Latest / Detritus / Mr. Brown's Jersey Boys
Transcript
- 0:05cultural ephemera stuff from the media living
- 0:12in perpetua in our memorial once once more cultural
- 0:18ephemera stuff from the media Hello and welcome
- 0:34to Detritus, the podcast that sifts through the
- 0:36debris of popular culture in order to explore,
- 0:40uncover, and maybe even reclaim that which is
- 0:42lost to the algorithmic rivers of time. I'm John
- 0:45Loveless, this is Jack Savage. Hello. And to
- 0:48introduce this not particularly water -type concept,
- 0:51we will be petitioning each other for the first
- 0:53two episodes before inviting in a range of special
- 0:55guests to participate in the act of recollection.
- 0:59As Tony Soprano once said to Paulie Walnuts,
- 1:01remember when is the lowest form of conversation,
- 1:04to which we say, Tony, with all due respect,
- 1:06you've got no fucking idea what it's like to
- 1:08remember something you saw on Facebook in 2009.
- 1:11Every recollection you make affects every facet
- 1:14of a podcast. It's too much to deal with almost,
- 1:17and in the end, you're completely alone with
- 1:19it all. I think if The Sopranos was produced
- 1:23today, there would be an episode in which...
- 1:25Would Chrissie start a podcast? Oh, yeah, yeah,
- 1:29yeah, of course. Well, there's already like Instagram
- 1:32accounts that imagine like, you know, modern
- 1:34day Sopranos. I think I've seen one that imagines
- 1:36like Chrissie start your podcast. He'd do a few
- 1:40episodes. Maybe we, maybe we will too. Do you
- 1:43think we get shut down by the family? No, Tony
- 1:46wouldn't like it, would he? Because he would
- 1:48find it just too ghost shit out there, you know?
- 1:51He didn't like him writing a screenplay. He definitely
- 1:53wouldn't like him having to generate enough content
- 1:55to do, like, a weekly podcast. But then maybe
- 1:57Tony would fight. I don't know if he was made
- 2:00a guest. He might like the spotlight. I think
- 2:02Tony could be in any era, and I don't think he
- 2:05would... I don't think he would adapt, like,
- 2:07a social media presence today. I mean, I know
- 2:09there's not that much left in the wake of the
- 2:12mob. but I don't know if they're doing much on
- 2:14socials. I think you'd be surprised. There's
- 2:17that guy, what's he called, Big Time Tommy? Big
- 2:21Time Tommy? He's this guy, he like rolls around
- 2:24in sort of a dropped like... Cadillac or something
- 2:28and he blasts loads of like freestyle music and
- 2:32he just shouts into his phone. Is he in Jersey
- 2:34or New York? He's definitely in like the Jersey,
- 2:37he's in like Queens or something. Okay. You know
- 2:39the more rough end of New York but he's um...
- 2:42Stop clicking your pen. Sorry I just you know
- 2:45I'm like yeah. That's what Tony would say to
- 2:47Chrissie. Yeah, because of his addiction issues.
- 2:50Say it in his voice. You know, imagine if you...
- 2:52I can't do Tony, I can't do any of them really.
- 2:55Imagine if you were just giving this podcast
- 2:57a chance. Yeah, it's a podcast, but it's two
- 3:00white blokes chatting about... cultural whatever
- 3:02and then literally the first conversation is
- 3:04what if Tyler Soprano or Christopher Soprano
- 3:07had a podcast? Yeah, sorry about that. Yeah,
- 3:09we got it out of the way. Well, yeah, I mean
- 3:11we're walking straight into some Manosphere cliche
- 3:14to begin with. First of many I know I died out.
- 3:18Soprano's from like a contemporary media analysis
- 3:21stance. Yeah, I like that. I mean it's such an
- 3:25unexamined piece of art isn't it, Soprano? Yeah,
- 3:27I just barely see any. Something about it, yeah.
- 3:32We do need to talk about what you're listening
- 3:36to though. I mean I think we should deal with
- 3:38the elephant in the room which is who we are,
- 3:41why we've done this and the audience that might
- 3:45be listening because you're a part of it. So
- 3:47I'm a writer and DJ and you are a musician and
- 3:53previously were the drummer in the... relatively
- 3:58extremely popular indie electro band Friendly
- 4:01Fires. talked about it in the wider world, but
- 4:07I'm no longer a part of that. Yeah, so I guess
- 4:09that's a... It's an exclusive! Oh fuck, I'd forgotten
- 4:12that there was an exclusive element. Well, yeah,
- 4:14I mean, I don't want... I mean, yeah. You just
- 4:16felt like the time had come? I think so, yeah.
- 4:19Yeah, exactly. I did leave. I left the band in
- 4:21order to stop this podcast. It's been in development
- 4:23for probably two years, as we both know. Yeah.
- 4:27A lot of market research. Exactly. No, yeah,
- 4:31I just sort of felt like it was... It was time
- 4:34to not be the drummer in a band that I started
- 4:37with some friends when I was about 15. Well,
- 4:39I'm your new friend now. Yeah, exactly. I mean,
- 4:42to be honest, I thought it would it would release
- 4:44me into allowing me to like flourish into the
- 4:48sort of person I was always meant to be. But
- 4:50sadly, I'm starting a podcast. It's about what
- 4:54if Tony Saffrono had a podcast. Exactly. Your
- 4:59last gigs were in Japan supporting Pulp. Uh,
- 5:02yeah, and Primal Scream. That was really cool,
- 5:04actually. I mean - Paul Mayley. Yeah, okay, fair
- 5:06enough. Um, yeah. I love you, Bobby. Yeah, that
- 5:09was about this time last year. It was, that was
- 5:12a, that was, I think that was the only gig in
- 5:14the diary for quite a long time. And I think
- 5:16I'd sort of thought like, maybe that'd be the
- 5:18last one for me personally. Well, I mean, if
- 5:21we can make your experience in band about me
- 5:24- Which it always was. Which it always is and
- 5:26was. You know, it's quite - I wouldn't say it's
- 5:29surreal to be here with you, but I remember in
- 5:31my first or second year of uni, luring down some
- 5:37people in my halls to go and see this band I
- 5:39liked. Called? Friendly Fires, it was shit disco.
- 5:44And I went to Retro Bar to see you, and yeah,
- 5:49I just bought Paris, I was on Seven Inch, one
- 5:53of your big early singles. Yeah, I was hammered.
- 5:57You were drumming and then at the end I remember
- 5:59I was at the bar and I sort of like put my hand
- 6:03on your shoulder and I went, I was really good
- 6:05mate. And you went, thanks very much. Just exactly
- 6:09as you would now. And a few years later, I remember
- 6:11being at Parklife Festival in Manchester when
- 6:13it was in Fallifield and you were headlining,
- 6:17the band were headlining the main stage. And
- 6:20I remember being absolutely off my tits and saying
- 6:24to my mate, I can't believe it was only two years
- 6:27ago I was with a bloke in Retro Bar. I wasn't
- 6:30using my voice, it's just abroad. I don't get
- 6:33high and turn into an old sort of cockney man.
- 6:38But yeah, I was watching you there and then here
- 6:40we are like 15, 20 years later doing a podcast
- 6:44with you. So, you know, what went wrong from
- 6:47your perspective? Yeah, yeah, heady days indeed.
- 6:50Yeah, and I'm glad you remember those things
- 6:51because I definitely remember the... bar gig,
- 6:55way better than I remember the Parklife gig.
- 6:56I think probably because the Parklife gig was
- 6:58so many people. Yeah, yeah. I don't know, yeah.
- 7:01I hear scream and banger bleeding into the sound,
- 7:04yeah. I don't know, it's definitely, I remember
- 7:06Parklife being like a real mess. Made to real
- 7:09fucking mess. And in the early days, they booked
- 7:12a bunch of different stuff. This year, they've
- 7:15just bought like bait Instagram house DJs this
- 7:18year, so they must have had like a bad year last
- 7:20year, they always shrink down. But you know,
- 7:22in the back of the day, I saw like Yeah, in the
- 7:24recent years, we had like Chemical Brothers 1975
- 7:26headlining event. They had a Stein Roses event.
