Latest / Beyond The Blood: A Horror Movie Commentary Podcast / After Hours - June 2026

Transcript

After Hours - June 2026 · Beyond The Blood: A Horror Movie Commentary Podcast

• 0:08
  Speaker 1: Greetings, Welcome to two in the pink Ou Podcast. Experience
• 0:12
  Speaker 1: a deep dive into softcore Japanese exploitation cinema from the
• 0:16
  Speaker 1: sixties up into the present, with an emphasis on sleeves
• 0:19
  Speaker 1: and seduction. We are monthly or bi weekly, and we're
• 0:24
  Speaker 1: not even by.
• 0:28
  Speaker 2: Will pink Film save our marriage? Find out On two
• 0:32
  Speaker 2: in the pink Ou Podcast.
• 0:42
  Speaker 3: You are now listening to the Someone's Favorite Productions podcast network.
• 1:56
  Speaker 4: This is After Hours Bump it up? What do you
• 2:01
  Speaker 4: think about it?
• 2:03
  Speaker 5: It was creative?
• 2:05
  Speaker 2: If I like it? What one of a kind?
• 2:09
  Speaker 4: Yeah, there's a jingle? What other jingles could we possibly use?
• 2:13
  Speaker 2: We could do?
• 2:16
  Speaker 4: I have a few movies that I've watched and I
• 2:18
  Speaker 4: need to talk about it on after Hours.
• 2:23
  Speaker 2: Something like that? What is that? Oh that's JJ Wetworth,
• 2:26
  Speaker 2: isn't it? Yeah?
• 2:28
  Speaker 4: Eight seven seven cash now, Yeah, it's my money and
• 2:31
  Speaker 4: I want to Now.
• 2:32
  Speaker 5: People are gonna remember us by association.
• 2:35
  Speaker 2: Basically, that's the goal.
• 2:38
  Speaker 4: Every time you're watching cable television and you hear that,
• 2:40
  Speaker 4: you're gonna be like, oh, be honest.
• 2:43
  Speaker 5: It's like when those medication commercials they like riffed off
• 2:47
  Speaker 5: of like popular songs. I'm like, I don't know how
• 2:50
  Speaker 5: I feel about this.
• 2:53
  Speaker 4: Like it's like I love the memes on TikTok where
• 2:56
  Speaker 4: it talks about the music that you hear in stores.
• 3:00
  Speaker 4: It's like, once you start paying attention, you're like, the
• 3:02
  Speaker 4: hell is playing right now? It happens at my job
• 3:07
  Speaker 4: all the time.
• 3:07
  Speaker 2: I'm like, what the fuck are we playing?
• 3:09
  Speaker 5: Do you have any control over the playlist though?
• 3:11
  Speaker 2: Just a volume? Oh that's what? What kind of music plays?
• 3:16
  Speaker 2: I need an example.
• 3:17
  Speaker 4: It's like it's kind of weird, man.
• 3:19
  Speaker 2: It'll go from like.
• 3:22
  Speaker 4: I feel like I feel like we hired somebody young
• 3:25
  Speaker 4: to kind of play with the playlist because there's been
• 3:27
  Speaker 4: a few complaints within the company about the music. So
• 3:30
  Speaker 4: it'll go from well, what dream Warriors by dakn plays.
• 3:36
  Speaker 2: Always at night?
• 3:37
  Speaker 4: I always hear that, which I don't know, like why
• 3:41
  Speaker 4: that's on the playlist. It'll be like way Away by
• 3:44
  Speaker 4: Yellow Card plays all the time, the Weight the Weight
• 3:49
  Speaker 4: by is that the band that plays all the time.
• 3:52
  Speaker 4: And then it'll be like some like almost like copyright
• 3:57
  Speaker 4: free music. I'm like, this is not a real some
• 4:00
  Speaker 4: Ai music, it's ai Ai music.
• 4:05
  Speaker 2: We yeah, so weird.
• 4:06
  Speaker 6: On Saturday, my wife and I went to this restaurant
• 4:10
  Speaker 6: and you wanted to have a crazy like playlist. It
• 4:12
  Speaker 6: went from like they're playing like, h, what's the same
• 4:15
  Speaker 6: Luke Combe's country singer. Then it like shifted gears and
• 4:19
  Speaker 6: went to Godsmack, and then it went to like the Police,
• 4:25
  Speaker 6: and it just came doing like those those rotations like that.
• 4:29
  Speaker 2: It was the wildest. It was like some smokehouse restaurant.
• 4:33
  Speaker 5: It's pretty funny, all inclusive, that's what you're telling us.
• 4:37
  Speaker 2: Yeah, pretty much.
• 4:39
  Speaker 4: One time I had left, I went from my job
• 4:43
  Speaker 4: to a store that's across the parking lot from me,
• 4:46
  Speaker 4: and I walked out of my store and I took
• 4:49
  Speaker 4: notice of the song that was playing because it was
• 4:51
  Speaker 4: Stevie Nicks. So as I was walking out, I was like, oh,
• 4:54
  Speaker 4: this is a good song. So I left, and then
• 4:56
  Speaker 4: when I walked into the store across from me, it
• 5:00
  Speaker 4: picked up right where I left off on the past song.
• 5:04
  Speaker 4: So both of our both of our locations were playing
• 5:06
  Speaker 4: the same song on slightly different timing enough that in
• 5:10
  Speaker 4: the two minutes took me to weal across the parking lot,
• 5:12
  Speaker 4: I synced back up with it.
• 5:14
  Speaker 5: Crazy.
• 5:15
  Speaker 2: That's weird, man, So that's special, something special. You think so.
• 5:19
  Speaker 2: I think so, you know, you know what's special? You guys.
• 5:24
  Speaker 5: Oh, thanks man, we did miss you.
• 5:29
  Speaker 2: Thank you, thank you.
• 5:30
  Speaker 5: I thought you were going to segue into the Criterion sale.
• 5:34
  Speaker 4: Not yet. I was gonna say, how I forgive my
• 5:37
  Speaker 4: lack of pickups on it. I do have stuff to
• 5:39
  Speaker 4: talk about, but I I just got back with with
• 5:42
  Speaker 4: my way from our trip to Disney World. As I said,
• 5:46
  Speaker 4: I said it that way to make Jordan happy.
• 5:48
  Speaker 2: Did you thank you? Did you have fun?
• 5:51
  Speaker 5: Yeah?
• 5:51
  Speaker 4: Of course, dude, it was awesome. It was they they
• 5:54
  Speaker 4: told us. The locals told us that it was like
• 5:57
  Speaker 4: August weather.
• 5:58
  Speaker 2: It was.
• 5:59
  Speaker 4: I think the low temperature we had all seven days
• 6:02
  Speaker 4: we were there was like seventy seven at night and
• 6:05
  Speaker 4: then all day it was ninety five ninety six.
• 6:09
  Speaker 5: Chris, you never addressed my question. Did you ever meet
• 6:12
  Speaker 5: the Alien Queen?
• 6:14
  Speaker 2: I did not, Damn, I did not.
• 6:17
  Speaker 4: I tried to meet either Bride of Frankenstein or Frankenstein's
• 6:22
  Speaker 4: Monster within we went to Epic Universe, to the Dark Universe,
• 6:28
  Speaker 4: and they weren't out.
• 6:31
  Speaker 2: I also hesitated.
• 6:32
  Speaker 4: I did not buy the Danny Elfman Dark Universe Vinyl.
• 6:36
  Speaker 2: I wanted to, but it was fifty dollars exclusively exclusively
• 6:42
  Speaker 2: at Epic Universe.
• 6:43
  Speaker 6: How How is Epic Universe as grand as everyone says
• 6:49
  Speaker 6: it is?
• 6:50
  Speaker 4: It's big, the worlds are definitely immersive. We went we
• 6:54
  Speaker 4: went straight to Dark Universe and we did the Monster's
• 6:58
  Speaker 4: Unchained ride, which is just ridiculously cool. And then we
• 7:02
  Speaker 4: did the Curse of the Werewolf roller coaster, which was cool,
• 7:07
  Speaker 4: and then we went and got I went to it's
• 7:11
  Speaker 4: called Doss Steakhouse and I got the blood orange chicken
• 7:17
  Speaker 4: sandwich and it was not as good.
• 7:19
  Speaker 2: As I as I thought it was gonna be. I
• 7:21
  Speaker 2: was pretty disappointed by it.
• 7:23
  Speaker 4: But uh, it's it's very immersive, man. I feel like
• 7:27
  Speaker 4: we we did miss the the windmill fire that that
• 7:31
  Speaker 4: started while we were in line for Curse of the Werewolf,
• 7:33
  Speaker 4: and we missed.
• 7:34
  Speaker 2: It, but it's super cool, dude.
• 7:37
  Speaker 4: We walked over to the Super Mario World and that
• 7:41
  Speaker 4: was where everybody was. It was like an absolute shit
• 7:45
  Speaker 4: show in there, man, it was so busy. We did
• 7:49
  Speaker 4: the we did the Mario Kart ride, and then we
• 7:54
  Speaker 4: tried to get into Donkey Kong Country and at that
• 7:57
  Speaker 4: point some storms that kind of started gathering, so they
• 8:00
  Speaker 4: had shut down the ride that the Donkey Kong roller coaster.
• 8:04
  Speaker 4: We went from there to oh where do we go?
• 8:07
  Speaker 2: From there?
• 8:09
  Speaker 4: We went to uh, let's see other not Isle of Burke.
• 8:17
  Speaker 4: We went to somewhere else Celestial.
• 8:20
  Speaker 2: So there's there's Celestial Park, which is like the center. Yeah.
• 8:25
  Speaker 4: Yeah, we went there and then we so it was
• 8:27
  Speaker 4: kind of weird because like we didn't get any actual
• 8:29
  Speaker 4: rain while we were there, but there was just really
• 8:31
  Speaker 4: dark luminous clouds overhead. And the one we bought fast
• 8:36
  Speaker 4: passes for the day, so we wanted to use them,
• 8:39
  Speaker 4: and all the rides we had gone on so far
• 8:41
  Speaker 4: we didn't need them because the lines weren't extraordinarily long.
• 8:46
  Speaker 4: But I wanted to ride Stardust Racers because I'm a
• 8:51
  Speaker 4: roller coaster guy. This is the biggest ride in the park.
• 8:53
  Speaker 4: I've heard nothing but awesome things about this. I want
• 8:57
  Speaker 4: to get on this. So it had the majority of
• 9:01
  Speaker 4: the day because of the weather. As we were walking, like,
• 9:05
  Speaker 4: we just happened to come out at the entrance, and
• 9:09
  Speaker 4: the moment we walked out, we noticed like one or
• 9:11
  Speaker 4: two people got in and we were like, oh shit,
• 9:15
  Speaker 4: it just opened, So we ran in real quick. Me
• 9:19
  Speaker 4: my sister in law and my wife like got in
• 9:22
  Speaker 4: real quick. We were probably like twentieth in line.
• 9:24
  Speaker 2: They had just reopened it.
• 9:26
  Speaker 4: And we got all the way up to like the
• 9:28
  Speaker 4: entrance que to get onto the actual roller coaster, and they.
• 9:31
  Speaker 2: Weather delayed it again.
• 9:33
  Speaker 5: Oh my god.
• 9:35
  Speaker 4: So we were waiting and then they do that thing
• 9:36
  Speaker 4: where they kind of run the empty trains instead of
• 9:40
  Speaker 4: running the empty ones over and over and over again,
• 9:43
  Speaker 4: and then they had started boarding them again. They're like, oh,
• 9:47
  Speaker 4: everything's good, We're good, and the clouds still looked terrible,
• 9:50
  Speaker 4: and we were one of the last rides before they
• 9:52
  Speaker 4: shut it down like for the day, and it was
• 9:55
  Speaker 4: so fucking awesome.
• 9:57
  Speaker 2: Love that shit.
• 9:58
  Speaker 5: Nice sha good. We had fun well for the most part. Yeah.
• 10:04
  Speaker 2: Did you did you get to go to the Ministry
• 10:05
  Speaker 2: of Magic?
• 10:06
  Speaker 4: Oh that's where we went to the Ministry of Magic. Oh okay,
• 10:09
  Speaker 4: yeah place, Yeah, we went to the Ministry of Magic.
• 10:12
  Speaker 4: It's sick, dude, we did. That's where we had to
• 10:14
  Speaker 4: use our fast passes at because that ride the Ministry
• 10:17
  Speaker 4: of Magic Bride was like, I don't know, over one
• 10:19
  Speaker 4: hundred minute of weight, So.
• 10:21
  Speaker 2: We did use our fast passes for that. It's uh,
• 10:24
  Speaker 2: it reminds me of I don't know.
• 10:28
  Speaker 4: Have have both of you guys been to Disney World.
• 10:30
  Speaker 4: I know you go to Disneyland, Jordan, but have you've
• 10:32
  Speaker 4: been a.
• 10:33
  Speaker 2: No, I've never been to Florida. Oh okay, okay, see
• 10:38
  Speaker 2: Cisney World.
• 10:38
  Speaker 5: It's been years years, Like this is when I was
• 10:41
  Speaker 5: a kid. I have put it back there since.
• 10:44
  Speaker 4: The first Star Wars ride in Hollywood Studio is the
• 10:47
  Speaker 4: Star to Wars.
• 10:48
  Speaker 2: Oh, Disneyland has that, does it? Okay?
• 10:51
  Speaker 4: So it's at like three D style, but it's super rough,
• 10:54
  Speaker 4: Like you get beat up on this fucking ride. That's
• 10:56
  Speaker 4: what the Ministry of Magic Bride was. Like, it's cool
• 11:00
  Speaker 4: and there's some really cool ship within the ride, but
• 11:03
  Speaker 4: like I felt like I had bruises when it was
• 11:05
  Speaker 4: over because you're just like in these plastic seats and
• 11:09
  Speaker 4: the cart is like throwing you around. It's not like
• 11:11
  Speaker 4: monsters unchained with monsters on chained is the same idea,
• 11:14
  Speaker 4: but you're in a It was like a harnessed seat
• 11:18
  Speaker 4: that's built for the movement, and uh Ministry of Magic
• 11:21
  Speaker 4: was not.
• 11:22
  Speaker 2: But the actual Ministry Magic you walk into.
• 11:24
  Speaker 4: It was incredible, like when you go through with the
• 11:26
  Speaker 4: flu powder and you do all that it's it's fucking stunning, dude.
• 11:30
  Speaker 2: It's it's amazing what they work with they cook up
• 11:31
  Speaker 2: over there. That's cool. So but now we're home Disney Blues, Dude,
• 11:39
  Speaker 2: it goes by so fast. All that time saving up
• 11:43
  Speaker 2: your money gone like that.
• 11:46
  Speaker 5: You got good memories with it, of course, yeah.
• 11:49
  Speaker 4: Always always good memories, always good memories.
• 11:51
  Speaker 2: How was the week for you guys?
• 11:53
  Speaker 5: Like?
• 11:53
  Speaker 2: What was going on while was gone? Not a lot?
• 11:59
  Speaker 2: The uh? I don't know save when when when I
• 12:02
  Speaker 2: leave the world stops.
• 12:03
  Speaker 5: Man, That's exactly it. My world stops. You're like, what, Yeah,
• 12:10
  Speaker 5: I went to a concert on Friday that was a
• 12:13
  Speaker 5: lot of fun. And then last Sunday I was out
• 12:16
  Speaker 5: on the boat all day taking advantage of this.
• 12:19
  Speaker 2: Huh, who'd you see at the concert?
• 12:21
  Speaker 5: Max Syler House DJ? It was a lot of fun
• 12:26
  Speaker 5: I was and get home till like three thirty in
• 12:28
  Speaker 5: the morning.
• 12:29
  Speaker 4: Did you play Sandstorm?
• 12:32
  Speaker 5: No? Man, But that's wishful thinking. I would I would
• 12:34
  Speaker 5: not be a post that.
• 12:37
  Speaker 4: I just automatically think that every DJ has has a
• 12:40
  Speaker 4: Derude song in there somewhere in the playlist, right, Yeah,
• 12:43
  Speaker 4: I mean so it creeps in there somewhere.
• 12:45
  Speaker 5: That's a banger though.
