, much less like
• 22:11
  Speaker 2: someone my dad was dating, any other adult, like if
• 22:14
  Speaker 2: my dad and his friend was driving, Like if there
• 22:18
  Speaker 2: was an adult present and we were all getting in
• 22:21
  Speaker 2: a car, my ass knew I was maybe in the
• 22:23
  Speaker 2: back seat, and if I try to get in the
• 22:27
  Speaker 2: front seat and my dad be like, let that person
• 22:29
  Speaker 2: sit there. Yeah, I think it's weird that Marissa wasn't like,
• 22:33
  Speaker 2: sit next to your brother, because if she'd like, why
• 22:38
  Speaker 2: why is Edward even having to come then? I don't know.
• 22:42
  Speaker 2: I really hated that for him. She's just constantly negative
• 22:50
  Speaker 2: and unfucking fun.
• 22:53
  Speaker 1: Even when he.
• 22:53
  Speaker 2: Was like playing with the boys, like trying to connect
• 22:56
  Speaker 2: with the boys by rough housing them, he was like, yeah,
• 22:59
  Speaker 2: I was like throwing them on your bed. She's like,
• 23:01
  Speaker 2: my room is not a playroom, bitch, Yes it is? Now,
• 23:04
  Speaker 2: yeah it is. Guess what, bitch, when you have kids,
• 23:09
  Speaker 2: the whole house is a fucking playroom. I don't even
• 23:11
  Speaker 2: have kids, Like that's crazy. Like I get Marissa being like,
• 23:16
  Speaker 2: this is my bathroom and that's the kids bathroom. I
• 23:18
  Speaker 2: don't get her being like, this is my bathroom and
• 23:20
  Speaker 2: everyone else in that one bathroom. Also, why this big
• 23:23
  Speaker 2: ass house only has two bathrooms, I'm not quite sure.
• 23:25
  Speaker 2: But at the same time, it's like, if you have kids,
• 23:28
  Speaker 2: then you better fucking allow those kids to be in
• 23:30
  Speaker 2: your ugly bed. We know what her bedroom looks like.
• 23:34
  Speaker 2: It's not a fucking museum. There's ugly, weird bedding and
• 23:39
  Speaker 2: all that brown wooden furniture that like isn't expensive. It
• 23:44
  Speaker 2: truly isn't. So I don't understand why you're so precious
• 23:48
  Speaker 2: about this ugly ass bedroom. It's hideous. There's no fucking
• 23:54
  Speaker 2: la laque chandeliers. This isn't fret bedding. It's not.
• 24:03
  Speaker 1: I can tell.
• 24:07
  Speaker 2: I really am, just like you're You're just being seen
• 24:09
  Speaker 2: you next Tuesday for no reason. By the way, it's
• 24:12
  Speaker 2: always lol. When I decide to like censor myself and
• 24:17
  Speaker 2: when I decide to let him fly right, there's no
• 24:19
  Speaker 2: rym or reason of that. And I understand that. So
• 24:23
  Speaker 2: she's like, we're gonna have a very busy day. I'm like,
• 24:27
  Speaker 2: what driving around and buying like one almond detta sprouts?
• 24:32
  Speaker 2: What is it gonna watch you do your stupid bar class.
• 24:34
  Speaker 2: I mean, she's really gretting on my nerves. She really is.
• 24:38
  Speaker 1: Grading. Then she's like, you know, I'm I need it.
• 24:43
  Speaker 2: I want to tell you something. I just don't know
• 24:47
  Speaker 2: how to say it. And we're like he's like, okay,
• 24:51
  Speaker 2: go ahead, and she's like, I just get really irritated
• 24:55
  Speaker 2: with your phone usage and I feel like you're not
• 24:57
  Speaker 2: present with me, and and I wanted to be like, oh,
• 25:01
  Speaker 2: it's because you're a fucking cunt. Sorry, see, like you're
• 25:05
  Speaker 2: a bitch. Sometimes I also feel real awkward in your
• 25:08
  Speaker 2: home A lot so I just fucking past time by
• 25:12
  Speaker 2: scrolling on the phone because I don't really know how
• 25:14
  Speaker 2: to do things, and you're just like, I know, if
• 25:16
  Speaker 2: I look up, it's going to be like your stern
• 25:18
  Speaker 2: ass face with a weird, strong eyeliner, just like being
• 25:21
  Speaker 2: mad at me. I want to see like scenes where
• 25:26
  Speaker 2: she facilitates like a game night where they're all playing
• 25:29
  Speaker 2: Uno and like having fun together, you know, like she
• 25:35
  Speaker 2: seems to be like hyper controlling about certain things and
• 25:44
  Speaker 2: then not realizing that she could easily facilitate them all
• 25:51
  Speaker 2: connecting and having fun in real time. And even when
• 25:56
  Speaker 2: he describes doing that by his own accord, she's pissy
• 26:00
  Speaker 2: about it. I can see why she's single. I mean,
• 26:06
  Speaker 2: you know, like I don't know many people that would
• 26:10
  Speaker 2: want to put up with this like energy. Her energy
• 26:12
  Speaker 2: is dark, like it just isn't like it's not open,
• 26:18
  Speaker 2: it's not warm. I wouldn't want to be around it.
• 26:20
  Speaker 2: I would couldn't wait to get away from it. Like
• 26:25
  Speaker 2: I don't think I would like the way that she
• 26:26
  Speaker 2: talks to her kids. I couldn't eat those hard boiled eggs.
• 26:31
  Speaker 2: You know, she just seems, i mean, absolutely insufferable. And
• 26:39
  Speaker 2: also I want to say, like, do you think it's
• 26:41
  Speaker 2: interesting that we haven't met any of her of her friends? Like,
• 26:46
  Speaker 2: who are her friends in Pennsylvania? Does she have friends?
• 26:49
  Speaker 2: Certainly we met her coworkers at Klinefeld's, where she doesn't
• 26:53
  Speaker 2: even work there anymore, so she doesn't see those people
• 26:55
  Speaker 2: anymore and they're so happy about it. But no, we haven't,
• 27:01
  Speaker 2: And I feel like, are we gonna see like her
• 27:03
  Speaker 2: bar coworkers b a r R workout bar. I don't know.
• 27:10
  Speaker 2: Does she just have a bunch of other like uppity,
• 27:12
  Speaker 2: weird white rich blondies that like live in Pennsylvania. I'm
• 27:17
  Speaker 2: assuming that when she does that weird power walking that
• 27:20
  Speaker 2: she does it with someone. Sometimes maybe she doesn't, though
• 27:24
  Speaker 2: maybe she's just like time for my hawk girl walk.
