Latest / The D.L. Hughley Show / DLHS Hour 3 | Singer, Producer, Songwriter Raphael Saadiq
Transcript
- 0:00Speaker 1: It's the deal.
- 0:00Speaker 2: Ugley Show, the twenty twenty six then shout out to
- 0:03Speaker 2: all the people that came out to Memphis for the show.
- 0:05Speaker 2: I certainly appreciated, and I know that you guys are.
- 0:09Speaker 2: There was a blackout that I knew it was gonna
- 0:12Speaker 2: be bad because when we left it had happened before
- 0:17Speaker 2: the show started, because it was a big storm. And
- 0:20Speaker 2: one of the things that it's going on is probably
- 0:21Speaker 2: twenty twenty five because they can't predict this inclement weather
- 0:24Speaker 2: because they took all Noah and all the people that
- 0:26Speaker 2: are are that are in charge of you know, you know,
- 0:30Speaker 2: monitoring storms. These storms are having an impact and now
- 0:34Speaker 2: the powers out, but they're only in black neighborhoods.
- 0:36Speaker 3: Yep.
- 0:37Speaker 1: Well they knew what they were doing, that Project twenty twenty.
- 0:39Speaker 2: Five and all these black in floors and Trump all
- 0:42Speaker 2: they trying to scare you.
- 0:44Speaker 1: Okay, well they scared your ass in the dark, now,
- 0:46Speaker 1: ain't they? How about that? And of course Gary still
- 0:49Speaker 1: in darkness?
- 0:50Speaker 2: And Gary and now let me ask some Gary and
- 0:54Speaker 2: Memphis have what in common black folks and where and
- 0:57Speaker 2: there and what in poor.
- 0:58Speaker 1: Neighborhoods in rich states? Oh yeah, that's too sad thing the.
- 1:02Speaker 2: Poorest cities in that in those states, and I was
- 1:06Speaker 2: I was driving around. Memphis could be a beautiful city,
- 1:09Speaker 2: beautiful city. But what they do is they have all
- 1:11Speaker 2: these white dudes who in charge of the legislature and
- 1:13Speaker 2: in charge of the state, and they will they will
- 1:16Speaker 2: starvelled economically out. They'll let Eli muster with everyone. And
- 1:19Speaker 2: here's a time right now you can do something about it.
- 1:21Speaker 2: Myphis is gorgeous. It could have like I'm talking about,
- 1:24Speaker 2: the airport is brand new, all the buildings are beautiful.
- 1:28Speaker 2: Have you seen what it looks like when somebody like,
- 1:30Speaker 2: look what's happening in Baltimore. Look at what they're doing
- 1:33Speaker 2: in Cleveland, like the cities like that where some of
- 1:35Speaker 2: the young progressive mayor comes in there and changing stuff around.
- 1:38Speaker 2: Mephis could be a shining city in the Sound, but
- 1:41Speaker 2: they keep starving it out because they know all black
- 1:43Speaker 2: people live there, yep and and and and they keep
- 1:46Speaker 2: talking about what have what have dems that you all
- 1:49Speaker 2: live under solid Republican governance and always have, so that
- 1:53Speaker 2: that question is so stupid when somebody asks it. Just
- 1:56Speaker 2: because you got democratic councilmen don't mean the state gonna
- 2:00Speaker 2: help you out. And that Byron Donald's if I hear
- 2:05Speaker 2: him talk about you know what some of the black
- 2:08Speaker 2: and his beard he need to put in his soul.
- 2:09Speaker 1: I swear to God.
- 2:13Speaker 2: It is the most how nobody he looks like one
- 2:16Speaker 2: of them, like he got they him and uh and
- 2:19Speaker 2: and Jermaine Jackson must get their hair done at the
- 2:21Speaker 2: same place. He must get his beard done at the
- 2:25Speaker 2: same Hey, Carlos Boozers did Jiffy lou all that black ice?
- 2:30Speaker 2: And he's not gonna be governor he is, No, he doesn't.
- 2:35Speaker 1: I think I'll tell you what. We'll see. I think
- 2:37Speaker 1: he does. We'll see. I'll tell you what. Those policies
- 2:40Speaker 1: look bad.
- 2:41Speaker 2: Those policies were horrible coming from from from a white dude,
- 2:43Speaker 2: their words coming from a black dude, they are. And
- 2:46Speaker 2: he gonna talk about the thing that remember that time
- 2:48Speaker 2: he said to think about Jim Crow. His parents are
- 2:51Speaker 2: from the West Indies. How what do you know about
- 2:53Speaker 2: Jim Crow? Like your parents are from the West Indies
- 2:56Speaker 2: one and from Panama and once from Jamaica. When did
- 2:58Speaker 2: the when did any of them have anything to.
- 3:00Speaker 1: Do with Jim Crow?
- 3:01Speaker 2: And asked Byron Donalds, is when he got in trouble
- 3:03Speaker 2: when he was committing those felonies. It wasn't conservatives that
- 3:06Speaker 2: made the pathway for four for him, it was progressives.
- 3:11Speaker 4: He looked like every herschel walk.
