Latest / The Bootleg Kev Podcast / #622 - Chip Tha Ripper Talks New Music, MGK, Kid Cudi & Finding Cudi’s Car on Fire 😳

Transcript

#622 - Chip Tha Ripper Talks New Music, MGK, Kid Cudi & Finding Cudi’s Car on Fire 😳 · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Yo, Before we get into the interview, man, I want
• 0:01
  Speaker 1: to give a shouts to all my radio stations all
• 0:03
  Speaker 1: across the country who have the Bootleg cav Show as
• 0:06
  Speaker 1: an official affiliate. Man, we're on the radio in about
• 0:09
  Speaker 1: one hundred cities nationwide every day. Want to give a
• 0:12
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• 0:14
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• 0:16
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• 0:19
  Speaker 1: eight three, and Twucson Power ninety eight three in Phoenix
• 0:23
  Speaker 1: were one O two nine. Importantly, we're all over the country,
• 0:26
  Speaker 1: so you could tap in with that radio show. If
• 0:29
  Speaker 1: you want to know for on in your city, just
• 0:31
  Speaker 1: go to Bootleg cav dot com. The fullest of cities
• 0:33
  Speaker 1: is there. You might hear us. Let's get into the interview, Yo,
• 0:39
  Speaker 1: Bootleg cap podcast man special guests in here. His new
• 0:42
  Speaker 1: album just drop last month. What was around Christmas?
• 0:45
  Speaker 2: Christmas Day?
• 0:46
  Speaker 3: On Christmas?
• 0:47
  Speaker 2: Yeah, wrapping paper, wrapping paper.
• 0:51
  Speaker 3: So this is the sequel to Gift Wraps the first one.
• 0:54
  Speaker 2: Yep, it is a sequeence like Gift Wraps two. We
• 0:56
  Speaker 2: even put Gift Raps two in the parentheses.
• 0:58
  Speaker 3: What was the first one like to that in twelve
• 1:00
  Speaker 3: and I.
• 1:01
  Speaker 2: Was like twelve thirteen, I want to say twelve.
• 1:04
  Speaker 3: Yeah, so it's been a minute.
• 1:06
  Speaker 1: Yeah, why why make this project the sequel?
• 1:10
  Speaker 3: Did it just you feel like it just made sense?
• 1:13
  Speaker 1: Or was it did you go into it saying this
• 1:14
  Speaker 1: is going to be the sequel or was it like
• 1:17
  Speaker 1: once you started making and you're like, oh this.
• 1:18
  Speaker 3: Kind of yeah.
• 1:19
  Speaker 2: I mean every year we have an opportunity, me and
• 1:24
  Speaker 2: Chuck had an opportunity to drop wrapping Paper because we've
• 1:26
  Speaker 2: been had this plan, We've had a touch yeah, but
• 1:30
  Speaker 2: we just would miss the mark at the like like
• 1:33
  Speaker 2: we would like realize it's too late. I would hit
• 1:35
  Speaker 2: him up like in November like oh shit, we should
• 1:37
  Speaker 2: drive wrapping paper, and then it just wouldn't be enough time.
• 1:39
  Speaker 2: But this year we really was like, noah, let's do it,
• 1:42
  Speaker 2: like from like months and months prior, so are we
• 1:47
  Speaker 2: going to make this year to be the year we
• 1:48
  Speaker 2: drive wrapping paper? And we just got it done.
• 1:51
  Speaker 1: So cause he's been on the on. He put out
• 1:53
  Speaker 1: a cool kids album this year, he just got off tour. Yeah,
• 1:56
  Speaker 1: you guys were all like this whole year, it's all
• 1:58
  Speaker 1: already kind of been in the cars that this was
• 1:59
  Speaker 1: going to come out.
• 2:00
  Speaker 3: Yeah, going into the holiday.
• 2:02
  Speaker 2: Yeah, he was. He was on him and Mikey was
• 2:03
  Speaker 2: on the road, and and I was just busy with
• 2:08
  Speaker 2: with a bunch of stuff I was doing, man writing,
• 2:12
  Speaker 2: I'm writing a couple of films and like just doing
• 2:14
  Speaker 2: a bunch of shitting between the albums. But our times
• 2:18
  Speaker 2: just aligned. This year was like all right, let's go,
• 2:21
  Speaker 2: you know what I mean?
• 2:21
  Speaker 1: Is this all like stuff that's just been sitting on
• 2:24
  Speaker 1: our drive that you guys had done or is it new?
• 2:27
  Speaker 2: No, it's new.
• 2:27
  Speaker 3: Okay.
• 2:28
  Speaker 2: We had a couple of records that we that I
• 2:30
  Speaker 2: started recording years ago, but only one of them made
• 2:33
  Speaker 2: the album and the rest of them are are all
• 2:35
  Speaker 2: new records, you know what I mean. Like we we
• 2:39
  Speaker 2: started it, you know, it was a few Like like
• 2:42
  Speaker 2: I said, every year on around Christmas, we just like
• 2:44
  Speaker 2: start off a little too late.
• 2:46
  Speaker 1: Do you feel like because I feel like, you know,
• 2:49
  Speaker 1: shout to Chuck because Chuck is one of those underrated producers.
• 2:52
  Speaker 2: Every Yeah, Chuck English.
• 2:54
  Speaker 1: Do you feel like it's a different dynamic than like
• 2:57
  Speaker 1: like working just like solely with the single producer when
• 3:00
  Speaker 1: you like sit down and do like Okay, we're doing
• 3:02
  Speaker 1: the whole album as opposed to like, you know, piecing
• 3:05
  Speaker 1: together with different guys.
• 3:06
  Speaker 2: It's honestly, I feel like it's better to have everything
• 3:11
  Speaker 2: come from one producer. It's probably easier, easier too, but
• 3:15
  Speaker 2: you just can deliver a sound instead of like a
• 3:19
  Speaker 2: medley of your picks, you know what I mean, try
• 3:22
  Speaker 2: to make that into a sound, you know what I mean. So,
• 3:26
  Speaker 2: I mean it's really no right or wrong way to
• 3:28
  Speaker 2: do it. But for this being a sequel, you know,
• 3:31
  Speaker 2: I had to really it was like give raps is
• 3:33
  Speaker 2: a hard act to follow, you know what I mean. So,
• 3:36
  Speaker 2: and they don't even have no features on it. So
• 3:39
  Speaker 2: I was like, yo, we got to really make this
• 3:42
  Speaker 2: like compete. You know, you gotta go. You gotta go
• 3:45
  Speaker 2: against old Chuck. That's what I told him, Like, you
• 3:47
  Speaker 2: got to go against against yourself. Yeah, so he was like,
• 3:50
  Speaker 2: I'll beat Old Chuck's ass, That's what he says.