• 12:47
  Speaker 4: Some big, some big stuff started getting delivered to people
• 12:50
  Speaker 4: this week while I was gone, including myself. But at
• 12:54
  Speaker 4: the tail end of our vacation, I started seeing the
• 12:58
  Speaker 4: post for the Criterion collection. So yeah, and if audio
• 13:04
  Speaker 4: listeners could, you could see Steve's eyebrows.
• 13:08
  Speaker 2: They're dancing.
• 13:10
  Speaker 5: There's only two things that do this for me, erotic
• 13:12
  Speaker 5: thrillers and the Criterion sale.
• 13:15
  Speaker 4: Please tell me about body heat on.
• 13:18
  Speaker 5: Okay, Yes, that was the first thing I went running to.
• 13:22
  Speaker 2: Oh my god, what do you want to go over?
• 13:24
  Speaker 2: What you got? First of all, what do you drink?
• 13:26
  Speaker 5: Him? Got ka trying to be healthy?
• 13:29
  Speaker 2: Ba guice?
• 13:31
  Speaker 5: All right, So I may or may not go back again.
• 13:37
  Speaker 5: I'm not sure. I'm gonna start out with a classic,
• 13:43
  Speaker 5: and I am starting with a woman under influence. Under
• 13:46
  Speaker 5: the influence can't talk. John Cassavetti's very excited and got
• 13:53
  Speaker 5: a standalone release for this. Uh. This is not a
• 13:56
  Speaker 5: four kuh, so this is just a Blu ray release.
• 14:00
  Speaker 5: This is I believe, the same transfer as the one
• 14:03
  Speaker 5: that's in the box set of the five films of Cassavetties.
• 14:07
  Speaker 5: So I highly recommend this one. Big fan of him
• 14:10
  Speaker 5: as a director and next one, it got yeah, Paris Texas,
• 14:20
  Speaker 5: Oh four k uh got Gus Van Sants Drugstore, Cowboy
• 14:35
  Speaker 5: very good, and let's see Killers of the Flower Moon
• 14:45
  Speaker 5: on four K Mart Scorsese.
• 14:50
  Speaker 4: Then me know when you got four and a half
• 14:51
  Speaker 4: hours on your hand.
• 14:54
  Speaker 5: All the time?
• 14:54
  Speaker 4: Right, It's like when I bought The Irishman and I
• 14:57
  Speaker 4: was so stoked own it and I was like, I
• 14:59
  Speaker 4: don't know when I ever have as much time again
• 15:01
  Speaker 4: in my life.
• 15:02
  Speaker 5: Yeah, that's one that I I'll pop in around Thanksgiving.
• 15:07
  Speaker 5: Around that time, you know, things are kind of slowing
• 15:10
  Speaker 5: down a little bit, get a little bit more time
• 15:13
  Speaker 5: to you know. I usually break that one up because
• 15:16
  Speaker 5: it's such a long film.
• 15:17
  Speaker 2: But shit, dude, that's like a perfect time to watch
• 15:21
  Speaker 2: the movie. Wow.
• 15:22
  Speaker 5: I never it's a good one.
• 15:24
  Speaker 4: That's even the colors of it kind of remind me
• 15:27
  Speaker 4: of Thanksgiving, like the brownish h like saturated.
• 15:31
  Speaker 2: I think you're on the something there.
• 15:33
  Speaker 5: Good Fellas for Christmas obviously.
• 15:35
  Speaker 2: Yeah, obviously.
• 15:36
  Speaker 5: Yeah. And last but not least, I want to say
• 15:39
  Speaker 5: the best for last Body Heat. I am so happy
• 15:42
  Speaker 5: I finally have this, so can I can cross this
• 15:46
  Speaker 5: off the list? Thank God? So overall, I might go
• 15:49
  Speaker 5: back maybe for possibly a couple other titles. I'm not
• 15:54
  Speaker 5: entirely sure it's looking at Punch Drunk Glove, not one
• 15:56
  Speaker 5: hundred percent sure pick that one up yet or not?
• 16:00
  Speaker 2: Jordan, did you pick up some nice I did?
• 16:03
  Speaker 6: Yeah, give me a second here, let me grab them.
• 16:08
  Speaker 5: I did.
• 16:08
  Speaker 2: Yeah.
• 16:08
  Speaker 6: I went over on a Saturday and got a few titles.
• 16:13
  Speaker 6: Uh funny enough that you bring up Martin Scorsese. So
• 16:18
  Speaker 6: I too, picked up The Irishman. I saw this. I
• 16:24
  Speaker 6: remember seeing this on Netflix when it came out. I
• 16:26
  Speaker 6: never finished it because, like you said, this is.
• 16:28
  Speaker 2: A three hour movie.
• 16:31
  Speaker 6: And what helped me off from picking this up was
• 16:34
  Speaker 6: I was anticipating and getting a four K for the
• 16:36
  Speaker 6: longest time.
• 16:38
  Speaker 2: And still hasn't.
• 16:39
  Speaker 6: So I decided, you know what, I'm just gonna bite
• 16:41
  Speaker 6: the bullet and grab it now. Now probably one will come.
• 16:45
  Speaker 6: But anyways, I picked up The Irishman.
• 16:48
  Speaker 2: We commend you for your Zecri place.
• 16:49
  Speaker 5: I love that art for that one too.
• 16:52
  Speaker 4: I love when you open it the booklet that just
• 16:54
  Speaker 4: has the I heard you paint houses.
• 16:56
  Speaker 2: Yeah, yeah, very good.
• 16:58
  Speaker 6: This is a great one, and yes, I good. A
• 17:00
  Speaker 6: good film to watch during Thanksgiving.
• 17:02
  Speaker 2: That's a perfect choice.
• 17:05
  Speaker 6: I think, Steve, you'll be happy about this. But grab
• 17:08
  Speaker 6: a body heat right here.
• 17:10
  Speaker 5: This I'm so proud Steamy film right here.
• 17:15
  Speaker 2: I got.
• 17:15
  Speaker 6: I got this Western actually, and I love Western's uh
• 17:20
  Speaker 6: the original three Tender Yuma.
• 17:21
  Speaker 2: Ooh, so I haven't seen this one.
• 17:24
  Speaker 6: I've seen the remake, which I do really enjoy. Excuse me,
• 17:29
  Speaker 6: but anyways, grab this. Uh, this one I'm really excited about.
• 17:33
  Speaker 6: People will not stop talking about it. Tell me to
• 17:36
  Speaker 6: get it by.
• 17:39
  Speaker 2: Is it George Schlozer Sleezer?
• 17:42
  Speaker 6: I don't want to say this the same the Vanishing? Okay,
• 17:46
  Speaker 6: so grab the Vanishing?
• 17:49
  Speaker 2: What number spine is? Is that an early one? This
• 17:52
  Speaker 2: is one thirty three? Oh, this is from nineteen eighty eight.
• 17:57
  Speaker 2: This isn't the Sandra Bullock one.
• 17:59
  Speaker 4: Yeah, I was just curious. I think that that's an
• 18:01
  Speaker 4: old Criterion title.
• 18:03
  Speaker 2: Yeah, so you grew up to like fourteen hundred. Now,
• 18:08
  Speaker 2: well what's the newest title? One of the newest titles?
• 18:12
  Speaker 4: It would have been, uh what was those onesday? There's
• 18:15
  Speaker 4: one day just announced I was interested in. Well, look
• 18:20
  Speaker 4: it up while you while you don't know?
• 18:23
  Speaker 6: Okay, anyways, and then I grabbed two more so I
• 18:27
  Speaker 6: got six it's time around picked up this Coen Brothers
• 18:32
  Speaker 6: film Inside Lewin Davis.
• 18:35
  Speaker 2: If you guys have seen this.
• 18:36
  Speaker 5: Movie, I've heard about it though.
• 18:41
  Speaker 4: Yeah, that's with what's his name that plays Poe in
• 18:45
  Speaker 4: The New Star, Yeah, Oscar.
• 18:48
  Speaker 2: But he's in this justin Timberlake, Adam Driver.
• 18:51
  Speaker 5: Uh.
• 18:51
  Speaker 6: It's got a pretty pretty big cast in here, but
• 18:57
  Speaker 6: it's about uh Oscary's character, Lewin Davis, and he's an
• 19:00
  Speaker 6: aspiring folk singer.
• 19:01
  Speaker 2: It takes place in the in the sixties. I think
• 19:03
  Speaker 2: it was the sixties. Yeah, in the sixties, kind.
• 19:07
  Speaker 6: Of during the every the folk era, you know, and
• 19:12
  Speaker 6: he can't seem to break through as a successful folk singer.
• 19:17
  Speaker 6: He travels, tries to you know, hitch ride to go
• 19:20
  Speaker 6: to the record labels and stuff, does what he can.
• 19:22
  Speaker 2: He just can't catch a break.
• 19:24
  Speaker 6: And he's one of those people that will like cut
• 19:27
  Speaker 6: anyone off that he needs to, doesn't matter.
• 19:30
  Speaker 2: He doesn't really. He's kind of a.
• 19:31
  Speaker 6: Scumbag in the movie. But yeah, it's a it's an amazing,
• 19:37
  Speaker 6: amazing movie. It's actually the main song in here. It's
• 19:41
  Speaker 6: called the Dink Song, that's what it's called, but fairly well,
• 19:45
  Speaker 6: and he did it with Mumford and son.
• 19:47
  Speaker 2: So Mumfort and sons did it with him for that.
• 19:49
  Speaker 5: That's really cool.
• 19:50
  Speaker 6: So inside Leewin Dave's you guys haven't seen it, I
• 19:52
  Speaker 6: guess you'll really check it out. But this one I
• 19:56
  Speaker 6: think I'm the most excited about out of this series
• 20:00
  Speaker 6: of this titles that I picked up. It's a Bay
• 20:03
  Speaker 6: Latar film, my first Baylatar movie and workmeister Harmonies. Okay,
• 20:10
  Speaker 6: he actually co directed this with Agnes heranitskysw you say
• 20:15
  Speaker 6: that this actually came out in two thousand, But it's
• 20:19
  Speaker 6: a beautifully shot film. Blatar is big on one shot takes,
• 20:23
  Speaker 6: and I'm talking like ten to fifteen minute takes, and
• 20:28
  Speaker 6: some of the takes are literally like it shows your
• 20:32
  Speaker 6: main character he's tasked with taking this older gentleman to
• 20:36
  Speaker 6: this town square to find out to talk and get
• 20:40
  Speaker 6: information from the folk in this town square. And literally
• 20:45
  Speaker 6: for the whole walk you were getting just kind of
• 20:48
  Speaker 6: a dolly shot just following them walking.
• 20:52
  Speaker 2: But it shot so well it makes you feel like
• 20:54
  Speaker 2: it you're a part of the story. Makes it feel
• 20:59
  Speaker 2: a lot, really, And this film is it's it's pretty crazy.
• 21:03
  Speaker 2: It's about.
• 21:06
  Speaker 6: There's a town it doesn't say when, doesn't say where
• 21:09
  Speaker 6: this town is, but a mysterious, uh big like.
• 21:14
  Speaker 2: Truck shows up with this massive, stuffed whale.
• 21:18
  Speaker 6: Inside of it, and it's kind of a circus attraction.
• 21:21
  Speaker 6: And uh there's this other mythical figure they call the
• 21:24
  Speaker 6: Prince that is there as well. And this what happens
• 21:30
  Speaker 6: in the movie is the town kind of erupts and
• 21:35
  Speaker 6: it becomes this mob like mentality, all controlled by this unknown,
• 21:41
  Speaker 6: unseen figure that's supposedly a part of this circus called
• 21:44
  Speaker 6: the Prince.
• 21:45
  Speaker 2: Guys, this is a great movie. So anyways, is that
• 21:49
  Speaker 2: gonna be in the Curson set? Yeah?
• 21:52
  Speaker 4: Is that in the set?
• 21:54
  Speaker 6: It's it's just the Blu Ray in that one. This
• 21:55
  Speaker 6: is the four K. But I mean it, it's gonna
• 22:00
  Speaker 6: look great.
• 22:01
  Speaker 4: So to answer your question, sorry, see real quick, you're
• 22:06
  Speaker 4: the movie I was thinking of that was recently released
• 22:09
  Speaker 4: by Criterion that I wanted.
• 22:10
  Speaker 2: It's called High Art.
• 22:12
  Speaker 4: The most recent spine number is one twenty eight and
• 22:18
  Speaker 4: that is.
• 22:18
  Speaker 2: Days and Nights in the Forest. It's a lot. That's
• 22:25
  Speaker 2: a lot of releases.
• 22:27
  Speaker 5: Are you guys picking up Elephant Man? Yeah?
• 22:30
  Speaker 2: I have the I have the Blue Ray.
• 22:33
  Speaker 5: I gotta grab that one.
• 22:34
  Speaker 2: I am a human being.
• 22:39
  Speaker 6: They must start randomly saying that, Hey, who's going to
• 22:43
  Speaker 6: pick up the cubric box set for five?
• 22:52
  Speaker 2: No? I was gonna ask you, Oh well, I guess right,
• 22:56
  Speaker 2: you're you're you're over there flipping houses.
• 22:58
  Speaker 5: Man, it doesn't come out I lost, So it's gonna
• 23:04
  Speaker 5: be it's how much right now?
• 23:06
  Speaker 2: It's five hundred, four hundred and seventy nine dollars in
• 23:09
  Speaker 2: ninety six.
• 23:10
  Speaker 5: Man, I didn't even want to get the John Singleton collection.
• 23:13
  Speaker 5: Do you think I want to get that?
• 23:15
  Speaker 6: But it's got the international cut of The Shining in it.
• 23:19
  Speaker 5: Do you think they're gonna do standalone releases for these?
• 23:24
  Speaker 2: I I'd be surprised.
• 23:26
  Speaker 6: I think if they did, like the Shining and so
• 23:30
  Speaker 6: they already did Barry Lyndon, but like Full Metal Jack
• 23:34
  Speaker 6: and stuff.
• 23:35
  Speaker 2: I'll be shocked.
• 23:36
  Speaker 4: I have those box Really, I think I'll definitely get
• 23:39
  Speaker 4: this one day. I actually think, at some point in
• 23:41
  Speaker 4: my life, which I don't expect, there's you know, a
• 23:45
  Speaker 4: whole lot of it left, probably another fifty fifty five years.
• 23:48
  Speaker 4: I want to have a complete Criterion collection.
• 23:51
  Speaker 5: Oh my god, that was so morbid.
• 23:54
  Speaker 2: I couldn't.
• 23:55
  Speaker 6: Nah, Man, that's you're gonna have to dedicate the rest
• 23:59
  Speaker 6: of your life just a criterion.
• 24:01
  Speaker 2: You're gonna have to cut out Severn. You can't do it. See,
• 24:04
  Speaker 2: I can't do that Exactly.
• 24:06
  Speaker 5: Here, I was thinking I was being ambitious by trying
• 24:09
  Speaker 5: to get the Terror Vision like hard box sets, trying
• 24:11
  Speaker 5: to collect all of them, and then Chris is like
• 24:16
  Speaker 5: above and beyond, like what I even? I feel like
• 24:19
  Speaker 5: the sculpe of this was just so small compared to
• 24:21
  Speaker 5: what he's trying to do. It's so ambitious.
• 24:23
  Speaker 4: Complete Severn collection. See, technically I could do the Severn
• 24:28
  Speaker 4: collection because they actually have a catalog on their website
• 24:31
  Speaker 4: of all the releases by year, so I can complete
• 24:37
  Speaker 4: it plus with all the four K upgrades unless there's
• 24:41
  Speaker 4: something new bonus features.
• 24:42
  Speaker 2: Wise, I can just buy the Blu rays. They get
• 24:45
  Speaker 2: really cheap, you know.
• 24:48
  Speaker 6: You know what, I hope that puts out a cubic
• 24:53
  Speaker 6: box set his cures on, because I could see them
• 24:55
  Speaker 6: doing a cubic set.
• 24:58
  Speaker 2: Well, if you gentlemen don't mind us getting into.
• 25:02
  Speaker 4: Our three picks for watches on physical media this week,
• 25:07
  Speaker 4: I would like to start because it has to do
• 25:09
  Speaker 4: it sever only if you're okay with it.
