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Episode 322: Divided (SG-U 1.12) · Get Into Gate: A Stargate Podcast

• 0:17
  Speaker 1: Get into Gate episode three hundred and twenty two were
• 0:20
  Speaker 1: talken Stargate Universe season one, episode twelve, Divided and to
• 0:27
  Speaker 1: stick with that, we've decided to be divided ourselves and
• 0:31
  Speaker 1: just zoom it in. So joining me is the way
• 0:34
  Speaker 1: we will commit to a bit. I reckon the man
• 0:37
  Speaker 1: joining me down the line forever trying to get his
• 0:39
  Speaker 1: shit together, But were divided Mitch Lewis, could I mean?
• 0:42
  Speaker 1: I get?
• 0:42
  Speaker 2: I'm like, who is he going to refer to here?
• 0:44
  Speaker 2: Who could possibly.
• 0:45
  Speaker 1: Be through no fault of his own? Near Redcliffe in Queensland,
• 0:50
  Speaker 1: High pitch Maddie, the one and only, Oh.
• 0:53
  Speaker 3: Jesus, give up my TFN while you're at it.
• 0:57
  Speaker 1: Near Redcliff. That could be anywhere Ireland.
• 1:03
  Speaker 3: I see now you've ruined it because there is a
• 1:05
  Speaker 3: red Cliffe over in w.
• 1:06
  Speaker 1: A and all the way from Western Australia. High pitched Maddie.
• 1:12
  Speaker 3: I love, oh, I love a good docksing make.
• 1:15
  Speaker 2: We could have really narrowed it down by making you
• 1:17
  Speaker 2: sound like a wanker and going and live from.
• 1:19
  Speaker 1: Bright and.
• 1:22
  Speaker 3: Everybody does that.
• 1:23
  Speaker 1: I don't know.
• 1:24
  Speaker 3: I think they're get confused with the Melbourne Brighton, because
• 1:26
  Speaker 3: of course Brighton is not at all fancy. Mm hmmm,
• 1:32
  Speaker 3: pretty brogan, pretty bogoney. I mean there's a couple of
• 1:35
  Speaker 3: nice houses here and there, but that's true of any suburb.
• 1:37
  Speaker 3: I live next to a caravan park for sake, Like,
• 1:40
  Speaker 3: what what what.
• 1:42
  Speaker 1: Do we do yourself? Now? Unbelievable. Suspecting an alien tracking
• 1:50
  Speaker 1: device maybe hidden somewhere aboard the Destiny, Colonel Young and
• 1:55
  Speaker 1: Lieutenant Scott searched the ship's hull will distracted by the search.
• 1:59
  Speaker 1: A group of board the Destiny puts in action a
• 2:02
  Speaker 1: coup that has life threatening consequences. I don't like it
• 2:06
  Speaker 1: when they call it the Destiny. Mm, rather just destiny.
• 2:12
  Speaker 1: What do you what do you for? That's what do
• 2:15
  Speaker 1: you think?
• 2:17
  Speaker 2: Yeah? Drops, as JT once famously said, drop the the
• 2:21
  Speaker 2: like just destiny is fine, the Destiny. We're not confusing
• 2:25
  Speaker 2: it with any.
• 2:25
  Speaker 1: Other Facebook No, no, just Facebook.
• 2:30
  Speaker 3: Just baiting me at this point, Like am I am
• 2:32
  Speaker 3: I supposed to say something? Or what?
• 2:35
  Speaker 1: Yeah? Do you like the Destiny or Destiny? Oh?
• 2:39
  Speaker 3: I like Destiny. But obviously there's a whole thing about
• 2:42
  Speaker 3: whether it's enterprise or the enterprise.
• 2:44
  Speaker 1: Well, no one brought that up.
• 2:46
  Speaker 3: And then obviously and then there's a. There's a great
• 2:49
  Speaker 3: it's like the third episode of Voyager because it's just Voyager.
• 2:52
  Speaker 3: It's just Voyager, the USS Voyager, but it's just Voyager.
• 2:57
  Speaker 3: And then there's this one horrible life I'm reading from
• 3:01
  Speaker 3: one of the first episodes where Tom Parris just kind
• 3:03
  Speaker 3: of turns around to the screen goes it's the Voyager
• 3:07
  Speaker 3: like he's Peter Deloiz doing like over the top, and
• 3:11
  Speaker 3: it gives me life every time.
• 3:14
  Speaker 1: I love it Divided, directed written by the Bloody Dynamic
• 3:19
  Speaker 1: duo Joe Altsi and and directed by I Don't Done.
• 3:26
  Speaker 1: I've never seen this guy before. Felix Enrique had a
• 3:30
  Speaker 1: Salka al color alcala, felixque.
• 3:36
  Speaker 3: One and done. I believe el commentary they mentioned it
• 3:41
  Speaker 3: it's his first time and he never comes back. But
• 3:43
  Speaker 3: all the crew in the audio commentary are rating but
• 3:46
  Speaker 3: how much they loved him.
• 3:47
  Speaker 1: That was pretty good. I like this start. Chloe's good
• 3:53
  Speaker 1: old Chloe had a bit of a nightmare happening with.
• 3:58
  Speaker 3: That song was weird though. What did you guys think
• 4:01
  Speaker 3: of the song? I think that that was a very
• 4:02
  Speaker 3: odd isn't It's a cool song, but just a very
• 4:05
  Speaker 3: odd song choice for a dream Simons.
• 4:08
  Speaker 1: Yeah, pretty heavy, and I was actually I was watching
• 4:12
  Speaker 1: it in the car through the stereo and it was booming.
• 4:16
  Speaker 1: Oh damn, Chloe's been a silly duffer again. Yeah, it's
• 4:30
  Speaker 1: what hello week Low, Well we like. Yeah, she falls
• 4:44
  Speaker 1: into the pool and say, sees old Eiffel sixty five?
• 4:48
  Speaker 1: Were they Is that what they called?
• 4:50
  Speaker 4: Yes?
• 4:50
  Speaker 1: Just it is Eifel sixty I don't know, I can't remember.
• 4:56
  Speaker 1: It was sixty five or sixty one? Sixty five one
• 4:59
  Speaker 1: of great alien species?
• 5:02
  Speaker 3: Sixty nine Eiffel like an Eiffel Tower. I actually probably
• 5:09
  Speaker 3: could an Eiffel tower into a sixty nine. Could I'm
• 5:11
  Speaker 3: sure there's ways.
• 5:13
  Speaker 1: What does that mean?
• 5:13
  Speaker 2: I'm sure try.
• 5:15
  Speaker 1: Yeah. I remember this episode being one of those ones
• 5:18
  Speaker 1: where you'd take the side of either the mutiny or
• 5:21
  Speaker 1: the people on the military. So as the newcomer, Mitch,
• 5:26
  Speaker 1: I remember what it was for me the first time,
• 5:28
  Speaker 1: and I think it's changed this time. But what was
• 5:30
  Speaker 1: your thoughts on that.
• 5:31
  Speaker 2: I think because of the unexpected nature by those that
• 5:35
  Speaker 2: were held so that the military, I was on their
• 5:39
  Speaker 2: side just because I think we were there with them
• 5:42
  Speaker 2: when so I was sort of living it through that
• 5:44
  Speaker 2: as opposed to like, you know, you got little bits
• 5:46
  Speaker 2: and peace along the way. As an audience member, it
• 5:48
  Speaker 2: wasn't like you found out what the mutineers were were doing,
• 5:51
  Speaker 2: or who entirely was on their their team or anything
• 5:54
  Speaker 2: like that. But yeah, I think I was in on
• 5:57
  Speaker 2: the on the military side just because of that. You
• 6:00
  Speaker 2: know that those moments where you get a couple of
• 6:02
  Speaker 2: people like, you know, we've got a couple of botanists
• 6:04
  Speaker 2: that are like, yeah, we're gonna we're gonna hold the
• 6:06
  Speaker 2: military down. It's like Gough, like, come on, who do
• 6:10
  Speaker 2: you think you are? How well do you think this
• 6:11
  Speaker 2: is gonna go? And you know, as soon as those
• 6:14
  Speaker 2: ships showed up, I'm sort of skipping ahead a bit
• 6:16
  Speaker 2: just to make that point that it's it's one of
• 6:19
  Speaker 2: those shows where up until this point, you know, you
• 6:23
  Speaker 2: might have the the the gay Asian woman who's taking charge,
• 6:29
  Speaker 2: and all these other things that happened along the way,
• 6:31
  Speaker 2: and people are like, oh god, that's just so work
• 6:33
  Speaker 2: blah blah blah. But then in this episode it's like,
• 6:35
  Speaker 2: ah shit, we're getting their asses kicked. Maybe we do
• 6:38
  Speaker 2: need the military around to make some bloody calls and
• 6:41
  Speaker 2: to shoot some guns and to throw some bombs into
• 6:43
  Speaker 2: space and just kill some things, you know, so it
• 6:46
  Speaker 2: sort of like goes the complete opposite of maybe what
• 6:48
  Speaker 2: you were thinking it was going. But now I was
• 6:50
  Speaker 2: on the military side, just because maybe it's just that
• 6:53
  Speaker 2: little bit of a like, oh fuck you rush, Like
• 6:55
  Speaker 2: I get what you're doing, and I kind of like
• 6:57
  Speaker 2: some of what you're doing, but this feel was like
• 7:00
  Speaker 2: a in their situation. This feels like a step too far.