• 27:26
  Speaker 2: She just like too toots around. Okay, So I also
• 27:31
  Speaker 2: want to say that she has horrible tattoos. She has
• 27:34
  Speaker 2: three weird tattoos on her shoulder. I think that there's
• 27:40
  Speaker 2: a part of her like that likes to be rebellious
• 27:43
  Speaker 2: against her rich parents by like dating working classmen. And
• 27:48
  Speaker 2: I think that the tattoo is like her version of
• 27:50
  Speaker 2: being like, I'm a badass bitch. Her personality just isn't
• 27:57
  Speaker 2: for me, and I just can't get over how badly
• 28:03
  Speaker 2: decorated her home is, especially because she does dress well. Okay, okay,
• 28:12
  Speaker 2: let's talk about Mino and Debbie. Now, obviously I could
• 28:18
  Speaker 2: not deal with the fact that he yelled at her
• 28:20
  Speaker 2: about not taking a picture and that she decided to
• 28:23
  Speaker 2: drop all that and be like where's my ring? Like
• 28:25
  Speaker 2: that was like a maddening scene. So and at that
• 28:31
  Speaker 2: point I said that I had washed my hands of her.
• 28:34
  Speaker 2: But I have seen the light, and so is she.
• 28:39
  Speaker 2: And she got my faith back in her and I'm
• 28:43
  Speaker 2: really happy about it. And also we got her slutty
• 28:45
  Speaker 2: friend back, which is the best part. It is the
• 28:48
  Speaker 2: best part. I say slutty with love. You know I'm
• 28:51
  Speaker 2: talking about it. Okay, So we pick up and she's
• 28:54
  Speaker 2: making a chore list. I don't why I can't say that,
• 28:57
  Speaker 2: well chore list and she's like, okay, Devin does these chores.
• 29:02
  Speaker 2: Debbie does these chores, and Media is gonna do these chores.
• 29:05
  Speaker 2: And he's like, you're very sweet. She's like, okay, Meto,
• 29:10
  Speaker 2: can you do the dishes? He's like no, I can't.
• 29:13
  Speaker 2: My hands hurt. Your hands hurt. What the fuck's wrong
• 29:19
  Speaker 2: with your hands. Are you talking about your hands hurt?
• 29:22
  Speaker 2: You have eczema?
• 29:23
  Speaker 1: You can wear gloves. She's like, okay, well will you
• 29:29
  Speaker 1: take out the trash.
• 29:30
  Speaker 2: He's like lah no. He's like in Egypt, the woman
• 29:36
  Speaker 2: does it. The woman does everything. They cook, they clean,
• 29:38
  Speaker 2: they suck the penis. They never talk. They wash the clothes,
• 29:42
  Speaker 2: they wash the shut fans, they wash the shitty shanthans,
• 29:45
  Speaker 2: the stains out of the shanthans. They go to see
• 29:48
  Speaker 2: the place, They laugh at me, They tell me how
• 29:50
  Speaker 2: great I am. They go to bed the next day,
• 29:55
  Speaker 2: do it all over again. You're like, oh my god.
• 29:58
  Speaker 2: Now the producers gave us a gift. And the gift
• 30:03
  Speaker 2: was the producers know we would want to see him
• 30:07
  Speaker 2: do his thing, and his thing, besides being a fucking asshole,
• 30:11
  Speaker 2: is act. So he's like, oh, Debbie, uh, it's gonna
• 30:18
  Speaker 2: let me go to acting class, which is funny because
• 30:20
  Speaker 2: she never.
• 30:20
  Speaker 1: Really talks about it.
• 30:21
  Speaker 2: And then he's like, I found an acting coach to Jimmy,
• 30:26
  Speaker 2: and he's like, because in America, my number one priority
• 30:30
  Speaker 2: is not Debbie acting. And so we get him going
• 30:36
  Speaker 2: to an acting class. You know, I'm so happy about it.
• 30:39
  Speaker 2: I'm like, oh my god, I can't wait. Yes, yes, yes, yes, yes,
• 30:41
  Speaker 2: it's in like a gymnasium or something. And it's funny
• 30:44
  Speaker 2: because the way it starts, you know, and I'm astaying
• 30:46
  Speaker 2: that because sometimes acting classes happen in a theater, like
• 30:50
  Speaker 2: you know, like a black box theater at least, or
• 30:52
  Speaker 2: like you know, a little baby theater where people are
• 30:54
  Speaker 2: sitting in the front rows, and you know, like, but no,
• 30:57
  Speaker 2: it surely is like whatever, a gymnasium. And then they
• 31:00
  Speaker 2: sit around in a circle that almost looks like an
• 31:02
  Speaker 2: AA meeting or like a support group lol.
• 31:05
  Speaker 1: And they introduced themselves. He's like, my name is Mieto.
• 31:11
  Speaker 1: I don't know how he says it.
• 31:12
  Speaker 2: And he's like, I studied at Academy in Egypt and
• 31:16
  Speaker 2: I've been in the twenty films in series.
• 31:19
  Speaker 1: And they're like, oh great.
• 31:21
  Speaker 2: And he's like and I want to be a big
• 31:23
  Speaker 2: Hollywood star and Jimmy's like, well we all do, buddy, yeah, no, shit, yeah,
• 31:29
  Speaker 2: we would all would like that. That's like being like
• 31:32
  Speaker 2: and I want to be a millionaire. Like yep, everyone
• 31:35
  Speaker 2: kind of wants that thing. Everyone wants to be a millionaire,
• 31:39
  Speaker 2: have a beautiful family and a beautiful home and like
• 31:41
  Speaker 2: a fulfilling career. It's like in a healthy life. That's
• 31:45
  Speaker 2: kind of what they want everyone. So it's like not
• 31:47
  Speaker 2: a surprise, he keeps saying, in Hollywood, and I want
• 31:51
  Speaker 2: them to be like, you're four thousand miles away. Jimmy's like,
• 31:57
  Speaker 2: and I'll tell you it's slim chances. I want to
• 32:01
  Speaker 2: know what Jimmy's credits are. I didn't look it up.
• 32:05
  Speaker 2: I'm matt I could have. I feel like he's been
• 32:08
  Speaker 2: in one or two things, like twenty years ago. I
• 32:10
  Speaker 2: don't know if he's more a theatery guy, but godless,
• 32:13
  Speaker 2: maybe he was like in the Actors Actors Theater of Louisville,
• 32:18
  Speaker 2: that kind of thing. I'm not quite sure.