- 7:29Yeah, but that was like a different thing for
- 7:32the fellas. But you could always gauge pop culture
- 7:36through Parklife basically, but it was always
- 7:38like really messy, like not really consistent,
- 7:41but you know, they'd have bands and DJs and now
- 7:44it's this year in particular, it's sponsored
- 7:46by Pepsi and Rockstar Games and it's just like...
- 7:49Calvin Harris, and then a bunch of people I don't
- 7:52really know. But then again, I'm a 37 year old
- 7:56man. So why am I even looking at this line up?
- 7:59No, it's important. I mean, I remember when we
- 8:01first met in Berlin, we went for a walk around
- 8:04the Temple of Feld. It was during COVID? Yeah.
- 8:06I think you told me for about 25 minutes why
- 8:08Nemesis was your favorite roller coaster of all
- 8:11time. Did I just dominate the conversation? No,
- 8:13no, you didn't really. I didn't go in with that.
- 8:15I know how to lure people into that. I did ask
- 8:17you what your favorite roller coaster was. How
- 8:19did Roller Coasters come up? I think you said
- 8:21that you were doing a book... As if that's a
- 8:23shock, as if anyone who knows me were, well,
- 8:25how did that come up? No, no, but... Yeah, I
- 8:27was working on a book at the time, but I suppose,
- 8:30technically, I'm still working on Very Slowly,
- 8:32which is about my, I guess, longest -form obsession,
- 8:35which is with roller coasters and theme parks,
- 8:37which will, incidentally, occur later on in the
- 8:40podcast, actually. It's in our notes, isn't it?
- 8:43Well, yeah, you are... I wrote it down. You are
- 8:46a roller -logical costographer. Wow. That's nice.
- 8:50That's like a sweet joke. It's good fun. That's
- 8:53nice. Thanks very much. I wrote that down today.
- 8:55More like that, please. Yeah, no worries. But
- 8:58yeah, the subject of our first, if I may link,
- 9:02the subject of our first, or hang on, how do
- 9:06I fucking work this? Like the subject of our
- 9:08first episode. That man trying to work out how
- 9:11to do a link on a vodka. Is a guy who is a ride.
- 9:17Yeah but I wouldn't say that's what he's best
- 9:19known for and nor would he want to be known predominantly
- 9:22for that given how his experiment turned out.
- 9:25It's a bit of a shame because if you do get to
- 9:28the point in culture where you're able to do
- 9:29a ride then... It's a moment where you can possibly
- 9:33have true immortality, because that thing is
- 9:35not going anywhere. Like, thousands of people
- 9:37go for it. Not for a while a day. Yeah, not unless
- 9:40it turns out the ride is either really faulty
- 9:42or racist. What's your favourite celebrity ride?
- 9:48If you indeed have one. And that can be global.
- 9:51Well, I suppose like, I struggle to think. You
- 9:54know, there's loads of good rides at Universal
- 9:55and Disney based on film properties. Rides, they
- 10:00seem to save it for quite annoying people. Two
- 10:02things come to mind. There's a Jimmy Fallon ride
- 10:05in Orlando, where you go to visit Jimmy Fallon
- 10:08and he takes you on a wacky trip around New York.
- 10:11I cannot explain the contempt I feel for that.
- 10:14Do you think they can swap him out for whoever's
- 10:17replaced? Or is it so integral to his lived experience?
- 10:21Universal and Comcast, they really trust him
- 10:24and they trust him to have stopped drinking.
- 10:26So yeah, he's going to be there for a while.
- 10:28And the other is that currently, if you go to
- 10:32Dubai, you can visit Beastland, which is Mr.
- 10:37Beast's theme park, which is mainly a collection
- 10:40of UK travelling rides rented out by Mr. Beast
- 10:43with banners put on them. But that sounds pretty
- 10:46fucking woeful. That's terrible. Beastland? He
- 10:49hasn't Beast World, Beastland. He hasn't even
- 10:51built a proper theme park. He obviously doesn't
- 10:53have that level of expenditure. And even he doesn't
- 10:56believe that the Beast brand can, you know, last.
- 10:59Yeah, true. As long as the Universal Studios.
- 11:01I suppose there's like Dolly World. Is that any
- 11:03good? Dollywood, that's good. That's in Tennessee.
- 11:05That is actually a genuinely good park. But it's
- 11:08kind of got Dolly's name on it, but there's no
- 11:09like, there's no like Dolly themed rides. She
- 11:12doesn't really appear there. Really? There's
- 11:14no like... magic show based on the mystery of
- 11:17her husband. It's just like other IP. It's not
- 11:20really IP. No, very universal. Don't get me started,
- 11:24man. But Dollywood thrives on its own terms.
- 11:30Yeah. Before we go into and reveal who this is,
- 11:33we need to do a bit of a moment to discuss where
- 11:37we're recording this. Oh yeah, yeah, yeah. So
- 11:40you can introduce this because it's much more
- 11:42to do with you than with me. Well, yeah, yeah,
- 11:44no, part of my extended wilderness period, wilderness
- 11:48period, part four is that I'm doing a, I'm doing
- 11:52an MA at the Udekar in Berlin, which like it's
- 11:55called Sound Studies. And so we're in one of
- 11:58the Sound Studies studios. It's very nicely.
- 11:59Sounds great. Sounds great. Yeah, exactly. It
- 12:01does sound great. You'd hope so. Yeah. This is
- 12:04a legendary course, but it's under threat. Well,
- 12:07it's, it's more or less Like dumb, it's it's
- 12:11been it's been nixed by the by the university.
- 12:15My year group will be the final people to go
- 12:17through it. It's like there's a podcast in there
- 12:20while you can. Exactly. Yeah. I mean, there's
- 12:22a lot of sort of anger around and a lot of like
- 12:25motivation to want to protest it. But there's
- 12:27also a feeling that the reasons behind it being.
- 12:31are like halted are so German that it's actually
- 12:34impossible to direct. Oh, like a steel wall of
- 12:37bureaucracy that you can't look through. Yeah,
- 12:38it's like, it's about a, it's about compliance
- 12:41with the Berliner Hochschul gazettes. Do you
- 12:44know what I mean? There's no, exactly, exactly.
- 12:48Like apparently - That's how they get you. the
- 12:50president of the university is on our side. Do
- 12:53you know what I mean? We can't even take signs
- 12:55and harass the crusty old dean to keep our stupid
- 12:59awesome M .A. open. We should explain that it's
- 13:05in basically sonic experimentation. Yeah, somewhat.
- 13:08I suppose it's somewhere, but it's like sound
- 13:10and... kind of installation art, but also there's
- 13:16a lot of philosophy knocking around. To be honest,
- 13:18that's my favorite. So I was the only person
- 13:21to turn up to a lecture today. Oh my, you nerd.
- 13:24Yeah, I know. So it was like a really amazing...
- 13:28There's one guy lecturing at you. Yeah, one lady
- 13:31called Sabina. I shouldn't have assumed it was
- 13:33a guy. Exactly. But yeah, we had a good old chin
- 13:36wag about like Deleuze, Adorno. It was banging.
- 13:39She turned into a conversation. You didn't just
- 13:41listen. I would not say that, but I was very
- 13:47glad that she went through the motions of doing
- 13:48the lecture when it was only one person. She's
- 13:50getting paid. Yeah, I don't know. It did end
- 13:52on a slightly bittersweet note because I was
- 13:55asking how it was going with the... That's great.
- 13:57It sounds like a kind of Warnock play or an early
- 14:00Richard Linklater film or something. It was good.
- 14:02It was great. I think, yeah, Sabina Zanio is
- 14:05my favourite lecturer and it was nice to have
- 14:07him on. Shout outs. Maybe if we carry on with...
- 14:11Yeah, I mean, come on. I mean, this is maybe
- 14:13getting into the weeds a bit. I just wanted to
- 14:16explain that it's like a historical course where...
