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Tecuento T3 P 10 - Sil Perez , Mujeres y algo más · Tecuento

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Picuto un programa para compartir conducts Daniel bellinsoniec Friday thirteen to fourteen hours on radio
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trend Topic with the stories spots, pou ok helo two of everything. All
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homero coughs you don' t know. La galleramos Hello, Dear friends,
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Dear friends, how are you happy Women' s Day for all those who
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listen to us and those who listen to us deferred also very nice day.
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All right. We continue as every Friday, broadcasting from Radio Train Topic the
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radio transmedia number one of largen From his studio Mafalda accompany me the operation and
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musicalization Juan Greco. Remember that to send us messages you have eleven twenty-
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six forty- two, twenty forty- two? Eleven twenty- six,
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forty- two, twenty forty- two, today the interviewee is Sil Pérez,
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member of the SADE Board of Directors, Argentine Society of Writers of Lomas
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and of SAD Nacional. We have done a telephone interview and before we begin
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or listen to this interview, sil sent us a poetry for this special day
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and so says a woman what she thinks, what she observes, what she
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analyzes, what she is able to amaze herself and become aware of the lyric
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of dawn. It' s not ephemeral or vulgar, it' s intense
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and deep. This poetry is from the book Footprints, from the desire of
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Sil Perez. Well, now, as we proposed, let' s hear
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the story. Good afternoon, Daniel, how you look good. I appreciate
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the invitation to the show I' m counting on you. It is a
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pleasure for me to share with you this cultural space The initial question is how
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you came to write, how all dreamy forms arrive. Day I started writing,
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started with poems, touched thoughts that good were articulating and creating poems and
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in solitude, because writing is that. Yes, it' s a little
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transmitting what we have inside and good to convey it in words. No,
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and you were trained to write, because usually you write impulsively and you get
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what' s coming. But the technique there' s an order, there
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' s a style. Yes, of course. Yeah. Yeah, yeah,
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yeah, yeah. I' m fine in the upper ins of letters.
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Eduardo Mallea. Last year I did a degree in theory and communication.
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So good I' m doing this year already. Well, I have also
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finished a seminar after hypology and well, the truth that you are constantly updating
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also because beyond having thoughts and having ideas, you have to structure them and
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you have to give them the necessary approach with grammar, with the structural sense
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that you have to have a poem or any narrative text, whether they be
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tale, essay and narratives. So, well, I' m very rigorous
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with that one with the reader. Actually, it' s not because my
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commitment is to him. How many books you have edited. We have two
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and, well, then I have a lot of texts. I participated in
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many anthologies, both national and international, and well, my first book I
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edited in the twenty- eight. It' s called Wishprints. It is
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a compilation of poems and also narrative and already the second is called your and
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voice links and has this title precisely because it is a co- authorship with
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an author from Valencia, Luis García Orihuela, a great friend. We don
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' t know them personally, too. We can have a very good book.
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Yeah, yeah, yeah, yeah, so, well, here we
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have shared that nothing is narrative. The second we were close to presenting the
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lencia and I who from here, I live here in Bansfiel and good caught
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us the pandemic. I' m not finished with the presentation. Well I
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was able last year in the book series, because I am a member of
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the National SADE Steering Committee and also of the Lonas de Zamora and well I
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had the possibility to present my book in that instance. Don' t mean
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it' s always the preference. It' s the narrative. Yeah,
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I really like the narrative. A year ago I' ve been writing more
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essays since academic training and well, the truth is good. I enjoy it
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a lot because good that other demand. Not one writes x an essay and
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well, it has to see a whole literary context. And good and good
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truth deepens the analysis and has other perspectives also that are very enriching. It
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is the best thing that has happened with writing to find in writing a comment,
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whether positive or negative. I am interested that the text that I have
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written has some kind of approach and well, the truth that they are prides
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me from the point of view that it feels that a comment is received and
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does not have to be precisely as I say a compliment and not also good
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look. This happened to me. I would have looked for myself or liked
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this ending or I would have liked that reason for this side was valid,
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because that means that the reader was also a participant in this text. Sure,
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but on time, what was something to see you. I ask better
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the question what said, what situation positively impacted you yes, within what is
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this experience or this story, of reading, of writing, of sharing those
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children that you are yes and good moment, of course, the moment presentation
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of a book is fantastic. It' s very exciting. My first book
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so that I was very very shy, for lentations and, finally, for
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the diffusions of my works. Sometimes, too, he went out a little
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bit. But when I had to present my first book of all those numbers
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of people who had approached for that event, it was the truth that the
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soul finding people from elementary school, because also in st ha cristo a couple
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of anecdotes of Espanlia, well, surrounded by friends, of person, of
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colleagues. It was a wonderful moment and I think that should happen to any
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writer or poet. I no longer know different tancheros when I saw a narrator
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and suddenly it brings out the light and gives her life in some way a
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text no, that also happened to me and the truth that I was very
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excited to see somehow embodied through letters and emotions. What causes you in the
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precise situation of a seasoning. No, yeah, well, that would be
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the part, let' s say the face of the coin on the girl
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was once strongly criticized. It didn' t happen to me. It didn
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' t happen to me. The truth is that, anyway, sometimes I
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like them to be a comment, but it didn' t happen to me.