• 32:19
  Speaker 1: So he's like the thing.
• 32:20
  Speaker 2: This is what Jimmy says that to be an actor,
• 32:23
  Speaker 2: it takes ability corporate right, you can't talk be able
• 32:27
  Speaker 2: to talk Chris ability. That's the ability to talk cooperation
• 32:32
  Speaker 2: and opportunity. And the cooperation part, I guess is interesting
• 32:37
  Speaker 2: to me. Yeah, I mean, yeah, you have to have.
• 32:39
  Speaker 1: Like the ability to work with others.
• 32:42
  Speaker 2: But like most I mean maybe there's yeah, a lot
• 32:46
  Speaker 2: of jobs you have to like talk to other people
• 32:48
  Speaker 2: and like collaborate and stuff like that, and I guess, yeah,
• 32:51
  Speaker 2: acting is too. It's just one of the things I
• 32:53
  Speaker 2: would chiefly say. But I think it was like almost
• 32:55
  Speaker 2: like of course, but whatever. So they do this parent
• 32:58
  Speaker 2: exercise where I guess Jimmy just gives them all different scripts,
• 33:03
  Speaker 2: and the scripts are wildly different. I don't know if
• 33:08
  Speaker 2: it's just words on a page. At some point he
• 33:10
  Speaker 2: makes it seem like he wrote the words himself, like
• 33:13
  Speaker 2: literally with his handwriting and not like typed up. I
• 33:17
  Speaker 2: don't know why he wouldn't just copy like plays or whatever.
• 33:22
  Speaker 2: And then he's like, and you use your own experience,
• 33:25
  Speaker 2: like you get to you talk to someone in your life,
• 33:29
  Speaker 2: and you use the emotion of what you're doing, and
• 33:32
  Speaker 2: you just say the words on the page and it's
• 33:34
  Speaker 2: not going to make sense.
• 33:36
  Speaker 1: So this is okay.
• 33:41
  Speaker 2: There is like different practices of different acting techniques, and
• 33:45
  Speaker 2: there's always like some wee not always, but there's like
• 33:48
  Speaker 2: often like in the Stella Adler or Santosovsky you know
• 33:51
  Speaker 2: world or the Udahagan worlds, like a substitution that you
• 33:54
  Speaker 2: do and like the way that you do it is
• 33:57
  Speaker 2: like how much of your own shit you use in
• 34:01
  Speaker 2: an acting realm as opposed to the imagination of the
• 34:07
  Speaker 2: character's experience, you know. And there used to be like
• 34:11
  Speaker 2: the trope of being like in a shitty acting class,
• 34:15
  Speaker 2: or some acting teacher would suddenly take it upon themselves
• 34:18
  Speaker 2: to be like a fucking therapist and be like, like
• 34:21
  Speaker 2: maybe they knew one of their students like had a
• 34:24
  Speaker 2: shitty relationship with their mom, would be like, use your
• 34:27
  Speaker 2: shitty relationship with your mom in the scene, and then
• 34:29
  Speaker 2: the person would just cry talking, you know, thinking about
• 34:32
  Speaker 2: the trauma they had as a kid, and then like
• 34:35
  Speaker 2: make a performance that was really highly emotional, and you
• 34:37
  Speaker 2: would just have to like break yourself down and go
• 34:40
  Speaker 2: through like such turmoil just to do a fucking scene
• 34:42
  Speaker 2: in class.
• 34:43
  Speaker 1: I personally, if you can't tell hate.
• 34:45
  Speaker 2: That, because I think it's like doesn't make I mean,
• 34:50
  Speaker 2: you would have as an actor.
• 34:52
  Speaker 1: You would have had to have so much therapy, I
• 34:55
  Speaker 1: guess in order to like use this technique and not
• 34:57
  Speaker 1: just like be a fucking decrepit person at the end
• 34:59
  Speaker 1: of the just like thinking about all of your trauma.
• 35:02
  Speaker 1: I think it's better to sort of understand a theme
• 35:08
  Speaker 1: or a place or an emotion or how you felt
• 35:12
  Speaker 1: in a situation. That was like maybe reminiscent of something,
• 35:16
  Speaker 1: and then like being able to empathetically use what you
• 35:21
  Speaker 1: know and then what you can imagine to put yourself
• 35:24
  Speaker 1: in a wholly different frame of mind that is aligned
• 35:28
  Speaker 1: with what the character that the person who wrote the
• 35:33
  Speaker 1: play or film made to be. What's happening truthfully, you
• 35:38
  Speaker 1: know what I'm saying, Like it's weird to like ask
• 35:43
  Speaker 1: So I think it's weird to ask someone to use
• 35:45
  Speaker 1: their own shit that much, like, but I think that
• 35:49
  Speaker 1: there's different ways to do this, okay. And I also
• 35:52
  Speaker 1: think if you're going to do that, you also have
• 35:56
  Speaker 1: to have a caveat to like not use something that's
• 35:58
  Speaker 1: going to ruin them psych a lot. So we see
• 36:03
  Speaker 1: wht of people do it.
• 36:04
  Speaker 2: We see this one woman who has to like literally
• 36:06
  Speaker 2: read what looks like the Gettysburg address, so who knows
• 36:10
  Speaker 2: what she was thinking.
• 36:11
  Speaker 1: In her mind, Like he left me for another woman
• 36:16
  Speaker 1: forescore and seven years ago.
• 36:19
  Speaker 3: You're like, oh my gosh, this is this is the
• 36:26
  Speaker 3: part of like being an actor that I hate because
• 36:27
  Speaker 3: I feel like this looks so dumb, Like this is
• 36:30
  Speaker 3: so stupid.
• 36:31
  Speaker 2: What a stupid exercise that's like the thing like that
• 36:35
  Speaker 2: would be on like Barry or that, like you know
• 36:38
  Speaker 2: Bill Haters show, like it's laughable. It's so it's like absurd, Okay,
• 36:44
  Speaker 2: so I think it's I think it's funny god blass.
• 36:46
  Speaker 2: So when she said four score, I was like, you
• 36:50
  Speaker 2: gave her that, that's what the words you gave her?
• 36:53
  Speaker 2: Oh my.
• 36:57
  Speaker 1: There are exercises where you're given like.
