Latest / Fake Doctors, Real Friends with Zach and Donald / 111: My Own Personal Jesus

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111: My Own Personal Jesus · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Does your wife keep track of what you ate? Oh? No, no, no, no, no,
• 0:04
  Speaker 1: she doesn't keep track of what I That's what I mean. Like,
• 0:06
  Speaker 1: how do I mean like keep track of what you
• 0:07
  Speaker 1: ate in terms of like, hey you're eating too much?
• 0:09
  Speaker 1: I mean like the good shit in our house. She's
• 0:12
  Speaker 1: watching like, hey, you had the last Eminem packet that's mine. Yeah.
• 0:17
  Speaker 1: We do fight over Eminem's, the peanut kind. We fight
• 0:20
  Speaker 1: over candy a lot. My wife and I yo yo, uh.
• 0:23
  Speaker 1: We should talk about this because a lot of people
• 0:25
  Speaker 1: don't know. But it was Sinco de Mayo yesterday. Yes,
• 0:29
  Speaker 1: you were fasting, so you didn't participate in Sinco de Mayo.
• 0:32
  Speaker 1: What did you do? What did you do? So? Casa
• 0:35
  Speaker 1: Vega is one of my favorite Mexican restaurants in the
• 0:38
  Speaker 1: Sherman Oaks area right and you know, nobody can go
• 0:43
  Speaker 1: to restaurants right now. But they had a little drive
• 0:45
  Speaker 1: through going on where you can get you know, tacos
• 0:48
  Speaker 1: and and and beans and rice and and you know
• 0:52
  Speaker 1: whatever was on the menu, and margaritas and margharita's. How
• 0:57
  Speaker 1: do they how do they give you the margharita? They
• 0:59
  Speaker 1: brought it in, they put it in a half gallon.
• 1:01
  Speaker 1: Picture that does not even a picture. It's like a
• 1:04
  Speaker 1: half gallon, you know, like we put milk in it.
• 1:06
  Speaker 1: You know, you get milk and it's a half gallon,
• 1:08
  Speaker 1: bob jar whatever it is. Yeah, they put it in that. Wow,
• 1:13
  Speaker 1: and we got three of them. Oh my god, did
• 1:15
  Speaker 1: you get hammer? We only have one left. You guys
• 1:21
  Speaker 1: had a party over there. We drank a gallon of
• 1:23
  Speaker 1: margarita yesterday. Oh my godlish I'm so jealous. I literally
• 1:28
  Speaker 1: this this this fast thing we're on. It's like all
• 1:31
  Speaker 1: you eat is this thin soup. It looks like it
• 1:35
  Speaker 1: looks like gruel, remember that thing that Oliver wanted more of.
• 1:38
  Speaker 1: That's what it looks like. Yeah, it looks like or
• 1:41
  Speaker 1: like what they what they'd slop on a pirate ship,
• 1:44
  Speaker 1: what they'd serve you for dinner. That's what it looks like. Right,
• 1:46
  Speaker 1: does have like a little bit of celery and like
• 1:48
  Speaker 1: a little bit of carrot. It looks like cartoonishly watered
• 1:51
  Speaker 1: down soup. That's what we're allowed to eat. But it's
• 1:54
  Speaker 1: it's white colored. No, it's the color of whatever flavor
• 1:57
  Speaker 1: they think it is. It's like tomato is like tomato colored,
• 2:00
  Speaker 1: but it's just got little specs of crap in it. Wow,
• 2:03
  Speaker 1: But just you wait, Donald, We're gonna you're gonna check
• 2:05
  Speaker 1: in when we record on Friday, and you're gonna you're
• 2:08
  Speaker 1: gonna say, wow, you look even thinner. I want to
• 2:10
  Speaker 1: I want to fast, but I shall we sing? Shall
• 2:12
  Speaker 1: we sing? Yeah? Sure? Why not? I'd like to count
• 2:15
  Speaker 1: in today because I realized I haven't counted it in
• 2:17
  Speaker 1: a long time. I've been giving it to you. I've
• 2:19
  Speaker 1: been giving it to Bill Lawrence, our guests, and giving
• 2:21
  Speaker 1: it to Judy as a present, and and I just
• 2:24
  Speaker 1: feel feeling left out. Well, Zach, I want you to
• 2:27
  Speaker 1: give it to me. Go ahead, okay, Dan, hit it.
• 2:29
  Speaker 1: I like a little you know what. You didn't wait
• 2:30
  Speaker 1: before you hit it? Dan? You know, I always thought
• 2:32
  Speaker 1: it was so cool when DJ's on the radio do
• 2:35
  Speaker 1: the thing they called talk up, like they know exactly
• 2:38
  Speaker 1: when the words come in, and they'd stop talking right
• 2:42
  Speaker 1: at I believe DJs call it talking up a song
• 2:45
  Speaker 1: right right, so they they I'm sure they haven't labeled somewhere,
• 2:48
  Speaker 1: like the lyrics start at five seconds in or something.
• 2:51
  Speaker 1: And I always thought it was so smooth. So I'd
• 2:52
  Speaker 1: like to talk up this song. Go ahead, do it. Okay,
• 2:56
  Speaker 1: here we go. So I'm not gonna count in, Dan,
• 2:58
  Speaker 1: I'm just gonna talk it up. Okay, I'm nervous now,
• 3:03
  Speaker 1: I'm nervous. Now Here we go. Welcome everybody to fake doctors,
• 3:08
  Speaker 1: real friends. We're so glad you're joining us. And here's
• 3:10
  Speaker 1: a song written by Junie blues Domphase on a Brown
• 3:14
  Speaker 1: coming at you. Here's some stories about show we made
• 3:19
  Speaker 1: about a bunch of does and said, he's stories. So
• 3:29
  Speaker 1: get around here? Are yato around you here? Hey? Lots
• 3:39
  Speaker 1: of talk on the social media about you know what
• 3:41
  Speaker 1: I mean? And uh? And you is it? Is it
• 3:44
  Speaker 1: that bad? No, it's It's just people just need to
• 3:48
  Speaker 1: accept it. It's part of your way of speaking. It
• 3:51
  Speaker 1: is part of mine. I'm just concerned though about those
• 3:53
  Speaker 1: who are doing it as a drinking game, that that
• 3:55
  Speaker 1: that we're gonna turn people into alcoholics. I'm up the
• 3:58
  Speaker 1: I think we should keep the things, but if you
• 3:59
  Speaker 1: don't don't want to keep the things, we could we
• 4:01
  Speaker 1: could remove the things. And also I heard, by the way, Dan,
• 4:04
  Speaker 1: that you missed some I saw on Twitter some people
• 4:06
  Speaker 1: were like that dings were hilarious, but you guys missed
• 4:09
  Speaker 1: like four You know what it means, Dan, what was
• 4:12
  Speaker 1: the total I mean, of the ones you caught, what
• 4:15
  Speaker 1: was the total nine? That's not a lot for an hour, dude.
• 4:18
  Speaker 1: By the way, that's when you were trying not to
• 4:21
  Speaker 1: say it, dude, But but I was also it was
• 4:25
  Speaker 1: me not it was me using it as slang, though
• 4:28
  Speaker 1: at that point it wasn't me just saying you know
• 4:31
  Speaker 1: what I mean. After everything I said, somebody brought to
• 4:34
  Speaker 1: my attention that you say, you know a lot. I'm
• 4:36
  Speaker 1: just gonna put it out there. Really, we're trying to
• 4:38
  Speaker 1: shift the ship on to me. Listen, listen, I do
• 4:43
  Speaker 1: I listen. We all have. We all if you record
• 4:45
  Speaker 1: someone for multiple hours, you're gonna hear some of the
• 4:50
  Speaker 1: things that they say when they speak. I'm sure we
• 4:52
  Speaker 1: all have our own ticks. Yeah, I'm sure you listening
• 4:54
  Speaker 1: right now judging us, you probably have some vocal go tos.
• 5:03
  Speaker 1: The ones that the ones that kind of get on
• 5:05
  Speaker 1: my nerves are like when people say I mean all
• 5:07
  Speaker 1: the time before they say anything I mean, it's like no,
• 5:10
  Speaker 1: I get it, or like I mean, I hear you
• 5:13
  Speaker 1: say like a lot. We all say like a lot,
• 5:15
  Speaker 1: I know. But the young folks really use like a lot. Yeah,
• 5:19
  Speaker 1: that that's the one that gets me. I mean, I mean,
• 5:22
  Speaker 1: I mean, I'm literally the wrong use of literally is
• 5:26
  Speaker 1: also a bit of a pet peeve. Really that's abused.
• 5:30
  Speaker 1: You literally don't like that. I literally literally get annoyed
• 5:35
  Speaker 1: when people overuse literally. Should we get into the episode, Donald,
• 5:39
  Speaker 1: let's do it. I love it everyone. I'm right in
• 5:44
  Speaker 1: and say, holy shit, you are so good in this episode.
• 5:47
  Speaker 1: I forgot how church centric it was. It is a
• 5:53
  Speaker 1: Turk episode, and it issode. It's a very Turk episode Donald,
• 5:57
  Speaker 1: right moments. I'm not just saying this because I love
• 6:00
  Speaker 1: you so much, but I do, But holy shit, you
• 6:04
  Speaker 1: are so good in this episode. And I multiple things.
• 6:07
  Speaker 1: There's the there's we could spend a whole episode of
• 6:09
  Speaker 1: this podcast on that gospel fantasy. We're going to spend
• 6:13
  Speaker 1: plenty of time on it, don't get me wrong. But
• 6:15
  Speaker 1: also you're dramatic acting at the end when you're all upset,
• 6:19
  Speaker 1: the scene with you and Judy on the roof, you
• 6:21
  Speaker 1: running to the park, I just thought you did really
• 6:24
  Speaker 1: really good working. Oh you're a sweetheart, you know. Thank
• 6:27
  Speaker 1: you first of all. Second of all, this was one
• 6:29
  Speaker 1: of my this isn't necessarily one of my favorite episodes.
• 6:32
  Speaker 1: But there's so many really cool things that happened in
• 6:35
  Speaker 1: this episode that I got to be a part of.
• 6:37
  Speaker 1: One was obviously the gospel choiet thing. That was a
• 6:39
  Speaker 1: lot of fun. One of my favorite movies of all
• 6:42
  Speaker 1: time is Coming to America too, and also Which Way
• 6:45
  Speaker 1: Is Up? And in Which Way Is Up? Richard Pryor
• 6:47
  Speaker 1: plays a reverend in a church and in Coming to America.
• 6:51
  Speaker 1: Arsineo Hall's portrayal of the reverend is amazing as well.
• 6:56
  Speaker 1: And so if any if I was doing anything in
• 7:00
  Speaker 1: that scene, I was stealing from the two of them, wow,
• 7:03
  Speaker 1: because I just get right, let's get right to it.
• 7:06
  Speaker 1: You are so fucking funny in that, and I well,
• 7:09
  Speaker 1: I watched it like multiple times just because that scene.
• 7:11
  Speaker 1: I think it's one of the I honestly, I know
• 7:13
  Speaker 1: we're just started this, but I think it's one of
• 7:14
  Speaker 1: the best fantasies in Scrub's history, solely because of your performance.
• 7:18
  Speaker 1: And I know that you're doing an homage to your
• 7:20
  Speaker 1: favorite one of our favorite movies, Coming to America, but
• 7:23
  Speaker 1: you really made it your own. I mean, I just
• 7:28
  Speaker 1: was dying laughing the Jerry Curl, the swinging of the arms,
• 7:34
  Speaker 1: the padding of the forehead. We gonna, we gonna what
• 7:38
  Speaker 1: do you want to cut them open, and then we
• 7:40
  Speaker 1: gonna stow them right back together. I remember that day
• 7:44
  Speaker 1: genuinely cracking up, and you were just going for it. Man,
• 7:47
  Speaker 1: you were you were literally sweating your ass on. That's
• 7:49
  Speaker 1: hot and you were just being But I wasn't sweating
• 7:53
  Speaker 1: my ass off. So you kind of used literally in
• 7:56
  Speaker 1: the way that you hate it. Okay, you're because I've
• 8:00
  Speaker 1: literally sweating, but my ass didn't fall off. All right, Okay,
• 8:03
  Speaker 1: there is there is it is. It is literally not
• 8:08
  Speaker 1: possible in literal sense for someone's ass to be sweat off.
• 8:12
  Speaker 1: I believe. I believe that's true. Joel, Please look that up.
• 8:16
  Speaker 1: I had a lot of fun doing that scene, man.
• 8:18
  Speaker 1: One of the one of the great things was looking
• 8:20
  Speaker 1: out into the audience also and seeing, you know, how
• 8:23
  Speaker 1: background really enjoyed themselves, and then also seeing familiar faces
• 8:27
  Speaker 1: in the background. Colonel Doctor for the first time is
• 8:30
  Speaker 1: in this episode. Wait, before you're you're jumping around, let's
• 8:33
  Speaker 1: just stay focused on you. We can't go to Colonel
• 8:34
  Speaker 1: Doctor is in the background. I know, but yes, okay, sorry,
• 8:38
  Speaker 1: but I didn't want to go to courl doctor yet
• 8:39
  Speaker 1: because it is his first appearance in a Scrubs episode,
• 8:42
  Speaker 1: he shows up in the background of Sarah's scene first.
• 8:45
  Speaker 1: Also Neil Flynn in the background of this episode clapping, Yes,
• 8:50
  Speaker 1: that was funny. What about me when I get the
• 8:52
  Speaker 1: spirit and then you catch in the Holy Ghost? Dude,
• 8:56
  Speaker 1: that freaked me out. The first time I ever saw that,
• 8:59
  Speaker 1: I'm gonna be in real life, My first time ever
• 9:02
  Speaker 1: seen I saw listen. I went to church with my babysitter.
