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FULL SHOW: Getting the giggles at a funeral... · Flava Breakfast

• 0:00
  Speaker 1: It's the Flavor Podcast Network Flavor Breakfast Podcast with stace A,
• 0:05
  Speaker 1: Zorah and Charlie. On today's podcast, I'm.
• 0:08
  Speaker 2: Going to give you a detailed history of the Creepy Center.
• 0:12
  Speaker 3: We talk about the worst place you got the giggles, Oh.
• 0:15
  Speaker 1: Man, oh my goodness, and I thought you into church
• 0:17
  Speaker 1: a lot.
• 0:18
  Speaker 4: Charlie got big patches, big holes in your Christmas knowledge.
• 0:22
  Speaker 1: You'll hear it right here morning. It's just gone first
• 0:26
  Speaker 1: six am.
• 0:27
  Speaker 3: If you and Flavor Breakfast morning, can.
• 0:30
  Speaker 4: You believe it's the decembits that mean twenty days until Christmas?
• 0:33
  Speaker 1: When do we play a Christmas song?
• 0:36
  Speaker 3: I reckon we should have played Christmas songs as soon
• 0:38
  Speaker 3: as it hit December. That's what I think, like at
• 0:40
  Speaker 3: least one, you know, ease into it.
• 0:42
  Speaker 2: I know, I know there's some goodies out, there's some
• 0:45
  Speaker 2: good light, but well, you know, mistletoe, Justin Bieber.
• 0:51
  Speaker 1: I love Justin Bieber's mistletoe. It's so good, sleeping.
• 0:55
  Speaker 3: Free stories all you can hear. It's beginning. It's beginning.
• 0:59
  Speaker 3: It's beginning, definitely. Michael and ran Carry is the frosted.
• 1:05
  Speaker 4: Yeah, this is when they go pashing up to change,
• 1:08
  Speaker 4: to change it we're going to.
• 1:11
  Speaker 2: I would be happy with even DMX's root off the reindeer.
• 1:19
  Speaker 1: Okay, we'll pop one in, won't we.
• 1:22
  Speaker 2: I think we should come on sho Okay, start thinking
• 1:26
  Speaker 2: nothing slow, Charlie either, if you're going to give any suggestions.
• 1:30
  Speaker 1: I didn't know.
• 1:30
  Speaker 2: Whether I wanted to share this. That's why it's taken
• 1:34
  Speaker 2: me until Thursday to admit something that I did at
• 1:37
  Speaker 2: the wedding over the weekend, I I lost it. It
• 1:43
  Speaker 2: was quiet, it was heartfelt.
• 1:46
  Speaker 1: One of the bridesmaids was.
• 1:48
  Speaker 2: Just pouring her heart out, you know how much the bride.
• 1:52
  Speaker 1: Means to her, how much the couple means to her.
• 1:56
  Speaker 2: And I am almost on the ground my nose, crying
• 2:01
  Speaker 2: my makeup off and shuddering with the giggles because well
• 2:08
  Speaker 2: during this, during the speech, the bridesmaid said, you know
• 2:15
  Speaker 2: how she was always third wheel to the couple that
• 2:17
  Speaker 2: got married up until Mason came along. Now I sort
• 2:24
  Speaker 2: of thought, huh, it's weird because her boyfriend, who was
• 2:27
  Speaker 2: there in the crowd, his name's Nathan, so she got
• 2:32
  Speaker 2: the name wrong, Mason Nathan. You know, she said, I'm
• 2:35
  Speaker 2: a third wheel and I was alone until Mason came along.
• 2:39
  Speaker 1: And poor old Nathan's over there like and I don't
• 2:43
  Speaker 1: know why. It just was so funny to me.
• 2:46
  Speaker 2: And of course the minute that I start laughing, it
• 2:49
  Speaker 2: takes a turn in the speech to you know, the
• 2:52
  Speaker 2: most gut wrenching, heart breaking, loving part of the speech,
• 2:57
  Speaker 2: and that.
• 2:57
  Speaker 1: Made it more funny. They made it, but only you.
• 3:02
  Speaker 2: Well everyone laughed a little bit at the comment, but
• 3:05
  Speaker 2: I didn't stop.
• 3:07
  Speaker 1: So she got a boyfriend's name wrong. So who's Mason?
• 3:10
  Speaker 2: Well, I found out way after the reception, once all
• 3:15
  Speaker 2: the speeches and eating had done, because I had to
• 3:17
  Speaker 2: bring it up with someone.
• 3:18
  Speaker 1: I had to explained myself. I mean, my whole table
• 3:21
  Speaker 1: literally saw me on the ground.
• 3:22
  Speaker 2: I was veins popping out of my head, crying and
• 3:25
  Speaker 2: red in the face, and I was like, man, couldn't.
• 3:29
  Speaker 1: Keep it together. Back there.
• 3:30
  Speaker 2: I can't believe she got the name wrong. They said, no,
• 3:33
  Speaker 2: Mason's the dog. She was telling a joke.
• 3:38
  Speaker 4: Well, you were laughing at the jokes, that's good.
• 3:41
  Speaker 3: No, you laughed before you found out it was a joke,
• 3:43
  Speaker 3: so you thought she was planing up. I don't know
• 3:45
  Speaker 3: who Mason the dog is.
• 3:47
  Speaker 1: Mistake.
• 3:48
  Speaker 4: So at the wedding and this heartfelt moment as there
• 3:50
  Speaker 4: is on the floor laughing, no one else is laughing,
• 3:52
  Speaker 4: no one else is laughing.
• 3:53
  Speaker 1: You'd lost it. I lost it.
• 3:56
  Speaker 2: And the more I tried to say to myself this
• 3:59
  Speaker 2: is not a time to laugh, funnier it became that.
• 4:02
  Speaker 4: I was like, because when you feel that, like you know,
• 4:05
  Speaker 4: oh no, I can't stop, you know, and you in
• 4:07
  Speaker 4: the whole thing of thinking about not laughing makes you laugh.
• 4:11
  Speaker 4: Or like when you're trying to record something right, right, right, Okay,
• 4:14
  Speaker 4: that's it, and then start cooking right and it's and
• 4:18
  Speaker 4: then you get to a point where if you were
• 4:20
  Speaker 4: someone else and now whinding you up and you're both laughing,
• 4:22
  Speaker 4: and you go right, shush, okay, we're going to do
• 4:24
  Speaker 4: it this time, and then you lose it again.
