Latest / Drama, Darling: A Real Housewives Comedy Podcast / 😎 Summer House and 🍑 RHOA: The Last Five Minutes, Silent-But-Deadly Energy, Bankruptcy Bonding & That Dirty Room

Transcript

😎 Summer House and 🍑 RHOA: The Last Five Minutes, Silent-But-Deadly Energy, Bankruptcy Bonding & That Dirty Room · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama, Darling.
• 0:09
  Speaker 2: Drama, Darling Drama, Darling. Well, hello, welcome in everybody. It's
• 0:24
  Speaker 2: me Amy Philipstiana Chang is with me, just hanging out.
• 0:26
  Speaker 2: It's another drama after dark. App we're going to be
• 0:29
  Speaker 2: talking about some summerhouse, a little bit of Atlanta and
• 0:33
  Speaker 2: we're just getting ready to go. I can't believe it
• 0:36
  Speaker 2: at this hour, two mourning doves taking on.
• 0:40
  Speaker 1: The mat, coming into the night.
• 0:47
  Speaker 2: I do call you, my little mourning dove, though I
• 0:51
  Speaker 2: mean that you're kind of like. I'm like, I call
• 0:56
  Speaker 2: you up and you're.
• 0:57
  Speaker 1: Like, well, you texted me at a godly hour and
• 1:03
  Speaker 1: I was like hi. You know, it was like, ma'am
• 1:07
  Speaker 1: that was shocked response. No, life fonder, she'll be uncomfortable.
• 1:14
  Speaker 2: I'm done. No, And yet I wasn't. I was like,
• 1:17
  Speaker 2: you gave me life. I was like, this is exciting.
• 1:20
  Speaker 2: It was a few minutes before five am. It wasn't
• 1:25
  Speaker 2: even five shish. I just got shushed. Why so embarrassed?
• 1:31
  Speaker 3: I'm not.
• 1:32
  Speaker 1: I'm proud because it was just such a crazy hour
• 1:35
  Speaker 1: to respond to a text.
• 1:37
  Speaker 2: Well, you know, let's go back, let's go to the
• 1:39
  Speaker 2: roots of that. Why would I be texting you at
• 1:42
  Speaker 2: that hour. Let's sure know, so.
• 1:44
  Speaker 1: Tell you the doc of that. The government has called
• 1:47
  Speaker 1: you and so you have to be up.
• 1:50
  Speaker 2: No, it's not that. It's that Why would I actually
• 1:53
  Speaker 2: be texting someone else at that It's it's rude. But
• 1:57
  Speaker 2: here's the thing. I I've let go of it all.
• 2:00
  Speaker 2: I'm like, look, if you don't have your phone, I'm silent.
• 2:02
  Speaker 2: That's not my problem. You're if you ever want me
• 2:05
  Speaker 2: to respond to you, You're going to get texts at
• 2:09
  Speaker 2: weird times because I'm going to think of it in
• 2:11
  Speaker 2: the middle of the night, I'm going to think of
• 2:13
  Speaker 2: it first thing in the morning. I'm going to it's
• 2:16
  Speaker 2: going to be a weird time. And if I don't
• 2:18
  Speaker 2: do it, then you're never going to hear from me.
• 2:20
  Speaker 1: Okay, so daunting, yeah, yeah, rendition, You'll never see my
• 2:26
  Speaker 1: face again in these texts. Okay, I'm marrying it and
• 2:31
  Speaker 1: I'm listen. I guess I'll respond at any time. Please
• 2:35
  Speaker 1: do no problem, no problems over here, you know, just
• 2:39
  Speaker 1: shoot it now, you shoot it.
• 2:40
  Speaker 2: Those of you who are yelling at your phone saying Amy,
• 2:43
  Speaker 2: you can schedule a text. Oh, I know you know what.
• 2:47
  Speaker 1: As a former Apple employee, I know you can schedule
• 2:51
  Speaker 1: an email, but I've never.
• 2:52
  Speaker 2: Actually it's new. I think it's a new one.
• 2:55
  Speaker 1: Oh is it? Okay? Okay, okay, because I'm like I
• 2:57
  Speaker 1: did that. Don't live that life.
• 2:59
  Speaker 2: Don't feel like you have missed the boat. It's new
• 3:02
  Speaker 2: within the last i'd say year, maybe two, but at
• 3:06
  Speaker 2: least year. I mean, I might as well just tell
• 3:09
  Speaker 2: the darlings that they don't know. Basically, and if you're
• 3:12
  Speaker 2: Tier two watching this, I'm just gonna go ahead and
• 3:14
  Speaker 2: pull this up, Deanna. Let's see if there's anything on
• 3:17
  Speaker 2: here that's incriminating. No, okay, So I'm going to my
• 3:20
  Speaker 2: messages and do you see the plus sign where you
• 3:24
  Speaker 2: would add a gift or perhaps a sticker or yeah,
• 3:28
  Speaker 2: all the fun stuff. So you're going to go to
• 3:30
  Speaker 2: that plus sign and here's what you're gonna need to
• 3:32
  Speaker 2: do is you're going to just scroll up because it's
• 3:35
  Speaker 2: going to hide from you. You're going to have to
• 3:37
  Speaker 2: really scroll. You're really scrolling. You're getting to things that
• 3:41
  Speaker 2: you thought you'd never see. So right under literally Starbucks gifts,
• 3:47
  Speaker 2: gifts you're going to see send later. I don't know
• 3:51
  Speaker 2: why they would and maybe this is just on my own,
• 3:54
  Speaker 2: but what did you say tuck it?
• 3:56
  Speaker 1: No, they've tucked it off to hell. It's tough as.
• 4:00
  Speaker 2: This text could be, but like to put it after
• 4:03
  Speaker 2: a Starbucks gift is like get in line, send text later.
• 4:08
  Speaker 1: You know, they're really not banking on us doing it.
• 4:13
  Speaker 2: They're like, you're gonna get your coffee before you send
• 4:16
  Speaker 2: a text later. That's what you're gonna do. So anyway,
• 4:19
  Speaker 2: that's where it is. So you would write your text
• 4:22
  Speaker 2: and then you'd click on send later, and look at this.
• 4:26
  Speaker 2: It says tomorrow. You can click on that, and you
• 4:28
  Speaker 2: know it's just a drop down tomorrow you could do tomorrow.
• 4:32
  Speaker 2: It's a date. You could do a date like a calendar.
• 4:34
  Speaker 1: AnyWho, listen, darlans. If tomorrow you get a whole bunch
• 4:38
  Speaker 1: of texts coming your way scheduled, it's me, And how
• 4:42
  Speaker 1: did I get your numbers? Don't worry about it. Just
• 4:45
  Speaker 1: don't worry about it.
• 4:50
  Speaker 2: Okay, Okay, Let's talk about summer house first, because that's
• 4:54
  Speaker 2: what the people want and the people are going to
• 4:56
  Speaker 2: get it. And I'll tell you what whow.
• 5:01
  Speaker 1: Wow, you know what I mean. So it's Wednesday evening,
• 5:07
  Speaker 1: I have been online. I don't know the only thing
• 5:13
  Speaker 1: I've seen about Summerhouse. It's crazy because this came out
• 5:16
  Speaker 1: on Tuesday night, right correct, so I had no spoilers,
• 5:23
  Speaker 1: which is kind of shocking to me right now based
• 5:25
  Speaker 1: on everything that happened in the last five minutes of
• 5:28
  Speaker 1: this episode, I just can't believe I didn't last five.
• 5:32
  Speaker 2: Last five, babe. You know how they say the first
• 5:35
  Speaker 2: forty eight, you know in Bravo World, it's the last five.
• 5:39
  Speaker 2: You know, that's where you're gonna get deep, and it's
• 5:42
  Speaker 2: gonna get dirty, and it's going to get ugly, and
• 5:46
  Speaker 2: they're gonna stop it, and then you know, we got
• 5:49
  Speaker 2: to wait another seven days.
• 5:52
  Speaker 1: That is it's it's the last five, and then you
• 5:55
  Speaker 1: got seven and then you're gonna you got something in
• 5:59
  Speaker 1: the top ten, and then you top ten, you have
• 6:02
  Speaker 1: nothing and.
• 6:03
  Speaker 2: For the rest of the season.
• 6:04
  Speaker 1: Yeah, but to see.
• 6:08
  Speaker 2: Let me start with all season I have forgotten to
• 6:12
  Speaker 2: mention that Kyle has really been working out. And don't
• 6:14
  Speaker 2: think that I haven't taken notice. I think it's I
• 6:18
  Speaker 2: think that we need to start this podcast by saying, Kyle,
• 6:21
  Speaker 2: you look great, you look swall, Okay, you've worked on
• 6:24
  Speaker 2: your body. He's looking good, he's looking foined. He's looking
• 6:27
  Speaker 2: noise and I just want to give him props for
• 6:31
  Speaker 2: that because and Carl, he's really putting himself together. So
• 6:36
  Speaker 2: good on them to discover that djaying really is bringing
• 6:41
  Speaker 2: him such full joy. I can't deny a person that.
