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I Am All In…Again: Hard Shell to Crack (Season 3 E20 “Say Goodnight, Gracie”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all in Again. Let's you.
• 0:17
  Speaker 2: Hi.
• 0:17
  Speaker 1: I Am all in Again with Scott Patterson and iHeartRadio Podcast.
• 0:22
  Speaker 1: Hey Everybody, Scott Patterson, I amland Podcast one eleven productions,
• 0:26
  Speaker 1: iHeartRadio Media, iHeart Podcasts, Season three, episode twenty. We're getting
• 0:30
  Speaker 1: pretty long down the road on season three, it's going
• 0:34
  Speaker 1: by fast. Say good night, Gracie, and we're very special
• 0:38
  Speaker 1: guest David Rogers. He's an editor and producer of the
• 0:42
  Speaker 1: Emmy winning show The Office, plus The Mindy Project, uploads
• 0:46
  Speaker 1: Space Force, New Office spin spin off show The Paper,
• 0:52
  Speaker 1: just to name a few. He also ventured into directing
• 0:56
  Speaker 1: some of those same shows as well. But before all
• 0:59
  Speaker 1: of that, he was on one episode of Gilmore Girls.
• 1:04
  Speaker 1: Got Your Startup Gilmore Girls Season three, episode eighteen, A
• 1:08
  Speaker 1: Tale of Pose and Fire. Welcome David to the show.
• 1:12
  Speaker 2: Thank you, it's great to be Here's great to meet you.
• 1:17
  Speaker 1: Great to meet you. It's You've come. You've You've traveled
• 1:20
  Speaker 1: a very great distance from your debut on the show.
• 1:24
  Speaker 1: Congratulations on all your success. Air date May sixth, two
• 1:30
  Speaker 1: thousand and three. Synopsis. The unexpected visit from Jess's father
• 1:35
  Speaker 1: and repercussions of the party pushed Jess and Luke to
• 1:39
  Speaker 1: their limits and Jess skips town. Rory is feeling all
• 1:43
  Speaker 1: the thanks from being in a relationship with Jess. Fran
• 1:46
  Speaker 1: passes away sadly, which makes room for Suki and Laura
• 1:50
  Speaker 1: l I to buy the dragon Fly in in a
• 1:53
  Speaker 1: hilarious scene directed by Jamie Babbitt, written by Amy Sherman
• 1:58
  Speaker 1: Palladino and Janet Lahey. Before we get into all this, David,
• 2:02
  Speaker 1: what did you think of this episode overall?
• 2:05
  Speaker 2: I really liked it. I have to say it was. Uh,
• 2:10
  Speaker 2: you know, it's it's got such a great balance, you know,
• 2:13
  Speaker 2: as do most of the episodes. It's got such a
• 2:15
  Speaker 2: great balance of comedy and drama. And uh, I'm not
• 2:20
  Speaker 2: to I don't mean to kiss up to you or anything,
• 2:22
  Speaker 2: but you have a couple of great scenes in here,
• 2:25
  Speaker 2: you know. I don't I don't know if I should
• 2:27
  Speaker 2: jump ahead or anything like that. But you know the
• 2:31
  Speaker 2: scene where you where you and Rob estes, uh, you know,
• 2:35
  Speaker 2: where you visit Jimmy Marinaro and we find out who
• 2:39
  Speaker 2: he is. That's a that's just a great scene. I
• 2:41
  Speaker 2: feel like that's a scene actors just love to, you know,
• 2:44
  Speaker 2: to get to do, just to be able to you know,
• 2:47
  Speaker 2: kind of unleash that kind of you know, uh, you know,
• 2:51
  Speaker 2: just kind of anger and just but but by still
• 2:53
  Speaker 2: keeping it grounded and uh, you know, and and then also, uh,
• 2:58
  Speaker 2: you know, I feel like the scene at the end
• 3:00
  Speaker 2: with you and uh, Mila Milo, but with you and Jess,
• 3:07
  Speaker 2: that's another great scene, another great confrontation and uh, you know,
• 3:11
  Speaker 2: so those are those are things that I always, you know,
• 3:14
  Speaker 2: appreciate to see and and being and I'm entertained by.
• 3:19
  Speaker 2: But but there's such a funny balance. But you know
• 3:23
  Speaker 2: between that, the flip side of that is, you know,
• 3:27
  Speaker 2: seeing uh I call everybody in other characters, but seeing
• 3:31
  Speaker 2: Lorelei and Suki you know, try to try to you know,
• 3:35
  Speaker 2: how they want to go about getting the dragonfly in
• 3:37
  Speaker 2: and what they do with the funeral walk and everything.
• 3:40
  Speaker 2: It's just very very funny and enjoyable episode.
• 3:45
  Speaker 1: And as a as a producer and a director yourself,
• 3:49
  Speaker 1: you know, I kind of feel two ways about the
• 3:52
  Speaker 1: storylines being separated so drastically. Where Luke and Jess were
• 3:58
  Speaker 1: having an experience over here, Laura was having her experience
• 4:01
  Speaker 1: over there. Uh and they never never the Twain did meet, right,
• 4:09
  Speaker 1: I was I was almost wanting Laureli to come in
• 4:14
  Speaker 1: and provide more, you know, a different energy to this
• 4:17
  Speaker 1: dynamic and what that would have felt like. Why, in
• 4:21
  Speaker 1: your professional opinion, in your experience, did they keep it separated?
• 4:25
  Speaker 2: I mean, you know, there's a there's a few reasons
• 4:29
  Speaker 2: why I could. I could guess one is probably the
• 4:33
  Speaker 2: shooting schedule and you know who's who's heavy. You know
• 4:38
  Speaker 2: who's busy and what scenes and turnarounds and things like that,
• 4:41
  Speaker 2: and you know they think about those kinds of things.
• 4:44
  Speaker 2: So it's you know, the lead actresses aren't in every
• 4:49
  Speaker 2: scene and aren't heavy, you know, with every storyline they need,
• 4:53
  Speaker 2: you know, because sometimes they just need a break, you know,
• 4:56
  Speaker 2: because they're doing other you know, and when and when
• 4:58
  Speaker 2: when the actresses when like and you know this too,
• 5:01
  Speaker 2: when there are days that you're not shooting, you're probably
• 5:03
  Speaker 2: getting a costume fitting or something, or you have a
• 5:06
  Speaker 2: mandatory haircut and things like that. So I'm guessing that's
• 5:09
  Speaker 2: you know, part of probably the logistics behind the scenes
• 5:12
  Speaker 2: to some of that. But I think also from a
• 5:14
  Speaker 2: writing standpoint that this is about, you know, introducing this component,
• 5:20
  Speaker 2: introducing you know, Jimmy, the you know, Jess's father, is
• 5:24
  Speaker 2: more about you guys, and there would be time later
• 5:27
  Speaker 2: for for laural I, you know, and and Rory to discover,
• 5:32
  Speaker 2: you know, what was going on, and and you know
• 5:35
  Speaker 2: how how it this has storyline, it has affected you.