• 4:27
  Speaker 3: I just can't look at it, and you can't control
• 4:29
  Speaker 3: yourself when it comes to these moments, right, because everyone
• 4:31
  Speaker 3: looks at it, especially during half out moments and all
• 4:36
  Speaker 3: quiet times.
• 4:37
  Speaker 1: You went to church your whole life. Surely you've had a.
• 4:39
  Speaker 3: Few moments this was a a funeral. No you haven't.
• 4:44
  Speaker 3: But it's not me I blame it's my cousin.
• 4:47
  Speaker 2: Wait, you've done it, and you've done it Stacy, Yes.
• 4:51
  Speaker 3: Yes, googles laugh. But my mom, I'm an adult of children.
• 4:59
  Speaker 3: My mom pu my rooms because like she was like
• 5:02
  Speaker 3: are you I like, you know, are you sweet?
• 5:06
  Speaker 1: So ok so okay.
• 5:08
  Speaker 3: So this guy got up to say his speech and
• 5:12
  Speaker 3: it was such a heart felt speech and we're it
• 5:17
  Speaker 3: wasn't funny at the time, but then you know, I
• 5:19
  Speaker 3: mean like he just couldn't wrap things up. But then
• 5:21
  Speaker 3: he decided to sing a song. No, not honestly, so
• 5:24
  Speaker 3: he decided to sing a song. But this guy had
• 5:25
  Speaker 3: a deep as his voice. But then when he sang
• 5:28
  Speaker 3: his song, He's like, I'm like what, bro, I mean
• 5:34
  Speaker 3: like a voice changed, but like why did he have
• 5:36
  Speaker 3: to like stay range range?
• 5:39
  Speaker 1: Brother? But then we just.
• 5:42
  Speaker 3: Did you look and my cousin like that. We just
• 5:45
  Speaker 3: looked at each other and it.
• 5:47
  Speaker 1: Was like it was over. But you know, the thing
• 5:49
  Speaker 1: was for them. He was sitting with his family.
• 5:51
  Speaker 3: I was sitting with my mom, Bro, and my I
• 5:55
  Speaker 3: was getting but like you know, my mom was putting
• 5:57
  Speaker 3: me in the wrist.
• 5:57
  Speaker 1: But it was like.
• 6:00
  Speaker 3: Right up in the front looking at me like but
• 6:03
  Speaker 3: we get it. Man, you sing, but why are you
• 6:05
  Speaker 3: laughing at me?
• 6:07
  Speaker 1: Like yeah, you hat? What about you stay. No. Yeah,
• 6:12
  Speaker 1: it was a very tragic. But just here this guy
• 6:16
  Speaker 1: started singing who just like singing one as well? Yes,
• 6:18
  Speaker 1: because he sort.
• 6:19
  Speaker 4: Of looked like a straight kind of you know, security
• 6:22
  Speaker 4: guide guy, big tall, you know, maned to look like
• 6:26
  Speaker 4: I know him a monster or something.
• 6:28
  Speaker 1: And then he starts singing that what I'm talking about? Yeah,
• 6:32
  Speaker 1: do you used to leave me?
• 6:35
  Speaker 3: No?
• 6:35
  Speaker 1: I wasn't that song, but it was like almost like
• 6:36
  Speaker 1: in that range I'm like, but it was.
• 6:38
  Speaker 4: Also you're all happy about it and singing really loud,
• 6:40
  Speaker 4: and I just people, I think I can have it
• 6:44
  Speaker 4: quite well because I like put my head on my
• 6:47
  Speaker 4: lap and was shaking back.
• 6:51
  Speaker 1: That's good, well I had there was no escape for me.
• 6:53
  Speaker 1: Why would I be?
• 6:55
  Speaker 2: No, you love Mason too, And you know what they
• 7:00
  Speaker 2: should do is full study on why humans lose their
• 7:06
  Speaker 2: in the most offensive moments.
• 7:08
  Speaker 4: Yeah, because it's like laugh now and that laugh love
• 7:11
  Speaker 4: laugh love laugh.
• 7:12
  Speaker 2: I've got the giggles in times where it's like it's
• 7:14
  Speaker 2: really inappropriate and I'm talking like, no, I can't even
• 7:19
  Speaker 2: say it.
• 7:20
  Speaker 1: I can't.
• 7:21
  Speaker 2: I can't even say what I've lost It at supposed
• 7:24
  Speaker 2: to be like really offensive but not, you know, someone
• 7:27
  Speaker 2: passing away offensive.
• 7:30
  Speaker 1: But I'm like, well that and I'm.
• 7:31
  Speaker 2: You know, you know, I'm out here like I swear,
• 7:34
  Speaker 2: I'm not that kind of person.
• 7:35
  Speaker 1: I've just got the giggles.
• 7:36
  Speaker 2: So when was the time you've lost at eight two
• 7:39
  Speaker 2: double eight hundred and four flavor the more inappropriate? Maybe
• 7:43
  Speaker 2: I'll share one. When have you got the giggles? And
• 7:48
  Speaker 2: inappropriate time? I did over the weekend at the wedding,
• 7:52
  Speaker 2: during the heartfelt moment of one of the bridesmaid's speeches,
• 7:56
  Speaker 2: I've decided that I misheard what she said, and so
• 8:00
  Speaker 2: I started and I couldn't stop. I had to close
• 8:02
  Speaker 2: my eyes, and for some reason, the floor feels safer
• 8:05
  Speaker 2: in those moments. So I just duck down and got low,
• 8:08
  Speaker 2: got lo.
• 8:09
  Speaker 4: Go lo, go low here on the text, and we
• 8:11
  Speaker 4: were talking about inappropriate places you've lost it, you know,
• 8:14
  Speaker 4: I just got the giggles here on the text.
• 8:17
  Speaker 1: Well, if you're mildy, you'll relate.
• 8:19
  Speaker 4: You know, when a contwer does the cordor the last
• 8:21
  Speaker 4: quarter or a tonguey and they always have to clear
• 8:24
  Speaker 4: their throat, for example ten.
• 8:26
  Speaker 1: Con, they're no go.
• 8:32
  Speaker 4: Every second word he coughed, and I couldn't stop laughing like,
• 8:36
  Speaker 4: oh wait, I got it in the car on the
• 8:40
  Speaker 4: way home.
