Latest / The Red Solo Traveler Podcast / Atlanta Turned Its Warehouses Into Dinner
Transcript
- 0:07Speaker 1: Imagine trying to find like the hottest new lunch spot
- 0:10Speaker 1: in a city, right? And you pull up to the
- 0:12Speaker 1: address and you realize you're staring at this massive abandoned
- 0:16Speaker 1: 1926 Sears Roebuck and Company catalog plant.
- 0:20Speaker 2: Yeah, it's a pretty jarring experience the first time you
- 0:22Speaker 2: see it.
- 0:22Speaker 1: It really is. Well, welcome to the Red Solo Traveler podcast.
- 0:26Speaker 1: Today we are digging into this fascinating article titled Atlanta
- 0:30Speaker 1: Turned Its Warehouses Into Dinner.
- 0:32Speaker 2: Right. And the core mission today is to figure out
- 0:35Speaker 2: how to actually navigate a massive driving city by looking
- 0:38Speaker 2: at its reused buildings.
- 0:40Speaker 1: Exactly. We are not doing a boring menu recitation today.
- 0:43Speaker 2: No, definitely not.
- 0:44Speaker 1: And we aren't giving you a definitive census of the
- 0:46Speaker 1: city's food scene either. Because, I mean, the central argument
- 0:50Speaker 1: here is really important.
- 0:52Speaker 2: Yeah, the thesis you have to understand right up front
- 0:54Speaker 2: is that Atlanta did not invent dinner in a warehouse. Right.
- 0:57Speaker 2: It just had the warehouses. I mean, it was built
- 0:59Speaker 2: as a logistical railroad hub.
- 1:01Speaker 1: So it just had all this leftover industrial square footage
- 1:03Speaker 1: cutting through the neighborhoods.
- 1:05Speaker 2: Exactly. A 1926 Sears plant, an old West End factory strip,
- 1:10Speaker 2: an Upper West Side complex with this huge lawn. That
- 1:13Speaker 2: is the actual history.
- 1:14Speaker 1: Yeah. And the food hall boom is simply what the
- 1:17Speaker 1: city decided to do with that empty space. So look,
- 1:19Speaker 1: we are going to help you match your meals to
- 1:22Speaker 1: your geography.
- 1:23Speaker 2: Because if you don't do that, you are going to
- 1:25Speaker 2: spend your entire trip just Glaring at the brake lights
- 1:29Speaker 2: of the car in front of you.
- 1:30Speaker 1: Totally. And to prevent that, I really want to set
- 1:32Speaker 1: the scene at the catalyst of this whole movement. So
- 1:35Speaker 1: put yourself here. It's the fall of 2015. Oh, man.
- 1:38Speaker 2: When it first opened.
- 1:39Speaker 1: Yes. You are walking into Ponce City Market right after
- 1:43Speaker 1: they open the doors. You are at 675 Ponce de Leon.
- 1:46Speaker 2: Which is just a massive footprint.
- 1:48Speaker 1: It's huge. And there is just raw brick everywhere. You've
- 1:51Speaker 1: got these impossibly tall windows letting in all the sheer light.
- 1:54Speaker 2: Yeah. And that direct door leading right out to the
- 1:56Speaker 2: East Side Beltline.
- 1:57Speaker 1: Exactly. Plus a roof that you absolutely have to visit
- 2:00Speaker 1: if the weather is decent.
- 2:01Speaker 2: I mean, the scale of that 1926 catalog plant is
- 2:04Speaker 2: the history beat that explains the entire food hall boom.
- 2:07Speaker 1: Right. But I have to stress something to everyone listening.
- 2:10Speaker 1: You need to remember the building, not the stall.
- 2:12Speaker 2: Oh, absolutely.
- 2:13Speaker 1: And I mean it. Memorizing a stall list at a
- 2:15Speaker 1: food hall is like memorizing the paint color of a
- 2:17Speaker 1: rental car. It just doesn't matter.
- 2:19Speaker 2: No, it really doesn't.
- 2:20Speaker 1: Halls turn over constantly. Vendors change. Leases expire. The room, though,
- 2:26Speaker 1: that brick and that beltline access, the room does not change.