• 3:53
  Speaker 1: What he said, I mean, and you got dope features
• 3:55
  Speaker 1: on here, Oh yeah, yeah, I mean you got the
• 3:58
  Speaker 1: Cleveland guy shout to Kels.
• 4:00
  Speaker 3: Was it hard to get kills?
• 4:01
  Speaker 1: Like getting rapper mode when he's like running around the
• 4:03
  Speaker 1: world is a pop star now and like a rocker like.
• 4:06
  Speaker 2: Man, you know what kills he He is a maniac
• 4:09
  Speaker 2: man artistically, Like, he just can't be stopped no matter
• 4:12
  Speaker 2: what's going on, whether it's switching genres or whatever. He's
• 4:16
  Speaker 2: he's ready a ready, acting up. Yeah, So it's really
• 4:20
  Speaker 2: no stopping him. And he was up for the challenge.
• 4:22
  Speaker 2: He he was you know, once he once I told him,
• 4:24
  Speaker 2: he was like, let's go. So it wasn't really hard
• 4:28
  Speaker 2: to pull everybody together, which was a blessing, man, you
• 4:31
  Speaker 2: know what I mean, because really people don't know how
• 4:33
  Speaker 2: hard it is to pull artists together, you know. And
• 4:37
  Speaker 2: all of them came in and really just looked out
• 4:39
  Speaker 2: for me, man, So you know, shout out to everybody.
• 4:41
  Speaker 1: Was you, because I feel like early on, like MGK
• 4:44
  Speaker 1: was a pretty like outspoken guy. Yeah, did it take
• 4:50
  Speaker 1: a while for like you and Cutty to kind of
• 4:52
  Speaker 1: get aligned with him, like in terms of like you
• 4:54
  Speaker 1: guys being on the same page and like rocking with
• 4:57
  Speaker 1: each other.
• 4:57
  Speaker 2: I mean, you know, it's it's it's all a part
• 4:59
  Speaker 2: of this, you know what I mean. And I think
• 5:01
  Speaker 2: that's what makes it so beautiful. You know.
• 5:05
  Speaker 3: When mg came in the game, he was talking about it.
• 5:08
  Speaker 2: I mean, but that's what hip hop is about for sure.
• 5:11
  Speaker 3: Like he backed it up. It's not a crazy career.
• 5:14
  Speaker 2: It's like it's one of the things where I appreciate
• 5:17
  Speaker 2: it because that's what gives everything. It's substance, you know
• 5:21
  Speaker 2: what I mean. Like I said, this whole part of
• 5:22
  Speaker 2: the story, Like you know, you see how everything on
• 5:25
  Speaker 2: folds till now, Like this is how it's supposed to be.
• 5:27
  Speaker 2: If it was peachy the whole time, it wouldn't be
• 5:30
  Speaker 2: such an uproar, right, you know what I mean. So,
• 5:32
  Speaker 2: like I think that's the beautiful thing about it. Man.
• 5:35
  Speaker 2: But me and Cale has always been great though, you
• 5:37
  Speaker 2: know what I'm saying.
• 5:38
  Speaker 3: I mean, I always tell people this.
• 5:40
  Speaker 1: He's like one of the most solid, never switched up,
• 5:43
  Speaker 1: great dudes in music.
• 5:45
  Speaker 3: Yeah.
• 5:45
  Speaker 2: Man, he's a real dude too, man, you know what
• 5:47
  Speaker 2: I mean, real guy, Yeah, real yeah, shots. We are
• 5:50
  Speaker 2: real you know, come from Ohio. That's how that's how
• 5:52
  Speaker 2: we are.
• 5:53
  Speaker 1: Man.
• 5:53
  Speaker 2: We don't care about the fan or none of that.
• 5:55
  Speaker 1: Like we got Man, who do you have if you
• 6:03
  Speaker 1: were to remove yourself out of the conversation, Who's who's
• 6:06
  Speaker 1: in the Cleveland mount Rushmore?
• 6:08
  Speaker 2: Oh? If I remove myself Cleveland Mount Rushmore, Now that's
• 6:13
  Speaker 2: hip hop hip hop. Okay, now we're narrowing it down. Well,
• 6:18
  Speaker 2: does Bone.
• 6:19
  Speaker 1: Fish got otherwise there there it's all for.
• 6:27
  Speaker 3: And they can't cut you have a monument in front
• 6:28
  Speaker 3: of the capitol. Otherwise the real Mount rush it's just.
• 6:34
  Speaker 1: Five.
• 6:34
  Speaker 3: Then you got flesh up there too, you know.
• 6:36
  Speaker 2: Yeah, damn Okay Mount Rushmore. Let's see, it's tough because
• 6:41
  Speaker 2: how many spots are four? Okay?
• 6:44
  Speaker 3: Fo uh.
• 6:48
  Speaker 2: Now my Mount Rushmore is predicated on pioneer ship if
• 6:57
  Speaker 2: that's a word, you.
• 6:58
  Speaker 3: Know what I mean, for the for the for the city.
• 7:01
  Speaker 2: Yeah yeah, yeah, So so we're gonna go with uh
• 7:05
  Speaker 2: mc brains is one of the rappers that I heard
• 7:10
  Speaker 2: Crazy Bones said he was aspiring to be like you
• 7:14
  Speaker 2: know what I'm saying, Like, so I would have to
• 7:17
  Speaker 2: put him then, of course bone would get that second
• 7:21
  Speaker 2: slot third in hip hop. I would have to go
• 7:26
  Speaker 2: with Ray Cash.
• 7:29
  Speaker 3: That album was so fire.
• 7:31
  Speaker 2: Yeah yeah, yeah, I was on there a little bit,
• 7:34
  Speaker 2: like my voice was on there. I was pumped, like
• 7:35
  Speaker 2: I was so happy about that.
• 7:37
  Speaker 1: Man.
• 7:37
  Speaker 3: That was a great project. What was it called Cash
• 7:38
  Speaker 3: on Delivery? Yeah?
• 7:39
  Speaker 2: Yeah, I went and brought that out the record store
• 7:42
  Speaker 2: when it still had record store.
• 7:43
  Speaker 3: Very very good album.
• 7:44
  Speaker 2: Yeah, man, shout to the Kick drums too. They produced it.
• 7:47
  Speaker 2: But yeah, I would go, I would go, Ray Cash,
• 7:51
  Speaker 2: that's three right.
• 7:52
  Speaker 3: Yep, one more and I got one more.
• 7:59
  Speaker 2: That's hard.
• 8:00
  Speaker 3: You gotta kind of put Cuddy in there. You gotta
• 8:02
  Speaker 3: kind of right, It's like.