• 8:43
  Speaker 3: That's the worst thing when like some people are not
• 8:45
  Speaker 3: mindful when they're like clearing, especially when okay, so when
• 8:49
  Speaker 3: people come to do speeches and you already know the
• 8:52
  Speaker 3: mic'es on, but then they're like their brothers are like, yeah,
• 8:57
  Speaker 3: I'm like bro the mice a double O.
• 9:01
  Speaker 2: Saying I completely lost it during grace one night and
• 9:05
  Speaker 2: ended up with no dinner. Now do it or how
• 9:10
  Speaker 2: about I just lose it every single time that one
• 9:11
  Speaker 2: of my mates haests to say a speech. I don't
• 9:13
  Speaker 2: know what it is about seeing one of the bros
• 9:15
  Speaker 2: get up and have to do public speaking just so funny.
• 9:19
  Speaker 1: I've seen that. Yeah, different of that who shut up?
• 9:23
  Speaker 1: You know you're trying to act like a googo object.
• 9:26
  Speaker 2: And they're like, oh, you know, shout out to the family.
• 9:29
  Speaker 2: You're not even that guy a serious one. They can
• 9:33
  Speaker 2: serious gay.
• 9:38
  Speaker 1: Stays. Azora and Charlie tip off mysteries hop about mystery.
• 9:47
  Speaker 4: Today we look at a song that was number one
• 9:50
  Speaker 4: for three weeks in New Zealand in nineteen ninety one.
• 9:54
  Speaker 4: It was a year of great tracks. This one, Father MC,
• 9:57
  Speaker 4: I'll do for you What Excukes.
• 9:59
  Speaker 1: Me Like You Went to Know but Born Fell? And
• 10:02
  Speaker 1: What Normal More featuring Mary J.
• 10:04
  Speaker 4: Blige and this song as you hear it now is
• 10:06
  Speaker 4: a sample of Sheryl Lynn's song got to Be Real.
• 10:13
  Speaker 1: You can hear it from Real?
• 10:15
  Speaker 3: Right?
• 10:17
  Speaker 1: Yeah?
• 10:18
  Speaker 4: So Father m C real name Timothy Brown was It
• 10:23
  Speaker 4: was a big hit at that time. In his debut
• 10:25
  Speaker 4: album was called Father's Day Get It in nineteen ninety.
• 10:28
  Speaker 4: Then he had another album two years after his debut,
• 10:32
  Speaker 4: close to You.
• 10:33
  Speaker 3: Now.
• 10:33
  Speaker 4: The thing about this song I'll Do for You is
• 10:36
  Speaker 4: the version that we Know and made number one is
• 10:38
  Speaker 4: actually a remix with Mary J. Blige on it. It
• 10:41
  Speaker 4: was supposed to have another singer on it the original version.
• 10:45
  Speaker 3: David Hallister was on the original and then next so
• 10:49
  Speaker 3: you know, they just took Dave off and he made
• 10:52
  Speaker 3: the one with Mary.
• 10:53
  Speaker 1: Jay on We got you know I'll Do for You
• 10:56
  Speaker 1: And it was crazy because it worked.
• 10:57
  Speaker 4: It worked, it worked, and that's why it became the
• 11:00
  Speaker 4: single that was released. And now if you're think of
• 11:01
  Speaker 4: David Holster, how do I know that name? Well, he's
• 11:04
  Speaker 4: from Black Street and he did actually have a solo
• 11:06
  Speaker 4: career as well, with songs like keep Loving You, but.
• 11:15
  Speaker 1: They went for the version with Mary J. Blige, and
• 11:18
  Speaker 1: we know who Mary J. Blige beg came.
• 11:20
  Speaker 4: But the thing was, she was signed to Uptown Records
• 11:23
  Speaker 4: at the age of eighteen and she was booked as
• 11:27
  Speaker 4: a backup vocalist for Father MC. And they actually made
• 11:31
  Speaker 4: another song together and she sometimes, you know, we jump
• 11:34
  Speaker 4: out on stage with him, like she did in Summer
• 11:37
  Speaker 4: Jam nineteen ninety two, just sing one night Stand with
• 11:40
  Speaker 4: him on a.
• 11:42
  Speaker 3: Stage, very clad, very clad.
• 11:57
  Speaker 4: Outlaying it a very young Mary J. Blige and Father EMC.
• 12:05
  Speaker 4: He's still going. He's still touring. You can find him
• 12:07
  Speaker 4: on Instagram if you really want to sort of doing
• 12:10
  Speaker 4: some low key that he's make it sound high key
• 12:13
  Speaker 4: kind of things. I mean, he's a Grammy nominated, multi
• 12:15
  Speaker 4: platinum artist, rappers, song of writer, producer, also introduce the
• 12:19
  Speaker 4: will to Joe Toese, So he's probably doing all right.
• 12:21
  Speaker 4: But this was a great track, and now we know
• 12:23
  Speaker 4: a little bit more about the fact that it was
• 12:25
  Speaker 4: actually a remix. It is I'll do for you Father
• 12:28
  Speaker 4: MC and Mary J.
• 12:29
  Speaker 1: Blige.
• 12:30
  Speaker 4: That's your hip up mystery, because if you don't.
• 12:32
  Speaker 1: Know, now you know, all right, hear me out.
• 12:35
  Speaker 3: This is a I don't know if this is just
• 12:38
  Speaker 3: my own personal POV on this whole thing or maybe
• 12:41
  Speaker 3: a guys, because you guys want to explain this to
• 12:44
  Speaker 3: you guys yesterday you guys had a different perspective on this.
• 12:48
  Speaker 1: Just ask your question. You don't understand why. I don't
• 12:51
  Speaker 1: understand why. Okay, And.
• 12:54
  Speaker 3: When I make an effort to get an outfit, first
• 12:58
  Speaker 3: thing I asked myself is this.
• 13:00
  Speaker 1: I wonder if anyone else is going to wear this?
• 13:02
  Speaker 3: Right, like, if it's his shirt, pants, shoes or whatever,
• 13:05
  Speaker 3: I try and go like exclusive.
• 13:08
  Speaker 1: That's just me thinking to myself, right, okay, But you
• 13:10
  Speaker 1: don't understand why. But I don't understand why. I don't.
