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Sherlock Holmes Radio The Demon Barber Basil Rathbone, Nigel Bruce, Conway, · Sherlock Holmes

• 0:01
  Speaker 1: And now I'm sure our good friend doctor Watson's waiting
• 0:03
  Speaker 1: for us. Let's go in, Joe. There you are, mister
• 0:06
  Speaker 1: bart good evening, doctor all alone tonight.
• 0:09
  Speaker 2: Yes, my boys, you can call a man alone when
• 0:12
  Speaker 2: he's got his pipe, his books, and the glass of
• 0:15
  Speaker 2: good Port is his elbow.
• 0:16
  Speaker 3: Take a cut off. We'll enjoy the thanks.
• 0:19
  Speaker 4: Doctor.
• 0:19
  Speaker 3: Help yourself to the port.
• 0:21
  Speaker 2: There's some rather special tobacco in the jar.
• 0:23
  Speaker 1: Over the fine And now, doctor, are you ready to
• 0:26
  Speaker 1: tell us tonight's new show?
• 0:27
  Speaker 5: Like consent?
• 0:28
  Speaker 2: I am, mister Bartell, and I think you founded the
• 0:30
  Speaker 2: most unusual story. It began on a winter's night in
• 0:34
  Speaker 2: eighteen hundred and ninety six. Toms and I had gone
• 0:37
  Speaker 2: to a theater in the East end of London to
• 0:39
  Speaker 2: see a performance of a famous old English melodrama called
• 0:42
  Speaker 2: Sweeney Todd The Demon Barber of Fleet Street.
• 0:46
  Speaker 1: It's a good, bloodthirsty title, docket demon barber. He sounds
• 0:51
  Speaker 1: as a he specialized in close shaves.
• 0:53
  Speaker 3: Grageous, mister bart that's almost unforgivable.
• 0:57
  Speaker 2: He was a murderer of voracious appetite, who plays his
• 1:00
  Speaker 2: victims and especially constructed barber's chair, cut their throats and
• 1:04
  Speaker 2: then pressed the lever that would spring the chair over
• 1:08
  Speaker 2: and decamped the.
• 1:08
  Speaker 3: Unfortunate victims into a horrible cellar beneath his shop.
• 1:13
  Speaker 1: This is only a stage player, You're talking about doctors.
• 1:16
  Speaker 2: As my story begins, we were seated in a private
• 1:18
  Speaker 2: box watching one of the closing scenes. Holmes was leaning
• 1:22
  Speaker 2: forward in his chair, following the action on the stage
• 1:25
  Speaker 2: with an obvious delight, while I set beside.
• 1:29
  Speaker 3: Him equally in droves.
• 1:30
  Speaker 2: An actor by the name of Mark Humphreys was playing
• 1:33
  Speaker 2: the part of Sweeney.
• 1:34
  Speaker 3: Todd, and no one could deny that he was playing it.
• 1:38
  Speaker 3: Where are you going, Tobias?
• 1:41
  Speaker 5: Who is the nearest magistrate?
• 1:43
  Speaker 6: Sweeney Todd, who'd now to the feebly crew full flooded murder.
• 1:48
  Speaker 2: Have pronounced chuck olme and the chair with all and
• 1:52
  Speaker 2: over and down into the captive.
• 1:54
  Speaker 7: All, ha ha.
• 1:59
  Speaker 8: There when this comes, this apparition, just the ghost of
• 2:05
  Speaker 8: another customer of mine, The yawning grave wields up his
• 2:10
  Speaker 8: ghastly inmates to prove me guilty. That would have DoD.
• 2:14
  Speaker 3: See he is there.
• 2:16
  Speaker 9: He comes to accuse me.
• 2:18
  Speaker 1: Of his murder.
• 2:19
  Speaker 7: Oh tell me, twas not I that.
• 2:21
  Speaker 5: Slew You believe it will kill me?
• 2:25
  Speaker 1: Let me believe ha ha.
• 2:39
  Speaker 2: Upon myself homes up full of Mark Hamphreys is the
• 2:41
  Speaker 2: most florid actor that I've ever seen on a stage.
• 2:44
  Speaker 9: I find him enchanting Watson.
• 2:46
  Speaker 10: It seems to me he's really caught the flavor of
• 2:47
  Speaker 10: this murderous monster piece. After all, a restrained performance the
• 2:52
  Speaker 10: barbers we need, Chad would be unthinkable.
• 2:54
  Speaker 2: First word, I must say, his makeup seems rather overdone.
