Latest / Vanity Farah with Chris Farah / 90 Day Fiancé Season 12 Episode 21 Tell All Part 3

Transcript

90 Day Fiancé Season 12 Episode 21 Tell All Part 3 · Vanity Farah with Chris Farah

0:06
Speaker 1: Hello, everyone. Welcome back to Vanity Fair. My name is
0:08
Speaker 1: Chris Farah, and I'm so excited to tell you, honey,
0:11
Speaker 1: that we have ended season 12 of 90 Day Fiancé
0:16
Speaker 1: because we will be doing part three together, my loves.
0:20
Speaker 1: Not a lot happened, so I'm assuming it's going to
0:24
Speaker 1: be only one, like one episode of this recap for
0:27
Speaker 1: part three. So let's get started. Let's buckle in because
0:31
Speaker 1: even though not a lot happened, I do have opinions.
0:35
Speaker 1: Can you believe it? You guys, thank you so much
0:37
Speaker 1: for riding with your girl. I appreciate you. You might
0:40
Speaker 1: be listening to Vanity Fair wherever you listen to podcasts
0:43
Speaker 1: like Apple or Spotify. If you haven't yet, consider giving
0:46
Speaker 1: me five stars. Great, lovely. Or just share it with
0:48
Speaker 1: a friend. Or you're watching on YouTube where the visuals
0:50
Speaker 1: go up later. And that's, of course, Chris Farah. Please follow, subscribe, like, comment,
0:55
Speaker 1: that whole situation. And at the end of the day,
0:57
Speaker 1: if you want to support me, you can. You get
0:59
Speaker 1: the visuals unedited immediately, like real fucking fresh. And it's patreon.com
1:05
Speaker 1: slash chrisferapets. Let's get in. Okay. So we obviously are
1:11
Speaker 1: hot on the heels of this sudden mother conversation that
1:14
Speaker 1: really hit me in the gut that I talked about,
1:16
Speaker 1: of course, last episode with my BFF, Maddie. And it
1:21
Speaker 1: comes on the heels of Debbie... really taking, I mean,
1:25
Speaker 1: a very pro-mother, pro-life, let's have some children, let's heal
1:30
Speaker 1: our wounds kind of conversation. And when she says how
1:35
Speaker 1: she ended part two, which was that when you, this
1:38
Speaker 1: is what she says, when you have a child and
1:41
Speaker 1: you've experienced a rough upbringing, it heals a part of
1:46
Speaker 1: you that you maybe didn't get to experience or that
1:49
Speaker 1: you get to like remedy in some way. because the
1:57
Speaker 1: experience will, you will be an adult with, you'll have
1:59
Speaker 1: control over and hopefully will be better, you know, better
2:02
Speaker 1: for your kids than it was for you. I mean,
2:03
Speaker 1: who knows? So when this happened, right, a lot of
2:06
Speaker 1: people cried, surely. And I, Chris Farah, cried because, yeah,
2:12
Speaker 1: I can understand the concept, but also there was another
2:16
Speaker 1: part of me that wondered, is she putting that, like,
2:19
Speaker 1: is that just putting on your children that, like a
2:22
Speaker 1: very big pressure and responsibility to heal your inner child?
2:28
Speaker 1: Or is that just the way the world works? You know,
2:31
Speaker 1: like just that's the, yeah. So I talked about it
2:34
Speaker 1: in therapy and, uh, you know, I don't really know
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Speaker 1: the answer cause you know, I'm still moving through that,
2:41
Speaker 1: but we are hot on the heels of that conversation. Okay. Now, Edward,
2:46
Speaker 1: who of course wants a child walks off. It's too
2:48
Speaker 1: much for him. Marissa's like, should I go after him?
2:50
Speaker 1: Everyone's like, yeah. girl, yes. Yeah, probably. So she does.
2:56
Speaker 1: And then they have a conversation where she says, I
2:58
Speaker 1: really want this for you. I understand that you have
3:05
Speaker 1: some trauma from your childhood that you are so great
3:08
Speaker 1: with children that my ex is robbing you of a
3:13
Speaker 1: really fulfilling relationship with my kids. And it's something that
3:19
Speaker 1: you want so much and you've given up so much
3:20
Speaker 1: to come here and She's like, yeah, I'm ready to
3:25
Speaker 1: go off birth control. She's like, oh, just kidding. Look
3:28
Speaker 1: up surrogate prices. So he is elated by this. And
3:33
Speaker 1: then she's like, also low-key, I've always wanted a girl.
3:37
Speaker 1: And that makes a lot of sense. That makes a
3:43
Speaker 1: lot of sense. I feel like Joanie's probably like, you're
3:47
Speaker 1: going to have a kid?
3:48
Speaker 2: No, no.
3:49
Speaker 1: And then maybe the thought of Joanie having a granddaughter,
3:53
Speaker 1: I feel like she would be over the moon. I
3:57
Speaker 1: wonder if she has any other granddaughters. I think that...
3:59
Speaker 1: I forgot if Marissa has nieces. Anyway, so great. So
4:10
Speaker 1: after that, Sean asks Mallory if she is ready. And
4:16
Speaker 1: she is like, no, I want to wait. But also,
4:19
Speaker 1: Rosh wants to wait. He's like, yeah, no, me too.
4:21
Speaker 1: She's like, you? You're the one that wanted it. He's like, yeah,
4:24
Speaker 1: she was right. No. But they're only one year into
4:27
Speaker 1: their two-year situation. And so he's like, I want to travel.
4:33
Speaker 1: He also is like, you know, me and Brandi are
4:35
Speaker 1: good again. I'm like, okay, this is just, oh, no.
4:38
Speaker 1: This feels real back and forth. And then for some reason,
4:41
Speaker 1: it was only in this moment did I comprehend how
4:46
Speaker 1: big Rosh's pants are during this tell-all. They're huge. They're
4:50
Speaker 1: like Jenico or JNCO, whatever how you said that. You
4:54
Speaker 1: know I'm talking about like raver pants. Like they are big.
4:58
Speaker 1: I mean, not just like baggy. I mean, raver baggy.
5:03
Speaker 1: I mean, do you know what I'm saying? Like dubstep baggy.
5:06
Speaker 1: Like they are huge. just huge. You know, they are
5:10
Speaker 1: a choice, like such a choice. Like you had to
5:14
Speaker 1: seek out and find how big those pants were. And
5:17
Speaker 1: he was like, yes, you know, it's just, she's again,
5:20
Speaker 1: wearing like a green gown and they looked at each
5:25
Speaker 1: other and then we're like, yep, yep. Let's go on stage.
5:28
Speaker 1: Let's plan these outfits, pack these outfits. We're going to
5:31
Speaker 1: pack these out. We know what we're packing days before
5:34
Speaker 1: we get there. okay. And then they have a little break.
5:45
Speaker 1: Aisha asks Mallory how she feels about Michaela coming for her,
5:51
Speaker 1: like being like, uh, I think that Mallory is still
5:53
Speaker 1: in love with Brandy, you know, like always will, you know,
5:56
Speaker 1: she's too preoccupied with this business or whatever. Michaela low-key
6:00
Speaker 1: again in another gown, right. And as Maddie said, absolutely
6:03
Speaker 1: glamor shot blue, like caribou. I forgot if that is
6:07
Speaker 1: just like, maybe I said that right. I don't know.
