Latest / Four Finger Discount (Simpsons Podcast) / Lost Verizon (S20E02)

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Lost Verizon (S20E02) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Four Finger Discount is proudly brought to you by our
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• 0:23
  Speaker 2: Hey, thank god you're okay? Were you guys gone? We
• 0:27
  Speaker 2: were gone for two weeks. I didn't even notice. I
• 0:33
  Speaker 2: just made a thirty seven hundred mile car trip. We
• 0:35
  Speaker 2: need to wash up? Whoa never leave again?
• 0:41
  Speaker 3: A four finger discount dude.
• 1:00
  Speaker 1: Welcome two to four finger Discount. We're back this week
• 1:03
  Speaker 1: with a season twenty review. It's episode two of season twenty.
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  Speaker 4: It is last for a razin. I'm Dan and I
• 1:09
  Speaker 4: am Guy. Yes, aka the episode where I'd say a
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  Speaker 4: few of the Simpsons execs and Fox execs and anyone
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  Speaker 4: else lucky enough to be involved gets a free Verizon
• 1:19
  Speaker 4: cell phone plan.
• 1:21
  Speaker 1: I watched this one and I went, we now officially
• 1:23
  Speaker 1: need to start doing merch. What a lord right, It's
• 1:26
  Speaker 1: gonna be some of them. Oh, Yeah, another one is
• 1:28
  Speaker 1: a bunch of stuff is happening. This episode was just
• 1:30
  Speaker 1: a bunch of stuff happening. It was Bar gets a
• 1:33
  Speaker 1: cell phone, hilarity ensues.
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  Speaker 4: Gets some wacky pranks. Wacky pranks happened. Well when I
• 1:39
  Speaker 4: say waky three, yeah, there were a couple of others.
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  Speaker 1: I guess, but I see. I enjoyed this though. I
• 1:45
  Speaker 1: enjoyed it for what it was. It wasn't, by no
• 1:47
  Speaker 1: means a really good episode. I'm gonna throw it out there.
• 1:50
  Speaker 1: This episode was just there. Right, It's just one of
• 1:53
  Speaker 1: those episodes.
• 1:53
  Speaker 4: It's just there. To me.
• 1:55
  Speaker 1: What took me out of the moment was it felt
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  Speaker 1: so pointless in the sense that a whole whole basis,
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  Speaker 1: the whole backbone of their plot is that they're trying
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  Speaker 1: to find bart right, call.
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  Speaker 4: His fucking phone. We're still in the infancy of mobile phones.
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  Speaker 4: The technology is still weird and unpredictable with something there's
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  Speaker 4: two thousand and eight my mum, Margaret Mary on a
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  Speaker 4: mobile phone by this stage, Yes, that's and.
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  Speaker 1: We all know how to call phones. You know, this
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  Speaker 1: is the thing. Where's but why is he going here?
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  Speaker 1: Call him and ask him?
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  Speaker 4: Also, yeah, it's it's we do a lot of things
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  Speaker 4: on our phones these days. Yeah, they're multi purpose, wonderful instruments,
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  Speaker 4: but they're primarily a telephone. You can call people on
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  Speaker 4: the telephone. Yes, why don't you do that? That's a
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  Speaker 4: very good point.
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  Speaker 1: Down the whole episode just falls in a heat once
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  Speaker 1: you realize, what did they just call him? I just
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  Speaker 1: went I just I can't. It's fine. I'm trying to
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  Speaker 1: enjoy what you've got here as a story, but I
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  Speaker 1: can't ignore the fact that they're not calling him.
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  Speaker 4: It does. Yeah, the point is, oh, they're monitoring their spying.
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  Speaker 4: It's meant to be kind of a secret, you know,
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  Speaker 4: if they call. But wait a minute, how do you
• 3:05
  Speaker 4: know where if I'm not where I say I am
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  Speaker 4: or something like that. I wholly understand that. But at
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  Speaker 4: the same time, yes, you've just basically you've sunk this
• 3:15
  Speaker 4: episode's battleship. Check mate. I miss the thing I like
• 3:20
  Speaker 4: last Verizon, see it.
• 3:21
  Speaker 1: I thought there was a basis for a really good
• 3:23
  Speaker 1: story here, actually, because you had the idea of mother.
• 3:28
  Speaker 1: Marge had a similar story with making. But Marge, well
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  Speaker 1: I know Marge wanted to not baby her so much. Yes,
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  Speaker 1: and margin needs to not be so protective and watch
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  Speaker 1: over Bart so much. Right, so she needs to learn
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  Speaker 1: as a parent. Bart is old enough now to be
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  Speaker 1: able to do things. I trusting to go do things
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  Speaker 1: by himself, right, but also needs to learn and understand
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  Speaker 1: I want to be independent, I'm becoming more dependent, bust
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  Speaker 1: to need my mom.
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  Speaker 4: Yes, with great freedom comes great responsibility.
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  Speaker 1: And there was what it took way too long into
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  Speaker 1: the episode before they got to that point, right, because
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  Speaker 1: they need to be got.
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  Speaker 4: Far into the episode, and pretty much the end of
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  Speaker 4: the episode.
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  Speaker 1: Wasn't It was like the last third, I want to say,
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  Speaker 1: because Bart was at home, Oh yeah, scared and having
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  Speaker 1: during the day and scared whatnot? That should have been
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  Speaker 1: the episode, right. You need to find a better way
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  Speaker 1: to have the family outside of the house though, because
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  Speaker 1: the family being outside of the house pure because they're
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  Speaker 1: not calling his phone, the're trying.
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  Speaker 4: To track this fight.
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  Speaker 1: It was just it was ridiculous. It was just too
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  Speaker 1: ridiculous to buy into. But you need to have more
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  Speaker 1: repercussions for the actions. And we don't hear say Bart
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  Speaker 1: never confronts his parents for tracking him. The whole basis
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  Speaker 1: of the story was you're tracking Bart you shouldn't be
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  Speaker 1: doing that. Well, there's no resolution to that story. He
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  Speaker 1: gets back home and he goes, never leave me again.
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  Speaker 1: But the whole basis of it was that he was
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  Speaker 1: annoyed that they're tracking him.
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  Speaker 4: Yeah, and they didn't. They didn't have that conversation. Who
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  Speaker 4: do you think the episode is saying, is in the
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  Speaker 4: wrong or is anyone in the wrong.
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  Speaker 1: No, one's in the wrong. But that's the problem is
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  Speaker 1: they don't give you a resolution. So the resolution should
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  Speaker 1: have been we're both wrong, we're both right, but look,
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  Speaker 1: we need to find a middle ground here. I trust
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  Speaker 1: you to do things. But it needed to end with music.
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  Speaker 1: Cue Bart saying yes, Mum, I'm ten, I can do
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  Speaker 1: things for myself, but I'll always need my mom.
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  Speaker 4: Well yeah, that needs to be the underwing message, some
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  Speaker 4: way to communicate that.
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  Speaker 1: I always need my mum and and hope it can
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  Speaker 1: say me too, Yeah, sure, but he'll always need This
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  Speaker 1: should have been a Marge be not proud, march butt
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  Speaker 1: moment ending, and we just didn't get it. There was
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  Speaker 1: just it was always like they just didn't know where
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  Speaker 1: they were going. There's just let's just see where it goes.
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  Speaker 4: Well, yeah, I mean, well, You've got to wonder what
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  Speaker 4: the start point for this episode, what was the foundation
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  Speaker 4: of it?
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  Speaker 1: Well, the foundation was the Bart. What in your phone?
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  Speaker 4: Right now?
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  Speaker 1: What was the very start of the other side.
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  Speaker 4: The foundation of the bear. No, I'm not talking about
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  Speaker 4: the actual start of the story. I'm talking about what
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  Speaker 4: what are we saying with this episode? What are we
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  Speaker 4: doing this?
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  Speaker 1: Well, but but what's the Yeah, this was Bart wanting
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  Speaker 1: to be fit in at school because he was the
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  Speaker 1: only one that didn't have a phone, right, and then
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  Speaker 1: Marge eventually she doesn't want to buy the focus. She
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  Speaker 1: doesn't want him to have that independence. He wants to
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  Speaker 1: be somewhat independent. That that's that's the basis of the story.
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  Speaker 1: Marge doesn't want just wants to be ever protective. Mart
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  Speaker 1: wants to say, I don't need you.
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  Speaker 4: Yeah, yeah, that's the what am I looking for? The
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  Speaker 4: core conflict of this? But what's independence? I can do
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  Speaker 4: it by myself. Yeah, Marge wants to monitor there in
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  Speaker 4: lies the conflict.
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  Speaker 1: Yes, okay, it needed to end with bartessentially.
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  Speaker 4: Also, and also, Verizon, there's no sponsoring this episode quote
• 6:24
  Speaker 4: unquote sponsoring this episode, I thought. And also we've got
• 6:27
  Speaker 4: access to Dennis Leary. Dennis said, Hey, I'd love to
• 6:30
  Speaker 4: be on an episode of the Simpsons, and we don't
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  Speaker 4: know how to fit Dennis Leary.
• 6:32
  Speaker 1: And I just thought I was getting vibes of whenever
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  Speaker 1: Dennis Leary' is not on the screen, everyone should be saying,
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  Speaker 1: where Dennis Leary? How many times do you hear someone
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  Speaker 1: say Dennis Leary in this Dennis Leary, Dennis Leary, Dennis Leary.
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  Speaker 1: I thought I was sick of Dennis Theleary by the
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  Speaker 1: end of it.
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  Speaker 4: Yeah, and in all honesty, I mean two thousand and eight.
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  Speaker 4: I'm wondering which stage of his career he was that
• 6:52
  Speaker 4: was he doing that cop that fire show? I think
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  Speaker 4: I think Rescuing Me had been going for a couple
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  Speaker 4: of years before this good show E scu Me by
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  Speaker 4: the way, Yeah, for a while, and went on something
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  Speaker 4: like five or six seasons, So it might have started
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  Speaker 4: in the early two thousand.
• 7:05
  Speaker 1: Well, that's what they had to acknowledge the voice of
• 7:07
  Speaker 1: that movie that you're in that movie. You like that
• 7:09
  Speaker 1: Diego character. Well, yeah, I think that's for the kids
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  Speaker 1: at home, because kids as a kid, and he doesn't
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  Speaker 1: know who the fuck is Tennis Leary.
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  Speaker 4: Yeah, I don't think there's too many people buying the
• 7:18
  Speaker 4: CD of No Cure for Cancer or chan Our Judgment
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  Speaker 4: Night asshole.
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  Speaker 1: Right, yeah, so that even that it's one of these
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  Speaker 1: weird guys where he's like super popular because of that.
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  Speaker 4: Oh yeah when you if you see viewers, and he
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  Speaker 4: parlayed that into a pretty decent career.
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  Speaker 1: In terms of I think it was The Dad and
• 7:33
  Speaker 1: the Sandlot Kids, Yeah yeah, oh yeah.
• 7:36
  Speaker 4: Demolisher Man he was. He had a bit put in
• 7:39
  Speaker 4: Demolition Man, basically playing Dennis Leary. I mean he just
• 7:42
  Speaker 4: did a Denis Leary riff.
• 7:43
  Speaker 1: I think demolished demolition What is it?
• 7:46
  Speaker 4: Demolishing? Demolishing? There is a well known science fiction book
• 7:51
  Speaker 4: called The Demolished Man. Okay, yes, who's demolished by Alfred Bester,
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  Speaker 4: one of the Martin Princess Faves Rescue me. I'm just
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  Speaker 4: gonna pear. Two thousand and four started as seven seasons. Yeah,
• 8:02
  Speaker 4: I mean, it's a it's a good show, and I
• 8:05
  Speaker 4: think we I've forgotten which show we did on TV
• 8:07
  Speaker 4: launch Pod where I sort of talked about the whole
• 8:10
  Speaker 4: bunch of those shows on FX that have just struck
• 8:13
  Speaker 4: this middle gram because they don't have the HBO budget,
• 8:15
  Speaker 4: but they've got HBO ambition and ideas, stuff like Rescue Me,
• 8:18
  Speaker 4: Damages and others too that I can't remember off the
• 8:23
  Speaker 4: top of my head. I was a huge Denis Leary guy,
• 8:26
  Speaker 4: certainly in the from When Arshole Came Out and is
• 8:30
  Speaker 4: Comedy Special No Cure for Cancer. When I auditioned for
• 8:34
  Speaker 4: I auditioned for NIDER, the National Institute Dramatic Arts. It's
• 8:38
  Speaker 4: the premiere acting school here in Australia. I did not
• 8:41
  Speaker 4: get in, but that's why I'm here. But now i'm pardcasting,
• 8:45
  Speaker 4: so fuck you, Nat. But you had to you had
• 8:49
  Speaker 4: to do at least one Shakespeare so I did something
• 8:50
  Speaker 4: from Henry in the Fifth but you also had to
• 8:52
  Speaker 4: do a couple of other monologues, and one I did
• 8:54
  Speaker 4: was a bit from No Cure for Cancer. Really yeah, yeah,
• 8:57
  Speaker 4: I was actually pretty happy with it.
