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Classic Interview: Vic Mensa/ Chris Rock/ 50 Cent · The Breakfast Club

• 0:00
  Speaker 1: Good Morning, show you anywhere else the world's stagers want
• 0:09
  Speaker 1: to show the cameras. I agree Lit City with Dry
• 0:18
  Speaker 1: the captain of this the only one who can keep
• 0:21
  Speaker 1: these guys in chat. Soloman, the god is the breakfast
• 0:32
  Speaker 1: Wake up, wake up, wake up, your time to get
• 0:36
  Speaker 1: it off your chest with your man or blame. We
• 0:39
  Speaker 1: want to hear from you on the breakfast block. Hello,
• 0:42
  Speaker 1: who's this? And this is Chandling from Ohio. How you
• 0:44
  Speaker 1: guys going this morning? What's up? Chant Let's get it
• 0:46
  Speaker 1: off your chests? And Solomon, I'm gonna need you guys
• 0:51
  Speaker 1: to do Mitchy a favor and get her a copy
• 0:54
  Speaker 1: of The Lion King. How have you not seen The
• 0:57
  Speaker 1: Lion King all your life? Like? I probably gize, but
• 1:00
  Speaker 1: I'm like, what did your parents that you didn't go
• 1:02
  Speaker 1: to Disney? Ain't having to right? Yeah, it's pretty bad.
• 1:05
  Speaker 1: I don't. I'm gonna be honest, I don't even think
• 1:07
  Speaker 1: my parents have seen The Lion King. It's a great movie.
• 1:10
  Speaker 1: So what I'm gonna need you guys to do for
• 1:11
  Speaker 1: her copies for Christmas? And you watch with your parents
• 1:16
  Speaker 1: Lion King because you have to see the Lion King.
• 1:18
  Speaker 1: You have to see it like. It's actually like the
• 1:21
  Speaker 1: story of black people in America if you really pay
• 1:23
  Speaker 1: attention to but you can go see the play. You
• 1:25
  Speaker 1: can play. You can see the play you think to
• 1:27
  Speaker 1: play to play movie first? Yes, stick to the cartoons.
• 1:31
  Speaker 1: Don't still be confused. Part two the Lion King part too.
• 1:36
  Speaker 1: But it don't matter. You don't need that. We need
• 1:38
  Speaker 1: to get it for it please, I don't know. Did
• 1:40
  Speaker 1: you see part Did you see part two? Oh? Trash?
• 1:43
  Speaker 1: The Lion King Part two is like Belly part two.
• 1:47
  Speaker 1: I've seen Paul one and then I've seen the play.
• 1:48
  Speaker 1: I took the kids to see the play. Hello, who's this? Yo? Yo?
• 1:51
  Speaker 1: This is low Yo. I need your help, Yo boy?
• 1:54
  Speaker 1: What happened? Sound like you was listen listen. Two weeks ago,
• 1:56
  Speaker 1: I would shoot at some videos on Farday name. I
• 1:59
  Speaker 1: came back out to y'all because it was like three
• 2:00
  Speaker 1: in the morning. I ended up fall asleep at the light.
• 2:03
  Speaker 1: I woke up to somebody banging on my window. Who there?
• 2:05
  Speaker 1: I was like, Oh, don't you trump? You drunk? Tell
• 2:07
  Speaker 1: I'm like, yo, bro, I'm not drunk. I'm literally tired.
• 2:09
  Speaker 1: Homie called the cops on me, waiting to put the
• 2:11
  Speaker 1: cops to get there. Cops pulled up home. We stole
• 2:14
  Speaker 1: on me and was holding the door so I couldn't
• 2:16
  Speaker 1: get until the cop came out. Like I need you listen.
• 2:18
  Speaker 1: I need y'all to put it out there. Whoever to
• 2:20
  Speaker 1: do this? I don't know. He's from Yonka Temne meet
• 2:22
  Speaker 1: me by Getty Square at three o'clock today. We just
• 2:25
  Speaker 1: he's not gonna meet you. And I'm to be drunk
• 2:26
  Speaker 1: right now, so he's definitely not gonna meet you there. Damn.
• 2:29
  Speaker 1: I'm told every time I'm sim I'm gonna shim. Man.
• 2:33
  Speaker 1: Isn't it crying to be trying to sleep in your car?
• 2:36
  Speaker 1: Thank you, bro? I think it is a crowd to
• 2:37
  Speaker 1: be drunk in your car. I don't know. I'm just asking.
• 2:38
  Speaker 1: I think, so, Hello, who's this? It's his tailor from
• 2:42
  Speaker 1: Georgie Helly tailor. Get it off your chance, mama. Um.
• 2:45
  Speaker 1: I just pulling in to tell anybody who's going through
• 2:49
  Speaker 1: something right now, because I'm going through a lot just
• 2:51
  Speaker 1: hanging in there. Everything's gonna be okay when you wake
• 2:55
  Speaker 1: up every morning saying God for another day. Time get tough,
• 2:59
  Speaker 1: but hey, in Therese's gonna be right. No, right though.
• 3:02
  Speaker 1: I tell people that all the time. Trouble don't last always.
• 3:05
  Speaker 1: I love your positive attitude absolutely all right. You know
• 3:08
  Speaker 1: what it's I've been depressed, but finally I woke up
• 3:11
  Speaker 1: and I'm like, you know what, I just keep doing
• 3:13
  Speaker 1: the right thing, and the right things are gonna come
• 3:16
  Speaker 1: to me. And that is the fact. And the best
• 3:18
  Speaker 1: thing to think is that the world's gonna keep turning,
• 3:20
  Speaker 1: whether you're angry or depressed or not exactly. And you, guys,
• 3:24
  Speaker 1: I listen to you guys every morning on my way
• 3:26
  Speaker 1: to work. You guys pump me up every morning. I
• 3:28
  Speaker 1: love you, guys. I'm shaking because I'm talking to you. Well.
• 3:33
  Speaker 1: We love you too. We love those great inspiration of
• 3:36
  Speaker 1: words you gave us this morning. I have a great morning.
• 3:38
  Speaker 1: Get it off your chest, ain't don't you five eight
• 3:40
  Speaker 1: five one oh five one. If you're upset, you need
• 3:42
  Speaker 1: to vent hit us up now. It was the breakfast Club.
• 3:44
  Speaker 1: God morning, the breakfast club. Wake up, wake up, wake y'all.
• 3:52
  Speaker 1: If you're time to get it off your chest, whether
• 3:56
  Speaker 1: your man or blak, we want to hear from you
• 3:57
  Speaker 1: on the breakfast Club. Hello. Who's that yo? This is
• 4:01
  Speaker 1: Marcus Man. I everybody doing n cat writing markets. I
• 4:06
  Speaker 1: anyway that a boomerang. I just I'm mad at myself
• 4:13
  Speaker 1: because I was planning on get know. I'm saying, possibly
• 4:16
  Speaker 1: for out a new car this weekend, and I was like,
• 4:17
  Speaker 1: you know what, I know my credit as the best,
• 4:20
  Speaker 1: but let me check it out. That way, I could
• 4:21
  Speaker 1: possibly have a strapped report this weekend. So I go
• 4:24
  Speaker 1: and check it out, and my credit is shot being shot.
• 4:28
  Speaker 1: What's your credit shot shot? I'll tell it. Tell us
• 4:30
  Speaker 1: what it is. I'm talking about like a old photog.
• 4:34
  Speaker 1: So basically you two points hid and jay Z's four
• 4:37
  Speaker 1: four four album, which is ironic because he told y'all
• 4:40
  Speaker 1: to get your credit up on four four four exactly.
• 4:43
  Speaker 1: What's what's on your report that's so bad? It's the
• 4:47
  Speaker 1: student loan student loans, and I'm pretty proble with my
• 4:49
  Speaker 1: money in terms of like not having uh paying sending
• 4:54
  Speaker 1: bills and stuff like that. No, not even that. It's
• 4:56
  Speaker 1: just more so I'm just trying to like I grew
• 4:58
  Speaker 1: up port so I don't want to spend my money
• 5:00
  Speaker 1: if I don't necessarily happen to tell you exactly. But
• 5:04
  Speaker 1: I'm at the age now twenty five, so I'm at
• 5:06
  Speaker 1: the age now where things are becoming more important, like
• 5:08
  Speaker 1: buying a car behind the house and set myself up
• 5:10
  Speaker 1: that way, so you buy no house with that type
• 5:13
  Speaker 1: of credit score. You gotta nah. I gotta get it.
• 5:16
  Speaker 1: I gotta get it together. So that's this is all about.
• 5:18
  Speaker 1: I'm blessed. I'm blessed as well. I'm in a position
• 5:20
  Speaker 1: down to where I have a good job to where
• 5:21
  Speaker 1: I can get myself order. You gotta stat it. You
• 5:23
  Speaker 1: gotta look at it like your credits call right now
• 5:25
  Speaker 1: has a curable STD all right, it's not her piece.
• 5:27
  Speaker 1: It's not HIV, meaning that you know it's no cure
• 5:30
  Speaker 1: for it. You can cure this, sir, is simple ORCLA
• 5:33
  Speaker 1: media right here, this is this is done. You can
• 5:36
  Speaker 1: get it done. You can. You can clean this one up.
• 5:37
  Speaker 1: So it's the bright side. Damn thing. Brother, That's what
• 5:40
  Speaker 1: I'm talking about. Right now. Let's get it. And if
• 5:42
  Speaker 1: you need help, I got a person for you. She
• 5:43
  Speaker 1: works very very well. Okay. Genie Kelly is her name.
• 5:47
  Speaker 1: She will help you out. Believe me. Google is your friend.
• 5:50
  Speaker 1: Sir Gene Kelly, how you spell Jennie g e? Ah'm sorry?
• 5:54
  Speaker 1: J E Kelly k E l L. I go get
• 5:58
  Speaker 1: that chlamdia. You call a credit called cure. That's what
• 6:00
  Speaker 1: I'm talking about. Try to be like you when I
• 6:01
  Speaker 1: grow up. Let's do it, yes, sir? All right, bro,
• 6:03
  Speaker 1: come on and ge was up in a while. You
• 6:08
  Speaker 1: ain't been consistent, man. You ain't a consistent sucker like
• 6:10
  Speaker 1: you used to be. Oh man, I've been working real
• 6:13
  Speaker 1: hard man, But I'm calling the day because I feel black.
• 6:16
  Speaker 1: Oh yeah, an done lately. Baby. I don't know what
• 6:20
  Speaker 1: it is doing, but I feel so blessed because I'm
• 6:24
  Speaker 1: the time I said pictures d ain't n't be a
• 6:26
  Speaker 1: solemn man. I just feel blessed morning. I still have
• 6:29
  Speaker 1: a great hairline because hey, hey, you know what, it's
• 6:36
  Speaker 1: the first time you ever caught up here and you're
• 6:37
  Speaker 1: absolutely correct with you know what. He didn't hand you before.
• 6:39
  Speaker 1: You gotta do something. He needs a new material, but
• 6:42
  Speaker 1: he's absolutely correct with this with sir, you win and
• 6:44
  Speaker 1: I win this morning. I do have head. I don't
• 6:46
  Speaker 1: have no here. I keep a bal d on purpose
• 6:48
  Speaker 1: because when I when I don't have a bal d,
• 6:50
  Speaker 1: I look like robo cop when he takes his mask off,
• 6:52
  Speaker 1: get it off his chest. Eight hundred five, ain't five
• 6:54
  Speaker 1: one oh five one. If you're upset or you need
• 6:57
  Speaker 1: to Vince, call us right now, or maybe you feel
• 6:59
  Speaker 1: blessed phone lines. I'd open this to Breakfast Club. Good Morning,
• 7:02
  Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy Angela Yee,
• 7:09
  Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got
• 7:11
  Speaker 1: a special guest in the building. He's signed to rock Nation.
• 7:14
  Speaker 1: Jay Z is the EP of this album. He's from Chicago.
• 7:18
  Speaker 1: Ladies and gentlemen, vic mensa, vic mensa, you know what's
• 7:21
  Speaker 1: going on to the show. Thank you for the album.
• 7:25
  Speaker 1: Thank you. I cannot lie Vick. You have not letting
• 7:27
  Speaker 1: me down yet. Man. I listened to autobiography this morning,
• 7:31
  Speaker 1: very dope album. Thank you, like really really really good.
• 7:34
  Speaker 1: Thank you many. Jay Z called you a once in
• 7:37
  Speaker 1: a lifetime artist. That's a lot of pressure. So how
• 7:39
  Speaker 1: did you how did you take that? Well? You know,
• 7:41
  Speaker 1: I've been studying Hove same way I've been studying Nas
• 7:45
  Speaker 1: and studying Kanye far before I ever met these people.
• 7:49
  Speaker 1: So uh, to have that that support and that validation
• 7:53
  Speaker 1: from from Hove is like, is really inspiring to me.
• 7:58
  Speaker 1: But it doesn't feel so much like Prussia, because that's
• 8:02
  Speaker 1: the cloth of music that I was always intending to
• 8:06
  Speaker 1: be a part of. You can tell. So how did
• 8:07
  Speaker 1: you get so close to jay Z? Why did he
• 8:09
  Speaker 1: epe this project? Hope has just been somebody that has
• 8:14
  Speaker 1: helped me to grow as a man. And that's one
• 8:18
  Speaker 1: of those relationships where I feel like I knew him
• 8:22
  Speaker 1: before I met him, just because I've been so in
• 8:25
  Speaker 1: depth with the music. And that's that's what That's what
• 8:28
  Speaker 1: RAP is. I feel as at its best, it's like
• 8:31
  Speaker 1: you may really know a person. Even though Pock and
• 8:34
  Speaker 1: Biggie past, I feel as if in a certain way,
• 8:38
  Speaker 1: in a certain sense, I know those men. And that's
• 8:41
  Speaker 1: the same way that I knew Hope before meeting him.
• 8:44
  Speaker 1: And he's really that person that he is on record,
• 8:47
  Speaker 1: And I know I learned a lot from him growing
• 8:50
  Speaker 1: up just about the world. You know, I didn't I
• 8:53
  Speaker 1: didn't know that you were six years old in first
• 8:56
  Speaker 1: grade until he said he got most six is the
• 8:58
  Speaker 1: first grade? Right? You know? That never occurred to me,
• 9:02
  Speaker 1: So then, uh, you know, working with him, he's in
• 9:07
  Speaker 1: parting this wisdom on me just man man, and not
• 9:12
  Speaker 1: just through lyrics. It's the same way as learning things
• 9:15
  Speaker 1: from him musically, he told you to pull the bar
• 9:17
  Speaker 1: right because he said you you just some wrap on
• 9:20
  Speaker 1: erg which is very tough to very woutang instrumental, ask
• 9:24
  Speaker 1: you man, and he told you to pull the bar. Yeah.