• 9:07
  Speaker 1: It was like a midnight mass type thing, and we
• 9:10
  Speaker 1: went to church and we saw, first of all, people
• 9:13
  Speaker 1: around us are catching the spirit, right, catching the Holy Ghost,
• 9:16
  Speaker 1: and they're losing it. And I was like, all right,
• 9:19
  Speaker 1: I'm safe. I'm here with my babysitter. I know she's
• 9:22
  Speaker 1: not gonna catch the Holy Spirit. Last cut too, she
• 9:25
  Speaker 1: catches the bad Boy and I was like, yeah, so
• 9:30
  Speaker 1: how did she start acting like she just out of
• 9:33
  Speaker 1: out of nowhere? She just started dancing right like you did,
• 9:36
  Speaker 1: like your character does, like like JD does. She started
• 9:39
  Speaker 1: dancing and then she started praising God, which is what
• 9:42
  Speaker 1: you know as a youth when you don't see stuff
• 9:45
  Speaker 1: like that, Like my grandmother was Piscopalian, so we had
• 9:47
  Speaker 1: to go to Piscopalian church and stuff like that, and
• 9:50
  Speaker 1: it wasn't like that, you know what I mean. Even
• 9:52
  Speaker 1: though it was all black, it wasn't a Baptist church,
• 9:54
  Speaker 1: you know what I mean. And when you go to
• 9:55
  Speaker 1: a when you go to a Baptist church, you know
• 9:58
  Speaker 1: they put it in. That's something that's I'd love to
• 10:01
  Speaker 1: do that. By the way, Oh, it's amazing that everything.
• 10:04
  Speaker 1: I would love to have the experience of going to
• 10:07
  Speaker 1: a church like the one we're representing in this show.
• 10:09
  Speaker 1: I just think it would be amazing. I've never seen
• 10:11
  Speaker 1: that in real life, obviously, I've seen it on TV
• 10:14
  Speaker 1: and on video of people speaking in tongues and and
• 10:17
  Speaker 1: and no judgments. I'm not I'm whatever works for you.
• 10:20
  Speaker 1: That's amazing. I like you said, as a child, I
• 10:22
  Speaker 1: was always like, oh my God, what is what is happening? Right?
• 10:25
  Speaker 1: And it was so shocking to see someone reacting like that,
• 10:28
  Speaker 1: to get touched by the spirit of God. I like
• 10:31
  Speaker 1: the idea that JD you know, got the spirit when
• 10:34
  Speaker 1: you were such a good minister, that it just came
• 10:36
  Speaker 1: to him, right, the music got into him and and
• 10:39
  Speaker 1: and scripted or I just improved that. I don't recall,
• 10:42
  Speaker 1: do you remember, I don't know if it was scripted.
• 10:44
  Speaker 1: I think I think you might have improved it to
• 10:46
  Speaker 1: be I think I just thought I said to Bill, like,
• 10:48
  Speaker 1: oh my god, I should get the spirit. I think
• 10:49
  Speaker 1: that's funny. Yeah, amazing, amazing, man, A great scene. The
• 10:55
  Speaker 1: choir was. The choir was amazing. Although they although we
• 10:57
  Speaker 1: do we do have two of them that that spy
• 11:00
  Speaker 1: the lens and wave at the camera around eight sixteen.
• 11:02
  Speaker 1: I don't know if you caught that they got They
• 11:04
  Speaker 1: may have caught the spirit too and decided to wave
• 11:06
  Speaker 1: to the lens. But uh, but they were. They were amazing.
• 11:09
  Speaker 1: And by the way, why mistaken or did you? Or
• 11:13
  Speaker 1: did you when you were just riffing. One of the
• 11:14
  Speaker 1: things that was you were so great when when they
• 11:17
  Speaker 1: would when you would be in your element and they
• 11:19
  Speaker 1: would just tell you to go. Whether that could be
• 11:21
  Speaker 1: the dance, the famous dance you did that that everyone
• 11:23
  Speaker 1: always talks about, or or so many things, but in
• 11:26
  Speaker 1: this moment when you were just riffing and being that preacher,
• 11:29
  Speaker 1: I mean, you just got lost in it and it
• 11:30
  Speaker 1: was so amazing to watch you do that. But I
• 11:32
  Speaker 1: remember that when you can what's the name of the song?
• 11:35
  Speaker 1: We sing in yer, remember the song? And they kept
• 11:39
  Speaker 1: it in and that was so funny. It was supposed
• 11:43
  Speaker 1: to be something like quah, let us let us you know,
• 11:47
  Speaker 1: uh let us uh bless the congregation with the song
• 11:52
  Speaker 1: you know, Christ the Lord, right, right, And I remember
• 11:55
  Speaker 1: getting down back quile what's the name of a song
• 12:00
  Speaker 1: was singing? But you stayed in character. It was still funny.
• 12:04
  Speaker 1: You know. It was such a good lesson early on
• 12:06
  Speaker 1: in Scrubs that if if we stayed in character, a
• 12:09
  Speaker 1: lot of that stuff could if it was funny, would
• 12:10
  Speaker 1: stay in right. And and that was a perfect example
• 12:13
  Speaker 1: of of you doing that and Bill going in the
• 12:15
  Speaker 1: edit room like, oh, that's funny, that's staying yeah. Yeah.
• 12:19
  Speaker 1: So so this whole episode, it was written by Debford
• 12:25
  Speaker 1: hum that's right, who also wrote the musical episode. Right,
• 12:28
  Speaker 1: was the one of the main writers on the musical episode,
• 12:30
  Speaker 1: and I think actually participated in running a lot of
• 12:33
  Speaker 1: lyrics for the famous musical episode. That's right. And Jeff
• 12:37
  Speaker 1: Melman was the director, and I just learned a little
• 12:40
  Speaker 1: trivia that he directed some of the sitcom You did
• 12:43
  Speaker 1: the xes, Yeah, I did, I did. I do not
• 12:48
  Speaker 1: put two and two together. I did not remember that.
• 12:51
  Speaker 1: Do you remember? Do you remember it? I do know
• 12:53
  Speaker 1: Jeff Melman has, but now that you have said that,
• 12:56
  Speaker 1: he only directed one episode of Scrubs and it was
• 12:58
  Speaker 1: twenty years ago, So you're okay for not remembering that,
• 13:00
  Speaker 1: But I don't know if you put two and two together.
• 13:01
  Speaker 1: They also directed your sitcom The X. I think we
• 13:03
  Speaker 1: even talked about him directing an episode of Scrubs when
• 13:06
  Speaker 1: he directed the episode of The Exes. Anyway, and Kristin Johnston,
• 13:11
  Speaker 1: who you did The Exes with, I bought her house.
• 13:14
  Speaker 1: That's where I live. Yeah. Not only that, but you
• 13:17
  Speaker 1: guys also did Twelfth Night together. We did Twelfth Night
• 13:21
  Speaker 1: together in Central Park at the Dela Court and you
• 13:25
  Speaker 1: and that's when she said, Hey, I want to move
• 13:27
  Speaker 1: out of la I'm over it. Do you have any interest?
• 13:29
  Speaker 1: And I was just at the time when I was
• 13:31
  Speaker 1: starting to think about buying my first house. And what's
• 13:35
  Speaker 1: funny is that she was quite an entertainer. She threw
• 13:38
  Speaker 1: a lot of bashes at the house, and so over
• 13:41
  Speaker 1: the years when I've told people that I bought the
• 13:43
  Speaker 1: house from her, they're always like, ooh, I've been so
• 13:46
  Speaker 1: fucked up in your house. Wow. Wow. Well she's now
• 13:50
  Speaker 1: sober and she's written a wonderful book called Guts on
• 13:53
  Speaker 1: the market right now. And if you guys are listening
• 13:56
  Speaker 1: and want a good read in the voice of christ
• 14:01
  Speaker 1: and Johnson. She also does the audio book, check it out.
• 14:04
  Speaker 1: It's very, very, very revealing, and she's very open about
• 14:08
  Speaker 1: her addiction. And yeah, get and when you're I've read
• 14:11
  Speaker 1: the book and it's amazing and you should get it.
• 14:13
  Speaker 1: And when you're hearing about some of her partying, just
• 14:15
  Speaker 1: know it was happening in mind. Yo. Somebody got mad, dude,
• 14:21
  Speaker 1: you oh man, somebody got mad that I ruined that
• 14:23
  Speaker 1: joke or that not the joke, the bit of trivia.
• 14:26
  Speaker 1: I know on one of the last episodes, I said
• 14:29
  Speaker 1: I'm gonna I was gonna do a trivia for Donald
• 14:31
  Speaker 1: involving the Breakfast Club, and he ruined it and some
• 14:34
  Speaker 1: guy and some guy wrote on Twitter I was legit
• 14:37
  Speaker 1: excited for a bit of trivia and Donald did indeed
• 14:40
  Speaker 1: ruin it. We gotta filter in some more trivia to
• 14:45
  Speaker 1: this show. Absolutely so okay, dev Ford, him, Jeff Melman,
• 14:48
  Speaker 1: It's a great episode. I gotta say, you know, They're
• 14:50
  Speaker 1: not all this good. This was a darn good one.
• 14:52
  Speaker 1: And first thing I wrote down was Nurse Tisdale at
• 14:56
  Speaker 1: thirty five seconds in Yes, which is a oma to
• 15:01
  Speaker 1: film fast Times a Ridgemond High. Now, some of you
• 15:03
  Speaker 1: younger folk might not know that movie. You should watch
• 15:05
  Speaker 1: it because it's a seminole eighties film. And I remember
• 15:08
  Speaker 1: watching it at someone's house, far too young to be
• 15:12
  Speaker 1: watching it, Like I should not have been watching that
• 15:14
  Speaker 1: movie at the age I was, And I remember feeling like,
• 15:17
  Speaker 1: don't move because I don't want any adult to notice
• 15:21
  Speaker 1: that I'm here and I'm watching this and I probably
• 15:24
  Speaker 1: shouldn't be watching Phoebe Kates reveal her bosoms. Yeah, you
• 15:30
  Speaker 1: remember when you saw that movie. I do remember when
• 15:32
  Speaker 1: I saw that movie. And you know, the one thing
• 15:35
  Speaker 1: that stuck out from that movie for me was Sean
• 15:37
  Speaker 1: Pinn totally awesome and his Jeff Spoccoli. Yeah, a little
• 15:42
  Speaker 1: bit of trivia for you. Do you know who wrote
• 15:43
  Speaker 1: that movie? Yes, it was Amy Heckerling, No Cameron Crowe.
• 15:49
  Speaker 1: Amy Heckerling directed it, absolutely, okay. Amy Heckerling, who wrote
• 15:53
  Speaker 1: and directed Clueless, wrote and directed Clueless. Yes, so it's
• 15:56
  Speaker 1: six degrees of Donald Fazon is what your six degrees
• 15:59
  Speaker 1: of Donald Fazon. Forrest Whittakers also in that movie. He
• 16:02
  Speaker 1: directed Waiting to Exhale and I was in it, and
• 16:05
  Speaker 1: I remember going on the audition for Waiting to Exhale
• 16:07
  Speaker 1: at the same time I was shooting Clueless, the movie,
• 16:11
  Speaker 1: and I was, you know, Forrest and I had a
• 16:12
  Speaker 1: little conversation about his experience with Amy and the reason
• 16:16
  Speaker 1: why I got Waiting to Xer because I'm sure there
• 16:18
  Speaker 1: were a bunch of people who auditioned for it. But
• 16:20
  Speaker 1: Forrest told me, he was like, you know, I went
• 16:22
  Speaker 1: with you because you know you're working with Amy, and
• 16:25
  Speaker 1: Amy gave me my start, and it was something there
• 16:28
  Speaker 1: was a form of nostalgia and for me. So I
• 16:31
  Speaker 1: got to be in Waiting Exhale with Whitney, Houston, Angel Labassett, Lauretta,
• 16:35
  Speaker 1: Divine Lee, liber Sean, I got to oh Man, I
• 16:37
  Speaker 1: got to meet several actors, from Michael Beach to one
• 16:41
  Speaker 1: of my favorite all time performers, Gregory Hines. That's what
• 16:46
  Speaker 1: I've never seen the movie. I've got to be honest
• 16:48
  Speaker 1: with you, but you've never seen Waiting to Exhale. No,
• 16:50
  Speaker 1: but I'm gonna write it down because we're looking for
• 16:51
  Speaker 1: quarantine movies. And I do love your work. You should
• 16:54
  Speaker 1: watch way in exhale. It's a lot of fun. It's
• 16:56
  Speaker 1: if you have a good pardon it or should I
• 16:57
  Speaker 1: need to just fast forward to your scenes. No, you
• 17:00
  Speaker 1: should watch the movie. The movie is actually very entertaining.
• 17:03
  Speaker 1: It's it's it's and the soundtrack is amazing. By the way,
• 17:07
  Speaker 1: Holy cow, baby face, you put your foot in it
• 17:10
  Speaker 1: when you made that one. I don't know what that means.
• 17:13
  Speaker 1: It just means he puts them, he puts them. He did.
• 17:16
  Speaker 1: He put a little strowsy on it. You know, he's
• 17:19
  Speaker 1: still doing this thing. Oh, I just haven't heard about
• 17:22
  Speaker 1: him his name in the public lexicon in a long time. Anyway,
• 17:26
  Speaker 1: we digress. Let's get back here, all right, we digress.
• 17:28
  Speaker 1: Nurse Tisdale. Um, she's coming down doing a homage to
• 17:32
  Speaker 1: Fast Times at ridge Mont High. By the way, if
• 17:34
  Speaker 1: you haven't seen Fast Times at Rige Mond High, you
• 17:35
  Speaker 1: should because it perfectly I think encapsulates a period of
• 17:39
  Speaker 1: time in the eighties. And uh, and it's a really
• 17:43
  Speaker 1: really I mean it was written by Cameron Crowe. I
• 17:44
  Speaker 1: mean it's a great movie. Um, fifty eight seconds Snoop
• 17:48
  Speaker 1: you know, showing up. Snoop's in a lot of this episode.
• 17:51
  Speaker 1: Snoop Dogg. In turn, Snoop Dogg was in a lot
• 17:54
  Speaker 1: of this show. I know. It's funny. If you guys
• 17:56
  Speaker 1: start looking at the background, you'll not Snoop Dogg real
• 17:58
  Speaker 1: Snoop dog Snoop dog if you'll see if you guys look,
• 18:02
  Speaker 1: if you guys look at these episodes closely, you'll see
• 18:04
  Speaker 1: that basically they're just they're just moving around the same
• 18:06
  Speaker 1: twenty background folks. And there's times where it's like there'll
• 18:10
  Speaker 1: be one scene and Snoops in the background, and then
• 18:12
  Speaker 1: then we're upstairs and Stoops in the background. I'm like, guys,
• 18:15
  Speaker 1: come on, well he worked a lot and then yeah,
• 18:19
  Speaker 1: but now we're starting to introduce new characters, so you'll see, ye.
