Latest / My Third Place Pod / Episode 152 - Soggy Squad Stories and X-Men 92

Transcript

Episode 152 - Soggy Squad Stories and X-Men 92 · My Third Place Pod

• 0:00
  Secondly, voyager names. You guys are the best. Back
• 0:18
  to the spot, everybody. Welcome
• 0:39
  back third place network squad listeners. I
• 0:43
  am Evo and this is the podcast where I come
• 4:58
  moderate. about this train wreck
• 5:03
  immediately. Then we think you'll fit right
• 5:05
  in with our podcast. I hate it, let's watch it.
• 5:07
  We watch TV shows like
• 5:08
  Riverdale and Emily in Paris, and movies like Deep
• 5:11
  Water, Killer Sofa, Rubber and Devil Illusions, and we
• 5:14
  give them the total rinse and you deserve. It's
• 5:16
  basically group therapy for movie masochists, so come
• 5:18
  check us out wherever you stream podcasts. I
• 5:22
  don't care what you say, no I'm kidding. Alex,
• 5:29
  no. Don't ban me, don't ban me, I
• 5:32
  promise, don't ban me. Alex,
• 5:35
  no. What's up brother? Hey
• 5:39
  Alex, what's in the hall big are you? It
• 5:46
  depends on the functioning dude. Height?
• 5:53
  411. Oh, fucking hell. I
• 5:56
  don't want, no, can you not? Can
• 5:58
  you not? Please, thank you, I appreciate it.
• 6:02
  Please, take out it as soon as I
• 6:05
  come in. How big are you? Uh,
• 6:09
  high? No, no, no, no big bucks, no
• 6:13
  big bucks. Shrink. Yeah, shrink me now, shrink
• 6:18
  me down. Uh, you brought Elijah? Jingle.
• 6:23
  Yes, Elijah, yep, Elijah's here too. Why'd
• 6:27
  you bring him? Why'd you bring him? Because
• 6:29
  that's my homie, that's my brother from another mother.
• 6:34
  I figured he would be
• 6:35
  following you around or you know, like, hanging out
• 6:38
  from the back of your scooter. I
• 6:41
  don't have a scooter, Cabron. Oh
• 6:43
  yeah. Manpower, manpower. You
• 6:46
  know, like, fucking Marty McFly in the truck in the
• 6:50
  Jeep. How you doing, Pap? Oh
• 6:55
  my god. Well, I'm doing good. I'm
• 6:59
  like, who is this person? One
• 7:02
  of my best friends. Go for it. No,
• 7:05
  go for it. She's gonna follow, she's gonna
• 7:08
  follow. Well, I'm going to like herself.
• 7:10
  I'm doing good, Mommy. How
• 7:12
  you doing? I'm doing good, Mommy. How
• 7:16
  you doing? Was good. I
• 7:20
  know Primo for many years. And
• 7:24
  by Primo, I mean that big handsome, big old man that
• 7:30
  you see right there. Welcome
• 7:32
  to the CryptoCon. Oh, I'm stuck. Dude,
• 7:44
  I'm gonna use that, dude. I'm
• 7:46
  gonna use that for sure. The
• 7:49
  CryptoCon. Yes. Oh my god, I'm gonna use
• 7:52
  that so good, man. Tidy, tidy. Thanks
• 7:54
  for the time, buddy, brother. How
• 7:56
  you doing, Smio? Hi, I'm Smio. I'm
• 7:59
  gonna use that for sure, the CryptoCon. Thank
• 8:04
  you, thank you, thank you, thank you for the dinosaur.
• 8:08
  Victor, you should get a bunch of
• 8:13
  shirts that say CryptoCon on it. I
• 8:16
  should. There you go. Send
• 8:20
  me one. Dude, I love that shirt. Thank
• 8:24
  you. Every time I come into Primo's
• 8:28
  live, he's wearing a different shirt, and every
• 8:31
  time he's wearing a different shirt, it's a
• 8:34
  badass shirt. Most of the time, it's a Batman
• 8:40
  shirt, and I'm like, dude, I love that shirt. Exactly,
• 8:45
  yep. Don't worry, bro, we got your
• 8:47
  live. We got your live. We
• 8:49
  got your live. I mean, Marvel is better than
• 8:52
  DC. I mean, I'm not arguing that.
• 8:58
  Oh, yeah, I'm not even gonna
• 9:03
  argue that because Marvel is better than DC, but my
• 9:08
  favorite character is DC Batman. Batman,
• 9:13
  just Batman, just Batman. Well,
• 9:16
  no, no, no, I'm saying he's a DC character. That's
• 9:19
  why I said DC Batman. Oh, look, look, look, Elijah,
• 9:23
  look in the chat. Yeah. Now, now, wait, wait, wait,
• 9:29
  now I got a question. How many of you, how many DC
• 9:32
  characters only have powers because of their suits, a
• 9:36
  million dollar suits that they have? Only
• 9:39
  one, only one, just like Iron Man, only one, only
• 9:43
  one. Okay. Iron Man, the only mother
• 9:49
  fucker, the only mother fucker that has millions
• 9:52
  and only protects it because it's a suit. Okay,
• 9:57
  good. I want to see you argue this
• 9:59
  with, what is your name, sweetheart? Alexandria.
• 10:05
  Alexandria. Alexandria. Oh, I'm loud, man. Hey,
• 10:11
  bro, hey, bro, Alexandria, Alexandria and Elijah are
• 10:16
  going at it right now. Let's
• 10:18
  see. She said DC is better, like, I
• 10:24
  don't like Batman, you already know. But
• 10:27
  when she made that comment in the chat, I was like,
• 10:30
  bro, don't do it. Don't do it, Elijah, don't do it
• 10:33
  because it's going to be pretty much the same shit.
• 10:39
  Like, Elijah said, oh, he is the
• 10:42
  only one that he's the only one that has millions
• 10:46
  and has a suit. Hello, Iron Man has the same
• 10:49
  shit. Iron Man. Hello,
• 10:53
  Iron Man shit. Go ahead. Hammer,
• 10:58
  Iron Man. Rotie. Men is, they're full. Okay,
• 11:09
  who is the Harley Quinn of Marvel? Mmm.
• 11:19
  I don't know. Who is the Joker of Marvel?
• 11:28
  They don't have powers. They
• 11:30
  don't have powers. There is no psychopath on there,
• 11:33
  like the Joker. Okay. Yeah, but Loki has powers
• 11:42
  though. Okay, that doesn't have powers.
• 11:50
  Fuck. Yeah, most of the Marvel
• 11:52
  have powers. DC doesn't. DC
• 11:56
  just has like psycho motherbuggers. Why
• 11:59
  can't I think of the guy's name? The
• 12:00
  guy that in Spider -Man that has the spider -man.
• 12:05
  Doc Ock? Yeah,
• 12:07
  Doc Ock. He doesn't have powers, he has
• 12:10
  machines. Yeah, right. Which
• 12:12
  makes sense. Which makes sense. Yeah,
• 12:14
  which makes sense. That could be the Joker. The
• 12:17
  Joker of Marvel. But at the same time, Doc Ock
• 12:26
  is not as demented and cynical. True,
• 12:30
  true. But I'm just saying as far as,
• 12:32
  I'm just thinking as far as the villain who doesn't
• 12:37
  have powers. Yeah, no, I see your logic. I
• 12:40
  see your logic. It's going to be more for me.
• 12:45
  It's going to be more for me
• 12:46
  like a... D -Manus. Hey,
• 12:52
  manus. I don't know, man. I
• 12:54
  don't know. I don't know. But
• 12:59
  I... Oh, I didn't know I could do
• 13:00
  that. Okay. You changed the boxes. Oh,
• 13:05
  good. I was like, yeah, you made
• 13:08
  this with the little small little people. Hey,
• 13:13
  manus. Good, manus. How
• 13:14
  are you? How you doing, manus? Um,
• 13:19
  let's see. Oh, still waiting on the
• 13:22
  argument. Dude, she's on it. Okay,
• 13:27
  let's hear your argument, Alexandria. Since
• 13:31
  you seem to think DC is better. Oh.
• 13:37
  Oh, here's an argument. Do you guys have a guy with
• 13:42
  a ring? Anyway, let's go. Well,
• 13:44
  hold up, hold up. You have a guy with a ring?
• 13:47
  Are you talking about Green
• 13:48
  Lantern? Yeah, obviously. No,
• 13:55
  ladies first. Oh, my God. Why
• 14:03
  the frick do you keep switching the boxes? Because
• 14:07
  I want to see the chat. I don't want to see your
• 14:09
  fucking houses. Exactly. Right? He
• 14:11
  doesn't want to see my ugly house. The
• 14:13
  more you freaking do it, the more dizzy I'm going
• 14:15
  to get. God damn you. Just
• 14:17
  kidding. I mean, you're crippled.
• 14:19
  You're crippled. You
• 14:20
  won't fall too far. Fucking God. What?
• 14:34
  I'm in tears. Wait, why? I
• 14:37
  missed something. It just went over my head. I
• 14:40
  said you're crippled. You won't fall too far from
• 14:43
  the floor. Thank you. Thank
• 14:51
  you for the gifts, Brandy. Thank
• 14:53
  you. Thank you. Thank
• 14:54
  you. I really appreciate you. Not
• 14:56
  necessary, but thank you so much. I
• 14:59
  really appreciate it. I'm still waiting for
• 15:02
  Alexandria's thing. Like, because I'm a big DC fan,
• 15:10
  but I'm only Batman. And we've only argued the fact
• 15:14
  that Batman is the same as Iron Man, which is very
• 15:19
  logical. It's very logical. Like,
• 15:23
  I agree. Like, completely. They're
• 15:25
  both rich. They both have influence. First
• 15:30
  off, Wonder Woman and Offset. Wolverine
• 15:38
  and Offset. Okay. My friend X -Men is someone
• 15:44
  that is very not much talked about, which is
• 15:49
  crazy. Like, can we talk about Gambit?
• 15:52
  Can we talk about Gambit?
• 15:55
  Gambit. Can we not? Can
• 15:57
  we not? Can we not? Can
• 15:58
  we not? Too soon, man. It's
• 16:01
  too soon. Come on. Oh,
• 16:02
  you've been watching 97, haven't you? Yeah.
• 16:05
  Yeah. Yeah. Fucking cried. Yeah.
• 16:10
  Yeah. I'm like, why? Why?
• 16:12
  Why am I crying? What are we arguing? The
• 16:16
  movies or just the universes in general? Nope.
• 16:18
  Just in general. Just in general. Just
• 16:21
  in general. Yeah, Gambit is. Gambit
• 16:26
  has always been my favorite X -Men. Everybody's
• 16:29
  like Wolverine and Storm and nobody talks about
• 16:33
  Gambit. Nobody talks about Gambit. Nobody
• 16:36
  talks about Bruno. Exactly. But nobody, like literally,
• 16:41
  if you look at the lore, Gambit is an Omega. He's
• 16:48
  an Omega. He took down a Sentinel, okay,
• 16:52
  in the last episode. This is probably a stupid
• 16:55
  argument, but does DC have any characters that are in
• 16:58
  the real chairs? Nothing. I mean, no, Barbara fucking
• 17:09
  back, back girl. Barbara Gordon. Oh,
• 17:11
  yeah. Yeah, yeah, yeah. Yeah.
• 17:14
  Yeah. Damn it. I
• 17:17
  was hoping I was going to win that argument. So
• 17:22
  you're going to love this episode 151. So
• 17:25
  he's talking about X -Men now. Yeah.
• 17:30
  Like I decided to talk about comic books. A
• 17:34
  little bit of wrestling in there, but there's like
• 17:35
  comic book talk on the next podcast. Yeah.
• 17:40
  Dude, when are you, when are you going to do it?
• 17:43
  It's already out. Okay.
• 17:46
  Episode 151. DC has Superman. He's
• 17:50
  not my favorite, but you can't trip him. Oh,
• 17:55
  you can't talk to him. He's
• 17:56
  too, whatever. No, Superman. Superman.
• 18:01
  Thor. Superman got taken down by freaking
• 18:06
  Batman. Okay. Okay. Because
• 18:08
  he's smart. He used kryptonite in his
• 18:13
  weapons. Okay. All right. Marvel
• 18:17
  has Superman. DC has Superman. Marvel
• 18:23
  has Captain Marvel. Which I think are both equally
• 18:30
  powerful. Marvel has Spider -Man. They
• 18:40
  has Iron Man. Yeah, but where, where the fuck?
• 18:54
  Where the fuck are you going to
• 18:55
  get kryptonite? Is what it says? From
• 18:57
  Krypton. I was trying to read it, but
• 19:01
  Primo's hand was in the way. And
• 19:03
  his color, his color with his brownness is too, it's
• 19:08
  too brown, too light brown. Primo,
• 19:14
  I'm sorry. I think it's just lighting in
• 19:17
  his room. No, it says brownness. It
• 19:19
  says brownness. White. It says brownness. Like
• 19:23
  we're almost kind of the same color. So
• 19:26
  like I always try to avoid like putting my hand where
• 19:29
  the chat is. His brownness. Wow.
• 19:34
  Yeah, I know. His brightness, you mean? Yeah,
• 19:40
  his brightness. Yeah. No, my brother, my brother,
• 19:44
  I remember, oh my god, Primo remember? You
• 19:47
  used to go live in your car and you had a cassette
• 19:50
  tape. And you used to put freestyle
• 19:53
  tapes in there. Oh my god, I miss those days.
• 19:56
  I miss those days. Yeah,
• 19:58
  those days were dope. Yeah. He had a, I don't know
• 20:02
  how many youngins are in here, but cassette tapes
• 20:05
  are little cassettes. Well, that doesn't even explain
• 20:09
  it. Marzl has Deadpool. Little,
• 20:12
  uh, Deadpool. See, who's in the, who's in the
• 20:19
  equivalent? Of DC, Deadpool. Joker.
