Latest / Sherlock Holmes / Sherlock Holmes Radio A Scandal in Bohemia Basil Rathbone, Nigel Bruce, Con

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Sherlock Holmes Radio A Scandal in Bohemia Basil Rathbone, Nigel Bruce, Con · Sherlock Holmes

• 0:01
  Speaker 1: Now I know doctor Watson's waiting for us, so let's
• 0:04
  Speaker 1: go in and join him. Come in, Come in, good inning,
• 0:09
  Speaker 1: doctor Watson.
• 0:09
  Speaker 2: Good evening, mister Bartow. You're quite muffled up tonight. I
• 0:13
  Speaker 2: see overcoats, calf and gloves. Slip them off and come
• 0:17
  Speaker 2: and join.
• 0:17
  Speaker 1: Me by the far Thanks doctor, Quite a nippany are tonight?
• 0:21
  Speaker 3: Yes, that is indeed well.
• 0:23
  Speaker 1: Doctor, you told us last week that tonight's story centered
• 0:25
  Speaker 1: around the activities of.
• 0:27
  Speaker 3: A brilliant and beautiful woman.
• 0:28
  Speaker 2: Yes, my boy, her name is Irene Edler, but I
• 0:32
  Speaker 2: never knew Holmes to refer to her by any other
• 0:34
  Speaker 2: name than the woman.
• 0:36
  Speaker 4: Who she sounds mighty and trading. How did you happen
• 0:39
  Speaker 4: to meet up with her?
• 0:39
  Speaker 3: Well, I'll tell you the story from the beginning. One night.
• 0:43
  Speaker 2: It was on the twentieth of March eighteen hundred and
• 0:45
  Speaker 2: eighty eight, to be exact. I was returning home from
• 0:48
  Speaker 2: a visit to patients when my steps led me through
• 0:50
  Speaker 2: Baker Street.
• 0:51
  Speaker 3: Since my marriage, I haven't seen much of.
• 0:53
  Speaker 1: Sherlock Holmes, and you couldn't resist stopping by two twenty
• 0:57
  Speaker 1: one b I'm sure, doc, of.
• 0:58
  Speaker 2: Course I couldn't. As I stood outside the well remembered door.
• 1:02
  Speaker 3: I looked up at the.
• 1:03
  Speaker 2: Lighted windows and saw the tall, spare figure of my
• 1:07
  Speaker 2: old friend pass twice in dark silhouette against the blind.
• 1:11
  Speaker 2: He was pacing the room swiftly, eagerly, with his head
• 1:15
  Speaker 2: sunk on his chest and his hands clasped behind him.
• 1:19
  Speaker 2: To me, who knew his every mood and habit, his
• 1:22
  Speaker 2: attitude and manner tells our own story, he was hot
• 1:25
  Speaker 2: on the scent of some new problem. I rang the bell,
• 1:29
  Speaker 2: and a few moments later, hind myself standing.
• 1:33
  Speaker 4: PoID Mary ex suits you Watson, looking splendid.
• 1:38
  Speaker 5: Chase yes, some time, fully, very wong and in practice again.
• 1:40
  Speaker 5: I see you didn't tell me that you've gone back
• 1:43
  Speaker 5: into Hannes.
• 1:44
  Speaker 4: How do you know?
• 1:45
  Speaker 5: I imagine, my dear Chap, if a gentleman walks into
• 1:47
  Speaker 5: my rooms and smelling a biodaform with a black mark
• 1:51
  Speaker 5: of nitrate of silvon his right forefinger and a bulge
• 1:54
  Speaker 5: on the left side of his hats to show where
• 1:57
  Speaker 5: he has secreted his steposcope, Hush, Bedelinde. I I didn't
• 2:00
  Speaker 5: pronounce him to be an active member the medical professional.
• 2:03
  Speaker 2: The same as their homes. By the way, I'm not interrupting.
• 2:07
  Speaker 4: You am I llow, but it's a most welcome interruption.
• 2:10
  Speaker 3: You're working on a new k.
• 2:12
  Speaker 4: It looks like it.
• 2:13
  Speaker 5: This letter arrived by the last person today, is undated
• 2:15
  Speaker 5: and has neither signature nor address.
• 2:18
  Speaker 4: Read it.
• 2:20
  Speaker 2: They will call upon you tonight to quarter to eight o'clock,
• 2:23
  Speaker 2: a gentlemen, who deserves to consult you upon a matter
• 2:27
  Speaker 2: of the very deepest moment. Your recent services to one
• 2:31
  Speaker 2: of the royal houses of Europe have shown that you
• 2:34
  Speaker 2: are one who may safely be trusted. This account of
• 2:38
  Speaker 2: you we have from all quarters received. Be in your
• 2:43
  Speaker 2: chamber then at that hour, and do not take it
• 2:46
  Speaker 2: amiss if your visitor wears a mask.