• 8:58
  Speaker 1: I used to always confuse Dennis when I was a
• 9:00
  Speaker 1: kid with William Dafoe. Oh, I always go, isn't he
• 9:04
  Speaker 1: the guy that was the Green Goblin. No, it's not
• 9:06
  Speaker 1: the same person. It's just will more briekly version.
• 9:08
  Speaker 4: Of They're not They're not dissimilar in something.
• 9:11
  Speaker 1: Some similar imagine like ten years old looking at him. Yeah,
• 9:15
  Speaker 1: that person. Yeah, but I've just noticed it. By the way,
• 9:18
  Speaker 1: your lovely Louise looks very much like Kelly Thorne.
• 9:21
  Speaker 4: We're talking about the Coastar of Rescue Me starring Dennis Leary.
• 9:24
  Speaker 1: Yea, yeah, I was look at the castle, like, is
• 9:25
  Speaker 1: that the lovely Louise?
• 9:27
  Speaker 4: Look at Kelly Thorne here?
• 9:28
  Speaker 1: All right, that's Anos. Look at Cally Thorne again. All right,
• 9:31
  Speaker 1: that's Kelly Thorne.
• 9:32
  Speaker 4: Loos pretty no, no didsuspect to Kellyhorn. But you know
• 9:36
  Speaker 4: you should be walking around saying I look like Louise Chance,
• 9:40
  Speaker 4: you'd be winning arts all over town. But look, Dennis Leary,
• 9:46
  Speaker 4: I actually thought he was okay in this. I mean
• 9:48
  Speaker 4: he just took too long to get to the story. Yeah,
• 9:49
  Speaker 4: he was doing his stick and I look, I admired
• 9:52
  Speaker 4: that he was game enough that they were sort of
• 9:54
  Speaker 4: taking potshots in his career is like, what are you
• 9:56
  Speaker 4: talking about? The show that's been canceled, the show that's
• 9:58
  Speaker 4: bad to be canceled. Yeah, he's had his run of
• 10:01
  Speaker 4: things like that, and not one of these guys, one
• 10:04
  Speaker 4: of these guys who's worked consistently and as a name brand,
• 10:06
  Speaker 4: but never really sort of broke through. Not a megastar,
• 10:08
  Speaker 4: not an a lister, but oh god, certainly in the
• 10:11
  Speaker 4: early early in the mid nineteen nineties. I mean, yeah,
• 10:14
  Speaker 4: he was on magazine covers, and yeah he was when
• 10:18
  Speaker 4: we had MTV. You know, he was sort of doing
• 10:20
  Speaker 4: little bits and pieces in that between music videos, he'd
• 10:22
  Speaker 4: be sort of doing little comedy stick bits, and yeah,
• 10:28
  Speaker 4: I'm never unhappy to see him. But at the same time,
• 10:31
  Speaker 4: this kind of feels like they pulled the name out
• 10:34
  Speaker 4: of a hat. This could be could have been anyone. Yeah,
• 10:36
  Speaker 4: like we could have got any celebrity sell phone. I
• 10:38
  Speaker 4: mean I almost feel if I was Leary, I'd feel
• 10:40
  Speaker 4: a bit kind of like, you don't want me to
• 10:42
  Speaker 4: sort of be a character or anything like that, want
• 10:44
  Speaker 4: to be myself And oh, okay, well, I guess this
• 10:47
  Speaker 4: is what I'd say in this situation. Or if I
• 10:49
  Speaker 4: had a punk kit on the other end of the line,
• 10:51
  Speaker 4: I'd be saying this tom blah blah blah. It's entertaining enough,
• 10:55
  Speaker 4: but it's also nice to get a guest spot from Brian.
• 11:00
  Speaker 4: Is that we need to rob Ron Howard holding her
• 11:03
  Speaker 4: bags and money again, still my favorite, one of my favorites,
• 11:08
  Speaker 4: but Yeah, we were talking about ice Age before. They've
• 11:10
  Speaker 4: just announced a sixth one. Yeah, they're bringing their band
• 11:13
  Speaker 4: back together. I think it's going to be Ray Romano,
• 11:15
  Speaker 4: John Leguizamo Leary. And there's four of them, right, because.
• 11:20
  Speaker 1: Queen the Tefa does He's misses.
• 11:22
  Speaker 4: Yeah. But when it started, there were like four main
• 11:25
  Speaker 4: characters and they was Manny Sloth Diego. Was there a
• 11:28
  Speaker 4: fourth one? No, I might be thinking to like scrap,
• 11:33
  Speaker 4: let's try get get.
• 11:34
  Speaker 1: His nut ice age one.
• 11:37
  Speaker 4: Maybe? Yeah, just the three of them, Okay, Yeah, Ray Ramano,
• 11:40
  Speaker 4: John Leguizarmo and yeah, Dennis Leary. Yeah, they bring up
• 11:43
  Speaker 4: the sausage fast. It's all men. Just realized that they
• 11:46
  Speaker 4: introduced this a little bit later on that they'll they'll
• 11:49
  Speaker 4: bring it. I think when Latifa is someone's love interest,
• 11:51
  Speaker 4: your daughter as well.
• 11:52
  Speaker 1: Who's Peaches kick Palmer?
• 11:56
  Speaker 4: Oh ye, Palme's all over the place. She's very popular.
• 11:59
  Speaker 4: She is the pictures. Oh, because I thought you were
• 12:02
  Speaker 4: talking about like the singer Peaches who memoriy did the
• 12:05
  Speaker 4: song fuck the Pain Away, millions of Peaches different pictures. Yeah,
• 12:11
  Speaker 4: by all means google peachres Fuck the pain Way, great song.
• 12:15
  Speaker 4: He my favorite favorite moments for the episode favorite moments.
• 12:19
  Speaker 4: As I said, I liked that they took pot shots
• 12:21
  Speaker 4: at Dennis Larry's career. I thought Rescuing Me was actually
• 12:23
  Speaker 4: a pretty good show. Something I enjoyed was we had
• 12:27
  Speaker 4: too much Millhouse being sort of simpy as he always is.
• 12:32
  Speaker 4: But I loved when they were in the backyard and
• 12:34
  Speaker 4: you know they were going off to he and Nelson
• 12:36
  Speaker 4: were going to go off and do their own things.
• 12:38
  Speaker 4: He's looking at the guards like this as well, real
• 12:40
  Speaker 4: boogeyman weather. I love that description, Real boogeyman weather. That's fantastic,
• 12:44
  Speaker 4: because I mean, I love I love it when you know,
• 12:48
  Speaker 4: you look at something, you sing a storm coming and
• 12:49
  Speaker 4: it's like I got nothing new. I can just stay
• 12:51
  Speaker 4: inside and let the rain hit on the nose and
• 12:53
  Speaker 4: I'll be like, mom, nassing woman is dad. I'm apologized
• 12:56
  Speaker 4: to all those people at but but look at this
• 13:01
  Speaker 4: kind of go whoop, looks like why watch out the
• 13:04
  Speaker 4: storm coming in. Yeah. I think it's just a great description.
• 13:10
  Speaker 4: So yeah, probably my favorite moments from this episode. I
• 13:13
  Speaker 4: like that.
• 13:14
  Speaker 1: I also liked that Bart was really enjoying getting to
• 13:17
  Speaker 1: the tea party for Lisa. Oh yeah, I mean he
• 13:19
  Speaker 1: seemed to be enjoy the party, but just I felt
• 13:21
  Speaker 1: like he was doing it for Lisa's value.
• 13:22
  Speaker 4: Oh well, I mean the fact that he was like,
• 13:24
  Speaker 4: oh god, I got to go through this. But you
• 13:26
  Speaker 4: do enjoy the imaginary team?
• 13:28
  Speaker 5: Yes?
• 13:28
  Speaker 4: I do. Yeah, I mean I think we've all done
• 13:31
  Speaker 4: that occasional. W It's like, do I have to go
• 13:33
  Speaker 4: to this event? I enjoyed myself and I just can't
• 13:37
  Speaker 4: be bothered. Yeah, Okay, I'm here, I'm having fun just
• 13:41
  Speaker 4: by myself. Well, it's funny.
• 13:43
  Speaker 1: I got I was getting to that point in my
• 13:44
  Speaker 1: life when I had to sort of just go no
• 13:46
  Speaker 1: because I was going. I think I just prefer to
• 13:48
  Speaker 1: stay home, and then I'd go why Why did no
• 13:51
  Speaker 1: one contacted me? Why do I not seem to have
• 13:53
  Speaker 1: much of a social network as I used to have,
• 13:55
  Speaker 1: because I'm not making any effort?
• 13:56
  Speaker 4: Correct? Yeah, next question you there the past. What is
• 14:02
  Speaker 4: the title of Agnes's Bingo strategy guide?
• 14:07
  Speaker 1: I thought you might ask that I didn't write it down.
• 14:09
  Speaker 4: I just called her a strategy guy. What was it?
• 14:10
  Speaker 4: It's all luck?
• 14:11
  Speaker 1: It was all something was all luck, all luck. It
• 14:14
  Speaker 1: is all luck. It is exactly right. My first question
• 14:17
  Speaker 1: for you is What role did Bart agree on behalf
• 14:21
  Speaker 1: of Dennis Leary to play in a film?
• 14:24
  Speaker 4: Was it the was it the gorilla in Everybody Poops?
• 14:27
  Speaker 4: What descriptive word though, oh, gorilla king. He was the
• 14:30
  Speaker 4: constanpated cop gorilla. That's right, and you got the movie time.
• 14:33
  Speaker 4: That's two of my questions gone. Everybody poops. Marge gets
• 14:38
  Speaker 4: a letter, Well she's paying for pees on like the
• 14:42
  Speaker 4: yeah on after pay, Yeah, damn you after pay. I'm
• 14:48
  Speaker 4: getting these emails. Its like just don't don't forget a guy.
• 14:52
  Speaker 4: You I was this amount in that last time you
• 14:53
  Speaker 4: didn't have enough money. I was like, I've always got
• 14:56
  Speaker 4: enough money for after pay, but not enough for anything else.
• 14:59
  Speaker 4: But I'll be looking at my after pay thing, going
• 15:02
  Speaker 4: only two more payments for that massive payment that I
• 15:05
  Speaker 4: had to make and put on after paid, thinking that's
• 15:07
  Speaker 4: tomorrow guy's problem.
• 15:08
  Speaker 1: And then two words black Friday, I did I did
• 15:13
  Speaker 1: as maxed out again, Well, Davis be shopping.
• 15:17
  Speaker 4: Well that's true. When to Amazon is like I had
• 15:20
  Speaker 4: I had three things in the in the cart, like
• 15:26
  Speaker 4: don't really need it, this can wait. Oh, but they've
• 15:31
  Speaker 4: taken twenty bucks off this. This is the best I'm going.
• 15:33
  Speaker 1: To discussing saving money before we went delight to answer
• 15:36
  Speaker 1: this is this is where the money goes. Oh yeah,
• 15:38
  Speaker 1: don't put shit in your cart unless you're going to
• 15:40
  Speaker 1: buy it.
• 15:40
  Speaker 4: That's one thing. Well, that's true. And you know, I
• 15:42
  Speaker 4: also I think I learned from my waggled the finger
• 15:45
  Speaker 4: at me just and a guy getting.
• 15:47
  Speaker 1: Scolded now to take this this sort of mentality. Nicola
• 15:52
  Speaker 1: said this to me. She goes, don't put anything on
• 15:54
  Speaker 1: after pay. Only buy something if you think we can
• 15:57
  Speaker 1: afford it out right, And I went the other day,
• 16:00
  Speaker 1: I want to buy something. I went, I don't want
• 16:02
  Speaker 1: need to see much money I'm spending on this.
• 16:03
  Speaker 4: I won't buy it. It works.
• 16:06
  Speaker 1: But if I put on an after pay, it's just
• 16:07
  Speaker 1: one of those payments that comes out down the track.
• 16:09
  Speaker 1: But if nikolaould then go, why are you to send
• 16:11
  Speaker 1: three oun of dollar at jab high fine, I've gone,
• 16:13
  Speaker 1: Oh they're not gonna get a questioned about it. Yeah, well,
• 16:16
  Speaker 1: I mean, howld a cannibal hold yourself a cannibal?
• 16:18
  Speaker 4: Well that's true. Having said that, I mean.
• 16:20
  Speaker 1: It is my fu you're now using after pan Amazon.
• 16:24
  Speaker 4: Yeah that's but but I do have a really effective
• 16:28
  Speaker 4: dison vacuum cleaner as a result. So there you go.
• 16:32
  Speaker 1: Why would this make after pay available on Amazon? Doesn't
• 16:34
  Speaker 1: make any sense to me?
• 16:36
  Speaker 4: Right?
• 16:36
  Speaker 1: Why create the you have to white Amazon gift card
• 16:39
  Speaker 1: just to make it just makes makes sense?
