Latest / The Bootleg Kev Podcast / #609 - A$AP Ferg Talks A$AP Rocky, A$AP Yams’ Legacy, Carti, Work Remix, Club Paradise Tour Stories & More

Transcript

#609 - A$AP Ferg Talks A$AP Rocky, A$AP Yams’ Legacy, Carti, Work Remix, Club Paradise Tour Stories & More · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Hey, let's get into another interview brought to you by
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  Speaker 1: the pot Let's get into the episode. All right, yo,
• 0:55
  Speaker 1: it's the Bootleg keV show Man, Bootleg CAV Podcast special
• 0:58
  Speaker 1: guests in here the ferg Man Asap Ferg.
• 1:02
  Speaker 2: In the buildings, in that Persian line Egyptian God du
• 1:06
  Speaker 2: season line, You're my guy.
• 1:08
  Speaker 1: It's crazy. I was just listening to what was the
• 1:12
  Speaker 1: fucking I was working out? And what was the murder
• 1:16
  Speaker 1: something with you and Walker something? Wow, It's crazy how
• 1:20
  Speaker 1: long ago that album, like like Traplord was what twenty thirteen?
• 1:23
  Speaker 1: Twenty thirteen is Do you feel like an OG now?
• 1:27
  Speaker 1: Because you are kind of you're an OG at this point.
• 1:28
  Speaker 1: I mean when you're you have a fifteen year career.
• 1:32
  Speaker 2: I don't feel like a OG, but I know I'm
• 1:34
  Speaker 2: an OG, right, I'm a young OG.
• 1:36
  Speaker 1: Yes, definitely a young OG like you like went through
• 1:39
  Speaker 1: the blog era.
• 1:40
  Speaker 2: I went through some eras a lot of errors actually survived.
• 1:45
  Speaker 1: You were like before streaming and then the streaming era
• 1:47
  Speaker 1: comes and yeah, it's kind of crazy man. Yeah. Do
• 1:51
  Speaker 1: you ever like, like, like, how often do you? Cause?
• 1:52
  Speaker 1: I feel like sometimes when you have so much success
• 1:55
  Speaker 1: and you're kind of like living in your dream, you
• 1:57
  Speaker 1: don't really get to kind of like maybe reflect as
• 2:01
  Speaker 1: much as you would like because you're so in it.
• 2:03
  Speaker 1: Do you ever like sit back and reflect on just
• 2:05
  Speaker 1: kind of the journey.
• 2:07
  Speaker 2: I think that every album that I released new project,
• 2:10
  Speaker 2: I'm kind of forced to go back to it because
• 2:15
  Speaker 2: it's almost like a recap from like the beginning, just
• 2:18
  Speaker 2: like I'm doing with you. You're bringing up Odega Bams
• 2:21
  Speaker 2: and yeah, yeah the tam Boys. Like I'm now, I'm
• 2:27
  Speaker 2: thinking about all of the errors, and I'm thinking about
• 2:29
  Speaker 2: the music that came from that era, and I'm thinking
• 2:31
  Speaker 2: about the joy and all of that. So yeah, it's
• 2:34
  Speaker 2: constantly like going back and reflecting when I drop a
• 2:38
  Speaker 2: new project and I do press runs and even like
• 2:41
  Speaker 2: sometimes like just to just to see how much I've grown,
• 2:45
  Speaker 2: Like I'll go back and listen to like my first
• 2:48
  Speaker 2: album and just and and also because that was my
• 2:53
  Speaker 2: I feel like that was that album It took me
• 2:57
  Speaker 2: my whole life to make because up until that point,
• 2:59
  Speaker 2: I was just living life. And then I created an
• 3:01
  Speaker 2: album twenty thirteen and then like that that came out
• 3:08
  Speaker 2: of thin it.
• 3:09
  Speaker 1: I was like the most.
• 3:11
  Speaker 2: Purest I probably possibly could be creatively because I didn't
• 3:17
  Speaker 2: know what I was doing, Like I wasn't I was
• 3:20
  Speaker 2: just trying to create a genre. So I'm always making
• 3:22
  Speaker 2: sure I don't lose that wonder when it comes to creative.
• 3:26
  Speaker 1: You damn near. It kind of did create a genre,
• 3:28
  Speaker 1: and it's like crazy. If you think about work, it's
• 3:31
  Speaker 1: like there's like these forever club records, like No Hands
• 3:34
  Speaker 1: is one of them. You know, like there's just records that,
• 3:38
  Speaker 1: no matter what, forever will get played in clubs. But
• 3:41
  Speaker 1: for you, you got like work, which, obviously in the
• 3:43
  Speaker 1: hip hop clubs gets played. But then like like I
• 3:47
  Speaker 1: don't even know how many EDM remixes what that thing?
• 3:49
  Speaker 1: Bro Like every rave there's a work fucking joint.
• 3:53
  Speaker 2: Like yo, I'm seeing them pop up. Like I went
• 3:56
  Speaker 2: to a Diplo festival and he played one that they
• 4:01
  Speaker 2: was going crazy too, like and I was like, this
• 4:04
  Speaker 2: is nuts. So it takes on the life of his own.
• 4:06
  Speaker 2: I'll rock with it.
• 4:07
  Speaker 1: Do you like, like, do you have a favorite one
• 4:11
  Speaker 1: of the remixes?
• 4:12
  Speaker 2: I don't they just they just I might have heard
• 4:15
  Speaker 2: like too.
• 4:16
  Speaker 1: Because there's probably like two that are probably like huge
• 4:19
  Speaker 1: obviously the og remixes, you.
• 4:21
  Speaker 2: Know, yeah, one of the ones, well, I mean I
• 4:24
  Speaker 2: didn't remix none of those. Everybody's just doing their own
• 4:26
  Speaker 2: thing with it. But yeah, like the the og remix,
• 4:29
  Speaker 2: the Work remix, Yeah, that that all remix I was
• 4:34
  Speaker 2: just thinking about that because when I first did work,
• 4:38
  Speaker 2: I was like, all right, it's going that's obviously the song.
• 4:41
  Speaker 2: Well for y'all that don't know, that song took me
• 4:44
  Speaker 2: out of the hood through the strategy. But when I
• 4:48
  Speaker 2: did the remix, it really solidified my space and music.
• 4:52
  Speaker 2: And I remember like once Schoolboy Q he had sent
• 4:56
  Speaker 2: his version and I was like, oh no, he on
• 5:00
  Speaker 2: me on my ship. And I remember recording that ship
• 5:03
  Speaker 2: like three. I did three different verses and then it
• 5:06
  Speaker 2: was like the last one. I remember J Cole doing
• 5:09
  Speaker 2: the interview. He said, songs that usually work has great
• 5:14
  Speaker 2: call call and responses. So I remember I put two
• 5:18
  Speaker 2: call and responses in that song. It was the the
• 5:23
  Speaker 2: Cootie down to the South like a baby yeah ball,
• 5:35
  Speaker 2: So it was two calling responses and for sure that
• 5:37
  Speaker 2: it worked. Yeah.
• 5:39
  Speaker 1: Was there anybody almost made it on that remix, but
• 5:42
  Speaker 1: just for whatever reason, it just didn't get cleared or
• 5:44
  Speaker 1: didn't make it over the finish line. Nah.
• 5:46
  Speaker 2: That was the perfect song because during that time everybody
• 5:50
  Speaker 2: was on that song. It was like on the cring
• 5:53
  Speaker 2: crazy like it was like French was hot and you.
• 5:57
  Speaker 1: Know his fish grease.
• 5:59
  Speaker 2: He always hopped Doro like the hottest shit. So you
• 6:01
  Speaker 2: knew when French hopped on your shit, you had.
• 6:03
  Speaker 1: To around the time. He was on everything, Like, Yo.
• 6:07
  Speaker 2: He just popped up to my video shoot when I
• 6:09
  Speaker 2: did the work like OGV no, no, no, it was
• 6:12
  Speaker 2: wild that just popped up. Yeah, he popped about of nowhere.
• 6:15
  Speaker 2: But French always hopped on like the hottest shit and
• 6:19
  Speaker 2: still to this day. But Trinidad James, he had the
• 6:24
  Speaker 2: gold song out and then Rocky and then Q school
• 6:28
  Speaker 2: Boy Q.
• 6:29
  Speaker 1: So that was like atl La New York. It was
• 6:34
  Speaker 1: just crazy, Yo, can you speak back then? I feel
• 6:37
  Speaker 1: like there was such a dope synergy between the TD
• 6:43
  Speaker 1: crew and the ASAP crew, specifically with y'all and Q.
• 6:48
  Speaker 1: What was that like? Because obviously, you know, if you
• 6:50
  Speaker 1: talk about movements coming out of each coast like early
• 6:53
  Speaker 1: twenty tens, there's nothing that really kind of can compare
• 6:56
  Speaker 1: to what each one of y'all's crews had going on
• 6:59
  Speaker 1: in visually. What was that synergy like with y'all, how
• 7:02
  Speaker 1: did that initially start?
• 7:03
  Speaker 2: And it wasn't just Q, it was like everybody. Our
• 7:06
  Speaker 2: first tour was with Drake and it was on Kendrick.
• 7:10
  Speaker 2: Kendrick was dead Rocky was dead. Yeah club the first
• 7:14
  Speaker 2: it was the first club Paradise tour, yea and Yeah,
• 7:18
  Speaker 2: like we would we would hang out every day. That's
• 7:21
  Speaker 2: how I got that verse out of Q.
• 7:22
  Speaker 1: I was like, you gotta get on the remix, and
• 7:25
  Speaker 1: I was trying to get my Kendrick verse.
• 7:26
  Speaker 2: I was like, yo, I remember, I almost had it.
• 7:28
  Speaker 2: He was about the record, but we had to go perform.
