Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Philip Marlowe: The Monkey’s Uncle (EP1631)

Transcript

Philip Marlowe: The Monkey’s Uncle (EP1631) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:28
  Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
• 0:33
  Speaker 1: This is your host, Adam Graham. If you have a comment,
• 0:37
  Speaker 1: email it to me Box thirteen at Great Detectives dot net,
• 0:41
  Speaker 1: follow us on Twitter at Radio Detectives, and become one
• 0:45
  Speaker 1: of our friends on Facebook, Facebook dot com slash Radio Detectives. Well,
• 0:51
  Speaker 1: before we do get started, I do want to let
• 0:53
  Speaker 1: you know this program is brought to you in part
• 0:55
  Speaker 1: by the financial support of our listeners, and I want
• 0:58
  Speaker 1: to thank Kate so much for her support. You can
• 1:01
  Speaker 1: support the show at support dot Great Attractives dot NTT,
• 1:06
  Speaker 1: and you can also become a regular monthly supporter of
• 1:09
  Speaker 1: the show at Patreon dot Great Attractives dot net. Well,
• 1:13
  Speaker 1: now it's Tom for today's episode of the Adventures of
• 1:16
  Speaker 1: Philip Marlowe the original air date March the seventh of
• 1:20
  Speaker 1: nineteen fifty and the Toddle the Monkey's Uncle.
• 1:27
  Speaker 2: Get this and Get it straight. Crime is a sucker's road,
• 1:30
  Speaker 2: and those who travel it wind up in the gut
• 1:31
  Speaker 2: of the prison of the grave. This time I tangled
• 1:34
  Speaker 2: with a mad scotchman, a phony English lord, and a
• 1:36
  Speaker 2: beautiful blonde cops in a fright house all because of
• 1:40
  Speaker 2: a butler who walked on his knuckles. It happened like this.
• 1:45
  Speaker 3: From the men of Raymond Chandler outstanding all through of
• 1:47
  Speaker 3: crime fiction. Comes his most famous character in the Adventures
• 1:52
  Speaker 3: of Philip Marlowe. Now with Gerald Moore starred as Philip Marlowe.
• 2:05
  Speaker 3: We bring you tonight's exciting story the Monkeys.
• 2:08
  Speaker 2: Uncle. Hello Marlowe. Please, it's very important missus marlow Oh
• 2:31
  Speaker 2: thank Heaven's.
• 2:31
  Speaker 4: Just still in your opposite this Later, mister Mallowe, I
• 2:34
  Speaker 4: must have your.
• 2:34
  Speaker 5: Help at once.
• 2:35
  Speaker 4: Carnelia's light is in danger man, and time means everything.
• 2:38
  Speaker 2: No, wait a minute, Wait a minute.
• 2:39
  Speaker 5: Who are you?
• 2:40
  Speaker 2: Who's cornadio? Is where you're calling from? And about what?
• 2:42
  Speaker 2: Let's have it a slow step at a time.
• 2:44
  Speaker 5: Huh Hey, my name's Wesley McDuff. Mister Marlowe.
• 2:47
  Speaker 2: All right. Later on macduff, I'm calling from.
• 2:49
  Speaker 4: A telephone booth opposite the BigMan Plaza hotel in Hollywood Boulevard.
• 2:53
  Speaker 5: With Ashley Duke.
• 2:55
  Speaker 2: Ashley who going.
• 2:56
  Speaker 4: For the BigMan Plaza, Lord Ashley Duke himself to get
• 3:01
  Speaker 4: to it, mister Mountain o'hourry.
• 3:02
  Speaker 5: Meet me in the hotel lobby.
• 3:04
  Speaker 4: Yes, but we've got to stop them there go to
• 3:06
  Speaker 4: kill carmelions.
• 3:11
  Speaker 2: My first reaction was to forget the whole thing with
• 3:14
  Speaker 2: curiosity is strong stuff with me and he triumvirate labeled
• 3:17
  Speaker 2: Wesley McDuff, Lord Ashley Duke and cornets had to add
• 3:20
  Speaker 2: up to screwball. Matter way you started, the word kill
• 3:24
  Speaker 2: was still big in my vocabulary, so I buttoned the
• 3:27
  Speaker 2: office up, quickly, got down in my car, and drove
• 3:29
  Speaker 2: over to the Beagman Plaza Hotel, where a ten minutes
• 3:31
  Speaker 2: stand in the lobby produced nothing closer to worried Scotchman
• 3:34
  Speaker 2: and the plaid covering in a sagging Morris chair, and
• 3:38
  Speaker 2: at the reception desk there was no Wesley McDuff registered
• 3:40
  Speaker 2: or ever heard of. I'm sorry, sir so at that
• 3:42
  Speaker 2: I was ready to call it quits. I turned for
• 3:45
  Speaker 2: the door, but before I got there, I was stopped.
• 3:47
  Speaker 2: The uniform said bell hop and the sprinkle of freckles
• 3:50
  Speaker 2: plus bonn Cowlick said all American boy, but the shifty
• 3:53
  Speaker 2: eyes and a narrow mouth had slid over to the
• 3:55
  Speaker 2: side of his face when he talked said something else
• 3:58
  Speaker 2: like racetrack top.
• 4:00
  Speaker 6: Yeah me, sir, but I haven't over here. You ask
• 4:02
  Speaker 6: after a scotchman, Wesley McDuff.
• 4:05
  Speaker 2: Was it, yeah, you know? Where are you?
• 4:07
  Speaker 5: Well? Yes?
• 4:08
  Speaker 2: And yes? And how much?
• 4:11
  Speaker 5: Ten?
• 4:11
  Speaker 2: Five?
• 4:12
  Speaker 6: Okay, sport five? But let's get out of the traffic.
• 4:15
  Speaker 6: Huh Over here at this map like I was pointing
• 4:18
  Speaker 6: out something to Yet that's a fresh idea, thanks the viver.
• 4:22
  Speaker 2: Oh here, Now where's McDuff on.
• 4:26
  Speaker 6: His way to Burbank?
• 4:27
  Speaker 5: Dead drunk?
• 4:28
  Speaker 2: Ye're crazy? I talked to him less than half an
• 4:30
  Speaker 2: hour ago. He was throwing sober and a long way
• 4:31
  Speaker 2: from the party mood could be.