• 20:26
  Yeah, that motherfucker never dies. Like,
• 20:29
  that motherfucker never dies. He
• 20:31
  always comes back. But here's the thing with
• 20:33
  Deadpool though. He's funny as hell. What
• 20:36
  DC character is funny as hell? Joker.
• 20:41
  Not really. Joker always has a smut as come.
• 20:45
  Victor, you are aging your, bro.
• 20:50
  Me and Primo, we age ourself.
• 20:53
  I don't give a fuck. I'm
• 20:55
  about to be 44. I'm about to be 44 next month.
• 20:58
  Yep. I'm hoping that Primo's
• 21:04
  agreement. He may not win a fight, but
• 21:06
  it's gonna win an argument to figure out which is
• 21:08
  better. But anyways, Deadpool. I'm
• 21:13
  trying to ask Primo if he's willing to do a, a
• 21:17
  battle with me for my birthday. When?
• 21:21
  Even though I'm gonna lose to Holy Hell, May 17th on
• 21:25
  a Friday. Jingle. Jingle. I
• 21:29
  didn't know you were Mexican, dude. Shut
• 21:32
  the fuck up. Fucking Victor, you fucking, I
• 21:41
  don't, I question the city. I
• 21:45
  win. Dude, not gonna lie. I
• 21:49
  hate living in Kansas. Didn't
• 21:52
  want the 50th movie. No, no, no, no. Not
• 21:55
  because, not because it wasn't beneficial to me
• 21:58
  because it is. Like I love being here and I
• 22:02
  love the beneficiary things that, that came with it. I
• 22:07
  just love Texas. Like Texas was the shit. Like,
• 22:10
  like so many memories, man. So
• 22:13
  many memories. You should move back to Corpus
• 22:16
  Christi, motherfucker. That's where I met my brother.
• 22:19
  That's where I met my Primo.
• 22:21
  That's where I met Elijah. That's
• 22:23
  where I met like JJ and all of them. Oh,
• 22:27
  when you were living in Texas. Yeah.
• 22:31
  Yeah. Victor, you should move back to
• 22:34
  the freaking Corpus Christi area. Oh
• 22:36
  God, no, that's, that's ghetto. Yeah,
• 22:40
  but the thing is though, if you move back to Corpus
• 22:42
  Christi, you'd be playing wheelchair basketball. And
• 22:45
  you get to play Mima. Alex,
• 22:46
  I'm gonna Alex dude. Alex is going all in on this.
• 22:51
  I'm gonna call him Papi. Me,
• 23:02
  so don't speak Spanish. Another
• 23:07
  Papi. I'm the only Papi. I
• 23:10
  don't know which other Papi you know, but I'm the only
• 23:12
  Papi up in here. All right. The
• 23:15
  only other Papi in here is the host. And
• 23:20
  he's a, he's an Ironman Papi. Ironman
• 23:24
  Papi. Iron Papi. Iron,
• 23:27
  Iron Papi. What's the difference between a
• 23:29
  bird and a human? Wait, what's the difference
• 23:32
  between a what? A bird and a human. Can't
• 23:36
  you know? What? We don't eat with our
• 23:40
  peckers. That was... Got
• 23:46
  it. You don't get it? Can
• 23:49
  you explain the joke some more? Cause
• 23:51
  I don't get it. No, because if you explain the
• 23:53
  joke, it just, it ruins the joke. A
• 24:00
  big joke. Alex has a joke. Yeah,
• 24:02
  Alex has a joke. Alex has a joke. Wheelchair
• 24:04
  joke. I'm rolling out of here. Okay.
• 24:12
  What was that? What? Elijah, that was a joke in
• 24:16
  itself and that was good. That
• 24:19
  was the whole fucking point of it. What
• 24:22
  do you call a dog with no legs? Me,
• 24:26
  me, me. You got legs, you just can't
• 24:29
  use them. Yeah. It doesn't, it doesn't
• 24:33
  matter, it won't come. Wow. Oh, shit. That
• 24:43
  was good. Alex, that was so good. Oh
• 24:46
  my god. That was good. That
• 24:50
  was good. Holy shit. That
• 24:56
  was good. Patty! Dude, Primo, you don't
• 25:03
  remember Patty? What? What do you call a
• 25:12
  terrorist in a wheelchair? What
• 25:14
  do you call a terrorist in a wheelchair? I
• 25:19
  don't know. RCXD. What? Hey,
• 25:26
  did you know Elisa got married? Wait,
• 25:32
  Elisa? Yeah, she did. Yeah.
• 25:34
  Well, I heard she was engaged. Like,
• 25:37
  she doesn't post it in forever. Okay.
• 25:42
  I'm sorry. You wouldn't know her. Elisa,
• 25:46
  Elisa. You know who Elisa is, Elijah?
• 25:52
  No, she don't. He
• 25:53
  don't. I don't think he does, right?
• 25:55
  I don't think he does. Like,
• 25:56
  she's old school, like she's old school. And
• 25:59
  you're not? No, like OG OG, like 2020.
• 26:04
  Yeah, like 2020, oh yeah. I
• 26:09
  know she's old. We 2020 old. I
• 26:12
  know, I know she met the guy, like she posted videos
• 26:16
  on that, and then she got engaged, she posted video
• 26:19
  on that, but like she's officially married married.
• 26:23
  Yeah, I need to message her. I
• 26:25
  wonder if she still has the same number. Read
• 26:29
  my horrible jokes. We read, like we saw it, we
• 26:35
  saw it. I think she's asking me, what
• 26:38
  do you call a dog with no legs? It
• 26:39
  doesn't matter, it won't come to you. Yeah.
• 26:47
  Oh my God, that's fucking hilarious though. That
• 26:50
  was a good one. That was a good one. Guess,
• 26:53
  sure. Now laugh. Ma
• 26:55
  'am, damn she's so demanding, is she single? I
• 26:59
  need a girl like that. Shit,
• 27:03
  I like to be demanded. You're
• 27:09
  funny, you're funny, okay, you're funny. You're
• 27:12
  absolutely hilarious. You're so funny, I can't walk
• 27:18
  right. You're so funny, it's crippling my
• 27:29
  knees. I can't. Victor,
• 27:37
  Victor, listen to this one. Sex
• 27:39
  is like air, it only matters when you aren't
• 27:43
  getting any. Elijah, stop reading your tablet.
• 27:47
  Laugh. Laugh at my joke, I did.
• 27:56
  Alex. Oh my God. We
• 28:02
  haven't talked in forever. You're
• 28:08
  fucking hilarious girl. Like for real, she's fucking
• 28:11
  hilarious. Yeah. Okay, Alex. Ask
• 28:17
  her she mad you. Hey Alex, give me the most
• 28:22
  crippling, yes I said that, give me the most crippling
• 28:26
  joke you can think of. About
• 28:28
  me. Okay, miss. Yeah,
• 28:32
  I like a girl who's demanding, but not that
• 28:34
  demanding. Um, yeah. Give
• 28:47
  me the most crippling joke you can think of. About
• 28:52
  Jennifer, how's she been? Uh,
• 28:55
  you mean JJ? No, the other one. Uh,
• 28:59
  oh wow. Wow, wow. All
• 29:00
  right, Jennifer. Yeah. Wildflower. Oh
• 29:04
  my God, you guys still remember has a wildflower,
• 29:06
  that's awesome. She's doing great, we talk every
• 29:09
  day. We talk every day. I
• 29:10
  don't even know who you are. What's
• 29:12
  her name? Uh, Dumpling. Her
• 29:14
  name now is Dumpling. Dumpling?
• 29:18
  Yeah, because she's Asian, duh. Oh
• 29:21
  my God. Wait, what? She's
• 29:25
  Asian? Mm -hmm. For
• 29:28
  real? She's half Korean. I
• 29:31
  thought she was Mexican. No.
• 29:34
  That's what I thought too. But
• 29:40
  uh, One. She's another man's treasure.
• 29:50
  Great saying, but terrible way to
• 29:52
  find out you're adopted. Oh my God. Alex.
• 29:58
  Alex? What are you doing? I
• 30:07
  don't think it did, Alex. I
• 30:08
  don't think it did. Nope. I don't know. Nope.
• 30:18
  Nope. Well, I have a thing. You
• 30:23
  know what? I'll send it. I'll
• 30:24
  read it out loud. I have a really bad joke,
• 30:28
  but I don't want to get banana over it. It's,
• 30:32
  it's such a bad joke. It's funny, but it's such a bad
• 30:37
  joke. I'll stop Jesse. Um.
• 30:44
  Night Patty. Be safe. Have
• 30:46
  a good night. Patty, I love you. I
• 30:48
  love you. Have a good night, mama. What
• 30:52
  do you do when somebody has a seizure in the tub?
• 30:59
  Oh my God. Finish
• 31:05
  it. Throw your dirty clothes and some
• 31:09
  detergent and you're good. They
• 31:17
  wash your clothes. What's the matter? How
• 31:28
  do you know? Wait. It's funny. It's
• 31:36
  funny. I'm sorry. Oh
• 31:40
  my God. That's such a bad joke. I'm
• 31:44
  so sorry. I'm so sorry. I'm
• 31:47
  so sorry. I'm so sorry. What
• 31:50
  the hell? Melinda. Hey Melinda. I
• 31:56
  hate you. I'm going, I'm going to hell.
• 32:01
  Oh well. Uh
• 32:06
  oh. What do you call a man on your
• 32:18
  front porch with no arms or legs? Oh,
• 32:21
  I know this one. Wait, the question is how you
• 32:26
  ring the doorbell. How? Oh my God. Hey.
• 32:41
  Here's a real bad one. What
• 32:43
  do you call a man on your front porch with no arms
• 32:45
  or legs? A door star. No.
• 32:48
  A door mat? Mat. Mat. Sandra
• 32:52
  Maribel, how you doing? Yeah,
• 32:55
  a door mat. Yeah. What do you call a man
• 32:57
  with no arms or legs and water? A
• 33:01
  buoy. Alex. Alex, really? Wow.
• 33:13
  Wow. Wow. What do you call a man
• 33:16
  with no arms or legs and water? What?
• 33:21
  Bob. Here's another one. Dark
• 33:27
  humor is like food. No, not everyone gets it. Oh
• 33:34
  my God. Oh my God, she said, she said
• 33:38
  Bob. Victor, did you even hear the one
• 33:40
  that I just said? But. Dark humor is like food.
• 33:47
  Not everyone gets it. Yeah,
• 33:49
  I know. You're funny. You're
• 33:51
  funny, ma 'am. You're funny. You're
• 33:53
  hilarious. I love it. I
• 33:55
  love it. Oh my God. Wow.
• 33:58
  Love it. Love it. Love
• 33:59
  it. I enjoy your laughter. Why
• 34:06
  did? Ma 'am. I
• 34:07
  love to read. Hey, Alex. Why
• 34:09
  did the little person, why did the little person laugh
• 34:14
  when running into the field? So
• 34:16
  Elijah. Yeah, yeah, pretty much. Why
• 34:20
  did Elijah? Why not that joke? I'm
• 34:24
  not a dork. Why did Elijah run into the
• 34:28
  field? Why did? Why
• 34:33
  did the little person laugh while running across the
• 34:36
  field? Yeah. Yeah. Yeah.
• 34:39
  Because it was tickling its balls. God
• 34:42
  damn it, Elijah. What? The grass. The
• 34:45
  grass was tickling its balls. What's
• 34:49
  the joke? I don't know. Whatever.
• 34:53
  I don't know. What is something you can say
• 34:56
  to your dog but not your girlfriend? Sit.
• 35:04
  What is something you can say to your dog but not
• 35:08
  your girl? What is something you can say
• 35:13
  to your dog? I don't know. I
• 35:17
  don't know. Come. Yep. What?
• 35:25
  Mm -hmm. Yep. She's gonna fake it. She's
• 35:30
  gonna fake it every time. What?
• 35:32
  Oh yeah. When you don't know what you're
• 35:35
  doing, Victor. Yeah, she's gonna fake it. Says
• 35:37
  the man who's the virgin? Says
• 35:40
  the man that doesn't know shit about my life,
• 35:43
  motherfucker. Those fine words. Oh
• 35:55
  my god, me too. Wow. Wait. Oh,
• 35:57
  he's like, let me get my drink. This
• 35:59
  game interesting. Anyways. But in our reality, in our
• 36:09
  reality, I respect Elijah so, so much for being and
• 36:14
  waiting for the right person. Glad
• 36:17
  you're waiting, Elijah. For real, for real. I'm
• 36:19
  glad you're waiting. Right? No. Who's
• 36:22
  to say, who's to say? I'm still waiting. That's
• 36:29
  a good question. I don't know. I
• 36:36
  don't care. Like his name could be Evo, but
• 36:40
  I'm still gonna call him Million Dollar Geek. Million
• 36:47
  Dollar Geek. That's what we're gonna do. I'm
• 36:48
  never gonna call you Big Papi Reekin. I'm
• 36:51
  just gonna call you Reekin. In
• 36:52
  the last one. Victor. Yeah. Or
• 36:55
  that. Or that. Yeah,
• 36:57
  or that. Yeah, I wouldn't ever call you
• 36:58
  Papi. Just now. You
• 37:00
  just did, Cabron. No, I didn't. You
• 37:06
  literally just did. I didn't call you Big Papi.
• 37:12
  Alexandra, Alexandra, you can call me
• 37:14
  whatever you want. Just don't call me little girl.
• 37:19
  Thank you guys. I'm
• 37:20
  still fooling my ass from all that stuff. Still
• 37:22
  a little bit of music. Still
• 37:25
  a little bit of music. Bro,
• 37:27
  when you gonna play some freestyle in your life,
• 37:30
  it's always - When you shut your music down? I
• 37:33
  don't have music. Whoever has music on. Plus,
• 37:37
  I can't play it out loud because it's already late.