• 18:22
  Speaker 1: Doctor one fifty one a momentous moment. Colonel Doctor first
• 18:25
  Speaker 1: appearance in the background, as Bill told us on the
• 18:28
  Speaker 1: last episode, named because everyone thought he looked like um
• 18:33
  Speaker 1: Colonel Sanders the Kentucky Fried Chicken commercials. And is he
• 18:37
  Speaker 1: still alive or did he pass I believe he passed away.
• 18:40
  Speaker 1: I believes where he was an older fellow when we're
• 18:42
  Speaker 1: doing this twenty years ago. By the way, someone clarified
• 18:45
  Speaker 1: for me on the social media interwebs that the Beard
• 18:49
  Speaker 1: Fusse film I was trying to remember was Girl with
• 18:54
  Speaker 1: the Dragon tattoo. I knew it was a Fincher, so
• 18:57
  Speaker 1: I was right about it being Fincher. It's Girl with
• 18:59
  Speaker 1: the Dragon. Had to um, Daniel Craig is on a
• 19:02
  Speaker 1: plane and the camera sort of just dollis past a
• 19:06
  Speaker 1: close up of Beard Fusse. So thank you for the
• 19:10
  Speaker 1: for the listener who helped me out with that. All right,
• 19:13
  Speaker 1: we're gonna go to break, We'll be right back, and
• 19:22
  Speaker 1: we're back. Hey listen. I occasionally Season one would go
• 19:28
  Speaker 1: out partying with you during the week. Yes, I was occasionally, Yes,
• 19:33
  Speaker 1: I was feeling myself. I had never had a dollar
• 19:35
  Speaker 1: in my pocket, let alone, um, some hit television show
• 19:41
  Speaker 1: and you and I. I can't I mean, it's forty
• 19:44
  Speaker 1: five years old. You can't imagine you would ever do this.
• 19:46
  Speaker 1: But in our twenties we would occasionally go out the
• 19:49
  Speaker 1: nights of filming. Occasionally, I remember we would say things like,
• 19:53
  Speaker 1: all right, look, just want to do one shot? How
• 19:57
  Speaker 1: about just one I'm sure everybody out there can relate
• 20:00
  Speaker 1: to your friend going, how about just one? Yeah, We're
• 20:03
  Speaker 1: gonna do one shot hard hard, six o'clock in the morning.
• 20:07
  Speaker 1: If we're gone by midnight, we could be home by
• 20:09
  Speaker 1: one and it will still have a good five hours asleep.
• 20:12
  Speaker 1: Right hard cut to like at six in the morning,
• 20:14
  Speaker 1: we're in Orlando Jones is swimming. Oh my god, it
• 20:17
  Speaker 1: wasn't even six. It was like four forty five, right,
• 20:20
  Speaker 1: And it was the night. You had to be at
• 20:23
  Speaker 1: work at six and I had to Did you have
• 20:25
  Speaker 1: to go in or just me? You didn't have to
• 20:26
  Speaker 1: go in, and I had to go in, but I
• 20:27
  Speaker 1: didn't have to be in until like, oh man, this
• 20:29
  Speaker 1: was this is This is if you looked at a
• 20:31
  Speaker 1: graph of me being irresponsible at work. This was the
• 20:34
  Speaker 1: high point because I think I was in Orlando Jones's
• 20:37
  Speaker 1: pool hammered at four forty five, and that day I
• 20:40
  Speaker 1: had to shoot this Fawnzie fantasy at three forty one
• 20:44
  Speaker 1: that starts at three forty one. So when you see
• 20:46
  Speaker 1: that Fawnsie thing, not only am I hung over, I'm
• 20:49
  Speaker 1: still buzzed, right right, I'm still buzzed from partying with
• 20:55
  Speaker 1: Orlando Jones dude to this day. That's still one of
• 20:58
  Speaker 1: the most epic nights. I mean, we've had some pretty
• 21:01
  Speaker 1: epic nights, but well, because he was so young and
• 21:03
  Speaker 1: fresh in the game, and I hadn't met that many stars,
• 21:06
  Speaker 1: and and I was just like, I can't believe are
• 21:08
  Speaker 1: we going to Orlando Jones's house yet. Yeah, he was
• 21:10
  Speaker 1: fresh off of doing uh he had he had already
• 21:13
  Speaker 1: said goodbye to the seven up commercials, and now he
• 21:16
  Speaker 1: had the movie that had just come out with him
• 21:18
  Speaker 1: and David Duchovny and Sean William Scott called Evolution or
• 21:23
  Speaker 1: something like that, and we were all hanging out. I
• 21:26
  Speaker 1: don't know, but I was in any star. I was excited.
• 21:28
  Speaker 1: I was as excited. I felt like, I'm living the
• 21:30
  Speaker 1: Hollywood dream. I'm not waiting tables anymore. I'm partying with
• 21:33
  Speaker 1: Orlando Jones and Donald phays On in a pod and
• 21:40
  Speaker 1: Deonte Gordon Donald's Donald stand in slash our friend and uh.
• 21:45
  Speaker 1: And then I went and did this fantasy. So I
• 21:47
  Speaker 1: was just watching it because I remember that being in pain,
• 21:49
  Speaker 1: and it's it's a very funny fantasy. So I'm i'm, i'm.
• 21:52
  Speaker 1: I was grateful this many years later, I didn't ruin
• 21:54
  Speaker 1: a moment for the fans, because that's a funny fantasy.
• 21:56
  Speaker 1: It's hilarious. He's not gonna make it then you come
• 21:59
  Speaker 1: in jebox. But those of you who are too young
• 22:03
  Speaker 1: to remember, the Fawns who I'm spoofing here could pretty
• 22:07
  Speaker 1: much had magical powers. I mean it happened. It came
• 22:09
  Speaker 1: to jukeboxes and women. Yes, the maybe in the beginning
• 22:13
  Speaker 1: he was just jukeboxing. But then like as I recall
• 22:16
  Speaker 1: later in later episodes of Happy Days, he would literally
• 22:18
  Speaker 1: he could like work magic because snap and women out
• 22:21
  Speaker 1: of nowhere would show up. Yeah, Fawns. He had to
• 22:24
  Speaker 1: move out of Milwaukee because he had dated every woman
• 22:26
  Speaker 1: in Milwaukee. That was that was a subplot. He had
• 22:29
  Speaker 1: He had been on a date with every single woman
• 22:31
  Speaker 1: in Milwaukee and he could, so he had to go
• 22:33
  Speaker 1: out of city for that right on. Such a funny
• 22:36
  Speaker 1: scene though, such a funny scene. And that's how you
• 22:39
  Speaker 1: you know we all believe in miracles. Well that's how
• 22:42
  Speaker 1: that's what starts off your really cool arc about testing
• 22:44
  Speaker 1: your faith and and so was it dropped from you
• 22:48
  Speaker 1: You mentioned earlier that it was was your was churks
• 22:51
  Speaker 1: religiousness dropped from here on out? Like did it ever
• 22:54
  Speaker 1: come up? Did you stop wearing that cross? The cross?
• 22:58
  Speaker 1: You never see this cross ever before? But in this
• 23:00
  Speaker 1: sood because you're supposed be religious, the crosses in every
• 23:02
  Speaker 1: every shot. Well, we we shot it in another episode also,
• 23:05
  Speaker 1: but the cross is was it was after this you
• 23:08
  Speaker 1: don't see the cross anymore, Um, I believe, And we
• 23:11
  Speaker 1: don't talk about Turk's faith really anymore, which is bizarre
• 23:15
  Speaker 1: because at the end of the episode your faith is restored.
• 23:18
  Speaker 1: I mean, you literally have a sign from God. Did
• 23:20
  Speaker 1: you go save a pregnant woman in the park? Right? Like?
• 23:24
  Speaker 1: I just knew she was in the park? Yeah, how
• 23:26
  Speaker 1: did you just know? Did you even know? Does Turk
• 23:28
  Speaker 1: even know Sarah's storyline about her having a pregnant woman?
• 23:31
  Speaker 1: I think the I think the whole hospital knows about
• 23:34
  Speaker 1: it because she's escaped and everybody's on the lookout. Okay,
• 23:38
  Speaker 1: so you're on the roof, by the way, How funny
• 23:40
  Speaker 1: is it the judy trying to cheer you up, wants
• 23:42
  Speaker 1: to bang on the roof of the hospital. I know,
• 23:44
  Speaker 1: I thought that was a funny plot line, Like here, baby,
• 23:47
  Speaker 1: I'll cheer you up. Let's have sex on this gravelly
• 23:49
  Speaker 1: dirty rooftop. Yeah, I look back at that. I look
• 23:53
  Speaker 1: back at that and like, Turk, what were you thinking?
• 23:56
  Speaker 1: I love us, I love us, I love I'm wanting
• 23:59
  Speaker 1: it going be so gross And you're like, oh, what
• 24:01
  Speaker 1: was Turk thinking? I mean, like, I don't know. I
• 24:11
  Speaker 1: think having sex in like really awkward places is always
• 24:14
  Speaker 1: so like such a thing you only see in movies, Like,
• 24:16
  Speaker 1: have you had sex and awkward places before? Well, I'm
• 24:19
  Speaker 1: not gonna go too into my sex life for everybody,
• 24:22
  Speaker 1: but I do. I think I have hooked up on
• 24:24
  Speaker 1: the beach with with with someone and thought this looks
• 24:27
  Speaker 1: way better in the movies. There's like sand in my creases. Yeah. No,
• 24:32
  Speaker 1: I have never had sex and really any awkward. There
• 24:35
  Speaker 1: you go. We're giving the exclusive here on fake Doctor's
• 24:39
  Speaker 1: Real Friends Donald Phazon never having sex in an awkward place,
• 24:42
  Speaker 1: Like I know people that have done it in some
• 24:44
  Speaker 1: crazy places. I'm like, there's people who are into that.
• 24:47
  Speaker 1: They're like they like they think of it like notches
• 24:49
  Speaker 1: on their belt, like we you're not gonna believe where
• 24:51
  Speaker 1: we bang the hospital roof. Yeah, Turk and Carla, aren't
• 24:58
  Speaker 1: that couple? What about those people who bran rag about
• 25:00
  Speaker 1: having sex on air in airplane bathrooms. I always thought
• 25:02
  Speaker 1: that would be humiliating to come out of the bathroom
• 25:06
  Speaker 1: and everyone's looking at you and so obvious what you did.
• 25:10
  Speaker 1: It's not. Well, the thing is not a lot of
• 25:14
  Speaker 1: people have the opportunity to have sex over a mile
• 25:17
  Speaker 1: above the earth, right, And so I get the allure. Yeah,
• 25:21
  Speaker 1: you do get the allure. Yeah, I get the allure,
• 25:23
  Speaker 1: but I'm not really I'm not jealous of it. Like
• 25:25
  Speaker 1: you just said, I can't picture you doing that. It
• 25:27
  Speaker 1: doesn't sound like a very Donald phase on thing to do.
• 25:30
  Speaker 1: I mean, you never know, so you might. I mean
• 25:34
  Speaker 1: if it's a private jet, oh, a private jet doesn't count.
• 25:38
  Speaker 1: I'm talking about a commercial airplane. Like yeah, no, no no, no, no, no,
• 25:41
  Speaker 1: no no, especially now after what we're going through right
• 25:44
  Speaker 1: now with this whole quarantine thing. I'm all, before the quarantine,
• 25:47
  Speaker 1: you would definitely bang in a bathroom. Before the quarantine.
• 25:49
  Speaker 1: I think a lot of people would be like, yeah,
• 25:51
  Speaker 1: that's a possibility. But I think after the quarantine thing,
• 25:53
  Speaker 1: it's like there's a little too much of germs, and
• 25:55
  Speaker 1: I can't picture Casey Cobb being like, there's no way,
• 25:58
  Speaker 1: it's absolutely not. I would be like, babe, let's do it,
• 26:01
  Speaker 1: and she'd look at me like I was stupid. Should
• 26:02
  Speaker 1: come home, buddy, my own buddy. That's funny, all right.
• 26:06
  Speaker 1: So the parks called Miller Park. I couldn't help but
• 26:09
  Speaker 1: think that might be for Krista Miller. Okay, right, yeah, sure,
• 26:14
  Speaker 1: the parks called Miller Park. I mean, Bill said he's
• 26:16
  Speaker 1: not great at naming shit. So speaking of Christa Miller,
• 26:18
  Speaker 1: she's back. She's back, and she looks beautiful and she's
• 26:23
  Speaker 1: funny as shit. And six thirty three is the first
• 26:26
  Speaker 1: time I say banana hammock? Nelson, what is a banana hammock?
• 26:30
  Speaker 1: Is it the thing that Rob that Rob aka Todd
• 26:34
  Speaker 1: wears the tiny Yes, yes, and and and it's called
• 26:39
  Speaker 1: a banana hammock because obviously it's like laying your banana
• 26:44
  Speaker 1: in a Hanna hammock. Okay, now I guess there are
• 26:47
  Speaker 1: people men that wear these for real strippers. Yeah, I
• 26:51
  Speaker 1: mean I think if you're comfortable, if you don't have
• 26:53
  Speaker 1: problems with your thighs rubbing together, banana hammocks are very comfortable.
• 26:59
  Speaker 1: They do you would could you ever consider? Would you
• 27:02
  Speaker 1: ever consider? No? Because before you answer, if you knew
• 27:04
  Speaker 1: you weren't going to be photographed by a Papa rots So,
• 27:08
  Speaker 1: by the way, singular of Papa Rozzi is Papa Rozzo.
• 27:11
  Speaker 1: I don't know if you knew that, Okay, if you
• 27:12
  Speaker 1: knew that you weren't going to be photographed and it
• 27:14
  Speaker 1: would just be you on the beach and wherever Brazil,
• 27:17
  Speaker 1: would you would you rock one of those? If I
• 27:19
  Speaker 1: had no worry about anyone ever seeing me in this, yeah,
• 27:23
  Speaker 1: then why not go nude? Right? No, I'm talking about
• 27:26
  Speaker 1: you're still on a beach, people are like around, No,
• 27:29
  Speaker 1: then no, I would not rock one. If people are around,
• 27:32
  Speaker 1: then no, I would never. I sometimes think it would
• 27:36
  Speaker 1: be fun to wear a speedo like you know. Um again,
• 27:39
  Speaker 1: I don't want to wear it and have people look
• 27:41
  Speaker 1: at me and judge, you know, everything going on. But
• 27:44
  Speaker 1: I think I just think sometimes when I see people
• 27:46
  Speaker 1: wearing them, I go, I think that might feel nice
• 27:48
  Speaker 1: have a speedo on be out and about. Yeah. I don't,
• 27:51
  Speaker 1: I don't know, I don't, I don't. I'd prefer to.