• 5:39
  Speaker 2: You know. Uh, that's that's really what I think is
• 5:42
  Speaker 2: probably just from a writing standpoint that you know, it's
• 5:46
  Speaker 2: better to wait a little bit, let you let you
• 5:48
  Speaker 2: guys experience it first, and then bring them in. You know,
• 5:53
  Speaker 2: this is your story, you know, I mean, and it's
• 5:56
  Speaker 2: it's kind of nice sometimes to get a break from
• 5:58
  Speaker 2: things and and again to have that comedy of the
• 6:01
  Speaker 2: of the loralized supy story, you know, mixed in with
• 6:04
  Speaker 2: this you know, new dramatic you know storyline that that
• 6:09
  Speaker 2: has has arrived. That's you know, I think that's a
• 6:11
  Speaker 2: good balance.
• 6:12
  Speaker 1: Yeah, that's a big it's a big deal. This is
• 6:15
  Speaker 1: a big episode for Jess. It's a it's it's this
• 6:19
  Speaker 1: episode really got me. It really got me just to
• 6:23
  Speaker 1: see what this poor kid is going through and what
• 6:27
  Speaker 1: he has to shoulder going forward. It's not it's just
• 6:31
  Speaker 1: not what he's dealing with now, but what his you know,
• 6:34
  Speaker 1: his future and how he has to to to sort
• 6:37
  Speaker 1: of navigate through this and it's years of this. It's
• 6:40
  Speaker 1: gonna be years of this dealing with this emotionally, and
• 6:43
  Speaker 1: it really really got me. I thought the casting was
• 6:46
  Speaker 1: so dead on. I mean, they look alike, they sound alike.
• 6:51
  Speaker 1: They have the same sort of like I don't know,
• 6:53
  Speaker 1: upper register, like almost a tenor voice where it's like
• 6:57
  Speaker 1: there's this lilt to it, and and a testament to
• 7:01
  Speaker 1: both their skills. I mean, somebody was imitating somebody else.
• 7:06
  Speaker 1: The rob ASTs came in and I thought, really did
• 7:08
  Speaker 1: a great job. Yeah, tough role to play.
• 7:11
  Speaker 2: Yeah, I mean it's uh, it's and again it's a
• 7:14
  Speaker 2: great I love the detail of how he left when
• 7:19
  Speaker 2: you explain, you know, when when when Luke explains, like,
• 7:23
  Speaker 2: you know, you went out for diapers and never came back,
• 7:26
  Speaker 2: like he left. So we discovered that he left really early.
• 7:30
  Speaker 1: I mean, yeah, you know, right right exactly. That is
• 7:35
  Speaker 1: a perfect use of exposition, you know, kind of late
• 7:40
  Speaker 1: in the piece into the well. I mean, if it's
• 7:43
  Speaker 1: a film structure, I don't know much about TV structure,
• 7:45
  Speaker 1: but film, if it's a film structure, it's like late
• 7:48
  Speaker 1: in the second act and a scene of extreme conflict,
• 7:51
  Speaker 1: that's when it can come out, and that's when it's
• 7:54
  Speaker 1: best to come out right the exposition. But anyway, all right,
• 7:59
  Speaker 1: so why don't we deal with the aftermath of this party.
• 8:03
  Speaker 1: There was a lot going on in this episode. Yeah,
• 8:06
  Speaker 1: so much going on. Laurel, I's proud of Rory going
• 8:10
  Speaker 1: to her first cop rated party, as she put it,
• 8:13
  Speaker 1: and sings wind beneath My Wings. Very funny. When Lane
• 8:16
  Speaker 1: got home after her drunken phone call to her mother,
• 8:21
  Speaker 1: she's freezing out Lane. Luke got a call from Kyle's dad.
• 8:26
  Speaker 1: Caused a lot of damage and Jess has to pay
• 8:28
  Speaker 1: the back, but Luke has to deal with with the father.
• 8:34
  Speaker 1: Dave shows up at Lane's then asked missus Kim for
• 8:37
  Speaker 1: permission to take Lelane to the prom hysterical speech.
• 8:41
  Speaker 2: That's a very very funny scene.
• 8:42
  Speaker 1: Yeah, that's a very and he's, you know, Adam Brodie's
• 8:48
  Speaker 1: just so good in this role, so good in this role.
• 8:51
  Speaker 1: She gives him a psalm and he doesn't know what
• 8:55
  Speaker 1: it is. He goes home to do research.
• 9:00
  Speaker 2: Yeah, when he leaves, you feel like he's like, okay,
• 9:03
  Speaker 2: got it. And then he walks down and he's like,
• 9:06
  Speaker 2: I don't know what she just said. I don't know
• 9:08
  Speaker 2: if that's a yes or a no, you know, very funny.
• 9:11
  Speaker 2: And then yeah, I don't want to. The aftermath of
• 9:14
  Speaker 2: that is very funny.
• 9:15
  Speaker 1: The return, Oh god, uh, Lane apologizes for that party
• 9:23
  Speaker 1: night or the other night. Dave still shows up and
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  Speaker 1: admits he reads the read the Bible from cover to
• 9:29
  Speaker 1: cover to impress missus Kim and and and give her
• 9:34
  Speaker 1: her permission to go to the problem with him, and
• 9:36
  Speaker 1: which she which she did grant, but with conditions. There
• 9:39
  Speaker 1: were some very severe conditions.
• 9:41
  Speaker 2: Oh that was it. That was the thing. When he
• 9:43
  Speaker 2: comes back, it is very funny how he read the
• 9:45
  Speaker 2: whole Bible and she was impressed by that, and she
• 9:48
  Speaker 2: kind of throws the line away of like I've only
• 9:50
  Speaker 2: done it three times. He's like, but you know, I
• 9:56
  Speaker 2: mean he's done, but he's done. He's wonner over at least, like, Okay,
• 9:59
  Speaker 2: you can you know, you can take her to the prom,
• 10:02
  Speaker 2: but you cannot get married. And I thought that was
• 10:05
  Speaker 2: very funny.
• 10:06
  Speaker 1: Oh god, So now we you know, this is Dave's
• 10:09
  Speaker 1: big moment. This is this is a big episode for day. Yeah,
• 10:12
  Speaker 1: he stands up for Lane, he reads the Bible, He
• 10:15
  Speaker 1: impresses missus Kim personally have you ever had to jump
• 10:19
  Speaker 1: through hoops to get a parent's permission to date someone?