• 2:58
  Speaker 2: No barber, but referch an enormous the most impractical probably
• 3:02
  Speaker 2: get as a customer's faces. By the way, I know
• 3:06
  Speaker 2: from the program that Mark Compress, as well as being
• 3:08
  Speaker 2: the principal actor, is also the owner of the company.
• 3:12
  Speaker 10: It's the current trend towards the actor manager has a
• 3:15
  Speaker 10: very healthy sign. I think, Karen, excuse me, that is
• 3:19
  Speaker 10: what of you, gentlemen, mister I was asked to give
• 3:23
  Speaker 10: you this note thank you. Who knows that you're homes
• 3:27
  Speaker 10: will find out ah, miss, note is from my comforts
• 3:32
  Speaker 10: our actor manager, mister Holmes, I.
• 3:35
  Speaker 9: Recognize you in your box based out of my dressing
• 3:38
  Speaker 9: room Mark performances.
• 3:41
  Speaker 10: My sanity and even the safety of London perhaps depends
• 3:45
  Speaker 10: on your compliance.
• 3:46
  Speaker 3: My sanity of the safety of London. I wonder what
• 3:50
  Speaker 3: on earth you mean that, my.
• 3:51
  Speaker 10: Dear fellow, we can under discover by going backstage to medium.
• 3:54
  Speaker 10: As it is, the curtain is going up in the
• 3:55
  Speaker 10: last scene I see for a little longer. We must
• 3:57
  Speaker 10: possess our souls and patience.
• 4:11
  Speaker 11: Mister Sherlock Holme, Yes, sir, my name is Lindsay Errick Lindsay.
• 4:15
  Speaker 12: I'm the business manager.
• 4:17
  Speaker 11: Mister Humphy has asked me to meet you at the
• 4:18
  Speaker 11: safe door take you to his.
• 4:20
  Speaker 12: Busin Thank you very much.
• 4:21
  Speaker 9: And this is my colleague, doctor Watson.
• 4:23
  Speaker 11: Oh are you doctor?
• 4:24
  Speaker 9: Will you?
• 4:25
  Speaker 3: Will you follow me?
• 4:26
  Speaker 13: Please?
• 4:27
  Speaker 10: Excuse me asking mister Lindsay, but surely you must be
• 4:29
  Speaker 10: related to that distinguished actor of some year's back, Litton Lindsay.
• 4:32
  Speaker 5: He was my father, mister.
• 4:33
  Speaker 9: Home resemblance is extraordinary.
• 4:36
  Speaker 3: It was such a heritage. Mister Lindsay, you must love
• 4:38
  Speaker 3: the theater.
• 4:40
  Speaker 9: It'll probably sound like heresy, but I hate it.
• 4:43
  Speaker 11: However, It's the only thing I was trained for, and
• 4:46
  Speaker 11: there's good money to be made in it sometimes, and
• 4:49
  Speaker 11: money is the thing I both like and want.
• 4:52
  Speaker 12: Mister Holmes.
• 4:53
  Speaker 9: I do hope you were able to help Mark Humphries.
• 4:56
  Speaker 11: He certainly needs it.
• 4:57
  Speaker 3: You know what seems to be his trouble.
• 4:59
  Speaker 11: He'll have tell you that friends so, but his wife
• 5:02
  Speaker 11: and I think there's Missus Humphreys now, Marya.
• 5:08
  Speaker 12: This is mister Sherlock.
• 5:09
  Speaker 11: Holmes and Dr Watson.
• 5:11
  Speaker 9: Missus Mark Humphrey.
• 5:13
  Speaker 7: Holmes.
• 5:14
  Speaker 4: I'm so grateful that you're going to see Mark.
• 5:16
  Speaker 5: He's in such a dreadful stay.
• 5:18
  Speaker 4: There have been times lately when when mister Lindley and
• 5:20
  Speaker 4: I have been afraid he's going out of his.
• 5:22
  Speaker 11: Mind, haven't we there we're both dreadfully worried about it.
• 5:26
  Speaker 9: And in case, I hope I can be of service
• 5:27
  Speaker 9: in which is his dressing room, number one, next door
• 5:29
  Speaker 9: to mine?
• 5:30
  Speaker 4: Yeah, I think it'll be better if mister Holmes and
• 5:33
  Speaker 4: doctor Watson go in alone. I'm sure Mark will speak
• 5:36
  Speaker 4: more freely if we're.
• 5:36
  Speaker 9: Not in the room. I think perhaps that is a
• 5:38
  Speaker 9: good idea. Missus humpy Is, we'll see you later on.
• 5:40
  Speaker 12: Come on, fellow, Thank heaven you're here.