- 2:29Speaker 2: Right. And that Sears floor is the vital civic story
- 2:33Speaker 2: of the city. I mean, taking a forgotten industrial monolith
- 2:36Speaker 2: and repurposing it into a communal hub That is the
- 2:39Speaker 2: exact reason the Red Solo Traveler is looking at this
- 2:41Speaker 2: to begin with.
- 2:42Speaker 1: OK, I hear that. But and I'm going to push
- 2:44Speaker 1: back a little here. We have to have a debate
- 2:46Speaker 1: right now.
- 2:46Speaker 2: OK, let's hear it.
- 2:47Speaker 1: Because if Ponce represents this glossy, reused civic story, what
- 2:52Speaker 1: is the actual real Atlanta food scene? Because I am
- 2:56Speaker 1: going to vigorously defend Fat Matt or his rib shack
- 2:59Speaker 1: on Piedmont.
- 3:00Speaker 2: Ah, the shack and blues argument. I knew we'd get here.
- 3:03Speaker 1: We have to. Because Fat Matt's is a literal shack.
- 3:06Speaker 1: You pull up at 7 p.m., there is a line
- 3:09Speaker 1: out the door, there's a live blue stage crammed in
- 3:12Speaker 1: the corner, and there is absolutely no concept.
- 3:14Speaker 2: Just no PR team behind it.
- 3:16Speaker 1: Exactly. No celebrity curator. It is just an older room
- 3:19Speaker 1: that is still doing the job. To me, that shack
- 3:21Speaker 1: is the real city.
- 3:22Speaker 2: I mean, Fat Matt's is heritage. I won't deny that.
- 3:25Speaker 2: But Ponce is why we are in the room evaluating
- 3:29Speaker 2: the landscape today. It's the modern navigation of the city.
- 3:33Speaker 1: Right, but are we just telling people to ignore the
- 3:35Speaker 1: older rooms?
- 3:36Speaker 2: No, not at all. The point the article makes, and
- 3:38Speaker 2: where we should land on this, is that both of
- 3:41Speaker 2: these venues are absolutely essential texts.
- 3:44Speaker 1: Okay, fair.
- 3:45Speaker 2: And this is a massive, but trying to do both
- 3:47Speaker 2: of those types of venues in a single day is
- 3:49Speaker 2: a huge mistake.
- 3:50Speaker 1: Oh, yeah. You cannot do a massive food hall line
- 3:52Speaker 1: for lunch and then go stand in line at a
- 3:54Speaker 1: tiny shack for dinner. You will completely burn out.
- 3:56Speaker 2: You'll be exhausted. which is a perfect transition to the
- 3:59Speaker 2: second barbecue joint we need to talk about. Because utility
- 4:02Speaker 2: is a real thing.
- 4:03Speaker 1: Yes. Let's talk about Das BBQ.
- 4:06Speaker 2: Right. Because if you go to Fat Matt's, you are
- 4:08Speaker 2: basically hovering over someone's two-top table, just praying they finish
- 4:12Speaker 2: their ribs so you can sit down.
- 4:14Speaker 1: It's so stressful. Das BBQ is where you go when
- 4:17Speaker 1: you actually want to sit down and breathe.
- 4:19Speaker 2: Exactly. Das is where you get the massive platter of
- 4:23Speaker 2: hickory smoked meats that was actually photographed for the guide.
- 4:26Speaker 1: Yeah. They have actual space. But the tricky thing with
- 4:29Speaker 1: DAS is the geography, right?
- 4:30Speaker 2: Yes. DAS has two addresses, and they serve two completely
- 4:35Speaker 2: different jobs.
- 4:35Speaker 1: Which is so important to understand.
- 4:37Speaker 2: Right. So you use the Collier Road location if you
- 4:40Speaker 2: are already spending your day on the Upper West Side. Quiet.
- 4:43Speaker 2: But you use the Grant Park location, the one with
- 4:46Speaker 2: the dedicated smokehouse and that great patio, if your day
- 4:50Speaker 2: involves Oakland Cemetery or the Carter Library.