• 13:14
  Speaker 3: I dislike the fact that I would walk into a
• 13:18
  Speaker 3: room or to wherever I'm playing, specially festivals, and I
• 13:21
  Speaker 3: could spot somebody wearing the same shirt, shorts or whatever
• 13:26
  Speaker 3: it is shoes like me.
• 13:27
  Speaker 1: It just puts me off. Please get into a bad mood.
• 13:30
  Speaker 1: It puts me into it like, oh, bro.
• 13:33
  Speaker 4: Right, So this hard thing of yeah I stole my look.
• 13:36
  Speaker 4: You feel that too, you guys. You go that guy
• 13:39
  Speaker 4: that bro stole my look? Yeah, it's not so much
• 13:41
  Speaker 4: that that he stole my look. But I'm just like,
• 13:43
  Speaker 4: I failed in this department. Yes, you know what I mean.
• 13:46
  Speaker 2: I'm like, that's what it is, That's what the feeling is.
• 13:48
  Speaker 2: I don't care if someone's wearing the same effort. Clearly
• 13:51
  Speaker 2: they have tastes.
• 13:52
  Speaker 3: Yeah, And I built myself up when I got into
• 13:55
  Speaker 3: the store. I'm like, nah, surely no one's got this,
• 13:57
  Speaker 3: you know what I mean. But it's why you're disappointed
• 14:00
  Speaker 3: because you've created that expectation.
• 14:02
  Speaker 2: You've gone into a store trying to find something that,
• 14:05
  Speaker 2: quote your words, no one else is going to be wearing.
• 14:09
  Speaker 2: So when you do see someone wearing the outfit, you're disappointed.
• 14:12
  Speaker 2: That's why you should get rid of those expectations. But
• 14:14
  Speaker 2: it's a very real feeling. I didn't realize men felt
• 14:17
  Speaker 2: like that.
• 14:17
  Speaker 3: But I get to a point where I'm just like,
• 14:19
  Speaker 3: I need to get out of this top right now.
• 14:21
  Speaker 3: Like actually, honest, no life not nowhere of a lie
• 14:24
  Speaker 3: hand or not. I'm like, bro, do I have a
• 14:26
  Speaker 3: T shirt in the car?
• 14:27
  Speaker 1: Do I have? Just really? Yeah?
• 14:30
  Speaker 4: But what shops are going to I mean, the thing
• 14:33
  Speaker 4: is for kings, yeah, you know other people are going
• 14:35
  Speaker 4: to have them.
• 14:36
  Speaker 3: Yeah, And it's not flash shops to be honest, because like,
• 14:40
  Speaker 3: I'd rather just go like plainless to like this sort
• 14:43
  Speaker 3: of which.
• 14:43
  Speaker 1: Is fine, but you can't expect to then be exclusive.
• 14:47
  Speaker 2: Yeah, how can you be upset if oh my gosh,
• 14:49
  Speaker 2: there's another dude wearing a white shirt.
• 14:50
  Speaker 4: What the heck this guy is wearing the Helenstein's outfit
• 14:54
  Speaker 4: I'm wearing, Yeah.
• 14:55
  Speaker 2: You know, before Eating and Fierce. It's funny. I went
• 14:58
  Speaker 2: into Culture Kings to look for an outfit. I turned
• 15:01
  Speaker 2: my butt back around because I realized that everyone was
• 15:04
  Speaker 2: going there before Eating Fist because they've got that really
• 15:06
  Speaker 2: good streetwear, you know, and that was the vibe of
• 15:10
  Speaker 2: that festival, and I was like, idiot, everyone's going to
• 15:12
  Speaker 2: be wearing the same thing.
• 15:13
  Speaker 4: That's why I go, you know, design a wardrobe, design
• 15:16
  Speaker 4: and recycle, you know, like second hand, no line. I
• 15:19
  Speaker 4: can't handle the shops. I'm useless in the shops, but
• 15:21
  Speaker 4: I can handle it online.
• 15:23
  Speaker 2: Well sometimes for a festival, if you haven't had time
• 15:25
  Speaker 2: to order something online, put something together you've already got.
• 15:29
  Speaker 1: I'll tell you right now.
• 15:30
  Speaker 2: Wow, this is break there is Well, people think I
• 15:33
  Speaker 2: need something, you need something new, Well, guess what, You're
• 15:35
  Speaker 2: not going to find someone in the same outfit if
• 15:37
  Speaker 2: you're wearing something from five years ago.
• 15:38
  Speaker 1: Now, that's why it's the truth. You're right, it is,
• 15:41
  Speaker 1: you're right, But I think it.
• 15:43
  Speaker 3: Is why it's safer for a lot of people just
• 15:45
  Speaker 3: to like go buy material in their own That's not
• 15:50
  Speaker 3: that's not reasonable.
• 15:51
  Speaker 1: People don't do that. I'm just saying, man, okay, you do.
• 15:54
  Speaker 2: That, then next time you're on stage, how about you
• 15:56
  Speaker 2: make your own outfit.
• 15:57
  Speaker 4: And we're just like here, I'd like to put out
• 16:00
  Speaker 4: the irony. I remember when you got that shit that
• 16:02
  Speaker 4: you're wearing right now, Charlie. You bought it because Scotti
• 16:04
  Speaker 4: had one similar and you're like, I want to look
• 16:06
  Speaker 4: like that.
• 16:06
  Speaker 1: I know you stole his look, I know, but like
• 16:08
  Speaker 1: he wears it better. But it's just we're still hear baby,
• 16:12
  Speaker 1: You'll get.
• 16:12
  Speaker 2: There one day, barony, irony, your muscles will grow one day, broke.
• 16:17
  Speaker 1: I saw a.
• 16:18
  Speaker 4: Very funny meme the other day of a dad who
• 16:22
  Speaker 4: sheares the text from his teenagers, and one of them is,
• 16:27
  Speaker 4: what is the name of that thing with the Jesus
• 16:29
  Speaker 4: action figures?
• 16:31
  Speaker 1: Figure out what she's talking about?
• 16:32
  Speaker 4: What is the name of that thing with the Jesus
• 16:35
  Speaker 4: co action figures?
• 16:36
  Speaker 2: The setup of the Birth of Jesus.