• 5:54
  Speaker 9: Now, mister humph Is and this is doctor Watson Watsney.
• 5:57
  Speaker 5: Yes, I know of you too.
• 6:00
  Speaker 9: Sit down, won't you?
• 6:01
  Speaker 5: Gentlemen? You're wondering why I ask you to come back
• 6:05
  Speaker 5: and see me? Of course, naturally their Well, I won't
• 6:07
  Speaker 5: beat about the bush and waste your time. That comes
• 6:10
  Speaker 5: stack to the point I'm going mad. I know, I
• 6:14
  Speaker 5: know it sounds fantastic, but it's true. I've often heard
• 6:17
  Speaker 5: of actors beginning to live.
• 6:18
  Speaker 13: Their pasts off the stage they play on it.
• 6:20
  Speaker 9: Well, it's happened to me.
• 6:22
  Speaker 5: I'm turning into another Sweeny Todd, the character I'm portraying
• 6:26
  Speaker 5: on the stage.
• 6:26
  Speaker 10: Suggesting, sir that you're a potential murderer, Yes, I am.
• 6:30
  Speaker 10: What reason do you have for holding that belief?
• 6:32
  Speaker 13: Reason?
• 6:33
  Speaker 9: Listen to this.
• 6:35
  Speaker 5: Three times in the past week, I've wakened in the
• 6:38
  Speaker 5: morning to find my boots covered with mud and my
• 6:41
  Speaker 5: razor stained with blood.
• 6:44
  Speaker 9: If I had no recollection of any untoward events during
• 6:46
  Speaker 9: the night.
• 6:47
  Speaker 2: None have you ever been addicted to the unfortunate habit
• 6:50
  Speaker 2: of sleepwalking?
• 6:51
  Speaker 5: Not to my knowledge, doctor, And if I had been
• 6:53
  Speaker 5: solely my wife would have told.
• 6:55
  Speaker 12: Me about your wife.
• 6:56
  Speaker 9: Where do you live, miss Andre?
• 6:57
  Speaker 5: We have a flat here about the theater, and mister
• 7:01
  Speaker 5: Handres you.
• 7:01
  Speaker 10: Say that on three separate occasions, on wakening in the morning,
• 7:04
  Speaker 10: you have found a blood stained razor and mudcovered boots.
• 7:07
  Speaker 9: Can you show us this proof.
• 7:09
  Speaker 13: No, no, I can't.
• 7:10
  Speaker 5: I was always so frightened that my wife would see
• 7:12
  Speaker 5: that I cleaned them before she had the opportunity of
• 7:14
  Speaker 5: finding them.
• 7:15
  Speaker 3: It would have been very valuable clues in the case.
• 7:18
  Speaker 5: Like I couldn't risk my wife seeing evidence like that, doctor,
• 7:21
  Speaker 5: she'd know the truth that at night times, while she's asleep,
• 7:26
  Speaker 5: some devilish, unconscious urg has overcome me, an urge that
• 7:30
  Speaker 5: causes me to tower the streets of London, raised it
• 7:33
  Speaker 5: in hand, looking for a victim. Mister Holmes, You've got
• 7:35
  Speaker 5: to help me. I'm certain that, without knowing it, I've
• 7:38
  Speaker 5: been committing murder and if you don't help me, I'll
• 7:40
  Speaker 5: go on and on.
• 7:41
  Speaker 9: Mister Hampers, I want to take the case. It's a
• 7:45
  Speaker 9: very unique assignment. In effect, I'm being engaged by a.
• 7:48
  Speaker 6: Possible murderer to prove him guilty. Well, mister Elms, having
• 8:03
  Speaker 6: through all the records we have here at Scotland, you are.
• 8:05
  Speaker 9: Found, Inspector Gregson.
• 8:06
  Speaker 5: In the last two months we haven't had one case
• 8:08
  Speaker 5: of an unsolved killing with a race.
• 8:10
  Speaker 3: Any mysterious disappearances inspected pleasure art.
• 8:12
  Speaker 13: Doctor.
• 8:13
  Speaker 14: There's never a day that passes without one or two
• 8:14
  Speaker 14: of them.
• 8:15
  Speaker 9: Here's a list of mister Elms.
• 8:17
  Speaker 10: If it's any use to you, thanks, come on Marton
• 8:18
  Speaker 10: in the morning we can go back to the theater
• 8:20
  Speaker 10: and set our friend's mind at risk. I'm much obliged
• 8:22
  Speaker 10: to Gregson there to be a service. We examined the
• 8:33
  Speaker 10: homicide records at Scotland's yard. I'd have to leave you
• 8:36
  Speaker 10: last night a timpers.