• 7:30
  Speaker 2: I was hot, Damn what song were you trying to
• 7:32
  Speaker 2: get him on? It was like somebody pulled up any
• 7:35
  Speaker 2: beat and he was just feeling and I was like,
• 7:37
  Speaker 2: let's let's go, let's go, let's go. I was just
• 7:39
  Speaker 2: trying to get him on a song, but I had
• 7:41
  Speaker 2: Q locked in. I was trying to learn how to
• 7:43
  Speaker 2: mix from Ali. I was learning from everybody.
• 7:46
  Speaker 1: What was that tour like? Because you think about a
• 7:48
  Speaker 1: snapshot of history, that's that's crazy.
• 7:51
  Speaker 2: That toll was pure fun. Drake showed us how to
• 7:55
  Speaker 2: do it. When it came down to like lining up
• 7:59
  Speaker 2: all the women, he has send.
• 8:01
  Speaker 1: A scout, get all the girls, and then after we
• 8:05
  Speaker 1: like he got all of the girls, he got all
• 8:08
  Speaker 1: of the chicks right here. I feel like a lot
• 8:10
  Speaker 1: of the bigger artists that got that homie that they'll
• 8:12
  Speaker 1: send out of the crowd.
• 8:14
  Speaker 2: He had, he had that designated homie and then so
• 8:19
  Speaker 2: but I but he also had great showmanship and he
• 8:24
  Speaker 2: knew how to rock a craw that was.
• 8:25
  Speaker 1: A fucking problems Sarah, Right, fucking problems was out.
• 8:28
  Speaker 2: Yeah, I believe so. And then we had Kendrick and
• 8:33
  Speaker 2: well we had we had.
• 8:35
  Speaker 1: Uh was what was walk on that tour?
• 8:37
  Speaker 2: There was another Chase Chases on the tour. Shout out
• 8:40
  Speaker 2: to Chase, but yeah, we Kendrick performed and he was
• 8:45
  Speaker 2: like M sixteen on stage and uh, just to see
• 8:51
  Speaker 2: top every day with the red fitted on that breakfast
• 8:54
  Speaker 2: was like, oh.
• 8:55
  Speaker 1: Yeah, we're doing it. But you know, coming up like
• 9:00
  Speaker 1: Kendrick was amazing, amazing art. He's not the Kendrick we
• 9:05
  Speaker 1: know today.
• 9:06
  Speaker 2: Of course Drake was big, but he was not even
• 9:14
  Speaker 2: know he.
• 9:15
  Speaker 1: Was at the beginning of the like yeah, this is
• 9:17
  Speaker 1: the Star.
• 9:18
  Speaker 2: This is AMPU Theater and gems like era.
• 9:22
  Speaker 1: But to me, that ship was like, yeah, we're doing arenas,
• 9:25
  Speaker 1: Like that's what it looks like here right the second album, yeah,
• 9:29
  Speaker 1: take care of Yeah, and then we were linking up
• 9:33
  Speaker 1: We're going to it just opened up a whole different
• 9:35
  Speaker 1: world than me, and like, yeah, it was just on.
• 9:39
  Speaker 1: When you think about, like how crazy it is to
• 9:41
  Speaker 1: fast forward and almost everyone who was on that tour
• 9:43
  Speaker 1: together is at odds with each other. It's kind of crazy.
• 9:49
  Speaker 2: I feel like that's kind of natural though, because even
• 9:52
  Speaker 2: when you think about the family dynamic and like little
• 9:55
  Speaker 2: brother big brother things, you know, a lot of the
• 9:59
  Speaker 2: times a little brother want to grow up and prove
• 10:01
  Speaker 2: themselves and don't want to be under the wing of
• 10:03
  Speaker 2: the big brother. Like so that happens a lot, like
• 10:06
  Speaker 2: people growing to individuals, and a lot of the times
• 10:10
  Speaker 2: where we start it's not who we really are. We
• 10:14
  Speaker 2: still growing into the person we are. So the the
• 10:17
  Speaker 2: k Dot that was on tour, or the drake that
• 10:20
  Speaker 2: was on tour, the rocket that was on tour, the
• 10:22
  Speaker 2: ferg that was on tour as not that same person.
• 10:25
  Speaker 2: We were still learning ourselves during that time. So when
• 10:29
  Speaker 2: you grow you can't expect for the relationship to be
• 10:31
  Speaker 2: the same.
• 10:32
  Speaker 1: Mmm. Yeah, no, that's real. Hey, we got to stop
• 10:34
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• 12:11
  Speaker 1: Today is Yam's birthday? No? Is it just thirty seventh birthday? Today?
• 12:20
  Speaker 1: I believe it's today? Is it today? Yeah, today's yams birthday,
• 12:27
  Speaker 1: thirty seven today?
• 12:28
  Speaker 2: Wow, life is going. I was older than the MS.
• 12:32
  Speaker 2: I'm older than the EMS a few two months.
• 12:35
  Speaker 1: I'm thirty eight so month. Yeah, yeah, I was born
• 12:38
  Speaker 1: January eighty.
• 12:39
  Speaker 2: Seven, thirty eight.
• 12:40
  Speaker 1: Yeah. Wow. So can you kind of cause you know
• 12:43
  Speaker 1: I was.
• 12:44
  Speaker 2: Show you was like at the shows and like what
• 12:47
  Speaker 2: was you doing like when we first started, I was
• 12:49
  Speaker 2: doing radio.
• 12:50
  Speaker 1: Yeah, Like I kind of started cracking in the blog
• 12:52
  Speaker 1: era like twenty ten, twenty eleven.
• 12:54
  Speaker 2: Like did you start during that time?
• 12:56
  Speaker 1: Yeah? Like I had all the early like Freddy interviews
• 12:59
  Speaker 1: all the early like did you start though, uh start
• 13:03
  Speaker 1: start like oh five, when I was like eighteen, I
• 13:06
  Speaker 1: figured that and then like by the time the blog
• 13:09
  Speaker 1: er kicked off, I was in Vegas and that's when
• 13:10
  Speaker 1: I was getting like I had an underground hip hop show,
• 13:13
  Speaker 1: so all the fool's coming up, like yeah, because he
• 13:15
  Speaker 1: always looked at you like super solidified in your space, right,
• 13:18
  Speaker 1: So it was like what like yeah, like that vege.
• 13:22
  Speaker 1: Like when I was living in Vegas in like twenty
• 13:24
  Speaker 1: ten eleven, that's when I had Mac Miller, like up
• 13:26
  Speaker 1: before he even had I think when he just dropped kids.
• 13:28
  Speaker 2: Shout outs to the goat resting piece of Mac Miller.
• 13:32
  Speaker 2: I remember he brought a belt from me. This is
• 13:34
  Speaker 2: like before I was rapping and like I just started
• 13:38
  Speaker 2: like pushing the music and he was linking over Rocky
• 13:43
  Speaker 2: and I was selling these belts. It was called Davoni
• 13:46
  Speaker 2: and he brought some belts from me. So shout out to.
• 13:48
  Speaker 1: I got him on a mural outside. Yeah, see shout
• 13:51
  Speaker 1: out to Mac man risked in peace Gone too soon man.
• 13:54
  Speaker 1: But speaking of gone too soon, can you kind of
• 13:55
  Speaker 1: speak because I was talking with Jay Worthy and we
• 13:58
  Speaker 1: were kind of talking about how he was so worthy.
• 14:00
  Speaker 1: He was just saying like how like Yams really like
• 14:02
  Speaker 1: was one of the first guys really give him like
• 14:04
  Speaker 1: the confidence to take music series.
• 14:06
  Speaker 2: Jay Worthy is like the red version of Yams, but
• 14:10
  Speaker 2: it kind of felt like red.
• 14:14
  Speaker 1: At such a high level of like an ear of taste,
• 14:17
  Speaker 1: Like you know what I'm saying, like what can you
• 14:19
  Speaker 1: just kind of speak to like his importance and you
• 14:24
  Speaker 1: know what what he brought to the table as a
• 14:26
  Speaker 1: crew member and maybe just share like a fond memory
• 14:28
  Speaker 1: of him, you know, because I feel like, for whatever reason,
• 14:31
  Speaker 1: we don't talk about Yams enough.
• 14:33
  Speaker 2: Yams is a geek, and he's a geek for culture,
• 14:38
  Speaker 2: so he dives into culture just like all of.
• 14:41
  Speaker 1: Us are geeks.
• 14:42
  Speaker 2: Like I'm in geek too, Like when it comes down to,
• 14:44
  Speaker 2: you know, geeking about sounds, the eclectic music types like Yams.
• 14:50
  Speaker 2: Is that like, you know, shout out to Max B.
• 14:53
  Speaker 2: He just got out of prison.
• 14:54
  Speaker 1: I just saw you with him, yep.
• 14:56
  Speaker 2: And Yams used to work with Karen Silvill under Max
• 15:01
  Speaker 2: B to pack his CDs and all of that, So
• 15:03
  Speaker 2: that that shows you, like already like he was ahead
• 15:06
  Speaker 2: of the game, learning and turning working just learning the
• 15:11
  Speaker 2: business to become who he eventually became, which is one
• 15:15
  Speaker 2: of the big biggest execs in the world. He he
• 15:21
  Speaker 2: took a bunch of different textures, which is the mob,
• 15:25
  Speaker 2: and made us mesh well and you know we we
• 15:30
  Speaker 2: we got everything from the high end all the way
• 15:32
  Speaker 2: to the you know, New York grungey, gritty vibes going
• 15:36
  Speaker 2: and he he made that blend.
• 15:39
  Speaker 1: Well, that's who Yams was. Do you think very good curator?
• 15:43
  Speaker 1: Do you think losing him was kind of like losing
• 15:45
  Speaker 1: the glue that kind of kept everybody together.