• 2:49
  Speaker 3: Quicks God. All sounds very mysterious. What do you imagine
• 2:53
  Speaker 3: it means?
• 2:54
  Speaker 4: Look carefully at the note, Watson, what you deduce from it?
• 2:58
  Speaker 2: Let's see all the man who wrote, if it was
• 3:00
  Speaker 2: presumably well to do, such a paper couldn't be bought
• 3:02
  Speaker 2: for under half a crowd of packet.
• 3:04
  Speaker 3: And it's peculiarly strong and stiff.
• 3:07
  Speaker 5: Peculiar that's the very word. It's not an English paper
• 3:11
  Speaker 5: at all.
• 3:12
  Speaker 4: Hold it up to the light.
• 3:13
  Speaker 2: You notice anything, Yes, there is a large eve with
• 3:17
  Speaker 2: a small G and a large G with a small
• 3:21
  Speaker 2: T woven into the texture.
• 3:23
  Speaker 3: Of the paper.
• 3:24
  Speaker 4: What does that suggest you the name of.
• 3:26
  Speaker 2: The maker, no doubt, or perhaps there is monogram.
• 3:29
  Speaker 4: Now that's all, my dear fellow.
• 3:30
  Speaker 5: The G with a small T stands for gazelle shaft,
• 3:34
  Speaker 5: which is the German for company, and the EG that
• 3:38
  Speaker 5: stands for Egrea, the German speaking country in Bohemia, not
• 3:41
  Speaker 5: far from Carlsbad.
• 3:42
  Speaker 3: So the paper was made in Bohemia.
• 3:44
  Speaker 4: Undoubtedly the man who wrote the note is a German.
• 3:47
  Speaker 3: How do you know that?
• 3:48
  Speaker 4: Observe the curious construction of the sentence.
• 3:51
  Speaker 5: This account of you we have from all quarters received.
• 3:55
  Speaker 5: A Frenchman or a Russian could not have written that.
• 3:58
  Speaker 5: It's the German who is so curtious to his verbs.
• 4:01
  Speaker 3: Oh there's your current. Now I'd better go home.
• 4:04
  Speaker 4: No, no, no, no, unless you have to o good
• 4:07
  Speaker 4: stay for ah then, my dear Chap.
• 4:08
  Speaker 5: Stay by all means I'm lost without my bus will
• 4:11
  Speaker 5: and this promise is to be interesting. I told missus
• 4:14
  Speaker 5: Hudson to let the mask visitor come upstairs unannounced.
• 4:19
  Speaker 4: Come in good evening, sir, you you received my note?
• 4:28
  Speaker 5: Yes, indeed, come in watch rooms her down. This is
• 4:31
  Speaker 5: my friend and colleague, Dr Watson. You may say anything
• 4:34
  Speaker 5: for poor him that you can say to me. Whom
• 4:37
  Speaker 5: have I the honor to address? Can he address me?
• 4:40
  Speaker 5: As a content cram? You must excuse this mask that
• 4:44
  Speaker 5: I hear the august person who employs me, which she
• 4:47
  Speaker 5: is his agent, to be unknown to you. And I
• 4:50
  Speaker 5: may confess at once that the title by which I
• 4:52
  Speaker 5: have just called myself is not exactly my own.
• 4:54
  Speaker 4: I was well aware of that fact, sir, you see,
• 4:57
  Speaker 4: mister Holmes.
• 4:57
  Speaker 5: Sir, as a matter I'm about to discuss, implicates the
• 5:02
  Speaker 5: great House of Ormstein, hereditary kings of bohem.
• 5:05
  Speaker 4: That had not escaped me either, sir.
• 5:07
  Speaker 5: In fact, if you will stake your case, I should
• 5:09
  Speaker 5: be better able to advise you. Your majesty, How did you?
• 5:16
  Speaker 4: Yes?
• 5:17
  Speaker 5: Yes, I am the king. Why should I attempt to
• 5:20
  Speaker 5: conceal it?
• 5:21
  Speaker 4: Why? Indeed, I shall remove the.
• 5:24
  Speaker 5: Mask there, mister Holmes, I have traveled incognito from Prague
• 5:32
  Speaker 5: for the express purpose of consulting you, and pray consult briefly.
• 5:35
  Speaker 4: The facts are these.
• 5:37
  Speaker 5: Some five years ago, during a visitor Warsaw, I meet
• 5:41
  Speaker 5: the acquaintance of the well known adventurests.
• 5:44
  Speaker 4: Irene Adler, Irene Adler.
• 5:46
  Speaker 3: We know of her, your man, sir, and.
• 5:48
  Speaker 5: Look her up an index for me, Willi Watson, it's
• 5:50
  Speaker 5: right beside you on the desk there. I imagined that
• 5:53
  Speaker 5: the name would not be unfamiliar to you.