• 8:04
  Speaker 2: Yeah, I mean I want it's yeah, of course, yeah,
• 8:07
  Speaker 2: I want to put Cuddy in there. But you said
• 8:12
  Speaker 2: take me out, You're gonna take yourself out. Yeah, So
• 8:14
  Speaker 2: I mean yeah, we could pioneership. Yeah, that's so. So
• 8:18
  Speaker 2: it's gonna go mc brains bone thus of harmony, Ray
• 8:23
  Speaker 2: Cash and Kid cutting it.
• 8:26
  Speaker 3: Yeah.
• 8:26
  Speaker 2: And I mean, like I said, I wish I could
• 8:28
  Speaker 2: keep going because you know, it's a lot of rappers
• 8:32
  Speaker 2: even now today that's opening the door for new new artists.
• 8:36
  Speaker 2: It ain't just us no more, you know what I mean. Now,
• 8:38
  Speaker 2: it's like people holding that door for the for the
• 8:41
  Speaker 2: next artist, which is which is what I love to see,
• 8:44
  Speaker 2: you know what I mean. It's a guy in Cleveland.
• 8:46
  Speaker 2: He goes around all the uh Target stores and he
• 8:50
  Speaker 2: go up to people and he asks them who's their
• 8:52
  Speaker 2: favorite Cleveland artists. His brand is called hardest in the city.
• 8:57
  Speaker 2: But like that's where that's where I go to really
• 8:59
  Speaker 2: like see who's really popping, you know what I mean.
• 9:02
  Speaker 3: Dope boy's been doing this thing for boy.
• 9:04
  Speaker 2: Yeah, yeah, dope boy. You got a guy named No
• 9:06
  Speaker 2: Love China. Man, It's it's a lot. It's a lot
• 9:10
  Speaker 2: of dope artists come from the city.
• 9:12
  Speaker 3: Man, are you Are you on the Shador train?
• 9:15
  Speaker 2: I love Shador man?
• 9:17
  Speaker 3: Yeah? Is he? Is he the future?
• 9:19
  Speaker 2: I think so? I think so.
• 9:20
  Speaker 1: You know at all the quarterbacks you guys have had, Yeah,
• 9:24
  Speaker 1: it's been some bad ones. Here's the lowest QBR That's
• 9:29
  Speaker 1: what I'm saying. And it's like, no, no, that's not good.
• 9:31
  Speaker 1: He's like eighteen QBR.
• 9:33
  Speaker 2: Oh oh oh yeah, yeah, what's talking about.
• 9:36
  Speaker 1: I'm just curious because they fired Stefanski. I'm like, what
• 9:39
  Speaker 1: are they gonna do? And ship are they picking a
• 9:41
  Speaker 1: quarterback in the first round. It's a bad draft to
• 9:43
  Speaker 1: pick a quarter I think you give s your door
• 9:44
  Speaker 1: a full season to see if yah.
• 9:46
  Speaker 2: I feel like they took him out the game for
• 9:48
  Speaker 2: a while, you know what I mean, when we first
• 9:50
  Speaker 2: got in and got that win, and then they like
• 9:52
  Speaker 2: satting down.
• 9:53
  Speaker 1: They gotta they gotta just give him a year you
• 9:56
  Speaker 1: all drafted to because he ain't him or dying Gabriel.
• 9:59
  Speaker 3: You gotta give give him a shot to keep.
• 10:01
  Speaker 2: Yeah, give him, give him a little consistency where we
• 10:03
  Speaker 2: can you know, where he can get some sake.
• 10:05
  Speaker 3: Trade Miles Garrett, Man, Miles Garrett.
• 10:07
  Speaker 2: He just hit that.
• 10:09
  Speaker 3: Get him out of this.
• 10:09
  Speaker 2: What's it called the record for sack.
• 10:11
  Speaker 3: Yes, he's gonna be like Joe Thomas.
• 10:13
  Speaker 1: Bro Joe Thomas, one of the greatest offensive linemen of
• 10:16
  Speaker 1: all times, spent his whole career in Cleveland playing me
• 10:18
  Speaker 1: and it was game.
• 10:19
  Speaker 2: Yeah. You want to see him get a win, Send
• 10:22
  Speaker 2: him somewhere where he could get a ring or something. Man,
• 10:26
  Speaker 2: we're gonna get man. Look, I'm telling you the one
• 10:27
  Speaker 2: thing about the Browns fan, Man, it's like, ain't no
• 10:30
  Speaker 2: greater glory, just like the Calves. When the Calves won
• 10:33
  Speaker 2: it's twenty sixteen. It wasn't no greater glory than when
• 10:36
  Speaker 2: we had that win because we.
• 10:37
  Speaker 1: Get it, but you get but you guys have Lebron Yeah,
• 10:41
  Speaker 1: like two thousand and five.
• 10:43
  Speaker 3: Yeah, yeah, you guys.
• 10:46
  Speaker 1: I mean, look, I'm a I'm an Arizona sports fan,
• 10:48
  Speaker 1: so I have told him to talk where like Brown's
• 10:50
  Speaker 1: junior with the Cardinals.
• 10:52
  Speaker 3: We fucking suck.
• 10:53
  Speaker 2: I used to I used to like, uh Randy Johnson,
• 10:56
  Speaker 2: Oh yeah, yeah, great, great picture for the Arizondonda. He
• 11:01
  Speaker 2: had that mustache. He wasn't playing.
• 11:04
  Speaker 3: Did you ever see him throw?
• 11:05
  Speaker 1: Yeah?
• 11:06
  Speaker 3: He killed it, killed the bird. Fucking crazy.
• 11:09
  Speaker 2: He was the man though. He was like eight feet tall.
• 11:13
  Speaker 2: What's the new? The new?
• 11:14
  Speaker 3: Uh? The Indians aren't the Indians? What are they now? Commanded?
• 11:19
  Speaker 1: No?
• 11:19
  Speaker 2: No, they're the Guardians, bro, Guardians, Guardians. Man, that's real
• 11:23
  Speaker 2: and real Cleveland. There's gonna feel when I say this.
• 11:26
  Speaker 1: Man, that's I don't even think they make retro like
• 11:29
  Speaker 1: Indians hats anymore.
• 11:31
  Speaker 3: Such a dope log.
• 11:32
  Speaker 2: It's a heartbreak.
• 11:34
  Speaker 3: Yeah, it's a classic.
• 11:35
  Speaker 2: It's like, man, it's crazy. Man, that's a that's a
• 11:38
  Speaker 2: crazy story.
• 11:39
  Speaker 3: Man. They're good. The Guardians are good.
• 11:41
  Speaker 2: They're really good. They're really good. They're really good.
• 11:43
  Speaker 3: You know what I meant? A hockey team in Cleveland. No,
• 11:45
  Speaker 3: Columbus we got that, we got the we's had a monsters.