- 14:18I was hoping that you'd say there was going to
- 14:20be some petition people could sign a rally. Seems
- 14:23like it's done really, so fuck it. You just want
- 14:27us to move on, you don't want us to continue,
- 14:29fine. If you're happy with, you know, being one
- 14:32of the last lot to do this, because presumably
- 14:35you think nobody can do any better. I mean, by
- 14:37the sounds of the attendance, it does sound like...
- 14:41No wonder the president, he's looking at the
- 14:44figures and he's saying... Allow me to just go
- 14:46back on what everything I said. We need to fight
- 14:48for the presence of sonic arts in this city because
- 14:52this city's turning a complete fucking shit show
- 14:54and it's because of the lack of sonic arts. And
- 14:57some sonic arts for you. Yeah, but like, you
- 15:00know, it is very sad and there is a petition
- 15:02we can sign and I will share it in the thing.
- 15:06I had the embarrassing thing of going to a bureaucratic
- 15:09university meeting the other week and one of
- 15:11the professors was like, I've got all these signs,
- 15:15five of you, can you grab a sign so we can go
- 15:17into this meeting with signs? And I was like,
- 15:19yeah, yeah, sure, sure. And it turned out that
- 15:22I was the only one carrying a sign in the whole
- 15:24room. So I had this down with the cuts by this
- 15:28massive bureaucrat. And it was just you? Yeah,
- 15:30that was a little bit. Did that end up broadcast
- 15:33on regional television? No, but I did feel a
- 15:36bit silly. Also, it was just all in very, very
- 15:39heavy bureaucratic German. You were just waving
- 15:41your sign around. Well, it's the thought that
- 15:43counts, really. Yeah. Well, I've never felt more
- 15:47demotivated to save anything after that. Yeah,
- 15:51exactly. That's my effect. We'll always have
- 15:53the memories of the course. I'm continuing to
- 15:57have a great education. I've really enjoyed the
- 15:5940 minutes I've been here. Yeah, exactly. Yeah,
- 16:01yeah. The bathroom's very clean. Lift was efficient.
- 16:04Yeah. It's quite a big lift. Room for 27 people.
- 16:06Let's do the podcast. Yes. This is episode one
- 16:24of Detritus. We're going all the way back to
- 16:272003 for Darren Brown Russian Roulette. Oh, what
- 16:31a piece of TV it is. Is it not? It's great. Obviously,
- 16:36like, we need to introduce this concept. And
- 16:39I handed it over to you to find Detritus, which
- 16:43is... We haven't really nailed down exactly what
- 16:46qualifies as Detritus. I think this... It's close
- 16:51to what I'd imagine as in it's something that
- 16:53was culturally significant. It was an event at
- 16:55the time. It was nearly 25 years ago. It doesn't
- 16:58really get spoken about anymore. You had to remind
- 17:02me of it. It was and remains quite sensational
- 17:06in this case. It's quite a positive start to
- 17:08the podcast. Yeah, I sort of feel like Detritus'
- 17:11kind of stuff that is very broad and very, you
- 17:15know, like a bit of a unifying cultural moment,
- 17:19but probably forgotten about a week after it
- 17:21happened. I feel like this was very much it.
- 17:24I remember exactly where I was when I was watching
- 17:27Darren Brown playing Drachenwerth. I was in a
- 17:31university common room. like with some of my
- 17:35crazy mates from halls when I was at university.
- 17:38And everyone was like glued to it and it was,
- 17:41I don't know, it was frightening and kind of
- 17:43traumatizing. We didn't know whether he'd die.
- 17:46Well, there was a lot of hype for this. Tonight,
- 17:49I shall play Russian roulette live in this barn
- 17:52behind me. One gun, one bullet, and every intention
- 17:55of being alive at the end of the show. As ever,
- 17:58no actors or stooges are used in making this
- 18:01program. Obviously we played the intro there,
- 18:03so you'll have heard from Darren what the plan
- 18:05was, but this guy was going to play Russian roulette,
- 18:08which at the time was best known from a Maltesers
- 18:11advert that parodied the deer hunter. Do you
- 18:14remember that? No, I don't remember. It's like
- 18:16quite weird really, the idea that they were advertising
- 18:18Maltesers with a guy. Oh no, wait, it wasn't
- 18:20Maltesers, it was Revels. Do you remember Revels?
- 18:23Yeah, yeah, yeah. Do they have Revels in Germany?
- 18:25Have you ever eaten them here? I don't think,
- 18:27I think they were a part of the Galaxy family,
- 18:29I think. Well, they're to Masterfood, yeah, Masterfood's
- 18:31family. So the answer's potentially no? Yeah,
- 18:34back then no one was playing Mushrooms out on
- 18:36live television or otherwise, so it was quite
- 18:39exciting. And then there was a really craze of
- 18:40everyone doing it. No, it wasn't really. On BBC
- 18:43One, they had it on as well. Imagine if every
- 18:47channel just bought... Adrian Charles was doing
- 18:49it. Early Charles. They were doing it on Big
- 18:52Breakfast. It was big. It was big for a while.
- 18:56People were doing it in the playgrounds. It was
- 18:57amazing. Great time. There was a real sense that
- 19:00it could be a moment of death on TV. You know,
- 19:04there is a history of, like, magic -type people
- 19:07dying. Magic -type people? Magic -type people
- 19:09going just one step too far. Well, what are some
- 19:12of the big deaths there? Houdini? Again, it wasn't
- 19:17broadcast on Channel 4, though, was it? No, but
- 19:19he had some act where he would get a strong man
- 19:23to punch him in the stomach, and then some Tom,
- 19:26Dick and Harry off the street came and did it
- 19:28to him, and he just died. He hadn't anticipated
- 19:31how strong they were going to be. Exactly, yeah.
- 19:33So he kind of made a little deathbed for himself
- 19:37there, so to speak. It's not like Siegfried and
- 19:42Roy, that guy died of his heart. He did again,
- 19:44not broadcast, but he did die in front, I think
- 19:46that was in front of an audience in Vegas. That's
- 19:49very shocking and sad. Yeah, I mean, but again,
- 19:51he's winding up. Tommy Cooper again died of a
- 19:53heart attack, and that was on television, and
- 19:56they drew the curtain, and there's Dennis had
- 19:58to go on after him. Is that true? Yeah, that's
- 20:00true. Okay, that's incredible. Yeah, when he
- 20:02was with Dustin G, but that's for another podcast.
- 20:04Gosh. But anyway, Darren Brown has toured internationally,
- 20:09his media is available on Netflix. I think one
- 20:11of the reasons this show was so effective in
- 20:132003, it was the first big special he'd done.
- 20:17So he'd done two series of street magic... and
- 20:21mind reading kind of stuff. Mentalism. But what
- 20:26worked about Darren and what had me really glued
- 20:29to him as a teenager was that he wasn't smug,
- 20:33arguably. He didn't pretend to have actual magic
- 20:36powers. He made the pursuit of mentalism seem
- 20:42authentic and he had a good touch with the public.
- 20:46And so you'd come to trust him over a couple
- 20:49of... seasons of his TV show, which was called...
- 20:54Well, we really should have written this one.
