Latest / Crime Night / The Severed Leg and Airbrushed Jeans
Transcript
- 0:00Speaker 1: You know how, like when you pull a single loose
- 0:03Speaker 1: thread and it just completely unravels an entire sweater? Oh, yeah.
- 0:07Speaker 2: It just destroys the whole thing. Right.
- 0:09Speaker 1: Well, in August of 1994, a police officer in Bridgeport, Connecticut,
- 0:13Speaker 1: basically pulled a loose thread by opening a single trash
- 0:16Speaker 1: bag that was just left sitting in the middle.
- 0:18Speaker 2: Of the road. And that one bag changed everything.
- 0:23Speaker 1: It really did. Because inside that bag was a severed leg.
- 0:27Speaker 1: But the actual unraveling, like the thing that and entire
- 0:31Speaker 1: communities' secrets wide open started with what was sitting right
- 0:35Speaker 1: next to it in that bag.
- 0:37Speaker 2: Yeah, that's where this case gets incredibly twisted.
- 0:40Speaker 1: Exactly. You sent us this cold case file, and as
- 0:45Speaker 1: we went through these police transcripts, crime reporter notes, and
- 0:49Speaker 1: autopsy reports about the unsolved murder of Benjamin Rosario, we
- 0:53Speaker 1: realized something.
- 0:54Speaker 2: What's that?
- 0:55Speaker 1: This isn't just your standard mystery about who committed a
- 0:58Speaker 1: horrific crime. It's a master class in how a massive
- 1:03Speaker 1: manhunt can pivot from chasing this terrifying phantom to staring
- 1:08Speaker 1: at a nightmare sitting right in your own living room.
- 1:11Speaker 2: That is so true. And to really understand how those
- 1:14Speaker 2: kinds of blind spots happen in a real investigation, we
- 1:17Speaker 2: kind of have to transport ourselves back into the stifling
- 1:20Speaker 2: atmosphere of that specific time and place.
- 1:22Speaker 1: Oh, man. 1994 in the summer. Right.
- 1:25Speaker 2: Picture August 3rd, 1994. It is one of those incredibly
- 1:29Speaker 2: sweltering summer afternoons. The heat index is pushing past 100 degrees.
- 1:33Speaker 2: The pavement is practically shimmering with all that humidity.
- 1:36Speaker 1: Just miserable.
- 1:37Speaker 2: Completely. And in the newsroom of the Connecticut Post, local
- 1:41Speaker 2: crime journalists, you know, they aren't getting push notifications on
- 1:43Speaker 2: their iPhones yet.
- 1:44Speaker 1: No Twitter or anything.
- 1:46Speaker 2: Exactly. They're sitting at these clunky metal desks just sweating
- 1:50Speaker 2: in front of box fans, and they're listening to the hypnotic,
- 1:53Speaker 2: static-filled crackle of a police scanner. That's how you got
- 1:56Speaker 2: the news. Yeah.
- 1:57Speaker 1: And on this particular afternoon, there's a reporter named Dan Tepper.
- 2:01Speaker 1: And he's listening to that scanner when an excited cop
- 2:04Speaker 1: calls in a strange discovery on Seaview Avenue over in
- 2:07Speaker 1: the city's East End.
- 2:09Speaker 2: Right. A very specific call. Yeah.
- 2:11Speaker 1: But what really catches Tepper's attention isn't even the discovery itself.
- 2:16Speaker 1: It's that the dispatcher abruptly shouts at the officer over
- 2:19Speaker 1: the radio to, quote, keep your voice down.
- 2:22Speaker 2: Which is an immediate red flag for any seasoned reporter.
- 2:25Speaker 1: Oh, absolutely. Absolutely. Tepper knows that means something big is happening.
- 2:29Speaker 1: So he grabs a photographer. They rush out to the scene.
- 2:32Speaker 1: And when they arrive, they find Bridgeport Patrol Officer Ernie
- 2:36Speaker 1: Nandori standing on this sun-baked asphalt, just staring down at
- 2:40Speaker 1: a black plastic trash bag.