• 27:54
  Speaker 1: I have issues with like chafing with my thighs and
• 27:56
  Speaker 1: stuff like that because we don't have a thigh gap. Yeah,
• 28:00
  Speaker 1: I got quads and I got some thigh gap I
• 28:05
  Speaker 1: think I might have a thigh gap. Let me see. Yeah,
• 28:08
  Speaker 1: I have a little thigh gap. I don't have a
• 28:10
  Speaker 1: thigh gap. My my, my, my inner thigh touch. Yeah,
• 28:14
  Speaker 1: they clap, they clap. That's the worst. Oh, you want
• 28:17
  Speaker 1: to talk about feeling uh, feeling uh running with the
• 28:24
  Speaker 1: chafe after a while and then having the burn in between.
• 28:29
  Speaker 1: You can't jog because of your thighs. I can jog
• 28:31
  Speaker 1: if I put on something like compression shorts, but I
• 28:33
  Speaker 1: can't wear like. I can't wear tidy whities, like I
• 28:35
  Speaker 1: don't wear tighty whities because even just walking is an
• 28:38
  Speaker 1: issue with tighty whities. Yeah. I don't wear tidy whities
• 28:41
  Speaker 1: anymore either, but I used to be quite loyal to them. Yeah,
• 28:45
  Speaker 1: the janitor is for no reason that ninety punched in
• 28:49
  Speaker 1: the balls by a little girl and m Both the
• 28:52
  Speaker 1: little girl and the mom acknowledge the janitor, So m Bill,
• 28:59
  Speaker 1: since you hold fast to the idea that the janitor
• 29:02
  Speaker 1: only reacted with j D in season one and may
• 29:05
  Speaker 1: have been a figment of his imagination, why is it
• 29:09
  Speaker 1: that a little girl randomly punches Neil in the balls
• 29:12
  Speaker 1: and he reacts. Yeah, when the janitor got hitting the
• 29:17
  Speaker 1: balls by that girl, like the nine and a half
• 29:20
  Speaker 1: minute mark. You want me to explain how the janitor
• 29:25
  Speaker 1: can only interact with j D if this actually happened,
• 29:28
  Speaker 1: that's easy, Um five six, Stop fucking guy, Um the
• 29:38
  Speaker 1: old school PSA. Yes, great, hilarious, so funny, very funny
• 29:43
  Speaker 1: and very clever. Yeah, I mean really and and just
• 29:46
  Speaker 1: well executed. Kudos to Jeff Melman, the director and deb
• 29:51
  Speaker 1: for writing it. I thought that was just really clever,
• 29:53
  Speaker 1: really well executed. Those those sort of spoofing, those nineteen
• 29:56
  Speaker 1: fifties you know, what do you call them instructional videos? Yes,
• 30:01
  Speaker 1: But then afterward, after the fantasy was over, we did
• 30:04
  Speaker 1: it again where the person who did the voice over
• 30:09
  Speaker 1: for the fantasy is now in the room with you, right,
• 30:11
  Speaker 1: and he brings up like communism as though he's still
• 30:14
  Speaker 1: back in the fifties, right, and then looks he's looking
• 30:17
  Speaker 1: off into the distance, I guess, into nowhere, and then
• 30:21
  Speaker 1: you look at him to see what he's looking at, right,
• 30:23
  Speaker 1: and then you exit that direction. I think he was
• 30:25
  Speaker 1: trying to be one of those like, you know, picture
• 30:28
  Speaker 1: like a nineteen fifties announcer guy who's like looking off
• 30:30
  Speaker 1: into the distance, and thus we will fight communism and so,
• 30:34
  Speaker 1: and then he's sort of frozen like that. And then
• 30:36
  Speaker 1: but it was sort of a JD sort of headlook.
• 30:38
  Speaker 1: So then I kind of did a look to him
• 30:40
  Speaker 1: like are you doing my thing? Or what are you
• 30:41
  Speaker 1: looking at? And then I try to look where he
• 30:43
  Speaker 1: was going. But that's pulling out of a fantasy and
• 30:46
  Speaker 1: still being yes, you know, it's rather example of that's
• 30:49
  Speaker 1: not something that happened too often. No, this is like
• 30:52
  Speaker 1: then the second time it happened. Well, we talked about
• 30:54
  Speaker 1: the guy who was frozen after at the orderly, who
• 30:57
  Speaker 1: was frozen after everybody else was frozen. It's not something
• 31:00
  Speaker 1: I think Bill. I think he said that he started
• 31:02
  Speaker 1: phasing that out, but I thought it was clever, very clever.
• 31:05
  Speaker 1: Same here, um, I UM, I have a couple of things.
• 31:12
  Speaker 1: We shaved the baby, I laughed out loud. I laughed
• 31:15
  Speaker 1: out loud. I shaved the baby, shaved in a haircut.
• 31:21
  Speaker 1: Two yeah, I laughed out loud. That was JD's jad's
• 31:25
  Speaker 1: um improvisation for solving the problem. We shaved the baby.
• 31:28
  Speaker 1: You shaved the baby, yep, shaved the baby, shave and
• 31:34
  Speaker 1: a haircut. Long pause. Two bits Bill told me um
• 31:40
  Speaker 1: early on that one of the things he loved about
• 31:43
  Speaker 1: Michael J. Fox working on Spin City was that Michael J.
• 31:47
  Speaker 1: And everybody, when you think about this, when you hear this,
• 31:49
  Speaker 1: you'll think about family ties. And some of the amazing
• 31:53
  Speaker 1: timing he had was that he knew how long he
• 31:57
  Speaker 1: could milk a pause before that punchline. Like Michael J.
• 32:00
  Speaker 1: Fox was fucking genius at you know, I'll just use
• 32:04
  Speaker 1: this example, how long he could have the audience, especially
• 32:07
  Speaker 1: if the audience got ahead of it, right, he knew
• 32:09
  Speaker 1: that you still, I mean, it's even better with a
• 32:11
  Speaker 1: sitcom live audience, but he knew that shaven a haircut,
• 32:18
  Speaker 1: you know, like he could he could just milk it.
• 32:21
  Speaker 1: Even if the audience started and a sitcom started giggling
• 32:24
  Speaker 1: because they were ahead of it. He could just milk that.
• 32:27
  Speaker 1: And Bill said, and I think I think that landed
• 32:29
  Speaker 1: in my head in some of my scrubs timings because
• 32:32
  Speaker 1: I wanted to impress him like Michael J. Fox. But um,
• 32:36
  Speaker 1: but I but I I always think of that when
• 32:38
  Speaker 1: you watch some of Michael J. Fox's amazing timing, how
• 32:41
  Speaker 1: how he could just he just was a master of
• 32:43
  Speaker 1: how long to hold it, like even let the audience
• 32:45
  Speaker 1: get ahead of it. It's fine, and then say and
• 32:47
  Speaker 1: it would be so much more gratifying, right, I mean,
• 32:50
  Speaker 1: Michael J. Fox is you know, one of our our
• 32:52
  Speaker 1: best when it comes to Family Ties. Did you watch
• 32:56
  Speaker 1: Family Ties? Of course I watched Family Ties. He was
• 32:59
  Speaker 1: amazing in that. And also Back to the Future, you know,
• 33:02
  Speaker 1: the first. I talk about Back to the Future a
• 33:04
  Speaker 1: lot because it's one of my favorite movies, but the
• 33:06
  Speaker 1: first Back to the Future. I know there's some plot
• 33:08
  Speaker 1: holes in it that a lot of people can't get over,
• 33:12
  Speaker 1: but to me, that movie is almost flawless, you know
• 33:14
  Speaker 1: what I mean. As far as time travel stories are
• 33:17
  Speaker 1: so difficult to do, you know what I mean? And
• 33:20
  Speaker 1: or I shouldn't say it difficult to do. I should
• 33:22
  Speaker 1: say they're just doing a time travel story. It's been
• 33:26
  Speaker 1: done so many times before, and so you have to
• 33:28
  Speaker 1: be pretty creative to make it feel like, oh, this
• 33:32
  Speaker 1: is oh you know, people say another time travel story.
• 33:35
  Speaker 1: But if it's as good as Back to the Future was,
• 33:40
  Speaker 1: you accept it and you're willing to go on the ride.
• 33:43
  Speaker 1: Otherwise it's like some cheese shit, and you you know,
• 33:46
  Speaker 1: theory gets in the way of a lot of stuff.
• 33:48
  Speaker 1: And they just it's just one of those movies that
• 33:53
  Speaker 1: you know, you make a it's just it's in my opinion,
• 33:55
  Speaker 1: it's one. It's a perfect movie. And wasn't it amazing
• 33:58
  Speaker 1: that a movie you could turn out that good? And
• 34:01
  Speaker 1: it was a film that they started over because they
• 34:04
  Speaker 1: recast the lead, right yeah, well yeah, yeah, yeah, I
• 34:08
  Speaker 1: mean you mentioned this, you mentioned this before, but for
• 34:10
  Speaker 1: those of you who didn't hear that or didn't know
• 34:11
  Speaker 1: it was originally Eric Stoltz, I don't know how long
• 34:14
  Speaker 1: they shot. You read the book. Do you remember they
• 34:15
  Speaker 1: shot half of the movie, So they shot all of
• 34:17
  Speaker 1: the stuff that credible. They shot half of the fucking movie. Yeah,
• 34:21
  Speaker 1: so they shot everything in the fifties. What they talk
• 34:24
  Speaker 1: about They talk about the movie like, you know, Michael J.
• 34:27
  Speaker 1: Fox is very athletic. It's the name of this book.
• 34:29
  Speaker 1: Do you remember. For people don't remember it, dude tweeted,
• 34:34
  Speaker 1: But they shot half the movie and they said, you know,
• 34:36
  Speaker 1: Michael J. Fox is very athletic. But they said Eric
• 34:39
  Speaker 1: Stolts on a skateboard was magic. He just seemed way
• 34:42
  Speaker 1: more at home on a skateboard than it was a skateboard. Yeah,
• 34:46
  Speaker 1: right then, Michael J. Fox did, and you know the
• 34:48
  Speaker 1: rock and roll side of things. They say in the book.
• 34:52
  Speaker 1: You know, Eric Stoltz had that, you know, has that
• 34:54
  Speaker 1: very much grun rock appeal to him, you know what
• 34:59
  Speaker 1: I mean. And Jay Fox is you know, he is
• 35:02
  Speaker 1: he is what he is. He's you know, when you
• 35:05
  Speaker 1: look at him, you're not like, yo, that dude is
• 35:09
  Speaker 1: just Licksen's to rock all it. Even even if he
• 35:11
  Speaker 1: does you know what I mean, he doesn't have that
• 35:13
  Speaker 1: look to him. And they said, Eric did, it just
• 35:16
  Speaker 1: didn't work out. Yeah, I mean, how humbling can you
• 35:19
  Speaker 1: imagine your I mean, thank god. Eric Stoltz went on
• 35:21
  Speaker 1: to have this incredible career and holy shit in Mask
• 35:24
  Speaker 1: if you haven't. And that's the thing. So they talk
• 35:27
  Speaker 1: about that in the book. The reason why he was
• 35:28
  Speaker 1: put in the movie was because he had Mask, the
• 35:31
  Speaker 1: Mask coming out, you know what I mean, And so
• 35:33
  Speaker 1: they were banking on him getting nominated for an Academy
• 35:36
  Speaker 1: Award for that movie, but then being in this blockbuster
• 35:39
  Speaker 1: action adventure time travel movie. The name of the book
• 35:43
  Speaker 1: is Back to the Future. I got to click on
• 35:45
  Speaker 1: The Ultimate Visual History. Yes, Back to the Future, The
• 35:50
  Speaker 1: Ultimate Visual History by Michael Klasterin Yeah, so if you're
• 35:55
  Speaker 1: a fan of the movie, uh like as much as
• 35:57
  Speaker 1: Donald is, you might want to check that out because
• 35:59
  Speaker 1: it sounds fascinating. I'm always fascinating these production stories where
• 36:03
  Speaker 1: someone's recast or they start over. I mean, I don't
• 36:06
  Speaker 1: know if it's true, so don't hold me to this.
• 36:08
  Speaker 1: But I heard that American Beauty, which is one of
• 36:10
  Speaker 1: my favorite movies, they shot like, not not as much
• 36:13
  Speaker 1: as this, but they shot like a week of and
• 36:15
  Speaker 1: and um, and the director said to the producers, I
• 36:20
  Speaker 1: I didn't get the tone quite right. You know, the
• 36:22
  Speaker 1: tone of American media is so specific. And as the
• 36:26
  Speaker 1: as the rumor I heard goes, he said, I just
• 36:28
  Speaker 1: didn't quite nail it. I need to I need to
• 36:30
  Speaker 1: scrap that week and start over. And and the DreamWorks producers,
• 36:34
  Speaker 1: including Spielberg and the other fellows, let him do it.
• 36:36
  Speaker 1: That's interesting because Spielberg's very much involved in Back to
• 36:39
  Speaker 1: the Future as so maybe he's the kind of producer
• 36:41
  Speaker 1: that if you're lets with Sam Mende, sorry Sam Mendi's
• 36:44
  Speaker 1: first film, and I love American Beauty, please see that
• 36:47
  Speaker 1: if you haven't. But I again, it might be Hollywood lore,
• 36:50
  Speaker 1: But I heard that that that they sort of started
• 36:52
  Speaker 1: over again on that one. So these stories where where
• 36:54
  Speaker 1: some movie is so incredible, it has such an impact,
• 36:58
  Speaker 1: and then there's there's something that happened where they happens
• 37:01
  Speaker 1: all the time some you know, some Star Wars movie.
• 37:04
  Speaker 1: They did that with some of the Star Wars movies,
• 37:05
  Speaker 1: like Rogue one. Apparently there's a whole you know, they
• 37:09
  Speaker 1: shot almost all of Rogue one and went back and
• 37:12
  Speaker 1: reshot a lot of the stuff in it. Really, yeah,
• 37:16
  Speaker 1: same thing with the same thing with Solo. You remember,
• 37:18
  Speaker 1: you know, of course that's changing, that's changing the directors.
• 37:21
  Speaker 1: That's that's seven crazy. Yeah, but there's a whole cut.
