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Runaway Bride with Sophia Benoit · The Bechdel Cast

• 0:00
  Speaker 1: On the dol Cast. The questions asked if movies have
• 0:03
  Speaker 1: women inum, are all their discussions just boyfriends and husbands,
• 0:07
  Speaker 1: or do they have individualism the patriarchy ze invest start
• 0:12
  Speaker 1: changing it with the beck dol Cast interior podcast Studio afternoon.
• 0:21
  Speaker 1: Caitlin and Jamie wait quietly as they get the go
• 0:25
  Speaker 1: ahead from Aristotle to start, Hey, welcome to the Bechtel Cast. Hi.
• 0:31
  Speaker 1: I thought you're gonna keep going that. I was gonna
• 0:33
  Speaker 1: start breathing heavy. Then you stopped. It's gonna started breathing heavy. Yeah,
• 0:39
  Speaker 1: I kind of bailed on it, but don't build on
• 0:42
  Speaker 1: the bit. Well like me saying hey, welcome to the
• 0:45
  Speaker 1: Bechtel Cast was like Caitlin's dialogue. So then I was
• 0:48
  Speaker 1: just reading dialogue and then you came in with your dialogue. Well,
• 0:52
  Speaker 1: mine was an action line. More, it was like Jamie
• 0:55
  Speaker 1: begins to breathe heavily. True. Anyway, I'm Caitlin, I'm Jamie.
• 1:00
  Speaker 1: This is the Pectel Cast. Yeah it is. It's a
• 1:02
  Speaker 1: podcast about the portrayal of women in movies. We're here
• 1:07
  Speaker 1: today and we're talking about another movie. Man, We've got
• 1:12
  Speaker 1: to like kick out the energy. We gotta turn it
• 1:14
  Speaker 1: out to eleven right now, maybe I should have gotten
• 1:16
  Speaker 1: my mix hard. I'm gonna I'm gonna crank it up,
• 1:19
  Speaker 1: frank it Up. I have a song in my Spotify
• 1:21
  Speaker 1: called crank it Up. It's a theme to my favorite wrestler.
• 1:25
  Speaker 1: Who's your favorite wrestler? Who? Big show? Big show, big show.
• 1:30
  Speaker 1: He's big and he's at the show. He's very big.
• 1:33
  Speaker 1: He's a he's maybe seven feet tall. He's a giant.
• 1:36
  Speaker 1: Can we change the subject? He's a big show. Should
• 1:39
  Speaker 1: we introduce our guest? Yes? Cool, she's the best. She's
• 1:42
  Speaker 1: a comedian. She's a writer for a g Q. It's
• 1:45
  Speaker 1: Sofia Ben Hi. How are you good? How are you guys?
• 1:50
  Speaker 1: We're good. You have brought us a movie that we're
• 1:52
  Speaker 1: gonna be talking about. I almost called it The Princess Bride.
• 1:56
  Speaker 1: That's not it at all. What is it? Runaway Bride?
• 1:58
  Speaker 1: Runaway Bride? Tell us about why you picked this, what
• 2:03
  Speaker 1: it means to you, your history with this movie. So
• 2:05
  Speaker 1: I started talking to Jamie about movies that I loved,
• 2:08
  Speaker 1: and all of my movies are like very romantic comedies
• 2:13
  Speaker 1: from the nineties. That's the theme of that list, occasionally
• 2:17
  Speaker 1: seeping into like early two thousand's rom coms, Loder aimed
• 2:21
  Speaker 1: at teens. Uh So, after looking at that list, I
• 2:27
  Speaker 1: talked with Jamie and I thought this movie is probably
• 2:30
  Speaker 1: one of the earliest movies I ever saw that was
• 2:33
  Speaker 1: made for adults. I'm going to apologie as an advance
• 3:00
  Speaker 1: then and say that I'm sorry for how much I
• 3:03
  Speaker 1: hate this movie. Fine, I'm not mad. Yes, just wait.
• 3:11
  Speaker 1: I love a good shouting match, though, um, I don't
• 3:13
  Speaker 1: think it will get to that, but who knows. It's
• 3:15
  Speaker 1: the Bechtel Cast. Anything can happen. Do you think we'll
• 3:18
  Speaker 1: ever get into a fight, not like a yelling, like
• 3:20
  Speaker 1: a fistfight. I just imagine I want to get a fight.
• 3:25
  Speaker 1: You're going to flip a table a favorite wrestler, so
• 3:29
  Speaker 1: I would not fight you. It's true. I want to enlist. Yeah.
• 3:33
  Speaker 1: Big Show is about to retire. Oh god, we're talking
• 3:34
  Speaker 1: about this again. Oh my god. Okay, fine, let's talk
• 3:37
  Speaker 1: about Oh can I actually I wanted to clear see
• 3:40
  Speaker 1: if we're clear to discuss a topic that I would
• 3:43
  Speaker 1: love to talk about. But I don't know if everyone's
• 3:46
  Speaker 1: down Richard Gear's butt dribble. I'm so damn I'm here. Okay,
• 3:51
  Speaker 1: do you are you aware of the lore associated with
• 3:54
  Speaker 1: Richard Gear and the dribble within his ass? It sounds
• 3:56
  Speaker 1: vaguely familiar, but I don't really remember it's it's I
• 4:00
  Speaker 1: have the Snopes tab open right now. In regards to
• 4:03
  Speaker 1: Richard Gear and the gerbil, it's it reads. A hoary
• 4:08
  Speaker 1: urban legend reports a celebrity was taken to a hospital
• 4:11
  Speaker 1: emergency room to have a gerbil removed from his rectum,
• 4:16
  Speaker 1: and said celebrity was Richard Gear. Um Snope says it's false,
• 4:22
  Speaker 1: but I want to keep that hope alive. It wasn't
• 4:25
  Speaker 1: just that. Apparently there's like a sexual thing where you
• 4:29
  Speaker 1: put a gerb that episode of South Park of Okay,
• 4:33
  Speaker 1: that's from the rumor of him shoving a gerbil in
• 4:36
  Speaker 1: a tube of his ass, which is like they have
• 4:38
  Speaker 1: to be able to mechanically do that. By now, like
• 4:40
  Speaker 1: you can you can get it to that has something
• 4:43
  Speaker 1: moving inside of it, by you would say, like you mean,
• 4:46
  Speaker 1: it doesn't have to be a live animal animatronic. As
• 4:51
  Speaker 1: a mother of a hamster, I can endorse putting a
• 4:53
  Speaker 1: gerbil in your ass. Hey, let's talk about the movie. Okay.
• 4:56
  Speaker 1: You grew up with it, you like it a lot. Yes,
• 4:59
  Speaker 1: I'm not. I'm not like I think there's a huge
• 5:01
  Speaker 1: difference between your favorite movie and the best movie. Like
• 5:04
  Speaker 1: I definitely don't think this is a good movie, and
• 5:06
  Speaker 1: I would not. This is like on the edge of
• 5:08
  Speaker 1: what i'd make my boyfriend watch, Like if we had
• 5:12
  Speaker 1: just fought, or like he had done something kind of shitty,
• 5:15
  Speaker 1: I would definitely make him watch it, like his punishment. Yeah, Like,
• 5:18
  Speaker 1: it's not like, it's not like Cinderella Story where that's
• 5:21
  Speaker 1: like if he slept with somebody in front of my
• 5:23
  Speaker 1: face and I was like, we're watching Cinderella Story tonight.
• 5:26
  Speaker 1: It's my turn to pick a movie. But it's definitely
• 5:29
  Speaker 1: like he said something shitty about like my sister or
• 5:32
  Speaker 1: something like that, and I'm like, oh no, no, We're
• 5:34
  Speaker 1: watching a Julia Roberts movie. That's how I feel about
• 5:37
  Speaker 1: this film. That's good. That's good training it is he
• 5:41
  Speaker 1: knows how to behave don't pee on the rug, or
• 5:44
  Speaker 1: I'll make you watch a Julia Roberts movie. There's a
• 5:46
  Speaker 1: joke in the movie about being on the rug. That's
• 5:49
  Speaker 1: there is there is there's a joke in the movie
• 5:52
  Speaker 1: his ex wife has a new husband and he's laughing
• 5:57
  Speaker 1: on the rug and she's like, if you pee on
• 5:59
  Speaker 1: my right. That's the guy who's a limo driver and
• 6:01
  Speaker 1: the Princess Diaries. Hector Losy. He's in all Gary Marshall's movies,
• 6:06
  Speaker 1: weird like Friends. He's also like um in Pretty Woman,
• 6:10
  Speaker 1: which also are stars Julia Roberts and Richard Gear if
• 6:14
  Speaker 1: you're willing, all stars, which I am our stars are
• 6:18
  Speaker 1: also in that film together. Interesting, I well, because is
• 6:22
  Speaker 1: this doesn't even know? Is this the first time they
• 6:26
  Speaker 1: reunite since Pretty Woman? Or I think it's a sequel.
• 6:29
  Speaker 1: It's a Pretty Woman. Really? Yeah, I okay, I haven't
• 6:33
  Speaker 1: seen Pretty Woman in a long time. But so much
• 6:35
  Speaker 1: of this movie I had fun watching it. It was
• 6:38
  Speaker 1: very confusing, particularly towards the end, like the sequence of
• 6:42
  Speaker 1: events is just baffling. As a kid, there were things
• 6:46
  Speaker 1: that weren't sucked up about it that are now and
• 6:48
  Speaker 1: like that's really really packed up. Yeah, Caitlyn, do you
• 6:51
  Speaker 1: want to summarize it? Sure, we'll let me start by So, Jamie,
• 6:55
  Speaker 1: you hadn't seen this movie before, right? I had not neither,
• 6:58
  Speaker 1: did I? So I thought watched it recently. So the
• 7:02
  Speaker 1: story is ludicrous, It's fine, all right. Richard gear is
• 7:09
  Speaker 1: a calumnist at the USA Today and what a funny job.
• 7:14
  Speaker 1: He's like always trying to find his next story. He's like,
• 7:17
  Speaker 1: what do I write about? And he means this guy
• 7:18
  Speaker 1: in the bar. The guy's like, there's this lady she
• 7:21
  Speaker 1: runs away from weddings. Write a story about her. He's
• 7:24
  Speaker 1: a great idea, I'll do it. And in this world
• 7:27
  Speaker 1: everyone reads the columns in USA Today and yeah, and uh,
• 7:31
  Speaker 1: the columnists are famous. You can recognize him on the
• 7:34
  Speaker 1: street right there. What's your next story for USA Today?