- 2:42Speaker 2: And Officer Nandori's initial mindset here is actually really crucial
- 2:45Speaker 2: to understand from an investigative standpoint.
- 2:48Speaker 1: How so?
- 2:49Speaker 2: Well, he works a beat where people illegally dump household
- 2:52Speaker 2: garbage on the street all the time. It's just a
- 2:54Speaker 2: constant nuisance.
- 2:55Speaker 1: Just everyday trash.
- 2:57Speaker 2: Right. So when he looks at this bag in the road,
- 2:59Speaker 2: he sees what he thinks is a discarded Halloween toy
- 3:02Speaker 2: sticking out of the plastic. Wow. Yeah, he thinks it's
- 3:05Speaker 2: a fake prop. He has literally no reason to assume
- 3:07Speaker 2: he's looking at a piece of a human being.
- 3:10Speaker 1: But it's not a prop.
- 3:11Speaker 2: No.
- 3:12Speaker 1: I mean, it's a severed human leg. A full leg.
- 3:16Speaker 1: Foot still attached. And this is where the investigation gets
- 3:20Speaker 1: its first massive jolt. Because the clue that instantly narrows
- 3:23Speaker 1: the focus... isn't even the physical remains.
- 3:26Speaker 2: It's what was in the bag with it.
- 3:28Speaker 1: Exactly. It's a highly distinct piece of clothing stuffed inside
- 3:32Speaker 1: that bag with the leg. A pair of heavy dark
- 3:35Speaker 1: denim jeans. And they are completely unmistakable. They're emblazoned with
- 3:40Speaker 1: a custom airbrushed star and the letters SD.
- 3:44Speaker 2: And unique identifiers like that, like custom clothing, they immediately
- 3:47Speaker 2: collapse the timeline for an investigator.
- 3:49Speaker 1: Because it's so specific, right?
- 3:51Speaker 2: Exactly. Finding an unidentifiable limb can mean weeks of searching
- 3:54Speaker 2: through missing persons databases, just hoping for a match. But
- 3:58Speaker 2: finding a custom airbrushed garment, that gives you an instant,
- 4:01Speaker 2: highly specific search parameter.
- 4:03Speaker 1: And the crazy part is Nandori doesn't even need to
- 4:05Speaker 1: run a search. He recognizes the description of these pants instantly.
- 4:10Speaker 2: Which is just wild timing.
- 4:12Speaker 1: It is, because just one day prior, he had personally
- 4:15Speaker 1: sat down to take a missing person report from a
- 4:17Speaker 1: woman named Nelly Rosario and her son Brick. They were
- 4:21Speaker 1: reporting Nellie's husband, who was 45-year-old Benjamin Rosario, missing.
- 4:26Speaker 2: And they gave a very specific description.
- 4:28Speaker 1: Right. When Nandori asked what Benjamin was wearing the last
- 4:31Speaker 1: time they saw him, Nellie and Brick explicitly stated he
- 4:35Speaker 1: was heading to his local neighborhood bar, a place called
- 4:37Speaker 1: Side Effects, wearing those exact airbrushed jeans.
- 4:42Speaker 2: So the velocity of the case just accelerates dramatically right there.
- 4:45Speaker 2: Within 24 hours of a man being reported missing... A
- 4:48Speaker 2: piece of his body, along with a very specific clothing
- 4:51Speaker 2: he was allegedly wearing, is found discarded out in the open.
- 4:55Speaker 1: Just sitting in the street?
- 4:56Speaker 2: Yeah. And over the next few days, the reality of
- 4:58Speaker 2: the violence really becomes clear. Investigators find another trash bag
- 5:03Speaker 2: tucked under a nearby highway overpass. And then shortly after that,
- 5:07Speaker 2: an off-duty police officer is actually out fishing near Pleasure Beach,
- 5:11Speaker 2: which is this overgrown area closed off to the public.
- 5:14Speaker 2: And he catches the horrific, unmistakable scent of human decomposition
- 5:19Speaker 2: baking in the August sun.
- 5:20Speaker 1: That's horrifying. It's awful.