• 5:55
  Speaker 3: Here we are, here, we are hey Abraham's acton Green
• 5:59
  Speaker 3: Hatchet murders Edler.
• 6:01
  Speaker 5: Eddler splendid him in the Pharaoh chap Thank YopE. Annie
• 6:07
  Speaker 5: Ndler born in New Jersey in the United States of
• 6:11
  Speaker 5: America in eighteen fifty eight, contralto MM Primadanna Imperial Opera
• 6:17
  Speaker 5: of warsaw Oh retired from our operatic stage living in London.
• 6:23
  Speaker 4: Quite so. And here's a recent notation. H huh.
• 6:27
  Speaker 5: Your majesty, as I understand, became entangled with this young person,
• 6:31
  Speaker 5: wrote her some compromising letters and is now desirous of getting.
• 6:33
  Speaker 4: Those letters back. Precisely so. But how was there a
• 6:37
  Speaker 4: secret merriage? None? No legal papers or certificates.
• 6:42
  Speaker 3: No.
• 6:42
  Speaker 4: Then I failed to follow your majesty.
• 6:44
  Speaker 5: If this young ladyship produced her letters for blackmailing purposes,
• 6:48
  Speaker 5: how she'd approved their authenticity. Here's the handwriting that could
• 6:52
  Speaker 5: be a forgery of men, but it was private modepaper,
• 6:54
  Speaker 5: stolen my own seal, imitated my photograph.
• 6:58
  Speaker 4: What a boat in the photograph? Oh dmb, yes, that's
• 7:03
  Speaker 4: very bad. Your majesty has indeed committed an indiscretion.
• 7:07
  Speaker 3: Did you inscribe this photograph, your mastery.
• 7:11
  Speaker 5: Yes, doctor Watson, I am afraid I did, mister Holmes.
• 7:15
  Speaker 4: It must be recovered.
• 7:16
  Speaker 5: Perhaps if you were to pay enough, the photograph might
• 7:18
  Speaker 5: be bought. She refuses to serve stolen that five attempts
• 7:22
  Speaker 5: have been made, twice burglars in my pal and sacked
• 7:26
  Speaker 5: our house once.
• 7:27
  Speaker 4: We diverted her luggage when she traveled twice. She has
• 7:30
  Speaker 4: been very late. There has been no result. That's quite
• 7:33
  Speaker 4: a pretty little problem. It is a deadly serious one
• 7:36
  Speaker 4: to me, your.
• 7:36
  Speaker 2: Majesty, What does miss Adlin tend to do with the
• 7:39
  Speaker 2: photograph to ruin me?
• 7:40
  Speaker 4: Nahauser help.
• 7:43
  Speaker 5: I am about to be married to the second daughter
• 7:45
  Speaker 5: of the King of Scandinavia. She is the soul of delicacy.
• 7:49
  Speaker 5: A shadow of a doubt as to my conduct would
• 7:53
  Speaker 5: bring the matter to an end, And I really Adler
• 7:56
  Speaker 5: threatens to send the photography of fiancespers Yes, and she
• 7:59
  Speaker 5: will do it rather than let me marry another woman.
• 8:02
  Speaker 5: There are no lengths to which she would not go none.
• 8:06
  Speaker 3: Are you sure she hasn't already sent it to your magic?
• 8:08
  Speaker 5: I am sure? And why she said she would send it?
• 8:11
  Speaker 5: And the day my betrothal is publicly announced That day
• 8:17
  Speaker 5: will be next Monday, splendid. Then we still have won
• 8:19
  Speaker 5: three days. Your majesty will of course stay in London
• 8:22
  Speaker 5: for the present. Certainly you would find me at the
• 8:25
  Speaker 5: Langham Hotel registered as count from Crown.
• 8:28
  Speaker 4: Are just two questions before you leave? Is the photograph
• 8:31
  Speaker 4: large or small? Quite large? And it was in a
• 8:35
  Speaker 4: heavy frame? I see? And what is ireny address?
• 8:39
  Speaker 5: London address News Greeny Lodge, seventeen Avenue, Saint John's. Would
• 8:44
  Speaker 5: thank you your majesty, good night, and I trust that
• 8:46
  Speaker 5: we shall soon have some good news for you.
• 8:47
  Speaker 4: I am placing all my hopes in you, mister Holmes.
• 8:50
  Speaker 4: Good night, good night, doctor Morrow.
• 8:52
  Speaker 3: Good night to your mergin snading problem homes.
• 8:58
  Speaker 4: I wish I could help you, you can, my dear Chap,
• 9:01
  Speaker 4: I should be gare of your company. So our first move, Holmes,
• 9:03
  Speaker 4: a good night's rest.