• 15:47
  Speaker 2: I wouldn't want to say that losing him is losing
• 15:49
  Speaker 2: the glue. I would have said that before. But like
• 15:52
  Speaker 2: I said, like we all grow, and it eventually happened
• 15:56
  Speaker 2: like people growing to themselves and realized like, oh I
• 16:00
  Speaker 2: don't want to do this, I really want to do this,
• 16:02
  Speaker 2: or whatever the case may be. I think that Yams
• 16:05
  Speaker 2: was a very important ingredient when it came down to
• 16:10
  Speaker 2: being an ear being, somebody who had vision, being somebody
• 16:15
  Speaker 2: who had who had skin in the game, because I
• 16:20
  Speaker 2: when I came in the game, I didn't know what
• 16:21
  Speaker 2: was going on right right right, right, Like I said,
• 16:24
  Speaker 2: he was packing tapes up in CDs and all of
• 16:27
  Speaker 2: that for Max b so he he had skin in
• 16:30
  Speaker 2: the game.
• 16:31
  Speaker 1: Yeah, you're like just riding this crazy like twenty ten,
• 16:34
  Speaker 1: twenty eleven, twenty twelve wave surf waves, so such a
• 16:39
  Speaker 1: crazy time. It was a whole wave.
• 16:42
  Speaker 2: Yeah, it was a wave, and it was definitely a
• 16:44
  Speaker 2: time to be alive. Like it was like we all
• 16:48
  Speaker 2: caught the frequency, like we was all on a wave.
• 16:51
  Speaker 1: We was all like Danny Brown. Can't forget him, fucking
• 16:53
  Speaker 1: Danny Brown. Yeah. One Train is one of the greatest.
• 16:55
  Speaker 1: I always say this, like it's my favorite posse cuts
• 16:58
  Speaker 1: probably in the last twenty years, fifteen years. Rocky is
• 17:00
  Speaker 1: a genius for that. Just that lineup Yellow Wolf, Big Critch, Zoey, Badass. Oh,
• 17:08
  Speaker 1: Krit's one him Ones Action Bronson Crazy. I saw you
• 17:14
  Speaker 1: obviously you and Denzelben. You know you're on his last
• 17:17
  Speaker 1: project and you guys are tight. But he's on my
• 17:20
  Speaker 1: last project too. I saw you hanging out with him
• 17:22
  Speaker 1: playing him the polo record, and uh do you ever?
• 17:25
  Speaker 1: Like I always think one of the biggest what ifs
• 17:27
  Speaker 1: and hip hop is like if the Raider Klan and
• 17:30
  Speaker 1: Asap never fell out, because there was such a like
• 17:33
  Speaker 1: it was just such a beautiful moment in like underground rap.
• 17:38
  Speaker 2: Like, well, I feel like, Yeah should have signed everybody
• 17:44
  Speaker 2: because he could.
• 17:44
  Speaker 1: Have right Space goes per everybody.
• 17:48
  Speaker 2: Everybody cutthroat, you know, Joey Fats, Matthews. Ye, he could
• 17:56
  Speaker 2: have like the whole beast coast, like he could have
• 17:59
  Speaker 2: figured something something.
• 18:00
  Speaker 1: I mean, we were super young, so like I had underachievers.
• 18:05
  Speaker 2: We we growing into ourselves and I don't think everybody
• 18:09
  Speaker 2: fully understood their powers, right, but yeah, definitely, Like when
• 18:14
  Speaker 2: I think of a SAP, it ain't just us. It's
• 18:18
  Speaker 2: like we all threw that up. We all threw the
• 18:21
  Speaker 2: handshake up with TD. We did the same handshake with them,
• 18:24
  Speaker 2: with UZI, with Lil YACHTI with like these just all
• 18:28
  Speaker 2: and they was the second coming Cardi, Like that's that's
• 18:32
  Speaker 2: all the mob for was there?
• 18:34
  Speaker 1: Because I think back to like the early Cozy Tape
• 18:36
  Speaker 1: ship and like I, I like knew Cardi had like
• 18:40
  Speaker 1: star qualities to him, but I had no idea like
• 18:43
  Speaker 1: he had superstar, biggest rock star in rap quality, Like
• 18:49
  Speaker 1: what was like it being around like during the Cozy
• 18:53
  Speaker 1: Tape early you know Cardi days, because that's the first
• 18:56
  Speaker 1: time I ever heard Cardi was, I think on the
• 18:58
  Speaker 1: first Cozy Tapes project, like, did you have any idea
• 19:00
  Speaker 1: this this could even be an outcome? Like it's kind
• 19:02
  Speaker 1: of crazy, right.
• 19:03
  Speaker 2: I could not lie to you and say yes I did,
• 19:05
  Speaker 2: Like I mean, I never put it past anybody to
• 19:09
  Speaker 2: you know, become what they're gonna become.
• 19:11
  Speaker 1: But you know, to me, he was already successful, like
• 19:14
  Speaker 1: he was already doing this.
• 19:16
  Speaker 2: But to even think past what he where he was
• 19:20
  Speaker 2: at and just when he took his his fashion and
• 19:23
  Speaker 2: creative direction and just created a world very commendable. And no,
• 19:29
  Speaker 2: I did not see all of this coming, but I'll
• 19:34
  Speaker 2: give Rocky credit because Rocky seen it and he told
• 19:38
  Speaker 2: me early on he said, Yo, this dude, he's about
• 19:42
  Speaker 2: to be like the next Wayne. And I'm like what
• 19:46
  Speaker 2: And not in a bad way, but I'm just like, yo,
• 19:48
  Speaker 2: he got his own style, his own thing. And I
• 19:51
  Speaker 2: don't know if him and Cardi, that's that's what I
• 19:53
  Speaker 2: gotta like asks either one of them like next time
• 19:57
  Speaker 2: I see him, as like, did you have conversation about
• 20:01
  Speaker 2: the Wayne thing or this and that? Because he really
• 20:04
  Speaker 2: like and now he on some like Michael Jackson shit
• 20:07
  Speaker 2: like he just but it's all vamped out.
• 20:10
  Speaker 1: It's all. It's very different than what it was then,
• 20:13
  Speaker 1: like ten years ago. Cardi is like a lot different.
• 20:16
  Speaker 2: But but when you think about it, is.
• 20:20
  Speaker 1: It that's fair? Is it? Like really? Like when you
• 20:24
  Speaker 1: look at the makeup of it all, and like, yeah,
• 20:27
  Speaker 1: when I think when he comes from like Telephone Calls,
• 20:30
  Speaker 1: which is one of my favorite records, and like even
• 20:32
  Speaker 1: him on that was just like hellaly, like what the
• 20:34
  Speaker 1: fuck is it?
• 20:36
  Speaker 2: Like no, he's he's just doing what he learned. Like
• 20:41
  Speaker 2: you think about opium, opium is is asap for sure.
• 20:45
  Speaker 2: You know what I'm saying. They doing it in their way.
• 20:48
  Speaker 1: Yeah, it's the new I tell people who don't get it,
• 20:50
  Speaker 1: and I'm one of those people, by the way, Uh,
• 20:53
  Speaker 1: it's just the new punk rock. We don't have punk
• 20:55
  Speaker 1: rock anymore. Like like when we're growing up, bro, Like
• 20:58
  Speaker 1: there was fucking like rock bands that were cracking, but
• 21:00
  Speaker 1: who was that cook now? But we was doing the
• 21:03
  Speaker 1: goth But what I'm saying black I'm saying. I'm saying
• 21:07
  Speaker 1: like that's just the new iteration of it. It's yeah,
• 21:10
  Speaker 1: I mean, but that's what it's the Internet era. But
• 21:13
  Speaker 1: that's what hip hop always been. Look at the Furies
• 21:16
  Speaker 1: five and and uh, all of these guys wear fringes
• 21:19
  Speaker 1: on the leather jackets and tight leather pants. We've been
• 21:22
  Speaker 1: rock stars and hip hop is made of all of
• 21:26
  Speaker 1: those elements anyway. Yeah, yeah, when you watch Broking Glass everywhere,
• 21:30
  Speaker 1: like they was wearing cowboy boots and leather pants and
• 21:34
  Speaker 1: fringes on the leather jackets. You know what. I always
• 21:36
  Speaker 1: wanted to ask you because one of my favorite tours
• 21:40
  Speaker 1: was when you and Tory went out and uh, this
• 21:44
  Speaker 1: was right after Toy's first album and it was like
• 21:48
  Speaker 1: a co headline tour. I feel like, but was it ever?
• 21:53
  Speaker 1: Like in this food was doing all kind of crazy
• 21:55
  Speaker 1: ass ship, Like his live show was crazy, Like like
• 21:59
  Speaker 1: what was that was that? Like? What was that tour like?
• 22:01
  Speaker 1: Because it had to like you guys had to motivate
• 22:04
  Speaker 1: each other because you had the crazy energy. His energy
• 22:07
  Speaker 1: on that on that tour was he was he was doing,
• 22:10
  Speaker 1: he was in the crowd, he was doing all kind
• 22:12
  Speaker 1: of wild. He was climbing, limbing up on the ship.
• 22:14
  Speaker 1: It was wild. He was playing the fucking monkey bars
• 22:16
  Speaker 1: at every venue.
• 22:18
  Speaker 2: I like touring with him because like, my songs did
• 22:21
  Speaker 2: a lot of the crazy.
• 22:22
  Speaker 1: Ship, right your songs had the energy. Yeah, my songs
• 22:25
  Speaker 1: did a lot of crazy.
• 22:26
  Speaker 2: Ship and then when he because we was going like
• 22:28
  Speaker 2: back and forth, I do like three songs. He come out,
• 22:31
  Speaker 2: do three songs when he come out. I don't think
• 22:35
  Speaker 2: he even had the big songs yet he did. Yeah,
• 22:38
  Speaker 2: so he he he's.
• 22:40
  Speaker 1: He's showing people like, Yo, this is supposed to be
• 22:43
  Speaker 1: His biggest record was the Afrobeat Sounded Joint And then
• 22:48
  Speaker 1: say it.
• 22:51
  Speaker 2: And he's fucking climbing around but yeah, how you like
• 22:54
  Speaker 2: when how like how are you doing all of this?