- 5:22Speaker 2: He follows that stench into the brush and discovers four
- 5:25Speaker 2: more trash bags containing the rest of the remains. And
- 5:28Speaker 2: pretty quickly, fingerprints confirm the victim is Benjamin Rosario.
- 5:32Speaker 1: The brutality of it is just staggering. But, you know,
- 5:35Speaker 1: reading through the initial police report for this deep dive,
- 5:38Speaker 1: there is a behavioral detail that feels completely out of
- 5:42Speaker 1: place to me.
- 5:43Speaker 2: Which part?
- 5:44Speaker 1: Well, when Officer Nandori took that missing person report from
- 5:47Speaker 1: Nellie and Brick, he specifically noted their demeanor in his report.
- 5:51Speaker 1: He described it as feeling like an, quote, informational meeting.
- 5:56Speaker 2: Oh, yes.
- 5:56Speaker 1: Like no crying, no panic, no frantic pleas to find
- 6:00Speaker 1: their husband and stepfather. But, I mean, couldn't that just
- 6:04Speaker 1: be shock? People process trauma weirdly all the time, right?
- 6:08Speaker 2: They do, yeah.
- 6:09Speaker 1: So how do investigators look at a wife who isn't crying,
- 6:13Speaker 1: and definitively separate genuine psychological shock from someone who is
- 6:18Speaker 1: actively covering up a crime.
- 6:19Speaker 2: That is a phenomenal distinction to make, and it's something
- 6:22Speaker 2: investigators wrestle with all the time, because shock and staging
- 6:26Speaker 2: actually look very different when you dig into the nuances
- 6:28Speaker 2: of victimology.
- 6:29Speaker 1: Okay, break that down for me.
- 6:31Speaker 2: So genuine shock usually involves dissociation, right? A freezing response
- 6:35Speaker 2: or extreme anxiety where the person might actually be completely
- 6:39Speaker 2: unable to recall basic facts. They are just overwhelmed by
- 6:42Speaker 2: the unknown.
- 6:43Speaker 1: So they wouldn't be super detailed.
- 6:44Speaker 2: Exactly. An informational meeting, however, implies organization. It suggests the
- 6:49Speaker 2: individuals are calmly checking a box. They are constructing a
- 6:53Speaker 2: narrative for the police, delivering very specific details like the
- 6:56Speaker 2: airbrushed jeans rather than seeking active help to find a
- 7:00Speaker 2: lost loved one.
- 7:01Speaker 1: Oh, wow.
- 7:01Speaker 2: Yeah, it's the presence of calculation rather than the absence
- 7:05Speaker 2: of emotion that acts as the red flag for police.
- 7:08Speaker 1: That makes so much sense. But the police didn't actually
- 7:11Speaker 1: immediately zero in on the family because their minds went
- 7:14Speaker 1: to a much scarier, much broader narrative right out of
- 7:17Speaker 1: the gate.
- 7:18Speaker 2: They did.
- 7:19Speaker 1: They assumed a serial killer had descended on Bridgeport.
- 7:22Speaker 2: Because the sheer scale of the mutilation kind of blinded
- 7:25Speaker 2: the local police to the quiet indifference of the family.
- 7:28Speaker 2: The absolute savagery of cutting a human being into pieces
- 7:31Speaker 2: and bagging them, it suggests a level of depravity that
- 7:34Speaker 2: local cops usually associate with serial offenders.
- 7:37Speaker 1: And the rumor mill in the city just went into
- 7:40Speaker 1: absolute overdrive, which, to be fair, wasn't totally baseless. The
- 7:44Speaker 1: case files note that between 1992 and 1994, four other
- 7:49Speaker 1: men had been murdered, dismembered, and dumped in trash bags
- 7:51Speaker 1: along highways in Pennsylvania, New Jersey, and New York.
- 7:55Speaker 2: Right. And those murders were later attributed to Richard Rogers,
- 7:58Speaker 2: who is widely known as the last call killer. Yeah.