• 10:22
  Speaker 2: No, I have to say I haven't. I haven't had
• 10:26
  Speaker 2: that kind of I think my dating all happened a
• 10:29
  Speaker 2: little bit later when you know, like maybe even later,
• 10:32
  Speaker 2: even in high school, there wasn't any issues. But I
• 10:36
  Speaker 2: feel like, you know, certain you know, nationalities, it's you know,
• 10:42
  Speaker 2: they are protective, and you know there are you know,
• 10:46
  Speaker 2: I mean, I feel like, I don't know, there's there's
• 10:49
  Speaker 2: also like you know, like I feel like like I'm Jewish,
• 10:53
  Speaker 2: and I feel like to a certain degree there's like,
• 10:55
  Speaker 2: oh dated Jewish woman, you know, and it's like I
• 10:57
  Speaker 2: feel like that comes up from the older generation. It's
• 11:00
  Speaker 2: like even our parents aren't that concerned with that kind
• 11:02
  Speaker 2: of thing, but uh, you know, the grandparents would always
• 11:05
  Speaker 2: push for that, and you know, and I could so
• 11:07
  Speaker 2: I could see this kind of character like yes, we
• 11:09
  Speaker 2: want to kind of keep it in our nationality or whatever.
• 11:12
  Speaker 2: But you know, I think it's great that it's that
• 11:14
  Speaker 2: it's you know, it's not that and that even the
• 11:18
  Speaker 2: that the mom is willing to you know, to let
• 11:21
  Speaker 2: her to let her date Dave, let Lane date Dave.
• 11:25
  Speaker 1: Right, So it's a little shocking, but he's very, very clever.
• 11:29
  Speaker 1: He's very charming.
• 11:31
  Speaker 2: By the way, I was going to just ask you
• 11:32
  Speaker 2: for a second, have you ever been to any of
• 11:34
  Speaker 2: these kinds of parties back in high school?
• 11:36
  Speaker 1: Where no, me, little old me innocent to me, No,
• 11:43
  Speaker 1: I would never participate in anything like that.
• 11:45
  Speaker 2: I will say my I had. I just want to
• 11:47
  Speaker 2: say when I when I watched this episode my buddy
• 11:50
  Speaker 2: in high school, his parents went out of town and
• 11:52
  Speaker 2: they told them two things. They said, don't buy a
• 11:55
  Speaker 2: ferret and don't have a party. The second he bought
• 12:00
  Speaker 2: a ferret, he bought it because beast Master was the
• 12:03
  Speaker 2: big thing at the time. Do you remember that movie?
• 12:06
  Speaker 2: He bought a ferret and uh, and he had a
• 12:09
  Speaker 2: big party and uh, everybody like crashed the party and
• 12:12
  Speaker 2: the we I think he had to call the cops
• 12:14
  Speaker 2: to like break it up. It got too crazy, and
• 12:16
  Speaker 2: like I remember, like the cops came and people ran
• 12:20
  Speaker 2: out of the house all over the place, and there
• 12:23
  Speaker 2: was like a volkswag. And this is in New Jersey,
• 12:25
  Speaker 2: the suburbs of New Jersey, and.
• 12:26
  Speaker 1: There was where Where's where'd you grow up?
• 12:28
  Speaker 2: Mammoth County Marlborough, New Jersey.
• 12:30
  Speaker 1: Okay, I'm South Jersey.
• 12:32
  Speaker 2: Yeah, I love New Jersey.
• 12:34
  Speaker 1: I'm missing you know, but.
• 12:37
  Speaker 2: Yeah, this was a part. I remember walking around the
• 12:39
  Speaker 2: neighborhood and then with a friend trying to get him
• 12:41
  Speaker 2: to sober up, and there was a volkswagon overturned and
• 12:44
  Speaker 2: I was like, oh my god, but uh yeah that
• 12:47
  Speaker 2: was And then my friend had to return to Ferret.
• 12:49
  Speaker 2: His parents came home and they made him return to
• 12:51
  Speaker 2: Ferret and the pet store said, your banned from the store.
• 12:58
  Speaker 1: Oh, we don't know what that Farret went through the
• 13:02
  Speaker 1: damaged goods. Now, actually I did. I did throw a
• 13:05
  Speaker 1: party when my mom and her soon to be husband
• 13:14
  Speaker 1: went away from the way. They went to Ocean City
• 13:16
  Speaker 1: for the weekend, and I just decided to throw a
• 13:21
  Speaker 1: massive party. And the entire school came, I mean, and
• 13:26
  Speaker 1: there was a fight between who would become my one
• 13:30
  Speaker 1: of my stepbrothers, and like one of the kids in
• 13:34
  Speaker 1: the town that was a tough kid, you know. Thename
• 13:37
  Speaker 1: was Tommy. I don't name him, but you know, I
• 13:42
  Speaker 1: was good friends with Tommy and and these two got
• 13:45
  Speaker 1: into it. These two really got into it. And I
• 13:48
  Speaker 1: don't know, they didn't do a lot of damage. They
• 13:50
  Speaker 1: went in the backyard and duked it out. You know,
• 13:53
  Speaker 1: back in the day, everybody used to when somebody got
• 13:56
  Speaker 1: called out, they you know, they would take it outside
• 14:00
  Speaker 1: the house. Yeah, and then the circle of observer spectators
• 14:05
  Speaker 1: would form around them. It was a circle, right, and
• 14:08
  Speaker 1: they go at it. Yeah. And if somebody tried to
• 14:11
  Speaker 1: run away from the fight, they get thrown back, bring
• 14:14
  Speaker 1: him death, right. Uh. Yeah, so I got a little
• 14:20
  Speaker 1: bit of trouble, No cop. The cops didn't comp The cops.
• 14:22
  Speaker 2: Came to this party, and uh, and I remember my
• 14:25
  Speaker 2: friend I went just least. It was my friend Barry's party,
• 14:29
  Speaker 2: and I remember the cops came in and they were like,
• 14:31
  Speaker 2: all right, who was invited? And who was you know,
• 14:33
  Speaker 2: and my friend he's wearing sunglasses and he's the little
• 14:36
  Speaker 2: tipsy and he's like, oh that's easy. He's like he was.
• 14:38
  Speaker 2: He wasn't he was? And like you see the kids
• 14:42
  Speaker 2: who were like, you know, who came, who crashed basically
• 14:44
  Speaker 2: were like, you know, leave me alone, just you know,
• 14:47
  Speaker 2: as he called them out, who wasn't invited? But I mean,
• 14:50
  Speaker 2: you know, it was just we were kids.