• 9:05
  Speaker 5: We'll meet here at ten o'clock tomorrow morning, and then, then,
• 9:07
  Speaker 5: my dear Fellawn, we will see what we can find
• 9:09
  Speaker 5: out about miss irene Idler, later the Warsaw Imperial Opera
• 9:13
  Speaker 5: Company and at present residing at Bryanny Lodge, Serpentine Avenue,
• 9:16
  Speaker 5: Saint John's Wood.
• 9:30
  Speaker 3: Well Holmes are Cashier.
• 9:31
  Speaker 2: Examination of Brownie Lodge didn't.
• 9:33
  Speaker 3: Prove very illuminating.
• 9:35
  Speaker 4: No visual residents.
• 9:36
  Speaker 5: That represents the essence of dignified suburbia, but tells us
• 9:40
  Speaker 5: very little about the owner. I think a visit to
• 9:43
  Speaker 5: the local public house might prove more instructive. Come on,
• 9:46
  Speaker 5: old Chap, I see the door of the coach and
• 9:49
  Speaker 5: horses inviting us from across the road.
• 9:53
  Speaker 2: Well, our disguises shouldn't cause any I suggested them in.
• 9:58
  Speaker 5: The character of a couple tables, I felt that we
• 10:02
  Speaker 5: might inspire confidence.
• 10:04
  Speaker 4: This is a falsey neighborhood.
• 10:06
  Speaker 5: There's a wonderful sympathy and freemasonry among that fraternity.
• 10:10
  Speaker 4: There we are. They'll let me do most of the talking.
• 10:13
  Speaker 2: Yes, well, I'm sure your accent will be more convincing
• 10:15
  Speaker 2: than Mother and Joy.
• 10:25
  Speaker 5: Well, worry me off of all them off, please, I
• 10:29
  Speaker 5: bet you, Charlie all at the time.
• 10:32
  Speaker 6: You were off of a hold a mile. Here we
• 10:45
  Speaker 6: are made here, help me in talent, have a drink.
• 10:48
  Speaker 6: Mothers coming out pot old body boy, you all of.
• 10:51
  Speaker 4: A ginnis you bloke shirt you around.
• 10:55
  Speaker 6: Here a yesh.
• 10:56
  Speaker 4: We had just come out from clapping TlAP. He mad,
• 11:00
  Speaker 4: he's looking at you.
• 11:04
  Speaker 3: You are union for.
• 11:06
  Speaker 4: Job as that's right.
• 11:07
  Speaker 5: Well we were telling that miss out across at Bryany
• 11:10
  Speaker 5: Lodge and needed a new coachman and groom.
• 11:12
  Speaker 4: Quirk's the first I've heard of it, but it might
• 11:15
  Speaker 4: be true.
• 11:16
  Speaker 6: Everybody over there.
• 11:17
  Speaker 4: Was no not yet. We thought we find out something
• 11:20
  Speaker 4: about the old God first, she ain't no old girl.
• 11:24
  Speaker 6: Maybe she's the pretty as young thing you ever saw
• 11:27
  Speaker 6: under a bonnet. And that's effect. I know her governor, Yeah,
• 11:31
  Speaker 6: of course I know. He used to drive a carriage.
• 11:34
  Speaker 6: I did before I come to work here.
• 11:37
  Speaker 5: What's she like?
• 11:38
  Speaker 4: We're nice little ladies. You'll find workyard, No, no, no, And.
• 11:43
  Speaker 6: She lives there quiet luck, goes out singing at concerts
• 11:47
  Speaker 6: once in a while, rest of the time it's money
• 11:50
  Speaker 6: for jam. She goes up for driving the park every
• 11:53
  Speaker 6: day at five and comes back to dinner at six thirty.
• 11:57
  Speaker 6: Rest to the times, I sha'n't manage to say it,
• 12:01
  Speaker 6: but she's got a bloke watch if that comes to
• 12:04
  Speaker 6: see her all the time.
• 12:06
  Speaker 4: He's a barrasser. Nice gentlemen.
• 12:08
  Speaker 5: Mister Jeffrey Norton is his name, and looking Philip wouldn't
• 12:12
  Speaker 5: be surprised to see him get nice chance.
• 12:14
  Speaker 4: I can ask pussy job to me.
• 12:15
  Speaker 5: Come on, Charlie, let's get over to the house and
• 12:17
  Speaker 5: see what's what much obliged to you?
• 12:19
  Speaker 4: Jump with good luck made thanks for.
• 12:28
  Speaker 3: What's what's our next move home?
• 12:30
  Speaker 5: Let's drove back to Brownie Lodge away and I'm decided
• 12:33
  Speaker 5: whether to continue my investigations there or to try and
• 12:37
  Speaker 5: find out something about mister Jeffrey North from the barristern.
• 12:41
  Speaker 5: If he is just her lawyer and nothing else, it's
• 12:43
  Speaker 5: more than likely that she's interested to put it out
• 12:45
  Speaker 5: to his safekeeping, said cab waiting outside. Missus, hurry, Watson,
• 12:49
  Speaker 5: Maybe mister Norton's are here.