• 7:04
  Speaker 2: It is divided. There's the name of the episode. How
• 7:07
  Speaker 2: do you come back from this? You know, like you
• 7:09
  Speaker 2: were stuck there forever for the next week. You don't
• 7:13
  Speaker 2: know how do you how do you mend what has
• 7:16
  Speaker 2: happened today? And I guess I'll have to But at
• 7:20
  Speaker 2: this point in time, as an audience member, of a
• 7:21
  Speaker 2: first time audience member, I'm like, I don't know how
• 7:23
  Speaker 2: you come back from this. And maybe they had to
• 7:26
  Speaker 2: do it because the way that they were they were
• 7:28
  Speaker 2: living wasn't working. But I was on I was on
• 7:32
  Speaker 2: the military side, and that might make me a simpleton,
• 7:34
  Speaker 2: but that's where.
• 7:34
  Speaker 1: I think I was the first time too, And the
• 7:37
  Speaker 1: only reason it's different this time around for me is
• 7:41
  Speaker 1: just because what I said last couple of weeks was
• 7:44
  Speaker 1: just like after Rush got left on the planet by
• 7:47
  Speaker 1: Young and then Young comes back and automatically just gets
• 7:50
  Speaker 1: put back in charge when they find out that I
• 7:54
  Speaker 1: mate Baldly already got shot shot himself, and I just thought, well,
• 8:01
  Speaker 1: I feel like Ray should have just stayed in charge
• 8:03
  Speaker 1: at that point until everything calmed down or they kind
• 8:06
  Speaker 1: of settled what they were going to do in the
• 8:08
  Speaker 1: long term.
• 8:09
  Speaker 2: Yeah, and I get like at the time where you know,
• 8:12
  Speaker 2: she came down real hard on Young and in the
• 8:15
  Speaker 2: trial and all that sort of stuff, like there were
• 8:16
  Speaker 2: some suspicions, but it was you know, as we pointed out,
• 8:19
  Speaker 2: she was making arguments to Chloe like, well, look, someone's
• 8:22
  Speaker 2: going to pay for it, and someone did something and
• 8:25
  Speaker 2: he might not be his innocent in other areas, so
• 8:27
  Speaker 2: kind of like, well, let's just make it him. And
• 8:30
  Speaker 2: maybe had she not have handled things as not even aggressively,
• 8:35
  Speaker 2: but as aggressively so quickly the way that she did
• 8:38
  Speaker 2: in that episode, maybe she would have been able to
• 8:40
  Speaker 2: hang on to some control that wouldn't have needed this
• 8:44
  Speaker 2: particular decision to be made in this episode, which is
• 8:48
  Speaker 2: causing even more friction. I can understand why she's doing
• 8:51
  Speaker 2: it but I think.
• 8:52
  Speaker 1: She could have talked Young down. I think she could
• 8:54
  Speaker 1: have been like, listen, this is not going to end.
• 8:57
  Speaker 1: I think we either have a vote to see who's
• 8:59
  Speaker 1: in che or you know, a lot of people coming
• 9:02
  Speaker 1: to me and they're not very happy, especially now that
• 9:07
  Speaker 1: she knows because Rush told her that he did leave
• 9:09
  Speaker 1: her on the planet, even though he was denying it
• 9:11
  Speaker 1: last week. So I'm like, well, and now you've got
• 9:14
  Speaker 1: to just have a conversation instead of getting to this
• 9:16
  Speaker 1: point so quickly.
• 9:18
  Speaker 3: I think it was actually like Camille was just a
• 9:23
  Speaker 3: pawn in this, Like I get the vibe that it
• 9:27
  Speaker 3: was all Russia's idea. And in the same way we
• 9:29
  Speaker 3: were speaking about a few weeks ago that Rush like knew,
• 9:33
  Speaker 3: he knows that he can manipulate Telford and that's why
• 9:36
  Speaker 3: you know he wanted Telford on the mission originally after
• 9:41
  Speaker 3: last week and the week before it, like he knows
• 9:43
  Speaker 3: he's burnt his bridges with Young. He's not getting anywhere
• 9:46
  Speaker 3: with Young even though they're like oh and all that shit.
• 9:50
  Speaker 3: There's no way Rush is ever getting what he wants
• 9:52
  Speaker 3: with Young in command. So I think he's he's put
• 9:59
  Speaker 3: that seed in Camille's head or maybe the fact from
• 10:01
  Speaker 3: when Camille being put in command, he's used that to
• 10:06
  Speaker 3: manipulate her, you know, ego to say, well, you'd be
• 10:10
  Speaker 3: a better leader, blah blah blah, because he's like, well,
• 10:13
  Speaker 3: let's see if I can manipulate Camille to get what
• 10:15
  Speaker 3: I want. And you see it like suddenly he's you know,
• 10:18
  Speaker 3: talking about the projects that he wants to do and
• 10:22
  Speaker 3: all that kind of stuff. So, yeah, it was a
• 10:24
  Speaker 3: real weird one for me. Like I'm I think even
• 10:26
  Speaker 3: during the first watch of this show, I was very
• 10:28
  Speaker 3: much like, well, why does it need to be one
• 10:33
  Speaker 3: person in command? Why can't it be a counsel, you know,
• 10:36
  Speaker 3: why can't it be the three of them? Why can't
• 10:38
  Speaker 3: it be Rush, Camille, and Young all you know, getting
• 10:43
  Speaker 3: an equal vote and that way, you know, it's it's
• 10:46
  Speaker 3: always going to be a two to one vote or
• 10:48
  Speaker 3: or all yay or an all nay, like there's no
• 10:50
  Speaker 3: other option that there's always going to be a tiebreaker person.
• 10:53
  Speaker 3: But also, you know, have have a clear delineation of
• 11:00
  Speaker 3: of roles. You know, obviously in this situation where there
• 11:03
  Speaker 3: was a tactical scenario going on, well it's like, well, yeah,
• 11:07
  Speaker 3: you'd defer to young in you don't want to have
• 11:09
  Speaker 3: a you know, a ten minute conversation in the middle
• 11:11
  Speaker 3: of a battle deciding on what our next action should be.
• 11:14
  Speaker 3: It's just like that's young speciality. Russa's speciality is the
• 11:19
  Speaker 3: science teams. But it's like there's not just scientists and
• 11:22
  Speaker 3: military people, there's there's other civilians there as well. And
• 11:25
  Speaker 3: so that's why I think Camille is a good tiebreaker
• 11:28
  Speaker 3: because and she can also see both sides of the coin.
• 11:32
  Speaker 3: So yeah, I think she got manipulated here.
• 11:36
  Speaker 1: Yeah, because I was I was watching Stargate Atlantis with Jack.
• 11:40
  Speaker 1: We just started Atlantis, and he's enjoying that so far,
• 11:43
  Speaker 1: and I noticed, like in the pilot, especially when Shepherd,
• 11:48
  Speaker 1: he was like, all right, we lost Sumner. I'm going
• 11:52
  Speaker 1: to go get a paddle jumper and go get him.
• 11:54
  Speaker 1: And she's like, hold up, hold up, you have to
• 11:57
  Speaker 1: ask me first. And then he was like, listen, this
• 11:59
  Speaker 1: is what you brought me here to do. This is
• 12:01
  Speaker 1: why you picked me. This is why I wasn't allowed
• 12:03
  Speaker 1: to join Stargate Command. I had to come here because
• 12:05
  Speaker 1: O'Neil wanted me to, so let me do my thing.
• 12:09
  Speaker 1: I think in the same scenario here young could be
• 12:12
  Speaker 1: the guy who does all the military action, but then
• 12:15
  Speaker 1: the day to day stuff can be Camille.
• 12:19
  Speaker 3: Yeah.
• 12:20
  Speaker 1: Yeah, and I think that was to her as a civilian.
• 12:22
  Speaker 3: But yeah, because I think that was the downside to
• 12:25
  Speaker 3: Atlantis in the way that it was very much a
• 12:28
  Speaker 3: military run expedition and we are as a civilian, was
• 12:34
  Speaker 3: put in the head of it, which you can't have,
• 12:37
  Speaker 3: you know, in terms of like we've spoken about, like
• 12:39
  Speaker 3: her pay grade is basically that of a general. She's
• 12:41
  Speaker 3: a civilian version of a general, but she didn't understand
• 12:45
  Speaker 3: the military, so it was harder for her to work
• 12:48
  Speaker 3: in with that, whereas with this it's this is very
• 12:50
  Speaker 3: much an ioa run expedition. So I think, yeah, they
• 12:56
  Speaker 3: I don't know whether it's just the show like the
• 12:58
  Speaker 3: writers I used to you know, just well, the military
• 13:00
  Speaker 3: is in charge because it's it's Stargate. The military has
• 13:02
  Speaker 3: always been in charge. But yeah, I think they definitely
• 13:05
  Speaker 3: had an opportunity to change it around a bit. But
• 13:08
  Speaker 3: also I think it's you know, they're intentionally doing this
• 13:13
  Speaker 3: because they I believe in early Atlantis they said they
• 13:16
  Speaker 3: kind of they didn't take all the opportunities they could
• 13:19
  Speaker 3: to have a lot of that friction between the civilians
• 13:23
  Speaker 3: of the military. So I think they they're really doubling
• 13:26
  Speaker 3: down on this show, but I think maybe to a
• 13:31
  Speaker 3: disservice to the show. Because the characters are so so
• 13:34
  Speaker 3: much darker and so much more in the gray, I
• 13:37
  Speaker 3: think it makes it a little bit harder.
• 13:38
  Speaker 1: Yeah, sometimes you don't want to take either side's point
• 13:41
  Speaker 1: of view because you're like, you're both idiots.
• 13:43
  Speaker 3: Yeah, yeah, exactly.