• 4:34
  Speaker 6: But fifteen minutes ago I helped Lord Ashley do piling
• 4:37
  Speaker 6: indoor car.
• 4:37
  Speaker 2: Wait a minute, Ashley Duke, how does he fit?
• 4:39
  Speaker 6: He found this McDuff in the alley outside. I was
• 4:42
  Speaker 6: just coming back from dinner when I saw him pick
• 4:43
  Speaker 6: the guy up. He couldn't say a word, but a
• 4:45
  Speaker 6: blue Shield medical card we found on his wallet read
• 4:48
  Speaker 6: Wesley McDuff, thirteen Vineland Avenue, Burbank.
• 4:51
  Speaker 2: Boy, he was out cold in my old man and
• 4:53
  Speaker 2: I listened, Junior, here's another five? Fill me in fast.
• 4:55
  Speaker 2: Who's Lord Ashley Due?
• 4:57
  Speaker 6: A nightclub character entertainer, lives here with his wife, Lady
• 5:00
  Speaker 6: Ashley Duke when they're in.
• 5:01
  Speaker 2: La Wells seven. Is he legitimate this lord business?
• 5:04
  Speaker 7: Nah?
• 5:05
  Speaker 2: No, but he plays it to the hilt.
• 5:06
  Speaker 6: Why after we piled that McDuff ender the cab, he
• 5:09
  Speaker 6: dusted his white gloves off gently you like slip the
• 5:11
  Speaker 6: monically wears into his iron grab another cabin shoved.
• 5:14
  Speaker 2: He's a phony.
• 5:15
  Speaker 6: His real name is Burt Duke's and the lady.
• 5:17
  Speaker 2: Is girt and on her it shows what do you mean?
• 5:19
  Speaker 2: Shows that The.
• 5:20
  Speaker 6: Second she gets behind her door they got sweet three
• 5:22
  Speaker 6: twelve she climbs out of her accent like it was
• 5:24
  Speaker 6: a tight girl, especially when she and that Nissa hers
• 5:27
  Speaker 6: go at it. Yes, the famous Marrinac cabins are on
• 5:30
  Speaker 6: Route sixty six near Saint Louis. Oh good evening, mister Fisher.
• 5:38
  Speaker 2: Okay, where will we the niece? The niece, Oh yeah,
• 5:41
  Speaker 2: quite a doll.
• 5:42
  Speaker 6: Her name's Merle Bremmer acts as a business manager, so.
• 5:46
  Speaker 2: She must also have brains. Tell me who's Cornelius?
• 5:48
  Speaker 8: Cornelius?
• 5:50
  Speaker 2: What's breaking you up? Who is he?
• 5:52
  Speaker 8: Nobody got the.
• 5:53
  Speaker 2: Star of the act.
• 5:54
  Speaker 6: The Lord and the lady do a fast thing, a
• 5:56
  Speaker 6: takeoff on English drawing room stuff, and Cornelius.
• 5:59
  Speaker 8: Plays the place it in a derby and a boiled shirt, no.
• 6:02
  Speaker 2: Less, Why the giggles. You've seen a derby and boiled
• 6:04
  Speaker 2: shirt before?
• 6:05
  Speaker 6: Yeah, yeah, sure, I have put on Cornelius. It looks different,
• 6:08
  Speaker 6: you see, mister, he's a chimpanzee.
• 6:15
  Speaker 2: If there Cornelius definitely added screwball. But I also knew
• 6:18
  Speaker 2: the prospective client macduff had been sapped and piled into
• 6:21
  Speaker 2: a cab for good riddance, which could add less than funny.
• 6:24
  Speaker 2: So I decided to look around a little longer, especially
• 6:27
  Speaker 2: in the vicinity of Milady's chamber number three twelve. When
• 6:31
  Speaker 2: I stepped out of the elevator on the third floor,
• 6:33
  Speaker 2: an owl faced waiter was just piloting a dinner cot
• 6:36
  Speaker 2: loaded down with dirty dishes out of the room, and
• 6:38
  Speaker 2: when the cod juggled out of the carridor rug, it
• 6:40
  Speaker 2: nearly upset a coffee pot, which left the waiter's mind
• 6:43
  Speaker 2: on the juxtaposition of cot and pot and not the
• 6:45
  Speaker 2: door did he left open inches. I waited till he
• 6:49
  Speaker 2: passed me. Then I moved up to where I could
• 6:51
  Speaker 2: both see and hear Lady Ashley Duke and her niece
• 6:53
  Speaker 2: Merle exploding at each other. Through and after dinner conversation.
• 6:57
  Speaker 2: The farm always built like an up ended blimp with
• 6:59
  Speaker 2: as much charm as a mooring mast. The ladder was
• 7:02
  Speaker 2: blonde and female spy beautiful, and also she was nonchalant,
• 7:06
  Speaker 2: lay slipping air shiny thirty two automatic purse.
• 7:10
  Speaker 7: Your response, Oh, now, wait a minute, Kurt, before you
• 7:12
  Speaker 7: snap a stey, you listen to me.
• 7:14
  Speaker 9: Why so you can explain once more how poor Uncle
• 7:17
  Speaker 9: Bird's idiotic mistake so just bad luck, ten thousand bucks
• 7:21
  Speaker 9: worth of bad luck. He nuts, we don't know anything
• 7:24
  Speaker 9: about investments. He shouldn't be allowed to touch a red
• 7:26
  Speaker 9: scent and my pretty from here on out. That's exactly
• 7:29
  Speaker 9: the way it's gonna be, believe.
• 7:30
  Speaker 7: Oh, cut it, Curt, and quit blaming Uncle Burton me.
• 7:33
  Speaker 8: Are you kidding?
• 7:34
  Speaker 9: Why shouldn't I blame the two of you? He's a
• 7:36
  Speaker 9: jerk and you I never wanted you with us in
• 7:39
  Speaker 9: the first place, my niece, Oh shut.
• 7:42
  Speaker 7: Up, and remember, dear Ed, your husband likes me around.
• 7:46
  Speaker 7: I'm good for his morale, he says, he'll never let
• 7:48
  Speaker 7: you fire me, So don't blacee your breath, Anti, get
• 7:52
  Speaker 7: out of here. Go on, get down to the freight house.
• 7:54
  Speaker 7: And keep your eyes open.
• 7:55
  Speaker 8: We don't want to lose Carnelius.