• 16:40
  Speaker 1: What's it called. I'm Bethlehem. Yeah, what's it called? You
• 16:43
  Speaker 1: should know that? Jesus action figures? She was calling that. Wait,
• 16:46
  Speaker 1: what's it called?
• 16:47
  Speaker 2: You know?
• 16:47
  Speaker 1: And so set up and they do plays, they do
• 16:49
  Speaker 1: plays on it. Yeah, what about it? What's it called?
• 16:52
  Speaker 1: I don't know?
• 16:53
  Speaker 2: I know.
• 16:54
  Speaker 4: Hey, you you are the most church going of all
• 16:57
  Speaker 4: of us.
• 16:57
  Speaker 1: You need to know this. He was in a barn, right,
• 17:00
  Speaker 1: what's it called? Oh my gosh, Nativity play? Yes, Nativity scene?
• 17:04
  Speaker 1: How did I get there before you?
• 17:06
  Speaker 3: Bro?
• 17:06
  Speaker 1: Yeah, that's not in the Bible. Well then what is it?
• 17:10
  Speaker 1: And how does everyone know about it? That is the
• 17:12
  Speaker 1: thing about Christmas.
• 17:14
  Speaker 4: There's some stuff that you go, Wow, maybe I don't
• 17:16
  Speaker 4: know that because I didn't do religious education.
• 17:17
  Speaker 1: How come you don't know it? And I went to
• 17:20
  Speaker 1: a Catholic school. Yes, the Nativity scene. Nativity scene, all
• 17:25
  Speaker 1: kids are, right, Bro, you've got to start going back
• 17:27
  Speaker 1: to church. Yeah, yeah, exactly.
• 17:29
  Speaker 4: And you know, and then Nativity play the best role
• 17:32
  Speaker 4: as the lobster.
• 17:33
  Speaker 1: Everyone knows that the lobster.
• 17:35
  Speaker 2: You know what you know what's crazy is you know,
• 17:38
  Speaker 2: my papa, he was a pastor his entire life and
• 17:41
  Speaker 2: my grandmother. She ran the churches, did the accounts, you know,
• 17:45
  Speaker 2: did all the organizing, and that's how they traveled around
• 17:47
  Speaker 2: the country. My dad he was like there were three
• 17:51
  Speaker 2: boys and they always rebelled since they were, you know,
• 17:55
  Speaker 2: staying in and around churches, to the point that I
• 18:00
  Speaker 2: remember my father during grace. He used to always like
• 18:03
  Speaker 2: nudge us or eat something off his plate when my
• 18:06
  Speaker 2: Papa would be saying grace, which.
• 18:07
  Speaker 1: Is so naughty, Like that is so naughty.
• 18:11
  Speaker 2: But that's how I learned about Christmas and the Bible
• 18:15
  Speaker 2: and whatnot.
• 18:15
  Speaker 1: But he was old school man. My papa.
• 18:17
  Speaker 2: Well, clearly they're cooler now, you know, like pastors are
• 18:20
  Speaker 2: cooler now.
• 18:21
  Speaker 4: Sorry to my papa, but clearly you missed some points
• 18:24
  Speaker 4: because you didn't know that about the Jesus Action figures
• 18:26
  Speaker 4: being in the Nativity.
• 18:27
  Speaker 2: To be fear Jesus Action figures isn't really a lot
• 18:30
  Speaker 2: to go off.
• 18:31
  Speaker 1: Stace did the.
• 18:33
  Speaker 2: Jesus Action figures and she goes figure it out. Guys,
• 18:36
  Speaker 2: she's making it our He's the one they see figures
• 18:40
  Speaker 2: for you.
• 18:41
  Speaker 1: You're really talking about toys.
• 18:42
  Speaker 4: You no, no, no, all of those I'm coming to you,
• 18:46
  Speaker 4: Charlie if I need to know what a Christmas mess is,
• 18:48
  Speaker 4: you know, all those latest things you really should know.
• 18:50
  Speaker 1: You do better, do better? Why looking at me like that.
• 18:54
  Speaker 1: I hope your parents weren't listening.
• 18:56
  Speaker 3: Charlie Stace Azora and Charlie.
• 19:04
  Speaker 2: Boy, oh boy, I'm excited for this one. It was
• 19:07
  Speaker 2: the nineteen sixty where Farmers.
• 19:11
  Speaker 1: Put up the Giant Center. Oh my goodness, you mean
• 19:16
  Speaker 1: Farmers Trading Company, not just some farmer.
• 19:19
  Speaker 2: No, yeah, exactly, Farmers still in our you know, in
• 19:22
  Speaker 2: our hearts and our regions and city today. Well, yes,
• 19:27
  Speaker 2: the giant Santa was put in the front of the
• 19:28
  Speaker 2: building on the corner of Hobson Street and Wyndham Street
• 19:31
  Speaker 2: in Auckland. It was fiberglass and weighed five tons, standing
• 19:35
  Speaker 2: at a height of eighteen meters. Back then, it featured
• 19:40
  Speaker 2: a winking eye and a beckoning.
• 19:42
  Speaker 1: Finger which the finger would move.
• 19:46
  Speaker 2: The whole point of it was it was pointing down
• 19:48
  Speaker 2: to try and get people to go into the store
• 19:50
  Speaker 2: and too Farmers And it stood proudly, this giant, scary,
• 19:55
  Speaker 2: creepy Santa for thirty years. But in nineteen ninety the
• 20:00
  Speaker 2: store was put it for sale and so everyone was like.
• 20:02
  Speaker 1: Oh no, what's going to happen with center?
• 20:05
  Speaker 2: Well, the Farmers in Monaco Shopping City Center said, you.
• 20:10
  Speaker 1: Know what, we'll take it. We'll take will take him.
• 20:13
  Speaker 2: So from nineteen ninety one to nineteen ninety five, that's
• 20:16
  Speaker 2: where he lived.
• 20:19
  Speaker 1: We're about to I don't remember that.
• 20:21
  Speaker 2: Yeah, me too, get ready, get ready, this is a journey.
• 20:25
  Speaker 1: And then in nineteen ninety.
• 20:26
  Speaker 2: Six the shopping center decided, nah, we're not going to
• 20:29
  Speaker 2: put center up because.
• 20:31
  Speaker 1: He has a tetty appearance.
