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One on One: Steve Braun · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all in You.
• 0:16
  Speaker 2: I Am all in with Scott Patterson, an iHeartRadio podcast.
• 0:20
  Speaker 1: Hey Everybody, Scott Patterson, I Am all in Podcast. One
• 0:23
  Speaker 1: on one interview with Steve Braun one eleven Productions. iHeart Radio,
• 0:30
  Speaker 1: iHeart Media, iHeart Podcasts. We have a fella who Let
• 0:38
  Speaker 1: me tell you a little something about him. He was
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  Speaker 1: in one episode of Gilmore Girl, was a very memorable episode.
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  Speaker 1: He portrayed Trip cavanall like Logan's website launch party, was
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  Speaker 1: one who kept talking about his house in Tortola. And
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  Speaker 1: let me tell you a little something about Steve. He's
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  Speaker 1: an acting coach and communication consultant, drawing on many years
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  Speaker 1: of acting training, Buddhist practice, and Mark Arts training to
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  Speaker 1: help his clients discovering express there unique emotional truth. While
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  Speaker 1: pursuing an acting career, Steve starred in movies such as
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  Speaker 1: How Kamar Go to White Castle, Wrong Turn Two, and
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  Speaker 1: The Trip, and he's a series regular on The Immortal
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  Speaker 1: and Twins. He gets started on CSI, Miami, CSI, New
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  Speaker 1: York Bones, Gilmore Girls, The Closer, and CIS and The Mentalist. Steve,
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  Speaker 1: Welcome to the podcast Pleasure Having you. We have a
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  Speaker 1: lot to talk about let's start off by talking about
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  Speaker 1: how you got this part. How'd you get the role?
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  Speaker 2: Yeah, I mean, like a lot of actors, I auditioned,
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  Speaker 2: but this series, as you know, was different in that
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  Speaker 2: the words needed to be spat out so unbelievably rapid fire.
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  Speaker 2: But also this guy like the douchiest of the douchees
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  Speaker 2: who shows up at this party, like you know, just
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  Speaker 2: going on and on about tortola and whatever else, Like
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  Speaker 2: it needed to be even faster than that. So I
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  Speaker 2: prided myself as being someone who could spit out words
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  Speaker 2: the rapid fire. But this was a challenge. But so
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  Speaker 2: I remember in the edition was first up, and I
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  Speaker 2: went in there and I just I don't know that
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  Speaker 2: the planets aligned, and I got all these like just
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  Speaker 2: these these thick chunks of dialogue out rapid fire, And honestly,
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  Speaker 2: I think that was it, and you know, channeled some
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  Speaker 2: of that annoying, snobby douchebag that that might live in me.
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  Speaker 1: Well, uh, you played Trip Kavanaugh. We met him at
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  Speaker 1: Logan's launch party. Was very memorable that now, when you
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  Speaker 1: got your lines, did it did it intimidate you? Because
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  Speaker 1: you were you were there, there were these long descriptions
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  Speaker 1: about your house and Tortsola was so much dialogue, Yeah,
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  Speaker 1: a little bit.
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  Speaker 2: I mean I mean it's it's both an opportunity and like, oh,
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  Speaker 2: I gotta like actually spit this stuff out. So I
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  Speaker 2: mean the words were so beautiful because they're just hideous, like,
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  Speaker 2: I mean, who is this jerk? Right?
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  Speaker 1: Like?
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  Speaker 2: And and the reaction to the other actors just only
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  Speaker 2: made it even juicier. So I think mostly this number
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  Speaker 2: of years ago, I saw it as just more fun
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  Speaker 2: than you could possibly have doing anything else. Uh, and
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  Speaker 2: to be paid for it, I mean, what a joy?
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  Speaker 3: M hm.
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  Speaker 1: And so the speed of the diagalogue dialogue is usually
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  Speaker 1: what gets people. What was your what was your method
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  Speaker 1: for conquering that? You just you just ran it to death.
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  Speaker 1: You just get it over and over and you just.