6:09
Speaker 1: Whatever that sort of wavy, you know, froofy top part
6:15
Speaker 1: is in the cobalt blue with that dark black, purple,
6:19
Speaker 1: goth lipstick. I'll never get over it. But then, yeah,
6:23
Speaker 1: Michaela's like, I still think that she's into him. And
6:27
Speaker 1: Maui's like, yeah, Michaela just runs her mouth. That's how
6:29
Speaker 1: I feel about it, Aisha. Thanks for clocking it. And
6:32
Speaker 1: then Paola has this thing where I guess she put
6:34
Speaker 1: her dress on backwards. So she has to go fix it.
6:38
Speaker 1: Aisha kind of fakes laugh. Like it's like, I was like, no,
6:41
Speaker 1: it goes off. And Aisha like, doesn't really want to laugh,
6:43
Speaker 1: but knows it needs something. So she's like, no one.
6:48
Speaker 1: And I am going to say this. I was going
6:49
Speaker 1: to say this for the end, but I'm going to
6:50
Speaker 1: say it now. No one has a better tell-all than Aisha.
6:54
Speaker 1: And I'm sorry that Maxwell isn't there. But besides the
6:57
Speaker 1: fact that Maxwell isn't there, no one does it better
7:00
Speaker 1: than Aisha. She really, I mean, what a turn. Rosh
7:04
Speaker 1: went into this tell-all, at least through the season being
7:06
Speaker 1: a golden boy, comes out this tell-all being like, fuck
7:09
Speaker 1: you a little bit. Like, you know, gross, whatever, God bless.
7:11
Speaker 1: I mean, whatever. I wish him no harm. And Mallory
7:14
Speaker 1: had a whole statement where she's like, just so you
7:16
Speaker 1: guys know, I believe couples have private conversations, but in
7:19
Speaker 1: public you stand up for each other. So even though
7:21
Speaker 1: I did have a private conversation with Rosh to be like,
7:24
Speaker 1: probably you are an asshole to Thomas. You know, I
7:27
Speaker 1: do think that Thomas said inappropriate things and it's true.
7:31
Speaker 1: Like the way that Thomas said like smell, in fact,
7:33
Speaker 1: there was like racist undertones. It just wasn't cool. He
7:36
Speaker 1: also is, you know, like weird. So we're going to
7:38
Speaker 1: get into how the Thomas part to me probably is
7:40
Speaker 1: the more interesting part of this whole part of the
7:43
Speaker 1: tell all part three. Anyway, God bless. So, After that,
7:49
Speaker 1: it's going to be Paula and Thomas' part, so I'm
7:52
Speaker 1: excited to get into that because they weren't, for me,
7:55
Speaker 1: so wildly interesting throughout the season, and yet here we are.
8:00
Speaker 1: So before their segment starts and they pick up filming,
8:04
Speaker 1: Paula's like, no speaking like an L.A. boy, which.
8:10
Speaker 2: I.
8:13
Speaker 1: feel like I know what that means to me. But
8:16
Speaker 1: I would love to know exactly what she meant by that.
8:20
Speaker 1: Because I speak like an LA girl. I speak like
8:23
Speaker 1: an LA girl. Do I want to speak like an
8:25
Speaker 1: LA girl? Absolutely goddamn not. But guess what? I was
8:28
Speaker 1: born and raised here. So what am I going to do?
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Speaker 1: You can't take the LA out of the girl. Unless
8:34
Speaker 1: you're not going to spell girl with... Oh, I know
8:36
Speaker 1: what it is. You can't take the LA out of
8:39
Speaker 1: the gal. You can turn it around because then it's AL.
8:44
Speaker 1: Do you understand? I'm trying to do a pun. I
8:47
Speaker 1: don't know. Okay. I'm just moving on. But for him,
8:51
Speaker 1: we've discussed, he sort of always sounds like a petulant 15-year-old.
8:54
Speaker 1: I don't want to be like, what do you mean
8:59
Speaker 1: by LA boy? Annoying? I think she means annoying, which
9:05
Speaker 1: I also find great. Then she's like, I just want
9:09
Speaker 1: you to 100% be you. So then I was like, oh,
9:13
Speaker 1: is the LA boy some like defensive persona that he
9:18
Speaker 1: assumes when he gets backed in a corner, but that
9:21
Speaker 1: when he's like being himself, he's a different person? Like,
9:24
Speaker 1: what does that mean? Right? Or did she just catch
9:27
Speaker 1: herself and felt like it sounded bad that she was
9:29
Speaker 1: telling him what to do? And then she was like, no,
9:31
Speaker 1: I just, I just wanted to be you. Like truly
9:33
Speaker 1: what was happening there? Also, Paola, God bless. Yes, is
9:37
Speaker 1: wearing like a pink dress with like a gathering and
9:39
Speaker 1: that is neither here nor there. But she's also wearing
9:42
Speaker 1: pink satin gloves that to me gives Marilyn Monroe like
9:47
Speaker 1: diamonds are a girl's best friend kind of thing. I'm
9:51
Speaker 1: not mad of it. But again, there's so many elegant
9:57
Speaker 1: gowns on ladies where the other parts of every other aesthetic,
10:02
Speaker 1: sometimes on them and specifically with their partners, doesn't match up.
10:06
Speaker 1: Except for Edward, right? Because he is honestly great. I
10:12
Speaker 1: also love, and we'll get into it, when all the
10:14
Speaker 1: girls play fuck, marry, kill. Now they can't say kill,
10:16
Speaker 1: so they're going to say Chuck, but God bless. So
10:19
Speaker 1: moving on. And by moving on, moving backwards, Paola and Thomas,
10:22
Speaker 1: as we know, she is waiting. She married him. She
10:25
Speaker 1: got her green card right away. When she got her
10:27
Speaker 1: green card, she went to Brazil. We know that. But
10:29
Speaker 1: she went for three months. We're like, oh, girl. But also,
10:32
Speaker 1: she has her business. And it feels like her business,
10:35
Speaker 1: a tattoo parlor, sort of also is run by her
10:38
Speaker 1: family and fuels them. monetarily, right? So when she went
10:44
Speaker 1: back to Brazil, he went back for two weeks because
10:47
Speaker 1: that's all he could do. And when he came back,
10:49
Speaker 1: people were like, well, how did it feel? Because they
10:51
Speaker 1: wanted Thomas to be like, I was really mad that
10:54
Speaker 1: my wife, you know, was going to be in Brazil
10:56
Speaker 1: and I had just married her and I came back alone.
10:58
Speaker 1: But he doesn't, right? Thomas is like, I loved it.
11:01
Speaker 1: I got back to my place and I had room.
11:03
Speaker 1: came back. It was great. And I was like hanging
11:06
Speaker 1: out with my single friend. Cause he's single too. And
11:08
Speaker 1: people were like, I'm sorry, he's single too. You mean
11:10
Speaker 1: Tom BN bitch? What? No, he's not. You're not single.
11:15
Speaker 1: He's like alone. He said he called his friend and
11:22
Speaker 1: they were lonely together, which in and of itself is
11:27
Speaker 1: like probably the way he phrased it was like a
11:30
Speaker 1: very homoerotic thing. And I'm just saying that like, yeah,
11:36
Speaker 1: it was very homoerotic the way he said it. Like, yeah,
11:38
Speaker 1: I just called him my friend, my single friend, my
11:39
Speaker 1: single guy friend. We just were lonely and together. I'm like, oh,
11:44
Speaker 1: so you guys, you guys, you get a little tuppy
11:49
Speaker 1: touchy touchy touch. You just a little self wag. You
11:53
Speaker 1: just close your eyes. It doesn't feel like it's a
11:55
Speaker 1: different hand. You know, like what, what is it? Okay. So, um,
12:00
Speaker 1: Or open eyes and enjoying it. Looking each other dead
12:04
Speaker 1: deep in eyes and just handing each other off. Is
12:11
Speaker 1: that what you say? Okay. You're like, Chris, if you
12:16
Speaker 1: don't move on. And I'm like, I get it. No,
12:18
Speaker 1: I understand. I don't. I just feel like it needed
12:21
Speaker 1: to be said. Because if I'm thinking it, if it
12:23
Speaker 1: happens in my brain, I'm assuming that it happens in
12:26
Speaker 1: one of yours. Right? I'm going to drink this water
12:29
Speaker 1: off camera. Okay. So then, you know, we get into
12:37
Speaker 1: Perfume Gate, which is the dumbest of the dumb, right?