• 7:40
  Speaker 1: So he writes this story about this woman who he
• 7:42
  Speaker 1: doesn't know, uh, and he ends up getting some facts wrong.
• 7:46
  Speaker 1: So the woman reads it a k. Julie Roberts, and
• 7:50
  Speaker 1: she's like, uh, got a fact check, sir. So she
• 7:53
  Speaker 1: writes a letter to the editor gets them fired because
• 7:57
  Speaker 1: he was yeah, by his ex wife because he said
• 8:00
  Speaker 1: she ran away from uh seven or eight weddings, but
• 8:03
  Speaker 1: it was only three. So you know, this very high
• 8:06
  Speaker 1: stakes story that he messed up a little bit. Getting fired.
• 8:10
  Speaker 1: That's a big mistake. What yours do you remember? Yeah? Okay,
• 8:17
  Speaker 1: so we were just coming up with Clinton presidency and
• 8:19
  Speaker 1: I feel like the world this was the news. You know,
• 8:22
  Speaker 1: like things were good back then. You have to remember that,
• 8:25
  Speaker 1: like what the standard of what's a news story is different?
• 8:28
  Speaker 1: That makes And also I do believe that that is
• 8:30
  Speaker 1: a story that would appears. Yeah, I don't know. I
• 8:35
  Speaker 1: believe that this story would be of interest. I don't
• 8:37
  Speaker 1: believe that Richard gear could make a living as a
• 8:41
  Speaker 1: USA Today a weekly columnist. That got me a little stuck.
• 8:44
  Speaker 1: But maybe maybe I don't know what the going rate
• 8:47
  Speaker 1: was in who knows, Right, it's not so much that,
• 8:50
  Speaker 1: um sure, it's like it's a human interest story that
• 8:53
  Speaker 1: might be seemed to some people. The fact that he
• 8:55
  Speaker 1: gets fired over like getting a few facts wrong in again,
• 9:00
  Speaker 1: what's a very low stake story. Like if he was
• 9:02
  Speaker 1: like like a story about North Korea, right, if he
• 9:06
  Speaker 1: wrote Kim Jong Il ran away from seven or eight weddings,
• 9:10
  Speaker 1: when Kim Jong Il and actually only run away from
• 9:12
  Speaker 1: three weddings, that would be a fireball offense, right anyway,
• 9:16
  Speaker 1: So he decides to go to this small town in
• 9:20
  Speaker 1: Maryland where this woman lives to get the story straight
• 9:24
  Speaker 1: once and for all. How he goes and he meets
• 9:28
  Speaker 1: her and she's like, you're a bad man, and he's like,
• 9:32
  Speaker 1: I'm just I'm here to Basically, he wants to see
• 9:36
  Speaker 1: her run away from another wedding because she's about to
• 9:38
  Speaker 1: get married again to Bob Christopher Maloney, Poor Bob. Bob
• 9:44
  Speaker 1: doesn't get the bud gets kicked around in this movie.
• 9:48
  Speaker 1: He's a good gunser cover pretty well from it. Which
• 9:50
  Speaker 1: is also an insane plot point that he's still two
• 9:53
  Speaker 1: days after he's dumped. He's like, you're the wedding that
• 9:59
  Speaker 1: should have been his wed which is the brightest part
• 10:01
  Speaker 1: of this movie. But why would you go? First of
• 10:06
  Speaker 1: all that that is a testament to Bob's resilience. He
• 10:09
  Speaker 1: bounces back immediately. He's like an emotion ferous. Yeah, he's
• 10:14
  Speaker 1: like an emotionless coach. You know, he doesn't have time
• 10:17
  Speaker 1: to put his feelings on the field, even when it
• 10:19
  Speaker 1: comes to Julia Robbert. That's true. That's true. Really have
• 10:21
  Speaker 1: to think about the fact that he's willing to give
• 10:23
  Speaker 1: it his all. There's this weird line of dialet when
• 10:26
  Speaker 1: he's at the wedding. Uh, well, I'm sorry, I like
• 10:29
  Speaker 1: just took us to the end of the It's I mean,
• 10:32
  Speaker 1: what happens in the middle almost nothing. They hate each
• 10:35
  Speaker 1: other then they start to like each other very abruptly,
• 10:37
  Speaker 1: might I add, but this specific or like, yeah, very abruptly.
• 10:42
  Speaker 1: But just a wedding dress though, let's put that out there.
• 10:44
  Speaker 1: If IDUs your wedding dress, that's a pretty serious step.
• 10:47
  Speaker 1: That's true. I mean, daddy, I would love someone to
• 10:50
  Speaker 1: just bring me a wedding dress. Amen, it brought me
• 10:53
  Speaker 1: a wedding dress. But like, all right, well we've already,
• 10:55
  Speaker 1: to quote Julia Robert's character, we've already got a date
• 10:59
  Speaker 1: and venue dress. I guess we should get married the okay,
• 11:06
  Speaker 1: So basically I do agree with you that basically nothing
• 11:10
  Speaker 1: happens for about forty five minutes except like Joan Cusack
• 11:14
  Speaker 1: gets upset at one point, but then she's fine. Uh
• 11:17
  Speaker 1: So there's like a Louis not even a character, it's
• 11:19
  Speaker 1: just Joan Cusack is in the movie. That's pretty much. Yeah,
• 11:23
  Speaker 1: like just upset and she's joaning out hard. In this movie,
• 11:26
  Speaker 1: she's like Peggy Fleming, not the ice skater. Yeah, what
• 11:29
  Speaker 1: a weird joke to make such a bad joke. It's
• 11:33
  Speaker 1: a terrible for like a romantic comedy. There's almost no
• 11:38
  Speaker 1: trace of comedy in this movie. I found nothing funny
• 11:43
  Speaker 1: about it. It's funny because her dad is an alcoholic.
• 11:47
  Speaker 1: That's funny. One funny line of the movie is when
• 11:50
  Speaker 1: her dad is drunk and calls the dog Porthole. I
• 11:53
  Speaker 1: think classroom joke, and I have considered getting a dog
• 11:58
  Speaker 1: and naming it Porthole. And no one will know what
• 12:00
  Speaker 1: I'm talking about. But to me, I'll be like from
• 12:01
  Speaker 1: run Away Brad. But then someone, someday someone will know,
• 12:04
  Speaker 1: and then you're going to be married by me a
• 12:06
  Speaker 1: wedding dress, right, and probably Richard Gear. Richard Gear. I
• 12:12
  Speaker 1: love Richard Gear so much. He's one of my faiths.
• 12:15
  Speaker 1: I don't care what he's done with Gerbils, but he's
• 12:19
  Speaker 1: so annoying in this movie. He's well, his character is
• 12:22
  Speaker 1: like why well okay. Questions about Richard Gear in this
• 12:27
  Speaker 1: movie include why did people not just ask him to leave?
• 12:32
  Speaker 1: And why and in particular, why is he allowed to
• 12:35
  Speaker 1: stay with Julia Roberts family. No, he stays at a
• 12:40
  Speaker 1: break in. She breaks into the hotel. Also, her family
• 12:43
  Speaker 1: loves everybody. Her family loves him, they trust him, they
• 12:46
  Speaker 1: love except for the dog Porthole, who barks at his
• 12:49
  Speaker 1: colorful hair. Crazy. That was a fun Frank. What a
• 12:53
  Speaker 1: fun Frank in this funny movie. It's like in Big
• 12:56
  Speaker 1: Fat Liar when they make Paul Giamatti blue. You're seeing
• 13:01
  Speaker 1: that it is that. It is like that. That's a
• 13:04
  Speaker 1: good movie. The one joke that I do like from
• 13:08
  Speaker 1: this movie is the pun that is the hair salon name,
• 13:12
  Speaker 1: which is curl Up and Die, but die spelled d
• 13:16
  Speaker 1: y e like hair die. I like that. And Peggy
• 13:20
  Speaker 1: Fleming's husband Corey has a radio show called Wake Up
• 13:24
  Speaker 1: with flem. Yeah, that's another good that was exciting thrill.
• 13:30
  Speaker 1: There's some small town charm in this movie. I just
• 13:33
  Speaker 1: I felt I felt so bad for Bob. Okay, so
• 13:36
  Speaker 1: there at is it the wedding rehearsal. Richard Gear is
• 13:40
  Speaker 1: allowed to be there because Julie Roberts is like, give
• 13:43
  Speaker 1: me money for a nice dress and I'll let you
• 13:47
  Speaker 1: tag along for the third act of this movie. And
• 13:51
  Speaker 1: then they're at Julia and Bob's rehearsal and they're like,
• 13:57
  Speaker 1: rig your gear, you be the priest. They make him
• 14:00
  Speaker 1: be the groom, and then Bob is going to be
• 14:02
  Speaker 1: the priest so that he can watch her walk down
• 14:04
  Speaker 1: the aisle and not break eye contact with her because
• 14:06
  Speaker 1: they set up that like that's the only way she'll
• 14:08
  Speaker 1: marry you is if you don't break eye contact. That
• 14:11
  Speaker 1: and what a terrifying president of the It's so it's
• 14:18
  Speaker 1: like it is kind of funny how even Julia Roberts accepts, like, yeah,
• 14:23
  Speaker 1: if you don't make eye contact with me, I might
• 14:25
  Speaker 1: I might just leave. And there are times where she
• 14:28
  Speaker 1: and Richard gear A like, Okay, this is a bit much.
• 14:31
  Speaker 1: Your guys are making fun of me too much, but
• 14:33
  Speaker 1: like she still is like, yeah, I run away from
• 14:36
  Speaker 1: a lot of weddings. What's interesting too, is that this
• 14:38
  Speaker 1: was right around the time that she had left Keefer
• 14:42
  Speaker 1: Sutherland at the Altar two days before their wedding in
• 14:45
  Speaker 1: real life. No way, Yeah, she did that during the
• 14:48
  Speaker 1: filming of the movie Hook, and she like ran away
• 14:51
  Speaker 1: from the filming and like went to London and Steven
• 14:53
  Speaker 1: Spielberg had to go get her because she was running
• 14:57
  Speaker 1: away from a wedding from Keefer Sutherland. Whoa god, I
• 15:00
  Speaker 1: had no idea. That really brings a whole fun element too,
• 15:05
  Speaker 1: I had no idea. Wow, poor Kiefer know he's had
• 15:09
  Speaker 1: quotes about it later that was like I understand why
• 15:11
  Speaker 1: I'm like I know you cry every night, Roberts. God,
• 15:16
  Speaker 1: oh man, but what a what a strong showing of
• 15:19
  Speaker 1: of of manly strength. But but okay, So, how Richard
• 15:24
  Speaker 1: Gear and Julia Roberts finally get together romantically is that
• 15:30
  Speaker 1: Richard Gear is standing in for Bob because Bob is
• 15:32
  Speaker 1: practicing making eye contact like a good husband. And Richard
• 15:39
  Speaker 1: Gear and Julia Roberts kiss for like forty five seconds.