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Honestly, when I started writing, that I did it at that time
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I didn' t even have Facebook and it created on the page and I
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started writing soon in my solitude and suddenly it was with poets and writers of
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the Canary Islands, that the truth is that it is a people that I
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admire very much of that day today, that they remain my friends and I
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started to see positive comments. But, well, I' m not keeping
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this. Anyway, I wanted to resect myself I wanted to polish and well,
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you' re learning permanently. This isn' t because you' ve
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presented a book, you have to stay with it. This really is a
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continuous learning. Yes, I didn' t ask you the question because there
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it tells me that one reading chronicles and other true ones, as well as
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there are praises, there are certain punctuous acid comments that you also read it
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says. Well, they did it to the other one. Now when it
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comes to the other one who says the creature' s dad or the creature
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' s mom. And it' s like when you go looking for the
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line at school and they tell you and not how messy the hair comes that
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' s clear why don' t you look at yours to say sense.
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And to people, writers or new writers, what advice would you give those
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people who start pushing pencil into the pen, then they' re going to
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use the machine to turn their ideas, what would be the council that reshape.
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It' s important, it' s important to express your feelings,
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to transmit emotions, but that' s a little game. Well, it
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needs polishing. Yes, I' ve been overreading texts and I really know
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it from black psalms, even in half, because I say I didn'
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t like the way he was faced. He deserved to be missing these elements.
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Semantics is very important. Yeah, well, all that is the grammatical
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structure, of course, has to go together with a good syntax and,
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of course, have an emotional load. It' s good. The text
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has to be such, because I think realism and we talk about magical realism
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also in all its ancestry, but it has to fix the reader the space.
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You have to feel identified with what you' re reading and that was
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a job. That' s why I say it' s not a matter
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of sitting in the candlelight and writing. One can, in principle, do
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it, yes, but well, then you have to take, you have
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to be responsible with good around here to transmit. I mean, it'
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s good to write, dump the thing, but it' s also good
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to reread backup. It was the expression and when we are already advancing more,
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also the participation of someone. How can you be, what do you
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call it the people who correct the correctors, of course, give it a
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line. Not of course, one may think that a text is very well
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written and suddenly one takes it to a correct one and begins to see no
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no, but this is fine and make corrections. And one, out there
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you don' t realize, because obviously one isn' t corrector. Simply
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one has a training, but the corrector is very precise and all books must
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be passed. That is why editorials must be taken into account, because sometimes
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it is not the writer, but the publisher who is not prepared to make
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a very good dissemination of his works, the works of those interested and sometimes
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this against the author. You have to be prepared to take care of your
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product. Of course, because there are many publishers, especially small ones,
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that interest is good. I edit it for you and so it goes exactly
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and good in emotion or in the enthusiasm of the writer. The writer says
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we go forward and then, when she wants what a little bit of what
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you said, when you have the book in hand and I sometimes don'
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t get to the three sheets, you see at four, because already there
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you find, already that height, you find a disconnect between the characters,
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for example, or the frame of reference. So, well, here,
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it all starts badly and it' s going to end worse. Not exactly,
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yes, yes, and in the case of novels, also, for
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example, it has touched me on prologue and suddenly it happened to me in
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a particular case and it was really very confusing. I see you' re
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testing. It was a very difficult result, because the characters were diffuse,
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they were not continuous, It was lost a little bit, the content,
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the weapon. In this case and those details is not easy is that a
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novel, but you have to be aware clearly. There it also has to
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see the personality of the writer or writer, because just as it is presented,
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as it speaks, as it is expressed, Yes, so it writes.