• 9:26
  Speaker 1: He just told me that what you're doing won't won't
• 9:30
  Speaker 1: work out in your favor if you know that, if
• 9:33
  Speaker 1: you know in your heart it's not right. The universe
• 9:35
  Speaker 1: only works one way. And I didn't want to change
• 9:37
  Speaker 1: my lyric. You know, I don't think that I've ever
• 9:41
  Speaker 1: changed a lyric that anybody told me to change. I'm
• 9:45
  Speaker 1: pretty stubborn in that way, just because I think about
• 9:48
  Speaker 1: the things I say, and I don't say them unless
• 9:51
  Speaker 1: I mean him. And once he put that game in
• 9:55
  Speaker 1: my ear, though, it kind of made me start thinking
• 9:59
  Speaker 1: and and gave me perspective to anything that I was
• 10:04
  Speaker 1: doing that could bring down another young black man, regardless
• 10:09
  Speaker 1: of music, whether I like the music or um I
• 10:14
  Speaker 1: agree with it. Culturally, at the end of the day,
• 10:17
  Speaker 1: there's so many people that want to keep people like
• 10:21
  Speaker 1: us out of the room, and they don't They don't
• 10:24
  Speaker 1: want us to have a platform, they don't want us
• 10:26
  Speaker 1: to have a road to success, they don't want us
• 10:30
  Speaker 1: to be getting money and I don't want to be
• 10:34
  Speaker 1: one of those people holding back or you know, restricting
• 10:38
  Speaker 1: another young black man's access to his dreams, because why
• 10:44
  Speaker 1: would I. You know, you didn't like his music, but
• 10:47
  Speaker 1: you had no personal issue. Yeah, I had no personal issue,
• 10:51
  Speaker 1: and and I had to I had to come to
• 10:55
  Speaker 1: a place where I could really just be putting strictly
• 10:58
  Speaker 1: positive energy into the world, regardless of what I think
• 11:01
  Speaker 1: about the music, because I could be a hater about music.
• 11:05
  Speaker 1: I always wondered why yaddi though, because I'm like, why
• 11:07
  Speaker 1: is Big even throwing a shot at it just rhymes
• 11:10
  Speaker 1: with the little Minati? I don't even And it was,
• 11:15
  Speaker 1: you know, and that made me think about it. I
• 11:16
  Speaker 1: was like, this is not right. You know, it just
• 11:18
  Speaker 1: rhymes with the Littleminatti. That's the only reason I wrote
• 11:20
  Speaker 1: the line. You know. So when Jay, when Jay told
• 11:23
  Speaker 1: you to take the line about YadA YadA yad, did
• 11:25
  Speaker 1: you say, Hey, you wrote takeover, you wrote super Ugle Jay.
• 11:29
  Speaker 1: But there was a personal problem. No, I just didn't.
• 11:33
  Speaker 1: I just didn't do it. You know. I tried, and
• 11:35
  Speaker 1: I thought about it, and I was like, I tried
• 11:37
  Speaker 1: to think of something that I could replace it with.
• 11:40
  Speaker 1: And I wasn't into it. So I hit him up
• 11:42
  Speaker 1: and I'm like, uh, you know, thank you, man, but um,
• 11:46
  Speaker 1: I'm gonna stick with this line. And then he gave
• 11:50
  Speaker 1: me just that that that piece of information that made
• 11:54
  Speaker 1: me think and and Coach K is my man. You know,
• 11:57
  Speaker 1: I go back with Coach K. Coach K is somebody
• 11:59
  Speaker 1: that showed me love early. It didn't really occur to me.
• 12:03
  Speaker 1: I think that it's easy to get maybe disillusioned in
• 12:10
  Speaker 1: your own bubble and like bouncing your ideas off of
• 12:14
  Speaker 1: people that are in your circle and kind of agree
• 12:16
  Speaker 1: with you, and forget the way that other people may
• 12:21
  Speaker 1: be impacted by your actions. And so when I spoke
• 12:23
  Speaker 1: to Coach K, and I'm like, man, you know, um,
• 12:27
  Speaker 1: I don't. I don't want to be holding Coach K
• 12:31
  Speaker 1: back or trying to try to take food off his play.
• 12:33
  Speaker 1: That's my man. And I also don't want to be
• 12:35
  Speaker 1: the guy trying to take food off another young brother's play.
• 12:39
  Speaker 1: You know one story that you told that was very vivid,
• 12:41
  Speaker 1: and it kind of reminds me of a story to
• 12:44
  Speaker 1: tell by Baggie. You had your own story to tell,
• 12:46
  Speaker 1: and that was Homewrecker. Oh that was interesting. I was
• 12:49
  Speaker 1: I was definitely inspired by a story to tell it
• 12:51
  Speaker 1: kind of it was that vibe, even though it was
• 12:53
  Speaker 1: a whole different story. But basically, you know, I was
• 12:55
  Speaker 1: going to bring this up. Um, you were cheating, I guess,
• 12:58
  Speaker 1: on your girl and then your girl came to the
• 13:00
  Speaker 1: door and you opened the door and let her in,
• 13:03
  Speaker 1: and then all help broke loose. Yeah, it was. It
• 13:06
  Speaker 1: was a situation that went down in a major way.
• 13:10
  Speaker 1: And honestly, I was. I was coming from like a
• 13:15
  Speaker 1: oftentimes coming from a pretty hurt place myself, and I
• 13:20
  Speaker 1: was hurting people around me. People hurt people. Yeah, hurt people,
• 13:24
  Speaker 1: hurt people, and that's something that created a lot of
• 13:29
  Speaker 1: a lot of static, a lot of drama in my life,
• 13:32
  Speaker 1: and a lot of guilt. Also. I really depict the
• 13:35
  Speaker 1: situation on the album cover, which you see me like
• 13:38
  Speaker 1: in the middle of a trashed apartment with it out
• 13:42
  Speaker 1: the wall, stove came out, the wall papers to design
• 13:48
  Speaker 1: I was. I was, I was, but um, you know,
• 13:51
  Speaker 1: if you kind of look a little bit closer, like
• 13:53
  Speaker 1: the you know, the kitchen table is flipped in there
• 13:56
  Speaker 1: and there's like broken glass on the ground, and I
• 13:59
  Speaker 1: wanted to make it clear that all these papers on
• 14:03
  Speaker 1: the side and everything that I was crumpling up and writing.
• 14:06
  Speaker 1: It was kind of like I was I was sitting
• 14:08
  Speaker 1: in the middle of this chaos and writing about it.
• 14:11
  Speaker 1: Because even when the situation happened with Homewrecker, she saw
• 14:15
  Speaker 1: the moment at which I realized that I didn't have
• 14:19
  Speaker 1: to get on this flight. That was that I had
• 14:22
  Speaker 1: schedule because I was supposed to go to New York
• 14:24
  Speaker 1: and do like some TV show with Asap Rocky or something,
• 14:27
  Speaker 1: and I didn't really want to do it, and I
• 14:29
  Speaker 1: didn't have to get on this flight, and I was
• 14:31
  Speaker 1: so excited, kind of like to write a song about
• 14:33
  Speaker 1: what was going on. So it's a moment in time
• 14:35
  Speaker 1: when she just pulled the stove out the wall and
• 14:37
  Speaker 1: then I'm like, I'm like, oh no, And then I'm
• 14:40
  Speaker 1: like I'm like catching a breathe and I'm like it's
• 14:43
  Speaker 1: gonna be a good ass. Soong h. We got more
• 14:47
  Speaker 1: with Vic Mintso when we come back this the breakfast Club,
• 14:49
  Speaker 1: Good morning, the Breakfast Club wanting everybody is DJ Envy,
• 14:56
  Speaker 1: Angela Yee, Charlemagne and Guy. We all the Breakfast Club.
• 14:59
  Speaker 1: We had Vic Mensa in the building out Vic Mentus
• 15:02
  Speaker 1: and to rock Nation. He's from Chicago. He has a
• 15:05
  Speaker 1: new project out that's dope. That's Charlemagne. You really use
• 15:08
  Speaker 1: your music for activism, man, and that's that's dope. That's
• 15:10
  Speaker 1: not a popular thing to do. But but but why
• 15:13
  Speaker 1: do you choose to do that? I guess I kind
• 15:15
  Speaker 1: of know now because you said you felt like you
• 15:17
  Speaker 1: weren't doing what you were supposed to do with the music.
• 15:19
  Speaker 1: I feel like that we're down a path of self destruction,
• 15:24
  Speaker 1: like as a culture very often because we're not as
• 15:29
  Speaker 1: people having knowledge yourself. I remember when when I've read
• 15:33
  Speaker 1: something the most Death said that hip hop is gonna
• 15:37
  Speaker 1: reflect where we are as a people. And when you
• 15:41
  Speaker 1: look at some of the some of the trends and
• 15:44
  Speaker 1: hip hop and it just being kind of empty, and
• 15:48
  Speaker 1: you know, there's a lot of self medication going on
• 15:50
  Speaker 1: and we're not getting to the bottom of it. It's
• 15:52
  Speaker 1: it's just reflecting where we are as a people because
• 15:55
  Speaker 1: we've kind of in certain ways lost like sense of
• 15:59
  Speaker 1: purpose and knowledge of self, Like knowing who you are
• 16:03
  Speaker 1: is is so important to knowing where you want to
• 16:07
  Speaker 1: go and where you can go. That's what my whole
• 16:09
  Speaker 1: book is about. Knowledge. You don't want to drag DJ
• 16:13
  Speaker 1: academics around Chicago anymore. I don't want to drag DJ
• 16:16
  Speaker 1: academics around Chicago. I think that what he's kind of
• 16:23
  Speaker 1: come to prominence for is phony, and I think he's
• 16:27
  Speaker 1: a phony and he's not even a DJ. But but
• 16:33
  Speaker 1: it's not really you know, it's not my mission. It's
• 16:37
  Speaker 1: not my mission to like, you know, to destroy DJ academics. Um.
• 16:42
  Speaker 1: I don't really think he has a place in the
• 16:45
  Speaker 1: culture past being a parasite. But I'm not like waking
• 16:49
  Speaker 1: up thinking about him. I don't really give about him,
• 16:52
  Speaker 1: you know. I want I want to salute you to man,
• 16:53
  Speaker 1: because a lot of things you do in the community
• 16:56
  Speaker 1: you don't promote. Like when everything was going on with
• 16:58
  Speaker 1: the Dakota Access pipe, you was out there. I never
• 17:01
  Speaker 1: saw you post about it. I never said, so you
• 17:03
  Speaker 1: seen anything about it? But I had people on the
• 17:05
  Speaker 1: ground they were like, yo, vic mentis out here, and
• 17:06
  Speaker 1: I'm like, really, I often feel as if I have
• 17:09
  Speaker 1: like a responsibility to in whatever ways I can lend
• 17:14
  Speaker 1: a hand to the struggle of oppressed people, and the
• 17:18
  Speaker 1: Native American people are the most oppressed group in America
• 17:23
  Speaker 1: and frankly one of the most oppressed groups in the world.
• 17:27
  Speaker 1: And when I got down there at a Standard Rock,
• 17:29
  Speaker 1: I'm seeing so many parallels between the Black American experience
• 17:33
  Speaker 1: and the Native American experience. And I'm seeing also so
• 17:36
  Speaker 1: many unified movements between our cultures and a lot of
• 17:43
  Speaker 1: the people that I met down there were mixed black
• 17:46
  Speaker 1: and Natives, and it never really occurred to me kind
• 17:50
  Speaker 1: of before that time how alike we were and how
• 17:53
  Speaker 1: alike our fight was. But I didn't go down there
• 17:57
  Speaker 1: or go to Flint, Michigan, to go to Baton Rouge
• 18:02
  Speaker 1: because I wanted people to know about it, you know,
• 18:06
  Speaker 1: because I was, I mean know about me. I wanted
• 18:09
  Speaker 1: people to know about the situations and to to give
• 18:13
  Speaker 1: visibility and like I said, Linda, hand in any way
• 18:16
  Speaker 1: that I can, But it would be disingenuine if I
• 18:21
  Speaker 1: was doing those things for like a photo op and
• 18:26
  Speaker 1: like a press release, you know what I mean. Right,
• 18:29
  Speaker 1: How do the cops treat you now in Chicago? I'm
• 18:31
  Speaker 1: sure everybody knows you, and I know you've had some situations.
• 18:35
  Speaker 1: You're in probation now, right, but um, how how do
• 18:39
  Speaker 1: you feel about the cops now? And how do they
• 18:40
  Speaker 1: teach you now that you're a celebrity in Chicago. Uh, well,
• 18:45
  Speaker 1: you know, cops don't treat me that great. It never did,
• 18:49
  Speaker 1: but um, the angry because you're speaking. Yeah, you know.
• 18:53
  Speaker 1: I was doing a lot of palos the last summer,
• 18:56
  Speaker 1: and I had a song called sixteen Shots and it
• 18:59
  Speaker 1: was like, you know, real very vocal about police brutality
• 19:03
  Speaker 1: and kind of like punching back and fighting back against it.
• 19:08
  Speaker 1: And there were cops that were at Lollapalooza that were
• 19:11
  Speaker 1: telling people like, don't go to vict mnsus set, boycott
• 19:15
  Speaker 1: vict minsis set. I've had issues trying to film videos
• 19:19
  Speaker 1: in the city and get permits in the city. But
• 19:25
  Speaker 1: the end of the day, I'm more so focused on
• 19:31
  Speaker 1: the system than I am focused on every individual police officer,
• 19:37
  Speaker 1: because I hate the system that allows these crooked cops
• 19:42
  Speaker 1: to kill us and nobody gets convicted. You can't tell me.
• 19:46
  Speaker 1: You can't tell me not one of these police officers
• 19:49
  Speaker 1: has committed a crime. You can't tell me not one
• 19:52
  Speaker 1: of these situations has been a homicide, a first degree homicide,
• 19:57
  Speaker 1: first degree murder. When you shoot a kid sick teen
• 20:00
  Speaker 1: times and we watch you unload the clip and come
• 20:04
  Speaker 1: over and kick him once it's all finished. That that's
• 20:08
  Speaker 1: not man slaughter, that's a homicide man. That's a murder man.
