Latest / The Bootleg Kev Podcast / #98 - Bfb Da Packman

Transcript

#98 - Bfb Da Packman · The Bootleg Kev Podcast

• 0:10
  Speaker 1: Yeah, yeah, yeah, yeah, what's good man. Welcome to another
• 0:13
  Speaker 1: edition of the boueleg Cap Podcast. Today we have got
• 0:16
  Speaker 1: BFB the pac Man on the show, one of my
• 0:18
  Speaker 1: favorite new rappers in the world. I love this guy's bars,
• 0:23
  Speaker 1: They're hilarious. He is a very I could see this
• 0:28
  Speaker 1: guy in movies in the future. Real dope dude. Man
• 0:31
  Speaker 1: been grinding independently, working at the post office and rapping
• 0:36
  Speaker 1: at the same time, like Legit on his thistle Man.
• 0:41
  Speaker 1: So we're gonna talk to BB the pac Man. I
• 0:44
  Speaker 1: promise you you're gonna be thoroughly entertained by this interview.
• 0:46
  Speaker 1: It is hilarious. All right. First things first, shout out
• 0:48
  Speaker 1: to our lovely sponsors at odds Socks. Make sure you
• 0:52
  Speaker 1: head over and support our partners. All Right, we just
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• 1:30
  Speaker 1: at odd socksofficial dot com. Let's get into the interview. Alright, look, man,
• 1:33
  Speaker 1: Bootleg cav podcast. This guy. I feel like at DMG,
• 1:36
  Speaker 1: like last year, sometime yeah man, and then finally you
• 1:41
  Speaker 1: saw it and then hit me like earlier this year.
• 1:43
  Speaker 1: I apologize, man, Welcome, Welcome. The pac Man is here, BFB,
• 1:49
  Speaker 1: the pac Man is here. Man, Man, I feel like
• 1:52
  Speaker 1: I feel blissed. I'm here with Bootleg. keV took me
• 1:54
  Speaker 1: about fucking man driving to La Bro. You're not from here.
• 2:00
  Speaker 1: Don't drive here, Bron Like how you're a driver, Man,
• 2:03
  Speaker 1: that's some real shit. I could have told you that.
• 2:05
  Speaker 1: I saw you literally pulled up in the whip driving
• 2:08
  Speaker 1: it yourself. You should have everything hands on, like everything,
• 2:12
  Speaker 1: like I respect that I don't have everything hands on me.
• 2:16
  Speaker 1: Every artist they be like, damn, you don't got no
• 2:18
  Speaker 1: team like that. I'd be like, man, I just got managers.
• 2:21
  Speaker 1: I got two managers. One is a hands on manager,
• 2:25
  Speaker 1: the other one go out there and do the big place,
• 2:27
  Speaker 1: the big place. Yeah, and other than that, I'm out
• 2:31
  Speaker 1: here in this water by myself. Were very I feel
• 2:33
  Speaker 1: like you're very self made man. Like you know. The
• 2:36
  Speaker 1: one thing that kind of caught my attention about you
• 2:39
  Speaker 1: was I thought you because because because I think people
• 2:43
  Speaker 1: think of you as like funny, like you're a funny guy, right,
• 2:47
  Speaker 1: like you know, like you're a character. But I just
• 2:50
  Speaker 1: was like, Yo, this dude also is hilarious, Like your
• 2:52
  Speaker 1: bars are fucking fire, Like you're like so funny. The
• 2:56
  Speaker 1: ship you'd be saying is like shit, I'll be saying
• 2:58
  Speaker 1: to my friends when I'm not being recorded. That's and
• 3:01
  Speaker 1: that's and thank you, bro. I need that clip. So
• 3:06
  Speaker 1: when this come out, send me that clip. That ship.
• 3:09
  Speaker 1: People mistake the ship that I say it's funny because
• 3:14
  Speaker 1: I'm not right, because because I'm not rapping about rying
• 3:17
  Speaker 1: down a nigga block and killing niggas and yeah, I
• 3:21
  Speaker 1: just capped ten twenty bricks and nigga, I spent one
• 3:24
  Speaker 1: hundred thousand on my jury. No I'm nigga. I'm yeah,
• 3:28
  Speaker 1: I'm talking about the ship. We we actually say these
• 3:31
  Speaker 1: are the things most dudes are working around with their
• 3:34
  Speaker 1: homies when we're just shooting the ship and fucking off. Yeah,
• 3:37
  Speaker 1: for sure, I'm gonna always be me. I'm always speak nobody.
• 3:41
  Speaker 1: You're saying this type of thing. And I remember Meek Mill, right,
• 3:44
  Speaker 1: Meek Mill was like, uh, you need antibiotics stuff soak
• 3:49
  Speaker 1: fish and put the laughing emoji. He felt that ship
• 3:52
  Speaker 1: in this, he felt it. So many of your lines
• 3:56
  Speaker 1: are man, it's it's real shit you can feel, bro.
• 4:01
  Speaker 1: I just think it's normal, normal dude ship. Like, yes,
• 4:04
  Speaker 1: we fucking watch porn. We talked to our homies about
• 4:08
  Speaker 1: the bitches we fucked except me. I'm married. You know
• 4:10
  Speaker 1: what I'm saying. Formerly obviously, thank you, thank you. You
• 4:13
  Speaker 1: know we we uh we make extremely crude, inappropriate jokes.
• 4:20
  Speaker 1: And I was like, we got a rapper, now you
• 4:23
  Speaker 1: got a I got eyes. We both mean and we understand.
• 4:27
  Speaker 1: Like I was talking with Mustard, Mustard's talking about that
• 4:30
  Speaker 1: make my bitch and kids leave the house so I
• 4:32
  Speaker 1: can beat my meat line. And I've been there. You
• 4:35
  Speaker 1: feel me like sometimes married man, or when you when
• 4:40
  Speaker 1: you're a married man, or when you in a relationship
• 4:44
  Speaker 1: with your baby mom for years, when everyone leaves you,
• 4:49
  Speaker 1: sometimes you sometimes your bro can be a grizzly bear,
• 4:53
  Speaker 1: you know what I mean, trying to get some pussy.
• 4:55
  Speaker 1: She turn over, you'd be like, fucking let me go ahead,
• 5:00
  Speaker 1: go to sleep, Yo, she wake up, go to work
• 5:03
  Speaker 1: he is, go to school. Then you go back home
• 5:05
  Speaker 1: and you talking that good porn hub boy. Yell listen.
• 5:10
  Speaker 1: Last week my producer right, he was like, you know
• 5:13
  Speaker 1: he got roommates, and he was like, yeah, you know
• 5:16
  Speaker 1: Charlie and the Bay and Frank Frank. He's gone. So
• 5:18
  Speaker 1: I got the house to myself tonight. The first thing
• 5:20
  Speaker 1: I said, I said, Oh, you're gonna beat your dick
• 5:23
  Speaker 1: all over that house tonight. Hey, the best part is
• 5:26
  Speaker 1: with the volume on, you will be facts on if
• 5:30
  Speaker 1: you ever that bitch, So gotta be super low. Yeah,
• 5:33
  Speaker 1: you know when you when when when when? When? When?
• 5:34
  Speaker 1: When the kids are around? Or you know you got
• 5:37
  Speaker 1: the door lock, you got you kind of imagining the sound,
• 5:40
  Speaker 1: you know what I'm saying. Yeah, Or you gotta let
• 5:43
  Speaker 1: that bitch down, you know what I mean. You gotta
• 5:45
  Speaker 1: hit the butt. You gotta hit that bitch all the
• 5:47
  Speaker 1: way down, all the way down. With the song is off,
• 5:50
  Speaker 1: you just gotta tap that bitch one time, just so
• 5:53
  Speaker 1: you can hear this bit. Yeah, a tiny bit like
• 5:57
  Speaker 1: me and Mustard was talking about that ship. Bro, me
• 5:59
  Speaker 1: and Bro. We all can relate, Bro and nigg I'm
• 6:04
  Speaker 1: about to start writing records for women as well, like
• 6:08
  Speaker 1: like I might just start writing records to sending them
• 6:10
  Speaker 1: off because it's a lot of shit about me and
• 6:13
  Speaker 1: that women can relate to that I know. And I
• 6:16
  Speaker 1: don't have no pride and I can tell the truth
• 6:19
  Speaker 1: about myself. You feel me, and that's I know that
• 6:24
  Speaker 1: from my raps to my Instagram everything. People know that
• 6:27
  Speaker 1: I got no shame either. Man to a fault. It
• 6:30
  Speaker 1: is what it is. That's why people love you. Man,
• 6:33
  Speaker 1: be myself, like I'm always be myself. Bro, No, I
• 6:36
  Speaker 1: think I think, uh, you know, it's long. You know
• 6:41
  Speaker 1: when we think about longevity in the music game, right
• 6:43
  Speaker 1: and the people who have really like lasted all these years.
• 6:46
  Speaker 1: I think for the most part, the number one thing
• 6:48
  Speaker 1: is in whatever capacity is is it's being genuine, being
• 6:53
  Speaker 1: apologetically you. Yeah, and I ain't trying to shoot on
• 6:57
  Speaker 1: nobody like I ain't trying to talk to nobody crazy.
• 7:01
  Speaker 1: I ain't trying to You're very positive, bro, you got
• 7:03
  Speaker 1: positive vibes. Bro, if you follow you on Instagram, you're like, Yo,
• 7:06
  Speaker 1: this dude is a nice guy. Bro. I don't even
• 7:08
  Speaker 1: think it's positive vibes brought this thing. It's naturally, bro.
• 7:13
  Speaker 1: Nobody is raised to be disrespectful, right, point blank period.
• 7:19
  Speaker 1: Nobody is raised to to to to just go out
• 7:24
  Speaker 1: there and hurt people. Rather it's physically, spiritually mentally like that.
• 7:30
  Speaker 1: But alone away, people forget how they was raised. Bro,
• 7:36
  Speaker 1: you know what I mean. That's real. So it's crazy
• 7:40
  Speaker 1: because I take this ship with me, like I take,
• 7:42
  Speaker 1: I take, you end up getting like all the outside
• 7:46
  Speaker 1: shit in your life ends up kind of retraining you
• 7:49
  Speaker 1: from how you was raised. Yeah, and like just about
• 7:52
  Speaker 1: this whole rep thing. Like my mama, my mama, Bro,
• 7:55
  Speaker 1: my mama, my mama. I ain't gonna say like she
• 7:59
  Speaker 1: is a dude on the internet or do it on
• 8:02
  Speaker 1: TV talking shit or whatever, and she'd be like, I
• 8:05
  Speaker 1: hate a cocky nigga. She always said that. So that's
• 8:10
  Speaker 1: why I'm like, Bro, no matter how much money I get,
• 8:13
  Speaker 1: I'm always you feel me. Hey, I wipe my ass.
• 8:17
  Speaker 1: You wipe your ass right, You wipe your ass with
• 8:20
  Speaker 1: the right hand, you right handed. I wipe my ass
• 8:23
  Speaker 1: with my right hand. Right, so we're on the same level. Right.
• 8:26
  Speaker 1: Money don't change money, don't change motherfucker. It just changed
• 8:30
  Speaker 1: the status of a person. Bro. That's it. So like
• 8:34
  Speaker 1: I see a nigga, what's up? What's up? Like it's good?
• 8:37
  Speaker 1: Ask me how many ever questions? You won't shake my
• 8:39
  Speaker 1: hand or whatever you feel me? It's good. I'm normal,
• 8:42
  Speaker 1: just like you, bro, Like that's it. Give me some
• 8:45
  Speaker 1: of your other history and like just your come up
• 8:47
  Speaker 1: man in the music game, because obviously, you know we
• 8:49
  Speaker 1: we'll get to the you being a male man and
• 8:51
  Speaker 1: all that, because I think that's that's part of your story.
• 8:53
  Speaker 1: But just you're making music. At what point in time
• 8:56
  Speaker 1: did you start taking like music serious where you actually
• 8:59
  Speaker 1: paying for studio time? And like you know what I mean, Okay,
• 9:05
  Speaker 1: break it up, Okay, So I always wanted to rap
• 9:09
  Speaker 1: my first I'm giving you from beginning to end, make
• 9:12
  Speaker 1: it fast. My first. The first person was to put
• 9:16
  Speaker 1: me in the studio was my big cousin Smoke right,
• 9:19
  Speaker 1: because he was a rapper too. He lived out in
• 9:21
  Speaker 1: Kansas City, you feel me? He lived in like Tech
• 9:26
  Speaker 1: nine and then was real shout out to Tech nine.