- 3:12Speaker 1: Oh my god, I can't take these people.
- 3:14Speaker 2: All right, we got Sunshine Island vibes and barbecue done
- 3:18Speaker 2: just right. Just added to the one Voyage Cruise. They
- 3:21Speaker 2: added walk Cliff Jean, thank you, mister Tendernism, beats, barbecue
- 3:26Speaker 2: party and bemny. We got visit one Voyage Cruise dot com.
- 3:29Speaker 2: You can call two one four nineteen sixty three.
- 3:32Speaker 1: Welcome back to the d O Hugley Show. We're kicking
- 3:34Speaker 1: it with Raphael Sadie. I saw I was as getting
- 3:37Speaker 1: in Yoshishi, which is a dope.
- 3:39Speaker 2: Oakland's so different now, like it's wealthy is like they
- 3:45Speaker 2: clearly it is the model for gentrification, like it is.
- 3:49Speaker 4: It's like flowers to the left, ghettos to the right.
- 3:51Speaker 1: Yeah.
- 3:51Speaker 4: Maybe I always been like that though, like.
- 3:53Speaker 1: Not that I saw places that had to cost a
- 3:56Speaker 1: many dollars. Yeah in Oakland.
- 3:57Speaker 5: Oh yeah, yeah, Well Pimont is always you know, p
- 3:59Speaker 5: Mont is like the ne Vatican. It's right in the
- 4:02Speaker 5: middle of Oakland, but it's not in Oakland, yeah at all.
- 4:04Speaker 2: You better come up here if you want do with that.
- 4:07Speaker 2: But I'm playing at Yoshie's and he comes and I
- 4:09Speaker 2: don't even know what this add on, but like, how
- 4:11Speaker 2: does it? The texture of your life is definitely in
- 4:16Speaker 2: your music.
- 4:17Speaker 4: Yeah, I saw it.
- 4:18Speaker 5: All I could talk about is like, you know, my
- 4:21Speaker 5: stories and everybody in the stories, you know, And some
- 4:22Speaker 5: people go like when I wrote Anniversary, like who did
- 4:25Speaker 5: you write that about? Like nobody, It's just I just
- 4:28Speaker 5: you know, beautiful relationships I've seen and you know, it's
- 4:31Speaker 5: just Anniversary just popped up one day and I was
- 4:33Speaker 5: just singing.
- 4:34Speaker 4: I didn't think about what it was or anything.
- 4:36Speaker 5: And then when it came out, they was like, because
- 4:38Speaker 5: the line I like in Anniversary was like, you know,
- 4:40Speaker 5: I thought I was really like killing it. I was like, damn,
- 4:43Speaker 5: I'm like, you know, I was like, Victoria'll be no secret.
- 4:46Speaker 5: At the end of the night. I was like, oh,
- 4:47Speaker 5: I'm like, I said.
- 4:51Speaker 4: It works, it works, it works.
- 4:54Speaker 1: You know.
- 4:55Speaker 2: The New York Times said that you were in search
- 4:57Speaker 2: of a masterpiece, right, and and I I never would
- 5:00Speaker 2: have I never would have seen it that way. But
- 5:04Speaker 2: I think that everybody always thought you were like a dope,
- 5:09Speaker 2: dope artist, but to that point that never it was
- 5:13Speaker 2: never well a lot of things that Tony Tony Tony
- 5:16Speaker 2: and then uh earl, but never a thing where you
- 5:20Speaker 2: I mean, everybody knew you could you work with prints,
- 5:23Speaker 2: but never a thing where you hung your shingle. And
- 5:25Speaker 2: I think every every dope artist needs that, right of course. Yeah,
- 5:30Speaker 2: I think that For me, I was in search of
- 5:33Speaker 2: just like not destroying the legacy, you know.
- 5:36Speaker 5: I felt like my I feel like my my journey
- 5:40Speaker 5: of work is uh, it's pretty solid, you know, from
- 5:43Speaker 5: work with other people. Sure, so when I go in
- 5:45Speaker 5: the studio, I just don't want to come out with
- 5:47Speaker 5: something to everybody, like, you know, he should have stopped,
- 5:49Speaker 5: but he was, you know, and then if something great
- 5:52Speaker 5: comes out of that, thenis you know. But I was
- 5:54Speaker 5: telling somebody like my seventh grade talent show at Elmhurst
- 5:57Speaker 5: Junior High, I've got I prepared for the talent show playing.
- 6:01Speaker 5: I was playing a forty five this song called Peanut Butter,
- 6:05Speaker 5: and my whole show was this. I had a record
- 6:08Speaker 5: I play, as the record goes off, I continue to
- 6:10Speaker 5: play and the school goes oh my god he could play.
- 6:13Speaker 5: Then I played another one by the Dust and Rappers Delight,
- 6:15Speaker 5: and the school was going nuts, and so like, I
- 6:18Speaker 5: snuck the base to school because I couldn't take it
- 6:20Speaker 5: out of the house.
- 6:22Speaker 4: I got cop.