- 8:01Speaker 1: So Bridgeport PD brings in this FBI profiler, Special Agent
- 8:04Speaker 1: Greg McRae. to figure out if Benjamin is victim number five.
- 8:09Speaker 1: McCrae gets this massive box of files. Autopsy reports, crime
- 8:13Speaker 1: scene photos, neighborhood interviews.
- 8:15Speaker 2: The whole package. Yeah.
- 8:16Speaker 1: And almost instantly, he dismantles the serial killer theory entirely.
- 8:20Speaker 2: Because profilers look past the superficial similarities, like bodies and bags,
- 8:24Speaker 2: to examine the deep mechanics of the crime. Let's look
- 8:27Speaker 2: at how McCrae broke this down, because it's fascinating. He
- 8:31Speaker 2: started with the victimology. Right. The last call killer exclusively
- 8:35Speaker 2: targeted gay men, and he picked them up at specific
- 8:37Speaker 2: gay bars in Manhattan. Benjamin, on the other hand, was
- 8:41Speaker 2: last seen leaving a standard neighborhood dive bar with a
- 8:43Speaker 2: Hispanic man in his 30s, and his family was completely
- 8:47Speaker 2: adamant that he was not gay.
- 8:49Speaker 1: So the victim profile didn't match at all.
- 8:51Speaker 2: Not at all. And then you look at the forensic mechanics,
- 8:53Speaker 2: which are grisly but incredibly illuminating. In the last call
- 8:57Speaker 2: killer cases, the killer was actually disarticulating the limbs.
- 9:01Speaker 1: Wait, disarticulating, that means... They knew exactly how to, like,
- 9:04Speaker 1: slip a blade between the joints, right? Taking the body
- 9:07Speaker 1: apart rather than just hacking at it.
- 9:09Speaker 2: Precisely. It demonstrates real anatomical knowledge. A doctor, a nurse,
- 9:14Speaker 2: a butcher. Someone who understands how the human skeletal structure
- 9:17Speaker 2: connects and uses a methodical, precise technique to separate it.
- 9:22Speaker 1: And Benjamin's killer?
- 9:23Speaker 2: Benjamin's killer possessed zero anatomical knowledge. The autopsy showed that
- 9:28Speaker 2: whoever did this used massive, exhausting physical force, to inefficiently
- 9:32Speaker 2: chop directly through the thickest parts of the bone.
- 9:35Speaker 1: Jeez. It's like looking at two identical car crashes, but
- 9:40Speaker 1: when you look under the hood, you realize one driver
- 9:43Speaker 1: intentionally cut the brakes, and the other just fell asleep
- 9:46Speaker 1: at the wheel. The end result is a wreck, but
- 9:48Speaker 1: the intent and the mechanics are entirely different.
- 9:52Speaker 2: That is a perfect analogy.
- 9:53Speaker 1: And that intent is further exposed by the geography of
- 9:57Speaker 1: the dump sites. The last call killer was a highly
- 10:00Speaker 1: mobile offender. He was driving across state lines to drop
- 10:03Speaker 1: remains right off major highways.
- 10:05Speaker 2: He wanted distance.
- 10:06Speaker 1: Exactly.
- 10:07Speaker 2: Benjamin's body parts were scattered along Seaview Avenue, the local overpass,
- 10:11Speaker 2: and Pleasure Beach. Every single drop site was within walking
- 10:15Speaker 2: distance of his home and his local bar.
- 10:18Speaker 1: So Why do local killers dump bodies so close to home? Like,
- 10:22Speaker 1: if you're trying to get away with a horrific crime,
- 10:24Speaker 1: wouldn't you want the evidence as far away as possible?
- 10:26Speaker 2: You would, logically.
- 10:28Speaker 1: But a disorganized killer, someone acting out a sudden rage
- 10:31Speaker 1: rather than a calculated psychopathic ritual, they lack the executive
- 10:36Speaker 1: function in the aftermath of a murder to plan a
- 10:38Speaker 1: long-distance transport.
- 10:39Speaker 2: They're just freaking out.
- 10:41Speaker 1: Yeah.