• 7:57
  Speaker 9: Don't worry, Darling. God dude, he's an old specialty of mine.
• 8:00
  Speaker 8: Yes, who is it?
• 8:01
  Speaker 2: Name's marlow I'd like to see Lord Ashley Duke.
• 8:04
  Speaker 6: Oh well, yes he's not in.
• 8:12
  Speaker 2: But what did you want to see him about?
• 8:15
  Speaker 10: Oh?
• 8:16
  Speaker 2: Business? Can you help me?
• 8:18
  Speaker 4: Perhaps?
• 8:19
  Speaker 9: You see, I'm his business to be his business manager.
• 8:22
  Speaker 8: She was just leaving.
• 8:23
  Speaker 9: Why don't you, Marle Darling.
• 8:25
  Speaker 7: Yes, Merle Darling was mister Marlowe.
• 8:29
  Speaker 9: Lady Ashley Duke.
• 8:31
  Speaker 8: Goodbye, Antie, I'm happy.
• 8:33
  Speaker 9: Huh oh, Rather an answer to save each other's time,
• 8:37
  Speaker 9: let me be blunt. Lord Ashley Duke is no longer
• 8:40
  Speaker 9: interested in making any investments whatsoever, nor will he be
• 8:44
  Speaker 9: interested at a future date. Is that clear, sir?
• 8:46
  Speaker 2: Yes, it's like well water, Lady Ashley Duke. And if
• 8:48
  Speaker 2: I were looking for an investor, I keep it in mind.
• 8:50
  Speaker 2: But you see, I'm a private detective working for Wesley mcdup.
• 8:53
  Speaker 9: A paper, a lousy paper pushing his way.
• 8:57
  Speaker 2: Are easy, easy, Gertie, go get your feel the hands off, sure,
• 9:01
  Speaker 2: just as soon as you get back in a neutral
• 9:03
  Speaker 2: I also want to save us time and I want
• 9:05
  Speaker 2: to save Cornelius too. How do we talk our wrestle.
• 9:08
  Speaker 9: Which all right, seven weeks ago, Lord Ashley Duke and
• 9:13
  Speaker 9: I bought Cornelius from that crazy monkey razor out in Burbank.
• 9:17
  Speaker 9: It paid McDuff thirty thousand dollars for a run down
• 9:20
  Speaker 9: seventeen year old chimpanzee.
• 9:21
  Speaker 2: Well then, wait, you want to kill him. McDuff thinks
• 9:23
  Speaker 2: you're going.
• 9:24
  Speaker 9: To mcduff's crazy just because we change our minds and
• 9:26
  Speaker 9: instead of staying here in La decide to go on
• 9:29
  Speaker 9: the road. McDuff thinks Cornelius will catch cold and die,
• 9:32
  Speaker 9: so he wants him back.
• 9:33
  Speaker 2: Yeah, but you get your money back.
• 9:35
  Speaker 9: Yeah, but what about the seven weeks of work just
• 9:37
  Speaker 9: to teach him to drop a glass? Not only that
• 9:40
  Speaker 9: he's a wonderful imitator.
• 9:41
  Speaker 2: I can see your point.
• 9:42
  Speaker 9: Besides, the deal's a deal, and we're taking the risk
• 9:45
  Speaker 9: of Cornelius his death. Not the loon who runs that
• 9:47
  Speaker 9: Burbank animal farm. Well that's Scotchman thinks every animal and
• 9:50
  Speaker 9: the joints related to him.
• 9:52
  Speaker 2: It's an old idea, honey, But look, lady, is.
• 9:55
  Speaker 8: What we bet I talked.
• 9:57
  Speaker 9: People, Now, get on, go on, want to get out
• 10:00
  Speaker 9: before I forget.
• 10:01
  Speaker 5: I'm a lady.
• 10:14
  Speaker 2: Over hair Tampkins.
• 10:16
  Speaker 6: What is it the telephone call, Sir Boofoor this way?
• 10:19
  Speaker 2: Please make God all right up, Jim Dandy.
• 10:23
  Speaker 6: Good Now.
• 10:25
  Speaker 2: If you feel I was on the page, I feel
• 10:27
  Speaker 2: we came out even buster. Besides, I'm running low on
• 10:29
  Speaker 2: Farthings unless yes, you know where the freight house going
• 10:33
  Speaker 2: It just calls home is located. Uh huh okay Salon
• 10:38
  Speaker 2: on Champions Hello Morrow, Yeah, yeah, yeah, you all right?
• 10:44
  Speaker 10: McDuff.
• 10:44
  Speaker 4: It takes more than a foul blue in the dark
• 10:46
  Speaker 4: to stop me. Man, It's just what Lord Ashley Dookie
• 10:50
  Speaker 4: is going to Discovery in many minutes, and I've run
• 10:53
  Speaker 4: out of patience.
• 10:54
  Speaker 5: I ain't going to act, not talk.
• 10:56
  Speaker 4: I'm about to take corn Eliots back with my own
• 10:58
  Speaker 4: hands and I won't get a help.
• 10:59
  Speaker 2: Wait a minute.
• 11:00
  Speaker 5: I'm in a drug.
• 11:01
  Speaker 4: Store at Pershing Square, close by the freight house where
• 11:03
  Speaker 4: Cornelia said cage for shipment.
• 11:05
  Speaker 2: I want you to you can't steal him, McDuff.
• 11:07
  Speaker 4: Ah, I can steal him in this guise the animal,
• 11:10
  Speaker 4: so they'll never be able to claim him again, so
• 11:12
  Speaker 4: they won't be able to kill him.
• 11:13
  Speaker 2: McDuff. I can't go along with that, then I choorge.
• 11:16
  Speaker 5: The wrong man.
• 11:17
  Speaker 4: I just little time lift mister Marlowe. Tomorrow they leave
• 11:20
  Speaker 4: Los Angeles, now.
• 11:21
  Speaker 5: Will you help me?
• 11:22
  Speaker 2: No, beside McDuff, you'll never get away with it. There's
• 11:25
  Speaker 2: a girl, Ashley Duke's niece who's got a gun, and
• 11:27
  Speaker 2: I McDuff McDuff all away from the phone booth, through
• 11:36
  Speaker 2: the lobby and of my car outside. I kept telling
• 11:38
  Speaker 2: myself three things. One, I wasn't working for McDuff too.