• 20:33
  Speaker 2: And it wasn't until nineteen ninety eight, when Santa had
• 20:37
  Speaker 2: been dormant, he'd been nowhere for two years, that a
• 20:40
  Speaker 2: marketing events consultant, Stephen Hanford, purchased Center from Farmers for
• 20:45
  Speaker 2: one dollar.
• 20:46
  Speaker 1: He brought it back to Auckland.
• 20:48
  Speaker 2: He also created a restoration project and put in forty
• 20:54
  Speaker 2: thousand dollars into getting it a paint job and removing
• 20:59
  Speaker 2: all the russ from the structure. Basically a BBL pretty
• 21:03
  Speaker 2: much pretty much. So, yep, he was back up in
• 21:07
  Speaker 2: an Auckland City the center, like on Queen.
• 21:09
  Speaker 4: Street, because I do remember him there. Yes, that was
• 21:12
  Speaker 4: nineteen ninety eight, was.
• 21:12
  Speaker 2: Ninety ninety eight. He was back up in Auckland Queen Street.
• 21:16
  Speaker 2: Get this, it carries on. So it wasn't until mister
• 21:21
  Speaker 2: Hanford who purchased the center. He actually moved over to
• 21:24
  Speaker 2: Australia in two thousand and three and then he handed
• 21:26
  Speaker 2: over ownership to the company. But in two thousand and
• 21:32
  Speaker 2: eight Wikels declared that they could no longer absorb Santa's
• 21:38
  Speaker 2: cost guys, because it had risen to fifty five thousand.
• 21:43
  Speaker 1: Dollars a year. He had to put him up and
• 21:45
  Speaker 1: all that and the storage of them as well.
• 21:47
  Speaker 2: So yeah, so between that nineteen ninety eight and two
• 21:49
  Speaker 2: thousand and three Wikells had Center, but they gave the
• 21:54
  Speaker 2: responsibility of center to the rate payers. In two thousand
• 21:58
  Speaker 2: and three, they did a bunch of what's it called poles.
• 22:04
  Speaker 1: To see do we just get rid of him?
• 22:05
  Speaker 2: Guys, Come on Auckland City, part of the city, you know,
• 22:07
  Speaker 2: do we get rid of him? Because he costs fifty
• 22:10
  Speaker 2: five thousand dollars for your class ship.
• 22:12
  Speaker 1: We guess what.
• 22:13
  Speaker 2: Twelve poles showed strong support and keeping Santa and that
• 22:17
  Speaker 2: he would be back in two thousand and nine. But
• 22:20
  Speaker 2: when it came back, he got a facelift.
• 22:22
  Speaker 5: When Santa started receiving hate mail, the council knew it
• 22:25
  Speaker 5: had to act.
• 22:26
  Speaker 1: The brief was, look, we don't want to lose the feel.
• 22:30
  Speaker 6: Of Santa, and everybody wants to keep him, but we'd
• 22:32
  Speaker 6: just like to make him look a little friendlier.
• 22:34
  Speaker 1: M So that they did.
• 22:36
  Speaker 2: He went another facelift of one hundred thousand dollars plus.
• 22:40
  Speaker 2: Oh this is for this makeover in two thousand and nine,
• 22:45
  Speaker 2: and he was unveiled in November. He had a more
• 22:48
  Speaker 2: friendly appearance, and you know, people were like, okay, cool,
• 22:51
  Speaker 2: this is fine.
• 22:52
  Speaker 1: We're happy with him.
• 22:54
  Speaker 2: And then, after nearly six decades on Queen Street, the
• 22:58
  Speaker 2: Giant Center was finally retired in twenty twenty because by
• 23:03
  Speaker 2: then the annual cost of his maintenance and sewage was
• 23:08
  Speaker 2: more than two hundred thousand dollars.
• 23:12
  Speaker 5: We made a really difficult decision last year. We know
• 23:15
  Speaker 5: that people love Center, and we love Center actually, but
• 23:18
  Speaker 5: he was getting tired and weary and the practicality of
• 23:22
  Speaker 5: keeping the tradition and legacy alive was becoming more and
• 23:26
  Speaker 5: more difficult.
• 23:27
  Speaker 2: So from two thousand and nine, rate payers, we're paying
• 23:29
  Speaker 2: that cost of Center. Well, I voted for that two
• 23:32
  Speaker 2: hunred thousand dollars a year.
• 23:34
  Speaker 3: A facelift as the botoxes everything. Man, But if you
• 23:38
  Speaker 3: do Malone.
• 23:39
  Speaker 2: Oftenest with this, you can still find the giant creepy centa.
• 23:43
  Speaker 2: He's gone into retirement in Warnuka's National Transport and Toy Museum.
• 23:48
  Speaker 2: What a junior from nineteen sixty? How much it cost
• 23:51
  Speaker 2: to get him down there in the mountain.
• 23:53
  Speaker 1: I don't want to know. Weird.
• 23:54
  Speaker 2: I don't want to know it's weird, But it's now over.
• 23:57
  Speaker 2: From nineteen sixty to twenty twenty was his lifespan, so
• 24:01
  Speaker 2: we remember that time.
• 24:03
  Speaker 3: So tomorrow we are releasing any single three Houses Down
• 24:08
  Speaker 3: featuring a boy.
• 24:09
  Speaker 1: Canan Canaan, Canaan. Yeah.
• 24:13
  Speaker 3: So he's produced this treck And the funny thing is
• 24:16
  Speaker 3: how music comes about.
• 24:18
  Speaker 1: It's magical.
• 24:19
  Speaker 3: Like if he attempted this to me in a state
• 24:21
  Speaker 3: where I wasn't really bothered to get into a studio
• 24:25
  Speaker 3: and record this, I think it will take like maybe
• 24:27
  Speaker 3: a year to get together and put.
• 24:30
  Speaker 1: The song together, you know what I mean?
• 24:32
  Speaker 3: Like, but I think that the time frame that we
• 24:37
  Speaker 3: by putting the song together was like maybe within like
• 24:39
  Speaker 3: an hour.
• 24:40
  Speaker 4: Why why just because of availability.
• 24:43
  Speaker 1: Or one availability and.
• 24:47
  Speaker 3: Because the maybe the state that wasn't you mean the
• 24:51
  Speaker 3: vibes well yeah, yeah, yeah, the vibes were good. But
• 24:54
  Speaker 3: then you know, the inspiration comes to you when you're
• 24:56
  Speaker 3: in a certain place.