• 15:44
  Speaker 1: It's so long, it's so uncomfortable, and you don't see
• 15:47
  Speaker 1: it coming, and everyone in the at the rehearsals like
• 15:51
  Speaker 1: what is going on? Like Bob starts to flip out rightfully,
• 15:56
  Speaker 1: so he's practicing eye content and he's like doing the
• 16:00
  Speaker 1: right thing. Then you know, Bob is like we're breaking up,
• 16:05
  Speaker 1: you know, goodbye, And then Julie Roberts and Mr just
• 16:09
  Speaker 1: shrug it off, you know, don't go after Bob, and
• 16:13
  Speaker 1: we start planning. I was like, this is the meanest,
• 16:17
  Speaker 1: most fucked up, toxic thing I've ever seen in my life.
• 16:21
  Speaker 1: I want to see what happens next. Well, the reason
• 16:24
  Speaker 1: that no one saw it coming that they're suddenly kissing
• 16:27
  Speaker 1: is it it's a poorly written story beat, Like there's
• 16:30
  Speaker 1: no build up, there's no like it's just to me.
• 16:33
  Speaker 1: It was just like all right, no, they're kissing now
• 16:35
  Speaker 1: at this rehearsal. It's very sudden. And then they're like,
• 16:39
  Speaker 1: all right, yeah, Bob's gone. Now I have a dress,
• 16:43
  Speaker 1: I have the church, I have the date blocked off
• 16:45
  Speaker 1: on my calendar. Why don't you and I get married?
• 16:48
  Speaker 1: Guy who I hated until two moments ago. Have you, guys,
• 16:51
  Speaker 1: not ever seen any other romance and comedies? I mean
• 16:56
  Speaker 1: this one. No. I mean I love a good roman to,
• 17:00
  Speaker 1: I love all of them, particularly the j LO one,
• 17:04
  Speaker 1: but but this one, this one, the change was so
• 17:07
  Speaker 1: abrupt that even in as a as a rom com lover,
• 17:11
  Speaker 1: I was like, wait a second, this is yeah. And also,
• 17:14
  Speaker 1: Julia Roberts way to make it clear immediately that you
• 17:17
  Speaker 1: were not invested in marrying Bomb even a little, because
• 17:20
  Speaker 1: the second he was like I don't know, She's like,
• 17:23
  Speaker 1: you're right, I'm gonna marry this guy. I do think
• 17:26
  Speaker 1: it's kind of reasonable because there's the two hottest people
• 17:28
  Speaker 1: in that town, so you knew they were going to
• 17:30
  Speaker 1: That's true if you're the two hottest people. Even if
• 17:33
  Speaker 1: someone's about to get married to someone else, you're like, well, yeah,
• 17:35
  Speaker 1: someone hotter comes along, you're like, well, we don't know.
• 17:37
  Speaker 1: We never got to see Bob in the suit. That's true.
• 17:39
  Speaker 1: If maybe he could not like a Kendall, like even
• 17:43
  Speaker 1: down to his hole anatomy, like probably he's just this
• 17:46
  Speaker 1: non sexual but very fit man. He's got a sex lump.
• 17:50
  Speaker 1: He doesn't have a venus. I think that's true. He's
• 17:53
  Speaker 1: got a sex lump that it's really hot. But then
• 17:56
  Speaker 1: it's yeah, that's how I imagine Bob and his sexuality.
• 18:02
  Speaker 1: But then if you give him a little kiss, it
• 18:04
  Speaker 1: cools downs. A little kiss um, Caitlin's triggered. Triggered. Uh no,
• 18:12
  Speaker 1: I just this movie is so profoundly stupid to me.
• 18:15
  Speaker 1: I thought it was fun and also just like another
• 18:18
  Speaker 1: there's just like a lot of really like bigger than
• 18:21
  Speaker 1: usual round calm hard lefts where at first it's like
• 18:25
  Speaker 1: it is funny because her dad's an alcoholic, but then
• 18:27
  Speaker 1: very suddenly it's like it's set because her dad's an alcoholic,
• 18:31
  Speaker 1: and then by the end it's like it's kind of
• 18:33
  Speaker 1: funny an alcoholic to be fair as somebody who has
• 18:36
  Speaker 1: a dad who's an alcoholic. I feel like that's really
• 18:39
  Speaker 1: the emotional journey it's like, okay, alright, well it's kind
• 18:43
  Speaker 1: of funny. Well that was a good joke. Thank you
• 18:45
  Speaker 1: for providing a punchline for my childhood and read can
• 18:49
  Speaker 1: we talk about this movie is two hours long? Is it? Yeah?
• 18:54
  Speaker 1: Roncom should not be longer than like an hour forty tops.
• 18:58
  Speaker 1: This movie is cloud in just under two hours, and
• 19:01
  Speaker 1: it's there is a long period where nothing really happens,
• 19:04
  Speaker 1: but it's all it's it's that's when they do all
• 19:06
  Speaker 1: the round calm goofs and Pratt falls and laughs. You
• 19:10
  Speaker 1: really have to get all the information about that small
• 19:12
  Speaker 1: town in there, and like Hail Maryland. If you can't
• 19:16
  Speaker 1: get all of the shots of har Hail Maryland. And
• 19:18
  Speaker 1: there's us a line called curl up and Die, and
• 19:21
  Speaker 1: he's like playing with the barbershop quartet, and it needs
• 19:24
  Speaker 1: like the baker woman Betty Betty Trap. I kind of
• 19:29
  Speaker 1: shipped her and Bob but then and she's married. But
• 19:32
  Speaker 1: well there's that other there's that girl, that horny woman
• 19:35
  Speaker 1: who chases after Bob and it's like Bob, oh may
• 19:39
  Speaker 1: this is a bad time, but here's my phone, and
• 19:41
  Speaker 1: they're just like see look, people are already excited for you.
• 19:44
  Speaker 1: I'm like, dude, just got broken up with, like left
• 19:46
  Speaker 1: at the alder by. You if that don't shout encouraging
• 19:50
  Speaker 1: things that poor bob, Bob's needs so much. Therapy means
• 19:53
  Speaker 1: so much. Julie, do you think he and Julia Roberts
• 19:57
  Speaker 1: have ever had sex? No, she didn't know. He has
• 20:01
  Speaker 1: a sex lump. Theyve he springs himself upon her on
• 20:06
  Speaker 1: the floor of their kitchen. I think that probably like
• 20:12
  Speaker 1: because he has a sex in wrestling, not the same thing.
• 20:14
  Speaker 1: Oh no, no, no, we've known. We've found one of
• 20:19
  Speaker 1: Caitlin's spots. My my sex name is big Show, Big Show.
• 20:24
  Speaker 1: He's got beard right now. The woman who I think
• 20:27
  Speaker 1: it's the same character who runs after him right after
• 20:30
  Speaker 1: he's gotten broken up with is it her cousin who
• 20:33
  Speaker 1: introduces herself in the movie as I'm Maggie's unmarried cousin.
• 20:39
  Speaker 1: That's how I introduced myself. I'm Caitlin Comma. She's making
• 20:44
  Speaker 1: a joke, not a good one, but a joke about
• 20:47
  Speaker 1: not being married because he's writing the column about getting
• 20:49
  Speaker 1: married a bunch of times. It's not a clear or
• 20:51
  Speaker 1: good joke, admittedly, and it sounds just stupid. But maybe
• 20:58
  Speaker 1: maybe she just wants to put it on into the
• 21:00
  Speaker 1: He also was hot, so maybe they're trying to set
• 21:02
  Speaker 1: up that, like she's being like, I'm single. You know, Yeah,
• 21:05
  Speaker 1: I felt for well, I guess I didn't really feel
• 21:09
  Speaker 1: for Joan Ki sax role in this movie is fun
• 21:13
  Speaker 1: because she was. I mean, I feel like she's sort
• 21:15
  Speaker 1: of gets better roles now, but she was like the
• 21:18
  Speaker 1: Judy Greer of her time. She's never had a she's
• 21:21
  Speaker 1: never had a starring role in a movie, like I literally,
• 21:24
  Speaker 1: really my boyfriend. I have gone through her im v
• 21:25
  Speaker 1: P page looking for She's like, he's always like a
• 21:28
  Speaker 1: sport you never had to start. Like. She's huge. Everyone
• 21:30
  Speaker 1: knows who she is and she's never had a movie
• 21:32
  Speaker 1: where she's School of Rock. She's in everything. She's my dreams.
• 21:38
  Speaker 1: I want her to be true Detective season three. It's
• 21:40
  Speaker 1: just her. Yeah, just dude, that would be great. She
• 21:45
  Speaker 1: oh man, she's due for what does the Yes, yes,
• 21:50
  Speaker 1: it's going to be a Joan. I kept wanting to
• 21:54
  Speaker 1: say Black Snake Moone, but that's not the movie that
• 21:57
  Speaker 1: that Matthew mcconnughey was good. And when what's the one
• 22:01
  Speaker 1: where he's Alice Buyer's Club, Yeah, Dallas Fire's Club for
• 22:06
  Speaker 1: Black Snake Moon three words maybe three word titles there.
• 22:11
  Speaker 1: But but Jon's role. Joan is clearly caught in one
• 22:15
  Speaker 1: of those weird hometown friendships that has run its course.
• 22:18
  Speaker 1: But there's not anyone else to be friends with, and
• 22:21
  Speaker 1: so she's letting Julia Roberts just wave her nips at
• 22:27
  Speaker 1: Corey and and it ends up being like but and
• 22:33
  Speaker 1: it becomes an issue too, and I'm like, oh, is
• 22:35
  Speaker 1: this a b plot? Where? Where where is this going? Nowhere?
• 22:40
  Speaker 1: Joan qus just like it's interest just what you're like.