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  Speaker 2: Now this repetition like at that point with that level
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  Speaker 2: of speed and also that many words, to me, everyone's
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  Speaker 2: got their own. It's just muscle memory. So if I
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  Speaker 2: can like my mouth to remember these things, then I
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  Speaker 2: can kind of go on autopilot and just deal with
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  Speaker 2: the actors in front of me while my mouth is
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  Speaker 2: spitting out this ridiculousness, which I suspect there is a
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  Speaker 2: disconnection and the character like this, he's not like you know,
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  Speaker 2: checking in to see whether his audience is okay or
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  Speaker 2: like whether they're you know, like connected in their hearts.
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  Speaker 2: He just spit. I think that's what worked for me.
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  Speaker 1: So what do you remember about filming that day? What
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  Speaker 1: was your top It's the top thing that pops in
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  Speaker 1: y as.
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  Speaker 2: A great group of actors. Everyone was really because, like
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  Speaker 2: you know, you'll have on a series like that, a
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  Speaker 2: lot of scenes with two people, three people, but like
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  Speaker 2: the energy of the background performers and the party scenario,
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  Speaker 2: a bunch of people, kind of comic characters coming in
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  Speaker 2: and out. There was energy there which was really exciting.
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  Speaker 2: Also just sort of anecdotally, then Senator Obama was kind
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  Speaker 2: of on the scenes. I remember that there was there
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  Speaker 2: was conversations around who this new person was, who would
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  Speaker 2: buzzibly be president one day? That sticks out for me,
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  Speaker 2: But mostly like the the well oiled machine at that
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  Speaker 2: point of making great television consistently and quickly, like you
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  Speaker 2: could you could tell that everyone knew what the hell
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  Speaker 2: they were doing, happy to be there. It was a
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  Speaker 2: good environment.
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  Speaker 1: Was it was it different from other shows that you did?
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  Speaker 1: The environment yeah, oh for sure. Well I tell you what,
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  Speaker 1: how I was to compare them, compare them?
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  Speaker 2: Yeah, so all right, let's let's spill the tea. Like,
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  Speaker 2: so let's say you've got a series regular who is
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  Speaker 2: just not a happy person, but they've booked this series
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  Speaker 2: regular job with and with that comes an expectation that
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  Speaker 2: they should be happy, right, Like you're shot out at
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  Speaker 2: two pm, you got your health insurance, like, smile, right,
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  Speaker 2: But they're still miserable, and so they're trying to control
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  Speaker 2: their environment. And you know, there's a lot of that
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  Speaker 2: can go around. If like the one, two, three in
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  Speaker 2: the call sheet are nasty and not having a good
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  Speaker 2: time of it, it really trickles down. It effects affect
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  Speaker 2: everyone else, right, So but here you at a situation
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  Speaker 2: where that that wasn't the case, Like there was just
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  Speaker 2: a lot of supportive energy. Everyone is really kind.
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  Speaker 1: You know.
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  Speaker 2: I've been on sets, particularly TV sets, where you're working
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  Speaker 2: with someone for a full week, fifteen hour days and
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  Speaker 2: they don't even introduce themselves, right, it wasn't wasn't the
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  Speaker 2: case here.
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  Speaker 1: Like it was a good group really. So so you
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  Speaker 1: worked on shows where where the leads were wrapped at
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  Speaker 1: two pm.
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  Speaker 2: Yeah, wow, because it's you know, like season twenty seven
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  Speaker 2: or like whatever it.
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  Speaker 1: Is, right, the executive.
• 6:06
  Speaker 2: Cruisers and then whatever. They kind of show up with
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  Speaker 2: a little twinkle in their eye and they say their
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  Speaker 2: line and they go home and.
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  Speaker 1: Oh, now I know what you're talking about. I know
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  Speaker 1: what you're talking about. Man, I know what you're talking about. Yeah,
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  Speaker 1: all right, so you know your character trips seem to
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  Speaker 1: be oblivious that Logan and Roy weren't into your story. Yeah,
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  Speaker 1: about your house in Toortle, How is it working with
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  Speaker 1: Alexis and Matt and those scenes so.