• 9:28
  Speaker 1: You feel me like that. Yeah, Like he just always
• 9:31
  Speaker 1: he made us want a rap man. So I just
• 9:35
  Speaker 1: like I'm an rap me as a kid, I be
• 9:38
  Speaker 1: a rapper, hot boys and shit like that. So he
• 9:40
  Speaker 1: put us in the studio real young and so along
• 9:45
  Speaker 1: the way, I just got away from the studio, but
• 9:46
  Speaker 1: I always wanted to rap. I hopped in the streets.
• 9:49
  Speaker 1: You feel me, was hustling, you feel me. And twenty
• 9:54
  Speaker 1: thirteen came. I got hit with a dope and gun case.
• 9:57
  Speaker 1: So I hopped back in the studio when I was
• 10:00
  Speaker 1: about when I was like sixteen seventeen, twenty thirteen, I
• 10:04
  Speaker 1: think so so Bam, I got a break. They gave
• 10:11
  Speaker 1: me heighter height. It is basically, you finish your probation,
• 10:17
  Speaker 1: you feel me, You pay your money, you know all
• 10:20
  Speaker 1: your felonies up. I head out in my granny basement.
• 10:23
  Speaker 1: My mam was living down in Houston, Texas. Bam. I'm
• 10:27
  Speaker 1: down there watching Whizz Whi's YouTube channel. I'm watching Nipsey Hustle,
• 10:33
  Speaker 1: Crenshaw Bullets, don't hand on it. I'm just watching these guys.
• 10:37
  Speaker 1: I'm watching how they move. I'm watching Casey Veggies down Kennedy.
• 10:41
  Speaker 1: I'm watching feel me, school boy Q. I'm watching this
• 10:46
  Speaker 1: twenty thirteen, fourteen years. It's a great blog. The blog
• 10:49
  Speaker 1: era of hip hop is my favorite era. Man, Bro,
• 10:52
  Speaker 1: you know they're not writing too dope boys and all
• 10:55
  Speaker 1: that shit. Yeah, feel me. So I'm watching all the
• 10:57
  Speaker 1: West Coast Mustard. You know, twenty thirteen fourteen Nia they
• 11:01
  Speaker 1: had this, had this in the choke hold right for sure.
• 11:06
  Speaker 1: Like for Riz, they was building that whole shit dog
• 11:08
  Speaker 1: they brought them up. So I'm watching all these niggas
• 11:11
  Speaker 1: and I'm like, Bro, I'm motivated. Got off twenty fifteen.
• 11:16
  Speaker 1: I made it out. No nonother dope, no drug cases,
• 11:19
  Speaker 1: no gun cases. And I told my ma, Mama, just
• 11:22
  Speaker 1: come down there and do something different. I ain't got
• 11:23
  Speaker 1: no failing. Let me get the fuck on up out
• 11:25
  Speaker 1: of here. Damn left went to Houston. Dam I'm searching
• 11:33
  Speaker 1: because I know what type of sign I like. I
• 11:35
  Speaker 1: know I want my videos to be. I know I
• 11:37
  Speaker 1: want my videos to be. So I ran into Oh
• 11:39
  Speaker 1: shot you? And which is my camera man? Who shoot
• 11:42
  Speaker 1: all my shit? Now? Oh shot you? And I I
• 11:48
  Speaker 1: ran into a read studios. He engineered. You're gonna see
• 11:53
  Speaker 1: him with me? He hearing from me today bamn. So
• 11:55
  Speaker 1: twenty seventeen, I started putting out records, right. I had
• 11:59
  Speaker 1: a formul record with a red should the video. Oh
• 12:05
  Speaker 1: shot you I need some promotion. Let me get on,
• 12:07
  Speaker 1: say cheese ass shot, Sean Cotton. You feel me? So
• 12:13
  Speaker 1: I was emailing Sean Cotton. He wasn't hitting back, right,
• 12:18
  Speaker 1: so I just said some of the bottom of my wraps.
• 12:20
  Speaker 1: Then he posted me, damn, that's where it go. I
• 12:27
  Speaker 1: finally got the plug. Now they email him back. Every
• 12:31
  Speaker 1: time Sean Cotton will see me in that damn email,
• 12:35
  Speaker 1: he'll take it. And he was trying to be funny
• 12:39
  Speaker 1: at first, but he was helping me. He like, there rapper,
• 12:44
  Speaker 1: that BfV rapper. Girlfriend gives him comedia. Just don't know, nigga,
• 12:50
  Speaker 1: I'm free promo. You must not know. I ain't got
• 12:53
  Speaker 1: no shame in my man. Yeah, nigga, I'm like this. Yeah,
• 12:58
  Speaker 1: all it is is that. By the way, all it
• 13:01
  Speaker 1: is is a penicillin shot to the ass, and three
• 13:04
  Speaker 1: days on the bench in your back and your back
• 13:06
  Speaker 1: back up here slugging in your back. You gotta sit
• 13:09
  Speaker 1: on that bench for three days, you feel me? I
• 13:11
  Speaker 1: still love my bitch. My bitch gave me gone Rhea,
• 13:14
  Speaker 1: but I still love her. That was the line that ship, like, yeah,
• 13:18
  Speaker 1: that ship. Ever since then, it was on. So every
• 13:24
  Speaker 1: time I will put out a single, he would, he
• 13:27
  Speaker 1: would throw it in there. Girl gives you feel me?
• 13:30
  Speaker 1: Motherfucker's getting mad at this right right, right right. My
• 13:33
  Speaker 1: nigga's like, bro, why the fuck you keep doing that
• 13:35
  Speaker 1: whole ass? Bro? Rex, they don't see the vision. I
• 13:39
  Speaker 1: see the vision like it's free promotion. People are paying
• 13:42
  Speaker 1: for that kind of promotion. You're getting it for free.
• 13:45
  Speaker 1: Come on, man, bro, they don't under bro, they don't
• 13:48
  Speaker 1: see this internet ship. How I see. That's where I'm at.
• 13:50
  Speaker 1: Where I'm at right now. I ain't got no shame,
• 13:53
  Speaker 1: my nigga, I ain't got no shame. And it's the truth.
• 13:58
  Speaker 1: I ain't on No. Six nine ship now you ain't,
• 14:00
  Speaker 1: yeah for sure, because that what he was doing was
• 14:03
  Speaker 1: a lie. That wasn't him. You're being you unapologetic call
• 14:06
  Speaker 1: an std from my bitch, and I still love her.
• 14:09
  Speaker 1: You feel me? That actually happened. I'm really living like that. Facts, Okay,
• 14:14
  Speaker 1: that happened. So water came out of my mouth, but
• 14:17
  Speaker 1: we're good. That's clean water. My mouth cleaned too. But
• 14:21
  Speaker 1: the committee Facts facts. That was years ago. So bam
• 14:26
  Speaker 1: as he doing that? My followers going up. I'm going
• 14:28
  Speaker 1: from five. I started at four or five thousand. Bam,
• 14:31
  Speaker 1: I jumped the team and I jumped his seventeen thousand
• 14:35
  Speaker 1: and then like I just kept going, kept going, kept going,
• 14:38
  Speaker 1: just the same formula. Record the song with a Red,
• 14:42
  Speaker 1: nice professional mix, great video. Then I'm doing this shit
• 14:46
  Speaker 1: all off for work check because I promised. I promised myself.
• 14:49
  Speaker 1: I wasn't going back to the streets, right, you feel me? Damn?
• 14:58
  Speaker 1: A Red says you need a feature, right, So I'm like, damn,
• 15:02
  Speaker 1: who we gonna get? I got this card, shout out
• 15:07
  Speaker 1: to Macy Smith. I felt off for a credit card
• 15:12
  Speaker 1: and they gave me four thousand dollars. Right, So I
• 15:18
  Speaker 1: had some cheese saved up and I had the four
• 15:21
  Speaker 1: thousand dollars on a credit card. Damn, I said. Man,
• 15:25
  Speaker 1: my brother had just got out of prison. He bump
• 15:28
  Speaker 1: inside of every day. He watching side of videos like
• 15:30
  Speaker 1: a motherfucker. Right, So how does that guy in Detroit?
• 15:33
  Speaker 1: For sure? So I post again on say cheese. That's
• 15:39
  Speaker 1: why I say on say cheese like before before, but
• 15:45
  Speaker 1: before say cheese, it like to get my Houston buzz
• 15:49
  Speaker 1: and my Houston following up, and how motherfuckers know about
• 15:51
  Speaker 1: me in Houston, Texas was this blow called Stay Down Productions.
• 15:56
  Speaker 1: Stay Down Productions two point zero, bro. If to every
• 16:00
  Speaker 1: artist out there if you need, if you need a
• 16:05
  Speaker 1: Texas buzz that's basically like mainly strictly Texas hit up,
• 16:10
  Speaker 1: Stay Down Productions, DMM. Get at them for for promotion,
• 16:14
  Speaker 1: man like for real facts. But say cheese? Right? I
• 16:23
  Speaker 1: posted uh to go play sat of comments on it?
• 16:31
  Speaker 1: See one thing about say Cheese. Say Cheese is a
• 16:33
  Speaker 1: big blog. All the rappers, follow the rappers, all the
• 16:36
  Speaker 1: labels like everyone's following that got three hundred followers, a
• 16:42
  Speaker 1: thousand followers that report to the big niggas that come
• 16:45
  Speaker 1: sign you. They following say Cheese. I'm trying to tell
• 16:47
  Speaker 1: niggas That's why I tell niggas promote on Say Cheese
• 16:51
  Speaker 1: and Stay Down Productions, Bro, because you got Jazz Prints
• 16:54
  Speaker 1: and all the niggas who signed draking up, all the
• 16:56
  Speaker 1: niggas following State Down Productions, and you're trying to tell niggas, bro,
• 17:00
  Speaker 1: niggas don't be listening. But anyway side of comments on it,
• 17:03
  Speaker 1: so bam my brother bumping Sider every day. He just
• 17:06
  Speaker 1: got out of prison, Sla. We're gonna get Sid up
• 17:14
  Speaker 1: for the future of video. We get Sada Sunda Like,
• 17:22
  Speaker 1: I can't do it that low, Like the amount of
• 17:25
  Speaker 1: money you offered, I can't heat. I can't do it
• 17:27
  Speaker 1: that low, Bro, mind you, Sata is dropping it. He
• 17:30
  Speaker 1: getting a million in three days. He's doing ten Nigga
• 17:35
  Speaker 1: doing numbers, Yeah, for sure, Please Bro, Like, I want to,
• 17:45
  Speaker 1: but I can't. It's just too it's just too cheap
• 17:48
  Speaker 1: a video and a feature. It's just too cheap. What
• 17:52
  Speaker 1: were you offering him, man, I can't say, Well, he
• 17:55
  Speaker 1: had four grand on the credit card and a little
• 17:57
  Speaker 1: bit of money from the from the work check. I can't.
• 18:00
  Speaker 1: I can't say, Man, it wasn't quite enough. It wasn't.
• 18:04
  Speaker 1: It wasn't Bro. And I'm gonna talk to Bro and
• 18:07
  Speaker 1: ask him. Can I start saying how much you feel me?
• 18:11
  Speaker 1: But so that happens, can you say how much he wanted? Uh? Bro,
• 18:24
  Speaker 1: Sada was getting Like Bro, Sado probably is getting like
• 18:26
  Speaker 1: ten thousand. I was gonna I was gonna say he
• 18:28
  Speaker 1: was probably getting ten right like tense the number of
• 18:31
  Speaker 1: it was probably getting like ten. Yeah, probably so you
• 18:35
  Speaker 1: asked him, you pretty much say please, and he like, man,
• 18:39
  Speaker 1: you know what I mean? Damn so and the song
• 18:44
  Speaker 1: sire and is low key a fan of me, but
• 18:46
  Speaker 1: he's not giving me no conversation. He not fuck with
• 18:49
  Speaker 1: me at all. Right right right, right, right right. I
• 18:52
  Speaker 1: got this nigga number. I'm hitting him and everything because
• 18:54
  Speaker 1: one thing about me, I'm a fine way right, So
• 18:57
  Speaker 1: I got his personal number. I'm hitting him everything, right, damn.
• 19:03
  Speaker 1: What happens is the nigga Sean kind of ends up
• 19:06
  Speaker 1: telling us of like, bro, you do it with it.