- 20:56I don't know. No, that's Chris Angle. It was
- 21:01the opposite of Chris Angle, Mind Freak. Yeah,
- 21:05so Darren had had a couple of series where he
- 21:08would interact with normal people and celebrities
- 21:10and show off his confounding powers. And true
- 21:14to form at the beginning of this, we do see a
- 21:16bit of him doing that. It starts with this kind
- 21:19of thing where he's just doing this kind of cup
- 21:22and ball trick. He's doing a cup and ball trick
- 21:24in a market in London. Yeah, really charming
- 21:27everyone. A real male worker is drawn to Darren
- 21:31and he has him do the... the cups and balls,
- 21:34just don't tell me which ball. And the bloke
- 21:37does it and Darren looks away. And as we were
- 21:39watching this on Sunday, you went, he's looking
- 21:42at the reflection of the shop. And I was like,
- 21:44no, he isn't. Well, to be fair, they never actually
- 21:48turn me. Well, this is the thing about television
- 21:50magic, because you don't know how much is being
- 21:52kept from you. But that's another thing that
- 21:53Darren did. He seemed to create a... an atmosphere
- 21:56and a structure of trust compared to some of
- 21:59the other magicians. You're right, he does love
- 22:00his public. And I think that's kind of the theme
- 22:02of the show in general, because he, you know,
- 22:05he has this sort of like warm symbiosis with
- 22:08normal people, he kind of needs them for his
- 22:10thing to work. And at the end, I think, as we'll
- 22:13see, like at the end, it takes this sort of like,
- 22:17you know, like the appealing to this kind of
- 22:19innocence of the of one member of the general
- 22:21public to actually stop him from blasting himself
- 22:24in the head with a gun. Yeah, I mean, it's very
- 22:26much him becoming symbiotic with the public,
- 22:29and it's about trust. Exactly, you're absolutely
- 22:31right. And when you think about the magicians
- 22:33in popular culture or the public consciousness
- 22:35that Darren was following here, let's go through
- 22:38them. We had Paul Daniels. Jerry Lee is, you
- 22:41know, considered one of the biggest cons in British
- 22:44light entertainment in a real gallery of cons.
- 22:48He died due to magic. Yeah, did he? Yeah, he
- 22:51choked on a dove that he was trying to have removed
- 22:53from his mouth. That's not true. The live dove,
- 22:56yeah. Paul Daniels? No, he didn't really. You
- 23:00got me good there. Savage, worn, loveless, still.
- 23:03Fantastic. But yeah, I mean... Now he's cooking.
- 23:06I mean, like, are there current versions? Well,
- 23:09there was... Well, there was dynamo in the years
- 23:11after this. You know, Magica, I imagine he's
- 23:15big on TikTok or whatever, because little card
- 23:17tricks and stuff. There was Jerry Sadowitz, who
- 23:20of course is one of the best close -up magicians
- 23:22in the world, and was the person who discovered
- 23:24Darren. At that point, he didn't really have
- 23:27much of a TV career after Paul Bearer's review,
- 23:30because if you don't know who Jerry Sadowitz
- 23:31is, he's an amazing technical magician, but he's
- 23:35also like a furiously misanthropic, offensive
- 23:39stand -up comedian, basically, who finally got
- 23:42cast a few years ago, but a real legend of British...
- 23:47true alternative entertainment, but yeah, seemingly
- 23:50doesn't pass mustard. Yeah. And also like a,
- 23:52you can never find like. Yeah. Well, he used
- 23:55to have a bit on his website. Do you remember
- 23:58this? That's probably, yeah. So I got into him
- 24:01because Stuart Lee was a big fan of him and a
- 24:03lot of other kind of first wave alternative British
- 24:06comedians. And I think he did some Stuart Lee
- 24:09programs of the South bank center and he was
- 24:11a part of it. And he used to have to be on his
- 24:13website where it would be like, gigs tricks and
- 24:16then there'd be one bit where it would say like
- 24:19want to buy a gag or something or some kind of
- 24:23outreach and then you clicked on it and he just
- 24:26like it was just a photo of his own erect penis
- 24:28and he just written fuck off on it. Okay I didn't
- 24:31know that. That's who discovered Darren Brown.
- 24:33Right yeah I mean Jerry Sandowitz was like the
- 24:36one person he showed it is to kind of speak out
- 24:37about Jimmy Savile. Yeah he spoke out about Jimmy
- 24:40Savile a lot in the 90s and again I don't think
- 24:43Sandowitz has many skeletons in his closet personally
- 24:47I mean all the rage and fury and hate is just
- 24:50there in his act it's very very funny too but
- 24:53uh he would I could see him playing Russian roulette
- 24:56do you know he would kill himself right yeah
- 25:01and then before that there was also the masked
- 25:05magician He's not a fucking magician. I think
- 25:08he is mate. He had a TV show called The Masked
- 25:11Magician. They don't just give that to anyone.
- 25:12I concede. No, yeah, no, but he was, he was thrown
- 25:15out of the magic circle. Well, that's what he
- 25:16was so furious about. He was getting revenge
- 25:18on them on the television. But then he was sort
- 25:20of an anti -magician. He was doing... Well, he
- 25:22showed, I mean, this was on, it was an American,
- 25:25glossy American show that was on ITV on a Saturday
- 25:28afternoon. I remember I was with my hands when
- 25:30I watched this. And the whole conceit of it was
- 25:33that he kind of wore a mask, broadcast from a
- 25:35big, garishly lit warehouse, and he was like,
- 25:38I'm going to show you what you should never see.
- 25:41And, you know, it would be like a lot of, there'd
- 25:43be card tricks by a lot of like classic slicing
- 25:45a woman in half, putting a spike for a woman,
- 25:48locking a woman in a tank, drowning a woman,
- 25:50all that kind of, all that kind of stuff. Like,
- 25:53that was big in the 90s. Right, right. And he'd
- 25:55show you and then a woman would be fine. And
- 25:57I'd be like, phew. I wonder if that... had any
- 26:01kind of impact on me, actually. Do you think
- 26:03watching a man repeatedly torture a woman in
- 26:06the night is meant to just show you that he was
- 26:08just kidding? Yeah. I mean, I don't think I've
- 26:10ever seen a magic trick on TikTok. Not that I...
- 26:13How often... No, I don't hang out with... I mean,
- 26:15but, OK, I've never... I haven't seen any on
- 26:17Reels either. Well, to use a phrase that I imagine
- 26:19we'll be using a lot in the course of this podcast,
- 26:21it's just not for us. Yeah, true, yeah. But TikTok
- 26:24would be good for magic. But they were the big
- 26:27magicians then, so Darren really was a... breath
- 26:30of fresh air in his approach to it. Yeah, I mean,
- 26:33he brought a different spin on it, but he definitely
- 26:35retains that kind of, like, slight mystery. I
- 26:38mean, he's very... He's warm, but he's distant.
- 26:41Yeah, exactly. But also, he loves the reveal.
- 26:45Like, he loves the reveal of kind of how it's
- 26:47done, what he was thinking, and his strategies
- 26:49around... He gives away enough, but there's moments
- 26:52in this where he doesn't really tell you... Right,
- 26:55so, to elaborate on what happens here, from...
- 26:58I think it's about 500 applicants who all charmingly,
- 27:03as it's the early 2000s, send in, as you've pointed
- 27:06out, this is absurd. You go to a website to register
- 27:10and then you have to send in a VHS tape once
- 27:13they've emailed you like a code or something.
- 27:15Yeah, I don't know, it really dates it. So he
- 27:17would, the people would introduce themselves
- 27:19and it was quite a diverse range of people basically
- 27:22and although he did ultimately just choose six
- 27:25white blokes. to go to the mysterious island
- 27:28with him and a gun? Yeah. He whittles them down
- 27:34from about a few hundred people in central London,
- 27:37you know, he's testing them without them even
- 27:39realising. He decides who's moving through to
- 27:41the next round of the next room based on where
- 27:43they've sat in the room. If they were too keen,
- 27:45they're out. If they're at the back, they're
- 27:46out. Then he has them draw a face and he sort
- 27:49of lets face it, shows off a bit because that's
- 27:51what this is about, by saying, I know who drew
- 27:54that face, it's this guy or her or whatever.
- 27:57I can try and describe these processes to you
- 27:59but in the end it is just an instinct because
- 28:01all these things become unconscious. There are
- 28:03things in the way they dress or the way they
- 28:05look the way they make eye contact or don't or
- 28:06even the way they talk or they remind you of
- 28:08somebody which you bring all that baggage to.