• 12:52
  Speaker 4: We are, citate, yes, and here comes a man harding
• 12:56
  Speaker 4: down the pathway quickly. I just posed to listen. We're
• 13:01
  Speaker 4: too nigh.
• 13:02
  Speaker 7: Mister Norton tried right to devil, first to Gross and
• 13:05
  Speaker 7: Hankees in Regent Street, and then to the Church of
• 13:07
  Speaker 7: Saint Monica in the edge Road. Half a sovereign if
• 13:10
  Speaker 7: you do it in twenty minutes, write charmster Norton off me.
• 13:17
  Speaker 4: Crime signal to cab Watson, win us follow him.
• 13:20
  Speaker 3: Here comes one. No, no, no, doesn't it it's it's
• 13:22
  Speaker 3: a private carriage.
• 13:23
  Speaker 4: She said, does no doubt. But here she comes down
• 13:25
  Speaker 4: the pathway.
• 13:26
  Speaker 3: I can buy the post.
• 13:27
  Speaker 4: Watson, where come is.
• 13:33
  Speaker 2: That leads to Saint Monica, John and half a seven
• 13:36
  Speaker 2: if you reach it in twenty minutes.
• 13:41
  Speaker 4: Games quick, let's get a cabin. Follow them.
• 13:44
  Speaker 2: Here comes handsome Kenny, Hi, Hi, Kelly.
• 13:48
  Speaker 4: Have you brall's got enough money to take a care
• 13:50
  Speaker 4: half sovereign for you, my man?
• 13:52
  Speaker 3: Right?
• 13:52
  Speaker 4: Yah?
• 13:52
  Speaker 5: Where too, governor the Church of Saint Monica in the
• 13:54
  Speaker 5: Edgebury Road, and another half sovereign for you.
• 13:57
  Speaker 4: You can get us there in twenty minutes.
• 14:14
  Speaker 1: We'll hear the rest of doctor Watson's story in just
• 14:16
  Speaker 1: a second. But let me tell you something. If you're
• 14:19
  Speaker 1: going to have chicken for dinner tomorrow night or any night,
• 14:23
  Speaker 1: don't forget to serve that chicken with Petrie California so turned.
• 14:27
  Speaker 1: Believe me, Petree so turned is just about the last
• 14:30
  Speaker 1: word in white wines.
• 14:32
  Speaker 4: It's beautifully golden in color.
• 14:34
  Speaker 1: It's delicate and intriguing in flavor, and it's just well,
• 14:38
  Speaker 1: you taste it and see for yourself. If you want
• 14:41
  Speaker 1: a delicious white wine, you certainly wantch Petree.
• 14:44
  Speaker 3: So turned.
• 14:46
  Speaker 4: Doctor again.
• 14:47
  Speaker 1: You broke off your story at the most exciting point.
• 14:50
  Speaker 1: Did you and Sherlock Holmes reach that church inside the
• 14:52
  Speaker 1: twenty minutes?
• 14:53
  Speaker 4: Yes?
• 14:53
  Speaker 2: What about to tell her? We did, but the other
• 14:55
  Speaker 2: carriages were there before us. Holmes went into the church
• 14:58
  Speaker 2: after telling me to guard the outside. I must have
• 15:00
  Speaker 2: waited for ten minutes or more before mister Jeffery Norton
• 15:03
  Speaker 2: and miss Adler came out, spoke a few words to
• 15:06
  Speaker 2: each other, and then left then in the in their
• 15:09
  Speaker 2: separate conveyances. A moment later, Holmes, still dressed as a
• 15:13
  Speaker 2: stable hand, came striding out of the church and down
• 15:15
  Speaker 2: the steps towards me. He was, obviously say excited, what's
• 15:23
  Speaker 2: happy left here?
• 15:23
  Speaker 3: Since in separate cabs.
• 15:25
  Speaker 2: I overheard him say that he was going back to
• 15:27
  Speaker 2: his office, and she said, I shall drive out in
• 15:30
  Speaker 2: the park at five o'clock as.
• 15:31
  Speaker 4: Usual, splendid, and come on you can return to Big Street.
• 15:36
  Speaker 3: What happened inside the church homes?
• 15:38
  Speaker 5: They were married married, of course, the ceremony would have
• 15:41
  Speaker 5: been illegal if performed afternoon. That accounted for their wild
• 15:45
  Speaker 5: dash to the church. Jump into the cable clone, We're
• 15:47
  Speaker 5: too long over No two twenty one be bigger street.
• 15:51
  Speaker 3: Oh so so they got married? Then?
• 15:53
  Speaker 6: Yes?
• 15:53
  Speaker 4: And you may amuse you to know that I acted
• 15:55
  Speaker 4: as witness of the ceremony of did But how.