- 10:42Speaker 2: They are in a state of sheer panic. The local
- 10:44Speaker 2: neighborhood acts as a psychological tether. They drop evidence in
- 10:47Speaker 2: their own comfort zones because they either lack a vehicle,
- 10:50Speaker 2: they lack the confidence to travel with that kind of cargo,
- 10:53Speaker 2: or they simply want the exhausting, terrifying ordeal of moving
- 10:57Speaker 2: the body to be over as quickly as possible.
- 10:59Speaker 1: Which means the monster wasn't passing through on the interstate.
- 11:02Speaker 1: The monster lived in the neighborhood.
- 11:05Speaker 2: Exactly.
- 11:06Speaker 1: And that brings us to Benjamin himself. The sources paint
- 11:09Speaker 1: a picture of a guy who was, by all accounts,
- 11:11Speaker 1: completely harmless. He was 45. He lived on a fixed
- 11:15Speaker 1: income from disability benefits. and he spent his days just
- 11:18Speaker 1: sitting on his front porch singing Spanish love songs to
- 11:21Speaker 1: anyone walking by.
- 11:23Speaker 2: He had no known enemies. Early in the investigation, police
- 11:26Speaker 2: looked into Jamaican gangs operating in the East End, but
- 11:30Speaker 2: even Nellie admitted Benjamin got along with absolutely everybody.
- 11:33Speaker 1: So it wasn't a gang thing?
- 11:35Speaker 2: No. And the statistical reality of familial homicides is fascinating here.
- 11:41Speaker 2: We are culturally obsessed with the stranger danger narrative, you know,
- 11:44Speaker 2: the drifter in the night, but the overwhelming majority of
- 11:47Speaker 2: homicides involve a known relationship.
- 11:50Speaker 1: Right. It's almost always someone you know.
- 11:52Speaker 2: Yep. The crude, agonizingly difficult bone-chopping dismemberment points to a
- 11:57Speaker 2: crime of intense passion, deep-seated rage, or profound personal animosity.
- 12:03Speaker 2: It's a furious, messy attempt to literally erase someone you know.
- 12:07Speaker 1: So investigators turn their gaze inward, directly at the people
- 12:11Speaker 1: living under Benjamin's roof. A reporter, Dan Tepper, decides to
- 12:15Speaker 1: go knock on the door of the Rosario apartment.
- 12:18Speaker 2: Just to see what's going on.
- 12:19Speaker 1: Yeah. And he's met on the cement stoop by Nellie,
- 12:22Speaker 1: who is now displaying appropriate distress since the police are
- 12:26Speaker 1: heavily involved, and Nellie's nephew, a man named Henry Robles,
- 12:30Speaker 1: who also lived with him.
- 12:31Speaker 2: And Henry makes quite an impression.
- 12:33Speaker 1: Oh, man. Henry comes out wearing a sleeveless white T-shirt,
- 12:37Speaker 1: proudly showing off a tattoo on his shoulder of two
- 12:40Speaker 1: crossed swords. And he tells the reporter his street name is, fittingly, Swords.
- 12:46Speaker 2: And Henry's behavior during this informal interview is just staggering
- 12:50Speaker 2: for an investigator to read.
- 12:52Speaker 1: He acts completely devoid of grief. Tepper notes that Henry
- 12:55Speaker 1: is posturing, playing the tough guy. He looks at a reporter,
- 12:59Speaker 1: a complete stranger taking notes for a newspaper, and bluntly
- 13:02Speaker 1: states that he is glad Benjamin is dead.
- 13:05Speaker 2: He actually says that out loud. Yes.
- 13:07Speaker 1: He calls him a good-for-nothing who never should have married
- 13:10Speaker 1: his aunt. I mean, it is pure hypocrisy. unadulterated venom,
- 13:14Speaker 1: aired right out in the open.
- 13:15Speaker 2: And he doesn't stop at verbal venom either. Henry is
- 13:18Speaker 2: known around the city as an artist, and in the
- 13:20Speaker 2: days following the murder, Henry takes spray paint and creates
- 13:23Speaker 2: this elaborate R.I.P. mural dedicated to Benjamin.