• 24:59
  Speaker 2: You know, did I say, Okay, I know what you're
• 25:03
  Speaker 2: trying to say. You're saying you know, whenever you get
• 25:07
  Speaker 2: feelings said the fuses to say it for what it is,
• 25:11
  Speaker 2: bro stop beating around the bush. So we have a
• 25:14
  Speaker 2: little bit of a teaser, which I feel very blessed,
• 25:16
  Speaker 2: very lucky, and can we play a little bit play
• 25:21
  Speaker 2: it because this isn't out too tomorrow?
• 25:22
  Speaker 1: What time?
• 25:23
  Speaker 3: Oh wow, first thing in the morning to okay, okay.
• 25:28
  Speaker 3: The song's called I Love You for Life.
• 25:32
  Speaker 1: We light my dark skid.
• 25:37
  Speaker 7: I love you because everything is around worries side. Were
• 25:47
  Speaker 7: a baby right by your burnie between I.
• 25:52
  Speaker 1: Love You for Life?
• 25:54
  Speaker 2: So is gimified just in the video or is he
• 25:58
  Speaker 2: actually singing on this song?
• 26:00
  Speaker 1: Nah, he's don't have been seeing him if he were.
• 26:02
  Speaker 3: Well, he's just he's on the video and he's dressed
• 26:05
  Speaker 3: up in the tongue and wedding clothes, you know, so
• 26:08
  Speaker 3: like because it looks like it's his wedding. Yeah, well,
• 26:10
  Speaker 3: we tease it like as it feels getting married, And
• 26:12
  Speaker 3: there were a lot of people who message in like
• 26:15
  Speaker 3: what not what what's happening?
• 26:16
  Speaker 1: Is he getting married?
• 26:17
  Speaker 4: Who do No? I see what you did here. You
• 26:21
  Speaker 4: created a song that people are going to play it
• 26:23
  Speaker 4: their wedding.
• 26:24
  Speaker 1: Yeah, yeah, you got it.
• 26:25
  Speaker 2: N you got it, especially coming into summer wedding season
• 26:30
  Speaker 2: as well. Love you for Life, coming out tonight, Proud
• 26:33
  Speaker 2: of you, Charlie, you love a long time.
• 26:35
  Speaker 4: Finally mean you're in a state like where you guys
• 26:37
  Speaker 4: drunk or what?
• 26:38
  Speaker 3: Oh no, it was just like you know what, man,
• 26:42
  Speaker 3: love needs to be in the air. Okay, this is
• 26:44
  Speaker 3: the season.
• 26:45
  Speaker 1: This is the season. I love song like when Adele
• 26:48
  Speaker 1: does it?
• 26:49
  Speaker 3: Yeah in the toilet the.
• 26:55
  Speaker 1: Latest celebrity goss from around the world, Wave a breakfast,
• 26:59
  Speaker 1: Oh m god, oh much.
• 27:01
  Speaker 4: Apple Music has released the list of its top played
• 27:06
  Speaker 4: songs in the Top selling Song of the Year for
• 27:09
  Speaker 4: America Kendrick Leman not like us, they not like us.
• 27:14
  Speaker 1: They not like us, They not like us, they not
• 27:18
  Speaker 1: like us. I mean surprise, surprise, good song now Yeah.
• 27:21
  Speaker 1: Top Songs of twenty twenty four.
• 27:24
  Speaker 4: It was you know, it's basically it's one a lot
• 27:27
  Speaker 4: of things, so Yeah, it's gonna be a big Top
• 27:30
  Speaker 4: Songs of twenty twenty four, so not like us. Beautiful
• 27:32
  Speaker 4: Things by Benson Boone. Espresso by Your Girls Sabrina Kaben
• 27:35
  Speaker 4: is number three and number four a bar song Tipsy.
• 27:38
  Speaker 2: So I want to take it to a place of
• 27:41
  Speaker 2: jay Z. Jay Z he was actually showing love number
• 27:43
  Speaker 2: sixteen from the Billboard Top Pop Stars of the Century.
• 27:48
  Speaker 2: So Jay, do you guys remember us talking about the
• 27:52
  Speaker 2: exhibition that he had in Brooklyn. So that started in
• 27:55
  Speaker 2: July last year and it's lasted all the way up
• 27:57
  Speaker 2: until this year, recently closed it down. And what was
• 28:01
  Speaker 2: in this exhibition, Well, it had original recording masters, never
• 28:05
  Speaker 2: seen before photos, iconic stage where and the Book of
• 28:10
  Speaker 2: Hove was in there as well. That's what they called
• 28:13
  Speaker 2: it as well. So they've turned that into an actual book.
• 28:17
  Speaker 2: That way, if you weren't able to go to the exhibition,
• 28:20
  Speaker 2: there've catalog everything that was in that museum. So I
• 28:24
  Speaker 2: would assume it's kind of probably a Christmas idea because
• 28:27
  Speaker 2: you would get a book the Book of Hove and
• 28:31
  Speaker 2: it would have those iconic stage things, recording original master
• 28:35
  Speaker 2: it would be a lot of.
• 28:36
  Speaker 3: People will buy that book because it's like, you know,
• 28:38
  Speaker 3: he's full of inspiration. Remember when people were like, would
• 28:41
  Speaker 3: you take five hundred thousand or have a lunch date
• 28:44
  Speaker 3: or dinner date with.
• 28:45
  Speaker 4: Yeah, with jay Z jay Z the book. So there's
• 28:49
  Speaker 4: a couple of different price points. The classic versions one
• 28:52
  Speaker 4: hundred and twenty backs. The ultimate version is two thousand.
• 28:56
  Speaker 1: Yeah. Oh my gosh.
• 28:58
  Speaker 4: Well I'm talking about though for the coffee table book, Well,
• 29:02
  Speaker 4: for us that would be a lot more.
• 29:05
  Speaker 2: That's us saying. Then the shipping a to get things
• 29:07
  Speaker 2: from the US young hole that is. I mean, I'm curious.
• 29:14
  Speaker 2: Is it a weird thing to be noisier about celebrity children.
• 29:18
  Speaker 4: Well, it's come up this week because Martin Lawrence's daughter
• 29:23
  Speaker 4: is marrying Eddie Murphy's son. So they were in Boomerang together,
• 29:27
  Speaker 4: they're in movie Life together. Apparently they're actually met through
• 29:31
  Speaker 4: an uncle.