• 15:58
  Speaker 3: Did that happen?
• 15:59
  Speaker 4: They're own witness? It failed to a pier and I
• 16:01
  Speaker 4: was dragged into the breach.
• 16:02
  Speaker 5: He right gave me this sovereign as a memento. Think
• 16:06
  Speaker 5: I'll wear it on my watch chain in memory of
• 16:08
  Speaker 5: the case.
• 16:08
  Speaker 2: Not an amazing situation. Things begin to look better for
• 16:11
  Speaker 2: the King, doesn't there Now that she's missus Norton, the
• 16:14
  Speaker 2: chances are that she won't want to expose his majesty
• 16:17
  Speaker 2: after all, I hope.
• 16:18
  Speaker 4: So what's my hope? So though we can't have thought
• 16:20
  Speaker 4: to take any chances, I think the time is ripe
• 16:22
  Speaker 4: for us to come to closer grips with the lady.
• 16:35
  Speaker 3: Well Homes. Now that we've eaten. Perhaps you'll kill me your.
• 16:37
  Speaker 5: Plans preasure, my dear fellow man. While I'm so doing,
• 16:39
  Speaker 5: I'll proceed with the applying the makeup my new disguise.
• 16:42
  Speaker 5: Now that this guy is, I wants you to be
• 16:44
  Speaker 5: the character and appearance of an amiable, simple minded, nonconformist clergyman.
• 16:48
  Speaker 5: Would be the mist suited to my plan for entering
• 16:50
  Speaker 5: Miss Adler's house.
• 16:50
  Speaker 3: You're going to try and enter them.
• 16:52
  Speaker 4: I must make it, fellow.
• 16:53
  Speaker 5: I'm sure the photograph is there, Miss Handler, or rather
• 16:55
  Speaker 5: missus Norton, who will returned from her drive in the
• 16:58
  Speaker 5: park at six thirty. We must be a Brian a
• 17:00
  Speaker 5: lodge tomta and what?
• 17:01
  Speaker 3: Then?
• 17:01
  Speaker 4: You must leave that to me.
• 17:03
  Speaker 5: I've already made my arrangements. There is only one point
• 17:05
  Speaker 5: on which I must insist. You must not interfere.
• 17:07
  Speaker 3: Come.
• 17:08
  Speaker 4: What may you understand?
• 17:09
  Speaker 5: I'm to remain neutral. Yes, there will be some small unpleasantness.
• 17:12
  Speaker 5: Don't join in. It will end in my being conveyed
• 17:14
  Speaker 5: into the house. As soon as I'm able to, I
• 17:16
  Speaker 5: shall open one of the windows. You are to watch
• 17:18
  Speaker 5: from the outside. When I raise my hand, you will
• 17:20
  Speaker 5: throw an object that I shall give you through the window,
• 17:22
  Speaker 5: and at the same time cry fire be follow me.
• 17:25
  Speaker 3: What am I to throw?
• 17:26
  Speaker 4: It's nothing very formidable here it.
• 17:28
  Speaker 3: Is huh so you a great picture of God?
• 17:30
  Speaker 4: What is ordinary?
• 17:31
  Speaker 5: Plumbers smoke rocket that it with a cap at either
• 17:34
  Speaker 5: end to make itself lighting. Your task is confined to
• 17:36
  Speaker 5: throwing it through the window. When you raise the cry
• 17:39
  Speaker 5: of five will be taken up by quite a number
• 17:41
  Speaker 5: of people. You may then walk to the end of
• 17:42
  Speaker 5: the street and I'll rejoin you in ten minutes. I
• 17:45
  Speaker 5: hope I've made myself clear, perfect good and now ollow.
• 17:49
  Speaker 5: As soon as I've drawne my clericle attar, let's be
• 17:51
  Speaker 5: on our way. There's no time to be lost.
• 18:04
  Speaker 2: There's six thirty homes. You've been pacing up and down
• 18:07
  Speaker 2: in front of her house for half an hour.
• 18:09
  Speaker 3: Now. I hope she does come back.
• 18:11
  Speaker 4: I'm sure she will.
• 18:12
  Speaker 3: There seem to be a lot of loafers hanging around
• 18:14
  Speaker 3: a gate.
• 18:15
  Speaker 4: Or part of my conspiracy old jep. You'll see them
• 18:17
  Speaker 4: play their parts in a few minutes.
• 18:19
  Speaker 3: You still think the photograph is inside.
• 18:21
  Speaker 5: The house, Yes, it's sent first un likely that she
• 18:23
  Speaker 5: carries it about with her. Remember the king told us
• 18:25
  Speaker 5: there was a large frame picture, and also remember that
• 18:28
  Speaker 5: she planned to use it within a few days. It
• 18:31
  Speaker 5: must be where she can lay her hands on it.
• 18:32
  Speaker 5: It must be inside her house.