• 14:53
  Speaker 1: They were such good times. Nothing better than high school parties. Yeah,
• 14:59
  Speaker 1: except call it parties. Okay, so we're doing all this
• 15:02
  Speaker 1: like so Dean, all right, So Fran passes away sadly,
• 15:08
  Speaker 1: and then everybody goes to the memorial service, and very
• 15:12
  Speaker 1: funny moment for Taylor when he forgets to cancel the
• 15:15
  Speaker 1: marching band and he has to run out. I can't sorry,
• 15:18
  Speaker 1: cancel the band, cancel and post memorial service, Dean, And
• 15:25
  Speaker 1: this was I really thought an ingenious way to do this.
• 15:28
  Speaker 1: Dean tells Rory that he's getting married to Lindsey and
• 15:33
  Speaker 1: she just kind of coughs, got a reaction, and he
• 15:38
  Speaker 1: gets a little upset because she does not appear to
• 15:41
  Speaker 1: be terribly supportive of this or even happy for him,
• 15:46
  Speaker 1: and he just kind of unloads on her, like you know, Jess,
• 15:49
  Speaker 1: and he treats you like crap, and will you kidding me?
• 15:53
  Speaker 1: You know, you can't be happy for me and you're
• 15:56
  Speaker 1: stuck in this horrible relationship. So now it wakes Rory
• 15:59
  Speaker 1: up a little bit. And it's just I just, Dave,
• 16:04
  Speaker 1: I feel so sad for Rory. I feel so bad
• 16:07
  Speaker 1: for her because I understand how she feels. Kids get
• 16:11
  Speaker 1: these I mean, adults get in these situations too. Not
• 16:13
  Speaker 1: just kids, but kids. It's really hard for kids when
• 16:16
  Speaker 1: they get these situations with the wrong person who feels
• 16:19
  Speaker 1: like the right person maybe the right person, but they're
• 16:22
  Speaker 1: just and uh should know what to do, should know
• 16:26
  Speaker 1: what to do.
• 16:27
  Speaker 2: I think that the flip side of that is that
• 16:29
  Speaker 2: Dean is too young to get married eighteen mean in
• 16:34
  Speaker 2: the graduate in high school, do you know what I mean?
• 16:35
  Speaker 1: Like to young get married, you got you gotta you
• 16:39
  Speaker 1: gotta go out there and live alone.
• 16:40
  Speaker 2: Yeah, So, I mean I think that's what her and
• 16:43
  Speaker 2: I think she says that later on when she talks
• 16:44
  Speaker 2: her much. He's like, she's just you know, he's so young,
• 16:48
  Speaker 2: you know, why so soon and everything? So you know,
• 16:52
  Speaker 2: and yeah, I mean I feel like Rory in her
• 16:54
  Speaker 2: relationship with Jess is it's it's not uncommon from you know,
• 17:00
  Speaker 2: the struggles that a lot of kids have, what they
• 17:02
  Speaker 2: you know, dating, when you're at that age where you
• 17:05
  Speaker 2: meet someone and then you know there's this attraction and
• 17:08
  Speaker 2: then you know it's a struggle because things aren't quite
• 17:11
  Speaker 2: right and there are problems, but you still, you know,
• 17:13
  Speaker 2: just try, you.
• 17:15
  Speaker 1: Know, well, right, you have no experience doing that, so
• 17:19
  Speaker 1: you don't know what red flags are. You don't know
• 17:24
  Speaker 1: how to recognize them, and you wouldn't care if you did.
• 17:29
  Speaker 2: The heart wants what it wants, I mean, you know.
• 17:34
  Speaker 1: But she's really beginning to, you know, lose her patience
• 17:37
  Speaker 1: with this and and feel like she deserves more. She
• 17:41
  Speaker 1: wants more. I mean, I don't think she wants to
• 17:43
  Speaker 1: get married, but you know, she at least wants to
• 17:46
  Speaker 1: get asked to the problem is that reaching for the stars.
• 17:50
  Speaker 1: You know, she just would like to have, you know,
• 17:56
  Speaker 1: some certainty, a little bit of certainty, and I just
• 18:00
  Speaker 1: you know that scene at the end, and we'll jump around.
• 18:03
  Speaker 1: It's okay, that scene at the end when she sees
• 18:08
  Speaker 1: him on the bus. She doesn't see his giant double bag,
• 18:11
  Speaker 1: but she sees him right she gets off the bus
• 18:14
  Speaker 1: and then he pulls out the bag. And now we
• 18:16
  Speaker 1: know that poor kid that got me.
• 18:19
  Speaker 2: But he's so I mean, in his defense, he's so
• 18:22
  Speaker 2: protective of himself, and he's had this kind of rough past,
• 18:26
  Speaker 2: like he tried to get prompt tickets and the principle,
• 18:28
  Speaker 2: you know, the previous I think it was a previous
• 18:30
  Speaker 2: episode or the principal wouldn't let him. He says, you're
• 18:34
  Speaker 2: not going to graduate. You can't go. You can't, you know.
• 18:36
  Speaker 2: So it's not like he didn't try, but he doesn't
• 18:38
  Speaker 2: communicate with her about it. And I think even the fight,
• 18:43
  Speaker 2: I felt like, you know, whatever happened between him and
• 18:48
  Speaker 2: Rory at the party, he still got sucker punched, you know,
• 18:53
  Speaker 2: And I mean, he didn't start the fight. So he's
• 18:55
  Speaker 2: in a situation and I feel like these things kind
• 18:57
  Speaker 2: of like and he gets a little lucky, you know,
• 19:01
  Speaker 2: with certain things. But you know, I mean, like that's
• 19:04
  Speaker 2: the thing. He's a you know, he's a he is
• 19:06
  Speaker 2: a tough guy, and he's got this shell around him.
• 19:09
  Speaker 2: He's protecting himself. And especially he's got other circumstances happening
• 19:13
  Speaker 2: in this episode with the return of his father, which
• 19:16
  Speaker 2: he hasn't he hasn't said anything to you know, to
• 19:20
  Speaker 2: her about it. So Jess, you know, Jess has this
• 19:23
  Speaker 2: protective shell around him that he because of the struggles
• 19:28
  Speaker 2: he's had in life, and it's hard for Rory to
• 19:32
  Speaker 2: kind of break through that.
• 19:33
  Speaker 1: Yeah, she she just doesn't have a chance against all that.