• 37:24
  Speaker 1: There's a whole movie. According to Lore, there's a whole
• 37:27
  Speaker 1: movie that they made that you can actually take all
• 37:31
  Speaker 1: of the special effects and all of the things that
• 37:33
  Speaker 1: they did in the actual Solo movie and you can
• 37:37
  Speaker 1: put it into what they shot and it's a completely
• 37:40
  Speaker 1: different movie, but it still all fits. What do you
• 37:42
  Speaker 1: think happen? They were obviously my guesses, they were just
• 37:45
  Speaker 1: doing their hilarious improv comedic thing. And then Kathleen Kennedy
• 37:49
  Speaker 1: that's her name, did she just not like that style?
• 37:51
  Speaker 1: She's saying that's not Star wars. No, I don't know
• 37:54
  Speaker 1: if it was her. I don't know if it was
• 37:56
  Speaker 1: I don't know if it was the writer of the
• 37:58
  Speaker 1: movie who's gone on to write some incredible movies. Uh,
• 38:02
  Speaker 1: Jonathan Kasden. It's Jonathan, but his dad wrote Raiders the
• 38:06
  Speaker 1: Lost Ark. Yeah. Lawrence Kasten, Yeah, he wrote Raised in the
• 38:09
  Speaker 1: the Lost Ark The Empire strikes Back and they both
• 38:11
  Speaker 1: teamed up to right solo. I don't know what happened.
• 38:13
  Speaker 1: I'd love to know that story. We could reach out
• 38:15
  Speaker 1: to them and they want to be on the podcast,
• 38:17
  Speaker 1: and right here they want to talk about I don't
• 38:19
  Speaker 1: think even if we were to get Chris and Phil
• 38:21
  Speaker 1: on the podcast, I don't think they're gonna out there whole.
• 38:24
  Speaker 1: So let's ask Jonathan Kaston and Lawrence Caston. All right,
• 38:27
  Speaker 1: they'll never do it. I don't think how cool would
• 38:30
  Speaker 1: it be if I could go and cut two and
• 38:31
  Speaker 1: then they said it. You know, as the podcast gets
• 38:39
  Speaker 1: bigger and bigger, maybe we'll be able to get like
• 38:41
  Speaker 1: really fancy guests like and now Lawrence Kasten. Um. Yeah.
• 38:48
  Speaker 1: I always wondered what happened with that, because I don't
• 38:50
  Speaker 1: know why you'd hire Christen Phil if not to do
• 38:52
  Speaker 1: what they do so well, which was to make it funny.
• 38:56
  Speaker 1: And it seems to me, not as someone who's just
• 38:58
  Speaker 1: dialed into the Star Wars universe as you. But when
• 39:00
  Speaker 1: I think of Han Solo, I think, oh, let's give
• 39:03
  Speaker 1: him some some jokes. Let's have him be quippy and funny.
• 39:06
  Speaker 1: And it seemed like a perfect marriage. But it would
• 39:08
  Speaker 1: be a real interesting it'd be very interesting to see that.
• 39:12
  Speaker 1: You know that sidefects and I love Solo, you know
• 39:14
  Speaker 1: what I mean. There are a lot of people out
• 39:15
  Speaker 1: there that really like that movie, and I'm one of
• 39:18
  Speaker 1: those people. Um, it's a fun Star Wars movie. So
• 39:21
  Speaker 1: then Ron Howard came in, and you know, he's an
• 39:24
  Speaker 1: amazing director himself, right, you know, it's one of my
• 39:27
  Speaker 1: favorite Ron Howard movies is Parenthood the movie if you
• 39:30
  Speaker 1: have great cast, great movie. He went on. They went
• 39:34
  Speaker 1: on to make a very popular TV show, starting My
• 39:36
  Speaker 1: Doppelgang or Dak Shephard. I'm gonna say something right now,
• 39:40
  Speaker 1: that movie has one of my favorite actors. I am
• 39:42
  Speaker 1: a huge fan of Rick moranis Yeah, has been. He's amazing. Yeah,
• 39:46
  Speaker 1: he's on his way. I guess he's he's agreed to
• 39:48
  Speaker 1: do another project. I don't know what it is, but
• 39:50
  Speaker 1: he's honey, I shrunk the kids. Maybe he's coming back
• 39:52
  Speaker 1: for that. That would be so awesome. I know they're
• 39:54
  Speaker 1: redoing that with Josh Gadd and I think of that
• 39:57
  Speaker 1: he might be joining him. So well's nodding, so that
• 40:00
  Speaker 1: means yeah. Rick Morani's tragically lost his wife at the
• 40:04
  Speaker 1: height of his career, so he quit to raise his children,
• 40:07
  Speaker 1: and now his children are growing and he's coming back,
• 40:09
  Speaker 1: and I'm so excited. God, he's so talented. I'm so
• 40:13
  Speaker 1: I'm so happy he's coming back because he's a funny,
• 40:15
  Speaker 1: funny man. All right, let's get back to the show.
• 40:18
  Speaker 1: Let's get back to the show. Donald one of my
• 40:20
  Speaker 1: favorite fantasies. Uh, and I still use it to this day.
• 40:23
  Speaker 1: I ain't buying it. Trying to sell somebody the book
• 40:28
  Speaker 1: on the kid getting hit, the baby with prenatal lice. Yeah,
• 40:31
  Speaker 1: and Christa says what it says, I'm buying it at
• 40:36
  Speaker 1: the funny that's funny, that's funny. And you passed something
• 40:39
  Speaker 1: that I wanted to say still about shaving the baby's head.
• 40:41
  Speaker 1: That was funny. Oh when when Johnny sees mad that
• 40:43
  Speaker 1: I didn't correctly tape over them. By the way, for
• 40:45
  Speaker 1: those of you are young, that's that's a VHS recorder.
• 40:48
  Speaker 1: So there used to be these giant tapes called VHS tapes. Um,
• 40:52
  Speaker 1: but I was laughing, and when Johnny SE's yelling at
• 40:54
  Speaker 1: me because I fucked up the tape, and I go,
• 40:58
  Speaker 1: I was there, I could you know, jot down some
• 41:02
  Speaker 1: of my feelings and impressions? It's I could I could
• 41:07
  Speaker 1: you know, hot down some of my feelings and impressions? Like,
• 41:12
  Speaker 1: I was good, What am I gonna do? Like write down? Like?
• 41:14
  Speaker 1: And then the head emerged. Um, let's talk about Johnny
• 41:21
  Speaker 1: c McGinley as the Grinch. That was really funny. He
• 41:23
  Speaker 1: nailed that, Yes he did. Yeah. And the words that
• 41:28
  Speaker 1: he's saying are those words from doctor Seus's nurse. I
• 41:31
  Speaker 1: think they're supposed to be doctor Susy, but they're not
• 41:34
  Speaker 1: real sus But they're not real Seuss words. Yeah. But
• 41:36
  Speaker 1: they did a great job on his hair and makeup.
• 41:38
  Speaker 1: I thought he looked really cool and he was. It
• 41:40
  Speaker 1: was funny looking. I wonder how long he was in
• 41:42
  Speaker 1: hair and makeup for I could I could tell from
• 41:44
  Speaker 1: from being on the show that was hours and hours
• 41:46
  Speaker 1: and hours. He had hair like green hair glued to
• 41:49
  Speaker 1: his face and stuff. Yeah, Sinner Man by Nina Simone,
• 41:52
  Speaker 1: which is they really must have rolled out the bucks
• 41:54
  Speaker 1: for it to pay for Nina Simone on this episode.
• 41:56
  Speaker 1: As you run to the to Miller Park, to Miller Park,
• 42:00
  Speaker 1: you know that that was what I was talking about
• 42:02
  Speaker 1: when we were talking about the platform shoes, and they
• 42:07
  Speaker 1: made Deontay do all of the things that you saw
• 42:10
  Speaker 1: me do in that episode in like twelve inch platform shoes. However,
• 42:14
  Speaker 1: sure how much shorter he is than me? Eight inch? Whatever?
• 42:17
  Speaker 1: Why are you running? Why are you running like a
• 42:19
  Speaker 1: cartoon character? Do you notice that? It's like this really
• 42:22
  Speaker 1: dramatic moment and then you're taking corners. You know how
• 42:25
  Speaker 1: when cartoon people run, they're like skid at the corners
• 42:27
  Speaker 1: and they have to like like catch you're doing that?
• 42:30
  Speaker 1: Ship Well, it's all It all comes from Michael J.
• 42:34
  Speaker 1: Fox Man speaking. We spoke about him earlier. It really
• 42:38
  Speaker 1: is true, man, Mike. Michael J. Fox had some of
• 42:41
  Speaker 1: the best running moments in the history of running in
• 42:45
  Speaker 1: teen Wolf when he's running through the halls and the
• 42:48
  Speaker 1: guys mopping and he's like it's slippery, that way and
• 42:51
  Speaker 1: Mike runs through and then slides all the way through camera,
• 42:54
  Speaker 1: run the way through the hallway and then comes running back.
• 42:57
  Speaker 1: But as he's coming back, he's trying to keep his
• 42:59
  Speaker 1: balance on the slippery floor. So you're saying that moment
• 43:02
  Speaker 1: you're running, and this was inspiring everything everything, I you know, everything,
• 43:06
  Speaker 1: I've done. Everything I do, I do it for you,
• 43:10
  Speaker 1: I do it for Michael J. F Well, no, but
• 43:12
  Speaker 1: every there's a you know, whether it's a run or
• 43:16
  Speaker 1: a walk or you know, a facial expression. A lot
• 43:19
  Speaker 1: of these come from my favorite actors, So like Harrison Ford,
• 43:22
  Speaker 1: Denzel Washington, Sydney Portier, Michael J. Fox, Rick Moranis, Robin Williams,
• 43:29
  Speaker 1: Bill Murray. You know, all of these people did something
• 43:32
  Speaker 1: that I saw and I was like, I'm gonna I'm
• 43:35
  Speaker 1: gonna try and dot I wrote down in nineteen eighteen,
• 43:38
  Speaker 1: Turk runs like a cartoon character. Right, that all came
• 43:41
  Speaker 1: from me trying to run like Michael J. Fox. Yeah,
• 43:44
  Speaker 1: So Turke gets a sign. He's on the roof again, Right,
• 43:47
  Speaker 1: You're on the roof again. Yeah, and you're just up
• 43:49
  Speaker 1: there having a moment and you have a come to
• 43:52
  Speaker 1: Jesus moment if you will that there's a pregnant woman
• 43:55
  Speaker 1: about to give birth in the park, and you run
• 43:58
  Speaker 1: and you run like a cartoon character to Nina Simone's
• 44:01
  Speaker 1: Center Man beautiful song and uh, and then you run
• 44:05
  Speaker 1: to the park and you deliver a baby. Now that
• 44:07
  Speaker 1: Turk probably hasn't delivered that many babies. Well, he's a surgeon,
• 44:11
  Speaker 1: but he's not. Yeah, he's probably done a fair amount.
• 44:14
  Speaker 1: I imagine that he's he's not a guy, no, but
• 44:16
  Speaker 1: I know him. Oh, I want to go to something
• 44:18
  Speaker 1: that Joel, the speaking of guy knows we're jumping around.
• 44:21
  Speaker 1: But in the very beginning the episode, Kelso is is
• 44:23
  Speaker 1: being sexist and saying to Sarah that she's going to
• 44:26
  Speaker 1: become a guy in college ob gyn and then Joel
• 44:30
  Speaker 1: found this thing. According to an article by the American
• 44:33
  Speaker 1: Medical Association the Breakdown of Specialties dominated by women in
• 44:37
  Speaker 1: twenty nineteen, eighty three point four percent of ob GYNs
• 44:43
  Speaker 1: are women. Wow, and seventy two percent of pediatricians are women.
• 44:49
  Speaker 1: Am I reading that right? Joe So? Which was well,
• 44:54
  Speaker 1: I mean I was offended by Kelso. I was like,
• 44:57
  Speaker 1: fuck this guy. And then Joel handing me the and uh,
• 45:01
  Speaker 1: you know, I guess, but I understand that, like I
• 45:04
  Speaker 1: I was your was your have your ob gyn's been
• 45:08
  Speaker 1: been female? Or male? Uh? First one was a guy?
• 45:12
  Speaker 1: I was asking Donald Joel, but please, oh my god, Joel,
• 45:19
  Speaker 1: this question, like for his wife got laughing so hard.
• 45:24
  Speaker 1: Jobel got so lost in the episode, she started answering,
• 45:28
  Speaker 1: you're totally asking. Wait, Joel, sorry, I want I want
• 45:31
  Speaker 1: you to answer. Don't get me wrong, but you go
• 45:33
  Speaker 1: furtist and then we'll call on Donald. Donald has had
• 45:36
  Speaker 1: eleven thousand children, So I wanted to know what go
• 45:39
  Speaker 1: for you, Joel? Have your ob g y n's been
• 45:41
  Speaker 1: uh mostly let's say mostly? Yeah? Three women, one guy?
• 45:45
  Speaker 1: How about you? Donald's my life, Casey's is a male?
• 45:49
  Speaker 1: M h and and and your other other baby mamas?
• 45:52
  Speaker 1: Do you remember you don't remember? It's okay not to remember.
• 45:55
  Speaker 1: I don't. I feel like if I was giving birth
• 45:57
  Speaker 1: and I had a vagina, i'd want a woman. But
• 45:59
  Speaker 1: maybe I'm maybe that's ridiculous to say, I just what's
• 46:02
  Speaker 1: my gut response? Okay, Well, here's a here's here's a
• 46:04
  Speaker 1: good survey. We should, we should do and we won't
• 46:06
  Speaker 1: and we won't. Use uh that as an example. Let's
• 46:10
  Speaker 1: use massaging as an example. Okay, yeah, yeah, because that's
• 46:14
  Speaker 1: pretty intimate and it's harmless. And what do you get
• 46:16
  Speaker 1: a man or a woman? Exactly? What do you get
• 46:18
  Speaker 1: a man? I always get a woman. Same here, Joel
• 46:21
  Speaker 1: the strongest hands, who has the strongest hands? So you choose,
• 46:26
  Speaker 1: You say who's got the best hands. So when they
• 46:29
  Speaker 1: say manner of female, male or female, you say strongest hands. Absolutely.