• 11:41
  Speaker 2: McDuff was about to commit a crime. In three, I
• 11:44
  Speaker 2: couldn't worry about the gun in merle Brimer's purse. It
• 11:47
  Speaker 2: was all none of my business. So when I was
• 11:49
  Speaker 2: in behind the wheel of my car, I pointed toward
• 11:51
  Speaker 2: my apartment on Franklin, lit a cigarette and forgot about
• 11:54
  Speaker 2: the whole thing. But a block later I threw the
• 11:57
  Speaker 2: cigarette out, turned and headed for Pershing Square. Scott's with
• 12:00
  Speaker 2: animal fumbs in Burbank. Obviously weren't the only crazy people
• 12:03
  Speaker 2: in Los Angeles. After arriving at Prussian Square, I was
• 12:14
  Speaker 2: thirty minutes piling up wise cracks, frozen stairs, and a
• 12:16
  Speaker 2: sort of giggles before I hit pay dirt. A bottle
• 12:19
  Speaker 2: boy with a great memory.
• 12:21
  Speaker 11: Yeah, sure, I know a place only spot around little ship,
• 12:26
  Speaker 11: live animals or the rest of the stuff that they handled,
• 12:31
  Speaker 11: anything from an eel to an olive.
• 12:34
  Speaker 2: About penguins, You got those two, I thought, Yeah.
• 12:37
  Speaker 11: I worked there Wenesday during the Christmas rush, made the
• 12:42
  Speaker 11: price of a fifth one day.
• 12:44
  Speaker 2: Look. Look, you'll do it again right now if you
• 12:46
  Speaker 2: can tell me one thing, the address? What is it?
• 12:49
  Speaker 8: It's yeah, hay, come on, warty two.
• 12:58
  Speaker 2: Four string, here's five crawled back in a bottle. I'll
• 13:04
  Speaker 2: see it. The neighborhood was half residential, half industrial, and
• 13:16
  Speaker 2: all run down, including the freight house, which was two
• 13:19
  Speaker 2: windowless stories of dirty red brick offering over a loading
• 13:22
  Speaker 2: ramp on a deserted, shadowy street. I started slowly towarded
• 13:26
  Speaker 2: when suddenly a side door flew open. An excited old
• 13:29
  Speaker 2: man with flashlight and giant key ring that spelled night
• 13:32
  Speaker 2: Watchman leaped out of the building, arms and legs, going
• 13:34
  Speaker 2: like twin beats on a mixmaster. Hey, hey, fine, hold
• 13:39
  Speaker 2: it is at the.
• 13:39
  Speaker 12: Chimpsh and he's raising the rupern there eh, you are
• 13:42
  Speaker 12: a shooting?
• 13:43
  Speaker 5: Are we fired?
• 13:44
  Speaker 2: He's worth of fortune, I know all about it. Come out,
• 13:46
  Speaker 2: give me a hand. Now, let's go.
• 13:48
  Speaker 8: Where is he upstairs? Hanging in one window at the back?
• 13:52
  Speaker 8: I just turned the lights.
• 13:53
  Speaker 5: Ordinary watch uh when do you see me?
• 13:55
  Speaker 10: Grabbed the stick from the board, started beating things wind.
• 13:58
  Speaker 2: Oh fine, And then he broke the window and began swing.
• 14:00
  Speaker 10: On the block and tackle.
• 14:01
  Speaker 5: You're running outside from the roof to the ground.
• 14:04
  Speaker 10: Car.
• 14:04
  Speaker 2: Yes, hey, Bobby.
• 14:09
  Speaker 10: And away.
• 14:11
  Speaker 2: Well all right, pap we better call the corots.
• 14:14
  Speaker 5: Over there here he's empty cage. What's your girl doing
• 14:18
  Speaker 5: over her head?
• 14:20
  Speaker 2: Holy smoke? Merle Bremmer. She did, Yeah, beat the death
• 14:27
  Speaker 2: with his stick? That chimp just throw this?
• 14:30
  Speaker 10: Then then you think the monkey?
• 14:33
  Speaker 2: I don't know, maybe yes, maybe no. It's a great
• 14:37
  Speaker 2: imitat that Poppa could have been somebody else, the monkey
• 14:40
  Speaker 2: who the monkey's uncle a scotchman named mac duff.
• 14:55
  Speaker 3: In just a moment, the second act of Philip Marlowe.
• 14:58
  Speaker 3: But first, grouch ome Mark. We'll make another of his
• 15:01
  Speaker 3: famed personal appearances on most of these same CBS stations
• 15:04
  Speaker 3: this Wednesday Night. Groucho Marx, whose many activities include MCing
• 15:08
  Speaker 3: You Bet Your Life, one of the craziest quiz shows
• 15:11
  Speaker 3: on the air. You're cordially invited to hear Groucho Marx every.
• 15:16
  Speaker 2: Wednesday on CBS.
• 15:19
  Speaker 3: Now with our star Gerald Moore, we returned to the
• 15:21
  Speaker 3: second act of Philip Marlowe and Tonight's story, The Monkey's Uncle.
• 15:36
  Speaker 2: I walked around the body of the girl on the
• 15:37
  Speaker 2: freight house floor. I took a close look at the
• 15:41
  Speaker 2: cage lock. There was no doubt that it has been
• 15:43
  Speaker 2: forced from the outside. The watchman staring down at the
• 15:47
  Speaker 2: body was shaking like a motorcycle with square wheels. So
• 15:50
  Speaker 2: I took him by the arm and walked him down
• 15:51
  Speaker 2: the stairs and outside with some air.
• 15:54
  Speaker 10: It's terrible.
• 15:55
  Speaker 2: I don't know what to do.
• 15:56
  Speaker 8: Nothing like this ever happened here before. Never told me
• 16:00
  Speaker 8: what I'm supposed.
• 16:01
  Speaker 3: To do in a case like that.
• 16:02
  Speaker 2: It's easy. Just call the police.
• 16:04
  Speaker 10: Police.
• 16:04
  Speaker 2: Yeah, I'll sell the SPCA and Frank Buck Chances I
• 16:08
  Speaker 2: will need him all before the night.
• 16:09
  Speaker 10: So okay, mister hey, who said getting out.
• 16:13
  Speaker 2: Of that cab from the top hat cape and spats?