• 37:04
  Speaker 2: A kind of script that is just fucking vague, So
• 37:07
  Speaker 2: it'll be like person A and person B and it'll
• 37:10
  Speaker 2: be like.
• 37:12
  Speaker 1: Where have you been out? Oh I found your phone?
• 37:19
  Speaker 1: You did?
• 37:20
  Speaker 2: Yeah, and I went through it. Oh. Like there are
• 37:24
  Speaker 2: scripts like that where you can try them in different ways.
• 37:28
  Speaker 2: You know. The way I read it was like, oh no,
• 37:31
  Speaker 2: what's happening.
• 37:32
  Speaker 1: You could also be like you're back. Yeah, I found
• 37:36
  Speaker 1: your phone. Oh you know, like great, you found my phone.
• 37:40
  Speaker 2: I went through it. Yeah, none in there. You know,
• 37:44
  Speaker 2: like you could do it different ways, Like it's interesting.
• 37:45
  Speaker 2: I think more to do like that kind of like
• 37:47
  Speaker 2: vague script and being able to showcase different feelings of
• 37:53
  Speaker 2: it depending on what you're doing. Are you accusing someone,
• 37:56
  Speaker 2: are you trying to get someone to confess? Are you
• 37:58
  Speaker 2: trying to get someone to realize that you are a
• 38:03
  Speaker 2: formidable roommate that is pulling their weight, you know, I
• 38:07
  Speaker 2: don't know and interesting so gobleas. So it's time for Meto, right,
• 38:14
  Speaker 2: and Meto goes up there and he's like, can I
• 38:19
  Speaker 2: do something different?
• 38:22
  Speaker 1: Jimmy's like what, and then Meto says, I don't know?
• 38:31
  Speaker 1: Then no?
• 38:33
  Speaker 2: Then no, what the fuck are you talking about? Can
• 38:37
  Speaker 2: you do something different? What? I don't know?
• 38:40
  Speaker 1: What even made you say that?
• 38:41
  Speaker 2: Then?
• 38:42
  Speaker 1: What you're obviously thinking of something? And what are you
• 38:44
  Speaker 1: gonna do? Sing it?
• 38:45
  Speaker 2: What do you like? I would love to know what
• 38:47
  Speaker 2: Meto actually wanted to do. I'm assuming that He's like,
• 38:50
  Speaker 2: can I just do a monologue? Can I improv?
• 38:56
  Speaker 1: Thankfully?
• 38:57
  Speaker 2: Jimmy's like, nobody want you to stick to the exercise
• 38:59
  Speaker 2: we're all doing first timer. So the Meto obviously chooses
• 39:04
  Speaker 2: Debbie and it feels like he doesn't use the words
• 39:09
  Speaker 2: on the script. Now, Jimmy tries to give himself grace
• 39:12
  Speaker 2: by being like he just couldn't read my writing. But
• 39:13
  Speaker 2: Meto just didn't read it. He was like, why won't
• 39:16
  Speaker 2: you support me in my acting dream? And the poor
• 39:21
  Speaker 2: person that has to be pair with him and is like, okay,
• 39:28
  Speaker 2: gape whatever.
• 39:30
  Speaker 1: And then.
• 39:33
  Speaker 2: Jimmy's like, well, I give him a C plus, which
• 39:38
  Speaker 2: is shady. It's a shady gray. Also he's like, yeah,
• 39:43
  Speaker 2: you know, uh, he has emotional availability and it's because,
• 39:50
  Speaker 2: like you know, he teared up or whatever. But the
• 39:54
  Speaker 2: ability to like create tears in your eyes isn't emotional
• 40:01
  Speaker 2: availability all the time. It could literally be someone who
• 40:04
  Speaker 2: is like a narcissist and then can manipulate. I hate this.
• 40:10
  Speaker 2: I'm like so happy the scene's happening, but I like,
• 40:13
  Speaker 2: I'm like no, I also am like I kind of
• 40:18
  Speaker 2: wish that I could also see Meto act in something
• 40:22
  Speaker 2: that he is taking very seriously, in things that he's
• 40:25
  Speaker 2: really good at, Like it would have been hilarious to
• 40:28
  Speaker 2: watch him do like Waiting for Godot like a scene,
• 40:32
  Speaker 2: like an actual scene from a play. So then they
• 40:35
  Speaker 2: have like a private talk where Jimmy's like, well, you know,
• 40:40
  Speaker 2: I know you want to go to Hollywood. Are you
• 40:42
  Speaker 2: thinking about getting a new job, a different job? And
• 40:46
  Speaker 2: he's like no, and he's like, well, in Egypt, did
• 40:48
  Speaker 2: you have any other jobs? Now we know the answers, yes,
• 40:51
  Speaker 2: it was a kissing touring guide. So he's like, uh no,
• 40:54
  Speaker 2: but in La I don't want another job. I want
• 40:58
  Speaker 2: to be able to focus, and I want that'd be
• 41:00
  Speaker 2: too pay for everything and also do all of the
• 41:03
  Speaker 2: chores and also take pictures of me in video of
• 41:07
  Speaker 2: me whenever I ask her to do so. He is
• 41:15
  Speaker 2: so maniacally egotistical when he also is so hideously ugly, ugly, weird, untalented,
• 41:27
  Speaker 2: and I mean, you can't be around him a fuckingnoxious.
• 41:31
  Speaker 1: There's like an Arabic it's not Egyptian.
• 41:36
  Speaker 2: I think it's like maybe Lebanese, so I don't you know,
• 41:38
  Speaker 2: there's like a phrase.
• 41:40
  Speaker 1: Dumb lukiel or dumb moutheel or something like that.
• 41:42
  Speaker 2: My Gama used to say it, and basically just means
• 41:45
  Speaker 2: like someone whose blood is thick, and it's like obnoxious,
• 41:49
  Speaker 2: like someone who you know, like whose blood is I
• 41:52
  Speaker 2: don't know, obviously, it's like expressive blood is thick, and
• 41:55
  Speaker 2: he is that like he makes my blood boil, you know,
• 41:59
  Speaker 2: like I cannot I truly cannot stand him.
• 42:02
  Speaker 1: He is cringe fucking city. So next scene.
• 42:09
  Speaker 2: Is that him and Debbie are dressed in Egyptian garb.
• 42:14
  Speaker 2: When I first see.
• 42:15
  Speaker 1: Them, I'm like, you look like people in a hieroglyphic.