• 22:43
  Speaker 1: It's just what you're like. It's fine. I was like, man, John,
• 22:46
  Speaker 1: stand up for yourself. I do wish I'd gone further, admittedly,
• 22:49
  Speaker 1: but I think it's an interesting question of like a
• 22:51
  Speaker 1: lot of people have friends that are really flirtatious and
• 22:53
  Speaker 1: it's like very uncomfortable where you're like, I don't really
• 22:55
  Speaker 1: know what to do, right, And Joan is so nice
• 22:58
  Speaker 1: and she loves Julia Roberts so much, but there that's
• 23:02
  Speaker 1: like the attitude of everyone towards Julia Roberts in that
• 23:05
  Speaker 1: hometown of like this is just how she has what
• 23:08
  Speaker 1: she does. No one offers any advice or help from
• 23:14
  Speaker 1: a storytelling point of view, the fact that like opportunities
• 23:18
  Speaker 1: for tension just aren't capitalized on very much. Like she's like,
• 23:23
  Speaker 1: do I flirt with your husband? And she's like yeah,
• 23:25
  Speaker 1: but it's okay. Like there could be just like more
• 23:28
  Speaker 1: conflict intention from the opportunities like this, but they don't
• 23:32
  Speaker 1: milk it, and it just that makes it for just
• 23:34
  Speaker 1: not a very interesting story to me. I mean, it's
• 23:37
  Speaker 1: good that Joan and Corey are secure enough in their
• 23:39
  Speaker 1: marriage that they don't need to make a thing of it, sure,
• 23:42
  Speaker 1: but also i'd be like Corey made cool a little
• 23:45
  Speaker 1: bit cool on Julia. I mean I think the point
• 23:48
  Speaker 1: of that is like that everyone in the town is
• 23:50
  Speaker 1: in love with her because she's like the only hot person,
• 23:52
  Speaker 1: right right, I mean like that's like the guy the
• 23:55
  Speaker 1: desk guard let her lets her into the hotel room
• 23:58
  Speaker 1: of Richard Gears Like she flashes us. She's like, you're
• 24:02
  Speaker 1: commit a felony. Bacon bacon enter, that's fine. Can we
• 24:06
  Speaker 1: talk about the eggs? I was hoping that this came out,
• 24:08
  Speaker 1: Thank god, motif. Wait what her Viking? The eggs like
• 24:12
  Speaker 1: every time with the guy she likes the kind of
• 24:15
  Speaker 1: eggs that they like. She doesn't know how to be
• 24:17
  Speaker 1: your own person. It's a metaphor, what's there? It's beautiful.
• 24:23
  Speaker 1: I think about that all the time. Every time I'm
• 24:25
  Speaker 1: eating eggs, I think about Julie Robertson, Like do I
• 24:27
  Speaker 1: even like these eggs? Or just a guy? I want
• 24:28
  Speaker 1: to like these written It's crazy that Richard gear says
• 24:32
  Speaker 1: a word for word three separate times. Oh yeah, how's
• 24:35
  Speaker 1: she like her eggs? Shouted at men as they're leaving
• 24:40
  Speaker 1: a room. Oh yeah, you think here are how she
• 24:43
  Speaker 1: like her eggs? I think I'm going to get that
• 24:45
  Speaker 1: tattooed on my eggs like her eggs. Ram turns out
• 24:50
  Speaker 1: she likes eggs Benedict. Yeah yeah, but she tries all
• 24:54
  Speaker 1: kinds of eggs on her own when she's finally single.
• 24:56
  Speaker 1: She finally learned being single when you figured any kinds
• 25:00
  Speaker 1: of eggs I want, When you figure out what kind
• 25:02
  Speaker 1: of eggs you like, that's when you know you fixed yourself. Yeah,
• 25:05
  Speaker 1: i'd be like you want, I like over easy. I
• 25:07
  Speaker 1: do think they're the moral of the story. What they
• 25:09
  Speaker 1: were going for is a good moral of like you
• 25:12
  Speaker 1: have to learn how to be alone and who you
• 25:13
  Speaker 1: are and not with other people. That's like a good moral.
• 25:17
  Speaker 1: That's not the moral of most romcoms, how to cook
• 25:20
  Speaker 1: your own eggs, because most romcoms are the opposite, where
• 25:22
  Speaker 1: they're like this independent woman who doesn't want a man. Instead,
• 25:25
  Speaker 1: they leaned into being like, okay, there are people that
• 25:28
  Speaker 1: like give themselves up for sure whoever they're with. But
• 25:32
  Speaker 1: I feel like that would have hit a little more
• 25:34
  Speaker 1: if she had not married, or if this have been
• 25:37
  Speaker 1: a good movie. Right, But I mean, that's not why
• 25:40
  Speaker 1: we're here. It's just a saying like it's a good
• 25:43
  Speaker 1: lesson poorly executed because her character is like who I
• 25:49
  Speaker 1: can't even describe her. They're like, she's quirky, but is
• 25:52
  Speaker 1: she not really She's still kind of just well, according
• 25:55
  Speaker 1: to John Cusack, she's quirky, and that's different from weird, right,
• 25:59
  Speaker 1: which is also different from what was souther adjective thrown
• 26:02
  Speaker 1: around the net scene. I remember, you know, because Julia
• 26:04
  Speaker 1: Robberts says like I'm weird, which, first of all, grow up,
• 26:09
  Speaker 1: She's like, I'm weird, and then John kiss like, you're
• 26:12
  Speaker 1: not weird, You're quirky. It's different, very darings. Yeah, but
• 26:17
  Speaker 1: with with Joan. Joan uses another word to describe herself.
• 26:21
  Speaker 1: It feels like she's selling herself short. Yet again, I
• 26:25
  Speaker 1: agree that I wish Joan would have been the star
• 26:26
  Speaker 1: of this movie. If that's what you're leading to. My god,
• 26:29
  Speaker 1: I would love if Joan were the star of this movie.
• 26:32
  Speaker 1: But to loop back into the thing of like her
• 26:33
  Speaker 1: not ending up with Richard Gear, her point when she
• 26:36
  Speaker 1: was like, here's why I couldn't marry you is because
• 26:38
  Speaker 1: with the first three guys, they didn't know who I was.
• 26:41
  Speaker 1: And then with this marriage, when I tried to marry
• 26:44
  Speaker 1: you the first time, you knew who I was, and
• 26:46
  Speaker 1: that scared me because I didn't know who I was.
• 26:48
  Speaker 1: I have to go find myself. And then she finds
• 26:50
  Speaker 1: something she's like, I'm ready, So it's not like entirely
• 26:53
  Speaker 1: she sells her lamps and she knows who she is now.
• 26:56
  Speaker 1: By the way, I love how they say in the
• 26:59
  Speaker 1: early early in the movie that her degrees in industrial design,
• 27:03
  Speaker 1: which I think whoever wrote this movie thinks that that
• 27:06
  Speaker 1: means that you take industrial looking things and design them
• 27:10
  Speaker 1: into stuff, which is not what industrial design is. But
• 27:14
  Speaker 1: that's funny way to go, is it. Gary Marshall who
• 27:17
  Speaker 1: wrote this, he directed it. Jose Anne mckimmon and Sarah
• 27:23
  Speaker 1: two women. Never again? Should that happen? Can we? Okay?
• 27:29
  Speaker 1: One thing that I really do want to talk about
• 27:31
  Speaker 1: is Julia and Richards. I don't remember the character's names.
• 27:36
  Speaker 1: Maggie and Ike's first wedding where she does run away.
• 27:41
  Speaker 1: That is a very funds I did not think she
• 27:44
  Speaker 1: was going to run away. Here's the thing. I thought
• 27:47
  Speaker 1: that that was going to be the end of the movie.
• 27:49
  Speaker 1: Turns out there are twenty more minutes. Anyways, she does
• 27:52
  Speaker 1: run away, and then there's an amazing extended product placement
• 27:58
  Speaker 1: for FedEx. It say, absolutely amazing. Down to Yeah, down
• 28:02
  Speaker 1: to they say what the slogan for FedEx was at
• 28:06
  Speaker 1: the time. Yeah, because he's like tomorrow morning. Right. But
• 28:15
  Speaker 1: she Julia Roberts runs away from Richard Gear after Richard
• 28:18
  Speaker 1: Gear shouts when she starts to leave, lock the doors,
• 28:22
  Speaker 1: which trapper stop her, keep her here against her will.
• 28:26
  Speaker 1: That's what marriages. This ceremony can recover from what's happening
• 28:30
  Speaker 1: right now. The ceremony can recover from the bride not
• 28:33
  Speaker 1: wanting to get married, right like, yeah, just about face,
• 28:36
  Speaker 1: she went the wrong way. She's going to marry me.
• 28:38
  Speaker 1: We know each other for two whole weeks. What I
• 28:41
  Speaker 1: do think it's crazy is at the very very end
• 28:43
  Speaker 1: when they get married again, like for real, this time,
• 28:46
  Speaker 1: she did it, she goes through with it, she buys
• 28:48
  Speaker 1: another fucking dress. Oh yeah, yeah, that's true. And they're
• 28:53
  Speaker 1: not on that kind of budget. She works at a
• 28:55
  Speaker 1: hardware story here, he's a USA Today columns not anymore.
• 28:58
  Speaker 1: He got fired. Here's tell that story to g Q.
• 29:01
  Speaker 1: I guess is if g Q would want what do
• 29:04
  Speaker 1: you think? What do you think would want that as
• 29:07
  Speaker 1: a cover story. I think I think they would. Why not?
• 29:11
  Speaker 1: Why not? I had it? That's like if Daniel from
• 29:15
  Speaker 1: the Vans, you know, Damn Daniel, if he ran away
• 29:19
  Speaker 1: from a wedding. I think we don't want to know
• 29:22
  Speaker 1: Dan Daniels runaway wedding. They didn't have internet celebrities back then.