- 13:27Speaker 1: Which sounds nice, until you hear where it is.
- 13:30Speaker 2: Right. The location he chooses for this memorial. The exact
- 13:34Speaker 2: spot at the local dump site where some of Benjamin's
- 13:38Speaker 2: body parts were recovered.
- 13:40Speaker 1: Okay, wait. This changes the entire timeline for me. If
- 13:43Speaker 1: we look at the physical evidence left at the dump
- 13:45Speaker 1: site alongside Henry's behavior, things shift from arrogant to, like,
- 13:51Speaker 1: actively incriminating.
- 13:53Speaker 2: How do you mean?
- 13:54Speaker 1: Because those heavy dark jeans with the airbrush star and
- 13:56Speaker 1: the SD that were found in the trash bag with
- 13:59Speaker 1: the severed leg, they did not belong to Benjamin. The
- 14:02Speaker 1: sources revealed those were Henry's pants.
- 14:05Speaker 2: The very same pants that Nellie and Brick specifically named
- 14:09Speaker 2: in their initial missing person report.
- 14:11Speaker 1: Exactly. The bartender at SideFX didn't remember Benjamin wearing those
- 14:15Speaker 1: highly distinct pants. Nobody in the neighborhood saw him in them.
- 14:19Speaker 1: So if nobody else saw him in those jeans, were
- 14:22Speaker 1: they ever actually on his body?
- 14:24Speaker 2: Probably not.
- 14:26Speaker 1: Based on the case files, it looks like a deliberate
- 14:28Speaker 1: framing tactic. Like, what if the family used Henry's heavy
- 14:32Speaker 1: denim pants to wrap or transport the severed leg, maybe
- 14:36Speaker 1: to stop blood from leaking through the trash bag?
- 14:39Speaker 2: That's a very common utility in these types of disorganized crimes. Right.
- 14:43Speaker 1: And then realizing the pants were accidentally or carelessly left
- 14:46Speaker 1: at the scene, they deliberately planted that specific clothing description
- 14:50Speaker 1: into the initial missing person report to cover their tracks.
- 14:53Speaker 2: It is a highly plausible interpretation of the evidence, and
- 14:57Speaker 2: it speaks to a severe level of calculated staging. It's
- 15:02Speaker 2: a desperate attempt to explain away why Henry's custom clothing
- 15:05Speaker 2: is sitting in a garbage bag with a severed limb.
- 15:08Speaker 2: while simultaneously confusing the timeline for the detectives.
- 15:11Speaker 1: And when you view Henry's mural at the dump site
- 15:14Speaker 1: through that lens, it's just chilling.
- 15:17Speaker 2: From a psychological standpoint, painting that mural isn't a memorial
- 15:21Speaker 2: at all. It is a way of inserting oneself into
- 15:23Speaker 2: the crime scene. It's marking territory. Wow.
- 15:26Speaker 1: Yeah.
- 15:27Speaker 2: The killer is hiding in plain sight, flaunting control over
- 15:30Speaker 2: the environment and the investigation, fueled by this narcissistic belief
- 15:34Speaker 2: that they are fundamentally smarter than the police.
- 15:37Speaker 1: Well, the maddening part of this entire file is that
- 15:40Speaker 1: for three decades, it worked.
- 15:42Speaker 2: Yeah, it really did.
- 15:44Speaker 1: The case went completely cold. With so many red flags
- 15:47Speaker 1: pointing directly at the people eating dinner in Benjamin's house,
- 15:50Speaker 1: the real culprit slipped away. The sheer volume of deliberate
- 15:54Speaker 1: obfuscation in this case file is wild.
- 15:58Speaker 2: It's intense. Shortly after the murder, Henry Robles vanishes from
- 16:02Speaker 2: the jurisdiction. He flees down to Florida.
- 16:05Speaker 1: And years later, A reporter and a translator actually managed
- 16:08Speaker 1: to track him down and get him on the phone
- 16:10Speaker 1: to ask about the 1994 murder.