• 37:42
  So whoever has the music on,
• 37:44
  just gonna keep it on. I'm making that music down. I'm
• 37:48
  making this. You know that? By
• 37:50
  my next door neighbors. That
• 37:52
  would be me. You know what? I'll
• 37:56
  play some freestyle. Shit, I'll play some. Freestyle
• 38:02
  music. Yeah, I remember when when Primo
• 38:18
  used to sit in his car. You
• 38:31
  didn't know I could do that. Good
• 38:33
  job. Hey ma 'am, how you doing? Mal,
• 38:38
  how's your night going? You really gonna get in this?
• 38:44
  I don't know. You're
• 38:46
  a liar. Yeah, me and Primo used to play
• 38:57
  a lot of freestyle in our lives. It
• 39:00
  was so much fun back in the days. Like
• 39:03
  Lil Suzy, some Corals, TVB. I
• 39:06
  said ma 'am. The cover girl's TKA. Mel,
• 39:10
  Mel, I said ma 'am. Oh my God, Alex. I'm
• 39:21
  sorry. Sorry, I keep pulling away. I
• 39:22
  keep pulling away because I'm using my vape. And
• 39:25
  I don't want I don't want to put in more to get a
• 39:27
  violation. Shit, I already have a violation.
• 39:32
  Getting violated by you two. Hey,
• 39:37
  brother. Hey, brother. How's
• 39:38
  it feel going handicap style? Oh
• 39:41
  my God. Feel like I'm talking to one
• 39:44
  person. Like, you know I always told you
• 39:47
  once you go handicap, you never go back. For
• 39:55
  years, I've always told you once you go handicap, you
• 39:57
  never go back. For years. You're
• 40:00
  half a person, Eli's half a person. Together
• 40:02
  you make one. Egg, you put me and Elijah
• 40:09
  together, you have a man and a half. Yeah.
• 40:15
  For years of a person, you have a man and a half. Me
• 40:23
  and Elijah, it's a man and a half, okay? A
• 40:26
  man and a half. See, wait, wait. Hey,
• 40:30
  hey. Real life, two and a half men
• 40:34
  right here. We shocked, we shocked Alex.
• 40:38
  We literally she said laugh I
• 40:39
  love and then oh my God. We
• 40:47
  shocked it. We shocked it. Yep.
• 40:49
  Well, I shocked it. You don't know me the way you
• 40:55
  know me. Like, I'm crazy. Like,
• 40:59
  I'm eight -shit nuts. Like, I might be understatement
• 41:03
  to say the least, Victor. I
• 41:05
  might be in a wheelchair, but I'm like very lovable,
• 41:09
  very funny. And lovable is a bit of a...
• 41:14
  You know what, motherfucker?
• 41:15
  Fuck you. I'm
• 41:16
  here. You don't gotta love me. You
• 41:19
  just gotta love my handicap style, all right? I
• 41:22
  don't gotta love anything about you. Oh,
• 41:28
  shit. Oh, shit. There's
• 41:31
  nothing about you to love. Oh,
• 41:34
  you don't love this. You don't love the Nilem stuff.
• 41:39
  You know, damn well, I'm
• 41:40
  joking, motherfucker. Oh, shit. Oh,
• 41:45
  I love you too, Alex. Oh my God, I love you too.
• 41:49
  You just don't know. Like,
• 41:52
  me and Primo, me and Primo and Elijah go way back.
• 41:55
  Like, we go way back. Oh,
• 41:59
  man. It's fucking hilarious. Oh
• 42:03
  my God. You have no idea. And
• 42:06
  then me, like, I need to start going live more
• 42:09
  often, dude. Victor, you should go live tomorrow
• 42:12
  night. Who are you talking to? Me?
• 42:15
  No, we're already friends, Alex. So
• 42:19
  you must be talking to you, Elijah. Wait,
• 42:23
  what? No, Eva won't accept... Oh,
• 42:27
  Eve first. Eve, Eve, Eve, okay. I
• 42:31
  thought I said, EW. Eva won't accept my life. I
• 42:35
  don't want to make any more requests. Is
• 42:36
  she trying to join the live? Friendship
• 42:39
  like who? I don't even know anymore.
• 42:42
  What the fuck is a friendship?
• 42:44
  Nick, you know what? I
• 42:45
  don't want to know. It's a friendship necklace, like
• 42:49
  a... Like a pearl necklace? No,
• 42:53
  no, no, no, no, hold on, hold on. Victor,
• 42:55
  do you know what a friendship bracelet is?
• 42:59
  Yeah. It's that but a necklace,
• 43:01
  motherfucker. Yeah, but do you know what a
• 43:04
  pearl necklace is, bro? I fucking hate you. Like,
• 43:13
  you're not old enough, Elijah, to know what a
• 43:16
  pearl necklace is, y 'all. I
• 43:19
  know it has something to do with very foot. Got
• 43:23
  way. Got way, got way. I'm
• 43:30
  old enough to... Oh, shit. Oh,
• 43:32
  shit. JJ, hello. My
• 43:36
  JJ. JJ, what's up, love? Alex,
• 43:41
  Alex would love a pearl necklace. Oh
• 43:43
  my god. Dude, stop. Are
• 43:47
  you serious? You're clutching my pearls or a
• 43:50
  choker. Elijah, like seriously, you're way
• 43:58
  too young to know what a pearl necklace is. We
• 44:01
  got to take the kid off the live. It's
• 44:04
  already 12 .30. I have pearls on my face. Oh
• 44:10
  my god. How did this turn into this?
• 44:14
  How you doing, sister? Love
• 44:17
  your face. Is when we eat first meal.
• 44:21
  Victor, I know what a pearl
• 44:23
  necklace is. I'm not stupid. Okay.
• 44:27
  Okay. Face. Okay, mama. Dude,
• 44:34
  that's so dope. That was on my face. I
• 44:44
  literally put pearls on my face. Y
• 44:46
  'all are making a good video. They
• 44:48
  are. They pig. I
• 44:49
  don't know what it fucking means even though I do.
• 44:52
  Pearl's on her face. Dude,
• 44:54
  that fucking makeup looks so sick. It
• 44:57
  does. And what you done? And
• 45:00
  like the lighting, like the lighting machine, so dope.
• 45:07
  That's so sick. How
• 45:09
  you doing, sister? How you been? I'm
• 45:15
  okay. I just saw you guys were on
• 45:17
  and I'm like, I'll say hi before I go back to
• 45:19
  recording. Well, I'm glad you did because
• 45:23
  you look amazing. You do. That
• 45:28
  was so crazy. I have a very interesting, I
• 45:31
  have an interesting night at work. I
• 45:36
  had some lady like yell at me because her card
• 45:39
  declined. All right, let me hear that.
• 45:43
  Because what? What?
• 45:44
  Why is she yelling at you? She
• 45:46
  thought I was making fun of her because her card
• 45:48
  declined, but my coworker was like, why are you
• 45:50
  running her card five times? I'm
• 45:52
  like, I should have told me to run her card. And
• 45:56
  she comes up to me and she's screaming at me
• 45:58
  saying that I shouldn't make fun of her for not
• 46:00
  having money when she in fact has money. So
• 46:03
  she takes her phone and she holds it and she goes
• 46:06
  like this to me. She said, see, I have money.
• 46:09
  She had $89 in her account and
• 46:11
  she's at the cheese bake factory and like that like
• 46:15
  it covered her bill. But like if she has one of
• 46:17
  those like card loan cards or whatever. Yeah.
• 46:22
  It's an extra 18 % on top of it. So
• 46:26
  like that could be the reason why her card
• 46:28
  declined or she had her card locked and I was
• 46:30
  trying to talk to her about it. But
• 46:32
  she started yelling at me and honestly, if it wasn't
• 46:35
  for my coworker, Nikki standing behind me, I
• 46:38
  probably would have lost my ish, but I didn't. But
• 46:42
  she said I was making fun of her for her not having
• 46:45
  money. One of them said, no, you told
• 46:47
  me to run your card. So I'm running the card in
• 46:49
  every way that I can do it. Like
• 46:50
  I'm manually typing it in, I'm swiping it, I'm
• 46:54
  inserting it. I'm doing everything you told
• 46:56
  me to and I'm not making fun of you. I'm
• 46:59
  just telling my coworker I'm going to be at the
• 47:01
  computer for a while and figure this out. And
• 47:05
  next thing you know, she like throws something and
• 47:08
  then goes back to her table crying. This
• 47:10
  other person from the table comes up and pays for her
• 47:13
  stuff. And she goes, she runs off to
• 47:16
  the bathroom and as she's running off to the
• 47:17
  bathroom, she tells she tells the host, don't
• 47:22
  forget to tell my server. I
• 47:25
  want my deserve. They're like waiting here for like
• 47:29
  what is going on. They don't know what's going on.
• 47:33
  And then she locks herself in
• 47:34
  the family restroom, which is the only bathroom with
• 47:37
  the bulb or changing station. And
• 47:39
  she will not come out later until after she
• 47:42
  receives some cheesecake. And
• 47:44
  I'm like, I'm not delivering it to the
• 47:46
  bathroom. Oh my. She's
• 47:48
  silly. So I'm giving my little
• 47:52
  deserve, which it's his last freaking day. It's
• 47:56
  his last freaking day at this restaurant because he's
• 47:58
  going to a different location. I
• 48:00
  tell my general manager like exactly what's going
• 48:02
  on. I'm like, this is what's going
• 48:04
  on. This is what happened. She
• 48:05
  thinks I'm talking smack about her. She
• 48:07
  looks at me. She says, I'm deaf so I can
• 48:10
  read lips. And I'm like, I need to, I
• 48:14
  need to brush up on lip reading because that's not
• 48:16
  what I said. I didn't say anything bad.
• 48:21
  Wow. Not only does this lady
• 48:25
  gripe about her bail or you know, her credit or
• 48:29
  whatever, she wants you to bring the dessert to the
• 48:33
  bathroom. The bathroom. I
• 48:35
  love it. The work's the bathroom. I'm
• 48:38
  not doing it. I'm not doing it. Fucking
• 48:42
  miss life crisis. I'm the general manager involved
• 48:44
  and I have to explain to them like what will happen.
• 48:47
  And he's just like standing
• 48:48
  there with the same look that I had on my face. It
• 48:50
  was like confused like what? That's
• 48:55
  my mom. Oh my God. You
• 48:56
  can ask me if he is. You can ask me if he is. You
• 48:59
  can stand up and try to be the entire time. And
• 49:03
  he's just like, she's just like kind of like I'm so
• 49:15
  glad that you stayed calm because she had wanted to
• 49:17
  see this kind of Nikki come out and she's like
• 49:19
  bopping her head around everything with that. Nick.
• 49:22
  Yeah, I can read that apparently not well. Don't
• 49:27
  well. And then that's something like
• 49:31
  right there is not even the weirdest thing. That's
• 49:33
  not even the weirdest thing. So
• 49:34
  when we were delivering food, we brought out
• 49:36
  everybody's food except for two people's food plates
• 49:39
  because we were still running at it was a busy
• 49:42
  night and we were all like running plates and they
• 49:44
  start praying before they get the last two dishes.
• 49:49
  And I think I was standing
• 49:52
  there. I'm like, well, maybe he's just
• 49:54
  quiet and they couldn't hear it. So
• 49:55
  I come up and I'm just like, I have a brioche
• 49:57
  breakfast sandwich and they're all holding hands,
• 50:01
  their hands and meanwhile, the woman will yell at me.
• 50:06
  She's staring at my food runner
• 50:08
  like this. Oh my god. Oh
• 50:13
  my god. Let me just let me just make
• 50:17
  a quick statement. Eyes on the chat. Remember
• 50:21
  when I say like there's some OGs in here. Me
• 50:25
  and Liza Primo season. Oh, gee as well. Like
• 50:29
  that's my sister from another Mr. Sagi
• 50:35
  Squad all day. I was gonna say that too.
• 50:38
  It's like Sagi Squad up in here
• 50:40
  right now. But you know, but squad was
• 50:46
  Eli. There you go. I
• 50:49
  would show you guys, but I don't want to get my lazy
• 50:51
  ass up. Yeah, I have a beanie and I
• 50:55
  have a bunch of stickers that say Sagi Squad. Like
• 50:59
  we had merch at one point, but where's the Christmas
• 51:03
  present? Yeah, yeah, it was a Christmas.
• 51:06
  It was Christmas. It
• 51:07
  was Christmas present. Speaking
• 51:08
  of fuzzy, how's he doing? Guys,
• 51:11
  you need to follow. You need to follow. I
• 51:15
  haven't seen his Instagram. He's
• 51:16
  seen his Instagram too. But yeah, I see guys. I'm
• 51:19
  there praying over their food. I
• 51:20
  go fumbling their food as I can't read her name.
• 51:24
  Alexandria is saying something. Yeah,
• 51:26
  Alexandria. Yeah. She's staring at my food
• 51:30
  runner like... Well, the fact that you have
• 51:34
  that make up on makes the expression even fucking
• 51:37
  relevant. And then he has anger problems.
• 51:42
  My food runner has anger
• 51:43
  problems. So what does he do? He
• 51:45
  stares back at her. Don't people just staring at each
• 51:50
  other? People just stare at each other.
• 51:56
  Yes. She's got the code with
• 52:01
  stare down pat. She is just like... Yeah.
• 52:07
  She looks me in the eye after I call out this
• 52:11
  breakfast sandwich. She looks me in the eye and
• 52:14
  she does the same face with me. And
• 52:16
  I'm not going to say. Actually,
• 52:19
  funny story, Alexandria. I actually came into work on
• 52:22
  a new menu rollout because we test the food that's
• 52:27
  coming new menu. I came to look just up as
• 52:30
  avatar. Business casual avatar. Oh
• 52:32
  my God, I remember that. I remember when you were
• 52:35
  doing the avatar. Yeah. That's better. Business
• 52:40
  casual avatar. And because I have to have
• 52:43
  gloves to serve the food, I actually brought my own
• 52:46
  gloves from home that were blue. So
• 52:48
  that way my hands would match. And
• 52:51
  I won best dressed the new menu rollout. It
• 52:55
  was like a $10 gift card to this coffee shop down
• 52:59
  the road. But still, I won it. And
• 53:03
  I got featured on our work's website, which is
• 53:09
  worldwide, not just nationwide. So
• 53:11
  that was pretty cool. That was pretty cool. I
• 53:15
  got a $10 coffee gift card, so that was neat.