• 25:12
  Speaker 2: Though, go on, jeez, I was telling a story and
• 25:15
  Speaker 2: Chris is like, no, I'm moving on.
• 25:17
  Speaker 4: I thought your story was over.
• 25:18
  Speaker 6: I'm sorry, No, it's fine, it's no, no, seriously, it
• 25:22
  Speaker 6: was over. I was just saying that that would be
• 25:24
  Speaker 6: I'd love to see it.
• 25:26
  Speaker 2: Yeah, I hope.
• 25:27
  Speaker 4: I mean, honestly, that's probably the thing is though Criteria
• 25:32
  Speaker 4: and Stanley Kuper, it goes together so well, Like I
• 25:36
  Speaker 4: just feel like that's that's.
• 25:38
  Speaker 2: The combo that I would want on. That's true.
• 25:41
  Speaker 6: The only other one that I could see kuras On
• 25:43
  Speaker 6: doing and then we could talk about seven is likely
• 25:46
  Speaker 6: their next one. I would be surprised, and I'm shock,
• 25:48
  Speaker 6: da haven't is a Tarkovsky box set?
• 25:52
  Speaker 2: Yeah, Tarkovski. I can see them doing.
• 25:57
  Speaker 4: Like ah, there's another director that I was thinking about
• 26:02
  Speaker 4: that they could possibly do as well.
• 26:04
  Speaker 2: And now I'm blanking on.
• 26:05
  Speaker 4: It because I do want to get the Bellatar that's
• 26:07
  Speaker 4: the standard.
• 26:07
  Speaker 2: Edition, right, they came out. Well, I just I bought it.
• 26:13
  Speaker 2: I did you the limited one. I was able to
• 26:15
  Speaker 2: find it.
• 26:17
  Speaker 4: He was able to find it a lot of money.
• 26:20
  Speaker 2: No, not really, it was more than it was.
• 26:24
  Speaker 6: It was more than retail, but it wasn't crazy much
• 26:27
  Speaker 6: more than it was one hundred bucks.
• 26:30
  Speaker 2: Oh that's great.
• 26:31
  Speaker 6: Yeah, yeah, it was still sealed. This guy had it
• 26:34
  Speaker 6: and he was like, yeah, dude, I was shocked. It
• 26:37
  Speaker 6: was on eBay and I kind of haggled back and forth.
• 26:41
  Speaker 2: I think I ended up paying like one hundred and twenty.
• 26:43
  Speaker 4: But okay, because it's ninety seven dollars for the regular Yeah,
• 26:47
  Speaker 4: it wasn't too much more.
• 26:48
  Speaker 2: I was shocked. So it's actually shown up tomorrow, so
• 26:52
  Speaker 2: I'm excited about that.
• 26:54
  Speaker 5: I have a question for you guys before we get
• 26:55
  Speaker 5: moving Criterion collection. Do you guys have any that you
• 27:00
  Speaker 5: would like to see added to the collection.
• 27:03
  Speaker 6: I want them to give me an updated Halloween. So
• 27:09
  Speaker 6: we've got they did the Laser disc. Yeah, that'll always
• 27:13
  Speaker 6: be my answer.
• 27:15
  Speaker 4: I dead, dead, honest answer. I would love for them
• 27:17
  Speaker 4: to do armaged In. Yeah again, okay, like with that commentary,
• 27:21
  Speaker 4: with that Ben Affleck commentary track which he hinted at it,
• 27:26
  Speaker 4: I don't care what anybody says.
• 27:27
  Speaker 2: He hinted at it in his Criterion Closet video.
• 27:30
  Speaker 6: I think it's coming, but I want to I want
• 27:33
  Speaker 6: a song of the South Criterion collection.
• 27:37
  Speaker 4: Uh Bong June hoes the Handmaiden.
• 27:40
  Speaker 5: I would love that on Oh that's a good one.
• 27:44
  Speaker 2: Yeah, because I have a overseas studio canal.
• 27:50
  Speaker 4: Maybe of the it's the uncut, the unrated edition and
• 27:54
  Speaker 4: the theatrical one.
• 27:55
  Speaker 2: And it bothers me because it's in two different cases.
• 27:58
  Speaker 5: Oh, I'm holding out hope for the King of Comedy.
• 28:03
  Speaker 5: Either get that or Good Time from the Saftie Brothers.
• 28:08
  Speaker 5: Must we met? Two picks.
• 28:11
  Speaker 4: That's a good one.
• 28:13
  Speaker 2: I think.
• 28:14
  Speaker 4: I think Criterion should do Georgia Merra's Diary of the Dead.
• 28:20
  Speaker 7: Yeah, no, or they could do the movie I was
• 28:29
  Speaker 7: going to talk about for my first pick for the week,
• 28:31
  Speaker 7: which is, Uh, you guys ever seen Don't Go in
• 28:34
  Speaker 7: the House from nineteen seventy nine.
• 28:36
  Speaker 5: Oh, it's a good one. I really like that movie.
• 28:40
  Speaker 5: It's really moss stop.
• 28:42
  Speaker 2: I wanted to talk about this for a couple different reasons.
• 28:45
  Speaker 4: One, we have had a few new shows added to
• 28:48
  Speaker 4: our network someone's favorite productions, one of them being the
• 28:53
  Speaker 4: Nightmare USA podcast.
• 28:55
  Speaker 5: I saw that.
• 28:57
  Speaker 4: For those who don't know, Nightmare USA is a massive
• 29:00
  Speaker 4: book written by Steven Thrower, who also wrote the book
• 29:06
  Speaker 4: on Lucio Folgi. Like all kinds of stuff, this guy's
• 29:09
  Speaker 4: written and he is phenomenal. And I've had the Nightmare
• 29:12
  Speaker 4: USA book for a few years now, and it's basically
• 29:15
  Speaker 4: an encyclopedia of exploitation in the USA, and it's something
• 29:22
  Speaker 4: I've always wanted to dive into. It's incredibly comprehensive. It's
• 29:25
  Speaker 4: actually very overwhelming. But the Nightmare USA podcasts decided to
• 29:33
  Speaker 4: tackle that book basically filmed by film, and they put
• 29:36
  Speaker 4: out their first episode, which they covered Don't Go in
• 29:38
  Speaker 4: the House. And this had been a Blu Ray. I
• 29:43
  Speaker 4: had looked at a whole bunch of times, but I
• 29:44
  Speaker 4: never bought and I actually didn't watch this on that
• 29:48
  Speaker 4: Blu Ray, but I bought the Blu Ray right after
• 29:52
  Speaker 4: I finished watching.
• 29:53
  Speaker 2: It, so I thought it qualified to talk about here.
• 29:57
  Speaker 5: Yeah, of course it's a great movie.
• 30:00
  Speaker 2: Jordan. Have you ever seen Don't Go in the House?
• 30:02
  Speaker 2: I have not.
• 30:04
  Speaker 5: Wait, Chris, do you feel like that there's shades of
• 30:07
  Speaker 5: Maniac with that phone?
• 30:09
  Speaker 2: Oh?
• 30:09
  Speaker 4: Oh yeah, which is funny because it came out two
• 30:12
  Speaker 4: years before Maniac.
• 30:14
  Speaker 5: It's so good. It's so good, just trust Yeah.
• 30:19
  Speaker 2: So Don't Go in the House.
• 30:21
  Speaker 4: It tells a story of a guy named Donald Kohler
• 30:24
  Speaker 4: who arrives home from work after there was a pretty
• 30:28
  Speaker 4: traumatic incident at his job and he finds his mother dead.
• 30:33
  Speaker 4: And after he finds his mother dead, he kind of
• 30:37
  Speaker 4: has like this psychotic break of joy, but also this
• 30:42
  Speaker 4: psychotic break where he gets this urge to kill women
• 30:48
  Speaker 4: because of how he was tortured by his mother as
• 30:53
  Speaker 4: like a repent for his sins, where she would hold
• 30:56
  Speaker 4: his arms over the flame of a of an oven
• 31:00
  Speaker 4: and burn his arms.
• 31:02
  Speaker 2: So now he, in this psychotic break, builds a like
• 31:07
  Speaker 2: a steel.
• 31:08
  Speaker 4: Room in his mother's house after her death and begins
• 31:12
  Speaker 4: to burn women with a flamethrower alive in it and
• 31:14
  Speaker 4: keep their forks upside.
• 31:17
  Speaker 2: Dude, it's just more just shocked.
• 31:20
  Speaker 5: It's gnarly, that's for sure.
• 31:23
  Speaker 4: It this this was a video nasty. What's most crazy
• 31:27
  Speaker 4: to think about is how there's actually only one really
• 31:34
  Speaker 4: crazy scene in the whole movie, and it's the first
• 31:37
  Speaker 4: woman that he decides to kidnap, who was actually famously
• 31:44
  Speaker 4: a girlfriend.
• 31:44
  Speaker 2: Of Hugh Hefner.
• 31:46
  Speaker 4: So the actress was perfectly fine with doing all of
• 31:49
  Speaker 4: the nudity needed for this sequence where she is hung
• 31:51
  Speaker 4: up by her arms and burned alive by a flamethrower.
• 31:56
  Speaker 2: Now, mind you. This all takes place in New.
• 31:58
  Speaker 4: Jersey, as one does, so you have this one really shocking,
• 32:05
  Speaker 4: incredible scene with a flame they were burned, which, by
• 32:08
  Speaker 4: the way, looks so incredibly real and is probably the
• 32:14
  Speaker 4: most phenomenal production story I've ever heard of. How they
• 32:18
  Speaker 4: set up this prism and a dummy and actually shot
• 32:23
  Speaker 4: a flamethrower at a dummy and they lined up the
• 32:25
  Speaker 4: prism that way. It lined up the real girl and
• 32:27
  Speaker 4: the dummy being burned, and it actually sold the effect
• 32:31
  Speaker 4: so well that the director, Joseph Ellison, actually had to
• 32:38
  Speaker 4: like double check to make sure that they weren't actually
• 32:41
  Speaker 4: burning her alive.
• 32:44
  Speaker 2: Wow.
• 32:45
  Speaker 5: Crazy, Yeah, what is this?
• 32:47
  Speaker 2: What is this called? Again?
• 32:48
  Speaker 4: It's called Don't Go in the House from nineteen seventy nine.
• 32:52
  Speaker 5: I think I actually have come to think of it.
• 32:56
  Speaker 4: Yeah, it's u And then yeah, that's essentially the rest
• 32:59
  Speaker 4: of That's essentially what the rest of the movie follows
• 33:03
  Speaker 4: is kind of his continuation down this psychotic break. And
• 33:07
  Speaker 4: what's most bothersome to me about the movie is how
• 33:11
  Speaker 4: serious it plays itself. The movie takes itself very serious,
• 33:16
  Speaker 4: and Joseph Ellison, along with the rest of production crew,
• 33:19
  Speaker 4: actually interviewed psychiatrists, to just make sure that the way
• 33:25
  Speaker 4: they wrote this character was very accurate to the time
• 33:27
  Speaker 4: of what they felt like a character of this mentality,
• 33:30
  Speaker 4: how he would act, how he would be portrayed. What
• 33:34
  Speaker 4: I also like is there's a character in this movie
• 33:39
  Speaker 4: who's played by Ben or who played by Charles Bonnette.
• 33:44
  Speaker 4: Oh no, I'm sorry this is Is it Robert Carnegie.
• 33:47
  Speaker 4: It's Bobby, Yes, Bobby, who is really his only friend
• 33:53
  Speaker 4: who's trying to help him through the whole movie. And
• 33:56
  Speaker 4: it's really genuine. It's really nice to see somebody trying
• 33:59
  Speaker 4: to support our character who's obviously having a really tough
• 34:02
  Speaker 4: time and really just trying to be a good friend.
• 34:04
  Speaker 4: So it adds some levity, you know.
• 34:06
  Speaker 5: To the movie. Played by none other than Dan Grimaldi
• 34:11
  Speaker 5: from The Sopranos.
• 34:13
  Speaker 4: Oh yeah, Danny or Donnie is yeah, yep. He played
• 34:18
  Speaker 4: one of the twins right, the uh yeah, yes, yeah,
• 34:24
  Speaker 4: the Precy twins.
• 34:25
  Speaker 2: Yep. Just all around, his performance is great.
• 34:29
  Speaker 4: The whole movie is great. I was shocked at how
• 34:31
  Speaker 4: much I loved it. There is some genuinely really creepy
• 34:35
  Speaker 4: imagery in this movie.
• 34:37
  Speaker 2: It's super well shot.
• 34:39
  Speaker 4: There is a really crazy makeup effects done for these
• 34:45
  Speaker 4: charred bodies that eventually get up out of a chair
• 34:49
  Speaker 4: and move around. It's very shocking. The movie actually was
• 34:54
  Speaker 4: originally shot under the title The Burning Man and then
• 34:58
  Speaker 4: was gonna be released just as The Burning, but then
• 35:01
  Speaker 4: Tony Maitland's film The Burning.
• 35:05
  Speaker 2: Was in production.
• 35:06
  Speaker 4: They can no longer use that, so they have to
• 35:07
  Speaker 4: switch a name too.
• 35:08
  Speaker 2: Don't go in the house.
• 35:10
  Speaker 5: Do you think we'll eventually get a four K for it?
• 35:12
  Speaker 5: Because I know was it Severron that had done that release?
• 35:16
  Speaker 2: Yeah, seven did a blu ray. I think maybe eventually.
• 35:20
  Speaker 4: I guess it just depends on on the elements.
• 35:24
  Speaker 2: There is. If you do get the physical media.
• 35:27
  Speaker 4: Edition, there is a cut of it that's just called
• 35:30
  Speaker 4: The Burning and it's it contains some more of the burning,
• 35:36
  Speaker 4: the initial burning scene, and then it also has some
• 35:41
  Speaker 4: extended footage that was from a TV cut that kind
• 35:44
  Speaker 4: of a little just a little.
• 35:45
  Speaker 2: Bit more character stuff.
• 35:48
  Speaker 4: It's said to be kind of the ultimate way to
• 35:50
  Speaker 4: watch the movie. But I haven't seen that cut yet,
• 35:51
  Speaker 4: so I'm curious to go into that and check that out.
• 35:54
  Speaker 2: Man, nice off to check it out. Great choice, Thank
• 35:58
  Speaker 2: you man, Thank you.
• 35:59
  Speaker 4: And this was just a long winded plug. So you
• 36:01
  Speaker 4: to go check out the Nightmare USA podcast. I'm preparing
• 36:03
  Speaker 4: for their next episode. They're doing Georgia Merra's The Crazies.
• 36:07
  Speaker 5: That's that's another movie.
• 36:09
  Speaker 4: Stoked about that, stoked about that. So whoever wants to go,
• 36:14
  Speaker 4: let's let's let's talk about what you got?
• 36:16
  Speaker 5: What you got? Man?
• 36:17
  Speaker 2: Uh?
• 36:18
  Speaker 6: So well, let's I'll talk about this right here. It's
• 36:23
  Speaker 6: from Indicator. It is a Lamberto Baba.
• 36:26
  Speaker 2: Film picked up. It is macabre. Mh.
• 36:33
  Speaker 6: I'm telling you, guys, hey, I told you just order
• 36:36
  Speaker 6: straight from then.
• 36:37
  Speaker 5: Just spin it, spin it around. Let me see a
• 36:39
  Speaker 5: little bit.
• 36:40
  Speaker 2: So there's the front, you get the back. Look at that.
• 36:43
  Speaker 4: Oh my god, dude, I love how how good they do?
• 36:48
  Speaker 2: Like the small chunky.
• 36:49
  Speaker 5: Box that is.
• 36:53
  Speaker 6: Not a lot of shelf space, but it's still a
• 36:56
  Speaker 6: chunky box.
• 36:57
  Speaker 2: And their booklets.
• 37:00
  Speaker 5: Incredibly Well what's what else is? It's the the case
• 37:05
  Speaker 5: on the other side.
• 37:07
  Speaker 2: Okay, there you.
• 37:08
  Speaker 5: Go, right there.
• 37:10
  Speaker 2: Man, Sorry for people just listening, but I'm just showing
• 37:12
  Speaker 2: off a.
• 37:12
  Speaker 5: Booklet right now and I'm just getting sweaty.
• 37:16
  Speaker 2: Oh guys. Uh, this is a great movie. Have you
• 37:19
  Speaker 2: guys seen this?