• 18:34
  Speaker 3: But her house has been burglar or pice.
• 18:36
  Speaker 4: I didn't know how to look.
• 18:38
  Speaker 3: How will you look?
• 18:39
  Speaker 5: I won't I'll get her to show me. She'll refuse,
• 18:41
  Speaker 5: won't be able to sh There comes the carriage. Now,
• 18:45
  Speaker 5: remember Watson, carry out my orders to the letter.
• 18:48
  Speaker 3: You can trust me.
• 18:50
  Speaker 4: Good luck. Blimey, here comes the duchess. Let's put out
• 18:55
  Speaker 4: of carpet. She might get us this way.
• 18:57
  Speaker 3: Put a shock.
• 18:58
  Speaker 4: Hey, hell, she no better than she ought that night.
• 19:05
  Speaker 4: We'll all come in and have a cover of.
• 19:10
  Speaker 3: Away. Please and get the lady through just cause.
• 19:13
  Speaker 4: Your color said the roadway around. You can't fail out, Fanny.
• 19:18
  Speaker 4: Take your nose out of it. Please, please, don't fight
• 19:23
  Speaker 4: about it. I'll tell you what I can stop more
• 19:26
  Speaker 4: listing the lady? Please? Ye, then how would you like
• 19:29
  Speaker 4: a fIF on the nose?
• 19:33
  Speaker 5: Oh?
• 19:33
  Speaker 4: He hit the poor man and then he ran away
• 19:35
  Speaker 4: the cows.
• 19:36
  Speaker 2: It is the purgimint.
• 19:37
  Speaker 3: Badly he is it, mamma, as he fell If you
• 19:39
  Speaker 3: ask me, he's that bad. He's fleeting something terrible. Can
• 19:43
  Speaker 3: we bring you in, MoMA? He can't lie here in
• 19:46
  Speaker 3: the street, of course, right mama, yeah.
• 19:50
  Speaker 6: Right hand?
• 19:51
  Speaker 3: Oh cool, Poor Phyllis.
• 19:57
  Speaker 4: Do you see what happened to him?
• 19:59
  Speaker 2: Mister I saw, my good woman a very convincing demonstration.
• 20:03
  Speaker 2: What do you mean, weren't you paid by a certain
• 20:06
  Speaker 2: gentlemen for this performance?
• 20:08
  Speaker 4: Oh he knows about it too. You must be a
• 20:11
  Speaker 4: friend of mister Sherlock Holmes.
• 20:13
  Speaker 3: I am.
• 20:14
  Speaker 4: How nice gentlemen you give us five barbered peeps to
• 20:17
  Speaker 4: for the night's work. We ain't through yet, though.
• 20:20
  Speaker 1: We've got to start yelling fower when somebody.
• 20:21
  Speaker 2: Tells us I'm not somebody, my dear lady. There's mister Holmes.
• 20:25
  Speaker 2: Now he's inside the house.
• 20:27
  Speaker 1: Yes, he's out in the window.
• 20:28
  Speaker 3: I was raising his hand. That's my signal how to
• 20:30
  Speaker 3: throw the rocket. There we are homes there you are.
• 20:52
  Speaker 3: You have the photograph, But I.
• 20:54
  Speaker 4: Know where it is. He showed me as I told
• 20:56
  Speaker 4: her she would.
• 20:57
  Speaker 3: I'm stood in the dark.
• 20:58
  Speaker 4: There's miss jel Chap.
• 20:59
  Speaker 5: When my comes tarted around the street, I had a
• 21:01
  Speaker 5: little moist red paint in my hand. My good friend
• 21:04
  Speaker 5: Alfred pretended to strike me. I tapped my hand to
• 21:06
  Speaker 5: my head and fell down.
• 21:07
  Speaker 4: Small trick.
• 21:08
  Speaker 3: Did I understand that? How did my throwing the rock?
• 21:10
  Speaker 3: It help?
• 21:11
  Speaker 4: It? All important, my dear fellow.
• 21:12
  Speaker 5: When a woman thinks her house is on fire, her
• 21:14
  Speaker 5: instinct is at once to rush for the thing that
• 21:16
  Speaker 5: she values most. I married one grabs her baby, and
• 21:19
  Speaker 5: unmarried one riches for her jawabox.
• 21:21
  Speaker 4: In this case, of course, it was the photograph.
• 21:24
  Speaker 5: Where was it in the recess in the living room,
• 21:26
  Speaker 5: just about the right hand bell call I caught a
• 21:28
  Speaker 5: glimpse of it as she drew it out. When I
• 21:31
  Speaker 5: made it known that the fire was a false alarm,
• 21:33
  Speaker 5: she replaced the photograph as soon as I was able to.
• 21:36
  Speaker 5: I had advised her that I was feeling well enough
• 21:38
  Speaker 5: to leave.