12:39
Speaker 1: But it does show us what I guess is like
12:42
Speaker 1: maybe his LA boy persona, which is like shitty, dumb, stupid. Okay.
12:48
Speaker 1: Obviously the Perfume Gate video is shown where she, you know,
12:52
Speaker 1: gets her perfume glued and he keeps saying that he's
12:54
Speaker 1: allergic to artificial smells. And so Debbie turns right around
12:57
Speaker 1: and she's like, are you going to fucking die? Are
12:59
Speaker 1: you going to die? Okay. He's like, no, I won't
13:01
Speaker 1: go into anaphylactic shock. I'll just, it just really lowers
13:05
Speaker 1: the quality of my life. Do you take Zyrtec? Bitch,
13:15
Speaker 1: you just, I just like, I cannot stand it because
13:19
Speaker 1: this is the true thing. I've said this before. I
13:23
Speaker 1: truly hate the smell of fish. I hate it. I
13:27
Speaker 1: don't like it. But as a human being, I understand
13:31
Speaker 1: that all of the following things happen. I go out
13:36
Speaker 1: to eat with someone and they want to order fish.
13:39
Speaker 1: And I got to sit them, sit across from them
13:43
Speaker 1: and watch them eat the fish, smell the fish, get
13:44
Speaker 1: the fish. Right? I know that. I won't ever tell
13:47
Speaker 1: them not to get the fish. Are you kidding me?
13:49
Speaker 1: I'd be like, sure. What I don't love is when
13:54
Speaker 1: people bring fish to my house and but I'll allow
14:00
Speaker 1: it if they're hungry. And then what I would do
14:02
Speaker 1: is just make sure that I will throw it away
14:04
Speaker 1: outside of the house before, you know, like you can't
14:07
Speaker 1: just like, he was going to keep it in the trash.
14:10
Speaker 1: He is overstepping people's quality of life around him. He,
14:20
Speaker 1: and I'm saying this as an only child gives very
14:24
Speaker 1: only child vibes, right? How do you assume that people
14:28
Speaker 1: can't live their lives just because you don't like something?
14:32
Speaker 1: I mean, I guess people do that all the time.
14:34
Speaker 1: People vote that way. It's so funny. Okay. So then Katie,
14:37
Speaker 1: of course, is like, you're a man child, honey. And
14:40
Speaker 1: I know that because Sabrina Carpenter came out with a song.
14:44
Speaker 1: Man child. I can't do it. You know what? Sabrina
14:48
Speaker 1: Carpenter does have a good voice and she, it's high.
14:50
Speaker 1: It's a soprano and I can't do it. I can't
14:54
Speaker 1: do a good Sabrina Carpenter. I'm going to work on it,
14:58
Speaker 1: but that's obviously the song. You know it. Then everyone's
15:01
Speaker 1: getting in because he is a nightmare. So Katie says that,
15:04
Speaker 1: calls him a man child. Everyone hates Thomas so much
15:07
Speaker 1: that no one can even look at Katie and be like, girl, what?
15:12
Speaker 1: A pot black girl. Okay. But then Aisha's like, he
15:16
Speaker 1: has temper tantrums, which I also could be like, girl,
15:20
Speaker 1: you have God tantrums. Girl, you have tongue tantrums. Yes,
15:27
Speaker 1: he does. Thomas has tantrums. Yes. Okay. And as a woman,
15:31
Speaker 1: I'll always be on Asha's side and I don't like
15:33
Speaker 1: Thomas and I would rather hang out with Asha. Okay. Truly.
15:36
Speaker 1: But at the same time, if I'm going to say
15:37
Speaker 1: that Katie's calling the, you know, kettle black because she is,
15:40
Speaker 1: God bless, very childish. Asha calling, saying that he has
15:44
Speaker 1: temper tantrums when she literally goes into tongue spells, you know,
15:47
Speaker 1: God infused tongue spells. I'm sorry. Divine. Divine. moments where
15:58
Speaker 1: she is lost into speaking in tongues. You know, there's
16:04
Speaker 1: a vibe. There's a similar vibe. He's like, let me
16:08
Speaker 1: lay this out for you. I got this apartment for
16:11
Speaker 1: us and I only had one rule. And it's like,
16:14
Speaker 1: is the rule no sense? Because this rule is also
16:19
Speaker 1: no dining room table. So like you already have more
16:24
Speaker 1: than one rule and they're crazy. They're dumb, stupid rules.
16:27
Speaker 1: So Katie's like, I think you have a lot of
16:31
Speaker 1: crazy standards. And then, you know, they, I feel like
16:36
Speaker 1: get to this part where it should tug at his
16:38
Speaker 1: heartstrings because Paolo's like, I don't feel at home in America.
16:43
Speaker 1: Sometimes I look around, I get up and I wonder like,
16:46
Speaker 1: what am I doing? And I cry like, why am
16:48
Speaker 1: I here? And can I go back now? Rule number
16:53
Speaker 1: three that he has, even though he said only had
16:55
Speaker 1: one rule, he has no sense, no dining room table.
16:57
Speaker 1: He also fucking has no TV. Okay. Even though we
17:01
Speaker 1: saw his stupid ass desk with huge ass monitors because
17:04
Speaker 1: the asshole plays video fucking games. I wish I said
17:08
Speaker 1: I'm going to be like, bitch, why do you, you
17:09
Speaker 1: don't watch TV, but you'll play hours of video games.
17:13
Speaker 1: It's a screen. It one has, if you're watching art,
17:21
Speaker 1: I mean, video games aren't to me art, but maybe
17:24
Speaker 1: I can be talked into that. But at the same,
17:26
Speaker 1: maybe you're like, it's a, some more immersive theater. And
17:28
Speaker 1: then you can show me that way. At the same time,
17:31
Speaker 1: there is good TV out there. Like there is right.
17:35
Speaker 1: Doesn't make any goddamn sense, but he's going to get
17:37
Speaker 1: into the fact that he wasn't raised with a TV.
17:39
Speaker 1: So he's like punishing her. He's horrible. Okay. Okay. So
17:42
Speaker 1: he's like, yeah, it's just a non-negotiable. She, I guess,
17:45
Speaker 1: maybe those gay friends we met earlier, one of them
17:47
Speaker 1: gave her a TV, honey. And he won't even give her, like,
17:50
Speaker 1: he won't let her buy or get a stand. I
17:52
Speaker 1: can't tell if she won't spend any of her money.
17:56
Speaker 1: And he's like, I'm not going to give you money.
18:00
Speaker 1: If you want to buy a TV stand, it's like,
18:03
Speaker 1: I won't even help you lift the TV onto the
18:05
Speaker 1: stand nor set it up. It's confusing. Or if she's like,
18:09
Speaker 1: you won't pay for cable. I mean, who's paying for cable?
18:12
Speaker 1: You could just stream, you know, but whatever. She's like,
18:17
Speaker 1: I also, she says her point that when he was
18:19
Speaker 1: in Brazil, she had an apartment and she just wants
18:21
Speaker 1: what she had there. And he's like, your apartment sucked.