• 22:56
  Speaker 2: Like but he's like climbing the second floor and ship. Yeah,
• 23:00
  Speaker 2: I'm like, Yo, just don't get sued.
• 23:01
  Speaker 1: Yeah, like come on, like, don't fall on a fucking fan.
• 23:04
  Speaker 2: Don't kill anybody, but Yo, shout out to Tory. I
• 23:08
  Speaker 2: remember early on Sasha.
• 23:10
  Speaker 1: Sasha is a great guy.
• 23:11
  Speaker 2: Yeah, Sasha is his manager. My dude, he brought Torri
• 23:16
  Speaker 2: early Tori to my hotel room and he played me
• 23:20
  Speaker 2: a freestyle that he did the shava on YouTube.
• 23:23
  Speaker 1: Crazy not like this dude is nice. Yeah it's nasty. Yo.
• 23:27
  Speaker 1: This new polo record that you just dropped, I saw
• 23:29
  Speaker 1: you kind of paying homage to like all the low Heads,
• 23:32
  Speaker 1: which for people who don't know, there's like a subculture
• 23:34
  Speaker 1: from the nineties where there was a ton of heavy
• 23:38
  Speaker 1: shoplifting going on in New York. Everybody had the polo collection.
• 23:42
  Speaker 1: Shout out to like Thurston Howe and all those guys.
• 23:45
  Speaker 1: How much of like when you were growing up, Like
• 23:48
  Speaker 1: how much of the polo because the polo shit was
• 23:50
  Speaker 1: it was very much like a subgenre of culture. But
• 23:54
  Speaker 1: their low heads were like serious motherfuckers.
• 23:56
  Speaker 2: Hey they wear polo like bloods with red It's crips
• 24:01
  Speaker 2: with blue bandannas. But yeah, but yeah, like the low
• 24:07
  Speaker 2: headed thing was is a thing.
• 24:09
  Speaker 1: It is a thing and was a thing.
• 24:11
  Speaker 2: But we was just winning polo because we liked polo,
• 24:14
  Speaker 2: like as kids, Like we wasn't even on We just wear.
• 24:17
  Speaker 1: What we like.
• 24:18
  Speaker 2: Yeah, the polo ship was man, but they just took
• 24:21
  Speaker 2: it to a whole other level.
• 24:23
  Speaker 1: And yeah, the towels, the the whatever.
• 24:28
  Speaker 2: Like jet skis. But yeah, I had to pay her
• 24:31
  Speaker 2: homage because Ralph is one of the best to do it.
• 24:35
  Speaker 1: That's how you met.
• 24:37
  Speaker 2: I met him a few times. I mean, yeah, shout
• 24:40
  Speaker 2: out to Ralph. Definitely shoutouts to Ralph Lichwitz.
• 24:44
  Speaker 1: Yeah, I want to give a shout out to our
• 24:46
  Speaker 1: family at Broken Man Broken. Listen. I love these vapes.
• 24:52
  Speaker 1: Broken Cannabis makes sure you go shoot them a follow.
• 24:55
  Speaker 1: I was in Austin, Texas, and you know I was
• 24:59
  Speaker 1: off the Broken in Texas, even though I'm not sure
• 25:01
  Speaker 1: legally I was supposed to be off the Broken in Texas.
• 25:03
  Speaker 1: But look, you gotta go follow them right now. Go
• 25:05
  Speaker 1: to Rokencannabis dot com. Shoot them a follow on social media.
• 25:08
  Speaker 1: You'll see it down below. They got the solventless Rosin pure.
• 25:12
  Speaker 1: It will melt you in a good way, by the way,
• 25:15
  Speaker 1: all right, So make sure you go shoot them a follow. Man.
• 25:17
  Speaker 1: And you know we only rock with the premium the best,
• 25:21
  Speaker 1: and when I tell you, Broken is the best. They've
• 25:23
  Speaker 1: been doing this for so long, and uh man, the rosin,
• 25:28
  Speaker 1: the solventless rosin Man, it hits all right. So they
• 25:30
  Speaker 1: got the disposables. They got the carts. Let's just open
• 25:35
  Speaker 1: one of these up just so y'all can see. These
• 25:36
  Speaker 1: carts are beautiful, all right, We got it open. He
• 25:40
  Speaker 1: fast forwarded, all right, So this is the cart. And
• 25:43
  Speaker 1: then obviously you got your disposable right here. Both of
• 25:47
  Speaker 1: these incredible. Follow them and check them out rocancannabis dot com.
• 25:51
  Speaker 1: I saw Baby Sam in New York and I think
• 25:53
  Speaker 1: she had just bought a painting off you. Yeah, but
• 25:56
  Speaker 1: you're like fully doing like art, like you did the
• 25:59
  Speaker 1: art for your album, You did art for your last
• 26:01
  Speaker 1: last album, for the new single. When did you kind
• 26:05
  Speaker 1: of find this pocket? Were you like confident enough to
• 26:07
  Speaker 1: like kind of because I feel like as an artist
• 26:10
  Speaker 1: it's probably like a little intimidating to like go out
• 26:14
  Speaker 1: outward with your art because you don't know how the
• 26:15
  Speaker 1: world's going to receive it, right.
• 26:17
  Speaker 2: I've always lived in that grete space though, like that
• 26:20
  Speaker 2: like that, uh, I always want to be on a
• 26:23
  Speaker 2: on a cusp of like what's next with my creativity.
• 26:27
  Speaker 2: So whether that's like you know, doing a song that
• 26:33
  Speaker 2: sample Smacked my Bitch up by Prodigy, or like doing
• 26:37
  Speaker 2: like a Crystal Waters sample with like with Missy Elliott
• 26:42
  Speaker 2: with Mustard. Like I'm always pushing, like even doing a
• 26:47
  Speaker 2: deep song like Pool on my last album. I'm always
• 26:52
  Speaker 2: like living on the edge with my artistry. And during
• 26:56
  Speaker 2: the pandemic, I was just sitting with myself and I
• 26:59
  Speaker 2: was just like, Yo, what what can I do to
• 27:02
  Speaker 2: just take my ship to the next level. And I've
• 27:04
  Speaker 2: been like on this thing of like building my own
• 27:07
  Speaker 2: world like I've always it's like, yo, people got to
• 27:10
  Speaker 2: see my world because they'll understand the music more once
• 27:13
  Speaker 2: they know fully who I am. And I was like, yeah,
• 27:17
  Speaker 2: they got to get it immersed into my daily routines,
• 27:21
  Speaker 2: like you know what I do to stay sane in
• 27:25
  Speaker 2: this business of my workout, my art, my my how
• 27:31
  Speaker 2: I think about clothing because that's what Rockefeller did for us,
• 27:35
  Speaker 2: you know what I'm saying. Like when I started thinking
• 27:36
  Speaker 2: about like all of the different facets and.
• 27:42
  Speaker 1: Entities that they.
• 27:42
  Speaker 2: Created, clothing, movies, liquor, everything all of that, I'm like,
• 27:50
  Speaker 2: they created everything for us. They created the Bible basically
• 27:54
  Speaker 2: for us to live by and like blueprint. And I
• 27:57
  Speaker 2: was like, all right, bet let me figure this out.
• 28:00
  Speaker 1: If you don't, I don't want to pocket watch. But
• 28:01
  Speaker 1: what's the most you saw the painting for so far?
• 28:05
  Speaker 2: That's private and I don't think the five digits. I
• 28:07
  Speaker 2: don't think the owners will appreciate you know this, This
• 28:11
  Speaker 2: this art thing is very Have you been commissioned, Yeah,
• 28:15
  Speaker 2: I've been commissioned from Hennessy to do a creative piece,
• 28:20
  Speaker 2: an art piece and I've been commissioned by Adidas, Oh
• 28:22
  Speaker 2: that's fire, to do an art piece, not by a person,
• 28:26
  Speaker 2: by corporations. And then recently I've just been commissioned to
• 28:31
  Speaker 2: to basically curate a space for ug Fieldhouse where like
• 28:36
  Speaker 2: people could come in and create their own ugs at
• 28:38
  Speaker 2: a workshop.
• 28:39
  Speaker 1: And what's up with the ug rand as stock man?
• 28:41
  Speaker 1: What's like? My son is a he like he wants ugs,
• 28:47
  Speaker 1: but he's like a little fashioned dude and he's like
• 28:51
  Speaker 1: he'd be having a little ugg slides. I'm like his Instagram,
• 28:54
  Speaker 1: I'll show you right now. He got all the baggy
• 28:57
  Speaker 1: ship on. Like he's like he of the ugslides. Bro Yeah,
• 29:02
  Speaker 1: the ugslides is joints is comfortable. But I always thought
• 29:05
  Speaker 1: ugs were for broads, you know what I'm saying, Like, Nah,
• 29:09
  Speaker 1: this fool is in Japan living it up. He's a
• 29:13
  Speaker 1: hooper back' he's twelve twelve twelve flying He just he's
• 29:21
  Speaker 1: just flying into fly ship. Yeah. You know it's crazy too,
• 29:24
  Speaker 1: because like I'm sure you got of man bagging baggy
• 29:28
  Speaker 1: ship being back. Yeah, whatever's wrong with it. It's not
• 29:32
  Speaker 1: it's nothing that it's wrong, it's just it's it's just crazy.
• 29:35
  Speaker 1: How baggy the ship's.
• 29:36
  Speaker 2: Getting but you ain't used to wear baggy ship of course.
• 29:41
  Speaker 1: But I'm like my older son is like trying to
• 29:44
  Speaker 1: get his hands on Jinkos. Older son twenty, I'm like, yo,
• 29:48
  Speaker 1: jink bro, you understand. I'm like, you understand, Like motherfuckers
• 29:51
  Speaker 1: used to all the white trash juggalos used to wear
• 29:53
  Speaker 1: Jinkos to shoplifted. They had the big pockets. Just go
• 29:57
  Speaker 1: to like fucking Jugglos. Is the clown face, Yeah, yeah,
• 30:02
  Speaker 1: Just It's just crazy how everything's full circle and there's
• 30:05
  Speaker 1: some of these funs shake Gilders. Now. I used to understand,
• 30:07
  Speaker 1: like your pa bro, So I'd be seeing the ship
• 30:10
  Speaker 1: SGA be wearing after these games and I'm like, yo,
• 30:12
  Speaker 1: this is.
