Latest / Movie Meltdown / 190: Captain Starcrash and the Beauty Queen from Mars

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190: Captain Starcrash and the Beauty Queen from Mars · Movie Meltdown

• 0:09
  Speaker 1: Hello, this is Caroline Munro and you're listening to Movie Meltdown.
• 0:21
  Speaker 2: The following feature has been rated R by the Motion
• 0:24
  Speaker 2: Picture Association of America. It is intended for mature audiences
• 0:27
  Speaker 2: and parental discretion is advised.
• 0:39
  Speaker 3: It's showtime, folks.
• 0:42
  Speaker 4: Enjoy the show.
• 0:45
  Speaker 5: Our nuclear reactor pumping out one million kilowatts of power.
• 1:20
  Speaker 4: They bought their tickets.
• 1:22
  Speaker 6: They knew what they were getting into.
• 1:25
  Speaker 5: I say, let them crash.
• 1:32
  Speaker 7: Way down among Brazilians, coffee beans grow by the billions.
• 1:37
  Speaker 8: So they've got to find those extra cups to fill.
• 1:41
  Speaker 7: They got an awful lot of coffee in Brazil.
• 1:47
  Speaker 8: What's up and welcome to Movie Meltdown. I'm Brian.
• 1:49
  Speaker 9: I'm Ben.
• 1:50
  Speaker 10: I'm Erin.
• 1:51
  Speaker 5: I'm Greg.
• 1:52
  Speaker 11: I'm Marlena.
• 1:53
  Speaker 12: I'm Beau. I'm Fred.
• 1:55
  Speaker 8: And we are back with another exciting adventure of The
• 1:58
  Speaker 8: Caffeinated Movie Geek.
• 1:59
  Speaker 5: Cappuccino on my butt.
• 2:00
  Speaker 4: I still drink coffee.
• 2:03
  Speaker 3: The last fucking thing you need is another cup of coffee.
• 2:06
  Speaker 5: It's time for The Caffeinated Movie Geek.
• 2:10
  Speaker 3: Woohoo!
• 2:11
  Speaker 8: We are coming to you live via digital recording from
• 2:13
  Speaker 8: Nancy's Bagel Grounds, where we will get together, drink too
• 2:16
  Speaker 8: much coffee, and start getting kind of silly, obviously. So,
• 2:23
  Speaker 8: with that, we'll see.
• 2:23
  Speaker 12: How is that funny?
• 2:24
  Speaker 3: I don't know.
• 2:26
  Speaker 5: He's always asking for some kind of noise during the call.
• 2:29
  Speaker 8: Not at the wrong place. It's too late. You already
• 2:32
  Speaker 8: missed that one.
• 2:32
  Speaker 12: It's like a joke in church. The very fact that
• 2:34
  Speaker 12: you're not supposed to laugh at that moment makes it
• 2:36
  Speaker 12: so damn funny.
• 2:37
  Speaker 5: Interrupting Cal. Woo-hoo! I've had too much coffee, so.
• 2:44
  Speaker 8: Well, this will be a good test on your memory. So, Erin,
• 2:47
  Speaker 8: I ask you, what blend of coffee are we drinking
• 2:50
  Speaker 8: this week?
• 2:51
  Speaker 9: Pacific Blacktail?
• 2:54
  Speaker 8: Good! Way to pull it out.
• 2:56
  Speaker 6: All right.
• 2:57
  Speaker 8: It is, in fact, Pacific Blacktail. Come on, have it.
• 3:00
  Speaker 8: I'm going to enjoy some now.
• 3:02
  Speaker 5: We established that that's a fish.
• 3:03
  Speaker 4: Is that right?
• 3:04
  Speaker 8: I still say it's a deer.
• 3:06
  Speaker 3: Oh, okay.
• 3:06
  Speaker 8: It's a deer. You guys don't believe me.
• 3:09
  Speaker 5: I was just going to say that there's a fish
• 3:11
  Speaker 5: in the percolator.
• 3:11
  Speaker 8: Everybody else thinks it's a fish and they want to
• 3:13
  Speaker 8: put it in their percolator, which sounds kind of inappropriate.
• 3:16
  Speaker 8: But speaking of fish.
• 3:18
  Speaker 6: If you move that deer out of the way, put
• 3:20
  Speaker 6: that in my percolator.
• 3:21
  Speaker 8: Speaking of fish and inappropriate things, I'll do a quick
• 3:26
  Speaker 8: one-off geek activity here. And it ties into this week's movie.
• 3:30
  Speaker 8: I watched Piranha Double D.
• 3:33
  Speaker 2: Yeah.
• 3:34
  Speaker 8: I knew what I was getting myself into.
• 3:35
  Speaker 9: It already got released?
• 3:37
  Speaker 12: Oh yeah, it's on DVD already. Apparently it just got
• 3:39
  Speaker 12: dropped in the Redbox from the sky.
• 3:41
  Speaker 9: Immediately. Here you go.
• 3:43
  Speaker 8: They were not messing around.
• 3:44
  Speaker 9: A present from God.
• 3:45
  Speaker 8: Because that was my thing. I was like, how the
• 3:46
  Speaker 8: hell is this here already? It was just in the
• 3:49
  Speaker 8: theater like a week and a half ago.
• 3:50
  Speaker 5: I think movies don't actually exist outside of Redbox. I
• 3:54
  Speaker 5: think they're completely produced in them.
• 3:56
  Speaker 8: They might be. There's a lot of computer stuff now.
• 4:00
  Speaker 8: It might all be going on in that box.
• 4:01
  Speaker 1: I don't know.
• 4:02
  Speaker 13: Yeah, they can crank out those fake Madagascar and fake
• 4:07
  Speaker 13: Brave movies faster than they can complete the previews for
• 4:10
  Speaker 13: the real ones.
• 4:10
  Speaker 8: That's true. As soon as you turn around, there's another,
• 4:13
  Speaker 8: there's some sort of knockoff movie that's only available at
• 4:17
  Speaker 8: Redbox now.
• 4:17
  Speaker 12: I have high expectations for Piranha 3DD. I hope I'm
• 4:20
  Speaker 12: not going to be disappointed.
• 4:21
  Speaker 8: I just saw Double E because I was at home,
• 4:23
  Speaker 8: so there was no 3 involved. But, well, that's the thing.
• 4:26
  Speaker 8: I'd already, like, as soon as it came out, which
• 4:29
  Speaker 8: was that only week that you could have talked about it,
• 4:31
  Speaker 8: because then it was already a red box. But that week, like,
• 4:33
  Speaker 8: it got so much bad press that I just went
• 4:37
  Speaker 8: in going, this is, like, I mean, like, unwatchable kind of,
• 4:40
  Speaker 8: you know, comments. So I was just like, I was
• 4:42
  Speaker 8: expecting it to be so bad. And I'm like... I
• 4:45
  Speaker 8: get in there, I'm like, this is just a bad
• 4:47
  Speaker 8: horror movie. Like, it's like pretty much all of these
• 4:50
  Speaker 8: bad horror movies. I mean, it's the same as the
• 4:52
  Speaker 8: first one. It knows what kind of bad horror movie
• 4:54
  Speaker 8: it is, and it's playing with that, and it's making
• 4:57
  Speaker 8: fun of, you know, the fact that it's already a
• 4:59
  Speaker 8: knockoff of a movie that really didn't take itself all
• 5:01
  Speaker 8: that seriously to begin with. So it's, Yeah, I mean,
• 5:05
  Speaker 8: if you're looking for something that's equally as much comedy
• 5:08
  Speaker 8: as horror, this is probably for you. Well, that's good.
• 5:11
  Speaker 12: I mean, the trailer in and of itself, I mean,
• 5:13
  Speaker 12: you see that Ving Rhames has shotguns for legs. I'm like,
• 5:16
  Speaker 12: all right, I mean, I can buy into this.
• 5:18
  Speaker 8: That's the thing. They had to pull out, like, how
• 5:20
  Speaker 8: many people could we kind of explain that we could
• 5:23
  Speaker 8: get back, even though we thought they were dead last time?
• 5:26
  Speaker 8: Because there's a couple of characters that they're like, well,
• 5:28
  Speaker 8: we didn't see him die, so we're going to bring
• 5:30
  Speaker 8: him back in the sequel.
• 5:31
  Speaker 12: I mean, Christopher Lloyd, that's the first thing he's done
• 5:34
  Speaker 12: in forever is those films, and he steals the scene.
• 5:37
  Speaker 12: I mean, he's chewing the scenery more than the piranhas
• 5:39
  Speaker 12: are when he's gone.
• 5:40
  Speaker 8: He's back, not to spoil it for you. Speaking of
• 5:44
  Speaker 8: the cameos, that's what steals this movie. It almost runs
• 5:49
  Speaker 8: away with it in a bad way.
• 5:50
  Speaker 12: The Hasselhoff.
• 5:51
  Speaker 8: That Hasselhoff. Which, I mean, that's not really a spoiler,
• 5:55
  Speaker 8: because I heard he was in it from the beginning. But,
• 5:58
  Speaker 8: if you don't want to ruin the end of Spirana
• 6:00
  Speaker 8: Double D, yeah, turn it off for a minute. He's, like,
• 6:04
  Speaker 8: the joke doesn't stop. In the beginning, it's kind of fun,
• 6:08
  Speaker 8: because it shows you how self-aware he is of What
• 6:12
  Speaker 8: a joke he's kind of become. Like, and he's sort
• 6:14
  Speaker 8: of playing with that in the beginning. Like, he's in
• 6:17
  Speaker 8: a motel, and he's still writing one of his bad songs.
• 6:20
  Speaker 8: And he's like, he gets to the thing, and he
• 6:22
  Speaker 8: says something to the effect of, oh, God, how desperate
• 6:24
  Speaker 8: am I? You know, he makes some sort of comment
• 6:26
  Speaker 8: to that. So he's acknowledging the level of stardom he's
• 6:29
  Speaker 8: fallen to. And then, like, but it doesn't stop. Like,
• 6:33
  Speaker 8: he gets in there, and it's like they just keep
• 6:35
  Speaker 8: beating these Hasselhoff jokes to death. And by the end, like, there's, like,
• 6:40
  Speaker 8: multiple endings of Hasselhoff jokes. Like, it continues on. As
• 6:44
  Speaker 8: the credits go on, they do several alternate joke endings
• 6:48
  Speaker 8: of Hasselhoff. And I'm just like, okay, we get it.
• 6:50
  Speaker 8: We think he's funny for a minute, but not anymore. So, yeah,
• 6:55
  Speaker 8: maybe that's it. Maybe just a little Hasselhoff goes a
• 6:57
  Speaker 8: long way because, yeah, it's too much by the end
• 7:01
  Speaker 8: of it, but. Other than that, I didn't hate it.
• 7:04
  Speaker 8: I mean, if you want a stupid movie, this is
• 7:06
  Speaker 8: your movie. It doesn't pretend to be anything else.
• 7:10
  Speaker 9: So it's like Pieces. It's exactly what you think it is.
• 7:14
  Speaker 9: My favorite.
• 7:15
  Speaker 8: Stolen straight from the trailer there. But, yeah, you've got
• 7:19
  Speaker 8: to respect movies that do that.
• 7:20
  Speaker 4: Yeah, that's how it is.
• 7:21
  Speaker 14: Yeah.
• 7:23
  Speaker 9: I mean, any film to where it's self-aware, I mean,
• 7:25
  Speaker 9: I very much like.
• 7:27
  Speaker 4: Yeah.
• 7:28
  Speaker 8: Well, that middle line of self-aware but not winking at
• 7:31
  Speaker 8: the camera.
• 7:32
  Speaker 12: Yeah, yeah, yeah. Very much, yeah.
• 7:35
  Speaker 8: Yeah, that's okay. It can go too far, as this
• 7:38
  Speaker 8: one kind of seems to, at least with that joke.
• 7:40
  Speaker 8: The rest of it is tolerable, but it just beat
• 7:43
  Speaker 8: that to death. On that note, we'll get back to
• 7:47
  Speaker 8: that actor in a minute here. So we will take
• 7:50
  Speaker 8: a break and be back with this week's movie.
• 7:52
  Speaker 3: Woo! Woo!
• 8:12
  Speaker 12: So are the.
• 8:12
  Speaker 15: Stars in the sky Singing goodnight to the setting sun
• 8:24
  Speaker 15: That's when.
• 8:24
  Speaker 16: My world comes alive I am the Night.
• 8:30
  Speaker 3: Rocker I wanna rock you all.
• 8:32
  Speaker 8: Night long I am.
• 8:35
  Speaker 16: The Night Rocker I want to love you with my soul.
• 8:41
  Speaker 16: It's a sweet lullaby.
• 8:43
  Speaker 9: And I know you want to fly.
• 8:46
  Speaker 16: So come, let's fly away. I am a night rocker.
• 8:59
  Speaker 7: When you're on a picnic, hot dogs are mighty good
• 9:01
  Speaker 7: this way. But when you're here at the theater, hot
• 9:04
  Speaker 7: dogs are at their best. We start with the choicest franks.
• 9:07
  Speaker 7: Cook them until they're just right. Make available your favorite
• 9:10
  Speaker 7: seasonings and leave the rest to you.
• 9:13
  Speaker 8: Everyone likes our hot dogs.
• 9:15
  Speaker 7: Why not get one for everyone right now?
• 9:17
  Speaker 2: All his life, he only cared about one thing.
• 9:20
  Speaker 14: Himself.
• 9:21
  Speaker 2: But now, the best hotshot pilot in the galaxy was
• 9:25
  Speaker 2: playing babysitter to an old man, a green kid, two robots,
• 9:30
  Speaker 2: and a princess. Han Solo really had his hands full.
• 9:34
  Speaker 2: Han Solo is back. Star Wars is back. Star Wars.
• 9:39
  Speaker 2: Rated PG. Parental guidance suggested.
• 9:46
  Speaker 5: Tweet Audio.
• 9:47
  Speaker 4: Your source for high-performance, noise-reducing earbuds. Available in three styles
• 9:52
  Speaker 4: and seven colors, durable and designed to sound great for
• 9:55
  Speaker 4: both music and those chatty podcasts, like the one you're
• 9:58
  Speaker 4: listening to now. Tweaked Audio earbuds come with a one-year warranty,
• 10:02
  Speaker 4: and now there's a special deal for Movie Meltdown listeners.
• 10:05
  Speaker 4: Just go to tweakedaudio.com, and when you check out, enter
• 10:08
  Speaker 4: the discount code MELTDOWN. Then you'll get 33% off and
• 10:11
  Speaker 4: free shipping. Tweaked Audio. Sounds better.
• 10:18
  Speaker 17: I made it for $ 30, 000 in two days and a night.
• 10:31
  Speaker 9: This is Roger Corman, and you're listening to Movie Meltdown.
• 10:34
  Speaker 16: It's time for Sofa Theater. Sofa Theater.
• 10:49
  Speaker 17: Is split into two warring factions, our own and the
• 10:55
  Speaker 17: one ruled by the evil Count Zarzan from the League
• 11:00
  Speaker 17: of the Dark Worlds. The Count has created a weapon,
• 11:05
  Speaker 17: a weapon so vast, so huge, that it would take
• 11:09
  Speaker 17: a whole planet to conceal it. You must sail through
• 11:15
  Speaker 17: the haunted stars, find accounts, secret, planet, and destroy it.
• 11:31
  Speaker 10: From dusk till dawn You don't miss a kiss till
• 11:38
  Speaker 10: it's gone So just hold on You don't have forever
• 11:47
  Speaker 10: for long I don't need to tell you what you
• 11:51
  Speaker 10: already know.
• 11:52
  Speaker 16: I don't want to say.
• 11:55
  Speaker 10: What my lips want to show My heart's like dynamite,
• 12:00
  Speaker 10: ready to blow.
• 12:03
  Speaker 16: Until the stars come crashing down. Until the earth spins
• 12:10
  Speaker 16: halfway round. Until the sunlight hits the ground. Baby, you
• 12:17
  Speaker 16: should know I won't let you go.