• 8:37
  Speaker 9: There have been no unsolved raizor metters in London in
• 8:40
  Speaker 9: the past fortnight, and.
• 8:41
  Speaker 2: Therefore I think you may rest easy on that scu
• 8:44
  Speaker 2: But it proves nothing.
• 8:45
  Speaker 5: Remember that in the place we need Todd's victims I
• 8:47
  Speaker 5: never found thanks.
• 8:49
  Speaker 9: To his singularly horrible ingenuity in disposing of them. But
• 8:51
  Speaker 9: this is real life, mister Hunt.
• 8:53
  Speaker 5: Then how do you account for the blooded racers and
• 8:55
  Speaker 5: the muddy boots?
• 8:56
  Speaker 3: Well, now are you sure that they aren't you're a genations.
• 9:01
  Speaker 3: You admit that your wife's never seen them. The whole
• 9:03
  Speaker 3: thing could be or till we say, an overdose of
• 9:08
  Speaker 3: may talk.
• 9:09
  Speaker 5: I admit that I'm suffering from a surfait of that.
• 9:11
  Speaker 10: And when I dropped the faith from her repertoire manager
• 9:13
  Speaker 10: Derek Lindsay won't let me it's the best moneymaker.
• 9:16
  Speaker 5: He's always got a keen height of business. Mister Holmes,
• 9:20
  Speaker 5: I can see that you still don't believe my story.
• 9:23
  Speaker 5: So I've saved some evidence for your evidence that I've
• 9:25
  Speaker 5: found this morning.
• 9:27
  Speaker 9: Look at these now, what do you say?
• 9:30
  Speaker 5: Do you still think it's my imagination?
• 9:32
  Speaker 3: Cutter, live stained razor and boots covered with mud.
• 9:35
  Speaker 9: Splendid, At last, some real clues to work. How can
• 9:38
  Speaker 9: you be so calm?
• 9:39
  Speaker 5: Homes It happened again last night? Do you realize that
• 9:43
  Speaker 5: I'm a murderer? I'm a Menaster Society for Heaven's sake,
• 9:46
  Speaker 5: locked me up before I do some more, mister Hampres,
• 9:50
  Speaker 5: I should.
• 9:51
  Speaker 10: Like to take these objects to back to Bate the
• 9:52
  Speaker 10: Street where I can perform some chemical tests. You have
• 9:55
  Speaker 10: no objections, I hope objections excellent. You've told no one
• 9:58
  Speaker 10: of this fresh discovery.
• 10:00
  Speaker 5: It's no one, not even Derick Clint.
• 10:02
  Speaker 3: That's your manager, isn't it.
• 10:04
  Speaker 5: Yes, the best friend I ever had, his father before.
• 10:07
  Speaker 11: Him, the Eric who helped me back on.
• 10:10
  Speaker 5: My feet till too. Yes, two years ago when I
• 10:13
  Speaker 5: put on that disastrous production.
• 10:14
  Speaker 9: Of Macbeth, I don't know will I be to day
• 10:17
  Speaker 9: that went to him.
• 10:17
  Speaker 10: They lost a great deal of money on that production, Sir,
• 10:19
  Speaker 10: nearly every penny I had.
• 10:20
  Speaker 9: Indeed, by the way, where is your wife?
• 10:22
  Speaker 5: To Humper's not dressing room next door?
• 10:26
  Speaker 9: I'd like to word with her?
• 10:28
  Speaker 12: Watch no chap, but wait here for me.
• 10:29
  Speaker 10: We know I won't be a moment, Shark Homes, you
• 10:44
  Speaker 10: want to talk to me, mister Holmes for a moment?
• 10:47
  Speaker 12: May I come in?
• 10:48
  Speaker 4: Missus Humphreys, wouldn't we talk on the stage at tempting?
• 10:52
  Speaker 10: I should prefer to come into your dressing room if
• 10:54
  Speaker 10: you don't mind, but I have to say is confidential?
• 10:57
  Speaker 4: Very well, then come in. The homes Man introduced Senor
• 11:02
  Speaker 4: Vanilli on musical Director.
• 11:04
  Speaker 5: He's a great honor to meet the sole great senior Homes.
• 11:09
  Speaker 12: I have so adviled you, oh often, I have envied you.
• 11:13
  Speaker 3: Many times.
• 11:14
  Speaker 5: I say to myself, snifty.
• 11:16
  Speaker 9: If you don't mind, I wish to speak to Missus
• 11:19
  Speaker 9: Humphreys alone.