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Or if there are people who are very confused in conveying their ideas or
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relating to another and if not, at some point I see a text of
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that person, they are going to be moving that confusion, that way of
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being to the text. Yeah, that has a lot to do with it,
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too. That' s right, yes, yes, and it'
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s in girls general that I, for example, am not out of talking
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and transmitting, but when I write, it' s like there' s
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another person inside of me who takes me through places that suddenly, if I
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had to transmit a direct way, I wouldn' t do it. But
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there' s someone, there' s something inside me that when I write,
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it gives me a different freedom. That happens, too. Uh,
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yeah, that' s the inner girl who comes out the most to play.
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Out there I' m like I said and I' m shy to
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people, but the girl. If we let the girl play or talk about
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the girl giving you permission or we would see another cil, very different is
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the feeling one has. We are through a phone talking, but the feeling
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that I have you give me is of a person who is careful, who
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is to see carefully and if something shy or who takes direct care of the
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expressions, but who can also enter a situation of joy and party without any
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problems, understanding joy and end. Is the fact that when you let go,
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naturally without any help, let us clarify for those who listen to us
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yes, who say well, here you let go and what were we doing?
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Yeah, what would you give us, what do you have there at
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hand some long poetry to give us a good graduate. Yes, we can
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clearly search that yes to give beautiful cross the dreams. You have to dream
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of swallows, flying over the desert in the icy doors by winter dawn.
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You have to dream of velvet looks, passing through the broken mirrors. You
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have to dream of a red sea of bloody floors, jogging from the mouth
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of a dreamer without haste, passing through dreams belongs to those that I wish
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my final book. Okay, hey, hey, hey. Yeah, yeah,
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yeah. I get the voice Alpa, it goes, it goes to
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you And if someone wants to communicate with you or to make contact, you
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see where to find your books, where they communicate. I' ve got
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Instagram on the 23rd summit. Yes, then, if you don' t
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French the six sil you are that brings ancial and good, you can find
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tar through and a half and good there you will be able to find in
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my books. Well, we remember that sil Piris, the Piris goes on
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a date exactly, because that' s where you order with that one then
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too now. Yeah. Yeah, yeah, yeah, yeah. I really
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appreciate this time yanlan that I' m going to keep looking for some schedule
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that we can get together in a zoom directly, directly on the radio.
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That' s right, thank you. Thank you. I thank you very
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much and whatever you make note or publication you' re going to do to
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announce it. You have no problem sending me a whatsapp and I' ll
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advertise it to you. Thank you so much. Thank you so much.
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Blo. It was a pleasure this communication and well, it was assumed discharge
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for what you need well, a tar, a big affection to be audience.
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Thank you. Oh, boy, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh, oh, oh, oh, oh,
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oh, oh, oh We thank Sil Pérez for his willingness. The day
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we communicated was a pretty complicated day by phone, because we didn' t
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use cell phones, landlines and so on. In the southern part of Buenos
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Aires, Gran Buenos Aires. There was a lot of interference, but we
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managed to rescue this very very interesting talk that well we came looking for it
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a few days ago. Now I saw them leave with the tale of the
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day. It is a story that attacks a reality, sometimes commented in groups
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of friends or family, sometimes very quiet, but interesting. We' re
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listening. When I was told this anecdote, for the first time I thought
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it was a pure tale when I heard it again. Many years later,
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I saw at a party of colleagues, I came to the conclusion that it
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was an urban legend, so I decided to investigate to know a little more
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about this. The realistic version indicates that it all started in a rendezvous scene
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between high school girls. At that time they averaged forty years and came from
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different frustrations. Some were bored with their marriages or exasperated at finding someone.