• 11:48
  Speaker 3: I don't know if we still got Columbus has a
• 11:50
  Speaker 3: hockey team. Yeah, Columbus does, or maybe they went there.
• 11:54
  Speaker 1: Maybe I think they're called the Columbus. I don't know
• 11:56
  Speaker 1: all mohammies from Columbus AF fucking yeah. We used to
• 11:59
  Speaker 1: have a stage and then there's a there's a hockey team.
• 12:02
  Speaker 3: Cook.
• 12:02
  Speaker 1: Can we confirmn's the DJ Highlight and Doobie in Columbus, Ohio.
• 12:06
  Speaker 2: Yeah, out to Columbus, man, Columbus moving right now.
• 12:11
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• 13:47
  Speaker 1: back to the interview. You also got Simba on the album.
• 13:50
  Speaker 2: Larry June's on the on there, yeah, Larry June.
• 13:54
  Speaker 3: Uh. And that's an NHL team right. Oh shit, I'm
• 13:58
  Speaker 3: not crazy.
• 13:58
  Speaker 2: Columbus Bluest shows out to the Columbus Blue Jackets. Man,
• 14:01
  Speaker 2: let me tap in real quick.
• 14:03
  Speaker 3: Yeah, you got some dope features on here.
• 14:05
  Speaker 1: Like when it comes to the fat the Fat Raps four,
• 14:07
  Speaker 1: was it like one putting all those guys on the
• 14:09
  Speaker 1: song together?
• 14:10
  Speaker 3: How hard was it?
• 14:11
  Speaker 1: And who who's the toughest verse to get over the
• 14:13
  Speaker 1: finish line before the album came out?
• 14:15
  Speaker 2: Toughest verse to get over the finish line before the
• 14:17
  Speaker 2: album came out was MGK Verse only because of time,
• 14:24
  Speaker 2: because he was on tour and he went out and
• 14:28
  Speaker 2: got some equipment and set up just to do fat
• 14:30
  Speaker 2: raps for just for the Verse, just on tour. And
• 14:34
  Speaker 2: I was crazy, you know what I mean. But the
• 14:35
  Speaker 2: first person who stepped up to the plate was Denzel Curry.
• 14:39
  Speaker 2: M Dinzel Curry stepped up.
• 14:43
  Speaker 3: Crazy.
• 14:44
  Speaker 1: He is crazy, man.
• 14:49
  Speaker 2: I was in the man I was. We were in
• 14:50
  Speaker 2: the studio together, so I was like trying to keep
• 14:53
  Speaker 2: my composure and not make no noise because like it's
• 14:56
  Speaker 2: gonna pick up the sound. But I was like, damg,
• 14:58
  Speaker 2: he going crazy here right now.
• 15:00
  Speaker 3: And he's one of the best live performers.
• 15:01
  Speaker 2: Yeah he is, you know, he know real jiu jitsu.
• 15:05
  Speaker 3: It's not jiu jitsu. He knows, he knows muy Thai
• 15:07
  Speaker 3: muy Thai.
• 15:07
  Speaker 2: Yeah, one of the fucker will kill you.
• 15:09
  Speaker 1: Yeah. I was in Thailand with him like twenty twenty
• 15:14
  Speaker 1: four and he was like, yeah, I come here all
• 15:16
  Speaker 1: the time to train, and I'm like what. He's like, yeah,
• 15:19
  Speaker 1: like whatever belt he is like, I'm like, oh, you're
• 15:22
  Speaker 1: fucking He's like no, like I came to Thailand and trained.
• 15:25
  Speaker 2: Yeah, he's for real with that shit. Karate O your
• 15:28
  Speaker 2: head fucking around with Denzel Curry with Denzel nah.
• 15:31
  Speaker 1: Because that muy Thai ship is like I feel like
• 15:34
  Speaker 1: more Thai is the m m A or the martial art,
• 15:37
  Speaker 1: whatever you're gonna call it. That's like best applicable the
• 15:40
  Speaker 1: street fights. Yeah, yeah, that ship is. They call it
• 15:43
  Speaker 1: the art of eight limbs, the muy Thai. Right, yeah,
• 15:46
  Speaker 1: that's what the elbows and ship it's over then. Yeah,
• 15:50
  Speaker 1: I elbowed a heavy bag. I saw the difference. I'm like,
• 15:52
  Speaker 1: when I first tried that shit, let me try more time.
• 15:54
  Speaker 1: I'm like, oh no. We went to some like Multai
• 15:57
  Speaker 1: fights in Patong Beach and there was like ten year
• 15:59
  Speaker 1: old kids feeding a living.
• 16:01
  Speaker 3: Ship out of each other. It was fucking crazy. We
• 16:06
  Speaker 3: saw like ten fights.
• 16:07
  Speaker 1: Two of them or were kids, but nine out of
• 16:10
  Speaker 1: the ten fights in it in cold knockouts.
• 16:12
  Speaker 3: Damn motherfuckers. Yeah, elbows, elbows to the head.
• 16:17
  Speaker 2: Man. I went to Thailand. I didn't get to catch
• 16:19
  Speaker 2: any fights though, but or something else. No, man, I
• 16:25
  Speaker 2: ain't even because they said there was something about the
• 16:27
  Speaker 2: you know, you gotta be careful, you know, so I
• 16:29
  Speaker 2: was like, I'm cool, you know what I'm saying.
• 16:31
  Speaker 3: But you know, Thailand's beautiful. I don't know what part
• 16:33
  Speaker 3: you went to I was.
• 16:35
  Speaker 2: I was in Bangkok, then I went to.
• 16:38
  Speaker 3: Wire where'd you go?
• 16:41
  Speaker 2: I went right before the Like when I came back
• 16:44
  Speaker 2: from Thailand, the whole country shut down, like ty is nice.
• 16:48
  Speaker 3: Yeah, it was like it was.
• 16:49
  Speaker 2: Crazy because it's like it was no sign of the
• 16:53
  Speaker 2: COVID anything when we left, but then when we came back,
• 16:56
  Speaker 2: it was.
• 16:56
  Speaker 1: Like and then you're in Asia where it's like super
• 16:59
  Speaker 1: everyone's I'm thinking, like, Okay, if it's coming from this way,
• 17:01
  Speaker 1: why these people shut down? Like Thailand is different, dog
• 17:06
  Speaker 1: ain't like you know, like Japan, and I feel like
• 17:08
  Speaker 1: China they're very very very like Thailand has just turned up.
• 17:12
  Speaker 3: Man.
• 17:13
  Speaker 2: Let me tell you something I like about Thailand and
• 17:15
  Speaker 2: something I don't. I like the people. Man, It feel
• 17:18
  Speaker 2: like they just reel down to earth, you know what
• 17:20
  Speaker 2: I mean. And they don't. They ain't with no bullshit.
