Latest / I Am All In with Scott Patterson / Why does everything need to grow? If something's good, keep it the same (A Year in the Life: Spring)

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Why does everything need to grow? If something's good, keep it the same (A Year in the Life: Spring) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in.
• 0:04
  Speaker 2: Oh, that's just you.
• 0:17
  Speaker 3: I am all in with Scott Patterson and iHeartRadio podcast.
• 0:20
  Speaker 1: Hey everybody, Scott Patterson. We are going to get started
• 0:23
  Speaker 1: now with part two of Spring.
• 0:26
  Speaker 2: Then we go back to therapy.
• 0:28
  Speaker 3: And I thought this was very mean of Emily to
• 0:31
  Speaker 3: call Luke her roommate.
• 0:33
  Speaker 4: But she is she wrong? Is she wrong?
• 0:36
  Speaker 1: He's not wrong?
• 0:37
  Speaker 4: Yeah, I don't think.
• 0:38
  Speaker 1: She makes a really good point.
• 0:40
  Speaker 4: Oh, you guys, they're totally like no, And I don't
• 0:44
  Speaker 4: see that at all. And this is coming from somebody
• 0:47
  Speaker 4: that's watching it for the first time. I'm in. I'm
• 0:50
  Speaker 4: watching these movies right now being like Luke and Laurla
• 0:54
  Speaker 4: they're not in a good spot.
• 0:55
  Speaker 3: Oh, that continues to be addressed. But I don't think
• 0:59
  Speaker 3: they're really mates.
• 1:01
  Speaker 4: I kind of do. I don't think she's wrong.
• 1:03
  Speaker 2: All right, fair, fair, fair.
• 1:06
  Speaker 1: So you're telling me from two thousand and seven to
• 1:10
  Speaker 1: twenty and sixteen, in nine years, these two the idyllic
• 1:18
  Speaker 1: couple are not married.
• 1:22
  Speaker 4: How How there's also no passion between them. There's no
• 1:26
  Speaker 4: chemistry or passion, there's nothing history.
• 1:29
  Speaker 2: In winter they were like there was some chemistry.
• 1:33
  Speaker 1: I thought there are no children, there's no there are
• 1:37
  Speaker 1: no rings, not.
• 1:38
  Speaker 4: Like the last episode of the series where they kiss
• 1:41
  Speaker 4: after the graduates.
• 1:42
  Speaker 2: Say, You're like, there's the fireworks.
• 1:45
  Speaker 4: There it is and coming to the movie so far,
• 1:47
  Speaker 4: I haven't How does.
• 1:48
  Speaker 1: The fire that burns that bright for that long not
• 1:52
  Speaker 1: produce children? Happiness?
• 1:57
  Speaker 2: Okay, purpose some people.
• 2:01
  Speaker 3: Some people don't want children.
• 2:05
  Speaker 1: I know that, but this is Gilmore girls. This is
• 2:07
  Speaker 1: like the iconic children.
• 2:09
  Speaker 3: I actually don't find it problematic that they don't actually try.
• 2:12
  Speaker 1: The fans are so pissed off. It's because of this.
• 2:17
  Speaker 1: It's because somebody is trying to be too clever and
• 2:20
  Speaker 1: too cute and messing around with characters that shouldn't be
• 2:24
  Speaker 1: messed around with. There are certain things that are iconic
• 2:27
  Speaker 1: that are created that somebody just did too much to
• 2:31
  Speaker 1: or not given them enough. And this we're staring at
• 2:34
  Speaker 1: her right in the face.
• 2:36
  Speaker 3: I don't disagree with you that they have kind of
• 2:38
  Speaker 3: painted Lorelai and Luke in a sort of way. But
• 2:43
  Speaker 3: it's not because they don't have children, and it's also
• 2:45
  Speaker 3: not because they haven't gotten married both of those things.
• 2:48
  Speaker 1: Amy, I'm not attacking people that have wonderful relationships, full
• 2:54
  Speaker 1: loving relationships.
• 2:56
  Speaker 3: You are upset that Luke and Lorelai are not married.
• 3:00
  Speaker 3: I'm not upset by I'm did Luke dirty? Yes, I
• 3:05
  Speaker 3: really do. I think that they did not make Luke
• 3:08
  Speaker 3: what he should have been. But I don't care that
• 3:10
  Speaker 3: they're not married. I'm I think it's kind of interesting
• 3:13
  Speaker 3: that they're not married, that they're together.
• 3:15
  Speaker 1: So, in terms of storytelling, explain the last nine years,
• 3:19
  Speaker 1: what happened to their relationship. It's not addressed at all
• 3:21
  Speaker 1: in this and now Laurel is addressing it, like, like,
• 3:25
  Speaker 1: what's the story behind it?
• 3:26
  Speaker 2: Fair?
• 3:27
  Speaker 4: I will say that, like I don't care that they're
• 3:29
  Speaker 4: not married or that they don't have I actually don't.
• 3:31
  Speaker 4: I like that they didn't have another kid. I like
• 3:33
  Speaker 4: that they each have their own kid, and Luke feels
• 3:36
  Speaker 4: that Rory is his own.
• 3:37
  Speaker 2: I love that.
• 3:38
  Speaker 4: What I don't love is that, like I wish that
• 3:41
  Speaker 4: they were not married, they have another kid, but they're
• 3:44
  Speaker 4: living their life together and I just don't feel that
• 3:48
  Speaker 4: life between them. Does that make sense? Like there's nothing
• 3:51
  Speaker 4: that's happened for them since the series ended.
• 3:56
  Speaker 1: Because Emily's right, Sorry, nobody's made a commitment, nobody's been
• 4:00
  Speaker 1: an adult, there's no.
• 4:01
  Speaker 3: Adduce I disagree in Winter when when Luke says, I
• 4:05
  Speaker 3: did pretty good.
• 4:06
  Speaker 2: I have a lot of fun.
• 4:07
  Speaker 1: I got terrible.
• 4:09
  Speaker 2: That was amazing.
• 4:11
  Speaker 1: You're citing that as an example of a great scene. Yes,
• 4:15
  Speaker 1: he did pretty good. He's giving up on his passion,
• 4:18
  Speaker 1: he's giving up on his.
• 4:19
  Speaker 2: What is giving up on?
• 4:20
  Speaker 3: He's not giving up on anything he wants this life.
• 4:24
  Speaker 2: Why are you so disappointed that Luke's just satisfied.
• 4:27
  Speaker 3: Look, I do think they did the character dirty.
• 4:29
  Speaker 2: I do. I thought the in vitro stuff was ridiculous.
• 4:32
  Speaker 3: I think the fact that he goes in the car
• 4:34
  Speaker 3: and goes looking.
• 4:35
  Speaker 2: At the real estate is crazy.
• 4:37
  Speaker 3: But I don't think Luke should be disappointed himself that
• 4:41
  Speaker 3: he's happy to be a small town guy.