• 19:08
  Speaker 1: I'll posted try to hear me like, hey, I'll do it, bro,
• 19:14
  Speaker 1: Sean said, he gonna post it whatever we do. Se said,
• 19:18
  Speaker 1: like he support me, Bro, that nigga support, but he
• 19:21
  Speaker 1: was not back with me, Bro, and like that's what
• 19:27
  Speaker 1: let me know, Sean like a straight up nigga. He
• 19:30
  Speaker 1: straight up he one thousand you see. I mean, like, damn,
• 19:35
  Speaker 1: so we finally we finally get it in the pandemic too, Yeah,
• 19:39
  Speaker 1: we finally shoot it. He comes in studio later verse
• 19:46
  Speaker 1: like two verses with Extra Crazy in the video he directed,
• 19:50
  Speaker 1: he like nigga, nigga, are we gonna do b ro nigga,
• 19:53
  Speaker 1: I didn't know what no fucking b ro was Like,
• 19:56
  Speaker 1: Sido went overboard for that measley ass rooms right, bim
• 20:05
  Speaker 1: four o'clock, Roll around, they leave, thank you, roll through?
• 20:09
  Speaker 1: Who we go back here? He real like, nigga ain't
• 20:12
  Speaker 1: want to lead the nigga about to help me clean up?
• 20:14
  Speaker 1: You know, brock bro and roll with like ten niggas
• 20:17
  Speaker 1: and they all like thirteen niggas and they all bet
• 20:20
  Speaker 1: in the middle of coronavirus the middle. He booked this studio, right,
• 20:24
  Speaker 1: he booked it. He booked my studio. He booked both rooms.
• 20:28
  Speaker 1: And both of my engineers are running sessions for his
• 20:31
  Speaker 1: whole team, right, And they call me and they're like,
• 20:34
  Speaker 1: can you please this is there's there's there's pit bulls
• 20:37
  Speaker 1: and guns and smoking. No one's wearing masks. This is
• 20:40
  Speaker 1: like this is like probably May of last year. This
• 20:44
  Speaker 1: is like in the thick of the rona. And I
• 20:46
  Speaker 1: pulled up here and I saw what was I said, man, listen, guys,
• 20:49
  Speaker 1: we're running a rap studio here, so every once in
• 20:50
  Speaker 1: a while you gonna have to deal with some ship
• 20:52
  Speaker 1: like this. I am not telling these young men from
• 20:54
  Speaker 1: Detroit nothing. They paid good money to be here, and
• 20:58
  Speaker 1: they got the out for the night. It is what
• 21:01
  Speaker 1: it is fact. And they would smoking good week. Couldn't
• 21:04
  Speaker 1: hardly breathing that bitch, yes, and I don't smoke. And
• 21:07
  Speaker 1: they made a drink or smoke. They made a fucking mess.
• 21:09
  Speaker 1: They made a mess. It's ashes, blunt feels everything so
• 21:13
  Speaker 1: ain't really nigga, ain't want know where You're about to
• 21:14
  Speaker 1: help me clean up first, So I go in there
• 21:17
  Speaker 1: and help broke clean up. Mind you, it's full cock.
• 21:19
  Speaker 1: I got to be at the post office eight. I
• 21:24
  Speaker 1: gotta drop my kids off at daycare. I'm a daily daddy.
• 21:28
  Speaker 1: This is real life. This is real life, the real
• 21:30
  Speaker 1: life issues. Yeah, I get them. I go to sleep
• 21:32
  Speaker 1: about two hours, bam, get up, get them ready, drop
• 21:35
  Speaker 1: them off at daycare, take mass to work. A Red
• 21:39
  Speaker 1: A Red mixed the song the next morning, said that
• 21:41
  Speaker 1: the oh shot you oh shot you got the video back.
• 21:44
  Speaker 1: We put that bitch out. It was it was, it was.
• 21:49
  Speaker 1: It was up from there. Four hundred and motherfucking sixty
• 21:54
  Speaker 1: thousand followers. I don't know how many reviews on Instagram.
• 21:59
  Speaker 1: I mean, I don't hireing many views on YouTube. I
• 22:02
  Speaker 1: don't know how many views nigga on Instagram. I don't
• 22:06
  Speaker 1: know how many streams later, nigga, but I'm here, oh
• 22:09
  Speaker 1: for sure. I like to point out that I'm ninety
• 22:11
  Speaker 1: nine point nine percent sure that I actually d MD
• 22:13
  Speaker 1: you before. But let's see what did you? When did that?
• 22:17
  Speaker 1: But when did that song come out? June? Okay, I
• 22:23
  Speaker 1: hit you in October? Then, so I hit you after.
• 22:25
  Speaker 1: I hit you after, Like I said, Bro, by the way,
• 22:28
  Speaker 1: I apologize to brocause that's disrespectful. This nigga as a goat.
• 22:31
  Speaker 1: He is like a legend that I've been watching this
• 22:33
  Speaker 1: nigga for years. Man, I'm a fan, Bro. I think
• 22:36
  Speaker 1: I think I just like unique shit in the game,
• 22:38
  Speaker 1: and I think that like your bars are like so
• 22:40
  Speaker 1: relatable to my life. I was like, Dog, I'm just
• 22:43
  Speaker 1: I'm like, yeah, man, this is how we talk. This
• 22:47
  Speaker 1: is the ship I've been through in my life. I've
• 22:50
  Speaker 1: had my share of I've had to sit down for
• 22:54
  Speaker 1: a few days. You know what I'm saying. I mean, man, Bro,
• 22:57
  Speaker 1: if you really out here, fucking Bro, you called an
• 22:58
  Speaker 1: STD one because pussy feels great and for two, the
• 23:04
  Speaker 1: bitch would be so fine. You'd be like, Bro, I
• 23:07
  Speaker 1: gotta hit that motherfucker. Fuck it. It's worth it. It's
• 23:09
  Speaker 1: worth the trip to the clinic. It's worth Let me
• 23:12
  Speaker 1: stick that dicky and raw. Let me look, man, I
• 23:15
  Speaker 1: gotta feel this motherfucker. Oh, I gotta feel it. I
• 23:19
  Speaker 1: gotta feel it. I really really like her too, or not?
• 23:22
  Speaker 1: If I really like her, you could just be like, oh,
• 23:25
  Speaker 1: I want to fuck her, or you ain't seen no bit.
• 23:27
  Speaker 1: You want to fuck it and you're going through your
• 23:29
  Speaker 1: minfe fuck that bitch, Raw. I want to nuther her.
• 23:33
  Speaker 1: Once upon a time in my life I was that guy,
• 23:35
  Speaker 1: for sure, pent of time. I'm married, married man. My
• 23:39
  Speaker 1: wife is beautiful. I love her, but past tense, past
• 23:44
  Speaker 1: tents for sure. Facts Come on, man, I got a question,
• 23:51
  Speaker 1: shout out to the hook of hook of hookers, any facts?
• 23:53
  Speaker 1: So how long you been married since twenty eighteen? By've
• 23:55
  Speaker 1: been with my wife since twenty sixteen, twenty fifteen. Yeah,
• 24:02
  Speaker 1: Rihanna say, hey, CAV, you're in the link up for sure,
• 24:13
  Speaker 1: for sure twenty fifteen, twenty fifteen reread, two fifteen reread.
• 24:19
  Speaker 1: She say, CAV, you want a link up of course,
• 24:23
  Speaker 1: of course, Yeah, but you gotta hit this line of
• 24:26
  Speaker 1: cocaine oh for sure. Yeah, I'm not gonna lie. I
• 24:32
  Speaker 1: might give another dude a hand jobs the fuck Rihanna
• 24:34
  Speaker 1: in twenty fifteen. If she was like, look, we can fuck,
• 24:37
  Speaker 1: but you gotta jerk off my bodyguard, I might think
• 24:39
  Speaker 1: about it. I might think about it. Look I ask,
• 24:42
  Speaker 1: I ask a nigga, I'll be like, bro, what's your favorite? Look,
• 24:45
  Speaker 1: I'd be like, bro, what's your favorite? What's your favorite?
• 24:47
  Speaker 1: Because we read and this is no disrespecting Rocky, this
• 24:50
  Speaker 1: is twenty fifteen. This is we're worried about we currently
• 24:53
  Speaker 1: are in twenty fifteen. At the time, she's no disrespected Rocky.
• 24:56
  Speaker 1: I'm talking about at the time she's sleeping with Drake
• 24:58
  Speaker 1: on the side, she's not currently like seriously lockdown. I
• 25:01
  Speaker 1: don't think you know twenty fifteen. So we're we're in
• 25:04
  Speaker 1: a time machine. Yeah, but I say that to every
• 25:07
  Speaker 1: nigga that I run into. Not but first I ask.
• 25:10
  Speaker 1: I'm like, bro, who is your celebrity crush? But I
• 25:12
  Speaker 1: just use re read because she's the baddest unique, she's well,
• 25:16
  Speaker 1: she's also like like a safe person to use right
• 25:19
  Speaker 1: if she is nigga Beyonce before Hove before marriage, will
• 25:23
  Speaker 1: Hove you know what I mean, She's the baddest, she's
• 25:26
  Speaker 1: the unique, she's the she's the queen. And let's be honest,
• 25:30
  Speaker 1: like Rihanna probably got way better draws than Beyonce. Like
• 25:34
  Speaker 1: I feel like Rihanna's definitely a probably a lot more
• 25:39
  Speaker 1: crazier when it comes to uh, you know them sheets.
• 25:44
  Speaker 1: Maybe I'm tripping, but I would I would bet my
• 25:46
  Speaker 1: money that Rihanna's with all kinds of shit that Beyonce
• 25:49
  Speaker 1: may not be down for. Like I bet you Rihanna's
• 25:53
  Speaker 1: eating asad rockets ass for sure. If I had to
• 25:55
  Speaker 1: bet my money on it, I bet she is, Like
• 25:59
  Speaker 1: if you had, if you had to bet you a
• 26:00
  Speaker 1: paycheck on it, that she's that, she's that Rihanna's eating now,
• 26:04
  Speaker 1: she's eating as for sure. Yo. Anyways, man, Yeah, So
• 26:19
  Speaker 1: what I was saying was what he was saying was
• 26:21
  Speaker 1: that fifteen that I just used Rihanna because she is
• 26:25
  Speaker 1: the imperial You feel me like she's the imperial nigga.
• 26:29
  Speaker 1: Re Re is that nigga. She laying like that nigga,
• 26:32
  Speaker 1: And I just wanting to hear what would a nigga
• 26:36
  Speaker 1: do for imperial woman? Like one of my homies he
• 26:40
  Speaker 1: loved Nikki, right, I said, Bro, Nigga. Nikki said, Nigga,
• 26:45
  Speaker 1: if you want to get with me, Nigga, you gotta
• 26:47
  Speaker 1: hear four lines of coke. That nigga said, I'm eating
• 26:49
  Speaker 1: them bitches for sure. I said, I've never done cocaine.
• 26:53
  Speaker 1: By the way, me neither me neither. That's why I'm
• 26:55
  Speaker 1: like drugs, right, see me. I love Lizzo. I know this.
• 27:01
  Speaker 1: I'm like that. I see you putting it out there.
• 27:04
  Speaker 1: So if she say, pat, you gotta hear some coke.
• 27:09
  Speaker 1: What if she said, hey, jumping this cooch. What if
• 27:11
  Speaker 1: she said, you gotta shoot heroin to jump in the coach,
• 27:16
  Speaker 1: I'm up bout of there. You listen, no, but but
• 27:19
  Speaker 1: but you're down for cocaine. No hen So listen Liz
• 27:25
  Speaker 1: Lizzo says you gotta hit this coke. You're saying, no, bro, listen.
• 27:30
  Speaker 1: I love Wiz Khalif and the Death. I wholeheartedly love
• 27:34
  Speaker 1: that niggah, like keep my uncle or something. It's my
• 27:38
  Speaker 1: brother for sure. That nigga said, pack, you gotta hear
• 27:42
  Speaker 1: some weed when you come through this next time. I said, Wiz,
• 27:46
  Speaker 1: I'm never coming through. I can't. I can't hear no, bro,
• 27:52
  Speaker 1: it's just something my body with drugs just can't do it.
• 27:55
  Speaker 1: Like I got drunk, bro, I can't. Like I'm a
• 27:57
  Speaker 1: sober nigga. Bro, So you're you would like just leave Lizzo?