• 20:12
  Speaker 1: And and they're not being held accountable for what they're doing.
• 20:16
  Speaker 1: So that that's what I don't respect. It's like it's
• 20:19
  Speaker 1: a system of validation and the code of Blue and
• 20:22
  Speaker 1: the Wall of Blue or whatever they call it, where
• 20:24
  Speaker 1: they got to protect their own, you know, before before
• 20:29
  Speaker 1: viewing us as people. That's what I have a problem with.
• 20:32
  Speaker 1: This is my final question. Man, You and Chance gotta
• 20:34
  Speaker 1: get cool again. We've been talking. Man, y'all have to.
• 20:39
  Speaker 1: And if you have a brother, if you've ever had
• 20:42
  Speaker 1: a brother, you know, brothers fight, man like that happens,
• 20:45
  Speaker 1: and uh, you know, especially growing up and everybody is
• 20:50
  Speaker 1: there to watch it. You know, we came up together
• 20:53
  Speaker 1: from being fourteen years old and you know, recording some
• 20:56
  Speaker 1: of our first records and raps ever and ass rap
• 21:01
  Speaker 1: just uh, you know, navigating the city of Chicago and
• 21:05
  Speaker 1: and and coming into our own as men in a
• 21:10
  Speaker 1: in a in a major way, brothers like you not
• 21:12
  Speaker 1: posted next to each other. We ain't supposed to be
• 21:15
  Speaker 1: the city needed the city needed, the city need us
• 21:18
  Speaker 1: to be unified. And that's that's the place that I'm
• 21:21
  Speaker 1: at and black people need you are to be uniformed
• 21:25
  Speaker 1: can create change together. And I feel like social socially conscious,
• 21:31
  Speaker 1: like conscious rap or whatever it's like, has grown to
• 21:35
  Speaker 1: be something that's like a you know, a label that's
• 21:38
  Speaker 1: not always positive. But I think that that's something that
• 21:43
  Speaker 1: that we both kind of that we've both kind of owned,
• 21:46
  Speaker 1: both of us separately and specifically, have you know, just
• 21:50
  Speaker 1: been like, yeah, we're conscious, you know, like we're awake.
• 21:54
  Speaker 1: We're not sleep sleeping. I mean it cool, Yeah, we
• 21:58
  Speaker 1: really just sleeping. Man. It's like you you either woke
• 22:01
  Speaker 1: or you asleep, and I'm woke. He woke, So we
• 22:06
  Speaker 1: gotta be unified. We appreciate you. Man. Whenever you're mad
• 22:11
  Speaker 1: at any of these young rappers and you're like rapping
• 22:13
  Speaker 1: soul whack and if pop is sol whacking, these kids
• 22:16
  Speaker 1: don't know something. Turn on from vic mins. There you go.
• 22:20
  Speaker 1: Now that's right, it's the Bread Streets. Now. Thank you
• 22:23
  Speaker 1: for joining us, Thank you guys for having me. Breakfast Club.
• 22:25
  Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 22:29
  Speaker 1: the guy. We are the Breakfast Club. We got a
• 22:32
  Speaker 1: special guest in the building. I love when legends stopped
• 22:35
  Speaker 1: by Chris Rocks. Thank you, good morning, thank you, and
• 22:38
  Speaker 1: I missed the rock. Should I be interviewing you because
• 22:41
  Speaker 1: you're you're the You're the hot one right now. I'm
• 22:43
  Speaker 1: doing okay, now you're doing real. God is God is good.
• 22:46
  Speaker 1: God is good. Yeah, good, publishing is good. Words are good.
• 22:52
  Speaker 1: Sentences paragraph. The book is out in New York Times
• 22:55
  Speaker 1: Bestseller But tracking stuff like we'll all keeping track of
• 23:00
  Speaker 1: stuff like that Total Total Blackout tour right now, which
• 23:04
  Speaker 1: is a huge day before we get to that. Now,
• 23:06
  Speaker 1: Envy wasn't here last, Yes, and he was not here last.
• 23:10
  Speaker 1: I'm actually shocked that he stuck around the day he went,
• 23:12
  Speaker 1: he went to Africa. I had a slight rich people
• 23:15
  Speaker 1: problem with each other. Envy. Our kids played basketball, they
• 23:20
  Speaker 1: played against each other. Envy was the coach of his
• 23:23
  Speaker 1: old basketball team, so I commend him for that. Right.
• 23:27
  Speaker 1: So he had one of these these Elijah on Shot
• 23:30
  Speaker 1: kids that was you know, like this kid that had
• 23:33
  Speaker 1: like sixty points that they're killing us, they're killing us,
• 23:38
  Speaker 1: and it's like three minutes left in the game, and
• 23:41
  Speaker 1: normally compassionate individuals take the good kid out. Yeah, yeah, no,
• 23:46
  Speaker 1: he keeps the good kid in for no reason for
• 23:49
  Speaker 1: and that's not nice. So we played him the day before, right,
• 23:53
  Speaker 1: and the kids went up to Chris rocking as food autogram. No, no, no, no, no, no,
• 23:57
  Speaker 1: this was the day. Oh yeah, you tell that I'm
• 24:00
  Speaker 1: woring with the nod. It was after the game. You
• 24:03
  Speaker 1: don't turn the day before. After the game. No, I
• 24:06
  Speaker 1: did not give anybody no autographs. Turning the fact, I'll
• 24:09
  Speaker 1: turn it the fact. I was like, we're going to
• 24:11
  Speaker 1: get them the next one. No, no, you know we
• 24:13
  Speaker 1: blew them out. But that has nothing to do with
• 24:14
  Speaker 1: the young ladies on the team. That's poor sportsmanship. Oh no,
• 24:17
  Speaker 1: it was like, so you had met you wrong. It
• 24:20
  Speaker 1: was like, literally they beat us by forty Yeah. Now, Christ,
• 24:24
  Speaker 1: back on your behalf. You could have gave the little
• 24:26
  Speaker 1: girls an autograph. You know what. They deserved to feel
• 24:29
  Speaker 1: bad that day about something. It's a life lesson the
• 24:39
  Speaker 1: sense of the father I passed down to the sons
• 24:42
  Speaker 1: of the dark. No, he's pay that no reason. You
• 24:49
  Speaker 1: give me be a penny for no damn reason. It
• 24:52
  Speaker 1: was learning lesson. It was funny. Oh god, he getting
• 24:55
  Speaker 1: pulled over in that neighborhood that much anymore, not lately.
• 24:59
  Speaker 1: That's a stop taking pictures. Obviously I pulled. I ran
• 25:03
  Speaker 1: out of film. They don't even have a film anymore.
• 25:06
  Speaker 1: But I ran out of film. But they're hiring new cops.
• 25:08
  Speaker 1: Why they don't know who you are yet? I don't know, man.
• 25:10
  Speaker 1: And it's not like I changed cause anything. They just
• 25:13
  Speaker 1: they just like getting me. I mean one cop pulled
• 25:15
  Speaker 1: me over one time. He goes, do you live around here?
• 25:18
  Speaker 1: And I'm like, do you live around him? Because I
• 25:21
  Speaker 1: don't know, no cop could. Yeah. I get pulled over
• 25:25
  Speaker 1: over there all the time, getting the hair cut, like
• 25:26
  Speaker 1: all the time. They find the weirdest reasons. Know, if
• 25:30
  Speaker 1: there's an air fresh to hang in from your mirror
• 25:33
  Speaker 1: in a fing as you said, you call the cops
• 25:35
  Speaker 1: some people all the time, Well I do. If they
• 25:37
  Speaker 1: go to sell coke. Charlomagne had an incident with It
• 25:39
  Speaker 1: was a white guy in the neighborhood that asked him
• 25:41
  Speaker 1: if he sold coke? Really, where the hell you live
• 25:45
  Speaker 1: in a nice neighborhood. If guy looked like, what do
• 25:47
  Speaker 1: you allan? Yeah? Really? Yea? But equal I was like,
• 25:50
  Speaker 1: what is that? I don't even know what that. I
• 25:51
  Speaker 1: didn't know what it was told me cocaine so set
• 25:54
  Speaker 1: up trying to get you. Yeah, you wrote a good book.
• 25:57
  Speaker 1: That's why this is when they get you. You've been infiltrated.
• 26:03
  Speaker 1: One of these, one of these people right here, the FBI.
• 26:08
  Speaker 1: The I bet I know who it is. You've been infiltrated.
• 26:14
  Speaker 1: They flipped them. He's gonna give them notes tonight about you.
• 26:20
  Speaker 1: Is he working on another book? Is gonna be blanking
• 26:23
  Speaker 1: the title? It's time too now. It's been nine years
• 26:25
  Speaker 1: since your last to a lot of material, like a
• 26:28
  Speaker 1: crazy amount of material. Sometimes and things happen. Do you
• 26:31
  Speaker 1: say this is unfortunate, but this would be great for
• 26:33
  Speaker 1: my stand up? Yes, sometimes it happens. I mean, you know,
• 26:37
  Speaker 1: you don't want the world to explode. I don't want
• 26:39
  Speaker 1: Donald Trump to be president just to help out my act,
• 26:42
  Speaker 1: you know, but stuff happens. Lots of lots of crazy
• 26:46
  Speaker 1: stuff happened. I got the boss. You know a lot
• 26:48
  Speaker 1: of a lot of you know nonsense. How do you
• 26:51
  Speaker 1: know when it's time to go back out? Like I
• 26:52
  Speaker 1: needed some money? Man? You know what you just want
• 26:58
  Speaker 1: to I don't know what. People talk to you like
• 27:01
  Speaker 1: you ain't funny. That's what it's time to go back out.
• 27:04
  Speaker 1: Somebody give you that look. You're like, good, let me,
• 27:06
  Speaker 1: let me get out here. Is there anything off limit
• 27:08
  Speaker 1: that you will not touch? There's nothing off limits that
• 27:11
  Speaker 1: I will not touch. There's no I mean, if it's funny,
• 27:14
  Speaker 1: let's let's do it. Let's do it, you know, pus.
• 27:17
  Speaker 1: I was just getting a lot of encouragement Chappelle and
• 27:20
  Speaker 1: keV Hard. Everybody's like, come on, man, come on, man,
• 27:23
  Speaker 1: come on man. You know, so what do you mean
• 27:24
  Speaker 1: when you say people talk to you like you're not funny? Though?
• 27:26
  Speaker 1: But this why you got this book right now? Right?
• 27:29
  Speaker 1: And it's good, you know, I kind of just started it.
• 27:32
  Speaker 1: Don't you see the difference of people, the respect you're getting. Absolutely,
• 27:37
  Speaker 1: it's weird. Weird, Yeah, yeah, yeah, put some spect on
• 27:42
  Speaker 1: my All of a sudden, it's like it's like Charlotta
• 27:46
  Speaker 1: Magne smart and I'm like, yes, so what was I before? Right?
• 27:50
  Speaker 1: And now you're like, wait a minute, they were lying
• 27:52
  Speaker 1: the whole time. Interested you do tweet out at we're
• 27:57
  Speaker 1: not a lot. But I see you putting I hope
• 27:59
  Speaker 1: they laugh. And I was thinking that sarcasm, But now
• 28:01
  Speaker 1: I'm thinking that something really too, that like hope they
• 28:04
  Speaker 1: laughed for real, because sometimes people could fake it. You know.
• 28:07
  Speaker 1: Sometimes sometimes you have a comedy show and ain't even
• 28:10
  Speaker 1: a comedy show. It's like a pep rally. Yeah you
• 28:13
  Speaker 1: know what you think you had a comedy show? Oh yeah,
• 28:19
  Speaker 1: man recently? No, no, not recently, but I mean on
• 28:22
  Speaker 1: the come up, of course. Man, I'm plays guys. I
• 28:26
  Speaker 1: had to work with Martin Lawrence and Robin Harris and said,
• 28:31
  Speaker 1: you know what I mean, like you try to follow
• 28:33
  Speaker 1: said to entertainer in Oakland. You know, he got an
• 28:36
  Speaker 1: arm't suit on and everybody else got on purple suits
• 28:40
  Speaker 1: and you coming out and all your New York black
• 28:42
  Speaker 1: get out of here. I don't like no big hat yeah, Sunday,
• 28:47
  Speaker 1: I don't think people are fake laugh nowadays though, just
• 28:50
  Speaker 1: got booed. That's just but but recently the dab will
• 28:53
  Speaker 1: test you, Yeah, Dave will definitely tests. He wasn't telling
• 28:57
  Speaker 1: jokes though, Isn't that what happened? He just came out there.
• 28:59
  Speaker 1: He's on his new special. Yeah to eight minutes to
• 29:05
  Speaker 1: light a cigarette? You know. You know, Davin gets into that.
• 29:07
  Speaker 1: People were offended by his I thought, now I was laughing,
• 29:10
  Speaker 1: but sometimes at jokes I laugh, but then I feel like, man,
• 29:13
  Speaker 1: should I have laughed at that? Is that the greatest
• 29:15
  Speaker 1: rape joke of all time? You know? I think that
• 29:17
  Speaker 1: to myself. Chappelle's the best comedy in the world. To me,
• 29:20
  Speaker 1: you say that, but it's like y'all neck and neck.
• 29:22
  Speaker 1: That's kind of like jay Z and Nah saying who's
• 29:24
  Speaker 1: the better rapper, or like y'all right there with each other. Okay, okay,
• 29:28
  Speaker 1: if you say so, I mean for me, I don't.
• 29:31
  Speaker 1: I've never been real Chris Rock show, you know what
• 29:33
  Speaker 1: I mean? You special? Yeah, I've seen a special. You know.
• 29:38
  Speaker 1: You know. I like y'all for different reasons. Like Chappelle
• 29:41
  Speaker 1: is like a he's an observer, but you're like a
• 29:44
  Speaker 1: cultural observer. It's not even like you're telling jokes to me. Okay, okay,
• 29:49
  Speaker 1: when's your show? When's your show coming off? Well, y'all
• 29:52
  Speaker 1: do a show no never, no comedy, and then that's
• 29:57
  Speaker 1: the expectations. Maybe not a stand up comedy show, but like,
• 30:00
  Speaker 1: you know, like like a one man special, like a
• 30:04
  Speaker 1: Rachel Maddow something. I don't know if you exact produce it.
