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SatanYK EP-43 Night Play Techniques (Gestalt Approach) · Satanic Youth Kenya (SatanYK)

• 0:16
  Speaker 1: Welcome back to Satanic Youth Kenya. I'm your host, Satanist
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  Speaker 1: Craig Jamil. And today's topic is Night Play Techniques. Obviously,
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  Speaker 1: we will be basing our information from Gestalt Approach by
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  Speaker 1: Fritz Bell. All right. And our references today will be
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  Speaker 1: from Zetec University Counseling Psychology coursework. Gestalt Approach by Fritz Bell.
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  Speaker 1: All right. And The Devil's Notebook by Anton Zandalave. Ise,
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  Speaker 1: the construction of artificial human companions. And today's podcast, today's
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  Speaker 1: episode is an Ise posted on Kufo Environment. Kufo Environment
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  Speaker 1: is a website that is managed by Our cause is
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  Speaker 1: a part of the voodoo doll. And the easy is
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  Speaker 1: named night play techniques. Everybody must find a way in
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  Speaker 1: life that they can handle and accept their personal responsibility
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  Speaker 1: in order to show maturity and growth, the wholeness and
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  Speaker 1: how we exist. in an environment field and how we
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  Speaker 1: perceive reality is the main purpose of Gestalt approach. The
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  Speaker 1: more we socialize and interact with the next person, the
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  Speaker 1: more we know what we are thinking or even express
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  Speaker 1: the mood slash emotions we are in presently. To me,
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  Speaker 1: the next person, most likely tend to be my artificial companions.
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  Speaker 1: As you know, Sackpata the food doll is my artificial
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  Speaker 1: companion and also the co-host of this podcast. By artificial companion,
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  Speaker 1: I mean the companions whom I create from food equipments,
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  Speaker 1: as I said, or It may be a picture of
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  Speaker 1: my dead black cat named Nidithwan who was born on
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  Speaker 1: May 1, 2015 and died June 5, 2017 or other
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  Speaker 1: artifacts that I personally collect. They possess emotional feelings that
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  Speaker 1: can arouse different perceptions. to whomever looks at them. I
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  Speaker 1: use them as tools, more of a symbol which keeps
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  Speaker 1: me on doors. Knowing how I am feeling, they also
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  Speaker 1: help me be more sensitive and aware of what is
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  Speaker 1: surrounding me. Not everybody is fully aware of what is
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  Speaker 1: going on around them. Remember that. Many people think Their
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  Speaker 1: choices are the choices made by them until they realize
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  Speaker 1: that their choices are already made by another person. Right? Remember,
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  Speaker 1: not everybody is fully aware of what is going on
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  Speaker 1: around them. Sometimes, others even don't know what they are
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  Speaker 1: physically or mentally doing. This shows how aware or not
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  Speaker 1: aware an individual can be, thus affecting this technique. With
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  Speaker 1: the artificial companions around me, I don't escape or avoid
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  Speaker 1: reality harshness. Instead, I deal with them before they start
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  Speaker 1: to pile up and start to turn to anxiety, depressions
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  Speaker 1: which are psychological disturbances, which are hard to get out
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  Speaker 1: of when you are into them. They work on my
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  Speaker 1: phenomenological point of view. They, the artificial companions, understand my
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  Speaker 1: point of view. and causing much more complex integration between us,
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  Speaker 1: between me and them, right? As everyone knows, gestalt approach
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  Speaker 1: deals with what is happening presently, immediately, when the emotions
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  Speaker 1: are still fresh. When the pain is still present and
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  Speaker 1: what you are thinking in your mind at the same time.