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Others were survivors of two or three romantic experiences that had cost him sweat blood,
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tears, money, and green gray hair. Monica belonged to this last
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group. Someone might not have been her, but she said falling into an
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expression within the group that if her parents had chosen the husband, they probably
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wouldn' t have suffered. So much, they all celebrated the expression and
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one of them provided because they gave the parents the opportunity yes and Monica picked
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up the glove expressing that her father was very judicious and that he hadn'
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t sucked her twice as much as happened to her, Monica had married in
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early marriage to a guy who turned out to be a hard- core womanhood
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and in the second with a ludopath who had her maltrate. Then every week
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I met a man in the roe alone and alone and the experiment always ended
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badly. So that reinforced the group' s idea and said that well he
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was going to discuss it with his father. Monica worked on the orders of
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Joachim, her father, who owned a laminate factory, He was a nifable
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and protective patriarch with whom she had met throughout her life, but who remained
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her most faithful admirer. At lunch, they began to talk nostalgically about episodes
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or childhood, early youth. They laughed at that occasion when, through the
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problems he had had in music, they had hired a psychologist to help him.
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And after two years no improvement had arisen and the father would have gone
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to claim him. Taking advantage of this monica of us. He told her
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about his friends and also reinforced it, telling her that it was good that
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he had been discouraging everything and every one of his husbands boyfriends. But still.
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Later she had participated in divorces with sensitivity of father hand iron and that
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the girl would like to make the experience of green that someone would choose a
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candidate, especially her. So Joaquin, excited about the idea and the challenge,
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accepted it. He told the friends that the father was going to take
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care of the casting and they all agreed and happy about what was going on.
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Obviously, later, some said that he would not be able to,
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others were more optimistic and so it all began. Joaquin didn' t want
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to be ridiculous and right away. He realized that what he was going to
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do brought into play all his omnipotence, his prestige, and then he was
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not deprived of anything. He began to ask his friends or his partners,
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clients to nominate candidates. He set guidelines that were not single or that did
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not have girlfriends at the time, because there used to be phobics or Casanovas,
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but they could be separated or divorced or divorced with big children and that,
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in addition, could prove their contraction to work and some personal development,
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besides being honest, healthy presentable. At the beginning of all this, Joachim
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was surprised to discover quickly that the task was not going to be very easy.
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The ideal candidates were all placed and the loose had a bad reputation,
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which was not lacking a little. He had something left, but he didn
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' t back down. He hired a man who coordinated a meeting portal to
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make a careful selection and added to that list four gentlemen who were recommended by
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acquaintances. Monica was aware of everything that was going on, but the father
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did not allow her to see the photos so that there was no lack of
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false illusions, so he told her that he would simply meet the winner of
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this whole selection. Of these candidates ten eleven one fell quickly because it was
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discovered that they were omitting with a teacher in the Silver Sea, another because
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it did not pass the test of truthful. The third one was abandoned at
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the altar because he was pathologically jealous of the woman he was going to marry.
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The fourth was a secret alcoholic and the remaining six had to use private
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investigators to find out something. In fact, Aquín hired a security agency and
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she hired a former aeronautical police officer. He did background checks and discreet social
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- environmental infuses, just as they began to discover that one was a batterer,
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another was a mythomaniac with the seventh Male. He was excluded because he
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owned an SME, but was about to declare bankruptcy, thus not a good
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candidate for the father. And in the final stretch, the ex- cop
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had to bribe the psychoanalyst to get one' s file and go to the
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gym for fifteen days to make friends with another' s ex- wife.
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The first turned out to be completely dominated by his children and the second by
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his mother. The finalist, the only one left standing was Ulysses, the
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man of epic name and a blank service sheet. In addition, it had
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comparative advantages. He was a recent widower. He had not fathered children,
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although it was proven that he was not impotent. I had a good time.
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He was very active, although he was not very close to work,
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sex, politics or vices. He was a systems engineer and had recently presented
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himself for an important position, so when Monica saw his picture, he felt
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a chill. In addition to all that, he was good- looking,
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athletic, serene with a deep look, so he quickly sent the image to
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the friends who confirmed that situation, who had seen that they were happy and
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approved that he was the candidate. Monica asked Joaquin, her father, to
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establish a way to meet this man casually, so they organized a roast and
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Monica and the perfect candidate chatted all afternoon, invited each other to the theater.
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At the start of the crucial evening, they visited a restaurant in Puerto
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Madero and spent four hours talking about their lives and passions. The next day,
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like logical Joachim, the father entered his daughter' s office happily as
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a truncheon and asked her what. Such Monica, with a pale, ojerosa
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smile, replied to him that he was sensitive, very sincere, Dad,
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too sincere, Joaquin, who had begun to applaud and suddenly, as he
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felt this, stopped with a bad feeling. What happened, Dad, he
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confessed to me that he' s straight, straight, but not fanatical.