• 42:19
  Speaker 2: It's obvious halloween material, you know, where it was like
• 42:23
  Speaker 2: two dollars, you know, like her crown is just made
• 42:26
  Speaker 2: from paper. It was like a Burger King crown you
• 42:29
  Speaker 2: would get like from a children's meal, and you know that,
• 42:33
  Speaker 2: like the material is like one it's like point five ply,
• 42:38
  Speaker 2: you know, made from plastic, Like those costumes are not
• 42:42
  Speaker 2: going to ever bioto grain. And it's Halloween and it's
• 42:47
  Speaker 2: his first Halloween. And then we realize that he's supposed
• 42:51
  Speaker 2: to be one of the last pharaohs, and she thinks
• 42:53
  Speaker 2: that she's Cleopatra. So I hate this for every reason possible.
• 42:57
  Speaker 2: But also one reason why I hate this is because, uh,
• 43:02
  Speaker 2: I want to be like girl. If you're supposed to
• 43:05
  Speaker 2: be Cleopatra, then you sit your ass down of that
• 43:07
  Speaker 2: vanity and you better fucking give yourself a cat I
• 43:12
  Speaker 2: a hard ass cat ee. You better give yourself some
• 43:15
  Speaker 2: fucking eyeliner. And she doesn't. She doesn't. I was living okay.
• 43:24
  Speaker 2: So she and him are gonna go to a haunted
• 43:29
  Speaker 2: house and she is going to introduce him to her friends.
• 43:34
  Speaker 2: Now on the way there, she asks if he is nervous,
• 43:39
  Speaker 2: and he's like no, and this upsets her because she
• 43:43
  Speaker 2: wants him to care and almost be nervous that he's
• 43:47
  Speaker 2: going to meet her friends because she wants him to
• 43:49
  Speaker 2: like want to make a good impression and stuff. And
• 43:52
  Speaker 2: she's nervous because she knows that he's a fucking asshole
• 43:56
  Speaker 2: and she has cool friends. Okay. So he's like, oh,
• 44:00
  Speaker 2: I'm not nervous. They don't like me, of fine, but fine,
• 44:04
  Speaker 2: that's fine with me. And she's like, that's not the
• 44:06
  Speaker 2: answer I wanted you to give. And so she starts
• 44:09
  Speaker 2: to be like, he's moody af He's just like, you
• 44:12
  Speaker 2: don't know what kind of like person or what mood
• 44:14
  Speaker 2: he's going to be in.
• 44:15
  Speaker 1: And he's like, you know, if you have friends don't
• 44:17
  Speaker 1: like me, if they're weird or mean, I just leave.
• 44:19
  Speaker 1: I go back to Egypt.
• 44:21
  Speaker 2: So she understands that he keeps threatening this like there's
• 44:25
  Speaker 2: no part of him that wants to make anything work.
• 44:28
  Speaker 2: He wants to like literally be like, if it's not
• 44:30
  Speaker 2: my way, I go on the highway back to Egypt.
• 44:33
  Speaker 1: You know what I'm saying.
• 44:34
  Speaker 2: Okay. So she is getting increasingly more anxious as she
• 44:39
  Speaker 2: realizes what a shitty idea this is, but also what
• 44:42
  Speaker 2: a mistake she's made. They go to the haunted house
• 44:46
  Speaker 2: and her friends meet up, and we see that her
• 44:48
  Speaker 2: friends are the exact friends we want to see, honey,
• 44:51
  Speaker 2: you know it's it's her friend Astra, and you know
• 44:56
  Speaker 2: who Astra is fucking at the time, this guy named Derek.
• 44:59
  Speaker 2: And and then her other friend Laura, and Laura's fucking
• 45:02
  Speaker 2: this guy named Jeff. Now Laura comes as Dottie from
• 45:07
  Speaker 2: or whatever, someone from leg of their own, someone who's
• 45:09
  Speaker 2: a peach, and she brought Jeff, who looks like that
• 45:12
  Speaker 2: Brett Kreischer comic. You know, none of the men dressed up,
• 45:17
  Speaker 2: which makes you know, being in this cheap ass pharaoh
• 45:20
  Speaker 2: outfit even funnier.
• 45:22
  Speaker 1: So Debut just keeps being like, I don't like haunted
• 45:25
  Speaker 1: haunted houses.
• 45:26
  Speaker 2: It's scary. And It's be like, well, bitch, you probably
• 45:28
  Speaker 2: picked this, okay, and he's like, I think that are acting.
• 45:30
  Speaker 1: It's fine.
• 45:31
  Speaker 2: So they go on this like haunted mansion tour and
• 45:34
  Speaker 2: he is eating it's eating it up. Like at one
• 45:37
  Speaker 2: point they go into a scene and it's someone like
• 45:41
  Speaker 2: doing surgery and taking out guts.
• 45:43
  Speaker 1: He's like, whoa, it's amazing.
• 45:47
  Speaker 2: Then like literally he's like walking through the door and
• 45:49
  Speaker 2: someone like jumps through the door and tries to scare him,
• 45:52
  Speaker 2: and he has no fucking reaction. He's like her friends
• 45:59
  Speaker 2: start to be a little funny and are like he's
• 46:03
  Speaker 2: he's loving this. He's gonna work here next year, and
• 46:05
  Speaker 2: that low Ki is shady, but he doesn't even get
• 46:08
  Speaker 2: that as shady.
• 46:09
  Speaker 1: I wish you'd be like.
• 46:10
  Speaker 2: No, I'd be in Hollywood movie next year, like nobody.
• 46:14
  Speaker 2: You couldn't even get a job at like Halloween whoreor nights.
• 46:22
  Speaker 2: I think it'd be I mean, I don't know. So
• 46:26
  Speaker 2: after the Haunted House, you know, and oh I forgot
• 46:31
  Speaker 2: this other part when through in the car, like he's
• 46:36
  Speaker 2: before he's the meets the friends, She's like, well, you know,
• 46:39
  Speaker 2: I want you my friends and I want you to care.
• 46:41
  Speaker 2: It'll be fun meeting Lauren, asked Draff, and he does
• 46:44
  Speaker 2: like the Arabic tic, which is the that's like a
• 46:50
  Speaker 2: whole last thing. I when I had to do a monologue,
• 46:54
  Speaker 2: I did a monologue like an Arabic grandmother monologue in
• 46:58
  Speaker 2: my last running lack Life. And I'm still gonna do
• 47:00
  Speaker 2: it again. So don't steal with me. It's fine if
• 47:02
  Speaker 2: you do. But yeah, it's one of the things they do.