• 6:45
  Speaker 2: I just can't. So at some point, you know, even
• 6:50
  Speaker 2: if this thing didn't happen with West, I think that
• 6:54
  Speaker 2: Kyle and Amanda should not be together, and then Kyle
• 6:57
  Speaker 2: can marry his music because that's really what he wants.
• 7:00
  Speaker 2: And who are we to get in the middle of that?
• 7:02
  Speaker 2: And who is Lindsay to get in the middle of that? Now,
• 7:05
  Speaker 2: let's talk about Lindsay at that dinner table? Here he
• 7:08
  Speaker 2: here gee? I mean wow, who called in the marriage
• 7:11
  Speaker 2: therapist because they already had their marriage therapy that week?
• 7:14
  Speaker 2: And this gal just jumps in the middle and is
• 7:17
  Speaker 2: yelling partnership, partnership, partnership left and right. I would freak
• 7:22
  Speaker 2: out too. It's like somebody who's just poking and poking
• 7:25
  Speaker 2: and poking and knowing what's going on on the other
• 7:29
  Speaker 2: side of the table. Okay, scary, scary? Take it which
• 7:33
  Speaker 2: part of Kyle is scary? Because I don't think it's scary.
• 7:36
  Speaker 2: The most he does is he slams his hands on
• 7:38
  Speaker 2: the table, which he always does, and he runs away and.
• 7:42
  Speaker 1: Me, I disagree with that. I learned something about Kyle
• 7:47
  Speaker 1: in this episode. I thought, Okay, there's a lot that
• 7:50
  Speaker 1: we have not seen between these two that goes on.
• 7:55
  Speaker 2: Oh that that phone. Okay, well let me let me
• 7:59
  Speaker 2: get on board with you there.
• 8:00
  Speaker 1: Holy smokes, that was real intense. And see I aligned
• 8:09
  Speaker 1: with Lindsay. Not that she was. I don't think she
• 8:14
  Speaker 1: planned to say that, but she earlier in the episode
• 8:19
  Speaker 1: was just like hearing this pitch of Amanda and Kyle
• 8:24
  Speaker 1: need to spend a month apart, and she's like looking
• 8:27
  Speaker 1: out for her friend, and she's like, is this the
• 8:31
  Speaker 1: best thing? Because it's on paper it doesn't sound great,
• 8:34
  Speaker 1: you know, And I just want to make sure that
• 8:36
  Speaker 1: this married couple who's getting pitched a month apart, getting
• 8:40
  Speaker 1: pitched a month apart. Yeah, they are getting pitched it. Yeah,
• 8:44
  Speaker 1: you know, yeah, to separate officially really is what the
• 8:49
  Speaker 1: pitch is. And I think she's like, is this the
• 8:53
  Speaker 1: right thing? They are in marriage therapy. I'm just like,
• 8:55
  Speaker 1: in her point of view, you.
• 8:56
  Speaker 2: Know, Oh, so I agree with everything she's said.
• 9:01
  Speaker 1: He is acting as if he's a single guy.
• 9:04
  Speaker 2: When Kyle said there is no partnership, you have no idea,
• 9:07
  Speaker 2: and it's like, yeah, he doesn't even know about West
• 9:10
  Speaker 2: and Amanda at this point, and what's going on there?
• 9:13
  Speaker 1: I know and I don't even know about West and
• 9:16
  Speaker 1: Amanda at this point. Like, yes, I watched West get
• 9:19
  Speaker 1: up and move it and defend his woman. That is
• 9:22
  Speaker 1: what I saw. Sure, that is what happened.
• 9:24
  Speaker 2: Should you see her look at him for defense? They did?
• 9:28
  Speaker 1: Yes, they did.
• 9:29
  Speaker 2: Did you see that? Dan?
• 9:30
  Speaker 1: Did you see looks the table and at the person
• 9:34
  Speaker 1: in charge of her and her world. She looked at
• 9:38
  Speaker 1: the person and not Sierra. She looked beyond Sierra and
• 9:42
  Speaker 1: looked at this guy. I think.
• 9:46
  Speaker 2: It's not we can take we can take a lot
• 9:51
  Speaker 2: of and it's not even a liberty. Her eyes went
• 9:53
  Speaker 2: to him, which is why he got up.
• 9:56
  Speaker 1: Yeah, now he was called he was called over by
• 9:59
  Speaker 1: the eye. He was no, he was.
• 10:03
  Speaker 2: Like it was. It was one of those things where
• 10:05
  Speaker 2: it was like Shakespeare. It was Shakespearean. It was also,
• 10:10
  Speaker 2: you know, like a fifties movie where it's like totally.
• 10:15
  Speaker 3: Did you hear that, busta, what are you gonna do
• 10:19
  Speaker 3: about it? Did you hear us what he just said
• 10:21
  Speaker 3: about me, you know, like, are you gonna fight for me?
• 10:25
  Speaker 3: It was so that because she was like, are you
• 10:28
  Speaker 3: gonna let him sit there and say that?
• 10:31
  Speaker 2: Crazy? But also to back to your point about what
• 10:35
  Speaker 2: you saw in Kyle, Okay, remember when he called her a.
• 10:40
  Speaker 1: Can I no, because I don't have the whole summer house.
• 10:45
  Speaker 2: No, that was that was this season though, that was
• 10:48
  Speaker 2: the season. Oh okay, but this was your first foray
• 10:51
  Speaker 2: into him being a schmuck.
• 10:53
  Speaker 1: Okay, No, No, I know he's been a schmuck. It's
• 10:56
  Speaker 1: just the level he got to and they'll amount of
• 11:00
  Speaker 1: anger and when a man doesn't have control of themselves
• 11:04
  Speaker 1: like that, I find that very scary. And I think
• 11:09
  Speaker 1: it's like his boiling point. I don't know, I didn't
• 11:14
  Speaker 1: love it. You know. That just scares me, you know,
• 11:16
  Speaker 1: at the end of the day, it just does. And
• 11:20
  Speaker 1: that fuck you scared me.
• 11:22
  Speaker 2: That fuck you deep?
• 11:25
  Speaker 1: That was really deep and it didn't feel brand new. No,
• 11:31
  Speaker 1: you know, so there is so much anger, and I
• 11:34
  Speaker 1: think he keeps a top on it, you know what,
• 11:37
  Speaker 1: for filming in general, Like, I think he keeps a
• 11:41
  Speaker 1: top on it to some extent.
• 11:43
  Speaker 2: Yeah, I mean kind of, but we haven't heard him,
• 11:46
  Speaker 2: we haven't heard him say things like that to her
• 11:48
  Speaker 2: until this season.
• 11:50
  Speaker 1: I mean, I don't know. It was just like who
• 11:54
  Speaker 1: that's a lot.
• 11:55
  Speaker 2: And on the other hand, I mean, Lindsay wouldn't stop,
• 11:58
  Speaker 2: and it was a table full of people, and quite frankly,
• 12:04
  Speaker 2: she's over stepping and Kyle should shut up. He should
• 12:07
  Speaker 2: never speak to anyone the way that he speaks to
• 12:10
  Speaker 2: his wife. But I understood why he got frustrated and
• 12:14
  Speaker 2: he walked off. If he was a real, you know,
• 12:18
  Speaker 2: an emotionally stable person, he would have said, you know, respectfully,
• 12:22
  Speaker 2: let's not have this conversation with you. This is not
• 12:25
  Speaker 2: your problem and we are in marriage counseling and just
• 12:29
  Speaker 2: walked off. He's a spoiled brat. He's entitled.
• 12:32
  Speaker 1: Yeah, yeah, and you think she's entitled, so it's too
• 12:36
  Speaker 1: It might be really two entitled people rubbing up against
• 12:39
  Speaker 1: each other. Listen, he is in financial straits now he's not.
• 12:46
  Speaker 1: But at the time, now that this West in Ama
• 12:49
  Speaker 1: story is broke, he's sitting pretty But at the time
• 12:51
  Speaker 1: he's he's on the hook for a ton of money.
• 12:54
  Speaker 1: For love of boy, he just heard minutes before that
• 13:00
  Speaker 1: like Amanda was okay.
• 13:02
  Speaker 2: With separating yeahs each scene word that was crazy.
• 13:06
  Speaker 1: Hour before or whatever.
• 13:08
  Speaker 2: Yeah, so that.
• 13:09
  Speaker 1: Was new information to him. And like we see him
• 13:13
  Speaker 1: trying to talk to her and she just zips by,
• 13:15
  Speaker 1: like there there's nothing there you know, to hold on too.