• 4:43
  Speaker 4: Here's the thing I'll say. I think that scene where
• 4:45
  Speaker 4: he was like, I think I did pretty good. I
• 4:47
  Speaker 4: love that scene. But it was also prefaced by yeah,
• 4:49
  Speaker 4: we didn't have kids, Yeah I didn't do this, Yeah
• 4:51
  Speaker 4: I didn't do that. But I think I did pretty good. Right,
• 4:54
  Speaker 4: So it shows him settling quite frankly, it does. But
• 4:58
  Speaker 4: I did love them where he's so happy with what
• 5:01
  Speaker 4: he's got and where he's at. I do enjoy that,
• 5:06
  Speaker 4: but I do think that where we are now, however,
• 5:11
  Speaker 4: many years later, and in this spring episode where you
• 5:15
  Speaker 4: feel that there's a big disconnect between Luke and Laurli
• 5:19
  Speaker 4: and that they're both kind of won't want wah mm hmm.
• 5:24
  Speaker 4: And I think that's what you're picking up, Scott, that
• 5:26
  Speaker 4: they that there there should have been so much more
• 5:29
  Speaker 4: with them, and right now there's nothing there. I mean
• 5:33
  Speaker 4: nothing is a strong word, but there's no spice, there's
• 5:35
  Speaker 4: no chemistry, there's no look future ambitions, there's no goals
• 5:40
  Speaker 4: as a couple, like they're just taking, like you know,
• 5:44
  Speaker 4: just taking.
• 5:46
  Speaker 3: When do you have to get to stop having goals
• 5:48
  Speaker 3: and just sit on a rocking chair?
• 5:51
  Speaker 1: Not on a TV show if you want people to
• 5:53
  Speaker 1: watch it in life, it's okay on TV. You need
• 5:56
  Speaker 1: a story to move it forward. These people haven't grown
• 5:59
  Speaker 1: and fact, they've slid back, which is why she's exiting.
• 6:04
  Speaker 1: And this is the story you really want to tell
• 6:06
  Speaker 1: about these two people and do this to a fan.
• 6:11
  Speaker 3: I agree that the movies are lackluster. I'm not defending
• 6:15
  Speaker 3: that they aren't.
• 6:15
  Speaker 1: Kind of Okay, we're taught, we're look, we're not doing
• 6:19
  Speaker 1: macro stuff anymore. We're right here we're in the weeds.
• 6:22
  Speaker 1: We're micro analyzing this. We're now we're pointing to specific issues, Okay,
• 6:28
  Speaker 1: specific issues, characterizations, writing, why why did this happen? I'm
• 6:34
  Speaker 1: now a fan of this show. I'm a little better
• 6:36
  Speaker 1: educated now because I've seen the app I've seen it once. Okay,
• 6:41
  Speaker 1: so now I'm like hooked and I'm just like the fans.
• 6:45
  Speaker 1: Now I want to see it again. Okay, and this
• 6:50
  Speaker 1: episode is kicking my ass.
• 6:54
  Speaker 2: I think a lot of people agree with you.
• 6:58
  Speaker 1: But I also have more skin in the game because
• 7:02
  Speaker 1: I helped make this I helped create this character. Okay.
• 7:09
  Speaker 1: So for those of you out there listening to this,
• 7:13
  Speaker 1: who are who find this hard to listen to imagine
• 7:18
  Speaker 1: put yourself in my shoes all the time and effort
• 7:22
  Speaker 1: that it took me to get to a position to
• 7:25
  Speaker 1: get an offer, to be in a show this good,
• 7:28
  Speaker 1: and to play a character that's special. To watch what's
• 7:32
  Speaker 1: happening to him now is hard.
• 7:34
  Speaker 5: It's hard.
• 7:36
  Speaker 1: It's like watching you know, you know you've built a
• 7:39
  Speaker 1: taj mahal. Now they're making condos out of it that
• 7:42
  Speaker 1: you would be horrified, It would kill you to watch it.
• 7:45
  Speaker 1: That is what I am experiencing right now. So these
• 7:48
  Speaker 1: are the killer that I'm.
• 7:49
  Speaker 3: Asking completely corrected in.
• 7:52
  Speaker 1: The last nine years. What happened in the last nine years.
• 7:54
  Speaker 1: Why are these people at this place? Why is their
• 7:56
  Speaker 1: relationship sort of settled and kind of may so.
• 8:00
  Speaker 4: I have a question for you kids on this note.
• 8:04
  Speaker 1: Did you think it's a fairly important relationship in the show? Yeah?
• 8:08
  Speaker 1: It is. Why aren't they dealing?
• 8:10
  Speaker 4: So with this being said, did they tell you before
• 8:12
  Speaker 4: the movie started where they are at, like as as
• 8:15
  Speaker 4: an actor, where they like Luke and Laura are here.
• 8:18
  Speaker 2: This is how we're acting.
• 8:19
  Speaker 1: Not really, it's not really, not really, Scott.
• 8:22
  Speaker 3: We do understand because Danielle and I create shows. Also
• 8:27
  Speaker 3: imagine if we like we create shows and we give
• 8:30
  Speaker 3: our guidance right to people that don't listen to us,
• 8:34
  Speaker 3: and then the shows hit the bucket, right, and we're like, hey,
• 8:38
  Speaker 3: you probably should have listened to us. So I understand
• 8:40
  Speaker 3: that you know this character just like we know our shows, right,
• 8:44
  Speaker 3: And you go to whoever you go to and say,
• 8:47
  Speaker 3: you know, Luke's gonna know about what IVF is, and
• 8:50
  Speaker 3: Luke's not going to jump in the car with Emily
• 8:52
  Speaker 3: and go look at a bunch of real estate for
• 8:53
  Speaker 3: a diner expansion he doesn't want, and they don't listen
• 8:56
  Speaker 3: to you. We so get how frustrating that we so
• 9:01
  Speaker 3: get it. Now as a fan, do I think these
• 9:05
  Speaker 3: movies are terribly flawed? But I also think I'm so
• 9:10
  Speaker 3: happy to have them, and I also think there is
• 9:12
  Speaker 3: some good in them, right, And I.
• 9:15
  Speaker 2: Don't think that.
• 9:17
  Speaker 3: Look you get you're the character is now fifty, Lorealize
• 9:21
  Speaker 3: like forty.
• 9:22
  Speaker 2: I'm just gett you know, close, forty two whatever she is,
• 9:26
  Speaker 2: I'm fifty.
• 9:28
  Speaker 1: I don't watch it Louralize forty seven, forty eight.
• 9:32
  Speaker 4: Yeah, because thirty thirty two.
• 9:34
  Speaker 1: She's thirty two year two old.
• 9:36
  Speaker 3: Okay, sorry, okay, you're right. Sorry, So forty, Luke's about
• 9:40
  Speaker 3: what fifty something?
• 9:41
  Speaker 2: She's forty.
• 9:42
  Speaker 3: I'm fifty, and let me tell you, I'm starting to
• 9:44
  Speaker 3: have less and less goals of expansion and more and
• 9:48
  Speaker 3: more wanting to sit on my rock and porch, go
• 9:51
  Speaker 3: to a movie, stick my feet in the hot tub.