• 28:03
  Speaker 1: You would you smoke weed for Lizzo? I hit it
• 28:08
  Speaker 1: one time one time, Okay, no cocaine, but you do
• 28:12
  Speaker 1: the weed one time just so you turned hit it,
• 28:17
  Speaker 1: just hit it like this a little bit? What what
• 28:20
  Speaker 1: what inspired you to be so drug free and such
• 28:24
  Speaker 1: a non drug free industry that we're in ship? For one,
• 28:32
  Speaker 1: excuse me for one. My father uh smokes crack m
• 28:42
  Speaker 1: that's my nigga. Everybody know that he's I said it
• 28:44
  Speaker 1: in my songs. I don't know if that's because I
• 28:52
  Speaker 1: don't know if that made him ain't shit dad or
• 28:55
  Speaker 1: he was just ain't your dad? You feel me? Because
• 28:58
  Speaker 1: sometimes drugs are changed people for sure, for sure, especially
• 29:02
  Speaker 1: especially certain drugs. So and then on top of that, man,
• 29:07
  Speaker 1: I just used to see people on the corner and
• 29:08
  Speaker 1: strung out. You see that ship. If you're from the hood, bro,
• 29:16
  Speaker 1: you grew up nigga. If you're not from the hood,
• 29:18
  Speaker 1: if you grow up out of Beverly Hills and Calabasha's
• 29:21
  Speaker 1: way up. When you go to La you see people
• 29:23
  Speaker 1: strung out, But you know what this ship gonna do
• 29:25
  Speaker 1: to you? Why do you want to try? Right? So
• 29:30
  Speaker 1: you got to see the darkest side of the drug shit.
• 29:34
  Speaker 1: Hell yeah, I was already struggled enough for food, my nigga,
• 29:38
  Speaker 1: I hear you. I love fool me too, me too.
• 29:41
  Speaker 1: I mean obviously where I'm not as if I got
• 29:45
  Speaker 1: to die boyd popping, But that is my one vice. Man.
• 29:49
  Speaker 1: If I could eat all day, like when I'm like
• 29:52
  Speaker 1: peak pandemic me, I'm waking up, I'm just eating all day.
• 29:57
  Speaker 1: I have a whole ass of dinner. As soon as
• 29:59
  Speaker 1: I'm done with my wife's amazing Mexican food she might cook,
• 30:03
  Speaker 1: I'll eat two bowls of apple jacks. Of course, I
• 30:09
  Speaker 1: love apple jacks. What's my favorite apples? Fruity pebbles, rice,
• 30:17
  Speaker 1: Krispy trees. They get too soggy in the milk. Though,
• 30:19
  Speaker 1: after a while, it's like, what am I a hood classic?
• 30:23
  Speaker 1: He's fucking I would eat all fucking day. Man, It's
• 30:25
  Speaker 1: like it's like and then, like you said, apple jacks,
• 30:28
  Speaker 1: He's a legend. But yeah, but the drug shit is
• 30:32
  Speaker 1: like for me, like all my family was all heroin
• 30:35
  Speaker 1: addicts and meth meth fiends growing up because I grew
• 30:38
  Speaker 1: up in like in Phoenix, in like a area called
• 30:40
  Speaker 1: Sonny Slope, which is kind of like it's like a
• 30:44
  Speaker 1: it's like the white trash trailer park hood, you know
• 30:47
  Speaker 1: what I'm saying, Mexican hood. And it was like my
• 30:50
  Speaker 1: whole family was always strung out in and out of
• 30:52
  Speaker 1: prison and ship. So I never I'm just German and Irish,
• 30:56
  Speaker 1: just a white dude, you know what I'm saying. But uh,
• 31:00
  Speaker 1: I never. That's why I never fuck with no hard.
• 31:01
  Speaker 1: I didn't. I didn't start drinking until I was twenty one.
• 31:03
  Speaker 1: I never even fuck with alcohol. I drink sometimes, but uh,
• 31:07
  Speaker 1: I've never done any hard. I'm never taking a pain pill. Bro.
• 31:10
  Speaker 1: I've had surgery and shit, and I refused to fuck
• 31:12
  Speaker 1: with the pain pills because I'm like, man, I know
• 31:15
  Speaker 1: my my lineage of family, they're addicts. So if I
• 31:19
  Speaker 1: take a fucking pain pill, who knows where the fuck
• 31:22
  Speaker 1: that's gonna take me in life, you know what I'm saying, Like,
• 31:23
  Speaker 1: I might get hooked on that shit. Nah. See, And
• 31:25
  Speaker 1: that's the reason why I'm like, Bro, I can't do
• 31:29
  Speaker 1: it and we and we was in the we we
• 31:32
  Speaker 1: ninety five baby, like nineties babies. You were born in
• 31:35
  Speaker 1: ninety five, Okay, I was born in eighty seven, so
• 31:37
  Speaker 1: so we nineties babies. We our air was so much
• 31:43
  Speaker 1: cracking coke. We was Zanny babies for sure. We pop
• 31:48
  Speaker 1: a Zannies. You feel me do shit like that? Well, Also,
• 31:52
  Speaker 1: it's the era. You grew up in the era where
• 31:54
  Speaker 1: it was normalized to be a user through music facts.
• 32:00
  Speaker 1: You're thinking like Sanny Perker set, like we peel babies,
• 32:03
  Speaker 1: think about mask Off by Future. This song, this song
• 32:08
  Speaker 1: is so crazy. This song is so crazy when you
• 32:11
  Speaker 1: hear it, like the whole hook is talking about through
• 32:13
  Speaker 1: a Perko set, like like it'll ruin your old fucking life,
• 32:17
  Speaker 1: you know what I'm saying. Like we we just watched
• 32:20
  Speaker 1: money bag Yeo's video for Wakesha, like right before you
• 32:23
  Speaker 1: got here. I had it on the TV and I
• 32:25
  Speaker 1: was like, I used to drink syrup. Well that's a drug.
• 32:28
  Speaker 1: I used to drink syrup like two thousand, Yeah, I
• 32:32
  Speaker 1: mean that's a real like fifteen I was young drink
• 32:34
  Speaker 1: that's a realized drug. Though, that's opious. But while watching
• 32:37
  Speaker 1: that Wakisha video. I was like, this is like the
• 32:40
  Speaker 1: craziest like song because it's like you go to the
• 32:43
  Speaker 1: club and it's like one of the hottest songs in
• 32:45
  Speaker 1: the country. But if you're if you really listen to Wakeisha,
• 32:48
  Speaker 1: he's just explaining to everybody out he is addicted to
• 32:51
  Speaker 1: Lean and he relapses and goes through withdraws and like
• 32:55
  Speaker 1: it's if you really break down the lyrics to that song,
• 32:58
  Speaker 1: it's like it should scare anyone to do the drugs.
• 33:02
  Speaker 1: He's something how he spent four hundred grand on leanb
• 33:04
  Speaker 1: I'm like, bro, this ship is crazy and yeah it's
• 33:08
  Speaker 1: a different error man. Yeah again back to my habit.
• 33:20
  Speaker 1: The shirt activists taste is so damn good. Bro. Oh
• 33:29
  Speaker 1: that's the problem, right, it tastes good. Oh, that's the problem.
• 33:33
  Speaker 1: It taste caste. It's a problem with me. Not I
• 33:36
  Speaker 1: like tasting, but say you like food. It's up there.
• 33:39
  Speaker 1: It's the same ship. Yeah, so like it was that
• 33:41
  Speaker 1: and yeah, bro, I used to love that, that sweet ship,
• 33:46
  Speaker 1: that sugar. Bro that put put them with the soda
• 33:49
  Speaker 1: and yeah, so I wasn't drinking again. It's so close
• 33:53
  Speaker 1: to your other addiction. Yeah, bro, I wasn't drinking. I
• 33:57
  Speaker 1: was drinking because the ship. Maybe, Bro, anybody who was
• 34:02
  Speaker 1: a real drink head. No, when you get that, don
• 34:07
  Speaker 1: you taste that syrup? Your body just be like going down.
• 34:12
  Speaker 1: It could be just a little bit out the motherfucking
• 34:15
  Speaker 1: thing and you just but I went cold Turkey twenty fifteen.
• 34:23
  Speaker 1: Did you have withdraws? Man? No? Bro, so you you
• 34:26
  Speaker 1: you weren't like I would. I wouldn't. I was every
• 34:30
  Speaker 1: couple of days, Bro. I wouldn't every day on the day,
• 34:32
  Speaker 1: because you know, if you if you like, if your
• 34:34
  Speaker 1: body's used to that shit, it's tough to get off
• 34:37
  Speaker 1: that ship. I wouldn't like. I wouldn't like h like
• 34:41
  Speaker 1: I talked to Schoolboy Q about it, like I. He
• 34:43
  Speaker 1: was telling us, like when he quit, how hard it
• 34:44
  Speaker 1: was because of the pain your body goes through and
• 34:46
  Speaker 1: shit like that. Shit crazy. I fuck with school Boy C.
• 34:49
  Speaker 1: I can't wait to do a song. Yo. He's probably
• 34:53
  Speaker 1: like top three most funniest dude in all the rap
• 34:56
  Speaker 1: if you like, actually know him. He's a maniac. He's hilarious.
• 35:00
  Speaker 1: You guys would fucking love each other, and you guys
• 35:03
  Speaker 1: would be it would be It would be just like
• 35:05
  Speaker 1: everyone would be dying laughing in the room. Bro, real ship.
• 35:08
  Speaker 1: I'm gonna tell you something about like guys, what humor?
• 35:13
  Speaker 1: You know, because in this rap game and this business,
• 35:15
  Speaker 1: everybody want to be tough. Everybody want to be sugar
• 35:17
  Speaker 1: night bitch. You not tough, like relax, Bro, it's a
• 35:20
  Speaker 1: little nigga that's fine three that will knock you off. Bro, relax,
• 35:25
  Speaker 1: And I don't want to be like that, Like I'm
• 35:27
  Speaker 1: like the cool guy, like gods talk like that, but
• 35:31
  Speaker 1: you feel but everybody want to be tough and ship
• 35:33
  Speaker 1: and like I hate that. That's one thing I hate
• 35:36
  Speaker 1: about people, bro, Like everybody, especially people in this culture.
• 35:41
  Speaker 1: It's like my neighbor relaxed, Bro, my man's over there,
• 35:45
  Speaker 1: will blow you pause and we and we sit right
• 35:50
  Speaker 1: here until the police car. That's crazy, Like bro, just relax,
• 35:56
  Speaker 1: just relaxed. But we but we're good, are we cool? Whatever?
• 35:59
  Speaker 1: But it's like that shit. I hate that ship bro,
• 36:02
  Speaker 1: because like it's the people like your favorite rapper, your
• 36:07
  Speaker 1: favorite artists don't have no character and that nigga lame
• 36:10
  Speaker 1: for like this is true school boy. Fuck fuck with him.
• 36:15
  Speaker 1: And that's what made me a fan of him, because
• 36:18
  Speaker 1: like he's rapping up. To me, he's the hardest person
• 36:20
  Speaker 1: on the TV. I know a lot of people who
• 36:23
  Speaker 1: feel that way, and I see it. He's I mean, listen,
• 36:25
  Speaker 1: school is amazing, man. And then that like man like
• 36:30
  Speaker 1: man that it's the stories that he was telling, the
• 36:35
  Speaker 1: way that he raps. It's like, bro, he tells the story.
• 36:38
  Speaker 1: You don't even have to rhyme, just like we just
• 36:41
  Speaker 1: listening like Pole Pole, pile Pole. When he was rapping up,
• 36:48
  Speaker 1: I forgot what's that ship called? We used to basically
• 36:51
  Speaker 1: telling how he was growing up on Hoover he said.