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  Speaker 2: Great because I mean, I think it shows in the
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  Speaker 2: final cut like that they held all my ridiculous yammering
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  Speaker 2: with a beautiful container of awkwardness that made me look
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  Speaker 2: even more ridiculous, which was terrific. So and I think,
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  Speaker 2: you know, the generosity, So you're in a situation like
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  Speaker 2: that and the other actor who's just walking on for
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  Speaker 2: a day, right, has a ton of dialogue you can
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  Speaker 2: if you have an understanding of like the overall picture
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  Speaker 2: and how like if everyone's good in the show, we
• 7:06
  Speaker 2: all look good to try to offer something generously to
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  Speaker 2: that actor to help them get through all of this dialogue.
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  Speaker 2: They didn't have to do that, but they did. And
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  Speaker 2: then again, I think what shows in the final cut
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  Speaker 2: is them just the internal eye rolls and the awkwardness
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  Speaker 2: around this idiot.
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  Speaker 1: So your last role was sixteen years ago.
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  Speaker 2: Yeah, I stepped away.
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  Speaker 1: Why did you step away?
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  Speaker 2: You know? The writer's strike hapen, the last writer's strike
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  Speaker 2: hap And I was sort of left without a paycheck
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  Speaker 2: and without an ego stroke. And I kind of realized, oh, like,
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  Speaker 2: this is really just a paycheck and an ego stroke
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  Speaker 2: for me. So I started working around that time on
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  Speaker 2: the first Obama campaign and just sort of helping staff
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  Speaker 2: and volunteers express their unique truth about the candidate and
• 7:53
  Speaker 2: kind of spread the message. And that was a year
• 7:56
  Speaker 2: and a half two year process. I started leaning more
• 7:58
  Speaker 2: into martial arts, internal arts that I've done for fifteen
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  Speaker 2: years at that point.
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  Speaker 1: What kind of martial arts, what style.
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  Speaker 2: Shell and kung fu? I've done sort of kung fu proper,
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  Speaker 2: krav magalo boxing, taiji twan, but mostly it went to
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  Speaker 2: internal arts, meditation sheng that'th work that sort of thing?
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  Speaker 1: And is there a studio that you dojo that you
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  Speaker 1: go to in the area?
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  Speaker 2: Uh, you know, I go to a bunch. But you know,
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  Speaker 2: for eleven discipleship of this the Shellon monk that I
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  Speaker 2: was working with and no kidding, now what I do
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  Speaker 2: Taichi with the elders in the park mostly.
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  Speaker 1: And now where and what city are you in? Now?
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  Speaker 2: Right now? I'm in Vancouver. I'm back in fourteen Los Angeles.
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  Speaker 1: Oh you're in Vancouver. Oh that's so interesting.
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  Speaker 2: I'm here got a place in August of twenty twenty
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  Speaker 2: in the middle of the pandemic.
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  Speaker 1: Have you been to the Shallon Temple in China?
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  Speaker 2: No, planning a trip just before COVID.
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  Speaker 1: Boh they do incredible things there. Yeah, all right. So
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  Speaker 1: you're an acting coach as well. You got your own
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  Speaker 1: acting schools called BGB Studio. When did you start that?
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  Speaker 2: I started that in twenty twelve. I mean I've been
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  Speaker 2: I've been coaching since two thousand and seven or eight.
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  Speaker 2: Just to tie this back to Gilmore Girls, my studio
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  Speaker 2: partner is Reesa braydmon Garcia, who uh has?
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  Speaker 1: Who was so sure she's a she was? She's a
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  Speaker 1: big time casting person.
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  Speaker 2: That's right. And she cast the reboot the Gilmore Girls.
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  Speaker 2: Year in the Life.
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  Speaker 1: Does she really Reesa Brayman Garcia cast the reboot.
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  Speaker 2: And Jamie Rodowski, who cast me in My who cast
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  Speaker 2: me as Trip in My episode of Gilmore Girls. She
• 9:34
  Speaker 2: ended up working at our studio for a number of
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  Speaker 2: years and she she also cast the reboot with with Reesa.