• 30:07
  Speaker 1: I'm in were talking, all right? We got more with
• 30:11
  Speaker 1: Chris Rock when we come back, we'll talk about his
• 30:13
  Speaker 1: tour and his favorite movie roles Don't Move. It's a
• 30:16
  Speaker 1: breakfast club. Good morning, the breakfast Club. I think everybody
• 30:21
  Speaker 1: is DJ n Vy, Angela Yee, Charlomagne, the guy. We
• 30:24
  Speaker 1: are the breakfast club. We have Chris Rock in the building, Charlemagne.
• 30:28
  Speaker 1: Who is Chris Rock competing against nowadays? I mean we're
• 30:31
  Speaker 1: all competing against Richard Pryor. We're all trying to get
• 30:34
  Speaker 1: to that. That's my number one. But you know, Dave
• 30:38
  Speaker 1: a little bit Hannibal here. You know, there's some cats
• 30:42
  Speaker 1: out there. I saw ali You ever see ali Wan
• 30:45
  Speaker 1: little Asian girl. No, there's some cats out there. You know.
• 30:50
  Speaker 1: I don't want to be like some old boxer that's
• 30:52
  Speaker 1: just saying high from ringside. I want to still be
• 30:55
  Speaker 1: I'm still in the ring. Yeah, so you know, I
• 30:58
  Speaker 1: want to, you know, be out there with the big
• 31:00
  Speaker 1: hev killing it. I love all of us, but none
• 31:03
  Speaker 1: of them have a classic stand up special. You have
• 31:05
  Speaker 1: a classic Thank you. Bring the Pain is classic. I
• 31:08
  Speaker 1: watched it twice this year. We actually still use it
• 31:11
  Speaker 1: all the time on the show when we talk about
• 31:13
  Speaker 1: different things. I'm like, let's get that clip from Bring
• 31:15
  Speaker 1: the pain when we talk about things, right, whose tracker?
• 31:19
  Speaker 1: Right now? When we talk about alimony, we use that special.
• 31:24
  Speaker 1: I wonder why you came out to touch me, tease
• 31:26
  Speaker 1: me though instead of bring the pain by meThe man,
• 31:29
  Speaker 1: I mean at the time touch me. You gotta get
• 31:35
  Speaker 1: the girls, you gotta get them, gotta get them, no, right, yeah,
• 31:40
  Speaker 1: twenty years lady, Like who's this case? Whose case? Who's
• 31:47
  Speaker 1: case wasn't married with case? What's it foxy on that too? Like?
• 31:53
  Speaker 1: Whose case? Who's foxy? Even now? Why the name total blackout?
• 32:00
  Speaker 1: Kind of building on what y'all are doing here? You know,
• 32:03
  Speaker 1: the Black Lives Matter movement. Just I don't know, it
• 32:07
  Speaker 1: just felt right, you know what I mean? Just felt
• 32:09
  Speaker 1: right by getting blacker, you know what I mean? Just
• 32:12
  Speaker 1: it's a it's a black time. The kids. He's a
• 32:15
  Speaker 1: real dad. Like he's a real dad because a lot
• 32:18
  Speaker 1: of times people say their fathers and they don't take
• 32:19
  Speaker 1: their kids to the games, They don't take their kids
• 32:21
  Speaker 1: to practice, they don't argue with the coach and other teams.
• 32:24
  Speaker 1: Kids rock at every game with his daughters, Like traveling around.
• 32:28
  Speaker 1: He's an uber driver on the weekends. I would see
• 32:30
  Speaker 1: every day you're stereotyping. But you don't see that too much,
• 32:33
  Speaker 1: not not just especially with people in the entertainment industry,
• 32:35
  Speaker 1: that people are really busy and not around. And yeah,
• 32:40
  Speaker 1: I always say, you know, what if I die, When
• 32:42
  Speaker 1: I die at my funeral, if you're talking about my jokes,
• 32:46
  Speaker 1: I have failed as a father. That's the way I
• 32:49
  Speaker 1: look at it. Should be talking about your life, just
• 32:51
  Speaker 1: talking about my life and what kind of person. When
• 32:53
  Speaker 1: I went to Bernie mac funeral, like, comedy was like
• 32:56
  Speaker 1: a very small part. It was just like this guy's husband,
• 33:00
  Speaker 1: guys a father, this guy's a friend. You know. You know,
• 33:03
  Speaker 1: I don't I hope, I don't know. I'm not planning
• 33:05
  Speaker 1: on dying anytime soon. But by the way, I've talked
• 33:08
  Speaker 1: to like three comedians in the past couple of weeks,
• 33:10
  Speaker 1: and all of them have said the exact same thing.
• 33:11
  Speaker 1: If they're talking to me, like if I die, I
• 33:14
  Speaker 1: want you to know, I'm like, what are you talking about?
• 33:15
  Speaker 1: Like why are you why? Somebody? Definitely I'm please. We're
• 33:19
  Speaker 1: all you know well who you've been talking to. I
• 33:22
  Speaker 1: talked to Donna Robins yesterday. Call me to go ya.
• 33:26
  Speaker 1: I don't wanna tell you man. If I die man,
• 33:27
  Speaker 1: you really, but that's also called Charlie Murphy just passed.
• 33:31
  Speaker 1: Too many people knew he was sick. I didn't know
• 33:32
  Speaker 1: he was, say I see him at the shop, and
• 33:34
  Speaker 1: I did. Charlie Murphy just passed. With black men, we
• 33:37
  Speaker 1: all got passed away. We got all our fathers die
• 33:43
  Speaker 1: and the fifties early sixties, so you gotta be thinking
• 33:47
  Speaker 1: about it a little bit, you know what I mean.
• 33:49
  Speaker 1: I mean, you know, things change. Medicine is better. You know,
• 33:55
  Speaker 1: greens don't kill you like they used to. The worst
• 33:58
  Speaker 1: thing about a black funeral, it's like at the end
• 34:01
  Speaker 1: of the funeral they served the food that killed the person.
• 34:10
  Speaker 1: You realized he's dead because of this. Why did you stop?
• 34:15
  Speaker 1: Everybody hates Chris, you know what. The kid kind of
• 34:17
  Speaker 1: outgrew it, you know what I mean. You know Tyler
• 34:20
  Speaker 1: was you know, it's like it's like he's in high
• 34:24
  Speaker 1: school with a bid some point, so you know, it
• 34:28
  Speaker 1: was just time. Man. It's it's one of those weird
• 34:30
  Speaker 1: shows too. We are like on a weird network, so
• 34:33
  Speaker 1: people didn't know about the show while it was on
• 34:36
  Speaker 1: the rerun. Yeah, when we got in syndication was like, yo,
• 34:40
  Speaker 1: this is amazing. I was like, where were y'all when
• 34:43
  Speaker 1: the show was on? You know, but hey, it's great.
• 34:47
  Speaker 1: It's a lot of pain I went through, just being
• 34:51
  Speaker 1: bust to school and you know, bullying and all that crap.
• 34:54
  Speaker 1: You know, we know you from the comedy specials, from
• 34:56
  Speaker 1: all the TV shows, but a lot of the kids
• 34:58
  Speaker 1: know you from that show. Oh yeah, straight up. They
• 35:00
  Speaker 1: know me from a lot of kids know me from
• 35:02
  Speaker 1: Everybody Hates Chris and Marty the Zebra from Madagascar. Absolutely,
• 35:08
  Speaker 1: it's like you're a cracker licking how man. When they
• 35:12
  Speaker 1: call you that, they say, they seem going poo gayo man, Pooky,
• 35:17
  Speaker 1: you know, legend, Pooki's a legend, man. I you know
• 35:20
  Speaker 1: how lucky I was to be Pooky, you know what
• 35:23
  Speaker 1: I mean? Like, I'm Pooky Man. Did you ever hear like,
• 35:26
  Speaker 1: how are you rap records out here? Cats talking about Kakarta.
• 35:29
  Speaker 1: I was in the Carter. I smoke cracking the Carter
• 35:33
  Speaker 1: actually the essential part of the movie. Yeah, man, like
• 35:36
  Speaker 1: you it was the movie the movie, Like you played
• 35:38
  Speaker 1: essential part in that film. Yeah. Man. I looked back
• 35:40
  Speaker 1: at all that. I was like, I'm just I'm the
• 35:42
  Speaker 1: luckiest guy. I was New Jack City. I was a boomerang,
• 35:46
  Speaker 1: like like classics did you think about that part? Like
• 35:49
  Speaker 1: I don't want to play a cracking before, Like I
• 35:52
  Speaker 1: didn't want to do it. I lucked up, man, I
• 35:55
  Speaker 1: lucked up. We didn't even know what was gonna be
• 35:57
  Speaker 1: what it was, you know what I mean. I remember
• 35:59
  Speaker 1: like we did like two weeks of rehearsal without Wesley
• 36:03
  Speaker 1: and we had our first table read. Wesley shows up,
• 36:06
  Speaker 1: and when my man started reading his lines, We're like, oh,
• 36:10
  Speaker 1: this is this movie is gonna be around for ever,
• 36:13
  Speaker 1: you know what I mean? Like like you knew you
• 36:15
  Speaker 1: were in the presence of greatness right as soon as
• 36:18
  Speaker 1: he started. As soon as you heard Nino Brown's voice,
• 36:20
  Speaker 1: You're like, Okay, it's on. This is it forever? Even
• 36:24
  Speaker 1: even the term C before that's lived forever. It's almost
• 36:28
  Speaker 1: like you predicted where the rap game was going, Like
• 36:30
  Speaker 1: everybody pretended everybody would pretending to be ganging to for
• 36:33
  Speaker 1: about fifteen twenty years. Yeah, man, you know it's weird.
• 36:38
  Speaker 1: I get offers to for C before the tour as
• 36:41
  Speaker 1: a group. Yes, yeah, Charlie in that movie Charlie's first. Yeah,
• 36:49
  Speaker 1: that's Charlie's first movie. We had auditions and for Gusto,
• 36:54
  Speaker 1: it's like a Gusto day, right. So Charlie gets out
• 36:57
  Speaker 1: of his call. He got two henchmen with him. He's
• 37:00
  Speaker 1: dressed like Gusto. He got the shades he has on
• 37:02
  Speaker 1: in the movies. He had on at the audition. And
• 37:05
  Speaker 1: he does his audition and there's a part where you're
• 37:07
  Speaker 1: supposed to pull out a gun. Everybody else just pulls
• 37:10
  Speaker 1: out their fingers and you know, makes a fake gun.
• 37:12
  Speaker 1: Charlie Murphy pulls out like a glock nine. Yeah, yeah,
• 37:19
  Speaker 1: like a real gun. And we're like, whoa, Okay, you
• 37:22
  Speaker 1: got the part. You can't tell him though, you can't
• 37:24
  Speaker 1: tell him no at all. Plus he was hysterical. Did
• 37:27
  Speaker 1: you know that was Eddie's brother when he walked up?
• 37:29
  Speaker 1: I knew, But you know, stuff like that don't always
• 37:32
  Speaker 1: work in your favok you know what I mean, it's
• 37:34
  Speaker 1: not you know, you end up with a weird expectation.
• 37:38
  Speaker 1: So but he wiped it out. We're like, oh, okay,
• 37:41
  Speaker 1: because you don't want like a junior version of Eddie
• 37:44
  Speaker 1: Murphy in the movie. He's like, he's you know, he
• 37:48
  Speaker 1: was just Charlie Murphy. You know, he had his he
• 37:51
  Speaker 1: was his own distinct thing that nobody sounded like. Charlie Burphy.
• 37:57
  Speaker 1: You know, all right, we got more with Chris Rock
• 37:59
  Speaker 1: coming up. Oh, it's the Breakfast Cloud. Good morning. I
• 38:01
  Speaker 1: want to get everybody. It's DJ N v Angela. Ye,
• 38:04
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. We have
• 38:07
  Speaker 1: Chris Rock in the building, Charlemagne. How was the Netflix
• 38:10
  Speaker 1: changed the game as far as movies in stand up?
• 38:14
  Speaker 1: I mean, honestly, Netflix probably got me doing this more
• 38:18
  Speaker 1: than anybody. And it's not just like that they're paying
• 38:20
  Speaker 1: me or anything. I'm doing all right, you know, Max Player, Noah,
• 38:30
  Speaker 1: because you can sit there and watch. You can if
• 38:33
  Speaker 1: you want to really be a student of comedy, you
• 38:35
  Speaker 1: can just sit there. I sit down sometimes and watch
• 38:38
  Speaker 1: like twenty specials, like you know, like the first twenty minutes,
• 38:43
  Speaker 1: the ten specials in the afternoon. It's like, oh, this
• 38:46
  Speaker 1: cat's doing this, Jim Jeffries cat. I would never watch
• 38:51
  Speaker 1: like country guys, this woman and oh, like I found
• 38:55
  Speaker 1: out about Amy Schumer and this one like people I
• 38:57
  Speaker 1: got hip to that I would never get hipped through.
• 39:00
  Speaker 1: She got his blocked on Twitter. Yeah she does, actually
• 39:02
  Speaker 1: tweeted that her I don't understand the same mission thing. Hey, man, Yeah,
• 39:07
  Speaker 1: I don't. I'm not blocking time blocks, And what does
• 39:12
  Speaker 1: the total blackout to come to New York doesn't come
• 39:15
  Speaker 1: to December seven, New York. It's all over the country though,
• 39:18
  Speaker 1: and they can get tickets right now ticketmaster dot com,
• 39:20
  Speaker 1: chickenmaster dot com, Barclay's Fortnight Garden for a few. Yeah,
• 39:26
  Speaker 1: it's it's going down. Then I'm gonna probably film the
• 39:29
  Speaker 1: special in Brooklyn. So yeah, you said, anything goes in comedy. Now,
• 39:33
  Speaker 1: what's the easiest group to offend in twenty seventeen? Man,
• 39:37
  Speaker 1: you gotta gotta be careful with your transgenders. You gotta.
• 39:41
  Speaker 1: You've been a word that one, right, you better take
• 39:45
  Speaker 1: that one to spell check. My friend did a good
• 39:49
  Speaker 1: job with that on his did a really good job.