• 46:33
  Speaker 1: Oh the end. I thought it was funny that Sarah
• 46:34
  Speaker 1: was You're holding Jooty like in front of you, but
• 46:37
  Speaker 1: Sarah's holding me in front of her, right in front
• 46:40
  Speaker 1: of the Christmas tree. Yes, yes, funny. I also there
• 46:44
  Speaker 1: was one other part that we should talk about, and
• 46:46
  Speaker 1: that's uh, when Cox and Jordan are fighting each other
• 46:50
  Speaker 1: about the haircut, shaving and everything like that, and then
• 46:53
  Speaker 1: you jump in the middle and then they automatically turn
• 46:57
  Speaker 1: on j D. And that's a lesson that I've learned
• 47:01
  Speaker 1: at ay, that I learned at a young age. I
• 47:03
  Speaker 1: guess JD was never you know, I didn't have friends
• 47:06
  Speaker 1: that had brothers or sisters or anything like that. But
• 47:09
  Speaker 1: never get involved in a couple is fighting. You stay
• 47:12
  Speaker 1: out of it, unless unless they invite you into the argument.
• 47:16
  Speaker 1: Stay away because that thing will turn on you so quick.
• 47:19
  Speaker 1: It's hard sometimes because you want to weigh in but
• 47:21
  Speaker 1: you can't. But you can't. You gotta keep it to yourself.
• 47:23
  Speaker 1: You gotta keep it to yourself. I had friends growing up,
• 47:26
  Speaker 1: the Rogers brothers, there was four of them, right, and
• 47:29
  Speaker 1: they would you know, when they fought, they would fight viciously,
• 47:32
  Speaker 1: punching and grabbing and choking, and you know, they would
• 47:34
  Speaker 1: beat each other up and you'd be like, you guys
• 47:37
  Speaker 1: are brothers, stop it, and you'd get in the middle
• 47:39
  Speaker 1: of it, and then their anger all of a sudden
• 47:42
  Speaker 1: went from them wanting to kick each other's ass to
• 47:45
  Speaker 1: now them kicking your ass. And two on one ain't fun, dude,
• 47:48
  Speaker 1: or three on one, four on one ain't fun, man,
• 47:51
  Speaker 1: and it would be it would be I would So
• 47:53
  Speaker 1: when JD did that to Jordan and Cox, I was like,
• 47:59
  Speaker 1: that's the dumb that's a rookie mistake. That's the dumbest
• 48:01
  Speaker 1: move ever. Never get involved in couples arguing, right right,
• 48:05
  Speaker 1: I well, I I definitely try and stay out. But
• 48:08
  Speaker 1: in your head you're thinking like you're you're judging, and
• 48:11
  Speaker 1: you're saying, like, aren't you also happy when you're out
• 48:13
  Speaker 1: in public and you see a couple of fighting and
• 48:14
  Speaker 1: you're like, yes, it's not me. Yeah, absolutely absolutely. That's
• 48:19
  Speaker 1: the one thing that my wife and I tried not
• 48:21
  Speaker 1: to do. It's always like to wait, wait till we
• 48:24
  Speaker 1: get home, wait till we Oh, really you do the
• 48:26
  Speaker 1: wait till we get home? Well, I don't do that.
• 48:27
  Speaker 1: That's what she does to me. Really, we can talk
• 48:30
  Speaker 1: when we get home, go right and I know, right
• 48:33
  Speaker 1: there and there, I'm not going to I'm not going
• 48:35
  Speaker 1: to sleep tonight. And then you have to drive home
• 48:38
  Speaker 1: and just like in silence, yeah, and then we walk
• 48:41
  Speaker 1: in and it's on. And my wife's the type of
• 48:44
  Speaker 1: person that's like, I don't like going to ben mad. Well,
• 48:47
  Speaker 1: at least she has it out, you know. I I
• 48:49
  Speaker 1: think that's way better to have it out, even if
• 48:51
  Speaker 1: it's like impassioned, rather than just sitting on it. I
• 48:53
  Speaker 1: hate that and U and I don't think you should
• 48:56
  Speaker 1: go to sleep mad either. I think that's a good
• 48:59
  Speaker 1: a good habit to have. Trying. Dude, I've been I've
• 49:02
  Speaker 1: been damn near sleeping where I'm just in huh, where
• 49:05
  Speaker 1: I'm passed out, my eyes are closed and I'm just
• 49:08
  Speaker 1: agreeing now right, just so I could go to sleep
• 49:11
  Speaker 1: the Path of Least Resistance and She'll be like, so
• 49:13
  Speaker 1: what did I say? And I'd be like, oh, gosh,
• 49:15
  Speaker 1: there you go. See you are listening. I was listening.
• 49:23
  Speaker 1: Don't go to been angry. Everybody that's here from fake
• 49:26
  Speaker 1: Doctor's real friends. Oh, one last thing I've forgotten. Let's
• 49:29
  Speaker 1: ask Bill about this. Also, go ahead, before we're gonna
• 49:32
  Speaker 1: go to We're gonna get Bill two this week. Okay,
• 49:33
  Speaker 1: go ahead, Yeah, okay, So there was an alternate ending
• 49:36
  Speaker 1: to this episode, right, but that's that's so dark. Note
• 49:40
  Speaker 1: so dark. It was so dark to end the Christmas episode.
• 49:42
  Speaker 1: I wasn't even to bring it up because we were
• 49:44
  Speaker 1: being so giddy and it's a bit it's a bit dark,
• 49:46
  Speaker 1: but okay, go for it. Yeah, there was a dark
• 49:48
  Speaker 1: ending to this episode, and I'm sure that I don't
• 49:50
  Speaker 1: think it wasn't was it an ending or it was
• 49:51
  Speaker 1: a subplot that was woven through. I think it was
• 49:54
  Speaker 1: a subplot. It might have been let's ask Bill, Bill.
• 49:57
  Speaker 1: I know at the end of this episode, there was
• 49:59
  Speaker 1: a moment in between Jordan and Uh we almost forgot
• 50:03
  Speaker 1: about the call. There was a moment with Jordan and
• 50:07
  Speaker 1: uh and Cox where they said something different when they
• 50:11
  Speaker 1: were looking at the baby when they finally went to
• 50:14
  Speaker 1: visit the baby, and there was no there was a subplot.
• 50:18
  Speaker 1: Do you want me to tell you what it is
• 50:19
  Speaker 1: and then have Bill talk about it? Sure, it was
• 50:21
  Speaker 1: a subplot that they when they were together, had lost
• 50:23
  Speaker 1: a child and um, so that was some of the
• 50:27
  Speaker 1: dramatic undertones of of of them and dealing with their
• 50:32
  Speaker 1: friends having a new baby, and that's why they didn't
• 50:34
  Speaker 1: want to go to the room, right. And I believe
• 50:37
  Speaker 1: or the or the nursery where you see kids, and
• 50:40
  Speaker 1: I believe that Bill had an argument with the network
• 50:43
  Speaker 1: about cutting that out. So Bill tell us about that
• 50:47
  Speaker 1: and what your struggle with the network was, please, you know,
• 50:50
  Speaker 1: it's interesting. I don't remember specifically the struggle with the
• 50:53
  Speaker 1: Jordan Cox losing a baby thing. But the one thing
• 50:57
  Speaker 1: that we were always dealing with early on in Scrub
• 51:01
  Speaker 1: was that we would pitch the network stories that weren't
• 51:05
  Speaker 1: specifically comedies, you know, and it didn't sound like, Hey,
• 51:09
  Speaker 1: three patients come in and one of the three of
• 51:11
  Speaker 1: them are going to die, but they all three die. Hey,
• 51:14
  Speaker 1: Doctor Cox used to be married to someone they lost
• 51:16
  Speaker 1: a baby. Hey, we're gonna introduce a super big movie
• 51:20
  Speaker 1: star guest star who seems really funny in jovial, but
• 51:22
  Speaker 1: he's gonna have Lukemian then come back next year and
• 51:25
  Speaker 1: die from it. So we always met resistance. Thank you, Bill.
• 51:30
  Speaker 1: Let's take a break. We'll be right back after these
• 51:32
  Speaker 1: fine words, now, Joelle, I believe we have a caller
• 51:45
  Speaker 1: or two. Hi, guys, how are you doing? Brian good?
• 51:48
  Speaker 1: How are you Bryan O'Malley? Oh my god, Brian, you
• 51:52
  Speaker 1: got to record that somehow? You good? I am recording
• 51:55
  Speaker 1: it actually, And you know what, Brian, that can be
• 51:57
  Speaker 1: your your new ring tone, Donald giving you an opera?
• 52:00
  Speaker 1: Oh mav and why oh man? That is definitely gonna happen.
• 52:06
  Speaker 1: Speaking of ring tones, I digress for a moment. The
• 52:09
  Speaker 1: good people at I Heeart are putting together the ability
• 52:12
  Speaker 1: for for folks to have our theme song be your
• 52:15
  Speaker 1: ring tone. We're working on it, and that's in the
• 52:18
  Speaker 1: works because I've gotten been getting a lot of love
• 52:20
  Speaker 1: on the social media for our theme song, especially Wilder's version,
• 52:24
  Speaker 1: and um, Wilder's version will not that's not going to
• 52:28
  Speaker 1: be available for Wilder's version will not be available for
• 52:30
  Speaker 1: ring tone. Although I did her. A lot of people
• 52:32
  Speaker 1: say that should be the new version forget your version,
• 52:34
  Speaker 1: but those people are wrong. Um, but pretty bright. What's
• 52:37
  Speaker 1: your drinking? Man? What are you drinking? Brian? Uh? This
• 52:40
  Speaker 1: is beer? Okay? What kind of beer you got there?
• 52:43
  Speaker 1: It's like a hazy I pa juicy eight percent. I
• 52:47
  Speaker 1: like stuff that's strong. Okay, Well I got myself a
• 52:50
  Speaker 1: little margarita. Is that just like lime juice? Tequila? I
• 52:55
  Speaker 1: don't know what they use at Casa Vega the rest
• 52:57
  Speaker 1: in my neighborhood that they that you're still drinking out
• 53:00
  Speaker 1: of your your gallons there? We have so many. Yeah,
• 53:03
  Speaker 1: oh that's awesome. Um, Hi guys, where do you live in?
• 53:06
  Speaker 1: What's happening in? Brian? Introduce your your girlfriend, wife, friend?
• 53:10
  Speaker 1: This is my partner. This is uh doctor Ellen, a
• 53:13
  Speaker 1: grief doc. Hi doc? And uh we live in Evanston. Oh,
• 53:18
  Speaker 1: I went to Northwestern right, Yeah, so we we we
• 53:22
  Speaker 1: both worked that here actually too. Um. She works at
• 53:25
  Speaker 1: a hospital here and I own a small business on
• 53:27
  Speaker 1: Central Street, you know, right down from the stadium. Um
• 53:31
  Speaker 1: and so yeah, we just um we do that. And
• 53:34
  Speaker 1: Ellen is uh eight and yeah, almost nine months pregnant Emma. Congratulations,
• 53:41
  Speaker 1: congratulations you guys know what you're having a boy? Nice?
• 53:45
  Speaker 1: Is there a person? But yeah, a person? Good congratulations guys. Yeah,
• 53:50
  Speaker 1: way to go guys. Yeah, so we're you know, it's
• 53:53
  Speaker 1: definitely uh anxiety causing you know, I, I, we neither
• 53:57
  Speaker 1: of us have had kids before. Um. I used to
• 54:00
  Speaker 1: be a teacher. But it's not quite the same when
• 54:02
  Speaker 1: you know you can send them home at like three
• 54:04
  Speaker 1: o'clock and just be done with them. Um. So now
• 54:06
  Speaker 1: it's like they're here for good. Okay, Brian, I'm gonna
• 54:09
  Speaker 1: give you a little bit of you're talking to the
• 54:10
  Speaker 1: right man, Brian Donald many kids, Okay, that's right, Yeah,
• 54:15
  Speaker 1: something like that. He doesn't even remember something like that, right,
• 54:19
  Speaker 1: that's that's great. That's a great story. How many kids
• 54:21
  Speaker 1: you got? Something like nine? Six that I know about.
• 54:26
  Speaker 1: So the first year, Brian, there's not much you can do,
• 54:32
  Speaker 1: that's the honest to goodness truth, except be supportive. Change diapers.
• 54:38
  Speaker 1: But there's not much you can do because the baby.
• 54:39
  Speaker 1: You can say, can't you say, honey, can I get
• 54:41
  Speaker 1: you anything? Absolutely better? Say that you have to, right, Yeah,
• 54:45
  Speaker 1: that's being supportive. So there's not much you can do
• 54:48
  Speaker 1: the first year. It's after that where you are you
• 54:51
  Speaker 1: are hands on and in it to win it, or
• 54:54
  Speaker 1: she's going to leave you. Yeah, yes, yeah, Brian, write
• 54:59
  Speaker 1: that down. Yes, yes, she is basically keeping us comfortable.
• 55:03
  Speaker 1: So I'm not gonna play with that at all. Right, well,
• 55:06
  Speaker 1: I'm so, I'm so happy for you. That's exciting and
• 55:09
  Speaker 1: thank you. And what do you do? You have any
• 55:11
  Speaker 1: names in mind, like Zach or Donald? Yeah, I wanted
• 55:15
  Speaker 1: Jennifer Dylan or something like that. That'll work. It's a boy.
• 55:20
  Speaker 1: So we went with We're gonna even Gabriel and Colin.
• 55:24
  Speaker 1: Gabe beautiful. I love it, beautiful, beautiful name. Gabe. Finn O'Malley. Oh,
• 55:30
  Speaker 1: Finn's a good name too, now, Finn from Star Wars
• 55:33
  Speaker 1: or just Finn because everything is Star Wars. Donald, sometimes
• 55:37
  Speaker 1: it can be I couldn't huh, Honestly, I would think
• 55:39
  Speaker 1: it more Huck Finn from Mark Twain to be okay,
• 55:42
  Speaker 1: Oh yeah, there's that fin too, literary Donald, come on,
• 55:45
  Speaker 1: here's that fin too. Brian, go ahead with your question
• 55:48
  Speaker 1: for the legendary Donald Fason and it's for both of you. Yeah,
• 55:54
  Speaker 1: it definitely relates to what we were talking about. But um,
• 55:57
  Speaker 1: I was curious of which character between you and Donald
• 56:01
  Speaker 1: and maybe doctor Cox, do you think it was like
• 56:04
  Speaker 1: the best dad overall? And then kind of a follow up,
• 56:07
  Speaker 1: but like, what do you think their kids would be
• 56:09
  Speaker 1: like now, like fifteen twenty years later? Wow? Wow, good question. Well,
• 56:14
  Speaker 1: I do think both characters were very excited about their children,
• 56:17
  Speaker 1: and and I think we saw from a flash forward
• 56:21
  Speaker 1: as I recall that don't they end up getting married?