• 16:41
  Speaker 4: I don't know. I think they've got a deal together
• 16:43
  Speaker 4: words because you can only get Amazon gift cards for
• 16:47
  Speaker 4: certain amounts, so you might like ten of them. That's
• 16:50
  Speaker 4: the thing. That's what it like. I'm gonna need this
• 16:52
  Speaker 4: and then you know, oh but you've got a little
• 16:53
  Speaker 4: extra in your candah blah blah blah blah blah. Anyway,
• 16:57
  Speaker 4: what was the upshot of that after pay I'm broke?
• 17:00
  Speaker 4: Something like that.
• 17:02
  Speaker 1: We're talking about. I actually want to throw this one
• 17:04
  Speaker 1: out there.
• 17:04
  Speaker 4: Oh yeah, you go first. No, I know why we
• 17:07
  Speaker 4: were talking about after Thatay, but you want it? Okay.
• 17:09
  Speaker 1: I just want to say, if you are a prime member.
• 17:11
  Speaker 1: I'm not being paid for this obviously because Amazon I
• 17:13
  Speaker 1: don't pay us. But I noticed this last night. If
• 17:15
  Speaker 1: you're a Prime member in Australia, you get two years
• 17:18
  Speaker 1: free of daughtah.
• 17:19
  Speaker 4: Yeah, except I'm trying to it wouldn't work. Yeah, it
• 17:22
  Speaker 4: wouldn't work for me either. It's just an endless loop.
• 17:25
  Speaker 1: Yes, I'm like I said in bad like fifteen minutes
• 17:27
  Speaker 1: last night.
• 17:28
  Speaker 4: I couldn't work it out. Oh thank god if it
• 17:30
  Speaker 4: was just me, Daddy, Jeff, lift your game. I'm like,
• 17:33
  Speaker 4: we want free daughter.
• 17:34
  Speaker 1: I'm getting text mess because Nicholas numbers on the accounts.
• 17:37
  Speaker 4: I want Nichola.
• 17:38
  Speaker 1: It's a new six digit log into the door dash account.
• 17:41
  Speaker 1: And she's like, okay, it's this, this, this, and then
• 17:43
  Speaker 1: she goes, Nicola, wake up, I need this.
• 17:44
  Speaker 4: She's like, just check my phone. Wake up.
• 17:48
  Speaker 1: So I'm like, I'm okay, I'm glad to work for
• 17:50
  Speaker 1: you because you click except and then just take it
• 17:52
  Speaker 1: back to Amazon again.
• 17:53
  Speaker 4: Yes, it does make sense. It does make sense. All right,
• 17:55
  Speaker 4: we might have to get on Reddit or Whirlpool Films
• 17:57
  Speaker 4: or something like that. See this happening to everybody, because
• 17:59
  Speaker 4: this happened to Dan on us and we like door
• 18:03
  Speaker 4: We don't like to go out to your computer. Maybe
• 18:06
  Speaker 4: not through the phone both. Yeah, I just couldn't get
• 18:10
  Speaker 4: it into work. I don't know, man, but yeah, lift
• 18:12
  Speaker 4: your game.
• 18:13
  Speaker 1: It's just some scheme that door das should put together,
• 18:15
  Speaker 1: like remind everyone of door dash that exists.
• 18:18
  Speaker 4: Yeah, so you're not using.
• 18:20
  Speaker 1: Yes anyway, She get into some Patreon chats.
• 18:25
  Speaker 4: We could finish our trivia first. I have more questions
• 18:27
  Speaker 4: hit me in. Yeah, I was a better launch into
• 18:30
  Speaker 4: a question when we started our after pay and door
• 18:33
  Speaker 4: Dash and Amazon Prime and basically all our tech woes.
• 18:37
  Speaker 4: But yeah, Marge is paying for peas on the La plan.
• 18:42
  Speaker 4: She gets a notice payous now bill from which pea company?
• 18:50
  Speaker 4: It's on the enflope? Yeah, I know which was it.
• 18:52
  Speaker 4: It's called Allied Peas. Allied pis Yes, even really a
• 18:56
  Speaker 4: joke you think they come up with like a joke
• 18:57
  Speaker 4: name for the pea company.
• 19:00
  Speaker 1: It's a reference to Allied biscuits.
• 19:01
  Speaker 4: Could be but you know one do you call it
• 19:03
  Speaker 4: like you pee yourself or something like that.
• 19:05
  Speaker 1: Well, Nicola always says that when she drops the peas
• 19:07
  Speaker 1: on the floor, I just peed on the floor. It
• 19:09
  Speaker 1: never never gets old with the kids, gets up with Dan.
• 19:13
  Speaker 1: My last question for you is what were they cooking
• 19:15
  Speaker 1: on the barbecue? Oh it was like Twizzler hot dog Twizzlers.
• 19:20
  Speaker 4: Yeah.
• 19:20
  Speaker 1: Actually this took me back that moment because the first
• 19:24
  Speaker 1: time when I had a friend who us to do
• 19:26
  Speaker 1: radio with Michael and he was one of those guys
• 19:28
  Speaker 1: who just his mom lived in Melbourne. So she basically said,
• 19:30
  Speaker 1: well she worked in Melburn. She goes, I'm moving to Melbourne.
• 19:32
  Speaker 1: I'm going to pay you. You can read it has well.
• 19:34
  Speaker 1: Eighteen was he just turned eighteen, so he had a
• 19:36
  Speaker 1: place in town and I'd stay at Michael's place like
• 19:38
  Speaker 1: two nights a week and then go to school. And
• 19:40
  Speaker 1: I was like, it felt so independent. By cooking our dinners.
• 19:42
  Speaker 1: We're having like the pasta at the sachets, like two
• 19:46
  Speaker 1: dollars chicken, when hard shaped snitsels were two bucks from
• 19:48
  Speaker 1: the deli and it's like five bucks. We're having a feast.
• 19:50
  Speaker 1: We're cooking.
• 19:51
  Speaker 4: Our sales were so independent. Those times when you could
• 19:54
  Speaker 4: get a harsh taped snitzl for two bucks.
• 19:56
  Speaker 1: Harsh shaped stenzlsup used to be when I went in
• 19:58
  Speaker 1: the Delhi that always happen once for a dollar each, hot.
• 20:01
  Speaker 4: Chicken snitzle for a dollar. Oh yeah, not to name names,
• 20:04
  Speaker 4: but a great social media poster saw it was like
• 20:09
  Speaker 4: remember those days when Cole said you could feed your
• 20:11
  Speaker 4: family from under ten dollars. Now a bag of cheese
• 20:14
  Speaker 4: costs nine to fifty. Yeah this is true.
• 20:16
  Speaker 1: Yeah, I get that bag of cheese is thirteen dollars ninety.
• 20:23
  Speaker 4: What we're saying is consider becoming a patron. She cuts money,
• 20:29
  Speaker 4: but as does the show. But you know, we'd like
• 20:32
  Speaker 4: to think it's worth it.
• 20:33
  Speaker 1: Luckily these people have already done, so that's true. I
• 20:35
  Speaker 1: have one more question though, Okay, what's the really?
• 20:39
  Speaker 4: What's this question? Asked? What's the up rated movie that
• 20:41
  Speaker 4: Bar goes to watch? Rader movie? No idea? What was
• 20:45
  Speaker 4: called sever sever horror movie? I don't think that was about? Yeah? Yeah.
• 20:52
  Speaker 1: Four figure Discount is proudly brought to you by our
• 20:54
  Speaker 1: supporters on Patreon. By supporting our show, you not only
• 20:57
  Speaker 1: gain early and ad free access to each episode, but
• 21:00
  Speaker 1: you also get over one hundred hours of bonus podcasts,
• 21:03
  Speaker 1: including our exclusive reviews of Futurama, King of the Hill, Seinfeld,
• 21:07
  Speaker 1: and more. So go ahead and join the four figure
• 21:09
  Speaker 1: discount family today at patreon dot com slash four figure discount.
• 21:23
  Speaker 1: Thanks to that sweet Katie g Money, we can the
• 21:25
  Speaker 1: four cheese, can't we miss Davis Home brand Cheese? Yes,
• 21:28
  Speaker 1: and our man Zach Ligmus who Zach Wood. I believe
• 21:31
  Speaker 1: his name is actually Zach Wood.
• 21:33
  Speaker 4: Yes, so says he is.
• 21:33
  Speaker 1: Zach Wood, a Hoy Hoy guy and Danner. I've been
• 21:35
  Speaker 1: listening to four Finger Discounts since twenty seventeen. I fell
• 21:38
  Speaker 1: off a bit in twenty eighteen, but decided last year
• 21:40
  Speaker 1: to jump back in and listen from the beginning. I've
• 21:42
  Speaker 1: gone all the way through going down to South Park,
• 21:44
  Speaker 1: and I'm around two seasons behind them. Fourfing a discount
• 21:46
  Speaker 1: catching up very fast, which is why I realized I
• 21:48
  Speaker 1: hadn't sent in a review request from one hundred dollar
• 21:50
  Speaker 1: patrits status. Maybe Zach Wood's at a long time ago
• 21:53
  Speaker 1: and it's just Zach Liichmas as a new person. Maybe possibly
• 21:56
  Speaker 1: says I'm actually Zach Wood. I've made a couple of
• 21:58
  Speaker 1: appearances on The Guy Davis New Own Challenge recently. I've
• 22:01
  Speaker 1: been skipping to that part of the review when the
• 22:03
  Speaker 1: new ones come out and as to see if I've
• 22:04
  Speaker 1: actually placed that people actually care.
• 22:06
  Speaker 4: Well, that's true.
• 22:07
  Speaker 1: But being a former pro wrestler and current ring announcer
• 22:10
  Speaker 1: of English promotion Elevation Wrestling, Oh, Zach Liigmas is my
• 22:12
  Speaker 1: ring name. This is Zacklichmas. Here's a professional wrestling ring
• 22:15
  Speaker 1: announcer in the UK.
• 22:17
  Speaker 4: Look at that.
• 22:18
  Speaker 1: Let's give a shout out to Elevation wrestling in the UK.
• 22:21
  Speaker 4: Check him out. If you're a wrestling fan, absolutely, or
• 22:23
  Speaker 4: even if you're not. Yeah.
• 22:24
  Speaker 1: Now, after all that being a huge wrestling fan, knowing
• 22:26
  Speaker 1: Dana is also a huge wrestling fan, and I'm sure
• 22:29
  Speaker 1: and being sure that guy would also appreciate it. My
• 22:31
  Speaker 1: request is for you guys to review They Live with
• 22:34
  Speaker 1: Rowdy Roddy Piper fuck yes, considering I recently spoke with
• 22:41
  Speaker 1: one Keith David.
• 22:44
  Speaker 4: That's right, you did. I did not, But then I did?
• 22:49
  Speaker 4: I mean I didn't. I didn't.
• 22:51
  Speaker 1: I did briefly, not for the interview that they did
• 22:54
  Speaker 1: with Jim Cummings, but I spoke to him as well.
• 22:57
  Speaker 1: I didn't speak to Keith brief about five minutes. Yeah, okay,
• 23:00
  Speaker 1: setting up the interview. Okay, but still that's enough. I think,
• 23:03
  Speaker 1: you know, I think Zach right in let us know,
• 23:06
  Speaker 1: may I bag of forfit discun dot com.
• 23:08
  Speaker 4: You do you want to hear us review that film?
• 23:10
  Speaker 1: Would you rather hear Guy and Leonard Moulton review that film?
• 23:13
  Speaker 4: Oh? A distinct possibility. We do have Leonard on speed
• 23:17
  Speaker 4: Darlies that we do.
• 23:18
  Speaker 1: Indeed, yes, would I should we call it it?
• 23:21
  Speaker 4: Right now? He anything about They Live New phone, new phone.
• 23:25
  Speaker 4: Who does look, he may want to hear your thoughts.
• 23:30
  Speaker 1: Being a massive wrestling fan. Yeah, Rawdy rut a peaper.
• 23:36
  Speaker 4: Loved rowdy Roddie. What a guy? Yes, the Lord? All right?
• 23:39
  Speaker 4: Well yes, well yeah, thank you, Zach. We did briefly
• 23:41
  Speaker 4: talk about.
• 23:42
  Speaker 1: They live in our review of the south Park Battle
• 23:45
  Speaker 1: between Timmy and Jimmy.
• 23:47
  Speaker 4: We did, indeed, but don't go back and listen to that.
• 23:51
  Speaker 4: Zach will give you a whole new concience listening to
• 23:54
  Speaker 4: go down to south Park. So well, that's true. So
• 23:56
  Speaker 4: that probably was the appetizer, the entree. Now you get
• 23:59
  Speaker 4: in the the main course, all right, and the following people.
• 24:02
  Speaker 1: We need to start off by saying, now there's a
• 24:04
  Speaker 1: lovely lady who has been a Stonecutter supporter who hasn't
• 24:07
  Speaker 1: had a name right out recently. What massive apologies. I
• 24:11
  Speaker 1: think sometimes Patreon just doesn't quite cent to the notifications
• 24:13
  Speaker 1: the way they should be. But Isabella Murphy, thank you
• 24:16
  Speaker 1: so much for your Stonecutter support. He is all.
• 24:22
  Speaker 4: Drop dead.