• 21:38
  Speaker 3: And didn't take the photographer.
• 21:40
  Speaker 6: No.
• 21:40
  Speaker 4: I felt that over precipitance of this stage might go
• 21:43
  Speaker 4: in everything.
• 21:43
  Speaker 3: What do we do now?
• 21:44
  Speaker 5: Right to the langamow tellon and formed his majesty of
• 21:46
  Speaker 5: what has happened? Then return with him here. After that,
• 21:49
  Speaker 5: my dear Chap, the case will be ended. This is
• 22:10
  Speaker 5: brandie large, your majesty Ash, I'm all impatience yourself and
• 22:14
  Speaker 5: the photographs will still be there, mister, I have every
• 22:16
  Speaker 5: reason to believe so, your majesty, mm I must confess
• 22:22
  Speaker 5: this is going to be something about what to use,
• 22:24
  Speaker 5: and I suggest that you let me do the talking,
• 22:26
  Speaker 5: your majesty, I think I know how to handle the lady,
• 22:37
  Speaker 5: mister Sherlock Holmes.
• 22:38
  Speaker 4: I believe, yes, I am, mister Holmes. But how did
• 22:41
  Speaker 4: you know? My mistress told me it would be likely
• 22:43
  Speaker 4: to call. She's left for the continent with her husband.
• 22:46
  Speaker 4: You mean she's left room in the papers and the
• 22:50
  Speaker 4: photographs all is lost? Will soon see follow me?
• 22:55
  Speaker 1: He said, you'd be looking for something.
• 22:57
  Speaker 4: I hope you'll find it.
• 23:01
  Speaker 5: This was their rope sliding panel behind it. H huh,
• 23:05
  Speaker 5: there it is, Yeah, it's it's the photographs here, mister Holmes.
• 23:13
  Speaker 5: There is a photograph, your majesty, but it's a photograph
• 23:17
  Speaker 5: of the lady alone.
• 23:18
  Speaker 4: He has a letter and it's addressed me.
• 23:21
  Speaker 5: I wanted to say, Holmes, my dear, mister Sherlock Holmes,
• 23:24
  Speaker 5: you really did it very well.
• 23:26
  Speaker 4: Until after the fire alarm, I had no suspicion.
• 23:28
  Speaker 5: But then, when I realized how I had betrayed myself,
• 23:32
  Speaker 5: I began to think I'd been warned that.
• 23:35
  Speaker 4: If the King employed an agent, he would certainly employ you.
• 23:38
  Speaker 5: May I congratulate you on your disguise as a du oldtrap.
• 23:42
  Speaker 2: Got you's much more color than your thought home.
• 23:44
  Speaker 4: Yeah, yeah, go on, what else does it see?
• 23:47
  Speaker 5: And my husband and I both thought of the best
• 23:49
  Speaker 5: recourse was flight. So you will find the nest empty.
• 23:54
  Speaker 5: As to the photograph of the King and myself, his
• 23:57
  Speaker 5: Majesty may rest in peace. Oh thank goodness for that.
• 24:00
  Speaker 5: I love and am loved by a better man. And
• 24:03
  Speaker 5: he I leave another photograph, however, that he might care
• 24:07
  Speaker 5: to possess, and I remain dear mister Sherlock comes very
• 24:11
  Speaker 5: truly yours. Irene Norton nay Adler. What a woman, Watson
• 24:18
  Speaker 5: water woman, what a magnificent woman. She fooled me completely.
• 24:21
  Speaker 5: But oh I I'm sorry, your majesty, I've been unable
• 24:25
  Speaker 5: to bring your business to a more successful conclusion. On
• 24:28
  Speaker 5: the contrary, my dear sir, nothing could be more successful.
• 24:32
  Speaker 5: I know that Irene's word is inviolate. The incriminating photograph
• 24:36
  Speaker 5: is now as safe as it did were in the fire.
• 24:38
  Speaker 3: Well, I'm glad to hear your Majesty says.
• 24:40
  Speaker 4: I am immensely indebted to you.
• 24:43
  Speaker 5: Pray tell me in front three I can reward you this,
• 24:46
  Speaker 5: this barrel ring that I wear.
• 24:48
  Speaker 4: I should be proud.
• 24:50
  Speaker 5: Your Majesty has something that I should value with Mohaley.
• 24:53
  Speaker 4: You have but to name it.
• 24:55
  Speaker 5: This photograph, Sir Irene's photograph. But certainly, however, you must
• 25:00
  Speaker 5: let me give you something more substantial. No, your majesty, this,
• 25:04
  Speaker 5: this is something I shall treasure all my life. This
• 25:07
  Speaker 5: and a golden sovereign I received from the lady's hand.
• 25:11
  Speaker 5: It will remind me that I was once tricked by
• 25:13
  Speaker 5: a woman, a woman that I shall never forget.