- 16:12Speaker 2: And what does he do?
- 16:14Speaker 1: Henry plays completely dumb. He claims to be someone else.
- 16:18Speaker 1: He denies knowing who Benjamin Rosario is. He denies knowing
- 16:21Speaker 1: who Henry Robles is. And he just hangs up the phone.
- 16:25Speaker 2: Classic evasion. Meanwhile, back in Bridgeport, the investigation is actively
- 16:30Speaker 2: spinning its wheels. There are rumors of domestic abuse swirling
- 16:34Speaker 2: around the Rosario home, but there's nothing the police can
- 16:36Speaker 2: solidly document. Investigators execute a search warrant on the stepson,
- 16:41Speaker 2: Brick's house, which is just down the street. They seize
- 16:44Speaker 2: a trash bag looking for trace evidence or tools, but
- 16:47Speaker 2: they find absolutely nothing usable.
- 16:50Speaker 1: And then you have the phantoms.
- 16:52Speaker 2: Oh, the fake leads.
- 16:53Speaker 1: The case file is just littered with these bizarre, hyper-specific,
- 16:57Speaker 1: totally fabricated leads. Like, Someone called in a tip claiming
- 17:00Speaker 1: Benjamin's father was in jail and that this entire dismemberment
- 17:04Speaker 1: was a gangland revenge killing.
- 17:06Speaker 2: Right, and trying to make it sound like a mob hit.
- 17:08Speaker 1: But when police looked into it, they couldn't even find
- 17:11Speaker 1: a name for Benjamin's father on any registry anywhere, let
- 17:14Speaker 1: alone prove he was incarcerated.
- 17:16Speaker 2: It was entirely made up.
- 17:18Speaker 1: Another tipster insisted Benjamin was secretly working as a building
- 17:21Speaker 1: superintendent over on Boston Avenue. And maybe a disgruntled tenant
- 17:25Speaker 1: killed him. Detective Holtz, the investigator currently working the cold case,
- 17:30Speaker 1: spent valuable time checking that out, only for Benjamin's own
- 17:33Speaker 1: grandson to laugh and confirm Benjamin was never a super
- 17:36Speaker 1: anywhere in his life.
- 17:38Speaker 2: So we really have to ask who benefits from feeding
- 17:41Speaker 2: these highly specific, completely fabricated stories into the investigative machinery.
- 17:46Speaker 1: It's honestly like, you know how a squid shoot ink?
- 17:50Speaker 2: Yeah, as a defense mechanism. Right.
- 17:52Speaker 1: When a squid is threatened, it blasts a thick cloud
- 17:54Speaker 1: of dark ink into the water. It's not an attack.
- 17:57Speaker 1: It's a defensive maneuver to completely blind the predator while
- 18:01Speaker 1: the squid darts away into the dark.
- 18:03Speaker 2: That's a great way to look at it.
- 18:05Speaker 1: These fake leads operate the exact same way. It's a
- 18:07Speaker 1: deliberate tactic by someone very close to the investigation to
- 18:11Speaker 1: blind the police. You exhaust the detectives' resources. You send
- 18:15Speaker 1: them on these wild goose chases, knocking on doors at
- 18:18Speaker 1: apartment buildings on Boston Avenue. And while they are totally
- 18:21Speaker 1: distracted by the ink... The real culprit quietly relocates to Florida.
- 18:25Speaker 2: It is an incredibly effective countermeasure that really preys on
- 18:29Speaker 2: a police department's obligation to follow every single lead they receive.
- 18:33Speaker 2: And it highlights the tragic reality of cold cases that
- 18:35Speaker 2: are built on community silence.
- 18:37Speaker 1: Yeah, the silence is deafening.
- 18:39Speaker 2: Today, Nellie is deceased. She passed away in 2014. And
- 18:42Speaker 2: the surviving family members absolutely refuse to speak to reporters
- 18:46Speaker 2: or cooperate with new inquiries. Their stated reason is that
- 18:49Speaker 2: they are terrified of... quote, someone in the community.