• 30:13
  Speaker 2: I don't even be surprised by it, because you gotta
• 30:16
  Speaker 2: remember when I first came out, I was bringing back
• 30:19
  Speaker 2: Tommy Hill Fish.
• 30:20
  Speaker 1: Yeah, cool g or all of that stuff. You know
• 30:24
  Speaker 1: I'm saying.
• 30:24
  Speaker 2: You know, they're like, oh, that's why the old g's
• 30:26
  Speaker 2: was digging what I was doing because they could resonate
• 30:29
  Speaker 2: with what I was pulling out the box. And it's
• 30:32
  Speaker 2: the same thing with your kids. They seeing and then
• 30:34
  Speaker 2: you got the internet. Now that's going crazy. So beyond
• 30:37
  Speaker 2: even what you're looking at, they might tap into a
• 30:40
  Speaker 2: whole nother era.
• 30:41
  Speaker 1: They might go into the seventies. Motherfuckers is wearing the
• 30:43
  Speaker 1: hot topic pants and ship like the rave pants and
• 30:47
  Speaker 1: all kind of straps and chains and shit. I'm like,
• 30:49
  Speaker 1: the fuck is going on? I feel I definitely I
• 30:52
  Speaker 1: feel like I'm the old head for sure now, just
• 30:55
  Speaker 1: like you are.
• 30:58
  Speaker 2: I mean, hey, listen, I'm the cool all.
• 31:00
  Speaker 1: Yeah, yeah, for sure. Yo. When you guys first came out,
• 31:04
  Speaker 1: there was this narrative about how y'all didn't sound New
• 31:11
  Speaker 1: York enough, and you guys were because you guys were
• 31:14
  Speaker 1: so heavily influenced by everywhere. Right, was that ever something
• 31:17
  Speaker 1: y'all listened to or gave a fuck about?
• 31:19
  Speaker 2: Negative? Yeah, it's Internet. It's the Internet age. So we
• 31:23
  Speaker 2: were getting beats from beautiful lou Clams casino.
• 31:27
  Speaker 1: You know what I'm saying.
• 31:28
  Speaker 2: Clams wasn't making beats like a Jersey person like, it
• 31:32
  Speaker 2: wasn't no sound at that point like we had we
• 31:35
  Speaker 2: had dipset and fifty cents a point of reference.
• 31:39
  Speaker 1: Yeah, you think about that, especially think about fifty fifties
• 31:41
  Speaker 1: wrapping over everything. Yeah, but yeah, but yeah, he but
• 31:45
  Speaker 1: fifty was one of the found like full for like
• 31:48
  Speaker 1: founding fathers of mixing it because when he went to
• 31:52
  Speaker 1: mess with Dre and came to the West Coast, he
• 31:55
  Speaker 1: rapping over West Coast type beats with a Southern slang yep,
• 32:00
  Speaker 1: and he had he had Young Buck with him exactly
• 32:04
  Speaker 1: that melody drum.
• 32:05
  Speaker 2: So we ain't really started. We just we learned.
• 32:11
  Speaker 1: Yeah. No, it felt like you guys had such a uh.
• 32:15
  Speaker 2: To me and then and then also to you got
• 32:18
  Speaker 2: Cameron get It in the Ohio r.
• 32:21
  Speaker 1: Gas, don't forget about that album, doing the song, doing
• 32:24
  Speaker 1: the songs with master P and all of that, and
• 32:27
  Speaker 1: he did the Batter Batter remix and then he did
• 32:30
  Speaker 1: like the fucking on Purple Haze. He readed the Twister
• 32:33
  Speaker 1: and the Speeding Up Mobster's record.
• 32:34
  Speaker 2: Yeah, he was like he was like a Southern hallm nigga,
• 32:38
  Speaker 2: Like with the the the loud pink, with the colored car,
• 32:43
  Speaker 2: the you know what I'm saying, Like the the loudness,
• 32:46
  Speaker 2: that's something like Southern ship, Like we loud in a
• 32:49
  Speaker 2: flamboyant way.
• 32:51
  Speaker 1: Where did the Houston influence come in on everything?
• 32:55
  Speaker 2: I feel like that was more so a Rocky thing. Yeah,
• 32:57
  Speaker 2: because Rocky was moving around, changing schools and.
• 33:01
  Speaker 1: All of that. Right, Yeah, that's fair.
• 33:04
  Speaker 2: But I just liked to chop and screw my shit,
• 33:07
  Speaker 2: and that came natural to me. I didn't know that,
• 33:10
  Speaker 2: Like it was a person named DJ Screw and the
• 33:14
  Speaker 2: bard Baby and all of the like Killer Colone and
• 33:17
  Speaker 2: all of these guys bun Be and all of these
• 33:19
  Speaker 2: dudes that was. I didn't put it all together until
• 33:22
  Speaker 2: I start moving around and I'm like, oh, this is
• 33:26
  Speaker 2: a culture.
• 33:27
  Speaker 1: How do you end up? Because I do feel like,
• 33:30
  Speaker 1: you know, your debut album, you have b Real on there,
• 33:32
  Speaker 1: you have bone Thugs? How do you end up getting Onyx? Yeah?
• 33:35
  Speaker 1: How do you figure out the Bone Thugs feature? Those
• 33:37
  Speaker 1: guys are hard to get to do much of anything.
• 33:42
  Speaker 1: I don't know. I just did it.
• 33:43
  Speaker 2: I don't even know who I reached out to to
• 33:46
  Speaker 2: get them, like or Onyx.
• 33:49
  Speaker 1: Onyx is crazy too, yeah, Like but in my mind,
• 33:54
  Speaker 1: like just creating like the song that I got asked
• 33:57
  Speaker 1: in Matthews on with with Doctor Green Thumb, I was
• 34:04
  Speaker 1: just like, yeah, they we have to bridge the gap.
• 34:08
  Speaker 2: Like I just was all about. My whole theory was
• 34:12
  Speaker 2: like to.
• 34:12
  Speaker 1: Create history you have to make history with history, so
• 34:15
  Speaker 1: like literally, like if I made a song with Bone Thugs,
• 34:19
  Speaker 1: then when you type their name in Google, you're gonna
• 34:21
  Speaker 1: see my name. It's almost like you were able to
• 34:23
  Speaker 1: pull the errors together on a project, Like you walk
• 34:25
  Speaker 1: on a record and then you had Bone on a record. Yep.
• 34:29
  Speaker 1: I feel like you've done that pretty well throughout your
• 34:31
  Speaker 1: whole career too.
• 34:32
  Speaker 2: You always pay homage. I had Shoba on a record,
• 34:35
  Speaker 2: shap I got on a shop a remix that's wild
• 34:38
  Speaker 2: by the way, shap I got on a shop of
• 34:40
  Speaker 2: remix with Buster Rohms and the Migos.
• 34:43
  Speaker 1: Damn, I forgot the Migos that might have been like
• 34:46
  Speaker 1: one of the first remixes they did ever. Yeah, I
• 34:49
  Speaker 1: mean that's when they first.
• 34:51
  Speaker 2: And I didn't ask them to do it. Yeah they
• 34:54
  Speaker 2: so I was rocking with them.
• 34:56
  Speaker 1: That's like when like Takeoff was like the main guy,
• 35:00
  Speaker 1: Like I think people forget, Like when they first came out,
• 35:02
  Speaker 1: Takeoff was like the dude who's flow everyone stole.
• 35:06
  Speaker 2: I don't know if they stole it. I think that
• 35:07
  Speaker 2: they would.
• 35:10
  Speaker 1: Because flow is takeoffs. I got so.
• 35:12
  Speaker 2: Many songs with these dudes, like and I seen a
• 35:17
  Speaker 2: process they literally got a telepathy because you know Quavo
• 35:22
  Speaker 2: on Takeoff as cousins yea, so like literally like I
• 35:26
  Speaker 2: watched Takeoff do a verse leave spaces open and Cuavo
• 35:33
  Speaker 2: fill them in m literally like literally like so back
• 35:39
  Speaker 2: at like before they got like on a super like
• 35:41
  Speaker 2: slow R and B like for all of the girls.
• 35:43
  Speaker 2: And Cuevo told me when he was gonna do that too.
• 35:46
  Speaker 2: Before that it was just straight trapping and the dolls
• 35:50
  Speaker 2: out there window like they was on something trap about
• 35:52
  Speaker 2: that band. Oh, I feel like I feel like Cuevo
• 35:55
  Speaker 2: getting back to that him now.
• 35:58
  Speaker 1: And he needs to ship. Yeah. What was the thought
• 36:01
  Speaker 1: process when you put Snoop Dogg on the East Coast
• 36:03
  Speaker 1: remix with everybody from New York?
• 36:07
  Speaker 2: That was Brian Leach's idea. He was like, Yo, just
• 36:11
  Speaker 2: get everybody, And I was just like yo, but you
• 36:14
  Speaker 2: had like I'm like, Snoop Dogg is from the West
• 36:17
  Speaker 2: Coast and uh Rick Ross is from the South. But
• 36:22
  Speaker 2: he was just like, yo, get everybody on there, like
• 36:24
  Speaker 2: you could represent all of the coasts. So it was
• 36:26
  Speaker 2: basically like a shout out.
• 36:27
  Speaker 1: Yeah, like like like like we're gonna like the originals
• 36:30
  Speaker 1: the East Coast Joint the What's so so funny about that? Though?
• 36:34
  Speaker 2: That video is that Snoop Dogg sent in for the video.