• 36:54
  Speaker 1: He was like yeah, yah, y'all like damn nigga. Hearing
• 36:58
  Speaker 1: them say cubs made a fig I was like, bro,
• 37:01
  Speaker 1: well you mentioned a lot of LA rappers, so you're
• 37:04
  Speaker 1: you're really like a fan of West Coast hip hop
• 37:08
  Speaker 1: in general. I mean you mentioned I mean Casey like
• 37:10
  Speaker 1: you said, Casey veggiees Early had a wave like him
• 37:13
  Speaker 1: and Rocky Fresh put out of tape together. That shit
• 37:14
  Speaker 1: was crazy, Like you know, I think that uh talk
• 37:18
  Speaker 1: about because you know, you being from Flint, what is
• 37:20
  Speaker 1: the the relationship between Michigan and the Bay, because it's
• 37:25
  Speaker 1: something there we just had Pero Giovanni up here, and
• 37:29
  Speaker 1: you know he's does so much shit with so many
• 37:32
  Speaker 1: barrier artists like I don't know, like y'all on the
• 37:36
  Speaker 1: same wavelength location. I'm being in the back see as
• 37:40
  Speaker 1: a little fat kid hearing big Toma Toma right right,
• 37:48
  Speaker 1: sprinkle me man like nigga, not my daddy, not my mama, boyfriend, nigga,
• 37:53
  Speaker 1: my mama. It's just me, my mom and my brother
• 37:56
  Speaker 1: in Detroit listening to Fida or in Flint, Flint, sorry Flint,
• 37:59
  Speaker 1: how far is went from Detroit forty five minutes totally
• 38:03
  Speaker 1: different places? I apologize to y'all. Get the water situation together. No,
• 38:08
  Speaker 1: that shit's crazy. We won't dive into that, but that
• 38:11
  Speaker 1: shit's crazy. But that bro, that was like bro e
• 38:18
  Speaker 1: forty fan, bro Bro. I don't know why, Hey, man
• 38:24
  Speaker 1: forty in the click asks payroll, same thing forty in
• 38:27
  Speaker 1: the click he riding around with his daddy. You know
• 38:30
  Speaker 1: what I mean? Listening to forty bro. I don't know
• 38:32
  Speaker 1: why the fuck the niggas was so heavy, The Bay
• 38:35
  Speaker 1: Area niggas was so heavy and Mischian like that. I
• 38:37
  Speaker 1: don't know why. And we far as fuck away from
• 38:40
  Speaker 1: each other, very far, Hey, interrupting the interview to tell
• 38:43
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• 38:45
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• 39:37
  Speaker 1: When I think of flint and hip hop, I think
• 39:38
  Speaker 1: of John Connor, and I think An mc breed that's
• 39:42
  Speaker 1: that's kind of like the lineage. And you know, John
• 39:45
  Speaker 1: Connor is a crazy lyricist signed a shady for a while.
• 39:48
  Speaker 1: I mean he's a very talented guy. Now you're fucking
• 39:50
  Speaker 1: on fire. So like, like, was there any sort of
• 39:53
  Speaker 1: like scene in Flint that you had to like look
• 39:55
  Speaker 1: up to or was it like, mm, yeah, we'll looked
• 39:59
  Speaker 1: up to Dayton fan Oh, Dayton family was crazy for sure,
• 40:03
  Speaker 1: of course. Yeah, yeah, yeah, we looked up the Dayton family. Yeah. Like,
• 40:08
  Speaker 1: like Michigan in general is like such a it's such
• 40:11
  Speaker 1: a diverse hip hop scene. There's like ship all the
• 40:15
  Speaker 1: way over to the left where it's like e Sham
• 40:18
  Speaker 1: and Insane Clown Posse, and then it's Eminem and then
• 40:22
  Speaker 1: it's Jay Dillon and Slum Village and then over here
• 40:26
  Speaker 1: it's you know, dope Boys cash Out and pas and all.
• 40:29
  Speaker 1: It's just it's such a we grew up on dope
• 40:31
  Speaker 1: Boys cash out. See when you mentioned No Boy cash Out,
• 40:36
  Speaker 1: you gotta like No Boy's cash Out was like the
• 40:40
  Speaker 1: first niggas to actually in our era ninety five and
• 40:45
  Speaker 1: Down Babies ninety four. Down them niggas inspire us, like
• 40:50
  Speaker 1: a motherfucker. Gez came to get them my dog host
• 40:54
  Speaker 1: not just one, but all host well, because they were
• 40:57
  Speaker 1: kind of from a different side of Detroit that didn't
• 41:00
  Speaker 1: necessarily have because Big Sean was active, but Sean wasn't,
• 41:05
  Speaker 1: like from the from that side of Sean wasn't Sean was.
• 41:10
  Speaker 1: Sean was like, like, how the fucking I say this?
• 41:20
  Speaker 1: Seawan is not a street rapper. But they don't mean
• 41:24
  Speaker 1: he ain't from the street. No, I didn't say he wasn't.
• 41:25
  Speaker 1: I know Sean very well, that's my dog, But I
• 41:27
  Speaker 1: just mean it's in terms of like the subject matter
• 41:30
  Speaker 1: and his music. It ain't like streets selling up like that.
• 41:34
  Speaker 1: That's what I'm saying. Don't know what I'm saying. I mean,
• 41:36
  Speaker 1: I'm not saying. Nigga, we rhyding down, mother fucking uh.
• 41:42
  Speaker 1: We on the West Side Nigga and we nigga. We
• 41:45
  Speaker 1: got spots opening Nigga, We calm pros, we got true
• 41:49
  Speaker 1: religion zone Nigga. We Nigga, we living, We popping Rose
• 41:53
  Speaker 1: and dom p Nigga and we rocking meets our sons
• 41:58
  Speaker 1: and ship like that. You know, West cash out, payroll
• 42:01
  Speaker 1: them them niggas inspired us like a motherfucker bro yeah.
• 42:07
  Speaker 1: I mean then like two years later, some nigga's name
• 42:11
  Speaker 1: Peazy and Dane. See, I don't know if y'all know
• 42:15
  Speaker 1: about Dame Bro. I don't know about Dame, but I
• 42:17
  Speaker 1: know about psy p the first R and Brown High School.
• 42:21
  Speaker 1: They're like, yeah, we fucking with a cash out. But
• 42:23
  Speaker 1: you'all heard of Ps and Dane. See when people speak
• 42:27
  Speaker 1: about like Detroit, right, they forget, they forget something. They
• 42:34
  Speaker 1: to be like Payroll, you know, because Parro from the West,
• 42:37
  Speaker 1: or they be like psy Peasy from the east. But no,
• 42:40
  Speaker 1: they was team Team east Side was from the East side.
• 42:44
  Speaker 1: Do Wes Cashout was from the West, and they historically
• 42:48
  Speaker 1: don't those two sides of town don't get along. Right,
• 42:51
  Speaker 1: I can't really speak on Detroit, you're but growing up
• 42:56
  Speaker 1: in Flint, I'm telling you how I heard about these
• 42:58
  Speaker 1: niggas and they came teen east Side. It's like different,
• 43:03
  Speaker 1: like they sound, was different, fun from the Boys can't
• 43:07
  Speaker 1: show and Psy and Dang. They like Psy and Dang.
• 43:13
  Speaker 1: Y'all gotta get on Dame, doc Bro check them out,
• 43:16
  Speaker 1: like they was all Team east Side. That was teen
• 43:19
  Speaker 1: east Side was was was baby Face Ray And that's
• 43:23
  Speaker 1: why niggas so happy for right now because he's killing it.
• 43:28
  Speaker 1: B these bro, they was it was Team east Side,
• 43:33
  Speaker 1: Team et Side, Snoop, baby Face, Ray, Uh Love, p
• 43:39
  Speaker 1: uh uh pasy dang dot All these niggas is doing
• 43:44
  Speaker 1: their own separate thing. Now. You can google Dame Doc.
• 43:46
  Speaker 1: You can google uh peasy Face, Ray Snoop got Snoop
• 43:53
  Speaker 1: had lost his life. Give the RP Snoop Summer Mind.
• 43:56
  Speaker 1: Nigga like, bro like yeah, but but them the guys
• 44:01
  Speaker 1: that we grew that's what you. Yeah, you grew up
• 44:03
  Speaker 1: on Dope West cash out of Team Team east Side
• 44:06
  Speaker 1: for sure. You're currently you know, the new album is
• 44:11
  Speaker 1: out and it's it's it's a great project. It's you know,
• 44:14
  Speaker 1: I've been seeing a lot of good things being said
• 44:18
  Speaker 1: on Twitter about as far as just the feedback and
• 44:20
  Speaker 1: getting from the fans. Young indie nigga man we we
• 44:23
  Speaker 1: we Bro. I ain't got no problem my nigga. I'll
• 44:25
  Speaker 1: do the groundwork, nigga. I'm I'm running. Tell me when
• 44:30
  Speaker 1: you say indie, are you like, are you doing the
• 44:33
  Speaker 1: distro kid the tune court thing? Like, well, how are
• 44:35
  Speaker 1: you like distributing your music? H Orchard okay? Orchard okay? Okay,
• 44:40
  Speaker 1: thro the Orchard, so they distro, they do distro. Yes,
• 44:44
  Speaker 1: the Sony Sony Orchard. Yeah yeah, yeah I get them.
• 44:50
  Speaker 1: You feel me. They they give me like j like
• 44:55
  Speaker 1: ship that tone Core couldn't do. Yeah, they give you
• 44:58
  Speaker 1: a budget, they'll help I get it. Yeah, like they
• 45:02
  Speaker 1: like they they gonna give you the money, right, but
• 45:09
  Speaker 1: it ain't like no guidance like that, Like nigga is here,
• 45:13
  Speaker 1: you go, all right, here's your money. What are you
• 45:17
  Speaker 1: gonna do with it? That's on you. You got to
• 45:20
  Speaker 1: make sure your team is together. You gotta make sure
• 45:21
  Speaker 1: you know what you One day I called and was like, yeah,
• 45:23
  Speaker 1: they asked him for what's the name. What's that? He said, Oh,
• 45:25
  Speaker 1: you gotta pay them. I'm like, oh, so you're like, bro,
• 45:31
  Speaker 1: you're still independent. Bro. He's like, nigga, major Labels, is
• 45:37
  Speaker 1: this your first project through the Orchard, so prior to that,
• 45:43
  Speaker 1: you were just doing the district kid there. Yeah no,
• 45:49
  Speaker 1: they like yeah, And that's what my manager was like, bro. Yeah, bro,
• 45:52
  Speaker 1: like we're gonna help you, my nigga, Like, we're gonna
• 45:55
  Speaker 1: help you, nigga. That's why people's because the big labels
• 46:01
  Speaker 1: was hitting me, like the label labels of course this
• 46:05
  Speaker 1: drug So I mean Free Joe Exatic is such a
• 46:09
  Speaker 1: big record independently. That ship's crazy that like that was
• 46:12
  Speaker 1: such a moment, you know what I'm saying. And it's
• 46:15
  Speaker 1: a kind of record that could change anyone's life. And
• 46:18
  Speaker 1: that's when my man was just like, bro, you wanted
• 46:22
  Speaker 1: to be independent, they can put your big boy draws
• 46:24
  Speaker 1: on m do do what your ship. So I just
• 46:30
  Speaker 1: turned it up like I was just back at back
• 46:33
  Speaker 1: back when I was, I didn't have no record, just
• 46:37
  Speaker 1: making relationships, just trying to do whatever. So I'm like,
• 46:40
  Speaker 1: fuck it, let's get out here. So everything you see
• 46:44
  Speaker 1: from these relationships with these artists to me doing this ship,
• 46:51
  Speaker 1: that's that's that's me running up on niggas, tapping the
• 46:54
  Speaker 1: niggas DM getting him, hey, tell him I got this
• 46:57
  Speaker 1: for tell him. I'm trying to spread Like me, I'm
• 47:00
  Speaker 1: running on the ground. So you mentioned that you've shot
• 47:07
  Speaker 1: the video with Sada Baby. The next morning you have
• 47:09
  Speaker 1: to take your kids to day care and then you
• 47:11
  Speaker 1: had to be to work at the post office. At
• 47:13
  Speaker 1: this point in time, you have a distribution situation with
• 47:17
  Speaker 1: a serious distributor that you just put your new album out.
• 47:22
  Speaker 1: Are you're You're still not working at the post office?
• 47:24
  Speaker 1: Are you you still are? You have to be part
• 47:27
  Speaker 1: time though, This is how it is, right. So after
• 47:32
  Speaker 1: I come off tour, after I get done and running round,
• 47:35
  Speaker 1: I go back home and go back to work. Still
• 47:39
  Speaker 1: to this day, still to this day, there's not no bullshit,
• 47:42
  Speaker 1: not no bullshit, bro, I swear. And for people who
• 47:47
  Speaker 1: don't know, you know what my best friend in the
• 47:49
  Speaker 1: world is he's worked at the post office for fifteen years.
• 47:52
  Speaker 1: So the benefits are off the chain. You feel me?
• 47:55
  Speaker 1: That union is off the check. You could take a
• 47:59
  Speaker 1: leave of Athens app since for as long as you want.
• 48:02
  Speaker 1: See the beauty thing, the beautiful thing about the post
• 48:04
  Speaker 1: office is they won't fire you. That's some real ship
• 48:08
  Speaker 1: once you do, some foul ship unless you steal right
• 48:12
  Speaker 1: but outside and some ship like that. And and it's
• 48:14
  Speaker 1: people that stole male that's still working that motherfucker. Yeah,
• 48:17
  Speaker 1: the union, Bros, The Union's got you. You feel me? Yeah?