- 4:52Speaker 1: So you pick the address that keeps you out of traffic.
- 4:55Speaker 1: But look, I have to give everyone a stern warning
- 4:57Speaker 1: right here.
- 4:58Speaker 2: Do not do two barbecues in one day.
- 4:59Speaker 1: Exactly. Do not treat Fat Matt's and Das as some
- 5:03Speaker 1: sort of pair you have to complete in 24 hours.
- 5:05Speaker 1: That is a mood, not a travel plan.
- 5:08Speaker 2: Yeah, your palate will just give up. You won't remember
- 5:10Speaker 2: either meal.
- 5:11Speaker 1: So true. But, okay, if Das solves the sit-down problem
- 5:15Speaker 1: for barbecue, how do you choose among the sprawling food halls?
- 5:20Speaker 1: Because there isn't just one.
- 5:21Speaker 2: No, there are several. Because they had all this leftover
- 5:24Speaker 2: industrial space. Let's look at three halls, which basically do
- 5:27Speaker 2: three very different jobs. Okay.
- 5:29Speaker 1: Let's break them down. We already talked about Ponce.
- 5:31Speaker 2: Right. Ponce is the building plus the Eastside Beltline. That's
- 5:34Speaker 2: the draw there.
- 5:35Speaker 1: And then you have Lee plus White, which is totally different. Yeah.
- 5:38Speaker 2: Lee plus White is down in the West Gun Factory Strip.
- 5:40Speaker 2: It feels a lot grittier.
- 5:42Speaker 1: It really feels like a working industrial strip that just
- 5:45Speaker 1: somehow learned to sell amazing beer.
- 5:48Speaker 2: Exactly. Because the anchor there is Monday Night Garage. Hmm.
- 5:53Speaker 2: And the draw is the barrel-aged and sour beers.
- 5:56Speaker 1: But why do they need a factory for that?
- 5:59Speaker 2: Because of the heavy equipment. They use these massive wooden
- 6:02Speaker 2: foders and open-top cool ships to age the beer.
- 6:06Speaker 1: Oh, wow. So it's a structural requirement.
- 6:08Speaker 2: Yeah. You cannot put that kind of weight in a
- 6:10Speaker 2: normal storefront. You need a reinforced factory floor.
- 6:12Speaker 1: That makes total sense.
- 6:13Speaker 2: Okay.
- 6:14Speaker 1: So what about the third one? The works on the
- 6:17Speaker 1: Upper West Side. Right.
- 6:19Speaker 2: Chattahoochee Food Works. Now, a lot of people go there
- 6:22Speaker 2: because Andrew Zimmern put his name on it.
- 6:24Speaker 1: Yeah, his name is everywhere on that project.
- 6:27Speaker 2: But I am explicitly dismissing that.
- 6:29Speaker 1: Wait, really?
- 6:29Speaker 2: Yeah, his involvement is just a credit line on a
- 6:31Speaker 2: press release. It is not the reason you actually go.
- 6:34Speaker 1: Then what is the reason?
- 6:36Speaker 2: The square footage. You go for the massive indoor space and, crucially,
- 6:40Speaker 2: the giant outdoor lawn.
- 6:42Speaker 1: Right, so if you have kids who need to run
- 6:44Speaker 1: around or you just want to sit on a lawn
- 6:46Speaker 1: with a drink... That's your spot.
- 6:48Speaker 2: Exactly. Okay.
- 6:49Speaker 1: I am forcing your hand right now. I am giving
- 6:51Speaker 1: you an ultimatum. For a first-time visitor, which one do
- 6:54Speaker 1: they pick?
- 6:55Speaker 2: Just one.
- 6:55Speaker 1: Just one haul.
- 6:56Speaker 2: Okay. The answer is you pick the one that fits
- 6:58Speaker 2: your geography for the day.
- 7:00Speaker 1: But what if someone says, oh, I'm just going to
- 7:02Speaker 1: hit all three in one weekend?
- 7:03Speaker 2: Then they've completely failed a piece.
- 7:05Speaker 1: Right.