• 13:21
  Speaker 1: So it's this like two shell, like a shell of
• 13:24
  Speaker 1: a relationship that is being playing out in front of us,
• 13:28
  Speaker 1: which is just hard to watch. But in terms of
• 13:31
  Speaker 1: like the it's funny that you say that she was
• 13:34
  Speaker 1: doing like a fifties thing, and that's hilarious and I
• 13:37
  Speaker 1: think that's absolutely true. I also think that he wants
• 13:42
  Speaker 1: a very traditional relationship Kyle, And yeah, he sees her
• 13:51
  Speaker 1: in relationship to him and his businesses and how she
• 13:58
  Speaker 1: like he wants for being a DJ, and he wants
• 14:03
  Speaker 1: her to work with a lover boy, and he wants
• 14:06
  Speaker 1: her he wants her all the relationship to his.
• 14:11
  Speaker 2: Deb unconditional with him, let him drink as much as
• 14:16
  Speaker 2: he wants, stay out out as late as he wants.
• 14:18
  Speaker 2: He wants to live a madman lifestyle in the Hampton's, yeah, exactly,
• 14:24
  Speaker 2: and the fact that she's not falling in line with
• 14:27
  Speaker 2: that is where he is like he can't compute, and
• 14:32
  Speaker 2: then he justifies all of the reasons why he's even
• 14:37
  Speaker 2: going into this profession when the whole I thought, the
• 14:41
  Speaker 2: whole idea was that they would eventually, like you know,
• 14:45
  Speaker 2: have kids and move to the suburbs. What's weird is
• 14:47
  Speaker 2: that I thought that he was going to be on
• 14:49
  Speaker 2: that same page too. But he wasn't making the kind
• 14:52
  Speaker 2: of money that he thought he would be making at
• 14:54
  Speaker 2: that point. So then things changed for him, which then
• 14:57
  Speaker 2: he wasn't able to do unless he made a certain
• 15:00
  Speaker 2: amount of money. He was never going to move to
• 15:02
  Speaker 2: the suburbs and get a house.
• 15:04
  Speaker 1: Yeah, but I don't know that this guy. He may
• 15:07
  Speaker 1: have had hit that money and he may have made
• 15:13
  Speaker 1: his hobble to his body over to the suburbs, but like,
• 15:17
  Speaker 1: he wasn't going to be a suburban guy. Hm, that
• 15:22
  Speaker 1: is not in him. And I say that with love.
• 15:26
  Speaker 1: Like he is for the streets, Like he's more than nightlife.
• 15:30
  Speaker 1: He is not. Yeah, he doesn't want to be told
• 15:33
  Speaker 1: a thing.
• 15:35
  Speaker 2: It's like, now, you know, I didn't know that of
• 15:39
  Speaker 2: him as we're watching this. I mean, it's pretty it's
• 15:42
  Speaker 2: laid out before us. He's such a party guy. Of course,
• 15:44
  Speaker 2: this makes so much sense. But I did think at
• 15:48
  Speaker 2: least they would maybe stay in the city and like
• 15:50
  Speaker 2: have a family and get a bigger place and be
• 15:53
  Speaker 2: very possible. But they just went separate ways as it went.
• 15:58
  Speaker 2: And he's having this whole new, i want to say,
• 16:01
  Speaker 2: for lack of a better words, midlife crisis in a
• 16:03
  Speaker 2: way amid these financial streets. And it makes me think
• 16:10
  Speaker 2: of and it's not the same, but it's like the Countess.
• 16:15
  Speaker 2: She took on this whole new lifestyle, like this evening lifestyle,
• 16:19
  Speaker 2: with this whole new burgeoning cabaret career, and it was
• 16:23
  Speaker 2: born really on the show and she was able to
• 16:26
  Speaker 2: shop it on the show while she was on the show,
• 16:28
  Speaker 2: and then it became this whole thing. And their trajectories
• 16:32
  Speaker 2: are very very similar, and you realize, oh, I didn't
• 16:36
  Speaker 2: realize that that's the person that you've always been. Like
• 16:40
  Speaker 2: you said, you're for the streets, You're for the night.
• 16:42
  Speaker 1: Life, baby, for the night You're for the night right
• 16:47
  Speaker 1: and the evening hours.
• 16:49
  Speaker 2: And Amanda isn't she used to be? She used to be, but.
• 16:55
  Speaker 1: Then everybody used to be you know what I mean?
• 16:59
  Speaker 2: Yeah, And then when you're on a reality show in
• 17:02
  Speaker 2: the summerhouse, then you kind of have to be and
• 17:05
  Speaker 2: that's your lifestyle or.
• 17:06
  Speaker 1: Being paid to be right. Yeah, but you know, she's
• 17:12
  Speaker 1: so lost, I do think, and I think that the
• 17:16
  Speaker 1: crucial piece about him regarding Amanda is that I'll give
• 17:24
  Speaker 1: you an example.
• 17:25
  Speaker 2: Yeah, let's hear it.
• 17:26
  Speaker 1: Okay, my husband's company was dissolving and he didn't have
• 17:30
  Speaker 1: another job yet, and I was like, well, I could
• 17:34
  Speaker 1: use help with the montage queen doing X, Y and
• 17:37
  Speaker 1: Z right as interim while you're finding another job. And
• 17:46
  Speaker 1: he had a real negative reaction to that, and he
• 17:49
  Speaker 1: gave me, like a very firm no because that would
• 17:54
  Speaker 1: not feel good to him, and he did not want
• 17:57
  Speaker 1: to work for me. Yeah, and this wasn't anything he
• 18:02
  Speaker 1: wanted to do, which is fine. And I heard it,
• 18:07
  Speaker 1: and he got another job and it worked out great.
• 18:10
  Speaker 1: But I heard it.
• 18:11
  Speaker 2: Yeah, I pitched it.
• 18:13
  Speaker 1: I said, listen to a lot of couples, you know,
• 18:16
  Speaker 1: I see a lot of businesses where the partner will
• 18:18
  Speaker 1: pitch in and like help. Right, He did not want that, right,
• 18:23
  Speaker 1: you know what I mean? And that's okay?
• 18:26
  Speaker 2: Yeah, Like, and sometimes best for in a lot of situations,
• 18:29
  Speaker 2: couples don't work great together and they find that out
• 18:31
  Speaker 2: the hard way, and you can't go back, Kyle.
• 18:35
  Speaker 1: She didn't want to work for a lover boy. She
• 18:38
  Speaker 1: wanted her own job, whether her skill set aligned with
• 18:43
  Speaker 1: it or not. Like my husband's a merchant marine, but
• 18:46
  Speaker 1: he used to work in sales. So like I was like, hey,
• 18:50
  Speaker 1: I think if your skill set could align, you know,
• 18:53
  Speaker 1: your old skill set.
• 18:55
  Speaker 2: Yeah.
• 18:55
  Speaker 1: My point is, like Kyle didn't want to hear it.
• 18:59
  Speaker 1: He's like, no, you wife, you work me right, Wife?
• 19:04
  Speaker 2: I love her, you still do here?
• 19:07
  Speaker 1: You still over here that skill.
• 19:10
  Speaker 2: No there, you knowwhere else?
• 19:14
  Speaker 1: Yeah, because like she's the enemy right now, and I
• 19:16
  Speaker 1: get that. I do feel like he painted her into
• 19:20
  Speaker 1: a corner with a lot of things.
• 19:23
  Speaker 2: Yeah, he cheated on her before, he kind of cheated
• 19:26
  Speaker 2: on her aft and then we're wrapping this, this whole
• 19:30
  Speaker 2: marriage thing up towards the end and he's like sleeping
• 19:32
  Speaker 2: at a fan's house. You know, it takes sometimes a
• 19:35
  Speaker 2: long time for something to sink in that it's just
• 19:37
  Speaker 2: not right, And it took her a long time to
• 19:40
  Speaker 2: figure that out. And the way that she dealt with
• 19:42
  Speaker 2: it is, you know, we all deal with it differently.
• 19:45
  Speaker 2: But she acted out in a way that was going
• 19:49
  Speaker 2: to make her happy. She's like, fuck this, I'm going
• 19:52
  Speaker 2: to do what I need to do when I want
• 19:54
  Speaker 2: to do it, and Selavi. So that's why she's sitting
• 19:57
  Speaker 2: at the table. And what I found interesting is that
• 20:03
  Speaker 2: not one word, Yeah, not one word. Lindsay's speaking on
• 20:08
  Speaker 2: behalf of her. Sierra even piped in certainly west at
• 20:12
  Speaker 2: the end, but she didn't say anything. And she also
• 20:16
  Speaker 2: used that as her defense against Kyle by saying, I'd
• 20:19
  Speaker 2: not say anything. I didn't say anything. It's not me.
• 20:24
  Speaker 2: Isn't that interesting her?
• 20:26
  Speaker 1: Though?
• 20:26
  Speaker 2: I know? But she sits there and like Siara says, well,
• 20:31
  Speaker 2: Sierra said that the leaked audio and I hate to
• 20:34
  Speaker 2: bring it up because we shouldn't know about it, right,
• 20:36
  Speaker 2: but she called her a She's silent but deadly. And
• 20:40
  Speaker 2: isn't that just interesting how she's sitting at the table,
• 20:42
  Speaker 2: silent but deadly in the sense that she's letting everyone
• 20:47
  Speaker 2: around her do the dirty work and she's not getting
• 20:50
  Speaker 2: her hands dirty. Lindsay is speaking up for her, Kyle's
• 20:55
  Speaker 2: getting his feathers all ruffled. She could give two shits.