• 48:21
  Speaker 1: Mad as hell? Why tyrie? People be hating, bro, people
• 48:26
  Speaker 1: be hating you? Feel me? Yeah? My boy? Anytime some
• 48:29
  Speaker 1: shit happens, like he'll cut his hand at work or something,
• 48:32
  Speaker 1: I gotta call my union wrap man. Come on, bro,
• 48:37
  Speaker 1: you know what's going on? How long? How long do
• 48:39
  Speaker 1: you plan on keeping the job? Like, like in all seriousness,
• 48:42
  Speaker 1: like you're you don't need it, you know what I mean.
• 48:44
  Speaker 1: Like I'm not saying that it's not good. You have kids, right,
• 48:46
  Speaker 1: so it's not. It's a good thing to have benefits
• 48:48
  Speaker 1: and have some sort of security, but like, realistically for
• 48:52
  Speaker 1: your career to kind of take it to to take
• 48:54
  Speaker 1: the next step, you're gonna need that bandwidth, right, Yeah,
• 48:57
  Speaker 1: probably probably when I signed to a major, which isn't
• 49:04
  Speaker 1: even necessary, by the way, I'd like to point out
• 49:06
  Speaker 1: it's not. It's not it's not, but the thing is
• 49:14
  Speaker 1: right with a major, right, this is what This is
• 49:16
  Speaker 1: what I wanting to tell people. You got to have
• 49:20
  Speaker 1: somebody in the building. Mm hmm. That's all You're gonna
• 49:24
  Speaker 1: be successful. Yeah, because you got someone in the building
• 49:27
  Speaker 1: and then meetings fighting for your ship. Yep. Once you
• 49:32
  Speaker 1: get that motherfucker in the building, you're good. Do you
• 49:37
  Speaker 1: feel want to do it's gonna get clear if it
• 49:40
  Speaker 1: makes sense. Do you feel like you'd like that that's
• 49:47
  Speaker 1: your next you know, because you you have the big features,
• 49:52
  Speaker 1: right you you uh, you're you're getting shows. You're doing
• 49:57
  Speaker 1: things that a lot of people aren't majors aren't doing.
• 50:00
  Speaker 1: You're doing numbers that a lot of people who are
• 50:02
  Speaker 1: on major labels aren't doing. What is the one thing
• 50:06
  Speaker 1: that you think they can bring to the table that
• 50:08
  Speaker 1: will make a difference? Because I said, like you could still,
• 50:12
  Speaker 1: you could run up your indie catalog for another two
• 50:14
  Speaker 1: or three years. So what I was see one thing
• 50:23
  Speaker 1: about me is when you approached me, Bro, and you
• 50:30
  Speaker 1: a solid me, right, then you want to do business
• 50:33
  Speaker 1: with me. Even if we don't do business, I'm gonna
• 50:36
  Speaker 1: keep you around. You're gonna be my friend, right, Cliff
• 50:41
  Speaker 1: Joseph my man's. That's my man's. If you're in a
• 50:45
  Speaker 1: music business, you might or might not know Cliff Joseph
• 50:50
  Speaker 1: Solomon sounds Savvy Davis on Instagram. Savvy's my guy. Yes,
• 50:55
  Speaker 1: sav we're both the only sons fans in the rap
• 50:58
  Speaker 1: game that we know. Kindle, this is real name. You
• 51:01
  Speaker 1: know all these guys, all these guys. Gary, that's at Atlantic,
• 51:09
  Speaker 1: You feel me, Dallas, that's at Atlantic. Bro. I keep
• 51:12
  Speaker 1: all these motherfuckers close to me. They all in hands reached.
• 51:16
  Speaker 1: They are all homies, right, It's just a matter of
• 51:21
  Speaker 1: I hear what they do when they like an artist,
• 51:24
  Speaker 1: when they like a record, or when they want to
• 51:27
  Speaker 1: push your record radio costs a couple hundred thousand dollars
• 51:32
  Speaker 1: one thousand. He's about to put Ain't no Indies about
• 51:35
  Speaker 1: to put no bread on you like that unless you
• 51:37
  Speaker 1: sign with Empire. I don't really know. I don't know.
• 51:41
  Speaker 1: I'm gonna get you. I gotta get you with Ghazi.
• 51:43
  Speaker 1: You know what I'm saying. There's a cheat code. But
• 51:48
  Speaker 1: Ain't no Indies is about to go like like ain't bro,
• 51:55
  Speaker 1: No Majors is gonna put the bag up. Majors got
• 52:00
  Speaker 1: good relationships. They've been had relationships for fucking nigga before
• 52:05
  Speaker 1: we was even here. You was born in eighty seven.
• 52:08
  Speaker 1: I was born in ninety five. They've been there before
• 52:13
  Speaker 1: both of us. N WA came out when around the
• 52:16
  Speaker 1: time I was born, Prince came out. When for sure,
• 52:18
  Speaker 1: you're right, Michael Jackson was out Win. I would just
• 52:21
  Speaker 1: say this Priority Records was out win, which is a
• 52:24
  Speaker 1: which is uh with like Aristo Records owns. I think
• 52:32
  Speaker 1: a lot of the old shit, uh like bro, these
• 52:36
  Speaker 1: record labels been here since the sixties and seventies. You
• 52:40
  Speaker 1: think that you is worth more than a relationship that's
• 52:47
  Speaker 1: been getting paid that they've been doing business with just
• 52:50
  Speaker 1: the sixties. How close were you because of like with
• 52:54
  Speaker 1: Free Joe Exotic, you could have taken that record to
• 52:56
  Speaker 1: any major I'm sure and then they could have put
• 52:59
  Speaker 1: the bag behind it their rate. Yo, theyd all that like,
• 53:01
  Speaker 1: it wouldn't make sense. It didn't make sense. Plus I
• 53:03
  Speaker 1: didn't know the business. See seat, see see you gotta
• 53:06
  Speaker 1: learn the business, bro. So I'm like, fuck it, let
• 53:09
  Speaker 1: me do the indie route. Let me take this little
• 53:11
  Speaker 1: bag that the indie got. But while I'm over here
• 53:14
  Speaker 1: and pay my bills, take care of my kids. That's
• 53:19
  Speaker 1: gonna be a roll across the rod. Let me learn
• 53:21
  Speaker 1: the business, let me float. It's gonna keep me afloat.
• 53:25
  Speaker 1: I'm just gonna do the work. I'm gonna learn the business. Though.
• 53:29
  Speaker 1: You have to learn the fucking business man for sure.
• 53:32
  Speaker 1: So in that time, I'm learning the business while I'm
• 53:37
  Speaker 1: with this while while I'm while I'm with this indy,
• 53:41
  Speaker 1: while I'm with this dish drum. Why am I saying?
• 53:43
  Speaker 1: Why with this disdrum? So That's what I've been doing.
• 53:48
  Speaker 1: I've been learning the business. It's a lot of ship
• 53:50
  Speaker 1: that I didn't know. It's a lot of ship as
• 53:53
  Speaker 1: well as artists don't know. We don't have a clue.
• 53:57
  Speaker 1: That's real. And they wanted to they wanted to stay
• 53:59
  Speaker 1: that way. Man, Man, the majors, they gonna lose. They
• 54:03
  Speaker 1: hand up. They're gonna fuck you wrong, straight up. They
• 54:06
  Speaker 1: dick up and fuck you wrow and the business and
• 54:10
  Speaker 1: why they fuck you is so you can learn the
• 54:15
  Speaker 1: business and they can profit at the largest spence. So
• 54:20
  Speaker 1: I'm like, fuck it, let me do this right, let
• 54:24
  Speaker 1: me learn the business. That's what you're doing. And the
• 54:28
  Speaker 1: new album is out, and the album is something that
• 54:30
  Speaker 1: like I feel like it's a real statement, you know,
• 54:33
  Speaker 1: because it's easy to put out I would say it's easy,
• 54:35
  Speaker 1: I don't want to say that, but putting out singles,
• 54:37
  Speaker 1: putting out moments one at a time, But to put
• 54:40
  Speaker 1: out a cohesive body of work is a whole other thing.
• 54:43
  Speaker 1: The story, you know what I mean, fat niggas you
• 54:45
  Speaker 1: know them skits was really real, Like that's that's really
• 54:48
  Speaker 1: shit that happened in my life as a kid. That
• 54:50
  Speaker 1: that chick Red really did tell me the reason why
• 54:53
  Speaker 1: she didn't want to be my girlfriend as a little
• 54:56
  Speaker 1: kids because I was fat and ugly. You know what
• 54:58
  Speaker 1: I mean? That beach made of beast. You're that beach
• 55:02
  Speaker 1: got about six key is not? Oh? I bet right? Yeah,
• 55:06
  Speaker 1: she's probably fat as well. She blew up. I don't know,
• 55:11
  Speaker 1: I haven't seen the bitch. Well, I feel like I
• 55:13
  Speaker 1: feel like most of you got about she had about
• 55:15
  Speaker 1: five six keys not. It'd be hard for any woman
• 55:17
  Speaker 1: to have six kids and not be at least ten
• 55:19
  Speaker 1: to fifteen overweight. That's a lot. That's a lot of kids.
• 55:24
  Speaker 1: I mean, that's a lot of bounce back. You're bouncing
• 55:26
  Speaker 1: back all your twenties at that point. I mean, dj
• 55:30
  Speaker 1: emmy wife's no, immy got about like six old or seven? Yeah,
• 55:34
  Speaker 1: but sim yeah, they're rich, So I think that's say,
• 55:38
  Speaker 1: not no chick for the hood, ain't. Yeah, Yeah, I
• 55:41
  Speaker 1: don't know. I think you got money. You get the trainers, right,
• 55:43
  Speaker 1: you get your diet right, you know what I mean?
• 55:45
  Speaker 1: I mean? Yeah? But yeah, do you are you? So?
• 55:49
  Speaker 1: How many kids you got? I got too? Two kids?
• 55:52
  Speaker 1: How are they three or four? And? Uh are you
• 55:55
  Speaker 1: still with the baby mama? Yeah? Is that something that's
• 55:59
  Speaker 1: like hard to do? Pull off? The family life and
• 56:02
  Speaker 1: still be on the road, still do the shows. How
• 56:05
  Speaker 1: do you do it? Man? Because I think a lot
• 56:07
  Speaker 1: of people just do it. You know, Bro, my baby
• 56:10
  Speaker 1: mama been with me since before this rap shit. And
• 56:13
  Speaker 1: you know when I be joking on the Instagram, when
• 56:15
  Speaker 1: I be posting like oh she outside, you know, tell
• 56:19
  Speaker 1: too the old you know, it's dumb motherfucks to be like,
• 56:21
  Speaker 1: oh man, she got that nigga for that money? Like,
• 56:23
  Speaker 1: but you know, been here way before this ship, right right, Dad?
• 56:27
  Speaker 1: You know what I think? And this is why I say, like,
• 56:33
  Speaker 1: this is why I say, this is why I hold
• 56:37
  Speaker 1: it down for us fat niggas, man, because when they
• 56:42
  Speaker 1: see a fat nigga, they think of, oh he stink.
• 56:46
  Speaker 1: You don't got no bitches. The two fat things, I
• 56:50
  Speaker 1: mean them, the two them, the two fat most things.
• 56:53
  Speaker 1: They stereotypes, the you ain't getting no pussy stink facts. Okay,
• 56:59
  Speaker 1: this is the natural fact of this ship, bro. Like
• 57:05
  Speaker 1: you should see the comments. I'll be looking at the
• 57:07
  Speaker 1: comments like, bro, y'all really think this, y'all really think this.
• 57:13
  Speaker 1: I know she ain't giving that nigga, y'all really think this?
• 57:16
  Speaker 1: So okay, Well, I got a boy listen, and then
• 57:22
  Speaker 1: it be so careless because you go to a nigga
• 57:24
  Speaker 1: pasge this baby mama ugly than a motherfucker or the
• 57:27
  Speaker 1: bitch ugly as hell? Like man, listen, do you know
• 57:30
  Speaker 1: I gotta I gotta bro? Oh my god, you you
• 57:35
  Speaker 1: you're ain'ty? You want to eat this bitch pussy if
• 57:37
  Speaker 1: you if she see her, I got a bitch so bad, nigga,
• 57:40
  Speaker 1: you're ainty, you want to eat this bitch pussy? Nigga
• 57:42
  Speaker 1: your mama? Did you watch your mind? Nigga? And I
• 57:45
  Speaker 1: had her before wrapped fuck And I don't pay these
• 57:48
  Speaker 1: holes nothing. Why do they be thinking that? They Oh,
• 57:52
  Speaker 1: that's another thing. They think I'm a fat trick. I
• 57:54
  Speaker 1: was gonna say in your song, you say you like hookers, bro,
• 57:57
  Speaker 1: my nigga, I like it hook meaning I like hos.