• 12:22
  Speaker 10: Until the stars crash down.
• 12:25
  Speaker 8: Alright, welcome back to Movie Meltdown Sofa Theater. This week's
• 12:28
  Speaker 8: Sofa Theater feature is Star Crash. The year is 1978,
• 12:33
  Speaker 8: which is arguable depending on where you look at it,
• 12:35
  Speaker 8: but I believe it was actually released in 78. The director,
• 12:40
  Speaker 8: Luigi Cozzi, I believe is how he says it, or again,
• 12:44
  Speaker 8: if you watch the movie, Lewis Coates is his Americanized
• 12:47
  Speaker 8: cover name. I don't know why he needs a stage
• 12:49
  Speaker 8: name as a director, but whatever. I guess people hated
• 12:52
  Speaker 8: to work with Italians. I don't know. The plot, according
• 12:56
  Speaker 8: to IMDb, and this is almost as bad as it gets,
• 13:00
  Speaker 8: For IMDb, and that's saying a lot. Epic action in
• 13:04
  Speaker 8: outer space when the good guy set out to track
• 13:06
  Speaker 8: the evil Count's secret weapon.
• 13:09
  Speaker 9: That's not even a sentence.
• 13:10
  Speaker 8: They were five years old, right?
• 13:11
  Speaker 3: Right.
• 13:12
  Speaker 8: Because there's no excuse for a grown-up to have written that.
• 13:14
  Speaker 9: Right.
• 13:15
  Speaker 5: The bad guys and the good guys.
• 13:18
  Speaker 8: And in the middle, I expect it to go, and
• 13:20
  Speaker 8: then pew, pew.
• 13:21
  Speaker 5: But it does.
• 13:24
  Speaker 8: It does in the movie. I mean, in the description,
• 13:26
  Speaker 8: I expect them to work in the sound effects. It's
• 13:29
  Speaker 8: that badly pieced together. So with that, spoiler alert, because, yeah,
• 13:33
  Speaker 8: we're going to ruin this. And it's, It's an epic
• 13:35
  Speaker 8: action in outer space.
• 13:37
  Speaker 12: Can we ruin it?
• 13:38
  Speaker 5: Right.
• 13:38
  Speaker 9: I think we can.
• 13:39
  Speaker 5: Maybe that description's perfect.
• 13:41
  Speaker 8: I think we can, and we probably will.
• 13:44
  Speaker 17: Right.
• 13:45
  Speaker 8: But before we get to our thoughts, it's time for
• 13:48
  Speaker 8: one from the vaults. And with that, I thought I
• 13:50
  Speaker 8: would share with you. Go ahead and get the props
• 13:52
  Speaker 8: out here. I would let you all partake in my
• 13:55
  Speaker 8: official Stella Star autographed photo here.
• 13:58
  Speaker 3: Oh, wow.
• 13:59
  Speaker 8: So if you want, I can leave that there for
• 14:00
  Speaker 8: you to gaze upon her the entire episode.
• 14:03
  Speaker 4: Sure.
• 14:05
  Speaker 12: Caroline monroe was still hot she is she she.
• 14:08
  Speaker 8: Has held up amazingly well yeah and was ridiculously nice
• 14:11
  Speaker 8: so i have to give her credit.
• 14:13
  Speaker 5: Well she has access to a uh a vehicle that
• 14:17
  Speaker 5: can stop time so maybe she's so.
• 14:20
  Speaker 12: Did the emperor in the movie.
• 14:22
  Speaker 8: She might have tapped in a little of that i
• 14:24
  Speaker 8: suppose so with that yeah we we did sit down
• 14:28
  Speaker 8: and talk to caroline monroe and we're going to get
• 14:30
  Speaker 8: her take on uh stella star and um star crash
• 14:33
  Speaker 8: as a whole here so We'll see what Caroline has
• 14:36
  Speaker 8: to say.
• 14:36
  Speaker 18: You did Star Crash, which is pretty interesting. I've just
• 14:46
  Speaker 18: been recently watching it again, and it's so likable.
• 14:50
  Speaker 2: It's likable.
• 14:51
  Speaker 16: What a good word.
• 14:52
  Speaker 8: Yeah, there's so much fun going on. How did you
• 14:54
  Speaker 8: end up in that?
• 14:56
  Speaker 1: That was Luigi.
• 14:57
  Speaker 6: It's Luigi.
• 14:58
  Speaker 1: He knew, he loved Ray's work, Ray Harryhausen's work.
• 15:02
  Speaker 3: And....
• 15:04
  Speaker 1: I think he'd seen some of my work, but I
• 15:06
  Speaker 1: think he liked the thought of the combination of me
• 15:09
  Speaker 1: having worked with Ray on his special effect films and
• 15:15
  Speaker 1: some of my work that I think I was cast
• 15:18
  Speaker 1: as Dennis Day.
• 15:18
  Speaker 8: He kept sort of playing the character around you more?
• 15:21
  Speaker 1: I think so, yes, which is wonderful, really.
• 15:24
  Speaker 6: Very, very lucky.
• 15:26
  Speaker 1: She was a character.
• 15:27
  Speaker 8: She was just.
• 15:29
  Speaker 1: You just had to go for it. I mean, in
• 15:31
  Speaker 1: every way. And, of course, then we had David Hasselhoff,
• 15:35
  Speaker 1: Christopher Plummer, who bought the heavyweight acting, serious stuff, who
• 15:40
  Speaker 1: was wonderful, wonderful. And then they had the rest of us.
• 15:46
  Speaker 8: How about the costuming for you?
• 15:48
  Speaker 5: How much fun was that?
• 15:50
  Speaker 1: Well, the costuming is.
• 15:53
  Speaker 8: Or lack thereof.
• 15:54
  Speaker 1: The lack of. I was quite surprised when I'd I
• 15:59
  Speaker 1: read the script. Luigi had called me, you know, said
• 16:02
  Speaker 1: I'm very interested. Let's see the script, read the script,
• 16:05
  Speaker 1: like the script. Came over, he said, oh, we're going
• 16:08
  Speaker 1: to do the costume fittings first. I thought, wonderful. Space pilot,
• 16:12
  Speaker 1: I'll wear, you know, the 2001, I'll wear all the
• 16:16
  Speaker 1: serious stuff. So I get to the place, and there's...
• 16:20
  Speaker 1: A leather bikini. There was a strip. He said, I said,
• 16:27
  Speaker 1: this is your costume, can I? This is your costume.
• 16:30
  Speaker 5: I said, oh, great.
• 16:31
  Speaker 1: I'll put that on under the, you know, under the suit.
• 16:34
  Speaker 1: He looked at me and said, he said, what'd you say?
• 16:38
  Speaker 1: I said, I'll put that on under the suit and then,
• 16:40
  Speaker 1: you know, that's fine. He said, no, no, that is
• 16:43
  Speaker 1: the suit.
• 16:44
  Speaker 5: I said, okay.
• 16:46
  Speaker 1: So we use lots of what you call toupee tape.
• 16:49
  Speaker 1: What do you call toupee tape?
• 16:51
  Speaker 11: Yeah.
• 16:52
  Speaker 9: Or double-sided.
• 16:53
  Speaker 3: Yeah.
• 16:54
  Speaker 1: Yes, and I think there's one or two mishaps, but
• 16:57
  Speaker 1: I don't know. I'm sure there must have been. So
• 17:00
  Speaker 1: there I was, still a star.
• 17:02
  Speaker 8: Wasn't it like platform heels running around through space?
• 17:05
  Speaker 1: Well, I did wear tiny... No, actually, no.
• 17:08
  Speaker 14: No, no.
• 17:09
  Speaker 1: No, there was tiny little heels. And then for certain
• 17:12
  Speaker 1: scenes they had... Because I had a lot of running
• 17:15
  Speaker 1: and stuff. So for certain scenes the boots were flat.
• 17:19
  Speaker 1: But they were long thigh boots, but with little heels,
• 17:23
  Speaker 1: if you noticed. Hardly any heels. No, I couldn't have
• 17:26
  Speaker 1: done it.
• 17:26
  Speaker 8: Can you imagine that?
• 17:27
  Speaker 1: I think Barbarella did that. Jane Fonda, I think she
• 17:31
  Speaker 1: did it in platforms, but no. It sort.
• 17:36
  Speaker 12: Of has a Barbarella look about it.
• 17:40
  Speaker 13: Yeah, that's what I thought. Very Barbarella.
• 17:43
  Speaker 6: All the costumes had a kind of ubiquitous space wedgie
• 17:46
  Speaker 6: thing going on.
• 17:47
  Speaker 2: Right.
• 17:49
  Speaker 6: They all sort of had that extended wedgie V Vulcan something.
• 17:57
  Speaker 12: Well, that was the whole thing is when David Hasselhoff's
• 17:59
  Speaker 12: character was fighting the, I can't even remember the character's
• 18:03
  Speaker 12: name now, the fellow with the shaved head, you know,
• 18:06
  Speaker 12: the alien. I just noticed as they were fighting, of
• 18:09
  Speaker 12: all things, I was like, the whole back of that
• 18:11
  Speaker 12: costume zips up. And then I got to thinking on
• 18:14
  Speaker 12: a day-to-day basis, what a pain in the ass to like,
• 18:17
  Speaker 12: Be in some sort of uniform to where you have
• 18:20
  Speaker 12: to reach and try to zip up all the way
• 18:23
  Speaker 12: from the butt to the neck.
• 18:25
  Speaker 8: He gets his green bald girlfriend. Can you zip me up, honey?
• 18:28
  Speaker 8: Isn't that how you do it in those situations?
• 18:31
  Speaker 5: I mean, they're stuck in space forever.
• 18:32
  Speaker 9: I guess the robot does it for him.
• 18:34
  Speaker 4: Right.
• 18:36
  Speaker 13: As she said, he was a girl's best friend or
• 18:40
  Speaker 13: something like that.
• 18:43
  Speaker 6: So obviously we've already rolled.
• 18:46
  Speaker 8: Into it here. So yeah, thank you to Caroline. Now
• 18:49
  Speaker 8: let's get into our thoughts. So I'd say where do
• 18:52
  Speaker 8: you want to begin? But I mean, you get the
• 18:54
  Speaker 8: overhead ship shot. I mean, the first shot you get
• 18:58
  Speaker 8: is stolen from Star Wars.
• 18:59
  Speaker 9: I feel like this movie was like everything they used
• 19:03
  Speaker 9: was like scraps or leftover props and like sets from
• 19:07
  Speaker 9: Star Wars that Lucas didn't want to use. And they
• 19:10
  Speaker 9: just like... I don't.
• 19:11
  Speaker 8: Think they look that good. I'm sorry.
• 19:13
  Speaker 6: Yeah, I don't know. My feeling about it was that
• 19:16
  Speaker 6: it was so cynical, it was innocent. It didn't even
• 19:20
  Speaker 6: know what cynical was.
• 19:22
  Speaker 19: Yeah.
• 19:22
  Speaker 6: Kind of like the early Beatles, you know?
• 19:25
  Speaker 5: And I remember like.
• 19:26
  Speaker 6: Paul thought back on it and he said, I guess
• 19:29
  Speaker 6: all of our early songs were basically written to our
• 19:32
  Speaker 6: fans and essentially said, please buy this record.
• 19:36
  Speaker 3: Yeah.
• 19:37
  Speaker 12: It's like, yeah.
• 19:38
  Speaker 8: That sounds about right.
• 19:40
  Speaker 6: It's so cynical that it's innocent.
• 19:44
  Speaker 12: I felt there were moments about it that were endearing
• 19:47
  Speaker 12: in and of themselves.
• 19:48
  Speaker 8: I think there were a lot of them.
• 19:51
  Speaker 9: I think that if 2001 made you feel like you
• 19:56
  Speaker 9: were in space, this movie made you feel like you
• 19:58
  Speaker 9: were in someone's basement or something.
• 20:01
  Speaker 8: But it's an awesome basement.
• 20:03
  Speaker 9: Yes, it's an awesome basement. It's a very crazy awesome
• 20:07
  Speaker 9: basement with Cool stop-motion robots and things.
• 20:11
  Speaker 8: And really good weed.
• 20:14
  Speaker 5: That's right.
• 20:14
  Speaker 12: Yeah, because I've never seen space that colorful in any movie.
• 20:17
  Speaker 9: It was like Christmas space.
• 20:18
  Speaker 6: Yeah, the colors in there.
• 20:19
  Speaker 5: That was the better part of the whole movie.
• 20:21
  Speaker 9: It's very inspired.
• 20:22
  Speaker 5: Charming color sensibility.
• 20:24
  Speaker 9: Art direction for space. I really do. He did that
• 20:27
  Speaker 9: on purpose.
• 20:28
  Speaker 8: I mean, he actually... I mean, he shot it in Technicolor.
• 20:30
  Speaker 8: He dusted off the technology it used to make that,
• 20:34
  Speaker 8: I guess, because if you look, it's actually used in
• 20:36
  Speaker 8: part of the process. And that's what it... Which, this
• 20:39
  Speaker 8: is why I almost give him credit. I mean, for
• 20:41
  Speaker 8: as much as wrong with this movie, like, it's the
• 20:44
  Speaker 8: same thing with all of those. With anybody who really
• 20:47
  Speaker 8: kind of loves what they're making, I mean, it's like he...
• 20:51
  Speaker 8: really wanted to make a good movie in his mind.
• 20:53
  Speaker 8: It's that Ed Wood thing. This is the greatest thing ever.
• 20:56
  Speaker 8: And again, being inspired by much better movies. He's looking
• 21:01
  Speaker 8: at all the old sci-fi from the 50s and Forbidden Planet.
• 21:05
  Speaker 8: Look at those colors. And he was looking at that going,
• 21:07
  Speaker 8: I want that. I want that in my movie. And
• 21:10
  Speaker 8: he's trying to do it. You're just... You're like, oh,
• 21:13
  Speaker 8: look at you trying to make a sci-fi movie.
• 21:16
  Speaker 12: It's very much like that. You can almost imagine just
• 21:18
  Speaker 12: him sitting in there opening day of Star Wars like, oh,
• 21:21
  Speaker 12: this is so cool. I want to make a movie now.
• 21:24
  Speaker 12: And then that's what happened. I don't think it was
• 21:27
  Speaker 12: a malicious attempt to ride the coattails of Star Wars.
• 21:31
  Speaker 12: I think it was just, you know, just what I
• 21:35
  Speaker 12: took from it is it was the person who was
• 21:36
  Speaker 12: so awestruck with it. It's just like, I want to
• 21:38
  Speaker 12: make a movie like that.
• 21:39
  Speaker 4: Sure.
• 21:40
  Speaker 5: I thought it was some of those bands, those garage
• 21:45
  Speaker 5: bands in the early 90s that might have listened to
• 21:49
  Speaker 5: Pearl Jam or Nirvana and said, I can do that.
• 21:51
  Speaker 8: I want to be that.
• 21:52
  Speaker 5: And then you get the crap of 96 through 98, 96, 98.
• 21:58
  Speaker 5: That's kind of what you... And I don't want to
• 22:00
  Speaker 5: call this crap, but it is on obviously a lower level. Now,
• 22:05
  Speaker 5: I got a different feel from it, though. I kind
• 22:08
  Speaker 5: of thought... Because I thought the Barbarella thing, I thought
• 22:11
  Speaker 5: it was like your dad had this awesome Barbarella Star
• 22:17
  Speaker 5: Wars porn. and then your mom found it and made
• 22:20
  Speaker 5: him edit out all the sex.
• 22:23
  Speaker 6: I had the exact thought that it was like porn
• 22:26
  Speaker 6: without the sex.
• 22:26
  Speaker 8: Without the sex, exactly.
• 22:27
  Speaker 5: I thought the same, yeah.
• 22:29
  Speaker 11: I expect her to be sentenced to be like a
• 22:31
  Speaker 11: sex slave.
• 22:31
  Speaker 8: Right.
• 22:32
  Speaker 9: I mean, when they go on the plane with like
• 22:34
  Speaker 9: all the ladies who I, it looked like, what's her name? Oh, who,
• 22:36
  Speaker 9: was that a famous actress who played like the leader
• 22:38
  Speaker 9: of the woman plant?