• 24:23
  Speaker 1: Fred a movie that I love right from when I
• 24:24
  Speaker 1: was a kid. I never hear the name Isabella. I
• 24:26
  Speaker 1: remember her name was Isabella in the movie, right, and
• 24:31
  Speaker 1: the guy who was playing her on and off again boyfriend.
• 24:34
  Speaker 4: What was his name.
• 24:35
  Speaker 1: He's one of those great villains. He's a villain face
• 24:38
  Speaker 1: drop dead Fred cast Tim Matheson, Tim Madison, Yeah, just great,
• 24:44
  Speaker 1: heel great Smami Prick. Right, but he says, I'm your
• 24:49
  Speaker 1: fella is A Bella, and I just think of that name.
• 24:52
  Speaker 1: I think I'm your fella is Abella.
• 24:57
  Speaker 4: This might take a second, but done. Mathison came up
• 25:00
  Speaker 4: the other by the way. Yeah, basically the e is
• 25:03
  Speaker 4: Paul Rudd one point. Oh you look at young Tim
• 25:06
  Speaker 4: Matheson and he's very sort of poor.
• 25:07
  Speaker 1: He was Johnny Quest, yeah, the amated Johnny Quest in
• 25:10
  Speaker 1: the sixties.
• 25:11
  Speaker 4: Yeah, he was the otter in Animal House. He was
• 25:14
  Speaker 4: in Fletch. But he's recently incredibly handsome man. Oh god. Yeah.
• 25:20
  Speaker 4: He's recently released an autobiography, a memoir call Damn Glad
• 25:26
  Speaker 4: to Meet You, which is a line from Animal House.
• 25:29
  Speaker 4: Here is an article that was recently in news dot
• 25:31
  Speaker 4: com dot au. The headline is Tim Matheson claims he
• 25:34
  Speaker 4: slept with four women in one day. He was actor
• 25:38
  Speaker 4: now seventy six, made the launchy revelation in his memoir.
• 25:42
  Speaker 4: At the time, the star was dating an Emmy Award
• 25:45
  Speaker 4: winning Actresso remained unnamed in the story, but it was
• 25:47
  Speaker 4: his birthday and apparently all these women were coming over
• 25:49
  Speaker 4: and saying, I'd like to give you a birthday present, Tim,
• 25:51
  Speaker 4: and he took advantage. One of these women was Kirsty Alley. Really,
• 25:55
  Speaker 4: Holy moly, Tim Mathieson, I.
• 25:58
  Speaker 1: Used the sad line, guy.
• 26:02
  Speaker 4: What a Lord? I send that. I said something to
• 26:06
  Speaker 4: Dan earlier today, and I think we need to the
• 26:09
  Speaker 4: there's be a segment, Yeah, the regular what a Lord award?
• 26:12
  Speaker 1: Yeah, what a Lord of the word. Let's be the
• 26:13
  Speaker 1: first one. Already most of the shadouts first, and we'll
• 26:16
  Speaker 1: save the word lord to the end.
• 26:17
  Speaker 4: Bit of teas. Okay, well we've already done a one
• 26:19
  Speaker 4: What a Lord for Tim Madison. Yes, we're doing one
• 26:22
  Speaker 4: different each week. So someone who tickles guys fancy will
• 26:25
  Speaker 4: be the Lord of the week. Could someone could kick it,
• 26:27
  Speaker 4: could be someone does something in the in the Patrion group,
• 26:30
  Speaker 4: does something great? What a Lord? Yes, so many lords.
• 26:32
  Speaker 1: But the following people are stonecut supporters here at four
• 26:34
  Speaker 1: finger Discount. We've got, of course, Isabella Murphy as we
• 26:36
  Speaker 1: were the same, Jonathan Rossi, Beage Beasley Stephen Roberts, Seawan, deVie,
• 26:41
  Speaker 1: Pete Anderson, Timothy Bells and Andrew Davis, Ryan Dunlap, Kevin Dadzel,
• 26:44
  Speaker 1: Planned Flood, Shannon Hofer, Ballo Window Bank, Jack McFadden, Heath Apple,
• 26:48
  Speaker 1: be Adrian McLeod Lewis kavanaughh Martrol Even, Rhys Roberts, Ginger
• 26:52
  Speaker 1: and Biggle, Preston Murray, Talia Enriquez, Jeep Massado, Declan Phoenix,
• 26:55
  Speaker 1: Brian McCoy, Josh Hellier, Logan b James Sheppard, Joe Read
• 26:58
  Speaker 1: and Say, Dave Pretzels McNelly, Gavin Lane, Dami Miller and
• 27:02
  Speaker 1: Charlie Joe.
• 27:02
  Speaker 4: Thank you so much? Do I say trill evan should
• 27:04
  Speaker 4: be true? Oven much? Eleven? I guess that's a trull evan,
• 27:07
  Speaker 4: a little post it note on your Oh, I can't
• 27:09
  Speaker 4: be probably going back and fixing it. Okay, there no
• 27:12
  Speaker 4: to fix it now. I think I'm pretty sure Mark
• 27:14
  Speaker 4: appreciates the mispronunciation. Eleven makes it special.
• 27:18
  Speaker 1: Yes, all right, thank you for you support guys at
• 27:20
  Speaker 1: four Finger Distort. Let's getting our review show.
• 27:22
  Speaker 4: We legends, every one of them. Are we still going
• 27:23
  Speaker 4: to do what Lord sa me to the end? Remember
• 27:27
  Speaker 4: the end of that particular segment as opposed the eye
• 27:30
  Speaker 4: of the Way till the end of find out who
• 27:31
  Speaker 4: you think is going to be the Lord of the Week.
• 27:32
  Speaker 4: Well fine, then all right, little that way.
• 27:34
  Speaker 1: So the original air date of Lost Verizon was October fifth,
• 27:39
  Speaker 1: two thousand and eight, guest starring Dennis Leary and Brian
• 27:42
  Speaker 1: Grows as themselves. The production co kb F one five,
• 27:45
  Speaker 1: written by John Frank, directed by Raymond s Percy. The
• 27:49
  Speaker 1: chopboll gay teacher's diet is working, by the way, Shout
• 27:52
  Speaker 1: it to my wife Nicola, who is working her ass
• 27:54
  Speaker 1: off exercise wise and everything. And just I looked at
• 27:57
  Speaker 1: the other night, I was like, holy shit, I need
• 27:59
  Speaker 1: to lift my game. That's how I should always feel.
• 28:03
  Speaker 1: But I'm true, just like you know when people just
• 28:06
  Speaker 1: inspire you, She's inspiring me.
• 28:08
  Speaker 4: The Oh yeah, well no, The Lovely Lawis has a
• 28:10
  Speaker 4: ship a few killers as well. Looks spectacular looking, you know,
• 28:13
  Speaker 4: a lot like Callie Thorne Starr of TV is rescuing me.
• 28:16
  Speaker 4: Actually nope, even better. Uh yeah. We went to some
• 28:21
  Speaker 4: occasional the other day and someone said, Louie, you look fantastic.
• 28:26
  Speaker 1: Oh you look good too. I look like I slept
• 28:30
  Speaker 1: in a ditch. It would have been better if they
• 28:32
  Speaker 1: just said, Louise look fantastic.
• 28:36
  Speaker 4: I would have been like, yeah, she does. But then yeah, yeah,
• 28:38
  Speaker 4: you get thrown like a very scrawny no meat on
• 28:41
  Speaker 4: the bone, and it's like, thanks, what.
• 28:44
  Speaker 1: The acknowledgement at the end of Terminator.
• 28:46
  Speaker 4: Oh yeah, acknowledgement of the word to the weight loss
• 28:50
  Speaker 4: of Guy Davis.
• 28:52
  Speaker 1: Anyway, and the couch gave the family rushes to the
• 28:54
  Speaker 1: viewing area of a mountain, where they are carved into
• 28:56
  Speaker 1: the mountain's face rushmore. Yes, Bart remarks, I corumba punk
• 29:00
  Speaker 1: seeing the statue right. The episode kicks off with as
• 29:06
  Speaker 1: I get my notes together, the Skinner and Agnes roo
• 29:10
  Speaker 1: near the Rotho. Yes, they're out of petrol or gas
• 29:12
  Speaker 1: as they call it in the States, so she sends
• 29:14
  Speaker 1: him off to get some more gas or she reads
• 29:17
  Speaker 1: her Bingo strategy guide. And this just felt like filler
• 29:20
  Speaker 1: a lot of it, didn't.
• 29:21
  Speaker 4: It It did. I'm a little put out by the
• 29:25
  Speaker 4: Wikipedia description of this part of the plot. They say
• 29:28
  Speaker 4: principal Skinner makes a fool of himself on a freeway.
• 29:30
  Speaker 4: I think it actually does a very good job of
• 29:32
  Speaker 4: getting from side to side.
• 29:34
  Speaker 1: I think it's foolish at all. Yeah, it's not foolish
• 29:36
  Speaker 1: at all. But it's because the kids are seeing it.
• 29:37
  Speaker 1: They're laughing at That's just what they're.
• 29:39
  Speaker 4: Going They're laughing at this misfortune.
• 29:41
  Speaker 1: Yeah, I mean he does get to the other side
• 29:42
  Speaker 1: without the container.
• 29:44
  Speaker 4: Well, okay, that's foolish. Okay, maybe Wikipedia has a point
• 29:47
  Speaker 4: full of himself. So do you actually watch the episode
• 29:50
  Speaker 4: or just read the wicked descriptions these days? What am I, Mitch?
• 29:57
  Speaker 1: Because then you wouldn't be reading the wicked descriptions. It
• 30:02
  Speaker 1: always gets run over. Then Homer says, that counts as
• 30:05
  Speaker 1: a Parenteger press conference. They got I think Parenteger conference
• 30:08
  Speaker 1: they call, we call it parentiegic interview.
• 30:09
  Speaker 4: Yeah.
• 30:09
  Speaker 1: Yeah, the Millhouse calls everybody in us. Thought, since when
• 30:12
  Speaker 1: does Millhouse everybody everybody on speed dial? Why would they
• 30:14
  Speaker 1: answer his phone call? But whatever, it's what they wanted
• 30:17
  Speaker 1: to serve for this purpose, for the story.
• 30:18
  Speaker 4: Yes, they have rejected their usual reality and replaced it
• 30:22
  Speaker 4: with a new one.
• 30:23
  Speaker 1: So they're just basically everyone's now all the kids in
• 30:25
  Speaker 1: Springfeld now are aware that Skinner is making the fool
• 30:27
  Speaker 1: of himself on the highway, and Barney's just doing community service,
• 30:31
  Speaker 1: no explanation as to why he just is But was.
• 30:34
  Speaker 4: It community service or was he just our drink? Collecting
• 30:38
  Speaker 4: beer cans and drinking the drink?
• 30:40
  Speaker 1: It was running the orange jumpsuit was why would you
• 30:42
  Speaker 1: go to the effort he is run the orange jumpsuit?
• 30:44
  Speaker 4: I know, maybe for cover, Like that's panthetic if I'm
• 30:47
  Speaker 4: doing community.
• 30:48
  Speaker 1: Service, I suppose just well, at least bigger, I don't
• 30:50
  Speaker 1: make it more obvious. Then yeah, but you thinks Skinner
• 30:54
  Speaker 1: is a giant beer can. So he chases after him
• 30:56
  Speaker 1: with the well they called those tools the jabber.
• 30:58
  Speaker 4: The spiker up the cans in but either way, Phil.
• 31:02
  Speaker 1: Yep, but then says, yeah, but it's not there. There
• 31:05
  Speaker 1: where is Bart or he hasn't got a cell phone,
• 31:07
  Speaker 1: so I'm sure he's off doing something great. Cut to
• 31:08
  Speaker 1: Bart doing a tea party, having a tea party with Lisa.
• 31:12
  Speaker 4: I don't know why I agree to this because you
• 31:15
  Speaker 4: love the taste of my nineteen eighty.
• 31:19
  Speaker 1: You're right, and the bully shot up and they show
• 31:23
  Speaker 1: but what he missed out on. It was all just
• 31:24
  Speaker 1: various photos of Skinner getting laughed at, and then I
• 31:27
  Speaker 1: think the last photo was Barney walking.
• 31:29
  Speaker 4: Off with Agnes getting clowned. Yea, but then please for
• 31:33
  Speaker 4: a phone.
• 31:33
  Speaker 1: You want to really wants a phone, like everybody else,
• 31:35
  Speaker 1: I think we've anyone who grew up in the nineties
• 31:38
  Speaker 1: went through this face because you you could just got
• 31:39
  Speaker 1: and buy your phone.
• 31:40
  Speaker 4: You're old enough.
• 31:41
  Speaker 1: I had to ask my parents to buy me your phone,
• 31:43
  Speaker 1: and I was one of the last ones. I can
• 31:44
  Speaker 1: really relate to this story, being one of the last
• 31:46
  Speaker 1: ones to get the phone. But looking back now, you
• 31:49
  Speaker 1: know how many times when you're a kid, you look
• 31:51
  Speaker 1: back when you're a dot and go, I despised this
• 31:53
  Speaker 1: decision by my parents back now and go that was
• 31:56
  Speaker 1: the best possible decision. But basically March says, we can't
• 31:59
  Speaker 1: afford the phone though, because they're paying off frozen peas
• 32:01
  Speaker 1: and installments, you know, just not going well at all.