• 29:25
  Speaker 1: They just had like, you know, newspaper celebrities, right. I
• 29:28
  Speaker 1: feel like the last celebrity of the runaway brad Kind
• 29:31
  Speaker 1: was that astronaut who are a diaper? Agreed? And I
• 29:35
  Speaker 1: love her, actually, I love her. Talked about her with
• 29:37
  Speaker 1: somebody the other day. She's really important. We should we
• 29:41
  Speaker 1: should have her on the show. It's not my show,
• 29:42
  Speaker 1: but we should have we should, we should we should
• 29:44
  Speaker 1: bring her into the fault a little more because she
• 29:47
  Speaker 1: I mean, if we're going to talk, we usually say
• 29:50
  Speaker 1: women in STEM at least once every podcast because we're
• 29:53
  Speaker 1: allies and we love women in STEM. You can get
• 29:55
  Speaker 1: specific women in STEM rule, but also asked for not
• 29:59
  Speaker 1: women diapers, run away bride. Really, she's she ran towards
• 30:04
  Speaker 1: lost she was, and there were no time for bathroom
• 30:08
  Speaker 1: breaks and her journey. I respect that. I respect the
• 30:12
  Speaker 1: funk out of that. I don't know if I'm not
• 30:14
  Speaker 1: familiar with this story. O, man, we'll have to talk.
• 30:18
  Speaker 1: It's going to be a long time. I'll look it
• 30:20
  Speaker 1: up on my own. The overview is like there were
• 30:22
  Speaker 1: two astaurants at NASA, a woman and a man, and
• 30:25
  Speaker 1: then he started dating somebody else and she got really
• 30:27
  Speaker 1: mad about it. So she drove like something unreasonable, like
• 30:30
  Speaker 1: eleven hours something, wearing a diaper to go confront him
• 30:35
  Speaker 1: and like attack the woman. And so she was charged
• 30:38
  Speaker 1: with like, oh, planning to murder something. I think I
• 30:41
  Speaker 1: assumed that she was wearing a diaper in space, like
• 30:45
  Speaker 1: space diaper. Oh no, no, no, no, no, diapering up
• 30:49
  Speaker 1: a real, a real she was in a car and
• 30:53
  Speaker 1: she's like, I gotta get their ACEP. No time to
• 30:55
  Speaker 1: pull over for arrest, stop piss and ship myself for True,
• 31:02
  Speaker 1: she might have like not eaten, you know, just like
• 31:05
  Speaker 1: made sure she was fine. Yeah, it was premeditated. So wait,
• 31:08
  Speaker 1: you know, she might have been a really big planner.
• 31:11
  Speaker 1: It seems like it. I mean, you've got to be
• 31:13
  Speaker 1: meticulous if you're an astronaut. True, maybe she had the
• 31:16
  Speaker 1: diapers already. She's never know when you're space diapers and face. Yeah.
• 31:24
  Speaker 1: Maybe yeah, maybe that's her road trip thing. And it's
• 31:26
  Speaker 1: not a bad idea for a road trip, and the
• 31:27
  Speaker 1: failing press did not point that out waymestream media, extream media.
• 31:33
  Speaker 1: Why isn't there a movie about her? That's the Really,
• 31:36
  Speaker 1: that's a million dollar question. That's crazy. All right, it'll
• 31:40
  Speaker 1: look at the life rights and then i'll make sure
• 31:43
  Speaker 1: it passes the bike. They'll test. Yeah, oh my god,
• 31:45
  Speaker 1: every line of dialogue will be passing the test. I
• 31:49
  Speaker 1: do like that she proposes once she runs away from
• 31:54
  Speaker 1: the wedding the first time. I kind of like that scene. Yeah, Um,
• 31:58
  Speaker 1: I don't necessarily like the scene, but I'm so sorry
• 32:00
  Speaker 1: that I hate this movie so much. I don't like
• 32:02
  Speaker 1: the scene, but I like the woman being the one
• 32:06
  Speaker 1: to propose. I thought they do that with Julia Roberts
• 32:09
  Speaker 1: a lot, it seems like, because I'm also in notting Hill.
• 32:11
  Speaker 1: She is like very much the male the character. She's
• 32:14
  Speaker 1: very unlikable in that movie, which I love, like she's
• 32:17
  Speaker 1: not fun and like kind and she's successful and he's
• 32:21
  Speaker 1: kind of a bumbling idiot. So they kind of did
• 32:23
  Speaker 1: it a little bit with this movie too, I feel
• 32:24
  Speaker 1: like where they're like, you be a man, right and
• 32:27
  Speaker 1: and at the time I was like, oh, what a
• 32:29
  Speaker 1: novel and interesting thing to make our to make our
• 32:32
  Speaker 1: friend Julia do I liked. I did like that the
• 32:35
  Speaker 1: first time Richard Gear delivered that very clunky on aalog
• 32:39
  Speaker 1: about like the marriage of like when marriage and you
• 32:44
  Speaker 1: and someday love her, both of us who want to
• 32:47
  Speaker 1: get out of it and yeah, maybe leave, but then stay.
• 32:53
  Speaker 1: And then she has to verbade him deliver that same
• 32:56
  Speaker 1: clunky monologue back to him, where she's like, it's like said,
• 33:00
  Speaker 1: maybe leave and he's like, I will marry you. Like
• 33:07
  Speaker 1: I just I like to see I like that we
• 33:09
  Speaker 1: saw on screen a woman proposing to a man. I
• 33:12
  Speaker 1: have a real problem with the traditional like you're you're together,
• 33:17
  Speaker 1: you want to get married. Maybe you've talked about it,
• 33:19
  Speaker 1: who knows, but generally, if you're in a HEATERO relationship
• 33:23
  Speaker 1: and you're the woman, you kind of just have to
• 33:24
  Speaker 1: wait around to be asked to and it just like
• 33:27
  Speaker 1: takes out your agency, you know. So I like this.
• 33:30
  Speaker 1: She's like, you know what, I want this saying I'm
• 33:32
  Speaker 1: want to go out and ask for it and try
• 33:34
  Speaker 1: to get it. So I like that part of it.
• 33:36
  Speaker 1: I did also like that they didn't make it a
• 33:38
  Speaker 1: big deal, like it wasn't likely to People kept being like,
• 33:40
  Speaker 1: and she proposed, Yeah, like that movie weep Here with
• 33:44
  Speaker 1: Amy Adams, Yeah she proposes, but it's like a whole
• 33:47
  Speaker 1: thing that she's allowed to propose because she's a woman
• 33:50
  Speaker 1: on weepy or day or something. I'm like, you can
• 33:52
  Speaker 1: do it any day. They're like, it's opposite day. So
• 33:54
  Speaker 1: it's um just in terms of woman character, probably the
• 34:01
  Speaker 1: woman in this movie who has it together more than
• 34:03
  Speaker 1: anyone is Richard Gear's ex wife. Yes, I think that
• 34:07
  Speaker 1: that was like an ex wife character. They can very
• 34:10
  Speaker 1: often be made to be shrewish, especially because she fired
• 34:14
  Speaker 1: him and that could have been made to seem like
• 34:16
  Speaker 1: a vendetta thing, but it wasn't. She was just doing
• 34:19
  Speaker 1: her job. And they have this very I mean, very
• 34:23
  Speaker 1: weird scene where Richard Gard pretty much kisses around the
• 34:26
  Speaker 1: mouth in front of her new husband. I didn't love that.
• 34:29
  Speaker 1: But for the most part, she seems to have it together,
• 34:32
  Speaker 1: and she's like, I accept that our marriage. You know,
• 34:34
  Speaker 1: she's not pining after him. She's his boss. She fires him,
• 34:39
  Speaker 1: but not her feelings, and then she attends his Honestly, Okay,
• 34:44
  Speaker 1: if I were her, I would attend the Julia Roberts
• 34:47
  Speaker 1: Richard gear wedding because it seems like such a bad
• 34:49
  Speaker 1: idea that like there's a little petty redding in there.
• 34:52
  Speaker 1: Because friends though too, Like I just remember the guy's
• 34:54
  Speaker 1: named Fisher. Fisher's her new husband. Yeah, I love him.
• 34:57
  Speaker 1: He's great. Hector slay me, ride my limo any day.
• 35:03
  Speaker 1: Yeah that's a euphemism. Actor. Yeah, I referred to him
• 35:08
  Speaker 1: a vagina as a stretch um, but he, like I
• 35:13
  Speaker 1: liked their friendship. It seems like he's like a clueless
• 35:15
  Speaker 1: idiot x in a lot of ways that had no
• 35:17
  Speaker 1: idea why they broke up and like all that, and
• 35:19
  Speaker 1: she was like, look, I've moved on with my life,
• 35:21
  Speaker 1: but by the way, here's what you sucked up. And
• 35:23
  Speaker 1: I loved that because that's like how I don't want
• 35:24
  Speaker 1: to be as an excess, Like we can be friends,
• 35:26
  Speaker 1: we're fine, but here's like you're a mess and I'm great.
• 35:29
  Speaker 1: And the ex wife whose name I really don't remember,
• 35:31
  Speaker 1: but and her new husband, Fisher, they have a great relationship.
• 35:34
  Speaker 1: Fisher is not jealous that Richard gear Is, you know,
• 35:37
  Speaker 1: works with her or is around. I was like, man,
• 35:39
  Speaker 1: this couple is very stable. I wouldn't want to see
• 35:41
  Speaker 1: a movie about them because they're so stable. They're in therapy.
• 35:44
  Speaker 1: They literally talk about how it takes three people to
• 35:46
  Speaker 1: make their marriage work, Me, Fisher, and our therapists, and
• 35:48
  Speaker 1: that looks like it's working. Her name is Ellie, by
• 35:51
  Speaker 1: the way, Ellie so, and I so, I'm I'm pro Ellie,
• 35:56
  Speaker 1: I am pro Jones, I'm pro jo, I'm pro everyone
• 35:59
  Speaker 1: in the movie except for your Deer. Sometimes there's a
• 36:03
  Speaker 1: lot of really good women in the movie. I think
• 36:05
  Speaker 1: the Grandma's adorable classic horny Grandma loved that. I wrote
• 36:11
  Speaker 1: down some of my favorite lines from the movie, including
• 36:15
  Speaker 1: it's funny when a grandma says, penis that's the that's
• 36:18
  Speaker 1: the cord. I bet someone said that in a meeting
• 36:21
  Speaker 1: and they're like, you know what, that's true. History has
• 36:23
  Speaker 1: proven it's funny when a grandma's penis right. I like, well,
• 36:26
  Speaker 1: they give her like the button in a bunch of
• 36:30
  Speaker 1: different scenes, as though what she has said is a
• 36:32
  Speaker 1: funny laugh line to go out on and it's usually not.
• 36:36
  Speaker 1: But I mean she's wearing it on her it's fun joke.
• 36:40
  Speaker 1: One of my favorite lines in the movie is she
• 36:42
  Speaker 1: says innocent girls are terrified with the one eyed snake.