• 11:20
  Speaker 5: Oh I quite understand. Excuse me, senor, are you.
• 11:27
  Speaker 4: Mister Holmes? I'm really awfully glare of this opportunity to
• 11:29
  Speaker 4: talk to you. Tell me, truthfully, please, what your opinion
• 11:32
  Speaker 4: of my.
• 11:33
  Speaker 9: Husband has informed?
• 11:34
  Speaker 10: The definite opinion yet except that it's possible that he's
• 11:38
  Speaker 10: the victim of abroad.
• 11:39
  Speaker 9: I just wanted to ask you a couple of.
• 11:41
  Speaker 10: Questions, if you don't mind, of course, not, mister, has
• 11:44
  Speaker 10: your husband ever shown evidence of being a sleepwalker?
• 11:49
  Speaker 7: Oh?
• 11:49
  Speaker 9: No, never, I see. Are you a light sleeper?
• 11:53
  Speaker 1: Yes?
• 11:53
  Speaker 4: I am exceptionally sir.
• 11:56
  Speaker 1: Why?
• 11:56
  Speaker 13: Oh, I was just curious.
• 11:58
  Speaker 4: You're being very mysterious, mister. Can't you tell even me
• 12:01
  Speaker 4: what's going on?
• 12:02
  Speaker 9: I find your husband the answer to that question before
• 12:04
  Speaker 9: the night's performance.
• 12:05
  Speaker 12: I'm afraid I can't tell you any more until then?
• 12:09
  Speaker 4: And now may I ask the question.
• 12:10
  Speaker 9: Certainly, though I won't promise to answer it.
• 12:13
  Speaker 4: You said just now that my husband might be the
• 12:15
  Speaker 4: victim of a fraud.
• 12:16
  Speaker 9: What did you mean? Again?
• 12:18
  Speaker 10: I'm afraid you must wait for the specific answer to
• 12:20
  Speaker 10: that question. However, there's another fraud being practiced on him
• 12:24
  Speaker 10: that I can speak of now.
• 12:26
  Speaker 9: The prod that you are indubting in, missus huntres What
• 12:30
  Speaker 9: do you mean? Of course, this particular fraud is none
• 12:32
  Speaker 9: of my business.
• 12:33
  Speaker 10: But when I almost force my way into your addressing
• 12:37
  Speaker 10: room and find your musical director a panty of Rice's
• 12:40
  Speaker 10: power around one children, suggestions of rules on his cheek.
• 12:43
  Speaker 10: It doesn't take a great deal of intelligence to deduce
• 12:46
  Speaker 10: that your husband is being deceived.
• 12:48
  Speaker 4: Get hold of here at once.
• 12:50
  Speaker 9: That's exactly what I propose doing. Good day to madam,
• 12:53
  Speaker 9: no doubt I shall see you later on.
• 13:05
  Speaker 2: Well Holmes, what does the microscope tell you about the
• 13:07
  Speaker 2: mud on the boots and the blood stains on the razor.
• 13:10
  Speaker 10: On a bank on the mud, o jab, it's been
• 13:13
  Speaker 10: the common type that is found in most parts of London.
• 13:15
  Speaker 2: And the blood examining that now the strange cases of
• 13:20
  Speaker 2: what I remember homes here. You are trying to prove
• 13:23
  Speaker 2: a man innocent when he insists in guilty.
• 13:25
  Speaker 9: Like George Watson.
• 13:27
  Speaker 7: Here's the answer.
• 13:27
  Speaker 9: But this blood is definitely not human blood. It's probably canine.
• 13:34
  Speaker 10: Now at Sweeney Todd mad This would hardly drive its
• 13:36
  Speaker 10: victim to kill dogs. Therefore, it's obvious that my Countries
• 13:40
  Speaker 10: is the victim of a devilish.
• 13:41
  Speaker 3: Plot and he's not a murderer.
• 13:43
  Speaker 9: No, come on, old hello and still to a care
• 13:45
  Speaker 9: for at once and give him the good.
• 13:46
  Speaker 13: News of the answer is a not for the curtain.
• 14:01
  Speaker 9: Time's blessing him. I'm buck again. Come on, what's let's go.
• 14:06
  Speaker 3: In Oh look, look he's something of his dressing gable.
• 14:11
  Speaker 9: I hope I'm not too late here, give me a
• 14:12
  Speaker 9: hand with him.
• 14:14
  Speaker 3: Not too late. His folk's been cut.
• 14:19
  Speaker 12: Wood devil.