• 16:16
  Speaker 2: I said it was one Lord Ashley Duke, the legal
• 16:19
  Speaker 2: owner of the champ.
• 16:20
  Speaker 5: What are you two players staring at him?
• 16:23
  Speaker 2: Just a moment, just a moment before you go inside.
• 16:25
  Speaker 2: I want to talk to you, Lord Ashley Duke. You
• 16:27
  Speaker 2: know my name?
• 16:28
  Speaker 5: Do you know Joe? That's interesting? I don't know you, sir.
• 16:32
  Speaker 2: I'll survive. Why'd you come down here tonight?
• 16:34
  Speaker 13: Because I heard that my niece was here protecting my
• 16:36
  Speaker 13: property that's now shootablelek toss for the girl not capable
• 16:40
  Speaker 13: to do that sort of thing.
• 16:40
  Speaker 5: You know, man's job, you know, and the beastly time
• 16:44
  Speaker 5: finding the.
• 16:44
  Speaker 2: Place to You haven't been here before?
• 16:46
  Speaker 5: Oh yeah, a couple of days ago, but that was
• 16:49
  Speaker 5: in broad daylight us.
• 16:51
  Speaker 2: One thing more, why did you slug Wesley mcdeath to
• 16:54
  Speaker 2: night and dump him in a cab?
• 16:56
  Speaker 10: Just?
• 16:57
  Speaker 1: Who are you?
• 16:58
  Speaker 2: Anyway? Private Detective Philip Mala's name sounds Brittish enough, about
• 17:02
  Speaker 2: as British as you are.
• 17:04
  Speaker 5: Oh yeah, and you I presume. Oh they watched one?
• 17:07
  Speaker 10: Yes, that's me, your highness.
• 17:09
  Speaker 2: What about macduff, Your highness, there's no choice.
• 17:12
  Speaker 5: The blighter wanted to welch on the transaction we've made.
• 17:14
  Speaker 5: I refuse.
• 17:15
  Speaker 13: He threatened me, so I bopped him and then made
• 17:19
  Speaker 13: out he was intoxicated, you know, packed him off in
• 17:21
  Speaker 13: a cabineless When a man sells me a monkey by George,
• 17:26
  Speaker 13: that monkey is mine. I thought that treatment might bring
• 17:29
  Speaker 13: McDuff to his bloody sense.
• 17:30
  Speaker 2: Well it did. It made him tougher. And what's more,
• 17:32
  Speaker 2: the chimpanzee is gone and.
• 17:34
  Speaker 5: The cornidius has gone.
• 17:35
  Speaker 10: Wait a minute, ante, come on, okay, wow, Yeah, what's.
• 17:49
  Speaker 5: Happened to it? Oh? No, Merle, merle baby. That's the
• 17:54
  Speaker 5: way she was when we found her.
• 17:56
  Speaker 8: And that crazy monkey was in here, just to jumping
• 17:59
  Speaker 8: up and down like he was.
• 18:00
  Speaker 5: It was mcdup, mcdup, that's what was that, madman.
• 18:05
  Speaker 10: Hoy mercrel. What was there? I don't know, but I'm
• 18:07
  Speaker 10: gonna find out.
• 18:07
  Speaker 2: You stay here, Screaming Company Architectural blunder next door. It
• 18:16
  Speaker 2: was one of those big gingerbread houses left over from
• 18:18
  Speaker 2: the eighteen hundreds. And I got there just in time
• 18:20
  Speaker 2: to meet the witch. The scaly front portal was jerked
• 18:23
  Speaker 2: open in front of me, and there she stood like
• 18:25
  Speaker 2: a pool cue and high panic, top by a head
• 18:27
  Speaker 2: of brittle orange hair, half done up tightened curlors, the
• 18:30
  Speaker 2: other half streaming over her face. She clutched frantically at
• 18:33
  Speaker 2: the stained Kimona with one hand and me with the other.
• 18:35
  Speaker 2: Take it easy, hold it, what's going on?
• 18:39
  Speaker 5: What face?
• 18:41
  Speaker 9: Oh protect me, it's take.
• 18:44
  Speaker 5: It easy with your.
• 18:44
  Speaker 2: Calm down and tell me what happened.
• 18:46
  Speaker 9: I was upstairs in my room taking my head down
• 18:49
  Speaker 9: when I happened to look over at the window and
• 18:50
  Speaker 9: there was that face, jumped right up against the glass. Oh,
• 18:54
  Speaker 9: I swear I never seen nothing like that before I
• 18:56
  Speaker 9: took the cure.
• 18:57
  Speaker 2: Missed it all right? Now listen, yeah, all over it?
• 19:00
  Speaker 9: Red eyes and big green in mouth? What was like
• 19:02
  Speaker 9: one of them giant go willas.
• 19:04
  Speaker 5: That cut in the moon.
• 19:04
  Speaker 2: That's cornad. It's all right. Where's the room?
• 19:06
  Speaker 9: I walked there at the ahead of them standing.
• 19:09
  Speaker 10: Alone.
• 19:10
  Speaker 2: Well then come along, Corne's a train champion. Won't hurt you?
• 19:13
  Speaker 8: Oh no, not me, brother, I didn't.
• 19:17
  Speaker 2: Where where? Tell me? Is that a passage out there
• 19:22
  Speaker 2: between the houses?
• 19:23
  Speaker 9: Oh no, that was the kind of an airshift me.
• 19:26
  Speaker 5: Up at the bay.
• 19:26
  Speaker 2: You mean you can't get through to the alley.
• 19:27
  Speaker 5: Yeah, that's right.
• 19:29
  Speaker 9: There's no way out of there except the street.
• 19:30
  Speaker 2: Right, come on, let's get outside. We got them cornered.
• 19:32
  Speaker 8: Oh you got your corner.
• 19:33
  Speaker 9: Baby, missed it?
• 19:33
  Speaker 14: Not me.
• 19:34
  Speaker 9: I didn't want nothing want to do with that.
• 19:36
  Speaker 2: I'd be pulled the air shaft was a scant eighteen
• 19:41
  Speaker 2: inches wide and as dark and cluttered as the inside
• 19:44
  Speaker 2: of a goat pen with odors to mash. I worked
• 19:47
  Speaker 2: my way back as far as the bashful light in
• 19:48
  Speaker 2: the street.