- 28:11In the end I just see them and I feel them and
- 28:14I know that's the right sort of person or it's
- 28:16the wrong sort of person. And then yeah so he
- 28:18finds six guys. One of them is a bloke who really
- 28:22is desperate to help Darren kill or not kill
- 28:25himself. The most obvious, like, IT guy I've
- 28:28ever seen in my life, who's always got a really,
- 28:31sort of, fire -red brown. I think he's trying
- 28:33to watch Darren to try and be him. He sort of,
- 28:36I think he fancies himself as having powers of
- 28:39suggestion. He just wants to be in Darren's orbit
- 28:42so he can sort of ingest a bit of the power and
- 28:45have a bit of the same influence that Darren
- 28:48clearly has. then there's like about four completely
- 28:52nondescript. Yeah. And I was really gunning for
- 28:55the IT guy to win. Because at one point he says,
- 28:58how do I feel about not getting through? Well,
- 29:00if I get through, that's great. But if I don't
- 29:01get through, at least I've got to come to London
- 29:03and have a good time. And at the end of the day,
- 29:05that's what it's all about. But he's already
- 29:07nearly in tears by the prospect of not going
- 29:09through. He does get through. He does get through.
- 29:12He gets to the final two, doesn't he? Well, Darren,
- 29:14I mean, was zipping through a few... of Darren's
- 29:19sort of challenges here. He takes them out for
- 29:21dinner, reads them there. And they're having
- 29:24a lovely time. You know, the hospitality for
- 29:27this look great. And the guy who, the big Darren
- 29:29fan, he just can't believe it, basically. But
- 29:32then he does take them to somewhere away from
- 29:35the UK by private jet. And that's when we get
- 29:38to the live bit of the show, which after he's
- 29:41whittled them down, they're in a barn on... unnamed
- 29:45sort of island, which is Jersey. We now know
- 29:48it's Jersey. OK, we don't know that at the time.
- 29:50He didn't say it was Jersey at the time. He said,
- 29:52due to the British gun laws, we have to leave
- 29:55the UK. We know now that they were on Jersey.
- 30:00So they're in a barn, sort of like brightly lit.
- 30:04And this was filmed live in October. So. Yeah,
- 30:08it's a windy night. There's a lot of atmosphere
- 30:10there. Yeah, no, it's great. It's what you heard
- 30:11of a star. He's live. He's like tonight I'm going
- 30:14to play Russian roulette on live television.
- 30:16The atmosphere is really good. Something about
- 30:19the structure of the show is quite sort of pedantic
- 30:21with all it's like whittling down of stuff. But
- 30:23I don't know having been trailed and also there
- 30:27being no footage of what it's going to look like.
- 30:30It is very tantalizing. Like when he sort of
- 30:32says tonight I'm going to be. doing Russian,
- 30:34I'm gonna be playing Russian roulette. And these
- 30:37are sort of outside in this kind of like windy
- 30:39arse. Yeah, and it feels like it feels like you're
- 30:43being let in to see something you shouldn't be
- 30:45able to see. Yeah, yeah. And 3 .5 million people
- 30:48watch this or something. So yeah, I guess that's
- 30:51the other thing that's appealing to men of our
- 30:52age. It was kind of like a communal event. What
- 30:55would they call it? A mono, a monocultural experience.
- 30:59Although let's face it, most people are probably
- 31:00watching Havago News for you on the other side.
- 31:03It was a Sunday night, so it would have been...
- 31:04Was it a Sunday? Yeah, I'm certain of it. Oh,
- 31:06okay. I thought it was a Friday. Sunday night,
- 31:08about 9pm. People would have been watching Heartbeat
- 31:10on the other side or The Royal. Yeah, or I don't
- 31:14know, maybe Top Gear or something. Top Gear or
- 31:16something. But the real heads... I'd like to
- 31:19live on the edge like yourself. I think it'd
- 31:21be a shame if Top Gear got more ratings than
- 31:23this. I'd definitely watch an episode of Top
- 31:25Gear where anyone who's ever hosted it tried
- 31:26not to shoot themselves in the head with it.
- 31:30They should have, you know, the Hammond episode
- 31:32where he crashed her car. Yeah, I mean, I don't
- 31:36think I've seen that. No, they never broadcast
- 31:38it. Anyway, so the other thing that we should
- 31:43mention is that Darren brings us to meet an Armourer.
- 31:48Yeah, yeah. In what is the kind of silliest bit
- 31:52of the show? The Armourer shows them how to load
- 31:55a gun and these are just like five non -descript,
- 31:59completely unforgettable British blokes. All
- 32:01wearing what we described at the time as like
- 32:03Burton wear. Like they all look like they've
- 32:05just been to Burton or Top Man basically. Yeah,
- 32:08like there's so many. I feel like one of them
- 32:11has like a t -shirt with a Union Jack on it.
- 32:13Yeah, one of them does. And like that was just
- 32:15fine. That was fine because we were the end of
- 32:17history. It was fine. Yeah. Yeah. And one of
- 32:19them had an FC UK shirt on and it reminded me
- 32:22of when I was a teenager. I went past FC UK and
- 32:26I saw that they sold a shirt that said FC UK,
- 32:29sale, sale, sale. And at the time I was like,
- 32:31I think that's the smartest thing I've ever seen.
- 32:34People would be in hysterics if I wore that shirt.
- 32:37But with my lack of pocket money and the fact
- 32:41that I wasn't applicable for government youth
- 32:44funding, I couldn't afford to buy it. Right,
- 32:46that's a real shame. Probably for the best in
- 32:48retrospect. Yeah, so they all meet this armorer
- 32:51who's inexplicably got his face blurred. He's
- 32:55already done a crime basically. It really does
- 32:58add to a certain, I don't know. I thought that
- 33:00was stupid. I thought his blurred face was mental.
- 33:05Okay, my take. Right, I'm finally going to say
- 33:08a take, is that he's basically the devil in the
- 33:13kind of interplay of archetypes that are in this
- 33:16thing. You said Darren's planting the seed of...
- 33:20Well, I think Darren is like, he's like a attention
- 33:24seeking Jesus. As in, like, he's kind of, he's
- 33:27capable of miracles. But he's also... Is this
- 33:30Roland Barthes? No, no, no. This is me. Oh, this
- 33:34is you. Right, okay. Interesting. He's... Well,
- 33:37maybe I don't know. I mean, it's someone. It's
- 33:39someone. And he's, you know, he's, he's capable
- 33:42of like brilliant powers, but he's, he's hamstrung
- 33:44by one thing. His need to entertain the British
- 33:47public. Oh yeah. Okay. We'll come onto this in
- 33:50a while too. And the, um, and so he's tempted
- 33:53by a faceless sort of slightly brusque. man who's
- 33:58handing him firearms, obviously the devil. Yeah.
- 34:01That's what the devil does. He gives you bad
- 34:03things or he offers you bad things to allow you.
- 34:06You know, I shocked you. I don't think that the
- 34:08guy's face was blurred at the time of filming.
- 34:11Okay. Oh, right. Okay. It's to blur out the little
- 34:14beard and the horns and like the sort of red
- 34:17colouring. If that was the devil, at least one
- 34:19of those five lads would have been like, sorry,
- 34:21is that the devil? Why is he here? And why has
- 34:23he got a gun? They might have edited it out.
- 34:25They probably did say that. Interesting. Anyway,
- 34:28yeah, the armour does, he comes back at the end.
- 34:30His face isn't blurred at the end either, which
- 34:32I also thought was silly. He's wearing a big
- 34:34jacket and sunglasses, I think. You can see just
- 34:38peer into his face. Again, that's what I'd wear
- 34:41if I was the devil. And it's his job to show
- 34:44him how to load the gun, but it's him who also
- 34:47shoots, before the Russian Roulette begins, he
- 34:50shoots. To say look, I'm a real armorer and this
- 34:54is a real fucking god This is actually fucking
- 34:56happening. Yeah, I mean it cuts to a break and
- 34:59you strap in at that point then the five blokes
- 35:02are in the barn but Darren in Strange bit of
- 35:06me is on San has them in their own individual
- 35:08stables like the horse. Yes, good So the way
- 35:12Darren is gonna do this is simply count ask them
- 35:16to count from one to six, which is the amount
- 35:18of Chambers available for the bullets in the
- 35:22pistol bloody like Clint Eastwoodian Yeah, he's
- 35:28gonna Ask him to count one six and the idea is
- 35:30that he's got to know them so well in this process
- 35:33But he will simply be able to deduce which chamber
- 35:37does or doesn't contain a bullet James I'm gonna
- 35:40ask you in a moment to count from one to six
- 35:41I'm only gonna ask you to do this once you need
- 35:44to count clearly and slowly and loudly so I can
- 35:48hear you from one to six. Listen, very important
- 35:51as you count. Don't give me any clues. Don't
- 35:54try and help me. If you try and help me, James,
- 35:57it will confuse me. And it's really important
- 35:59I'm not confused. Does that make sense? Yes.