• 14:21
  Speaker 9: I promised him a solution to his troubles before the
• 14:23
  Speaker 9: night was over.
• 14:25
  Speaker 12: Little did I think that.
• 14:26
  Speaker 9: The solution would be death.
• 14:38
  Speaker 1: We'll hear the rest of doctor Watson's story in just
• 14:40
  Speaker 1: a second. So I'm going to ask you if you're
• 14:42
  Speaker 1: one of those people who just eats to live, or
• 14:45
  Speaker 1: whether you really enjoy good food. If you love good eating,
• 14:48
  Speaker 1: you've just got to know about Petrie wine. Petrie wine
• 14:52
  Speaker 1: makes good food taste wonderful. For instance, if you're having
• 14:55
  Speaker 1: steak or a rost, or any meat or meat dish,
• 14:58
  Speaker 1: you'll love it served with Petrie California Burgundy. Patrick Burgundy
• 15:02
  Speaker 1: is the last word and delicious red wine.
• 15:05
  Speaker 5: Now with chicken or fish, you.
• 15:07
  Speaker 1: Can't beat the delicate Petrie California so Turned a really
• 15:10
  Speaker 1: extraordinary white one. Just to make sure you don't miss
• 15:13
  Speaker 1: either Petri wine, don't buy one.
• 15:16
  Speaker 9: Buy two.
• 15:17
  Speaker 1: Buy both Patrick Burgundy and Petrie so Turned. They both
• 15:21
  Speaker 1: swell because they're both Petris. Well, doctor Watson, what happened next?
• 15:27
  Speaker 3: Don't pick up the story exactly where I left off.
• 15:30
  Speaker 2: Holmes and I were standing mark Company's ession, looking with
• 15:35
  Speaker 2: horror the flesh throat.
• 15:37
  Speaker 3: The ex manager. There was a bit of self accusing.
• 15:40
  Speaker 9: Note I'm missing the solution to his troubles before tonight
• 15:46
  Speaker 9: was over this that I think.
• 15:48
  Speaker 3: That solution would be just worry over his supposed madness.
• 15:54
  Speaker 3: Murder the razor cups in his hand?
• 15:57
  Speaker 9: Did they say by the murder before we Mortis had
• 15:59
  Speaker 9: a chance to sit in any case scrutinized the wound?
• 16:02
  Speaker 12: Does that look as if it had been done by the.
• 16:04
  Speaker 10: Hand of a suicide Don't see why not, Chap The
• 16:07
  Speaker 10: depth of the wound is even that as a suicide
• 16:10
  Speaker 10: cut always waivers towards the end.
• 16:13
  Speaker 9: Oh, this is murder, Watson, and I think I know
• 16:15
  Speaker 9: who did it. I have little ever understands left track.
• 16:18
  Speaker 3: What kind of a trap home?
• 16:19
  Speaker 10: I'm time to kill you an ourflow every moment comes
• 16:22
  Speaker 10: off of your p Scotland Guard and get Inspector Gregson
• 16:24
  Speaker 10: bringing back here as fast as you can and watch them. Yeah,
• 16:27
  Speaker 10: he'll absolutely no one except Gregson of my company's death
• 16:30
  Speaker 10: and say that he's still alive and well, and that
• 16:32
  Speaker 10: his problems are solved the performance of the player.
• 16:34
  Speaker 12: An't worry about that old job.
• 16:35
  Speaker 9: Off of your per Scotland job.
• 16:48
  Speaker 3: I'm sorry it took so longer.
• 16:49
  Speaker 13: Fire me, doctor Watson.
• 16:50
  Speaker 9: I was out on another ocasion.
• 16:51
  Speaker 2: That's all inspect performance if there is one that's been
• 16:55
  Speaker 2: nearly over the Now here's the stage doors, Yeah, here
• 16:57
  Speaker 2: we are.
• 17:00
  Speaker 7: You can't come on this, Tay who says I can't?
• 17:03
  Speaker 3: I'm inspected. Gregson of Scotland yard wonderfo the Devil's plays
• 17:09
  Speaker 3: when it turns come.
• 17:10
  Speaker 2: On, come and just stand here in the wind is possible,
• 17:18
  Speaker 2: there's my comforts on the stage. I saw him in
• 17:20
  Speaker 2: the spot cut. I don't believe in ghost doctor, great heavens,
• 17:23
  Speaker 2: it's homes.
• 17:37
  Speaker 7: You revenge you while you put him down there and
• 17:39
  Speaker 7: hell yry you revel Here here he comes.
• 17:53
  Speaker 3: Now Gregg's amazing disguise.