• 47:05
  Speaker 2: They do again, I don't know the little it's like
• 47:15
  Speaker 2: the tick is like a whatever or like an okay,
• 47:24
  Speaker 2: it's not really a great thing. Like the tick is
• 47:28
  Speaker 2: a little always mildly judgmental. Oh is that what you're wearing?
• 47:35
  Speaker 2: I thought you would like to dress up? You know,
• 47:37
  Speaker 2: it's like not what I would do. Like, yeah, it's
• 47:40
  Speaker 2: a very interesting Arabic tick, I guess, or like weird
• 47:46
  Speaker 2: expressive thing. How many other cultures do that? If you like,
• 47:52
  Speaker 2: no or whatever, if you like you know what I'm
• 47:54
  Speaker 2: talking about. I know that I'm in a microphone and
• 47:56
  Speaker 2: I keep making that noise. But it's so very fucking specific. Okay,
• 48:00
  Speaker 2: So anyway, out of the haunted house, you know, they
• 48:06
  Speaker 2: decide to go get some drinks after her, and like
• 48:09
  Speaker 2: the boys bounce, are like, we don't want to deal
• 48:10
  Speaker 2: with this, and so leading their own girl Laura ends
• 48:15
  Speaker 2: up getting in the car with Meato and Debbie and
• 48:18
  Speaker 2: she sits in the backseat and Nido doesn't talk the
• 48:22
  Speaker 2: entire time and it's weird and the girls comment on it,
• 48:25
  Speaker 2: are like, he's he's weird, he's not talking. We're not happy.
• 48:30
  Speaker 2: They can pick up that he doesn't care about being
• 48:34
  Speaker 2: friendly with them, asking them one question about themselves. He's
• 48:39
  Speaker 2: a full fucking narcissist, Like it's crazy not to ask
• 48:43
  Speaker 2: people questions like you're these are your friends of like
• 48:46
  Speaker 2: your maybe wife? You would be like hey, like is
• 48:51
  Speaker 2: this what you usually guys do for Halloween?
• 48:53
  Speaker 1: Or what do you do for a job?
• 48:56
  Speaker 2: Or what's the last play you saw? I mean, who
• 48:58
  Speaker 2: knows what your favorite movie is? You know, like, oh,
• 49:00
  Speaker 2: bless none of it. Like they're in the car and
• 49:03
  Speaker 2: this motherfucker gets out his phone and starts scrolling through
• 49:05
  Speaker 2: fucking TikTok and Instagram with his volume up, so we
• 49:10
  Speaker 2: have to hear like, you know, Arabic music after Arabic music,
• 49:12
  Speaker 2: and all the reels and the women are like, oh god,
• 49:16
  Speaker 2: it's some stifling stuffy in this car was like seventy
• 49:20
  Speaker 2: nine degrees. He's like so he at one point cracks
• 49:25
  Speaker 2: all his knuckles, like it's almost like aggressive behavior. It's
• 49:31
  Speaker 2: like passive aggressive, but like emphasis on the aggressively awkward behavior,
• 49:37
  Speaker 2: and it's not like awkward, like he doesn't know what
• 49:39
  Speaker 2: to say. He just is seeped in like a certain
• 49:43
  Speaker 2: amount of I don't give a fuck about these people,
• 49:46
  Speaker 2: and I don't, and I think I'm better than them,
• 49:48
  Speaker 2: and I don't want to even associate with them. But
• 49:51
  Speaker 2: I also like to think that there's a part of
• 49:53
  Speaker 2: it that is rageful and angry because he is so
• 49:58
  Speaker 2: deeply insecure, Like this person has to have insecurity issues
• 50:05
  Speaker 2: for him to be so shitty, Like I can't imagine
• 50:07
  Speaker 2: he really thinks he's that great, you know, sitting in
• 50:10
  Speaker 2: like a cheap Pharaoh costume. I don't know if he's
• 50:14
  Speaker 2: just like I can't believe I have to be with
• 50:16
  Speaker 2: this old woman, but she will bring me to America,
• 50:20
  Speaker 2: give me a green card, and you know, hopefully pay
• 50:22
  Speaker 2: for me to move to la and then pay for
• 50:24
  Speaker 2: me the whole time while I'm living there. And so
• 50:26
  Speaker 2: I have to like suffer through meeting her stupid friends
• 50:29
  Speaker 2: who her friends are stupid. I'm just saying it like
• 50:31
  Speaker 2: in his voice, like his her friends are awesome. So
• 50:33
  Speaker 2: then they go to the dive bar called the Poorhouse,
• 50:37
  Speaker 2: and Debbie's like, yeah, he just converts to a new personality,
• 50:41
  Speaker 2: and I'm like embarrassed by him.
• 50:44
  Speaker 1: So when they get to the bar.
• 50:49
  Speaker 2: He's like, uh, go inside, they'll be there in a second,
• 50:53
  Speaker 2: and she realizes like he is disgusting, so she gets
• 50:57
  Speaker 2: out and then like, obviously her friends are gonna be like,
• 51:02
  Speaker 2: what's happening? And she knows that Laura sat in the
• 51:04
  Speaker 2: car as he didn't say a fucking word. So she
• 51:07
  Speaker 2: gets back in the car and she's just beside herself.
• 51:09
  Speaker 2: She starts crying, and he doesn't take that well obviously,
• 51:13
  Speaker 2: He's like, why are you what are you frustrated all
• 51:16
  Speaker 2: the time? You know, like what's wrong? And then he's like,
• 51:19
  Speaker 2: if you want to take uber to go home, and
• 51:21
  Speaker 2: she's like, do it. And it felt like he was
• 51:25
  Speaker 2: so used to thinking that he could make an ultimatum
• 51:28
  Speaker 2: and go back to Egypt and have whatever he wanted
• 51:31
  Speaker 2: actually happened that he didn't think that she would be
• 51:36
  Speaker 2: like fucking get out. Leave. He's like, fun, I fly
• 51:41
  Speaker 2: back to Egypt. Then he says, you buy me a ticket.
• 51:47
  Speaker 2: I wanted to be I mean, here's the thing, this
• 51:49
  Speaker 2: is what shitty about this, because of course all of
• 51:51
  Speaker 2: a sudden be like, bitch, you buy your own fucking ticket.
• 51:54
  Speaker 2: But then I realized for her to do the whole
• 51:56
  Speaker 2: k one thing, she would have to pay for him
• 51:58
  Speaker 2: to go back. Because I think, like that's the whole thing.