• 13:44
  Speaker 1: Like it turns out Rush has that tracking device and
• 13:48
  Speaker 1: planted in his chest, and then you have Young tried
• 13:52
  Speaker 1: to kill him, and then no one knows about it,
• 13:54
  Speaker 1: so you're not sure which side to take. And Camille,
• 13:56
  Speaker 1: like you said, as a porn in this because she
• 13:57
  Speaker 1: didn't know all of the information. So just as a viewer,
• 14:01
  Speaker 1: it can be frustrating. And I think that's when my
• 14:03
  Speaker 1: original frustrations came my first watch. This time around, I
• 14:08
  Speaker 1: can just look past it and then Yeah, for me,
• 14:11
  Speaker 1: this time, I'm on more on the civilian side, because
• 14:14
  Speaker 1: I think moving forward, that's the way it should be.
• 14:18
  Speaker 1: It shouldn't just be this military dictatorship. I mean, imagine
• 14:23
  Speaker 1: what it's like for those people in their rooms just
• 14:26
  Speaker 1: being told to go to your room. And you have
• 14:28
  Speaker 1: some rations and you can't do anything, you have no freedom.
• 14:31
  Speaker 2: That would be Yeah.
• 14:33
  Speaker 3: I think that's something that you know, spoiler alert, I
• 14:36
  Speaker 3: have seen next week's episode, so you know there's a
• 14:39
  Speaker 3: little more context to that. But yeah, I feel like
• 14:42
  Speaker 3: there is an element of people want to contribute. They
• 14:47
  Speaker 3: just they want to feel like they're involved, and like, yeah,
• 14:51
  Speaker 3: you're on an ancient ship hurdling through a distant galaxy
• 14:55
  Speaker 3: with you know, all this amazing tech and all passing
• 14:59
  Speaker 3: through all the amazing spatial anomali is. It's like it
• 15:02
  Speaker 3: should be exciting. Yes, it sucks when you're on water
• 15:04
  Speaker 3: rations and food rations and stuff like that, but I
• 15:07
  Speaker 3: feel like there's less of an urgency or interest in
• 15:12
  Speaker 3: exploring destiny than there was compared to say, Atlantis Atlantis.
• 15:18
  Speaker 3: It was there was the excitement, there was the oh
• 15:20
  Speaker 3: my god, and it's like, yes, I know, there's the
• 15:22
  Speaker 3: recurring thing of them saying, well, these people aren't supposed
• 15:25
  Speaker 3: to be here, but still they were still originally yeah,
• 15:30
  Speaker 3: they were. They were part of the SGC program on Icarus.
• 15:34
  Speaker 3: Clearly they have an interest and they're good at what
• 15:36
  Speaker 3: they do, just because they weren't meant to be on
• 15:38
  Speaker 3: this mission and they're missing their their homes and their families.
• 15:41
  Speaker 3: It's like, well maybe and maybe that's just my own
• 15:44
  Speaker 3: mental unhealth is you know. It's like, well, yeah, if
• 15:46
  Speaker 3: you're missing your family and your loved ones, well wouldn't
• 15:49
  Speaker 3: you just throw yourself into Oh my god, I get
• 15:52
  Speaker 3: to explore this you know, thousands and thousands and thousands
• 15:55
  Speaker 3: of year old ship and see what you know, what's
• 15:59
  Speaker 3: possible and what's available to us.
• 16:02
  Speaker 1: Definitely, I am just going back to Chloe's dream again.
• 16:08
  Speaker 1: And then we mentioned they mentioned that Rush says, same dream,
• 16:13
  Speaker 1: and Chloe says, yeah, Russia is like me too, what
• 16:16
  Speaker 1: did they do to us? And they don't remember, but
• 16:19
  Speaker 1: it's interesting that they share something now and then she
• 16:23
  Speaker 1: kind of betrays Eli because of this connection. I'm kissing. Yeah,
• 16:29
  Speaker 1: what was your thoughts on that, Mitch?
• 16:30
  Speaker 2: Yeah, it was funny to see her sort of, you know,
• 16:32
  Speaker 2: bounce around like that, you know when this starts, like
• 16:35
  Speaker 2: they've obviously already established that between episodes and then being
• 16:40
  Speaker 2: vaguely aware of there's you know, something going on. But
• 16:43
  Speaker 2: then when she got back into that room and saw
• 16:45
  Speaker 2: how far that Rush was willing to take it, and
• 16:47
  Speaker 2: and you know then in those moments, she wasn't okay
• 16:49
  Speaker 2: with what was going on. So she's I mean, we
• 16:51
  Speaker 2: talk about pawns and and she's being used as a
• 16:54
  Speaker 2: sort of emotional pawn, like you know, she's got connections
• 16:56
  Speaker 2: with Scott.
• 16:57
  Speaker 3: And Scattered doesn't know, and with TJ.
• 17:01
  Speaker 2: But then also with you know, there's some friction there
• 17:03
  Speaker 2: with Camille, and so there's a lot of different you know,
• 17:06
  Speaker 2: like we joke about her and in the show they
• 17:08
  Speaker 2: talk about her being like pound for pound, I'd say
• 17:11
  Speaker 2: this is a nice possible way, but the most like
• 17:13
  Speaker 2: useless person on the ship because she's not there because
• 17:16
  Speaker 2: of a speciality like everybody else is, and yet emotionally
• 17:20
  Speaker 2: she's one of the one of the most important people
• 17:23
  Speaker 2: in how people want to manipulate that and you know,
• 17:26
  Speaker 2: like Camille's got aspirations so can use and abuse that
• 17:30
  Speaker 2: in whatever way she wants. And Rush is clearly doing
• 17:33
  Speaker 2: the same thing to everybody anyway, but certainly with her.
• 17:36
  Speaker 2: But yeah, if you were to just sort of if
• 17:39
  Speaker 2: you were to take me out of this show for
• 17:40
  Speaker 2: two episodes and then drop me into this one, and
• 17:45
  Speaker 2: I see Chloe and Rush having this sort of really
• 17:49
  Speaker 2: personal connection I'd be like, how the long has this
• 17:52
  Speaker 2: been building up? And it's kind of in a way
• 17:54
  Speaker 2: between episodes, Like so it's it's a very weird dynamic
• 17:58
  Speaker 2: to see just them to share a scene and know
• 18:01
  Speaker 2: that they've bonded so much between episodes and try and
• 18:04
  Speaker 2: and try and understand that, then try and understand not
• 18:07
  Speaker 2: Russia's motives, because he's been doing it the entire run,
• 18:09
  Speaker 2: but Chloe in so easily being able to like go
• 18:12
  Speaker 2: above Eli and go and sleep with Scott, but then
• 18:15
  Speaker 2: also know that she's a part of this thing that
• 18:18
  Speaker 2: is completely against him and his people.
• 18:19
  Speaker 3: So yeah, this episode was also would have been the original,
• 18:25
  Speaker 3: like coming back from the mid season break, this would
• 18:27
  Speaker 3: have been the first episode back, So I feel like
• 18:30
  Speaker 3: if it had been, it might have sold that that
• 18:33
  Speaker 3: connection between yeah, rush happening off screen during during the hiatus.
• 18:38
  Speaker 3: But yeah, it is weird to sort of see it
• 18:40
  Speaker 3: just sort of come back a week later and they,
• 18:42
  Speaker 3: you know, have this bond. It's interesting. At least, you know,
• 18:45
  Speaker 3: it gives Chloe something to do finally.
• 18:47
  Speaker 1: Yeah, absolutely, So it's just been a bloody, silly duffer,
• 18:52
  Speaker 1: like she always is, bloody old Chloe, you.
• 18:56
  Speaker 3: Know, Chloe Chloee.
• 19:04
  Speaker 2: There is at least one note every time we play
• 19:06
  Speaker 2: that where I'm like, wait, is it Brendan? Is it Brendon?
• 19:09
  Speaker 2: Like yeah, right, And it's never the same note. It
• 19:13
  Speaker 2: changes every single week.
• 19:16
  Speaker 1: Glowey glowey, and you know me, like with the.
• 19:20
  Speaker 2: With the cast members in this show, there's only been
• 19:22
  Speaker 2: like two or three of them. I've dropped in a
• 19:24
  Speaker 2: few twenty four references. This one almost had one because
• 19:30
  Speaker 2: they're you can that's one me. That's fine. Off to
• 19:32
  Speaker 2: try and find one for twenty four, that'd be great.
• 19:34
  Speaker 2: But at one stage and Chloe's like interfering in the plans,
• 19:43
  Speaker 2: like she's she's very much on one side, and then
• 19:45
  Speaker 2: she's like no, no, we're going too blah blah blah, whatever's
• 19:47
  Speaker 2: going on. Someone just goes damn it, like off the
• 19:49
  Speaker 2: back of something that she's like she's basically talked them
• 19:52
  Speaker 2: into it. And I was waiting for him to say
• 19:54
  Speaker 2: damn it, Chloe, because Jack Bow's character in like the
• 19:57
  Speaker 2: second half of twenty four, he's like main like assistants
• 20:01
  Speaker 2: name was Chloe, and one of his favorite things to
• 20:03
  Speaker 2: say was damn it. But whenever she would like take
• 20:05
  Speaker 2: the moral hard ground, he's always like and so I
• 20:08
  Speaker 2: was just like really waiting for someone to say that
• 20:10
  Speaker 2: in this show, just which would have ticked a beautiful
• 20:13
  Speaker 2: box for me. But oh well, I'll.