• 22:40
  Speaker 8: Not that I.
• 22:41
  Speaker 2: Heard of her.
• 22:41
  Speaker 12: What's her name?
• 22:42
  Speaker 5: She looked familiar.
• 22:42
  Speaker 12: I heart Huckabees. Um, Are you talking about Lily Tomlin?
• 22:46
  Speaker 9: I thought it was like a young... No, seriously. No,
• 22:49
  Speaker 9: for a split second, I was like, is that Lily Tomlin?
• 22:52
  Speaker 9: Because she's really hot. She was really hot. Because she
• 22:55
  Speaker 9: sounded like Lily Tomlin. I was like, that can't be her.
• 22:58
  Speaker 8: She'd be okay on a lesbian play.
• 22:59
  Speaker 12: The weird thing is, I looked up on IMDb, and
• 23:02
  Speaker 12: I was looking at all the credits, and of all
• 23:05
  Speaker 12: the odd credits, Hamilton Camp dubbed that character... The voice
• 23:11
  Speaker 12: of Gizmoduck from DuckTales dubbed the woman you're talking about
• 23:16
  Speaker 12: in the English version.
• 23:18
  Speaker 4: Wow.
• 23:19
  Speaker 9: So obscure.
• 23:20
  Speaker 8: Well, I mean, you were talking about watching Star Wars
• 23:23
  Speaker 8: and being taken with it. Now, if you want to
• 23:26
  Speaker 8: go with Luigi's story, again, this is how he's telling
• 23:29
  Speaker 8: it years later, is that he already had this big
• 23:32
  Speaker 8: sci-fi project together. and was trying to sell it, and
• 23:36
  Speaker 8: the guy was like, no, I don't want anything to
• 23:38
  Speaker 8: do with this. Not a chance in hell. And, like,
• 23:40
  Speaker 8: a few months later, Star Wars opens up, and the
• 23:44
  Speaker 8: guy calls him back, and he's like, hey, remember that movie?
• 23:47
  Speaker 8: So then suddenly they buy it. I think there's maybe
• 23:50
  Speaker 8: somewhere in the middle that's true. I think maybe he
• 23:52
  Speaker 8: had a sci-fi story, and then they started adding in
• 23:55
  Speaker 8: all this knockoff Star Wars stuff once they saw it.
• 23:58
  Speaker 12: And that might have been the Roger Corman thing, too.
• 24:00
  Speaker 12: He's like, why don't you put some of this in
• 24:02
  Speaker 12: so that way it helps sell it a little bit more.
• 24:05
  Speaker 8: I thought maybe he bought it after the fact.
• 24:07
  Speaker 5: After it was already made.
• 24:08
  Speaker 3: I don't know.
• 24:08
  Speaker 8: I think that's what it sounded like. It's like the
• 24:10
  Speaker 8: original company that finished it with the guy watched it
• 24:14
  Speaker 8: and didn't want anything to do with it and dropped it,
• 24:16
  Speaker 8: and New World picked it up and was like, Roger's like,
• 24:18
  Speaker 8: I don't care. This looks great.
• 24:20
  Speaker 16: It was awesome.
• 24:21
  Speaker 8: In fact, I'm going to make Battle Beyond the Stars now.
• 24:23
  Speaker 5: Wouldn't you love to sit and watch a movie with him? Because,
• 24:27
  Speaker 5: especially a movie that was undiscovered and it was something
• 24:30
  Speaker 5: like this, and just to watch his expression like, this
• 24:32
  Speaker 5: is it. This is what I want.
• 24:34
  Speaker 9: This is my favorite part.
• 24:35
  Speaker 5: Right. I would love, that would be like a bucket
• 24:38
  Speaker 5: list kind of thing.
• 24:39
  Speaker 9: Oh, yeah.
• 24:40
  Speaker 5: Sit and watch a movie with him.
• 24:41
  Speaker 12: That's, I really, I met him a couple years ago
• 24:44
  Speaker 12: at Fright Night Film Fest and there's a guy to where, hey,
• 24:47
  Speaker 12: I was just kind of sad and you go there
• 24:48
  Speaker 12: and You've got these giant lines for the new Jason
• 24:52
  Speaker 12: and these obscure zombies from Dawn of the Dead. And
• 24:55
  Speaker 12: here's Roger Corman sitting there, just tumbleweeds blowing by his table.
• 24:59
  Speaker 12: And I come in and I'm just like, ah.
• 25:02
  Speaker 8: It was kind of sad.
• 25:03
  Speaker 2: Yeah.
• 25:04
  Speaker 17: Right.
• 25:04
  Speaker 12: But you could tell that he just loves every project
• 25:07
  Speaker 12: that he's done.
• 25:08
  Speaker 5: That's great.
• 25:09
  Speaker 8: And was amazingly talented. He gets so much... notoriety for
• 25:14
  Speaker 8: being sort of schlocky as a producer which he was
• 25:17
  Speaker 8: but like you go back and look at those things
• 25:19
  Speaker 8: he directed early yeah he's got a good eye i
• 25:22
  Speaker 8: mean he knew how to make a movie granted he
• 25:24
  Speaker 8: was also really good at getting him in under budget
• 25:27
  Speaker 8: but for what he was doing for what he was
• 25:29
  Speaker 8: dealing with i think he makes some some pretty decent
• 25:31
  Speaker 8: looking pictures for what he was trying to do and
• 25:34
  Speaker 8: what he was working.
• 25:35
  Speaker 3: With poor stella your escape efforts have been wasted okay
• 25:40
  Speaker 3: i've lost again Take me back to that hell of
• 25:44
  Speaker 3: a prison.
• 25:45
  Speaker 8: You don't understand.
• 25:46
  Speaker 3: We were sent to free you. Your sentence has been canceled.
• 25:49
  Speaker 3: Have you both gone mad? I only have logic and
• 25:52
  Speaker 3: emotion circuits. No room for craziness. We've only been assigned
• 25:55
  Speaker 3: to a top-secret Imperial mission. We must now leave and
• 25:57
  Speaker 3: set Acton free.
• 25:58
  Speaker 9: I did think the robot sort of C-3PO character... I
• 26:07
  Speaker 9: thought his southern accent was very charming. It actually kept
• 26:11
  Speaker 9: me going through the movie.
• 26:12
  Speaker 6: He was the cook on the western wagon thing.
• 26:16
  Speaker 8: That was that boy.
• 26:17
  Speaker 4: Yeah.
• 26:18
  Speaker 6: The guy who's the cook.
• 26:19
  Speaker 10: Yes.
• 26:20
  Speaker 8: He's cooking.
• 26:21
  Speaker 9: I'm wired for logic and emotion.
• 26:25
  Speaker 8: Got no room for crazy.
• 26:26
  Speaker 9: Yeah. He was telling her where they're stuck on the
• 26:31
  Speaker 9: snow planet and he tells her to lie down in
• 26:33
  Speaker 9: the snow and monitor your heart. And he says, like,
• 26:37
  Speaker 9: lay your head down. He says, like, lay your head down.
• 26:38
  Speaker 9: He's like, lay your head. And the way he said
• 26:40
  Speaker 9: head was so funny. I was just like, that's so cute.
• 26:43
  Speaker 9: Lay your head down.
• 26:44
  Speaker 12: I think the thing that cracked me up the most
• 26:45
  Speaker 12: about that scene, too, is when the snow starts piling
• 26:49
  Speaker 12: on them. It's like you can essentially see the footsteps.
• 26:51
  Speaker 5: Around the door.
• 26:52
  Speaker 12: People were like, dump some more snow on them. And
• 26:54
  Speaker 12: it ran out of shot.
• 26:55
  Speaker 9: And it's like, let's go back in and put more
• 26:57
  Speaker 9: on them. And it ran out of shot.
• 26:58
  Speaker 5: What I really appreciated is when they're warming her back up.
• 27:03
  Speaker 5: her hair is wet from the melting snow and then
• 27:06
  Speaker 5: all of a sudden she sits up and it's blown
• 27:07
  Speaker 5: dry and perfect.
• 27:09
  Speaker 8: The wonders of space.
• 27:11
  Speaker 5: It was beautiful.
• 27:12
  Speaker 13: One thing I thought was weird is like the robot
• 27:15
  Speaker 13: doesn't have room for crazy but he said something about
• 27:17
  Speaker 13: being nervous.
• 27:19
  Speaker 9: He's the nervous robot.
• 27:20
  Speaker 13: They programmed you to be nervous but you can't be crazy?
• 27:23
  Speaker 12: It's going to be like C-3PO somehow.
• 27:25
  Speaker 6: That's because he's also part the cowardly lion.
• 27:28
  Speaker 8: Yeah. He definitely is.
• 27:30
  Speaker 5: To her Dorothy.
• 27:31
  Speaker 8: Which again, Star Wars is kind of being known for
• 27:34
  Speaker 8: ripping off Wizard of Oz as well as many other movies. So,
• 27:38
  Speaker 8: I mean, that's just, yeah, it all kind of falls
• 27:40
  Speaker 8: in there.
• 27:40
  Speaker 6: But in a weirdly prescient way, he was also Bender.
• 27:44
  Speaker 8: He definitely was. But, I mean, to me, like the look,
• 27:47
  Speaker 8: I'm like, so you kind of stole the Darth Vader
• 27:49
  Speaker 8: look and took the personality of 3PO. and gave him
• 27:53
  Speaker 8: a weird texan accent or whatever the hell that accent
• 27:56
  Speaker 8: i don't know where it was from but yeah i
• 27:59
  Speaker 8: was just like it was because i mean you had
• 28:01
  Speaker 8: dressed all in black you had a weird black helmet
• 28:04
  Speaker 8: so i mean that's the closest thing we really get
• 28:05
  Speaker 8: because even our villain isn't really darth he's a little
• 28:08
  Speaker 8: more grandma of tarkin i guess and.
• 28:10
  Speaker 12: Also kind of wondered too with that robot like is
• 28:13
  Speaker 12: that the way it was originally written or if that
• 28:15
  Speaker 12: was something that was changed in like post-production since he
• 28:19
  Speaker 12: has to be dubbed anyway like they decided to do
• 28:21
  Speaker 12: sort of a last minute change of his lines like
• 28:24
  Speaker 12: maybe Carolyn really didn't know exactly what she was reacting to.
• 28:30
  Speaker 8: Like or there's a version in Italy somewhere where he
• 28:32
  Speaker 8: just sounds normal and he's not Yahoo and as.
• 28:36
  Speaker 5: He jumps that.
• 28:38
  Speaker 11: I thought it was really funny when, like, I think
• 28:40
  Speaker 11: it was when they were finding the third launch site.
• 28:43
  Speaker 11: He said something about chauvinism.
• 28:45
  Speaker 2: Yeah.
• 28:46
  Speaker 8: Robot chauvinism.
• 28:48
  Speaker 9: Robot chauvinism.
• 28:49
  Speaker 8: Robot chauvinism.
• 28:49
  Speaker 9: I thought that was very quotable. He said a lot
• 28:52
  Speaker 9: of defining one-liners. Like, can't keep a good robot down.
• 28:58
  Speaker 9: I'm like, that is true, sir.
• 29:00
  Speaker 8: Circuits, don't fail me now.
• 29:02
  Speaker 2: Yeah.
• 29:03
  Speaker 8: These are classics.
• 29:04
  Speaker 5: Come on, man.
• 29:05
  Speaker 3: Yeah.
• 29:06
  Speaker 8: Well, the rest of the crew there, I mean, is
• 29:11
  Speaker 8: it Acton? What is it? How do you even?
• 29:13
  Speaker 5: What is that guy? He was the most perplexing character.
• 29:16
  Speaker 8: Well, first of all, I was just like, that hair.
• 29:19
  Speaker 8: I'm like, to make a, I would say a dated reference,
• 29:21
  Speaker 8: but it's actually equal with this movie. He's just like
• 29:24
  Speaker 8: Willie Ames in space. It's just, why are you, for
• 29:27
  Speaker 8: God's sake, shave that down.
• 29:29
  Speaker 6: Yeah, what was that guy? He was kind of like a. Man,
• 29:33
  Speaker 6: I don't know what that dude was.
• 29:36
  Speaker 8: Well, he's like a mix, because they all, like you
• 29:38
  Speaker 8: start watching it, if you're going to, I mean, Stella's
• 29:40
  Speaker 8: obviously the Han Solo. I mean, she's the smuggler. She's
• 29:43
  Speaker 8: the cool one. She's also the pilot of the ship.
• 29:46
  Speaker 8: He's the navigator. So really, it's like they mixed him
• 29:51
  Speaker 8: with two characters, because he's the navigator, and if you
• 29:54
  Speaker 8: read on it, he was supposed to be this hideous creature,
• 29:57
  Speaker 8: but he wouldn't wear any makeup. He was a pissy bitch, obviously,
• 30:00
  Speaker 8: so he wouldn't get in the makeup. So really, he
• 30:02
  Speaker 8: was going to be a giant creature that was the
• 30:04
  Speaker 8: navigator of her ship. Isn't that chewy? I mean, isn't that...
• 30:08
  Speaker 8: But he also was pretty much chewy.
• 30:10
  Speaker 5: Calculating the logic of, we have this percent chance of...
• 30:13
  Speaker 5: And I thought, isn't that stolen? That is stolen, right?
• 30:17
  Speaker 12: From Star Wars.
• 30:18
  Speaker 5: Right, yeah.
• 30:18
  Speaker 8: But then they kind of steal the Luke storyline, because
• 30:22
  Speaker 8: then he becomes the one that kind of has the powers,
• 30:25
  Speaker 8: if you want to call it that.
• 30:26
  Speaker 13: Of course, yeah.
• 30:27
  Speaker 8: And he's got the lightsaber that they randomly bring up
• 30:30
  Speaker 8: out of nowhere.
• 30:31
  Speaker 5: You really can see the future.
• 30:33
  Speaker 8: They just jammed all these characters into one and gave.
• 30:36
  Speaker 3: It to him.
• 30:36
  Speaker 6: And then he's also kind of Michael Bolton.
• 30:40
  Speaker 9: Unfortunate. Yes.
• 30:43
  Speaker 13: Why?
• 30:44
  Speaker 8: Because he has no soul? Yeah, that's it. Exactly.
• 30:49
  Speaker 9: I thought it was strange how Stella, going through the
• 30:53
  Speaker 9: whole movie, wasn't phased or didn't seem to be like,
• 30:57
  Speaker 9: impressed by anything that was happening to her, anything that
• 31:01
  Speaker 9: was happening around her. But the scene where they go
• 31:04
  Speaker 9: in and see some computer, she's.
• 31:05
  Speaker 12: Like, wow!
• 31:07
  Speaker 5: These computers!
• 31:09
  Speaker 9: They can store memory! I'm just like, you just saw
• 31:13
  Speaker 9: David Hasselhoff just kick some alien's asses with the lightsaber.
• 31:19
  Speaker 9: And there's a southern accent robot, and you're impressed by this?
• 31:23
  Speaker 12: That was the only thing that.
• 31:24
  Speaker 8: They didn't have an internet.
• 31:25
  Speaker 9: Yeah, I guess so.
• 31:26
  Speaker 12: That perplexed me about this. I was like, all right, so...
• 31:29
  Speaker 12: And maybe I got confused on something here, so correct
• 31:32
  Speaker 12: me if I'm wrong, but the whole movie up until
• 31:35
  Speaker 12: that point was to find that planet where this weapon was,
• 31:39
  Speaker 12: but as soon as they found it, the Count shows up,
• 31:41
  Speaker 12: and he's like, I'm going to blow it up now.
• 31:42
  Speaker 12: I was like, wait, I.
• 31:44
  Speaker 1: Yeah.
• 31:45
  Speaker 5: Wait, what? You're blowing up.
• 31:46
  Speaker 12: I didn't understand.
• 31:47
  Speaker 5: It was a trap to get... Ah, see.
• 31:50
  Speaker 8: Pretty early on. It's the Admiral Ackbar moment. We gotta
• 31:56
  Speaker 8: have one of those.