• 56:24
  Speaker 1: They do and we and we lose it. That was likesode.
• 56:28
  Speaker 1: I think I faint. Uh as I recall I did this,
• 56:32
  Speaker 1: I wiped my I fanned my eyes and fainted. Yeah,
• 56:36
  Speaker 1: that's a gift I see all the time. Um, I
• 56:40
  Speaker 1: don't know. I think we'd be great parents because um,
• 56:42
  Speaker 1: you know, we're both characters were again not afraid of
• 56:47
  Speaker 1: showing emotion, not afraid of being affectionate. Um I my
• 56:50
  Speaker 1: father was very a very affectionate man and gave me
• 56:53
  Speaker 1: hugs and kissed me and and um, and I always
• 56:58
  Speaker 1: thought that that was and I love that he did that.
• 57:02
  Speaker 1: And I think that both Turk and j D would
• 57:04
  Speaker 1: be very involved. They're the kind of fathers that would
• 57:08
  Speaker 1: want to be all over not one of those people's like,
• 57:10
  Speaker 1: all right, you to the woman, you handle it. I'll
• 57:13
  Speaker 1: I'll coach sports one day. That was That was not
• 57:17
  Speaker 1: my experience. But I think Turk and j D co
• 57:22
  Speaker 1: parented too, you know what I mean. I think they
• 57:25
  Speaker 1: helped each other out as far as raising their kids went.
• 57:29
  Speaker 1: You know, they say it takes a village to raise
• 57:32
  Speaker 1: a child, and I think their little village. I think
• 57:35
  Speaker 1: the hospital or you know, wherever they wound up when
• 57:40
  Speaker 1: the show ended. I'm I believe they still lived in
• 57:44
  Speaker 1: the same proximity of each other. I think there it
• 57:47
  Speaker 1: was a communal raising of the children, even even uh,
• 57:53
  Speaker 1: I think, yeah, I think j D. I uh and uh?
• 57:56
  Speaker 1: What was what was Elizabeth Bank's character's name, Kim? Was
• 58:00
  Speaker 1: it Kim him? You didn't know Zach, you didn't know.
• 58:06
  Speaker 1: I was waiting for Brian. I was waiting for Brian.
• 58:08
  Speaker 1: I was about I was like this, I was like
• 58:11
  Speaker 1: about to say, I was like pretending that my mouth
• 58:13
  Speaker 1: was opening, and then Brian said, yeah, Kim Donald, I
• 58:16
  Speaker 1: was waiting for Zach. Sorry. So my baby mama, my
• 58:19
  Speaker 1: baby mama. Right. So I think both kids, the one
• 58:21
  Speaker 1: that he that JD had with Kim and the one
• 58:23
  Speaker 1: that he had with Elliott uh and then Turk's kids
• 58:27
  Speaker 1: as well. I think they they were raised together and
• 58:30
  Speaker 1: they grew up together. I think in one of the
• 58:32
  Speaker 1: episode you try to like, I think they got you
• 58:34
  Speaker 1: were trying to set them up, right, like it was
• 58:36
  Speaker 1: one of the series finales. Maybe that we were trying
• 58:39
  Speaker 1: to set the kids up. Yeah, weren't they like they
• 58:42
  Speaker 1: met or something and now they remember. I remember doing
• 58:46
  Speaker 1: an episode in the park where we're dolls, like dumbs.
• 58:53
  Speaker 1: Do you have another question? I mean one of my
• 58:56
  Speaker 1: other questions was just, you know, advice for being a dad.
• 58:58
  Speaker 1: But you you kind of already covered that. You got this, dude,
• 59:01
  Speaker 1: you got Yeah. I mean, it's listen, my advice, and
• 59:04
  Speaker 1: I'm gonna be honest with you. My advice. Aint shit,
• 59:06
  Speaker 1: I'm gonna keep it one hundred with you. You know.
• 59:08
  Speaker 1: It's it's how you two decide to do the thing.
• 59:12
  Speaker 1: You know what I mean my advice I can all
• 59:14
  Speaker 1: I can say is just just show as much love
• 59:17
  Speaker 1: as you can to your boy. That's so important. I
• 59:21
  Speaker 1: like what Zach was saying too. I mean me and
• 59:22
  Speaker 1: Ellen were joking, but I was like, I think, like
• 59:24
  Speaker 1: the fact that JD was a sensey. You know, like
• 59:28
  Speaker 1: being sensitive is like an important thing to impart in
• 59:31
  Speaker 1: kids early, especially boys I think nowadays, and so I
• 59:34
  Speaker 1: think that's one of our you know, our big focuses
• 59:37
  Speaker 1: for him and just let them be whoever they are.
• 59:39
  Speaker 1: You know. A testament to my father was he wasn't
• 59:41
  Speaker 1: he was so into sports, my dad, but he wasn't
• 59:43
  Speaker 1: trying to make me a job. He wasn't. Unfortunately, he
• 59:46
  Speaker 1: was also into theater, which which was what I took
• 59:48
  Speaker 1: to But um, but I mean, just like my advice,
• 59:51
  Speaker 1: and again, I have no kids, so don't listen to me.
• 59:53
  Speaker 1: I have dogs, and I can highly recommend create training.
• 59:56
  Speaker 1: I try that, but um with the kid. Yeah, well
• 1:00:00
  Speaker 1: that's what I always say to Donald when I when
• 1:00:02
  Speaker 1: I say to when I'm with Donald and his kids
• 1:00:03
  Speaker 1: are misbehaving, I'm like, why don't you just put him
• 1:00:05
  Speaker 1: in the crate? Dude? That works great for my puppy.
• 1:00:07
  Speaker 1: My daughter looked at me and she was like, you're
• 1:00:08
  Speaker 1: gonna put me in the crate? Yeah right now, She's like,
• 1:00:13
  Speaker 1: but I'm not a dog. But I mean, just let them. Well.
• 1:00:16
  Speaker 1: One of the things I one of the things I
• 1:00:19
  Speaker 1: really cherished about my relationship with my father was that
• 1:00:21
  Speaker 1: he was so accepting of whoever his kids were. And
• 1:00:25
  Speaker 1: I you know, you're obviously it's nature nurture. You're going
• 1:00:28
  Speaker 1: to be shaping a part of who they are, of
• 1:00:29
  Speaker 1: course too. But but let them show you who they
• 1:00:32
  Speaker 1: are and then and then and then celebrate that and
• 1:00:35
  Speaker 1: let that flourish. Again, that's coming from someone with no children,
• 1:00:38
  Speaker 1: but it is coming from someone who had a great
• 1:00:41
  Speaker 1: dad and and and was really appreciative that he was
• 1:00:43
  Speaker 1: like that, Well, can I ask one more thing sort
• 1:00:46
  Speaker 1: of related? But did you guys You know I didn't
• 1:00:49
  Speaker 1: like look up biographies. Did you guys have siblings? Yes?
• 1:00:51
  Speaker 1: I have several siblings. I have four brothers, two uh
• 1:00:57
  Speaker 1: that I grew up with and two that I did
• 1:01:00
  Speaker 1: not grow up with. But we were a big family.
• 1:01:03
  Speaker 1: I think that's why I have such a big family.
• 1:01:05
  Speaker 1: Now I feel like it's the more the marrier. Yeah,
• 1:01:09
  Speaker 1: I have two. I have three. Sorry, let me start again.
• 1:01:14
  Speaker 1: I had four children total in my family, and I'm sorry,
• 1:01:17
  Speaker 1: I'm struggling with this. Just to be honest, I lost
• 1:01:19
  Speaker 1: my sister two years ago, so I'm like literally trying
• 1:01:21
  Speaker 1: to Sorry, it's okay, but I'm trying to answer this
• 1:01:23
  Speaker 1: question honestly, and it's like I'm having to recount. There
• 1:01:27
  Speaker 1: were four children in my family, and then my parents
• 1:01:29
  Speaker 1: got divorced and remarried and I gained three stepsisters, so
• 1:01:32
  Speaker 1: two stepsisters on one side, one step sister on the
• 1:01:35
  Speaker 1: other side, so we were we're a huge family. And
• 1:01:39
  Speaker 1: and yeah, so I also think you guys should have
• 1:01:41
  Speaker 1: more So sorry, sorry guys, but you're gonna have to
• 1:01:44
  Speaker 1: have more kids so they can. Well, that's what I
• 1:01:45
  Speaker 1: would think, because we only have the one, and that's
• 1:01:47
  Speaker 1: probably gonna be it. Um, so you know, I'm the
• 1:01:50
  Speaker 1: whole only child, especially nowadays when I don't even know
• 1:01:52
  Speaker 1: when he'll be able to hang out with other kids,
• 1:01:55
  Speaker 1: you know, or if he'll be able to go to
• 1:01:57
  Speaker 1: preschool or stuff like that daycare. I think you got
• 1:02:00
  Speaker 1: it some years before you be worried about that. So
• 1:02:04
  Speaker 1: vaccines or will be infended and we can all go
• 1:02:09
  Speaker 1: back to a new normal, right sometime within a year
• 1:02:13
  Speaker 1: or two. Yeah, awesome? Is the keg still open in Evanston?
• 1:02:18
  Speaker 1: The bar? No, that's where we used to go and
• 1:02:22
  Speaker 1: try and sneak in with our fake IDs. Yeah, we're
• 1:02:25
  Speaker 1: we're like, that's probably what's the name of your what's
• 1:02:29
  Speaker 1: the name of your place? It's called Beer on Central.
• 1:02:32
  Speaker 1: It's not very inventive because if we're on I want
• 1:02:34
  Speaker 1: us to do an ad for it. Right now, we're
• 1:02:35
  Speaker 1: gonna do an ad for it. Donald. But I'm in Evanston, Illinois,
• 1:02:38
  Speaker 1: and I want a beer. You know where I go?
• 1:02:39
  Speaker 1: Where do you go, Zach? I go to Beer on Central.
• 1:02:42
  Speaker 1: Beer on Central is Oh, yes, Oh it's a place,
• 1:02:45
  Speaker 1: and it's in Evanston. And if you're gonna buy beer,
• 1:02:48
  Speaker 1: it's the best place to buy beer. It's called Beer
• 1:02:50
  Speaker 1: on Central. Is it on Central? It's on Central. It's
• 1:02:53
  Speaker 1: called Beer on Central. And you know a lot of
• 1:02:56
  Speaker 1: Northwestern students are always looking for a place to buy beer. Yeah.
• 1:03:00
  Speaker 1: Do you sell kegs, Brian? We don't, but I mean
• 1:03:03
  Speaker 1: after this I can. Yes, Brian is gonna change his
• 1:03:06
  Speaker 1: whole business model to offer kegs to all you can. Yes,
• 1:03:10
  Speaker 1: this is worth millions of dollars in free advertising. Yeah. No,
• 1:03:13
  Speaker 1: this is insane. So Donald's Central Beer on Central. The
• 1:03:16
  Speaker 1: next time I'm in Evanston, Illinois, I am going to
• 1:03:19
  Speaker 1: check out Beer on Central. Yeah. And you know what, Donald,
• 1:03:23
  Speaker 1: You know what, Donald, I might even just go to
• 1:03:25
  Speaker 1: Evanston to buy beer from Beer on Central. Yeah, you
• 1:03:29
  Speaker 1: know what if you do, just tell him, Brian O'Malley sentia,
• 1:03:32
  Speaker 1: I will what's a beer that you's the only one there?
• 1:03:38
  Speaker 1: So be like Brian everything, Brian. For for those of
• 1:03:42
  Speaker 1: people who are listening, who like who like beer, can
• 1:03:45
  Speaker 1: you recommend one of your microbrew or fancy beers that
• 1:03:50
  Speaker 1: people should try that you highly recommend? Um, you know
• 1:03:53
  Speaker 1: right now? Like what's really popular is like I was
• 1:03:55
  Speaker 1: drinking earlier, these like hazy I pas there tend to
• 1:03:59
  Speaker 1: be like kind of strong, are very juicy, not bitter,
• 1:04:01
  Speaker 1: very popular. This one's from Saint Aaron. They're great, hot butcher.
• 1:04:05
  Speaker 1: There's a bunch of really cool ones in the city,
• 1:04:07
  Speaker 1: so so so Saint Aaron is the brand. This one. Yeah,
• 1:04:11
  Speaker 1: that's what I'm having now is a Saint Aaron. Can
• 1:04:13
  Speaker 1: I get that in anywhere? Can I get that in
• 1:04:15
  Speaker 1: Los Angeles? No? Like right now, we only do local stuff.
• 1:04:19
  Speaker 1: Only doing that's even cool. One of the other things
• 1:04:21
  Speaker 1: I like about beer on Central Donald what it's all
• 1:04:24
  Speaker 1: it's all local beer. Oh you're talking about beer on Central. Yeah.
• 1:04:29
  Speaker 1: One of the things that one of my favorite things
• 1:04:31
  Speaker 1: about beer on Central in Evanston, Illinois. Is that it's
• 1:04:34
  Speaker 1: all all stocked with local breweries. That sounds delicious. I
• 1:04:40
  Speaker 1: like IPA a lot, by the way, and this is
• 1:04:42
  Speaker 1: going to sound really lame in Hollywood, but I'm gluten free,
• 1:04:45
  Speaker 1: and uh, there are some really good gluten free IPA beers. Yeah,
• 1:04:50
  Speaker 1: we have some too. There's one called Omission. I'll give
• 1:04:53
  Speaker 1: a shout out too. And there's one I think called Glutenberg,
• 1:04:57
  Speaker 1: not Steve Gutenberg, Glutenberg Glutenberg. Yeah, there have gluten in
• 1:05:00
  Speaker 1: the title. So there you go. I'm giving those beers
• 1:05:02
  Speaker 1: a shout out, and they should advertise with us, because
• 1:05:04
  Speaker 1: we're giving such a wonderful advertisement to beer from you guys.
• 1:05:07
  Speaker 1: Out of box, you know, give me an address. No, no, no, no,
• 1:05:11
  Speaker 1: I'm not giving you my address. Give me a po box.
• 1:05:16
  Speaker 1: We don't want to take your your wares. We don't
• 1:05:18
  Speaker 1: want to take your wares. We want you to you
• 1:05:20
  Speaker 1: need to make that money for this baby. That's right,
• 1:05:23
  Speaker 1: She's right. Really. So that being said, if you're ever
• 1:05:27
  Speaker 1: in Evanston, Illinois, the place to go for a great
• 1:05:32
  Speaker 1: local beer. Yeah, beer on Central, Beer on Central. Everybody
• 1:05:36
  Speaker 1: beer on Central. And listen, guys, thanks for coming on
• 1:05:39
  Speaker 1: thanks for the good questions, thanks for telling us about
• 1:05:41
  Speaker 1: Beer on Central, and um, have fun and I's Illinois.