- 7:06Speaker 2: Trying to do three hauls isn't a meal plan. Yeah.
- 7:09Speaker 2: It is just exhausting content generation. You'll just be tired
- 7:13Speaker 2: of looking at exposed brick.
- 7:14Speaker 1: Yeah, it becomes a chore instead of a vacation. So
- 7:18Speaker 1: let's say you've survived a busy afternoon at a Westside Hall.
- 7:21Speaker 1: Where do you go to close out the day?
- 7:23Speaker 2: You do not go to another hall.
- 7:25Speaker 1: Definitely not. You head over to Bold Monk Brewing.
- 7:29Speaker 2: Yes. Which is such a fascinating spot.
- 7:32Speaker 1: It really is. It's this incredible... Belgian beer flight experience.
- 7:37Speaker 1: But it's in a city that absolutely does not owe
- 7:39Speaker 1: Belgium anything.
- 7:40Speaker 2: No, not at all. But it's anchored inside this stark
- 7:43Speaker 2: industrial shell.
- 7:44Speaker 1: Yeah. And the vibe is just it's elevated. You've got
- 7:47Speaker 1: these doubles and trapelles. But why go there for dinner?
- 7:50Speaker 2: Well, the truth is the beer is the actual reason
- 7:53Speaker 2: to go. Right. The kitchen, the muscles, the pizza, the frights.
- 7:57Speaker 2: That is just the mechanism that keeps you in your
- 7:59Speaker 2: seat for a second round.
- 8:00Speaker 1: So you don't go just for the food. You go
- 8:02Speaker 1: for the whole execution.
- 8:03Speaker 2: Exactly. And you pair it geographically with the works. You
- 8:06Speaker 2: don't treat Bold Monk as some third vendor sweep. You
- 8:09Speaker 2: sit down, you enjoy the flight, and you drink it there.
- 8:12Speaker 1: Do not drive it home.
- 8:13Speaker 2: Exactly. Which brings us to the biggest takeaway of the
- 8:15Speaker 2: whole episode. The whole conversation, really.
- 8:19Speaker 1: Yes. Geography over a scavenger hunt.
- 8:21Speaker 2: Atlanta is a massive driving city with exactly one good
- 8:25Speaker 2: walking spine.
- 8:27Speaker 1: The Beltline.
- 8:28Speaker 2: Right. So you have to build your day around where
- 8:30Speaker 2: the car already is. Let's outline some actual itineraries.
- 8:33Speaker 1: Let's do it. Start with an east side day.
- 8:35Speaker 2: Okay, so you spend your morning at the Atlanta History Center.
- 8:37Speaker 1: Perfect.
- 8:38Speaker 2: Then you hit Ponce for lunch, see the Sears building,
- 8:41Speaker 2: walk the Beltline, maybe, if you're up for it, Fat
- 8:45Speaker 2: Matt's for dinner.
- 8:46Speaker 1: That's a great day. Clean geography. What about the west side?
- 8:50Speaker 2: For a west side day, you spend the afternoon at
- 8:52Speaker 2: Lee Plus White for the barrel-aged beers, or you hang
- 8:55Speaker 2: out on the lawn at the Works.
- 8:57Speaker 1: And then you finish up with a sit-down meal at
- 8:59Speaker 1: Bold Monk.
- 8:59Speaker 2: Exactly.
- 9:00Speaker 1: But I need to jump in with a massive warning
- 9:02Speaker 1: right now.
- 9:03Speaker 2: Do it.
- 9:04Speaker 1: Do not decide to add ponds on your way home
- 9:06Speaker 1: from the west side just because you want to see it.
- 9:08Speaker 2: Oh, terrible idea.
- 9:10Speaker 1: You will hate the car, you will be stuck on
- 9:12Speaker 1: the connector at rush hour, and you will regret every
- 9:15Speaker 1: choice you've made.
- 9:16Speaker 2: You really will. Geography dictates everything, just like a Grant
- 9:19Speaker 2: Park day.
- 9:20Speaker 1: Right. If you are doing the Carter Library or Oakland Cemetery.