• 20:59
  Speaker 2: The thing that pisses her off is when she obviously
• 21:03
  Speaker 2: he says fuck you and she looks over at West
• 21:06
  Speaker 2: for help. She doesn't defend herself, But why is that?
• 21:12
  Speaker 2: Why wouldn't she defend herself in that moment because she's gone,
• 21:16
  Speaker 2: She's gone. It's not her fight, it's not her fight anymore,
• 21:21
  Speaker 2: and she doesn't care.
• 21:22
  Speaker 1: See, I don't care. Let him go to Vegas. I'm
• 21:26
  Speaker 1: over it. That's really what she should have said. It's
• 21:30
  Speaker 1: like lindsay, I'm over it. Let him go to Vegas,
• 21:33
  Speaker 1: because that's the truth. Yeah, she wanted him to go
• 21:37
  Speaker 1: through that. She wanted him to definitely get flogged. For sure.
• 21:42
  Speaker 2: She's delighting in it because it makes her look like
• 21:48
  Speaker 2: the hero or like how they say the saint in
• 21:51
  Speaker 2: a relationship, that you're the one that's taking all the hits.
• 21:54
  Speaker 2: But there's responsibility on the other side. And that's where
• 21:58
  Speaker 2: that gets all twisted up. And that what people don't
• 22:01
  Speaker 2: realize when they when they think that they're being the
• 22:03
  Speaker 2: better person, they're actually not. They're just they may not
• 22:06
  Speaker 2: be as cruel or as bad, but their responsibility is
• 22:11
  Speaker 2: huge because they're allowing it all to happen. I mean,
• 22:14
  Speaker 2: she also could have left a really long time ago,
• 22:17
  Speaker 2: a really long time ago, a really really really really
• 22:20
  Speaker 2: really really really long time ago. I know it's hard
• 22:23
  Speaker 2: to leave, but people do it every day.
• 22:27
  Speaker 1: True, true, I mean they are is it the show?
• 22:31
  Speaker 2: It's like that's the thing. That's when it's like it
• 22:35
  Speaker 2: really mirrors Sandoval in Ariana because of their brand. I
• 22:39
  Speaker 2: mean we've heard so much about there. They were a brand.
• 22:43
  Speaker 2: They were a brand. They couldn't they couldn't break out
• 22:45
  Speaker 2: of it. They were a brand. And so are Kyle
• 22:48
  Speaker 2: and a mine.
• 22:48
  Speaker 1: Yeah right, No, it's like, can Amanda go to the
• 22:51
  Speaker 1: Summerhouse without Kyle?
• 22:53
  Speaker 2: Yeah? Who are you going to have picked?
• 22:54
  Speaker 1: Right?
• 22:55
  Speaker 2: Is it going to be like an every other weekend?
• 22:57
  Speaker 2: Like the Summerhouse gets Amanda for three weekends in the
• 23:00
  Speaker 2: summer and the Summerhouse gets Kyle for four. Right, it's
• 23:07
  Speaker 2: it's the Summerhouse custody agreement. Okay. Piggybacking off of last
• 23:10
  Speaker 2: week their past weekend being at Softbar opening and she
• 23:15
  Speaker 2: finds out that Sierra is going to go on a
• 23:19
  Speaker 2: double date with West and Ben and Sabrina, so she's
• 23:23
  Speaker 2: all upset about it, and then we find out that
• 23:26
  Speaker 2: she left the Soft Bar and Mia was pissed because
• 23:32
  Speaker 2: she's like, you didn't come to drink with us, and
• 23:33
  Speaker 2: she's like, oh, I was hurt because I wasn't invited,
• 23:37
  Speaker 2: which I didn't know anything about until we saw that
• 23:39
  Speaker 2: flashback and she was talking to Jesse. She's like, why
• 23:42
  Speaker 2: didn't you invite me or something? And then she's like, look,
• 23:45
  Speaker 2: she goes, I didn't even get a text, and I
• 23:48
  Speaker 2: was like, huh. I think she left because she was
• 23:54
  Speaker 2: mad that she couldn't be with West that night or
• 23:57
  Speaker 2: I feel like it had something to do with him,
• 23:59
  Speaker 2: but for sure and finding out that they were going
• 24:03
  Speaker 2: to be going on this date she was upset about
• 24:06
  Speaker 2: that is what I mean.
• 24:08
  Speaker 1: And so yeah, I mean I felt like she was
• 24:10
  Speaker 1: sitting down with me at a kind of find out
• 24:14
  Speaker 1: if anything happened between them everything.
• 24:18
  Speaker 2: Yeah, at the beach.
• 24:19
  Speaker 1: Just let me see if there's any tea here between
• 24:24
  Speaker 1: West and Sierra.
• 24:26
  Speaker 2: Because in the most relaxed way, silent but deadly.
• 24:32
  Speaker 1: No, I'm scared of Amanda, like that is I am
• 24:36
  Speaker 1: terrified of her. I mean that whole spiel that speak
• 24:43
  Speaker 1: about Sierra being the most wonderful person in the world.
• 24:47
  Speaker 2: They have to treat her differently than anyone else in
• 24:50
  Speaker 2: the world. We have to treat her differently than anyone
• 24:53
  Speaker 2: else in the world, and I would be No, it's
• 24:57
  Speaker 2: totally no.
• 24:58
  Speaker 1: It's psych It's like, I'm I'm scared of you. I'm
• 25:03
  Speaker 1: terrified of you. Please don't come near me.
• 25:05
  Speaker 2: Because it's like projection in the worst possible way, Like
• 25:10
  Speaker 2: you're saying the absolute opposite of what you're doing, the
• 25:13
  Speaker 2: legit opposite, when you know inside that that's not what's happening.
• 25:19
  Speaker 2: You full on have eyes for her man And I'm
• 25:22
  Speaker 2: sorry it's not her man, but you know what I'm
• 25:24
  Speaker 2: getting at, well, I.
• 25:26
  Speaker 1: Mean it's the guy that she has. She has your
• 25:29
  Speaker 1: friend has strong feelings for her. She's strong.
• 25:33
  Speaker 2: It is she's been tortured for two years. She's been
• 25:36
  Speaker 2: tortured for two years because she hasn't been able to
• 25:38
  Speaker 2: get over it. She hasn't been able to leat over it. No,
• 25:40
  Speaker 2: and that's on Sierra, But like that's we talked about
• 25:43
  Speaker 2: that last week. Besid doesn't matter.
• 25:46
  Speaker 1: It doesn't matter, you know, it doesn't matter. It's just
• 25:51
  Speaker 1: scary stuff, you know, it's spooky, spooky business. Like it's
• 25:58
  Speaker 1: just spooky. I'm scared when.
• 26:02
  Speaker 2: She's like I would be the happiest person in the
• 26:07
  Speaker 2: like for Siara in the world, Like when you make
• 26:11
  Speaker 2: sweeping statements like that, that's what's terrifying me. Yeah, I'll
• 26:14
  Speaker 2: be the happiest person in the.
• 26:15
  Speaker 1: World if they get back together.
• 26:18
  Speaker 2: Yeah, but West has to be ready for that. And
• 26:23
  Speaker 2: if he's not, just say the word and I will.
• 26:26
  Speaker 2: Was that the thing was that I.
• 26:29
  Speaker 1: Was like, she said she would cut him off, like
• 26:32
  Speaker 1: if if she she was like, if if Sierra even
• 26:35
  Speaker 1: looks at me, like with an a look that says West
• 26:40
  Speaker 1: is doing something to her that's negative. She's like, I
• 26:43
  Speaker 1: will cut him off in the second. I would die.
• 26:46
  Speaker 2: She said.
• 26:46
  Speaker 1: I would die for that.
• 26:47
  Speaker 2: I would die for that. Girl.
• 26:49
  Speaker 1: You're scaring me because here's the thing. At that moment
• 26:54
  Speaker 1: on the beach with Miah, I was like, Okay, hold on,
• 26:58
  Speaker 1: they haven't actually, you know, been.
• 27:02
  Speaker 2: Talking about they had I don't think they have.
• 27:04
  Speaker 1: Haven't had sex.
• 27:05
  Speaker 2: I haven't had sex.
• 27:06
  Speaker 1: They haven't they have. Nothing's happened. At that point in
• 27:09
  Speaker 1: the beach, I go, okay, well, nothing's happened.
• 27:11
  Speaker 2: You know if you don't even think you're are we
• 27:13
  Speaker 2: taking back what we said? No, I'm just because we
• 27:17
  Speaker 2: agreed that they spooned. That's what we said last week basically.
• 27:20
  Speaker 1: Stand but I I yeah last week was last week.
• 27:23
  Speaker 1: But when we're on the beach and she's saying I'd
• 27:25
  Speaker 1: die for her, and like I will, I would, you know,
• 27:29
  Speaker 1: going Okay, maybe I have it wrong, maybe maybe not.