• 32:03
  Speaker 1: So it goes for a wonder and he gets hit
• 32:05
  Speaker 1: or nearly gets hit by golf.
• 32:06
  Speaker 4: What does he hit? I nearly gets hit, but before
• 32:08
  Speaker 4: I mean, yeah, but it's disappointed because he can't get
• 32:11
  Speaker 4: a phone. LISTA, it's disappointed because like I want to
• 32:13
  Speaker 4: go take.
• 32:13
  Speaker 1: A much pitch. That was another thing I had an
• 32:16
  Speaker 1: issue with. I was like, was like going to much
• 32:18
  Speaker 1: a pissue, right, it's just such a passing comment. I'm
• 32:20
  Speaker 1: glad they at least planted a seed for it. Right
• 32:23
  Speaker 1: later on, but just out of nowhere, I really want
• 32:25
  Speaker 1: to go to this random place that we've never been
• 32:27
  Speaker 1: to before. Guess what's been going.
• 32:31
  Speaker 4: Is migrating there.
• 32:32
  Speaker 1: Let's go there. But anyway, so he gets nearly as
• 32:35
  Speaker 1: hit by the golf ball. Turned it with doctor Hibbitts
• 32:37
  Speaker 1: from the country club. He returns it and he gives
• 32:39
  Speaker 1: him one dollar. Those balls cost five dollars, I believe,
• 32:41
  Speaker 1: he says. And this is where he realized, Oh, I
• 32:43
  Speaker 1: can save some money for a phone. Again, could also
• 32:45
  Speaker 1: be a plot point of independence, but legitately earning money
• 32:52
  Speaker 1: to get.
• 32:52
  Speaker 4: Something that he that he wants.
• 32:53
  Speaker 1: That could also be a story in the stuff that
• 32:55
  Speaker 1: maybe he buys a phone and then the phone gets
• 32:57
  Speaker 1: taken all the phone gets broken, and he really because
• 32:59
  Speaker 1: he earned that phone, learning the idea of because kids
• 33:03
  Speaker 1: like Elliott and Holly, Elliot's starting to sort of get
• 33:05
  Speaker 1: at the concept of money and things cost things and whatnot.
• 33:08
  Speaker 1: When you're a kid, it's just I want that. Oh yeah,
• 33:10
  Speaker 1: why aren't you getting it for me?
• 33:11
  Speaker 4: You know? Yeah, that's it could plain to something interesting.
• 33:14
  Speaker 4: And this is on one that he earns the money
• 33:16
  Speaker 4: to pay for the phone. It's his phone. Marge is
• 33:19
  Speaker 4: not in the right trying.
• 33:21
  Speaker 1: To use that much, takes it from him and he goes,
• 33:24
  Speaker 1: but I paid for it. That's my phone, But I
• 33:25
  Speaker 1: said you couldn't have one. Yeah, that's where they could.
• 33:27
  Speaker 1: That's where they or you.
• 33:29
  Speaker 4: Know, monitoring and via the phone.
• 33:30
  Speaker 1: It's like, wait a minute, that would have been a
• 33:33
  Speaker 1: way better story. I get it, you wouldn't have the
• 33:35
  Speaker 1: denist Leary aspect, right, But but just conveniently gets a phone,
• 33:37
  Speaker 1: even though he's just not told not to write it
• 33:40
  Speaker 1: should be he earned the phone, so that's his that's
• 33:43
  Speaker 1: his point of saying, but I earned it and I
• 33:45
  Speaker 1: paid for it, but I said you couldn't have it.
• 33:47
  Speaker 1: That's where the that's where attention comes from. And then
• 33:50
  Speaker 1: you just have someone from Springfield like maud Flanders. Helen
• 33:53
  Speaker 1: love Joy would be a perfect example, saying you know
• 33:55
  Speaker 1: you could track them, and she goes, oh, okay, and
• 33:58
  Speaker 1: I'll get back in these good books. You know what,
• 33:59
  Speaker 1: but thought about it, you can have the phone back.
• 34:02
  Speaker 1: That's a much better way of having five minutes of
• 34:04
  Speaker 1: them taunting Dennis Leary.
• 34:06
  Speaker 4: I think so. But Dennis Leary, you work him in somewhere.
• 34:10
  Speaker 1: Dennis Leary could be the fucking golfer that hit him
• 34:12
  Speaker 1: with the golf at the start, not the hibbit. Done.
• 34:14
  Speaker 4: There you go doing another episode. We mixed it.
• 34:20
  Speaker 1: We think that could be a new segment.
• 34:23
  Speaker 4: Yeah, well there you are, you a little musical sting.
• 34:25
  Speaker 1: But do you not think that would have been a
• 34:26
  Speaker 1: better stign?
• 34:27
  Speaker 4: I think so. That's why I suggested part of it,
• 34:29
  Speaker 4: and you took it and ran with it.
• 34:31
  Speaker 1: Yeah, I took it and remember it and it took
• 34:32
  Speaker 1: us how long? Three minutes?
• 34:33
  Speaker 4: Yeah, let's go to lunch.
• 34:37
  Speaker 1: But we get the montage of buck letting all the
• 34:39
  Speaker 1: various balls from people just text and shoots at him.
• 34:41
  Speaker 4: He takes the balls.
• 34:43
  Speaker 1: He should have been taken them properly, not stealing balls anyway.
• 34:46
  Speaker 4: So if we were doing it our yes we will.
• 34:50
  Speaker 1: He then steals the balls from him so they belonged
• 34:52
  Speaker 1: to him, and he thinks he's never going to get
• 34:54
  Speaker 1: a phone. Then it's time for the pro am. Dennis
• 34:57
  Speaker 1: Leary is playing golf here? Yes, what already established it?
• 35:00
  Speaker 4: Yeah?
• 35:01
  Speaker 1: What makes you so angry?
• 35:05
  Speaker 4: We shouldn't be doing this. It's just so easy.
• 35:09
  Speaker 1: Dennis Leary is touted by Krusty.
• 35:12
  Speaker 4: Oh great, we gotta wait for Dennis Leary.
• 35:15
  Speaker 2: Hey, Larry, if you want to have a tea party,
• 35:18
  Speaker 2: go back to Boston. Boston, Come on, ice Age, take
• 35:25
  Speaker 2: the shot.
• 35:26
  Speaker 6: Ice Age was the name of the film. I played Diego,
• 35:28
  Speaker 6: the vicious saber tooth tiger who guess what has a heart?
• 35:31
  Speaker 6: Now shut up or I'll have you all kicked out
• 35:33
  Speaker 6: of show business.
• 35:36
  Speaker 4: Damn it a cell phone. It's mine cool.
• 35:47
  Speaker 2: You can even watch commercials on it.
• 35:50
  Speaker 1: I've noticed it doing that a lot lately.
• 35:52
  Speaker 4: Yeah, it's is a commercial coming. Yeah, the flavor. It's
• 35:57
  Speaker 4: a thing on the Joe. Isn't it funny?
• 36:00
  Speaker 1: When you were reviewing it didn't feel like in the
• 36:02
  Speaker 1: golden era. But maybe if we go back and did
• 36:05
  Speaker 1: it week to week to week. But you find in
• 36:07
  Speaker 1: sense what was funny in the writer's room at a
• 36:10
  Speaker 1: particular time.
• 36:10
  Speaker 4: Yeah, absolutely, Yeah.
• 36:12
  Speaker 1: So then he calls Millhouse and he thinks, does he
• 36:16
  Speaker 1: called Millhouse or his millhouse call him?
• 36:18
  Speaker 4: He calls, but then he gets a call from man
• 36:21
  Speaker 4: Brian Grazer.
• 36:22
  Speaker 1: Well, first of all, he calls Millhouse and Millhouse says,
• 36:24
  Speaker 1: you know, I think you're at a payphone, or you're
• 36:26
  Speaker 1: in your kitchen. That's where their place where your phones are.
• 36:28
  Speaker 1: But no, he's outside the window. He comes in said,
• 36:30
  Speaker 1: oh my god, you got a phone. Let's assign each
• 36:31
  Speaker 1: other ring tones. That is one of my favorite memories
• 36:33
  Speaker 1: of having the old school nockier phones is the polyphonic
• 36:36
  Speaker 1: ring tones. We used to be able to get the
• 36:38
  Speaker 1: codes for making songs. Oh yeah, did you ever do that?
• 36:41
  Speaker 1: I never did. I specifically remember making Sweet Child of
• 36:44
  Speaker 1: Mine and that.
• 36:45
  Speaker 4: Dude, you do do do do?
• 36:46
  Speaker 1: Dude? I was like, this is the greatest. When do
• 36:51
  Speaker 1: you think phone technology peaked for me? I'm not gonna lie.
• 36:56
  Speaker 1: I will stand by this. Phone technology peaked with filters.
• 37:00
  Speaker 1: When you can put the phone in front of a
• 37:02
  Speaker 1: kid's face and have them do funny ship, that that
• 37:07
  Speaker 1: was the peak of phones.
• 37:09
  Speaker 4: Yeah.
• 37:10
  Speaker 1: They could sit there for three hours doing that ship. Okay, well,
• 37:13
  Speaker 1: have you seen the one where it makes you look
• 37:14
  Speaker 1: like you're crying and if you laugh, it looks like
• 37:16
  Speaker 1: you're crying even harder. Yes, mate, amazing. But Brian Grazer calls,
• 37:21
  Speaker 1: but you think he's calling Dennis Leary. He does why
• 37:25
  Speaker 1: Dennis Leary didn't just cancel his his phone number.
• 37:28
  Speaker 4: I don't know.
• 37:29
  Speaker 1: I don't think the writers really knew how phones worked.
• 37:34
  Speaker 1: I think they did, even won't ask questions.
• 37:38
  Speaker 4: There's a little thing that we like to call the
• 37:40
  Speaker 4: too hard basket. Someone for to do pile.
• 37:52
  Speaker 1: The top of the to do pile, make effort nor
• 37:57
  Speaker 1: to Brian Grazer calls him with the five million You
• 38:00
  Speaker 1: just pay five million dollars for the rights.
• 38:01
  Speaker 4: To Everybody Poops?
• 38:03
  Speaker 1: Sounds very much like a Rob Schneider film.
• 38:05
  Speaker 4: It does, doesn't.
• 38:07
  Speaker 1: But he agrees to agrees on his behalf, agrees to
• 38:09
  Speaker 1: do it for minimum wage.
• 38:10
  Speaker 4: You know, it's an actual book, Everybody Poops? Is it?
• 38:13
  Speaker 2: Really?
• 38:14
  Speaker 4: It was originally Japanese. I didn't know that, okay, but
• 38:17
  Speaker 4: the American translation of well, I believe in Japanese, I'm
• 38:21
  Speaker 4: gonna probably mispronounce, and I certainly want to do an
• 38:24
  Speaker 4: accent mina UNCHI.
• 38:26
  Speaker 1: So this is going down to south like there'd be
• 38:28
  Speaker 1: accents galore.
• 38:29
  Speaker 4: Oh yeah, Everybody poops.
• 38:32
  Speaker 1: But he plans basically just a screw him over. Okay,
• 38:36
  Speaker 1: you got a phone out of it, but yeah, it's
• 38:40
  Speaker 1: gonna be.
• 38:40
  Speaker 4: Bart Yeah, he's he's a wacky prankster. Yeah.
• 38:44
  Speaker 1: So basically Leary's in the film now the pilot poops
• 38:47
  Speaker 1: getting delivered to him. He is the constipated monkey, the gorilla. Yes,
• 38:50
  Speaker 1: and Bart calls the various bars around the world. I
• 38:52
  Speaker 1: actually didn't mind this because I just like that everywhere
• 38:56
  Speaker 1: anyway you go to in the world, the will.
• 38:58
  Speaker 4: Always be a bar with barfwires.
• 39:00
  Speaker 1: Oh yeah, and in the Australia one we actually got
• 39:03
  Speaker 1: the guy in the middle was actually the knifey Spoody.
• 39:06
  Speaker 4: It was actually him. What was the was his rain
• 39:08
  Speaker 4: bark or just called crocodile undies or something. I can't remember.
• 39:10
  Speaker 4: It just feels unimagined if there was Inger bar Beierman. Yeah,
• 39:14
  Speaker 4: that was a take on Ingmar Bergman, the famous Swedish
• 39:17
  Speaker 4: film America. Even a visual shout out to one of
• 39:20
  Speaker 4: his famous one of his best movies, Persona, that the
• 39:24
  Speaker 4: shot of the two sort of one face looking at
• 39:26
  Speaker 4: the camera ones in profile famous shop.
• 39:29
  Speaker 1: I caught the mom of Mia.
• 39:33
  Speaker 4: I really, oh my goodness, yeah, MoMA MEA probably fucking
• 39:36
  Speaker 4: ripped that off Persona because Swedish, aren't they? Yes, what
• 39:40
  Speaker 4: the fuck I'm doing? That whole Tim and Eric mind
• 39:46
  Speaker 4: blowing thing.