- 9:24Speaker 2: Yes. You do those historical spots and then you just
- 9:26Speaker 2: go straight to Das BBQ on Memorial. You sit on
- 9:29Speaker 2: the patio.
- 9:30Speaker 1: It's so much less stressful when you plan it that way.
- 9:33Speaker 1: And just to connect the universe a bit, if you've
- 9:35Speaker 1: listened to our other Red Solo Traveler deep dives.
- 9:38Speaker 2: Or, you know, our other location guides. Right.
- 9:41Speaker 1: If you're going to a baseball game, let the truest
- 9:43Speaker 1: and battery ecosystem feed you.
- 9:45Speaker 2: Oh, absolutely. Do not leave a Braves game in the
- 9:48Speaker 2: seventh inning to go try and Find a food hall.
- 9:51Speaker 2: The battery is built to feed you on game night.
- 9:53Speaker 1: Exactly. And what about the Savoy Automobile Museum?
- 9:57Speaker 2: Look, Savoy is an amazing stop, but it's only a
- 10:00Speaker 2: food stop if your car is already driving on I-75.
- 10:03Speaker 2: Do not detour from downtown Atlanta just for that.
- 10:06Speaker 1: Keep the car where the car belongs. Okay, before we wrap,
- 10:10Speaker 1: we really need to emphasize what you should absolutely not
- 10:12Speaker 1: do as a plan.
- 10:13Speaker 2: Yeah, we have to talk about the bad structures.
- 10:15Speaker 1: Because honestly, that's the most useful part for anyone about
- 10:18Speaker 1: to land at ATL. What is a bad structure?
- 10:21Speaker 2: A bad structure is doing three food hauls in a weekend.
- 10:24Speaker 2: A bad structure is trying to eat two barbecues in
- 10:26Speaker 2: one day.
- 10:27Speaker 1: Palate fatigue.
- 10:28Speaker 2: And please, whatever you do, do not sign up for
- 10:31Speaker 2: a packaged food tour.
- 10:32Speaker 1: Oh my goodness, yes. No lanyards. Do not pay for
- 10:36Speaker 1: a guide to walk backwards and talk at you while
- 10:38Speaker 1: you're trying to chew.
- 10:40Speaker 2: It's just not necessary. The original subtitle of these travel
- 10:43Speaker 2: guides always promises honesty. And that's the honesty you need.
- 10:47Speaker 2: You don't need a tour guide, you just need a map.
- 10:50Speaker 1: So to summarize the golden rule of this entire article,
- 10:53Speaker 1: one reused hall and one sit-down meal, that is a
- 10:56Speaker 1: proper food day.
- 10:58Speaker 2: Anything more is a trap.
- 10:59Speaker 1: Right. Forcing two halls and two barbecues into a weekend
- 11:03Speaker 1: is exactly how you end up remembering none of them.
- 11:05Speaker 2: Absolutely.
- 11:06Speaker 1: Oh, and a quick call to action for you guys listening.
- 11:08Speaker 1: Make sure you check the written guide for the actual
- 11:10Speaker 1: street addresses.
- 11:11Speaker 2: Yeah, don't rely on us for the stall names.
- 11:14Speaker 1: No, because they rot. They turn over. The addresses in
- 11:17Speaker 1: the brick buildings stay the same.
- 11:19Speaker 2: Which really leaves us with something pretty profound to think about. Well,
- 11:22Speaker 2: when a city repurposes its industrial past, these old catalog plants,
- 11:27Speaker 2: these empty West End factory strips into these massive dining spaces,
- 11:32Speaker 2: you aren't just consuming food anymore.
- 11:34Speaker 1: Wow, that's true.
- 11:35Speaker 2: You're actually consuming the city's history. That makes you wonder,
- 11:39Speaker 2: as you're sitting there eating, does the architecture ultimately become
- 11:42Speaker 2: the most memorable dish you were served.
- 11:44Speaker 1: That is a phenomenal way to look at it. You're
- 11:46Speaker 1: eating the geography.
- 11:47Speaker 2: Exactly. So stick to the geography, respect the older rooms,
- 11:50Speaker 2: and whatever you do, don't fight the traffic.