• 39:51
  Speaker 1: But I thought I thought you made. I thought I
• 39:54
  Speaker 1: thought he what he did was like made. What am
• 40:00
  Speaker 1: I trying to see? I love that. I thought he humanized,
• 40:08
  Speaker 1: Not that anybody's not human, but I thought it's a
• 40:11
  Speaker 1: thing you should be. Just because he didn't like the
• 40:16
  Speaker 1: person and the joke doesn't mean he didn't like the
• 40:19
  Speaker 1: person because of their sexual preference, Right, That's what I'm
• 40:22
  Speaker 1: trying to say. And a lot of times we white
• 40:26
  Speaker 1: people do this too. It's like you deal with a
• 40:29
  Speaker 1: minority and you put him on a pedestal, and that's
• 40:32
  Speaker 1: I mean, that's that's almost racist too. It's like, it's
• 40:34
  Speaker 1: nice that you could put somebody just in a normal situation.
• 40:38
  Speaker 1: And that's what Dave did in this special. But I
• 40:39
  Speaker 1: don't feel like Louisy k tiptold around that kind of stuff.
• 40:42
  Speaker 1: I feel like he goes right for it. He does
• 40:44
  Speaker 1: not care. No, he doesn't goes right at it. Yeah,
• 40:48
  Speaker 1: so why do y'all care? Why do we care? I
• 40:50
  Speaker 1: don't know. I don't know. I don't know. I seem
• 40:52
  Speaker 1: like we're getting more trouble. Yes, it's still that I'm
• 40:55
  Speaker 1: still black. Thing like maybe it's yeah, that seems like
• 40:57
  Speaker 1: we're getting more trouble. That's what I think. You don't
• 41:00
  Speaker 1: want to get boycotted and lose opportunities. I don't need
• 41:03
  Speaker 1: that right, trying to pay alimony, trying. It's like, yes,
• 41:09
  Speaker 1: we got a special coming to Yes, we're doing great comedy,
• 41:14
  Speaker 1: more fun. I didn't make it feel like more work.
• 41:16
  Speaker 1: Yeah it is, it's fun. It's fun. I'm not I'm
• 41:18
  Speaker 1: not mad. I got no, I got no anger nothing. Yeah,
• 41:22
  Speaker 1: you know, we all we all got we all got bills,
• 41:25
  Speaker 1: we all got something, like you said, and bringing the pain.
• 41:27
  Speaker 1: If you're making fifty million issue wins half, no big deal,
• 41:29
  Speaker 1: you still got Yeah. Yeah, yeah, I'm fine. I'm fine.
• 41:34
  Speaker 1: I'm fine. I won't pick up the check. I'm not
• 41:39
  Speaker 1: gonna sit around. Black check comes, I go to the bathroom.
• 41:46
  Speaker 1: I gotta go to the bathroom, pray for Charlemagne. Hopeless
• 41:52
  Speaker 1: bonus came. You've You've always had that hip hop filing
• 41:56
  Speaker 1: me to your shows too, Like do you even keep
• 41:58
  Speaker 1: track of what's going on out here now? Like the
• 42:00
  Speaker 1: Little Yaddi Ross's album, Oh yeah, the old you can't
• 42:05
  Speaker 1: count Ross still still though, how do y'all hookup? You
• 42:08
  Speaker 1: know what really happen? I sulted at the bed. You know,
• 42:11
  Speaker 1: it's like one of those things. I was doing an
• 42:13
  Speaker 1: award show and I thought I had one Rick Ross
• 42:15
  Speaker 1: joke and I didn't realize to watching it later than
• 42:18
  Speaker 1: I had four and then like Rick Ross, I think
• 42:21
  Speaker 1: it is the first guy ever like apologized to us,
• 42:24
  Speaker 1: Like I felt like Ross to get too serious though, Man, man,
• 42:27
  Speaker 1: you know, Puss, here's the weird thing. I love Ross.
• 42:30
  Speaker 1: You know what I mean. I love Ross. So it
• 42:32
  Speaker 1: was a couple of times I was like, I want
• 42:34
  Speaker 1: to go to this show. At that show, I was like,
• 42:36
  Speaker 1: I better not. I got beefoot Ross because we went
• 42:41
  Speaker 1: to the whole interview after BT war. He was going
• 42:43
  Speaker 1: in on credit like yeah, plus, you know how beef works.
• 42:46
  Speaker 1: It ain't even the guy. It's the eight guys around
• 42:49
  Speaker 1: the guy to play. It's the eight guys around the
• 42:52
  Speaker 1: guy that want to impress the guy, you know what
• 42:55
  Speaker 1: I mean. So I don't need that, as you said,
• 42:58
  Speaker 1: I'm real, I'm with my kids most of the time.
• 43:01
  Speaker 1: So I text Ross. I was like, hey, man, whatever, man,
• 43:05
  Speaker 1: you know what, I actually apologize, I'm gonna say it.
• 43:07
  Speaker 1: I'm gonna be I'm gonna be man. I'm man enough
• 43:09
  Speaker 1: to apologize joke and if you need anything, let me
• 43:13
  Speaker 1: know because everybody needs jokes. And he said yes, yeah,
• 43:18
  Speaker 1: and like a couple of he was like cool and
• 43:20
  Speaker 1: like a couple of months later he hit me and
• 43:23
  Speaker 1: I went in the studio and I was scared because
• 43:25
  Speaker 1: like remember good Fellows have been when they told Joe
• 43:28
  Speaker 1: PESHI was a maid man slots in the studio doing stuff.
• 43:35
  Speaker 1: I was like, is it going down, but uh no, no,
• 43:39
  Speaker 1: we hung out a couple of times since that. It's
• 43:41
  Speaker 1: called cool. Rick Ross is kind of phenomenal, But I
• 43:44
  Speaker 1: said he's the best rapper alive. I mean that day,
• 43:53
  Speaker 1: I just want to get out of here. Good on me.
• 43:59
  Speaker 1: I don't I don't roll posse deep, but uh yeah,
• 44:02
  Speaker 1: I'll keep up with everything. The Megos album is much
• 44:06
  Speaker 1: better than it has a right to be. Yeah, you
• 44:08
  Speaker 1: know what I mean. Like, I'm just from a New
• 44:12
  Speaker 1: York cat that listens to rap. You think when you
• 44:17
  Speaker 1: first hit the Mega you go okay, bad and boogie
• 44:19
  Speaker 1: is good. I'm sure the rest of this is blah
• 44:22
  Speaker 1: blah blah. Did you listen to the album like Scott
• 44:24
  Speaker 1: Baggers on it? Ye three four five, like it's for real.
• 44:30
  Speaker 1: The Kendrick album is on some Equimini like level. No,
• 44:37
  Speaker 1: you're busy right now. You're doing book to us when
• 44:40
  Speaker 1: everything comes down. I want you to really listen to
• 44:43
  Speaker 1: this record and get get the line of notes and
• 44:47
  Speaker 1: just like really like follow what he's saying. You go like, okay,
• 44:52
  Speaker 1: I see what's going on here? Top five today, yeah,
• 44:55
  Speaker 1: top five all time. I'm not sure all the time.
• 45:02
  Speaker 1: You gotta says they should first of one, we should
• 45:08
  Speaker 1: all do top fives without Jay. It's almost a waste
• 45:13
  Speaker 1: of time. I agree, and big and pop, but top five.
• 45:18
  Speaker 1: But today of the new artists, not of all time,
• 45:20
  Speaker 1: but oh new artists. I love Kendrick. I love Asap Rocky.
• 45:25
  Speaker 1: I think Asap Rocky is the most underrated taken for
• 45:28
  Speaker 1: granted guy out there. Okay, um, I love but today Today, Today,
• 45:35
  Speaker 1: I mean today. Oh I like that kid? Wait, wait,
• 45:43
  Speaker 1: wait a minute, pressures for Brooklyn. I'm like, okay, what's
• 45:49
  Speaker 1: what's the follow up to this? Just put one out
• 45:52
  Speaker 1: so I can't remember. What about Big Sean or something
• 45:55
  Speaker 1: in your toy I like Big Sean a lot. That's
• 45:57
  Speaker 1: actually my favorite rapp at the moment, really Big Sean.
• 46:00
  Speaker 1: I would put Jake Hole probably at the top of
• 46:03
  Speaker 1: the of the current rappers. You know, are you a
• 46:06
  Speaker 1: Drake fan? Yeah? I like Rapper. I like zero to
• 46:09
  Speaker 1: one hundred Drake. Zero to one hundred Drake is hot.
• 46:16
  Speaker 1: Like really, don't mess with them, don't don't challenge them
• 46:19
  Speaker 1: at all. You know the other Drake that round away
• 46:22
  Speaker 1: girl kind of luj knock off Drake you know from
• 46:26
  Speaker 1: my daughter, But you got to be back into the
• 46:31
  Speaker 1: new music because you're like single now, so you're out
• 46:33
  Speaker 1: in the clubs a little. I'm just I'm single. Never
• 46:37
  Speaker 1: thing Chris Rock in the club, I'm singing. I just
• 46:40
  Speaker 1: bought a bunch of red sneakers. All the red sneakers
• 46:46
  Speaker 1: you got, just red. So the kids are wearing red
• 46:56
  Speaker 1: stiackers no matter what. Don't match nothing, nat Com. Get
• 47:02
  Speaker 1: your tickets, Get your tickets, Get your tickets, and we
• 47:05
  Speaker 1: appreciate you for joining us today. I survived, Charlomagne. Yes,
• 47:09
  Speaker 1: come on, legend man, We pay respect to the leg
• 47:11
  Speaker 1: No you never no, Yeah is a legend depends who
• 47:15
  Speaker 1: you ask. The baby's a legend. Well, baby didn't give
• 47:20
  Speaker 1: me no time. The baby was on the defensive. You
• 47:24
  Speaker 1: didn't give me no time. All right? Club is Chris
• 47:29
  Speaker 1: Rock the Breakfast Club? All right? Listen, man, Charlomagne the
• 47:35
  Speaker 1: god here. I'm on vacation until twenty and eighteen. I
• 47:38
  Speaker 1: don't give a damn what y'all think about that, because
• 47:40
  Speaker 1: I deserve it. Now. The Breakfast Club is in the
• 47:42
  Speaker 1: eighty plus markets in one hundred and fifty countries, so
• 47:44
  Speaker 1: we have a lot of new listeners who probably don't
• 47:45
  Speaker 1: even know who Charlomagne the God is so use my
• 47:48
  Speaker 1: time off to catch up on some of my past work. Okay, okay,
• 47:52
  Speaker 1: if you knew here, I do a segment every day
• 47:54
  Speaker 1: called Donkey the Day Donkey as in jackass, and that's
• 47:57
  Speaker 1: when I give someone the credit they deserve for being stupid.
• 47:59
  Speaker 1: So if you've never heard of it, this is new
• 48:01
  Speaker 1: to you. But if you are a regular listener, and
• 48:03
  Speaker 1: this is an oldiep but goody, because it's the best
• 48:05
  Speaker 1: of the Donkey of the day. Donkey of the Day
• 48:07
  Speaker 1: goes to Nicki Minaj. Look, because I've been I've been
• 48:10
  Speaker 1: telling y'all all morning. What we're not going to do
• 48:12
  Speaker 1: is let anything distract us from the fact that Nicki
• 48:14
  Speaker 1: Minad got bodied over the ethera instrumental, got hit with
• 48:17
  Speaker 1: another one and has yet to respond. Now, do I
• 48:20
  Speaker 1: like another one? Remy Ma's second dist Not really, It's okay,
• 48:24
  Speaker 1: it's really regular in comparison to Sheitha. But if I
• 48:26
  Speaker 1: don't compare it to Sheitha, it's cool. But as a
• 48:29
  Speaker 1: second distant Nicki naha I actually said the exact same
• 48:32
  Speaker 1: thing Mariah said at the beginning of another one record.
• 48:35
  Speaker 1: After I heard it, y'all, ketch Mariah at the beginning
• 48:37
  Speaker 1: saying this, yeah, I mean not another one? Why yes? Why?
• 48:43
  Speaker 1: Seeing the four day Laws of Power, it says, do
• 48:45
  Speaker 1: not go past the mark you aim foreign victory. Sheatha
• 48:48
  Speaker 1: was a headshot. Another one is just putting a bullet
• 48:51
  Speaker 1: in a dead body. Another one wasn't necessary and it
• 48:53
  Speaker 1: wasn't anywhere close to Sheatha level, so it wasn't any
• 48:56
  Speaker 1: real point in dropping it, and I understand all the criticism.
• 48:59
  Speaker 1: Another one is receiving online that was trash for me,
• 49:02
  Speaker 1: was trending, but fall at. Okay, I will not let
• 49:05
  Speaker 1: another one distract me from the fact that remy my body.
• 49:08
  Speaker 1: Nicki Minaj over the sheath of instrumental got to hit
• 49:11
  Speaker 1: with another one and has yet to respond. See the
• 49:13
  Speaker 1: thing is rappers rap okay, and Nicki Minaj. You are
• 49:17
  Speaker 1: a rapper. You can post all the pictures you want
• 49:20
  Speaker 1: on boats with Future, at video shoots with Monica, but
• 49:23
  Speaker 1: let's not forget what got you in those positions in
• 49:26
  Speaker 1: the first place. Rap music, okay. You can post all
• 49:29
  Speaker 1: the pictures you want front row at fashion shows in Paris,
• 49:32
  Speaker 1: at parties with Jordan Dunn, fine ass, but please never
• 49:34
  Speaker 1: forget that you are in that position because you are
• 49:37
  Speaker 1: a rapper, and being that we know you are a rapper,
• 49:39
  Speaker 1: we will not let any of those pictures you post
• 49:41
  Speaker 1: and destract us from the fact that Remy mob bodied
• 49:43
  Speaker 1: you over the Sheatha instrumental hit you with another one,
• 49:46
  Speaker 1: and you have yet to respond. This is the first
• 49:48
  Speaker 1: time we've seen Nicki Minaj in this position. Okay, I
• 49:50
  Speaker 1: mean little Kim hit her with some balls, and she
• 49:52
  Speaker 1: replied to Kim with a few balls. But this is
• 49:54
  Speaker 1: the first time we've seen someone really challenged Nicki actually say, Nah,
• 49:58
  Speaker 1: you can't sit on that throne anymore. No, you can't
• 50:01
  Speaker 1: have that crown. Remy Ma said she's the Queen of rapper, okay,
• 50:05
  Speaker 1: not the Queen of record sales, not the Queen of Instagram,
• 50:07
  Speaker 1: not the queen of Twitter. She said, I'm the Queen
• 50:09
  Speaker 1: of rap. So, Nikki, if you really the rapper you
• 50:11
  Speaker 1: claiming to be, it's just the write of passage in
• 50:14
  Speaker 1: this game. You gotta show as you can get busy.