• 20:16
  Speaker 3: Have to get you the the audio grabs from Cougartown
• 20:19
  Speaker 3: where they they make fun of twenty four and they
• 20:22
  Speaker 3: just yeah, everyone just starts every said it was demity
• 20:26
  Speaker 3: whatever they have to say, yeah, and you got a
• 20:29
  Speaker 3: I'm thinking we should also maybe like even like maybe
• 20:31
  Speaker 3: we should put a call out to Ball and see
• 20:33
  Speaker 3: if we can get him to like do do a
• 20:34
  Speaker 3: cover of that Chloe salt. That could be interesting.
• 20:38
  Speaker 5: See h Gloey Chloe. The sillid duffer Duffer does sound
• 20:46
  Speaker 5: so much better in gold Talk. That's fantastic.
• 20:50
  Speaker 2: The Flans just add something I thought the Australian version of.
• 20:55
  Speaker 3: Maes it sound like a fast skate with or Battlestar Galactica.
• 20:58
  Speaker 3: With their like made up swear words that they makes
• 21:00
  Speaker 3: it sound more like an alien word yeah instead of
• 21:03
  Speaker 3: something your grandmother normally says.
• 21:05
  Speaker 2: It actually makes it. It makes it sound like Jafar
• 21:08
  Speaker 2: like it. I feel like Daffa has now got like
• 21:10
  Speaker 2: a little bit of an apostrophe at the end.
• 21:11
  Speaker 1: So I liked that. I was watching Leave the Weapon
• 21:16
  Speaker 1: the other day and then there's oh yeah, the South
• 21:19
  Speaker 1: African Villains, and then they show a picture of Danny
• 21:22
  Speaker 1: Glover and he's like, mom, he's a gifer, Like holy shit,
• 21:30
  Speaker 1: eighties or a wild time?
• 21:34
  Speaker 3: Wasn't there Isn't there a clip? Go and it's it's
• 21:37
  Speaker 3: Adam west Batman saying like the N word or something
• 21:42
  Speaker 3: like racial where he's calling like an Asian person yellow.
• 21:46
  Speaker 1: But not google that my work computer.
• 21:50
  Speaker 3: I will, you know, I will.
• 21:53
  Speaker 2: Yeah, it's it's far from the most heinous thing you've
• 21:55
  Speaker 2: googled today.
• 21:56
  Speaker 1: Yeah. There was a point there where Colonel Young almost
• 22:01
  Speaker 1: lost the ship and I was just wondering, like, well,
• 22:05
  Speaker 1: he almost died. And then he's like, Eli, don't let
• 22:07
  Speaker 1: him do it. Don't let him take control of the ship. Hmm.
• 22:12
  Speaker 1: I'm just like why at this point, because I think
• 22:17
  Speaker 1: TJ's explanation was, well, you know, this means war because
• 22:21
  Speaker 1: he's a colonel, and so won't me because he's a
• 22:27
  Speaker 1: colonel and this means war, So he's going to really
• 22:30
  Speaker 1: mess with you because you've done this. But I felt
• 22:34
  Speaker 1: like he should be guilty enough to go, yeah, well
• 22:39
  Speaker 1: I don't know, let them have it almost at this point,
• 22:42
  Speaker 1: and then we deal with we pick up the pieces
• 22:44
  Speaker 1: moving forward.
• 22:46
  Speaker 2: Well, yeah, I mean you and I I mean you
• 22:48
  Speaker 2: less so because your kids are a bit older. I
• 22:50
  Speaker 2: feel like I deal with that a good couple of
• 22:52
  Speaker 2: times a week where you got the kids fighting over it,
• 22:54
  Speaker 2: something very breakable, and you're like, even though I know
• 22:58
  Speaker 2: that that person's doing the wrong thing, either you both
• 23:01
  Speaker 2: have half of it and it's unusable, or you let
• 23:04
  Speaker 2: them have it and we sought out the mess later.
• 23:07
  Speaker 2: Like it was. It was. It felt like that I
• 23:08
  Speaker 2: was watching children fight over a toy. Now I get there,
• 23:11
  Speaker 2: fighting over the thing that's keeping them alive. But at
• 23:14
  Speaker 2: the same time, like, yeah, that's why you should maybe
• 23:16
  Speaker 2: like no good, I'd rather die knowing he didn't get
• 23:19
  Speaker 2: it then hand it over temporarily, you.
• 23:21
  Speaker 1: Know, Like, what is it, King Solomon? Yeah, cut the
• 23:26
  Speaker 1: bicycle in half that.
• 23:31
  Speaker 3: I got, I got, I got two for you. Here
• 23:34
  Speaker 3: we go for you a long time and I paid
• 23:36
  Speaker 3: less than Robin.
• 23:37
  Speaker 1: Same job, same employer, means equal pay for men and women.
• 23:41
  Speaker 3: No time for.
• 23:42
  Speaker 4: Jokes, girl, Oh jesus, yeah.
• 23:56
  Speaker 3: Yeah, shifty eyed, shot eyed app is what they just said.
• 24:07
  Speaker 1: Batmanman.
• 24:11
  Speaker 3: No, No, that's that's probably for the best, probably for
• 24:13
  Speaker 3: the Probably something I noticed in this episode that I
• 24:18
  Speaker 3: have zero memory of because it is kind of a
• 24:20
  Speaker 3: throwaway line, is they insinuate that Rush kept like a
• 24:28
  Speaker 3: secret stone like when he went and got the ancient
• 24:32
  Speaker 3: stones in the first episode when when Young was unconscious
• 24:36
  Speaker 3: and and dialed dialed back to Earth and then he's
• 24:39
  Speaker 3: been keeping one secret. But that doesn't make sense, Like,
• 24:48
  Speaker 3: you mean, you need the plate to put it on,
• 24:51
  Speaker 3: So what what you still have to go to like
• 24:53
  Speaker 3: the plate room or whatever to put your stone on
• 24:56
  Speaker 3: the plate. So what what benefit would Rush have in
• 25:02
  Speaker 3: having his own stone, unless, like I feel like they
• 25:05
  Speaker 3: would need to establish that, like maybe like the stones
• 25:10
  Speaker 3: and the plate are kept in separate rooms except for
• 25:12
  Speaker 3: official businesses and all that kind of stuff. So then
• 25:15
  Speaker 3: Russia's like sneaking into the plate room in the middle
• 25:17
  Speaker 3: of the night and turning on the stone. I think,
• 25:21
  Speaker 3: wouldn't that also be.
• 25:22
  Speaker 1: Like I'm just trying to to s g one when
• 25:26
  Speaker 1: Daniel and Baala do it the first time, because they
• 25:30
  Speaker 1: I think you might need the platform to initialize the stone.
• 25:34
  Speaker 3: Well, no, no, because these these new that's the new
• 25:37
  Speaker 3: Earth versions wipe the stones every time, because the whole
• 25:40
  Speaker 3: thing we Citizen Joe is the stones are connected, and
• 25:43
  Speaker 3: that's why O'Neill and Joe were like seeing flashes of
• 25:47
  Speaker 3: each other. But when they establish these the earth made
• 25:51
  Speaker 3: plate for the stones, because the stones are still ancient,
• 25:54
  Speaker 3: but we've made our own plate, there's a line that
• 25:57
  Speaker 3: says it wipes the stone every time, so you can
• 26:00
  Speaker 3: that multi people can use it. But the other thing
• 26:02
  Speaker 3: is also if Russia is using the stone, then that
• 26:06
  Speaker 3: means someone else is in Russia's body wandering around Destiny
• 26:11
  Speaker 3: that he wouldn't be able to communicate with. So I
• 26:15
  Speaker 3: understand them writing it in as a way to be like, well,
• 26:17
  Speaker 3: how how were the you know, Eifel sixty five guys
• 26:22
  Speaker 3: tracking us and all that kind of stuff, But.
• 26:25
  Speaker 1: Well, I think it was Yeah, I think originally the
• 26:28
  Speaker 1: idea for the for the at least this SGU episode,
• 26:33
  Speaker 1: is that that's why Young went onto the alien ship
• 26:36
  Speaker 1: and swap bodies with the alien because Russ had that
• 26:39
  Speaker 1: stone with him. But yeah, you're right in that, I
• 26:42
  Speaker 1: don't know. It's tricky because how did they swap How
• 26:45
  Speaker 1: did Daniel and Varla swap with the people in the
• 26:48
  Speaker 1: in the other galaxy, did they have one of that?
• 26:52
  Speaker 3: They had they had touched the stone and Daniel and
• 26:56
  Speaker 3: Varla put the stones into the ancient store.
• 27:00
  Speaker 1: Yeah, so I think it's basically that a bluetooth acts. Yeah,
• 27:05
  Speaker 1: because he's because the alien grabbed from what I understand
• 27:09
  Speaker 1: is what they do. They put the stone on the
• 27:11
  Speaker 1: plate and then they use a cloth to take the
• 27:13
  Speaker 1: stone away. So they don't, like meaning the technician imprint
• 27:18
  Speaker 1: on it. Yeah, they don't imprint on it, and they
• 27:19
  Speaker 1: just use a cloth, so not cloth some owe, but
• 27:22
  Speaker 1: just the material cloth. And I think in my head
• 27:26
  Speaker 1: that that's wiping the stone literally, but I don't it's
• 27:30
  Speaker 1: probably not. But then I imagine Rush had that in
• 27:33
  Speaker 1: his pocket. The alien guys got it, and then when
• 27:37
  Speaker 1: Young connects his, it's connected to the closest stone.