• 36:45
  Speaker 1: When I was a virgin bride, I took a knitting
• 36:48
  Speaker 1: needle to bed with me. What what is a weapon
• 36:54
  Speaker 1: to shove up? I love it. That's a fun joke.
• 36:59
  Speaker 1: That's one of the better jokes of this movie. I
• 37:02
  Speaker 1: love that she calls it a one nighted snake and
• 37:04
  Speaker 1: she was a virgin and scared and she was going
• 37:05
  Speaker 1: to get militant. She was like, let's get right to
• 37:08
  Speaker 1: stabbing your dick. There is nothing funnier than a scared virgin.
• 37:11
  Speaker 1: For interpreted as when she first said it, is she
• 37:16
  Speaker 1: gonna like try to like butter herself up with a
• 37:20
  Speaker 1: knitting men. Know, like that's what I thought she was saying.
• 37:23
  Speaker 1: I liked I liked torny Grandma. I mean it would
• 37:27
  Speaker 1: be Betty White today if it were cast today, that's
• 37:30
  Speaker 1: Betty White. Yeah. The past ten years horny Grandma characters
• 37:33
  Speaker 1: and that that grandma and made she rest in Peace
• 37:36
  Speaker 1: probably most likely rest in Peace. Probably made a ton
• 37:41
  Speaker 1: of money on that and it was went, you know,
• 37:44
  Speaker 1: travel the world and was all horny Grandma there. She's
• 37:46
  Speaker 1: probably sent her like two grandsons to college with the
• 37:49
  Speaker 1: money she made from run away. That would be so nice.
• 37:51
  Speaker 1: And then they're like, you know, that would be cool
• 37:54
  Speaker 1: if you hooked up with a guy in college and
• 37:55
  Speaker 1: he's like, you know what, I can afford to go?
• 37:57
  Speaker 1: Here go. My grandma said, Penis, that's amazing. I wonder
• 38:01
  Speaker 1: when her grandson's went to college, and I wonder if
• 38:03
  Speaker 1: I affected them. I can't wait to find out. If
• 38:05
  Speaker 1: that were the reason I could afford college, I would
• 38:08
  Speaker 1: tell everyone. That would be like my pre hook up
• 38:10
  Speaker 1: story is why I'm here. I want to talk about
• 38:17
  Speaker 1: wedding culture. First of all, the hashtag wedding this movie
• 38:22
  Speaker 1: while it's like, yeah, you've got to find out who
• 38:25
  Speaker 1: you are first before you can pair off with someone else.
• 38:28
  Speaker 1: That's good, but it's still like marriages the end goal.
• 38:31
  Speaker 1: You're not successful until you've married. It's kind of also
• 38:35
  Speaker 1: the message it's sending. I feel like this movie like,
• 38:38
  Speaker 1: I don't know, nine, that's that's a tricky I feel
• 38:41
  Speaker 1: like that's like around the time where that mentality was
• 38:45
  Speaker 1: like maybe dying but not dead yet. Well, Sex and
• 38:48
  Speaker 1: the City hadn't happened, so people didn't know it was
• 38:49
  Speaker 1: an option to be Samantha, you know what I mean
• 38:51
  Speaker 1: right right, Like it wasn't cool to be a fun
• 38:55
  Speaker 1: slot yet, which was like, thank god, we can all
• 38:59
  Speaker 1: be fund slots. Know. I love being a fun slut
• 39:01
  Speaker 1: because like back then the movies were like Parent Trapped
• 39:04
  Speaker 1: and it was like let's wear beige and like be
• 39:06
  Speaker 1: a mom, you know, like that was the roles for
• 39:08
  Speaker 1: women were like a mom. Yeah, And and this movie
• 39:12
  Speaker 1: doesn't deal with it in a great way for sure,
• 39:15
  Speaker 1: But I don't know. It's weird that I feel within
• 39:18
  Speaker 1: a few years of this movie coming out, that mentality
• 39:22
  Speaker 1: slowly started to dissipline. And I'm sure it did have
• 39:24
  Speaker 1: something to do with sex in the city, because like
• 39:26
  Speaker 1: right around this time is also just a little bit
• 39:29
  Speaker 1: before it was like You've Got Mail, and if you
• 39:31
  Speaker 1: watch that movie, that gets a much better written romantic comedy.
• 39:33
  Speaker 1: But the the aim of the main character is not
• 39:36
  Speaker 1: like sex or fun. It's like dating a nice guy.
• 39:40
  Speaker 1: And that was like all romantic comedies and nineties were
• 39:42
  Speaker 1: like I want to date a nice guy right and now,
• 39:45
  Speaker 1: and then right after it was like fun sluts, you know,
• 39:48
  Speaker 1: which is great. I'm just saying that's like very part
• 39:51
  Speaker 1: for the course for ninety eight. I feel like even so,
• 39:54
  Speaker 1: weddings still happen, and I just want to talk about
• 39:57
  Speaker 1: how they're a huge money making scam. Yeah you heard
• 40:01
  Speaker 1: it here. First, guys, wedding, If you have a wedding,
• 40:04
  Speaker 1: you're throwing away your money because like, first of all,
• 40:08
  Speaker 1: why are there so many different events for what should
• 40:11
  Speaker 1: just be one of it. Because you've got like your
• 40:14
  Speaker 1: bridal shower, you got your bachelor or your bachelor party,
• 40:18
  Speaker 1: You've got your rehearsal and your rehearsal dinner, and then
• 40:23
  Speaker 1: you've got the wedding itself, and then you've got the reception,
• 40:25
  Speaker 1: and then you're supposed to go on a honeymoon, and
• 40:27
  Speaker 1: sure you're like celebrating this great thing that's happening in
• 40:31
  Speaker 1: your life, but it's just it comes with so like
• 40:35
  Speaker 1: you gotta document it with a videographer and a photographer
• 40:38
  Speaker 1: and it's gonna be flowers, and you gotta buy addressed
• 40:41
  Speaker 1: thousands of dollars, and you have to book out a
• 40:42
  Speaker 1: venue that's thousands of dollars, and you gotta stationary in
• 40:46
  Speaker 1: the get hard to believe that all of that would
• 40:50
  Speaker 1: make me happier than a two target gift guard. Absolutely,
• 40:55
  Speaker 1: like absolutely, there's no way that I that somebody would
• 40:57
  Speaker 1: offer me either that or like even a fifty other
• 41:01
  Speaker 1: target gift CD to be like that sounds really thrilling.
• 41:03
  Speaker 1: That would be the better choice. I don't know. I
• 41:06
  Speaker 1: I really do enjoy weddings. I don't know. I like going.
• 41:10
  Speaker 1: I love that when other people have them. But then
• 41:12
  Speaker 1: I think about, like, oh, you don't have dollars for
• 41:15
  Speaker 1: a party, Like who, what life do you live? You'd
• 41:19
  Speaker 1: have to live a very different life in my world
• 41:20
  Speaker 1: to pay for the Also, the idea of a wedding
• 41:23
  Speaker 1: ring alone, just like paying for a rock, that's so
• 41:26
  Speaker 1: much money. I'm like, do you know you can buy
• 41:28
  Speaker 1: a car, get a factional thing. Let's get back tasts
• 41:34
  Speaker 1: back tattoo for less. Yeah, it's exactly. Let's get screams
• 41:38
  Speaker 1: that match. I could get like, we'll get your matching
• 41:41
  Speaker 1: worm tattoos someday. No, you could literally just get like
• 41:46
  Speaker 1: the whole script of Shrek tattooed on the back of
• 41:49
  Speaker 1: your body. Yeah, that would be a fun couple activity.
• 41:52
  Speaker 1: I love Shrek. There, I love Shrek. Why didn't we
• 41:56
  Speaker 1: do Shrek? I would have loved to do that. It's
• 42:00
  Speaker 1: crazy that we haven't done a Shrek episode yet. I
• 42:02
  Speaker 1: think both of you guys so much, and just keep
• 42:07
  Speaker 1: watching Shrek over and over. Um. The I like weddings.
• 42:11
  Speaker 1: I don't like getting too involved in weddings because when
• 42:14
  Speaker 1: it comes to the point where I was a maid
• 42:16
  Speaker 1: of honor last year and I had to fly across
• 42:18
  Speaker 1: the country like three separate times to do like I
• 42:21
  Speaker 1: think bacherette and then wedding, and then I missed something
• 42:24
  Speaker 1: or other and everyone was mad. Yeah, I didn't love
• 42:27
  Speaker 1: you're putting Not only are you putting a financial burden
• 42:30
  Speaker 1: on yourself, you're often inflicting it on a bunch of
• 42:32
  Speaker 1: other people. Oh yeah, I mean and and usually the
• 42:36
  Speaker 1: people closest to you that you love. Yeah, You're like,
• 42:39
  Speaker 1: let me funk these people. Are you gonna buy this
• 42:41
  Speaker 1: this dress? And I have to get you a juicer.
• 42:44
  Speaker 1: I would absolutely make my worst enemy my made of honor, Like,
• 42:48
  Speaker 1: there's no bigger funk you than you need to take
• 42:50
  Speaker 1: care of this party that I'm planning. I am excited, Okay,
• 42:53
  Speaker 1: I do want to have oh like I'm wedding someday
• 42:57
  Speaker 1: and I have all these fun pranks planned we can do.
• 43:00
  Speaker 1: I want to put like a wild card in my
• 43:02
  Speaker 1: bridal party, like someone that like I'm not particularly close to,
• 43:07
  Speaker 1: but like just really just guilts are into being in
• 43:11
  Speaker 1: my bridle party and being very close with everyone else
• 43:13
  Speaker 1: and everyone being like, who's this person? Um? And I
• 43:17
  Speaker 1: also have this plan for my whole life, uh where,
• 43:21
  Speaker 1: And it starts at my wedding because I forgot to
• 43:24
  Speaker 1: do it at my college graduation. Uh where. In every
• 43:28
  Speaker 1: major event in my life, I want there to be
• 43:31
  Speaker 1: someone dressed in a in a Scooby costume, like a
• 43:34
  Speaker 1: mascot costume, but being like the background of the picture,
• 43:37
  Speaker 1: you know. And then at the birth of my child
• 43:40
  Speaker 1: will be in the background of the picture. Uh, we'll
• 43:43
  Speaker 1: have well, I'll have to have a guy. I can
• 43:46
  Speaker 1: have a guy for higher I gotta I wanted to
• 43:49
  Speaker 1: have a ring bear and have the person dress up
• 43:51
  Speaker 1: in a full bear a man like a little child costume. No,
• 43:57
  Speaker 1: it can't be cute, and it has to be alarming.