18:23
Speaker 1: Couldn't do yoga anywhere. Which I was like, first of all,
18:30
Speaker 1: a yoga mat is the size of a yoga mat.
18:33
Speaker 1: Is she living in a hoarder house? Is all the
18:36
Speaker 1: miniatures on the floor? I can't imagine a space where
18:39
Speaker 1: like there is not one little room to put down
18:42
Speaker 1: a yoga mat, either on the side of the bed.
18:44
Speaker 1: You know, if you have a couch and you have
18:46
Speaker 1: like a little table and you do have a TV,
18:48
Speaker 1: the space between the table and the TV, I feel
18:51
Speaker 1: like that's always prime yoga placage. Your apartment says I
18:56
Speaker 1: can't do yoga there. You can technically do yoga outside, asshole.
19:03
Speaker 1: Then her brother comes on. He's wearing palm tree flamingo shirts.
19:11
Speaker 1: He calls him spoiled, which is true. But at the
19:14
Speaker 1: same time, it's a little hard because they all stayed
19:16
Speaker 1: at his place. Her finances are of interest because if
19:21
Speaker 1: she can just get a little TV stand for herself
19:24
Speaker 1: with her own money, I think that she should. But
19:26
Speaker 1: he should be the one helping physically to set it up.
19:32
Speaker 1: And she cries. She was like, I wanted my family
19:35
Speaker 1: all to be together. That's why we were all at
19:37
Speaker 1: the apartment. I guess in my mind, I'm like, girl,
19:44
Speaker 1: I know this sounds privileged, but it would have been
19:46
Speaker 1: also great if maybe you went and stayed with them
19:50
Speaker 1: at like a two bedroom hotel. You know? And I mean,
19:55
Speaker 1: I think that it would have been probably the better situation. Now,
19:58
Speaker 1: if you're like, we just don't have money for that,
20:00
Speaker 1: then I would understand. At the same time, she says
20:03
Speaker 1: the following in her finances. So Edward accuses him of
20:08
Speaker 1: being cheap, which truly he is. And he's like, well,
20:11
Speaker 1: I'll show you cheap.
20:12
Speaker 2: What I did is I tried to steal 49% of
20:14
Speaker 2: her business. See, I opened an LLC for her in
20:16
Speaker 2: America and I've given her a lot. So when I
20:19
Speaker 2: opened it, I didn't ask her. I put down that
20:21
Speaker 2: I was 49% owner.
20:23
Speaker 1: She's like, that's crazy. But at the same time, you're
20:24
Speaker 1: an asshole. And so what I did is I'm opening
20:27
Speaker 1: a second shop in Brazil where my actual business is,
20:30
Speaker 1: you're not on that fucking shit. My family is. And
20:33
Speaker 1: also I got an apartment there. It's a hundred thousand dollars.
20:36
Speaker 1: Now we're like, okay, so you do have money. Like
20:38
Speaker 1: you can buy a TV stand or if you have
20:41
Speaker 1: a hundred thousand dollars, then you can afford like $ 800
20:46
Speaker 1: for like two rooms in Long Beach, you know, for
20:51
Speaker 1: your family to stay. That's just, I think that it
20:54
Speaker 1: would have been probably an easier situation for everyone involved
21:01
Speaker 1: because I don't want to be on Thomas's side, but
21:03
Speaker 1: that's a lot to like ask someone. And he said
21:06
Speaker 1: yes to that. Now, of course, it's crazy for him
21:08
Speaker 1: to be like, oh, no soap. But at the same time,
21:10
Speaker 1: you've been knowing that he'd been saying that. Okay. So
21:13
Speaker 1: they say, then she is like, they're trying to have kids.
21:16
Speaker 1: We're like, oh my God. Okay. And they ask if
21:19
Speaker 1: Thomas will be a good father. Sean does. And we
21:22
Speaker 1: all know the answer is no. And then she's like, well,
21:24
Speaker 1: maybe like a helper. Okay. which our face melts off
21:28
Speaker 1: when she says that. We're like, Thomas, how do you
21:30
Speaker 1: feel that she doesn't think you'll be a good dad? Also,
21:33
Speaker 1: why would you have kids with someone who you think
21:34
Speaker 1: is not going to be a good father? Like, is
21:37
Speaker 1: this because he's just a gringo? I mean, this is unfortunate.
21:42
Speaker 1: This is where it gets crazy. So they're like, you
21:44
Speaker 1: can't be a dad, Thomas. You can't control people, okay?
21:49
Speaker 1: You're too controlling, and people are not going to live
21:51
Speaker 1: by your standards. It's like, yeah, they will. My kids
21:53
Speaker 1: will listen to me. And Debbie's like, bitch, what? When
21:56
Speaker 1: you have a teen girl, when you have a teen
21:58
Speaker 1: girl and she is like 15 or 16, she is
22:01
Speaker 1: going to wear whatever smell she wants to wear. And
22:05
Speaker 1: she's not going to listen to her dad. And he's like, yeah,
22:07
Speaker 1: she will. And every person is like, man child, man child.
22:14
Speaker 1: You don't know what you're talking about. This bitch, and
22:18
Speaker 1: I wish her so much. I hope to God that
22:20
Speaker 1: they keep this clip. And she's, I mean, their child,
22:23
Speaker 1: if they have one, is not a bitch. And let
22:24
Speaker 1: me say this. If they keep this clip, I will,
22:27
Speaker 1: if I can, buy like that three, if it's still
22:31
Speaker 1: in effect, the three set from like Bath and Body
22:34
Speaker 1: Works and send one set a month to his and
22:39
Speaker 1: Pala's child at the age of like 13 and up
22:43
Speaker 1: so that he can smell what everyone smelled, which is razzmatazz,
22:48
Speaker 1: like raspberry rush, like that kind of like raspberry, that
22:52
Speaker 1: like candy apple, like all of it, the cucumber melon,
22:55
Speaker 1: like he is going to smell nothing but the grossest
22:58
Speaker 1: body sprays when his child is of a certain age.
23:02
Speaker 1: And I can't wait for that. And I mean, yeah,
23:06
Speaker 1: he doesn't make a case for himself. He really is weird.
23:11
Speaker 1: He starts to, you know, telling grown women who've had
23:14
Speaker 1: children what parenting is like, like mansplaining parenting, being like,
23:18
Speaker 1: that's what happened with your kids, is peak Thomas. And
23:21
Speaker 1: I think that in that moment alone, I was like,
23:25
Speaker 1: all right, well, you know what? There's never going to
23:27
Speaker 1: be a time in which I can be on your side.
23:29
Speaker 1: There is no way. So at break, the ladies play
23:33
Speaker 1: fuck Mary and they say, Chuck, you know, cause no
23:35
Speaker 1: one wants to say they're going to kill one of
23:37
Speaker 1: each other's husbands. And I respect that. Paula picks first
23:43
Speaker 1: and she, no, I'm so sorry. That's a big lie.
23:50
Speaker 1: Katie picks first, and Katie says that she would marry Edward,
23:54
Speaker 1: which makes sense, that she would fuck Mito, which makes
23:59
Speaker 1: absolutely no sense. She says he's hot and looks like Josh.
24:02
Speaker 1: We're like, remember that time he had just been a virgin?
24:05
Speaker 1: Also his personality? That's crazy. And then she says she
24:10
Speaker 1: would chuck Rosh, which obviously makes sense, and so would we.
24:14
Speaker 1: Marissa says that she would fuck Maxwell. Yup. Yup. Yup.
24:19
Speaker 1: That she would marry Josh. I would love to see
24:26
Speaker 1: Josh fix a fence. Also, Marissa likes to get, like,
24:31
Speaker 1: you know, dicked down. So what? I'm not making you down,
24:37
Speaker 1: you know? And then she said she would chuck Thomas, which, yeah.