• 31:57
  Speaker 3: All these power modules, what are they for? This is
• 32:00
  Speaker 3: the force that projected the red monsters into space. Then
• 32:04
  Speaker 3: this is the way they produced real monsters? No, not real.
• 32:08
  Speaker 3: The monsters never existed. These machines discharge metal projections of
• 32:13
  Speaker 3: monsters in our brains.
• 32:15
  Speaker 17: Incredible.
• 32:17
  Speaker 7: Images of monsters designed to drive men insane with fear.
• 32:20
  Speaker 3: With this kind of weapon, Count Xarth Arn can take
• 32:23
  Speaker 3: over the entire galaxy. But why didn't they finish us off?
• 32:26
  Speaker 3: When the red monsters were attacking us, suddenly they disappeared.
• 32:31
  Speaker 3: This machine controls how long the attack will last. It's
• 32:34
  Speaker 3: all done automatically. Programmed for a certain amount of time.
• 32:37
  Speaker 3: Usually the amount of time is enough to drive most
• 32:39
  Speaker 3: people insane. But we're not like most people.
• 32:42
  Speaker 8: Pretty early on I was just like that The exposition
• 32:46
  Speaker 8: in this thing. The minute and a half of rambling
• 32:50
  Speaker 8: on with techno mumbo jumbo with space thrown in front
• 32:53
  Speaker 8: of it. right yeah i mean it just goes on
• 32:56
  Speaker 8: forever and you're like i don't i don't care like
• 32:58
  Speaker 8: just stop just like don't.
• 33:00
  Speaker 9: Even bother it reminded me of like when i tried
• 33:02
  Speaker 9: to write a sci-fi short story when i was in
• 33:04
  Speaker 9: fifth grade and i i literally wrote like i was
• 33:07
  Speaker 9: like oh this is so cool like i thought it
• 33:09
  Speaker 9: was the best thing ever i was like and then
• 33:10
  Speaker 9: they go and they he picks up his laser phone
• 33:14
  Speaker 9: and the scene where she's like i think it's a
• 33:16
  Speaker 9: laser spear i'm like that's like me how when i
• 33:19
  Speaker 9: was writing those short stories and you must have been
• 33:21
  Speaker 9: just as excited as i was you wrote the plot
• 33:23
  Speaker 9: for this on imdb too yeah yeah and and somewhere
• 33:27
  Speaker 9: she set down that rifle ray yeah rifle ray wouldn't.
• 33:31
  Speaker 12: It be a ray rifle i don't know i remember
• 33:35
  Speaker 12: staring at the weapons laser spear Like, the weapons that
• 33:39
  Speaker 12: the Count's people are using, they have, like, the bat
• 33:41
  Speaker 12: wings on the side. I'm like, those are the most cumbersome,
• 33:43
  Speaker 12: impractical weapons I've ever seen. I mean, it's just, they'd
• 33:46
  Speaker 12: get entangled if you're near close quarters.
• 33:49
  Speaker 5: And what were the prisoners? That was the other thing.
• 33:52
  Speaker 5: They were like, hurry up, hurry up, hurry up. Dump
• 33:54
  Speaker 5: the uranium or whatever into the hole. And then they're like, okay,
• 33:57
  Speaker 5: now everybody take a break.
• 33:58
  Speaker 9: Yeah, five minute break. Like, what?
• 34:01
  Speaker 8: My favorite part of that whole thing was, like, we
• 34:04
  Speaker 8: get there and, like, And everybody in there is dressed
• 34:07
  Speaker 8: like a peasant from medieval times. Except for her, who's
• 34:11
  Speaker 8: magically wearing a leather bikini.
• 34:13
  Speaker 9: Where did that come from? She was not wearing that
• 34:15
  Speaker 9: in the opening scene. That is not explained at all.
• 34:18
  Speaker 9: It's just shamelessly there.
• 34:20
  Speaker 12: Why is she the only one?
• 34:21
  Speaker 9: Which is maybe the best way to handle that kind
• 34:24
  Speaker 9: of costume, I guess.
• 34:26
  Speaker 12: And that could have been explained so easily. Just have
• 34:29
  Speaker 12: a little five-second cutaway to where you... have the supervisor
• 34:33
  Speaker 12: for all the workers, and they're all working, and he's
• 34:36
  Speaker 12: just looking down at her. And then you would know
• 34:38
  Speaker 12: in that little moment that when she first got put
• 34:40
  Speaker 12: into prison, it's like, this is your uniform.
• 34:43
  Speaker 5: This is your uniform.
• 34:44
  Speaker 8: My favorite part. I mean, it's mostly a bathing suit
• 34:47
  Speaker 8: of sorts, but thank God it's got a collar. And
• 34:51
  Speaker 8: a popped collar.
• 34:51
  Speaker 12: Right.
• 34:53
  Speaker 8: This was cutting edge. This was the 80s.
• 34:55
  Speaker 5: Later, they had the sparkly popped collar.
• 34:57
  Speaker 3: Though, too.
• 34:58
  Speaker 8: She is stylish, let me tell you.
• 34:59
  Speaker 11: And at one point, like, the straps on the stomach disappear,
• 35:02
  Speaker 11: and it just gets even smaller.
• 35:05
  Speaker 8: Well, they change anyway. Like, she ends up in a
• 35:08
  Speaker 8: couple of variations. But, yeah, one time within the scene,
• 35:11
  Speaker 8: it's a changing, so.
• 35:12
  Speaker 11: And then you can, like, see that under her costume
• 35:15
  Speaker 11: when she's on one of the planets.
• 35:18
  Speaker 8: Well, you know.
• 35:18
  Speaker 12: But in the way of, like, exposition i like the
• 35:21
  Speaker 12: scenes to where there wasn't any because i think my
• 35:23
  Speaker 12: favorite moment of the entire movie was when you know
• 35:27
  Speaker 12: the emperor christopher plumber he's just like chip please stop
• 35:31
  Speaker 12: the passage of time and.
• 35:32
  Speaker 8: He's like i have this real all right he's got
• 35:36
  Speaker 8: powers i mean he told you he's got powers i think.
• 35:39
  Speaker 6: My favorite moment in the movie was whenever somebody would
• 35:43
  Speaker 6: just add an extra unnecessary word.
• 35:47
  Speaker 9: Like, yes, you can breathe on here, yes. Like, where
• 35:50
  Speaker 9: they asked if she could breathe on the planet, and
• 35:51
  Speaker 9: he said, like, yes twice in a weird way, and
• 35:54
  Speaker 9: I was like, that was odd, how he just said that.
• 35:55
  Speaker 6: And the editing is kind of like when a news anchor, like,
• 35:59
  Speaker 6: when the camera lingers on them just a little too long,
• 36:02
  Speaker 6: and they don't have anything else to say.
• 36:05
  Speaker 9: Whereas they're watching the monitor, and there's just a pause of, like,
• 36:08
  Speaker 9: they're watching the planet, and he's telling them, like, it's breathable,
• 36:10
  Speaker 9: and it's just a pause. Like, someone forgot their line
• 36:13
  Speaker 9: clearly in that shot. She's like... So what's the planet like?
• 36:16
  Speaker 9: I'm like, was someone supposed to say something?
• 36:19
  Speaker 6: Or when there's an exchange and they cut to the
• 36:22
  Speaker 6: other person who says nothing. Then they cut back again.
• 36:26
  Speaker 5: I love that.
• 36:26
  Speaker 12: That's a great shot.
• 36:27
  Speaker 9: They pointed the camera at the wrong person or something.
• 36:29
  Speaker 5: I got nothing. Okay, well, I'll continue then. Don't look
• 36:32
  Speaker 5: at me.
• 36:32
  Speaker 9: I don't have nothing to add.
• 36:34
  Speaker 5: Allow me to retort.
• 36:37
  Speaker 8: Well, the extra words might be, okay, their mouth's still
• 36:40
  Speaker 8: moving in Italian, so throw an extra yeah in there
• 36:44
  Speaker 8: or something. After the fact, I'm assuming they had to
• 36:47
  Speaker 8: do some creative dubbing since half the people weren't even
• 36:50
  Speaker 8: there to dub their own parts.
• 36:52
  Speaker 6: The exposition, you know, like early on, it's like, why
• 36:56
  Speaker 6: are we... But then late into the movie, it gets
• 37:00
  Speaker 6: to the point where they say, if we do this,
• 37:02
  Speaker 6: we could save billions of lives.
• 37:04
  Speaker 12: And I'm like, why?
• 37:06
  Speaker 8: Because I don't remember.
• 37:11
  Speaker 6: Anybody ever doing in the entire movie anything that makes
• 37:15
  Speaker 6: a life seem worthwhile?
• 37:17
  Speaker 12: Yeah.
• 37:18
  Speaker 6: I mean, nobody eats, nobody has a conversation about anything, nobody.
• 37:25
  Speaker 6: And then, you know, in the final speech, not to
• 37:28
  Speaker 6: ruin this movie, but it's just like, well, good has
• 37:33
  Speaker 6: triumphed over evil, but evil will come back again, and
• 37:37
  Speaker 6: the wheel will always turn. but for now we can.
• 37:44
  Speaker 8: Rest oh man oh man he was just setting up
• 37:49
  Speaker 8: the sequel i'm sure evil will be back and so
• 37:52
  Speaker 8: will we next.
• 37:54
  Speaker 12: Year speaking of evil and going back to the whole
• 37:56
  Speaker 12: costume thing i remember watching the and especially in the
• 38:00
  Speaker 12: scenes to where he confronts them at the basement of
• 38:03
  Speaker 12: the giant supercomputer planet ridden with troglodytes. And I was
• 38:10
  Speaker 12: watching him, and I thought, you know, there's a man
• 38:12
  Speaker 12: who knows how to work a cape.
• 38:14
  Speaker 8: There's a lot of other people.
• 38:15
  Speaker 12: It's like they just have a cape. It was like
• 38:17
  Speaker 12: his prop throughout the entire film.
• 38:19
  Speaker 5: He flipped it around.
• 38:20
  Speaker 12: Exactly.
• 38:20
  Speaker 5: He would wrap himself in it, I guess, if he
• 38:22
  Speaker 5: got cold on set.
• 38:23
  Speaker 1: I mean.
• 38:24
  Speaker 12: It's like between that and this.
• 38:25
  Speaker 9: There was Tim Curry in The Worst Witch. And now
• 38:29
  Speaker 9: this guy.
• 38:30
  Speaker 12: He did. He out-Tim Curry'd Tim Curry.
• 38:33
  Speaker 8: Joe Spinelli.
• 38:34
  Speaker 12: Put that on your resume. Just the laugh.
• 38:37
  Speaker 5: The laugh alone.
• 38:38
  Speaker 9: I can work this shit out in this kitchen.
• 38:40
  Speaker 12: I want that laugh as my ringtone on my phone.
• 38:42
  Speaker 8: That's what I'm saying. He's an entertaining villain.
• 38:46
  Speaker 6: Are you talking about the laugh that goes down the hall?
• 38:50
  Speaker 6: And then he gets in the elevator.
• 38:52
  Speaker 9: Yeah, I was like, I'm in the elevator, now I
• 38:53
  Speaker 9: can stop.
• 38:54
  Speaker 12: Yeah, I'm in the elevator.
• 38:55
  Speaker 6: I'm not laughing anymore.
• 38:56
  Speaker 9: No, there was like a weird... Okay, the transition.
• 38:59
  Speaker 1: Seven.
• 38:59
  Speaker 9: That scene where he was laughing... Oh, yeah. That scene
• 39:06
  Speaker 9: where he was walking down the hall and he was
• 39:07
  Speaker 9: laughing with his cape and it was just really cheesy.
• 39:10
  Speaker 9: I was like, oh, yeah, this just looks bad. And
• 39:12
  Speaker 9: all of a sudden, it just cut to this kind
• 39:14
  Speaker 9: of really awesome shot to him in the elevator. The
• 39:16
  Speaker 9: camera zoomed in and it was centered really... I was like,
• 39:19
  Speaker 9: that was... it was like something like almost sort of
• 39:23
  Speaker 9: maybe like if Martin Scorsese were to do a shot
• 39:26
  Speaker 9: of something in a space like it was almost that
• 39:28
  Speaker 9: good I really do think that like it zoomed in
• 39:30
  Speaker 9: in an interesting way and it caught me off guard.
• 39:32
  Speaker 8: Why don't we have Scorsese in space? He's really been
• 39:34
  Speaker 8: slacking on that specific genre.
• 39:37
  Speaker 9: Next movie.
• 39:38
  Speaker 8: I think we need to get on that, Scorsese.
• 39:40
  Speaker 12: But yeah, I mean, I like the fact that, you know,
• 39:42
  Speaker 12: the Count was channeling more Ming the Merciless than like, Vader,
• 39:48
  Speaker 12: which could have been easy to do, but it's like
• 39:50
  Speaker 12: he went a different route with that. I thought that
• 39:52
  Speaker 12: was a lot of fun.
• 39:53
  Speaker 8: Definitely a lot more Ming. And the whole thing feels
• 39:55
  Speaker 8: a lot more kind of Flash Gordon, Buck Rogers. It's
• 39:59
  Speaker 8: very serial-oriented in the way the acting kind of goes.
• 40:03
  Speaker 8: So it seems fitting, really, because those are kind of fun,
• 40:07
  Speaker 8: and it transfers over. I mean, as ridiculous as it is,
• 40:10
  Speaker 8: it's pretty damn fun.
• 40:14
  Speaker 5: How do they, because they talk about breathing a lot,
• 40:18
  Speaker 5: Are they able to breathe on this planet and this planet?
• 40:20
  Speaker 5: But then when the emperor's troops are using their gold vibrators...
• 40:27
  Speaker 5: I had a.
• 40:27
  Speaker 12: Lot of questions about that.
• 40:29
  Speaker 9: Yeah, exactly.
• 40:31
  Speaker 5: Wouldn't they just be bringing the vacuum of space into
• 40:34
  Speaker 5: the ship with them and they all die?
• 40:37
  Speaker 6: Don't they just dive out the window at some point?
• 40:40
  Speaker 9: Yeah, they do.
• 40:42
  Speaker 2: They do.
• 40:43
  Speaker 8: She had a helmet on by the end.
• 40:45
  Speaker 12: I was thinking, I thought, okay, two things. If you're
• 40:48
  Speaker 12: in that, A, how hard does that have to hurt
• 40:52
  Speaker 12: your head when you crash through this window?
• 40:55
  Speaker 9: You have to aim for the window.
• 40:56
  Speaker 12: And that was the other thing. What if they just
• 41:00
  Speaker 12: misshoot and don't even hit the ship at all?
• 41:02
  Speaker 9: They just keep going in this golden dildo forever in space.
• 41:06
  Speaker 9: That's their own movie, like, you know.
• 41:09
  Speaker 8: But I like the attitude. It was like kamikaze dildo.
• 41:12
  Speaker 8: It's like, we're going to fire ourselves in there, and
• 41:15
  Speaker 8: I don't know what's going to happen, but if I live,
• 41:17
  Speaker 8: I'm going to jump out and start shooting someone.
• 41:18
  Speaker 12: But I thought it was a cool idea at the
• 41:19
  Speaker 12: same time, because I didn't picture that, but I pictured, like, okay,
• 41:22
  Speaker 12: what if it was maybe submarines fighting, and they did
• 41:25
  Speaker 12: something like that, where you launch people in torpedoes, and
• 41:27
  Speaker 12: it goes through the hull, and then suddenly, like, not
• 41:30
  Speaker 12: only is the water rushing in, but then these soldiers
• 41:32
  Speaker 12: come out and start shooting people. I was like, it's
• 41:34
  Speaker 12: kind of a cool concept, just sort of, oddly done.
• 41:38
  Speaker 8: Yeah just i haven't seen that before i'll give.