• 19:36
  Speaker 1: She doesn't know it, which is why Laura I continually
• 19:41
  Speaker 1: tried to steer her away from getting involved. She saw
• 19:45
  Speaker 1: it she saw this. I mean, boy did she see
• 19:47
  Speaker 1: it coming. But in those situations, nature takes its course, hysterical. Really,
• 19:55
  Speaker 1: Maybe the funniest scene of the episode was was one
• 20:00
  Speaker 1: Laura Lai and Suki were were and that was that
• 20:04
  Speaker 1: you know the guy that they were that's Melissa McCarthy's husband. Yeah,
• 20:11
  Speaker 1: that's Ben Falcone right there.
• 20:13
  Speaker 2: Is that his first appearance on the show.
• 20:14
  Speaker 1: I think it is. Yeah.
• 20:16
  Speaker 2: Interesting. Were they married at the time or dating at
• 20:22
  Speaker 2: the time.
• 20:22
  Speaker 1: No, No, I think that's how they met.
• 20:24
  Speaker 2: That's how they met.
• 20:25
  Speaker 1: Fascinating that scene is I think how they met. Wow,
• 20:30
  Speaker 1: I could be wrong, but I believe that that was
• 20:33
  Speaker 1: when they met. Yeah, and Suki and and and Laura.
• 20:39
  Speaker 1: I conspiring now I would you know, not conspiring, but
• 20:42
  Speaker 1: tiptoeing around, not so gently around this issue of getting
• 20:48
  Speaker 1: friends in uh. Now that she's passed, they want to
• 20:52
  Speaker 1: be first in line to to buy it, so they
• 20:57
  Speaker 1: they approach Ben Falcone lead Paul Bear. Very funny, see,
• 21:03
  Speaker 1: very funny. Uh, and then they celebrate towards they jump
• 21:07
  Speaker 1: up and down with the body's going getting carried away.
• 21:15
  Speaker 1: Oh man, all right, Jess's father shows up and Luke
• 21:28
  Speaker 1: gets a little upset here Jess is. He's not in
• 21:31
  Speaker 1: the best mood. It's evening. He's waiting impatiently. Oh no,
• 21:36
  Speaker 1: this is when we first sorry, scratch all that, Jackie.
• 21:40
  Speaker 1: This is when we first see ah what what is his? Uh,
• 21:45
  Speaker 1: Jimmy is it's Jimmy. It's Jimmy. This is when we
• 21:50
  Speaker 1: first see Jimmy. He's just sitting He's just sitting at
• 21:52
  Speaker 1: a table. He's not ordering anything.
• 21:53
  Speaker 2: He's got You don't know who it is at this point,
• 21:56
  Speaker 2: we have.
• 21:56
  Speaker 1: No idea at the table right, he won't order anything,
• 22:00
  Speaker 1: and Jess is getting frustrated with him and being a
• 22:03
  Speaker 1: little rude to him, and that turns out to be
• 22:07
  Speaker 1: his dad. So he leaves the diner. He forgets his walt.
• 22:11
  Speaker 1: Luke chases after him with the wall, pulls out his
• 22:13
  Speaker 1: ID and says, uh, oh, now I know who this is.
• 22:18
  Speaker 1: Luke finds him, shows up at his hotel room and in.
• 22:24
  Speaker 2: Great scene, great, great scene. That's my favorite scene of
• 22:28
  Speaker 2: the episode. I gotta say that's my favorite scene. I
• 22:32
  Speaker 2: just think it's a it's just a great I feel
• 22:35
  Speaker 2: like you have two great actors. I love seeing you
• 22:37
  Speaker 2: guys just you know, go at it and that you're
• 22:40
  Speaker 2: just like lay down the lay down the law with him.
• 22:43
  Speaker 1: You know what it is, you know, you know what
• 22:44
  Speaker 1: it is, Dave, it's you don't get You don't get
• 22:48
  Speaker 1: to do that a lot I got. I did that
• 22:51
  Speaker 1: a lot in in in New York on stage, right,
• 22:54
  Speaker 1: you get to do that on stage. You don't get
• 22:56
  Speaker 1: to do that in television shows.
• 22:59
  Speaker 2: It's very rare, but it's special when it happens, like
• 23:03
  Speaker 2: if it's too often that it loses its specialists.
• 23:06
  Speaker 1: I feel it absolutely. And but the writing is so
• 23:09
  Speaker 1: good that you just feel like you can go, go, go,
• 23:13
  Speaker 1: go go, and you're gonna be okay. So if you go,
• 23:17
  Speaker 1: like if you turn the amp up to nine or eleven, even,
• 23:23
  Speaker 1: you're gonna be okay. It's not gonna be too much
• 23:25
  Speaker 1: because the writing's there.
• 23:27
  Speaker 2: Writing writing was solid.
• 23:30
  Speaker 1: So it's like it's almost like the writing is sort
• 23:33
  Speaker 1: of actor proof where you could under you could underplay
• 23:37
  Speaker 1: it and it would still work. Because as I was
• 23:40
  Speaker 1: watching it, I thought, hmmm, how would I approach that
• 23:43
  Speaker 1: scene now, you know so twenty years later, right, and
• 23:48
  Speaker 1: would I underplay it? Would I be calmer with it?
• 23:52
  Speaker 1: And it could work that way. It could work any
• 23:54
  Speaker 1: number of ways anyway. But it's just really that's the situation,
• 23:59
  Speaker 1: and that's the choice that you make. And if the
• 24:03
  Speaker 1: director feels like it's going well in rehearsal, like yeah, yeah,
• 24:08
  Speaker 1: this feels organic and it feels good, and why wouldn't
• 24:12
  Speaker 1: it you know, Luke would do this. Luke would blow
• 24:17
  Speaker 1: his top a little bit. You know.
• 24:19
  Speaker 2: Can I ask you a question. I wonder how involved
• 24:21
  Speaker 2: were like the Palladinos on set did they were they
• 24:25
  Speaker 2: or the writers? How much did they like affect the
• 24:28
  Speaker 2: director or how much did they you know, are you
• 24:31
  Speaker 2: aware of like any of that kind of of a
• 24:34
  Speaker 2: dynamic going on or you know.
• 24:37
  Speaker 1: What I think the Palatinos did which was so great
• 24:40
  Speaker 1: is I think they had all of their director meetings
• 24:44
  Speaker 1: beforehand and it was just kind of a hands off approach.
• 24:48
  Speaker 1: You know, it was never public, it was never on set,
• 24:53
  Speaker 1: they never came on. It's like, you know, I've been
• 24:56
  Speaker 1: on shows where I was on one show where between
• 25:02
  Speaker 1: just about every single take, the director was watching remotely
• 25:05
  Speaker 1: and would I mean the showrunner was watching remotely and
• 25:09
  Speaker 1: would call the director, so there would be these five
• 25:11
  Speaker 1: ten minute delays between every single take, and it was
• 25:15
  Speaker 1: just awful. It was just an awful way to work.