• 17:55
  Speaker 5: I'm never recognized both here Holmes and what.
• 17:59
  Speaker 9: Are you up to? Surely that's apparent. I disguise myself
• 18:01
  Speaker 9: as the dead man, helping to cost the murderer's hands.
• 18:03
  Speaker 14: You'll run in a terrible Christmastres out of.
• 18:05
  Speaker 9: My profession, Gregs. There come singer van Elle, the musical director.
• 18:10
  Speaker 7: My dear fellow.
• 18:11
  Speaker 5: I had to leave the awker to come and congratulate you.
• 18:15
  Speaker 9: Never have you given a final performance.
• 18:17
  Speaker 3: Provis or provis But think he's true. You've hardly seem
• 18:23
  Speaker 3: the same person.
• 18:24
  Speaker 7: Your performance, Gee is in comparable.
• 18:28
  Speaker 9: Keep it up much, keep it up. I think he
• 18:31
  Speaker 9: spotted you home, Yes, sir, I didn't like.
• 18:33
  Speaker 3: His look as he said that.
• 18:34
  Speaker 9: Well, whoever it is, they've got to show their hands
• 18:36
  Speaker 9: soon going up in the last scene, keep your eyes
• 18:38
  Speaker 9: open and suspect everyone. My Lord.
• 18:54
  Speaker 7: Fow sign ha ha, really can't what do he.
• 19:05
  Speaker 10: The doc odeed but he's not want to hear Lord
• 19:09
  Speaker 10: dock know what to see you there?
• 19:13
  Speaker 7: I get excuse to the name.
• 19:16
  Speaker 2: I could, but that the dead rise from their tentlements
• 19:19
  Speaker 2: to prove Sweeney Todd a murderer?
• 19:32
  Speaker 7: Why George?
• 19:33
  Speaker 10: What an actor?
• 19:34
  Speaker 13: E the made doctor?
• 19:35
  Speaker 2: That's what an actor is, Gregson. I'll be hanged if
• 19:37
  Speaker 2: I know how he remember the lines though, even.
• 19:39
  Speaker 3: If he has seen the play half a dozen times
• 19:41
  Speaker 3: till he comes up other homes splendidness.
• 19:45
  Speaker 9: But he didn't work and it didn't work on it
• 19:48
  Speaker 9: murderer still hasn't dipped his hand. Have I underestimated him?
• 19:52
  Speaker 14: Looks as if you have, sir, And if you don't
• 19:53
  Speaker 14: mind my saying so, I think you'd have been a
• 19:55
  Speaker 14: lot riser to let me handle the case as soon
• 19:57
  Speaker 14: as you found his body, instead of going in for
• 19:59
  Speaker 14: all this.
• 20:00
  Speaker 9: Dressing up stuff. But of course, now I see it
• 20:04
  Speaker 9: only one person who could have killed my Coumphreys fume?
• 20:07
  Speaker 9: Who was I saying?
• 20:08
  Speaker 10: I'll show you and then Humphrey's dressing room now alone,
• 20:11
  Speaker 10: give me a few moments, start and then follow me
• 20:13
  Speaker 10: out of sight but within their shot.
• 20:15
  Speaker 14: Doctor Watson, Why does mister Elms always have to be
• 20:17
  Speaker 14: so bloomy mysterious? Why can't he just say who the
• 20:20
  Speaker 14: murderer is and take us to her?
• 20:22
  Speaker 3: Mister Holmes and a great many cases, Gregson, and yet
• 20:25
  Speaker 3: I can't answer that question. Come along, you've got to
• 20:28
  Speaker 3: big enough to start.
• 20:28
  Speaker 2: Now, let's follow him.
• 20:29
  Speaker 14: I'm really fond of mister Elams and our doctor, and
• 20:31
  Speaker 14: yet there are times when I.
• 20:32
  Speaker 3: Get so angry with him.
• 20:34
  Speaker 9: He shouldn't risk his life right then?
• 20:35
  Speaker 3: You know, mister Holmes, he will never change if he don't.
• 20:38
  Speaker 14: One of these days he's going to wake up and
• 20:40
  Speaker 14: find himself.
• 20:40
  Speaker 9: Did someone inside him?
• 20:48
  Speaker 3: Great Cottage tetle into the business man. You come on, Gregson,
• 20:52
  Speaker 3: nor is it who was succeeded in killing Humphress.
• 20:54
  Speaker 13: But you won't kill me?
• 20:54
  Speaker 9: Like as I look up for that brace, I hear
• 20:56
  Speaker 9: you let go, you go, Ah.