24:42
Speaker 1: Pallas is absolutely insane. Pallas comes out, and I'm like,
24:45
Speaker 1: who are you? Pallas says that she would fuck Shay.
24:48
Speaker 1: We're like, what?! what? Is it that you want money?
24:54
Speaker 1: What girl? What, what are you talking? I, she's like,
24:58
Speaker 1: I wouldn't want to wash him. I like, I mean,
25:01
Speaker 1: I know this is the problem. They're only getting three choices.
25:05
Speaker 1: I kind of wish they would just let them all
25:07
Speaker 1: pick from the wealth of options on the dais. Okay.
25:13
Speaker 1: Paola was like, these are horrible choices. I get it.
25:15
Speaker 1: She says she'll marry Mito. And I'm like, that's, a nightmare.
25:20
Speaker 1: She said she would chuck Josh, which I guess I
25:26
Speaker 1: wouldn't marry Josh. I would, I would, I would need
25:30
Speaker 1: to be like, you know, fucking people on the side. Um,
25:34
Speaker 1: let me, let me go through. I won't just do
25:35
Speaker 1: her once. I want to go and tell me you
25:37
Speaker 1: all of mine. Okay. I would do this. I would
25:41
Speaker 1: marry Edward. I would fuck Maxwell and I would chuck Thomas.
25:53
Speaker 1: Oh no, I would chuck Mito. God, it's hard. Because
26:00
Speaker 1: they really wanted to give Mito a redemption arc, but
26:02
Speaker 1: I mean, we're going to get into Mito and it's like,
26:04
Speaker 1: I just don't know what I could do at the
26:05
Speaker 1: end of the day. Like I just, you know, I don't,
26:07
Speaker 1: I think that he would, both Thomas and Mito would
26:11
Speaker 1: absolutely fry like every part of my life. Like I
26:14
Speaker 1: wouldn't be able to be with them. Like their social game,
26:17
Speaker 1: like they're like energy, like what they say, like their viewpoints.
26:21
Speaker 1: I would grind my teeth. I would have no more teeth.
26:23
Speaker 1: It would just be dust in there. And so I
26:27
Speaker 1: would have to kill one of them or chuck one
26:28
Speaker 1: of them if this is what it was, but it's
26:31
Speaker 1: a very hard decision. So let's get in. Mito and Debbie,
26:36
Speaker 1: they show his prank proposal. He is smiling, watching it
26:40
Speaker 1: back like he's watching himself do his Hamlet monologue. He's
26:46
Speaker 1: smiling so hard that I'm assuming that's the inner smile
26:50
Speaker 1: that Josh had when watching Katie try to like make
26:53
Speaker 1: out with someone. Right. And of course the video, we
26:56
Speaker 1: know it's him being like, I need to go back.
26:59
Speaker 1: I don't love you anymore. And she's like, what? And
27:01
Speaker 1: she has a full fucking breakdown. And then he's like,
27:03
Speaker 1: you know, obviously will you marry me? And she's like, okay,
27:06
Speaker 1: it was horrible. He's like, I did it so that
27:10
Speaker 1: she would remember the day. We're like, but you were
27:14
Speaker 1: proposing to her. She was always going to remember it.
27:16
Speaker 1: Now it's bad. Shay's like, yeah, PTSD. I'm like, thank you, Shay.
27:20
Speaker 1: Sean's like, well, would you do it again? He doubles down.
27:23
Speaker 1: He's like, yeah, I would do it again. People say,
27:27
Speaker 1: do you care that she was devastated? Does it register
27:33
Speaker 1: to your mind that it was a really bad experience
27:35
Speaker 1: for her? So for you to say that you would
27:37
Speaker 1: do it again, feels like what it's not penetrating is
27:40
Speaker 1: how she experienced it like it seems almost weird cycle
27:45
Speaker 1: that you wouldn't see someone's crying breakdown and feel bad
27:56
Speaker 1: or like or at least that was not how I
28:00
Speaker 1: was trying to make it happen wow she took it
28:03
Speaker 1: so intense maybe I'll consider why she would feel that way,
28:07
Speaker 1: but definitely not do it again. Not so much that
28:09
Speaker 1: I think it was a choice that other people would enjoy,
28:12
Speaker 1: but I wouldn't want to put her through it. No,
28:14
Speaker 1: he's like, yeah, I would do it again. Oh my God.
28:19
Speaker 1: So then Debbie says something that is so funny that
28:24
Speaker 1: I was like, Debbie, I love, I like you. And
28:27
Speaker 1: I like Astra and I, Astra is also problematic, but
28:31
Speaker 1: I wish, you know, I wish the best for you.
28:33
Speaker 1: And I don't understand why you are daft because she
28:37
Speaker 1: says this, which makes me feel like she's smart, which is, well,
28:40
Speaker 1: in his defense, he has a terrible sense of humor.
28:49
Speaker 1: In his defense, he doesn't know what's funny. Yeah. Which
28:53
Speaker 1: is great because he wants to be a comedian. I mean,
28:55
Speaker 1: he wants to be an actor. Sorry. He doesn't want
28:56
Speaker 1: to be a comedian. He wants to be an actor.
28:58
Speaker 1: And truly, he does want to be a dramatic actor. Okay?
29:00
Speaker 1: So in his mind, maybe he thinks he doesn't need
29:02
Speaker 1: to be funny or doesn't need to understand humor. But
29:04
Speaker 1: I would also assume that you should know how things
29:08
Speaker 1: read to other people and timing. Comedy is tragedy in time. Anyway. Okay.
29:20
Speaker 1: So Sean... asks a question that makes me really happy.
29:27
Speaker 1: She goes, um, you know, when you're in Egypt, he's like,
29:30
Speaker 1: you mean Egypt? He's like, she's like, uh-huh. When you're there,
29:34
Speaker 1: do people like stop you on the street and recognize you?
29:37
Speaker 1: Because I'm Sean Robinson. That happens to me all the
29:40
Speaker 1: time in America. Like I can go to Egypt and
29:42
Speaker 1: it'll happen to Egypt too, because what? I'm famous. And
29:44
Speaker 1: I'm just wondering if like you've ever, it happens there.
29:47
Speaker 1: And he's like, yep. All the time. She's like, yeah.
29:49
Speaker 1: Debbie's like, yeah. Uh-huh. See, the thing is Debbie understands
29:53
Speaker 1: and Mito will make, drive it home and that he
29:56
Speaker 1: needs his ego stroked. And there is a part of like,
30:00
Speaker 1: and I hate to be tropey about it because of
30:02
Speaker 1: my own personal experience, Arab men that love an ego
30:07
Speaker 1: stroke and definitely want a prop up. So one of
30:10
Speaker 1: Mito's things is that he's like a famous good actor.
30:12
Speaker 1: And so Debbie's like, yeah, no, dad, the street people
30:14
Speaker 1: were like honking. Not because he was like driving erratically
30:19
Speaker 1: or because, you know, he was taking pictures of himself.
30:22
Speaker 1: And people were like, stop taking pictures of yourself in
30:24
Speaker 1: the middle of the street. But people honked, so famous.
30:27
Speaker 1: We're like, Debbie. Then Sean's like, Mito, can you give
30:35
Speaker 1: us a demonstration? And as an actor, I will say
30:40
Speaker 1: that no one in my entire life has ever said
30:43
Speaker 1: that to me. Can you read for us? Can you
30:46
Speaker 1: do a monologue? Can you do a little scene? Can
30:48
Speaker 1: you perform? Can you, sure, like all of it. Can
30:50
Speaker 1: you do a set?