• 9:54
  Speaker 3: So I understand that for me, just for me, I'm
• 9:57
  Speaker 3: only saying myself, I don't think Luke and Lorlai have failed.
• 10:02
  Speaker 2: Yes, are they a little bit like seven year itchy? Maybe?
• 10:06
  Speaker 3: Maybe but like they're best friends, their companions. They are romantic.
• 10:12
  Speaker 3: We know they sleep together all the things. So I'm
• 10:15
  Speaker 3: not like this is a couple in distress, you know
• 10:17
  Speaker 3: what I mean.
• 10:18
  Speaker 1: I think I think they just don't want to give
• 10:21
  Speaker 1: these main characters a happy ending. They want to you know,
• 10:25
  Speaker 1: Lane and Zach got a happy ending. Children, uh, Suki
• 10:30
  Speaker 1: and Jackson happy ending, children, marriage, the whole thing. They
• 10:34
  Speaker 1: did a big wedding for everybody, you know, at least
• 10:36
  Speaker 1: they did weddings for them. I guess we should be
• 10:39
  Speaker 1: happy that's somebody, but right, I mean.
• 10:44
  Speaker 2: But you always think they're happy.
• 10:47
  Speaker 1: Rory's a mess, Laurel is a mess, Emily's a mess,
• 10:50
  Speaker 1: Luke's a mess. Everybody's a mess.
• 10:52
  Speaker 2: Look's not a mess. Luke's just ya. He's not a mess.
• 10:55
  Speaker 2: He is not He's he's just a little.
• 10:59
  Speaker 1: Around without a pair, if you know what I mean.
• 11:02
  Speaker 3: Well, yes, he's a little that. But Luke's not unhappy.
• 11:06
  Speaker 3: This is the difference. Lorla yes, is dealing with some unhappiness.
• 11:11
  Speaker 3: I'm sure some because of Rory, some because her relationship
• 11:14
  Speaker 3: is sort of blase, her challenges with her mother, Luke.
• 11:18
  Speaker 3: If you walked up to Luke in these movies and said,
• 11:21
  Speaker 3: are you happy, he'd be like, I'm really happy. He's
• 11:24
  Speaker 3: not unhappy, Yes he is, Oh, I disagree. Is really happy.
• 11:30
  Speaker 3: He's got he's got a great kid who's at mit.
• 11:33
  Speaker 3: He's got another kid, Rory. He's got the woman of
• 11:37
  Speaker 3: his dreams. He's got the diner. His sister's in a cult,
• 11:40
  Speaker 3: but that's okay. He's got money. Luke is happy because
• 11:43
  Speaker 3: Luke is a simple guy who likes he doesn't want
• 11:45
  Speaker 3: to leave Stars Hollow.
• 11:47
  Speaker 2: He's very happy there.
• 11:48
  Speaker 3: Like no one's going like, why isn't Gypsy franchised her?
• 11:52
  Speaker 3: You know, shop like because these people are happy and
• 11:57
  Speaker 3: Stars Hollow And to me, that's the message of this show.
• 12:00
  Speaker 3: One core message is we don't have to go to
• 12:03
  Speaker 3: the big slit. It's like, hey, we're here in this
• 12:06
  Speaker 3: little town and we love our fairs and we love
• 12:10
  Speaker 3: our little movie theater that shows old movies and made
• 12:12
  Speaker 3: up movies by Kirk, and I bring my hot dogs
• 12:14
  Speaker 3: in there, like I find happiness.
• 12:18
  Speaker 1: That I agree with you. And I think that's a
• 12:21
  Speaker 1: very very, very very good point that you have just made.
• 12:25
  Speaker 1: That the main character Stars Hollow forces this. This is
• 12:31
  Speaker 1: the reality of Star so that's all well and good.
• 12:34
  Speaker 1: I'm just saying from an aspirational point of view what
• 12:38
  Speaker 1: I wanted to see, and this how I wanted to
• 12:42
  Speaker 1: see this relationship with Laura Lai. Yeah, and my character
• 12:46
  Speaker 1: and her character grow over those I get that nine
• 12:49
  Speaker 1: years because I think that provides far more interesting material
• 12:56
  Speaker 1: it provides thematically. On this the tone of the show,
• 13:05
  Speaker 1: I think that it. I just think that stagnation and
• 13:09
  Speaker 1: negativity and how Daniel Daniel described it perfectly should never
• 13:16
  Speaker 1: be a part of this show. I agree with that
• 13:18
  Speaker 1: because that's not the show. That's not the spirit of it.
• 13:21
  Speaker 3: So in your mouth, but I think you see Luke
• 13:25
  Speaker 3: as the guy that's going to be the best husband,
• 13:29
  Speaker 3: the best partner, the best you know, businessman in starsall
• 13:34
  Speaker 3: you do see Luke as aspirational. I don't think he
• 13:37
  Speaker 3: needs to franchise to be aspirational. I agree with you
• 13:40
  Speaker 3: in the sense that like Loreli is not going to
• 13:44
  Speaker 3: be bored with Luke, Loreli is not going to be
• 13:47
  Speaker 3: questioning her relationship with Luke because.
• 13:49
  Speaker 2: Luke is too good for that.
• 13:52
  Speaker 3: And that is where I think you actually are frustrated
• 13:55
  Speaker 3: that you're seeing And again, I don't want to put
• 13:56
  Speaker 3: words in your mouth. But you're seeing Emily kind of
• 13:58
  Speaker 3: emasculate Luke, which she always has and always will. Fine,
• 14:01
  Speaker 3: but I think that Laura would be.
• 14:03
  Speaker 1: He doesn't have to allow it to happen.
• 14:05
  Speaker 2: I think he's just polite about it. I don't even
• 14:07
  Speaker 2: know if he question polite.
• 14:09
  Speaker 1: How is that polite? He's just dumb. Now he doesn't
• 14:12
  Speaker 1: even know how how to defend himself.
• 14:14
  Speaker 3: He's dumb and something disappointed that Laurai that Luke isn't
• 14:19
  Speaker 3: LOURAI will be like, I have the best relationship in town. No,
• 14:23
  Speaker 3: we're not roommates, we are soulmates.
• 14:27
  Speaker 2: Do you know what I'm saying? Like, it's not about
• 14:29
  Speaker 2: the ring.
• 14:29
  Speaker 3: Or the children, it's about that their relationship is a little.
• 14:35
  Speaker 2: And that doesn't track.
• 14:36
  Speaker 1: No, it doesn't. And now how do you think it
• 14:39
  Speaker 1: makes a fan bield fan base feel that now she's
• 14:44
  Speaker 1: getting in therapy at the end of this episode, you
• 14:46
  Speaker 1: know she's getting She's going to have a single one
• 14:50
  Speaker 1: on one session and she's going to talk about how
• 14:51
  Speaker 1: she's not happy in her relationship with Luke.
• 14:54
  Speaker 2: I think it's disappointing.
• 14:56
  Speaker 1: What can I still do for lauralized character? Now they're
• 14:59
  Speaker 1: deconstruct hook.