• 36:39
  Speaker 2: He sent in a video, an I phone video of
• 36:42
  Speaker 2: him in the studio doing his part, but he has
• 36:45
  Speaker 2: a bow tie on talking the most gangsteris shit ever? Like, Yo, bro,
• 36:52
  Speaker 2: if you look at that video right now, he has
• 36:54
  Speaker 2: a bow tie.
• 36:55
  Speaker 1: On, the King of the Side, quest Snoop Dogg.
• 36:58
  Speaker 2: Yo, I'm like, only this dude could get away with
• 37:00
  Speaker 2: this type of shit.
• 37:01
  Speaker 1: You're obviously you're building a Like when did you really
• 37:04
  Speaker 1: get kind of committed to building this fash or the
• 37:08
  Speaker 1: fitness thing you're doing. Because I saw you running with
• 37:11
  Speaker 1: with Nori and you know the fir Strong thing. I
• 37:14
  Speaker 1: saw you doing a boot camp. Yeah, makes me tired
• 37:16
  Speaker 1: of just watching it.
• 37:19
  Speaker 2: These are the things that I do with the camera off.
• 37:22
  Speaker 2: So like when I created the fag Strong song and
• 37:26
  Speaker 2: then the video, I was just like, Yo, I never
• 37:28
  Speaker 2: really married me working out with my songs because a
• 37:33
  Speaker 2: lot of people tell me they work out or they
• 37:34
  Speaker 2: train to my songs.
• 37:35
  Speaker 1: Athletes you do have all time workout records.
• 37:38
  Speaker 2: So I was like, yo, I need to insert myself
• 37:42
  Speaker 2: into it and see what happens with doing that because
• 37:44
  Speaker 2: I work out, so like, let me just show myself
• 37:47
  Speaker 2: doing it. And then I'm like, all right, what would
• 37:49
  Speaker 2: be better than myself working out, like working out with people.
• 37:52
  Speaker 2: So I started doing like these activations and running with people.
• 37:55
  Speaker 2: And it's also a part of my fitness journey too,
• 37:58
  Speaker 2: holding myself accountable, like whenever I try. I went to Japan,
• 38:01
  Speaker 2: and I'm like holding myself accountable by linking up with
• 38:04
  Speaker 2: these running groups so I can make sure that I
• 38:08
  Speaker 2: get my ship in when I'm traveling. So that's really
• 38:11
  Speaker 2: where it started.
• 38:12
  Speaker 1: Yeah. Now it's like it's like it's a thing. That's
• 38:14
  Speaker 1: the thing. Yeah, it's a movement, burg Strong, burg Strong. Yeah. Yeah,
• 38:19
  Speaker 1: are you like actively like watching what you're eating? Ship?
• 38:23
  Speaker 1: For sure? Definitely.
• 38:24
  Speaker 2: I've always done that though, Like I've always been helf conscious.
• 38:27
  Speaker 2: My father died of a kidney failure, so like you know,
• 38:30
  Speaker 2: when he passed away.
• 38:31
  Speaker 1: Got teas fucking yoked. That's my uncle, Your uncle's.
• 38:35
  Speaker 2: Yeah, he got the muscles that don't go away, but
• 38:38
  Speaker 2: he can eat whatever he wants. Yeah I can't. I
• 38:42
  Speaker 2: can't follow him. I literally thought about that yesterday. I'm like, yo,
• 38:45
  Speaker 2: his breed is different, like his makeup is differentabolism just
• 38:49
  Speaker 2: it's built different.
• 38:50
  Speaker 1: Bro.
• 38:50
  Speaker 2: Yeah, heat a light skin version, so I don't know,
• 38:52
  Speaker 2: like skin people would get away with other stuff.
• 38:54
  Speaker 1: Yo, when you did Plane Jane, did you send it
• 38:56
  Speaker 1: to Juicy j before it came out, like to be like, hey,
• 39:00
  Speaker 1: look what I did. I flipped the slop on my knob. Shit.
• 39:03
  Speaker 1: I didn't send it to him, but I got him
• 39:05
  Speaker 1: on a version that's in the video. But I just
• 39:08
  Speaker 1: I was just wondering, like if you were working on
• 39:10
  Speaker 1: it initially, like you set it off to be like
• 39:12
  Speaker 1: hey check this out, like this is what I'm cooking
• 39:14
  Speaker 1: right now. Nah.
• 39:15
  Speaker 2: Nah, I don't think I did that, but I sent
• 39:18
  Speaker 2: it to him to get on and I have a
• 39:20
  Speaker 2: version with him on it. So if you watch the
• 39:22
  Speaker 2: Plane Jane video, yeah there's it's a clip of him rapping.
• 39:26
  Speaker 2: You hear him rapping like literally like eight bars and
• 39:30
  Speaker 2: yeah that's the only.
• 39:33
  Speaker 1: So that was supposed to be like an Easter egg
• 39:34
  Speaker 1: back then. I don't know if anybody picked it up.
• 39:38
  Speaker 1: Did NICKI just get on it on her own? No?
• 39:41
  Speaker 1: Or did you guys we was in the studio together. Yeah,
• 39:43
  Speaker 1: oh so you guys are in the studio.
• 39:45
  Speaker 2: It was a few different people that called me to
• 39:47
  Speaker 2: get on the remix, but the Nikky one felt.
• 39:50
  Speaker 1: It kind of feels like, if she gets on it,
• 39:52
  Speaker 1: that's enough.
• 39:55
  Speaker 2: I wasn't gonna do I wasn't gonna do it at all.
• 39:57
  Speaker 2: I wasn't gonna I was turning things down, like but
• 40:00
  Speaker 2: then I thought it would be dope because I didn't
• 40:03
  Speaker 2: want a bunch of dudes just coming to my show.
• 40:06
  Speaker 2: For sure, Nikki, she's gonna have the shorties pull up
• 40:10
  Speaker 2: so and.
• 40:10
  Speaker 1: It just felt like a New York moment, like she's
• 40:12
  Speaker 1: talking that ship like, yeah, she's a I mean, she's
• 40:15
  Speaker 1: Nicki Minaj. It's crazy because during that era, there's just
• 40:20
  Speaker 1: two songs that were the same BPM that everybody played
• 40:23
  Speaker 1: back to back. It was that No Limit Oh Yeah
• 40:27
  Speaker 1: with GZ and Rocky came out first. But I'm saying,
• 40:30
  Speaker 1: like I'm just saying, I'm just saying, I'm just saying no,
• 40:32
  Speaker 1: but I'm saying, if you went to the club during that,
• 40:35
  Speaker 1: you would hear the plane Jane fucking No Limit back
• 40:39
  Speaker 1: to back. No, I'm not gonna lie to this day.
• 40:41
  Speaker 2: By the way, I'm not gonna little that No Limit
• 40:45
  Speaker 2: beat slaps so.
• 40:46
  Speaker 1: Hard, crazy Rocky killed that show.
• 40:48
  Speaker 2: The moment that I heard it, I'm in the club
• 40:51
  Speaker 2: in New York. I forget the name of the club.
• 40:55
  Speaker 2: He was in the club and they playing playing Jane.
• 40:59
  Speaker 2: I'm having my moment, sh it is going crazy. And
• 41:01
  Speaker 2: then Gez is literally across from me, and then they.
• 41:05
  Speaker 1: Said we got the new g Easy No Limit record.
• 41:09
  Speaker 2: And then they dropped that ship. I'm like, whoa what
• 41:13
  Speaker 2: it sounded like playing James but on crack. Yeah, that
• 41:16
  Speaker 2: was because it was just a deeper that beats same bpm,
• 41:22
  Speaker 2: but a deeper like that. Shit just sound meaner crazy.
• 41:27
  Speaker 2: We went on together too.
• 41:28
  Speaker 1: Me and g Great guy, man, great guy. He's a
• 41:31
  Speaker 1: fun hang He lives in New York now too, he does.
• 41:34
  Speaker 1: I don't know if the world was to know that.
• 41:36
  Speaker 1: I think everyone knows that he posted NonStop. Yeah, shout
• 41:39
  Speaker 1: to Gerald what what was? Because I feel like we've
• 41:43
  Speaker 1: had to wait between bodies and work with you for
• 41:45
  Speaker 1: a while. We should have named our tour Gerald Lferg.
• 41:49
  Speaker 1: I like that.
• 41:49
  Speaker 2: That'd have been fire Gerald Laferg.
• 41:53
  Speaker 1: He's very fun guy to party with. Hey, we gotta
• 41:57
  Speaker 1: wrap up this interview another one presented by Hardin Baby
• 42:00
  Speaker 1: you already know what it is. Shout out to Hardeen
• 42:03
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• 42:05
  Speaker 1: forget when you're in Vegas, you're getting that tax, you
• 42:08
  Speaker 1: getting that uber Say take me to Hardean, the number
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• 42:19
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• 42:22
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• 42:24
  Speaker 1: shoot them a visit. Hey, don't forget to go to
• 42:26
  Speaker 1: bootleg keV dot com. You know, we had to celebrate
• 42:28
  Speaker 1: the two year anniversary of the most viral interview of
• 42:30
  Speaker 1: all time. Throw the shirt up so you could see it.
• 42:32
  Speaker 1: I turned it down. Shout out to that boy, Big Boogie,
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  Speaker 1: a big college in Jacksonville, and we just threw these
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  Speaker 1: on sale half off for the five hundred episode t
• 42:42
  Speaker 1: bootleg keV dot Com. Go get you a shirt. Let's
• 42:44
  Speaker 1: get back to the interview. I love how we're getting
• 42:46
  Speaker 1: more output from you. Immediately after last year's album. I
• 42:48
  Speaker 1: thought last year's album was dope because it was kind
• 42:50
  Speaker 1: of like your most introspective project, personal project. Fast forward
• 42:54
  Speaker 1: to this new album that's coming. First of all, you
• 42:57
  Speaker 1: got the battery in your back right now, because I
• 42:59
  Speaker 1: feel like usually we got to wait a few years
• 43:00
  Speaker 1: to get a first project. What is it about, like
• 43:03
  Speaker 1: just this moment where you're just locked in and tell
• 43:06
  Speaker 1: me about the new album too.