30:51
Speaker 2: Can you?
30:52
Speaker 1: Can you do a demonstration is such an interesting way. Like,
30:55
Speaker 1: am I going to show you how inner plumbing works
31:00
Speaker 1: in modern homes? And here's like a PowerPoint. Here's a
31:03
Speaker 1: demonstration of my talents. So we're like, oh my God. Okay, sure.
31:08
Speaker 1: And then he's like, okay, okay. I will create something.
31:12
Speaker 1: And I'm like, so he's going to do like a
31:15
Speaker 1: sudden character, a sudden monologue. He's going to write an improv,
31:19
Speaker 1: a monologue in real time right now. That's creating? Nope.
31:24
Speaker 1: What he does is quote the same fucking tired, bad,
31:31
Speaker 1: misquoted line from Hamlet. To be or not to be.
31:39
Speaker 1: That is the problem. Now, it hurts my heart That
31:49
Speaker 1: not one motherfucker on this stage, not one, was like, hey, Mito,
31:57
Speaker 1: it's a question. To be or not to be is
32:03
Speaker 1: the question he's asking himself. He is asking himself if
32:07
Speaker 1: he should continue living or if he should give up
32:10
Speaker 1: this world because his dad was killed and his mom
32:14
Speaker 1: is fucking his, like, that's what's, he's saying, should I
32:17
Speaker 1: kill himself? That's what's happening. But listen, not everyone's a
32:25
Speaker 1: theater arts major that can't use it all the time.
32:27
Speaker 1: You know, I'm not famous. I'm not getting like honked at,
32:30
Speaker 1: but surely. Okay. So no one says it, but I'm screaming. Okay.
32:33
Speaker 1: So then what happens is that he cries on cue
32:35
Speaker 1: and that becomes a whole ass thing. People are like, oh,
32:37
Speaker 1: you know, I hate this so much. Anyone hates this?
32:40
Speaker 1: They're like, Sean's like, wow, you can act. You can
32:42
Speaker 1: cry on cue. He doesn't say act. He's like, you
32:44
Speaker 1: can cry on cue. He takes us to be so,
32:46
Speaker 1: you know, wildly great. Then they talk about his sex. Okay. And, um,
32:51
Speaker 1: they make Debbie watch the fact that he called it
32:53
Speaker 1: so-so and, uh, she's making like fucked up faces and
32:58
Speaker 1: they're like, buddy, if you've never had sex before, then
33:01
Speaker 1: what are you comparing it to? And then she's like porn.
33:05
Speaker 1: And we're like, Debbie, Debbie. Yeah, honey. Yeah. He's like, no,
33:13
Speaker 1: I didn't go to porn. No, I accidentally, I, uh,
33:17
Speaker 1: I was on Reddit and I type in bottoms up.
33:26
Speaker 1: I love that song, bottoms up, bottoms, you know, but
33:30
Speaker 1: I found website and guess what? You know, I don't
33:32
Speaker 1: know what it was. I don't know how you did it,
33:34
Speaker 1: but I, that was great. He's like, no, so-so because
33:39
Speaker 1: I want her to do different positions. We're like, what positions?
33:45
Speaker 1: Reverse cowgirl? I mean, the fact that he even talked
33:52
Speaker 1: about it, though, I will give him props because usually,
33:55
Speaker 1: you know, if a Muslim man don't want to, doesn't
33:57
Speaker 1: want to talk about it. And he does. So I was,
33:59
Speaker 1: you know, he's open in that way. They're like, listen,
34:04
Speaker 1: another whole thing is that we definitely think he's using you, girl.
34:06
Speaker 1: Like he's using you. He just wants to be an actor.
34:08
Speaker 1: He literally talked about acting the whole time. She's like, no,
34:10
Speaker 1: I don't think he's using me for that because it's like,
34:13
Speaker 1: first of all, we've been together seven years, six, seven years. Like, yeah,
34:16
Speaker 1: he's playing a long game, you know, God bless. It's like,
34:18
Speaker 1: the other thing is that I don't live in a
34:19
Speaker 1: major metropolitan city. He's like, that's why he keeps wanting
34:22
Speaker 1: you to move, bitch. Yeah, I know. That's why he
34:28
Speaker 1: wants you to move to LA. That's why he kept
34:30
Speaker 1: talking about you moving to LA. then they make him
34:37
Speaker 1: watch the Halloween night, which obviously is horrible. Okay. Or whatever.
34:40
Speaker 1: And everyone has, you know, a visceral reaction, but this,
34:43
Speaker 1: the whole panel is like too nice to each other.
34:45
Speaker 1: And like, you know, not too nice, but they're just
34:47
Speaker 1: not mean, which is their own deal. And so even
34:49
Speaker 1: though this is really shitty, like it's hard to be,
34:52
Speaker 1: I guess, too aggressive at him, even though Edward really
34:56
Speaker 1: tries to be like, what the fuck were you doing? Right.
34:58
Speaker 1: Cause obviously, but you know, it makes it seem like
35:02
Speaker 1: we didn't see something. Cause what we saw was him
35:06
Speaker 1: being petulant. Then she is upset because he's just being
35:11
Speaker 1: rude in the car. Then he's the one that says,
35:14
Speaker 1: fuck you first. And then it escalates. And that's when,
35:17
Speaker 1: you know, then he's yelling and then Astra hears that.
35:19
Speaker 1: And then he yells at Astra, the whole thing. Now
35:22
Speaker 1: it's going to, he's going to make it seem like
35:26
Speaker 1: Debbie is not saying what caused him to say that
35:31
Speaker 1: other than what we saw, which was like, Him being
35:34
Speaker 1: in a bad mood, him not having women be like, oh, Mito.
35:38
Speaker 1: Like the fact that Astra was like, I've heard so
35:40
Speaker 1: much about you, Mito. And I'm so excited that she's
35:43
Speaker 1: getting a movie star. Like that wasn't Astra's vibe, right?
35:46
Speaker 1: Because Astra was like, oh, this guy from Egypt who's
35:49
Speaker 1: a virgin. Hey, you know? And so he was like,
35:56
Speaker 1: no one likes me or whatever. And so that's, I
35:58
Speaker 1: feel like what his attitude was, unless there was something else, honey,
36:02
Speaker 1: we didn't see. So he is not taking responsibility for
36:06
Speaker 1: being an asshole, yelling at Debbie. And then because he's
36:10
Speaker 1: yelling at Debbie, her friends are having to stick up
36:13
Speaker 1: for her. And he's not getting the fact that, like,
36:16
Speaker 1: to turn around and yell at them is weird, shitty,
36:19
Speaker 1: and wildly reactive, the whole thing. Edward's like, listen, you
36:24
Speaker 1: were too fucking aggressive. And, you know, if I was
36:27
Speaker 1: there for any reason, I would knock you the goddamn
36:29
Speaker 1: fuck out, which is true. Debbie's like, yeah, Astra was
36:36
Speaker 1: also in the wrong. Because Astra, of course, said we
36:41
Speaker 1: don't speak to women like that in this country. Which,
36:46
Speaker 1: of course, supposes that all Muslim men scream or treat
36:50
Speaker 1: women horribly, which is a stereotype. And she has not
36:59
Speaker 1: the life experience and probably a lot of Islamophobia projected
37:05
Speaker 1: in her life that she in real time is in
37:09
Speaker 1: her mind getting like an evidence-based fact that this is true.
37:13
Speaker 1: And it's her friend. So it's like, she's on camera.
37:17
Speaker 1: She didn't sign up. I mean, she signed up for it,
37:18
Speaker 1: but not in this way. She said what she said.