• 1:05:44
  Speaker 1: I spent I spent four years there and had a
• 1:05:46
  Speaker 1: great time, although it's too fucking cold for human beings.
• 1:05:50
  Speaker 1: Ladies and gentlemen. Big round of applause for Brian o'maly
• 1:05:56
  Speaker 1: and Beer on Central. Wow, you give you give beer
• 1:06:01
  Speaker 1: on Central? The oper treatment? Yeah, why not? What's what's
• 1:06:03
  Speaker 1: the name of your partner? Again? Ellen and doctor Ellen agreed,
• 1:06:11
  Speaker 1: thank you. You're blowing out the mixer here, Donald, I'm
• 1:06:14
  Speaker 1: not Oprah. Oprah doesn't go that loud. Sure, she has
• 1:06:19
  Speaker 1: them the mixer at the Oprah shows, like here she
• 1:06:22
  Speaker 1: goes and he's fucking reagular. She's about to do it
• 1:06:26
  Speaker 1: and over the button. You can just see the mixer
• 1:06:29
  Speaker 1: in the back of the Opra show going, oh shit,
• 1:06:30
  Speaker 1: she's gonna yell, I'm getting this finger over. I hope
• 1:06:35
  Speaker 1: Dan does that when you're when you're saying a load
• 1:06:37
  Speaker 1: of guests, all right, bye, guys, thank you so much,
• 1:06:40
  Speaker 1: thank you so much. Healthy, congratulations you thanks, thank you. Wow. Donald?
• 1:06:45
  Speaker 1: What what nice folks? Donald? And Um and I gotta
• 1:06:49
  Speaker 1: tell you, Um, I'm gonna I'm gonna. I'm gonna. I'm
• 1:06:53
  Speaker 1: gonna frequent beer on Central next time you're in Evanston, Illinois.
• 1:06:57
  Speaker 1: Do you drink beer? You't only drink beer anymore, do you.
• 1:06:59
  Speaker 1: I'm a huge a drinker. I just you know, it's
• 1:07:02
  Speaker 1: so fine. I find yeah, I find that. Uh it's
• 1:07:05
  Speaker 1: a little heavy for me. That's the only thing. It
• 1:07:07
  Speaker 1: just feels like shit when you're working out and trying
• 1:07:09
  Speaker 1: to stay thin and then you have a fucking big
• 1:07:11
  Speaker 1: as thick beer and you're like, I might as well
• 1:07:13
  Speaker 1: have a milkshake, right, I like hard liquor. Yeah, I know,
• 1:07:16
  Speaker 1: I like, oh, I know, Oh you're an asshole like tequila? Well, no,
• 1:07:21
  Speaker 1: I I you know. I it was sinco de mayo yesterday.
• 1:07:25
  Speaker 1: So and the last time I had to kill it
• 1:07:27
  Speaker 1: was the last thing that I had in the in
• 1:07:28
  Speaker 1: the in the cupboard. But what I truly like, I
• 1:07:31
  Speaker 1: like a good bourbon or Scotch. What about Corvassier? No,
• 1:07:35
  Speaker 1: what is what is corvasia? I don't it's a it's
• 1:07:39
  Speaker 1: a drink. It's a it's a it's a brown liquor. Um.
• 1:07:42
  Speaker 1: You know, for a while I was coasa, she's looking
• 1:07:46
  Speaker 1: I was a Hennessy drinker for a while, you know,
• 1:07:49
  Speaker 1: or ian Ja. I liked ian j back in the day.
• 1:07:54
  Speaker 1: I don't know what any of these drinks are. You
• 1:07:55
  Speaker 1: don't know what Hennessey is. I've heard of Hennessey, but
• 1:07:57
  Speaker 1: I don't think I've ever tried. I don't know what Hanna,
• 1:07:59
  Speaker 1: You've had an incredible Hulk before, and you don't know
• 1:08:01
  Speaker 1: what Hennessey. Do you remember the incredible Hulk? Oh? Well,
• 1:08:03
  Speaker 1: used to play poker and you would make a Oh
• 1:08:05
  Speaker 1: it's cogniac, she says. We used to play poker and
• 1:08:09
  Speaker 1: you would make a drink called the Hulks. Was that
• 1:08:12
  Speaker 1: a real drink or you made it up? I didn't
• 1:08:13
  Speaker 1: make that up. But when you mixed Tennessee and not
• 1:08:17
  Speaker 1: Alasa but hypnotic, Hennessey and hypnotic mixed together, sounds horrible. Oh,
• 1:08:23
  Speaker 1: but it would turn Hulk green and you would only
• 1:08:27
  Speaker 1: need one. It was so sweet, right, But you'd only
• 1:08:30
  Speaker 1: need one to knock you on your ass. And we
• 1:08:32
  Speaker 1: would play poker and the crew would come over, you know,
• 1:08:36
  Speaker 1: Calvin would come over, Ethan would come over. You would
• 1:08:39
  Speaker 1: come over, and we drink that all night and freaking
• 1:08:44
  Speaker 1: be hammered until like four o'clock, five o'clock in the morning. Yeah,
• 1:08:47
  Speaker 1: playing poker. Have you ever had a cement mixer? What
• 1:08:51
  Speaker 1: the heck is that? It's fucking nasty. It's two different things.
• 1:08:54
  Speaker 1: You guys can google it if you want to puke.
• 1:08:56
  Speaker 1: I remember doing this on my twenty first birthday and
• 1:08:58
  Speaker 1: I puked. Um. But it's two different alcohols you put
• 1:09:03
  Speaker 1: in your mouth and they solidify when they react with
• 1:09:07
  Speaker 1: each other, and it feels like a cementy oatmeal thing
• 1:09:10
  Speaker 1: that's disgusted. It's so bross. It's like it's the kind
• 1:09:14
  Speaker 1: of thing that college kids do shots of, like Yager Moister.
• 1:09:16
  Speaker 1: Do you ever do shots a Yeager Moister? Yeah? I'm
• 1:09:18
  Speaker 1: proud to say that at forty five years old, I
• 1:09:21
  Speaker 1: can't drink like that anymore, nor do I want to hangover.
• 1:09:23
  Speaker 1: It's like four days. Yeah, you know, I've learned a
• 1:09:27
  Speaker 1: little thing. You remember we did that thing in Scrubs. Yeah,
• 1:09:29
  Speaker 1: pd we did that thing in Scrubs that it's become
• 1:09:32
  Speaker 1: so relevant in my life. I don't know what episode
• 1:09:34
  Speaker 1: it was, but we went around the table of all
• 1:09:37
  Speaker 1: the different ages of women. Who was the was Mandy
• 1:09:41
  Speaker 1: the young? It was many more, and then Sarah and
• 1:09:45
  Speaker 1: then Judy and then Christa, and they were all hungover,
• 1:09:49
  Speaker 1: and the camera went around and showed all the different
• 1:09:52
  Speaker 1: levels of how it hangover affects different ages. Yes, and
• 1:09:56
  Speaker 1: then by the time it got to Christa, she had
• 1:09:57
  Speaker 1: sunglasses on and was asleep and just blacked out yeah,
• 1:10:01
  Speaker 1: with a smile on her face. I think of that
• 1:10:03
  Speaker 1: fantasy over, not fantasy. I think of that moment all
• 1:10:05
  Speaker 1: the time, because, man, a hangover at forty five is
• 1:10:08
  Speaker 1: not a hangover at twenty five. No, it's not. Listen,
• 1:10:12
  Speaker 1: I miss you, do you? It's always so nice to
• 1:10:15
  Speaker 1: touch base with you. Do you really miss me? Man?
• 1:10:19
  Speaker 1: If if the world were open, I'd have you over.
• 1:10:22
  Speaker 1: We'd we'd we'd sit by the pool. We'd have we'd
• 1:10:24
  Speaker 1: have a Margarita. I would I bring my picture of
• 1:10:27
  Speaker 1: Margarita to do you bring your picture over. I'm supposed
• 1:10:30
  Speaker 1: to write today, but I would. I would scrap writing
• 1:10:33
  Speaker 1: and just join you by the pool for Margarita's. That's
• 1:10:35
  Speaker 1: what would happen today. You're working right now, huh I am,
• 1:10:38
  Speaker 1: I'm writing. Look do you want to see I'll show you.
• 1:10:39
  Speaker 1: Look at this. This is just showing that shit ain't
• 1:10:42
  Speaker 1: fucking around. This is the first draft. Wow, you're for
• 1:10:45
  Speaker 1: real about it? He just pulled out a two finger
• 1:10:48
  Speaker 1: that's about an inch of Yeah, it's way too long
• 1:10:51
  Speaker 1: right now. A typical screen a typical screenplay for those
• 1:10:55
  Speaker 1: of you not in the know, it is roughly one
• 1:10:57
  Speaker 1: hundred and twenty pages, because they say roughly a script
• 1:11:02
  Speaker 1: works out to a page a minute, and you don't
• 1:11:04
  Speaker 1: want your movie typically to exceed one hundred and twenty
• 1:11:06
  Speaker 1: minutes um. And this first draft is one hundred and
• 1:11:09
  Speaker 1: forty four pages, so there'll be lots of cutting to
• 1:11:12
  Speaker 1: to occur. But it's happening. Donald, The wheels are turning
• 1:11:15
  Speaker 1: good for you. Yeah, for you. Aren't you going to
• 1:11:17
  Speaker 1: ask what you usually ask when I write a screenplay
• 1:11:19
  Speaker 1: and any black people in it? There are black people
• 1:11:22
  Speaker 1: in it, and there might even be a part for you,
• 1:11:24
  Speaker 1: a good part, or you just gonna throw me a
• 1:11:26
  Speaker 1: little bone. You'll probably have to audition. When I gave
• 1:11:30
  Speaker 1: Donald my first draft of Garden State, he said said
• 1:11:34
  Speaker 1: to me, I really want you to read my script.
• 1:11:37
  Speaker 1: It was my first screenplay. He was my new best friend,
• 1:11:40
  Speaker 1: and I said, I'd really like you to read this,
• 1:11:42
  Speaker 1: And he said, are there any black people in it?
• 1:11:45
  Speaker 1: And I said, um, there's there's one or two. One
• 1:11:48
  Speaker 1: you're not right for because he's he's an African man
• 1:11:52
  Speaker 1: that's been adopted by Natalie Portman's family, and the other
• 1:11:56
  Speaker 1: is um is being played. At the time you had
• 1:12:00
  Speaker 1: given to part to most deaf. Is what you said
• 1:12:02
  Speaker 1: to me? No, I didn't, Yeah, you did, really method
• 1:12:06
  Speaker 1: it was method It was always method man. It was okay,
• 1:12:08
  Speaker 1: so then it was method man at the time you said,
• 1:12:10
  Speaker 1: you said yeah, And then the other part I gave
• 1:12:12
  Speaker 1: to method Man. And I knew right then and there
• 1:12:15
  Speaker 1: that I would never read that script. And so Donald
• 1:12:17
  Speaker 1: Donald in protest because I had given the role to
• 1:12:21
  Speaker 1: to method man. Um never read the script. It's a
• 1:12:25
  Speaker 1: great movie, though, thank you, thanks very very very well received. Also,
• 1:12:29
  Speaker 1: thank you, and and you're in you know I could
• 1:12:32
  Speaker 1: thank you. Oh Dan's given thumbs up. And Donald, I mean,
• 1:12:35
  Speaker 1: I didn't make the same mistake twice. And I made
• 1:12:37
  Speaker 1: sure to put you in wish I was here. Yeah,
• 1:12:41
  Speaker 1: and I was very happy to be in that movie
• 1:12:42
  Speaker 1: as well. Great movie, Mandy, but Timken, holy cow. Yeah,
• 1:12:45
  Speaker 1: and you were very funny in that movie. You only
• 1:12:47
  Speaker 1: had Mandy Tenken. Let's let's get Mandy Buttemken, Josh Gad
• 1:12:51
  Speaker 1: Holy cow. Yeah, Kate Hudson, Holy cow. Yeah. There's some
• 1:12:56
  Speaker 1: great performance. And though we just great performance, funny and
• 1:12:58
  Speaker 1: sh in the movie, let's give a shout out to
• 1:12:59
  Speaker 1: the film Wish I Was Here, which you can you
• 1:13:02
  Speaker 1: can see. I think it's on Netflix. You know how
• 1:13:03
  Speaker 1: I know it's on Netflix at least in the United States?
• 1:13:05
  Speaker 1: Is uh Joey King, who's plays My Daughter, has become
• 1:13:08
  Speaker 1: so faw. Joey King steals the movie and has become
• 1:13:12
  Speaker 1: so famous that Netflix has redone the poster, so it's
• 1:13:16
  Speaker 1: just Joey King's face. Even if you don't watch the movie,
• 1:13:22
  Speaker 1: do me a favor and go to your Netflix and
• 1:13:23
  Speaker 1: look up Wish I Was Here, and you will see
• 1:13:25
  Speaker 1: it's a picture of Joey King's head because she has
• 1:13:28
  Speaker 1: become such a big star, and particularly on Netflix with
• 1:13:31
  Speaker 1: with with Kissing Booth, which was like one of their
• 1:13:33
  Speaker 1: most watch movies ever. And I just thought it was
• 1:13:36
  Speaker 1: funny that Netflix was like, no, we don't need Kate Hudson,
• 1:13:39
  Speaker 1: Zach Ralph, Josh God, maybe Potancic on the plush are
• 1:13:41
  Speaker 1: just a shot of Joey's head, but much deserved she's
• 1:13:44
  Speaker 1: a superstar that she has a superstar. Thank you so
• 1:13:47
  Speaker 1: much for listening to fake doctor's real friends. I'm your
• 1:13:50
  Speaker 1: co host, Zach Braff, along with my friend Donald fayze
• 1:13:53
  Speaker 1: On here to make you laugh, here to make a
• 1:13:54
  Speaker 1: smile with a touch of nostalgia about sure we made
• 1:14:03
  Speaker 1: about a bunch of docs and nurses and a janitor
• 1:14:06
  Speaker 1: who learned him. I said, he's the stories natur all
• 1:14:10
  Speaker 1: should know. So Gato