• 43:07
  Speaker 2: I feel liberated dropping that last project because, like you said,
• 43:10
  Speaker 2: it was so introspective and I had this, I had
• 43:14
  Speaker 2: it on me, like I like trying to create that
• 43:17
  Speaker 2: project for so long and wanting to create that creative masterpiece.
• 43:22
  Speaker 2: I feel like people not even really gonna fully internalize
• 43:28
  Speaker 2: that album into you know, years to come. But those
• 43:32
  Speaker 2: each song on that project, it takes so much to
• 43:37
  Speaker 2: It's a lot, it's a lot of information on that album.
• 43:39
  Speaker 2: But it like with me dropping like the music right after.
• 43:42
  Speaker 2: Like I've always wanted to just be more consistent with
• 43:45
  Speaker 2: dropping music like every year instead of.
• 43:47
  Speaker 1: Like waiting three years, three years and all of that.
• 43:50
  Speaker 1: Because the four season was twenty nineteen, I don't.
• 43:53
  Speaker 2: Even know, but I know, like it's like two three
• 43:55
  Speaker 2: years apart, like all my albums, that's usually how I
• 43:58
  Speaker 2: do it, but I'm not I want on us like
• 44:00
  Speaker 2: because I'm always recorded, I'm never not recording, and I
• 44:04
  Speaker 2: just right after I put out that album, like I
• 44:06
  Speaker 2: was recording, and you know, I look up and I
• 44:09
  Speaker 2: had a project together.
• 44:10
  Speaker 1: So I just wanted to wave flow exactly. What do
• 44:14
  Speaker 1: you have a title for the new project? It's called
• 44:16
  Speaker 1: flip Phone Shorty. Flip Phone Shorty, lip phone Shorty? What
• 44:19
  Speaker 1: inspires that is just the era of ring tone? We got?
• 44:24
  Speaker 1: We got, we got some flip phone Shorty vibes on there.
• 44:27
  Speaker 2: Oh yeah, yeah, yeah yeah. This album is crack. This
• 44:30
  Speaker 2: this I ain't gonna lie. This might be one of
• 44:34
  Speaker 2: my best projects. And for a different reason than like
• 44:37
  Speaker 2: Darryl and like trap Lord and just like it. This
• 44:41
  Speaker 2: is sonically another level wrapping another level. Like It's just
• 44:49
  Speaker 2: I don't even want to talk too much about it
• 44:51
  Speaker 2: because I feel like I'm gonna be a like Corny
• 44:53
  Speaker 2: just chatting about it.
• 44:54
  Speaker 1: I'd rather listen to it. Who's on the album?
• 44:57
  Speaker 2: So we got Gucci Man on the album? Okay, we
• 45:00
  Speaker 2: got low B on the.
• 45:02
  Speaker 1: Album, the Fucking Base God, the West Coast Swag. We
• 45:09
  Speaker 1: got a witch on the album That's a Fire. Yeah,
• 45:13
  Speaker 1: we got who else we got on the album? We
• 45:15
  Speaker 1: got french Man ten on the album you Gotta get
• 45:18
  Speaker 1: Max be on there man, get over the get it
• 45:21
  Speaker 1: over the goal line. You know you gotta let him,
• 45:24
  Speaker 1: You gotta let him live life alone.
• 45:26
  Speaker 2: Yeah, yeah, I just he almost was about to do
• 45:28
  Speaker 2: seventy five joints.
• 45:29
  Speaker 1: I know. It's like, yo, man, hey, he might have
• 45:32
  Speaker 1: the best first day out ever. That motherfucker went straight
• 45:35
  Speaker 1: to the Jets game. Yeah, he was on the field
• 45:38
  Speaker 1: like It's almost like he didn't miss a beat for real.
• 45:42
  Speaker 2: Who else I got on an album? I missed somebody,
• 45:47
  Speaker 2: I said, Gucci Man. Yeah, Oh, I got my artist
• 45:53
  Speaker 2: Hunter Hunter Bead and one the album It's Fire Super Fire.
• 45:57
  Speaker 1: How often do you and Rocky can I got? I
• 45:59
  Speaker 1: got se Lo on the album Seo Green. Yeah, man,
• 46:03
  Speaker 1: but that goodie mob Seelo. You got singing Sea Loo,
• 46:05
  Speaker 1: which kind of Sea Low. We got on here because
• 46:06
  Speaker 1: there's there's so many versions. You gotta wait and see
• 46:09
  Speaker 1: se Lo. I don't think people people forget that he
• 46:12
  Speaker 1: could wrap his ass off now he obviously you gotta
• 46:15
  Speaker 1: gotta wait and see. But I say, how often do
• 46:17
  Speaker 1: you in Rocky communicate these days? I haven't spoke to
• 46:19
  Speaker 1: Rocky in a minute. Yeah, it's just so busy, you know,
• 46:22
  Speaker 1: just having a family, don't know, Yeah, like we just
• 46:27
  Speaker 1: being grown Yeah yeah, yeah. Was it crazy to kind
• 46:30
  Speaker 1: of watch that whole trial take place with former friends
• 46:34
  Speaker 1: that was all in the same crew together. Had to
• 46:36
  Speaker 1: be just a wild thing. It's weird. It was so real.
• 46:39
  Speaker 1: It was like, nah, who would have thought we'd end
• 46:43
  Speaker 1: up here type ship? Yeah, very much. So You've been
• 46:48
  Speaker 1: pretty good to like I feel like staying out of
• 46:50
  Speaker 1: any of like the negative energy that is came from that.
• 46:55
  Speaker 2: Yeah, like I came here to have a good time
• 46:59
  Speaker 2: and then joying myself and you know, live this life
• 47:05
  Speaker 2: like I'm not. I never really like I always we
• 47:10
  Speaker 2: come from a lot of like bullshit. So it's like
• 47:12
  Speaker 2: I don't I don't really want to dive into that,
• 47:15
  Speaker 2: especially at this level.
• 47:16
  Speaker 1: Like right, what would you see yourself ever doing? Like
• 47:21
  Speaker 1: I feel like we're gonna get like a twenty five
• 47:24
  Speaker 1: year anniversary asap mob towards some ship.
• 47:26
  Speaker 2: Oh I hit Rocky every year about like yeah, what
• 47:30
  Speaker 2: are we doing?
• 47:32
  Speaker 1: Yeah, like people want it.
• 47:34
  Speaker 2: It's so for me that type of ship is easy,
• 47:37
  Speaker 2: but I understand that, like you know, when it's when
• 47:39
  Speaker 2: it's gonna happen. It's gonna happen when it's supposed to happen.
• 47:42
  Speaker 2: Who do you have on your Harlem Mount Rushmore? If
• 47:47
  Speaker 2: you got to exclude your crew, by the way, let's
• 47:49
  Speaker 2: exclude how we're gonna do that because because that's the rules,
• 47:52
  Speaker 2: I'm making the rules here?
• 47:53
  Speaker 1: Wait, it is it? Is it a certain amount of
• 47:55
  Speaker 1: people that can put up there for one with a
• 47:58
  Speaker 1: in front of their name, Big L One shout out
• 48:03
  Speaker 1: to Big L Flamboyant Entertainment for life? Can we do
• 48:08
  Speaker 1: dip set as a whole? I'll let you cheat. Go ahead,
• 48:11
  Speaker 1: dip set, dip set, mm hmm, dip said paulam Rushmore.
• 48:22
  Speaker 1: Maybe Mace, Yeah, Mace, of course, Mace one more.
• 48:31
  Speaker 2: We gotta say Mace, like with the whole bad Boy.
• 48:34
  Speaker 1: Of course, I mean all of them? Yeah, Mace. Who
• 48:39
  Speaker 1: else am I missing berg without the asap in the front?
• 48:50
  Speaker 1: Oh God, damn, I got you with that one. Jesus
• 48:59
  Speaker 1: is is cute tip from Harlem? Hell? No? I think
• 49:03
  Speaker 1: so there's some queens. I would have felt bad if
• 49:05
  Speaker 1: you was like, what who is from Harlem? Black Robers
• 49:10
  Speaker 1: from Harlem? Right? Yeah? Black rob Depth. She Depp's first album,
• 49:15
  Speaker 1: Child of the ghetto was crazy. I don't listen to that.
• 49:18
  Speaker 1: So in the car bro it's so good. It's smoke disneys, fire, smoke, disness, fire,
• 49:23
  Speaker 1: shout outs to smoke. Now I think, I think, uh, I.
• 49:27
  Speaker 2: Think we're a small community, man, This is true. We
• 49:30
  Speaker 2: have like fourteen I don't want to I don't want
• 49:34
  Speaker 2: to say it. We have a very small population in Harlem.
• 49:39
  Speaker 2: Is Davies from Marlon, Yes he is. I mean you
• 49:42
  Speaker 2: could fund put Davies right there.
• 49:44
  Speaker 1: I'd rather put myself there. Yeah, but that's that's cheating.
• 49:48
  Speaker 1: You guys are implied. What you mean, you're implied. It's
• 49:51
  Speaker 1: implied that you guys are on the Mount Rushmore obviously.
• 49:53
  Speaker 1: Yeah yeah, sure you fucking they sat mob of course
• 49:57
  Speaker 1: gotta be like what yeah, yeah, Big L. Though you
• 50:02
  Speaker 1: like the new Big L album Fire, you know what
• 50:05
  Speaker 1: it is. I'm so used to hearing some of the
• 50:07
  Speaker 1: vocals on that album, like on the z yeah, like
• 50:13
  Speaker 1: on the internet how they were recorded, so to hear
• 50:15
  Speaker 1: them kind of like on the leads, it just was like,
• 50:19
  Speaker 1: I like the Macmillan like there's some shit on there,
• 50:21
  Speaker 1: Like I really wish they would have included a Devil's
• 50:23
  Speaker 1: Son on there because Devil's Son is like a big
• 50:25
  Speaker 1: l song that is like crazy and it's just on
• 50:29
  Speaker 1: the internet. Yeah, but you know it's like him talking
• 50:32
  Speaker 1: about like raping nuns and shit, you know what I mean?