- 36:01Yeah, it does. Alright. When I say go, just take
- 36:04a little while, just take a moment, just to take
- 36:06a breath and relax, and then count from one to
- 36:08six, loudly, clearly, and slowly. Take a breath
- 36:14first. Go. One, two, three, four, five, six.
- 36:32Okay, thank you. Exactly, and he needs to find
- 36:35the most, I like the most kind of innocent suggestive,
- 36:39maybe not suggestive, or like the person who's
- 36:41going to give the game away immediately. So he
- 36:44has them do one, two, three, four, five, six,
- 36:46you know, on paper. This is just like the most
- 36:49banal thing you can imagine. It's like a magician
- 36:51in a barn with five, like, 30 -something wide
- 36:54British blokes just repeating numbers. But you're
- 36:56really on the edge of your seat, or I found out
- 36:58when we watched it again over the weekend. I
- 37:00think it speaks for his stagecraft as well. Yes,
- 37:03his stagecraft is fantastic. It always has been.
- 37:06And this is what I think the really early example
- 37:10of him just like nailing that and moving beyond
- 37:12just like a funny, weird street guy. you know,
- 37:15doing spectacle in a way. So then they go to
- 37:19begin the process and the guy who he chooses,
- 37:23who, like you say, is kind of the most, like,
- 37:25sort of inconspicuous of them, he's notable because
- 37:27in another fantastic 2003 touch he's... wearing
- 37:31baggy jeans with a long metal wallet chain on
- 37:34them. So he's got a bit of a Griebo look about
- 37:36him. He's gone for the Karangry. He thinks the
- 37:38armour is going to nick his wallet. When they're
- 37:42sort of panning between the faces of the contestants,
- 37:44he really does look like a quivering kind of
- 37:47lamb. And he says, are you sure you want to do
- 37:49this and whatever? And he's like, yes, Darren.
- 37:52And it's very, there's an intimacy between them.
- 37:54Yes. And when they do, when he asks that question,
- 37:57he answers in the affirmative. you can see him
- 37:59gain in stature, I think. You know, he goes from
- 38:02Green Lancer, like, I'm going to do this. I'm
- 38:04going to help this man kill himself. And I think
- 38:05at that point, we, the viewer, know that Darren
- 38:08may have chosen right. Correct. Well, I don't
- 38:11think it's a spoiler to reveal that Darren doesn't
- 38:14kill himself on live television and that we weren't
- 38:17watching this, like, you know, on Rotten .com
- 38:19or on some weird Russian torrent. Yeah. Yeah,
- 38:22like it was, you know, some other kind of beheading
- 38:24video or whatever. But I think the, probably
- 38:27the possibility of that is, or the, maybe the,
- 38:30maybe because, because it came at a time... Get
- 38:31onto the possibilities of it in a minute, Jack.
- 38:34Sorry. Because, because I think the possibility
- 38:37of it was perhaps quite low, but... Now I, I
- 38:42know what I was going to say is that the, as
- 38:44it came at a time of probably 2003, probably
- 38:48quite a high point in like internet gore. Oh
- 38:51yeah, internet goal was huge, then people would
- 38:53just get on MSN messenger and send you Ken Bigley
- 38:56being beheaded after school. At least they did
- 38:59at my school. The school of hard knocks. No,
- 39:03I never directly was sent anything like that.
- 39:05But yeah, there was definitely like, the grubbier
- 39:07end of the internet was beginning and the idea
- 39:10of watching Channel 4 broadcasts like a snuff
- 39:12movie was obviously entertaining. But I don't
- 39:14know, it's quite Victorian in a way as well,
- 39:16which Darren also loves. Darren loves the perfect
- 39:19story. They're in this barn, and he goes behind
- 39:23bulletproof glass. Darren takes the gun, and
- 39:26he asks him to count one, two, three, four, five,
- 39:28six. And you've seen this more than I have. Darren
- 39:32gets one wrong. I'm going to set the gun to a
- 39:35chamber that I feel is safe. That's number three.
- 39:40Yeah, he goes to number three. He's sort of repeating
- 39:44to himself, like, number three I think is safe.
- 39:46Number three, I think. And then he shoots it
- 39:49against the... There's like a large... What I'd
- 39:53describe as almost like a... It's very... Again,
- 39:56the decor of the mise -en -scene is really impressive.
- 39:58I'd describe it as a big boxing... Yeah, yeah,
- 40:03yeah. A big sack of stuff. Well, he's sort of
- 40:05sat at the table with the gun in front of him
- 40:07and he's kind of looking into the middle distance
- 40:09and then he kind of grabs it and then whacks
- 40:11against his head and pulls the trigger. Pulls
- 40:13the trigger. Yeah, anyway, so he gets away with
- 40:16it, but then he knows he's made a mistake, and
- 40:18he knows he can't fuck up again. And there's,
- 40:21I'd say, a good two minutes of complete silence
- 40:24while Darren looks at the gun, deciding what
- 40:26to do next. And this is genuinely one of the
- 40:28most thrilling things I've ever seen. Completely,
- 40:31like, there's a moment, you know, there's a one
- 40:33moment where his hand twitches. That's the, you
- 40:35know, that's all that happens in that, in that
- 40:37two minutes while he kind of... I don't know.
- 40:40And then... And also he only hears the... He
- 40:44only hears the guy saying one, two, three, four,
- 40:46five, six, what once. And there's no sound after
- 40:48that. You can hear the kind of wind blowing against
- 40:50the bar and then just Darren's breathing. And
- 40:53yeah, this was so exciting at the time and I
- 40:56really found it thrilling when we watched it
- 40:59again recently. I thought it was amazing. Darren
- 41:09identifies whatever boy starts shooting. He immediately
- 41:12puts the guns down, stands up, calls over the
- 41:14lad whose name we really... James or Jamie. James
- 41:19or Jamie comes around and they kind of embrace
- 41:21and Darren says like thank you and Darren's like
- 41:25and it's over and they just cut to credits basically
- 41:28and then it's over then the show's over. The
- 41:30credits roll. Again it's a great bit of editing
- 41:33because you catch your breath too you know it's
- 41:36like oh we've really been through something together.
- 41:38The credits roll in silence. Yeah. we're left
- 41:41with our thoughts and Darren lives to fight another
- 41:44day. Yeah. Yeah, really, it's really amazing.
- 41:48It is really amazing. So I'm going to bring in
- 41:52a slice of cynicism to this podcast. I hate to
- 41:55be the harbinger of that. Finally. Yeah, which
- 41:59is obviously this caused quite a stir at the
- 42:01time in the press because a man was claiming
- 42:05to potentially be in position of killing himself
- 42:08live on television. And it was revealed the next
- 42:12day that the whole thing took place on the Isle
- 42:16of Jersey, which, you know, I'm no geographical
- 42:20expert, but I believe it is part of the UK. It's
- 42:23just a part where you can do things without paying
- 42:25tax. It's a Crown dependency, isn't it? Crown
- 42:28dependency, there you go. And I think the gun
- 42:32laws there are the same. The police said that
- 42:36they had given permission to a production company.
- 42:39to shoot there with a limited amount of bullets
- 42:43and the armourer, and that everything had been
- 42:46checked over by them, and that Darren was only
- 42:51shooting blanks, and it was blanks loaded into
- 42:54the gun. When the production company were approached
- 42:57about this, they immediately came back and said,
- 43:01If it were blanks, then it wouldn't have made
- 43:04a difference because Darren still would have
- 43:06killed himself by shooting himself in the head.