• 53:19
  Yeah. She's great. She's
• 53:22
  cool. And then when she looked at
• 53:24
  me, my heart's kind of like, you know when you
• 53:26
  have a evil presence around you, when you're watching
• 53:29
  the red door, paranormal activity, anything like
• 53:33
  that? Like, that's how my heart felt.
• 53:35
  I'm like, this woman is
• 53:36
  possessed by the devil himself. Victor,
• 53:42
  you got this. I'm out of here. She
• 53:47
  does have a whole stand with my food runner in me.
• 53:51
  I have no longer interacted
• 53:54
  with this table. I see an empty glass. I
• 53:57
  grab it. I go fill it up. I
• 53:59
  put it down. Or I go grab a new glass and
• 54:01
  put it down. I see that they need napkins.
• 54:03
  I go put napkins on the
• 54:04
  table. I don't talk to this table
• 54:06
  anymore. Well, the guy that paid for her
• 54:08
  food noticed that. And he's like, are you OK? And
• 54:11
  I'm like, she's staring at me and my food runner. And
• 54:14
  I feel like I was being disrespectful when you guys
• 54:17
  were praying over the food. So
• 54:18
  I am just trying to stay out of your hair. And
• 54:20
  he looks at me. He goes, I don't go out with
• 54:23
  these people because she's crazy. And
• 54:25
  I'm like. I was like, guys, it's why I
• 54:35
  don't go out with you guys. It's
• 54:36
  why nobody likes us. And I'm like, OK, well, OK. So
• 54:42
  I start being more interacted with the table
• 54:44
  again. And every time I went up
• 54:46
  there, she's looking at me like. And
• 54:52
  I'm like, bitch, what the fuck did I do to you?
• 54:54
  She's like, I do what you need.
• 54:55
  I can't. I'm
• 54:56
  fucking hilarious. Oh my god. But
• 55:02
  when she started yelling at me and then go right off
• 55:05
  the crime or table and then leave it, go walk
• 55:07
  herself in the family bathroom. That's
• 55:11
  what I'm just like. I swear to God, if they
• 55:13
  don't cut me in the next five minutes, I'm walking
• 55:16
  out. I'm just telling the folks I
• 55:18
  want no more tables. And I'm leaving them.
• 55:20
  Thankfully, they cut me. All
• 55:21
  right. They already cut me. So
• 55:22
  this is but like, I'm just like, I've had enough of
• 55:24
  today. I know it was a full moon
• 55:27
  like two days ago. But I mean, like mercury must
• 55:29
  be in the microwave or something. Because
• 55:30
  this is. I've
• 55:43
  never had something bizarre experience I was talking to
• 55:46
  like the closing manager about it. I'm
• 55:48
  like, I have not had like any weirdo weirdos in a
• 55:51
  long time. Like not since I've been in it.
• 55:54
  And she's just like, yeah, you
• 55:56
  really haven't had any weirdos lately. And
• 55:58
  I told her about the I told her about that
• 56:01
  situation. And she just looks at me like,
• 56:04
  Miss Jinjin, are you OK? Oh
• 56:13
  my god. Oh my god. Like,
• 56:17
  like not even going to lie guys. I
• 56:19
  see all these OGs in here. Like
• 56:22
  JJ is an OG. Primo's an OG. Like
• 56:26
  I remember when I first met JJ, I was going live.
• 56:30
  And she didn't have a thousand
• 56:32
  yet. And like now she's like. You
• 56:35
  were doing a trivia thingy and you were popping
• 56:40
  poppers. And I didn't know you were in
• 56:42
  a freaking wheelchair. And I told you to clean that
• 56:44
  ish up. And you told me you'll do it
• 56:46
  later. And you're like, all right,
• 56:48
  guys, I'll be back in five, 10 minutes. I
• 56:50
  got to go to the bathroom. And
• 56:51
  I'm like, what are you going to do? You've
• 56:53
  got to go poop in a bright enough moment. Whoa.
• 56:56
  Wow. Oh, whoa. Bro,
• 56:58
  let me tell you. Like I was sitting in front of
• 57:01
  the camera like this, right? I
• 57:03
  was sitting in front of the camera. I
• 57:04
  was doing a 24 hour live. And
• 57:06
  then she was like, when are you going to pick that
• 57:09
  up? When are you going to pick that
• 57:10
  shit? And then I just, I'll be like,
• 57:12
  I was like. I'll be back, guys. I'm
• 57:16
  going to go use the restroom. And
• 57:18
  I rolled away. I backed up, turned around,
• 57:21
  and rolled away. And she was like, oh, shit. I
• 57:28
  did not know that you were in a wheelchair. And
• 57:30
  I just played trivia with you while you were in the
• 57:32
  comments. And when you did your 24 hour
• 57:35
  live, I didn't know that you were in a wheelchair.
• 57:37
  And I'm picking on you. And
• 57:38
  you can do the second study. Oh,
• 57:41
  I'll do it later. I'll do it later. I'll
• 57:43
  do it later. And like, okay, guys, I got to
• 57:45
  move off. And I'll be back in 10
• 57:46
  minutes. And I'm like, what are you
• 57:48
  going to do? Prove? And then back up and roll
• 57:52
  away. But I mean, but how many
• 57:54
  months in the friendship did she, when she found
• 57:58
  out? This was before that, like, I
• 58:00
  was talking about before that, but she always brings
• 58:03
  that part up. Because it's the funniest thing
• 58:05
  ever. I love DG for that. Like,
• 58:10
  when I met JJ, we were doing trivia. I
• 58:14
  was always on my bed. You know, like, yeah. Like
• 58:19
  he was cheating. Always felt like Millie was
• 58:22
  cheating because he was like, I don't like it.
• 58:25
  Yeah. Fucking million, million,
• 58:27
  fucking million is smarter. Shit.
• 58:30
  Million is smarter. Shit. Like, I don't know how to
• 58:33
  fuck. This motherfucker would get the
• 58:35
  questions. I know everything. Don't.
• 58:40
  That's an understatement. Yeah,
• 58:42
  no. The only time I'd be good at
• 58:44
  trivia is when Millie wants to take a break and wander
• 58:47
  off somewhere where the focus is found. That
• 58:49
  is the only time I'd be good at trivia. Exactly.
• 58:52
  What was it? Miss Sunshine's live? Right?
• 58:55
  Like, you would always have the same questions. Oh
• 58:59
  my God, I remember Miss Sunshine. It's
• 59:03
  like, all right, I got it wrong. The
• 59:04
  next one I would get right, because I was like,
• 59:06
  all right, I remember that. Oh
• 59:07
  shit, I remember Miss Sunshine. You
• 59:10
  said it, Miss. Thank you for your following.
• 59:11
  Appreciate it. I
• 59:12
  remember her. Yeah, I do too. How's
• 59:16
  she doing? Like, have you talked to her?
• 59:18
  Had anybody talked to you? Has
• 59:19
  anybody, any of you guys talked to her? Because
• 59:21
  I haven't. No, I haven't. I've
• 59:22
  seen her. She, she. I've
• 59:24
  seen her. I was clicking the list and
• 59:26
  I saw her name and I was like, all right, check that
• 59:29
  in there. And she's playing, she's playing
• 59:31
  those little games that everybody's playing on here.
• 59:33
  Yeah. And then she updated like
• 59:35
  a week ago. It's like nothing bad. The
• 59:37
  only other video. The only other person that I
• 59:42
  know, Alex, was me and JJ. Don't
• 59:47
  talk about it much, but Kika. Kika,
• 59:50
  I haven't seen her in forever either. She's
• 59:52
  on my Instagram, but that's about it. She's
• 59:55
  on my snap. Yeah, she's, she's not on my
• 59:59
  snap. She's on my, she's on my
• 1:00:01
  Instagram, but I don't talk to her. I
• 1:00:03
  don't talk to her much. But
• 1:00:05
  yeah, like JJ, JJ won like three of my trivia's
• 1:00:11
  because Primo wasn't around because he's way too smart.
• 1:00:17
  No, I let her have. And
• 1:00:19
  then, and then, and then. Come
• 1:00:21
  on. And then. You're
• 1:00:22
  a gentleman about it. Yeah. And then JJ got to a
• 1:00:26
  thousand and then she started going live. And
• 1:00:31
  then she just blew up after that. She
• 1:00:32
  literally blew up. No, I did not. I
• 1:00:34
  did not blow up. I did not blow up. Okay.
• 1:00:37
  Yeah, you did. So we heard, you know why?
• 1:00:39
  You know why? I
• 1:00:40
  know you blew up. We are. You
• 1:00:42
  know why? I know you blew up because
• 1:00:44
  you not only made one TikTok and you got banana
• 1:00:49
  and then you made another one. I
• 1:00:51
  got bananas. I got bananas for standing up
• 1:00:53
  and showing you all my weight loss problem. Oh
• 1:00:56
  yeah. I remember that. Yep.
• 1:00:58
  I remember. Before being naked. Yep.
• 1:01:02
  Yep. Yeah. I was in that. I
• 1:01:04
  was in that live. I remember it clearly like
• 1:01:07
  sister. And her voice or something
• 1:01:10
  reporting us. Yep. Yep. Sister.
• 1:01:13
  Sister was like, look at my weight loss. I
• 1:01:15
  lost so much weight. She had clothes on, dude. And
• 1:01:19
  she got up. She literally got up, backed
• 1:01:22
  away, turned around and got banana. Yeah.
• 1:01:27
  So then I had to make, I had to make a second
• 1:01:29
  account. Well, a new first account. Blown
• 1:01:33
  up again. As I was growing on whatever
• 1:01:38
  and doing my normal lives on that account. Yep.
• 1:01:43
  Then I got hit with a banana because this was it.
• 1:01:47
  This was before the whole makeup
• 1:01:49
  thing like that she's doing now. This
• 1:01:52
  is all before the makeup thing. So
• 1:01:55
  then I made this account. This
• 1:01:57
  account was supposed to be my backup to my main
• 1:01:59
  account. But then I got, I found a
• 1:02:00
  bunch of cosplayers and I'm like, this is actually
• 1:02:03
  really cool. I'm hoping for interest. Yeah,
• 1:02:04
  you did. Yep. Like I wasn't around for
• 1:02:07
  that. This is bad. My
• 1:02:11
  first attempt at cosplay is when I did a duet with
• 1:02:14
  you million. When I sprayed, when I sprayed
• 1:02:17
  my hair a white streak with dry shampoo. And
• 1:02:22
  you were like, you were Wolverine and I was rogue.
• 1:02:26
  And we were doing. Yeah.
• 1:02:29
  Yeah. Is that the one where. Victor
• 1:02:35
  joined as Professor Axe with the wheel? Yeah.
• 1:02:38
  Yes. That was me. That
• 1:02:40
  was me. Yep. I remember that. I
• 1:02:43
  remember that. I still have that saved up
• 1:02:45
  in my favorites. I loved it. It
• 1:02:47
  was fucking awesome. I love that he just showed
• 1:02:48
  like, like, I'm like, oh, okay. I
• 1:02:52
  had a lot of haters for that movie or for that
• 1:02:55
  video on my end, on my end, like my. Because
• 1:03:00
  if you ever want to see a good video, if you ever
• 1:03:03
  want to see a great video. Look
• 1:03:07
  up Poppy's version of the infinity trend. Wait,
• 1:03:15
  wait, which one of them? I love you too. Infinity.
• 1:03:18
  Oh, because like, start it, you start it, but instead
• 1:03:23
  of doing the whole doo doo doo doo doo doo doo doo,
• 1:03:26
  you're sitting on your bed with the lights. You're
• 1:03:28
  sitting on your bed with the lights and you're just
• 1:03:30
  like. I can't stand you. Stop.
• 1:03:34
  No. No. No. I
• 1:03:38
  love that video so much because I'm just like,
• 1:03:40
  that's not exactly how the trend goes. But
• 1:03:42
  I'm here for it. I could feel. I
• 1:03:44
  could feel the Lord Jesus presence coming off the
• 1:03:46
  rock band. I look like you were like,
• 1:03:48
  it looked like you were like praising a church or
• 1:03:50
  whatever you're just like. Oh
• 1:03:52
  hell yeah. Alec. I can't. No.
• 1:03:59
  Can you make me a big box? Right
• 1:04:02
  quick. Just right quick. Just
• 1:04:06
  right quick. Okay. All right. Any
• 1:04:09
  pauses. Any pauses. Any
• 1:04:12
  music. No pauses. Any
• 1:04:13
  music. Oh yeah. Gotta
• 1:04:24
  talk the volume up so we can have the whole
• 1:04:25
  experience. What the hell? I
• 1:04:34
  love you for infant. He's muted. He
• 1:04:36
  muted himself on accident. Unmute
• 1:04:39
  yourself. Oh. Wait, wait.
• 1:05:06
  Oh. No, it's not my favorite.