• 27:32
  Speaker 1: Nothing has happened. They're just friends, yeah, yeah, and they're
• 27:36
  Speaker 1: confiding each other. This is right build.
• 27:39
  Speaker 2: This is the build that there's still in this Like,
• 27:42
  Speaker 2: but we're supporting still okay, we're still nothing flying above board.
• 27:51
  Speaker 1: We're still above board. You can't pin a goddamn thing
• 27:54
  Speaker 1: on me, you know, Like I have no evidence, still
• 27:58
  Speaker 1: zero evidence. Even if they're there's a butterfly rumbling around,
• 28:02
  Speaker 1: there's nothing. We can all have butterflies, I could, you know,
• 28:05
  Speaker 1: butterflies are fine. Like do you know what I'm saying?
• 28:08
  Speaker 1: You have an emotion, it's what you do.
• 28:11
  Speaker 2: So this is where I'm going.
• 28:13
  Speaker 1: So I mean, if she's she's dancing on a road,
• 28:15
  Speaker 1: that's inappropriate. And then West, he's the one who is
• 28:22
  Speaker 1: freaking out that people are shipping him in Sierra and
• 28:28
  Speaker 1: there the group is trying to push that along and
• 28:32
  Speaker 1: he's like whoao.
• 28:34
  Speaker 2: He does not hold up. He's like, no, we're throwing
• 28:37
  Speaker 2: this bag into neutral reverse and park. So I'm gonna
• 28:42
  Speaker 2: make that clear again when we're playing this Lost and
• 28:46
  Speaker 2: Found game and I'm going to say, I'm going to
• 28:49
  Speaker 2: triple quadruple down and say I lost a friendship and
• 28:56
  Speaker 2: now I've got this friendship friendship bad. He's trying to
• 29:01
  Speaker 2: ship the friendship so that she knows. And he's so
• 29:06
  Speaker 2: bad with words, and he's so used to playing women
• 29:10
  Speaker 2: that he's like, because I love just so important to me.
• 29:15
  Speaker 2: I love and to be with and having that with
• 29:21
  Speaker 2: so much so and she's like, oh, like he said,
• 29:27
  Speaker 2: like the least any person could say to another. He
• 29:32
  Speaker 2: said the least, you know, the basic minimum, and she
• 29:36
  Speaker 2: it's like he proposed That's how she reacted. She was
• 29:39
  Speaker 2: like Wesleyan Westy West West Westy dog like west West.
• 29:44
  Speaker 2: You know, she was freaking. She couldn't. I'm like, what
• 29:47
  Speaker 2: are look at this reaction? And then what was the
• 29:52
  Speaker 2: moment when she came over and gave him a hug?
• 29:56
  Speaker 2: I could not figure out what that was going on
• 29:57
  Speaker 2: with that where she gave him a hug and she
• 30:00
  Speaker 2: was kind of being funny and cute. She's like, you're
• 30:02
  Speaker 2: such a baby, and like how you talk to a
• 30:05
  Speaker 2: pet or something like that? Right, yea and yeah, I know.
• 30:09
  Speaker 2: I'm like, that's how I talked to my cat, right, So,
• 30:11
  Speaker 2: so we talked to our pets like.
• 30:13
  Speaker 1: That little by yeah. Yeah.
• 30:15
  Speaker 2: And then he's like thank you and they're hugging, and
• 30:20
  Speaker 2: so he like then she pulls around. She grabs him
• 30:24
  Speaker 2: by the face, and then he kind of like looks
• 30:26
  Speaker 2: at her and it looks like they're almost gonna kiss
• 30:29
  Speaker 2: or something, but kind of not. But then she's she
• 30:31
  Speaker 2: says like no, no, And then so what was that?
• 30:34
  Speaker 2: Do you know what I'm talking about?
• 30:36
  Speaker 3: Oh?
• 30:36
  Speaker 2: The no?
• 30:37
  Speaker 1: No was she gave him a kiss on the cheek right. Oh,
• 30:40
  Speaker 1: and he said grossit a lipstick, right, I don't I
• 30:43
  Speaker 1: didn't hear gross.
• 30:44
  Speaker 2: I heard gross. She had a lips Okay.
• 30:47
  Speaker 1: That's hard. She left a lipstick thing and she was
• 30:50
  Speaker 1: gonna wipe it off. Oh, she might have said gross,
• 30:53
  Speaker 1: like let me get it. And then she was like, no,
• 30:55
  Speaker 1: I want to leave it there. No, No, I oh
• 30:57
  Speaker 1: lipstick print, yeah thing you Yeah, she wanted to leave
• 31:02
  Speaker 1: her imprint.
• 31:03
  Speaker 2: Get it Okay.
• 31:06
  Speaker 1: No, She's in love, like it's insane, you know how
• 31:10
  Speaker 1: poppy love.
• 31:11
  Speaker 2: It's like poppy love again right away, And the thing
• 31:14
  Speaker 2: that she said about her lost and Found was like
• 31:16
  Speaker 2: about him basically. I mean, I love the ending where
• 31:20
  Speaker 2: she's like, I found the Hampton, the bars and the Hamptons,
• 31:22
  Speaker 2: which was hilarious because I would imagine it would be
• 31:24
  Speaker 2: tough to find like a cool bar to go to,
• 31:27
  Speaker 2: you know, but like her saying that she lost the
• 31:32
  Speaker 2: thing that she loves the most. Did you see Amanda's
• 31:37
  Speaker 2: face when she's not that.
• 31:40
  Speaker 1: What was it? Uh?
• 31:43
  Speaker 2: It was like zoikes, you know, because she knows she's
• 31:47
  Speaker 2: not stupid.
• 31:50
  Speaker 1: Yes, well yeah, you know. Trying to not be close
• 31:58
  Speaker 1: to someone for two years, the person.
• 32:01
  Speaker 2: You love the most feelings and you want to be near,
• 32:05
  Speaker 2: like she said, and you just.
• 32:06
  Speaker 1: Want to be that is brutal torture, you know, torture.
• 32:11
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  Speaker 2: because because the way that he love bombs and the
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  Speaker 2: So it's like he doesn't do the things that like
• 36:17
  Speaker 2: deep down like really hurt you, except for the you
• 36:20
  Speaker 2: know New York Times article.
• 36:22
  Speaker 1: Right, never forget, never forget.
• 36:26
  Speaker 2: Even that didn't you know that's that was the thing
• 36:29
  Speaker 2: that should have had her.
• 36:31
  Speaker 1: Like really listen, I'm remembering that that that reunion. She
• 36:35
  Speaker 1: was mad as hell, you know, but she like that's
• 36:41
  Speaker 1: the thing though, and it kind of is for anyone,
• 36:43
  Speaker 1: like if you're you know, I can imagine it, like
• 36:47
  Speaker 1: you break up with someone, you pack up your things,
• 36:51
  Speaker 1: you schlep out, you're done. You tell all your friends
• 36:54
  Speaker 1: on follow him on Facebook like like everything is like
• 36:57
  Speaker 1: all sisters are down right, Like we're not like hey
• 37:01
  Speaker 1: everyone or keep following him and just no, like we're done,
• 37:04
  Speaker 1: Like there's no and then you're back. You're put back
• 37:10
  Speaker 1: in a house with that person for the summer, Like
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  Speaker 1: oh yeah, eventually you're going to break down if that's
• 37:18
  Speaker 1: somebody you loved and that you.
• 37:20
  Speaker 2: Yeah, she didn't have a fun to do it. She
• 37:22
  Speaker 2: did not. I didn't even like I don't know why,
• 37:26
  Speaker 2: but I did not. You know, consider that and that's
• 37:30
  Speaker 2: just silly to talk.
• 37:31
  Speaker 1: But you're right, yeah, she couldn't fully even if she
• 37:35
  Speaker 1: did get fully over him, like she could have been
• 37:39
  Speaker 1: in the process of getting over him and then right
• 37:41
  Speaker 1: when she hit a peek, then yeah, you can't. Like
• 37:43
  Speaker 1: that's the curse, is that if that person comes back
• 37:46
  Speaker 1: into your life before you're ready and you're not like done, Yeah, yeah,
• 37:52
  Speaker 1: you're back to square one.
• 37:53
  Speaker 2: But she you know, she's in love again and she's
• 37:58
  Speaker 2: got this loric suit on and is killing it because
• 38:01
  Speaker 2: how funny was that?
• 38:03
  Speaker 1: She's so funny. She loves a costume. This girl loves
• 38:10
  Speaker 1: of summerhouse. Yes, totally like she it's hers, it's her
• 38:15
  Speaker 1: happy place. It is.