37:20
Speaker 1: It's problematic, but there's a heated situation. And he's also
37:25
Speaker 1: being fucked up and shitty too. So, and obviously Astra
37:29
Speaker 1: does not come out, nor is she zoomed in. Okay. Just,
37:35
Speaker 1: so there's probably, just consider that. They're at the wedding,
37:37
Speaker 1: you know, it's weird. They talked to him after the wedding,
37:39
Speaker 1: but I mean, sorry, they talked to them after, but like,
37:43
Speaker 1: this was a huge moment and to not have, because
37:47
Speaker 1: I'm a slut there, and even to be able to
37:50
Speaker 1: talk to her about how iconic because I'm a slut was,
37:53
Speaker 1: we can't because she's not there. And I feel like
37:55
Speaker 1: that's telling. So then Sean tries to get him. She's like, well,
38:00
Speaker 1: if you don't, he hasn't had his green card yet.
38:02
Speaker 1: And she's like, If you don't get your green card,
38:04
Speaker 1: what's going to happen? He's like, I would go back.
38:07
Speaker 1: And then she's like, well, you know, would you have
38:11
Speaker 1: Debbie go back with her? He's like, well, she won't go.
38:14
Speaker 1: And then Debbie's like, that's not true. He's like, no,
38:17
Speaker 1: she won't go. And then they have to have a
38:18
Speaker 1: conversation where I can't tell if he's genuinely happy to
38:22
Speaker 1: realize that she would follow him there or if he
38:25
Speaker 1: was like, that was a way out. This is it.
38:28
Speaker 1: I'll just go back. She can't come. Good. She wouldn't
38:30
Speaker 1: want to. You do want to? No, you don't. It's
38:32
Speaker 1: so awkward. You said it'd be hard. Oh, okay. Maybe,
38:35
Speaker 1: you know, I just don't know. It was like, it's
38:37
Speaker 1: an interesting vibe that I can't ever, I it's to me,
38:42
Speaker 1: he can't possibly be real. Like he's, I don't think
38:45
Speaker 1: that he is super into her. I think that he's
38:47
Speaker 1: a weird, you know, like narcissist person who thinks he
38:53
Speaker 1: can act and wants this. And she's like a means
38:56
Speaker 1: to an end. And Debbie is fabulous. She's very well
39:00
Speaker 1: put together. She looks great throughout the entire season and
39:04
Speaker 1: also looks dynamite like on this tell all her hair,
39:08
Speaker 1: her fucking outfit, gorgeous. He's like, fine, if you go,
39:11
Speaker 1: let's go tomorrow. Then no, you go tomorrow. Everyone's like, no, bitch.
39:14
Speaker 1: What we're saying is if you don't get a green card,
39:17
Speaker 1: would you go? He's like, well, if you really want
39:18
Speaker 1: to go so much, we go tomorrow. It's like he
39:20
Speaker 1: was testing her to be like, no, I don't want
39:21
Speaker 1: to go. He wanted to press her to be like,
39:24
Speaker 1: would you go? Would you really go? Because he wants
39:27
Speaker 1: her to be like, I don't know, no, no, you
39:29
Speaker 1: won't go. so that he can have like an out,
39:31
Speaker 1: it felt like, right? And that alone to me is like,
39:33
Speaker 1: you don't love that woman. It's weird. There's too many
39:37
Speaker 1: weird things. But they hug during break. But he's also like,
39:42
Speaker 1: I waited for you to defend me. And that's where
39:46
Speaker 1: he like dances around the fact that he had a
39:48
Speaker 1: reason to say, fuck you in that moment. We moved
39:51
Speaker 1: on to Asia and Maxwell. They talk every day. We
39:55
Speaker 1: also realized she's running a restaurant and a pharmacist. The
39:57
Speaker 1: pharmacist thing we know, I'm like, do we know both
39:59
Speaker 1: the restaurant pharmacists? Because obviously we got a lot of
40:01
Speaker 1: like her talking in tongues. She's like, yeah, I'm fucking busy.
40:04
Speaker 1: And this one wants to FaceTime all day long. Now,
40:07
Speaker 1: Nigeria is banned from getting like spousal visas or something
40:11
Speaker 1: right now, which I don't know if it's because they
40:12
Speaker 1: just think that like if they ban it, the possibility
40:16
Speaker 1: of scams won't even be a possibility. I don't know
40:18
Speaker 1: how prevalent scams are. You know, I would like to
40:20
Speaker 1: know percentages because it obviously feels a little discriminatory, but
40:23
Speaker 1: at the same time, how many scams are happening? Obviously
40:30
Speaker 1: we saw him the whole time having to deal with
40:32
Speaker 1: her wanting to change physical parts of him, but he
40:35
Speaker 1: gets his comeuppance in a way that I don't enjoy.
40:37
Speaker 1: Neither does Mallory, where he's like, you know, I don't
40:38
Speaker 1: know why I'm not gonna give him an accent. He's like,
40:40
Speaker 1: you know, I can't do his accent. So he's like,
40:43
Speaker 1: With her, I want her in that gym. And then
40:45
Speaker 1: she's like, yeah, she wants me, he wants me in
40:47
Speaker 1: that gym, honey, all the time. And he says, yeah,
40:50
Speaker 1: and no eating after 9 p.m. Honey, that's so hard.
40:55
Speaker 1: There's no better, no better time to eat for me.
40:58
Speaker 1: I know it's not healthy, but I just yummy, yum,
41:00
Speaker 1: yum from nine, like, honestly, from like five to 11.
41:12
Speaker 1: is a yummy time to eat. So Mallory's like, oh, okay.
41:19
Speaker 1: And Maxwell's like, listen, I know women, women love to
41:24
Speaker 1: be eating too much. And I'm like, yep. And he's like,
41:26
Speaker 1: she looks good, but you know, you got to keep
41:28
Speaker 1: on top of it. And I'm like, oh, Maxwell. I
41:32
Speaker 1: don't like what he's saying, but at the same time,
41:34
Speaker 1: she really came for all of his looks and his
41:36
Speaker 1: thinning hair. So I guess he gets to just have
41:38
Speaker 1: this moment. And Mallory's like, I liked you until now.
41:42
Speaker 1: They're both foodies. Mallory and Aisha have moments where I think,
41:45
Speaker 1: you know, they're both like Southern ladies and they both
41:47
Speaker 1: like keep saying girl to each other. And I think
41:49
Speaker 1: that they both like vibe in a certain way. Rod
41:53
Speaker 1: comes out. He looks older than for some reason he
41:55
Speaker 1: did on camera. And he's more skeptical today than he
41:58
Speaker 1: ever was. Pal is like, that's negative. He also has
42:02
Speaker 1: a wife and kids, which I'm going to tell you
42:03
Speaker 1: right now, if he said that the whole time on
42:05
Speaker 1: the season, I'm sorry. Cause I kept saying, I feel
42:07
Speaker 1: like he was in love with her and they didn't
42:08
Speaker 1: ever talk about it. And if I'm maybe miss that truly.
42:12
Speaker 1: He says he doesn't trust Maxwell because he doesn't know Maxwell.
42:17
Speaker 1: And people are like, okay, hey, guess what? We heard
42:22
Speaker 1: he has a lot of time to FaceTime. Why don't
42:24
Speaker 1: you get to know him? He's like, he's 5,000 miles away.
42:28
Speaker 1: We're like, yeah, they talk. You can just WhatsApp him,
42:33
Speaker 1: I guess. Share some memes, get to know each other's
42:36
Speaker 1: personalities and sense of humor's. And then Katie asks him, okay,
42:41
Speaker 1: why don't you trust Aisha then if Aisha loves him?