• 17:23
  Speaker 2: Like if you lost in the directions, they'll walk off
• 17:25
  Speaker 2: on you. They won't even answer you like they real
• 17:28
  Speaker 2: they real people. But it's smell like doodoo sometimes when
• 17:32
  Speaker 2: you're there.
• 17:33
  Speaker 3: Yeah, I mean, I mean it smells like dude sometimes
• 17:36
  Speaker 3: in La.
• 17:37
  Speaker 2: True that night smell like hot garbage in La and
• 17:40
  Speaker 2: fetnah and human.
• 17:44
  Speaker 1: La got its parts and just pissed. Just walk walk
• 17:49
  Speaker 1: down fucking you know any Spring Street and Saturday.
• 17:57
  Speaker 2: It's a piss factory.
• 17:58
  Speaker 1: Sniff All that human homeless pitch mixed was fatin off smooth.
• 18:03
  Speaker 3: I don't know if they got.
• 18:04
  Speaker 1: The probably got fed on Thailand. Oh yeah, what I
• 18:06
  Speaker 1: don't know. I know that they fired that ship up
• 18:08
  Speaker 1: out there, probably.
• 18:10
  Speaker 3: Lit though shouts to Thailand.
• 18:11
  Speaker 2: I was on the took took, you know what I'm saying.
• 18:13
  Speaker 2: All the little little tax killed things. They drive crazy
• 18:17
  Speaker 2: out there for sure.
• 18:19
  Speaker 3: Yo. When you watch the did you watch the Diddy documentary?
• 18:23
  Speaker 2: I did so.
• 18:25
  Speaker 1: When they brought up like him breaking into Cuddy's house,
• 18:28
  Speaker 1: Like from you're not You're obviously really close with Cuddy.
• 18:31
  Speaker 1: Did that ship like happened the way? Like from what
• 18:34
  Speaker 1: you know? Do you like that ship's like this motherfuckers
• 18:36
  Speaker 1: in there opening presence?
• 18:38
  Speaker 3: Yeah?
• 18:38
  Speaker 2: Yeah, I mean from I wasn't there when he was
• 18:41
  Speaker 2: opening the presence when when I came in, I mean,
• 18:45
  Speaker 2: because of course now we passed that part. So I
• 18:48
  Speaker 2: mean I didn't say nothing for thirteen years, right, I
• 18:50
  Speaker 2: mean all this, I didn't mention none of it. But yeah,
• 18:54
  Speaker 2: I took the pictures that they used in court. Oh really, yeah,
• 18:57
  Speaker 2: those are those of my pictures because he, you know,
• 19:00
  Speaker 2: I had to just you know, he and me up
• 19:02
  Speaker 2: was like yoall go check on this. And I went
• 19:03
  Speaker 2: up there and I'm like, whoa, this is crazy. But
• 19:07
  Speaker 2: i didn't see him in the house or anything like that.
• 19:09
  Speaker 1: So you get to the house and like someone's obviously
• 19:13
  Speaker 1: been inside.
• 19:14
  Speaker 2: Yeah no, no, no, no, I don't know about the inside.
• 19:16
  Speaker 2: I just went I was just in the in the driveway.
• 19:19
  Speaker 3: Are you talking about when the car got set on fire?
• 19:22
  Speaker 2: Well, I'm I came after that.
• 19:23
  Speaker 3: But but okay, So because because there was a day.
• 19:26
  Speaker 1: I think when that there was like the girl who
• 19:29
  Speaker 1: testified his old assistant who said there was like a
• 19:32
  Speaker 1: time like she pretty much got kidnapped. They went up
• 19:35
  Speaker 1: to Cuddy's house and he went into the house and
• 19:38
  Speaker 1: was like fucking with the dogs and like opening presents.
• 19:42
  Speaker 1: But then a car got blown up. I don't are
• 19:46
  Speaker 1: were those two separate things or one thing?
• 19:48
  Speaker 3: Not sure? So when did you Which day did you
• 19:50
  Speaker 3: get called? Was there a blown up car?
• 19:52
  Speaker 2: It was the with the pictures that you saw? Oh
• 19:54
  Speaker 2: that's what I saw, you know what I mean?
• 19:56
  Speaker 1: The car? Yeah, so you you came to the scene
• 19:58
  Speaker 1: and you see the car, Yeah, you're.
• 20:00
  Speaker 2: Taking the first responded, oh, ship. And then and then
• 20:03
  Speaker 2: like you know, then like the like the fire trucks
• 20:05
  Speaker 2: starts showing up and everything.
• 20:06
  Speaker 1: But what kind of the night do you get this call? Like, yo,
• 20:09
  Speaker 1: this is broad day, broad daylight? Did it look like
• 20:14
  Speaker 1: someone like like it was some arts and ship.
• 20:18
  Speaker 2: It looked like a bad job. It looked like somebody
• 20:21
  Speaker 2: didn't know what they were doing really, but they were
• 20:23
  Speaker 2: just mad.
• 20:24
  Speaker 3: Damn. Do you think it was him that did it
• 20:27
  Speaker 3: or do you think he had someone do it?
• 20:28
  Speaker 2: I couldn't tell you. I don't know.
• 20:30
  Speaker 3: I mean cut he gotta have some ring cams in
• 20:32
  Speaker 3: that motherfucker.
• 20:33
  Speaker 2: Man.
• 20:33
  Speaker 3: I would hope this.
• 20:37
  Speaker 2: Was like you know what I'm saying, that.
• 20:39
  Speaker 3: Had to be a crazy thing.
• 20:40
  Speaker 1: Like when you're like like because at that time, twenty twelve,
• 20:44
  Speaker 1: I feel like like you said, like you could get
• 20:46
  Speaker 1: away with a lot more ship because the world's not
• 20:48
  Speaker 1: as surveyed, like right now you have fucking the snitch
• 20:51
  Speaker 1: Facebook classes.
• 20:52
  Speaker 2: Oh no, you ain't Facebook.
• 20:54
  Speaker 3: You in your fucking glasses.
• 20:56
  Speaker 2: He's come from Ali Baba.
• 20:59
  Speaker 3: Shot you come up on for the low.
• 21:02
  Speaker 1: No, But I'm saying, like twelve, you could, I mean,
• 21:06
  Speaker 1: motherfuckers can move around with a lot more like and
• 21:09
  Speaker 1: get away with straight up.
• 21:10
  Speaker 2: It's different now even even in Cleveland they got this
• 21:12
  Speaker 2: thing called Raven, and Raven is some type of uh
• 21:19
  Speaker 2: equipment electronic technical techn you no tech equipment or whatever
• 21:24
  Speaker 2: that's in the ghetto.
• 21:26
  Speaker 3: And it has facial recognition.