• 37:21
  Speaker 6: Of course, it's been a long time I like, so
• 37:26
  Speaker 6: I went with this release one.
• 37:27
  Speaker 2: I just because over the vinegar syndrome. That is because I.
• 37:32
  Speaker 6: I prefer I really like what Indicator does, so I
• 37:35
  Speaker 6: want to support them anyway I can. And plus I
• 37:37
  Speaker 6: like the artwork on this better because they're not spoiling
• 37:40
  Speaker 6: the movie completely. That the vinegar syndrome and they've done
• 37:44
  Speaker 6: this before. But it's about this woman that she is
• 37:48
  Speaker 6: actually cheating on her husband. She goes to this kind
• 37:50
  Speaker 6: of a boarding house. While she is there, she finds
• 37:54
  Speaker 6: out that her daughter actually kills her son, and she
• 37:58
  Speaker 6: finds out so she then leaves to go rush to
• 38:02
  Speaker 6: go home with her lover driving them there and they
• 38:07
  Speaker 6: end up getting in.
• 38:08
  Speaker 2: A car accident.
• 38:09
  Speaker 6: He gets decapitated and she ends up in the hospital.
• 38:14
  Speaker 2: Well, one year later she gets out.
• 38:16
  Speaker 6: She goes back to this this boarding house that is
• 38:20
  Speaker 6: ran by this blind guy, and.
• 38:24
  Speaker 2: Some interesting stuff starts happening.
• 38:27
  Speaker 6: She's very secretive about what takes place in her in
• 38:30
  Speaker 6: her bedroom and specifically in a fridge anyways, But no,
• 38:36
  Speaker 6: this is this is.
• 38:37
  Speaker 2: A great I love this movie. It's got It's has
• 38:42
  Speaker 2: such a.
• 38:42
  Speaker 6: Great build up to the reveal is so shocking and
• 38:46
  Speaker 6: kind of just twisted and it's it's just a great
• 38:51
  Speaker 6: Italian film.
• 38:51
  Speaker 2: Guys.
• 38:52
  Speaker 6: I love this movie so much. It's got the effects
• 38:55
  Speaker 6: work in this movie too. For the end scenes are great.
• 38:58
  Speaker 6: And two, the whole nonsensical ending of this movie I
• 39:01
  Speaker 6: think is great. I love just the maybe you can call
• 39:06
  Speaker 6: it a nightmare logic, I don't know, whatever, you can
• 39:08
  Speaker 6: call it, whatever you want to call it.
• 39:10
  Speaker 2: The ending kind of last shot a little shock is great.
• 39:14
  Speaker 2: It's a good movie.
• 39:16
  Speaker 5: Great choice. Damn.
• 39:19
  Speaker 4: I couldn't imagine being the son of Mariobaba and getting
• 39:24
  Speaker 4: into filmmaking with that kind of on your shoulders, that
• 39:32
  Speaker 4: you're the son of one of the most I mean,
• 39:35
  Speaker 4: at the time, obviously it's time.
• 39:38
  Speaker 2: It's gone on. Mariobaba has become more more noted and
• 39:42
  Speaker 2: more notable. But at the time, like being a son
• 39:46
  Speaker 2: of Mariobaba, that must have been.
• 39:48
  Speaker 6: That's a lot to carry, especially you know, following his footsteps.
• 39:55
  Speaker 6: He he excelled, man, I tell you he he definitely
• 39:59
  Speaker 6: did his own thing.
• 40:00
  Speaker 2: He took what his father did and pushed it even further. Yeah,
• 40:04
  Speaker 2: happy to see that his earlier stuff is getting put
• 40:07
  Speaker 2: out now.
• 40:08
  Speaker 6: Yeah, it's a it's a great release. This Indicator release,
• 40:12
  Speaker 6: this is what I would go with. It's literally the same.
• 40:16
  Speaker 6: If you're wondering, there's no difference between this and Vinegar
• 40:21
  Speaker 6: Center's release. They they had I was, I was talking
• 40:23
  Speaker 6: to Indicator and they had like a a deal with
• 40:26
  Speaker 6: each other where they would literally Indicator would handle the UK,
• 40:30
  Speaker 6: Vinier Centers would handle the US and they're the same discs.
• 40:34
  Speaker 2: Mhm.
• 40:35
  Speaker 5: I just the presentation to that release. I think it's
• 40:40
  Speaker 5: just so much cleaner looking as I agree, very nice.
• 40:43
  Speaker 4: Yeah, I wonder too if.
• 40:46
  Speaker 2: What was the price different? So I think Indicator usually
• 40:48
  Speaker 2: comes up to be a little cheaper. I think it is.
• 40:51
  Speaker 2: Actually I can't remember. Like I said, I ordered off
• 40:54
  Speaker 2: their website, powerhouse I got.
• 40:57
  Speaker 4: I'm pretty sure I got some indicators of brand new
• 41:00
  Speaker 4: four ks for like under forty bucks.
• 41:03
  Speaker 2: Dude, they're not They're not bad at all. Let me see.
• 41:08
  Speaker 2: I'm on their website. I'm trying to find it. Yeah, dude,
• 41:12
  Speaker 2: the four case thirty two dollars.
• 41:14
  Speaker 4: Oh yeah, that's incredible. Well, I bet you the Vinegar
• 41:17
  Speaker 4: Syndrome one's fifty.
• 41:19
  Speaker 2: I don't know. Viner Syentrum's website's down right now, so bastards. Yeah, Hey,
• 41:25
  Speaker 2: they're they're all having all their new releases tomorrow.
• 41:28
  Speaker 4: I always forget that tomorrow is a new month. Yeah no,
• 41:33
  Speaker 4: not always forget.
• 41:34
  Speaker 2: I just I forgot. I was like, what specifically tomorrow only.
• 41:38
  Speaker 5: Happens twelve times a year?
• 41:40
  Speaker 2: It was.
• 41:41
  Speaker 4: It was forty nine ninety eight by the way.
• 41:47
  Speaker 2: Crazy.
• 41:48
  Speaker 6: Yeah, so I mean, go go the indicator route with
• 41:52
  Speaker 6: my opinion. But uh yeah, you're getting two cuts of
• 41:56
  Speaker 6: the movie in this one, the Italian and the English cut.
• 42:01
  Speaker 2: So yeah, manam MacB.
• 42:04
  Speaker 5: I need that for the collection.
• 42:05
  Speaker 2: I need to. I need them to put out some
• 42:07
  Speaker 2: more genre long stuff. That's what I need. Any more
• 42:14
  Speaker 2: Schoolgirl hitchhikers, some of his uh, some of his later stuff,
• 42:18
  Speaker 2: because I think it pretty much covered all of his
• 42:20
  Speaker 2: early stuff for the most part. Magic. I know you
• 42:26
  Speaker 2: would get that real quick, dude. Just imagine what the
• 42:30
  Speaker 2: artwork would be. It would just be naked women, That's
• 42:35
  Speaker 2: what it would be.
• 42:36
  Speaker 4: It would be women in like silk, you know what
• 42:38
  Speaker 4: I mean, it's all that's all it would be.
• 42:41
  Speaker 6: Yeah, and vampires.
• 42:45
  Speaker 2: Yeah, silky vampire women.
• 42:48
  Speaker 5: Oh first body heat now, thus you see if you got.
• 42:55
  Speaker 2: Any silky vampire women to talk.
• 42:56
  Speaker 5: About, I'm sorry. But I don't. But but Chris, I
• 43:01
  Speaker 5: know for a fact that you'll appreciate what I'm about
• 43:04
  Speaker 5: to cover. And I know that this was a little
• 43:08
  Speaker 5: bit of a bigger deal last year when this came out.
• 43:10
  Speaker 5: But I figure now is as good of a time
• 43:14
  Speaker 5: as any to be doing my yearly rewatch of Jaws.
• 43:21
  Speaker 2: Nay, I've seen it so.
• 43:25
  Speaker 4: Just once, right, Yeah, I watched it once and then
• 43:29
  Speaker 4: I got a giant leg tattoo of it.
• 43:33
  Speaker 2: Never again after that.
• 43:35
  Speaker 5: Well, listen, I have it in the lenticular cover for
• 43:40
  Speaker 5: the release that came out previously. I have it in
• 43:42
  Speaker 5: the four Case Steal book. I couldn't pass this one up.
• 43:47
  Speaker 5: And I think the biggest, you know, standout feature on
• 43:51
  Speaker 5: this is them including the documentary of Jaws at fifty
• 43:55
  Speaker 5: the definitive inside story, which I felt like that alone
• 44:00
  Speaker 5: made the release worth picking up. Yeah, for those of
• 44:04
  Speaker 5: you guys, I mean, I would assume most of you
• 44:06
  Speaker 5: guys have already seen this. But the basic premise of
• 44:09
  Speaker 5: for this film, you got a young woman who's killed
• 44:11
  Speaker 5: by a great white shark off the coasts of a
• 44:14
  Speaker 5: small beach town of Amity Island, and we have our hero,
• 44:18
  Speaker 5: police Chief Martin Brody wants to close the beaches to
• 44:21
  Speaker 5: protect the public. However, the pressure from local officials to
• 44:24
  Speaker 5: keep the beaches open during the busy summer tourist season
• 44:28
  Speaker 5: leads to more than deadly attacks. So for me, this
• 44:32
  Speaker 5: is definitely a fourth of July staple. I watched this
• 44:36
  Speaker 5: movie religiously every single year, and the sequels for that matter,
• 44:41
  Speaker 5: but I figured that this time was, you know, it
• 44:45
  Speaker 5: was worth bringing up on after hours. Highly recommend this release.
• 44:50
  Speaker 4: Dude, Jawls is so fucking good in that documentary.
• 44:55
  Speaker 5: Oh yeah, fantastic.
• 44:58
  Speaker 4: I remember and I forget his name that wrote or
• 45:03
  Speaker 4: that directed that documentary, but he wrote two of the
• 45:06
  Speaker 4: Spielberg books that I have, so that guy's kind of
• 45:11
  Speaker 4: like a expert on all things Spielberg. And he directed
• 45:14
  Speaker 4: that Jaws at fifty documentary, which I thought, like, at
• 45:19
  Speaker 4: this point, what's new to learn about Jaws? And I
• 45:21
  Speaker 4: learned so much about that?
• 45:24
  Speaker 2: What about that movie?
• 45:26
  Speaker 5: Laurent Boosrow, Yeah, yeah, he wrote Spielberg The First ten
• 45:32
  Speaker 5: Years Coffee book, which we have.
• 45:34
  Speaker 2: In another I believe he wrote another one that we have.
• 45:40
  Speaker 4: I personally loved my favorite kind of anecdotes, I guess
• 45:44
  Speaker 4: in the documentary was hearing about Spielberg, who would when
• 45:48
  Speaker 4: the movie was done hide out in the boat at
• 45:50
  Speaker 4: the Jaws Ride in Universal Orlando from the PTSD that
• 45:55
  Speaker 4: he suffered coming out of coming out of that film.
• 45:58
  Speaker 5: Insane. It's just the amount of pressure that was on
• 46:02
  Speaker 5: his shoulders, you know, for delivering a film like this that,
• 46:06
  Speaker 5: by all accounts, I mean, it was like teetering on
• 46:09
  Speaker 5: the edge of failure. I mean with the all the delays,
• 46:13
  Speaker 5: and it was such a big gamble on a film
• 46:16
  Speaker 5: like that. But it's insane that this film is just
• 46:20
  Speaker 5: I mean, it's larger than life, one of the definitive
• 46:24
  Speaker 5: blockbusters that we had at that time. But I think
• 46:29
  Speaker 5: just in general, I mean, you know, it's kind of
• 46:31
  Speaker 5: goes back to what you were saying. It's like, really,
• 46:33
  Speaker 5: how much more can you add to this? But I
• 46:36
  Speaker 5: mean again I think that documentaries just you have to
• 46:40
  Speaker 5: see it for sure.
• 46:42
  Speaker 4: I was hoping they were going to do a standalone release.
• 46:44
  Speaker 2: Of it, but they didn't.
• 46:47
  Speaker 5: No, I mean, outside of that, you get some archival
• 46:50
  Speaker 5: features on this release as well as to get the
• 46:53
  Speaker 5: making of Jaws the Shark is still working the impact
• 46:57
  Speaker 5: and legacy of Jaws. Jaws storation. So for this, it's
• 47:02
  Speaker 5: just discussing the Blu ray restoration, not necessarily the four K,
• 47:06
  Speaker 5: and then you obviously get some deleted scenes and outtakes,
• 47:08
  Speaker 5: so plus, I mean, how do you top that art scourgeous?
• 47:15
  Speaker 5: I figured it was worth it.
• 47:17
  Speaker 2: That's a bad hat.
• 47:18
  Speaker 6: Jerry.
• 47:21
  Speaker 2: Well, you guys want to talk about some controversy. You
• 47:24
  Speaker 2: like controversy.
• 47:25
  Speaker 5: I love controversy. Oh yeah, I like chaos.
• 47:28
  Speaker 4: When I got home, I decided to watch.
• 47:32
  Speaker 2: Day of the Dead on four K.
• 47:33
  Speaker 5: Oh boy.
• 47:36
  Speaker 4: And you know, not not going to be as negative
• 47:40
  Speaker 4: on this as I was expecting to be. I will
• 47:44
  Speaker 4: say right off the bat that I was part of
• 47:48
  Speaker 4: the collective group that kind of rolled my eyes at
• 47:51
  Speaker 4: the fact that it was Screen Factory doing this. It's
• 47:54
  Speaker 4: kind of like very you know, not that I really
• 47:58
  Speaker 4: have any like long rooted issues with Screen Factory. It's
• 48:02
  Speaker 4: just really been the last four years of them that
• 48:07
  Speaker 4: have really kind of I haven't been as stoked about
• 48:11
  Speaker 4: what they're doing as before then, if that makes sense, right,
• 48:15
  Speaker 4: maybe like the last four years or so, let's say, right,
• 48:18
  Speaker 4: things kind of really started changing with them.
• 48:20
  Speaker 5: What would you guys say, is like the last memorable
• 48:24
  Speaker 5: release that we've gotten from them, because I felt like
• 48:27
  Speaker 5: even some of those four K transfers that we had
• 48:29
  Speaker 5: gotten I always think of like my Bloody Valentine. You know,
• 48:35
  Speaker 5: some of the releases around, like Creep Show was really good, and.
• 48:40
  Speaker 2: I think last year was a big Yeah, well there's
• 48:46
  Speaker 2: the four K Black Sunday.
• 48:51
  Speaker 5: Don't remind me.
• 48:53
  Speaker 2: I'm just kidding.
• 48:54
  Speaker 5: Whant I talk about controversy?
• 48:56
  Speaker 2: Yeah? Right?
• 48:57
  Speaker 6: You know what actually was a pretty good, really surprisingly
• 49:01
  Speaker 6: no one talks about was What Lies Beneath because I
• 49:04
  Speaker 6: had a whole documentary on there, which I thought was great.
• 49:07
  Speaker 6: Not a lot of people talk about that one.
• 49:10
  Speaker 5: They had a Rabbit Rabbid.
• 49:12
  Speaker 2: They did the four k's of Sleepoy Camp two and three.
• 49:16
  Speaker 5: That monkey shines monkey good transfers. It's just I feel like,
• 49:22
  Speaker 5: you know what you're getting with.
• 49:24
  Speaker 2: I don't know. I really liked the Poultrygeist to release
• 49:27
  Speaker 2: they did.
• 49:28
  Speaker 5: I dep that's another good one.
• 49:33
  Speaker 2: I was trying to find a list of Sorority House Massacre.
• 49:38
  Speaker 5: Oh, good one. You know I love that movie.
• 49:42
  Speaker 2: The Wikipedia list for screen Factory releases stops in twenty nineteen.
• 49:48
  Speaker 2: Oh interesting, with the craft on Blu Ray.
• 49:55
  Speaker 5: So strange.
• 49:58
  Speaker 2: I wonder why it's interesting.
• 50:02
  Speaker 5: We need Sorority House Massacre two. Ooh, screen factor. If
• 50:10
  Speaker 5: you're listening, please take that into consideration.
• 50:12
  Speaker 4: Oh please please listen to me.