• 1:05:12
  That's my favorite infinity
• 1:05:14
  challenge. It is horrible. It's
• 1:05:17
  horrible. It's my favorite. That
• 1:05:23
  is my favorite. It's my favorite. I
• 1:05:27
  think I actually have it saved because it's my
• 1:05:30
  favorite. Maybe not on this account, maybe
• 1:05:33
  on my other account. Those lights on my bed, on my
• 1:05:38
  bed headboard. You look like you were just,
• 1:05:43
  you're just feeling the Holy Spirit. You're
• 1:05:45
  like. I can't stand y 'all. Oh
• 1:05:52
  my gosh. I think failure. You
• 1:05:54
  love me. That's the reason why you can't
• 1:05:56
  call me sister. That's not it. Just
• 1:05:59
  pray. I love you. It's
• 1:06:01
  like, you too. You too. You
• 1:06:03
  always, you always generally like. Good
• 1:06:05
  it was. It really was. Like
• 1:06:08
  I didn't think about it. And
• 1:06:10
  then like when I posted it, when I posted it, and
• 1:06:14
  then Jerjer was like, oh my god. I
• 1:06:16
  fucking love it. I'm like, oh my god. It's
• 1:06:18
  so bad. She's like, I love it. I
• 1:06:20
  love it. It brought a smile to my
• 1:06:23
  face. It brought a smile to my
• 1:06:24
  face. Do you were really feeling
• 1:06:25
  yourself? I remember watching it. I
• 1:06:27
  was on the phone with sweets. I
• 1:06:29
  was on the phone with sweets. Oh
• 1:06:30
  yeah. I've got me some sweets. And
• 1:06:32
  like you shared it to me and I'm like sweets,
• 1:06:35
  sweets, sweets. You got to go look at Poppy's
• 1:06:38
  new video. She's just like, why? And
• 1:06:39
  I'm like, it's so good. And
• 1:06:41
  she just was like, he is really feeling himself right
• 1:06:44
  now. Like, yes he is. I
• 1:06:47
  love that. I love it so much. Oh
• 1:06:51
  my god. Do it again. No,
• 1:06:54
  I'm not. Bring it back up again? Hell
• 1:06:57
  yeah. Like infinity 2 .0. I
• 1:07:00
  don't know what the heck what that was. Well,
• 1:07:02
  I'm. Come on. Two
• 1:07:04
  points here. 2 .0. No. No. What's
• 1:07:09
  happening? I'm going to get in trouble
• 1:07:10
  for gang activity because I'm trying to do sign
• 1:07:12
  language. You know what? That
• 1:07:13
  was hello. I will just go. I
• 1:07:16
  will do a second version if Eliza does the first
• 1:07:19
  version. I think that's a thing. I
• 1:07:23
  think that's going to be a thing. I
• 1:07:25
  don't got a ring light. You
• 1:07:27
  know the first time I did an infinity challenge, you
• 1:07:29
  know what I did? Elijah. You know what I used? I
• 1:07:31
  used my Christmas tree topper. Yeah,
• 1:07:34
  exactly. There you go. There
• 1:07:35
  you go. Oh yeah. Oh
• 1:07:38
  my god, sister. You're right. You
• 1:07:40
  did a tree topper. Did she? Yeah.
• 1:07:43
  I didn't have a ring light. And
• 1:07:45
  I wanted to be a part of the infinity sign, the
• 1:07:47
  infinity trend. So I did my own version of
• 1:07:50
  it just like copy and disversion. Fucking
• 1:07:52
  hated it so much. The song was everywhere that
• 1:07:57
  whole, what, December from October to December. That
• 1:08:03
  song was everywhere and I hated it. I
• 1:08:05
  avoided it. And then somebody does it and
• 1:08:07
  I'm just like, oh, you know, like, are you really
• 1:08:09
  going to do that? And I left a comment there and
• 1:08:11
  then they fucking replied to my, no, I never did
• 1:08:15
  it. They replied to my comment with
• 1:08:16
  it. I'm just like, I hate you.
• 1:08:18
  Well, you should have done it.
• 1:08:20
  You should have done it. But
• 1:08:21
  anyway, now you need to do it. No,
• 1:08:23
  I like. Well, pop them to say hi. Your
• 1:08:25
  live is super fun, but I have to work early. Thank
• 1:08:27
  you for the last. No problem. Stop
• 1:08:29
  buying time you like. I'm here all every night.
• 1:08:32
  That's what Sammy. Every
• 1:08:32
  weekend. Man, be safe. Have
• 1:08:35
  a fun day at work. I love you, Sammy. Biggie,
• 1:08:38
  you know what? I've got a challenge you should
• 1:08:40
  do. The icy red one. Oh
• 1:08:43
  my god. Oh god, no. Oh
• 1:08:45
  my god. Because I only did that when I
• 1:08:49
  dyed my hair red. It's going to be me in a
• 1:08:51
  wheelchair and then my silhouette is just going to
• 1:08:55
  be me without a wheelchair. Or
• 1:08:58
  you can be on your bed summoning food again. I
• 1:09:08
  was going to do it and then somebody beat me to
• 1:09:11
  it. All the challenges. Right.
• 1:09:15
  I was going to like remember sister. Sister,
• 1:09:18
  do you remember when I was going to do that one video
• 1:09:21
  where it was this is my three more right? Well,
• 1:09:25
  this is my gun. This is my dad. Then
• 1:09:28
  this is for fun. Oh, Victor, you know that I
• 1:09:31
  can't say I remember that. Oh,
• 1:09:34
  well, it was going to be me in a wheelchair. You're
• 1:09:38
  like crawling like crawling to my wheelchair. And
• 1:09:41
  you would like do it, dude. Do
• 1:09:43
  it. And I just never got the. I
• 1:09:45
  don't remember. Victor, I don't remember any of
• 1:09:48
  this. Did I manage to? Did
• 1:09:50
  I manage to? Victor, you know what? Have
• 1:09:53
  you seen that video of. My James. Have
• 1:09:57
  a great night. Have a great day. This
• 1:09:58
  is my wheelchair. That's what I'm saying. This
• 1:10:04
  is my this is my right. Well,
• 1:10:06
  this is my gun. This is my thumb. And
• 1:10:08
  what are you saying? This is it was only wheelchairs.
• 1:10:12
  You would only see something
• 1:10:13
  about his wheelchair. Now this is my right wheel.
• 1:10:18
  This is my left. This
• 1:10:20
  is my seat pad. This is my. What
• 1:10:23
  are you guys talking about? What
• 1:10:25
  are you talking about? I have no idea what you're
• 1:10:26
  talking about. There was. Okay.
• 1:10:28
  There was a video about. Full
• 1:10:29
  metal jacket. There was a bit of a jacket.
• 1:10:33
  Yeah. I was going to do a video
• 1:10:35
  last year that JJ was like. Do
• 1:10:37
  it. She do it. Like
• 1:10:38
  she did it. That was two years ago. It
• 1:10:41
  was basically crawling me on the floor. Crawling
• 1:10:46
  to my wheelchair. Because I'm crawling to my
• 1:10:49
  wheelchair. Why are you crawling? Because
• 1:10:52
  it's my wheelchair. And instead of this is my
• 1:10:55
  rifle. This is my gun. This
• 1:10:58
  is my something something like that. The
• 1:11:00
  saying from the movie. This is my wheelchair. It's
• 1:11:04
  the only wheelchair that I have. It's
• 1:11:06
  the you know, like this is my rifle. This
• 1:11:08
  is my rifle. It's the only one that I have
• 1:11:11
  and blah, blah, blah. But this was going to be my
• 1:11:13
  wheelchair. Okay, buddy. You
• 1:11:17
  know what you kind of sound like right now? You
• 1:11:19
  know what you kind of sound like right now?
• 1:11:22
  Coming out on October 23rd. This
• 1:11:24
  is the gummy bear song. Like
• 1:11:28
  your voice kind of reminds me of the. The
• 1:11:30
  gummy bear commercial right now. Let
• 1:11:34
  me look up. Let me look up the video. For
• 1:11:37
  a, oh, what's the movie? This
• 1:11:40
  is my rifle. It's the only rifle that I
• 1:11:43
  need. Like it's a movie. But
• 1:11:47
  I was going to like turn around and do a. Million
• 1:11:50
  already told you what the movie was. Like
• 1:11:52
  you already told you what the movie was. And
• 1:11:55
  then like I had that idea. So
• 1:11:57
  why are you why are you looking it up? If
• 1:11:59
  million already told you what the movie. I
• 1:12:01
  had that idea. I had the idea. I
• 1:12:05
  had the idea last year. And
• 1:12:08
  JJ was like do it. Yeah, I just never got around to
• 1:12:11
  it. It was two years ago, buddy.
• 1:12:15
  Yeah, two years ago. Okay,
• 1:12:16
  two years ago. Yeah. It was a minute, minute
• 1:12:19
  ago. It was a minute, minute. Not
• 1:12:21
  a minute, but a minute, minute. Yeah.
• 1:12:24
  Yeah. What is going on? What
• 1:12:31
  the? Well, you got low battery there,
• 1:12:33
  baby. Oh, hold on. Aziel.
• 1:12:38
  Hi, Aziel. Love your faces too. Yes,
• 1:12:59
  that one. No, that one. You
• 1:13:02
  that's love that one. Yes. That's what I was going to
• 1:13:07
  do. But I was going to crawl. I
• 1:13:09
  was like I was going to try. Love
• 1:13:11
  no one. I was going to transition
• 1:13:13
  from crawling. Yeah, I was going to transition
• 1:13:18
  from my from me crawling to my wheelchair. And
• 1:13:23
  then back and forth and do that video. It
• 1:13:26
  would be funny as hell if you did that. Yeah.
• 1:13:29
  And I still haven't. Honey, how are you? How
• 1:13:32
  are you going to do that? How
• 1:13:33
  are you going to do that? Because
• 1:13:34
  Tic Tac only has a 10 second timer. What?
• 1:13:38
  Wait, I thought it was 10 minutes. I
• 1:13:41
  thought it was 10 minutes. That's
• 1:13:43
  how much time you need to do the timer before you
• 1:13:46
  start recording. Oh, well, I'll just put on the
• 1:13:51
  timer. 10 seconds. And then like I can record
• 1:13:58
  myself and then record the chair and then I'll cap
• 1:14:02
  cut. I can put everything together.
• 1:14:05
  Oh my God. You
• 1:14:06
  look so good. Okay. Yeah. You
• 1:14:07
  can do it on cap cut. I thought you were going to
• 1:14:09
  try to do it all in Tic Tac. And
• 1:14:10
  I'm like maybe the timer only goes up to 10
• 1:14:12
  seconds. Yeah. How are you going to do
• 1:14:14
  that? No, no. I'm
• 1:14:16
  going to do it on cap cut. Like
• 1:14:18
  because I want to transition from me to the
• 1:14:22
  chair and then back and forth into like get into
• 1:14:25
  my chair and then, you know, do that. Yeah.
• 1:14:30
  No. I mean, I can still do it
• 1:14:33
  because I've only seen maybe like four or five
• 1:14:38
  and they're, they're good, but they're not like the
• 1:14:42
  way I envision it. They're not the poppy's way of
• 1:14:45
  doing things. Exactly. Exactly. They're
• 1:14:48
  not the way of doing things. Do
• 1:14:51
  it. Okay. I'm going to do it. She
• 1:14:54
  says do it. I'm going to do it. Dictator.
• 1:14:57
  Tag me in it when you do it. I
• 1:15:00
  sure will. Do the same thing. Actually,
• 1:15:04
  no, but I want to do that, a video of me and
• 1:15:08
  that with that sound. I do it. Do
• 1:15:11
  it. I do it. Well,
• 1:15:13
  you do it too, Cabaran. You
• 1:15:14
  do it too. Cabaran. It wouldn't be the same if
• 1:15:18
  you do it. It was just me and my
• 1:15:20
  wheelchair saying that saying. Oh,
• 1:15:23
  well, no, that's lame. You know what? You
• 1:15:28
  guys could have artistic differences. You
• 1:15:30
  guys could have, oh yes, Grandma. Hi.
• 1:15:32
  Yeah. I win. Oh
• 1:15:45
  my God. Oh, shit. We
• 1:15:48
  get to see what's the follow. That's
• 1:15:52
  her name. Oh, yes, Grandma. Give
• 1:15:54
  it to me. That's her name. The
• 1:15:58
  best part is you're in the middle of saying a fucking
• 1:16:00
  sentence and then you just put the same name. I
• 1:16:08
  didn't say it. I had to let him know that
• 1:16:11
  I solved it. No, I'm just saying like he
• 1:16:15
  caught me off guard as you were saying a sentence. So
• 1:16:18
  I was listening to it. What
• 1:16:21
  the fuck is he saying? That
• 1:16:22
  was so weird. That's why I love their name
• 1:16:27
  because every time I'm like in the middle of the
• 1:16:29
  sentence, if I see them pop in, I'm just like, oh
• 1:16:31
  yes, Grandma. Hi. Is it? Oh,
• 1:16:39
  what am I talking about? What
• 1:16:41
  am I talking about? Oh, I honestly don't remember.
• 1:16:45
  Give it to me, guys. Give
• 1:16:46
  it to me. Give it to me. Give
• 1:16:47
  it to me. We were talking about my
• 1:16:49
  video, but no, let's move on. Let's
• 1:16:51
  move on. Oh, I got pearls on my face.
• 1:16:56
  Oh my God. No,
• 1:16:57
  stop talking about pearls. I
• 1:17:00
  got pearls on my face. I'm surprised that I can talk
• 1:17:04
  about the pearls. I'm surprised. How
• 1:17:08
  old are you, Elijah? Elijah,
• 1:17:10
  how old are you? 23. Oh my God. My
• 1:17:14
  kid knows what a pearl necklace is. They
• 1:17:16
  talk about worse things on the bus. What
• 1:17:18
  the fuck? I knew what a pearl necklace
• 1:17:22
  was when I was in sixth grade. My
• 1:17:24
  kid's now in high school. Victor,
• 1:17:26
  do you know what a little bit of a hot pot is? Do
• 1:17:30
  I know what a pearl necklace is? Shut
• 1:17:31
  up. Shut up. Shut
• 1:17:32
  up. Shut up. Shut
• 1:17:33
  up. No, no. We're
• 1:17:34
  not talking about that. All I was going to ask is if
• 1:17:38
  Victor knows what it is. I wasn't going to say
• 1:17:41
  anything more. No, I don't. Look
• 1:17:45
  it up, but don't say what it is outside of this.
• 1:17:48
  Okay. Hold on. No,
• 1:17:50
  Victor, what you need to do is do a video of you
• 1:17:53
  reacting to the Alabama hot pot. Oh
• 1:17:57
  my God. Oh my God, it took me an
• 1:18:02
  hour to get to the scenario. That's
• 1:18:04
  exactly where you should be.