• 15:01
  Speaker 2: I don't know about that, because.
• 15:03
  Speaker 1: Let's dismantle this love.
• 15:05
  Speaker 3: Some people find it relatable. So I don't think it's
• 15:08
  Speaker 3: where I would see Luke and Laurlai. But many many
• 15:11
  Speaker 3: fifty year old women who've been with their person for
• 15:14
  Speaker 3: ten years or more or a little less, feel the
• 15:17
  Speaker 3: same way. I don't think ultimately, and again we're jumping ahead.
• 15:21
  Speaker 3: I don't think ultimately Laurai was questioning her relationship. She
• 15:24
  Speaker 3: was questioning who she is and herself, and so many
• 15:28
  Speaker 3: fifty year old women are going through that. And so
• 15:31
  Speaker 3: I'm sure and I don't know how old Amy is,
• 15:34
  Speaker 3: but she's probably a little bit older than me, so
• 15:36
  Speaker 3: maybe when she wrote this, she was right in that
• 15:37
  Speaker 3: same place. So it does track like I am so
• 15:42
  Speaker 3: kind of in that space too.
• 15:45
  Speaker 2: So I don't think it's wrecking Laura Lai.
• 15:47
  Speaker 3: I think she's just exploring and looktly, there are things
• 15:52
  Speaker 3: that I think are dumb I do, and these.
• 15:55
  Speaker 2: Movies are a little bit could have been better, right,
• 15:58
  Speaker 2: But I think that Hemp was there. I think that
• 16:02
  Speaker 2: is it is women.
• 16:03
  Speaker 3: In their fifties, late forties, fifties are doing so much
• 16:07
  Speaker 3: of what Loralai is doing, trying to work out.
• 16:09
  Speaker 1: Their their kids, the whole thing. I guess this is
• 16:17
  Speaker 1: really just now it's about exploring.
• 16:22
  Speaker 5: Her journey.
• 16:23
  Speaker 2: I would say, apart.
• 16:25
  Speaker 1: From any other character, this is really about Lorelei's journey
• 16:30
  Speaker 1: through life. Here we are, she's forty eight. This is
• 16:34
  Speaker 1: going to be her experience. These four episodes are going
• 16:36
  Speaker 1: to take us through her experience.
• 16:39
  Speaker 2: It's my argument for the whole series too.
• 16:42
  Speaker 3: I think at its core, ultimate right, yes, it was
• 16:45
  Speaker 3: Gilmore Girls, and Rory and Emily play huge part in that,
• 16:49
  Speaker 3: but I have always felt the show and these films
• 16:52
  Speaker 3: are always at their center about LORAAI.
• 16:56
  Speaker 1: You're proven correct because the one thing that I do
• 16:59
  Speaker 1: remember feeling really strange about, right was and I filmed
• 17:07
  Speaker 1: it and I remember it is that you know, the
• 17:10
  Speaker 1: the elopement. Okay, I thought that was very odd because
• 17:16
  Speaker 1: I was, well, we'll get to it, but that's I
• 17:19
  Speaker 1: won't go into detail. But the way that was shot
• 17:22
  Speaker 1: and what I was told to do after the wedding,
• 17:26
  Speaker 1: coming down the stairs and getting out of the shot,
• 17:30
  Speaker 1: and I was like, oh, we'll talk about that. I
• 17:33
  Speaker 1: thought I was in a different show. I think that's.
• 17:36
  Speaker 3: Correct because I think ultimately, look and I've always felt
• 17:40
  Speaker 3: this way because I'm fifty now, so I'm very close
• 17:43
  Speaker 3: in age to the age they are. When I watched
• 17:47
  Speaker 3: it the first time, I was very close to age
• 17:50
  Speaker 3: to lowerly then. So I have always just felt like
• 17:56
  Speaker 3: her and so yes with flaws, and I've always the
• 18:00
  Speaker 3: show was People always like it's about the relationship between
• 18:03
  Speaker 3: the two of them, and I've just know, I've always
• 18:04
  Speaker 3: felt this show was really Laura Laie.
• 18:06
  Speaker 1: Yep, that's why she had the number one by her name.
• 18:10
  Speaker 1: Alexis number two, correct, exactly, It's not anybody else's show.
• 18:23
  Speaker 3: At that end of this episode, which I know we've
• 18:25
  Speaker 3: still got a few more scenes to talk about, but
• 18:26
  Speaker 3: the end of the episode, it zooms in on Lauren
• 18:29
  Speaker 3: Laura Lai and you see in her face like.
• 18:33
  Speaker 2: Just questioning everything.
• 18:36
  Speaker 3: We have never acknowledged that she has empty nests in them.
• 18:39
  Speaker 3: Yes it's been eight years, but still in a sense
• 18:43
  Speaker 3: because of the time warp, she's dealing with empty nests syndrome.
• 18:47
  Speaker 3: She's dealing with her relationship stuff, she's lost her father.
• 18:50
  Speaker 3: So many people say you are one person before and
• 18:53
  Speaker 3: you can attest to this guy because I know this
• 18:55
  Speaker 3: is like the case for you. You are one person
• 18:58
  Speaker 3: before your parents leave you, and you are a totally
• 19:02
  Speaker 3: different person after, and you will never be that same
• 19:04
  Speaker 3: person again. So this is now that character is exploring
• 19:07
  Speaker 3: all these things.
• 19:07
  Speaker 1: I don't, well, what happens is you've become three times
• 19:10
  Speaker 1: as strong.
• 19:12
  Speaker 2: Wow, let us pray for.
• 19:13
  Speaker 1: That, because you know.
• 19:17
  Speaker 5: That's what happens.
• 19:20
  Speaker 3: I can like it makes me emotional because I relate
• 19:26
  Speaker 3: to her so much, and I agree in the little things.
• 19:30
  Speaker 3: I totally agree with you, Like they're making Luke kind
• 19:32
  Speaker 3: of dopey, right, but at the core I see her
• 19:36
  Speaker 3: in the therapy and it's like, Okay, that's me and
• 19:41
  Speaker 3: probably a lot of people listening. So anyway, I digress.
• 19:44
  Speaker 3: Let's go back to where we were at.
• 19:46
  Speaker 1: I don't know if you're going to establish characters and
• 19:48
  Speaker 1: you could write him this way, then own it and
• 19:50
  Speaker 1: continue to write him that way.
• 19:52
  Speaker 3: Yeah, it's you make a good point there, because it's
• 19:54
  Speaker 3: almost like so deep and gritty and what they're dealing with.
• 19:57
  Speaker 3: But then we have all these kind of like silly
• 19:58
  Speaker 3: antics like grabbing Luke and taking them to all these
• 20:02
  Speaker 3: like diners.
• 20:03
  Speaker 1: It's kind of yeah, right.
• 20:06
  Speaker 3: It's it's the biggest criticism of the Sex in the
• 20:09
  Speaker 3: City reboot is that it kind of lost some of
• 20:11
  Speaker 3: its humor and levity, but it's almost doing what they
• 20:14
  Speaker 3: really want to go dig.