• 19:49
  Speaker 8: Road, so it would be careful in there.
• 19:50
  Speaker 2: Missed it, then I stopped and listened. But Cornads was
• 19:53
  Speaker 2: a genius. There wasn't a sound, and I couldn't see
• 19:57
  Speaker 2: my hand in front of my face, to say nothing
• 19:58
  Speaker 2: of a black hair chimpanzee was no doubt getting a
• 20:01
  Speaker 2: big kick out of the entire procedure. I decided to
• 20:04
  Speaker 2: try psychology on him. So I called, and what I
• 20:08
  Speaker 2: hoped was a firm but friendly voice, and it got
• 20:10
  Speaker 2: me no place. I groped my way along the wall
• 20:13
  Speaker 2: of the drain pipe and called again, this time shorter
• 20:16
  Speaker 2: on the friendly and longer on the firm, which was
• 20:17
  Speaker 2: a mistake. The drain pipe should have given me a hint,
• 20:20
  Speaker 2: but it didn't.
• 20:21
  Speaker 15: Oh he's going, Who's god?
• 20:43
  Speaker 9: It was up on the drain pipe. It hits you
• 20:45
  Speaker 9: on the head with something that ran right, asked me,
• 20:47
  Speaker 9: and got away in a taxi. Oh come on, let's
• 20:50
  Speaker 9: get out.
• 20:51
  Speaker 2: Wait a minute, baby, I could have sworn you said
• 20:54
  Speaker 2: that the monkey took a taxi. He did.
• 20:56
  Speaker 9: I watched the whole as soon as it got out
• 20:58
  Speaker 9: in the street. A man in a checked the can
• 21:00
  Speaker 9: with a crooked stick in his hand, came out for
• 21:02
  Speaker 9: between them buildings over there and called it. They ran
• 21:05
  Speaker 9: up to a taxi. The driver jumped out and drove away.
• 21:07
  Speaker 1: I seen him.
• 21:08
  Speaker 2: The driver jumped out and they drove away. I don't
• 21:11
  Speaker 2: think you took the cure soon enough.
• 21:13
  Speaker 9: Well, I've seen something else too. A fat brad in
• 21:15
  Speaker 9: a high hat and spat came charging out of the
• 21:17
  Speaker 9: freight house there. Saw the cab leaving gotten a green
• 21:20
  Speaker 9: coopd O.
• 21:22
  Speaker 2: He smoked, that's my car. Oh it's gone. How do
• 21:26
  Speaker 2: you like that?
• 21:26
  Speaker 9: Yeah, now maybe you believe me.
• 21:28
  Speaker 2: Huh, every scrowy word, sweetheart. And now look you didn't
• 21:30
  Speaker 2: happen to see.
• 21:31
  Speaker 9: Well, look that's the cab driver.
• 21:33
  Speaker 14: Then don't want to see what happened. I gotta have
• 21:34
  Speaker 14: a witness. My tax was hijacked off of me by
• 21:36
  Speaker 14: two crazy guys. One of them looked like an ape,
• 21:38
  Speaker 14: exactly like an ape.
• 21:39
  Speaker 2: Move over, Bud, we're on the same raft. My car's
• 21:42
  Speaker 2: gone too. Tell mean what happened? Well, you started at
• 21:44
  Speaker 2: the top.
• 21:45
  Speaker 14: Okay, tonight, I bring this big shot and a high
• 21:47
  Speaker 14: hat down here to the freight house.
• 21:49
  Speaker 8: He hops out, tells me to wait.
• 21:51
  Speaker 5: See.
• 21:52
  Speaker 8: So I drive down the block and thrown around.
• 21:54
  Speaker 14: I'm parked right over there trying to grab a quick
• 21:57
  Speaker 14: forty winks when.
• 21:58
  Speaker 2: Up comes this looon a scotchman.
• 22:00
  Speaker 10: Yeah him.
• 22:02
  Speaker 14: He throws me a fast a dress and starts getting
• 22:04
  Speaker 14: in say. I politely tell him the flag is down,
• 22:07
  Speaker 14: but he keeps coming.
• 22:09
  Speaker 2: Yeah, yeah, I know. It's just like now, look, did
• 22:11
  Speaker 2: you ever see this scotchman before?
• 22:12
  Speaker 12: No?
• 22:13
  Speaker 10: Never.
• 22:14
  Speaker 14: I figure maybe he's got a snoot full of happy
• 22:16
  Speaker 14: days nothing more. So I'm reaching over to block him
• 22:20
  Speaker 14: when a pair of hands that feels like a door
• 22:22
  Speaker 14: mat with muscles grabs me around the neck.
• 22:25
  Speaker 8: I twist around and look and what do I see him?
• 22:28
  Speaker 8: I don't know, but an ape man is crawling in
• 22:30
  Speaker 8: my wing.
• 22:31
  Speaker 5: So help me.
• 22:31
  Speaker 8: I'm rubbing noses with a missing leak.
• 22:33
  Speaker 2: Yeah I know. Then what happened mac.
• 22:35
  Speaker 14: I jumped out of the taxi, and before I know it,
• 22:37
  Speaker 14: the old geezer gives me a cloud with his stick
• 22:40
  Speaker 14: piles in the next thing, My tax is gone, just
• 22:42
  Speaker 14: like that.
• 22:43
  Speaker 8: You gotta believe me. Somebody's gotta buy me.
• 22:45
  Speaker 5: Yeah.
• 22:45
  Speaker 8: If I try this on the cops, that will have
• 22:46
  Speaker 8: me in a patter of selling no time.
• 22:48
  Speaker 2: I don't worry about it, fellow, Just reach hard for
• 22:49
  Speaker 2: that address the scotchman gave you. Can you remember it?
• 22:52
  Speaker 16: Oh?
• 22:52
  Speaker 8: Sure, let me see.
• 22:54
  Speaker 2: It was the the Rushmore Rushmore.
• 22:57
  Speaker 8: Yeah, that's down at the heels More.
• 23:00
  Speaker 14: They all out on burning somewhere surround the Beverly boulevard.
• 23:03
  Speaker 8: Ed Mason's stepped on something here on the sidewalk.
• 23:06
  Speaker 9: Oh, you sure did, cutey, you smashed it too.
• 23:09
  Speaker 2: It looks like somebody's watched Crystal.