• 52:01
  Speaker 2: Like she like he's on her credit, not credit, but
• 52:05
  Speaker 2: like she has to assume financial responsibility of him. She's like,
• 52:11
  Speaker 2: get the ticket right now on your phone, get it.
• 52:13
  Speaker 2: I want you out. She can't stand one more moment
• 52:17
  Speaker 2: with him.
• 52:17
  Speaker 1: She breaks the fourth wall hahaha, acting term. She's like, producers, producers,
• 52:22
  Speaker 1: I can't.
• 52:23
  Speaker 2: I'm done with him. No, I'm literally done with him.
• 52:24
  Speaker 2: Get him in my car. I don't know what you're
• 52:26
  Speaker 2: gonna fucking do. Put him up in a hotel room.
• 52:28
  Speaker 2: I cannot look at his face and never want to
• 52:29
  Speaker 2: see him again. I'll pay for the ticket, fine, get
• 52:32
  Speaker 2: him the fuck out of my fucking face. And then
• 52:36
  Speaker 2: he like starts yelling at her. And then Astra, who
• 52:40
  Speaker 2: is our best friend, our slutty best friend that we love,
• 52:43
  Speaker 2: that we knew the minute that we saw her. We
• 52:45
  Speaker 2: were like, we want more of her, and she gave
• 52:47
  Speaker 2: us everything we would want. She gave us everything. So
• 52:54
  Speaker 2: she hears Medo being an asshole, and she comes over
• 52:58
  Speaker 2: and she's like, you will not yell at my fucking friend.
• 53:00
  Speaker 2: He's like, you don't understand, and then he's yelling at
• 53:05
  Speaker 2: Astra and she's like, you're not gonna fucking talk to
• 53:08
  Speaker 2: me like that. That's not how you treat women in America,
• 53:12
  Speaker 2: you motherfucker.
• 53:15
  Speaker 1: And then he like gets close up to her and
• 53:18
  Speaker 1: she's like, what do you want to get in my face?
• 53:20
  Speaker 1: We're gonna fucking do are you gonna try and fucking
• 53:22
  Speaker 1: hit me on national television?
• 53:25
  Speaker 2: Okay? I hate this for a lot of reasons. A
• 53:28
  Speaker 2: because I hate Mito, but I also don't.
• 53:31
  Speaker 1: Like the idea.
• 53:33
  Speaker 2: That we are just gonna sort of like drill home
• 53:40
  Speaker 2: a certain like propensity that all Arabic men don't respect women,
• 53:46
  Speaker 2: and so only in America are women respected, but in
• 53:49
  Speaker 2: other countries they're not because Mido is an asshole and
• 53:54
  Speaker 2: also gets fucked in the asshole and that's who he is,
• 53:59
  Speaker 2: no matter what. In certainly, there are countries and there
• 54:03
  Speaker 2: are like, you know, sex of fundamentalist, conservative, misogynistic people
• 54:09
  Speaker 2: that treat women horribly, but there are assholes in America
• 54:14
  Speaker 2: that treat women horribly, and there are lovely Arabic men
• 54:18
  Speaker 2: that you know, respect women. So just like a, you know,
• 54:23
  Speaker 2: I have to like say that kind of stuff because I,
• 54:25
  Speaker 2: you know, he is unfortunately like such a fucking textbook
• 54:31
  Speaker 2: person that's like in Egypt, the woman take out the rash.
• 54:34
  Speaker 2: You know he he perpetuated that kind of like stereotypicalness,
• 54:39
  Speaker 2: and what makes that also maddening. It's like, well, then
• 54:43
  Speaker 2: in Egypt, I'm assuming the men pay for everything, right,
• 54:47
  Speaker 2: Like the men also pay for all the things that
• 54:48
  Speaker 2: they bring the whole money. That's not anything you have
• 54:51
  Speaker 2: fucking done. So how are you gonna be like you
• 54:53
  Speaker 2: do this and I don't have to do what I
• 54:55
  Speaker 2: have to do, Like you would have to be paying
• 54:58
  Speaker 2: for everything for you to even have one leg to
• 55:00
  Speaker 2: stand on. But you don't have a leg to stand
• 55:02
  Speaker 2: on even though you have two fucking small as skinny
• 55:04
  Speaker 2: ass legs and tight ass pants. I truly hate him
• 55:09
  Speaker 2: on Instagram, like I think he had like a sister
• 55:12
  Speaker 2: or someone be like on his Instagram commenting.
• 55:16
  Speaker 1: Like we know who the real you is. We know
• 55:18
  Speaker 1: you are playing a part.
• 55:19
  Speaker 2: And it's like watching him in this you know he's
• 55:22
  Speaker 2: not acting, you know that's his assholeness, Like that's who
• 55:27
  Speaker 2: he really is. I think that when I went back
• 55:33
  Speaker 2: and said, you know, he's insecure, I think that he
• 55:35
  Speaker 2: deeply is uncomfortable with his sexuality and hates a lot
• 55:42
  Speaker 2: of things that are keeping him from his true passion,
• 55:46
  Speaker 2: which is like dick, he wants to ride the d
• 55:51
  Speaker 2: truly and other things, you know, Like I think that
• 55:55
  Speaker 2: he is so truly gross, and I want to like
• 56:00
  Speaker 2: buy Astra a drink. Like my dream would be to
• 56:04
  Speaker 2: have him drink with Astra and just be like, thank you,
• 56:08
  Speaker 2: thank you for being the only rational person on none
• 56:12
  Speaker 2: of a fiance. Thank you for standing up for your friend. Also,
• 56:17
  Speaker 2: thank you for knowing that he was weird. Also thank
• 56:20
  Speaker 2: you for being funny and normal. I love her, Oh
• 56:26
  Speaker 2: my god, I can't wait to see what happens, and
• 56:28
  Speaker 2: it's I can't Like I want her to just like
• 56:34
  Speaker 2: drop him off at the airport. No, I want her
• 56:36
  Speaker 2: to like get him an uber to the airport, like
• 56:38
  Speaker 2: six hours in advance, because she doesn't want him in
• 56:40
  Speaker 2: the home. Get him to Louis Armstrong Airport as soon
• 56:45
  Speaker 2: as fucking possible, get him out, And I want her
• 56:49
  Speaker 2: to buy whatever's less than an economy class. I want
• 56:52
  Speaker 2: him to be having to sit on his own luggage,
• 56:55
  Speaker 2: surrounded by crying babies and have like six layovers. Wouldn't
• 57:01
  Speaker 2: that be so great? I would love that. I also
• 57:06
  Speaker 2: low key like want right as he's leaving to be like,
• 57:11
  Speaker 2: by the way, bitch, my brothers had a Warner Brother Studios,
• 57:15
  Speaker 2: and I could have made you a star if I
• 57:17
  Speaker 2: wanted to, But you're not, you know, I don't know.