• 27:43
  Speaker 3: Because maybe the I get all that, I get all that,
• 27:46
  Speaker 3: I get that, I get the logistics of it, but
• 27:48
  Speaker 3: I but what benefit. Like obviously Young could have been
• 27:52
  Speaker 3: wrong in his theory because Rush doesn't give him a
• 27:57
  Speaker 3: really a yes or no answer, But it's like, what
• 28:01
  Speaker 3: benefit would Rush have to have kept a stone for
• 28:05
  Speaker 3: himself since the pilot like it, does it doesn't make
• 28:09
  Speaker 3: any secause Young even says a line about, oh, you've
• 28:12
  Speaker 3: been hiding it in your quarters, but after the whole
• 28:14
  Speaker 3: gun thing, you couldn't do that either, so you had
• 28:15
  Speaker 3: to keep it on your person.
• 28:18
  Speaker 1: So he can just report back to Earth without needing commission.
• 28:24
  Speaker 3: But like I said, surely, surely the once Young's in command,
• 28:28
  Speaker 3: surely you can't just walk into the room where the
• 28:32
  Speaker 3: plate is and chuck your stone on the plate and
• 28:35
  Speaker 3: whenever you want. But also then also there's someone that
• 28:41
  Speaker 3: is official as part of the SGC that has to
• 28:46
  Speaker 3: take over Rush's body, and we'll be walking around Destiny,
• 28:49
  Speaker 3: and when they get back, I'm sure they would give
• 28:50
  Speaker 3: their report, at which point the SGC would know and
• 28:54
  Speaker 3: would advise Young. So I don't think Rush could have
• 28:59
  Speaker 3: had a secret stone that he was using.
• 29:02
  Speaker 5: I don't.
• 29:03
  Speaker 3: Or he just stole it when he did get the
• 29:09
  Speaker 3: when he got the stones in the pilot as a
• 29:12
  Speaker 3: just in case, and hasn't actually.
• 29:14
  Speaker 2: Used it yet.
• 29:15
  Speaker 1: Yeah, that's what it's like. It's like, maybe buy that
• 29:18
  Speaker 1: there's one old phone that takes twenty cent piece, and
• 29:21
  Speaker 1: there's only four twenty cent pieces, so he's taken one. Yeah,
• 29:25
  Speaker 1: I don't yeah, I don't know.
• 29:27
  Speaker 2: Yeah, I think that's how I took it.
• 29:28
  Speaker 1: Insurance policy.
• 29:30
  Speaker 2: Yeah, yeah, I think that's how I took it was
• 29:32
  Speaker 2: that it was it was his ultimate sort of backup plan.
• 29:35
  Speaker 2: And and you know, they've been into some shit before
• 29:38
  Speaker 2: where either it's gone past that and it's not useful
• 29:41
  Speaker 2: or needing to use it. It's like, no, no, I'm going
• 29:44
  Speaker 2: to use the ones when they know that I'm using it.
• 29:46
  Speaker 2: And then maybe when he felt like he was close
• 29:48
  Speaker 2: enough to his endgame or whatever, that he would go
• 29:52
  Speaker 2: and do the normal route, go back to Earth and
• 29:55
  Speaker 2: check in with the people back at the Pentagon or
• 29:57
  Speaker 2: family or whatever. But then that's where he would start,
• 30:01
  Speaker 2: you know, reconnecting or establishing someone that he could trust,
• 30:04
  Speaker 2: and you know, when the time comes this and and
• 30:08
  Speaker 2: only then would he actually use it. But then, you know,
• 30:11
  Speaker 2: the silly bugger went and got himself nearly murdered and
• 30:14
  Speaker 2: then abducted by aliens and they up started using it,
• 30:16
  Speaker 2: and then he's found out. But yeah, I think that's how.
• 30:19
  Speaker 2: I don't know, like I kind of like, you know,
• 30:21
  Speaker 2: maybe I seventy thirty that moment when they're like, oh,
• 30:23
  Speaker 2: you had one of the stones I'm like, hang on, wait,
• 30:25
  Speaker 2: wait when did one game missing?
• 30:26
  Speaker 1: What?
• 30:26
  Speaker 2: We've only had one for the last you know, couple
• 30:29
  Speaker 2: of you know, days or week's worth of the of
• 30:33
  Speaker 2: the of the storyline. But no, we've had two and
• 30:35
  Speaker 2: he's had a secret third one. So yeah, yeah, he's
• 30:39
  Speaker 2: been the first.
• 30:39
  Speaker 1: I think there's four in total. I think maybe maybe
• 30:43
  Speaker 1: there is only three. I can't remember. Do you remember
• 30:46
  Speaker 1: if how many stones are on the Destiny Destiny?
• 30:52
  Speaker 3: I think four. I think we do a shot of
• 30:54
  Speaker 3: I think you see a shot of it like in
• 30:56
  Speaker 3: in Air when they like open up the cakes. Yeah,
• 30:59
  Speaker 3: and I think as four stones. Actually, that might be
• 31:02
  Speaker 3: worth going back and having a look and seeing if
• 31:04
  Speaker 3: like there was like three stones and one like empty slot.
• 31:12
  Speaker 3: I think to see if that puts any validity to
• 31:15
  Speaker 3: Young's idea, because obviously we're in the sending like two
• 31:18
  Speaker 3: people at a time like this whole time. The maximum
• 31:21
  Speaker 3: number of people that have been on the stones at
• 31:23
  Speaker 3: once is two.
• 31:25
  Speaker 2: Can I just say one thing that I've been meaning
• 31:26
  Speaker 2: to say about TJ for a couple of weeks, and
• 31:29
  Speaker 2: it's kind of an evergreen sort of you know comment,
• 31:31
  Speaker 2: So it hasn't really been missing from the last couple
• 31:33
  Speaker 2: of episodes, can I just say, like, for all this
• 31:36
  Speaker 2: time they've been stuck on the ship, the fact that
• 31:38
  Speaker 2: she still must spend so much time doing her hair
• 31:42
  Speaker 2: is to be commended. You know, she's she's not like
• 31:45
  Speaker 2: a woman holidays or it's the weekend or hate. All
• 31:48
  Speaker 2: these people are all roommates, Like we've all seen each
• 31:50
  Speaker 2: other at our worst. Like how I don't know, man,
• 31:53
  Speaker 2: Like I've got a five year old who's never had
• 31:55
  Speaker 2: a haircut. She's had beautiful, long, straight hair. If it's
• 31:59
  Speaker 2: any more than like a ponytail, half ponytail, even a
• 32:03
  Speaker 2: basic plat, I'm out. That's where my wife comes in.
• 32:05
  Speaker 2: I don't deal with any of that sort of shit.
• 32:07
  Speaker 2: I look at the back of TJ's hair and I'm like,
• 32:10
  Speaker 2: how how many hands did you have to have to
• 32:13
  Speaker 2: help you do that? And how much time are you
• 32:16
  Speaker 2: taking to do that? And who for? At this point,
• 32:19
  Speaker 2: like she gets around, she's a confident woman, she's got friends,
• 32:22
  Speaker 2: she doesn't really have to like establish herself on a
• 32:24
  Speaker 2: personal or professional level. But everyone else is sort of
• 32:26
  Speaker 2: like like I looked at Eli and there's one shot
• 32:29
  Speaker 2: where I think it was Chloe that walked away maybe
• 32:31
  Speaker 2: after he just sort of transferred over to the other
• 32:33
  Speaker 2: side of the doors and he's having to go with
• 32:37
  Speaker 2: Chloe about her stance, and then she walked away from him,
• 32:39
  Speaker 2: and then it was just like a wide shot and
• 32:42
  Speaker 2: you could see Eli head to toe and you know,
• 32:46
  Speaker 2: he's just sort of sitting there and he shoulders a forward,
• 32:49
  Speaker 2: he's postures down, and you know he's got this same
• 32:51
  Speaker 2: jacket over, the same shirt, over the same baggy pants
• 32:54
  Speaker 2: and these big, like fat skate shoes and stuff. And
• 32:56
  Speaker 2: it's just like, yeah, man, like you're just like that's you, right,
• 33:00
  Speaker 2: You're You're cool. You don't need to like try and like, oh,
• 33:02
  Speaker 2: you've been here, you have other people you impressed. I
• 33:04
  Speaker 2: don't know, there's something about teacher. I'm just looking at
• 33:05
  Speaker 2: going you always look immaculate. You look as immaculate as
• 33:09
  Speaker 2: what I'm sure you did on the Icarus base before
• 33:12
  Speaker 2: any of this shit happened. But that was because you
• 33:13
  Speaker 2: were going to work and there were important people coming along.
• 33:16
  Speaker 2: Now you don't have to do that. You don't have
• 33:18
  Speaker 2: to do that.
• 33:19
  Speaker 3: Well, I reckon, she I reckon she does, because I
• 33:22
  Speaker 3: reckon that's young being like, well, even though we're stuck
• 33:25
  Speaker 3: on the other side of the universe, and she's he's
• 33:33
  Speaker 3: probably still making them all meat military uniform code and
• 33:36
  Speaker 3: military uniform code.
• 33:38
  Speaker 2: It's funny.
• 33:38
  Speaker 3: Elena Huffman even talks about it in one of the
• 33:40
  Speaker 3: audio commentaries where she says, yeah, the hair is not
• 33:44
  Speaker 3: allowed to touch the collar, right, her hair is always up.
• 33:47
  Speaker 3: She's that's why that's why Carter's hair was always short,
• 33:50
  Speaker 3: because that's that's that meets military protocol, or at least
• 33:54
  Speaker 3: their force. I guess in terms of not touching the collar.
• 33:57
  Speaker 2: Yeah, fair enough if it's the standard they're trying to keep,
• 33:59
  Speaker 2: because it's like, we could be here forever, but you know,
• 34:02
  Speaker 2: if we don't hold ourselves to our standard, then you know.