• 20:15
  Speaker 2: Deep into these characters. But anyway, that's a different show.
• 20:18
  Speaker 1: So I think the only want to dig deep on
• 20:20
  Speaker 1: here is Laurai.
• 20:22
  Speaker 2: That's probably correct.
• 20:24
  Speaker 1: Probably I don't want to dig deep on anybody.
• 20:26
  Speaker 3: Else's why they make Rory such a carney, Like Rory
• 20:29
  Speaker 3: is a clown in these movies, like because we're not
• 20:33
  Speaker 3: digging deep into her, We're not really analyzing why is
• 20:36
  Speaker 3: she still with Logan and cheating on everybody? Why is
• 20:38
  Speaker 3: she floundering so much in her career? Why is she
• 20:42
  Speaker 3: dating this Pete Paul, you know hat guy that no
• 20:46
  Speaker 3: one can remember her name. Like, it's all just flowney,
• 20:49
  Speaker 3: whereas with Loralai there is some sort of gritty realism.
• 20:52
  Speaker 3: But anyway, we go back to New York and we
• 20:56
  Speaker 3: go to Doyle's apartment and I'm sorry, Paris is walk
• 20:59
  Speaker 3: up fifth five story, I mean, Pears is loaded, and
• 21:04
  Speaker 3: it's kind of dumb.
• 21:05
  Speaker 2: Again.
• 21:05
  Speaker 3: We get the bit about the nanny. I think you're like, oh,
• 21:08
  Speaker 3: I don't like the nanny, go up all the stairs
• 21:10
  Speaker 3: and it's just.
• 21:10
  Speaker 4: Like we do see Doyke or like, oh, the nanny's
• 21:14
  Speaker 4: not gonna want to come downstairs and then upstairs and
• 21:16
  Speaker 4: then take the kids to say and then Worry's like,
• 21:19
  Speaker 4: I'll go upstairs and take the kids to eat.
• 21:21
  Speaker 3: And right, although I do admit that if I do
• 21:24
  Speaker 3: I have a two story place, and if I leave
• 21:27
  Speaker 3: something upstairs, I'm hard pressed to go get that. I'm like,
• 21:31
  Speaker 3: oh God, and I don't like to go up there
• 21:33
  Speaker 3: because there's no bathroom up there, and I'm always like, oh,
• 21:35
  Speaker 3: I'm gonna have to go downstairs to.
• 21:37
  Speaker 2: Go to the bathroom.
• 21:37
  Speaker 3: So if I had five stories and I've got upstairs
• 21:40
  Speaker 3: and forgot my water from the kitchen, I would.
• 21:42
  Speaker 2: Be like, just hold my mouth.
• 21:44
  Speaker 3: So I'd hold my mouth under the sink, just like
• 21:47
  Speaker 3: I can't. Anyway, it was good to see Doyle.
• 21:52
  Speaker 4: Yeah, I'm bombed. They're getting a divorce. Me too, I'm bombed.
• 21:56
  Speaker 4: Hopefully that changes.
• 21:59
  Speaker 2: They should stay together personally.
• 22:01
  Speaker 3: But uh so we get that scene and then we
• 22:05
  Speaker 3: get Rory calling Logan and we see him in bed
• 22:07
  Speaker 3: with what we presume to be oh dead, but Lord
• 22:10
  Speaker 3: knows with Logan.
• 22:13
  Speaker 4: And she kind of he just answers it and just
• 22:15
  Speaker 4: is the whole time, and she knows that he's in
• 22:20
  Speaker 4: bed with somebody else, and she's just still yeaping in
• 22:25
  Speaker 4: a way and rambling and doing her thing. She's like, oh, sorry,
• 22:29
  Speaker 4: I know you got somebody there.
• 22:31
  Speaker 3: We addressed that once again Logan has no walls, and
• 22:36
  Speaker 3: that once again he's in a big studio, lofty flat
• 22:40
  Speaker 3: like he never has rooms.
• 22:42
  Speaker 2: This guy anyway, for Scott, he's exhausted. So uh, she.
• 22:49
  Speaker 1: Asked me, I've come to the realization that this is
• 22:52
  Speaker 1: just this is Laura LA's journey and I have nothing
• 22:54
  Speaker 1: left to say, so enjoy yourselves.
• 22:57
  Speaker 2: Please, you must chime in. So she stcham to put
• 23:00
  Speaker 2: the good.
• 23:01
  Speaker 1: It's a wonderful feeling realizing that you're just planked.
• 23:03
  Speaker 4: And I do feel like if we're talking about character,
• 23:08
  Speaker 4: just completely shut down. Rory asking Mitcham for the good word,
• 23:12
  Speaker 4: I was like.
• 23:15
  Speaker 2: It is just so bad.
• 23:16
  Speaker 1: It's hard to watch. It was painful to watch.
• 23:19
  Speaker 2: It's a mess in these we think if we feel.
• 23:23
  Speaker 4: Like Luke got his, you know what taking away from him,
• 23:28
  Speaker 4: like Rory has everything taken away from hers.
• 23:32
  Speaker 6: She has like gone down, down goes Frasier, down goes Frasier, yeah, man, and.
• 23:43
  Speaker 3: We go to it.
• 23:44
  Speaker 1: Bodies were hitting the canvas all all episode.
• 23:47
  Speaker 2: We go to Conde asked and.
• 23:51
  Speaker 3: They have She has this meeting with these two guys
• 23:53
  Speaker 3: and the lines story is just.
• 23:57
  Speaker 1: Oh bad, like does life messing with Rory? Just fancy
• 24:03
  Speaker 1: number one in their class at Yale and you pissed
• 24:08
  Speaker 1: it all away and we're just going to toy with you.
• 24:12
  Speaker 5: Now.
• 24:14
  Speaker 2: That's a waste of a meeting. And then we go to.
• 24:18
  Speaker 3: Therapy and this is where we realize Emily is not coming,
• 24:21
  Speaker 3: but Laura lia is going to stay. And we hear
• 24:26
  Speaker 3: a very sad story of Richard's passing. So that was upsetting,
• 24:31
  Speaker 3: but you know, she needed to kind of talk about it.
• 24:36
  Speaker 3: And then we learn a little bit why she isn't
• 24:38
  Speaker 3: married and if she's happy. Then we get to the
• 24:44
  Speaker 3: scene that's just so stupid where Emily just storms into
• 24:46
  Speaker 3: the diner and suddenly Luke's in the car going to
• 24:48
  Speaker 3: all these diners and it's just kind of ridiculous.
• 24:55
  Speaker 2: And there, yeah, and then we you know, we see
• 24:57
  Speaker 2: the diners.
• 24:57
  Speaker 3: Then we're in the car with the realtor and Luke's
• 24:59
  Speaker 3: and the on there, you know, talking over each other,
• 25:03
  Speaker 3: and we're going to do this, We're gonna let's make
• 25:05
  Speaker 3: an offer on this.
• 25:06
  Speaker 2: Well, no, we should do the second one. Oh, this one,
• 25:08
  Speaker 2: it's just.