• 50:17
  Speaker 1: And this asinine reasoning that Nikki doesn't have to reply
• 50:20
  Speaker 1: because another one isn't as dope as Sheatha wys the
• 50:22
  Speaker 1: logic in that Okay, Remy hit Nikki with Sheetha and
• 50:26
  Speaker 1: has hit her a getting with another one, and Nikki
• 50:29
  Speaker 1: still has yet to reply. If you think she shouldn't
• 50:31
  Speaker 1: reply because another one isn't as dope as Sheitha, then
• 50:34
  Speaker 1: you're just looking for an out for Nicky period, And
• 50:37
  Speaker 1: that's not the way this rap thing works. Okay, Nicki
• 50:40
  Speaker 1: Minaj is running the risk. Could be in the first
• 50:42
  Speaker 1: rapper from Queens that I can remember interview. Correct me
• 50:45
  Speaker 1: if I'm wrong, because you're from Queens. She's running the
• 50:47
  Speaker 1: risk to be the first rapper from Queens that backs
• 50:50
  Speaker 1: down from a rap battle. Rappers from Queen's Winner Lows
• 50:53
  Speaker 1: have been involved in some of the most epic rap
• 50:55
  Speaker 1: battles in hip hop history. Nicki Minaj, if you don't reply,
• 50:59
  Speaker 1: you let MC and down. Okay, you let NAS down,
• 51:04
  Speaker 1: You let Prodigy from Mob deep down, You let fifty
• 51:07
  Speaker 1: sit down, you let ll cool Ja down, you let
• 51:09
  Speaker 1: Ja Rue down. Say what you want about job, even
• 51:12
  Speaker 1: though fifty and G Unit were all over them. Murder
• 51:15
  Speaker 1: ain't never stop fighting. Okay. Ever, Nicky got hit twice
• 51:20
  Speaker 1: and has yet the clap back period. That's not the
• 51:22
  Speaker 1: Queen's way. Okay, you don't want to go down in
• 51:25
  Speaker 1: history as the loan rapper from Queens who got challenged
• 51:27
  Speaker 1: in the rapping did nothing right. Please don't think that
• 51:31
  Speaker 1: you are above replying to remy mom, Miss Nicki Minaj.
• 51:33
  Speaker 1: I know that you like to compare yourself to jay Z.
• 51:35
  Speaker 1: You put out an album called the Pink Print, which
• 51:38
  Speaker 1: was a play on jay Z's The Blueprint. Do you
• 51:40
  Speaker 1: know what song was featured on the Blueprint? To take
• 51:43
  Speaker 1: over a jay Z disc? To nas and mob Deep
• 51:47
  Speaker 1: Hove never thought he was too big to clapping people
• 51:49
  Speaker 1: who was getting at him, So why do you? I
• 51:52
  Speaker 1: know you like to use Beyonce as a model as well,
• 51:54
  Speaker 1: and you're thinking to yourself, nobody ever comes at Beyonce.
• 51:57
  Speaker 1: You're probably saying yourself, the only person came in Beyonce
• 51:59
  Speaker 1: was Carrie Hills and look how that turned out for her. Well, Nikki,
• 52:02
  Speaker 1: two things remy mind, not Kerry Hilston and you not Beyonce.
• 52:06
  Speaker 1: Or maybe this is your way of saying, you know what,
• 52:08
  Speaker 1: I don't want to rap anymore. I like this pop world.
• 52:10
  Speaker 1: I'm gonna do songs with Ariana Grande for the rest
• 52:12
  Speaker 1: of my life and call it to day. Oh that's
• 52:14
  Speaker 1: what you're gonna do? You're gonna say f hip hop
• 52:17
  Speaker 1: and go to pop rods quickly. You want to be Beyonce,
• 52:19
  Speaker 1: so your next album gonna be called pink Lemonade. Okay,
• 52:22
  Speaker 1: talking about how Meek did you wrong? Is that the
• 52:24
  Speaker 1: playing Nikki? Huh? Is that the plan? Stop texting the
• 52:28
  Speaker 1: DJs and radio personalities complaining it. Okay, we don't have
• 52:31
  Speaker 1: to pick sides. Stop getting upset if we say Remy
• 52:34
  Speaker 1: bodied you on sheath Of because she did. That's a fact, Nikki.
• 52:37
  Speaker 1: Get out your feelings and getting the studio. You are
• 52:39
  Speaker 1: a rapper, a really dope rapper from Queens, New York,
• 52:42
  Speaker 1: and dope rappers from Queens, New York. Don't ignore rap challenges.
• 52:46
  Speaker 1: LLL cooj gave it to Cannabis when LLL was a
• 52:48
  Speaker 1: superstar already and Cannabis didn't even have an album out.
• 52:51
  Speaker 1: Ja Rule was multi platinum when fifty cent was on
• 52:53
  Speaker 1: the mixtape circuit, and he had no problem engaging with
• 52:55
  Speaker 1: fifty So you can't stand on the I'm a huge star, darling.
• 52:58
  Speaker 1: I'm gonna take no, that's not what our coach is about.
• 53:01
  Speaker 1: Artists getting the party and forget what got them in
• 53:04
  Speaker 1: the party in the first place. Okay, everything you are
• 53:06
  Speaker 1: is because of rap music. Without rap music, you don't
• 53:09
  Speaker 1: get the opportunity to even make pop music. Without rap music,
• 53:12
  Speaker 1: you don't get casted from movies and TV shows. And
• 53:14
  Speaker 1: one of the purest essences of rap music is the battle.
• 53:18
  Speaker 1: He was acting like you was ready for war and
• 53:19
  Speaker 1: to Jason Drulo, re could remember this okay two years
• 53:22
  Speaker 1: night times up. Okay, you was acting like you wanted
• 53:26
  Speaker 1: it on the Gucci Man Make Love record, Remember this.
• 53:28
  Speaker 1: I don't feel bitch, I'm the greatest. No Kendrick and
• 53:32
  Speaker 1: no Cia, I'm the iPhone, you the no Kia, ain't party.
• 53:37
  Speaker 1: No you jealous bitches, so clear tell them for a man,
• 53:41
  Speaker 1: bitches to play their roles. She's seen my sexy as
• 53:45
  Speaker 1: every time she scrulled and goad. It didn't the camp
• 53:51
  Speaker 1: your career compete with and then the car be silly rabbit.
• 53:56
  Speaker 1: To be the queen of rap, You've gotta sell Nikki.
• 54:03
  Speaker 1: All I'm saying is if all these bitches is your
• 54:06
  Speaker 1: sons signing until you, dude, I'm not gonna let nothing
• 54:12
  Speaker 1: distract me from the fact that remy Ma bodied you
• 54:15
  Speaker 1: over to ether the instrumental hit you with another one
• 54:18
  Speaker 1: and you have yet to respond. Please give Nicki Minajs
• 54:21
  Speaker 1: the biggest he haw the Breakfast Club. Botti is DJ
• 54:31
  Speaker 1: Envy Angela Yee, Charlemagne the guy. We are the Breakfast
• 54:34
  Speaker 1: Club special guests in the building. It's good. It's good
• 54:40
  Speaker 1: to be here. You know. I listened to y'all religiously. Man,
• 54:43
  Speaker 1: every morning I get up, I'm on way to the gym.
• 54:46
  Speaker 1: This is what's playing. So anytime I listen to the
• 54:48
  Speaker 1: radio because the rest of the day I'm on my phone.
• 54:51
  Speaker 1: That's a good that's a good thing. Fifty had a
• 54:54
  Speaker 1: release the other day. It's not a single release, but
• 54:57
  Speaker 1: I guess a show release the other night. And this
• 54:59
  Speaker 1: is the first time I've ever been to a white
• 55:01
  Speaker 1: strip club in New York that they turned black. Yeah,
• 55:04
  Speaker 1: we have. I've never been a little color to it. Money.
• 55:08
  Speaker 1: They usually don't let us in. Okay, they probably will
• 55:10
  Speaker 1: never let us back in. The security came to me
• 55:13
  Speaker 1: twenty times, So can you please tell people stop smoking weed?
• 55:15
  Speaker 1: How did you get that? That white strip club? But
• 55:17
  Speaker 1: you know, I was trying. He was looking for a
• 55:18
  Speaker 1: non traditional space to create the party environment. And I'm
• 55:22
  Speaker 1: like they had shown me like some uh like like
• 55:25
  Speaker 1: lounge loungey spots, and I was like, no, this is
• 55:29
  Speaker 1: the better spot for us to go. And then you know,
• 55:31
  Speaker 1: like because of of you know, Aces closing in New York,
• 55:36
  Speaker 1: it was providing all of us all of these talent
• 55:44
  Speaker 1: and then you have BT execre. Yeah, yeah, there was
• 55:46
  Speaker 1: because they knew that, Like even though the comedy the
• 55:49
  Speaker 1: whole concept is to change the perception of the network
• 55:53
  Speaker 1: to take over, you know what I mean. So they're
• 55:55
  Speaker 1: gonna start to do things, allow us to say things
• 55:57
  Speaker 1: content wise that it wasn't acceptable, but on late night
• 56:02
  Speaker 1: they'll you know, they'll let those things slide on. So
• 56:05
  Speaker 1: you get a chance to have some fun and more
• 56:07
  Speaker 1: and more the kind of comedic energy that you will
• 56:09
  Speaker 1: see online when people have the freedom to actually be,
• 56:14
  Speaker 1: you know, as funny as they can be versus the
• 56:16
  Speaker 1: sensory stuff. This is that something you wanted to do
• 56:19
  Speaker 1: for a while though, because you've been doing your own
• 56:21
  Speaker 1: comedy sketches. I play and I made fun of competition then,
• 56:28
  Speaker 1: and I coach you with that, like I go. They're
• 56:31
  Speaker 1: a little more advanced in it because they've been homed
• 56:33
  Speaker 1: in on that and been doing that the whole time.
• 56:35
  Speaker 1: The cast like I've done it at spots at points,
• 56:38
  Speaker 1: and the interest is there because of it, and comedy
• 56:41
  Speaker 1: is like a hidden space. And then when somebody like
• 56:44
  Speaker 1: like I think Tiffany's Tiffany had it. Yeah, when she
• 56:48
  Speaker 1: when she like it snaps, she'll be seasoned because they
• 56:53
  Speaker 1: didn't see her for a long time while she was
• 56:55
  Speaker 1: that good. And then she'll be able to do a
• 56:58
  Speaker 1: lot like like she put all hours in the ten
• 57:01
  Speaker 1: and he's doing it and you're working and shop the
• 57:03
  Speaker 1: time and everything be great, and she could do She
• 57:06
  Speaker 1: went from uh insecure, Oh no, said the Car Michael Show. Yeah,
• 57:11
  Speaker 1: and then she went to do um a special time
• 57:16
  Speaker 1: and then you start Girls Trip number one movie. Yeah,
• 57:19
  Speaker 1: I think fifth trying to smash tiff Man. You've been
• 57:21
  Speaker 1: showing tiff a lot of love one tim and everything.
• 57:24
  Speaker 1: I think it's coming next. Look, don't listen. Let you
• 57:27
  Speaker 1: have to put yours. I know because I know what
• 57:32
  Speaker 1: I heard about what you did to Cap I heard
• 57:35
  Speaker 1: I heard about. It's not true. That's not true. Now,
• 57:39
  Speaker 1: like what happens, introduce you to anybody. Come on for
• 57:43
  Speaker 1: ten years and we're going for ten years. There's notorious,
• 57:49
  Speaker 1: He's notorious. You will love her you will love her
• 57:52
  Speaker 1: and you know, whatever else you have going on in
• 57:54
  Speaker 1: your life, you just have to compromise. You have to
• 57:57
  Speaker 1: work this out. Fifth TV. Now at this stage in
• 58:01
  Speaker 1: your career, I think, well, it created a visibility. Initially
• 58:04
  Speaker 1: I was looking going like the it's just opening things
• 58:07
  Speaker 1: are opening up so so broad as far as content,
• 58:10
  Speaker 1: it's concerned that I'm able to do. I got two
• 58:12
  Speaker 1: shows on Crackle, so they just finishing the production now
• 58:16
  Speaker 1: on on the Oath and it's currently filming in Puerto
• 58:20
  Speaker 1: Rico because that you know, it got crazy out there
• 58:22
  Speaker 1: for the weather and like, fact, don't they're doing that?
• 58:25
  Speaker 1: And then um, the Star's Networking put three over there,
• 58:30
  Speaker 1: you know, after you thrug the white Man out over
• 58:32
  Speaker 1: the kind. I had to do that though, because it
• 58:35
  Speaker 1: was like, you know, you can see the priorities like
• 58:38
  Speaker 1: the networks, you see those things like for your consideration
• 58:43
  Speaker 1: is like inside the different publications or on your consideration,
• 58:47
  Speaker 1: like they'll they'll put this because it's a priority for
• 58:49
  Speaker 1: the network and you haven't seen that. But you've seen
• 58:54
  Speaker 1: huge success in numbers, so the network is growing at
• 58:57
  Speaker 1: the pace that Yeah, absolutely happy with as far as
• 59:01
  Speaker 1: Stars is concerned. But Murray Harward doesn't. It's not recognized
• 59:06
  Speaker 1: as somebody who can actually be a leading man for
• 59:10
  Speaker 1: a series. And I felt the project in my eyes
• 59:13
  Speaker 1: because I told him I was going to do that
• 59:15
  Speaker 1: in the beginning, you know what I'm saying. And then
• 59:18
  Speaker 1: it's like it's that successful now, but he's going to
• 59:21
  Speaker 1: what happens like I make I make them put us
• 59:23
  Speaker 1: in front of foreign press until so we're getting like
• 59:26
  Speaker 1: it's like niche with people just sit and talk to him,
• 59:29
  Speaker 1: and I'm like, I gotta do this. I gotta do
• 59:30
  Speaker 1: these things like I've been there before on other projects,
• 59:33
  Speaker 1: but not specifically for Power. We gotta keep going back
• 59:36
  Speaker 1: in front of him until they actually recognize the project.
• 59:39
  Speaker 1: It doesn't make any sense. It's already the number two
• 59:43
  Speaker 1: highest rated show on or premium cable, only behind Getting
• 59:47
  Speaker 1: the Thrones, and they're spending three times budget to do
• 59:51
  Speaker 1: it all effects and stuff you want dragons like that,
• 59:56
  Speaker 1: you know what I mean, Like you have paid for that,
• 59:57
  Speaker 1: and then but we're doing that with the budget and
• 1:00:00
  Speaker 1: they know, they understand, so now everything is like they
• 1:00:04
  Speaker 1: totally allowing me to do what I want to do.