• 23:10
  Speaker 9: Sure, ladies, watch Crystal. Oh nice one. See it had
• 23:14
  Speaker 9: this hung of black.
• 23:14
  Speaker 5: Ribbon with it.
• 23:15
  Speaker 2: Ladies, Hey, wait a minute, let me see that.
• 23:17
  Speaker 8: Sure here it's velvets.
• 23:19
  Speaker 2: Yeah, yeah, sure is. It doesn't fit not here. No
• 23:22
  Speaker 2: one's been here for the three of us in the
• 23:24
  Speaker 2: chimp so long. Kids. Hey, hey wait, I'm going to
• 23:27
  Speaker 2: talk to a liar about a murder. I'll see you
• 23:29
  Speaker 2: later at headquarters. I hope talk to the night watchman
• 23:32
  Speaker 2: in the freight house. Shall be good for each other.
• 23:41
  Speaker 2: I was two blocks on foot finding another taxi in
• 23:43
  Speaker 2: fifteen minutes getting from there out to the motel, worrying
• 23:46
  Speaker 2: all the way because I'd left my gun under the
• 23:48
  Speaker 2: front seat of my car. Business was slow with the Rushmore.
• 23:52
  Speaker 2: The only cabin that children light was the last in
• 23:54
  Speaker 2: the rear, next to the alley. I was sure of
• 23:56
  Speaker 2: what I'd find inside, in spite of the fact that
• 23:59
  Speaker 2: neither of us stole and cab, nor my coop was
• 24:01
  Speaker 2: any place in sight. When I heard the voices, I
• 24:04
  Speaker 2: decided to bluffet. I went up to the front door
• 24:06
  Speaker 2: and pressed my ear against a flimsy panel.
• 24:08
  Speaker 5: Anyway, a bargain's a bargain, uf, you'd have done better
• 24:11
  Speaker 5: to stick by it.
• 24:12
  Speaker 12: He stick wade if he had your scare of me, crew.
• 24:15
  Speaker 5: Gond reach for your chain. It's a little late for that.
• 24:18
  Speaker 5: You're in a real jam now. I'm gonna see you
• 24:21
  Speaker 5: playing for my niece's murder.
• 24:22
  Speaker 10: But I didn't kill her.
• 24:23
  Speaker 12: I pushed her down if she got me unlocking Carnelia's
• 24:26
  Speaker 12: cage and tried to stop me. But I didn't kill her.
• 24:29
  Speaker 16: You did that, yes, yes, but who knows that except
• 24:32
  Speaker 16: you and the monk there, and he can't talk, and
• 24:35
  Speaker 16: you won't late me.
• 24:36
  Speaker 5: Ay your daft man.
• 24:37
  Speaker 8: Why did you do it?
• 24:38
  Speaker 16: Because I had to, because Merle was pleading me to
• 24:41
  Speaker 16: death every cente I lay my hands on.
• 24:44
  Speaker 5: I had to buy her silence.
• 24:45
  Speaker 16: I had to pretend to lose thousands and poor investments. Well,
• 24:48
  Speaker 16: Merle got what was coming to her, and you gave
• 24:50
  Speaker 16: me that chance. I found her on the floor where
• 24:53
  Speaker 16: you left her and simply finished the job.
• 24:55
  Speaker 12: Then you ran off and came back in that taxi
• 24:58
  Speaker 12: fifteen minutes later, the very sp of innocence. I saw
• 25:01
  Speaker 12: you very well, Lord Ashley Duke. You've got me as
• 25:05
  Speaker 12: a thief tool.
• 25:05
  Speaker 5: So get on with it. Get on with it, filthy
• 25:08
  Speaker 5: evil plant.
• 25:08
  Speaker 10: I'm ready.
• 25:09
  Speaker 2: I'll be in a hurry. Mcdoubts say where you are, Ashley,
• 25:11
  Speaker 2: don't bother it turning around. Just drop the gun, you know,
• 25:13
  Speaker 2: let me down, Laddy, I knew it.
• 25:15
  Speaker 5: It's this o boy.
• 25:17
  Speaker 2: Let's get the accent, birch. You won't need it where
• 25:19
  Speaker 2: you're going. Drop that gun, I said, you will move.
• 25:22
  Speaker 5: Shoot me with that pipe in your pocket. Wallow. I've
• 25:27
  Speaker 5: got your gun here in my hand and you know it.
• 25:29
  Speaker 2: Want to bed well it with the light out?
• 25:32
  Speaker 5: Yes?
• 25:43
  Speaker 12: Oh oh, it's a very strange thing lead hit you
• 25:52
  Speaker 12: butt once there are two lumps on your skull.
• 25:55
  Speaker 10: You can missconditions.
• 25:56
  Speaker 2: You have a mind skipping. I don't want to talk
• 25:59
  Speaker 2: about it.
• 26:01
  Speaker 12: Where's Ashley dressed up there in the corner. He should
• 26:04
  Speaker 12: be coming around soon. You see, Cornelius, as you've no
• 26:08
  Speaker 12: doubt learned, is a great imitator. When he saw Ashley
• 26:11
  Speaker 12: bat you on the head with a gun, he grabbed McCaine,
• 26:14
  Speaker 12: leaped up on the dresser there and batted Ashley.
• 26:16
  Speaker 2: On the head with this headache. Okay, don't tell me
• 26:20
  Speaker 2: I'm indebted to that, just when I was learning to
• 26:22
  Speaker 2: hate him.
• 26:23
  Speaker 10: We both are for our lives.
• 26:26
  Speaker 12: But tell me what does a black velvet ribbon and
• 26:29
  Speaker 12: a watch crystal mean?
• 26:31
  Speaker 10: Mumble that over and over while you were out.
• 26:34
  Speaker 2: Oh, well, that's how I knew Ashley was a liar
• 26:37
  Speaker 2: and a killer. See the cab driver stepped on a
• 26:40
  Speaker 2: round piece of glass. It looked like a watch crystal
• 26:42
  Speaker 2: with a ribbon attached. Happened on the sidewalk in front
• 26:45
  Speaker 2: of an ass shaft. Actually the oh, actually the glass.
• 26:49
  Speaker 8: Was a monocle drop my lord Ashley duque.