• 41:41
  Speaker 6: Them that yeah it seemed to me like though to
• 41:45
  Speaker 6: launch yourself into a place and then throw open a
• 41:49
  Speaker 6: door and look over and shoot why wouldn't you just
• 41:52
  Speaker 6: make a window and have a turret where you would
• 41:54
  Speaker 6: go in there and be still protected, and you could
• 41:58
  Speaker 6: see where people were before you throw open a hatch
• 42:02
  Speaker 6: and look around like a groundhog.
• 42:04
  Speaker 5: Or why not just make that dildo a bomb? No,
• 42:08
  Speaker 5: you're losing me there.
• 42:12
  Speaker 8: That sounds dangerous.
• 42:14
  Speaker 9: No, it has to be two guys with machine guns.
• 42:15
  Speaker 5: It needs to be guys in a dildo.
• 42:17
  Speaker 8: That is no way to make a dildo.
• 42:18
  Speaker 12: But I also appreciate any bridge of a ship that
• 42:21
  Speaker 12: has the option of stairs outside Or the fireman's pole.
• 42:25
  Speaker 6: I did notice the fire pole.
• 42:27
  Speaker 8: Because towards the end, he walks around the pole to
• 42:30
  Speaker 8: go down the stairs. I was like, oh, I don't
• 42:32
  Speaker 8: want to go down the pole. Why would you want
• 42:34
  Speaker 8: to go down the pole?
• 42:35
  Speaker 9: You've got a cape.
• 42:36
  Speaker 12: Think how much more.
• 42:37
  Speaker 8: Fun it's going to be.
• 42:39
  Speaker 12: Maybe it gets hung up when you go down the pole.
• 42:41
  Speaker 8: Oh, no. It seemed like a missed opportunity to me. Dude,
• 42:44
  Speaker 8: there's a pole right there.
• 42:45
  Speaker 5: I liked his leadership as a general as well because
• 42:49
  Speaker 5: he walks out onto the catwalk and he's like, shoot
• 42:52
  Speaker 5: that guy. Shoot that guy.
• 42:54
  Speaker 12: And then later on, suddenly he has a gun. It's like, wait,
• 42:57
  Speaker 12: you had a gun?
• 42:59
  Speaker 8: But he just likes telling people what to do, you know.
• 43:01
  Speaker 5: Oh, we're shooting people now.
• 43:03
  Speaker 12: Well, then later on they send out these.
• 43:05
  Speaker 9: I'm a great leader. Yeah, they send.
• 43:07
  Speaker 12: Out these troopers that have heavy armor and they can
• 43:09
  Speaker 12: shoot crazy fast. I was like, why didn't you send
• 43:11
  Speaker 12: them to begin with? You let your men get killed
• 43:14
  Speaker 12: for five minutes before you send in the guys you
• 43:16
  Speaker 12: knew could take care of the problem.
• 43:17
  Speaker 8: Who's leading this battle?
• 43:21
  Speaker 12: And I was also confused about the structure of his ship.
• 43:23
  Speaker 12: I mean, I liked the hand, but every time it
• 43:27
  Speaker 12: was going into protection mode... the fingers curled, and I thought,
• 43:30
  Speaker 12: how bad does it have to suck to be like,
• 43:32
  Speaker 12: you know, maybe those are the crew's quarters on the
• 43:35
  Speaker 12: outside of the fingers. It's like, sucks to be you, man,
• 43:38
  Speaker 12: but we're in battle, so we got to let you.
• 43:40
  Speaker 9: Be the father first. It was a left hand, like
• 43:44
  Speaker 9: instead of a right.
• 43:45
  Speaker 5: I don't know.
• 43:46
  Speaker 9: It's just weird. It's just an odd choice to make
• 43:50
  Speaker 9: it left.
• 43:51
  Speaker 16: I don't know why.
• 43:51
  Speaker 12: But I think that's the first time in any movie
• 43:53
  Speaker 12: I've seen the structure of that ship, and I thought
• 43:56
  Speaker 12: the phrase, you know, Never Ending Story 2 ripped off
• 44:00
  Speaker 12: that design. It's probably the only time.
• 44:03
  Speaker 8: It's probably the only time anybody's seen it.
• 44:05
  Speaker 9: The inspiration for Never Ending Story.
• 44:06
  Speaker 8: Well, I mean, you mentioned the Choglodites, or as I
• 44:12
  Speaker 8: refer to them, Flying Cavemen.
• 44:14
  Speaker 5: Mm-hmm.
• 44:15
  Speaker 8: Why were they just, like, they just spring out of nowhere?
• 44:19
  Speaker 8: That scene was one of the most confusing.
• 44:22
  Speaker 9: They had amazing pouncing abilities.
• 44:24
  Speaker 8: They did.
• 44:25
  Speaker 3: Um....
• 44:27
  Speaker 8: And then I was like, obviously this isn't a Starfleet vessel,
• 44:29
  Speaker 8: because Prime Directive says you shouldn't be beating up these cavemen.
• 44:33
  Speaker 8: They shouldn't even know about you yet.
• 44:35
  Speaker 5: You're doing it wrong.
• 44:37
  Speaker 9: They don't like robot chauvinism.
• 44:38
  Speaker 8: No, you're not supposed to. Don't be infecting them with
• 44:42
  Speaker 8: your robot chauvinism, dammit. You're ruining this planet.
• 44:46
  Speaker 3: Look!
• 44:47
  Speaker 4: Amazon's on horseback!
• 44:49
  Speaker 6: I hope they're friendly.
• 44:54
  Speaker 16: Soon find out.
• 44:57
  Speaker 12: The planet of women that's scantily clad yeah i mean
• 45:01
  Speaker 12: i like that i like that because that's definitely a
• 45:03
  Speaker 12: throwback to a lot of old b sci-fi but you
• 45:07
  Speaker 12: know there were just so many moments where it's like
• 45:10
  Speaker 12: we're here five minutes we gotta move.
• 45:11
  Speaker 5: On right yeah well what i was i thought it
• 45:15
  Speaker 5: was kind of funny that l when they first got
• 45:17
  Speaker 5: there said that they there must be this must be
• 45:19
  Speaker 5: some sort of civilization here uh you know And then
• 45:24
  Speaker 5: they go through the whole queen and the escape and everything.
• 45:28
  Speaker 5: And he said, let's hurry. He doesn't know anything about
• 45:31
  Speaker 5: them yet. He goes, let's hurry. The Amazon women will
• 45:34
  Speaker 5: soon be releasing their fighter jets or something. How did
• 45:38
  Speaker 5: you know that they had them? How did you figure
• 45:41
  Speaker 5: out that they had them? And how did you know
• 45:43
  Speaker 5: what they called themselves? We used to work for Batman.
• 45:48
  Speaker 8: Which character was that, though?
• 45:50
  Speaker 5: El, the robot.
• 45:52
  Speaker 13: Okay.
• 45:52
  Speaker 8: Because my problem was the other guy, the giant-haired dude.
• 45:57
  Speaker 8: Why did he know everything?
• 45:58
  Speaker 12: Because he could see the future.
• 46:00
  Speaker 8: But he would ramble off, like, not even future, just
• 46:04
  Speaker 8: random plot details that he shouldn't know he would magically know.
• 46:08
  Speaker 12: He'd seen the movie, though, before the movie was made.
• 46:10
  Speaker 8: I think so. That was his future. He just read
• 46:12
  Speaker 8: the Into the script.
• 46:13
  Speaker 12: And definitely going back, you could tell he loved Harryhausen
• 46:16
  Speaker 12: because when I was watching that statue, I was like,
• 46:18
  Speaker 12: this is exactly Talos from Jason the Argonaut. It's like
• 46:22
  Speaker 12: almost shot for shot.
• 46:23
  Speaker 8: Yeah, the whole beach scene looked exactly like... I mean,
• 46:26
  Speaker 8: it's like they found the same beach.
• 46:28
  Speaker 12: That's what I was so amazed by.
• 46:29
  Speaker 5: I was like, this looks like the exact same set.
• 46:31
  Speaker 6: The best person working on that movie, I think, was
• 46:34
  Speaker 6: the location scout. They had some nice spots.
• 46:39
  Speaker 8: It looked pretty good, yeah.
• 46:40
  Speaker 3: Yeah.
• 46:41
  Speaker 9: They had the field planet, the snow planet, the water planet.
• 46:47
  Speaker 5: They did beat Lucas to Hoth.
• 46:52
  Speaker 9: This was before? That's true, it was 80.
• 46:57
  Speaker 8: I had a whole, if we're on that, I started
• 46:59
  Speaker 8: noticing all of them. They did the Hoth before he did.
• 47:03
  Speaker 8: They captured her. They had a floating city. They had
• 47:07
  Speaker 8: her captured and were hanging her upside down and carrying
• 47:10
  Speaker 8: her off to potentially.
• 47:11
  Speaker 5: Go eat her.
• 47:12
  Speaker 8: That's straight out of Jedi. Most of these weird, I
• 47:16
  Speaker 8: don't know.
• 47:17
  Speaker 9: That was a weird kind of Terry Gilliam moment too
• 47:19
  Speaker 9: when they were just carrying her off Like the camera
• 47:21
  Speaker 9: had this fish eye lens. I was like, this, wow, okay.
• 47:24
  Speaker 9: Kind of a break in tone.
• 47:26
  Speaker 8: It was interesting. A lot of that, it's interesting that,
• 47:30
  Speaker 8: you know, for being a ripoff of Star Wars, they
• 47:32
  Speaker 8: kind of beat Star Wars to a couple of different
• 47:34
  Speaker 8: little plot points there.
• 47:36
  Speaker 6: Yeah, it's not like the Star Wars exposition and storylines
• 47:41
  Speaker 6: make all that much sense. It just feels like you
• 47:44
  Speaker 6: have maybe just enough to go on to get through
• 47:47
  Speaker 6: the little passage.
• 47:48
  Speaker 9: It's just done more coherently.
• 47:49
  Speaker 8: I think, yeah, they sell it a little better. You're
• 47:51
  Speaker 8: just like, oh, okay, I'll buy that.
• 47:53
  Speaker 9: These guys are just like, what? Okay, but that one part,
• 47:58
  Speaker 9: when they were over on the women's planet.
• 48:04
  Speaker 9: Where they're taking the robot.
• 48:05
  Speaker 6: The lady's planet.
• 48:06
  Speaker 9: The lady planet. They're taking the robot, and the woman
• 48:10
  Speaker 9: just jumps out of frame and shoots him.
• 48:12
  Speaker 5: That was crazy.
• 48:14
  Speaker 9: Because you don't see that in movies. Usually when something happens,
• 48:17
  Speaker 9: it cuts to someone with a gun jumping out. But
• 48:19
  Speaker 9: they were just walking, and she just ran into him
• 48:21
  Speaker 9: off frame.
• 48:23
  Speaker 12: It was really weird and jarring.
• 48:24
  Speaker 8: She probably just missed the cue, and they didn't know.
• 48:26
  Speaker 9: They cut him off mid-conversation, too. Like, we don't want
• 48:28
  Speaker 9: to die. She just jumped out and shoots him. You're like,
• 48:31
  Speaker 9: holy shit, what?
• 48:33
  Speaker 5: What is this?
• 48:36
  Speaker 9: That was probably the most surprising part of the movie.
• 48:40
  Speaker 8: I can't believe when they killed L myself.
• 48:43
  Speaker 4: I know.
• 48:44
  Speaker 5: I cried a little bit. I know.
• 48:45
  Speaker 8: It was pretty sad because they beat the hell out
• 48:47
  Speaker 8: of him.
• 48:48
  Speaker 2: Yeah.
• 48:49
  Speaker 8: I was pretty sure we'd see him again. But still,
• 48:52
  Speaker 8: it was a sad moment because they didn't just disconnect him.
• 48:55
  Speaker 12: And see, that's something else that they beat Lucas to because,
• 48:58
  Speaker 12: you know, C-3PO.
• 48:59
  Speaker 5: Yeah, yeah, yeah.
• 49:02
  Speaker 6: I think the thing that surprised me was when that guy.
• 49:06
  Speaker 12: Michael Bolton, act on.
• 49:09
  Speaker 8: Willie Ames, whatever.
• 49:10
  Speaker 6: Yeah, when he was dying, he said, I'm no use
• 49:17
  Speaker 6: anymore at this time.
• 49:20
  Speaker 12: At this time.
• 49:21
  Speaker 9: Didn't need that extra.
• 49:24
  Speaker 5: What was that for? At this time.
• 49:26
  Speaker 8: How about right at the same time, she's looking at
• 49:28
  Speaker 8: him going, but you never die.
• 49:29
  Speaker 9: Enough with the dangly personable... Just don't... You never die?
• 49:34
  Speaker 8: Like, this happens this weekend, and you never die.
• 49:37
  Speaker 9: I mean, what the hell?
• 49:38
  Speaker 8: Yeah, you can breathe here, yes.
• 49:38
  Speaker 6: Yeah, that made it sound like it was a TV show.
• 49:41
  Speaker 8: I know. Like, remember last week you didn't die?
• 49:43
  Speaker 6: All the other episodes.
• 49:44
  Speaker 12: And it was also very much, you know, a Monty
• 49:46
  Speaker 12: Python-esque sort of thing, too, because it's like, you know,
• 49:48
  Speaker 12: it's just a flesh wound.
• 49:49
  Speaker 5: No, no, no, I'm dying.
• 49:51
  Speaker 2: I'm dying.
• 49:52
  Speaker 5: I'm dying.
• 49:53
  Speaker 12: I know they just grazed my arm, but I'm dying.
• 49:56
  Speaker 8: And by the way, I'll disappear. Why does everybody that
• 49:59
  Speaker 8: dies disappear? Whether they're human or robot, whatever.
• 50:02
  Speaker 9: Also, I will say this squid judge thing kind of
• 50:07
  Speaker 9: reminded me of the weird squid thing in Dune. That's
• 50:12
  Speaker 9: immediately what was my first thought when I saw it.
• 50:14
  Speaker 9: But he looked like whoever the actor they had filming
• 50:16
  Speaker 9: for that, he looked like he was literally reading the script.
• 50:19
  Speaker 9: He was looking down. You have to go to.
• 50:22
  Speaker 6: Yeah, but he's also operating on a squid thing.
• 50:26
  Speaker 8: He's reading it, but he's following along with his squid fingers.
• 50:30
  Speaker 8: You have to.
• 50:31
  Speaker 9: He's handling other trials because he has extra arms.
• 50:34
  Speaker 12: Yeah, but that's very much Invaders from Mars right there.
• 50:38
  Speaker 8: Which I think was another one he referenced as being
• 50:41
  Speaker 8: Invaders from Mars and Forbidden Planet as being a big
• 50:43
  Speaker 8: influence on him. So you can kind of see, again,
• 50:46
  Speaker 8: how much he's invested in this type of movie and
• 50:49
  Speaker 8: And really loves it. And I think that's still like
• 50:52
  Speaker 8: what comes through it. It is ridiculous as many of
• 50:55
  Speaker 8: the problems are. It feels genuine still. Only occasionally. And
• 51:00
  Speaker 8: that's what I'm trying to decide is what stuff got
• 51:03
  Speaker 8: jammed in after Star Wars. Because I'm like, you know
• 51:06
  Speaker 8: that lightsaber wasn't there.
• 51:07
  Speaker 2: Yeah.
• 51:08
  Speaker 8: There's no way that was written in there because nobody
• 51:10
  Speaker 8: would have known what the hell it was. But all
• 51:12
  Speaker 8: of a sudden, because there's no explanation, they never mentioned
• 51:15
  Speaker 8: that they had it before. I mean, they're running around
• 51:17
  Speaker 8: with blasters. Well, The whole rest of the movie.
• 51:20
  Speaker 5: When he was hiding it behind his back, it looked
• 51:22
  Speaker 5: like a gun that he had had earlier. It's not
• 51:25
  Speaker 5: a gun.
• 51:25
  Speaker 8: It doesn't come out as a gun.
• 51:27
  Speaker 9: He holds it really weird.
• 51:29
  Speaker 8: Actually, the effect didn't look as bad as I expected.
• 51:32
  Speaker 8: It looks kind of iffy in the first Star Wars anyway.