• 50:15
  Speaker 5: Please.
• 50:17
  Speaker 2: Yeah, I don't really remember kind of.
• 50:20
  Speaker 5: What hold on.
• 50:22
  Speaker 4: Let's see if this list is uh, it's up the
• 50:25
  Speaker 4: date here, because I'm just trying to put myself in
• 50:28
  Speaker 4: a moment of being like, oh, fuck, yeah, that's a
• 50:31
  Speaker 4: good release.
• 50:34
  Speaker 2: But I can't. This only goes to oh, this is
• 50:39
  Speaker 2: so much more than I thought.
• 50:41
  Speaker 4: Oh my god, seven hundred how many releases?
• 50:44
  Speaker 2: Is this fucking company done?
• 50:47
  Speaker 5: I can't listen. They can't knock the Blu Ray Run.
• 50:50
  Speaker 5: I'll always see him by that. You can't knock the
• 50:52
  Speaker 5: Blue Ray Run. That was like the golden age.
• 50:55
  Speaker 2: Of when Cliff was with them and the Rays and
• 50:57
  Speaker 2: the dude, it was they were unstoppable.
• 51:00
  Speaker 5: The art it felt like you actually had.
• 51:05
  Speaker 2: What's his name, what's the white House, white House, white Whitehead,
• 51:11
  Speaker 2: Devin Whitehead. Yeah, I think that was a way white House.
• 51:14
  Speaker 2: I'm sorry, Devin Whitehead. That dude.
• 51:17
  Speaker 6: His artwork on those releases were just, I don't know,
• 51:22
  Speaker 6: they were firing on all cylinders at that point.
• 51:25
  Speaker 5: The burning was another good one.
• 51:28
  Speaker 2: Yeah, I mean even think about the box that you got,
• 51:31
  Speaker 2: the fly box set, omen.
• 51:35
  Speaker 5: Rack Friday the thirteenth.
• 51:38
  Speaker 2: Well, of course Friday thirteenth, Halloween, Like there's some gray.
• 51:42
  Speaker 6: Ones, yeah, Mario Bava, I mean I do like that
• 51:49
  Speaker 6: box set, but that is a good box set.
• 51:51
  Speaker 5: Though the timing was a little sus with that four
• 51:55
  Speaker 5: K for what was it Black Sunday?
• 51:59
  Speaker 2: Yeah, oh yeah, that was definitely that was that was
• 52:04
  Speaker 2: not okay that they did that that way. I don't
• 52:06
  Speaker 2: know there. I really do like their four ks Silent Night,
• 52:09
  Speaker 2: Deadly Night a lot, but that's.
• 52:11
  Speaker 5: A good one.
• 52:12
  Speaker 4: That was a great release, I would say, honestly, probably
• 52:17
  Speaker 4: like the thirteen Ghosts, Idle Hands.
• 52:22
  Speaker 2: Blu Ray releases they did.
• 52:25
  Speaker 5: That was the last one you liked.
• 52:26
  Speaker 4: La No, but like that wasn't a four K upgrade
• 52:33
  Speaker 4: of something they had already done. I'm talking about like
• 52:36
  Speaker 4: a new title from.
• 52:37
  Speaker 2: Them, Well they just did the original, but Haunting that
• 52:42
  Speaker 2: wasn't a new title, right, Yeah, Yeah, that was a yeah.
• 52:46
  Speaker 2: I don't think they did that before.
• 52:49
  Speaker 5: Wonderful I ever get Silent Night, Deadly Knight too on
• 52:53
  Speaker 5: four K that or I'm still holding out hope that
• 52:57
  Speaker 5: we'll get sleep Away Camp at some point the first one.
• 53:00
  Speaker 2: I don't think it'll be Scream Factory.
• 53:04
  Speaker 5: Who is it going to be then Criterion?
• 53:08
  Speaker 2: Well, yeah, I don't know.
• 53:11
  Speaker 6: Somebody I've heard, I've heard rumors that supposedly might be
• 53:17
  Speaker 6: Vinegar Syndrome.
• 53:18
  Speaker 2: I've heard arrow, I've I've heard, I've heard it all.
• 53:23
  Speaker 2: Everybody's working on it.
• 53:25
  Speaker 5: I I could see Vinegar Syndrome doing it. I mean,
• 53:31
  Speaker 5: it's the same deal with like Texas Chainsaw three in
• 53:34
  Speaker 5: the Next Generation, which.
• 53:38
  Speaker 6: It was another good release that I don't know if
• 53:40
  Speaker 6: it was a four cap credit, can't remember.
• 53:41
  Speaker 2: But the step Father that.
• 53:47
  Speaker 5: We need Stepfather, No, I don't I don't think they
• 53:51
  Speaker 5: did the original. Okay, what is it? Which one?
• 53:56
  Speaker 2: The Stepfather.
• 53:59
  Speaker 5: Now was saying, but we need the sequel?
• 54:02
  Speaker 2: Yeah, say I have that on DVD too.
• 54:05
  Speaker 5: Is underrated, doesn't get enough of Well.
• 54:08
  Speaker 2: Today of the Dead has been has been hit with
• 54:11
  Speaker 2: some controversy. Yeah, let's go back to that.
• 54:15
  Speaker 5: Yeah, we weren't even close.
• 54:17
  Speaker 2: There's been some controversy here.
• 54:19
  Speaker 4: I know there's been some things about the box possibly
• 54:23
  Speaker 4: being AI because of the style of bub on the cover,
• 54:25
  Speaker 4: and some stuff with the audio track being censored, and
• 54:31
  Speaker 4: you have to watch it with the laser disc audio.
• 54:34
  Speaker 2: And their response for those rumors was kind of very
• 54:41
  Speaker 2: angry and some sort of way, but you know, I
• 54:46
  Speaker 2: was happy for this.
• 54:47
  Speaker 4: The biggest thing to remember here is that this is
• 54:50
  Speaker 4: coming from an interpositive, which is essentially like a copy
• 54:54
  Speaker 4: of the original negative because the OCN is missing, and
• 54:59
  Speaker 4: I will give them there's a very funny bit. There's
• 55:01
  Speaker 4: a new like twenty minute bonus feature on this release
• 55:04
  Speaker 4: called Restoring Day of the Dead, and there's a very
• 55:06
  Speaker 4: funny bit about how twice they got so excited because
• 55:10
  Speaker 4: they found they thought they found the original negative and
• 55:12
  Speaker 4: it was for the remake. So I thought that was
• 55:18
  Speaker 4: very funny, And like, I'm no four K purists, So
• 55:22
  Speaker 4: like a lot of times I watch four K's and
• 55:24
  Speaker 4: I don't even really see that much of a difference,
• 55:27
  Speaker 4: you know. Sometimes I feel like sometimes I feel like
• 55:30
  Speaker 4: I just don't see that. And there's definitely an improvement here,
• 55:36
  Speaker 4: Like the movie does look better, especially in like the cave,
• 55:41
  Speaker 4: I call it a cave, the cave sequences where you
• 55:44
  Speaker 4: have the blue and red gels going on. Those I
• 55:48
  Speaker 4: got a lot more detail out of, especially when I
• 55:50
  Speaker 4: was watching the what's the documentary on here called It's
• 55:54
  Speaker 4: called The World's End. When I was watching that documentary
• 55:57
  Speaker 4: that was on the original Blue rat and it was
• 55:58
  Speaker 4: showing those clips from the Blue I was like, Oh,
• 56:00
  Speaker 4: I could really see where the improvement is in here.
• 56:06
  Speaker 4: I think Screen Factory kind of doing this packaging with
• 56:08
  Speaker 4: the hard box and the two individual cases housing the
• 56:11
  Speaker 4: four discs, with the giant stack of art cards, is
• 56:14
  Speaker 4: them kind of compensating for, you know, a transfer that's
• 56:20
  Speaker 4: not exactly the most upgrade worthy, you know, so they
• 56:25
  Speaker 4: really kind of put some extra work into packaging into
• 56:29
  Speaker 4: his hard box and a dual case, and it's very appealing,
• 56:31
  Speaker 4: and it was at a pretty good price. I mean,
• 56:35
  Speaker 4: I'm happy with it, don't get me wrong. The moment
• 56:38
  Speaker 4: another company announces this, I'll probably.
• 56:43
  Speaker 2: Sell a second sight. Yeah, I'll probably sell this on.
• 56:47
  Speaker 4: A heart feet if that ever gets announced, I'm this
• 56:49
  Speaker 4: will be gone so fast it'll be it'll just it'll
• 56:53
  Speaker 4: it'll just vanish from the collection.
• 56:54
  Speaker 5: With no It's it's the artwork, isn't it.
• 56:58
  Speaker 2: Hey? The artwork isn't doing it in a favors. It's
• 57:02
  Speaker 2: very like it doesn't match the movie. It's ai.
• 57:05
  Speaker 6: I mean, I'm not saying it's a Let me just
• 57:07
  Speaker 6: make that clear. But I have to agree with people
• 57:10
  Speaker 6: say it looks like an AI image.
• 57:13
  Speaker 2: You know. I don't mean to disrespect the artist if
• 57:15
  Speaker 2: it was you know, actual someone who did it. But
• 57:17
  Speaker 2: it was the CRP group. I mean, come on, that sounds.
• 57:23
  Speaker 5: Who is that.
• 57:25
  Speaker 6: I actually had to look it up and it's a
• 57:27
  Speaker 6: It's a company that they do digital artwork for businesses
• 57:33
  Speaker 6: and stuff like that.
• 57:36
  Speaker 2: Yeah, the RFP.
• 57:39
  Speaker 5: I mean, what happened to getting you know, an artist
• 57:44
  Speaker 5: that is gonna put up maybe a little bit more
• 57:46
  Speaker 5: love into it. I mean, look at it. We would
• 57:47
  Speaker 5: just talking about those Blu ray releases.
• 57:50
  Speaker 6: You know.
• 57:50
  Speaker 4: It's interesting though this is the same company who did
• 57:52
  Speaker 4: the Mario.
• 57:53
  Speaker 2: Baba of the Box.
• 57:57
  Speaker 5: I'm not seeing it definitely.
• 58:01
  Speaker 4: Well see if you if Mario Bobber came up before
• 58:03
  Speaker 4: the AI advancements, that's true.
• 58:07
  Speaker 2: Same look, Chat and Jim and I have definitely got
• 58:11
  Speaker 2: gotten better.
• 58:12
  Speaker 4: Sense just a round out Day of the Dead. I
• 58:15
  Speaker 4: still think that's Georgia Merrow's masterpiece. I think it's toom
• 58:18
  Speaker 4: Savini's magnum opas.
• 58:20
  Speaker 6: Oh, just from that opening scene of the Zombie you
• 58:24
  Speaker 6: can see in the sunlight backlit behind them.
• 58:28
  Speaker 4: Which, by the way, was a fucking puppet, like a
• 58:30
  Speaker 4: hand puppet.
• 58:31
  Speaker 2: Yeah, insane.
• 58:34
  Speaker 4: I really love Day of the Dead. I think Rhodes
• 58:37
  Speaker 4: is one of the most incredible batship zany villains you.
• 58:41
  Speaker 2: Could possibly have.
• 58:43
  Speaker 4: I think the end run of the movie, the violence
• 58:46
  Speaker 4: is so shocking and jarring. The effects are incredible.
• 58:51
  Speaker 2: And I do think that while while not as.
• 58:58
  Speaker 4: Obviously like, it didn't make it anywhere the money that
• 59:01
  Speaker 4: Down did. It didn't have anywhere the mass market appeal
• 59:05
  Speaker 4: that Dawn did. I think it's a more interesting movie
• 59:08
  Speaker 4: than Down of the Dead. I think it explores much
• 59:11
  Speaker 4: much more interesting themes.
• 59:13
  Speaker 2: At least for me.
• 59:15
  Speaker 4: Also, next time you watch Day of the Dead, I
• 59:19
  Speaker 4: want to remind you that it came out the same
• 59:21
  Speaker 4: year as Reanimator and Richard Liberty's performance of doctor Matthew
• 59:27
  Speaker 4: Logan is strikingly similar to Jeffrey Comb's performance.
• 59:34
  Speaker 2: Of doctor Herbert West.
• 59:36
  Speaker 4: I could see that very similar even in like the
• 59:39
  Speaker 4: tone and the mannerism and his his his speaking. It's
• 59:43
  Speaker 4: incredibly similar, so much so very Yeah, my wife and
• 59:47
  Speaker 4: I were like, hold on when like somebody had to
• 59:51
  Speaker 4: take inspiration from somebody on this and turns out they
• 59:54
  Speaker 4: came out in the same year.
• 59:55
  Speaker 2: So well, I mean, Jeffrey Combs, that's kind of who
• 1:00:02
  Speaker 2: he is as a person. I mean, if you watch
• 1:00:04
  Speaker 2: interviews like he he is Herbert West. The way he.
• 1:00:08
  Speaker 5: He's a really goofy in person.
• 1:00:10
  Speaker 6: His rhythm, the way he taught everything is that is
• 1:00:13
  Speaker 6: Herbert West. So I mean, if anything to your argument,
• 1:00:17
  Speaker 6: I don't think he he definitely didn't take any inspiration
• 1:00:22
  Speaker 6: from the Day of the Dead for sure.
• 1:00:25
  Speaker 4: Which have you guys ever seen the director's cut of
• 1:00:27
  Speaker 4: The Frighteners?
• 1:00:30
  Speaker 5: No, but isn't that coming up from uh Errow?
• 1:00:33
  Speaker 2: I heard Arrows putting it out. That's what I hear.
• 1:00:36
  Speaker 2: I believe.
• 1:00:36
  Speaker 4: So, but his performance in The Frighteners, especially the director's cut,
• 1:00:40
  Speaker 4: when it's revealed about the history of being a sexually
• 1:00:45
  Speaker 4: for the Nazis, is insanity.
• 1:00:47
  Speaker 2: And it's only in the director's cut. So do yourself
• 1:00:49
  Speaker 2: a favor and watch that.
• 1:00:52
  Speaker 5: Arrow.
• 1:00:53
  Speaker 2: I need that in four K, Yeah, we need that
• 1:00:55
  Speaker 2: in four K yeah, yeah, four K.
• 1:00:58
  Speaker 4: Jordan, what did you did you bring the Frighteners director's
• 1:01:00
  Speaker 4: cut for your second pick?
• 1:01:02
  Speaker 2: No? No, my second pick, let's go with I picked.
• 1:01:09
  Speaker 2: I got this.
• 1:01:11
  Speaker 6: This is gonna be a Hammer release, Shocker Hammer, but
• 1:01:16
  Speaker 6: they're released of the House of Hammer.
• 1:01:18
  Speaker 2: Volume one. This is a.
• 1:01:21
  Speaker 6: It's it's a documentary, but it's more than a documentary
• 1:01:24
  Speaker 6: because you actually get a short film in here, you
• 1:01:28
  Speaker 6: get a bunch of other little feature rats. This is
• 1:01:32
  Speaker 6: a part one of a documentary in this kind.
• 1:01:35
  Speaker 2: Of follows.
• 1:01:38
  Speaker 6: It's It's funny because this one follows more AIP the
• 1:01:42
  Speaker 6: company a P, which is known at the time to
• 1:01:45
  Speaker 6: be Hammer's competitor, and it really follows the career path
• 1:01:51
  Speaker 6: of where Vincent Price played in ai P and how
• 1:01:57
  Speaker 6: kind of AIP similarities to Hammer UK when was US
• 1:02:03
  Speaker 6: based talked about that.
• 1:02:06
  Speaker 2: Guys, this is a great release. It is long.
• 1:02:09
  Speaker 6: I want to say, it's like two hours, maybe a
• 1:02:12
  Speaker 6: little overtarge. I can't remember the exact run time, but
• 1:02:16
  Speaker 6: just part one is that long. But in this release,
• 1:02:20
  Speaker 6: I mean, this is a great release.
• 1:02:21
  Speaker 2: You're getting you're getting two discs in here, you're getting
• 1:02:26
  Speaker 2: a booklet as well. So no, Chris is gonna be
• 1:02:29
  Speaker 2: happy about that.
• 1:02:30
  Speaker 5: Yep.