• 57:22
  Speaker 2: That's like my own We're gonna actually blacklist you from
• 57:25
  Speaker 2: all of Hollywood, which he should be. All right, my loves,
• 57:32
  Speaker 2: that's the end of the episode. Thank you so much
• 57:33
  Speaker 2: for hearing my angry thoughts. But I hopefully sort of
• 57:39
  Speaker 2: you know, riled up in you a certain amount of
• 57:43
  Speaker 2: like validation that this person is absolute shit. And we
• 57:48
  Speaker 2: all got to see him being made a fool in
• 57:50
  Speaker 2: his shitty ass, stupid ass costume. And yeah, wie, you
• 57:57
  Speaker 2: just got a lot of fucking lesson, which is to
• 58:01
  Speaker 2: get a new job or you don't upsell insurance all
• 58:03
  Speaker 2: the goddamn time, and learn about yourself and why you
• 58:06
  Speaker 2: have settled for bullshit and why you don't understand the
• 58:09
  Speaker 2: difference between someone loving you and someone just wanting to
• 58:12
  Speaker 2: use you. Let's find out. Let's find out. Let's see
• 58:17
  Speaker 2: if we can like remedy this before, you know, before
• 58:20
  Speaker 2: our next relationship. Because the thing about Debbie is sure
• 58:23
  Speaker 2: she's a seasoned woman, but Debbie is hot. She has
• 58:27
  Speaker 2: great hair, you know, I like, she has a hot
• 58:30
  Speaker 2: ass body. She has a brand new two bedroom home.
• 58:33
  Speaker 2: She has a bunch of Louis Vatons, she has a
• 58:35
  Speaker 2: bunch of mystery do you or perfume? So let's get
• 58:38
  Speaker 2: back out there. But she has to do some fucking work,
• 58:41
  Speaker 2: you know, on herself. And also I think, like, stop
• 58:47
  Speaker 2: trying to use people to hit your sales, you know, extras,
• 58:53
  Speaker 2: and hopefully people will stop using you for whatever men
• 58:58
  Speaker 2: use you for. You know, I think it's maybe a
• 58:59
  Speaker 2: two ways all right, my loves, If you haven't yet,
• 59:03
  Speaker 2: please give me five stars.
• 59:04
  Speaker 1: A helpful review.
• 59:05
  Speaker 2: Wherever you listen to podcasts, say words like you're great,
• 59:09
  Speaker 2: thank you for saying bad words. Sometimes we appreciate your
• 59:15
  Speaker 2: nuance and responses, or just like Chris, can you stop
• 59:19
  Speaker 2: saying like but A'll still give you five stars. And
• 59:24
  Speaker 2: the answer is I've tried. I really have. I have
• 59:27
  Speaker 2: over the years of me talking on this podcast, have
• 59:30
  Speaker 2: considered trying to stop saying like so much, as well
• 59:34
  Speaker 2: as making sure that when I start a sentence I
• 59:38
  Speaker 2: end it clearly. And there are some points that I
• 59:44
  Speaker 2: have made progress on, and there's some that I think
• 59:47
  Speaker 2: are intrinsic to myself having said that I just said,
• 59:52
  Speaker 2: which also isn't a great word to say on a podcast,
• 59:54
  Speaker 2: especially what it's just your voice, but no that I'm
• 59:57
  Speaker 2: working through it, okay, my loves. You can also follow
• 1:00:00
  Speaker 2: me at Chris Elfara on TikTok on Instagram. Honey, I'm
• 1:00:04
  Speaker 2: on Facebook and I have a private Facebook group. It's
• 1:00:07
  Speaker 2: called Vanity Farrah. At the same time, you can also
• 1:00:10
  Speaker 2: join my Patreon for only five dollars a month right now.
• 1:00:13
  Speaker 2: There might be a time later where I put up
• 1:00:15
  Speaker 2: different tiers of different expenses, but at the same time,
• 1:00:17
  Speaker 2: it's so cheap and you get all the visuals in
• 1:00:21
  Speaker 2: full length episodes like this. Part two of this will
• 1:00:24
  Speaker 2: be one whole YouTube video twenty four hours or more
• 1:00:27
  Speaker 2: than anyone else and private lives, and I listen to
• 1:00:32
  Speaker 2: what they want most. So people wanted to love after
• 1:00:35
  Speaker 2: lock up. I gave them a love after lock up.
• 1:00:37
  Speaker 2: They didn't talk about this as Polly, but I decided
• 1:00:40
  Speaker 2: to give everyone this is Polly, so please listen to
• 1:00:42
  Speaker 2: those episodes as well. We're going to do our breaths
• 1:00:45
  Speaker 2: and send us on our merry ways. I certainly hope
• 1:00:48
  Speaker 2: that wherever you are, that you are enjoying your hot
• 1:00:52
  Speaker 2: ass summer, that you feel connected to something, to a joy,
• 1:00:58
  Speaker 2: to a work, to a community, to a person or
• 1:01:02
  Speaker 2: person's to a group of people. I hope that you
• 1:01:05
  Speaker 2: feel the divine energy that connects us all. And so
• 1:01:11
  Speaker 2: one of those divine energies is our breath, is our
• 1:01:14
  Speaker 2: ability to bring ourselves in the present moment, to feel
• 1:01:18
  Speaker 2: our heart beating, to know that our mind is with
• 1:01:20
  Speaker 2: us right now, presently, not trudging through past experiences or
• 1:01:26
  Speaker 2: trying to plan the perfect future, but in fact, okay,
• 1:01:30
  Speaker 2: and good with being with you and me and your
• 1:01:35
  Speaker 2: body and soul right now, which is already great, which
• 1:01:39
  Speaker 2: has everything it needs to have, which is perfectly imperfect.
• 1:01:45
  Speaker 2: You know what I'm saying. Okay, two breaths, All right,
• 1:02:15
  Speaker 2: my loves, take care of yourselves and one another. Stand
• 1:02:18
  Speaker 2: up for what you believe and make art. Okay, I'll
• 1:02:20
  Speaker 2: talk to you later.
• 1:02:22
  Speaker 1: Bye,