- 43:09Which I think is the shittest thing they could
- 43:10have said at that point. They should have said
- 43:12nothing. You're absolutely right. I think that
- 43:16it's neither here nor there what is in that gun
- 43:18really. I think the drama is real. I think the
- 43:23thing as a narrative... like that sort of culminates
- 43:27with all these like members of the public in
- 43:29the in a Masonic Lodge and ends with him sort
- 43:32of staring into space like repeating numbers
- 43:34in his head while he thinks about whether he's
- 43:36going to pull the trigger on himself again is
- 43:39kind of perfect. And there's no amount of authenticity
- 43:41that would make that better. Like, I think there's
- 43:45it just is right. I think if they If it was not
- 43:49real, then they've done a brilliant job in doing
- 43:52everything that would make it appear real. If
- 43:55they were going to really fake it, then they'd
- 43:58just do it in fucking Boreham Wood or something.
- 44:01Like everything else in TV. It would be like
- 44:04an Addison Lee ride away from central London.
- 44:06He'd be home in bed half an hour afterwards.
- 44:09But instead they went all the way to Jersey.
- 44:13Yeah, you know and they would get a select, you
- 44:15know If they were really gonna fake it they just
- 44:16get some celebrities to be the armorer like they
- 44:19get like Andy McNabb to be the armorer. Vernon
- 44:23Kay in 2003 would have been... He'd be great,
- 44:26he'd bring in like an extra million viewers on
- 44:28whatever it is I'm on board with it and I think
- 44:32I'm not on board with some of like Darren's other
- 44:35oeuvre. Like we watched... We watched The Heist
- 44:38afterwards because we were riding high on We
- 44:41were so high on fumes. Exactly, we were just
- 44:44high on mentalism. The heist was voted on Darren
- 44:48Brown night, according to Wikipedia, like his
- 44:50number one special ahead of Russian Roulette.
- 44:53The heist is when he attempts to coerce people
- 44:57into... robbing, um, somebody delivering money
- 45:01to a bank in central London. He attempts to,
- 45:05yeah, he coerces the people who are already amoral
- 45:08wankers into, like... Yeah, so you have to spend
- 45:10an hour with a bunch of cunts, basically. Yeah,
- 45:12yeah. One of them's like, I'm not doing this
- 45:15on TV, my daughter might see it. It's not that
- 45:18it's wrong, he just doesn't want his daughter
- 45:19to see it. There is a good sequence where loads
- 45:22of blokes in suits just go into the same corner
- 45:24shop and nick like a twix and did some cigs and
- 45:28that bit's funny. Tellingly the first person
- 45:30who does it correctly is like a PR expert, like
- 45:34a press officer. Yeah, like the worst people
- 45:37you can possibly work with. Anyway, so that one,
- 45:42and also I do feel, and then Darren takes him
- 45:45to... like a mysterious white tent where he heals
- 45:50them, and it's a little bit... Oh yeah, he kind
- 45:52of deprograms them. He deprograms them, and for
- 45:55me it's just a little bit silly. Darren does
- 45:57a lot of his work with Andy Neiman, who also
- 45:59works with the League of Gentlemen, and he is
- 46:02credited up front, but I don't think enough people
- 46:04know about how his level of storytelling and
- 46:07stagecraft is really important to what Darren
- 46:09does. I really like a lot of what Darren's...
- 46:12done in the years since his stage shows, but
- 46:16I don't think anything he did on TV had the sheer
- 46:20thrill of this and nor did it have the rawness.
- 46:23Everything after that became, yeah by 2008 -2009
- 46:27he was like faking a zombie apocalypse to teach
- 46:30some like bloke on the spectrum how to like stand
- 46:33up for himself in the office. It was just like,
- 46:37it's just a bit inessential. And he did like
- 46:42a Guessing the lottery numbers thing which I
- 46:45think and that was very transparent. Well, didn't
- 46:47even say it was fake like straight up. He didn't
- 46:49even have a Yeah, every for excuse. It's just
- 46:53lied. Yeah But yeah, I think he he definitely
- 46:56peaked with this but I don't know he does have
- 46:58a you know, he costs a broad shadow on UK culture.
- 47:02Yeah Yeah, I do notice that you've been like
- 47:05sort of just be rubbing your leg just like they
- 47:07do in the in the uh the heist episode yeah so
- 47:11you you're you need deprogramming don't rejoin
- 47:14the band keep doing the podcast with me yeah
- 47:17yeah so that was a good gag we should keep it
- 47:22in um so yeah i should talk about what i what
- 47:25i interviewed darren tell us about when you uh
- 47:27met darren brown john well i met darren perhaps
- 47:30past his peak in light culture and whatsoever
- 47:33darren's just kept touring you know he's a touring
- 47:36illusionist and is kind of a... I don't know
- 47:40if he's a national treasure or not what he wanna
- 47:42be, but he's, you know, still a presence, if
- 47:45you will. It's not like he did anything fucking,
- 47:47like, unforgivably shit. No, I mean, I think
- 47:51he's... I think he's a really likable guy. Yeah.
- 47:54I'd love to be mates with Darren Brown. He also
- 47:56wrote about stoicism. Which again is a very...
- 47:59is almost like a very benign philosophy compared
- 48:02to, like, what, you know, a lot of... Well, you
- 48:05know, there's a cultish element that... has formed
- 48:07around him. I was deep on Reddit reading Darren
- 48:12Brown subreddits and such, preparing for this,
- 48:15reviews of his recent tour. And you realise that
- 48:17some people have been going to him for a long
- 48:19time and are really devoted to his craft. And
- 48:22yet I don't think he's ever exploited that in
- 48:24a cultish manner. So I like that about him. No,
- 48:29like as you said at the beginning, he does have
- 48:31a warm, he's symbiotic with his fans and his
- 48:35public and his sort of You know, they're never
- 48:37stooges. Well, when I met Darren, I interviewed
- 48:40Darren. Did he hypnotise you? I think I'm only
- 48:44just coming out into his nightmare. He was exactly
- 48:49like Darren Brown as well, like his cadence,
- 48:54his warmth but slight remove. But the thing to
- 48:56know about when I met Darren Brown is I was,
- 48:58I'd been out the night before and I was fucking
- 49:01in a bad way. It was at a hotel in Southend -on
- 49:04-Sea. And I'd been to XOIO in London the night
- 49:08before. Big time. Yeah, I'd indulge myself, I
- 49:10think. I also remember I was staying with a friend
- 49:13who was having like really bad like mental sort
- 49:17of episode, but not the good kind that Darren
- 49:19likes. I mean, the bad kind, but this was 2015
- 49:24and I had less tools to deal with that. So it
- 49:29was a bit of a mad evening. And then I got up
- 49:30early to go to Southend. because he'd been performing
- 49:33in Southend the night before. And the reason
- 49:36I interviewed him, to bring it right back to
- 49:39the obsessions touched on at the start of the
- 49:41podcast, was because he was the man behind Darren
- 49:45Brown's Ghost Train at Fort Park. Right, right.
- 49:49So, Darren Brown's Ghost Train opened at Fort
- 49:51Park in 2016 and was, you know, an extension
- 49:54of the Darren Brown IP or brand, really. And
- 49:57I remember when... He was rumored to be the intellectual
- 50:01property behind this mysterious new dark ride
- 50:04over the building of Fort Park. And people were
- 50:07a bit like, how's that going to work? And then
- 50:10there was a really good promotional campaign
- 50:12where Darren talked about how he'd been working
- 50:14with a team of 150 illusionists and designers
- 50:17to create a new idea of the ghost train. That
- 50:22you'd go in and there'd be a mysterious Victorian
- 50:25train and then you'd go on like... an adventure
- 50:28beyond the normal human dimensions and I thought
- 50:31it sounded really good and I obviously was a
- 50:33fan of a fan of Darren casually and more of a
- 50:36fan of theme parks so I got the Guardian who
- 50:39I was writing for weekly at the time only about
- 50:42about clubs and occasionally about theme parks
- 50:44to set me up with PR thing. Now the ride was
- 50:49meant to open in March and it was delayed till
- 50:52July that's another thing that I can Terry, so
- 50:55I went to meet him early March and I got to visit
- 50:58the ride the day before. I signed a ludicrous
- 51:01NDA, like an insane NDA, that it was if I was
- 51:04visiting Abu Ghraib or something, it was nuts.