• 1:02:33
  Speaker 2: Just I'm telling you. I love the fact that Hammer
• 1:02:36
  Speaker 2: is really diving into its own history. Yeah, both both
• 1:02:40
  Speaker 2: good and bad.
• 1:02:40
  Speaker 6: Honestly, because they do kind of talk about the struggle,
• 1:02:43
  Speaker 6: not in this one in particular, but they've talked about
• 1:02:45
  Speaker 6: another like.
• 1:02:46
  Speaker 2: The Heroes, Monsters, Villains, whatever it's called. That documentary release.
• 1:02:51
  Speaker 6: How what they tried to do, you know in the seventies,
• 1:02:55
  Speaker 6: trying to get as sleazy as possible really kind of
• 1:02:57
  Speaker 6: fell out of favor with much of the audience at
• 1:03:00
  Speaker 6: the time. They were just they just kept trying to
• 1:03:05
  Speaker 6: be the talk of the town, tried to be, you know,
• 1:03:09
  Speaker 6: something that no one else has ever done, and they
• 1:03:11
  Speaker 6: kind of got away from them.
• 1:03:14
  Speaker 2: But this this is great.
• 1:03:16
  Speaker 6: I mean, they talk about so many different films and
• 1:03:20
  Speaker 6: here's something that I've never even seen that kind of
• 1:03:22
  Speaker 6: made me want to go back and have to start
• 1:03:25
  Speaker 6: a list of films I need to check out. If
• 1:03:28
  Speaker 6: you are a fan of Hammer or even AIP or
• 1:03:30
  Speaker 6: just interested, I mean, this is an incredible documentary I
• 1:03:34
  Speaker 6: think so that that's my next pick. Not not much
• 1:03:37
  Speaker 6: say about it other than that that it's just a
• 1:03:40
  Speaker 6: it's a packed release, and for.
• 1:03:41
  Speaker 2: It only being volume one, I'm excited to see what
• 1:03:43
  Speaker 2: else they have.
• 1:03:45
  Speaker 4: Love what they're doing, I absolutely love. I'm hoping that
• 1:03:49
  Speaker 4: they do eventually like a box set you know, just
• 1:03:53
  Speaker 4: kind of put a lot of their titles, like maybe
• 1:03:55
  Speaker 4: once they've released a certain amount, maybe they'll do like
• 1:03:58
  Speaker 4: a simplified just here's all of the titles and some
• 1:04:01
  Speaker 4: of the bonus features in one set.
• 1:04:05
  Speaker 2: But call and literally that would be so cool. Call
• 1:04:09
  Speaker 2: like the House of Hammer collection. It was something. Yeah, yeah,
• 1:04:12
  Speaker 2: I just it's like kind of good trying to go
• 1:04:15
  Speaker 2: back and catch up.
• 1:04:16
  Speaker 4: And some of the movies are some of the movies aren't,
• 1:04:18
  Speaker 4: Like you know, a lot of people don't know that
• 1:04:21
  Speaker 4: Hammer had its original roots in like the New r Yeah,
• 1:04:24
  Speaker 4: you know, Movement. So a lot of those movies that like,
• 1:04:28
  Speaker 4: I'm interested in watching and interested in learning about, I'm
• 1:04:30
  Speaker 4: not interested in paying forty plus dollars to own in
• 1:04:34
  Speaker 4: that way.
• 1:04:35
  Speaker 2: I'd rather kind of have them in a more condensed
• 1:04:39
  Speaker 2: They need to do a box.
• 1:04:42
  Speaker 6: Set of all their films from the Curse on. Really
• 1:04:46
  Speaker 6: when they dove into they started picking from the universal
• 1:04:49
  Speaker 6: monster storylines, you know, putting them in a color, giving
• 1:04:53
  Speaker 6: them more edge to them.
• 1:04:54
  Speaker 2: The whole Peter Kushionkers for Lee time at Hammer, I
• 1:04:58
  Speaker 2: think is they really need to I think be really
• 1:05:01
  Speaker 2: cool to see a box out of that.
• 1:05:03
  Speaker 4: I think they if they did like a decade thing,
• 1:05:07
  Speaker 4: or if they even did like a nineteen thirty eight
• 1:05:09
  Speaker 4: to nineteen forty five, you know what I mean, or
• 1:05:11
  Speaker 4: like a set with their movies in that time. Erne
• 1:05:14
  Speaker 4: then they did a set of like nineteen forty six,
• 1:05:15
  Speaker 4: and you know what I mean, I think that would
• 1:05:17
  Speaker 4: be and I think eventually they will because they're gonna
• 1:05:21
  Speaker 4: they're gonna try to make as much money as they
• 1:05:23
  Speaker 4: can offees, which good on you.
• 1:05:25
  Speaker 2: You're doing great work. You deserve it, you know.
• 1:05:27
  Speaker 4: And I think eventually, in order to keep people interested
• 1:05:31
  Speaker 4: in keep new collectors buying, you're gonna have to repackage
• 1:05:33
  Speaker 4: these in some way.
• 1:05:34
  Speaker 2: You know. Yeah, yeah, I agree. Yeah, since since the Hammer.
• 1:05:41
  Speaker 6: Went under, I forget the guy's name something Gore, the
• 1:05:45
  Speaker 6: guy who runs it now, he is just he's doing
• 1:05:48
  Speaker 6: good things over there.
• 1:05:49
  Speaker 2: So I'm excited to see what sort they've got going on. Yeah, yeah, Steve,
• 1:05:55
  Speaker 2: you have a Hammer movie for for us struggle?
• 1:05:58
  Speaker 5: Then no, I don't, but I've got something that hits
• 1:06:03
  Speaker 5: just as hard.
• 1:06:06
  Speaker 2: Vampires and so yeah, scarface. Oh so.
• 1:06:12
  Speaker 5: My friend over at Video and Tears and I we
• 1:06:14
  Speaker 5: were talking about Miami Vice. I've been doing a rewatch
• 1:06:17
  Speaker 5: that and Scarface felt like the next best way to
• 1:06:22
  Speaker 5: really enhance that overall experience. You guys are a fan Scarface.
• 1:06:27
  Speaker 2: Right, Yeah, of course it's the palmment.
• 1:06:32
  Speaker 5: Yeah. Man, I think every now and again I have
• 1:06:36
  Speaker 5: to be reminded why this film is just so iconic,
• 1:06:40
  Speaker 5: And this was like going back to my DVD days.
• 1:06:44
  Speaker 5: This was one of the first few DVDs that I
• 1:06:46
  Speaker 5: had in the collection, and it felt like at the
• 1:06:49
  Speaker 5: time it was such a like almost like a rite
• 1:06:53
  Speaker 5: of passage for my movie collection. You're starting to get
• 1:06:57
  Speaker 5: into some of like the grittier, you know, crime films
• 1:06:59
  Speaker 5: that the time, but with Scarface. This is obviously directed
• 1:07:06
  Speaker 5: by Brian de Palma, written by Oliver Stone, and falls
• 1:07:10
  Speaker 5: around after arriving in Miami. Cuban refugee Tony Montana is
• 1:07:16
  Speaker 5: determined to escape poverty and achieve wealth empower at any cost,
• 1:07:20
  Speaker 5: so rising through the city's violent drug underworld alongside his
• 1:07:24
  Speaker 5: loyal friend Manny, Tony's building a vast criminal empire fueled
• 1:07:28
  Speaker 5: by ambition, ruthlessness, and excess, and you really see the
• 1:07:34
  Speaker 5: rise and fall of Tony Montana. I mean, I've owned
• 1:07:38
  Speaker 5: this film in a number of different formats everything ranging
• 1:07:41
  Speaker 5: from BHS all the way up to four K. Some
• 1:07:44
  Speaker 5: of the standout features with this film that I really
• 1:07:47
  Speaker 5: appreciated was on the first disc for the four K
• 1:07:51
  Speaker 5: we get the thirty fifth anniversary reunion. This is I
• 1:07:56
  Speaker 5: think one of the more standout features. Said, we get
• 1:08:01
  Speaker 5: an opportunity to hear from Brian de Palma himself, and
• 1:08:04
  Speaker 5: then the actors We get Al Pacino, Michelle Pfeiffer, and
• 1:08:08
  Speaker 5: Stephen Bauer as they discuss their roles in the film.
• 1:08:14
  Speaker 5: And then on the disc two Blu Ray, we get
• 1:08:17
  Speaker 5: a number of different retrospectives and just short documentaries discussing,
• 1:08:25
  Speaker 5: you know, various aspects about the film, get some deleted
• 1:08:29
  Speaker 5: scenes as well. But overall, I mean, it's it's I
• 1:08:32
  Speaker 5: wouldn't say that this is one of the top tier
• 1:08:35
  Speaker 5: four k's I have my collection. It was just a
• 1:08:38
  Speaker 5: fun film to go back and revisit and just really
• 1:08:40
  Speaker 5: appreciate just how much I adore this film.
• 1:08:45
  Speaker 2: I played this ship out of the video game.
• 1:08:49
  Speaker 5: Yeah, that was well. And I would argue that this
• 1:08:54
  Speaker 5: is probably one of the biggest influences between this and
• 1:08:57
  Speaker 5: Miami Vice on Vice City too.
• 1:09:00
  Speaker 4: M m oh, yeah, why was it like I feel
• 1:09:04
  Speaker 4: like I was. I was able to watch like I
• 1:09:06
  Speaker 4: feel like I was allowed to watch Goodfellas long before
• 1:09:08
  Speaker 4: I was able to watch Scarface.
• 1:09:10
  Speaker 5: It was the opposite for me, really, I yeah, Goodfellas,
• 1:09:14
  Speaker 5: I I at the time, I wasn't aware of it.
• 1:09:17
  Speaker 5: I see that maybe till maybe like a year or
• 1:09:21
  Speaker 5: two after I saw Scarface for the first time, Okay, okay,
• 1:09:25
  Speaker 5: and then that's when it finally got into Martin scort
• 1:09:29
  Speaker 5: szy I gott Sopranos around the same time. But I
• 1:09:32
  Speaker 5: would have to say probably Scarface or the Godfather films
• 1:09:37
  Speaker 5: or that those are probably the earliest I guess gangster
• 1:09:40
  Speaker 5: films I saw at the time.
• 1:09:42
  Speaker 2: Godfather for me definitely was probably my earliest deaf say,
• 1:09:47
  Speaker 2: my dad was big into the Godfather. He loved those movies. Goodfellas.
• 1:09:54
  Speaker 2: I think that was wasn't all I mean, I'm trying
• 1:09:57
  Speaker 2: to remember.
• 1:09:57
  Speaker 6: It wasn't there around a lot when I was younger,
• 1:10:00
  Speaker 6: But Godfather definitely, I specifically remember those.
• 1:10:04
  Speaker 2: Those three movies.
• 1:10:05
  Speaker 5: A lot of people had that in their collection. I
• 1:10:07
  Speaker 5: just remember the Godfather Rocky always in the VHS collection.
• 1:10:13
  Speaker 2: Well, Scarface was a duel VHS.
• 1:10:15
  Speaker 5: Right, Yeah, same with Goodfellas and Casino.
• 1:10:19
  Speaker 2: Oh good, Oh yeah, mm hmmm. What was the other
• 1:10:24
  Speaker 2: one I had that was a duel?
• 1:10:25
  Speaker 4: I was saying private Ryan, it was a dual one
• 1:10:28
  Speaker 4: that I had. Titanic, the most rare vhs on the planet.
• 1:10:34
  Speaker 5: I thought that was the Mummy?
• 1:10:36
  Speaker 2: Oh, is it is?
• 1:10:37
  Speaker 5: It?
• 1:10:37
  Speaker 4: Has it become the Mummy? Now times have changed. My
• 1:10:44
  Speaker 4: third pick is going to be quick. It's just one
• 1:10:47
  Speaker 4: that I've been diving into. I uh, for some reason,
• 1:10:50
  Speaker 4: got the urge to revisit the Bill and Sad trilogy.
• 1:10:53
  Speaker 4: Oh nice putting trilogy in front of that's really really
• 1:10:57
  Speaker 4: odd to say. I told you guys about a year
• 1:11:01
  Speaker 4: ago that I've just been more focused on rewatching things
• 1:11:05
  Speaker 4: that we have in our collection and going back and
• 1:11:09
  Speaker 4: watching a lot more commentary tracks. And I was a
• 1:11:10
  Speaker 4: little disappointed when I started getting into this set when
• 1:11:13
  Speaker 4: I watched Excellent Adventure, because I was like, oh, it's
• 1:11:15
  Speaker 4: really not anything exciting on any of these discs. And
• 1:11:19
  Speaker 4: then I throw on Bill and Ted's Bogus Journey and
• 1:11:21
  Speaker 4: saw there were two commentary tracks for some reason, recorded
• 1:11:26
  Speaker 4: for that movie alone. None for Face the Music, none
• 1:11:28
  Speaker 4: for Excellent Adventure, but Bogus Journey has two audio commentary
• 1:11:32
  Speaker 4: tracks that I have to sink back into at some
• 1:11:34
  Speaker 4: point soon. We also rewatched Bill and Ted Face the
• 1:11:39
  Speaker 4: Music for the first time since the first time I
• 1:11:41
  Speaker 4: saw it, however many years ago.
• 1:11:43
  Speaker 2: It's been now since that came out, and still.
• 1:11:46
  Speaker 4: Holds up pretty good, you know, not terrible. Bogus Journey
• 1:11:50
  Speaker 4: is still my favorite. What about you, guys, what's your
• 1:11:53
  Speaker 4: favorite in the Bill and Ted saga.
• 1:11:57
  Speaker 5: I'll be honest, I haven't seen any of them. Oh
• 1:12:00
  Speaker 5: whoa you might have inspired me to what finally sit
• 1:12:03
  Speaker 5: through and uh watch them?
• 1:12:06
  Speaker 2: Whoa Jordan? That's that's surprising. That is surprising. Well, I've
• 1:12:12
  Speaker 2: only seen Bill and Ted's excellent Adventure.
• 1:12:15
  Speaker 5: That's even more surprising and more surprising.
• 1:12:20
  Speaker 2: No, I've only seen the first one.
• 1:12:23
  Speaker 4: Yeah, I mean Bill and Ted's Excellent Adventure is fantastic.
• 1:12:26
  Speaker 4: But Bogus Journey, when they go to hell and meet
• 1:12:29
  Speaker 4: death is arguably one of my favorite comedies of all time.
• 1:12:34
  Speaker 4: It holds up so well, and then Face the Music
• 1:12:37
  Speaker 4: is a good, you know, way to return to kind
• 1:12:43
  Speaker 4: of like do something modern. I think Alex Winter aged
• 1:12:48
  Speaker 4: much better than Keanu Regis did in the part, and
• 1:12:51
  Speaker 4: you can definitely see that the sense.
• 1:12:52
  Speaker 2: Of humor has changed, you know, from the eighties to
• 1:12:55
  Speaker 2: the you know.
• 1:12:58
  Speaker 4: Twenty twenties. I think when that came out. What's really
• 1:13:01
  Speaker 4: funny is I always forget that Samorrow Weaving, isn't it
• 1:13:04
  Speaker 4: she plays she plays one of the daughters, So perfect
• 1:13:08
  Speaker 4: casting there for that role. Yeah, just uh, you know,
• 1:13:13
  Speaker 4: sometimes good to go back and watch these movies. You
• 1:13:15
  Speaker 4: guys definitely need to get on it. And Jordan, you
• 1:13:17
  Speaker 4: need to at least watch Focus Journey. Steve, you need
• 1:13:20
  Speaker 4: to watch at least Excellent Adventure.
• 1:13:22
  Speaker 5: Okay, you got it. Please for you Chris, of course.
• 1:13:27
  Speaker 2: Thank you, thank you, And then we'll cover them on
• 1:13:29
  Speaker 2: the show.
• 1:13:30
  Speaker 5: And then just make sure you have a chance to
• 1:13:32
  Speaker 5: watch Jaws a second time. I think you might like
• 1:13:34
  Speaker 5: it a little bit more.
• 1:13:35
  Speaker 2: Yeah, yeah, yeah, a second time.
• 1:13:38
  Speaker 4: I think I might watch I think I'll watch it
• 1:13:40
  Speaker 4: for the second time this week on fourth of July.