• 26:52
  Speaker 2: Oh, Ashley never been at that spot. No, what if
• 26:56
  Speaker 2: Cornadi has had, and if Cornadias dropped a monocle, it
• 26:59
  Speaker 2: indicated that or Ashley Duke had been someplace with Cornadius
• 27:02
  Speaker 2: earlier night. You see, I could only be the freight
• 27:05
  Speaker 2: house it. Ashley claimed he hadn't been there for two days.
• 27:08
  Speaker 2: Oh oh you do? Oh how about you Cornelius. Oh well,
• 27:16
  Speaker 2: that's one of the best dances I've had tonight. It
• 27:33
  Speaker 2: didn't take long at police headquarters, maybe an hour altogether.
• 27:37
  Speaker 2: A killer was locked up for trial, and the key
• 27:39
  Speaker 2: witness ate three eRASS built a quarter of ink and
• 27:42
  Speaker 2: broke a window for the homicide boys finally gave up.
• 27:47
  Speaker 2: I watched the phony lord Ashley Duke walk down the
• 27:49
  Speaker 2: car to to his cell. Any connection he had with
• 27:52
  Speaker 2: man was just the category. And I watched mcduffin company
• 27:56
  Speaker 2: leave too. A couple of regular guys, a monkey, a
• 28:02
  Speaker 2: monkey's uncle, a genuine old Scotto loved life, and his
• 28:07
  Speaker 2: shuffling friend whose only limitation was his inability to speak.
• 28:11
  Speaker 2: But he communicated all right, and the only language that
• 28:15
  Speaker 2: means anything, love of one creature for another.
• 28:38
  Speaker 3: The Adventures of Philip Marlowe Bringing You Raymond, Chandler's most
• 28:41
  Speaker 3: famous character star Gerald Moore, are produced and directed by
• 28:45
  Speaker 3: Norman McDonald and are written for radio by Robert Mitchell
• 28:48
  Speaker 3: and gene Leavitt. As a special note of terest Philip
• 28:50
  Speaker 3: marlow fans, you'll be glad to know that radio and
• 28:53
  Speaker 3: Television Life magazine has this week named Gerald Moore as
• 28:57
  Speaker 3: the best male actor in radio. Featured in our cast
• 29:00
  Speaker 3: were Mary Lansing, John Dayner, Tudor Owen, Sam Edwards, Michael
• 29:04
  Speaker 3: Ann Barrett, Harry Bartel, and Junius Matthews. The special music
• 29:07
  Speaker 3: is composed and conducted by Richard Urunt. He sure and
• 29:14
  Speaker 3: be with us again next week, Fen Philip Marlowe, say this.
• 29:18
  Speaker 2: Time a case hard and ka hop knocked me down
• 29:20
  Speaker 2: a flight of stairs, an honest woman was strangled by
• 29:23
  Speaker 2: a green silk sash, and a simpering dandy was shot
• 29:26
  Speaker 2: to death, all because of a run of the mill
• 29:29
  Speaker 2: traffic accident five hundred miles away.
• 29:44
  Speaker 3: You hear them all on CBS, and one of the
• 29:46
  Speaker 3: funniest parts of that all comes from the bird brain
• 29:48
  Speaker 3: of a woman, Miss Gracie Allen of Burns and Allen,
• 29:51
  Speaker 3: top troopers on the American stage for years top radio stars.
• 29:55
  Speaker 3: After that, George and Gracie are now playing a big
• 29:57
  Speaker 3: part in CBS's great Wednesday Night lineup bing Crosby Groucho Marx,
• 30:02
  Speaker 3: George and Gracie, Doctor Christian join George Burns and Gracie
• 30:06
  Speaker 3: Allen this Wednesday Night on most of the same CBS stations.
• 30:09
  Speaker 2: This is Roy Rowan speaking.
• 30:12
  Speaker 3: Now stay tuned for Pursuit, which follows immediately over most
• 30:15
  Speaker 3: of the same CBS stations. This is CBS where Burns
• 30:23
  Speaker 3: and Allen are heard every Wednesday night. At the Columbia Broadcasting.
• 30:26
  Speaker 17: System, this is Andrew Ryans with Outrwesterns dot com, where
• 30:52
  Speaker 17: we stream live ol Time Radio Westerns twenty four hours
• 30:55
  Speaker 17: a day, seven days a week with a special twist
• 30:59
  Speaker 17: you so the tracks that get to be played. We've
• 31:02
  Speaker 17: got a thousand different episodes from shows like gun Smoke,
• 31:05
  Speaker 17: Tales of the Texas Rangers, Escape, Genautry, and many more.
• 31:10
  Speaker 17: Come check us out at OTR Westerns dot com slash
• 31:13
  Speaker 17: live Again. That's OTR Westerns dot com slash Live. You're
• 31:18
  Speaker 17: listening to the great detectives of Old Time Radio with
• 31:20
  Speaker 17: Adam Graham and now let's get back into the show.
• 31:29
  Speaker 1: Welcome back. Well, I have to say one of the
• 31:33
  Speaker 1: weakest Scottish accents over radio that didn't be one nay,
• 31:39
  Speaker 1: to be fair that they didn't do as well, but
• 31:42
  Speaker 1: the award by Gerald Moore definitely well earned, brings a
• 31:47
  Speaker 1: lot to the role, and certainly this role as Philip
• 31:52
  Speaker 1: Marlow is just a very powerful and memorable performance. Speaking
• 31:59
  Speaker 1: of that, we do have some listener comments and feedback
• 32:03
  Speaker 1: regarding Ladies Night. Natalie says, this is a terrific episode.
• 32:08
  Speaker 1: Just loved it, listen to it twice in fact, and
• 32:12
  Speaker 1: Francis says, love this episode. Well, I'm glad you enjoyed it,
• 32:17
  Speaker 1: and I hope they'll be with us next week for
• 32:20
  Speaker 1: another episode of the Adventures of Philip Marlow, and of
• 32:24
  Speaker 1: course tomorrow we have Nick Carter though. In the meantime,
• 32:28
  Speaker 1: if you do have a comment, sent it to me
• 32:30
  Speaker 1: Box thirteen at Great Detectives dot net, follow us on
• 32:34
  Speaker 1: Twitter at Radio Detactives, and become one of our friends
• 32:38
  Speaker 1: on Facebook, Facebook dot com, Slash Radio Detectives from Boise, Idaho.
• 32:43
  Speaker 1: This is your host, Adam Grahamson and off