• 25:17
  Speaker 1: But now they were very hands off. It seemed like
• 25:21
  Speaker 1: the directors had full autonomy and and to express themselves
• 25:26
  Speaker 1: and they were trusted, and it was it was always
• 25:29
  Speaker 1: a nice working environment with with the directors that came in.
• 25:34
  Speaker 1: They were all very very competent and very prepared and
• 25:40
  Speaker 1: you know and open to you know, suggestions and choices,
• 25:46
  Speaker 1: and it was a very free and open kind of
• 25:49
  Speaker 1: not not script wise, no, you didn't touch the language,
• 25:52
  Speaker 1: but it's just sort of you know, the blocking and
• 25:54
  Speaker 1: all that.
• 25:55
  Speaker 2: Yeah.
• 25:56
  Speaker 1: Yeah, so they were they were great about it.
• 25:58
  Speaker 2: I just was curious, Yeah, because I've had experiences with
• 26:01
  Speaker 2: kind of both and sometimes it's it's you know, now
• 26:04
  Speaker 2: I'm not saying it's necessarily a bad thing, but sometimes
• 26:06
  Speaker 2: you're you you direct, and you're protecting for both. So
• 26:10
  Speaker 2: they might you know, director might be like, wow, I
• 26:12
  Speaker 2: love this, but I should also get it this way too,
• 26:15
  Speaker 2: just because I know that the you know, the showrunners
• 26:17
  Speaker 2: said they you know what I mean, that kind of thing.
• 26:20
  Speaker 2: So I just was curious, Yeah, because you could you know,
• 26:24
  Speaker 2: when you when you have a choice or something like that.
• 26:26
  Speaker 2: Like if I was if I was directing watching that,
• 26:28
  Speaker 2: I'd be like, oh my god, I just love this
• 26:30
  Speaker 2: and and you know, you could just see that the
• 26:32
  Speaker 2: performances just so great, and it's you.
• 26:34
  Speaker 1: Know, listen, it's it's I don't want to say it's
• 26:37
  Speaker 1: easy with that kind of writing. It's just that kind
• 26:42
  Speaker 1: of writing engages you and focuses you and you feel
• 26:47
  Speaker 1: so completely what's the word I'm looking for. Obligated two
• 26:57
  Speaker 1: execute at your highest level. I mean, it really challenges
• 27:02
  Speaker 1: you to like, can you do this and this is
• 27:05
  Speaker 1: what you need to do, and you see it before
• 27:07
  Speaker 1: you do it, you feel it before you do it,
• 27:10
  Speaker 1: and you just don't know if you're going to pull
• 27:12
  Speaker 1: it off because you know, as well as anybody you know,
• 27:16
  Speaker 1: as far as actors are concerned, their best work rarely
• 27:19
  Speaker 1: makes it to the final cut because of so many
• 27:24
  Speaker 1: you know, technical things that can go wrong in a scene,
• 27:26
  Speaker 1: or a sound issue, or there's there's a lighting issue,
• 27:29
  Speaker 1: or there's you know, whatever it is. But it's but
• 27:31
  Speaker 1: it's hard. And that's the fun part is when you're
• 27:35
  Speaker 1: handed something, when you're given the responsibility to do something
• 27:38
  Speaker 1: like that, that's the fun part of it, you know.
• 27:41
  Speaker 2: But I would I would say I want to give
• 27:43
  Speaker 2: though that the director and editor credit as well. When
• 27:46
  Speaker 2: you say, like, I think a lot of times the
• 27:48
  Speaker 2: best stuff does make it. At least That's what I
• 27:50
  Speaker 2: strive for when I'm editing a show is to you know,
• 27:54
  Speaker 2: look at these performances and wow, they're great, even if
• 27:57
  Speaker 2: it's crossing takes and getting man's so great in this
• 28:00
  Speaker 2: take and then this take, he's got this line. How
• 28:02
  Speaker 2: do I get these two together? You know? And I
• 28:05
  Speaker 2: think that, I mean, yes, there's always obviously there's technical
• 28:09
  Speaker 2: issues that happen, and sometimes we can, you know, editors
• 28:12
  Speaker 2: can can work a little magic and fix things and
• 28:15
  Speaker 2: even with visual effects or sound work and stuff. But
• 28:19
  Speaker 2: I think that everybody does strive to get the best,
• 28:22
  Speaker 2: you know, like you like you get those words and
• 28:24
  Speaker 2: you feel this obligation. I feel like everybody down the line,
• 28:28
  Speaker 2: you know, the editor also has this obligation. Well, we
• 28:31
  Speaker 2: want to get the best. I want to get the
• 28:32
  Speaker 2: best cut that I can to the producers, and I
• 28:35
  Speaker 2: think everybody is striving to make the best show. And
• 28:37
  Speaker 2: that's why I show that, Like you know, like the
• 28:39
  Speaker 2: Gillmore Girls goes for for season after season after season,
• 28:43
  Speaker 2: and then there's still such you know, fan fare about it.
• 28:46
  Speaker 2: That they can pick it up again eight years later.
• 28:49
  Speaker 2: And you know what I mean. So it's a good
• 28:52
  Speaker 2: you know, it's just quality and care, right.
• 28:56
  Speaker 1: Yeah and so and so I think that answers your
• 28:59
  Speaker 1: question as well. Well. Behind the scenes, the Palladinos, I
• 29:03
  Speaker 1: think what they were very, very good at was hiring
• 29:07
  Speaker 1: the right people, you know, because none of us had
• 29:11
  Speaker 1: any right to be on that show, given the quality
• 29:14
  Speaker 1: of the writing and given the fact that so many
• 29:16
  Speaker 1: name actors were available at that time, because the crossover
• 29:20
  Speaker 1: into TV was becoming a thing, right film to TV
• 29:23
  Speaker 1: at that time. And I know that, you know, the
• 29:27
  Speaker 1: studio didn't want any of us, right, they wanted names,
• 29:30
  Speaker 1: And she fought for every one of us because she
• 29:33
  Speaker 1: felt that we were kind of perfect for these roles.
• 29:37
  Speaker 1: You know, maybe it's the only role they'll ever play
• 29:39
  Speaker 1: in their lives, but they're really like right for this one.
• 29:42
  Speaker 1: And I think she did that on all levels. Amy
• 29:44
  Speaker 1: and Dan did that on all levels. They had great
• 29:46
  Speaker 1: people there. I mean, there were just great people everywhere.
• 29:50
  Speaker 1: It really was a very special place.