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  Speaker 2: Yeah so recent. I started in twenty twelve and it's
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  Speaker 2: been going strong ever since.
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  Speaker 1: How many students do you have?
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  Speaker 2: You know? It sort of fluctuates as we've eight week
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  Speaker 2: classes and ongoing classes from like two four hundred depending
• 9:50
  Speaker 2: on the month.
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  Speaker 1: Oh, that's fantastic, but it's.
• 9:52
  Speaker 2: Uh, it's it's beautiful. I it's to be deeply in
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  Speaker 2: the work of human connection and it's it's so much
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  Speaker 2: more than just book a job for the actors at
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  Speaker 2: our studio, and it's a community. It's all sorts of
• 10:03
  Speaker 2: great things.
• 10:04
  Speaker 1: You teach kids too, Yeah, we just started teaching kids. Yeah,
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  Speaker 1: you got to deal with their parents.
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  Speaker 2: That's the trick.
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  Speaker 1: There's amazing to do that too. And I had a
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  Speaker 1: Saturday class for kids and I my ex girlfriend is
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  Speaker 1: great acting teacher, great actress. I said, you do this
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  Speaker 1: Saturday thing. I can't deal with the parents because.
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  Speaker 2: You set something up right. But then sorry, like we
• 10:26
  Speaker 2: can't make it because I slept in or we got
• 10:27
  Speaker 2: to go to soccer. Like the scheduling, it's like it's
• 10:29
  Speaker 2: it's a nightmare.
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  Speaker 1: But my daughter is a star. Do you not see that? Right?
• 10:35
  Speaker 2: That's right? You know what you know? What she needs
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  Speaker 2: is audition technive. That's what she needs.
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  Speaker 1: I heard it. I heard it everywhere. I couldn't take
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  Speaker 1: it anymore. We drove from Florida. This girl is a star.
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  Speaker 1: Do you see it? Uh? Oh man sad? All right.
• 10:58
  Speaker 1: So if there any actors listening who are just starting
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  Speaker 1: the careers, what's your first piece of advice you would
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  Speaker 1: give to them.
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  Speaker 2: Yeah, I think less about booking the job and really
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  Speaker 2: get in right relationship to why you're doing it. I
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  Speaker 2: mean to me, And this sort of sounds like sacriligious
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  Speaker 2: or like I'm killing someone's dream, But there's nothing that
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  Speaker 2: the industry can give you that will be more important
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  Speaker 2: and deeper than what the art can give you. That
• 11:20
  Speaker 2: level of human connection that you get to experience multiple
• 11:23
  Speaker 2: times a day, that's the actual goal of it. And
• 11:25
  Speaker 2: if you focus on that, expanding yourself as a human being,
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  Speaker 2: you know, leaning into connection and vulnerability and presence, and
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  Speaker 2: if you can learn to love that for its own sake,
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  Speaker 2: Then the industry has, you know, the tendency to come
• 11:41
  Speaker 2: back around and be attracted to you, but too lost.
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  Speaker 2: I'm trying to book work. You start spinning your tail.
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  Speaker 1: You totally agree. Yeah, you got to be in it
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  Speaker 1: for the right reasons, for the love of the craft.
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  Speaker 2: Which sounds ridiculous, Like it sounds so like something like
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  Speaker 2: Trip would say, But that's it, Like that's the audition's secret,
• 11:58
  Speaker 2: right there, h it is.
• 12:00
  Speaker 1: Do you think there are more opportunities for actors now
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  Speaker 1: because of all the streaming content available? I don't. I agree,
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  Speaker 1: I don't think there are either.
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  Speaker 2: Right, Like yeah, like it's and its it's antithetical to
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  Speaker 2: like what what you're you're seeing because you think, oh,
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  Speaker 2: there's more opportunity, there's there's not. But there's more opportunity
• 12:18
  Speaker 2: with the technology that's available to you to be an artist,
• 12:21
  Speaker 2: to be an actor, to write your own stuff, shoot
• 12:23
  Speaker 2: your own stuff, be someone who is a creative person.