• 25:09
  Speaker 1: Well, it's again using the character of Luke to inject
• 25:14
  Speaker 1: this poison into the relationship of Luke and Laurel. I
• 25:18
  Speaker 1: because what did Luke learn in that car ride was
• 25:23
  Speaker 1: that Laurel Eye lied to him?
• 25:25
  Speaker 3: Yes, correct, that's the red herring, right ooh, okay.
• 25:31
  Speaker 1: So that's going to be the you know, the seed,
• 25:34
  Speaker 1: that the seed of discontent.
• 25:40
  Speaker 2: So that is you know rough.
• 25:44
  Speaker 3: Then we're back at Paris's house and and Rory gets
• 25:49
  Speaker 3: the call from the lawyer with Naomi, and that is
• 25:52
  Speaker 3: just again done.
• 25:53
  Speaker 1: It was like, okay, did you see her in the
• 25:56
  Speaker 1: background chomping on searsticks. I finally laughed. I was laughing.
• 26:02
  Speaker 1: I just I rewound the scene a couple of times.
• 26:04
  Speaker 1: There she's in the background, lurking.
• 26:06
  Speaker 5: Tell her, tell her to the notes.
• 26:07
  Speaker 2: To right right, it's a it's a.
• 26:10
  Speaker 1: It's a house whatever I mean she does see. That's
• 26:14
  Speaker 1: drunken and kind of unhinged. That's how it's done. And
• 26:20
  Speaker 1: it's entertaining and it's fun and it's funny and it's energetic,
• 26:24
  Speaker 1: and it's just magnetic. I I love her. I think
• 26:27
  Speaker 1: she's just so good.
• 26:29
  Speaker 2: It's great.
• 26:30
  Speaker 3: But my whole thing is so now they're not even
• 26:32
  Speaker 3: writing this book and she's like firing Rory.
• 26:35
  Speaker 2: So this whole thing has been a waste.
• 26:38
  Speaker 1: Who wants to be in business?
• 26:40
  Speaker 3: I don't know who to blame.
• 26:41
  Speaker 1: Everybody's dumping on. Why shouldn't Naomi?
• 26:45
  Speaker 3: Sure, but Naomi is totally nuts. So now I've had
• 26:48
  Speaker 3: this whole thing. Now not in this instance is just
• 26:51
  Speaker 3: now worse off.
• 26:52
  Speaker 2: She just has nothing's ever.
• 26:54
  Speaker 1: You know, she's she's bad. Laurie's like, I mean, Rory's
• 26:58
  Speaker 1: like bad luck. At this point, everybody's dumping her. If
• 27:02
  Speaker 1: she was a stock, everybody'd be selling, you.
• 27:05
  Speaker 2: Know, literally all right, So I mean it's just so.
• 27:11
  Speaker 4: And then.
• 27:13
  Speaker 1: To find drive the sword right through the heart of
• 27:17
  Speaker 1: the character, I slept with a Wookie and I was like,
• 27:21
  Speaker 1: all right, so where it.
• 27:23
  Speaker 2: Didn't yet but that's coming.
• 27:27
  Speaker 3: And the almost the next scene practically.
• 27:31
  Speaker 2: No I know, I.
• 27:31
  Speaker 3: Feel calls Lorelai come to New York. She's gonna do
• 27:36
  Speaker 3: this story on spec whatever. Now we've got the most
• 27:41
  Speaker 3: boring story of all time, which I obviously think was
• 27:45
  Speaker 3: intentional the story about lines. So we've got the and
• 27:50
  Speaker 3: somehow Lorli keeps getting everything that she doesn't need to
• 27:53
  Speaker 3: wait in line, Like suddenly she's got the dessert, she's
• 27:56
  Speaker 3: got the sneakers. I'm just like, this is so awful,
• 28:00
  Speaker 3: falls asleep while interviewing the guy terrible. Then there's a
• 28:04
  Speaker 3: line that's just for nothing. It's just three guys eating
• 28:06
  Speaker 3: their salads.
• 28:07
  Speaker 1: I mean, it's just And this is where we get
• 28:09
  Speaker 1: to see my real life wife christ Wait, there is
• 28:15
  Speaker 1: she she's in. She's in the scene where Laurli comes
• 28:20
  Speaker 1: up and talks says you have mother, and she goes,
• 28:23
  Speaker 1: you have mother? You have mother and three kids, And
• 28:26
  Speaker 1: then my wife says something like, well did she shed
• 28:28
  Speaker 1: a line? I forgot the line? I wrote it down,
• 28:30
  Speaker 1: but I can't.
• 28:31
  Speaker 2: Find waitness she's not in the scene with May Whitman.
• 28:33
  Speaker 2: Is she okay?
• 28:35
  Speaker 3: So this is where we see May Whitman too, which
• 28:38
  Speaker 3: there is a very wink wink there because Rli kind
• 28:42
  Speaker 3: of chases after May Whitman for a second and gives
• 28:44
  Speaker 3: her like a crona or whatever the new crona is.
• 28:47
  Speaker 3: And the wink for people that don't know, is that
• 28:50
  Speaker 3: May Whitman is was Laura Lai's character's daughter on Parenthood,
• 28:56
  Speaker 3: so it's like her other daughter about to May Whitman,
• 29:00
  Speaker 3: who I think also just had a baby. But anyway,
• 29:02
  Speaker 3: so that's kind of what that is. So I think
• 29:04
  Speaker 3: Christine's in that scene. I'm gonna have to rewatch.
• 29:06
  Speaker 1: It, do you. She's the one with the dark hair
• 29:09
  Speaker 1: and the tan coat leather.
• 29:11
  Speaker 2: And did she do it because you were doing this?
• 29:14
  Speaker 5: Oh wait?
• 29:15
  Speaker 2: Okay, oh wait there she or did she?
• 29:18
  Speaker 1: They just offered it to her?
• 29:19
  Speaker 5: Yeah?
• 29:20
  Speaker 2: Oh that's so cute. Oh there she is.
• 29:22
  Speaker 3: Oh my gosh, she's so so cute.
• 29:25
  Speaker 2: She's just like her.
• 29:27
  Speaker 1: Oh yeah, no, he's fairy Like.
• 29:29
  Speaker 2: I don't love that hat on Lorelei.
• 29:31
  Speaker 3: In this scene, it's sort of that like, what do
• 29:33
  Speaker 3: you call that a newsboy cap?
• 29:36
  Speaker 2: I don't.
• 29:37
  Speaker 3: I do enjoy the fashion, which we can talk about later. Okay,
• 29:48
  Speaker 3: So then we have the boring line story, but we
• 29:50
  Speaker 3: do have the beautiful May Whitman and Christine and uh
• 29:55
  Speaker 3: then she comes back to the hotel and she very
• 29:58
  Speaker 3: quickly reveals she slept with a wookie, which I was like, ew.
• 30:04
  Speaker 4: Saw that to your mom, like right fresh after hooking
• 30:07
  Speaker 4: up with the Wookie. You're gonna walk in and be
• 30:09
  Speaker 4: like I hooked up with the Wookie.