• 50:35
  Speaker 1: Like that was he was a movie. He was on
• 50:37
  Speaker 1: that horror core shit. Pretty crazy. Listen to the new
• 50:40
  Speaker 1: album's coming out with the flip phone shorty we coming
• 50:43
  Speaker 1: before the Years Out, Before the Years Out, for the
• 50:45
  Speaker 1: Years Out. How can people like, if you are going
• 50:49
  Speaker 1: to a city, do you do like a fir strong
• 50:51
  Speaker 1: workout announcement? Like how do people get in your boot
• 50:54
  Speaker 1: camp or whatever the fuck you got going on? Stay
• 50:57
  Speaker 1: tuned you'll see, like me post different sta. This gun
• 51:00
  Speaker 1: has got the one want to Runner club Yeah, the
• 51:03
  Speaker 1: wan A Runner. Yeah, you got the ferd Strong, the
• 51:06
  Speaker 1: fd Strong. Yeah.
• 51:08
  Speaker 2: I also got a festival. It's a it's a health
• 51:10
  Speaker 2: and wellness festival. It's called flow Fair. I did my
• 51:13
  Speaker 2: first one this year.
• 51:14
  Speaker 1: Yeah, tell me about that because that's yeah.
• 51:17
  Speaker 2: That's on my Instagram too. Like so basically my father
• 51:20
  Speaker 2: died of a kidney failure. We was doing these health
• 51:22
  Speaker 2: fiars and its name and I was like, yo, how
• 51:24
  Speaker 2: can I scale it? I was like all right, let
• 51:27
  Speaker 2: me do a festival devoted to health awareness. So we
• 51:32
  Speaker 2: do sound bowl healing workout classes. We got food there
• 51:37
  Speaker 2: and we also got the meditation, and then later we
• 51:43
  Speaker 2: have the music portion.
• 51:45
  Speaker 1: That's pretty dope. Yeah, we did it.
• 51:47
  Speaker 2: We started off with a five k run though, so
• 51:49
  Speaker 2: we go from like nine to four with all the
• 51:51
  Speaker 2: workout stuff, and then like the changeover from like five
• 51:56
  Speaker 2: to like nine, we go music.
• 51:58
  Speaker 1: Have you done a full merit yet? Not yet? Man,
• 52:02
  Speaker 1: that shit looks serious. Do it with me next year.
• 52:05
  Speaker 1: I don't know if I could do a five k,
• 52:07
  Speaker 1: what's no? I could do three? Yeah, three miles? Yeah,
• 52:09
  Speaker 1: I could do three five k with jelly roll. Twenty
• 52:13
  Speaker 1: twenty six miles. See twenty six miles is a problem.
• 52:16
  Speaker 1: You could do it though, Yo, there's people shout out
• 52:19
  Speaker 1: to my boy and Nabel he has one leg and
• 52:22
  Speaker 1: he finished the whole marathon. Damn, you have no excuse,
• 52:27
  Speaker 1: youreen Lyon. I ain't got no excuse. I got two legs.
• 52:30
  Speaker 1: Do that, That's what I'm saying. But I feel like
• 52:32
  Speaker 1: you got a train. All you got to do is
• 52:34
  Speaker 1: just like do it once, just say you did it. Bro.
• 52:37
  Speaker 1: Twenty six miles is like from here to like fucking lax.
• 52:40
  Speaker 1: That's cool. Can you imagine running to lax? That's fucking crazy?
• 52:44
  Speaker 2: Hey yo, if you got hey yo, yo yo, check
• 52:46
  Speaker 2: this out. If you gotta stop, then stop right, but
• 52:49
  Speaker 2: you can keep going stop.
• 52:50
  Speaker 1: It's like an all day thing, right.
• 52:52
  Speaker 2: No marathon, I mean, I don't know how long the
• 52:55
  Speaker 2: actual marathon lasts for, but people be finishing their runs
• 52:58
  Speaker 2: like three four hours.
• 53:00
  Speaker 1: No, yeah, that's a half a marathon. Yo. There's people
• 53:04
  Speaker 1: that do like two hundred Okay, so according to uh,
• 53:08
  Speaker 1: I guess you're right, the average marathon time is four
• 53:11
  Speaker 1: and a half hours. Yo. But check this out. David Goggins, Oh,
• 53:16
  Speaker 1: I know that guy. That guy's a psycho. I love him.
• 53:18
  Speaker 2: One hundred to two hundred miles three day marathon, how
• 53:21
  Speaker 2: about that?
• 53:22
  Speaker 1: No, I see the way that guy wakes up in
• 53:24
  Speaker 1: the morning and runs, and if he's doing that, we
• 53:27
  Speaker 1: have no excuse. Sometimes I watch David Goggins, No, he'd
• 53:30
  Speaker 1: be breaking while he's running. Have you seen still? Have
• 53:34
  Speaker 1: you seen his feet? He's shown his feet. His feet
• 53:37
  Speaker 1: are crazy, but they had to rebuild his knees. I
• 53:41
  Speaker 1: know that bro. That motherfucker makes me feel like I
• 53:44
  Speaker 1: ain't shit, I Conker the bitch, and you who's gonna win.
• 53:50
  Speaker 1: It's four in the morning and I've already won thirty
• 53:52
  Speaker 1: miles pussy, and I'm like, that's what I'm saying.
• 53:55
  Speaker 2: I got a homeboy who runs all of the train stops,
• 54:01
  Speaker 2: and that's that's the That's the length of a marathon,
• 54:03
  Speaker 2: all of the train stops in New York.
• 54:06
  Speaker 1: That's a lot. So what is that from? He does
• 54:08
  Speaker 1: that from? Like, I don't know if it's all the
• 54:10
  Speaker 1: way up to Harlem or the.
• 54:11
  Speaker 2: Bronx was like wherever, like it might be like yeah,
• 54:14
  Speaker 2: like from like Brooklyn all the way to New York,
• 54:17
  Speaker 2: I mean all the way to like the Bronx or
• 54:19
  Speaker 2: something like that.
• 54:20
  Speaker 1: Oh, before you go, how do you feel about the
• 54:23
  Speaker 1: new mayor of zorn Mondani getting elected in New York.
• 54:27
  Speaker 1: I don't even know about all of that. I have
• 54:29
  Speaker 1: been on these press runs. He was at the wu
• 54:31
  Speaker 1: Tang got hurt. He was at the run. To me,
• 54:33
  Speaker 1: he's a he's I.
• 54:34
  Speaker 2: Gotta I gotta catch up on the politics doorn Salid.
• 54:37
  Speaker 1: He's a good guy and he's he's a former rapper.
• 54:40
  Speaker 2: You sound like you you endorsing him.
• 54:43
  Speaker 1: With him, I donated. I donated. I don't live in
• 54:45
  Speaker 1: New York, all right? Did you know he used to rap?
• 54:48
  Speaker 2: No, I don't know anything about him.
• 54:51
  Speaker 1: Before we go, we're gonna we need to have you
• 54:53
  Speaker 1: review Zoron's rapping. It is interesting, to say the least.
• 54:58
  Speaker 1: The song is called Nanny Nanni Nanny.
• 55:07
  Speaker 2: Oh is that the that's the homie you were telling
• 55:10
  Speaker 2: me about.
• 55:11
  Speaker 1: So this is Zoran the Mayor of New York's rap
• 55:13
  Speaker 1: song from around pandemic time. It's about his grandma. His
• 55:19
  Speaker 1: name is mister card. That fool looks good. Good video
• 55:25
  Speaker 1: in our house. We're not living in Europe. Oh yeah,
• 55:28
  Speaker 1: I'll see him Wednesday. He'd be on TikTok bro. He's lit.
• 55:36
  Speaker 1: He's the new mayor of New York City. The talking
• 55:46
  Speaker 1: about his grandma. When he released this I think twenty nineteen,
• 55:50
  Speaker 1: twenty twenty.
• 55:51
  Speaker 2: With a whisper. This is before AI.
• 55:55
  Speaker 1: Yeah, he's got the part where he's in the food truck.
• 56:02
  Speaker 1: There he is getting slapped by nanny. Ah. That's the mayor,
• 56:11
  Speaker 1: first hip hop mayor shirtless in a food truck. I
• 56:20
  Speaker 1: mean it's original, right, it's fire I jacket. It's not
• 56:24
  Speaker 1: a bad video. It's he puts some effort into it
• 56:28
  Speaker 1: as mad creative. He hired an old lady actor. It
• 56:33
  Speaker 1: reminds me of like early am I. A that's that's crazy.
• 56:38
  Speaker 1: It does yeah, yeah, yeah, yeah. They're trying to eat.
• 56:42
  Speaker 2: Like am I used to have some of the best videos, like.
• 56:45
  Speaker 1: You Gotta Get You Gotta Get Zoron on a song
• 56:49
  Speaker 1: I don't know about all that call it we run
• 56:51
  Speaker 1: New York quite literally. You're running from fucking train stop
• 56:55
  Speaker 1: to train stop as a part of your for extra
• 56:56
  Speaker 1: on fitness. And Zoron is the mayor. Gotta I gotta
• 57:00
  Speaker 1: tap into Zoran there it is.
• 57:02
  Speaker 2: If he could actually help us, he might.
• 57:06
  Speaker 1: Be able to. We'll see anyway. Listen, Man, I appreciate
• 57:10
  Speaker 1: you for pulling up the new album's coming out before
• 57:13
  Speaker 1: the end of the year. And uh, polos outos out. Yeah,
• 57:19
  Speaker 1: we got the next one coming. What's the next one?
• 57:22
  Speaker 1: It's called Big Dog with Me like it there. It
• 57:27
  Speaker 1: is Man, the ferg Man, my brother