• 1:18:19
  Bro. Oh my God. My
• 1:18:24
  liver is reacting. No. Did you look it up too? I
• 1:18:34
  looked it up. I looked. Oh
• 1:18:35
  my God. Oh God, no. You
• 1:18:43
  know. No. Look it up. Look
• 1:18:48
  it up. Look it up. Look
• 1:18:51
  it up. Oh my God. Or
• 1:18:56
  should I say, oh my God. Eliza,
• 1:19:06
  you're dimension. Eliza, you're dimension. All
• 1:19:13
  right. I want to try to dumb this
• 1:19:14
  down. I want to try to dumb this
• 1:19:16
  down. So you have, you have, you
• 1:19:20
  know, this thing, you know, this thing, the ladies
• 1:19:23
  thing, the ladies thing. You
• 1:19:25
  drop a deuce inside the thing and then you continue
• 1:19:31
  with the deed and that is an Alabama hot pot pocket.
• 1:19:35
  Yeah. You poopy. Poopy.
• 1:19:38
  On the bodges. Well, hey, we're changing the
• 1:19:51
  subject right now. We're, we're done. We're
• 1:19:52
  done. We're done. We're
• 1:19:53
  cutting it off. We're done. We're
• 1:19:55
  done. We're done. We're
• 1:19:57
  done. We're done. We're
• 1:19:58
  done. We're done. We're
• 1:19:59
  done. We're done. Poopy,
• 1:20:01
  don't speak of this anymore. Okay.
• 1:20:03
  No. Eliza, I'm blaming you. Stop
• 1:20:06
  it. I'm blaming you, Eliza. Thank
• 1:20:09
  you. That's a gift that I've been
• 1:20:11
  going to Pearl when I'm thinking. Oh,
• 1:20:14
  sweet Christmas. I got you. I
• 1:20:17
  got you. Thank you. Thank
• 1:20:20
  you very much. Thank you. Oh
• 1:20:24
  my god. I was trying, I was trying
• 1:20:27
  to like do this like delicately and Victor's just
• 1:20:30
  all like, you take a doofus. Wait,
• 1:20:34
  hold up. Bye. Alex, I didn't. No,
• 1:20:38
  I only read the first part and it was okay with that.
• 1:20:41
  I wasn't like, yeah, okay. Oh
• 1:20:45
  my god. Oh my god. Alex.
• 1:20:48
  Alex. That was bad. Alex.
• 1:20:53
  Alex. So you get a yeast infection.
• 1:21:01
  That's how you get a yeast
• 1:21:03
  infection. It's different. Damn
• 1:21:14
  it, Eliza. Eliza. Why would you bring that
• 1:21:17
  up? He made me look it up. He
• 1:21:23
  made me look it up. I was like, oh my god. If
• 1:21:27
  you were so blunt with it, I was trying to place it
• 1:21:29
  delicately so nobody would get like sick and here you
• 1:21:32
  are like, they take a doofus. I
• 1:21:35
  was like, here, let me tell you, but use
• 1:21:38
  kindergarten words. You knew what that was and you
• 1:21:46
  didn't. Because you are a sick and twisted
• 1:21:50
  man. I'm not a sick and twisted
• 1:21:54
  man. Someone else can't do that. I
• 1:21:57
  can ask Eliza what females with a dirty sanchez is.
• 1:22:03
  That's so old. That's
• 1:22:04
  outdated. Like that needs to be retired.
• 1:22:06
  Do you want to know what a
• 1:22:07
  dirty sanchez is? I mean, do you want to know
• 1:22:10
  what a dirty sanchez is? Is
• 1:22:13
  it worse than the Alabama hot pocket? Not
• 1:22:16
  really. No, it's not. Russian
• 1:22:19
  candy cane. On that note, this is getting
• 1:22:23
  itchy and I need to take the pearls off of my face.
• 1:22:26
  So I'm going to finish my
• 1:22:27
  recording and take a shower. As
• 1:22:30
  much as I enjoyed this conversation and I'm not
• 1:22:33
  bailing because we were talking about the Alabama
• 1:22:35
  hot pocket, but I am getting a little a little
• 1:22:39
  this is this is metallic. I
• 1:22:41
  don't know if you can tell this is actually metallic
• 1:22:43
  paint. Like this is metallic paint. So
• 1:22:46
  we're on a big screen. We're
• 1:22:47
  on the big screen. Wait, we're on the big screen.
• 1:22:49
  There you go. Oh
• 1:22:50
  my god, it looks fucking beautiful. It
• 1:22:53
  looks amazing. Holy shit. It's
• 1:22:55
  metallic paint. So I'm getting a little itchy
• 1:22:59
  and then like these right here starting to bother me.
• 1:23:02
  So I want to take these off.
• 1:23:04
  Okay. Well, that's the reason why
• 1:23:06
  I have low lighting though. I
• 1:23:09
  love it. Fucking so good. Yeah.
• 1:23:13
  I love you sister. I love your face. Love
• 1:23:16
  you. Alex is following you from her
• 1:23:18
  makeup account. And you love me. I
• 1:23:21
  love you. All right. Love
• 1:23:24
  your faces, buddy. Love your faces. Love
• 1:23:26
  your faces. Not mine. Picture.
• 1:23:29
  That's what you get for thinking I wouldn't know
• 1:23:31
  what a goddamn pearl is. Oh,
• 1:23:33
  shut up. Shut up. Hold
• 1:23:34
  on. Hold on. Hold
• 1:23:35
  on. Hold on. So
• 1:23:36
  at the past Russian candy cane, the process of sexual
• 1:23:40
  intercourse with a girl during her period and
• 1:23:42
  pulling out with your thing, bloody and
• 1:23:46
  ejaculating in her mouth and her putting it on your
• 1:23:48
  dick for a red and white dick. Oh,
• 1:23:51
  God. No. I mean, I got my ready.
• 1:23:54
  When I got my ready wings, I
• 1:23:56
  got my brown wings. There's no other way that you
• 1:24:00
  need. There's no other way. There's
• 1:24:02
  no other way that you know. No,
• 1:24:06
  no other way that you need, you know, more ways,
• 1:24:08
  please. No more way. That's
• 1:24:10
  like, Hey, Victor, the next time you pick this up to
• 1:24:12
  piss me off, I'm just going to say the words out
• 1:24:14
  of a hot pocket. Just to piss you off. Oh,
• 1:24:18
  Elijah, do you know what the wings are in life? Oh
• 1:24:23
  my God. Why do we need to tell them?
• 1:24:25
  Right? Right. Why
• 1:24:27
  do we need to teach them this? But
• 1:24:29
  I like it because it, it, it learns them. I
• 1:24:35
  like it. Oh, shit. Do
• 1:24:38
  you know what the red, like what the wings in
• 1:24:41
  life are? This, what are we talking about
• 1:24:47
  this shit on the TikTok live? One
• 1:24:49
  of these times we're going to get banned for this
• 1:24:51
  shit. Okay, you know, I don't, I don't
• 1:24:53
  want to get banned. So I will, I will talk to
• 1:24:55
  you separately. What's that? I
• 1:24:57
  will talk to you separately about the wings. Okay.
• 1:25:00
  Good shit. All right. I
• 1:25:01
  got to go. It was fun. Love
• 1:25:04
  you, bro. Oh my God. Love
• 1:25:07
  you pretty much. Like, love you. Love
• 1:25:09
  you. This was amazing. Alex.
• 1:25:12
  Love you, bro. Your white wings, really? Wait,
• 1:25:15
  wait, wait, wait, wait, wait, wait, wait. What
• 1:25:17
  are the white wings? Alex, are her white wings, they
• 1:25:20
  said? Oh, never mind. That's
• 1:25:22
  okay. Yeah. Yeah. I
• 1:25:24
  got it. I got it. The
• 1:25:25
  female version. Yeah. I got the white wings. I
• 1:25:28
  got it. I got it. Okay.
• 1:25:31
  Love you, bro. Love you guys too. We
• 1:25:34
  said, pick your. I want to cover up. I
• 1:25:36
  want to cover up. Yeah, wait, yeah. And
• 1:25:40
  that was it. Hope you enjoyed that moment
• 1:25:43
  that I had with my friends from TikTok, from the Sagi
• 1:25:46
  Squad. Yeah, it was, it was, it was a,
• 1:25:51
  it's different. Let me know what you guys
• 1:25:54
  thought of it. As I, you know, I told you
• 1:25:57
  the email earlier. I'll tell it to you again from
• 1:25:59
  theapronetgmail .com. Let me know in the comments.
• 1:26:03
  Let me know in the messages.
• 1:26:06
  Yeah, just let me know what you
• 1:26:07
  guys thought of that. I really, really appreciate
• 1:26:09
  it. So, so up next, we're going to
• 1:26:13
  talk about X -Men. So, but here's a little break.
• 1:26:20
  Are you looking for a new
• 1:26:21
  podcast, or maybe you just love celebrity interviews
• 1:26:24
  and can't get enough of them? On
• 1:26:26
  the Tis Yourself podcast, the Todd, AKA Rob Machio
• 1:26:30
  from Scrubs, told me about his first time speaking to
• 1:26:33
  a group of surgeons. And I was just like, listen
• 1:26:35
  guys, when in doubt, the Todd's prescription for
• 1:26:38
  everything is less moaning, more boning. Or
• 1:26:41
  you want to find out more about how Joe Exotic had
• 1:26:43
  such a vendetta against Carol Baskin when she had
• 1:26:46
  this to say about him. Because
• 1:26:47
  I've never even spoken to Joe. Find
• 1:26:49
  out all of this and more on the Tis Yourself podcast
• 1:26:52
  wherever you get your points.
• 1:27:08
  So, this is how it's going to
• 1:27:10
  work. It's going to be the same as
• 1:27:11
  how I've done with Glow, Heal, and Rock. I'm
• 1:27:16
  going to read the plot from the X -Men friend and
• 1:27:18
  website at times. I will tell you that I have,
• 1:27:21
  we'll have bits of trivia here and there. If
• 1:27:23
  my time permits, possibly look up additional
• 1:27:25
  interviews from the creators, directors, or
• 1:27:27
  voice actors that have shown throughout the years.
• 1:27:31
  When will these episodes be
• 1:27:32
  available? Depending on how many people listen
• 1:27:34
  to this episode itself, I'm just testing the waters, as
• 1:27:37
  I told you in the first episode, 151. If
• 1:27:41
  it's something that those things don't want to hear,
• 1:27:42
  then I won't continue to do so. How
• 1:27:45
  will I find out? Send me a message at
• 1:27:47
  frommovieapprenticeemail .com and tell me yourself. You
• 1:27:50
  want me to continue doing these episodes or just
• 1:27:52
  stick to wrestling and the Glow TV shows. So,
• 1:27:55
  for hearing out, let's see what we got. This
• 1:27:58
  episode is called Night Ascent and No Part Two. It
• 1:28:01
  was released on November 7, 1992. It's
• 1:28:04
  directed by Richard Bowman and written by Mark Edward
• 1:28:06
  Edens. Sipnauses, in order to prevent their
• 1:28:10
  extinction by the dangerous sentinels, the uncanny X
• 1:28:13
  -Men must attack the government facility and
• 1:28:14
  become painted as dangerous renegades. While
• 1:28:17
  their mission is a success, it comes with a terrible
• 1:28:20
  price as they lose two of their members. Meanwhile,
• 1:28:23
  the vile man controlling the sentinels have captured
• 1:28:25
  the scared teenager, Jubilee. So,
• 1:28:29
  it continues from the last episode. You
• 1:28:32
  heard from the last episode. Morph
• 1:28:36
  Beast will bring in a storm, infiltrate the mutant
• 1:28:40
  agency, the control agency, the mutant control agency,
• 1:28:45
  and they turn off all the securities and all that
• 1:28:47
  stuff, and they're about to open a door, and it ends
• 1:28:50
  at exactly the point where, on the other side of the
• 1:28:52
  door, is a trap, it's a bunch of guard men ready
• 1:28:56
  to attack. So, we're going to go from
• 1:28:59
  there. The mutant control agency
• 1:29:02
  outside Washington, DC sits peacefully at night with
• 1:29:04
  the movement overhead. Spotlights
• 1:29:06
  move around, illuminating the perimeter. In
• 1:29:08
  the nearby foliage, Cyclops and Gambit walk up to get
• 1:29:11
  a better look while Rogue lands behind them. Rogue
• 1:29:14
  knows that they look as nervous as a long -tailed
• 1:29:16
  cat in a room full of rocking chairs. Cyclops
• 1:29:20
  wants to know what is going on inside. Gambit,
• 1:29:22
  playing with his deck of cards, says that if he was
• 1:29:24
  in there, they wouldn't have to worry. Just
• 1:29:28
  then, several armored vehicles drive by on the
• 1:29:29
  street towards the agency. Cyclops
• 1:29:31
  notes that they got trouble on the last episode,
• 1:29:35
  episode one. Gambit didn't have this line at
• 1:29:38
  all. They added this line on this
• 1:29:40
  episode. So, it's just new right here.
• 1:29:45
  Inside the building, storm flies
• 1:29:46
  through the halls, while Wolverine beats the
• 1:29:47
  morpholo. Morph bumps his shoulder when he
• 1:29:50
  rounds the corner and goes through the doorway. They
• 1:29:52
  approach a closed door and storm lands. On
• 1:29:54
  the other side, our men aim their guns at the
• 1:29:56
  door. Storm opens the door slowly, but
• 1:29:58
  Wolverine quickly stops her and shuts the door. He
• 1:30:01
  sniffs the air and smiles, a god oil. He
• 1:30:04
  reveals there are security guards who are onto them.