• 38:17
  Speaker 2: I love it. I love it, love it, I love it,
• 38:19
  Speaker 2: love it, love it. Well, I want to say two
• 38:24
  Speaker 2: more things. One, I just want to reiterate that on
• 38:26
  Speaker 2: the beach, when Kyle and Sierra were talking and they
• 38:29
  Speaker 2: were talking about this separation thing, and Kyle was putting
• 38:34
  Speaker 2: it together like wait, have you had a conversation with
• 38:36
  Speaker 2: her about this and her saying yes, and He's like huh,
• 38:42
  Speaker 2: like he just got hit between the eyes and like
• 38:45
  Speaker 2: they were just in couples therapy and he did not
• 38:49
  Speaker 2: know anyway.
• 38:52
  Speaker 1: Yeah, I think I don't know what she's doing over
• 38:54
  Speaker 1: in that couple's therapy, like I love.
• 38:56
  Speaker 2: Biding her time.
• 38:58
  Speaker 1: Yeah.
• 38:58
  Speaker 2: Oh, it's like that text thread. There's nothing so m
• 39:06
  Speaker 2: you know who's doing the couple's therapy Lindsay and West.
• 39:11
  Speaker 2: I'm kidding. So at the end when Kyle is running
• 39:15
  Speaker 2: out the door and Carl steps up and it's like,
• 39:19
  Speaker 2: what are you gonna do with? Throw stuff? And of
• 39:21
  Speaker 2: course he was like throwing stuff and fuck you Carl
• 39:27
  Speaker 2: and Carl they ran they we were gonna go fisticuffs.
• 39:31
  Speaker 2: I mean, these two guys, we haven't seen a fight
• 39:35
  Speaker 2: in the summerhouse. I don't think between friends or anyone
• 39:39
  Speaker 2: for that matter.
• 39:40
  Speaker 1: Wow, that's kind of crazy.
• 39:42
  Speaker 2: A physical fighter, physical altercation has never happened. I don't believe.
• 39:47
  Speaker 1: Damn. I gotta tell you. My money is on Carl.
• 39:52
  Speaker 1: Oh yeah, do you know what I'm saying. It's like
• 39:56
  Speaker 1: he's got a lot of stuff in there, sleep on,
• 40:00
  Speaker 1: don't unleash the beast that's inside of Carl.
• 40:03
  Speaker 2: He just ran a marathon. He's gonna take you down.
• 40:07
  Speaker 1: Like it's my money is on him. And I wouldn't
• 40:11
  Speaker 1: mind seeing a fight. I don't know how anyone feels
• 40:13
  Speaker 1: about that. I don't really care. I wouldn't mind it.
• 40:16
  Speaker 2: They'll heel just fine.
• 40:18
  Speaker 1: Yeah, they'll be fine. And you know what, we may
• 40:21
  Speaker 1: need one.
• 40:22
  Speaker 2: I just want Carl.
• 40:24
  Speaker 1: Yeah, I know, I want Carl to be Okay, I say,
• 40:27
  Speaker 1: but yeah, Carl has worked a lot on his teeth.
• 40:30
  Speaker 2: Let's leave him alone in his mouth. But other than that,
• 40:33
  Speaker 2: he can handle it. Okay.
• 40:35
  Speaker 1: Carl also like finally dropping some game. Hello, did a
• 40:39
  Speaker 1: producer get in his ear and like, dude, this girl
• 40:42
  Speaker 1: talk about you all season, like you want to give
• 40:45
  Speaker 1: her something for the end or what?
• 40:47
  Speaker 2: Finally? And then and they just kissed, like because somebody
• 40:51
  Speaker 2: told them to though, which was silly, but.
• 40:56
  Speaker 1: It's been I'm like, when she was wondering if anything
• 40:59
  Speaker 1: was going on, oh my god, there's nothing. He's not interested,
• 41:02
  Speaker 1: Like he doesn't see you. It's not he's he's not
• 41:07
  Speaker 1: there emotional and then boom, he dropped some game.
• 41:11
  Speaker 2: All she had to do was wear that dress.
• 41:14
  Speaker 1: Yeah, he literally needed that to walk.
• 41:18
  Speaker 2: In basically naked. I see.
• 41:22
  Speaker 1: Okay, now we're cooking.
• 41:28
  Speaker 2: All right, enough about summer House. We just have a
• 41:31
  Speaker 2: few minutes that we we got to talk about Atlanta
• 41:33
  Speaker 2: for a little bit, because this was amazing, amy that
• 41:39
  Speaker 2: this cast trip, this cast trip.
• 41:42
  Speaker 1: No I that last scene.
• 41:46
  Speaker 2: Oh last five right, last five again? I mean it
• 41:49
  Speaker 2: was again a little longer, but still dude, I mean,
• 41:53
  Speaker 2: why did I say, dude, Oh my god.
• 41:55
  Speaker 1: You can I accepted it. Welcome arms. I mean, there
• 41:59
  Speaker 1: was just I I need to go back and throw
• 42:03
  Speaker 1: the subtitles on because there was so much said. It
• 42:08
  Speaker 1: was so rapid fire. I missed half of it. I caught.
• 42:14
  Speaker 1: I was obsessed with if.
• 42:18
  Speaker 2: Mister clean hit me between the eyes. I did not
• 42:22
  Speaker 2: see that coming. Crazy And then a throwback to a
• 42:27
  Speaker 2: Papa smurf, I like, I almost fell out of my chair,
• 42:33
  Speaker 2: fell I did.
• 42:34
  Speaker 1: Also what else was said that had me crying red
• 42:38
  Speaker 1: and stant by It was so funny. Mister I just
• 42:46
  Speaker 1: wrote about this is a dual menopause, kissed my ass.
• 42:50
  Speaker 1: They're the only one looking for you? Is that lash glue?
• 42:54
  Speaker 3: Oh yeah?
• 42:54
  Speaker 1: Going nowhere?
• 42:55
  Speaker 2: Where are your fans?
• 42:56
  Speaker 1: And then I said, in the basement you've got a
• 43:02
  Speaker 1: wife in the basement? Was insane?
• 43:05
  Speaker 2: A real clean swipe was I could have bought all
• 43:08
  Speaker 2: of your houses with like my my bankruptcy money or
• 43:12
  Speaker 2: I can or something like, I can't remember how she
• 43:14
  Speaker 2: put it together, but somehow it worked, and I was like, yeah,
• 43:17
  Speaker 2: you probably could and.
• 43:18
  Speaker 1: I could cut remember it. Yeah, yeah, you probably could have.
• 43:23
  Speaker 1: The other thing that was making crazy was the the
• 43:27
  Speaker 1: way the rest of the table was just bearing witness
• 43:30
  Speaker 1: to it at eats like it was so it was
• 43:36
  Speaker 1: like they're on a stage. Cynthia is calmly passing out
• 43:42
  Speaker 1: sea basses like it was just yeah, it was nothing,
• 43:47
  Speaker 1: as if it were a theater show that everyone paid
• 43:50
  Speaker 1: tickets for earlier.
• 43:51
  Speaker 2: Yes, if it were a digestive at the end of
• 43:54
  Speaker 2: the meals like we'll have some We'll have a digestive
• 43:59
  Speaker 2: and import as well. What do you have on the
• 44:02
  Speaker 2: desert menu. I'll have a decaf and a cappuccino, Like, yeah,
• 44:05
  Speaker 2: this is the this is the show.
• 44:08
  Speaker 1: This is the show. The pool girls who have like said,
• 44:12
  Speaker 1: you know, they they are not coming.
• 44:15
  Speaker 2: Doop doop doop doop dooop.
• 44:17
  Speaker 1: They come in just to see what's going girls, You'll
• 44:21
  Speaker 1: look like a boy damon what I mean? Then we
• 44:27
  Speaker 1: come all we swing after all of that, and I
• 44:34
  Speaker 1: think Portia said, you guys went to Helen back after
• 44:36
  Speaker 1: going out Hell and back Angela is like, I don't
• 44:42
  Speaker 1: want to argue with you. She's and She's like, it
• 44:45
  Speaker 1: just was your tone, you know, I need like she
• 44:48
  Speaker 1: brought it back to.
• 44:49
  Speaker 2: Tone such a like a subtle thing that happened.
• 44:55
  Speaker 1: Yeah, we went every which way but lose down tow
• 45:00
  Speaker 1: and then we ended like.
• 45:03
  Speaker 2: Yeah, which is the mark of two excellent housewives. Welcome in,
• 45:07
  Speaker 2: Pinky and great job, Angela. You know you got it right.
• 45:12
  Speaker 2: They gave each other a wide berth and then they
• 45:15
  Speaker 2: came back.
• 45:16
  Speaker 1: Around, came right on back around. Wow, holy shit, that.
• 45:23
  Speaker 2: Was it was like it was It was amazing, and
• 45:27
  Speaker 2: I loved kicking off this episode with Adrian Maloof. I
• 45:33
  Speaker 2: was hoping we would see her.
• 45:36
  Speaker 1: Now Amy is that I thought we were watching a commercial?
• 45:39
  Speaker 1: What the hell was I watching?
• 45:41
  Speaker 2: Okay? Was that this episode was bonkers because we had
• 45:45
  Speaker 2: this Adrian Maloof like montage did you do it? It
• 45:49
  Speaker 2: was like a montage queen thing, Get your montages asap.