• 30:11
  Speaker 1: I think that that was the most bizarre scene I
• 30:14
  Speaker 1: have ever witnessed between the two of them.
• 30:17
  Speaker 3: Yeah, it was not good, but it does open the
• 30:21
  Speaker 3: can of worms and she reveals about Logan, which Loralai,
• 30:25
  Speaker 3: I agree with you. Danielle like was way too dumbfounded. Oh,
• 30:29
  Speaker 3: like she would have known.
• 30:31
  Speaker 4: She would have known, she would have been like, I know,
• 30:34
  Speaker 4: I'm glad you finally told me.
• 30:36
  Speaker 2: Right exactly.
• 30:37
  Speaker 3: So anyway, Laurai says she should go to Sandy, says,
• 30:40
  Speaker 3: So then now we have the scene.
• 30:42
  Speaker 2: That I was like, this is so bothersome.
• 30:46
  Speaker 3: She goes to Sandy, says, and suddenly it's like Sandy
• 30:49
  Speaker 3: is interviewing her and doesn't even wander.
• 30:51
  Speaker 2: I mean, it was so weird. I was like.
• 30:55
  Speaker 3: Millennials though, or gen Z like what is this.
• 30:59
  Speaker 4: I also think like Rory just be came Walton and
• 31:02
  Speaker 4: being like, yeah, give me this job, which I understand
• 31:05
  Speaker 4: based off of all I understand that, but like if
• 31:09
  Speaker 4: somebody tells you give me an idea, you should be
• 31:11
  Speaker 4: able to give an idea.
• 31:13
  Speaker 1: Well, I think in that situation, no, I understood why
• 31:19
  Speaker 1: Rory froze up because she was not. She was led
• 31:24
  Speaker 1: down the Primrose Path only to have the rug pulled
• 31:28
  Speaker 1: out from under her by this way.
• 31:30
  Speaker 4: Why didn't you just say her life story, like you know,
• 31:32
  Speaker 4: I'm right now, I'm working on this.
• 31:34
  Speaker 5: You know.
• 31:35
  Speaker 1: She didn't because she didn't feel like she had to,
• 31:37
  Speaker 1: because this girl was offering her the job for so
• 31:40
  Speaker 1: long and was so desperate to have her on and
• 31:43
  Speaker 1: build her ego up to the point.
• 31:46
  Speaker 2: Daniel, I didn't.
• 31:47
  Speaker 1: I think I think it was completely unfair, and I
• 31:49
  Speaker 1: thought that girl was really smarmy about it.
• 31:52
  Speaker 2: I agree.
• 31:53
  Speaker 1: I was like, hey, you know, tell her right then
• 31:56
  Speaker 1: and there on the phone call when Laurie, when Roy
• 32:00
  Speaker 1: he gets in touch, say listen, you know we've reconsidered
• 32:03
  Speaker 1: the job. We're considering somebody in house, but come on
• 32:07
  Speaker 1: in and pitch me something. I mean, at least prepare
• 32:10
  Speaker 1: for it.
• 32:11
  Speaker 3: It would be like me calling Scott and going, let's
• 32:13
  Speaker 3: do a Gilmore Girls rewatch, and then when he shows
• 32:16
  Speaker 3: up to do the show, I'm like, so pitch me
• 32:18
  Speaker 3: some ideas and maybe it's like, what what are you
• 32:22
  Speaker 3: talking about?
• 32:22
  Speaker 1: You know.
• 32:26
  Speaker 3: Whatever, but so like she does have ten years eight
• 32:29
  Speaker 3: years experience now, like you're not really like, yes you are,
• 32:34
  Speaker 3: but like if you're pursuing someone that hard, you know
• 32:37
  Speaker 3: their work, you're offering them the job. I thought that
• 32:39
  Speaker 3: was kind of weird, but it was kind of I
• 32:41
  Speaker 3: thought it was a dig on sort of gen Z millennials,
• 32:44
  Speaker 3: like how they are.
• 32:46
  Speaker 1: I don't know, clearly Rory has not read the forty
• 32:49
  Speaker 1: eight Laws of Power.
• 32:51
  Speaker 6: I don't know.
• 32:51
  Speaker 4: I'm happy she didn't get the job. Is it just
• 32:53
  Speaker 4: me like I'm such a.
• 32:54
  Speaker 2: Right When she said she wasted the good dress or whatever?
• 32:57
  Speaker 3: This is the she talks about the dress.
• 32:59
  Speaker 4: She was like, I needed she needed to wear a
• 33:02
  Speaker 4: different dress for her.
• 33:05
  Speaker 3: And then she comes into the house and says, I'm
• 33:08
  Speaker 3: moving home, and that's where we're at.
• 33:09
  Speaker 4: But I think the really important thing is Lorelai's face.
• 33:13
  Speaker 4: When she said that, Lorelai was like concerned.
• 33:17
  Speaker 2: She should be.
• 33:18
  Speaker 4: I agree, but she I think, you know, she just
• 33:23
  Speaker 4: went to New York with her.
• 33:24
  Speaker 1: Daughter to this, I really really daughter hooked.
• 33:27
  Speaker 4: Up with a wookie and is a loser and then
• 33:31
  Speaker 4: is having an affair with her ex who is engaged,
• 33:35
  Speaker 4: and now she has to move home because she just
• 33:38
  Speaker 4: doesn't have anything going for her like.
• 33:40
  Speaker 5: Whoa, whoa.
• 33:42
  Speaker 1: So I'm going to point blank ask the fans, how
• 33:45
  Speaker 1: do you feel about this episode? Tell us chapter and
• 33:48
  Speaker 1: verse respond on our Instagram page, and we want to
• 33:53
  Speaker 1: know how you truly felt about this episode. I think
• 33:56
  Speaker 1: I have an inkling of what the majority are going
• 33:59
  Speaker 1: on to say. I just want to see the detail.
• 34:03
  Speaker 1: I want to see why you know it disappointed you
• 34:07
  Speaker 1: or why you thought it was an incredibly delightful journey.
• 34:11
  Speaker 4: Well would you rate this.
• 34:14
  Speaker 1: Me, Scott? I just a zero? Oh it's zero zero
• 34:23
  Speaker 1: garbage cans because I think they just think they I
• 34:28
  Speaker 1: think they trashed the show. I think they trashed these
• 34:31
  Speaker 1: characters to a point where they're in the garbage can.
• 34:34
  Speaker 1: And I hope, I hope the next two episodes can
• 34:38
  Speaker 1: get them out and get them cleaned up and rehabilitate them.
• 34:43
  Speaker 1: And I'm very curious.
• 34:46
  Speaker 3: What is that Tyra Banks thing Daniel where she's like,
• 34:48
  Speaker 3: I want to give it a zero, but I can't,
• 34:50
  Speaker 3: So I give it a one.
• 34:51
  Speaker 2: What was that? Do you remember that tire?
• 34:53
  Speaker 4: Banks?
• 34:54
  Speaker 3: Yeah, it's from Top Model. I think I don't know,
• 34:56
  Speaker 3: you know, the one I'm trying out. Somebody will know.