• 12:26
  Speaker 2: But the industry proper, I think, is contracting and shifting
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  Speaker 2: and it's uh classic industrial model needs needs some work,
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  Speaker 2: you know.
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  Speaker 1: Uh So, in your opinion, how can an actor stand
• 12:40
  Speaker 1: out against hundreds of others who are going or an audition.
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  Speaker 2: Yeah, you know, don't mean to get all like woo
• 12:50
  Speaker 2: woo on you, but I truly believe that every human
• 12:53
  Speaker 2: being is unique indeed to the universe. So leaning all
• 12:56
  Speaker 2: the way in uh to your unique emotional more experience
• 13:02
  Speaker 2: of that world of the play, then invariably your expression
• 13:06
  Speaker 2: of the art will be unique and so like by definition,
• 13:09
  Speaker 2: will stand out from others. Whether whether it's something that
• 13:11
  Speaker 2: they want or not. That's different because we start monetizing
• 13:14
  Speaker 2: things that it gets different. But to me, that's that's
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  Speaker 2: the work of it. Consistently, it is.
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  Speaker 1: It is so true, and so many young actors get
• 13:22
  Speaker 1: caught up in the the fallacy that imitating Brando or
• 13:27
  Speaker 1: imitating John Maclovitch is going to get them a job,
• 13:31
  Speaker 1: and it just isn't because everybody's going to see it
• 13:37
  Speaker 1: and they're going to go just shake their head and go,
• 13:38
  Speaker 1: oh god, yeah.
• 13:40
  Speaker 2: But the nature of the industry is that, like it's
• 13:43
  Speaker 2: meant to commoditize and process art. Right, So it'll say,
• 13:48
  Speaker 2: but we want a John Malkovich type, but the actor
• 13:50
  Speaker 2: can't hear that. They have to be uniquely them and
• 13:53
  Speaker 2: when they are, oh yeah, that's exactly what we were
• 13:55
  Speaker 2: looking for.
• 13:55
  Speaker 1: No, it's not.
• 13:56
  Speaker 2: But but you just someone offered a unique experience that
• 13:59
  Speaker 2: was connected in true full and that's why you.
• 14:02
  Speaker 1: Gotta be yourself. Well, I want I want acting teacher
• 14:06
  Speaker 1: head in New York. You say, if you're gonna play
• 14:08
  Speaker 1: yourself all the time, you better be pretty interesting. But
• 14:16
  Speaker 1: you know, I do think it's true. You have to
• 14:19
  Speaker 1: tap into your own uniqueness. It's the only way to
• 14:22
  Speaker 1: differentiate yourself because there's nobody like you. We're gonna play
• 14:34
  Speaker 1: rapid fire. You ready, You're under no pressure to answer
• 14:38
  Speaker 1: these quickly. How do you like your coffee?
• 14:43
  Speaker 2: Black?
• 14:44
  Speaker 1: Are your team Logan, Team Jess or Team Dean?
• 14:47
  Speaker 2: No idea?
• 14:50
  Speaker 1: It was your that's my favorite answer so far podcast.
• 14:56
  Speaker 1: I have you know what Ted? And he said, he
• 15:00
  Speaker 1: goes who cares? Yours is funnier? I have no idea.
• 15:07
  Speaker 1: Who is your favorite Gilmore Girls couple? Luke and Lorelei
• 15:10
  Speaker 1: or Emily and Richard? Of course? Would you rather work
• 15:15
  Speaker 1: with Michelle or Kirk?
• 15:18
  Speaker 2: Michelle?
• 15:19
  Speaker 1: Uh? What would you order at Luke's diner?
• 15:24
  Speaker 2: Michelle? No, your burger, you know, the classic burger?
• 15:31
  Speaker 1: Uh huh?
• 15:33
  Speaker 2: Get a milkshake too?