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This story is by Jorge Fernández Díaz and is entitled a candidate for my daughter,
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to go, to, to, to, to, to, to,
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to, to, to sing, to stop, to, Well,
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here we are and we continue to make some programs and we will continue to
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do it until we interview the headlines of the course of our base 20th look.
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Speaking on this subject, remember that this basic numerology course twenty- two
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will have master courses in Mexico in April, the last days of April and
39:20
in Argentina in May. Actually, base numerology twenty- two that is worked
39:30
out, in addition to the new base trilogy with the next twenty- two,
39:37
is a discipline that focuses on the vibration and meaning of the numbers present
39:43
on your date of birth. It helps you understand to be tolerant with you
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and others to connect and communicate assertively to live as your best version. The
39:57
difference with other numerologies is that the result is reflected in a diagram of points
40:07
in which you can go through them and you will have the most and least
40:14
of each situation and see how you are that day at that moment, which
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will allow you to make adjustments, achieve or seek a balance. If you
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want to know more, you can see it in clear sea. Remember.
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Numberology base twenty- two And now, then, what we are going to
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hear is the column that every fortnight gives us the sun Rodríguez Maistegui and his
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club of the Porota. Let' s hear it. Who would you be
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if you weren' t the age you had the name you had, the
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body you had, who would you be If you didn' t live where
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you lived, if you didn' t have the family, the friends,
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the neighbors you had, who would you be? Without your activities, your
41:21
routines, your tastes, your past and your present. In some parts of
41:27
the world there is a very fun proposal for childhoods called bild ever. It
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' s a chain of shops that sell you the experience of choosing your teddy.
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Fill them in by selecting the sound or voice you prefer, as well
41:43
as choosing a heart and rhythm of your heartbeat. You can also select accessory
41:47
clothes and even a name. At the end of the process, they give
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you a document in which you must enter your teddy' s name and date
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of birth. In some crass You can also buy him the intimate diary to
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tell the story or life you want him. We imagine that we are part
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of the process. Imagine that we are part of the stock of stuffed animals,
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of Bill de bar What body you want to have, what clothes you
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want to wear, what you would like to be called, how it feels
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and expresses the heart that you incorporated, what you said, what you project,
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how many years you have And if, suddenly, aging stops being perceived
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as a conflict, what would happen. If we stop naturalizing that in old
42:37
age, for example, there are aches, what would happen if we allowed
42:44
ourselves to imagine a world in which there are no ages, in which people
42:49
are able to create the reality that we want to live, in which we
42:53
are able to build our own teddy and if we stop fighting and put our
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energy in enjoying. Diana Niad is the American swimmer who at sixty- four
43:10
years of age managed to be the first person to swim from the coasts of
43:15
Cuba to the coasts of Florida, without shark cage. What would be of
43:21
his feat if he had believed that at his age and age he would not
43:25
succeed. It' s not easy what I' m trying to say,
43:31
because I' m trying to create new thought circuits that get us out of
43:37
common places, avoid focusing on failure. And if we project a world in
43:38
which we can choose throughout life, how we want to live, who we
43:44
want to be, maybe it' s not the right way to ask us
43:52
the question because sometimes our desires are also configured from lack. Why doesn'
43:57
t it mean I want to live without diseases, I want to be young
44:00
again. Let us imagine a world in which old age is not synonymous with
44:04
ailments and diseases, but rather the stage of life to which we aspire.
44:09
A world where youth does not exist, a world where old age does not
44:15
exist as we understand it, where we are not grouped by age, but
44:19
rather by levels of consciousness and ability to decide what is best for ourselves.
44:25
A world in which our possibilities do not depend on context, but on how
44:30
we connect with each of us and, of course, with others. If
44:37
I think I can swim anything? If I think I can heal healthy,
44:40
if I think I can undertake, I start, if I think I can
44:46
fall in love I fall in love, if I think I can study,
44:51
study and if I think I can. In the club of la porota we
44:54
reflect on the possibility of creating a term that defines that older person, that
45:00
represents this old age, that we imagine, that we project, that we
45:06
manifest, that we build, that we build something like imagine an older person,
45:15
vital, in love with life, that contributes to transform his unreality,
45:19
that is ready to listen, participate and learn flexible, that adapts to the
45:23
changes, that goes to the encounter of others, that generates spaces of participation,
45:29
that does not deny of his age, but rather shows him proud.