- 6:22Speaker 5: Bringing it home on my mother, whooped my ass. But
- 6:26Speaker 5: they made me the headliner, the headliner, which I didn't
- 6:28Speaker 5: know what that was at that time, right, So I
- 6:30Speaker 5: snuck the base again back to the school because I
- 6:33Speaker 5: had to be in the show. And you know what,
- 6:35Speaker 5: I just pretty much killed the whole place. I mean,
- 6:38Speaker 5: everybody was going crazy. So they had to lock me
- 6:41Speaker 5: up in the office. And you hear all these kids
- 6:44Speaker 5: banging blah blah blah trying to get to me. I'm
- 6:46Speaker 5: the seventh grade. It's four talent shows. I was strategic
- 6:49Speaker 5: and waited for the last one to win the trophy.
- 6:51Speaker 5: That's the only one with the trophy. So they locked
- 6:53Speaker 5: me in the office. But to say that is to
- 6:55Speaker 5: say what I'm trying to say is what I felt
- 6:58Speaker 5: that day from those people, screams and atulation, everything I felt.
- 7:02Speaker 5: I've never felt that before. After that, that was the
- 7:05Speaker 5: biggest thing I ever felt.
- 7:06Speaker 1: So some people feel like that were dope.
- 7:08Speaker 4: Because that was the first high. I've never had that again.
- 7:12Speaker 5: Everything else, so I say, everything else is just extra
- 7:15Speaker 5: my Tony's records.
- 7:16Speaker 4: Playing with MC jack on the Grammys felt great.
- 7:19Speaker 1: But let me tell you something. Your minds with me.
- 7:23Speaker 1: I was in a band story.
- 7:32Speaker 4: I like that I was.
- 7:33Speaker 2: A horrible singer and a horrible performer, and like you,
- 7:37Speaker 2: I remember the screams of people banging at the door
- 7:40Speaker 2: talking about kill this. But this is the true story.
- 7:46Speaker 2: But she really was and I was horrible. But when
- 7:50Speaker 2: I got on stage, I knew I wanted to be
- 7:51Speaker 2: on stage.
- 7:51Speaker 5: Fan.
- 7:52Speaker 4: Yeah, I you're good at We had different experiences, but
- 7:56Speaker 4: you're good at it.
- 7:57Speaker 5: I like, I mean, your political views are are amazing.
- 8:00Speaker 5: Like when I watch your show, I'm like, he about
- 8:03Speaker 5: to tell the truth to these men. I'm like, I'm like,
- 8:05Speaker 5: I know if I'm watching you, I'm like, oh, it's
- 8:07Speaker 5: about to go down in some kind of way. He's
- 8:10Speaker 5: going to tell you something you don't know or you
- 8:12Speaker 5: haven't thought of in this way, you know what I mean.
- 8:14Speaker 5: So like I can see where you want, where you
- 8:17Speaker 5: want to be on stage, and like where you're going,
- 8:20Speaker 5: I'm like, you're right around the corner for me. Like
- 8:22Speaker 5: when I walked. When I walked through that glass and
- 8:24Speaker 5: I saw you on the screen, I was like, damn,
- 8:28Speaker 5: this is real, dude.
- 8:29Speaker 4: It's like Yo Yuki is around the corner from me
- 8:32Speaker 4: all this. You could just walk around the corner, come
- 8:34Speaker 4: sit and watch this.
- 8:36Speaker 1: We don't feel a lout in here, but I know
- 8:39Speaker 1: there he is. Raphael sad. Now it's time for what
- 8:42Speaker 1: you need to know with one only Sybil Wilkes.
- 8:44Speaker 3: It's Sybil Wilkes with what we need to know. A
- 8:46Speaker 3: Texas judge requested a request for a new murder trial
- 8:49Speaker 3: for the nineteen year old African American Carmelo Anthony, upholding
- 8:53Speaker 3: his thirty five year sentence for a fatal twenty twenty
- 8:56Speaker 3: five track meet stabbing in Frisco, Texas, after ruling that
- 9:00Speaker 3: pre trial agreement between the attorneys did not violate the boys' rights.
- 9:04Speaker 3: In Nevada, the family of the missing New York grandmother
- 9:07Speaker 3: Elisa Goods confirmed her body was found near the Las
- 9:10Speaker 3: Vegas Airport following suspicious text messages requesting cash and bitcoin
- 9:14Speaker 3: sent around the time that she vanished. The NAACP is
- 9:17Speaker 3: slamming reports. The Navy may rename the USS Aircraft Carrier
- 9:22Speaker 3: originally honoring World War II hero Doris Miller, but instead
- 9:26Speaker 3: name it after President Trump. NAACP president Derek Johnson called
- 9:30Speaker 3: the move a slap in the base two war heroes. Finally,
- 9:34Speaker 3: Mississippi lawmakers face pushback from the legislative Black Caucus over
- 9:38Speaker 3: proposals to tie university funding to graduation rates. I'm sivil Wilkes,
- 9:43Speaker 3: be informed, b empowered.
- 9:45Speaker 1: Thank you so very much, Similright boy, the show is
- 9:49Speaker 1: coming up to show you like that. I did not