• 1:30:07
  Inside the guards look around
• 1:30:08
  confused. Suddenly, the door flashes and storm
• 1:30:11
  blows the door and guards back with a mighty gust of
• 1:30:13
  wind. Beast jokes that he used to
• 1:30:16
  wonder how she got her code name. Outside,
• 1:30:20
  the armored vehicles stop inside the fence line. They
• 1:30:23
  open up really seeing the armed soldiers. Suddenly,
• 1:30:25
  one is blasted by Cyclops. They
• 1:30:27
  blast. He turns off the blast with
• 1:30:29
  his visor. He orders the other soldiers
• 1:30:31
  to keep away from the building, but not to harm
• 1:30:34
  any humans. He also wants to watch out
• 1:30:36
  for himself as well. Gambit dodges an energy blast from
• 1:30:39
  one of the soldiers' guns. He
• 1:30:40
  tells Cyclops to tell their opponents not to hurt them.
• 1:30:43
  Tell them, dad. Inside,
• 1:30:45
  several guards protect the room. The
• 1:30:47
  door opens and the high ranking officer enters. He
• 1:30:50
  tells the men that they are under attack and to
• 1:30:52
  report to the guard room immediately. The
• 1:30:54
  men rush into the room. The
• 1:30:56
  officer stands in the doorway. They
• 1:30:57
  change it into Morph. He closes the door and locks
• 1:31:00
  it while insulting them. He turns and says that it's
• 1:31:03
  clear sailing from there. While
• 1:31:05
  the others enter, I love when Storm... Oh,
• 1:31:07
  it's like something that Morph says that I remember.
• 1:31:12
  It's like I don't even have to
• 1:31:13
  watch the episode. Like, I just know that he says
• 1:31:15
  it like that. Storm tells them that he did
• 1:31:19
  must destroy every file in their area. Short
• 1:31:21
  of beats to the computers. He
• 1:31:22
  says that it is his pleasure and that no name
• 1:31:24
  shall remain. She walks into the filing
• 1:31:28
  cabinet, noting that they must destroy the hard
• 1:31:30
  copies as well. However, she finds the drawers are
• 1:31:34
  locked. Wolverine stabs the drawers with his
• 1:31:36
  claws. He pulls them out, flinging
• 1:31:38
  the lock off, saying it is now unlocked. At
• 1:31:42
  the terminal, beast cracks into the database and
• 1:31:45
  begins pulling up files. In Detroit, Michigan, the U .S.
• 1:31:49
  motor fuck three slides abandoned
• 1:31:50
  and decrepit. Inside, you will be easily woken
• 1:31:53
  by the sound of a man's voice. He
• 1:31:54
  wants to ask her some questions about the mutants
• 1:31:56
  who saved her at the mall. He
• 1:31:58
  watches her on television. She
• 1:31:59
  claims not to know anything. She
• 1:32:01
  wonders why he is doing this to her, so that she
• 1:32:02
  hasn't done anything and it's just a child. Jubilee
• 1:32:05
  looks around, seeing mechanical arms above her.
• 1:32:07
  Behind the man and Norma's robot
• 1:32:09
  lies in wait. The man claims that she has
• 1:32:11
  already been burdened to her foster parents. He
• 1:32:14
  also warns that as her power is grown, strength
• 1:32:16
  she will endanger everyone around her. She
• 1:32:18
  cries out that it is not her fault. She
• 1:32:21
  was warned that way. He claims he can help by
• 1:32:24
  identifying the most dangerous mutants of all.
• 1:32:26
  He picks up a recorder and
• 1:32:26
  presses play. Again, his voice is heard, saying
• 1:32:29
  not to mess with the X -Men. He
• 1:32:31
  wants to know who the X -Men are. I
• 1:32:35
  mean, all this research and he still doesn't know who
• 1:32:39
  the X -Men are. A second man interrupts
• 1:32:41
  demanding to know why the other man, Guy Ricks,
• 1:32:43
  brought a mutant there. He demands to know who she
• 1:32:45
  is. Guy Ricks states that Jubilee
• 1:32:47
  is just a random person from the files and attests
• 1:32:50
  to see how easily mutants can be captured. The
• 1:32:52
  man thought they had agreed not to attack any mutants
• 1:32:55
  until they had 100 of the robots called sentinels. Guy
• 1:33:00
  Ricks tells the man named Trask that he is building
• 1:33:02
  them too slowly. He wonders if he is paying
• 1:33:04
  Trask enough and wonders what he is waiting for.
• 1:33:10
  Just then, Guy Ricks' cell phone
• 1:33:11
  rings. He flips it open and answers.
• 1:33:14
  He listens in order to person
• 1:33:15
  to eliminate the mutants immediately. He
• 1:33:18
  tells Trask that there is a problem at the agency.
• 1:33:21
  This is 1992. There
• 1:33:25
  are cell phones. Dude busted out his cell phone.
• 1:33:30
  This is the future. This
• 1:33:33
  is what's going to happen in the future. We're
• 1:33:34
  going to have cell phones. We're
• 1:33:35
  going to have cell phones big enough to fit in our
• 1:33:38
  jacket. Armored vehicle lies on its side.
• 1:33:44
  Soldiers stand behind it, firing at
• 1:33:45
  the enemy. One guard turns to see rogues
• 1:33:48
  whooping out of the sky. She
• 1:33:49
  picks up two armored vehicles, one in each hand
• 1:33:52
  and flies them over to a small pond. She
• 1:33:53
  drops both and suggests they go first to him, then
• 1:33:56
  jokes about getting a moonburn. Meanwhile,
• 1:33:59
  soldiers fire at Gambit. He dodges and throws a card
• 1:34:01
  at them. It blows knocking the soldiers
• 1:34:03
  aside and Gambit claims victory. Behind
• 1:34:05
  him, Cyclops touches his communicator and tells Storm
• 1:34:08
  to hurry before someone is hurt. Inside,
• 1:34:12
  Storm acknowledges his morphed throws files onto a
• 1:34:14
  fire. He tells Storm that they are
• 1:34:15
  done as that was the last of the files. Nearby,
• 1:34:18
  Wolverine struggles to keep the door closed while the
• 1:34:20
  guard is banged on the other side. He
• 1:34:21
  tells Beast to hurry. Beast says the quote about never
• 1:34:25
  hurrying. Beast finishes up a virus saying
• 1:34:28
  that soon the files will be destroyed. However,
• 1:34:30
  Storm uses lightning to destroy the computer. She
• 1:34:33
  apologizes saying they have no time for poetry. She
• 1:34:37
  creates a rain cloud to put out the fire and tell
• 1:34:39
  Cyclops that they were successful and are coming
• 1:34:41
  out. Cyclops acknowledges and orders
• 1:34:44
  everyone to return to the Blackbird. He
• 1:34:45
  has Gambit blow the fence. The
• 1:34:48
  two men run to the perimeter and while Rogue
• 1:34:50
  flies behind them. Just then, the front door of
• 1:34:53
  the building explodes. A guard yells at them to
• 1:34:55
  stop and put up their hands. The
• 1:34:57
  spotlight follows the team. Cyclops
• 1:34:59
  stops. Turns and fires cut in the tower
• 1:35:01
  in half. At the top falls Rogue
• 1:35:03
  snatches the guard out of the air. The
• 1:35:04
  guard tells the freak to put him down. She
• 1:35:06
  agrees and drops him so he slams him to the dirt.
• 1:35:09
  Gambit charges a card and blows
• 1:35:10
  the fence. The others from inside escape
• 1:35:13
  and join the outside team. He
• 1:35:15
  approaches the hole and lets the others go through.
• 1:35:17
  Wolverine tells them to hurry as
• 1:35:19
  they are missing dinner. As they flee, Morph notes that
• 1:35:25
  he was right and in his clear sailing. He
• 1:35:27
  loves saying that. However, as they approach the tree
• 1:35:29
  line and something will appear out of the woods,
• 1:35:32
  Wolverine pulls out his claws, threatening to
• 1:35:34
  destroy the mechanical opponent. Morph
• 1:35:37
  sees two more then cries out for Wolverine to pull
• 1:35:41
  back. He runs forward. Morph
• 1:35:45
  says he is right and in his clear sailing. This
• 1:35:47
  is the part where we see a commercial right here. We
• 1:35:51
  don't know what happened to Morph. Back
• 1:35:57
  in the mansion inside the war room, Gene Gray wears
• 1:35:59
  a helmet and suddenly cries out. Professor
• 1:36:01
  X turns to Anna and asks what is wrong. She
• 1:36:03
  pulls off the helmet and kneels to the ground. She
• 1:36:05
  says that it is Morph and wonders if he can feel it.
• 1:36:08
  He hovers over to her and
• 1:36:09
  picks up the helmet, putting it on. He
• 1:36:11
  then notes that he senses nothing. He
• 1:36:16
  could be dead. I mean, yeah, but here's the
• 1:36:24
  thing. Why push Wolverine out of the
• 1:36:29
  way when Wolverine can heal himself? It's
• 1:36:32
  what I keep thinking. Like why him? Why
• 1:36:36
  not try to do that on Beast? Push
• 1:36:40
  Beast out of the way and then take that hit for
• 1:36:42
  him. Instead of Wolverine, who we know
• 1:36:44
  he can regenerate. It always wondered that. Or
• 1:36:51
  why couldn't Morph morph into Wolverine take the hit
• 1:36:57
  and then, okay, time to regenerate. Things
• 1:37:04
  that I've been crossing my mind since 1992. Later,
• 1:37:08
  the Blackbird approaches to mansion then lowers itself
• 1:37:11
  into the hidden hangar, landing near two smaller
• 1:37:15
  aircraft. Inside, Cyclops stands and walks
• 1:37:17
  out. Storm looks at an empty seat and
• 1:37:19
  begins sobbing. The stairs descend and Cyclops
• 1:37:21
  embarks. Wolverine follows calling out to him.
• 1:37:24
  Cyclops tries to empathize with
• 1:37:27
  Wolverine and begins to disagree. However,
• 1:37:29
  Wolverine sucker punches him in the gut and he goes
• 1:37:31
  down. Wolverine claims he knows nothing and
• 1:37:34
  threatens to do it again and pulls out his cloth.
• 1:37:36
  On his knees, Cyclops gets
• 1:37:37
  tired of his attitude. His visor glows. Gambit
• 1:37:39
  walks out to see them. Cyclops
• 1:37:43
  stands and Wolverine wants to see how tough he is
• 1:37:45
  when he is in barking orders. Just
• 1:37:47
  then, Gene approaches yelling at them to stop.
• 1:37:50
  Wolverine tells Gene that Soldier Boy
• 1:37:52
  here left the others behind. He
• 1:37:55
  claims that Morph and Beast could possibly be alive.
• 1:37:58
  Gene says that Beast is
• 1:37:59
  prompting Wolverine to wonder about Morph. She
• 1:38:03
  shakes her head and buries her face in Cyclops' chest
• 1:38:05
  to cry. Why is she crying? I
• 1:38:07
  mean, I get that you're feeling bad and you're
• 1:38:08
  feeling like some type of empty bed. No,
• 1:38:13
  why are you so dramatic? Let's
• 1:38:16
  start crying at the Cyclops' chest. Gambit
• 1:38:20
  puts his hand on Wolverine's shoulder saying
• 1:38:21
  that Morph is gone. Wolverine
• 1:38:23
  brushes it off and storms out. Not
• 1:38:26
  Wolverine's best friend. Yeah.
• 1:38:29
  In the garage, Wolverine climbs to the Jeep. He
• 1:38:32
  looks at the other car and slides out to pass it
• 1:38:35
  inside. He pulls out of the closet
• 1:38:36
  and cries out that everyone is a coward. Gene
• 1:38:39
  enters and sees what he is doing. He
• 1:38:41
  flips off to Ruin Top, shattering the glass. The
• 1:38:48
  Ruin Top shattering the glass. He
• 1:38:50
  tells Gene to inform Cyclops that he now owns a
• 1:38:52
  convertible. He climbs back into the Jeep.
• 1:38:55
  He tells him that what
• 1:38:56
  happened wasn't because of Cyclops. Ignoring
• 1:38:59
  her, he drives off. She calls out to him saying
• 1:39:01
  that it wasn't his fault either. Cyclops
• 1:39:04
  stands in the doorway watching. Cyclops,
• 1:39:07
  as a leader, knows that it's his fault. He
• 1:39:10
  takes the blame. As a leader of the X -Men, he
• 1:39:14
  takes the blame. He knows. Wolverine
• 1:39:17
  drives down the twisting road. He
• 1:39:19
  tires, his tires squealing when he turns. He
• 1:39:21
  thinks about Morph and Beast. We
• 1:39:23
  go into the back story. The
• 1:39:25
  flashback of Sentinel appeared at the trees.
• 1:39:27
  Morph ordered him back as Ruin
• 1:39:29
  ran forward and shoved him down the hill. The
• 1:39:31
  Sentinel fired from his hand, blasting the area.
• 1:39:33
  Wolverine once stood, but was then
• 1:39:34
  occupied by Morph. Beast screamed as the others
• 1:39:38
  approached. The Sentinel fired, hitting
• 1:39:40
  Beast's square in the chest. He
• 1:39:44
  was knocked back into the extracuritifed fence. He
• 1:39:46
  fell unconscious. Cyclops called out to him and
• 1:39:49
  wrote off her to go. However,
• 1:39:50
  she was blasted out of the sky by another Sentinel
• 1:39:52
  blast. Ruin rushed forward, threatening
• 1:39:55
  them with his Dimantium Claws. He
• 1:39:56
  ran towards three of them, but the sender one shot a
• 1:39:58
  bullet from his hand, wrapped around his foot and
• 1:40:01
  sent those one to move over his head. Ruin
• 1:40:03
  cried out as he was launched into the forest.
• 1:40:05
  Here's what I think. Okay,
• 1:40:08
  here's my theory, basically. The
• 1:40:10
  Sentinel fired enough blast to hit Wolverine and knock
• 1:40:15
  him out, basically. And knowing that it could
• 1:40:18
  regenerate itself. Or not knowing. Maybe,
• 1:40:22
  like, you know, boom. Um, we're gonna take, they want
• 1:40:27
  them captured. They don't want to kill them.
• 1:40:29
  So that blast, what's for
• 1:40:33
  Wolverine, Morph takes the blast and it kills him.