• 1:13:43
  Speaker 2: I actually prefer Cruel Jaws more than Jaws.
• 1:13:45
  Speaker 4: So whoa Jaws five seven and coming back in, coming
• 1:13:50
  Speaker 4: back around, always.
• 1:13:51
  Speaker 2: Comes back around to seven.
• 1:13:53
  Speaker 5: It wouldn't be uh, it wouldn't be a fourth of
• 1:13:55
  Speaker 5: July without Cruel Jaws.
• 1:13:58
  Speaker 2: That's right. Yeah, Well, Jordan for now on. Your nickname
• 1:14:01
  Speaker 2: to me is cool Jawls. Oh cool, No, it's cool Jawls.
• 1:14:07
  Speaker 2: You gotta throw the s in there. I'm from I'm
• 1:14:10
  Speaker 2: from right outside Philly. It's cool Jones. Actually, it's cool
• 1:14:15
  Speaker 2: Jones Jordan.
• 1:14:17
  Speaker 4: If you want to go ahead with your with your
• 1:14:19
  Speaker 4: with your last pick man, yeah, man, you know.
• 1:14:22
  Speaker 2: So I got this from Via Vision. They sent this
• 1:14:24
  Speaker 2: one over and I finally was able to check it out.
• 1:14:29
  Speaker 2: But I've seen it before, revisited it two thousand and
• 1:14:32
  Speaker 2: six when a stranger calls, I didn't even know that
• 1:14:36
  Speaker 2: the original the remake of one.
• 1:14:39
  Speaker 5: Give it a spin.
• 1:14:41
  Speaker 2: Let's let's there, you go right there. Look at that.
• 1:14:43
  Speaker 2: There's the back. They're in a nice little hard case.
• 1:14:47
  Speaker 5: Those are like the that reminds me like the video
• 1:14:50
  Speaker 5: store days.
• 1:14:52
  Speaker 2: Yes, I didn't even know they put that out. Yeah.
• 1:14:57
  Speaker 6: The thing with via Vision is because I think I
• 1:14:59
  Speaker 6: think we talked about this before, Australia just seems to
• 1:15:02
  Speaker 6: kind of they are lacking in a lot of titles,
• 1:15:05
  Speaker 6: and so I think VA Vision's really the one is
• 1:15:07
  Speaker 6: putting some of these titles out and they're giving these
• 1:15:09
  Speaker 6: awesome packaging.
• 1:15:12
  Speaker 2: I forgot how fun this movie is it's definitely.
• 1:15:19
  Speaker 6: It's it's a different take on when a stranger calls
• 1:15:22
  Speaker 6: from the original. Of course original, The part everyone likes
• 1:15:27
  Speaker 6: is the first what fifteen.
• 1:15:29
  Speaker 2: Minutes of that movie. Then the rest of the movie
• 1:15:32
  Speaker 2: is a like a lot of order episode, but this
• 1:15:37
  Speaker 2: one really focuses on the babysitter that night with the
• 1:15:41
  Speaker 2: phone call.
• 1:15:44
  Speaker 6: And you know, I forgot so in here the main actress,
• 1:15:50
  Speaker 6: Camilla Bell, she's the main that's her right here.
• 1:15:55
  Speaker 2: Tessa Thompson's in this, which I was shocked to see.
• 1:16:00
  Speaker 5: Uh.
• 1:16:00
  Speaker 2: And then Katie Cassidy if you guys recognize that name.
• 1:16:03
  Speaker 2: I look who she's.
• 1:16:05
  Speaker 6: She was actually one of the main characters in the
• 1:16:08
  Speaker 6: Nightmare and elm Street remake Nightmare and Elms Street. Oh
• 1:16:16
  Speaker 6: she was, Yeah, yep, Katie Cassidy. It's like, hey, anyways,
• 1:16:25
  Speaker 6: you guys.
• 1:16:26
  Speaker 4: Wait till you guys wait till every remake gets the
• 1:16:28
  Speaker 4: four K coda edition.
• 1:16:30
  Speaker 2: All right.
• 1:16:34
  Speaker 6: Uh, but what I thought was really cool about this movie,
• 1:16:38
  Speaker 6: and what's interesting is there's a whole sequence where they
• 1:16:42
  Speaker 6: use she's she's babysitting at this house is like this
• 1:16:47
  Speaker 6: mansion and uh, I mean, I'm sure Stephen knows what
• 1:16:52
  Speaker 6: I'm talking about is in this house, it's got this
• 1:16:55
  Speaker 6: like a garden pond inside their house house that's kind
• 1:17:01
  Speaker 6: of exterior. It's got an open ceiling. They got glass
• 1:17:04
  Speaker 6: around it so where they can have a pond, you know,
• 1:17:08
  Speaker 6: water plan villa field, yes, And in there they there's
• 1:17:14
  Speaker 6: a cool scene where her and the kids are trapped
• 1:17:18
  Speaker 6: in the middle and the stalker is staring at her
• 1:17:21
  Speaker 6: through the glass. He's inside the house and they're stuck
• 1:17:23
  Speaker 6: in this little section and it's got like all these misters,
• 1:17:27
  Speaker 6: and that's how they kind of escape. They flip on
• 1:17:29
  Speaker 6: the misters and the whole thing becomes foggy, the misters
• 1:17:33
  Speaker 6: and they try to escape. Now is it as good
• 1:17:38
  Speaker 6: as the original?
• 1:17:39
  Speaker 2: I don't think it is. I really do like the original,
• 1:17:42
  Speaker 2: But man, this feels like a two thousands movie the
• 1:17:44
  Speaker 2: way it's shot heavy.
• 1:17:48
  Speaker 6: Just the coloring of the screens just screams two thousand
• 1:17:52
  Speaker 6: and that heavily over saturated like kind of greens.
• 1:17:56
  Speaker 2: I guess that that makes any sense.
• 1:17:58
  Speaker 6: I always think of like like the text Chainsaw Masker
• 1:18:02
  Speaker 6: remake or Friday the Thirteenth, you know, it was.
• 1:18:06
  Speaker 2: Like the hyper punch contrast and stuff. Yeah, yeah, that's
• 1:18:09
  Speaker 2: how it feels. But it's such a fun movie.
• 1:18:13
  Speaker 6: It took me back to like Seem said, I remember
• 1:18:15
  Speaker 6: seeing that at my video store and it was a fun.
• 1:18:19
  Speaker 2: It was a fun revisit.
• 1:18:22
  Speaker 5: Yeah.
• 1:18:23
  Speaker 4: I think some of those remakes just felt too they
• 1:18:26
  Speaker 4: feel too long. It's like the Prom Night Remake. Yeah,
• 1:18:31
  Speaker 4: it's like I really like real quick, really funny story
• 1:18:35
  Speaker 4: about the Prom Night Remake. I was watching it and
• 1:18:38
  Speaker 4: I think I believe my wife was watching it with
• 1:18:40
  Speaker 4: me or she was in the room, and I was like,
• 1:18:43
  Speaker 4: why is this movie almost two hours long? And I
• 1:18:46
  Speaker 4: went on this big tyrant about the runtime of the
• 1:18:49
  Speaker 4: Prom Night Remake and I was like, there's no reason
• 1:18:51
  Speaker 4: for this. And then when it was over, I was
• 1:18:53
  Speaker 4: putting the disc back into packaging and I flipped it
• 1:18:55
  Speaker 4: over it it was like ninety two minutes. It's like, oh,
• 1:19:00
  Speaker 4: ships moved slow. God damn, this movie moved like a
• 1:19:04
  Speaker 4: slug dude. Yeah, that's dude.
• 1:19:08
  Speaker 2: I need to get that. I forgot.
• 1:19:09
  Speaker 4: They Every now and then, man, they do something. They
• 1:19:12
  Speaker 4: put out a title that's so shocking like that, or
• 1:19:16
  Speaker 4: like when they did I think the only Viavision releases
• 1:19:19
  Speaker 4: I own in that style are Wolf Creek and uh, yeah,
• 1:19:25
  Speaker 4: one one that they put out that I love, All
• 1:19:27
  Speaker 4: the boys love Mandy Lane.
• 1:19:29
  Speaker 5: Oh I don't have that one I've got. I'm trying
• 1:19:32
  Speaker 5: to think I have the Grindhouse double Feature.
• 1:19:36
  Speaker 6: The They did a really cool one. They did Cabin Fever. Yeah,
• 1:19:41
  Speaker 6: and it's Cabin Fever, the Cabin Fever Spring. This is
• 1:19:45
  Speaker 6: called spring Fever. I think it's called uh and then
• 1:19:48
  Speaker 6: the remake this so they have all three of them
• 1:19:51
  Speaker 6: in there.
• 1:19:52
  Speaker 2: Yeah.
• 1:19:52
  Speaker 4: Have you ever seen Cabin Fever two? The tay West one?
• 1:19:56
  Speaker 5: No, how is it?
• 1:19:57
  Speaker 4: The Only thing I remember is, uh, some guy balls
• 1:20:01
  Speaker 4: falling off.
• 1:20:04
  Speaker 2: It sounds it sounds about right.
• 1:20:07
  Speaker 5: I got the only ones you really need.
• 1:20:10
  Speaker 2: Halloween, Oh, the Halloween one, Lord's the Saalem. Yeah, those
• 1:20:13
  Speaker 2: are great ones. I know the one that I want.
• 1:20:16
  Speaker 6: It's out of print, that imprinted the same company is.
• 1:20:20
  Speaker 6: It's the Martin Scorsesees Films of Faith.
• 1:20:24
  Speaker 2: If you guys have seen that.
• 1:20:24
  Speaker 6: Box set, let me take a look, dude, that that
• 1:20:29
  Speaker 6: box set's got like, uh, you know, last Imitation of Christ?
• 1:20:33
  Speaker 2: Well, obviously, I think the title kind of tells you
• 1:20:37
  Speaker 2: where spoiler there was one other one.
• 1:20:44
  Speaker 5: Take Christ is a good one.
• 1:20:46
  Speaker 2: But it's uh, that's a Criterion release I need to
• 1:20:49
  Speaker 2: pick up.
• 1:20:50
  Speaker 5: Speaking of Scorsese, Jordan, what happener? Lighting looks like the
• 1:20:54
  Speaker 5: Irishman's being filmed to your room?
• 1:20:58
  Speaker 2: Well, what happened?
• 1:20:59
  Speaker 5: Is it got dark? Well?
• 1:21:01
  Speaker 4: Speaking of Christ, do you guys know that? Do you
• 1:21:04
  Speaker 4: guys know that Mel Gibson is shooting a sequels Passion
• 1:21:07
  Speaker 4: of the Christ?
• 1:21:08
  Speaker 2: Yeah?
• 1:21:10
  Speaker 5: I had no idea. I just learned that what comes next?
• 1:21:13
  Speaker 2: I think it's the Resurrection, is it?
• 1:21:16
  Speaker 5: Yeah? Oh, that's a bit well, I mean that's a
• 1:21:21
  Speaker 5: big it's just a big gap in between.
• 1:21:23
  Speaker 2: It's actually, uh, it's the Passion three days leave the
• 1:21:27
  Speaker 2: weapon four Yeah, no, well the Passion ends with him dying.
• 1:21:37
  Speaker 5: Yeah, but I feel like it's a it's a sequel
• 1:21:39
  Speaker 5: that I feel like, if you're going to do it,
• 1:21:40
  Speaker 5: you should have done it a long time.
• 1:21:43
  Speaker 6: I mean, yeah, Well, I think it's because you know,
• 1:21:47
  Speaker 6: Mel Gibson got kind of act from Hollywood, so no
• 1:21:51
  Speaker 6: one would work with him.
• 1:21:52
  Speaker 4: He had to much like much like Christ himself, he
• 1:21:55
  Speaker 4: had to make a sacrifice and we got flight risk
• 1:21:58
  Speaker 4: and that's what gave him the approval to do mhm.
• 1:22:01
  Speaker 2: Hey, though I think he's funding this one completely himself.
• 1:22:06
  Speaker 4: I don't know, ye where's leath the weapon four? Or
• 1:22:08
  Speaker 4: leath the weapon five?
• 1:22:10
  Speaker 5: Sorry, well, speaking of leath a weapon five, I've got
• 1:22:15
  Speaker 5: something better. I promise. I will let you guys down.
• 1:22:23
  Speaker 5: I've been saving this for the end. Hey, chainsaw massacreb.
• 1:22:28
  Speaker 2: Why don't you Why don't you turn that upside down
• 1:22:31
  Speaker 2: and flip it around for us?
• 1:22:34
  Speaker 6: Why?
• 1:22:34
  Speaker 5: I saw all the contents all out. Don't you do
• 1:22:38
  Speaker 5: that to me?
• 1:22:40
  Speaker 4: Don't worry, man, mine have already dented and banged around
• 1:22:43
  Speaker 4: and it takes grill looks bang around and.
• 1:22:46
  Speaker 2: Let's let's see this. Let's see the spine. Let's see
• 1:22:49
  Speaker 2: the spine of that box set. No, no, no, the corner.
• 1:22:53
  Speaker 2: I want to see the corner. It looks it looks
• 1:22:55
  Speaker 2: pretty good. The the edge at the top, this looks
• 1:22:59
  Speaker 2: pretty Oh. No, yours is definitely oh yeah, there it
• 1:23:01
  Speaker 2: is there.
• 1:23:02
  Speaker 5: It is a little cleavage, if you will, no, but
• 1:23:07
  Speaker 5: uh little.
• 1:23:09
  Speaker 2: Oh.
• 1:23:11
  Speaker 5: Shout out to Vloria Video for coming through on this
• 1:23:15
  Speaker 5: Texas chainsaw box set. I know we were all in
• 1:23:19
  Speaker 5: agreement on trying to pick up something extra special like this,
• 1:23:23
  Speaker 5: but I had to say this to the end. What'd
• 1:23:27
  Speaker 5: you guys think of this release, guys fans.
• 1:23:31
  Speaker 2: Yeah, I mean the artwork's cool, and the special features,
• 1:23:36
  Speaker 2: it's it's the whole.
• 1:23:37
  Speaker 4: Uh, it's just toss in dinner with leather face and
• 1:23:41
  Speaker 4: uh chain reactions on in plastic little cardboard or car
• 1:23:47
  Speaker 4: whatever they are sleeves.
• 1:23:48
  Speaker 2: And dinner with leather face doesn't even come into box.
• 1:23:55
  Speaker 5: I would focus more on the content that you get
• 1:23:57
  Speaker 5: with this than any thing.
• 1:24:00
  Speaker 2: I mean, look, it's like a toy chest. You open up,
• 1:24:03
  Speaker 2: everything's loose.
• 1:24:06
  Speaker 5: I agree, but that's not the point. The point is
• 1:24:11
  Speaker 5: that I feel like we've got we've got between this
• 1:24:13
  Speaker 5: and the second site release. I don't think I need
• 1:24:15
  Speaker 5: anything else. I'm all texted chainsawed out for at least
• 1:24:18
  Speaker 5: the first movie.
• 1:24:19
  Speaker 2: When you put the bumper sticker on your truck, right,
• 1:24:22
  Speaker 2: that was the first thing I did. Come on, man,
• 1:24:26
  Speaker 2: put it right over my two exist sticker.
• 1:24:29
  Speaker 5: My clientele for for real estate has definitely shifted since
• 1:24:33
  Speaker 5: setting that bumper sticker.
• 1:24:36
  Speaker 4: Like, hey, where's that barbecue joint at you're representing on?
• 1:24:42
  Speaker 3: No?
• 1:24:42
  Speaker 5: See why you always why you always munching up on
• 1:24:44
  Speaker 5: chili between your showings.
• 1:24:47
  Speaker 2: It's not a bad set at all.
• 1:24:48
  Speaker 4: I mean, I definitely just have some complaints about the
• 1:24:50
  Speaker 4: arrangement of it, but super stoked to have such a
• 1:24:53
  Speaker 4: nice edition, especially considering that we don't own the Second
• 1:24:55
  Speaker 4: Site my weapon. I don't own the Second Site edition.
• 1:24:58
  Speaker 4: Oh okay, okay, yeah, I'm you know, I'm happy about it.
• 1:25:02
  Speaker 2: There was definitely some.