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  Speaker 1: Got that? Guess that approach deals with what is happening
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  Speaker 1: presently when the emotions are still fresh. When the pain
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  Speaker 1: is still present and what you are thinking in your
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  Speaker 1: mind at the same time. The unfinished business The resentment
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  Speaker 1: that holds me down is acted out without fear of
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  Speaker 1: difference in phenomenological point of view, freeing me up from
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  Speaker 1: that situation and cooling my rage. Due to the freshness
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  Speaker 1: of the situations, no aspect is forgotten. thus making my
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  Speaker 1: night play techniques meaningful. I rather live in an environment
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  Speaker 1: and world with less painful emotions, no distress and lots
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  Speaker 1: of indulgence than live in an environment that is uncomfortable
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  Speaker 1: for me and my loved ones. I feel the necessity
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  Speaker 1: to change whenever necessary as long as grants me more
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  Speaker 1: satisfaction and dominance of the situation and of my life.
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  Speaker 1: Remember the concept in gestalt therapy that health and disturbances
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  Speaker 1: are not mental but organismic. And a person's mind is
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  Speaker 1: not healthy or disturbed. The whole person is healthy or disturbed.
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  Speaker 1: And to read more about my artificial companions, you can
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  Speaker 1: read The Second Coming of Zapata or Now Is My
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  Speaker 1: Voodoo Relic Unleashing Zapata. Right. Since we are there at kufoenvironment.wordpress.com
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  Speaker 1: We can also think we are there at kufuainvironment.wordpress.com We
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  Speaker 1: can read about Kufu Voodoo Roomstick. This is an essay
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  Speaker 1: published on Kufu Environment 31st October 2018. It says this.
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  Speaker 1: Sometimes I fail to understand part of my creations, not
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  Speaker 1: because I have less knowledge of what I use. This
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  Speaker 1: time they seem to be so known to me, but
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  Speaker 1: sometimes I can't really explain them. They conjure emotions of
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  Speaker 1: different levels and intensity in me. The focus they bring
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  Speaker 1: in my total environment is enough for me to work
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  Speaker 1: my workings regularly and planned at the same time, abstractly.
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  Speaker 1: It takes a lot to make me assemble my ritual chamber.
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  Speaker 1: If it's not my birthday rituals that I conduct personally, Otherwise,
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  Speaker 1: I rarely get to the ritual chamber. Kufo Vubu broomstick
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  Speaker 1: is one of the few creations I have. I know
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  Speaker 1: people expect me to have buried this broomstick some time
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  Speaker 1: ago after I created it. Yes, actually, I did bury it.
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  Speaker 1: I buried it for a while. Then I thought it's
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  Speaker 1: really important for her to be staying with me inside
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  Speaker 1: my chambers. So I did the normal thing and went
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  Speaker 1: out and married her. She's still oily. The way I
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  Speaker 1: left her married at the cemeteries. Only the metal nail
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  Speaker 1: on her side had rusted much more. I still appreciate
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  Speaker 1: the nail. I know she does too. I don't use
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  Speaker 1: her for sweeping or flying for God's sake. She is
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  Speaker 1: a symbol. I feel better when I notice her presence
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  Speaker 1: around me. Her dark hair. The rubber odor. One eye dull.
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  Speaker 1: I need her. Here besides me. To satisfy all my
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  Speaker 1: desires of the night. It's alright. Call it what you like.
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  Speaker 1: But in the shadows. You can see the responses. People
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  Speaker 1: keep on asking, what's that for? What's that for? What's
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  Speaker 1: Kufuapvutu broomstick for? I say, my companionship. Or am I
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  Speaker 1: being misanthropic? At least you have something to explain to
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  Speaker 1: your friend in case they ask who is Kufuapvutu broomstick.
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  Speaker 1: Don't you? Notice, this is my handcrafted voodoo doll and
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  Speaker 1: they are not for sale. Alright. Until next time, I
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  Speaker 1: appreciate having you. I appreciate you being here as we
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  Speaker 1: discuss night play techniques by Gestalt. Approach. And about artificial
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  Speaker 1: companions that I created for myself. Voodoo, kufwa, voodoo, broomstick,
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  Speaker 1: and Zapata, who is the co-host of this podcast. Until
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  Speaker 1: next time. Hey, Zata. I'm sorry. Thank you.