45:32
Perhaps it is not a question of fighting, but rather of making a clean
45:37
slate of how an option is to make najades visible. Older people like her
45:44
exist and are those who, in some way, have not been bewitched by
45:49
old age, by old age, by gerontophobia, by conditioning contexts, but
45:54
the opposite. They are those who have understood that old age does not inhibit
46:01
them from living the life they desire. A hundred vile beards gave you the
46:06
chance to prescribe who you would be at sixty- sixty, eighty, ninety
46:15
- hundred years old. Thanks Trending Topic a hug and we still find good
46:25
nice message. Yes, as always truda, the route has many activities in
46:32
Córdoba and we are really interested in spreading its thought, its line of thought
46:43
and so on. Why, because it opens roads and is associated with that
46:49
phrase that we always say that the rooms are ours. We can fly and
46:57
the sky. The sky isn' t anybody' s, so one who
47:00
' s doing things to shut down. Today there is one topic that we
47:07
already started the other program talking about the ego and, if you remember,
47:13
we gave a series of different types. Today we' re going to take
47:21
one punctually after we' ll go granando, others bore us. Not people
47:27
who always talk about themselves. That may be the easiest and quickest way to
47:32
identify the ego in a person, but there are other signs that make us
47:38
see that someone loves himself very much and shows little respect for others. For
47:46
psychology, ego is a psychic instance through which a person recognizes himself as myself
47:52
and begins to be aware of his own identity. These means that the ego
48:00
is in itself the central part of the human consciousness charged with giving sense of
48:07
self. When the ego manifests in a constant and persistent way, it is
48:14
considered that it is exacerbated and crosses the border of the logical and acceptable to
48:21
live in coexistence with others, there is already noises the premise that part of
48:31
the ego is not bad, proper to nature and its usefulness and to protect
48:36
us from the world, that is, to try also to set our limits
48:40
as society, the educational environment and culture are putting standards in us when we
48:47
talk about this ego- interruptor. The self- switch is the one that
48:59
needs to be self- referenced and permanently interrupted, and so the rest of
49:04
them don' t end up talking. The most annoying switch ego is usually
49:08
the one that occurs when you talk about diseases. When someone is reporting a
49:14
disease or a medical test and someone jumps, I also went through it and
49:19
starts telling it by stepping on the other' s story. The same thing
49:25
happened to my uncle, or I have a friend of a friend who happened
49:30
to him like that. That is, this ego is very harmful to the
49:34
other person who is talking about his illness and if we interrupt his account,
49:38
there is much emotional damage being done, because we position ourselves in disrespect.
49:45
We have to let the other one talk. Loving silence and empathy are the
49:51
best allies. Not your own experiences of so many other examples we could give.
49:59
It is the one that occurs in radio- television journalism and those situations
50:04
in which another person is interviewed. The desire not to lose the interviewer'
50:14
s presence constantly interrupts the interviewee with personal references. This situation ruins the empty
50:22
content of the interview and so on, does not allow the interviewee to convey
50:27
his experience. As the end of our notes, we tend to detail what
50:34
can be done or what can be practiced to quiet the good ego, usually
50:43
work on listening before responding, daily meditation to placate our momentum, avoid drawing
50:52
hasty conclusions, remove from the vocabulary of the word I by starting with other
51:01
phrases. If you' re suffering and you pay the consequences for your mouthful
51:08
ego, well, you have to look for professional help. So this is
51:15
one of the situations in which we take advantage to highlight. Dear friends,
51:27
we have reached the end of the program. Remember whenever you can see us
51:31
when and wherever you want 24 hours a day at 7 days a week byw
51:36
Radio thirtyc com ar bar, I tell you, I tell you everything together
51:45
or through the different platforms Precker, YouTube, Spotify and so on, a
51:53
point to highlight this week. Maybe not every day is good, but there
52:01
' s something good about every day. Friend friends, I leave you in
52:07
company with AlejandroÁlvarez Coronel with news pi good week and it will be until next Friday