• 51:35
  Speaker 8: It looks... a little worse than that but it's still
• 51:38
  Speaker 8: better than i expected but it didn't match like he
• 51:41
  Speaker 8: wasn't holding it right i was like it was like
• 51:43
  Speaker 8: he was holding a different type of weapon and didn't
• 51:46
  Speaker 8: know that's what they were going to animate in sometimes.
• 51:48
  Speaker 9: Yeah i mean like when he would say like hit
• 51:51
  Speaker 9: a robot with it like the lightsaber would totally overlap
• 51:55
  Speaker 9: like the outline of the robot like they animated it
• 51:57
  Speaker 9: over the outline it didn't make like there was no
• 52:01
  Speaker 9: hit detection it was yeah.
• 52:04
  Speaker 12: I just remember seeing those two robots, and I was like,
• 52:08
  Speaker 12: this is the best that the Count has got. It's
• 52:11
  Speaker 12: just these two robots.
• 52:12
  Speaker 5: With pirate swords. And see, I need to go back
• 52:14
  Speaker 5: and watch.
• 52:15
  Speaker 9: And angry eyebrows, got to make that there so you
• 52:18
  Speaker 9: know they're evil.
• 52:20
  Speaker 12: But was there an earlier scene to where, am I
• 52:23
  Speaker 12: getting David Hasselhoff and Michael Bolton? confused in my memory
• 52:27
  Speaker 12: to where a little bit there was a scene earlier
• 52:30
  Speaker 12: in the movie to where he had the michael bolton
• 52:33
  Speaker 12: character on his ship am i incorrect in recalling it
• 52:36
  Speaker 12: like near the very beginning i could have sworn there
• 52:40
  Speaker 12: was but i guess it.
• 52:41
  Speaker 8: Was you can tell the difference because hasselhoff is wearing
• 52:45
  Speaker 8: eyeliner yeah.
• 52:46
  Speaker 12: I think they both are.
• 52:47
  Speaker 6: No, I don't think the movies do have a little
• 52:50
  Speaker 6: bit of a resemblance.
• 52:52
  Speaker 8: But yeah, when they did that close-up on him, I
• 52:54
  Speaker 8: was like, is he wearing that? Like, he was wearing
• 52:58
  Speaker 8: almost as much as she was.
• 53:02
  Speaker 9: Also, their ship had a really, what looked like just
• 53:05
  Speaker 9: kind of impractical front view window. Like it was just
• 53:10
  Speaker 9: like two real small windows and they're really far apart.
• 53:12
  Speaker 9: So you could kind of see, only see what's to
• 53:14
  Speaker 9: either side of you in space. You're like, here's this planet.
• 53:17
  Speaker 9: I'm like, well, you're lucky. Like the one eyeball is
• 53:20
  Speaker 9: aimed right in front of it. Cause you can't, it's like, cause.
• 53:23
  Speaker 12: I saw that as a pilot. It's almost like when
• 53:24
  Speaker 12: you have a bad wiper on your car, you keep
• 53:26
  Speaker 12: like looking around the street. Yeah. I feel like it
• 53:31
  Speaker 12: was that same way with that vehicle.
• 53:32
  Speaker 5: It was a peripheral vision. You couldn't see him straight
• 53:36
  Speaker 5: in front of you, only on his side.
• 53:38
  Speaker 6: It's like a hammerhead shark. You've got the two eyes
• 53:42
  Speaker 6: looking different directions. Yeah, the thing about that lightsaber battle, though,
• 53:49
  Speaker 6: was that at some point he decided to focus for
• 53:53
  Speaker 6: a while on the one robot.
• 53:54
  Speaker 8: And that's what gets you in trouble. And the other.
• 53:56
  Speaker 6: Robot thought for a long time before he decided to take.
• 54:00
  Speaker 8: Advantage of the situation. He had to process.
• 54:04
  Speaker 6: Yeah, I picture him sitting out of frame, like maybe
• 54:07
  Speaker 6: sitting down in a chair and thinking about it. Like,
• 54:11
  Speaker 6: you know, he's really pointing that thing at the other
• 54:15
  Speaker 6: guy a lot. And he's not really paying any attention
• 54:20
  Speaker 6: to me. You know what I think I could do
• 54:24
  Speaker 6: is attack him.
• 54:25
  Speaker 9: They did seem a bit lacking.
• 54:28
  Speaker 8: He's got 1978 computer systems. He's only got 64-bit, man.
• 54:31
  Speaker 12: I was going to say, maybe you're just putting too
• 54:34
  Speaker 12: much into it. Maybe they just had one stop-motion animator,
• 54:37
  Speaker 12: and so he could only animate one at a time.
• 54:40
  Speaker 8: So the other guy... The other one is just.
• 54:43
  Speaker 12: Not being moved.
• 54:44
  Speaker 8: Yeah, he's just sitting over there.
• 54:47
  Speaker 12: But apart from the giant hand ship, none of the
• 54:52
  Speaker 12: other ship designs really jumped out at me. or made
• 54:55
  Speaker 12: an impression.
• 54:56
  Speaker 9: The city one looked like it'd be interesting, but they
• 54:57
  Speaker 9: never got a good close-up of it, so I could
• 54:59
  Speaker 9: never really tell what it looked like.
• 55:01
  Speaker 12: And not only that, but they had this giant floating
• 55:02
  Speaker 12: city that was just empty.
• 55:04
  Speaker 8: Well, they cleared them out. They said they did their
• 55:07
  Speaker 8: little evacuation, but I'm like, that seemed pretty quick. That's
• 55:09
  Speaker 8: what I'm saying.
• 55:10
  Speaker 12: If you're evacuating this entire gigantic thing, that was pretty
• 55:14
  Speaker 12: darn quick.
• 55:14
  Speaker 9: It just looked interesting, because it looked like the only
• 55:17
  Speaker 9: shit model they bothered to paint.
• 55:19
  Speaker 5: Yeah.
• 55:20
  Speaker 8: Well, that was the thing about the.
• 55:22
  Speaker 9: package or whatever.
• 55:24
  Speaker 8: The other ships, like you were saying, they didn't... It's
• 55:26
  Speaker 8: because none of them were really... There was no theme.
• 55:29
  Speaker 8: There was no uniform. They were all just random. Everything
• 55:33
  Speaker 8: was just, and this sort of looks like this, and
• 55:35
  Speaker 8: we glued some stuff over here.
• 55:36
  Speaker 5: I really enjoyed, especially when you talk about just random things,
• 55:42
  Speaker 5: when Thor was on the ship, on Hoth, trying to
• 55:47
  Speaker 5: get it restarted after... acton had stolen the little drive
• 55:52
  Speaker 5: or whatever um and he's just like pulling random things
• 55:57
  Speaker 5: from under the table you know they weren't connected to
• 56:00
  Speaker 5: anything they were supposed to be and he was just
• 56:02
  Speaker 5: touching a little lighted thing to it and like well
• 56:04
  Speaker 5: that one doesn't work and he just pulls out and
• 56:06
  Speaker 5: touches something and that one doesn't work and it just
• 56:08
  Speaker 5: i i don't know it was it's like okay somebody
• 56:11
  Speaker 5: just get me a bunch of things that could run
• 56:13
  Speaker 5: a ship and we'll make it Make the green-faced guy
• 56:16
  Speaker 5: touch a light to him.
• 56:17
  Speaker 9: And what was that weird laser-like thing that he just
• 56:19
  Speaker 9: decided to play with instead of doing whatever, you know,
• 56:21
  Speaker 9: the million other important, you know, life-threatening things that he
• 56:24
  Speaker 9: should be doing on this show? You know, I'm just
• 56:26
  Speaker 9: going to hang out and just play with my laser
• 56:28
  Speaker 9: beam until someone comes and knocks me on the back
• 56:31
  Speaker 9: of the head.
• 56:31
  Speaker 8: Why was that there?
• 56:34
  Speaker 12: He was very amused by it, whatever it was.
• 56:36
  Speaker 8: He was really stoked.
• 56:37
  Speaker 9: Like, his facial expressions, like, I think that was the
• 56:39
  Speaker 9: most excited he was in the whole movie was him
• 56:41
  Speaker 9: playing with that thing.
• 56:42
  Speaker 12: I mean, just very self-contented. It's just like, yeah, I rock.
• 56:50
  Speaker 5: And another touch is that. L referred to himself as
• 56:55
  Speaker 5: like the space police or something like that. Um, you know,
• 56:58
  Speaker 5: when they were, he.
• 56:59
  Speaker 9: Literally said, it's the police. Like they were, the line
• 57:01
  Speaker 9: was like, Oh no, it's the police.
• 57:03
  Speaker 5: Right.
• 57:04
  Speaker 9: It was just weird. And it said like that.
• 57:07
  Speaker 12: Space version of Dukes of Hazzard.
• 57:08
  Speaker 5: Right. It just, um, I was laughing those first few
• 57:13
  Speaker 5: minutes of the chase scene and why does one come on?
• 57:16
  Speaker 5: And then the other come on, they're like bantering back
• 57:18
  Speaker 5: and forth while they're supposedly chasing each other. And, uh,
• 57:24
  Speaker 5: I don't.
• 57:25
  Speaker 12: Like that, but it's like you have the robot. I
• 57:27
  Speaker 12: got the impression early on that, like, Al and Atkin
• 57:30
  Speaker 12: were in different ships.
• 57:32
  Speaker 3: Right.
• 57:32
  Speaker 12: And then suddenly it's like they're in the same ship
• 57:34
  Speaker 12: but on different monitors. I was like, it was just
• 57:37
  Speaker 12: very weird.
• 57:38
  Speaker 16: Yeah.
• 57:38
  Speaker 8: Well, and the set design. Some of it's awesome, but
• 57:41
  Speaker 8: then those big, like, chairs that they're in, which change color,
• 57:45
  Speaker 8: or I guess they change ship, because early on it
• 57:47
  Speaker 8: just looks like a giant eggplant sitting there.
• 57:49
  Speaker 5: Well, did you notice the chair that.
• 57:52
  Speaker 12: on the female planet, the main throne that the queen
• 57:57
  Speaker 12: was sitting on, it was very phallic. Did you notice this?
• 58:00
  Speaker 12: I was like, is that purposeful? Is that incidental? Am
• 58:03
  Speaker 12: I like looking too much into the shape?
• 58:06
  Speaker 8: Maybe you're reading a little too much.
• 58:08
  Speaker 13: I expected the Freudian undertones.
• 58:14
  Speaker 8: There's a lot of this that feels very Futurama, I
• 58:16
  Speaker 8: would say. It seems right at home in that universe, actually.
• 58:21
  Speaker 8: But if we're going to the thrones, I did want to, like,
• 58:25
  Speaker 8: jump ahead when we get to the emperor's throne at
• 58:27
  Speaker 8: the inn. That was awesome, and I kind of want one.
• 58:29
  Speaker 3: Yeah.
• 58:30
  Speaker 8: But at the same time, it almost looked like the
• 58:32
  Speaker 8: ornamentation you would see on a 70s bowling trophy.
• 58:35
  Speaker 9: It was just that.
• 58:37
  Speaker 8: It's awesome, though, but I'm just like, that... It doesn't
• 58:40
  Speaker 8: strike me as outer space, but it's awesome, and I
• 58:42
  Speaker 8: need one.
• 58:43
  Speaker 12: On that ship where they were at with the Emperor,
• 58:45
  Speaker 12: I just remember thinking, that's a tremendous waste of space
• 58:49
  Speaker 12: they've got there. I mean, look at how big the
• 58:51
  Speaker 12: walls and the ceiling and everything are. It's cavernous, and there's, like,
• 58:54
  Speaker 12: nobody there, and there's nothing there. There's no computers. There's
• 58:57
  Speaker 12: no windows. It's just, it's like the warehouse portion of
• 59:01
  Speaker 12: the ship, and they just put it there.
• 59:03
  Speaker 9: That's right.
• 59:04
  Speaker 8: They hadn't made the pickup yet of all the, you know,
• 59:06
  Speaker 8: they got to haul in all the stuff that's their food.
• 59:10
  Speaker 5: And then they had the the shuttle uh ship that
• 59:13
  Speaker 5: they take down to the little window the window ship
• 59:17
  Speaker 5: and like you don't even your people can't even fit
• 59:19
  Speaker 5: into it like he had to duck down and bend
• 59:22
  Speaker 5: backwards to even get into like that's the most impractical
• 59:25
  Speaker 5: shuttle I've ever seen. There's no, nothing driving the thing.
• 59:28
  Speaker 5: It's just a metal and glass. Oh, the controls are easy, right?
• 59:33
  Speaker 5: You should have no trouble with it.
• 59:34
  Speaker 9: Why don't you fly?
• 59:35
  Speaker 5: You should have no trouble with this.
• 59:37
  Speaker 12: It's easy.
• 59:38
  Speaker 8: Well, we're talking impractical. I mean, I brought it up
• 59:41
  Speaker 8: to her, but I was just like, it really struck
• 59:43
  Speaker 8: me in this. And you see the cover of like
• 59:46
  Speaker 8: the cheesy pulp sci-fi stories. And it's like, those outfits
• 59:49
  Speaker 8: always look awesome on the girls, but watching her walk
• 59:52
  Speaker 8: around and I'm like, this is, This is so impractical.
• 59:55
  Speaker 8: It makes no sense. And she was supposed to be
• 59:58
  Speaker 8: like that the whole movie, actually. She was supposed to
• 1:00:00
  Speaker 8: have the leather bikini thing going on as her look.
• 1:00:04
  Speaker 8: And then midway in, the American producers got involved and
• 1:00:07
  Speaker 8: were like, again, if it's not being caught up on
• 1:00:10
  Speaker 8: the sex end of it, it's money. They were like,
• 1:00:13
  Speaker 8: we don't think we're going to be able to show
• 1:00:14
  Speaker 8: this on television with her in the whole movie like that.
• 1:00:17
  Speaker 8: Somehow it's okay for the second half to not.
• 1:00:20
  Speaker 13: Be like that.
• 1:00:20
  Speaker 9: It's okay for like 90% of the crew to be
• 1:00:23
  Speaker 9: in that.
• 1:00:24
  Speaker 6: Is that when they put her in the sandwich bag?
• 1:00:26
  Speaker 8: Yeah, then she's in a plastic bag the whole rest
• 1:00:28
  Speaker 8: of it.
• 1:00:28
  Speaker 13: I mean, if she was wearing that in the place
• 1:00:30
  Speaker 13: where it was really cold, that.
• 1:00:31
  Speaker 8: Would just be like, It would make a little more sense.
• 1:00:34
  Speaker 13: It would just make her seem like an idiot. Come on.
• 1:00:37
  Speaker 8: Well, I mean, we've had some good thoughts on it. Marlena,
• 1:00:40
  Speaker 8: you did not seem as thrilled. So with the alternate take,
• 1:00:43
  Speaker 8: what was your thoughts on this?
• 1:00:45
  Speaker 2: On the movie?
• 1:00:45
  Speaker 12: Yes.
• 1:00:47
  Speaker 13: It was really hard for me to watch without the
• 1:00:49
  Speaker 13: assistance of Crow and Gypsy.
• 1:00:54
  Speaker 8: That's true. It is asking for that treatment. Yeah.
• 1:00:58
  Speaker 5: They would have had fun with it.
• 1:00:59
  Speaker 4: Yeah.
• 1:00:59
  Speaker 3: Yeah.
• 1:01:00
  Speaker 8: And we would have had fun hanging out with them.
• 1:01:02
  Speaker 12: I like how you say they would have had fun
• 1:01:04
  Speaker 12: with it. It's like a past relative. She would have
• 1:01:07
  Speaker 12: had a good time if she were here tonight.
• 1:01:09
  Speaker 6: In spirit she was.
• 1:01:12
  Speaker 8: It's true because they're not around anymore. In spirit they
• 1:01:15
  Speaker 8: are in another way now, but it's just not the
• 1:01:17
  Speaker 8: same without their little silhouettes up there. So I don't know.
• 1:01:21
  Speaker 8: Aside from that.
• 1:01:23
  Speaker 13: I mean, her outfits were really fun. It was campy.