• 21:29
  Speaker 2: Well no, this every time anytime a gun is fired,
• 21:32
  Speaker 2: it basically alert where it happened and who did it.
• 21:36
  Speaker 2: And in the same go for like like if you
• 21:39
  Speaker 2: got a stolen car, it'll like read your plates and
• 21:41
  Speaker 2: then it'll let them know like oh, yeah, stolen car
• 21:44
  Speaker 2: just came into city.
• 21:44
  Speaker 1: Oh we saw like it reads the place. If you
• 21:46
  Speaker 1: report your car stolen, there's cameras, yep. Sof it drives by.
• 21:50
  Speaker 2: Yep, if you get picked up by the camp.
• 21:52
  Speaker 3: I don't know if that's a good or a bad thing.
• 21:53
  Speaker 1: Man.
• 21:53
  Speaker 3: I don't like the surveilling state ship.
• 21:55
  Speaker 2: I mean, you got to do the right thing, man,
• 21:57
  Speaker 2: Spike Lee tried to tell you. You know what I'm saying.
• 21:59
  Speaker 2: We ain't listening. You know, I started listening, you know.
• 22:03
  Speaker 2: But if you do the right thing, you ain't really
• 22:05
  Speaker 2: got to worry about nothing for real. But I mean,
• 22:07
  Speaker 2: I really don't like all of the surveilling and watching
• 22:10
  Speaker 2: and the Big Brother and all of that.
• 22:13
  Speaker 3: It's like, and now there's drones and ship when.
• 22:16
  Speaker 2: You're being watched, It's really like, at what point do
• 22:20
  Speaker 2: we draw the line? Because we keep pushing the envelope
• 22:23
  Speaker 2: further and further and just blame it on technology.
• 22:26
  Speaker 1: The only time I felt bad for Drake during the
• 22:28
  Speaker 1: whole you know, his last couple of years was when
• 22:31
  Speaker 1: he was chilling in Australia and some fucking just flies
• 22:36
  Speaker 1: on his satio and he's like on the hundredth floor
• 22:39
  Speaker 1: and he's like, what the F. I'm like, come on, man, Like,
• 22:43
  Speaker 1: poor guy, Like if he was up there, you know,
• 22:45
  Speaker 1: rubbing one out, you know what I mean, Like he.
• 22:47
  Speaker 3: Could have been.
• 22:49
  Speaker 2: It's getting crazy, man, drones. I've seen people hooking up
• 22:53
  Speaker 2: guns to him and.
• 22:53
  Speaker 1: Oh yeah, it's getting crazy. So I want to I
• 22:57
  Speaker 1: want to close the chapter on the on the cutting
• 22:59
  Speaker 1: thing because it is interesting. I think it's one of
• 23:00
  Speaker 1: the biggest stories of the year. So you show so
• 23:03
  Speaker 1: cud he hits you, hey, something's going on at the
• 23:05
  Speaker 1: house or did he already know that the car was
• 23:10
  Speaker 1: He just said to the you know, yeah, yeah, he
• 23:12
  Speaker 1: just yeah, because you're in town. I'm sure he's not
• 23:14
  Speaker 1: in town.
• 23:15
  Speaker 2: Yeah, yeah I was. I was. I just so happened
• 23:17
  Speaker 2: to be in the area.
• 23:17
  Speaker 3: Yeah.
• 23:18
  Speaker 2: And and at the time I didn't live too far anyway,
• 23:22
  Speaker 2: you know what I mean.
• 23:23
  Speaker 1: So so you put up to the house cars cooked, Yeah,
• 23:28
  Speaker 1: you call the cops.
• 23:29
  Speaker 2: No, okay, no, Like a neighbor was had stepped out too,
• 23:33
  Speaker 2: and we were both like, you know what I mean,
• 23:35
  Speaker 2: it started becoming a thing, and like then it started
• 23:37
  Speaker 2: becoming the show.
• 23:38
  Speaker 1: You know, like did you have any idea, like any
• 23:40
  Speaker 1: idea that like there was this thing with like Cassie
• 23:43
  Speaker 1: and like the Diddy shit was like could potentially become
• 23:46
  Speaker 1: messy as just being close to the situation being a
• 23:49
  Speaker 1: homeade cuddies.
• 23:50
  Speaker 2: I didn't know. It was really nothing that I've seen.
• 23:52
  Speaker 2: I mean in the way we move, like we'd been
• 23:55
  Speaker 2: moving like world leaders, you know what I mean? Right,
• 23:57
  Speaker 2: we really don't be like announcing a lot of the
• 23:59
  Speaker 2: things we do, even though they really cool things or
• 24:02
  Speaker 2: like really interesting or like I don't And I thought
• 24:05
  Speaker 2: that was just me. But then it was like I
• 24:07
  Speaker 2: noticed that he was like that too, and I think
• 24:09
  Speaker 2: that's why we do That's why we clicked too, because
• 24:11
  Speaker 2: we weren't really like superficial in that way. We just
• 24:14
  Speaker 2: so a lot of things that was really cool that
• 24:16
  Speaker 2: would happen. I wouldn't know he would, you know, I
• 24:19
  Speaker 2: would find out like, oh you went through it. Oh yeah,
• 24:22
  Speaker 2: yeah I did that the other day, Like damn, that's crazy,
• 24:24
  Speaker 2: you know what I mean. We weren't. We weren't really
• 24:26
  Speaker 2: boasting like that. So he ain't come to me and
• 24:27
  Speaker 2: like yo goods like it was just around. Nah, I
• 24:31
  Speaker 2: didn't never met her.
• 24:33
  Speaker 1: No, Hey, we got to wrap up this interview another
• 24:36
  Speaker 1: one presented by Hardan.
• 24:37
  Speaker 3: Baby you already know what it is.
• 24:39
  Speaker 1: Shout out to Hardeen for presenting another episode of the
• 24:42
  Speaker 1: bootle Like podcast. Don't forget when you're in Vegas, you're
• 24:44
  Speaker 1: getting that tax, you getting that uber say take me
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• 24:59
  Speaker 1: him a file and when you're in Las Vegas and
• 25:01
  Speaker 1: make sure you shoot them a visit. It's crazy because
• 25:03
  Speaker 1: like you have been a part of like so many
• 25:08
  Speaker 1: historical points in like hip hop. If you think about
• 25:10
  Speaker 1: just like the blog area in general, and do some
• 25:12
  Speaker 1: of the albums that you've been on, Like you're on
• 25:14
  Speaker 1: Freddy's first album, Well, I guess Straight Killer is not
• 25:16
  Speaker 1: really the album.
• 25:16
  Speaker 3: It's like eight songs.
• 25:17
  Speaker 2: I mean, I thought there was an album it was no.