• 34:05
  Speaker 2: I mean, I guess that's that was Camille's line at
• 34:07
  Speaker 2: the start of this, and you know, we're talking to
• 34:09
  Speaker 2: her motives before and her sudden jump to where she
• 34:12
  Speaker 2: was like her saying the line every military in the
• 34:16
  Speaker 2: world is ruled controlled by a civilian government. I'm like, yeah,
• 34:21
  Speaker 2: great point, but I think you're making it maybe the
• 34:25
  Speaker 2: wrong way, or maybe maybe the wrong way too quickly
• 34:27
  Speaker 2: or the right way too quickly or something. But yeah,
• 34:30
  Speaker 2: I mean, it's so fair enough. Maybe maybe maybe she's
• 34:31
  Speaker 2: got such long hair it has to be up and
• 34:33
  Speaker 2: so detailed and tired and stuff. And you know, I'm
• 34:36
  Speaker 2: looking over it at old make Gria. It's like he
• 34:39
  Speaker 2: doesn't have to do shit. You know, Scott doesn't have
• 34:42
  Speaker 2: to do anything, and he.
• 34:44
  Speaker 3: Doesn't even shower before getting like balls deep in Chloe.
• 34:47
  Speaker 1: So it still hasn't.
• 34:48
  Speaker 3: No, Yeah, it still hasn't.
• 34:51
  Speaker 2: Yep.
• 34:52
  Speaker 3: Yeah, we've never seen a shot of Scott in the
• 34:56
  Speaker 3: steam showers. We've only seen what Chloe and tragedy.
• 35:01
  Speaker 2: Well, i mean Chloe needed another one after that dream,
• 35:04
  Speaker 2: and she is very seat. I mean, how much of
• 35:05
  Speaker 2: that was dream sweat? Was that like you know, leftover.
• 35:09
  Speaker 3: Friend that was? That wasn't sweat?
• 35:11
  Speaker 2: That was right. See I'm such I'm so naive. I'm
• 35:15
  Speaker 2: so naive. But she definitely needed a shower.
• 35:18
  Speaker 3: Yeah she was. She was air drawing.
• 35:20
  Speaker 1: That was alien tank juice. A love to get some
• 35:28
  Speaker 1: of those clips.
• 35:30
  Speaker 2: Yeah, he shout out to me.
• 35:32
  Speaker 3: Nah, just the day of recording, she's she just unboxed
• 35:35
  Speaker 3: on TikTok today her she's working.
• 35:38
  Speaker 2: On for threes a cookbook.
• 35:42
  Speaker 3: Yeah, it's called God. Now I'm going to stuff it up,
• 35:48
  Speaker 3: say it have you Eaten? And it's called have you eaten?
• 35:50
  Speaker 3: Which is funny for Camille eaten. Have you eaten yet? Family?
• 35:56
  Speaker 3: The recipes from a restaurant door. Actually that's actually you
• 36:08
  Speaker 3: know what, this can be in the podcast and not.
• 36:11
  Speaker 3: We can definitely put this up on socials. You get
• 36:14
  Speaker 3: so easily photo photoshop that to put Sharon in it.
• 36:17
  Speaker 3: Have you eaten Sharon yet? I mean, come.
• 36:22
  Speaker 2: On, Brendan can do that?
• 36:26
  Speaker 3: Me?
• 36:26
  Speaker 2: Sleep?
• 36:27
  Speaker 3: God, Oh my god. And she's got she's got a
• 36:30
  Speaker 3: bowl of food and she's holding onto some kind of
• 36:32
  Speaker 3: meat flap with chopsticks.
• 36:34
  Speaker 2: I don't say flap. Jesus Christ prepared for that.
• 36:39
  Speaker 3: Look what what? What else? What else do you call that, Mitchell?
• 36:43
  Speaker 3: Other than a flap of meat?
• 36:45
  Speaker 2: Nor Jesus Christ. That's confronting love, isn't it?
• 36:51
  Speaker 3: Love?
• 36:52
  Speaker 2: Well, I mean wants to come on the show to
• 36:55
  Speaker 2: promote a cookbook.
• 36:55
  Speaker 3: Obviously she's had some amazing airbrushing. I'm on on a cover.
• 37:01
  Speaker 1: Photo, but of it. I don't know if you heard
• 37:05
  Speaker 1: me before. I'm just was asking is there a noodle
• 37:07
  Speaker 1: box recipe?
• 37:11
  Speaker 3: No? Camille doesn't like noodles, she just likes the box.
• 37:15
  Speaker 1: Hey, fair enough, Hey, don't we all don't mind a
• 37:20
  Speaker 1: bit of a ramen noodle, the old two minute noodles.
• 37:23
  Speaker 1: Magie people, if they want to sponsor the show. What
• 37:27
  Speaker 1: else you got, Maddie.
• 37:28
  Speaker 3: Oh, I ran out of stuff ages ago. I had
• 37:31
  Speaker 3: like three notes with this episode, and I believe my
• 37:34
  Speaker 3: last note was kind of mid.
• 37:35
  Speaker 1: Yeah. I didn't mind it. I didn't mind it. It
• 37:38
  Speaker 1: was just like I said last week, I would just
• 37:41
  Speaker 1: prefer a little bit more technological chat about the stargate,
• 37:45
  Speaker 1: about the ancients, about destiny. But you know, I guess
• 37:49
  Speaker 1: the cool thing was the shuttle came off and shot
• 37:51
  Speaker 1: the ship and that was about it for three seconds
• 37:54
  Speaker 1: worth of action. And then I mean they were never
• 37:57
  Speaker 1: going to shoot each other. They were never going to
• 37:59
  Speaker 1: kill one another. It was just kind of posturing.
• 38:03
  Speaker 3: Yeah, And there was there was no way they were
• 38:05
  Speaker 3: ever gonna live this way like there was there was
• 38:08
  Speaker 3: no way the civilians were going to let the military
• 38:12
  Speaker 3: like starve, and then there was no way that the
• 38:15
  Speaker 3: military was going to like shut down their life support
• 38:18
  Speaker 3: and kill everybody. So it's like, yeah, I don't.
• 38:21
  Speaker 2: Know from to do it a little bit just to
• 38:23
  Speaker 2: make them pass out. I'm like that they'll definitely do it.
• 38:26
  Speaker 2: Come on, But without that, I mean, Young doesn't get
• 38:29
  Speaker 2: to Aura Farmers. The kids say where like you know,
• 38:33
  Speaker 2: Rush is in there screaming about what's going on, and
• 38:36
  Speaker 2: then Young just walks and he's like, yeah, whatever's going on,
• 38:39
  Speaker 2: it ends now. It's like, how did you get here?
• 38:42
  Speaker 2: It's like, well, dude, you have no idea the trouble
• 38:43
  Speaker 2: they went to to get into this room. And then
• 38:46
  Speaker 2: we cut to the other room and all the military
• 38:48
  Speaker 2: person will come in with guns blazing, telling her to
• 38:51
  Speaker 2: put their ship down. And I think in that moment,
• 38:54
  Speaker 2: I agree, Like I never thought that Young there's no way,
• 38:57
  Speaker 2: shape or form he was ever going to even shoot Rush,
• 38:59
  Speaker 2: let alone kill him even you know, like you know,
• 39:01
  Speaker 2: you snap him in the knee or something like that.
• 39:03
  Speaker 2: He's never gonna do it, but there was a chance there.
• 39:05
  Speaker 2: I'm like, one of these military guys, mine is it Vulcan, Vulca,
• 39:09
  Speaker 2: l Volca whatever his name is, Old Zoltan, the the
• 39:13
  Speaker 2: other other guy that was in that room, and I'm like,
• 39:15
  Speaker 2: shoot him. He's expendable. I think give about that guy,
• 39:18
  Speaker 2: Like shoot him to prove a point, even if it
• 39:20
  Speaker 2: changes the narrative. But you're not.
• 39:21
  Speaker 1: Gonna shoot and he's like, shut up.
• 39:24
  Speaker 2: Yeah, like put your guns down, You're not going to
• 39:25
  Speaker 2: shoot each other, but if you want to shoot that guy.
• 39:29
  Speaker 2: M Yeah.
• 39:30
  Speaker 3: I feel like maybe it was just it was an
• 39:33
  Speaker 3: overstep for the civilians. Maybe civilians were just so desperate
• 39:36
  Speaker 3: to be like I said before, like there was just
• 39:38
  Speaker 3: like we just want to be included. We just want
• 39:40
  Speaker 3: to feel like we're a part of this and not
• 39:41
  Speaker 3: being like sent to our rooms and just lying there,
• 39:45
  Speaker 3: you know, contemplating their existence for the rest of this country,
• 39:48
  Speaker 3: Like we want to be in So maybe it's just
• 39:50
  Speaker 3: their way of saying, of proving to the military that
• 39:52
  Speaker 3: it's like, hey, we have skills. We just shut you
• 39:55
  Speaker 3: guys out. We just completely isolated the military. And I
• 40:00
  Speaker 3: feel like it was almost a way to be like, hey,
• 40:02
  Speaker 3: you need to respect us. We are human beings too. Yes,
• 40:04
  Speaker 3: we're not the military, and you guys are used to
• 40:06
  Speaker 3: your training command and all that bullshit, and we don't
• 40:09
  Speaker 3: fit into that, but we're here. And I guess they
• 40:14
  Speaker 3: almost outnumbered them in a way too, so they're just like, well,
• 40:16
  Speaker 3: you know, yeah, put us to use you know what
• 40:19
  Speaker 3: I mean, we want to say in I think even
• 40:22
  Speaker 3: doesn't Oh no, I think it might be next week
• 40:24
  Speaker 3: where Camillasa is. You know, it's talking about like self
• 40:26
  Speaker 3: determination and stuff like that, like people being being allowed
• 40:29
  Speaker 3: to make choices about their own lives.