• 1:00:06
  Speaker 1: Is the reason like when Stars doesn't get behind the
• 1:00:08
  Speaker 1: show like that adapt the reason we don't see you
• 1:00:10
  Speaker 1: at the Emmys and the Golden Gloves, but I don't
• 1:00:12
  Speaker 1: even appear because it's weird watching like all these shows
• 1:00:14
  Speaker 1: that everybody talks about in the coaching land and Insecure
• 1:00:16
  Speaker 1: all this stuff, we talk about power just as much
• 1:00:18
  Speaker 1: and where is it? And you go, where is it
• 1:00:21
  Speaker 1: that in the in the actual show. I'm not gonna
• 1:00:23
  Speaker 1: make the appearance as rapper fifty cent when I'm executive
• 1:00:28
  Speaker 1: producing to show this the second in all the premium
• 1:00:31
  Speaker 1: cable like you go, I'll gont know. I'll come when
• 1:00:33
  Speaker 1: you ready. I'll show up and then or we just
• 1:00:37
  Speaker 1: keep putting hits on the board, you know what I mean,
• 1:00:40
  Speaker 1: because I'm looking going. When I tell them to turn
• 1:00:42
  Speaker 1: it off, then they identified with the actual content that
• 1:00:46
  Speaker 1: they haven't produced more of it for a reason for
• 1:00:50
  Speaker 1: people to stay on the actual network. If I say
• 1:00:53
  Speaker 1: turn it off and people agree, yeah, I only want
• 1:00:55
  Speaker 1: it because of that, right, then they go turn it off.
• 1:00:58
  Speaker 1: You're right, he said, I'm paying. I'm gonna hear when
• 1:01:01
  Speaker 1: it's coming back on. The promotions will start and then
• 1:01:05
  Speaker 1: they shift because I've given those properties. The series is
• 1:01:09
  Speaker 1: there tomorrow today, there's the things that they and they
• 1:01:12
  Speaker 1: fast track, so everything is like it's moving way fast.
• 1:01:16
  Speaker 1: Start giving get to a point where we uh, they're
• 1:01:20
  Speaker 1: delivering the pilot and the season art at the same time,
• 1:01:23
  Speaker 1: so be able to going serious. Now do we do
• 1:01:27
  Speaker 1: we light canan? Now? Well, they start to treat me better?
• 1:01:30
  Speaker 1: Is he likable? Now on you don't trust? I would
• 1:01:37
  Speaker 1: tell you, I would tell you not to trust. But
• 1:01:40
  Speaker 1: the way the way the series. You know, it's interesting
• 1:01:45
  Speaker 1: because television is brought a broader, oder audience interest because
• 1:01:53
  Speaker 1: like hip hop coaches, you've coached, so we know, like
• 1:01:56
  Speaker 1: you out there. It's almost the demo between the guy
• 1:01:58
  Speaker 1: who just got in and was just casually party, but
• 1:02:03
  Speaker 1: we know who that is. But I'm talking about like
• 1:02:05
  Speaker 1: the mother Auntie, like this really old won't be in
• 1:02:11
  Speaker 1: the actual environment with us. Party was watching the show,
• 1:02:14
  Speaker 1: and it's like I'm getting different responses from them. You know,
• 1:02:18
  Speaker 1: it's really interesting because oh it's older definitely, and they're
• 1:02:22
  Speaker 1: looking at it. He's telling me, you know, like I
• 1:02:25
  Speaker 1: know he's doing the this is this is cool? Like
• 1:02:30
  Speaker 1: you know what I mean, Like if they was already
• 1:02:32
  Speaker 1: watching Dynasty and all this other dynasty. Yeah, like my
• 1:02:36
  Speaker 1: grandmother had me watching that, but the power was also
• 1:02:39
  Speaker 1: popering that, Like that's that's I want. I want to
• 1:02:41
  Speaker 1: talk about a Maria for a second, because like A
• 1:02:43
  Speaker 1: Maria is like a such a great actor. But then
• 1:02:47
  Speaker 1: I think it's stuff like this that keeps him from
• 1:02:50
  Speaker 1: being taking seriously, mister brother got contacts with It's like
• 1:02:57
  Speaker 1: the videos of him breakdancing all crazy. What's up? You
• 1:03:03
  Speaker 1: know he'd be doing character stuff, so he'll go and
• 1:03:08
  Speaker 1: create a new version of himself, take the pictures and
• 1:03:11
  Speaker 1: stuff like that, and then and post it and put
• 1:03:13
  Speaker 1: it out. But I don't even know what project. That's
• 1:03:20
  Speaker 1: all right, we got more with fifty cent when we
• 1:03:21
  Speaker 1: come back. Don't move mister breakfast Club, Good morning morning.
• 1:03:25
  Speaker 1: Everybody's DJ en Vy Angela yee, Charlemagne the guy we
• 1:03:29
  Speaker 1: all the breakfast Club fifty cents still in the building, yee.
• 1:03:32
  Speaker 1: Now can we talk about fifty Central. It's exciting because
• 1:03:37
  Speaker 1: it's more like we do different things the sketch comedy,
• 1:03:40
  Speaker 1: but then there's real, like prank type of stuff going on,
• 1:03:43
  Speaker 1: and we're doing it feels like like it's not true fun,
• 1:03:47
  Speaker 1: like it didn't have to be someone else. While we
• 1:03:49
  Speaker 1: were doing it. It was and he was able. It
• 1:03:51
  Speaker 1: was really funny like that when people see it, they're
• 1:03:54
  Speaker 1: gonna bug out of it. It was fun and it's
• 1:03:57
  Speaker 1: no script. Yeah, it was no fun script. That's why
• 1:04:01
  Speaker 1: it made it fun to have when your person has
• 1:04:03
  Speaker 1: that strong of a personality too, because you'll listen, like
• 1:04:06
  Speaker 1: Charlomagne gotta say stuff to go people's heads a little bit,
• 1:04:09
  Speaker 1: like I'm sorry who we slapped him? And he didn't
• 1:04:11
  Speaker 1: notice you hear what he's saying, like real slick, like bobbling,
• 1:04:17
  Speaker 1: He's like casually looking at you. Like, So why BT
• 1:04:23
  Speaker 1: of all places? Well, BT, it's the right place for
• 1:04:26
  Speaker 1: the show because they were open to it and they
• 1:04:29
  Speaker 1: were like whatever you want to do like type of things.
• 1:04:32
  Speaker 1: So I even changed the premiering the music videos on
• 1:04:36
  Speaker 1: the every episode so like after premiere is it goes
• 1:04:39
  Speaker 1: into it gets all BT jams. So you wanted to
• 1:04:44
  Speaker 1: permiere this because I mean, the eyeballs is watching, but
• 1:04:46
  Speaker 1: to golden to BT jams and then it's just giving
• 1:04:50
  Speaker 1: us more influencing ways that we can. Actually that is
• 1:04:53
  Speaker 1: the the music business portion of me saying this would
• 1:04:57
  Speaker 1: be the best place for you to launch and to
• 1:04:59
  Speaker 1: put it. Yeah, because it'll get this and the first
• 1:05:03
  Speaker 1: one tonight uncle murder this kind of uncle murders tonight.
• 1:05:06
  Speaker 1: Just the first time you and her have been under
• 1:05:08
  Speaker 1: like the same umbrella with somebody, you know they'll be gone.
• 1:05:12
  Speaker 1: They won't be there long. Full attentions of removing that
• 1:05:17
  Speaker 1: there's an adjustment tells a good show man. It's crazy,
• 1:05:23
  Speaker 1: not well executed. Watch, Yeah, of course I watched. Everything
• 1:05:29
  Speaker 1: was just someone's involved. I don't like. So look shoot,
• 1:05:36
  Speaker 1: because I know you're gonna know if I'm frightened. Y'all
• 1:05:38
  Speaker 1: know me enough. So look, I'm looking. That's gonna go.
• 1:05:43
  Speaker 1: It's gonna go. I thought I was petty. He the
• 1:05:46
  Speaker 1: petty it is if he don't like you don't like
• 1:05:47
  Speaker 1: if if it was good, if you thought it was
• 1:05:49
  Speaker 1: good what you said, even with the fact you don't like,
• 1:05:52
  Speaker 1: you know, if it was I thought conceptually that there's
• 1:05:56
  Speaker 1: been music written it could actually be good, or or
• 1:06:01
  Speaker 1: montage like Gnaws as a Gun would be a dope montage.
• 1:06:07
  Speaker 1: So that the way I could run the parallel and
• 1:06:09
  Speaker 1: show you how that could have been good is because
• 1:06:12
  Speaker 1: the overall idea was good. It just wasn't done right.
• 1:06:15
  Speaker 1: Are you going to be in the BMF series too,
• 1:06:17
  Speaker 1: Are You? If I did, I would play something small,
• 1:06:21
  Speaker 1: something small in it because I wanted to be I
• 1:06:24
  Speaker 1: want you to look at that and feel like you're
• 1:06:26
  Speaker 1: watching the expect you know what I'm saying, Like it's
• 1:06:29
  Speaker 1: it's the point where the facts are stranging in fiction,
• 1:06:32
  Speaker 1: and that's in that story, Like you don't have to
• 1:06:34
  Speaker 1: add the creatives that you just have to really put
• 1:06:37
  Speaker 1: it together well, like the Tupac movie. I was disappointed
• 1:06:42
  Speaker 1: in it because of who the pots to our culture.
• 1:06:44
  Speaker 1: It's know what I'm saying, Like, you can't redo it now.
• 1:06:48
  Speaker 1: How Look that was organically what should have been a success,
• 1:06:50
  Speaker 1: following straight out of Compton, and I feel like they
• 1:06:54
  Speaker 1: just let anybody build the project instead of the people.
• 1:06:57
  Speaker 1: Like for me, they gave me the things that I
• 1:06:59
  Speaker 1: needed to make give it to that trying to work
• 1:07:01
  Speaker 1: for that time for anyway, Like I had Jim Sheridan
• 1:07:04
  Speaker 1: from Dublin. I had Terry Winters who went on the right,
• 1:07:07
  Speaker 1: the Sopranos and to Wolf on Wall Street like Puncy
• 1:07:11
  Speaker 1: Jones did the score like it was usual suspects for hit,
• 1:07:14
  Speaker 1: real quality people involved in the project. And then it
• 1:07:18
  Speaker 1: did two pops. It was like, who did that? Like, yeah,
• 1:07:20
  Speaker 1: they say Park had a budget of forty fifty million.
• 1:07:23
  Speaker 1: I'm like where I thought they spent a lot of
• 1:07:25
  Speaker 1: it music licensing? No, because that much I could have
• 1:07:31
  Speaker 1: gave them new records for that money. This is what
• 1:07:34
  Speaker 1: did They don't know? They had dad who could and
• 1:07:37
  Speaker 1: they didn't have the who, and they had the surround bottle.
• 1:07:41
  Speaker 1: I said, Puffy did this? Puff he had something to
• 1:07:47
  Speaker 1: do with this. I think Pox characters too big to
• 1:07:50
  Speaker 1: do a film are yeah, well it's he had events
• 1:07:54
  Speaker 1: that happened that people know about. But there's so much
• 1:07:56
  Speaker 1: stuff that you didn't know that you could have put
• 1:07:59
  Speaker 1: in between it to make it interesting to look for
• 1:08:02
  Speaker 1: the youth. Now, like when you when they ask Yaty
• 1:08:04
  Speaker 1: and them to say the Biggie verse and stuff like that,
• 1:08:06
  Speaker 1: they're like, you can't see it because over that time
• 1:08:09
  Speaker 1: like I'm near Biggie Yeah yeah, yea because of the age,
• 1:08:13
  Speaker 1: the age, like I'm that guy for them. So they're
• 1:08:16
  Speaker 1: looking going, what is that other stuff? Like big is
• 1:08:18
  Speaker 1: that to me? You know what I mean? In that
• 1:08:21
  Speaker 1: time period ahead of that, So you're looking you go
• 1:08:23
  Speaker 1: when they don't understand it, You're going, yo, I'm like, nah,
• 1:08:26
  Speaker 1: he don't. You don't know that they like chief Keep.
• 1:08:28
  Speaker 1: When he first came, they chief Keepers retarded. He was like,
• 1:08:33
  Speaker 1: because no, he knows Chicago. He knows where he needs
• 1:08:35
  Speaker 1: a survival kit, you know that. So he looking at
• 1:08:38
  Speaker 1: you like and if you make him for a minute
• 1:08:41
  Speaker 1: think that you think he's slow, he's gonna do something
• 1:08:44
  Speaker 1: to you, because they didn't. They're just no better. He's
• 1:08:46
  Speaker 1: looking at I looking at it. I was like, oh,
• 1:08:48
  Speaker 1: I just loved it because he was just rough around
• 1:08:50
  Speaker 1: the edges for real, Like you look at this, they
• 1:08:52
  Speaker 1: look at this one. I got a chance to test
• 1:08:54
  Speaker 1: these early. I touched chief Keep early, hung out with him.
• 1:08:57
  Speaker 1: I got um YG his first song to the record.
• 1:09:02
  Speaker 1: We worked on the um what what saw the top girl?
• 1:09:10
  Speaker 1: But we were we had I just saw him four
• 1:09:13
  Speaker 1: years ago, you know what I mean, Like I heard
• 1:09:14
  Speaker 1: it record now, the stuff that she's doing down Like
• 1:09:18
  Speaker 1: I told how I was, like, I told you, I
• 1:09:21
  Speaker 1: hear what you're saying about the screet dudes, But y'all
• 1:09:23
  Speaker 1: was screet dudes too. You can hold a conversation of
• 1:09:27
  Speaker 1: intellect that these guys just don't possess, you know it
• 1:09:31
  Speaker 1: still in the beginning like like now, like I ran
• 1:09:35
  Speaker 1: into him. I went at the something with Gucci. We
• 1:09:37
  Speaker 1: went to Uh. I got to Coachella with Gucci Chief
• 1:09:41
  Speaker 1: and he come and go yo uh he said, yam
• 1:09:44
  Speaker 1: my bad. Like you know, I didn't know. Do you
• 1:09:47
  Speaker 1: know what I say he's saying. I was, I was
• 1:09:49
  Speaker 1: a baby. I was so young that I didn't know
• 1:09:51
  Speaker 1: what it was. Because he didn't show up to his
• 1:09:53
  Speaker 1: own video. We was in the desert with like buggies
• 1:09:58
  Speaker 1: and know he was like, I'm like we had me
• 1:10:00
  Speaker 1: whis Khalifa? No? And I'm like, wait, he don't know
• 1:10:04
  Speaker 1: that at the time, there wasn't going to spend the
• 1:10:08
  Speaker 1: money again to reshoot the you know, to shoot the video.