• 25:19
  Speaker 1: I mean it's the first album I ever got thanked
• 25:21
  Speaker 1: in the credits fire and then obviously the cutty stuff
• 25:27
  Speaker 1: you're on Detroit. You're on so much shit, do you
• 25:31
  Speaker 1: when you think back to like the era of like
• 25:35
  Speaker 1: just like the Too Dope Boys, the No Rights and
• 25:38
  Speaker 1: just like there was so much free music getting dropped
• 25:41
  Speaker 1: and I don't even think anybody really realized like we're
• 25:43
  Speaker 1: in an era where you could tour and make real
• 25:45
  Speaker 1: money off of like just putting out a fucking zip.
• 25:49
  Speaker 3: File of an album. Yeah what what?
• 25:53
  Speaker 1: What is your favorite part about that whole kind of
• 25:56
  Speaker 1: just era of hip hop that you were able to
• 25:57
  Speaker 1: kind of just see with your own eyes and be
• 25:59
  Speaker 1: active participating, because I do think it is the best
• 26:01
  Speaker 1: era in my opinion.
• 26:02
  Speaker 2: Yeah, I think so too, man. I think you know
• 26:05
  Speaker 2: the blog era or you know the era that I
• 26:08
  Speaker 2: came in, you know, from what I could see, was
• 26:11
  Speaker 2: really like the first time someone could just like broadcast
• 26:15
  Speaker 2: themselves out on the on the same platform as like
• 26:18
  Speaker 2: the people that was on like the major independent. Yeah,
• 26:22
  Speaker 2: it was the first of that. I remember the first
• 26:24
  Speaker 2: time because I started putting my music on DSPs in
• 26:28
  Speaker 2: two thousand and nine.
• 26:29
  Speaker 3: Right.
• 26:29
  Speaker 2: So, there was a friend of mine, his name was uh,
• 26:33
  Speaker 2: his name was an architect. He was like, Yo, I
• 26:36
  Speaker 2: got a song that's on iTunes. I'm like, what, because
• 26:38
  Speaker 2: I'm buzzing at the time. I mean Cleveland. I'm like
• 26:41
  Speaker 2: Ship the Ripper, but I'm not on iTunes, you know
• 26:43
  Speaker 2: what I mean. I didn't even think that was an option,
• 26:45
  Speaker 2: but I'm going crazy. So once I found that out,
• 26:50
  Speaker 2: oh man, Yeah, I used my Uh. I didn't even
• 26:53
  Speaker 2: have a credit card. You had to have a credit
• 26:54
  Speaker 2: card for ten dollars for a tone corps and have
• 26:58
  Speaker 2: a credit kid been around for So I use my
• 27:01
  Speaker 2: son's mother's credit card for that ten dollars and uploaded
• 27:06
  Speaker 2: Bitch I Feel Good one of my singles, and the
• 27:09
  Speaker 2: rest is history.
• 27:10
  Speaker 3: That's crazy. Yeah, what was uh? What was it like
• 27:15
  Speaker 3: being around the early like Cuddy days? Did you guys?
• 27:21
  Speaker 1: Because I don't know how because I always tell people this,
• 27:23
  Speaker 1: like I think Kanye throughout his career, you can kind
• 27:27
  Speaker 1: of point to most of his albums and he's kind
• 27:30
  Speaker 1: of like sampled people's energies that's been around him. Like
• 27:33
  Speaker 1: I think like he sampled Chance to Rapp her a
• 27:35
  Speaker 1: little bit on you know, the Life of Pablo Travis
• 27:38
  Speaker 1: on Jesus. But I think obviously eight O eight's is
• 27:42
  Speaker 1: like that's just kid cutty. Like it's like if you're
• 27:45
  Speaker 1: a kid cutting fan at that time, you know a
• 27:47
  Speaker 1: kid named Cuddy and all that shit. You're like, oh,
• 27:49
  Speaker 1: this is like Kanye's rendition of like Cuddy kind of
• 27:53
  Speaker 1: you know, definitely, But can you just kind of describe
• 27:56
  Speaker 1: because I think at that time you probably y'all don't
• 27:58
  Speaker 1: really realize y'all are like make in history.
• 28:01
  Speaker 2: And that's the thing. Yeah, we we had no idea.
• 28:04
  Speaker 2: I was telling somebody the other day when when we
• 28:06
  Speaker 2: did just what I Am, which is double platinum crazy,
• 28:08
  Speaker 2: you know what I mean. I was writing the lyrics
• 28:11
  Speaker 2: and when I got to neighbors knocking on the door
• 28:15
  Speaker 2: asking can we turn it down? I say, ain't no
• 28:17
  Speaker 2: music on? She's say no, that weed is loud. I
• 28:20
  Speaker 2: was like, man, that shit is corny. I'm about to
• 28:22
  Speaker 2: take this out the verse. This is weak. Like they're
• 28:25
  Speaker 2: gonna laugh when they hear that. They're gonna be like,
• 28:26
  Speaker 2: what that was whack like? But like you said, I
• 28:28
  Speaker 2: had no idea what I was doing, and that would
• 28:31
  Speaker 2: have been the dumbest thing to take that out. But
• 28:34
  Speaker 2: it's just like, you know, it's all natural, you know
• 28:37
  Speaker 2: what I mean. Everything is organic. It's not like we
• 28:40
  Speaker 2: trying to like sound. We're not comparing ourselves to any
• 28:43
  Speaker 2: other sound. It's all real and it's influenced by none
• 28:48
  Speaker 2: you know what I mean.
• 28:49
  Speaker 3: So are you are you a part of any of
• 28:52
  Speaker 3: those eight o weight sessions?
• 28:56
  Speaker 2: Oh No, I wasn't. I wasn't around when they when
• 28:59
  Speaker 2: they made that. I was. I was shit, Probably was
• 29:02
  Speaker 2: somewhere running around on tour or something like because that
• 29:05
  Speaker 2: way year was that.
• 29:07
  Speaker 3: That was so if Man on the Moon wash eight
• 29:11
  Speaker 3: eight O eight's was oh seven.
• 29:16
  Speaker 2: Yeah, yeah, oh yeah, I was. Let me see it
• 29:20
  Speaker 2: probably was like oh eight shit, I was, man, we
• 29:23
  Speaker 2: were doing ninety shows a year man around that time,
• 29:26
  Speaker 2: like I was moving.
• 29:29
  Speaker 1: Yeah, it's kind of crazy because, like I do think
• 29:32
  Speaker 1: the first Man on the Moon album is like, yeah,
• 29:35
  Speaker 1: it's to some like that's like a life changing album
• 29:37
  Speaker 1: for a lot of people, Like a lot of like that.
• 29:39
  Speaker 1: People are so passionate about that project in particular.