• 29:33
  Speaker 1: That's what Jasmine says.
• 29:33
  Speaker 4: Her uncle actually introduced her to Eric Murphy, who's Eddie
• 29:37
  Speaker 4: murphy son. By the way, Eddie Murphy, why you call
• 29:39
  Speaker 4: your kid Eric Murphy? I don't know, might just go
• 29:41
  Speaker 4: the whole hog and call him junior or something like Eric.
• 29:44
  Speaker 4: Is it's like a tem version of Eddie or something,
• 29:46
  Speaker 4: you know what I mean in that context. So, yeah,
• 29:50
  Speaker 4: there's a couple of celebrity children that have got together,
• 29:54
  Speaker 4: I guess because they're kind of in the same scene.
• 29:57
  Speaker 4: And Jasmine and Eric the latest ones to get there.
• 30:02
  Speaker 4: But you've got also quite a few really see Miley
• 30:08
  Speaker 4: Cyrus she went out with Patrick's What's Sneaker for a while.
• 30:12
  Speaker 1: I don't even know that.
• 30:14
  Speaker 4: Yes, so Miley Cyrus is obviously second generation because her
• 30:17
  Speaker 4: dad was also as also famous Billy Ray. And so
• 30:23
  Speaker 4: before she got back together with her ex Liam Hens,
• 30:25
  Speaker 4: she went out with Patrick for a bit. Kendall Jenna, well,
• 30:30
  Speaker 4: there's quite a few people there, but also went out
• 30:33
  Speaker 4: with Anwa Hadid as an the younger brother of Gig
• 30:39
  Speaker 4: and Bella Hadid.
• 30:40
  Speaker 1: Oh, yes, that's right. Yeah.
• 30:42
  Speaker 4: And then also I don't know, those Kardashian sisters all
• 30:45
  Speaker 4: seemed to.
• 30:46
  Speaker 1: Go up the same with everyone.
• 30:47
  Speaker 4: You can basically predict who they're going to go out with.
• 30:50
  Speaker 1: You.
• 30:51
  Speaker 4: You also have Phil Collins, daughter married the son of
• 30:55
  Speaker 4: actors some famous actors, Mary Steenbergen and Malcolm mc dow.
• 31:00
  Speaker 4: You know, I guess they sort of see each other around.
• 31:03
  Speaker 2: Well, I would assume is a lot of them would
• 31:05
  Speaker 2: probably go to similar schools because there has to be
• 31:09
  Speaker 2: schools out there for one hundred celebrities, you know, that
• 31:11
  Speaker 2: way that they're around people that they can relate to.
• 31:16
  Speaker 1: I don't know how they're all being rich together. I
• 31:20
  Speaker 1: guess rich next do you?
• 31:21
  Speaker 3: I think the appearances hawked them up, like hey, hey, listen,
• 31:25
  Speaker 3: you need to go out with so and so.
• 31:27
  Speaker 1: You know what I mean? Do they play well? What
• 31:32
  Speaker 1: I do know?
• 31:32
  Speaker 4: Well, they couldn't in this case because the daughter of
• 31:34
  Speaker 4: Courtney Love and Kirk Cobaine, she is with Tony Hawk's son.
• 31:40
  Speaker 1: What a skateboarder? Yeah? What, Well, that's.
• 31:44
  Speaker 2: Like when Sophia Richie, Lionel Richie's daughter was dating Scopts.
• 31:48
  Speaker 1: I was like, you know, the one that.
• 31:50
  Speaker 2: Was with court circles are also to exactly and they
• 31:54
  Speaker 2: all I've seen a few of them, you know, lenk up.
• 31:58
  Speaker 2: Shall we say you know to DiCaprio. DiCaprio, Well, he's
• 32:02
  Speaker 2: been with just anyone, because.
• 32:03
  Speaker 4: You The thing is is that in New Zealand sometimes
• 32:05
  Speaker 4: you go, oh my gosh, everyone you know, everyone knows,
• 32:07
  Speaker 4: everyone in the circles is so tired.
• 32:08
  Speaker 1: It's like, oh, you used to go out with so
• 32:09
  Speaker 1: and so now so and so is it really so
• 32:11
  Speaker 1: different Hollywood standard? We compare in New Zealand to Hollywood.
• 32:15
  Speaker 1: It's pretty much the same. It's the same damn thing. Guys.
• 32:19
  Speaker 4: Hey, I've got really good news about Mikey two Pies.
• 32:22
  Speaker 4: So there was a story out a couple of weeks
• 32:26
  Speaker 4: ago that they were going to liquidation, and I was like, no,
• 32:29
  Speaker 4: you know, I love markets a really important place to us,
• 32:33
  Speaker 4: and worrying about the jobs because there's twenty employees there,
• 32:36
  Speaker 4: and true, there's a lot of people.
• 32:38
  Speaker 1: There's not market too.
• 32:39
  Speaker 4: Yeah, there's not many jobs there at all, and market
• 32:43
  Speaker 4: two pies and Makets two pies that people love. And
• 32:45
  Speaker 4: so a a catering business called Montana Group is taking
• 32:52
  Speaker 4: over the brand and the twenty employees.
• 32:54
  Speaker 3: Ah, that's so good man. It's time this time of
• 33:00
  Speaker 3: the year. It's very important that you know people still
• 33:03
  Speaker 3: have something.
• 33:05
  Speaker 1: Yeah, yeah, thanks for saying that, Charlie. If you know
• 33:07
  Speaker 1: what I just I realized what you said.
• 33:11
  Speaker 3: This is why you should think, Yeah, I have a
• 33:16
  Speaker 3: job to next Friday.
• 33:17
  Speaker 6: Come on, I honestly know. Please talk more about this
• 33:27
  Speaker 6: off the record. You'll be able to hear it at
• 33:31
  Speaker 6: midday today and it's all free.
• 33:33
  Speaker 1: You can teach pod to eight doublow Charlie.
• 33:38
  Speaker 2: Just go to iHeart Radio listen to our podcast okay, okay,
• 33:41
  Speaker 2: we'll see to
• 33:43
  Speaker 3: Want to hear more of Stacy and Charlie, catch the
• 33:45
  Speaker 3: weekday Mornings from Sex, or try the Off the Record
• 33:49
  Speaker 3: podcast