• 58:02
  Speaker 1: You know what I like holes, bro, Because there's so
• 58:05
  Speaker 1: many secrets to a good bitch, A good Oh, I
• 58:09
  Speaker 1: ain't never done this. I'm a good woman. When you
• 58:12
  Speaker 1: find out that she got a train ran on her
• 58:14
  Speaker 1: by the offensive line of the nosh the Tennessee Titans
• 58:17
  Speaker 1: and let him up at the I'm a good girl,
• 58:21
  Speaker 1: haw man, I'm good girls man, them bitches, them them,
• 58:24
  Speaker 1: them bitches have to be having so many secrets and
• 58:27
  Speaker 1: may be sneaky. My nigga the hose. At least you
• 58:29
  Speaker 1: know what you signed up for. Off the rip, looking
• 58:31
  Speaker 1: looking at looking at the industry, Bro, looking at the industry,
• 58:35
  Speaker 1: look at what happens. Bro, Sometimes a hole can beat
• 58:40
  Speaker 1: a good girl, a good wife. You know why because
• 58:46
  Speaker 1: most likely, Bro, she was probably touched as a girl.
• 58:49
  Speaker 1: You feel me as a girl, not as a woman,
• 58:51
  Speaker 1: as a kid. Try touched as the girl. She probably
• 58:54
  Speaker 1: was abandoned, so she probably thought like daddy in Yeah,
• 58:59
  Speaker 1: like ship like that. Bro. I'm from the streets. I'm
• 59:01
  Speaker 1: from the ghetto. I seen this ship. I've seen good women.
• 59:05
  Speaker 1: I seen I seen, I seen whores. Bro, I'm talking
• 59:08
  Speaker 1: about bitch. He used to get trained nd. Bro, they
• 59:11
  Speaker 1: ended up getting married. You know why because they can
• 59:16
  Speaker 1: see they falls, they can see they they true with theyself. Yeah,
• 59:20
  Speaker 1: I used to do that. That was me. I was young,
• 59:23
  Speaker 1: I was hurt. I was this. I was that boy.
• 59:27
  Speaker 1: Them good girls don't be ship, bro, Them good girls
• 59:31
  Speaker 1: them just be sneaky. Them be the sneaky holes. Man.
• 59:35
  Speaker 1: Them bitches that are cheat on you man fast. Yeah,
• 59:38
  Speaker 1: or at least got the secrets for sure. Bro, I'm
• 59:43
  Speaker 1: realistic with this ship, bro fact so uh, I know
• 59:48
  Speaker 1: you know you're such it had to be such a
• 59:49
  Speaker 1: big deal for you to work with Wiz, right, Whiz
• 59:52
  Speaker 1: is uh one of the dopest dudes in the game,
• 59:56
  Speaker 1: because he's like the kind of cad where he'll only
• 59:58
  Speaker 1: do something if he fucks with like the like he's
• 1:00:01
  Speaker 1: only doing the record if he likes the record, and
• 1:00:04
  Speaker 1: if he likes the record, chances are he's just doing
• 1:00:07
  Speaker 1: it like he ain't charging you, Like, I don't think
• 1:00:11
  Speaker 1: people understand that about Whiz, Like you think Wiz will
• 1:00:14
  Speaker 1: hit a lot of these young up and coming cats up. Nah,
• 1:00:18
  Speaker 1: if he's fun, if he funks with the music, he's
• 1:00:20
  Speaker 1: gonna do the record because he wants to, because he's
• 1:00:22
  Speaker 1: like that's just how it is. You know what I'm saying,
• 1:00:24
  Speaker 1: You wanted you didn't have to pay for the Whiz verse, right,
• 1:00:26
  Speaker 1: I'm assuming mm hmmm mm hmm. Well, this is something
• 1:00:34
  Speaker 1: that Quiz is pretty open about. We talked about it
• 1:00:37
  Speaker 1: in an interview I did with him, Like, Man, I'll
• 1:00:40
  Speaker 1: be having the aggs, Man, I'll be having to find
• 1:00:42
  Speaker 1: out from people, Man, no, no, no, he openly said,
• 1:00:45
  Speaker 1: like if I if I fuck with someone's ship, don't
• 1:00:48
  Speaker 1: matter how big they are, Like, I'm gonna just do it.
• 1:00:52
  Speaker 1: He said. Meanwhile, this guy's like, well he didn't do
• 1:00:54
  Speaker 1: that for me. I might need to put a call
• 1:00:58
  Speaker 1: like I don't want to. I don't be one to
• 1:01:00
  Speaker 1: speak on like like one thing about me, bro like
• 1:01:05
  Speaker 1: not saying I don't want to rub nobody the wrong
• 1:01:07
  Speaker 1: way and nothing like that. I just be wanting to say.
• 1:01:14
  Speaker 1: I don't be wanting to speak the wrong No, I
• 1:01:17
  Speaker 1: get it. I want to say the wrong ship. I
• 1:01:21
  Speaker 1: don't like you were supposed to keep that between us,
• 1:01:23
  Speaker 1: Like I get it. And then I'm at the moment like,
• 1:01:27
  Speaker 1: oh damn, Brod, you're right, You're right. Hey, look I
• 1:01:30
  Speaker 1: respect that. Man. It's like with us, like if we
• 1:01:33
  Speaker 1: have a if we have a conversation off air, that's
• 1:01:36
  Speaker 1: I'm a real guy, bro, I'm like a real person.
• 1:01:39
  Speaker 1: I respect. I'm not about to feel boot Me and
• 1:01:42
  Speaker 1: Boulet care talked about that behind it. Yeah, I'm just
• 1:01:45
  Speaker 1: gonna leave it out there. What are your future aspirations?
• 1:01:49
  Speaker 1: I do feel like you're so funny. I feel like
• 1:01:52
  Speaker 1: you could do movies you can. I want to you
• 1:01:55
  Speaker 1: can do all of it, man, I want to Bro.
• 1:01:58
  Speaker 1: That's that's that's Bro. I'm linking up with Zach Fox. Bro.
• 1:02:02
  Speaker 1: I'm trying to get a TV show. I'm trying to
• 1:02:03
  Speaker 1: do Bro my life on the road. Bro. Niggas some Bro.
• 1:02:08
  Speaker 1: Sometimes niggas get mad because we play so much and
• 1:02:12
  Speaker 1: we crack so many jokes, and we like niggas be
• 1:02:14
  Speaker 1: bound a fight on the road, bro, and we still
• 1:02:18
  Speaker 1: be laughing. I want to break off in acting so bad,
• 1:02:24
  Speaker 1: Bro that they told me to move out to l A.
• 1:02:27
  Speaker 1: They're like, Bro, please move out to l A. You're
• 1:02:30
  Speaker 1: gonna first off, you're gonna link with everybody. You're gonna
• 1:02:33
  Speaker 1: do good music out here for one for two. You're
• 1:02:36
  Speaker 1: gonna you're gonna break off into your acting out here. Bro.
• 1:02:39
  Speaker 1: If you do, just keep like an address in Houston's
• 1:02:41
  Speaker 1: you know, pay the shitty taxes here because the tax
• 1:02:43
  Speaker 1: is here are the worst. Yeah, it's bad. Listen. The
• 1:02:49
  Speaker 1: album is an homage to all the fat homies out
• 1:02:51
  Speaker 1: here I'm killing and the real ones and the skinny dudes. Man,
• 1:02:55
  Speaker 1: I ain't singling nobody out I want to know though.
• 1:02:58
  Speaker 1: Let's talk about some some fat dude ship real quick.
• 1:03:01
  Speaker 1: Because I always have these debates with the homies. Let's start.
• 1:03:06
  Speaker 1: Let's rank. Can we rank from top to bottom the
• 1:03:12
  Speaker 1: fast food chains in the in the country, like when
• 1:03:16
  Speaker 1: we're talking about the McDonald's, the Taco Bells, the Burger Kings,
• 1:03:19
  Speaker 1: the Windy's in and outs all that this list. Give
• 1:03:22
  Speaker 1: me your like, top five fast food chains one to five?
• 1:03:31
  Speaker 1: I can't do. I can't do the proper order. Okay,
• 1:03:34
  Speaker 1: but chick fil A? Will Chick fil A be number one?
• 1:03:39
  Speaker 1: I can't do ok ok okk No order Chick fil A,
• 1:03:42
  Speaker 1: No order Chick fil A for one? If forever bro
• 1:03:48
  Speaker 1: McDonald's is always a hood classic. I don't give a
• 1:03:50
  Speaker 1: fuck if you don't eat now because it's masky. Let
• 1:03:53
  Speaker 1: me say this ship because I say this ship all
• 1:03:54
  Speaker 1: the time. McDonald's is fire as fuck. If it wasn't
• 1:03:58
  Speaker 1: so fucking fire, it wouldn't be the biggest ship in
• 1:04:02
  Speaker 1: the world. The ship is fire. Is it good for you?
• 1:04:05
  Speaker 1: Are they great? It tastes good. That's it's If it
• 1:04:10
  Speaker 1: wasn't so fucking good, it wouldn't be the biggest ship
• 1:04:13
  Speaker 1: in the world. They got their own Coca Cola there
• 1:04:16
  Speaker 1: brou their coke tastes different than all the coke in
• 1:04:19
  Speaker 1: the world. All right, McDonald's, we gotta put some respects
• 1:04:23
  Speaker 1: on McDonald's. Be out here getting disrespected. Bro, I pull
• 1:04:25
  Speaker 1: up with that motherfucker. Give me a double cheeseburger, Give
• 1:04:27
  Speaker 1: me the mcdouble, Put French fries inside of the burger.
• 1:04:30
  Speaker 1: Extra ketchup, give me the spicy mic chickens. I just
• 1:04:36
  Speaker 1: spent two dollars and I'm on, ain't get the orange
• 1:04:41
  Speaker 1: high seed in the hot sea. He was about to
• 1:04:43
  Speaker 1: say it, took it out of my mouth. They brought
• 1:04:45
  Speaker 1: him batt know what they was doing. They knew they
• 1:04:49
  Speaker 1: was fucking bugging when they took that ship off the menu. No, bro, alright,
• 1:04:53
  Speaker 1: real shit. So chick fil a McDonald's, believe it or not.
• 1:05:00
  Speaker 1: I grew up. It was a Wendy's in my hood.
• 1:05:03
  Speaker 1: Fire Wendy's spicy chicken nuggets, yep, fire fire. Get a
• 1:05:08
  Speaker 1: frosty man, Frosty on the hot summer day, big up.
• 1:05:12
  Speaker 1: Put some fries in that bitch man. You ever put
• 1:05:15
  Speaker 1: tippyr fries in the frosty I haven't bro. I to
• 1:05:18
  Speaker 1: be honest, bro, I've really been trying to lay off
• 1:05:20
  Speaker 1: like the fat I'm getting too big. I'm not talking
• 1:05:22
  Speaker 1: about now, I'm talking about in life. You never you
• 1:05:24
  Speaker 1: never did the fries with the frog. But I eat
• 1:05:26
  Speaker 1: my fries with my frosty, not dip it in there.
• 1:05:29
  Speaker 1: But it's you eat some fries and then to them up,
• 1:05:34
  Speaker 1: and then before you swallow, before all the fries is
• 1:05:37
  Speaker 1: down the throat, you put some ice cream screaming there,
• 1:05:39
  Speaker 1: and that ship tastes so good. But I ain't never
• 1:05:41
  Speaker 1: just blamely ate it like that. The Wendy's Chili is
• 1:05:45
  Speaker 1: the movie back in the now. You remember, back in
• 1:05:47
  Speaker 1: the day, Wendy's used to like have a little like bar,
• 1:05:51
  Speaker 1: like a little like like bar, like you get the
• 1:05:54
  Speaker 1: baked potato there and they would have all the ingredients
• 1:05:56
  Speaker 1: inside and you put like sour cream and the bacon.
• 1:05:58
  Speaker 1: Bitch Whendies used to listen shout out to Wendy's. I
• 1:06:01
  Speaker 1: love Wendy's. We got two more, man, I will say,
• 1:06:12
  Speaker 1: Taco Bell. They fucked up my stomach last time I
• 1:06:16
  Speaker 1: was in La Man, I had a real bad stomach ache.