• 40:33
  Speaker 1: Yeah. I felt I feel like like they didn't even
• 40:39
  Speaker 1: try to talk talk about it, Like, if they did,
• 40:43
  Speaker 1: we miss the conversation. It was off screen.
• 40:46
  Speaker 3: Do you know what they needed? They needed the world's
• 40:50
  Speaker 3: greatest negotiator on the stones and then just sit down
• 40:56
  Speaker 3: Rush and sit down Young and just be like, Okay, guys,
• 40:59
  Speaker 3: we're going to talk this through and we're going to
• 41:01
  Speaker 3: come to it. But she's off floating, frozen in space.
• 41:06
  Speaker 1: So that's a shame.
• 41:09
  Speaker 3: Yeah, that's a shame.
• 41:14
  Speaker 2: Instead her cameo on this show is they all of
• 41:16
  Speaker 2: a sudden just hit something.
• 41:19
  Speaker 3: Aunt point.
• 41:20
  Speaker 1: What was that?
• 41:25
  Speaker 2: You see?
• 41:27
  Speaker 3: You see the big, the big giant screen in the
• 41:29
  Speaker 3: observation room as a giant windscreen. Wipe up there, you guys.
• 41:33
  Speaker 1: Yeah, yeah, So actually the only thing that annoyed mean,
• 41:37
  Speaker 1: if we're talking about tech stuff, is that they dropped
• 41:40
  Speaker 1: out of FTL twice. But then the ship didn't dial
• 41:44
  Speaker 1: a stargate.
• 41:47
  Speaker 2: Yeah, yeah, I didn't catch that.
• 41:50
  Speaker 1: Why are we jumping? Jumping out of FTL. Just yeah,
• 41:55
  Speaker 1: the gate didn't.
• 41:55
  Speaker 2: Die because the ship knew that they needed to so
• 41:58
  Speaker 2: that they could get out and walk on. Yeah city,
• 42:02
  Speaker 2: no stuff, man, no stuff. He knew there was a mutiny.
• 42:06
  Speaker 1: Look, you got a bloody you got a bolt on here,
• 42:09
  Speaker 1: we need to shut that off. Shoot off the barnacles,
• 42:12
  Speaker 1: and you guys need to just sort some ship out.
• 42:15
  Speaker 1: And I'm going to sit here and wait till you
• 42:16
  Speaker 1: organize yourself and we get shot out and nearly die,
• 42:19
  Speaker 1: and then I'll jump into FTL.
• 42:21
  Speaker 2: Yeah.
• 42:22
  Speaker 1: Oh. The only other thing that was kind of interesting
• 42:24
  Speaker 1: was the surgeon Surgeon lady, but then she disappeared pretty quick,
• 42:29
  Speaker 1: SAMs Maddie.
• 42:30
  Speaker 2: He's gone, he's done. I think it was that weird hate.
• 42:35
  Speaker 2: You know, I said I wanted the ship to run
• 42:36
  Speaker 2: into her in mid space. He's like, I'm done now. Yeah,
• 42:41
  Speaker 2: that was funny where you know, it was a Chloe
• 42:44
  Speaker 2: and she's like he's on this other thing in his
• 42:46
  Speaker 2: chest and he's like, oh damn it, why did you
• 42:48
  Speaker 2: say this? And they're like we got to cut it
• 42:50
  Speaker 2: out and rush freaking the out that he was going
• 42:53
  Speaker 2: to have to go under the knife and he's like
• 42:55
  Speaker 2: and then teach and she's not teen for this, and
• 42:58
  Speaker 2: it's just like, well, bro, unfortunate man. She gotta cut
• 43:00
  Speaker 2: that ship out. So that's another secret you're hiding that's
• 43:03
  Speaker 2: come back to bite you in the arts.
• 43:04
  Speaker 1: And then it felt like they had no alcohol. They
• 43:08
  Speaker 1: were just dipping in an old kino, like a two
• 43:11
  Speaker 1: million old keino into his chest and you're like, what
• 43:14
  Speaker 1: are you doing? Did that that thing reminded you?
• 43:18
  Speaker 3: Did you recognize that doctor? No?
• 43:22
  Speaker 1: Is she that was?
• 43:24
  Speaker 3: That was doctor Brighten. The last time we saw her
• 43:27
  Speaker 3: was season eight of s G one in Lockdown, the
• 43:32
  Speaker 3: when like the big like the plant takes over O'Neil's
• 43:35
  Speaker 3: like first week in control of of SGC. Yeah, and
• 43:41
  Speaker 3: she was like an ancient in in Arc of Truth.
• 43:44
  Speaker 3: But but yeah she's.
• 43:46
  Speaker 1: Yeah, I remember, I remember from that when I was
• 43:49
  Speaker 1: trying to figure out the timeline for destiny. Yep, yeah,
• 43:55
  Speaker 1: I spotted it. Okay, I have a goof here on
• 43:58
  Speaker 1: the wiki, as stated, Colonel Everett Young has control of
• 44:03
  Speaker 1: life support. Rush notes that they have enough air for
• 44:07
  Speaker 1: three days, and later says that Young is still pumping
• 44:10
  Speaker 1: air in. However, control means that air can be pumped
• 44:13
  Speaker 1: both in and out. Guys so young makes no effort
• 44:18
  Speaker 1: to break the deadlock by threatening to pump air out
• 44:22
  Speaker 1: of the civilian section.
• 44:23
  Speaker 3: Maybe they don't know how to do that.
• 44:25
  Speaker 1: Yeah, well I assume Rush knows that they can't do that.
• 44:29
  Speaker 1: They can just go on or off.
• 44:32
  Speaker 3: Yeah, yeah they can't. They can't suckle blow, they can
• 44:34
  Speaker 3: just turn it off or yeah they can't. They can't
• 44:38
  Speaker 3: throw it in reverse. They can only you know, play
• 44:41
  Speaker 3: with the culture and the fan settings.
• 44:43
  Speaker 1: Yeah, the other goof. According to the wiki, it is
• 44:47
  Speaker 1: unlikely that Lieutenant Johansson that's TJ for the Layman wouldn't
• 44:52
  Speaker 1: have given the two prisoners a thorough It is likely
• 44:57
  Speaker 1: wouldn't have given two prisoners a thorough physical exam after
• 45:00
  Speaker 1: they rescue. I feel like it should would be would
• 45:04
  Speaker 1: have That makes sense because Rush had a surgical scar. Yeah,
• 45:10
  Speaker 1: you think they would have given them a bit of
• 45:11
  Speaker 1: a once over for sure.
• 45:13
  Speaker 3: When what, well.
• 45:16
  Speaker 1: It says here like Tamara Tamara, Russia's surgical scar after
• 45:25
  Speaker 1: being captured by the aliens. So I guess they're insinuating
• 45:29
  Speaker 1: that she should have picked it up and therefore would
• 45:31
  Speaker 1: have known that they have a tracker in his chest.
• 45:35
  Speaker 3: Right, I did, Yeah, I didn't pick up that he
• 45:38
  Speaker 3: had a scar.
• 45:39
  Speaker 1: They only just said it like random in dialogue, and
• 45:43
  Speaker 1: I don't know if you actually saw it, they didn't
• 45:46
  Speaker 1: make the same incision, or maybe they did. Maybe just anyway,
• 45:51
  Speaker 1: sweaty nerds getting angry on the internet, that's what we like.
• 45:55
  Speaker 3: Yeah, great people, I was going to say something that
• 45:59
  Speaker 3: I don't worry because that's what he wants. He didn't
• 46:02
  Speaker 3: like your AI image, so you just like to tweet
• 46:04
  Speaker 3: about it.
• 46:05
  Speaker 1: That's okay.
• 46:06
  Speaker 5: Yeah.
• 46:06
  Speaker 1: I haven't been back on Facebook since they were all
• 46:09
  Speaker 1: complaining about it. But I just wrote a long kind
• 46:11
  Speaker 1: of comment saying, look, can calm down.
• 46:14
  Speaker 3: Basically, I trolled a bunch of comments. I had the
• 46:18
  Speaker 3: best time doing it.
• 46:21
  Speaker 1: Yeah, it was fun, but that's okay.
• 46:24
  Speaker 2: Yeah.
• 46:24
  Speaker 1: Well, I didn't even notice. I just thought it was
• 46:26
  Speaker 1: random stripes. I didn't even know it was a sergeant thing.
• 46:29
  Speaker 1: I'm like, who cares. I was more annoyed about the
• 46:31
  Speaker 1: Star Game being Japanese symbols.
• 46:34
  Speaker 2: And like slightly like ovalish in a way, like it's
• 46:37
  Speaker 2: not perfectly round. It's like, why is this guy complaining
• 46:40
  Speaker 2: about it? Or the fact that there's like a computer
• 46:43
  Speaker 2: right next to the bottom of the gate next to
• 46:44
  Speaker 2: the walkways something. There's like all this other stuff of
• 46:46
  Speaker 2: stuff that doesn't match the show. It's like you and
• 46:48
  Speaker 2: your stripes.
• 46:49
  Speaker 1: I was like, that works with the prompt that I gave.
• 46:52
  Speaker 1: It was just it was amazing. I didn't even say
• 46:55
  Speaker 1: a colonel anything like that.
• 46:58
  Speaker 2: And someone runs and goes, oh, that's not rich Dean Anderson.
• 47:00
  Speaker 2: I'm like, no, you can, idiot. It's an AI interpretation
• 47:03
  Speaker 2: of it, and it looks pretty good. To shut your mouth.
• 47:07
  Speaker 3: We never said it was.