• 45:54
  Speaker 2: Summer's coming. So but yeah, like Adrian is behind the
• 46:00
  Speaker 2: tequila that Cynthia's doing. Okay, So okay, yes you knew that.
• 46:04
  Speaker 2: So they just had weird filters. I don't know. It
• 46:07
  Speaker 2: was so strange.
• 46:08
  Speaker 1: I don't know it felt.
• 46:10
  Speaker 2: I'm glad I wasn't Stone. Yeah, I'm glad I wasn't
• 46:13
  Speaker 2: Stone when I watched that, because I would have been
• 46:16
  Speaker 2: very confused. I did think it was funny that the
• 46:19
  Speaker 2: ladies didn't know what dynasty was.
• 46:21
  Speaker 1: Yeah, that's sad. Well it's good for us, It's okay. Yeah,
• 46:27
  Speaker 1: I'd take the house. The house was gorgeous, amazing. It
• 46:33
  Speaker 1: reminded me of old housewives, you know. I was like,
• 46:36
  Speaker 1: finally we've got a good, big place so they can
• 46:40
  Speaker 1: run around, right, those little coffee tables and I don't
• 46:45
  Speaker 1: know if you clock them no, but they looked like
• 46:48
  Speaker 1: little tiarami Sue likes. Yeah, like I wanted a dip.
• 46:54
  Speaker 1: There was two of them in like a seating room,
• 46:58
  Speaker 1: and I just love them so much.
• 47:00
  Speaker 2: That is so funny.
• 47:02
  Speaker 1: Neither here nor there, but the poolhouse. The house was
• 47:06
  Speaker 1: absolutely stunning, but I don't think it could hold them
• 47:10
  Speaker 1: all unfortunately, you know, which was like shocking.
• 47:15
  Speaker 2: I know, when they were like trying to sort out
• 47:19
  Speaker 2: this deck of women, I was like, yeah, wait, you
• 47:22
  Speaker 2: got to deal out the women from the house. How
• 47:25
  Speaker 2: are we already here? This this that made no sense
• 47:29
  Speaker 2: to me. And then to find.
• 47:31
  Speaker 1: A big group trip though it was a lot of
• 47:33
  Speaker 1: gows kind of it kind I do, kind of.
• 47:37
  Speaker 2: I mean there were a lot it was.
• 47:39
  Speaker 1: It's not just like six girls, it's like seven. We
• 47:43
  Speaker 1: can count them now. I think it's it's Portia.
• 47:47
  Speaker 2: There's a lot, Angela, Pinky, Phedra, Cynthia. That's six. Who else?
• 47:54
  Speaker 2: Who am I missing?
• 47:56
  Speaker 1: Oh?
• 47:56
  Speaker 2: Yeah, Drew, Kelly seven, I said.
• 47:59
  Speaker 1: Kelly, Oh, Samia, Shamia that's eight. And the new girl, uh,
• 48:05
  Speaker 1: the singer k Michelle Michelle.
• 48:07
  Speaker 2: No, I didn't say, k Michelle, that's nine. Wow. You're right.
• 48:11
  Speaker 1: It's a big group.
• 48:12
  Speaker 2: It's a big woop wow. Okay, all right, can we
• 48:16
  Speaker 2: get to the dirty room?
• 48:19
  Speaker 1: No, it was dirty?
• 48:21
  Speaker 2: Why was it dirty? That's so bad? I felt so
• 48:26
  Speaker 2: gutted for them. They were they were done, they were traumatized,
• 48:32
  Speaker 2: Like that's what it felt like. And I honestly was like,
• 48:36
  Speaker 2: that is such a vibe kill. I got it, Like
• 48:39
  Speaker 2: I really did understand. Okay, first world problems, I know,
• 48:45
  Speaker 2: but like what a bummer makes you really questioned bummer.
• 48:51
  Speaker 1: It made me wonder if the host of the house.
• 48:54
  Speaker 1: This is where I kind of end up landing, Like,
• 48:57
  Speaker 1: didn't ever intend to have that space be used. That's
• 49:02
  Speaker 1: sort of like almost where I landed because the rest
• 49:04
  Speaker 1: of the house was so stunning. It didn't make sense
• 49:06
  Speaker 1: to me.
• 49:07
  Speaker 2: No, it happened, doesn't.
• 49:09
  Speaker 1: It's like that was the quarters for the staff staff quarters.
• 49:14
  Speaker 1: I think it was so now that's just hitting me now.
• 49:19
  Speaker 1: But that's because the kitchen was there, and.
• 49:21
  Speaker 2: Oh my god, I think you're right, Yeah, that makes sense.
• 49:27
  Speaker 1: I don't know that that's ever intended.
• 49:31
  Speaker 2: I don't know why we rented this house when it
• 49:34
  Speaker 2: wasn't gonna fait well.
• 49:36
  Speaker 1: And you know what, but Cynthia might have been like, oh,
• 49:39
  Speaker 1: you have the room, but I don't know what happened.
• 49:44
  Speaker 1: The wire was crossed, you know truly. Oh boy, Shemia
• 49:52
  Speaker 1: is rich rich, Okay to put her and I know
• 49:59
  Speaker 1: it's didn't matter. But like her husband, like I've seen
• 50:04
  Speaker 1: these gifts or these little tiktoks or things where they're like,
• 50:07
  Speaker 1: oh that guy is laughing in wealth. Like the way
• 50:11
  Speaker 1: his laugh it sounds like like.
• 50:14
  Speaker 2: The monopoly man or something.
• 50:16
  Speaker 3: Yeah.
• 50:16
  Speaker 1: Yeah, Like when she showed her husband the dirty room,
• 50:20
  Speaker 1: he was like it was he laughed in cash. He
• 50:24
  Speaker 1: was like, you know, like like it was such a
• 50:29
  Speaker 1: little comical thing, you know, right right right right, and
• 50:35
  Speaker 1: I love it for her.
• 50:37
  Speaker 2: I love it, and I love she Yeah she's go ahead, Yeah, no, yeah.
• 50:44
  Speaker 1: She's she's got she got it. What we're gonna say, well,
• 50:48
  Speaker 1: when when Kelly and Binky are like bankruptcy, this bankruptcy
• 50:54
  Speaker 1: bad and like the money this, And I didn't know
• 50:57
  Speaker 1: you had to file for or No, I didn't know
• 50:59
  Speaker 1: you had to quell for bankruptcy. I didn't know that either,
• 51:02
  Speaker 1: Like because Pinky was like, well, I have all these
• 51:04
  Speaker 1: companies and I don't actually pay myself personally, so then
• 51:07
  Speaker 1: I'm not sure if I'm going to be able to
• 51:08
  Speaker 1: file because see I don't have any money in my
• 51:11
  Speaker 1: personal because they're all in my businesses and they're all
• 51:14
  Speaker 1: split up. And I was like, I'm having a panic
• 51:16
  Speaker 1: attack right now. I know what she was saying. So
• 51:19
  Speaker 1: she's never paid herself out of her companies, and so
• 51:22
  Speaker 1: that's not good. It doesn't sound great.
• 51:25
  Speaker 2: I was like, because you got to have you yeah,
• 51:29
  Speaker 2: well this ship is sale for but I think, like
• 51:32
  Speaker 2: you have to pay yourself. You have to have your
• 51:34
  Speaker 2: personal taxes and then you have to have your business
• 51:37
  Speaker 2: taxiness taxes. So I don't know what happened there, but
• 51:40
  Speaker 2: I understand that that's very complicated. I don't know one
• 51:43
  Speaker 2: thing or the other about it. But my point is
• 51:47
  Speaker 2: that when Shemiah was like, my biggest problem is getting
• 51:50
  Speaker 2: to Chick fil a before breakfast is over.
• 51:53
  Speaker 1: Yeah, she lives so hilarious. I'm like, Shamia's just put
• 52:00
  Speaker 1: in too. This is a scared streets program that she
• 52:03
  Speaker 1: has just entered, like she really. It almost was as
• 52:07
  Speaker 1: if her half and set it up like, yeah, like
• 52:10
  Speaker 1: a reality check. Yeah, you guys just talk about your
• 52:15
  Speaker 1: bankruptcy situation just sticks to me right in the middle.
• 52:19
  Speaker 1: Let her here, Let's let her drop into what is Yeah,
• 52:23
  Speaker 1: let her feel the heat, feel little bit that heat
• 52:26
  Speaker 1: and see if she's so gung ho. Yeah, let her
• 52:29
  Speaker 1: feel that heating and cooling that I make.
• 52:32
  Speaker 2: All that money on.
• 52:32
  Speaker 1: And now when she comes back home to come running
• 52:35
  Speaker 1: running into my gerald arms, God, it's comfy cozy over there.
• 52:40
  Speaker 1: You know. I do love it for her, and she
• 52:45
  Speaker 1: just it just is hard to see her in a
• 52:47
  Speaker 1: dirty room. It's hard to see anyone for some reason. Anyone.