• 15:34
  Speaker 1: Would you rather hang out with Paris or Lane Lane,
• 15:39
  Speaker 1: Harvard or Yale, or drop out and live in the
• 15:42
  Speaker 1: pool house. Pool House for Poolhouse. Probably get a better
• 15:45
  Speaker 1: education there. Now. Anyway, would you rather attend a da
• 15:50
  Speaker 1: ar event with Emily or a town meeting with Taylor Gilmore?
• 15:57
  Speaker 1: Girl's character that you would want as a roommate?
• 16:02
  Speaker 2: Uh, Laura, l I.
• 16:05
  Speaker 1: Something in your life. You are all in on my daughters.
• 16:11
  Speaker 1: Oh beautiful? Yeah, you have to how many daughters? Yet wonderful,
• 16:16
  Speaker 1: wonderful children are a miracle. Stephen Brown, Thank you for
• 16:20
  Speaker 1: your time. It was enlightening, It was invigorating. Thank you
• 16:24
  Speaker 1: so much. You know what, we have a clip. I
• 16:28
  Speaker 1: think before we go, we got to see a clip
• 16:30
  Speaker 1: of your work. Yeah, Jackie, can you roll that clip?
• 16:34
  Speaker 1: I want to see this clip again? Here we go.
• 16:36
  Speaker 2: True, hey man, glad you can make it. Mommywethell right,
• 16:41
  Speaker 2: And this is my girlfriend Ry Gomo.
• 16:43
  Speaker 3: Nice to meet, just back from Tortola. He's building an
• 16:52
  Speaker 3: incredible house.
• 16:53
  Speaker 2: Then, wow, congratulations, Well we'll see Construction on the island
• 16:56
  Speaker 2: is such a joke. I mean, try getting anyone to
• 16:57
  Speaker 2: meet a schedule.
• 16:59
  Speaker 1: Yeah, I've heard that.
• 17:00
  Speaker 2: Hey, Plus, my property is totally isolated. Which would be
• 17:02
  Speaker 2: great once the house is built. But it's a construction nightmare.
• 17:05
  Speaker 2: It turns out v bridge that accesses my land can't
• 17:07
  Speaker 2: take the way to the truck carring the supplies. We
• 17:09
  Speaker 2: have to offload the supplies onto a smaller vehicle. That
• 17:11
  Speaker 2: necessitiated two four clips. No, this is covered in the
• 17:14
  Speaker 2: estimate course.
• 17:16
  Speaker 1: That was brilliant work. How many takes did you have
• 17:19
  Speaker 1: to do? You have to do all kinds of coverage too,
• 17:21
  Speaker 1: didn't you.
• 17:21
  Speaker 2: Yeah, a lot of coverage there, But how many takes?
• 17:23
  Speaker 2: It wasn't many? Just got a move right, So.
• 17:27
  Speaker 1: Yeah, you just kind of came out and nailed it though,
• 17:29
  Speaker 1: didn't you.
• 17:29
  Speaker 3: Yeah.
• 17:30
  Speaker 2: I mean I remember stumbling a little bit and like
• 17:32
  Speaker 2: I needed it to be game day, right, Like I
• 17:34
  Speaker 2: stumbled a little bit in the rehearsal. I needed the
• 17:37
  Speaker 2: thing to roll for me to actually step into it.
• 17:39
  Speaker 2: But but yeah, and you can see those actors like
• 17:41
  Speaker 2: really supporting it, which is really lovely.
• 17:43
  Speaker 1: Right, there's a lot there was a fun scene. Love
• 17:45
  Speaker 1: those scenes. Anyway, Thank you so much for your time
• 17:48
  Speaker 1: and sharing your thoughts with us, Steven Brown, Ladies and gentlemen,
• 17:52
  Speaker 1: round of applause. Anyway, We'll see you next time, everybody,
• 17:57
  Speaker 1: and remember we and I am all In stay safe everyone, Hey,
• 18:29
  Speaker 1: everybody and Altoget. Follow us on Instagram at I Am
• 18:33
  Speaker 1: all In Podcast and email us at Gilmore at iHeartRadio
• 18:38
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