• 1:01:26
  Speaker 13: It was fun. I didn't realize... To, like, the end
• 1:01:30
  Speaker 13: of the movie, that that was the Hoff.
• 1:01:34
  Speaker 6: Yeah, he's... You know, I had the exact opposite. I
• 1:01:37
  Speaker 6: knew he was in it, and I'm like, is that
• 1:01:39
  Speaker 6: too David Hasselhoff?
• 1:01:41
  Speaker 8: And it wasn't.
• 1:01:43
  Speaker 5: No, he looks like Michael Bolton. What is this? I
• 1:01:47
  Speaker 5: kept wondering when he was going to show up, and
• 1:01:49
  Speaker 5: I was like.
• 1:01:50
  Speaker 9: He's not the robot, is he? I was like, David
• 1:01:52
  Speaker 9: Hasselhoff looks really skinny and weird. Yeah, he looks like.
• 1:01:56
  Speaker 12: The Gautier guy or something.
• 1:01:58
  Speaker 9: I was like, yeah.
• 1:02:00
  Speaker 5: Guys, what's going on?
• 1:02:01
  Speaker 12: I remember looking, and I was like, he hasn't aged
• 1:02:03
  Speaker 12: that much, but.
• 1:02:06
  Speaker 8: Well, watch him running in slow motion on the beach
• 1:02:09
  Speaker 8: in Toronto Double D and you'll change your thoughts.
• 1:02:12
  Speaker 13: It's how I met your mother syndrome.
• 1:02:14
  Speaker 16: Yeah.
• 1:02:14
  Speaker 13: He got older and became someone else completely.
• 1:02:16
  Speaker 8: Yeah, that's kind of what happened.
• 1:02:18
  Speaker 9: Was the mask he was wearing ever explained?
• 1:02:21
  Speaker 4: Basically.
• 1:02:22
  Speaker 8: Stole that from something.
• 1:02:24
  Speaker 5: Yeah, so it was a shield something. It was a
• 1:02:27
  Speaker 5: something shield.
• 1:02:28
  Speaker 9: There's a caveman.
• 1:02:29
  Speaker 8: I assumed he was, yeah, playing a god, which happens
• 1:02:32
  Speaker 8: in every sci-fi movie.
• 1:02:33
  Speaker 5: It was a something shield.
• 1:02:35
  Speaker 8: Zardoz mask is what it was. It's Zardoz. Yeah, the
• 1:02:40
  Speaker 8: same mask he's wearing in Clash of the Titans, I'm
• 1:02:42
  Speaker 8: pretty sure. That thing keeps turning up. I don't know.
• 1:02:46
  Speaker 13: This movie really made me wonder how I don't flunk
• 1:02:52
  Speaker 13: out of college. I can't focus on anything. I did
• 1:02:57
  Speaker 13: my nails the entire time.
• 1:02:58
  Speaker 12: I don't think that's you.
• 1:03:00
  Speaker 6: I had a really hard time keeping my face clean.
• 1:03:04
  Speaker 6: directed in the general direction yeah of this.
• 1:03:07
  Speaker 9: Movie the dog fight at the end was where it
• 1:03:09
  Speaker 9: just kind of lost me it literally felt like they
• 1:03:11
  Speaker 9: looped they did over it for like 10 minutes like
• 1:03:15
  Speaker 9: it did not end it was the same shot of
• 1:03:17
  Speaker 9: the golden dildo and the people shooting and the guy
• 1:03:19
  Speaker 9: going kill them and then i was like i've seen
• 1:03:22
  Speaker 9: this it's almost surreal like it's like a fever dream
• 1:03:26
  Speaker 9: is this.
• 1:03:27
  Speaker 5: Like the movie Speed, where they loop the video.
• 1:03:30
  Speaker 9: Yeah. That's exactly what... And you start to notice something's
• 1:03:34
  Speaker 9: off after a while.
• 1:03:34
  Speaker 5: You're like, what?
• 1:03:35
  Speaker 8: Wait a minute. He already put that short pass.
• 1:03:37
  Speaker 9: And it just takes you a while.
• 1:03:40
  Speaker 5: It's as long as the... chase scene, the motorcycle chase
• 1:03:44
  Speaker 5: scene with the cops and the thing with two heads.
• 1:03:47
  Speaker 8: The hell you say. I don't think anything is that long.
• 1:03:50
  Speaker 5: That's the longest chase scene. Unnecessary chase scene ever.
• 1:03:53
  Speaker 8: But I'll give you, that's the, if there's a weak
• 1:03:55
  Speaker 8: point in this movie, I mean, that's the point where
• 1:03:57
  Speaker 8: you're like, okay, really? Let's start around. That's my own.
• 1:04:01
  Speaker 8: Other than that, this is flawless. This is flawless cinema.
• 1:04:05
  Speaker 9: I'm sure it won all the Oscars out here.
• 1:04:06
  Speaker 8: Yeah, that scene is a little tedious, I'll give you that.
• 1:04:09
  Speaker 5: Well, again, it's a flawed masterpiece.
• 1:04:12
  Speaker 9: It is.
• 1:04:13
  Speaker 8: I mean, by the end, I was just like.
• 1:04:15
  Speaker 6: Like Citizen Kane and Vertigo.
• 1:04:20
  Speaker 9: Star Crash is Star Crash.
• 1:04:23
  Speaker 8: It would be on my list.
• 1:04:24
  Speaker 6: But you could say the same thing about Madame Bovary.
• 1:04:28
  Speaker 6: Because it begins from his point of view, and then
• 1:04:30
  Speaker 6: it shifts to hers. But when asked about it, Flaubert said,
• 1:04:35
  Speaker 6: life is like that.
• 1:04:37
  Speaker 8: And then we looped a scene over and over again.
• 1:04:39
  Speaker 2: Yes.
• 1:04:40
  Speaker 12: I've just been distracted by the autograph there. And just
• 1:04:43
  Speaker 12: the very fact that she put to Brian... Brian is
• 1:04:46
  Speaker 12: in quotation marks. It's a weird nickname.
• 1:04:51
  Speaker 9: I'll sign it to Brian.
• 1:04:53
  Speaker 12: She knows your true identity. We'll call you Brian.
• 1:04:57
  Speaker 8: She's the only one. She does a drawing. I like
• 1:05:01
  Speaker 8: the star. No, it's the star.
• 1:05:06
  Speaker 12: It's a disclaimer asterisk.
• 1:05:08
  Speaker 5: You turn it over to the back of the autograph.
• 1:05:11
  Speaker 8: It says, this is Nolan Boyd representing It's actually signed
• 1:05:16
  Speaker 8: by Brian in quotation marks. This is a total fraud.
• 1:05:20
  Speaker 8: That's what it says right there.
• 1:05:21
  Speaker 5: Is that a question mark?
• 1:05:22
  Speaker 8: I don't know.
• 1:05:23
  Speaker 5: She did it. She's the Riddler. I think it's supposed
• 1:05:26
  Speaker 5: to be a heart. Maybe it's a heart. She's like,
• 1:05:28
  Speaker 5: I've got this negative space. I need to just.
• 1:05:30
  Speaker 8: Just scribble something out.
• 1:05:31
  Speaker 12: Maybe it's like one of the explosions of the ships.
• 1:05:34
  Speaker 6: Or maybe you're all thinking that was like the ending.
• 1:05:38
  Speaker 6: Maybe that was the beginning. Does this pen work?
• 1:05:40
  Speaker 9: It's the tester's spot.
• 1:05:43
  Speaker 6: I'm guessing that's her navel half hidden under the... It
• 1:05:47
  Speaker 6: bothers me when you can't see a navel because it
• 1:05:49
  Speaker 6: makes me think somebody's a replicant.
• 1:05:52
  Speaker 12: It's like the movie The Brood. It's like she just.
• 1:05:56
  Speaker 12: That or Invasion of the Body Snatchers.
• 1:05:58
  Speaker 9: One or the other.
• 1:05:59
  Speaker 5: And from here, the red part that would be the
• 1:06:02
  Speaker 5: codpiece front looks kind of like the Autobot symbol.
• 1:06:05
  Speaker 9: It does. I was going to say it looks like Cobra.
• 1:06:08
  Speaker 9: She's Autobot.
• 1:06:10
  Speaker 5: That would be one badass Baroness, wouldn't it?
• 1:06:12
  Speaker 12: Yeah.
• 1:06:14
  Speaker 8: I'd watch that. That seems fine to me.
• 1:06:16
  Speaker 5: And we're all staring at the picture. Yes, we are.
• 1:06:20
  Speaker 9: For those listening.
• 1:06:20
  Speaker 8: Because it got dark and you couldn't look out the window.
• 1:06:23
  Speaker 5: You're going to have to put the picture up because
• 1:06:25
  Speaker 5: people will just be like, God, I wish I knew
• 1:06:26
  Speaker 5: what they were talking about.
• 1:06:28
  Speaker 8: I'll post it.
• 1:06:28
  Speaker 12: It doesn't matter.
• 1:06:31
  Speaker 8: Okay, what else? Anything we forgot to hit? I don't know.
• 1:06:36
  Speaker 8: It's pretty epic. I don't know what else we can do.
• 1:06:39
  Speaker 12: I mean, it's very much one of those everything-in-the-kitchen-sink movies.
• 1:06:43
  Speaker 12: We could talk here for a long time and then
• 1:06:45
  Speaker 12: afterwards be like, oh, wait, we forgot about this.
• 1:06:47
  Speaker 8: I can't believe we didn't even go into that.
• 1:06:49
  Speaker 6: I just wish the story was a little better because
• 1:06:52
  Speaker 6: a lot of the cheesy effects have a kind of
• 1:06:55
  Speaker 6: primitive charm that I would like to see them really
• 1:06:58
  Speaker 6: working in the service.
• 1:06:59
  Speaker 5: Of the story.
• 1:07:00
  Speaker 4: Yeah, mm-hmm.
• 1:07:01
  Speaker 6: I mean, if you had a really tight story, that
• 1:07:04
  Speaker 6: would just be so amazing to see these pastel colors
• 1:07:09
  Speaker 6: and the sky and some of the weird landscape effects.
• 1:07:16
  Speaker 12: Or just the weird effect of the red aliens that
• 1:07:19
  Speaker 12: get into your brain and make you think they're monsters.
• 1:07:22
  Speaker 12: It's like there's a liquid light show that just kind
• 1:07:24
  Speaker 12: of pours into the ship at some point in time.
• 1:07:26
  Speaker 12: I was like, this is either really cheesy or really cool.
• 1:07:31
  Speaker 12: I can't decide.
• 1:07:32
  Speaker 8: The first time, I swear, I thought she reached up
• 1:07:34
  Speaker 8: to her head and said, my hair.
• 1:07:37
  Speaker 12: I was pretty sure that's what she said. But I
• 1:07:40
  Speaker 12: cracked up at that.
• 1:07:41
  Speaker 8: My hair.
• 1:07:44
  Speaker 12: Such a funny line. And then what's his name?
• 1:07:47
  Speaker 6: Michael Bolton goes, we just survived an attack by the
• 1:07:50
  Speaker 6: most powerful.
• 1:07:51
  Speaker 5: Weapon in the universe.
• 1:07:52
  Speaker 9: Yeah, congratulations. Mike, he was really excited.
• 1:07:55
  Speaker 8: Cross that off my bucket list. The best part is
• 1:07:58
  Speaker 8: then she does this little hop and is like, that
• 1:08:00
  Speaker 8: was awesome. Like, we are so cool because we just
• 1:08:03
  Speaker 8: did that.
• 1:08:04
  Speaker 6: Yeah, those little moments, it's like, these are the movies
• 1:08:08
  Speaker 6: Burt Reynolds made in Boogie Nights.
• 1:08:11
  Speaker 9: Yeah, I know.
• 1:08:14
  Speaker 8: I don't know. I mean, there's a level where I
• 1:08:16
  Speaker 8: think it does work, like you were saying. It still
• 1:08:19
  Speaker 8: has the really cool visuals and the campiness that sort
• 1:08:23
  Speaker 8: of carries it. And then there's a lot of moments of,
• 1:08:26
  Speaker 8: and it's mostly dialogue and just, yeah, story stuff that
• 1:08:29
  Speaker 8: sort of drags it down.
• 1:08:30
  Speaker 6: It's just the awkwardness and dead space that keeps it
• 1:08:34
  Speaker 6: from cohering.
• 1:08:35
  Speaker 8: But in a way, that's almost, it's like charm.
• 1:08:37
  Speaker 12: At the same time, it's like there's dead space, but
• 1:08:39
  Speaker 12: there were so many times I was watching that and
• 1:08:41
  Speaker 12: I feel like, did they cut 20 minutes out of this?
• 1:08:44
  Speaker 5: Yeah.
• 1:08:44
  Speaker 8: Kind of. Where are we now?
• 1:08:46
  Speaker 9: At moments, I thought, this is just like the room
• 1:08:49
  Speaker 9: in space.
• 1:08:51
  Speaker 5: Yeah.
• 1:08:52
  Speaker 8: It's Sinbad in space. That's what he wanted to do.
• 1:08:54
  Speaker 8: And it feels like that. Even aside from the weird
• 1:08:58
  Speaker 8: stop motion stuff, it still kind of has that same
• 1:09:01
  Speaker 8: spirit of the Sinbad movies, only their ship is a spaceship.
• 1:09:05
  Speaker 8: It still kind of feels like a Sinbad in space movie.
• 1:09:08
  Speaker 6: I thought you meant Sinbad the comedian.
• 1:09:11
  Speaker 8: That guy's hilarious. I don't want to hear anything other
• 1:09:14
  Speaker 8: than that.
• 1:09:16
  Speaker 12: Why haven't they made a Sinbad movie with Sinbad?
• 1:09:18
  Speaker 8: That's... They really should, actually.
• 1:09:21
  Speaker 13: Was it Man of the House? The one that had
• 1:09:23
  Speaker 13: the weird girl that was obsessed with the Smiths?
• 1:09:25
  Speaker 12: You're assuming we've seen any Sinbad movies.
• 1:09:28
  Speaker 16: I have.
• 1:09:28
  Speaker 9: I have seen... Fucking ruled. I've seen First Kid.
• 1:09:32
  Speaker 12: And There's the Door, Sir.
• 1:09:33
  Speaker 9: I have seen... It doesn't end there. Is he in
• 1:09:35
  Speaker 9: Jingle All the Way?
• 1:09:36
  Speaker 8: Let me tell you.
• 1:09:36
  Speaker 3: He is.
• 1:09:36
  Speaker 8: He is in Jingle All the Way.
• 1:09:37
  Speaker 12: Oh, crap. I have seen one.
• 1:09:39
  Speaker 8: That's it. We're all leaving then.
• 1:09:40
  Speaker 5: I'm guilty. I've never seen any of them. Call Tiffany,
• 1:09:43
  Speaker 5: because he's going to know everything. Yeah, Tiffany will know
• 1:09:45
  Speaker 5: all of them.
• 1:09:46
  Speaker 8: So what's your final take on this movie, Eric? The
• 1:09:51
  Speaker 8: lack of.
• 1:09:55
  Speaker 5: Fill in the lines.
• 1:09:57
  Speaker 9: So many things.
• 1:09:58
  Speaker 8: Yeah, well, Mad Libs the rest of this.
• 1:10:00
  Speaker 5: We've got a Mad Libs review right here.
• 1:10:02
  Speaker 11: The whole, he suddenly has superpowers that are completely unexplained
• 1:10:06
  Speaker 11: really bothered me. And they just, he kind of mentions, oh,
• 1:10:09
  Speaker 11: it's illegal to mess with time.
• 1:10:11
  Speaker 8: Like, oh, okay, that's why we're not doing it.
• 1:10:13
  Speaker 9: Yeah, like wagging his finger.
• 1:10:15
  Speaker 5: Yeah, but the emperor can do it.
• 1:10:19
  Speaker 8: Well, he's the emperor, right?
• 1:10:21
  Speaker 5: He can also fix parking tickets.