- 18:52Speaker 1: But who in the community is so terrifying that you
- 18:56Speaker 1: won't help solve the butchering of your own stepfather 30
- 18:59Speaker 1: years later? I mean, come on.
- 19:00Speaker 2: And that is the psychological crux of community silence right there.
- 19:04Speaker 2: Is the fear genuine? Are they truly terrified of a
- 19:07Speaker 2: violent local who forced them into silence back in 1994
- 19:10Speaker 2: and still hold sway?
- 19:12Speaker 1: It's possible, I guess.
- 19:14Speaker 2: Or is this a psychological projection? Saying, You know, we
- 19:18Speaker 2: can't talk because the community is dangerous is a very convenient,
- 19:21Speaker 2: universally understood narrative crafted to mask their own familial complicity.
- 19:27Speaker 2: It is an impenetrable shield against answering the hard questions
- 19:30Speaker 2: like how Henry's pants ended up in that bag.
- 19:32Speaker 1: So where does Benjamin Rosario's case stand today? Well, the
- 19:36Speaker 1: current investigator, Detective Jeffrey Holtz, he refuses to let the
- 19:40Speaker 1: ink settle. He is pushing hard to have the original
- 19:43Speaker 1: evidence retested.
- 19:44Speaker 2: Which is huge.
- 19:45Speaker 1: It really is. He wants to utilize modern DNA and
- 19:48Speaker 1: fingerprint technology that simply did not exist when Officer Nandori
- 19:52Speaker 1: first opened that trash bag. And the primary target for
- 19:55Speaker 1: that new testing? Henry's custom airbrushed pants.
- 19:58Speaker 2: The evolution of forensic science is honestly the greatest enemy
- 20:02Speaker 2: of a cold case killer. We are talking about touch
- 20:05Speaker 2: DNA and microscopic trace evidence here. Heavy denim is highly porous.
- 20:11Speaker 1: So it holds on to things.
- 20:12Speaker 2: Exactly. If whoever stuffed those pants into that bag left
- 20:15Speaker 2: even a few skin cells behind, a 30-year-old secret could
- 20:19Speaker 2: unravel on a laboratory slide in a matter of days.
- 20:23Speaker 1: But the past isn't just sitting quietly in an evidence
- 20:25Speaker 1: locker waiting for a swab. It is still alive out
- 20:28Speaker 1: there in the streets of the East End. When you
- 20:31Speaker 1: read through the source material, there's a detail that is
- 20:33Speaker 1: just impossible to shake.
- 20:35Speaker 2: What's that?
- 20:36Speaker 1: A reporter recently went back to visit the Pacific Highway
- 20:39Speaker 1: underpass where one of the bags of Benjamin's remains was found.
- 20:43Speaker 1: She looked up at the concrete piling. And spray-painted there,
- 20:47Speaker 1: in fresh black paint, was a single word. Sword.
- 20:51Speaker 2: Wow. That is a haunting reminder. It really functions as
- 20:56Speaker 2: a signature. A sign that the ego of the killer
- 20:59Speaker 2: remains totally intact decades later.
- 21:02Speaker 1: It leaves you with a deeply unsettling thought to mull over. Honestly.
- 21:06Speaker 1: If the serial killer theory was completely wrong, and the
- 21:09Speaker 1: killer truly is local, living comfortably and unpunished in that
- 21:13Speaker 1: exact same community since 1994, what does that do to
- 21:17Speaker 1: the psychology of a neighborhood?
- 21:19Speaker 2: It has to poison it. Right.
- 21:21Speaker 1: The surviving family claims they are paralyzed by their fear
- 21:24Speaker 1: of the community. But if modern DNA on those airbrushed
- 21:27Speaker 1: jeans finally breaks three decades of silence, will the dangerous
- 21:31Speaker 1: community they claim to fear turn out to be the
- 21:33Speaker 1: people sitting right at their own dinner table? It just
- 21:36Speaker 1: goes to show, sometimes you really do have to pull
- 21:39Speaker 1: that loose thread, no matter how terrifying the unraveling might be.