• 1:10:11
  Speaker 1: And I'm like, like I called him ahead of town
• 1:10:14
  Speaker 1: to him get on the plane. Get on the plane,
• 1:10:15
  Speaker 1: Get on the plane. And it was like could this
• 1:10:17
  Speaker 1: in the jet? I was like, no, no, it's not
• 1:10:20
  Speaker 1: the jet that you have to get on the plane
• 1:10:23
  Speaker 1: like this. It's like you put out winks that this
• 1:10:26
  Speaker 1: is your in the club record and you're not showing
• 1:10:28
  Speaker 1: up to the video. You see what I'm saying like,
• 1:10:31
  Speaker 1: And it was it was all experienced. If I never
• 1:10:34
  Speaker 1: held it against him because I knew he didn't understand
• 1:10:36
  Speaker 1: what was going on at the time. So when he
• 1:10:38
  Speaker 1: said it to me like on his own time, I
• 1:10:40
  Speaker 1: know he's in a different place, you know, because I
• 1:10:43
  Speaker 1: haven't been that hot again though that impression. It's tough
• 1:10:46
  Speaker 1: to have a second but we don't have a second
• 1:10:48
  Speaker 1: chest in the first impression and his first one was
• 1:10:51
  Speaker 1: that was it a slap Like You're gonna see a
• 1:10:53
  Speaker 1: lot of people in our culture come with one joint
• 1:10:56
  Speaker 1: and then not be able to deliver the next to
• 1:10:59
  Speaker 1: follow up pieces like what was the We just told
• 1:11:02
  Speaker 1: about um really good records that came out of New
• 1:11:05
  Speaker 1: York for like the was the kid can't you can't
• 1:11:08
  Speaker 1: hear what he's saying. It's gonna sound like future, Oh
• 1:11:11
  Speaker 1: designer designs that huge record, number one record, then um
• 1:11:16
  Speaker 1: young younger man, huge record. And then we're like we're
• 1:11:20
  Speaker 1: waiting for the next piece for them, you know what
• 1:11:24
  Speaker 1: I'm saying, like the name because they're already a star
• 1:11:27
  Speaker 1: in perception, so you're gonna get different music out of
• 1:11:29
  Speaker 1: them because like if they wrote the music in the
• 1:11:32
  Speaker 1: early time front, they thought process everything would be different,
• 1:11:35
  Speaker 1: for they have everything in place already, but they're gonna
• 1:11:38
  Speaker 1: be a different person. Like that's like getting the record
• 1:11:41
  Speaker 1: out of Cardi bat right now versus what she would
• 1:11:43
  Speaker 1: write to you prior to that. Well, I told Cardi
• 1:11:45
  Speaker 1: don't be a slave to the hit because you know
• 1:11:47
  Speaker 1: she keeps thinking of now in her mind. Like I
• 1:11:48
  Speaker 1: got to look at the difference in her socially. It's
• 1:11:55
  Speaker 1: like you pop, but like every girls did the industry
• 1:11:57
  Speaker 1: club right now want to be guarded. Absolute. You just
• 1:12:01
  Speaker 1: went from being one of the people in the population
• 1:12:03
  Speaker 1: to being the one they want to be. Like, all right,
• 1:12:05
  Speaker 1: we got more with fifty cent when we come back,
• 1:12:07
  Speaker 1: don't move. It's the breakfast Club. Good morning, the Breakfast
• 1:12:10
  Speaker 1: Club winning. Everybody is DJ Envy Angela yee, Charlomagne the god.
• 1:12:17
  Speaker 1: We all the Breakfast Club. Fifty cents in the building, yee.
• 1:12:21
  Speaker 1: I love advice with fifty cents. So let's get some
• 1:12:23
  Speaker 1: advice from you about other people that I had some issues. Okay,
• 1:12:27
  Speaker 1: all right, sure, Now what advicement? What I would tell us,
• 1:12:37
  Speaker 1: should to be active, do not go in the house
• 1:12:41
  Speaker 1: because uncomfortable the things that the public is ain't and
• 1:12:44
  Speaker 1: and be visible, like if I would be popping up
• 1:12:46
  Speaker 1: everywhere because Hervey's The reason why I would do that
• 1:12:53
  Speaker 1: is because it will remind people who he is, right,
• 1:12:59
  Speaker 1: you know what I mean? And why That's what happens
• 1:13:00
  Speaker 1: if when we just hear stuff, if you go, if
• 1:13:02
  Speaker 1: you go away, if you tuck away, it becomes real
• 1:13:05
  Speaker 1: to us. We don't know, we're gonna look and go.
• 1:13:08
  Speaker 1: All you said is the picture and the big girl,
• 1:13:10
  Speaker 1: And you go, why that? Like why would you doing that?
• 1:13:13
  Speaker 1: Like now it makes anything else did you do possible
• 1:13:15
  Speaker 1: because of that? You go, I think you would be
• 1:13:18
  Speaker 1: doing that? And then he said, damn so and that
• 1:13:21
  Speaker 1: was a guy he said they had sex twice in Koreatown.
• 1:13:27
  Speaker 1: But he said, what but we don't know any of
• 1:13:32
  Speaker 1: this is true. There was a Korean town that they
• 1:13:35
  Speaker 1: had sex. Do you adjust the actual allegations? Like do
• 1:13:38
  Speaker 1: you come out and say, do you make a statement
• 1:13:40
  Speaker 1: if you want you write a song. I think he
• 1:13:42
  Speaker 1: needs to be out. I need he needs to be
• 1:13:44
  Speaker 1: out in public, like I don't think you run away
• 1:13:47
  Speaker 1: from that when it happens. He's that's intense. They've said
• 1:13:52
  Speaker 1: some things about me, they haven't never said. I don't
• 1:13:56
  Speaker 1: know if you got too I grow up. You can't
• 1:14:00
  Speaker 1: put me. I can't. I can't face things like this.
• 1:14:04
  Speaker 1: You know, this is what about Kevin Hart? What advice
• 1:14:09
  Speaker 1: would you give Kevin? You know, Cavin's a lover? Is
• 1:14:14
  Speaker 1: it cancer? You know what I'm saying. And I don't
• 1:14:17
  Speaker 1: know why what happened in this particular situation, but it
• 1:14:20
  Speaker 1: feels scandalous they lined them up. It feels scandalous. You know.
• 1:14:24
  Speaker 1: For some reason, it feels like if even after all
• 1:14:26
  Speaker 1: of this time, then we should because of enough to
• 1:14:29
  Speaker 1: not have this happen over this time. Right, So when
• 1:14:33
  Speaker 1: when that, I go, what why did that happen? And
• 1:14:36
  Speaker 1: then Charlottagne end up in the middle of it, I go, no, no, heart, Oh,
• 1:14:54
  Speaker 1: it's a whole lot going on out here, a lot
• 1:14:56
  Speaker 1: of a lot of things happening. That's crazy. Look when man,
• 1:15:01
  Speaker 1: it depends on who the what's the name was? Because
• 1:15:05
  Speaker 1: he comes from like Whendy's that's a strong background to
• 1:15:08
  Speaker 1: come out of, come from over there, you know what
• 1:15:11
  Speaker 1: I mean? It is And this is just not you're
• 1:15:14
  Speaker 1: not responsible for that. If you people met each other
• 1:15:16
  Speaker 1: around it, it's not really like That's like if if
• 1:15:20
  Speaker 1: your girl talks to a guy that that that you knew,
• 1:15:23
  Speaker 1: and you're like yo, But I know she did that
• 1:15:26
  Speaker 1: because her loyalties within your your bond between the two yards,
• 1:15:31
  Speaker 1: not that I would never like if the guy comes around,
• 1:15:34
  Speaker 1: I expect them to see what I saw, to be
• 1:15:36
  Speaker 1: attracted to what I was attracted to, Like you noticed
• 1:15:39
  Speaker 1: that this attractive woman. So it's on her to not
• 1:15:44
  Speaker 1: do those things or you know, for the relationship to
• 1:15:47
  Speaker 1: sustain the relationship. Other than that, I look and go.
• 1:15:50
  Speaker 1: I mean, it wouldn't be comfortable to have like, so
• 1:15:53
  Speaker 1: you're attroduced to now you'd be like, so, so what
• 1:15:55
  Speaker 1: did you say? So did you or did you did
• 1:16:01
  Speaker 1: you see been honest with us? Did you hook that
• 1:16:06
  Speaker 1: situation out? I really don't remember. To be honest, I
• 1:16:10
  Speaker 1: was ten years ago. This is valid ago. This is
• 1:16:12
  Speaker 1: valid to not remember ten years ago. I know the girl.
• 1:16:15
  Speaker 1: She was just my home girl. She she wasn't my
• 1:16:16
  Speaker 1: home girl. I haven't talked in Yeah, she was always around,
• 1:16:19
  Speaker 1: So I don't know. Maybe I don't know. Yeah, I mean,
• 1:16:21
  Speaker 1: but then how much of her personal business we should
• 1:16:23
  Speaker 1: be discussing with exactly a man's friend. That's not you know,
• 1:16:27
  Speaker 1: at intimacy like that. You know, you think you know Angela,
• 1:16:30
  Speaker 1: you don't know you have no idea. She's like, yeah,
• 1:16:33
  Speaker 1: but that's what you think. You know, what about you musically?
• 1:16:36
  Speaker 1: What are you doing musically? I worked on new new stuff.
• 1:16:39
  Speaker 1: What I did was I had wrote what I felt
• 1:16:42
  Speaker 1: like was the right content for the record, and I said,
• 1:16:46
  Speaker 1: I want my music to play in the nightclub next
• 1:16:49
  Speaker 1: to trap music. I want my music to play. Some
• 1:16:52
  Speaker 1: cuts on the album to play like you feel like
• 1:16:54
  Speaker 1: traditional fifty cent, but this is hot and just new
• 1:16:58
  Speaker 1: music that really you feel good about out what it is.
• 1:17:00
  Speaker 1: When when you deliver the feedy rock record to me,
• 1:17:03
  Speaker 1: like I just seen him, it was just a lust
• 1:17:04
  Speaker 1: together like that record was far from the other fetty
• 1:17:09
  Speaker 1: Wrot records I heard, and I was like, that's dope
• 1:17:14
  Speaker 1: because it feels like almost fist pumping music to the
• 1:17:16
  Speaker 1: point that it's I've been in situations like where you're
• 1:17:20
  Speaker 1: in Vegas and it's eighteen thousand people in the party
• 1:17:24
  Speaker 1: and that song is gonna be playing right. But that's
• 1:17:27
  Speaker 1: why it plays in the set, right, it belongs there.
• 1:17:31
  Speaker 1: Music is still number one to you. It feels like
• 1:17:34
  Speaker 1: magic whose when you condition for it. It's not like
• 1:17:38
  Speaker 1: a long process like like go short you your birthday.
• 1:17:40
  Speaker 1: It's not rocket science, like it's real quick. It's like
• 1:17:44
  Speaker 1: it's just what you felt when the music came. I
• 1:17:46
  Speaker 1: bet you if you asked, Cardia feels like magic now,
• 1:17:49
  Speaker 1: she said, yeah, because you're going if you've done it
• 1:17:53
  Speaker 1: several times, like recorded several records. When she's saying I
• 1:17:56
  Speaker 1: made three mixtapes, it sounds like a lot. You know
• 1:18:00
  Speaker 1: how many songs that you had to make before you
• 1:18:02
  Speaker 1: could even get a deal. Well, I think her knew.
• 1:18:05
  Speaker 1: I think the debut I'm sure like work to her
• 1:18:07
  Speaker 1: right now because they are her like I'm making a
• 1:18:09
  Speaker 1: certain type of record. Now what you gotta already. It's interesting.
• 1:18:13
  Speaker 1: I wanted the lyrics to the next song. It's gonna
• 1:18:17
  Speaker 1: be interesting what is being said because she's she's transitioned
• 1:18:21
  Speaker 1: from Cardi to join this in the club, just doing
• 1:18:24
  Speaker 1: what she's doing, and forget to love the hip hop
• 1:18:27
  Speaker 1: piece because it's still to join this in the club
• 1:18:29
  Speaker 1: because the only money that's coming is the club. Yeah, yeah, yeah,
• 1:18:34
  Speaker 1: you see what I'm saying. So from that piece to
• 1:18:38
  Speaker 1: even the presidents of the appearance, when you see her,
• 1:18:41
  Speaker 1: you go, look, she glowed up. And because we had
• 1:18:44
  Speaker 1: got old nikky kind of stuff like Nicki Minaj. That
• 1:18:49
  Speaker 1: was the outfit that Nicky didn't wear yet very similar.
• 1:18:55
  Speaker 1: You know what I'm saying stuff, I'm going, whoa, which
• 1:18:57
  Speaker 1: is this? This is okay? Wait somebody to find out
• 1:19:01
  Speaker 1: how they kid feels about that. You know what I'm saying,
• 1:19:04
  Speaker 1: like this is like our old gay you know, and
• 1:19:08
  Speaker 1: it's it's cool about everything that because I do not
• 1:19:12
  Speaker 1: care about what you're doing prior to it working in
• 1:19:16
  Speaker 1: the present moment, so that is it means nothing. As
• 1:19:20
  Speaker 1: long as you can come with the next one. It's it.
• 1:19:22
  Speaker 1: She's it well tonight, fifty Central, b et Tener, make
• 1:19:28
  Speaker 1: sure you watch it again. Fifty Central on b ET.
• 1:19:31
  Speaker 1: What episode of Scharloman on you on this one or
• 1:19:33
  Speaker 1: you know, on this one. I don't know whom gonna
• 1:19:35
  Speaker 1: be watching those twenty four might be tunes in all
• 1:19:36
  Speaker 1: of them, alright, twenty four episodes. That's right. Well, we
• 1:19:39
  Speaker 1: appreciate it, We appreciate appreciate you for joining us. Thanks
• 1:19:42
  Speaker 1: for having me. It's the Breakfast Club. Good morning,