• 47:09
  Speaker 1: Yeah, that's why I think it's Uncle Sam, Uncle Sam.
• 47:14
  Speaker 2: Yeah, that's perfect.
• 47:16
  Speaker 3: I I tore into one person who was like, oh,
• 47:19
  Speaker 3: i'd sign it, but you used AI, so I'm not
• 47:22
  Speaker 3: going to use it. And I'm like, well, one, we're
• 47:24
  Speaker 3: not trying to sell you something. If you're actually a
• 47:28
  Speaker 3: fan of Stargate, then I read then an A, I
• 47:32
  Speaker 3: mean a age would stop you from signing. And if
• 47:36
  Speaker 3: you and if you're not going to sign it, then
• 47:38
  Speaker 3: you're not really Stargate fans. So you shouldn't care that
• 47:40
  Speaker 3: it's AI.
• 47:41
  Speaker 1: So pick one after ship that you see his AI
• 47:44
  Speaker 1: so get me.
• 47:45
  Speaker 2: Started exactly and saying that I would love to use
• 47:47
  Speaker 2: one day, just just next time. We push it to
• 47:49
  Speaker 2: use that crayon or whiteboard drawing. Yes, just use that.
• 47:54
  Speaker 2: I would put on a shirt.
• 47:56
  Speaker 3: Hashtag you're happy now.
• 47:58
  Speaker 2: Yeah, I'll get Will to draw me a version of
• 48:01
  Speaker 2: it and that'll be my.
• 48:04
  Speaker 3: Crayon. I didn't even say in one of the comments.
• 48:07
  Speaker 3: I was like, we're using an AI image to try
• 48:11
  Speaker 3: and get writers and an entire television production hired. Yeah,
• 48:16
  Speaker 3: so I think I think that's okay.
• 48:19
  Speaker 1: Yeah, one one AI images.
• 48:22
  Speaker 3: Yeah, we're not. We're not trying to take Robert, Robert
• 48:25
  Speaker 3: Cooper or Martin Ghira's jobs. We are trying to get
• 48:28
  Speaker 3: them back in the writing room and an entire production.
• 48:32
  Speaker 1: People have such strange takes on that stuff. It's like, well,
• 48:35
  Speaker 1: first of all, we're not illustrators. We're not going to
• 48:38
  Speaker 1: pay someone to design or something and take six weeks
• 48:40
  Speaker 1: and come back.
• 48:41
  Speaker 3: Well, if you do, it's going to take three weeks.
• 48:42
  Speaker 1: Yeah, and it's going to cost money. I might as
• 48:45
  Speaker 1: well just put it for free. I mean, the critic
• 48:49
  Speaker 1: the critiques of the image are fair. I'll be like, yeah, okay,
• 48:51
  Speaker 1: I'll put it as a colonel or a general or
• 48:55
  Speaker 1: any any other problems with it apart from its al.
• 49:00
  Speaker 3: Yeah, it's crazy.
• 49:01
  Speaker 1: Yeah, it's not going anywhere. AI is here to stay.
• 49:05
  Speaker 1: If anything, it's going to be more moving forward.
• 49:08
  Speaker 3: There's ways to use it and there's ways not to
• 49:10
  Speaker 3: use it.
• 49:11
  Speaker 1: It's like it's like.
• 49:12
  Speaker 3: Being like, oh my, oh my god, are you using
• 49:14
  Speaker 3: a dishwasher in your house? You've taken a job away
• 49:16
  Speaker 3: from an immigrants, Like what are you talking about?
• 49:18
  Speaker 1: It's like, you know what I mean, Like when the
• 49:21
  Speaker 1: steam engine was invented, they're like, I can't believe you're
• 49:23
  Speaker 1: using the train. What are we going to do with
• 49:24
  Speaker 1: all these horses?
• 49:26
  Speaker 2: Yeah?
• 49:28
  Speaker 3: But it's also like that, I there's plenty of things
• 49:32
  Speaker 3: I don't like. Like Darren Hayes from Savage Garden poster
• 49:34
  Speaker 3: thing the other day and he's like, there's this new thing.
• 49:37
  Speaker 3: I forget what it's called. And it's like it's taken
• 49:40
  Speaker 3: his entire, you know, thirty year catalog of songs and
• 49:43
  Speaker 3: put it into this AI program to help the AI
• 49:47
  Speaker 3: learn how to write AI songs. Yeah, And I'm like, well, no,
• 49:51
  Speaker 3: that's because he owns those songs. That's how he makes
• 49:53
  Speaker 3: his living, and they've done that with his permission. That
• 49:56
  Speaker 3: I totally agree with. Short of short of Richard.
• 49:59
  Speaker 1: With his station. Did you say it without no, without him? Yeah,
• 50:03
  Speaker 1: you can't, that's copyright. Yeah, well, let's get into Gate
• 50:08
  Speaker 1: episode three hundred and twenty two. Join us next week
• 50:12
  Speaker 1: for season one of sgu episode thirteen, Faith, If you
• 50:18
  Speaker 1: want to join us, join us on the socials, Guys
• 50:21
  Speaker 1: and Bloody. Jump onto Twitter and the hashtags save Stargate
• 50:25
  Speaker 1: so we can try and get that Martin Guiro show
• 50:27
  Speaker 1: back and moving. Yeah, we would love for you to
• 50:31
  Speaker 1: do that. If you want to jump onto Patreon, Patreon,
• 50:34
  Speaker 1: dot com, fort Slash, get into Gate.
• 50:39
  Speaker 3: Talking about the hashtag and we don't want to be divided.
• 50:43
  Speaker 1: Yeah, yeah, yeah, exactly, Faith and jump on.
• 50:47
  Speaker 2: Oh he's done it. He's in a pre cell.
• 50:50
  Speaker 3: Don't draw a line between the two of us.
• 50:53
  Speaker 2: Absolutely, And with the hashtag, we're recording, this is obviously
• 50:57
  Speaker 2: a couple of days before we're going to release it,
• 51:00
  Speaker 2: so I mean, anything could happen. And with the petition,
• 51:03
  Speaker 2: it's obviously hitting some great numbers and it'll be further
• 51:06
  Speaker 2: along than if we were to give those numbers right now.
• 51:08
  Speaker 2: But I will just say for everyone who is keeping
• 51:12
  Speaker 2: right up, Amazon, MGM Studios and Prime Videos, Twitter accounts, asses,
• 51:17
  Speaker 2: it is the greatest thing to look at any time
• 51:20
  Speaker 2: of the day.
• 51:20
  Speaker 1: So good. At least one hundred tweets in that I
• 51:24
  Speaker 1: don't think.
• 51:25
  Speaker 2: I've seen anything less than two by the time I
• 51:27
  Speaker 2: get on, unless I like see it within five minutes.
• 51:29
  Speaker 2: It is skyrocketing. And I'm like, I know the algorithms
• 51:32
  Speaker 2: are only showing me starget content, but I get over
• 51:35
  Speaker 2: scrolling down trying to look for a non Stargate related thing,
• 51:38
  Speaker 2: and like, I saw comments they saying, Okay, obviously by
• 51:41
  Speaker 2: this stage, you're just doing this to troll us. It's like, yeah,
• 51:43
  Speaker 2: it's great engagement. But me, man, like we're relentless. The
• 51:47
  Speaker 2: Stargate fans so good. I love how petty it is.
• 51:51
  Speaker 2: It's so great. And they asked the most ridiculous question
• 51:54
  Speaker 2: like oh, who's the greatest Daddy, and it's like, all right, here,
• 51:56
  Speaker 2: we're gonna use fourteen different dad characters.
• 51:58
  Speaker 1: And who is your daddy? So good?
• 52:04
  Speaker 2: Keep it coming apout.
• 52:07
  Speaker 3: I just sort of really dark, uh mean, because it
• 52:12
  Speaker 3: was just recently, like this week, it was Father's Day
• 52:14
  Speaker 3: in the Northern Hemisphere, so there was a lot of
• 52:17
  Speaker 3: those posts of like like what we did, you know,
• 52:20
  Speaker 3: the happy Father's day to that not you best dads
• 52:24
  Speaker 3: in you know, sci fi blah blah blah, and I
• 52:27
  Speaker 3: was like, we should, we should do a Stargate version
• 52:29
  Speaker 3: of that. But the one in the middle is Jack
• 52:31
  Speaker 3: and Charlie.
• 52:32
  Speaker 2: Oh is that too?
• 52:35
  Speaker 3: Is that too dark?
• 52:37
  Speaker 1: I mean bad example?
• 52:39
  Speaker 2: Yeah, I will say it need some work.
• 52:43
  Speaker 3: Okay, all right, fair enough, I'll take that note. This
• 52:46
  Speaker 3: is why I don't do social media, guys. This is
• 52:48
  Speaker 3: like you're the you, the guys that make all the posts.
• 52:52
  Speaker 1: All I usually do is just find funny ones online,
• 52:58
  Speaker 1: mainly on the on the Sobranos website, and just change
• 53:02
  Speaker 1: it to Stargate.
• 53:03
  Speaker 3: Mm hmmmm. I just rely on Jacob to send me
• 53:06
  Speaker 3: all the stuff that he does. That's way better than
• 53:09
  Speaker 3: anything I could think of.
• 53:10
  Speaker 1: Great people. All right, guys, enjoy your week. We'll see
• 53:13
  Speaker 1: you next week.
• 53:14
  Speaker 3: Get into the geek, get into the gate, Get into
• 53:20
  Speaker 3: gate Stargate, send me some maass bred Do my favorite one?
• 53:26
  Speaker 3: Do my favorite one?
• 53:26
  Speaker 2: Do my favorite one?
• 53:29
  Speaker 3: There it is