• 1:10:24
  Speaker 8: Mess with time.
• 1:10:25
  Speaker 6: And if you get a parking ticket... Well, when you've got.
• 1:10:28
  Speaker 8: That bling like the Emperor, those gold chains he had
• 1:10:33
  Speaker 8: going on, he was.
• 1:10:33
  Speaker 12: I've got to give it to Christopher Plummer. I mean,
• 1:10:35
  Speaker 12: I'd seen Rock-A-Doodle, and I didn't know that he could
• 1:10:37
  Speaker 12: top that, but damned if he didn't. Damned if he didn't.
• 1:10:40
  Speaker 13: I really like Rock-A-Doodle.
• 1:10:44
  Speaker 8: Marlon, there's the dole.
• 1:10:45
  Speaker 9: I did too. It's another childhood movie that.
• 1:10:49
  Speaker 16: I don't know.
• 1:10:50
  Speaker 12: Something about growing up as a kid, Don Bluth animation stuff,
• 1:10:55
  Speaker 12: it just rubbed me wrong. I mean, it just... To me, like,
• 1:11:00
  Speaker 12: every single Don Bluth movie felt like I was watching
• 1:11:03
  Speaker 12: a fever dream.
• 1:11:04
  Speaker 4: As a kid.
• 1:11:04
  Speaker 9: Like, they made me feel sick watching that. Did he
• 1:11:06
  Speaker 9: do All Dogs Go to Heaven?
• 1:11:07
  Speaker 2: Yeah.
• 1:11:08
  Speaker 9: Which I tried to rewatch, and it's, like, unwatchable.
• 1:11:10
  Speaker 4: Like, it really.
• 1:11:11
  Speaker 9: I think I was saying, like, last week how it's...
• 1:11:15
  Speaker 9: You don't realize when people are in a recording booth
• 1:11:18
  Speaker 9: for an animated movie how you can't talk like a
• 1:11:21
  Speaker 9: normal person. You have to be in your emotions, exaggerate everything.
• 1:11:25
  Speaker 9: And basically, All Dogs Go to Heaven is just Burt
• 1:11:28
  Speaker 9: Reynolds and Dom DeLuise just kind of bullshitting with each
• 1:11:30
  Speaker 9: other with no script. And they just animated over that.
• 1:11:33
  Speaker 9: It's so distracting.
• 1:11:34
  Speaker 12: Well, the funny thing is when I caught part of
• 1:11:37
  Speaker 12: that on something... Not too long ago. Yeah, I don't
• 1:11:42
  Speaker 12: know what the circumstances were, but I remember watching, like,
• 1:11:45
  Speaker 12: five minutes of it, like, near the beginning, and I
• 1:11:47
  Speaker 12: was like, you know, when I was a kid, I
• 1:11:49
  Speaker 12: never realized that the whole plot of this is a
• 1:11:51
  Speaker 12: film noir. I was like, huh. And I went back
• 1:11:53
  Speaker 12: to whatever I was doing. Like, I didn't keep watching
• 1:11:55
  Speaker 12: it after that, but I just remember being like, I
• 1:11:57
  Speaker 12: didn't get that when I was a kid. No, I
• 1:11:59
  Speaker 12: still haven't given it a chance. I just moved on.
• 1:12:02
  Speaker 6: You never realize that The Brave Little Toaster is a
• 1:12:05
  Speaker 6: Homeric epic.
• 1:12:07
  Speaker 5: Right. It's a work of art.
• 1:12:10
  Speaker 12: Speaking of nightmare fodder from childhood, Scott.
• 1:12:13
  Speaker 8: What if your toaster had an adventure all its own?
• 1:12:17
  Speaker 12: I like the fact that, you know, 20 years down
• 1:12:19
  Speaker 12: the road, Brave Little Toaster goes to Mars.
• 1:12:21
  Speaker 8: Well, sure, like you do.
• 1:12:23
  Speaker 12: We sent it there before we sent Curiosity.
• 1:12:26
  Speaker 8: Yeah, that Curiosity guy, he's not only ripping off Johnny Five,
• 1:12:30
  Speaker 8: but also the Brave Little Toaster.
• 1:12:31
  Speaker 12: Yeah, I mean, what's going to happen now is essentially
• 1:12:35
  Speaker 12: Mac and Me is going to come to fruition now
• 1:12:37
  Speaker 12: that we've set that up in there.
• 1:12:40
  Speaker 9: Oh, Canada and your knockoff movies. Yeah, speaking of these.
• 1:12:45
  Speaker 5: That Mac and Me was, it was a McDonald's creation,
• 1:12:49
  Speaker 5: wasn't it?
• 1:12:49
  Speaker 8: That's the best scene in the whole movie.
• 1:12:52
  Speaker 5: It was, they like funded the movie.
• 1:12:54
  Speaker 6: I'm not familiar with this.
• 1:12:56
  Speaker 5: It's a horrible.
• 1:12:58
  Speaker 9: Oh my God.
• 1:13:01
  Speaker 12: As a kid, I remember watching it and that's what
• 1:13:03
  Speaker 12: stood out to me. Like that was one of the
• 1:13:05
  Speaker 12: very first times as a kid I became aware of
• 1:13:07
  Speaker 12: the concept product placement because like this alien that crashes
• 1:13:12
  Speaker 12: to earth i'm and i can't remember much of it
• 1:13:15
  Speaker 12: but basically as i recall the plot he comes to
• 1:13:19
  Speaker 12: earth he befriends some kid it's need to rip off
• 1:13:20
  Speaker 12: and what saves him when he's like ill at the
• 1:13:23
  Speaker 12: beginning is eating mcdonald's food of course.
• 1:13:28
  Speaker 13: I just thought of this funny thing that happened um
• 1:13:31
  Speaker 13: not related to anything we're talking about other than I
• 1:13:34
  Speaker 13: was with a friend, and we were scrolling through Netflix.
• 1:13:36
  Speaker 12: Speaking of segues.
• 1:13:38
  Speaker 13: Trying to find a movie, and I was like, ooh,
• 1:13:41
  Speaker 13: Mac and Me. He's like, hell no. And then there
• 1:13:43
  Speaker 13: was a little animated movie right next to Mac and Me,
• 1:13:49
  Speaker 13: and he's like, what's that? He's like, Todd Slons, Todd Slons,
• 1:13:52
  Speaker 13: get the fuck away from that. Get the fuck away
• 1:13:53
  Speaker 13: from that.
• 1:13:53
  Speaker 9: Like it was a bomb.
• 1:13:57
  Speaker 8: Some days you just can't get rid of a bomb.
• 1:13:59
  Speaker 12: All that stuff, American Tail, Land Before Time, all that stuff,
• 1:14:01
  Speaker 12: the animation just... I don't know.
• 1:14:03
  Speaker 8: Not so great. Was Land Before Time?
• 1:14:06
  Speaker 12: Land Before Time I'm pretty sure was Don Bluth too.
• 1:14:09
  Speaker 8: He brought in bigger names there.
• 1:14:12
  Speaker 5: My daughter loves anything and everything to do with dogs
• 1:14:17
  Speaker 5: and animation. She draws non-stop. She watches shows and draws
• 1:14:22
  Speaker 5: everything that's going on. Well you know Netflix she's scrolling
• 1:14:28
  Speaker 5: through and All Dogs Go to Heaven it's like two
• 1:14:30
  Speaker 5: and then like a Christmas episode and then one and
• 1:14:34
  Speaker 5: I said, what do you think about this one, the
• 1:14:36
  Speaker 5: original All Dogs? She goes, that's the worst movie I've
• 1:14:39
  Speaker 5: ever seen. And I said, really? She goes, yeah, it's bad.
• 1:14:42
  Speaker 9: And I was like.
• 1:14:44
  Speaker 5: I'm very proud of you for knowing the difference between.
• 1:14:47
  Speaker 12: Good and bad.
• 1:14:49
  Speaker 5: Good and evil. Right.
• 1:14:52
  Speaker 9: It's not just bad.
• 1:14:53
  Speaker 8: That's the true message of All Dogs.
• 1:14:55
  Speaker 5: That's the same moment my nephew, when his mom had taken,
• 1:14:58
  Speaker 5: because he was one of those kids that really never
• 1:15:00
  Speaker 5: had an opinion, and.
• 1:15:02
  Speaker 4: Loved movies.
• 1:15:03
  Speaker 5: And his mom brought him back from seeing Flubber. And
• 1:15:07
  Speaker 5: I said, what did you think of it? He goes,
• 1:15:08
  Speaker 5: it was stupid. I was like, you've now transcended and
• 1:15:13
  Speaker 5: you realize.
• 1:15:14
  Speaker 8: You've just taken your first step into a larger world.
• 1:15:19
  Speaker 5: Yes, it was.
• 1:15:19
  Speaker 12: We could almost make an episode.
• 1:15:20
  Speaker 9: We need these bad movies.
• 1:15:22
  Speaker 12: Yeah, make an episode almost about the very first time
• 1:15:24
  Speaker 12: we became aware of movies just being shit.
• 1:15:28
  Speaker 16: Yeah, right?
• 1:15:28
  Speaker 9: They were all awesome.
• 1:15:30
  Speaker 8: Add that to the list. Hold on.
• 1:15:31
  Speaker 9: Yeah.
• 1:15:32
  Speaker 12: Just like the first time there as a kid you
• 1:15:34
  Speaker 12: were sitting there and you were just like, what am
• 1:15:37
  Speaker 12: I watching? And to think, you know, you become cognizant
• 1:15:42
  Speaker 12: of that at like an early age and then at
• 1:15:44
  Speaker 12: the same time you do the same thing you do
• 1:15:46
  Speaker 12: as an adult. It's like, well, I haven't made the
• 1:15:50
  Speaker 12: commitment to sit here and watch this. I'm going to
• 1:15:51
  Speaker 12: see it through to the end. It's a very adult
• 1:15:54
  Speaker 12: moment in a child's life, you know, to basically learning
• 1:15:58
  Speaker 12: to cope with disappointed expectations.
• 1:16:01
  Speaker 6: Yeah, I think I've already covered mine.
• 1:16:06
  Speaker 8: We'll save all of that for another episode. So I
• 1:16:09
  Speaker 8: think we've covered Star Crash. We've veered off as we
• 1:16:13
  Speaker 8: usually do by the end of this, so I think
• 1:16:15
  Speaker 8: we better wrap it up and get the hell out
• 1:16:16
  Speaker 8: of here.
• 1:16:17
  Speaker 4: Yeah.
• 1:16:17
  Speaker 8: So with that, I'm not going to give you the
• 1:16:20
  Speaker 8: official Secret Circle reveal yet, mostly because these bastards won't
• 1:16:24
  Speaker 8: come up with a decent fanfare to save their life.
• 1:16:26
  Speaker 8: But I'll give you sort of a... It doesn't matter now.
• 1:16:29
  Speaker 8: It doesn't matter now. You missed your chance last week.
• 1:16:35
  Speaker 8: And the crowd goes wild.
• 1:16:36
  Speaker 6: Come on in my kitchen.
• 1:16:39
  Speaker 9: You don't even know what the fuck that is.
• 1:16:41
  Speaker 8: Robert Johnson.
• 1:16:43
  Speaker 12: Cobbler, cobbler, cobbler.
• 1:16:45
  Speaker 8: He has no fanfare. That's selling him short. So, okay, well,
• 1:16:50
  Speaker 8: just to kind of give you a heads up, a
• 1:16:53
  Speaker 8: potential amazing episode is coming your way. We're going to
• 1:16:58
  Speaker 8: return to our Tales from the Cryptids series. We haven't
• 1:17:02
  Speaker 8: done a Bigfoot episode in a long, long time, so
• 1:17:06
  Speaker 8: we're going to try to put together a very special
• 1:17:09
  Speaker 8: Bigfoot episode. We're roping in a few extra people, some
• 1:17:14
  Speaker 8: we've had on the show.
• 1:17:15
  Speaker 12: Because Harry Henderson is such a step above Mac and me.
• 1:17:19
  Speaker 8: I'm not sure we're going with that one to lead off. Eventually,
• 1:17:22
  Speaker 8: I hope that we'll get to all Bigfoot movies. I
• 1:17:25
  Speaker 8: don't like Harry Henderson.
• 1:17:26
  Speaker 12: Ben Kingsley's finest moment.
• 1:17:30
  Speaker 8: I think we'll try to find something even more ridiculous. So, yeah,
• 1:17:34
  Speaker 8: we're going to come back with, not next time, but
• 1:17:37
  Speaker 8: probably the following. We will come back with some sort
• 1:17:40
  Speaker 8: of Bigfoot episode that I'm not sure any of us
• 1:17:42
  Speaker 8: are prepared for. Well, then, otherwise, that about does it.
• 1:17:46
  Speaker 8: We will return next week. Same geek time, same geek feed.
• 1:17:48
  Speaker 8: Thanks for listening.
• 1:18:09
  Speaker 19: Dressed up for a big day.
• 1:18:12
  Speaker 6: Like Halloween day.
• 1:18:14
  Speaker 12: It was 4th of July now.
• 1:18:17
  Speaker 16: A car crash with.
• 1:18:19
  Speaker 19: A suitcase and a painted face. She was one of
• 1:18:23
  Speaker 19: a kind.
• 1:18:24
  Speaker 9: She wears a blessed crown.
• 1:18:26
  Speaker 14: Like cinderella and roller skates in.
• 1:18:30
  Speaker 16: Bed he rides the playhouse from his hometown when he comes.
• 1:18:37
  Speaker 14: Around cause i don't let him drive now i'm mixed
• 1:18:40
  Speaker 14: up as a milkshake but make no mistake man she's looking.
• 1:18:49
  Speaker 16: Like a star yeah like a.
• 1:18:52
  Speaker 19: Star You and me, we're invincible Together we can be Oh,
• 1:19:01
  Speaker 19: so tragical Whatever.
• 1:19:05
  Speaker 16: Dress up just like.
• 1:19:07
  Speaker 14: Ziggy But he couldn't lay me down Captain Crash And
• 1:19:15
  Speaker 14: the beauty queen from Mars.
• 1:19:23
  Speaker 19: She had a toothpick Drained lipstick Watching traffic.
• 1:19:30
  Speaker 8: At the diner, holding.
• 1:19:32
  Speaker 19: Hands, playing big plans, playing Superman.
• 1:19:37
  Speaker 16: He was wearing eyeliner.
• 1:19:40
  Speaker 14: Another local legend, in his longtime lucky charm.
• 1:19:48
  Speaker 16: You and me, we're invincible. Together we can be all
• 1:19:59
  Speaker 16: so tragic, y'all. Whatever. All dressed up like a singer.
• 1:20:07
  Speaker 16: But he couldn't break a tie. Captain Crash. I mean
• 1:20:15
  Speaker 16: for Mars Drunk on love As you can get Getting
• 1:20:21
  Speaker 16: high on lust And cigarettes Living life With no regrets
• 1:20:28
  Speaker 16: At least they're gonna try To.
• 1:20:35
  Speaker 19: Blind We're invincible.
• 1:21:00
  Speaker 16: Together we can be. Oh, so tragic.
• 1:21:05
  Speaker 3: Love.
• 1:21:06
  Speaker 16: Whatever.
• 1:21:13
  Speaker 14: Captain Crash and the Beauty Queen from Mars Captain Crash
• 1:21:22
  Speaker 14: and the Beauty.
• 1:21:25
  Speaker 16: Queen from Mars.
• 1:22:04
  Speaker 6: My painkillers are wearing off you.
• 1:22:07
  Speaker 9: And Bo and The rest of us really.
• 1:22:09
  Speaker 12: That's some more in the car.
• 1:22:11
  Speaker 8: No, I do not.
• 1:22:12
  Speaker 4: This episode is a production of Movie Meltdown, produced and
• 1:22:15
  Speaker 4: edited by The Oddity Studios, with opening music performed by
• 1:22:18
  Speaker 4: The Empires. For more on how to sponsor or support
• 1:22:21
  Speaker 4: the show, email producer at moviemeltdown.com.
• 1:22:24
  Speaker 7: Talk hard!