• 29:42
  Speaker 3: Yeah, they'll fucking die about that album.
• 29:44
  Speaker 1: Like I've got like people get into real real arguments
• 29:48
  Speaker 1: like it's Lebron and Kobe.
• 29:49
  Speaker 2: You know, straight up that album is crazy.
• 29:52
  Speaker 1: Man.
• 29:52
  Speaker 2: You know I remember when I when I was you know,
• 29:55
  Speaker 2: during that time, uh when when Higher because hires on there,
• 30:00
  Speaker 2: I played it for him when he came to the
• 30:01
  Speaker 2: crib and he was like, y'all need this for the album.
• 30:04
  Speaker 2: I was like, take it, yeah, you know what I mean,
• 30:07
  Speaker 2: Like sometimes you just gotta like the best things that
• 30:10
  Speaker 2: I've ever done was like for myself was not trying
• 30:12
  Speaker 2: to like hold onto things too tight, you know what
• 30:15
  Speaker 2: I mean, right, because cain't nothing better coming on hand
• 30:19
  Speaker 2: if it's closed tight, you know what I mean. So
• 30:22
  Speaker 2: you know, I'll let that record fly. But you know,
• 30:25
  Speaker 2: during that time, that was like the what'd you would
• 30:29
  Speaker 2: you consider that blog era still.
• 30:31
  Speaker 1: Early because I think OW eight was like, oh wait,
• 30:34
  Speaker 1: it's like cool kids Cuddy, Yeah, I mean because there
• 30:37
  Speaker 1: was a kidnap. I feel like a kidnamed Cuddy was
• 30:39
  Speaker 1: like kind of ground floor blog era shit.
• 30:44
  Speaker 2: Yeah, so that was I think that's like the beginning. Yeah,
• 30:48
  Speaker 2: I had the Cleveland Show. The Cleveland Show was yeah,
• 30:51
  Speaker 2: was that was? That was back when we were putting
• 30:54
  Speaker 2: more than twenty songs on that on the project. I
• 30:57
  Speaker 2: had like I almost had like thirty, so I think
• 30:59
  Speaker 2: got like twenty eight that that.
• 31:01
  Speaker 1: Was definitely like, uh, it was something because that was
• 31:04
  Speaker 1: still that was still kind of like the end of
• 31:08
  Speaker 1: like physical like not the end of physical mixtapes because
• 31:11
  Speaker 1: they were still around. But I feel like a kid
• 31:13
  Speaker 1: named Cuddy was like you could still go to like
• 31:16
  Speaker 1: the bodega or like the barbershop and it'd be there,
• 31:19
  Speaker 1: like you could buy it like from like the you
• 31:21
  Speaker 1: know your bootleg man, but it was still also online.
• 31:25
  Speaker 1: So I guess it's kind of I kind of look
• 31:27
  Speaker 1: at like cool kids and all that whole era is
• 31:30
  Speaker 1: like kind of like the beginning kids in the hall.
• 31:32
  Speaker 2: That ship is in the hall, man, the Knowledge, double Knowledge,
• 31:36
  Speaker 2: and double Low. That's what's up.
• 31:40
  Speaker 3: What was the name of that album, that first album.
• 31:42
  Speaker 2: It was called album. It was called You're talking about
• 31:46
  Speaker 2: kids in the whole album? Yeah, I can see that.
• 31:49
  Speaker 2: I can see the coverage. Yeah, it's it's on the
• 31:57
  Speaker 2: tip of my brain, the in crowd, the in crowd.
• 32:01
  Speaker 2: I can see the cover in my head.
• 32:02
  Speaker 3: Shout out to those guys.
• 32:03
  Speaker 1: Man, Man, I feel like them and the cool kids
• 32:06
  Speaker 1: changed so much.
• 32:07
  Speaker 3: And that's like all out of the Midwest.
• 32:08
  Speaker 2: You know the Midwest, well, chuck from Detroit, but Rapids,
• 32:14
  Speaker 2: I mean, but that's that Me and West. You know,
• 32:16
  Speaker 2: the Me and West, even even from Boosy Collins too,
• 32:21
  Speaker 2: you know all that Me and West flavor. You know
• 32:22
  Speaker 2: what I'm saying like that's that's that's where that should
• 32:25
  Speaker 2: originate from.
• 32:26
  Speaker 3: Right, do you.
• 32:29
  Speaker 1: Like? Uh, how often are you working on new ship?
• 32:32
  Speaker 1: Like are you always writing references like.
• 32:35
  Speaker 2: It's a lifestyle. Yeah, it's a lifestyle man. I got
• 32:38
  Speaker 2: a studio in North Hollywood and we just like that's
• 32:41
  Speaker 2: like our headquarters, and were just it's a factory, you
• 32:44
  Speaker 2: know what I mean? Like we do you know a
• 32:47
  Speaker 2: to z you know, from film to music. We we
• 32:52
  Speaker 2: do it all. So we're constantly working on all type
• 32:55
  Speaker 2: of shit.
• 32:55
  Speaker 3: Man, are you writing for other people still?
• 32:59
  Speaker 2: You know what? I want to get it into that more. Yeah,
• 33:01
  Speaker 2: I haven't really had the outlet to do it, but
• 33:04
  Speaker 2: I definitely want to.
• 33:07
  Speaker 3: Yeah, I want to. I wanna.
• 33:08
  Speaker 2: I got a lot of dope songs that aren't necessarily
• 33:11
  Speaker 2: for me for somebody.
• 33:13
  Speaker 3: Yeah.
• 33:14
  Speaker 1: I feel like a lot of artists Like He's like,
• 33:15
  Speaker 1: you get inspired to go in and you're like, I
• 33:16
  Speaker 1: don't know if I should be saying this.
• 33:17
  Speaker 2: Yeah, you just do it. You just create because that's
• 33:19
  Speaker 2: you know, I mean, that's what it is. But everything
• 33:22
  Speaker 2: ain't always for you. That don't mean you shouldn't make
• 33:24
  Speaker 2: it right.
• 33:25
  Speaker 3: That's fair man, that's fair. Well, listen. I appreciate you
• 33:27
  Speaker 3: pulling up.
• 33:28
  Speaker 1: We're gonna have you do another freestyle because you had
• 33:29
  Speaker 1: a legendary one in twenty twenty four.
• 33:32
  Speaker 3: Yeah yeah, heah yeah.
• 33:34
  Speaker 2: That shit was fun.
• 33:34
  Speaker 1: So we're gonna spend the block. Go get the new album,
• 33:37
  Speaker 1: Wrapping Paper, Wrapping Paper, Yes, Produced entirely by Chuck English
• 33:42
  Speaker 1: of the Cool Kids, Oh Support, Let's go to Blueleg
• 33:45
  Speaker 1: Cap podcast Boom