• 29:52
  Speaker 2: You were seeing the casting. I mean even just all
• 29:56
  Speaker 2: these actors, you know, I mean how they brought you
• 29:58
  Speaker 2: guys together, but even how they guess first have gone
• 30:00
  Speaker 2: off right, Oh they've had careers out, you know what
• 30:03
  Speaker 2: I mean the time it's like, oh really it had
• 30:06
  Speaker 2: some jewels here.
• 30:07
  Speaker 1: You know, yeah, it's it's it is amazing. It is
• 30:12
  Speaker 1: an amazing legacy that this show is left and continues to
• 30:18
  Speaker 1: to to leave. All right, we're getting a little tight
• 30:23
  Speaker 1: on time. Let me see here. Oh no, no we're good,
• 30:26
  Speaker 1: but just heartbreaking stuff. Heartbreaking to have to confront somebody
• 30:32
  Speaker 1: else's dad and defend Jess and no, probably in as
• 30:36
  Speaker 1: hard as hearts. It's it's a lost cause. But he's
• 30:38
  Speaker 1: gonna just he's gonna die trying. One of the funnier
• 30:42
  Speaker 1: moments for me, and this was when Taylor comes in
• 30:44
  Speaker 1: singing Sunshine.
• 30:51
  Speaker 2: Yes, and he's got that and I love the little
• 30:56
  Speaker 2: little line at the end too. He's like, you know,
• 30:58
  Speaker 2: and you can get penny candies for a.
• 31:07
  Speaker 1: It's just great. Yeah. I mean, it's filled with that stuff.
• 31:10
  Speaker 1: Hence hence the volume of rewatch, because there's it's so
• 31:14
  Speaker 1: dense with humor that nobody can possibly pick it all
• 31:18
  Speaker 1: up in one viewing. So Taylor comes in and announces
• 31:21
  Speaker 1: the his soda shop is opening. Pass around flyers you
• 31:26
  Speaker 1: know what we've covered. We've actually covered all this. Wow.
• 31:29
  Speaker 1: What this has been a full discussion of this episode
• 31:33
  Speaker 1: pretty much. It's filled with drama levity. You can't ask
• 31:38
  Speaker 1: for anything more. All right, So you were in the
• 31:50
  Speaker 1: episode we recapped Dave a few weeks ago, Tale of
• 31:54
  Speaker 1: Post and Fire. What do you remember about your time
• 31:56
  Speaker 1: on set?
• 31:57
  Speaker 2: What do you remember who came by? Do you remember
• 31:59
  Speaker 2: who was there that day? And did the sleigh a
• 32:01
  Speaker 2: couple of times?
• 32:02
  Speaker 1: Were you there when Brian Depalmer was there? Was Matthew Perry? Yeah,
• 32:07
  Speaker 1: oh yes I did. You were in the diner.
• 32:09
  Speaker 2: I'm in the diner. I have one It's so funny.
• 32:13
  Speaker 2: I mean I have one line and it's one word.
• 32:15
  Speaker 2: I just go, you know, Suki says, hey, you know,
• 32:19
  Speaker 2: they come just to reac. They come from the inn
• 32:22
  Speaker 2: is on fire. It's the next morning, it's breakfast. They
• 32:25
  Speaker 2: come in and they kind of take over your diner
• 32:27
  Speaker 2: and they say, you know, it's okay, we cancel your
• 32:30
  Speaker 2: orders and make Suki's fabulous French hosts. And and then
• 32:33
  Speaker 2: I go, sure, like that's my That's what I'm online
• 32:37
  Speaker 2: and uh and people still I will get messages from
• 32:40
  Speaker 2: people today like hey, where you want to give more girls?
• 32:44
  Speaker 2: I think I like all the time, like twice two
• 32:46
  Speaker 2: three times a year. I will get like Facebook messages,
• 32:50
  Speaker 2: I'll get a text from someone, I'll get a shot, right,
• 32:54
  Speaker 2: and so it's it's so funny. But uh, I had
• 32:56
  Speaker 2: I have my call sheet still. I had a great
• 32:59
  Speaker 2: That was a great day. It was the first time
• 33:02
  Speaker 2: like I had, you know, I come from I was
• 33:06
  Speaker 2: editing and I was assistant editing and editing. I had
• 33:09
  Speaker 2: actually like I worked on uh Lauren Seinfeld episode. I
• 33:14
  Speaker 2: was Uh. I was the assistant editor for the last
• 33:17
  Speaker 2: two seasons of Seinfeld. So she came in. She came
• 33:20
  Speaker 2: in and did the Millennium episode and uh and I
• 33:24
  Speaker 2: actually I edited you. I edited the clips show the finale.
• 33:29
  Speaker 2: The episode that came right before the finale was a
• 33:31
  Speaker 2: clip show. She used the clip of you and Elaine
• 33:36
  Speaker 2: from the Sponge the sponge can you do something about
• 33:39
  Speaker 2: those cybergs? Okay, I mean so that that and that
• 33:44
  Speaker 2: because it's a great scene. But I put those together
• 33:47
  Speaker 2: with the with the writers and worked with Jerry Jerry
• 33:50
  Speaker 2: Seinfeld and Larry David and Andy Ackerman and we we
• 33:53
  Speaker 2: you know, put these clips together. It was my first
• 33:56
  Speaker 2: solo editing episode. So I did. I worked with you.
• 33:59
  Speaker 2: I mean, this was all you had shot that, you know,
• 34:01
  Speaker 2: a couple of seasons before, but it was so good
• 34:03
  Speaker 2: that it made it into the clip show.
• 34:07
  Speaker 1: And I got an experience that was Jesus.
• 34:10
  Speaker 2: And then I started, uh, you know, and it's funny.
• 34:12
  Speaker 2: I'm in the background of a one Seinfeld episode. I'm
• 34:15
  Speaker 2: in the YadA YadA, which is uh, it's a wedding
• 34:19
  Speaker 2: scene and it's like, got Robert Wagner in it and
• 34:23
  Speaker 2: Jill Saint John and uh, you know, the Debra Messing
• 34:27
  Speaker 2: is there and I'm sitting in the back row and
• 34:29
  Speaker 2: people will also they'll notice me back there. So I'm
• 34:32
  Speaker 2: good at crafts.
• 34:34
  Speaker 1: Yeah, that's so great.
• 34:36
  Speaker 2: And I had gotten my sad card, and uh I
• 34:40
  Speaker 2: did some voiceover work for a friend that I'd gone
• 34:43
  Speaker 2: to college with, and then I was I started. I
• 34:45
  Speaker 2: took acting classes more of like as to become a
• 34:48
  Speaker 2: better director, just be able to communicates. I always wanted
• 34:52
  Speaker 2: to get in, you know, to to lean that that way.