- 51:06It was, I could not believe it. Did you go on
- 51:08the ride alone? No, because the ride wasn't ready,
- 51:10but I had the lead designer tour me around it.
- 51:13Okay, what with all the lights on? There's a
- 51:15guy called Bradley Wynn took me around it, who
- 51:18still works in the industry, but isn't involved
- 51:20at Fort Park or Merlin anymore. So... I got taken
- 51:23around it and they were like, here's where this
- 51:25is going to happen. But the ride, you know, it
- 51:27was more of a dark ride, more of a simulator
- 51:29kind of ghost train kind of thing going on. Lots
- 51:31of different elements. If you've ever been to
- 51:33like any of the Dungeons, like London Dungeons,
- 51:35York Dungeons, Edinburgh Dungeons, because that's
- 51:38Merlin too, there's a bit of that in play. I
- 51:41mean, I had the feeling that it might be a bit
- 51:44of a disaster and that feeling increased the
- 51:46next day when I met Darren and I told him I'd
- 51:48been and he said, how's it looking? And I realised
- 51:50he hadn't visited. So yeah, well, he wasn't like
- 51:53feverishly in meetings every night just being
- 51:55like, okay, yeah, guys, have you made the track
- 51:58yet, guys? No, no, no. He's like, how are the
- 52:00ghosts coming along? Are they spooky enough?
- 52:04No, he wasn't. He was at this point doing like
- 52:07PR appearances where he turned up, for example,
- 52:09like in Wolverhampton town centre with like,
- 52:11safety centre, sorry, Wolverhampton, with like
- 52:13two little spooky ghost doll girls or like with
- 52:16a demon on a chain dressed like a fucking like
- 52:19Victorian like... Conductor he was doing he was
- 52:22doing that what I've realized since was that
- 52:26Darren Brown? Maybe didn't have that much input
- 52:29into the core of a ride, which was like something
- 52:32designed like By committee and a very much too
- 52:38many cooks for the broth type thing because it
- 52:40was meant to be this classic ghost train But
- 52:42also it was like this VR ride where you went
- 52:45on this Victorian ghost train and then you put
- 52:47on a VR headset and you won the London Underground
- 52:49and then it turned into like a Play where some
- 52:52zombies jumped out and then you went back on
- 52:54the same train And it was like you'd never moved
- 52:56and they spent millions trying to achieve that
- 52:57effect, but nobody noticed it The whole thing
- 52:59was just a disaster they reopened it the next
- 53:02year with like an additional version of it got
- 53:05Darren to like do another advert. but I felt
- 53:08for Darren because when the ride opened it kept
- 53:10breaking down like a lot of new rides do and
- 53:12it wasn't particularly well received and so he'd
- 53:14just have to deal with like thousands of tweets
- 53:16a day saying all right you can't just go my way
- 53:18back from Fort Park your new ride shit or like
- 53:21my nine -year -old couldn't go on your ride or
- 53:24my 11 -year -old did go on your ride and he said
- 53:26it was shit you should be ashamed of yourself
- 53:27so like Darren went from just like you know like
- 53:30cozy tweets with like Jonathan Ross or Stephen
- 53:33Fry to just having like 15 ,000 people from stains
- 53:38a day dumping on him. I can't imagine he like
- 53:41that much, especially as he's usually operates
- 53:43really in his lane, you know, where he's got
- 53:46control over things. I just imagine they just
- 53:48gave him like a big wedge of cash to do this
- 53:50really. It just, it maybe does show that there's
- 53:53like, there's now no people who embody spookiness
- 53:56without being like someone who played, you know,
- 54:00a horror. Christopher Lee. Christopher Lee. So
- 54:04you wouldn't give him a ride at Fort Park. You
- 54:06know, like, yeah, well, like... To give you an
- 54:08example of the other IPs that they use at Fort
- 54:11Park, Angry Birds, I'm a Celebrity Get Me Out
- 54:14Of Here, like, blackmail, it's like, fuck, why
- 54:17did you do this, man? Anyway, it was nice to
- 54:20meet him. I was really hungover. And the PR guy
- 54:24in the room... who was like sort of 20 something
- 54:27bit of a geezer like was there to keep things
- 54:30very much like in check you know like um and
- 54:34keep make sure i was on my best behavior he'd
- 54:36clearly been warned by the pr from the same company
- 54:38the day before but i was actually like a genuine
- 54:42roller coaster and let's face it like media freak
- 54:45and i would have like weird questions for darren
- 54:47brown and i did like hung over ask him because
- 54:51I was just such a moron back then and I was like,
- 54:54just knocking about London. I was living here,
- 54:56but I wasn't properly settled. I was like reeling
- 54:59from a bad breakup. I had even less money than
- 55:01now and I was just living a chaotic life. So
- 55:04I just wouldn't write things down. So the next
- 55:06thing you know, I'm just sitting in like the
- 55:08lounge of a posh B &B in Southford and I'm like,
- 55:11Darren, do you think this will make people go
- 55:14on it now? rewatch your shows because they might
- 55:18not have seen them and do you think about legacy
- 55:21and all this stuff? And he's clearly just like,
- 55:23I can see the PR's face like, what is this question?
- 55:26There's a strange... And he was just like rambling
- 55:28nonsense. Anyway, the ride finally opened months
- 55:31later. The Guardian like literally did a puff
- 55:34feature on it that featured zero contributions
- 55:36from Darren and barely anything from myself because
- 55:39at that point I was probably at like... club
- 55:41division or something, he was not doing the job
- 55:44I was supposed to do. That's not Darren's fault
- 55:46though, is it? He probably valued speaking to
- 55:48a real rollercoaster fan. I don't think he did
- 55:50at all. I really think he just could not wait
- 55:53to get home to London to his flat, which you
- 55:57see on Instagram. I will say his Instagram is
- 56:01quite personal and quite good. He doesn't really
- 56:03play the game on there, but obviously he lives
- 56:05in a very quirky house. full of quirky artifacts.
- 56:08Right. Okay. Well, it's like, I bet he has one
- 56:10room that, that's like big at the, the, in the
- 56:12foreground, then tiny as you walk there. And
- 56:15then there's like another years to get the planning
- 56:18permission for that. And there's a corridor that
- 56:19like spins. It's actually better than his ghost
- 56:22train. Yeah. It was sensational. Hall of mirrors
- 56:26downstairs. Um, I'm glad we watched that thing.
- 56:29I think it's good to try. As far as to try us
- 56:32goes, I feel it's a really solid piece of entertainment.
- 56:35And if you do want a glimpse into not only the
- 56:39aesthetic of Britain at the time, a lot of gelled
- 56:43up spiky hair, a lot of Burton Shirts. I know
- 56:46I had it. Yeah, me too. Yeah. Yeah. I had my
- 56:49hair like really like pure Gareth Gates. Right.
- 56:52OK. OK. I would love to see that. Wait till we
- 56:55start with Patreon. Please bring it back. That's
- 56:57a Patreon bonus. Well, I guess we don't have
- 57:00to reclaim this, but we can at least recommend
- 57:04it. I would recommend it to anyone who's looking
- 57:08for a bit of escapism in their lives. And I think
- 57:10it's one bit of a... I forgot the world for an
- 57:12hour. And Lord knows we need escapism right now,
- 57:15don't we? Don't we? Yeah. And on that note...
- 57:18On that note, thanks for listening to Detroiters.
- 57:20I've been John Loveless. Jack. Bye. Detroit.