• 52:52
  Speaker 2: Yeah, I didn't feel like anyone. Yeah, I just felt
• 52:55
  Speaker 2: like they don't deserve that you know, but.
• 52:58
  Speaker 1: Who's who does from there? Their newer No housewives?
• 53:02
  Speaker 2: Do she no housewives? Do you know?
• 53:05
  Speaker 1: No, it's not you should be.
• 53:07
  Speaker 2: They're just debate the house such a debated.
• 53:10
  Speaker 1: A little baby. Yeah, it was, and it was weird,
• 53:16
  Speaker 1: so naturally funny and even saying like where's your wristband
• 53:20
  Speaker 1: to come to the pool section is so funny. It
• 53:24
  Speaker 1: was like, you know, she's just makes me attitude.
• 53:29
  Speaker 2: Yeah she does, and I really it makes me wonder,
• 53:32
  Speaker 2: you know what sinister things go on in that room.
• 53:36
  Speaker 2: I think there's going to be a Netflix documentary about
• 53:39
  Speaker 2: that room. I'm kidding him, no.
• 53:43
  Speaker 1: But it's possible.
• 53:45
  Speaker 2: But it it creeped everybody out.
• 53:48
  Speaker 1: Yeah, it was weird. What was the name of the lady, uh, Brandina?
• 53:55
  Speaker 2: I don't know, is that? Yeah, it sounds like it
• 53:58
  Speaker 2: kind of sounded like a drink or a fish.
• 54:02
  Speaker 1: Yeah Yeahand what's.
• 54:05
  Speaker 2: The special the brandino? It's grilled with a little.
• 54:10
  Speaker 1: Let's She's really sitting crisscross apple sauce, wondering how she
• 54:16
  Speaker 1: let this happen. When her beautiful home was presented and
• 54:19
  Speaker 1: I'm sure it's a home you're did she runs out?
• 54:23
  Speaker 1: This was a great advertisement, but.
• 54:27
  Speaker 2: No, if Cynthia trying to be diplomatic when she's like,
• 54:31
  Speaker 2: you know, dealing out the room assignments, yeah, you know,
• 54:36
  Speaker 2: someone's like just trying to get through it when they're
• 54:40
  Speaker 2: just talking extra slow, and she's a slow talker, but
• 54:43
  Speaker 2: she's like, now for you. I was thinking, because she's
• 54:51
  Speaker 2: like coming up with it on the top of her.
• 54:54
  Speaker 2: Because you're always so used to being in big, spatial places,
• 55:02
  Speaker 2: perhaps one would think you'd want a cozy hug of
• 55:07
  Speaker 2: a room. Wow. God, I would love to know behind
• 55:17
  Speaker 2: the scenes, like just what happened, Yes, what happens now
• 55:24
  Speaker 2: that we get here, Yes, I want to know behind
• 55:27
  Speaker 2: the scenes on this cast trip. And I really want
• 55:30
  Speaker 2: to know behind the scenes of Potomac when they went
• 55:34
  Speaker 2: to the cast member the new cast member's place in Colorado.
• 55:38
  Speaker 2: Angel Massey, that's right, okayes, Yeah, I want to know
• 55:44
  Speaker 2: what happened on her cast trip too. So those are
• 55:47
  Speaker 2: the two trips I'm really curious about right now.
• 55:50
  Speaker 1: Because hers really yeah, listen, she took a hit. She
• 55:55
  Speaker 1: took a bigger hit than this lady, but ye.
• 55:58
  Speaker 2: Big time, big time, And and Cynthia handled it great.
• 56:01
  Speaker 2: She was like, I'm so sorry this happened. I will,
• 56:06
  Speaker 2: but you know, Pinky offered up her room, and because
• 56:10
  Speaker 2: Cynthia's like, what should we do? And Picky's like, I'm
• 56:14
  Speaker 2: going to I'll give you my room. And Cynthia's like, oh, okay,
• 56:18
  Speaker 2: so you're gonna give her your room? Like she wasn't
• 56:21
  Speaker 2: gonna do it. She was like, oh, as long as
• 56:23
  Speaker 2: you're offering, great, I won't. I won't give him my room.
• 56:27
  Speaker 2: I love that. Or she wasn't gonna share, or maybe
• 56:30
  Speaker 2: she was going to share at some point. I don't
• 56:32
  Speaker 2: know how they were going to work that out, but.
• 56:35
  Speaker 1: Yeah, you know, I didn't love Pinky, like, don't asked
• 56:40
  Speaker 1: Cynthia tough questions and don't put push her against the
• 56:43
  Speaker 1: wall like that. Leave Cynthia's that's not her leave her.
• 56:48
  Speaker 1: Why why did she put them in there? Because they're
• 56:51
  Speaker 1: relatively new and someone had to go in there.
• 56:54
  Speaker 2: That was a crazy conversation, like why did she Yeah,
• 57:01
  Speaker 2: and then she's like, well they seem to be really
• 57:04
  Speaker 2: getting along. I don't see you guys that close. And
• 57:07
  Speaker 2: it was odd. I actually had to rewind that because
• 57:10
  Speaker 2: I'm like, what are they talking about? Are they really
• 57:12
  Speaker 2: talking about? I guess it's not unlike housewives to have
• 57:16
  Speaker 2: an argument about the room assignments. Part of me is wondering,
• 57:19
  Speaker 2: did Pinky just do it because she knows that housewives
• 57:21
  Speaker 2: are supposed to argue about what room they're okay.
• 57:25
  Speaker 1: But her argument was like, I'm trying to understand you guys,
• 57:28
  Speaker 1: and I'm trying to understand because they were delivered it.
• 57:31
  Speaker 1: They're not marching rotten, you know, a rotten philli goods
• 57:36
  Speaker 1: like housey aren't much.
• 57:38
  Speaker 2: But it's like she's like, I'm trying to get where
• 57:41
  Speaker 2: you're coming from. I am good, I am friend friend,
• 57:47
  Speaker 2: you know, are you?
• 57:50
  Speaker 1: Yeah? I think she was trying to find out if
• 57:52
  Speaker 1: there was something because it's there is an argument that
• 57:56
  Speaker 1: someone could have been really shady with that, but it's
• 58:01
  Speaker 1: not Cynthia.
• 58:01
  Speaker 2: But it's not fifty cent.
• 58:04
  Speaker 1: It's just not And so that's why I'm like a
• 58:08
  Speaker 1: little less on Cynthia. Thanks right, So.
• 58:11
  Speaker 2: If you're going to get to know someone, get to
• 58:13
  Speaker 2: know that, yeah, she's not like that.
• 58:16
  Speaker 1: Exactly, Thank you exactly. And you you should already know that, yeah,
• 58:20
  Speaker 1: and you should all right, all right, all right, let's
• 58:24
  Speaker 1: wrap up this drama after dark has gotten real dark,
• 58:28
  Speaker 1: and thank you so much for doing this. Deanna, you
• 58:32
  Speaker 1: are this that's really fun.
• 58:33
  Speaker 2: I love that we popped Montage Queen right in the
• 58:35
  Speaker 2: middle there. And I see that you're going strong with
• 58:39
  Speaker 2: how to Be less Old. You're kicking out the great
• 58:42
  Speaker 2: such great posts over on substack. I love getting him
• 58:45
  Speaker 2: in my inbox, just love them.
• 58:47
  Speaker 1: Well if any you know, listen, We've covered a few
• 58:49
  Speaker 1: things recently. I took a little dip into the Alex
• 58:54
  Speaker 1: Earl Alex Cooper.
• 58:55
  Speaker 2: Oh, I want to know.
• 58:57
  Speaker 1: Dude, and just you know where things are going with that.
• 59:02
  Speaker 1: There's a Vanity Fair article brewing and about her unwell network,
• 59:08
  Speaker 1: just you know, just take a look at that and
• 59:12
  Speaker 1: you the birthday is a phrase that's out there. There's
• 59:15
  Speaker 1: a lot of derivative of it. If you don't know
• 59:17
  Speaker 1: what I'm talking about, please go to how to be
• 59:19
  Speaker 1: Lessled dot substack dot com and subscribe.
• 59:22
  Speaker 2: You know it all, you know it all and we
• 59:24
  Speaker 2: have to learn it all, so go there. Thanks so
• 59:27
  Speaker 2: much for listening, you guys, And if you want more
• 59:30
  Speaker 2: content and add free episodes and video, head on over
• 59:34
  Speaker 2: to patreon dot com slash drama Darling and we'll see
• 59:37
  Speaker 2: you next time.
• 59:38
  Speaker 1: By straps are out drama after dark is straps are out.
• 59:42
  Speaker 2: You know you're looking for it with a boat neck, you.
• 59:45
  Speaker 1: Know, yeah, you know. Oh I hate I hate it.
• 59:48
  Speaker 2: I can't get with a boat neck. No, why can't you.
• 59:51
  Speaker 1: It's such a namemare e.
• 59:52
  Speaker 2: Strap us for a boat neck. No, I can't do
• 59:54
  Speaker 2: it never.
• 59:56
  Speaker 1: So that's this is there