• 1:06:18
  Speaker 1: Bro So Taco Bell, Taco Bell I really got. I
• 1:06:23
  Speaker 1: ain't feeling them right now, so I'm just leaving my
• 1:06:29
  Speaker 1: I ain't don't really seem like no Arby's here, you
• 1:06:31
  Speaker 1: fuck with Arby. I love arbyst. I love Arby's got
• 1:06:35
  Speaker 1: we got the meats, and everyone hates on Arby's everything.
• 1:06:39
  Speaker 1: Everyone says it's fun yo, my boy, pun I just
• 1:06:42
  Speaker 1: saw they were arguing on Twitter saying black people don't
• 1:06:45
  Speaker 1: need Arbies. They capping. Bro. Let me tell you something, nigga, nigga,
• 1:06:49
  Speaker 1: my baby mama, I gotta stop calling my baby mama bitch,
• 1:06:51
  Speaker 1: my girl. Her mama got mad at that, and my
• 1:06:54
  Speaker 1: mama cut into me about that, like stop calling her, yo, bitch. Listen,
• 1:06:59
  Speaker 1: Arby's my girl, you know, because Arby's just like they
• 1:07:02
  Speaker 1: got them curly fries. The curly fries, my nigga with
• 1:07:05
  Speaker 1: the horsey sauce. I like the Rby sauce, that beef
• 1:07:08
  Speaker 1: and cheddar, all that fucking melted cheese. See fun with Arby's.
• 1:07:14
  Speaker 1: Arby's is a dark horse for sure, because nobody talks
• 1:07:16
  Speaker 1: about Arby. They really got the meats. Facts. It's a
• 1:07:20
  Speaker 1: chicken sliders there. They sliders go dumb niggas and they're
• 1:07:24
  Speaker 1: like a dollar get the ham and cheese. We're hard.
• 1:07:31
  Speaker 1: Who's holding down the five spot. I'm a flip nigga, bro,
• 1:07:38
  Speaker 1: I'm a Michigan nigga. Okay, And this franchise was made
• 1:07:43
  Speaker 1: in Michigan. And Rosa Parks was about to get put
• 1:07:49
  Speaker 1: out of her apartment, and the owner of this franchise
• 1:07:56
  Speaker 1: pay her rent up until she died. Little Caesars five dollars.
• 1:08:12
  Speaker 1: And by the way, Little Caesar's pizza is better than
• 1:08:17
  Speaker 1: pizza Hudding Dominoes, that's for sure. I could go. When
• 1:08:23
  Speaker 1: you go to Flint, I'm gonna take you to get
• 1:08:25
  Speaker 1: a Stramboli nigga. You ever ate one of them? Yeah,
• 1:08:29
  Speaker 1: that's real Flint shit. Bro. See. See people think about Michigan,
• 1:08:32
  Speaker 1: they think about Detroit, right, but no, you gotta go
• 1:08:36
  Speaker 1: to forty You gotta go forty five minutes north. Okay,
• 1:08:41
  Speaker 1: when you hop off, motherfucking when you hop off that
• 1:08:45
  Speaker 1: plane in Metropolitan go go go, go forty five minutes
• 1:08:50
  Speaker 1: north to a little town called Flint. Get you some
• 1:08:54
  Speaker 1: fucking Little Caesars, and let me tell you, we get
• 1:08:57
  Speaker 1: you some motherfucking lit familia nigga. Right, get you, get
• 1:09:01
  Speaker 1: you some lit familiar, Get you some uh, get you
• 1:09:05
  Speaker 1: some uh, get you some ya yas. Get you some
• 1:09:09
  Speaker 1: Hanlo Burger, get you some Big John's. That's real Flint
• 1:09:13
  Speaker 1: ship and then you gotta turn on a Flint artists.
• 1:09:15
  Speaker 1: Let me get them. Hold on, wait, wait, wait for
• 1:09:17
  Speaker 1: all the fucking an r's at these labels. Nigga, shout
• 1:09:20
  Speaker 1: them out, man better fact, shout out to my baby
• 1:09:23
  Speaker 1: Momenta Leo Nick. She motherfucking she she inspired me to
• 1:09:27
  Speaker 1: do this. But anyways, back to you know what I mean,
• 1:09:32
  Speaker 1: if you're an artist at these labels, Bro, this sound
• 1:09:37
  Speaker 1: that you're hearing coming out of Michigan. Bro, it's a
• 1:09:41
  Speaker 1: Flint song. Okay, it's from Flint. Pay attention to Flint.
• 1:09:47
  Speaker 1: We got rio to Young o g who freem frem.
• 1:09:53
  Speaker 1: We got wires are Grams, we got grind hard E.
• 1:09:58
  Speaker 1: We got motherfucking Crispy Life Kid. We got King Cashes
• 1:10:03
  Speaker 1: for the record. Crispy Life Kid is uh, that's an
• 1:10:07
  Speaker 1: amazing name, like if he opened up a restaurant I
• 1:10:10
  Speaker 1: eat there. We got, we got Wiresar Grahams Nigga. We
• 1:10:17
  Speaker 1: got mo fucking we got, we got, we got, we
• 1:10:19
  Speaker 1: got Jeff Scott. Jeff Scott's the motherfucking Kendrick Lamar Nigga Flint,
• 1:10:25
  Speaker 1: go scoop these niggas. These niggas gonna nigga. These niggas
• 1:10:29
  Speaker 1: gonna sell King Cashes. I'm trying to tell you, if
• 1:10:34
  Speaker 1: you are an R at these labels, bro go grab
• 1:10:37
  Speaker 1: some Flint kids. Do it. I'm trying to tell you,
• 1:10:42
  Speaker 1: do I gotta say the names again. Louis Ray, grind
• 1:10:47
  Speaker 1: hard E, Crispy Life Kid, King Cashes. Why is Sar
• 1:10:53
  Speaker 1: grahams Flint Durreal Rich Flint? Please go no, no, I
• 1:11:00
  Speaker 1: got the Real Rich. Don't worry about him. I ain't
• 1:11:03
  Speaker 1: even got even on paper yet, but I ain't worry.
• 1:11:05
  Speaker 1: But they ain't about to go grab nobody out of
• 1:11:06
  Speaker 1: flat anyway. They gonna wait till niggas pop anyway. Jeff
• 1:11:10
  Speaker 1: Sky's that's how it works, man, that's the Kendrick Lamar Flint.
• 1:11:13
  Speaker 1: Oh watch that nigga video. I'm trying to tell you, niggas,
• 1:11:16
  Speaker 1: y'all gonna wait till these niggas pop. Nigga gonna be
• 1:11:18
  Speaker 1: like damn I heard a pac Man said in the interview.
• 1:11:20
  Speaker 1: He said it first, y'all gonna wait to these y'all
• 1:11:24
  Speaker 1: niggas gonna wait to these niggas get a hit record. Man,
• 1:11:26
  Speaker 1: y'all gonna wait to these niggas catch a little bus
• 1:11:28
  Speaker 1: y'all gonna wait till they get one hundred thousand followers
• 1:11:30
  Speaker 1: on Instagram. Then they're gonna call, and I'm gonna be
• 1:11:33
  Speaker 1: right there. Make them niggas give you a fifty fifty
• 1:11:40
  Speaker 1: no distribution feet. I'ma giving them niggas all the game
• 1:11:44
  Speaker 1: that I had to learn, niggah, Well, make them make
• 1:11:50
  Speaker 1: them get you. I don't even know the name of it.
• 1:11:55
  Speaker 1: I don't even know what's the proper language for it.
• 1:11:57
  Speaker 1: But let them hold the masters for like teen years
• 1:12:00
  Speaker 1: or five years, and then they returned back to you.
• 1:12:05
  Speaker 1: I'm gonna be giving them niggas the sauce nigga because
• 1:12:07
  Speaker 1: y'all niggas don't want to go pick them up right now.
• 1:12:09
  Speaker 1: And I'm telling y'all, well, look man, the album is out. Flint, Michigan, nigga.
• 1:12:13
  Speaker 1: I'm trying to tell you your album is out. It's fire.
• 1:12:19
  Speaker 1: Thank you, more videos coming. I just saw you shooting
• 1:12:22
  Speaker 1: the video with Coiler Ray. I saw you like Lake
• 1:12:25
  Speaker 1: Blake pressing Coiler Ray. Coy bro. I want to tell
• 1:12:29
  Speaker 1: everybody this, bro, y'all, keep you all fucking mouth closed. Bro,
• 1:12:33
  Speaker 1: for real about Coy, Nigga. Cooy a real person, Bro,
• 1:12:37
  Speaker 1: and she real cool. It's fuck nigga. She don't disrespect nobody,
• 1:12:40
  Speaker 1: and she was super nice. I haven't met her yet,
• 1:12:42
  Speaker 1: be real gangster. You heard me. And she hit harder
• 1:12:46
  Speaker 1: than the motherfucker. She was punching me on my back.
• 1:12:49
  Speaker 1: Nigga that she was hurting low key. I kept trying
• 1:12:51
  Speaker 1: to more. She ain't no no packing around hitting me
• 1:12:55
  Speaker 1: hard as hell. She'll fuck one of y'all up a
• 1:12:58
  Speaker 1: better playing Coy like that for real, Bro, for real,
• 1:13:02
  Speaker 1: she a fucking all up. Coy is a very beautiful person, Bro,
• 1:13:06
  Speaker 1: very nice, very respectful nigga. Her mama showed up, Nigga.
• 1:13:09
  Speaker 1: Her mama real loving like it was like a family,
• 1:13:12
  Speaker 1: her team like they took over the whole spot that
• 1:13:14
  Speaker 1: was playing games. Like, Bro, they really I really really
• 1:13:17
  Speaker 1: love Coy Like, Bro, It's like, this is why I
• 1:13:20
  Speaker 1: love Wiz, this is why I love Zach Fox, This
• 1:13:24
  Speaker 1: is why I love like so many, so many different people, because, Bro,
• 1:13:30
  Speaker 1: they show up and they get a good vibe. I
• 1:13:33
  Speaker 1: didn't been in the room with other rappers. I didn't
• 1:13:35
  Speaker 1: been around other rappers and and the vibes trash trash
• 1:13:39
  Speaker 1: for sure. But yeah, man, shout out to Cooy that's
• 1:13:41
  Speaker 1: the next video. I'm assuming that's when it's coming next
• 1:13:45
  Speaker 1: for Fire shot by JDF Film. That's my brother from Phoenix, Arizona. Man,
• 1:13:49
  Speaker 1: that's my boy JDN JD Films. Go get you a
• 1:13:53
  Speaker 1: video from Phoenix's own Yeah facts and go get you
• 1:13:56
  Speaker 1: a video from my nigga. Oh shot you to a beast.
• 1:13:58
  Speaker 1: We about to we about to get him together. That's
• 1:14:01
  Speaker 1: my brother from the mud nigga. We started nigga shooting
• 1:14:03
  Speaker 1: videos for two hundred dollars. Nigga nigga. He gonna getting
• 1:14:06
  Speaker 1: one hundred thousand videos and shallah. At the end of
• 1:14:08
  Speaker 1: twenty twenty two, Well there it is man, the album
• 1:14:11
  Speaker 1: is out. Go support it. By the way, Shout out
• 1:14:13
  Speaker 1: to the honorable mentioned Taco Bell. That's in my five.
• 1:14:17
  Speaker 1: That shit hurt my stomach. I think I think they
• 1:14:18
  Speaker 1: gave me some bowl lettuce bro. I think something about
• 1:14:20
  Speaker 1: Taco Bell. I appreciate it is just the innovation, no fact.
• 1:14:23
  Speaker 1: I love Taco Bill. Grew up on Taco Bill. The
• 1:14:26
  Speaker 1: innovation though every time you go to Taco But they
• 1:14:28
  Speaker 1: got some new shit. That they rolled out, and it's
• 1:14:30
  Speaker 1: some shit that like you had to be high or
• 1:14:32
  Speaker 1: fat to think of. Let's put Frito's in a burrito, nigga,
• 1:14:37
  Speaker 1: I used Taco bell season from my tacos. Oh yeah, fact,
• 1:14:41
  Speaker 1: that's for the grocery store. You're going crazy, baby Jesus now,
• 1:14:44
  Speaker 1: oh listen, appreciate you pulling up my guy. Thank you,
• 1:14:48
  Speaker 1: go get the album. Thank you, Boom Real Yellow Lunch
• 1:14:52
  Speaker 1: Crew