• 21:02
  Speaker 10: Very neat Gregson, you are right home perfectly, thanks old chapter.
• 21:05
  Speaker 10: I'm a little tired, Gregson, my dear fellow, will you
• 21:08
  Speaker 10: take over from here? I think I've had enough melodrama
• 21:10
  Speaker 10: for one day.
• 21:22
  Speaker 9: Ah.
• 21:24
  Speaker 10: A person Watson is the deck of Baker Street again,
• 21:26
  Speaker 10: A cracting farm, I dressing gown and your company combined
• 21:29
  Speaker 10: to make a soothing ending were somewhat violent day.
• 21:33
  Speaker 3: Unusual case, homes. I still didn't darly understand it.
• 21:37
  Speaker 2: The original part, of course, was to try and drive
• 21:39
  Speaker 2: my company's mad.
• 21:40
  Speaker 3: By making him think that he was a murderer, had
• 21:42
  Speaker 3: a courage for the boots and the bloodstain.
• 21:44
  Speaker 10: Raisor precisely, my dear fellow, and the killer, having conditioned
• 21:47
  Speaker 10: his victim by this trickery, then murdered him, trying to
• 21:49
  Speaker 10: make it appear of suicide.
• 21:51
  Speaker 9: Now, who had a motive?
• 21:53
  Speaker 2: Three people Humphreys, a lover signor Vanilla and Derek Lindsay.
• 21:57
  Speaker 3: I must say that I suspected the wife, go did.
• 21:59
  Speaker 9: I for a while, and yet it was illogical.
• 22:01
  Speaker 12: She knew, and we may therefore presume that her.
• 22:03
  Speaker 9: Love I knew, and that I was suspicious of her.
• 22:05
  Speaker 2: And she must have known that you promised her husband
• 22:07
  Speaker 2: a solution to his troubles before that night was out.
• 22:09
  Speaker 2: It seemed highly improbable that she or Senior Vanella would
• 22:13
  Speaker 2: have faked this suicide at that point, right my evenant.
• 22:17
  Speaker 10: So I investigated Derek Lind's affairs, and I found that
• 22:20
  Speaker 10: what Comforts had referred to as the kindly act of
• 22:23
  Speaker 10: a friend in helping him back onto his feet was
• 22:26
  Speaker 10: in reality the mortgaging of his entire theaptical effects then
• 22:30
  Speaker 10: she stood to inherit the theore on Humphrey's death.
• 22:32
  Speaker 9: Therefore, I was convinced that he was the killer.
• 22:34
  Speaker 2: And then after he'd murdered him, he saw that he
• 22:36
  Speaker 2: thought to be my Comforts on the stage.
• 22:39
  Speaker 9: Ah, That's where I was slow and stupid, old jab.
• 22:42
  Speaker 9: I couldn't imagine what motive gave the cold clear.
• 22:45
  Speaker 10: Nerve to suppress all reactions when he saw his supposed
• 22:48
  Speaker 10: victim revived on the stage.
• 22:50
  Speaker 12: Only at that moment did I realize what.
• 22:52
  Speaker 2: Was the motive that made him hold his hand.
• 22:54
  Speaker 9: The characteristic that ruled his life was from avarice, a
• 22:58
  Speaker 9: morbid love of money.
• 22:59
  Speaker 10: You see attacked me during the performance. You'd have had
• 23:01
  Speaker 10: to refund the money to the audience. He's red conquered
• 23:05
  Speaker 10: all other pets. It made him wait until the performance
• 23:07
  Speaker 10: was finished before he attempted my life.
• 23:09
  Speaker 2: You know how the case is solved. I'll tell you
• 23:12
  Speaker 2: something in confidence. At the end of the play tonight,
• 23:16
  Speaker 2: I was afraid that you made a mistake, that you
• 23:19
  Speaker 2: the tough on the case.
• 23:20
  Speaker 3: Uh. Gregson thought so too, and I Watson will tell.
• 23:25
  Speaker 12: You something in confident. There were three of us that
• 23:29
  Speaker 12: felt the same way.
• 23:30
  Speaker 10: Being monist, I assure you I'm not, my dear chap.
• 23:35
  Speaker 10: In fact, in the future, if it should strike you
• 23:38
  Speaker 10: that I'm more well.
• 23:39
  Speaker 9: Getting a little over confident of my powers, or perhaps
• 23:42
  Speaker 10: A giving less pains to a case than it deserves,
• 23:45
  Speaker 10: kindly whisper sweety tard in my ear, will you, I
• 23:49
  Speaker 10: shall be infinitely obliged to you.