• 44:00
  Speaker 1: Want my wedding to be very alarming. I want everyone
• 44:02
  Speaker 1: to feel like they had a bad dream. I'm going
• 44:05
  Speaker 1: to ask people that aren't my parents to walk me
• 44:07
  Speaker 1: down the aisle, but like, not even close to me.
• 44:09
  Speaker 1: They're just like, don't even get me started on all
• 44:13
  Speaker 1: the implications of that. Like I want to get stunt
• 44:15
  Speaker 1: doubles for my parents to do flips like the whole
• 44:19
  Speaker 1: like father giving away his daughter, It's like, well, are
• 44:23
  Speaker 1: my daughter's property property? No, I bestow this property onto
• 44:27
  Speaker 1: this other man who And oh, yeah, you got to
• 44:30
  Speaker 1: change your name now because my dad and the man
• 44:33
  Speaker 1: I married to do like a Brittany Madonna style kiss
• 44:36
  Speaker 1: and pass my spirit my dad like now you're the
• 44:41
  Speaker 1: princess of pop. I really want my dad to end
• 44:46
  Speaker 1: up like Richard gear in this film and to end
• 44:48
  Speaker 1: up kissing the groom and and then not me and
• 44:52
  Speaker 1: that's how we find out my dad's I want to
• 44:54
  Speaker 1: get cooked in my own wedding and lunch my dad
• 44:57
  Speaker 1: and my beloved make it and maybe go further in
• 45:02
  Speaker 1: my wedding at least, and I'm fine if they go further.
• 45:04
  Speaker 1: A little tweaking, Yeah, a little yeah, do what you
• 45:09
  Speaker 1: feel is I would enjoy a wedding if that happened,
• 45:12
  Speaker 1: but I don't, like I want to be cillar. I
• 45:14
  Speaker 1: understand like wanting to throw a celebration for this important
• 45:17
  Speaker 1: day in your life. But even if you don't do it,
• 45:19
  Speaker 1: guess what, you still can be married if you fill
• 45:21
  Speaker 1: out all the paperwork anyway, or if you just hang
• 45:24
  Speaker 1: out for seven years. Yeah that you just live together
• 45:26
  Speaker 1: for a while and then you'll be married. But um,
• 45:28
  Speaker 1: I understand like wanting to like throw a party, but
• 45:30
  Speaker 1: doesn't need to be as extravagant as what we're doing
• 45:33
  Speaker 1: and what we have been doing for decades. No, I
• 45:36
  Speaker 1: don't think so. No, it is financially irresponsible for most people.
• 45:40
  Speaker 1: I don't like it. Yeah. I just have a joke about, like,
• 45:42
  Speaker 1: would you have the same wedding if you had to
• 45:44
  Speaker 1: invite a kid that was like starving to your wedding
• 45:48
  Speaker 1: and like probably you'd be like, oh, thirty thousand dollars
• 45:50
  Speaker 1: is not a good thing to spend on a party
• 45:52
  Speaker 1: with the world like exactly, like the world is so bad,
• 45:56
  Speaker 1: could save eighteen families, right, yeah. I you love listening
• 46:00
  Speaker 1: to people talking about the specifics of their wedding though,
• 46:03
  Speaker 1: because it's always so serious. But if you're even one
• 46:05
  Speaker 1: step removed from it, you're like, this is the dumbest
• 46:08
  Speaker 1: remember in my life, Like my my my cousin got married,
• 46:11
  Speaker 1: and that she would I would hear her on the friends.
• 46:15
  Speaker 1: You'd call me crying because like she wasn't rustic enough.
• 46:19
  Speaker 1: She'd be like, I, really, my mom didn't want to
• 46:21
  Speaker 1: pay for the tables that because I want the tables
• 46:24
  Speaker 1: to be barrels, because barrels are rustic, and I don't
• 46:27
  Speaker 1: understand why we can't afford enough barrels and didn't It's
• 46:30
  Speaker 1: just like any this problem is big. This is a
• 46:36
  Speaker 1: big problem. My own gotta get those barrels. My really
• 46:38
  Speaker 1: only requirement is I'm going to walk down the aisle
• 46:40
  Speaker 1: to It's only Africa by Toto. That's like absolutely, because
• 46:44
  Speaker 1: you're gonna get so amped from that that like it
• 46:45
  Speaker 1: doesn't even matter who I'm marrying, but I'm just gonna
• 46:47
  Speaker 1: be like I'm in by the time you walked on
• 46:50
  Speaker 1: the aisle to Africa, you'll marry literally any literally is it?
• 46:54
  Speaker 1: Bob Costas? Who is it? I don't care? Put them
• 46:56
  Speaker 1: up turn around. That's how I feel about wantings. Sorry,
• 47:00
  Speaker 1: weddings are fun. I mean, maybe it's because I don't
• 47:03
  Speaker 1: get invited to them. Maybe that's why I hate them.
• 47:06
  Speaker 1: I really Here's another call from my cousin Ja. I go.
• 47:12
  Speaker 1: I lost the cornhole game and I was painting the
• 47:15
  Speaker 1: cornhole game because his arrested game to play. And no,
• 47:19
  Speaker 1: my husband doesn't want to. He's not my husband yet,
• 47:21
  Speaker 1: but he's gonna be my husband and the no one's
• 47:23
  Speaker 1: gonna be able to play cornhole. Are they still married? Yeah?
• 47:29
  Speaker 1: So far, so good? How long has it been? Uh?
• 47:32
  Speaker 1: Four months? All right? At last it's gonna ridge is
• 47:37
  Speaker 1: always do because I think this one's gonna I think
• 47:40
  Speaker 1: they're gonna make it. Those crazy kids. We got the cornhole,
• 47:44
  Speaker 1: we got the barrels. She's she's twy five, guys. I
• 47:50
  Speaker 1: really hope my cousin doesn't listen to this, and I
• 47:51
  Speaker 1: don't think she does. I can edit it out, leave
• 47:56
  Speaker 1: it that. I want to know if she listens. I
• 47:58
  Speaker 1: think people shouldn't get married until are like thirty five
• 48:02
  Speaker 1: at the earliest. I think people shouldn't ge married into
• 48:04
  Speaker 1: the I've already been married once before and and affected up,
• 48:09
  Speaker 1: like you have to do it one time and everyone's like,
• 48:11
  Speaker 1: we know this isn't seriously, but we're just gonna do
• 48:13
  Speaker 1: like that one and then you get divorced and you
• 48:15
  Speaker 1: like try again. Updated guys who I'm like, you would
• 48:17
  Speaker 1: be a great second husband. I'm definitely gonna refer to
• 48:20
  Speaker 1: my husband as my first husband. That people introduce husband.
• 48:26
  Speaker 1: It's like, oh are you guys, Like, no, we are,
• 48:29
  Speaker 1: we just got married. I want to keep him on
• 48:31
  Speaker 1: His toes were very in love, but we're truly in love.
• 48:34
  Speaker 1: One of my favorite lines from Jurassic Park, which I
• 48:37
  Speaker 1: know this is not the movie we're talking about, but
• 48:40
  Speaker 1: Dr Ian Malcolm a K. Jeff Goldbloom says, yeah, I'm
• 48:46
  Speaker 1: always on the lookout for a future x Mrs Malcolm
• 48:49
  Speaker 1: knowing that he's gonna follow someone get married and get
• 48:52
  Speaker 1: divorced and he's just realistic with his expectations. Yeah, it's
• 48:57
  Speaker 1: like that song I'm only going to break, break, break, break,
• 48:59
  Speaker 1: break your heart. I it wrong. There's a lot of
• 49:01
  Speaker 1: songs where rappers are like warning women that they're going
• 49:03
  Speaker 1: to break their hearts. And I love that because it's like,
• 49:05
  Speaker 1: you're honest, you're real, right, and then you can just
• 49:07
  Speaker 1: present the receipts in the form of the top forty
• 49:10
  Speaker 1: sick right. So yeah, I love rom coms. I love
• 49:16
  Speaker 1: love I love rom coms because it's like, I'm not
• 49:19
  Speaker 1: supposed to like vapid, dumb things and I'm leaning in hard. Yeah,
• 49:23
  Speaker 1: I'm just like this. I love The Bachelor. I love
• 49:25
  Speaker 1: Jane the Virgin, Like, wait, we're gonna talk about Jay
• 49:29
  Speaker 1: the Virgin is my favorite show in the world. I've
• 49:31
  Speaker 1: seen it all the way through twice. It's it's amazing,
• 49:33
  Speaker 1: good everything, catastrophe and good rom com No, I do
• 49:37
  Speaker 1: like I've only seen the first season, but I do
• 49:39
  Speaker 1: like that show. Excellent or Amazon Original Day The Vision
• 49:42
  Speaker 1: is the best show on television if you like. People
• 49:44
  Speaker 1: talk about it. I don't know. It's so woman and
• 49:46
  Speaker 1: it's very self aware. I love it. Gina Rodriga shines
• 49:49
  Speaker 1: every week. Every week. Team Michael, Yeah, whoa whoa controversy. Um,
• 49:56
  Speaker 1: are there any other thoughts that people have on the
• 49:59
  Speaker 1: movie Away Bride, I will say that there are a
• 50:01
  Speaker 1: lot of good speaking roles for women for different kinds
• 50:05
  Speaker 1: of characters that are like not the same role or
• 50:08
  Speaker 1: not just putting them in the same like Shuill woman
• 50:12
  Speaker 1: best friend, like it was a little weird different. They
• 50:15
  Speaker 1: are all white. It is a very white movie, as
• 50:20
  Speaker 1: many movies are. There is a I think a reporter
• 50:23
  Speaker 1: who is like at the finn the wedding that they
• 50:27
  Speaker 1: attempt and then she runs away from with Richard gear Um.
• 50:31
  Speaker 1: There's a woman of color who's a reporter who's asking questions.
• 50:34
  Speaker 1: But other than that, and everyone's pretty white. The older
• 50:37
  Speaker 1: women we see as horney grandma. Oh yeah, yeah, so
• 50:42
  Speaker 1: we do see some represent older women. So that's honey grandma.