• 1:25:04
  Speaker 4: There was definitely a little bit of disappointment, but I
• 1:25:06
  Speaker 4: think that's because I had set my expectations so high
• 1:25:10
  Speaker 4: because it was coming from Turbine and you know, so
• 1:25:14
  Speaker 4: those were expectations that were set in my own mind,
• 1:25:17
  Speaker 4: not based off any proof of photos or anything like that.
• 1:25:19
  Speaker 4: So I can't fault them for that.
• 1:25:23
  Speaker 5: I mean, in all fairness, I have to say, above
• 1:25:25
  Speaker 5: all ELTs, it's definitely a stack release. You've got, you know,
• 1:25:30
  Speaker 5: thirteen I think it's like thirteen plus hours of bonus
• 1:25:33
  Speaker 5: material spread across some of the discs. You got artwork
• 1:25:38
  Speaker 5: from Tony Stella for the box set itself, which is incredible.
• 1:25:42
  Speaker 5: I mean, it's it's loaded with audio commentaries obviously, I know,
• 1:25:47
  Speaker 5: you know, we're all big fans of those, So we
• 1:25:51
  Speaker 5: have that on the first disc, and then we see
• 1:25:56
  Speaker 5: how many disk total is for this release. You know what,
• 1:25:59
  Speaker 5: I think disk that's crazy.
• 1:26:02
  Speaker 2: Does the Turbine.
• 1:26:05
  Speaker 4: Copy of Chain Reactions have all of those different editions
• 1:26:08
  Speaker 4: on it?
• 1:26:11
  Speaker 2: I don't think that it's just the documentary. Just the documentary.
• 1:26:16
  Speaker 5: Yeah, whai, leather Face shut up at U Jordan's place.
• 1:26:25
  Speaker 4: Yeah, I don't think you get like all of the uh.
• 1:26:29
  Speaker 2: All of the uh oh.
• 1:26:31
  Speaker 4: You get the Australian VHS version, you get the British
• 1:26:34
  Speaker 4: Super eight version, but you don't get like the the
• 1:26:39
  Speaker 4: Barbecue version and all that stuff.
• 1:26:41
  Speaker 5: What was the difference with that one?
• 1:26:43
  Speaker 4: It had like eight different styles of the movie. It
• 1:26:47
  Speaker 4: had like the Grindhouse version, the Grindhouse cut, the Barbecue version,
• 1:26:52
  Speaker 4: and all that stuff in the in the Dark Sky
• 1:26:54
  Speaker 4: Media book one.
• 1:26:56
  Speaker 5: I mean I think that Okay, so you're obviously getting
• 1:27:00
  Speaker 5: I mean, okay, so for somebody that didn't have either
• 1:27:03
  Speaker 5: of the documentaries and the collection, I was pretty happy
• 1:27:07
  Speaker 5: to get both of those. So getting Chain Reactions and
• 1:27:11
  Speaker 5: then my dinner with leather Face again. I think that
• 1:27:15
  Speaker 5: this release it has everything that I really need. I mean,
• 1:27:19
  Speaker 5: between this and the second site box set, I'm completely covered.
• 1:27:22
  Speaker 5: I feel like this is a film that I don't
• 1:27:24
  Speaker 5: I don't need more additions of this has everything covered
• 1:27:28
  Speaker 5: with like the extras and then the second site release.
• 1:27:31
  Speaker 5: It's just I mean, it's just a gorgeous set to
• 1:27:33
  Speaker 5: begin with, and yeah, I have to say, I mean
• 1:27:37
  Speaker 5: it's definitely a standout piece in my collection.
• 1:27:40
  Speaker 2: So yeah, yeah, it looks great.
• 1:27:43
  Speaker 4: I still wish, you know, and maybe one day, for
• 1:27:46
  Speaker 4: the right price, I would pick up the you know,
• 1:27:48
  Speaker 4: the Chainsaw set from Dark Sky, just to get that
• 1:27:51
  Speaker 4: fiftieth anniversary yeah you know version. But no, hey, one day,
• 1:27:57
  Speaker 4: you know, I only need to own five copies of
• 1:28:00
  Speaker 4: that movie.
• 1:28:02
  Speaker 5: I wonder if Turbine will ever end up doing something
• 1:28:05
  Speaker 5: like this for any of the sequels.
• 1:28:08
  Speaker 2: Big Box of Text, the Next Generation.
• 1:28:14
  Speaker 5: Immediate preorder, no hesitating.
• 1:28:18
  Speaker 2: I believe I think they did. They did. I saw
• 1:28:21
  Speaker 2: his showing it off today.
• 1:28:23
  Speaker 4: They did leather Face that Alexandra Didario.
• 1:28:26
  Speaker 5: The Media Book though, right.
• 1:28:28
  Speaker 2: Yeah, they did the Media Book. Yeah.
• 1:28:30
  Speaker 5: So outside of this, do you guys have a lot
• 1:28:33
  Speaker 5: of media books like that? Because I don't. I really don't,
• 1:28:36
  Speaker 5: and part of me is I always get a little
• 1:28:40
  Speaker 5: like a gun shy to pick them up.
• 1:28:43
  Speaker 6: I think the only media book I own other than
• 1:28:46
  Speaker 6: that is the Chain Reactions from Dark Sky, and I
• 1:28:51
  Speaker 6: guess they're media books. They technically are the A twenty four.
• 1:28:55
  Speaker 6: Oh God, Midsomar in the Green.
• 1:28:58
  Speaker 4: Night I have from Turbine, I have, I have a
• 1:29:02
  Speaker 4: movie called The Lover media book from them.
• 1:29:06
  Speaker 5: That's it though it's summer, just needs a nice box
• 1:29:09
  Speaker 5: that it's like the The blemish in my collection is
• 1:29:13
  Speaker 5: that I don't I'm not a big fan of that,
• 1:29:15
  Speaker 5: that style, it's so big.
• 1:29:18
  Speaker 4: Well, what sucks is like the only way, the only
• 1:29:20
  Speaker 4: other way to get the director's cut, which in my
• 1:29:21
  Speaker 4: opinion is the superior version of the movie, is to
• 1:29:24
  Speaker 4: get the Italian release. They never done like a standard
• 1:29:29
  Speaker 4: release of the director's cut from Midsmore.
• 1:29:32
  Speaker 5: For that one that you're referring to, is that just
• 1:29:35
  Speaker 5: like a standard slip? Yeah?
• 1:29:39
  Speaker 4: Yeah, the director's cut was only available on the A
• 1:29:41
  Speaker 4: twenty four. Oh yes, okay, or an Italian release of
• 1:29:46
  Speaker 4: it that came out like a standard you know, Italian release.
• 1:29:49
  Speaker 5: I'm just surprised we never got hereditary.
• 1:29:52
  Speaker 2: I was listening.
• 1:29:53
  Speaker 6: I think that one, I think is like stuck with
• 1:29:56
  Speaker 6: in like rights issues for someone. Yeah, I can't remember
• 1:30:00
  Speaker 6: who owns it right now, because this that was early
• 1:30:03
  Speaker 6: on in age twenty four.
• 1:30:04
  Speaker 5: Just give it to Arrow. Please just both of them.
• 1:30:06
  Speaker 5: Give them no second site, second site, second site.
• 1:30:10
  Speaker 2: But I was I was listening to an interview with
• 1:30:17
  Speaker 2: oh Man what Ari Astron.
• 1:30:18
  Speaker 6: He was saying that that Midsomar, the first cut that
• 1:30:21
  Speaker 6: they ever put together, was like four or five hours long.
• 1:30:24
  Speaker 2: M give me a snydermar at least a Snyder cut
• 1:30:30
  Speaker 2: black and white with a the old school ratio.
• 1:30:37
  Speaker 4: Oh yeah, dude, I'm here for like I wish, just
• 1:30:41
  Speaker 4: for fun, Like give us those cuts, you know what
• 1:30:44
  Speaker 4: I mean, Like, give me the give me the three
• 1:30:46
  Speaker 4: hour cut of nos Robert Eggers that you supposedly had.
• 1:30:50
  Speaker 2: Like, give me.
• 1:30:52
  Speaker 4: It's like Obsession just got announced today on four Games, right,
• 1:30:56
  Speaker 4: and it doesn't. It's not the extended cut that that
• 1:31:00
  Speaker 4: Curry Barker publicly talked about for like a month.
• 1:31:05
  Speaker 6: I just wonder why.
• 1:31:09
  Speaker 5: I'm still picking it up.
• 1:31:11
  Speaker 2: Oh no, so am.
• 1:31:12
  Speaker 4: I Let's let's ponder about it for a while. Let's
• 1:31:16
  Speaker 4: just think about it.
• 1:31:17
  Speaker 5: Let's try to get Curry Barker on here. Curry, I'm
• 1:31:22
  Speaker 5: sure he'd be down.
• 1:31:23
  Speaker 2: He likes Hereditary, Yeah, and that's like his favorite movie.
• 1:31:27
  Speaker 2: I still haven't seen Obsessions. You do yourself a favor.
• 1:31:31
  Speaker 5: We'll see it. It's a good one.
• 1:31:34
  Speaker 4: Yeah, it's only about to surpass centers at the box.
• 1:31:36
  Speaker 5: Office that's surprised by I'm not a question.
• 1:31:42
  Speaker 2: Did you guys see back Rooms?
• 1:31:45
  Speaker 5: Of course? Man, I still think about it.
• 1:31:47
  Speaker 2: Did you really see it?
• 1:31:49
  Speaker 5: Yeah?
• 1:31:49
  Speaker 2: What'd you think.
• 1:31:52
  Speaker 5: It's? I thought that was decent. I don't know something.
• 1:31:54
  Speaker 5: I don't think it's like anything incredible.
• 1:31:57
  Speaker 2: Yeah, would you like a Captain Crunch shut up for
• 1:32:01
  Speaker 2: the movie.
• 1:32:04
  Speaker 5: It's a movie that I don't I still think about
• 1:32:06
  Speaker 5: It's I don't know if it's a movie I would
• 1:32:09
  Speaker 5: really revisit all that often, to be honest.
• 1:32:12
  Speaker 2: Yeah, I feel like I don't know.
• 1:32:16
  Speaker 6: I feel like I would have enjoyed it more if
• 1:32:19
  Speaker 6: I watched the YouTube series right or whatever.
• 1:32:22
  Speaker 2: I think it would have been more enjoyable for me.
• 1:32:26
  Speaker 2: It definitely makes you think. I think, I think it
• 1:32:32
  Speaker 2: has a good foundation of something, So yeah, I didn't.
• 1:32:37
  Speaker 2: I like, I love what's her name that's in it?
• 1:32:40
  Speaker 2: I can never say her name.
• 1:32:43
  Speaker 5: In back Rooms?
• 1:32:44
  Speaker 4: Yeah, yeah, who's the main I could never say her name.
• 1:32:46
  Speaker 4: She was incentimental value, worst person in the world, A
• 1:32:50
  Speaker 4: different man. I can never say her name. It's like
• 1:32:53
  Speaker 4: Renee Renalde I can never you're so close.
• 1:33:00
  Speaker 2: Yeah, how'd you say it?
• 1:33:03
  Speaker 5: Oh? I don't know. That's why I'm not saying it.
• 1:33:06
  Speaker 2: Oh, I think you're gonna tell me how to say it. Yeah,
• 1:33:09
  Speaker 2: I can't.
• 1:33:10
  Speaker 5: I can't say she's Norwegian.
• 1:33:12
  Speaker 2: Yeah, yeah she did.
• 1:33:14
  Speaker 4: I saw her first and the worst person in the world,
• 1:33:17
  Speaker 4: and then I was really surprised that she was in
• 1:33:19
  Speaker 4: back rooms just because of it felt so kind of
• 1:33:23
  Speaker 4: out of left field for her. But no, I'm really
• 1:33:28
  Speaker 4: not like I've never seen anything with back rooms. I
• 1:33:30
  Speaker 4: don't really know anything about it, so I never really
• 1:33:33
  Speaker 4: had much interest in it. I'm stope that people flocked
• 1:33:37
  Speaker 4: the theater to see it, specifically like thirteen fourteen to
• 1:33:39
  Speaker 4: fifteen year olds.
• 1:33:41
  Speaker 5: Some say we never left the back rooms.
• 1:33:45
  Speaker 2: Some do, say we are living in liminal spaces.
• 1:33:50
  Speaker 5: Every one of these episodes.
• 1:33:52
  Speaker 2: None of this is real. Yeah, you're listening to a simulation.
• 1:33:57
  Speaker 4: Well, boys, thank you was always for for hanging out
• 1:34:02
  Speaker 4: on this lovely episode of After Hours.
• 1:34:04
  Speaker 2: I thought that.
• 1:34:06
  Speaker 4: As we depart, we could we could think of another jingle.
• 1:34:10
  Speaker 5: I was gonna wish everyone happy Fourth July.
• 1:34:12
  Speaker 2: It's true, you could do that.
• 1:34:16
  Speaker 5: Go watch Jaws and cruel Jaws for that matter, right, no.
• 1:34:19
  Speaker 2: And then return to Living Dead on Friday.
• 1:34:23
  Speaker 4: Make sure you watch Uncle Sam put Out Bylow Sam.
• 1:34:26
  Speaker 4: Uncle Sam is very good.
• 1:34:28
  Speaker 2: What other fourth of July horror movies are there?
• 1:34:31
  Speaker 5: Independence? Say?
• 1:34:32
  Speaker 2: I know what you did last summer?
• 1:34:34
  Speaker 5: Oh wait, did you say horror?
• 1:34:36
  Speaker 2: Yeah? I was typing it.
• 1:34:40
  Speaker 4: I was typing in horror and instead I did to
• 1:34:43
  Speaker 4: tease and it came up with a hot dog eating contest.
• 1:34:47
  Speaker 2: Well that nothing more fourth of July American than that.
• 1:34:52
  Speaker 4: It says here that, uh, let's see, Blowout is a
• 1:34:56
  Speaker 4: fourth of July movie.
• 1:34:58
  Speaker 5: Oh that's yes, add that to the list.
• 1:35:01
  Speaker 2: Okay, that's fourth of July.
• 1:35:04
  Speaker 5: Yeah, that's a good one. Frogs, we need a four
• 1:35:06
  Speaker 5: K of that.
• 1:35:07
  Speaker 2: Frogs Independence Day Resurgence. What do you think about that?
• 1:35:14
  Speaker 5: Do you think I'm so good?
• 1:35:17
  Speaker 2: Let's see here?
• 1:35:18
  Speaker 4: What else comes up here?
• 1:35:19
  Speaker 2: Fourth of July?
• 1:35:20
  Speaker 4: Uhly Dead, Uncle Sam.
• 1:35:23
  Speaker 2: And Dark Skies from twenty thirteen.
• 1:35:29
  Speaker 5: Blowout for sure, I'm gonna leave it at that.
• 1:35:32
  Speaker 4: Perfect perfect Wait, what's Jordan is sending us media books
• 1:35:37
  Speaker 4: in our private chat?
• 1:35:38
  Speaker 5: Here?
• 1:35:39
  Speaker 2: What is this? It is more for Steve because I
• 1:35:42
  Speaker 2: know he's gonna enjoy that one body of evidence?
• 1:35:46
  Speaker 5: Good you're sending me Texas Chainsaw three.
• 1:35:50
  Speaker 2: I'm sorry. Well, guys, as always, I hope you have
• 1:35:54
  Speaker 2: a good fourth of July.
• 1:35:55
  Speaker 4: I hope you eat plenty of hot dogs and don't
• 1:35:58
  Speaker 4: swim with sharks, own good women with sharks. And to
• 1:36:02
  Speaker 4: all the listeners out there, have a good fourther of
• 1:36:05
  Speaker 4: July if you celebrate. I think that's any any any
• 1:36:10
  Speaker 4: final notes?
• 1:36:14
  Speaker 5: No, no, all right, don't blow your fingers off.
• 1:36:18
  Speaker 2: Careful wear sunscreen. I should try out, kid. All right, guys,
• 1:36:23
  Speaker 2: we'll see you on the next one.
• 1:36:25
  Speaker 5: See on the next one later.
• 1:36:31
  Speaker 3: Thank you for listening. To hear more shows from the
• 1:36:34
  Speaker 3: Someone's Favorite Productions podcast network, Please select the link in
• 1:36:38
  Speaker 3: the description.