• 39:47
  Speaker 1: Well, when did that movie come out?
• 39:49
  Speaker 4: Persona late sixties.
• 39:50
  Speaker 1: Nineteen sixty six, and then Mumi was the seventies obviously.
• 39:54
  Speaker 4: Mm hmm.
• 39:55
  Speaker 1: There you go, so Aver copied or was it an homage?
• 39:59
  Speaker 4: Yes? There against Persona is literally the MoMA Mere film clip.
• 40:03
  Speaker 4: Why would you not be a patron of this show
• 40:05
  Speaker 4: when we're coming up with fucking gold?
• 40:07
  Speaker 1: You're gonna go tweet about this today, aren't you?
• 40:09
  Speaker 4: Fucking ann Wow? And that guy is actually bewildered that
• 40:17
  Speaker 4: we weren't ever was going to go duh. But anyway,
• 40:21
  Speaker 4: that was fun.
• 40:21
  Speaker 1: I was like that time when I told you how
• 40:23
  Speaker 1: you're seeing the credits to Jaws actually see Roy Schneider
• 40:26
  Speaker 1: and fucking and I was like, have you watched the.
• 40:30
  Speaker 4: Film any we now return you to Yes, lost Horizon.
• 40:40
  Speaker 1: Yes, he's called all the various bars and he's just
• 40:43
  Speaker 1: creating havoc for the life of one Dennis. The reason
• 40:46
  Speaker 1: he's racking up his phone bill he is.
• 40:48
  Speaker 4: And he's also Dennis Leary is famously from Boston and uh,
• 40:53
  Speaker 4: but actually sends him what a whole bunch of stuff
• 40:56
  Speaker 4: from the from the New York Yankees, so which I
• 40:59
  Speaker 4: imagine would piss off a Ridzooks fanluck Leary.
• 41:01
  Speaker 2: Bart, how did you get a cell phone? Same way
• 41:04
  Speaker 2: you got me by accident on a golf course. Whose
• 41:07
  Speaker 2: phone is this? You'll never get it out of me? Okay, Millhouse,
• 41:11
  Speaker 2: it's Dennis Leary's.
• 41:14
  Speaker 3: I'm sorry, burning desperate for any signs of adult approval.
• 41:17
  Speaker 2: You did the right thing, yeah, Bart, Simpson's stolen cell phone.
• 41:25
  Speaker 2: Can I help you?
• 41:26
  Speaker 6: Damn straight you can. I'm Dennis Leary and your kid
• 41:28
  Speaker 6: is out of control.
• 41:29
  Speaker 2: I'm sorry, mister Leary. Sometimes it's hard to be a parent.
• 41:33
  Speaker 4: No, it's not. It's easy. I'll tell you.
• 41:35
  Speaker 6: It's hard having to watch my stunt double run into
• 41:37
  Speaker 6: a burning building, worrying that people might realize it's not me,
• 41:39
  Speaker 6: it's him. Tried doing that.
• 41:42
  Speaker 2: I don't think I could, mister Leary. I'm so sorry.
• 41:46
  Speaker 2: I'll send you your phone back right away.
• 41:48
  Speaker 6: Keep the phone in fact, can I give you some advice?
• 41:50
  Speaker 2: Of course, you're Dennis Leary.
• 41:52
  Speaker 6: Give your kid back the phone, but first activate it's
• 41:55
  Speaker 6: built in GPS system. That way you can log onto
• 41:57
  Speaker 6: your carrier's website and track your son's movements the way
• 41:59
  Speaker 6: I try. Every actor who gets a movie that I
• 42:01
  Speaker 6: was up for.
• 42:03
  Speaker 2: Shouldn't you just be happy for their success?
• 42:05
  Speaker 6: I should be a lot of things.
• 42:06
  Speaker 4: Lady. We are watching Monk at the moment, right, Monk, and.
• 42:12
  Speaker 1: It's it's so great because Monk, but they pronounce it monk. Yeah,
• 42:16
  Speaker 1: two thousand eightish was that show?
• 42:19
  Speaker 4: Well, I definitely ruffled the same time as this episode.
• 42:21
  Speaker 1: Yeah, but GPS system there's still a lot of time
• 42:24
  Speaker 1: we had to explain what GPS stood for.
• 42:26
  Speaker 4: Yeah.
• 42:26
  Speaker 1: I just love it when it's like I'm going online,
• 42:30
  Speaker 1: I'm still going online.
• 42:33
  Speaker 4: It's like watching the I Forgot where you came out.
• 42:36
  Speaker 4: I feel like it's ninety five or ninety six. But
• 42:38
  Speaker 4: there's a Sandra Bullock movie called The Net.
• 42:40
  Speaker 1: I have never seen it, but note at it's kind.
• 42:43
  Speaker 4: Of like you can order a pizza over the internet.
• 42:48
  Speaker 4: What you know. They're reacting like like Guy when he
• 42:51
  Speaker 4: discovers the link between ingmar Bergman and Abba, just freaking
• 42:55
  Speaker 4: the fuck.
• 42:56
  Speaker 1: The cameras went on for this, but Guy's face when
• 42:58
  Speaker 1: it was like the he dropped.
• 43:02
  Speaker 4: Wait, yeah, you can take your selfie a bit later
• 43:06
  Speaker 4: something woo.
• 43:07
  Speaker 1: But the This is where Larry says that he tracks
• 43:10
  Speaker 1: the actors who got the roles that he was up
• 43:12
  Speaker 1: for as well. And then we've got the pop tarts
• 43:15
  Speaker 1: gag here, which I'm not sure is a reference to anything.
• 43:17
  Speaker 1: Didn't feel like a reference to anything, because I mean,
• 43:19
  Speaker 1: Dennis is not really an action movie star.
• 43:21
  Speaker 4: He was in a couple.
• 43:21
  Speaker 1: It was a bit bizarre. Yeah, and then that's it
• 43:24
  Speaker 1: for Dennis Leary.
• 43:25
  Speaker 4: So demas, yeah, go back to making the last season
• 43:28
  Speaker 4: to rescue me, Marge is.
• 43:29
  Speaker 1: Then she gives the phone back to Bart and lady,
• 43:33
  Speaker 1: you're the best mum ever, gives her a big hug.
• 43:35
  Speaker 1: I liked when he left and came back and gave
• 43:37
  Speaker 1: a stroke, because that's what Ali did. They he was like,
• 43:40
  Speaker 1: you're the best dad ever. Leaves He's like, no, what
• 43:42
  Speaker 1: he deserves another hug. Homer and Marge now tracking. She
• 43:47
  Speaker 1: says he took the bait like a fish or something.
• 43:50
  Speaker 4: What it was? What it was?
• 43:51
  Speaker 1: Yeah, he's at the construction wise it construction site. Turns
• 43:53
  Speaker 1: out he's writing fork lists for Millhouse. Marge arrives and
• 43:57
  Speaker 1: he's like, I'm just trying something constructive. And then it's
• 44:00
  Speaker 1: got the montage of Marge catching Bart in places he
• 44:02
  Speaker 1: shouldn't be essentially.
• 44:04
  Speaker 4: Two montages already, I've got nothing agains a good montage.
• 44:07
  Speaker 4: But yeah, I really think one per episode or in
• 44:13
  Speaker 4: a twenty five minute episode.
• 44:14
  Speaker 1: Yeah one, yeah one. But Bars is spinning around? Now
• 44:17
  Speaker 1: why is he spinning around? Is in the entire swing
• 44:19
  Speaker 1: at the backyard, and Lisa asks, what.
• 44:21
  Speaker 4: Are you guys doing?
• 44:22
  Speaker 1: Because she says, well, like she doesn't said the checking yet,
• 44:24
  Speaker 1: He's like, what are you doing? Homs is doing laundry.
• 44:26
  Speaker 1: She says, prove it, and he puts his clothes in
• 44:28
  Speaker 1: the an oven or something burns them. And she realized
• 44:32
  Speaker 1: that they're spying on Bart and showing that you know
• 44:35
  Speaker 1: it's wrong, you shouldn't be doing that.
• 44:37
  Speaker 4: She's big on civil rights, and Marge says, no, it's
• 44:39
  Speaker 4: not wrong. It just shows that we care.
• 44:40
  Speaker 1: And it cuts to Mo, who is listening. I always
• 44:42
  Speaker 1: enjoying Mo calling Marge.
• 44:44
  Speaker 4: Midge. You always enjoy that, yeah, Midge, heh, Midge. I
• 44:48
  Speaker 4: don't think I've got strong feelings about it one way
• 44:50
  Speaker 4: or another.
• 44:51
  Speaker 1: It's one of those sort of even season twenty, that's
• 44:53
  Speaker 1: probably the most recurring joke. Okay, the longest running besides
• 44:58
  Speaker 1: maybe Smither's being game Burns not knowing, but they haven't
• 45:01
  Speaker 1: really played that up anymore?
• 45:02
  Speaker 4: Do they? I think that I think they.
• 45:05
  Speaker 1: We haven't had a homophobic gag this season yet, which
• 45:07
  Speaker 1: is a good thing. We're two episodes in. Yeah, but
• 45:10
  Speaker 1: I do think that they do tone They do have
• 45:13
  Speaker 1: a favorite gags, but they tone down. The Smithers is gay,
• 45:16
  Speaker 1: but doesn't Is.
• 45:17
  Speaker 4: There one in here? One of the one of the phone,
• 45:20
  Speaker 4: one of the all off my friends are gay? Oh yeah,
• 45:25
  Speaker 4: I guess so sorry to burst your bubble, buddy, Yeah said,
• 45:32
  Speaker 4: but the FBI are listening and every words, and you're
• 45:35
  Speaker 4: in the slamer because MOA's listening to Amige. I love
• 45:38
  Speaker 4: the term slammer for prison. It's great. I got nothing
• 45:42
  Speaker 4: about other than that.
• 45:43
  Speaker 1: I just the nineties kids, A slammer was the thick
• 45:46
  Speaker 1: pog you would get when you were playing tasos or POGs,
• 45:49
  Speaker 1: and the way you would win is you would stack
• 45:51
  Speaker 1: them up like that. I'm not sure how this whoever
• 45:54
  Speaker 1: come up with these rules is ridiculous. You stack ther
• 45:56
  Speaker 1: tasos up and you would slam the slammer on top right,
• 46:00
  Speaker 1: which everyone's can go bang right, and when everyone's landed
• 46:03
  Speaker 1: face up, you got to keep And I'm like, as
• 46:04
  Speaker 1: you've been collecting like all these tazos over all these weeks,
• 46:07
  Speaker 1: and one guy just goes bomb with a lucky slam
• 46:09
  Speaker 1: and it's all of them turned up. You're like, you
• 46:10
  Speaker 1: just lose your whole lot, Like, who come up with
• 46:12
  Speaker 1: these rules?
• 46:13
  Speaker 4: Yeah?
• 46:14
  Speaker 1: Thrill, thrill, We're all losing a single coin to lose
• 46:19
  Speaker 1: your collection after one game.
• 46:20
  Speaker 4: I tend to be slammer as like a tequila slammer,
• 46:23
  Speaker 4: have a bit of think is it lemonade with the
• 46:26
  Speaker 4: tequila and yes, slammer, No, knock it back fast and
• 46:31
  Speaker 4: stuck a bit of lemon salt. Get drunk. Apparently guy
• 46:36
  Speaker 4: just wants to get drunk drunk right now.
• 46:37
  Speaker 1: Yes, Lisa tries, Asa tries to tell Bart though he's
• 46:40
  Speaker 1: on the phone, and he buys some viagrapher skinner and
• 46:43
  Speaker 1: then he puts his tracker on the bird. What's he
• 46:45
  Speaker 1: realizes there's a tracker in there.
• 46:47
  Speaker 4: Yeah, I don't don't make the viagraa gag if you can't,
• 46:49
  Speaker 4: if you don't have the the ability to punchline, yeah,
• 46:53
  Speaker 4: to pay it off.
• 46:54
  Speaker 1: It was just it was this kind of saying this
• 46:56
  Speaker 1: is weird, why so straight?
• 46:58
  Speaker 4: Yeah, I mean saurce it with the fact that he's
• 47:01
  Speaker 4: gonna have a viagrapt fuel direction. But just it's like
• 47:06
  Speaker 4: it's like when you're a teenager and you know your
• 47:09
  Speaker 4: dick gets out off the windblows and like.
• 47:10
  Speaker 1: It should have been cut to Skinner getting a massage.
• 47:13
  Speaker 4: Yes, but you've got a hold like something in front
• 47:15
  Speaker 4: of your down stairs area, your partsy piece.
• 47:18
  Speaker 1: Yeah, and he Skinner getting message by a man and
• 47:23
  Speaker 1: all of a sudden, he's.
• 47:24
  Speaker 4: Like, whoa, yeah, that was good one something like that.
• 47:28
  Speaker 4: You just rode this whole fixing this thing.