• 34:58
  Speaker 3: What do you give it.
• 35:01
  Speaker 4: I was, I was hovering around the sixes, and I'm
• 35:04
  Speaker 4: trying to figure out where in the.
• 35:05
  Speaker 2: Sixth I'm about with you, I'm about with you.
• 35:08
  Speaker 4: I think I'm landing on six point seven five.
• 35:12
  Speaker 1: Because again, go ahead, sorry.
• 35:15
  Speaker 4: Because again, like I you said it perfectly Amy Like
• 35:19
  Speaker 4: these movies, I have so much to pick on, especially
• 35:22
  Speaker 4: this one. I actually liked.
• 35:23
  Speaker 2: Winter a lot. Yeah, Winter Spring.
• 35:26
  Speaker 4: I'm like Spring is rubbing me the wrong way. But
• 35:29
  Speaker 4: I still am happy I have it, you know, I'm
• 35:32
  Speaker 4: still happy. That's how So I'm going to give it
• 35:35
  Speaker 4: six point seventy five.
• 35:38
  Speaker 1: Bookies, I'm gonna change my vote. I'm gonna I'm going
• 35:43
  Speaker 1: to give it. I'm going to give it four point
• 35:46
  Speaker 1: six five rating based on Greg Mitcham Huntsberger and nail me.
• 35:57
  Speaker 2: Did you give it? Scott? What'd you give it?
• 35:59
  Speaker 1: Zero points four point sixty five? Just based on Alex
• 36:03
  Speaker 1: Kingston and Greg Henry's performance.
• 36:05
  Speaker 4: Sixty five salary sticks there you go.
• 36:07
  Speaker 3: Oh yeah, I'm gonna give it six point nine lines
• 36:14
  Speaker 3: m hm.
• 36:15
  Speaker 2: Six point nine lines m hm. And we didn't.
• 36:18
  Speaker 3: We only got like a blip of Jackson. But whatever,
• 36:21
  Speaker 3: six point nine And I feel like I'm being generous,
• 36:23
  Speaker 3: really generous. I really Oh guys, Oh, my voice is
• 36:30
  Speaker 3: shot to shot to shoot from talking so much.
• 36:34
  Speaker 1: You did a fantastic job, Gallat and crew. A lot
• 36:37
  Speaker 1: of a lot of talking necessary.
• 36:40
  Speaker 2: Core crew though this was the O G crew.
• 36:43
  Speaker 1: Yeah that's right.
• 36:44
  Speaker 2: Yeah, that is true.
• 36:45
  Speaker 4: I will say San and Tara are doing a diary,
• 36:48
  Speaker 4: their own diary episode. Get into that. Yeah, don't worry,
• 36:53
  Speaker 4: you'll get their opinions.
• 36:54
  Speaker 3: Zams.
• 36:57
  Speaker 2: I read the notes. I was like, oh, the winter
• 37:02
  Speaker 2: spring summer.
• 37:04
  Speaker 1: Is next summer's next summer summer. All right, ladies, thank you.
• 37:11
  Speaker 2: I don't think it works.
• 37:14
  Speaker 3: No, no, no, yeah, besties, So even though we fight
• 37:19
  Speaker 3: it out.
• 37:20
  Speaker 1: Was that bad, did it get No?
• 37:22
  Speaker 2: I think it's warranted.
• 37:25
  Speaker 1: I agree.
• 37:25
  Speaker 2: I agree.
• 37:27
  Speaker 3: Everybody doesn't know that we're actually full besties like you have.
• 37:31
  Speaker 3: It's so hilarious because they think we're like like we
• 37:35
  Speaker 3: love each other, like you're my bestie?
• 37:37
  Speaker 1: Like what ye like brother and sister. I thought, I
• 37:41
  Speaker 1: feel like I grew up with Amy and Dan you know, well,
• 37:44
  Speaker 1: Danielle was like like just born when I was leaving
• 37:47
  Speaker 1: for college.
• 37:47
  Speaker 2: But I just think people it's like we don't only talk.
• 37:51
  Speaker 3: Like we we have like our text chains. That's just
• 37:55
  Speaker 3: like a love best and you should see what I
• 37:57
  Speaker 3: called Scott five minutes. I won't repeat it, but five
• 38:00
  Speaker 3: minutes before we're supposed to be on. I'm like, Daniel,
• 38:02
  Speaker 3: are gonna be a little late. We're dealing with some drama.
• 38:04
  Speaker 2: He's all, take your time, take your time.
• 38:07
  Speaker 1: Yeah, no, no, we're good.
• 38:10
  Speaker 3: But I like fighting it out because there's things you're
• 38:13
  Speaker 3: saying that I agree with, Like they are doing Luke
• 38:15
  Speaker 3: dirty and Rory worse.
• 38:19
  Speaker 5: I think they're doing everybody dirty.
• 38:20
  Speaker 2: I would have.
• 38:20
  Speaker 3: Preferred Rory thriving, really thriving, maybe still having the affair
• 38:26
  Speaker 3: with Logan, but thriving.
• 38:28
  Speaker 1: Why can't everybody thrive? Seriously, why can't everybody just thrive?
• 38:34
  Speaker 2: See see you in summer.
• 38:36
  Speaker 1: All right, So that's gonna do it. Thank you, ladies,
• 38:39
  Speaker 1: Daniel Romoamy Sugarman. We will be getting separate.
• 38:45
  Speaker 4: Diary.
• 38:45
  Speaker 1: He is from Tarasud and Susanne French. Much appreciated. Thanks
• 38:49
  Speaker 1: for hanging in with us. We are climbing, climbing up
• 38:54
  Speaker 1: the ratings chart because.
• 38:55
  Speaker 2: You guys, everybody, Yeah.
• 38:57
  Speaker 1: Thank you so much. We're cop into the you know,
• 39:02
  Speaker 1: into areas that three year old podcasts usually don't frequent,
• 39:08
  Speaker 1: but here we are and.
• 39:09
  Speaker 2: We're gonna go because they're gonna be like these people
• 39:11
  Speaker 2: are nuts, they're crazy.
• 39:15
  Speaker 1: Start anyway, best fans on the planet.
• 39:19
  Speaker 3: I know, I keep saying it, but stay tuned because
• 39:20
  Speaker 3: we've got no it's not gonna be over after the movies.
• 39:24
  Speaker 3: I actually think we're coming back strong, but we'll reveal
• 39:27
  Speaker 3: it when we get to Fall, of course, Fall Happy
• 39:32
  Speaker 3: Gilmour season everybody too, that's.
• 39:34
  Speaker 1: Right, and cards, keep those cards and letters coming. We
• 39:38
  Speaker 1: love you, we need you, we miss you, and uh
• 39:42
  Speaker 1: just remember we and I am all In.
• 39:45
  Speaker 5: Stay safe everyone, Hey, everybody, and
• 40:16
  Speaker 1: Don't forget Follow us on Instagram at I Am all
• 40:19
  Speaker 1: In podcast and email us at Gilmore at iHeartRadio dot com.