42:44
Speaker 1: And he's like, I think her judgment is cloudy. And
42:49
Speaker 1: then I want people to be like, so do you
42:51
Speaker 1: think God's judgment is cloudy then? I didn't see Aisha's face,
42:58
Speaker 1: but they didn't. Okay. She says she wants to start
43:03
Speaker 1: a family after thinking about starting a family. Rod's like, how?
43:06
Speaker 1: He's thousands of miles away, which is a good thing. point.
43:11
Speaker 1: I also want to be like, girl, are you going
43:12
Speaker 1: to move there then? Like, if you're going to ask Debbie,
43:14
Speaker 1: if she moved to Egypt, like, and he, so you're
43:16
Speaker 1: going to move there is what I'm assuming, what I'm hearing. Now,
43:21
Speaker 1: when it's revealed that they are trying to have a
43:24
Speaker 1: kid and Rod's like, what? This is where Debbie, pro-life
43:27
Speaker 1: Debbie comes in, honey. She's like, that's her. She can
43:29
Speaker 1: do whatever she wants. If she feels like her biological
43:32
Speaker 1: clogs digging and she wants to have a baby to
43:35
Speaker 1: right the wrongs of her childhood. Because Juliet, you know,
43:39
Speaker 1: I don't know if Juliet held her as much as
43:41
Speaker 1: she would like to be held or where her dad is.
43:43
Speaker 1: But she will put that on her kid and then
43:45
Speaker 1: it will all be a circle of healing life. Circle
43:49
Speaker 1: of healing life. You know? Okay. So, thus ends the tell-all.
43:57
Speaker 1: That's why I'm not going to do like two parts
43:58
Speaker 1: of this. I mean, truly, how could I? But okay.
44:02
Speaker 1: Aisha gets... out of that gorgeous outfit, packs it all
44:05
Speaker 1: like in a carry-all, honey. She puts her shoes, which
44:09
Speaker 1: are just like those gold strappy, circle-y, kind of like
44:11
Speaker 1: snaky shoes, right in the bag with all of her
44:15
Speaker 1: other pieces of that dress. I almost would be like,
44:19
Speaker 1: put those shoes in a little shoe garment bag because
44:23
Speaker 1: they're so big and there's so many components to it.
44:25
Speaker 1: I don't want to snag any of the beautiful parts
44:27
Speaker 1: of the dress. Just like that part gave me anxiety. Packings.
44:36
Speaker 1: Shay's like, well, y'all see you all welcome. You can
44:39
Speaker 1: always come on my boat. I'm like, I'll get you
44:42
Speaker 1: real fucked up. My, my even kiss you, Katie, you know,
44:46
Speaker 1: Katie's like, I'll be right there. You know, come on. Um,
44:48
Speaker 1: I wish they were like, Katie, would you? Okay. I
44:50
Speaker 1: don't know. Katie, who would you kiss? Who would you fuck?
44:56
Speaker 1: And then who would you do that to? If you
44:58
Speaker 1: were drunk, Katie and Josh are like, you know what?
45:03
Speaker 1: We're connected. Maybe we'll even go home and bang. How
45:05
Speaker 1: about twice a day bang? Morning bang? Bang is such
45:11
Speaker 1: a weird, not hot word. I had to get myself
45:17
Speaker 1: out of saying boned, which I'm not happy about. I
45:19
Speaker 1: feel like it's like this weird, like 2000 things. It's
45:21
Speaker 1: like they boned. I'm trying to get out. And obviously
45:24
Speaker 1: now they're saying cracked, which feels like hard. Like I'm
45:31
Speaker 1: pushing myself to say it. He puts on a Crocodile
45:35
Speaker 1: Dundee hat, honey. I will say that. So then Marissa
45:38
Speaker 1: and Edward like hug Katie, you know, and I think
45:40
Speaker 1: that Marissa feels like bad for Katie. They probably know
45:43
Speaker 1: just like on the outside how much Kate, hate Kate,
45:45
Speaker 1: hate Katie's getting. She changed her name to Kate. She's
45:50
Speaker 1: getting so much hate. It's Kate. At one point at
45:55
Speaker 1: very end, Paolo leaves the studio and this, I don't know,
45:57
Speaker 1: made me LOL because it's in New York. He leaves
45:59
Speaker 1: the studio and then she goes, fresh air. I want
46:02
Speaker 1: to be like, It smells like pee and trash. But
46:07
Speaker 1: also what made me think of fresh air, Times Square,
46:11
Speaker 1: you are my wife. Goodbye, city life, which is the
46:16
Speaker 1: Green Acres theme song. Because when she said fresh air,
46:19
Speaker 1: I immediately thought New York and Times Square, obviously the
46:22
Speaker 1: New York. So it made me think of that. And
46:24
Speaker 1: I decided to share it with you. Why? Because usually
46:27
Speaker 1: my references like are of a yesteryear of like 90s, 2000s.
46:31
Speaker 1: And I figure why not give a reference from the 1960s? Honey,
46:41
Speaker 1: Green Acres. Green Acres is the place to be. Zsa
46:46
Speaker 1: Zsa Gabor. Don't steal this because I'm already copywriting it,
46:51
Speaker 1: but this is my pitch. I want to do a
46:55
Speaker 1: revamped version of Green Acres. And it's Green Acres, which
46:59
Speaker 1: low-key could also be a fun version of what happened
47:03
Speaker 1: with Ballerina Farm. Because Green Acres is about a rich
47:07
Speaker 1: guy from New York that takes his rich heiress wife,
47:09
Speaker 1: who's Hungarian or Austrian, and he's like, I want to
47:12
Speaker 1: give up that life. You have to do what I
47:14
Speaker 1: want to do because it's like back in the day,
47:16
Speaker 1: it's more traditional. We're going to go live on a
47:18
Speaker 1: farm and do Trad Wife, give up that and do
47:22
Speaker 1: New York high life and fucking farm it. And that's
47:25
Speaker 1: basically what happened at Ballerina Farm. So I would like
47:27
Speaker 1: to do a revamped version of this where it's like
47:29
Speaker 1: that JetBlue Air takes a ballerina that's studying at ABT
47:34
Speaker 1: and is like, fuck that life in New York. You're
47:36
Speaker 1: going to raise some chickens. And she's like, huh? But,
47:40
Speaker 1: you know, it's different because the ballerina farm likes it. Anyway.
47:43
Speaker 1: All right. Let's put our hands on our heart and
47:49
Speaker 1: give a closure moment for this season, for our lives.
47:53
Speaker 1: It has been the autumn equinox. We are spending some
47:57
Speaker 1: time together. Thank you so much for listening to me
48:00
Speaker 1: yap about this. I certainly appreciate it. And, you know,
48:03
Speaker 1: also appreciate if you want to leave me a review,
48:06
Speaker 1: that would be nice, you know, on the podcast, Vanity Pharoah,
48:10
Speaker 1: or of course, follow me. I'm at chrisilpharoah on TikTok,
48:14
Speaker 1: on Instagram. I respond to comments. I definitely enjoy likes.
48:17
Speaker 1: Also on YouTube, chrispharoah, my Patreon, patreon.com slash chrispharoah. All
48:22
Speaker 1: of it exists, including Facebook. Chris Farah on Facebook, Vanity Fair,
48:26
Speaker 1: the group on Facebook. God bless. Thank you for listening.
48:33
Speaker 1: Two breaths and I'll let you go. All right. Thank you.
48:54
Speaker 1: Thanks for being present with me. Take care of yourselves
48:58
Speaker 1: and one another. Stand up for what you believe and
49:00
Speaker 1: make art. All right. Bye.