• 47:32
  Speaker 1: Four figure discount is proudly brought to you by our
• 47:34
  Speaker 1: supporters on Patreon. By supporting our show, you not only
• 47:37
  Speaker 1: gain early and add free access to each episode, but
• 47:40
  Speaker 1: you also get over one hundred hours of bonus podcasts,
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• 47:47
  Speaker 1: and more. So go ahead and join the four figure
• 47:49
  Speaker 1: discount family today at patreon dot com. Slash four figure discount.
• 47:53
  Speaker 1: But he puts the track on the bird, as I said,
• 47:55
  Speaker 1: the circling the bird sanctuary. Why is bar circling the
• 47:57
  Speaker 1: bird sanctuary? They leave to find out, but it now
• 48:01
  Speaker 1: has a house to himself, and what's he going to
• 48:02
  Speaker 1: do You're gonna take a bath, eat some vegetables, you
• 48:05
  Speaker 1: go to bed early with no TV. You really could
• 48:09
  Speaker 1: have done a fun home alone parody here.
• 48:12
  Speaker 4: Why didn't they? I don't know.
• 48:15
  Speaker 1: You could have had the bullies trying to get into
• 48:16
  Speaker 1: the house and bars and set up various taps around
• 48:18
  Speaker 1: the house to get them. You could have done this.
• 48:22
  Speaker 4: You could have done a Bart centered shout or call
• 48:27
  Speaker 4: back to when Homer didn't go to church and he
• 48:30
  Speaker 4: did the risky business thing and he made it? Did
• 48:32
  Speaker 4: he make moon waffles.
• 48:34
  Speaker 1: Home as patterned space age out of this world moon
• 48:36
  Speaker 1: Waffles whatever.
• 48:37
  Speaker 4: And just have it as a shot for shot echo
• 48:40
  Speaker 4: of that want to copy ship but just no, no, no,
• 48:43
  Speaker 4: there's a difference between a copy and a callback and
• 48:46
  Speaker 4: a call back. Here. I just think, see I can
• 48:49
  Speaker 4: fix things to home alone parodies just okay, risky business
• 48:53
  Speaker 4: parodies parodies something something.
• 49:00
  Speaker 1: Because the joke didn't even make sense. Now I'm going
• 49:02
  Speaker 1: to take a bath and vegetables and get with no TV.
• 49:04
  Speaker 1: I'm like, yeah, and what's the punchline?
• 49:07
  Speaker 4: Well, well, I get it.
• 49:09
  Speaker 1: Yeah, that's so unlike Bart. It's like, but it's been
• 49:12
  Speaker 1: behaving like what I don't get it. I get what
• 49:15
  Speaker 1: you're going for. That's not funny, it's it's not funny. No,
• 49:20
  Speaker 1: the family have now been gone for three days and
• 49:22
  Speaker 1: Bart is cooking twizzlers with so they just they just
• 49:25
  Speaker 1: left looking for But this story sucks. They just left, Yeah,
• 49:32
  Speaker 1: didn't call the phone once, just left their ship, didn't
• 49:36
  Speaker 1: pack anything, didn't pack anything.
• 49:37
  Speaker 4: It would have been nice to just have a cutaway
• 49:38
  Speaker 4: shot of them on a plane. And even Homer just
• 49:41
  Speaker 4: saying maybe we should have called.
• 49:46
  Speaker 1: That's even pointing out how stupid the story.
• 49:48
  Speaker 4: Now, I know it's conceding defeat.
• 49:56
  Speaker 5: Awesome, but I better get going. It's getting My mom's
• 50:00
  Speaker 5: gonna wake up soon. She gets upset if someone's not
• 50:03
  Speaker 5: there to tell her where she is. Typical mom.
• 50:07
  Speaker 2: You sure you don't want to stay and have a sleepover.
• 50:10
  Speaker 2: I meet sleepover shirts.
• 50:11
  Speaker 1: Huh huh.
• 50:12
  Speaker 2: Listen, Bart, If I don't get home soon, there won't
• 50:15
  Speaker 2: be time for my mom to give me a hug,
• 50:17
  Speaker 2: my dad to read me a story, and both of
• 50:19
  Speaker 2: them to sing me a song till I gently fall asleep. Anyway,
• 50:24
  Speaker 2: you have fun by yourself. Ah, there's no moon tonight,
• 50:28
  Speaker 2: real Boogymanweather.
• 50:31
  Speaker 1: And the family now out looking in the field. Lisa's
• 50:33
  Speaker 1: sitting back in the cars with the birdlands on the
• 50:35
  Speaker 1: car and Lisa realizes that it's a scarlet tanager and
• 50:39
  Speaker 1: it is migrating to match a pitch you and she says,
• 50:41
  Speaker 1: he sees a chip, and she goes, you know what,
• 50:44
  Speaker 1: I'm not going to end this. I'm going to be
• 50:46
  Speaker 1: selfish and have the family drive me to match your
• 50:48
  Speaker 1: pitche Noh yeah, what if the birds decided not to
• 50:52
  Speaker 1: go there? Oh dear, we're almost there, barn, get in bed, night,
• 51:01
  Speaker 1: scary day, awesome, night, scary day, awesome. Okay, then the
• 51:08
  Speaker 1: family now match picture. They're just driven there, you know,
• 51:12
  Speaker 1: just decided to just drive there, follow this bird. Marge
• 51:15
  Speaker 1: falls asleep on the statue and she has the vision
• 51:17
  Speaker 1: here of the statue telling her you need to protect
• 51:20
  Speaker 1: what she said, I need to protect it from himself.
• 51:21
  Speaker 1: He's basically making her realize, no, he needs to learn
• 51:24
  Speaker 1: to survive on his own. Be there for him, but
• 51:26
  Speaker 1: let him learn as well.
• 51:27
  Speaker 4: It's a bit about Walls in there, which shows the
• 51:29
  Speaker 4: unified theory or four finger discount is alive and well,
• 51:32
  Speaker 4: because what do we talk about recently on going down
• 51:34
  Speaker 4: South Park?
• 51:35
  Speaker 1: We talked about the goddamn Mongolians breaking down the wall.
• 51:40
  Speaker 1: Don't do the voice, Jesus, I think it's worse.
• 51:47
  Speaker 4: If I say fucking Mongolians in my voice. I don't
• 51:50
  Speaker 4: know onlyway Marge's realizes I have been overprotective.
• 51:56
  Speaker 1: I've learned something today, and she realized she can't always
• 51:59
  Speaker 1: be there for Bart, but she can, you know, be
• 52:01
  Speaker 1: there sometimes when he needs her.
• 52:04
  Speaker 2: So I can't always be.
• 52:05
  Speaker 4: There for Bart.
• 52:06
  Speaker 2: He's got to learn to take care of.
• 52:08
  Speaker 4: Himself the computer, say's Bart standing at the computer? Oh,
• 52:11
  Speaker 4: I hear is a stupid bird with a tracking chip
• 52:14
  Speaker 4: on its leg. It doesn't end up.
• 52:19
  Speaker 1: I think it's time for us to go home, and
• 52:22
  Speaker 1: then they just drive home again. How long did it
• 52:25
  Speaker 1: taken the drive there? I'm assuming it's taking all the
• 52:27
  Speaker 1: same time to drive home.
• 52:28
  Speaker 4: Should I do some Google maps between hell?
• 52:30
  Speaker 1: Would to actually take the drive from America USA to
• 52:35
  Speaker 1: MATCHU Pitchew drive.
• 52:37
  Speaker 4: I'm going to say eight hours? Well, they're going three
• 52:41
  Speaker 4: days at least. I'm going to say twenty four hours.
• 52:45
  Speaker 1: You can't drive to match a pitch, you but you
• 52:47
  Speaker 1: can drive to Alan tayum Tambo in the Sacred Valley
• 52:51
  Speaker 1: of the Incas. Okay, the most common way to get
• 52:53
  Speaker 1: to match a pitchy from the United States is to
• 52:54
  Speaker 1: fly into Lima, Peru and then take a one hour
• 52:57
  Speaker 1: and fifteen flight to Cosco. So kind The first thing
• 53:01
  Speaker 1: you should do if you're writing a story about the
• 53:03
  Speaker 1: family driving a Magic Pictures Is this actually possible?
• 53:06
  Speaker 4: How do you get to march you pitchure? Yes, there
• 53:09
  Speaker 4: you go. I don't know.
• 53:14
  Speaker 1: What did you call again? Someone peg in a inshaum
• 53:18
  Speaker 1: The dead.
• 53:18
  Speaker 4: An exercise in unfulfilled potential. That's what this story is.
• 53:25
  Speaker 4: So the episode the Show and the Dead on the
• 53:26
  Speaker 4: Movie Guide with Malton and Davis. Yeah, just did a
• 53:29
  Speaker 4: review of Caer movie. Really for the fourth Finger discount listeners,
• 53:32
  Speaker 4: we did midnight run. We did indeed a favorite of
• 53:36
  Speaker 4: Dad's everywhere, but also just people with good taste tune in.
• 53:40
  Speaker 1: Yeah, you also the latest one load Whulp Fiction Blues
• 53:42
  Speaker 1: the Blues brothers all up there. So now they arrive
• 53:44
  Speaker 1: home though, But actually he didn't know the family was
• 53:46
  Speaker 1: gone at all, didn't care and then accustomed him coddling
• 53:49
  Speaker 1: large as legs. They never leave again.
• 53:50
  Speaker 4: Really did care?
• 53:51
  Speaker 1: Yes, he really did, but it's just it wasn't it
• 53:54
  Speaker 1: didn't sinking. It didn't sink enough. It was just, oh no,
• 53:57
  Speaker 1: he was just pretending. You're trying to act tough and
• 53:59
  Speaker 1: make it. They turns that Maggie got left fine and
• 54:01
  Speaker 1: Maggie is.
• 54:01
  Speaker 4: Being worshiped as god by the machupicians. I don't know.
• 54:08
  Speaker 1: I almost want to take this story and write my
• 54:10
  Speaker 1: own episode. I feel like there's a really good Simpsons
• 54:13
  Speaker 1: episode in this.
• 54:14
  Speaker 4: We'll maybe do it and then send it as a
• 54:15
  Speaker 4: spec to to your buddy Matt Selmon. What could be
• 54:19
  Speaker 4: the twenty twenty four equivalent though, of Bart wanting a phone?
• 54:22
  Speaker 4: How could he?
• 54:23
  Speaker 1: He wants to have social media? It needs to be
• 54:26
  Speaker 1: a device, doesn't it. Yeah, got the social media basically, don't.
• 54:31
  Speaker 1: But all I want, though, is the plot point of
• 54:34
  Speaker 1: Bart wants to fit in and Marge is holding him back.
• 54:38
  Speaker 1: We'll find something, yeah, oh yeah, absolutely. Anyway, so lost Verizon,
• 54:42
  Speaker 1: As he said, a lot of potential here, but they
• 54:44
  Speaker 1: just it just falls off the wagon quickly, doesn't it.
• 54:49
  Speaker 4: Yeah, it's sort of yeah, the wagon feels like it's
• 54:52
  Speaker 4: got like a wheel. That is just I was never
• 54:56
  Speaker 4: bored watching it, but I was just watched this going.
• 54:58
  Speaker 4: What is the point of this. I think anytime you're
• 55:01
  Speaker 4: watching something that was going when you when you're actively
• 55:04
  Speaker 4: fixing it as you're watching it, that's a that's a
• 55:06
  Speaker 4: sign that something is not right. What do we learn bomb?
• 55:10
  Speaker 4: What did you learn for the episode that? What did
• 55:12
  Speaker 4: I learn from the episode? Uh?
• 55:14
  Speaker 1: What did I learn? I haven't written anything.
• 55:18
  Speaker 4: Negotiate for more than one dollar return fee per ball?
• 55:22
  Speaker 4: Particularly those balls got five bucks a lot of money. Yeah,
• 55:25
  Speaker 4: I'd ask for at least two fifty. I'd probably go two. Okay,
• 55:30
  Speaker 4: Well see, and that's why you get more business.
• 55:34
  Speaker 1: And guys dropping pants for food. Well, I learned that
• 55:42
  Speaker 1: Everybody Poops was an actual movie. I didn't realize this
• 55:45
  Speaker 1: a book or a movie, actual book. What's what's the
• 55:47
  Speaker 1: what's the plot of Everybody Poops?
• 55:49
  Speaker 5: Well?
• 55:49
  Speaker 4: I think it's more like it's a very children in
• 55:52
  Speaker 4: your book. It's like, you know, maybe a kid is
• 55:55
  Speaker 4: like having trouble getting on the potty or something that's like, well,
• 55:57
  Speaker 4: you're just like, you know, the elephant or the gorilla
• 56:00
  Speaker 4: or the cow. Everybody poops.
• 56:02
  Speaker 1: So the book tells children that all animals defecate and
• 56:05
  Speaker 1: that they have always done.
• 56:06
  Speaker 4: So.
• 56:07
  Speaker 1: The book is intended to relieve shame and embarrassment around
• 56:10
  Speaker 1: the act of defecating by explaining to children that it
• 56:13
  Speaker 1: is a natural part of life. The book has also
• 56:15
  Speaker 1: been translated into Spanish and tie. Okay, then everybody poops.