• 50:46
  Speaker 1: Uh check um. It does pass the Bechdel test for sure,
• 50:51
  Speaker 1: so that's good it doesn't. There's a scene where it
• 50:55
  Speaker 1: passes pretty early on whenever Joan Kuzak and the other
• 50:59
  Speaker 1: lady friend whose name I forget, the cousin unmarried cousin, No,
• 51:04
  Speaker 1: not Betty Trout either. There's a with like a poof
• 51:07
  Speaker 1: hair thing. She's an older woman too. Yeah, she says
• 51:12
  Speaker 1: I'm going to focus on your eggs, Bob. While she's
• 51:14
  Speaker 1: working at the dinero, they come in and ask Maggie
• 51:19
  Speaker 1: if she's seen the call um that Richard Year has
• 51:22
  Speaker 1: printed in the Say today, And she's like, yeah, what
• 51:25
  Speaker 1: a funny joke, you guys. And she's like, you told
• 51:28
  Speaker 1: us not to do any bachelorette jokes because is that
• 51:32
  Speaker 1: a thing? He? I guess so so, So there's that
• 51:37
  Speaker 1: conversation happens again in the hair salon again Carl up
• 51:42
  Speaker 1: and die, which is what I wanted to do when
• 51:45
  Speaker 1: I watched this movie. They are talking about a chair
• 51:51
  Speaker 1: for a while, we're talking about a dog. They talked
• 51:53
  Speaker 1: about kinds of stuff. It's not a man. They're fun friends.
• 51:57
  Speaker 1: As you were saying that, I was thinking about how
• 51:59
  Speaker 1: I don't think Shrek passes the Betel test and out
• 52:01
  Speaker 1: freaking it doesn't. It doesn't, It doesn't. It doesn't. Well, yeah,
• 52:05
  Speaker 1: because there's Fiona and there's Arthur other there's no other
• 52:10
  Speaker 1: speaking part for women other than give him the chair.
• 52:12
  Speaker 1: When the woman yells that when he's beating someone up
• 52:15
  Speaker 1: that yeah, Shrek man, it's problematic. It's problem that it
• 52:19
  Speaker 1: came out before Night eleven. It did it come out
• 52:26
  Speaker 1: like two months before one? Can I tell you my
• 52:28
  Speaker 1: favorite fact about a movie ever? And I was also
• 52:30
  Speaker 1: about to say one of my favorite movies does not
• 52:32
  Speaker 1: pass the Bectel test. Master of Disguise. Fun fact about
• 52:35
  Speaker 1: the Master of Disguise. You know that scene, that famous
• 52:39
  Speaker 1: scene from the Master of the Skies, the turtle turtle scene.
• 52:43
  Speaker 1: I have not seen that movie. Everyone's seen this scene.
• 52:46
  Speaker 1: Have you seen the turtle? Are you kidding me? Aristotle?
• 52:49
  Speaker 1: Aristotle seen it? Shout out to Aristotle's Danta Carveys only
• 52:54
  Speaker 1: movie that he's the star of. It's the last movie
• 52:57
  Speaker 1: he's the star of. It's not a great movie. But
• 53:00
  Speaker 1: um I wrote a bunch of essays about it a
• 53:02
  Speaker 1: couple of years ago. And I listened to the commentary
• 53:06
  Speaker 1: track and this iconic, very bad scene and this very
• 53:08
  Speaker 1: bad movie was filmed on September eleven. Wow, they kept
• 53:13
  Speaker 1: going after that. They said that in the commentary track,
• 53:17
  Speaker 1: they were just like because it was Dana Kurfey and
• 53:20
  Speaker 1: the director and they were just like, oh, Like when
• 53:23
  Speaker 1: the turtle scenes started, they're like, oh, I was like,
• 53:25
  Speaker 1: why this is a great scene and they're like, oh yeah.
• 53:28
  Speaker 1: This was on September eleven, two thousand one, and uh
• 53:32
  Speaker 1: we had to stop filming for a couple of minutes
• 53:35
  Speaker 1: and uh just have a moment of silence, but you
• 53:39
  Speaker 1: know we had to finish. The scene. Was like, man,
• 53:41
  Speaker 1: Shell must go on. The show truly did go on. Oh,
• 53:46
  Speaker 1: I just wanted to say a few of my other
• 53:47
  Speaker 1: favorite lines of dialogue the movie. One of them is
• 53:50
  Speaker 1: when Richard Gear shows up to the baseball game that
• 53:54
  Speaker 1: people playing in. Maggie goes there. He is again snoop
• 53:59
  Speaker 1: doggie dog. Yeah, that is a good that's a good quote.
• 54:05
  Speaker 1: I don't know what it means. I'm still thinking about it.
• 54:08
  Speaker 1: He's like snooping around her. But that's like not a
• 54:11
  Speaker 1: response to snooping. That's that's stuck with me. To another
• 54:15
  Speaker 1: The Titanic makes a Snoop Dogg reference to they name
• 54:18
  Speaker 1: one of their deep sea cameras after Oh, I was like,
• 54:23
  Speaker 1: what how does Jack and Rose know about Snoop dog
• 54:27
  Speaker 1: came from the past. There's a passenger from the future.
• 54:33
  Speaker 1: What an actually watch The Titanic if Snoop Dogg had
• 54:38
  Speaker 1: been on it, I will not watch that film. Like
• 54:41
  Speaker 1: Snoop Dogg has been a prevalent cultural force for decades.
• 54:44
  Speaker 1: That's all I'm saying. My other favorite line is when
• 54:49
  Speaker 1: Maggie goes, you wouldn't know real love if it jumped
• 54:52
  Speaker 1: up and bit you in the armpit. Armpit learned. They
• 54:56
  Speaker 1: were like instead of asks, what are we gonna do?
• 54:57
  Speaker 1: What are we gonna do? What are we gonna do?
• 54:59
  Speaker 1: You can't say dick? How about armpit? We cans I dick?
• 55:02
  Speaker 1: How about one eyed snake? There's I liked that. That
• 55:05
  Speaker 1: would seems like one of those things of like, let's
• 55:07
  Speaker 1: just change the dialogue so TBS doesn't need to change
• 55:10
  Speaker 1: it later. God love TBS. I love TBS movie edits
• 55:16
  Speaker 1: They're so good it should be everybody to look And
• 55:19
  Speaker 1: I came here at a party. Are we ready to
• 55:23
  Speaker 1: to rate? Let's do it all right? Um? So we
• 55:27
  Speaker 1: rate on a five nipple scale of how you feel
• 55:32
  Speaker 1: the movie treats it's women characters, and uh we we
• 55:38
  Speaker 1: usually describe the nipples. Do you want to go first? Sure?
• 55:41
  Speaker 1: I would give it. I'm gonna say I could give
• 55:43
  Speaker 1: it two and a half nipples. Again, I'm gonna give it.
• 55:47
  Speaker 1: Uh both of John cusacks nipples and a half. I
• 55:51
  Speaker 1: had horny Grandma nipple. Nice yeah, i'd say I want
• 55:54
  Speaker 1: to give it like two nipples. Um. It does bother
• 55:59
  Speaker 1: me that, like such a huge emphasis is placed on
• 56:02
  Speaker 1: marriage and pair bonding, and that's like what you're supposed
• 56:06
  Speaker 1: to be doing if you're a young woman and you
• 56:08
  Speaker 1: gotta find men boom with Um, something's happened that I
• 56:12
  Speaker 1: don't mind. I think you're okay. Um. Largely, I just
• 56:16
  Speaker 1: think this is such a sloppily poorly written movie that
• 56:18
  Speaker 1: I can't I don't like any of the characters. So
• 56:23
  Speaker 1: with that said, two nipples they belong to the drunk dad,
• 56:30
  Speaker 1: oh sad leaky alcoholics. Nipples to alcoholics. Heavens that leak
• 56:37
  Speaker 1: like the leak booze out of them, and they can
• 56:40
  Speaker 1: suckle on them if they run if they're Ye. I
• 56:45
  Speaker 1: don't mean to be making light of alcoholism. I know
• 56:47
  Speaker 1: it's a serious problem in disease. How about you. I'm
• 56:51
  Speaker 1: gonna go with I would go with three. The only
• 56:54
  Speaker 1: thing that I really have an issue with is that,
• 56:56
  Speaker 1: like you said, everyone is white, so that that might
• 56:58
  Speaker 1: being that might be a two and a half, but
• 57:01
  Speaker 1: I was gonna go three nipples. There's a lot of
• 57:03
  Speaker 1: speaking roles for women. There's a lot of friendship for women.
• 57:05
  Speaker 1: There's um more than most movies. They let women actually talk,
• 57:10
  Speaker 1: even if they are annoying women. Um, which women are annoying?
• 57:14
  Speaker 1: That's real, Um, not all. I'm just saying there's some
• 57:16
  Speaker 1: women who annoying. I women are annoying. Women are sluts
• 57:19
  Speaker 1: all across the ballard. Look, I think I'm an annoying
• 57:21
  Speaker 1: sled if someone called me that accurate, like, yes, you
• 57:25
  Speaker 1: know me, you get me when Yeah? No, but I
• 57:29
  Speaker 1: think there was some accurate portrayals of parts of womanhood
• 57:33
  Speaker 1: in that movie. Um, so I'm going to give it
• 57:35
  Speaker 1: three and all three nipples are coming from Porthold the dog.
• 57:38
  Speaker 1: Oh hell yeah, oh yeah, he's got a plenty of Yeah,
• 57:43
  Speaker 1: he's got up to six. Yeah. Oh well, row Away Bride.
• 57:49
  Speaker 1: Uh Kaylin hated it, Sophia, and I liked it. Uh
• 57:54
  Speaker 1: ultimately a weird movie that people probably don't watch that much. Yeah,
• 57:58
  Speaker 1: but you could. You should if you wanna, you know,
• 58:02
  Speaker 1: waste to two hours. Okay, relax anyway, Sophia, thanks for
• 58:07
  Speaker 1: being here more. Can people find you online? You have
• 58:10
  Speaker 1: maything you want to plug? They can find me online
• 58:12
  Speaker 1: on Twitter at the number one and then follower No Dad,
• 58:15
  Speaker 1: one following nor Dad and then I run a monthly show,
• 58:19
  Speaker 1: a comedy show at the Resident which Jamie was on recently,
• 58:23
  Speaker 1: and our next show is April three. Super cool. Thank
• 58:27
  Speaker 1: you for coming, all right, thank you. You can follow
• 58:29
  Speaker 1: us on Twitter at Bactel Cast and rate and review us.
• 58:34
  Speaker 1: We'd love that reviews and uh give me your worst,
• 58:39
  Speaker 1: all right, bye yone bye