• 34:55
  Speaker 2: But I did take an auditioning class with A. D.
• 34:58
  Speaker 2: Wallace Stone and so started her. Yeah, I mean she's great.
• 35:03
  Speaker 2: So I and I knew the I knew the casting
• 35:06
  Speaker 2: direct I knew Jamie Rudowski, who casts the show, and
• 35:09
  Speaker 2: I said, oh can I can I come in and
• 35:10
  Speaker 2: and and read and uh so I read and then she,
• 35:14
  Speaker 2: you know, she get me to the producers, and I
• 35:17
  Speaker 2: remember things that de told me, like, you know, if
• 35:19
  Speaker 2: something calls for something, you know, it said bring a plant,
• 35:22
  Speaker 2: do this. So I'm like, I dressed up like, oh,
• 35:25
  Speaker 2: it's gonna be fall I'm wore a leather jacket. I
• 35:27
  Speaker 2: had a scarf on for my audition, and I guess
• 35:30
  Speaker 2: I guess they liked me, and you know, that was it.
• 35:33
  Speaker 2: I was so happy when I got the part and
• 35:36
  Speaker 2: coming to see you know, getting in early, having hair
• 35:38
  Speaker 2: and makeup, you know, work on me, getting breakfast at
• 35:42
  Speaker 2: the you know, the first time, like I'm on this,
• 35:44
  Speaker 2: you know, this other side of the of the camera,
• 35:46
  Speaker 2: seeing what actors, you know, what you guys experience, and
• 35:49
  Speaker 2: then and then going to set, it was it was
• 35:51
  Speaker 2: just great. You uh, you know Lauren, Melissa McCarthy and
• 35:58
  Speaker 2: then uh and yeah, Matt Perry shows up right, shows up,
• 36:02
  Speaker 2: and you know he was friendly with more and I
• 36:04
  Speaker 2: don't know if they were dating or just friendly at
• 36:05
  Speaker 2: the time. But but you know, he was a lot
• 36:09
  Speaker 2: of fun. Everybody was so excited that he came by
• 36:12
  Speaker 2: and he did that a few times.
• 36:14
  Speaker 1: He was joking around while we were rehearsing. Yeah, yeah, no,
• 36:18
  Speaker 1: while we were shooting. He was joking around because I
• 36:20
  Speaker 1: had a I had a line. What was I had
• 36:24
  Speaker 1: a line about? I think it was when Laura like, oh, yeah,
• 36:28
  Speaker 1: they right, they came in and the inn was burning down,
• 36:32
  Speaker 1: or you're yeah, and the line I said, you're in
• 36:36
  Speaker 1: and and and so Matthew goes urine. You're talking about urine.
• 36:40
  Speaker 1: Everybody laughed. You remember that that exchange. That's that's the
• 36:44
  Speaker 1: one funny exchange I had with That's a pair. Ye
• 36:48
  Speaker 1: never got to act with him, No, And he's like,
• 36:53
  Speaker 1: that's like one person you want to act with. You
• 36:55
  Speaker 1: There's like there's there's people, and then there's people that's like, man,
• 36:58
  Speaker 1: I want to I want to try to do comedy
• 37:00
  Speaker 1: with that guy, you know, because I probably woudn't have
• 37:02
  Speaker 1: to do much, right, you just just say the lines
• 37:04
  Speaker 1: and let him go right, let him do his thing.
• 37:07
  Speaker 2: And then the scene was it was great just watching
• 37:09
  Speaker 2: you guys, you know, because we were basically just getting
• 37:12
  Speaker 2: to watch. You know, I have one line and I'm
• 37:14
  Speaker 2: sitting there just being in the diner, just trying to
• 37:16
  Speaker 2: you know, be attentive. And then I remember then they
• 37:19
  Speaker 2: turned the cameras around to get to get you know,
• 37:24
  Speaker 2: because they had shot us for whatever reason, they shot
• 37:27
  Speaker 2: one way and then the other, and so they had
• 37:29
  Speaker 2: shot the crowd shots and then we were shooting Laurence
• 37:31
  Speaker 2: coverage and she's like, you know, oh, you guys don't
• 37:33
  Speaker 2: have to be here if you don't want and we're like.
• 37:35
  Speaker 1: No, we want to be here, or like why would
• 37:39
  Speaker 1: you want to be here?
• 37:40
  Speaker 2: Because she was like, you know, because the camera wasn't
• 37:41
  Speaker 2: on us, but it's like, no, we're not going to
• 37:43
  Speaker 2: have an ad read our lines. Like we're here to
• 37:46
  Speaker 2: support you guys. We're so happy to be here. You know.
• 37:50
  Speaker 2: It was me and this Jessica Pennington was the other customer.
• 37:55
  Speaker 2: I guess you played my wife or something, you know,
• 37:59
  Speaker 2: and we were all like, know, we want to be
• 38:00
  Speaker 2: here and support you guys. It was a It was
• 38:02
  Speaker 2: a great team, very very well managed set, you know,
• 38:07
  Speaker 2: very smooth because were hers cameras pretty quick too. I was, yeah, I.
• 38:14
  Speaker 1: Really missed that show. That was just a Wow. They
• 38:17
  Speaker 1: they had it down, you know, they had it anyway,
• 38:20
  Speaker 1: all right, So unfortunately, Dave, we're at a time, but
• 38:25
  Speaker 1: please come back.
• 38:27
  Speaker 2: I would love to have you back.
• 38:29
  Speaker 1: You're you're a great co host, and uh, we'd love
• 38:32
  Speaker 1: to have you back. So everybody, uh off the spin off.
• 38:37
  Speaker 1: Dave's behind it. He's producing and he's just I think
• 38:40
  Speaker 1: executive producer the paper and that's already got an early
• 38:47
  Speaker 1: renewal for season three by Peacock so so so check
• 38:53
  Speaker 1: it out. Dave Rogers, thank you so much, my friend,
• 38:57
  Speaker 1: and we'll hopefully see you soon. And that's going to
• 39:00
  Speaker 1: wrap it here. Thanks for all your cards and letters
• 39:02
  Speaker 1: and emails, everybody, keep them coming and remember you are
• 39:06
  Speaker 1: the best fans on the planet Earth, and where you lead,
• 39:10
  Speaker 1: we will follow. Okay, stay safe everyone, Hey, everybody, and
• 39:42
  Speaker 1: don't forget Follow us on Instagram at I Am All
• 39:46
  Speaker 1: In podcast and email us at Gilmour at iHeartRadio dot com.