• 56:23
  Speaker 4: From forward, your names will be okay. Then yes, the
• 56:27
  Speaker 4: guy dave us new name challenge, current leader board. On
• 56:29
  Speaker 4: the current leader board. Yeah, by all means.
• 56:32
  Speaker 1: The round one. We got three points to Yeered, two
• 56:36
  Speaker 1: points to Chris Clark, and one point to Zach Would
• 56:39
  Speaker 1: aka Liigamus.
• 56:40
  Speaker 4: What does ligmas mean? That's just his wrestling name. Okay.
• 56:44
  Speaker 4: One point goes to Big Mother, not big brother, but
• 56:48
  Speaker 4: Big Mother.
• 56:49
  Speaker 1: I really like this pretty clever that title not bad.
• 56:53
  Speaker 1: Oh gosh, darn it, you've blew it. You're really a
• 56:56
  Speaker 1: bit I did did shame, shame for shame.
• 57:01
  Speaker 4: My apologies to clever Car. But I and I'm guessing
• 57:04
  Speaker 4: it's one one point, Yeah, well, don't clever car. No point.
• 57:06
  Speaker 4: Two points goes to Barty. Don't lose that number.
• 57:10
  Speaker 1: That's the man with no fingers. It's Steve Roberts from
• 57:12
  Speaker 1: the factory. Doesn't work in the factory anymore.
• 57:15
  Speaker 4: Because he's got no fingers. On Zoom calls two boys
• 57:19
  Speaker 4: to Steve Roberts. Well done, Steve Roberts, three points, goes
• 57:23
  Speaker 4: to dial Hard, Dial Hard.
• 57:27
  Speaker 1: He mis jerming, Oh my gosh, we know you don't.
• 57:32
  Speaker 1: We don't get you going blind, he tell us every time,
• 57:34
  Speaker 1: trust me, I promise you listeners. I send guy names.
• 57:38
  Speaker 1: He doesn't check the post. He posts it and leaves
• 57:40
  Speaker 1: it in the Patreon group. I gathered all the names
• 57:42
  Speaker 1: I send him through to him out of order as well,
• 57:44
  Speaker 1: so he can't sort of even try and match him up.
• 57:47
  Speaker 1: And boom, he has picked Jared.
• 57:49
  Speaker 4: And now it's time to reveal the deep dark secret.
• 57:54
  Speaker 4: I am Jared.
• 57:57
  Speaker 1: Scam the whole time.
• 57:58
  Speaker 4: No, no, his name is. And he's got three points again.
• 58:01
  Speaker 1: He does a show just so he can get free
• 58:03
  Speaker 1: access to his own shows.
• 58:05
  Speaker 4: It's a perfect crime name. He's Jared. He's on six points.
• 58:09
  Speaker 4: Oh my goodness, well done, Jared.
• 58:11
  Speaker 1: Jay hawks put anything in this week?
• 58:13
  Speaker 4: Did he have a look like I said, I don't know,
• 58:15
  Speaker 4: I don't I don't look at.
• 58:16
  Speaker 1: The name, but I just call him phlip Jay Hawkins.
• 58:17
  Speaker 1: Maybe we've just upset him so much. He's like, I'm
• 58:19
  Speaker 1: never gonna be I'm never gonna get that Jay back.
• 58:21
  Speaker 4: I'm just gonna go live my life be Phil Hawkins.
• 58:24
  Speaker 1: Maybe he realized we're doing seasons, the season twenty.
• 58:26
  Speaker 4: Now, I think they're gonna be talking about anything but
• 58:29
  Speaker 4: the show.
• 58:31
  Speaker 1: All right, So that's it. Six points to Jared Hornby.
• 58:36
  Speaker 1: He's in first position. Second position is Steve Roberts and
• 58:39
  Speaker 1: Chris Clap both on two and Zach Would, Akay Ligmus
• 58:42
  Speaker 1: and Clever Kyle Muldoon both on one point each in
• 58:45
  Speaker 1: third position.
• 58:46
  Speaker 4: Well done, folks, keep sending those new name Indeed, if
• 58:50
  Speaker 4: your name is not Jared, what a lord?
• 58:53
  Speaker 1: Now let's end the show with what a Lord?
• 58:55
  Speaker 4: Oh yes, yeah, we were talking about this earlier and
• 58:57
  Speaker 4: we'll talk about it. Nice to save it the last
• 58:59
  Speaker 4: and you're gonna posse I guess so. Yeah. I think
• 59:02
  Speaker 4: Jared thought that the you know, racking up another three
• 59:05
  Speaker 4: points of the new name challenge was pretty positive. But
• 59:08
  Speaker 4: I sent Dando a small bit of footage. It was
• 59:12
  Speaker 4: a TikTok that was put on Twitter. Because I'm not
• 59:15
  Speaker 4: on TikTok because I'm old, but I like this very much.
• 59:18
  Speaker 4: This was a young man. I think it was one
• 59:20
  Speaker 4: of the premieres. I've Gladiator too now in cinemas. He
• 59:24
  Speaker 4: got hold of Denzel Washington, and this young man said, look,
• 59:27
  Speaker 4: I make content online. I really want to be but
• 59:29
  Speaker 4: I want to be an actor. Is there anything you'd recommended?
• 59:32
  Speaker 4: Denzel gave him some very good advice. He said, well,
• 59:36
  Speaker 4: first of all, you can't learn to act by yourself.
• 59:37
  Speaker 4: You need to be in a group. Acting, as I've
• 59:39
  Speaker 4: always said, is a team sport. You know, find a
• 59:41
  Speaker 4: small theater. F find any theater and be part of
• 59:44
  Speaker 4: the ensemble. Be around people, be around actors. You learn
• 59:47
  Speaker 4: by acting and reacting with other people. Then he closes
• 59:49
  Speaker 4: out by saying, I'll see it work. Fuck I love that.
• 59:54
  Speaker 4: I mean, that's that's exactly what you want to hear.
• 59:56
  Speaker 4: I mean, it's not Denzel saying this is wisdom from
• 59:58
  Speaker 4: on high. It's like, I'll see on the job. We're
• 1:00:01
  Speaker 4: both workers. Fucking loved it. What a Man? What a Lord?
• 1:00:07
  Speaker 1: And that is, guys, what a Lord? The first everone
• 1:00:10
  Speaker 1: the what a Lord Award. Let's have a we'll keep
• 1:00:12
  Speaker 1: it a little note or the little Tali is the first
• 1:00:14
  Speaker 1: of a what a Lord?
• 1:00:15
  Speaker 4: Was Denzel? So now Denzel see it work?
• 1:00:19
  Speaker 1: Denzel Washington What a Lord Award.
• 1:00:22
  Speaker 4: Then by the end of the season, whoever will pull
• 1:00:25
  Speaker 4: the name out of that, whoever wins the water Lord
• 1:00:27
  Speaker 4: Award gets I don't know what's hope. You laid the show,
• 1:00:36
  Speaker 4: get a free work, siege work. If you have interviewed Denzel,
• 1:00:42
  Speaker 4: never have, I'd be awfully intimidated. Yeah, you reckon? Oh yeah,
• 1:00:45
  Speaker 4: we just likes to fuck with people. Sometimes, doesn't he
• 1:00:47
  Speaker 4: sometimes Yeah, sometimes don't. Yeah.
• 1:00:50
  Speaker 1: He says he's retiring soon. I think there two more
• 1:00:52
  Speaker 1: films in you or something.
• 1:00:53
  Speaker 4: Oh. I think he said he's got a few more,
• 1:00:54
  Speaker 4: and I think he wants retire from acting. I think
• 1:00:57
  Speaker 4: he wants direct more stuff on stage.
• 1:01:00
  Speaker 1: More equalizes though, that's true, love.
• 1:01:03
  Speaker 4: I watched a movie the other day director. We used
• 1:01:07
  Speaker 4: to call the director video, I guess hee now to
• 1:01:08
  Speaker 4: call it director streaming or something like that. But an
• 1:01:10
  Speaker 4: action movie he's made on the cheap called Dominique and
• 1:01:13
  Speaker 4: basically put us my letter of videw aka the she equalizes,
• 1:01:16
  Speaker 4: because that's essentially what I was pretty proud of. But
• 1:01:20
  Speaker 4: it was really good. It's incredibly violent. I had a
• 1:01:22
  Speaker 4: real main streak to it, but it was Yeah, basically,
• 1:01:25
  Speaker 4: she's like this female assassin who has to sort of
• 1:01:28
  Speaker 4: shack up in this small town. While she's avoiding trouble,
• 1:01:30
  Speaker 4: runs a foul of you know, corrupt cops and drug
• 1:01:32
  Speaker 4: deals and all that and just fucks everybody up. And
• 1:01:34
  Speaker 4: it was yeah, basically like an Equalizer movie. It was fantastic,
• 1:01:37
  Speaker 4: really good movie. Dominique. Dominique was it. I don't think
• 1:01:41
  Speaker 4: it's on manly streaming platforms. You might have to it's
• 1:01:44
  Speaker 4: like video on demand. I'm sure you can find it. Okay,
• 1:01:46
  Speaker 4: pay for it. People pay for it, of course, support
• 1:01:49
  Speaker 4: the little films. That's correct.
• 1:01:51
  Speaker 1: All right, guys, thanks for your support here at four
• 1:01:52
  Speaker 1: finger Discount, hope you enjoyed a review of Last Verizon.
• 1:01:56
  Speaker 1: The next episode of that next episode of from season
• 1:02:01
  Speaker 1: twenty we shall reviewing is called Double Double Boy in Trouble.
• 1:02:06
  Speaker 4: We could figure out what it's about, or we could send.
• 1:02:08
  Speaker 1: A picture and it is a kid that looks like Bart.
• 1:02:12
  Speaker 1: We think we're getting a bit of a wife swap,
• 1:02:14
  Speaker 1: but it's a sun swap kind of scenario.
• 1:02:16
  Speaker 4: About okay, a single white Bart kind of deal. Yeah,
• 1:02:18
  Speaker 4: maybe okay, then interesting.
• 1:02:20
  Speaker 1: I mean again, this episode wasn't a bad episode. It
• 1:02:24
  Speaker 1: was just a their episode.
• 1:02:26
  Speaker 4: Yeah, there's the Simpsons we're talking about. This episode of four,
• 1:02:28
  Speaker 4: thinking this game was traditionally great. Yeah, Guy realized Mama,
• 1:02:32
  Speaker 4: MIAs just I'm still thinking about it. It made me go, mum, mummy,
• 1:02:40
  Speaker 4: what's the Mario thing? WHOA? So much fun saying it?
• 1:02:46
  Speaker 4: Much fun watching it? You tried doing it?
• 1:02:48
  Speaker 1: Is it Yahoo or Wahoo? Let's have a look. I
• 1:02:50
  Speaker 1: will make sure I say it correctly. Mario Yahoo or
• 1:02:54
  Speaker 1: wah whoo?
• 1:02:55
  Speaker 4: Mario?
• 1:02:56
  Speaker 1: It's Yahoo Yahoo? Who is a very famous aspect of
• 1:03:00
  Speaker 1: it is my who? Okay, it depends what you ask
• 1:03:03
  Speaker 1: onto it on Google. WHOA?
• 1:03:04
  Speaker 4: There you go? Don't you feel great? You do? You
• 1:03:08
  Speaker 4: feel a bit better?
• 1:03:10
  Speaker 1: Alliott says it all the time. So maybe it's just
• 1:03:12
  Speaker 1: like a thing the kids say these days, but like
• 1:03:14
  Speaker 1: sometimes something goes good and he goes whoo.
• 1:03:18
  Speaker 4: Well, I'm glad that we're retaining some youthful yes.
• 1:03:21
  Speaker 1: As we said, thanks again to all of our supporters
• 1:03:23
  Speaker 1: on Patreon. You are keeping the lights on here. If
• 1:03:25
  Speaker 1: you can support the show that way, they'd be much appreciated.
• 1:03:27
  Speaker 1: You can also check us five stars on Spotify, Apple Podcasts,
• 1:03:29
  Speaker 1: wherever you do find the show. Check out our new podcast,
• 1:03:32
  Speaker 1: The Movie Guide with the Leonard Malton and mister Guy
• 1:03:35
  Speaker 1: Davis here. I'm sure you will love it, and all
• 1:03:37
  Speaker 1: of our the show's gone out of South Park and
• 1:03:39
  Speaker 1: all the other good stuff significantly lessen to there.
• 1:03:41
  Speaker 4: You let him old and guy Davis.
• 1:03:43
  Speaker 1: That's the way.
• 1:03:43
  Speaker 4: Is that the stick? Unfortunately, I really do wonders for
• 1:03:47
  Speaker 4: my self esteem.
• 1:03:49
  Speaker 1: And we'll catch you guys in our review of Double
• 1:03:51
  Speaker 1: Double Boy in trouble. Mister Davis, any final words for
• 1:03:53
  Speaker 1: those incredible listeners out there, Just so you know, everybody
• 1:03:56
  Speaker 1: poops