• 1:40:39
  Beast takes another blast himself,
• 1:40:41
  and it doesn't kill him because it was enough for
• 1:40:45
  Beast to knock him out. Enough
• 1:40:47
  for a beast. So my theory was that Morph
• 1:40:51
  wasn't supposed to die. It was for Wolverine. Morph
• 1:40:54
  stood in the way. Morph dies. Cyclops
• 1:41:00
  watched him go, then fired at one Sentinel, knocking
• 1:41:03
  him back. Another one fired his energy blast
• 1:41:05
  at him. It landed nearby, tossed the
• 1:41:08
  Cyclops aside. Gambit ran forward, tossing a card
• 1:41:11
  to blast the boosts remaining sentinels. He
• 1:41:13
  ran to Rogue and picked her up. He
• 1:41:15
  carried her past Cyclops, telling him to blast him.
• 1:41:17
  Cyclops blasted the last two in
• 1:41:19
  each of the knee, and they fell down. One
• 1:41:21
  top of the other. As Gambit ran, Rogue offered
• 1:41:25
  to fly him away as another Sentinel landed in front of
• 1:41:26
  them. Cyclops blasted the leg off the
• 1:41:28
  new one, and it fell, but another arrived nearby. Yet
• 1:41:31
  another landed in front of him as a blast came from
• 1:41:33
  behind. Cyclops turned and fired, but the
• 1:41:35
  previous one fired, knocked him down. Just
• 1:41:38
  in the blast, the flight hit the Sentinel floating
• 1:41:40
  it out. Cyclops ordered Wolverine to pull
• 1:41:42
  back. Storm landed near Cyclops, but
• 1:41:44
  who was blasting another robot? Saying
• 1:41:46
  they were being overwhelmed and needed to retreat. More
• 1:41:50
  sentinels landed all around them. Storm
• 1:41:52
  grabbed Cyclops and flew him away, while being a
• 1:41:54
  firepond. Down in the guard, guards shot
• 1:41:57
  in the air blast went off all around Storm and
• 1:42:00
  Cyclops. The team returned to the
• 1:42:02
  Blackbird as Wolverine struggled to stand. Cyclops
• 1:42:04
  told Wolverine that they needed to get going.
• 1:42:07
  Wolverine insulted Cyclops, saying
• 1:42:08
  that the X -Men don't run. He
• 1:42:09
  offers to go back for Morph and Beast. Cyclops
• 1:42:15
  stated that they could help Wolverine told Junior that
• 1:42:18
  maybe Cyclops couldn't, but he could and pulled out
• 1:42:21
  his claws. Snicked, he started to walk away
• 1:42:24
  and Cyclops called out to him. Wolverine
• 1:42:27
  claimed that he went where he wanted to. As
• 1:42:29
  he passed Rogue, she said he wouldn't this time. She
• 1:42:33
  took off her glove and grabbed his arm. Energy
• 1:42:35
  cores from Wolverine to Rogue, she said she had to
• 1:42:37
  be careful to pull enough energy to knock him out,
• 1:42:40
  but not enough to hurt him. He
• 1:42:42
  eventually fell to the ground. He
• 1:42:43
  called out to Beast and Morph not wanting to leave.
• 1:42:48
  Wolverine is a real one. He
• 1:42:51
  will stay for you. Back in the present, Wolverine
• 1:42:54
  continues driving down the road. The
• 1:42:55
  next day the G -Vlies parked next to a cliff.
• 1:42:58
  Wolverine crouches on the edge,
• 1:42:59
  promising to avenge his friends and pulls out his
• 1:43:01
  claws. Snicked, snicked. Back
• 1:43:05
  at the agency, a guard cries out that they have
• 1:43:07
  one of the mutants intruders cornered and to
• 1:43:09
  send help. Another guard orders Beast to hold
• 1:43:12
  it while they surround him. A
• 1:43:14
  sentinel crouches behind the guard telling them to stand
• 1:43:16
  aside and let it take care of the survivor. The
• 1:43:19
  headguard reminds the robot that it was sent to help
• 1:43:22
  and not to take over. He claims that the prisoner is
• 1:43:24
  his. The sentinel watches and scans
• 1:43:26
  the man. Beast begins to cry as he
• 1:43:28
  realizes Morph is gone. Sometime
• 1:43:33
  later, Beast is in a cell praying. Gyrik
• 1:43:36
  enters wanting to ask him some questions to the
• 1:43:39
  mutant standing on the wall. Beast
• 1:43:41
  gets angry and tells him another time. Gyrik
• 1:43:43
  claims he will return. Gyrik
• 1:43:45
  leaves and the guard closes the cell door leaving Beast
• 1:43:47
  in the dark. Later, a reporter on television
• 1:43:49
  intrudes to the president of the United States of
• 1:43:51
  America. A woman comes on intruding
• 1:43:53
  herself to her fellow American. Outside
• 1:43:56
  of Andrews TV, Pastor Vyde watches the president's
• 1:43:58
  dress. She claims that the renegade
• 1:44:00
  mutants attack the headquarters of the Federal
• 1:44:01
  Security Agency. Not the Mutant Agency, but the
• 1:44:07
  Federal Security Agency. In the war room, the address
• 1:44:11
  is watched by Gamut Rowe, Psycho -Hoffith Professor X.
• 1:44:13
  The president says that the
• 1:44:15
  attack was stopped by experimental robot policemen
• 1:44:17
  called sentinels. Cyclops vise their clothes as he
• 1:44:20
  discovers the robot's name. In
• 1:44:22
  some bar, Logan begins to play pool, breaking apart
• 1:44:25
  the balls. Two men each holding cue
• 1:44:27
  sticks. Watch the reporter then intrudes
• 1:44:30
  and replies his speech by Senator Robert Kelly. Kelly
• 1:44:33
  appears and begins to talk about the incidents at the
• 1:44:35
  New Salem Mall and Mutant Control Agency. However,
• 1:44:42
  Logan yells out to shut that garbage off. One
• 1:44:44
  of the pool players tells Furface to leave since that
• 1:44:47
  is their table. Two thugs approach him on
• 1:44:50
  either side. Another thug catches the cue ball
• 1:44:52
  before it connects. He says that the runt didn't
• 1:44:55
  hear him. Logan gets in his face and pulls
• 1:44:58
  out his claws. The thug realizes that Logan is
• 1:45:00
  a mutant and backs away. Behind
• 1:45:02
  him, the man who caught the cue ball holds it up
• 1:45:04
  while the younger approaches with a bat ordering him
• 1:45:06
  out. He does not want Logan's kind
• 1:45:08
  around. The thug tells him to return
• 1:45:11
  to the free show. Logan replies that he goes where
• 1:45:14
  he wants to. Just then, Scott interrupts
• 1:45:16
  saying that he needs to talk to Logan. The
• 1:45:19
  head thug stops him, telling Furface to stay
• 1:45:22
  out. Scott asks if he would hit a
• 1:45:23
  man with glasses. The thug tells him to take
• 1:45:26
  them off and lift them with the pool cue. His
• 1:45:28
  optic blast tears apart the pool table. The
• 1:45:31
  thug tells him to put them back on and hands them
• 1:45:33
  back. Outside, Logan tells Scott not to
• 1:45:36
  bother apologizing for running out on beast. Scott
• 1:45:39
  claims that it's not apologizing for command
• 1:45:41
  decisions. Logan gets in his Jeep. Scott
• 1:45:44
  crouches next to him and asks if he wants to find
• 1:45:45
  the substance home base. Logan
• 1:45:47
  asks when and where. At the White House, Guy
• 1:45:52
  reaches into the room holding a file, noting that
• 1:45:54
  the president wanted to see him. On
• 1:45:56
  her stairmaster in a yellow jumpsuit, she congratulates
• 1:45:58
  him. Dr. Traskin then orders them to stop
• 1:46:00
  anything involving their privately run mutant
• 1:46:02
  registration program. He demands to know why. She
• 1:46:05
  points out that the renegade mutants were
• 1:46:07
  willing to sacrifice their lives to destroy the files.
• 1:46:10
  She wants to know if there
• 1:46:11
  was any reason for them to be that afraid. Without
• 1:46:13
  replying, Guy recleaves. Outside,
• 1:46:16
  he calls her a fool. He throws his files, scattering
• 1:46:18
  the papers. Just then, his phone rings. He
• 1:46:20
  answers and wonders if he is still there. On
• 1:46:26
  the other end, Julie's foster father says he will
• 1:46:29
  try to keep him there as long as he can. He
• 1:46:30
  hangs up and walks over to a tray of soda and brings
• 1:46:32
  them into the living room. He
• 1:46:34
  offers one to Scott, who accepts and thanks him.
• 1:46:37
  Martha tells her husband and Scott
• 1:46:39
  and leaves. Julie was kidnapped by the
• 1:46:41
  sentinels that the president talked about. He
• 1:46:43
  spills the tray and wonders why anyone would do that.
• 1:46:46
  Scott explains that people fear
• 1:46:47
  what they do not understand. He
• 1:46:49
  suddenly tells Scott that he needs to leave right
• 1:46:51
  away. He explains that they told him
• 1:46:53
  that if anyone came and asked him about Jubilee to
• 1:46:55
  call them. Scott reassures him that he did
• 1:46:58
  nothing wrong, that he just wanted to help Jubilee. He
• 1:47:00
  asks. Scott walks out of the house
• 1:47:04
  onto the street, a sentinel approaches from behind the
• 1:47:06
  house, across from him, ordering him to surrender.
• 1:47:09
  Scott puts his arms up, complying
• 1:47:11
  that quickly he lets his glasses blast the robot's
• 1:47:13
  arm off. His arm falls off, slamming to
• 1:47:16
  the ground outside of a door, scaring the man
• 1:47:18
  inside. The robot, designation sentinel
• 1:47:20
  14, reports that he has been damaged by an unknown
• 1:47:23
  mutant. Scott and Logan run down the
• 1:47:26
  street and between two buildings. This
• 1:47:28
  has no nouns that they will return to base for
• 1:47:30
  repairs. It lifts off, further scaring
• 1:47:32
  the neighborhood. It lifts into the air, leaving
• 1:47:34
  its arm behind. In the Blackbird, storm
• 1:47:37
  explaining she has sentinel on radar, Scott agrees to
• 1:47:39
  follow. He and Logan enter the
• 1:47:40
  Blackbird and Rogue seem excited to follow. The
• 1:47:44
  Blackbird lifts off her rockets forward through the
• 1:47:47
  air. The sentinel flies over a city
• 1:47:48
  with the Blackbird close behind, side -clothed in the
• 1:47:50
  storm, man, the pilot's teeth. What
• 1:47:52
  about the arm that was left behind? What's
• 1:47:54
  going to happen to it? This
• 1:47:56
  can't leave it in the neighborhood. Back
• 1:48:00
  at US Motors, mechanical arms piece together as
• 1:48:02
  sentinel. They work on the inside, stretch
• 1:48:04
  an arm, and then a touch of hand. Trask
• 1:48:06
  watches over to automate process, Geirich approaches.
• 1:48:08
  Geirich tells Pras to start packing
• 1:48:10
  and the doctor wonders why. Using
• 1:48:13
  a remote to stop the arms from lifting as well, this
• 1:48:15
  mask, Geirich explains that the president canceled the
• 1:48:17
  government support of their mutant participation and he
• 1:48:20
  fears the sentinel program will be next. Geirich
• 1:48:23
  decides to move the operational proceeds. Geirich
• 1:48:26
  is interrupted by the sound of an approaching sentinel.
• 1:48:28
  The design sentinel flies
• 1:48:29
  through the glass and the ceiling, then crashes to
• 1:48:31
  the ground, damaging some equipment. In
• 1:48:33
  her cell, the mechanical arms power down and one of
• 1:48:35
  her shackles open. Jubilee sits up looking at her
• 1:48:38
  freed hands. On the factory floor, Geirich
• 1:48:42
  wonders if the sentinel can watch where they're going.
• 1:48:45
  In her cell, Jubilee hopes
• 1:48:46
  that whatever happened keeps those slime balls busy. She
• 1:48:49
  shoots the shackle holding her other hand and she's
• 1:48:51
  both holding her feet. He stands and fires at the
• 1:48:54
  wall. She continues to concentrate
• 1:48:57
  blast until the wall starts melting. On
• 1:49:01
  the floor, Geirich notices that the wall buckling
• 1:49:02
  until Trask look out. Suddenly
• 1:49:04
  the wall bursts open. Jubilee
• 1:49:05
  leaves through the door over the sentinel and out
• 1:49:08
  onto the floor. Geirich tells Yels to stop her. As
• 1:49:12
  Jubilee runs as I'm the last in front of her, she
• 1:49:14
  jokes that this is the wrong way and turns to run
• 1:49:16
  as the robot raises hand. She
• 1:49:19
  stops when she finds herself surrounded on all
• 1:49:21
  sides, all ordering her to stop. She
• 1:49:22
  falls to her knees just wanting to go home. Just
• 1:49:26
  then, Cyclops tells her to duck. She
• 1:49:28
  looks up and sees him standing in the rafters.
• 1:49:30
  Two sentinels blasted by
• 1:49:33
  Cyclops, a third to ferns towards him and he misses
• 1:49:36
  hitting it. However, a second blast hits him
• 1:49:39
  squaring the chest. He backs up, smoke pouring
• 1:49:41
  from the hole. Dan slams onto the ground.
• 1:49:44
  Geirich grabs Trask and leaves him
• 1:49:45
  out. He promises that their work is
• 1:49:47
  just the beginning. Jubilee runs as another sentinel
• 1:49:50
  chases her. Suddenly, playing cards rain down and
• 1:49:53
  the robot breaking apart. It's
• 1:49:55
  Gambit. Gambit swings down to the floor
• 1:49:57
  behind her asking if she missed him. She
• 1:50:00
  runs into her arms hugging him. He
• 1:50:01
  takes that and says, Yes, you missed me, but hey. He
• 1:50:06
  turns to see Rugg, punching a sentinel onto the head,
• 1:50:09
  flies off and it falls backward. As
• 1:50:11
  a second sentinel approaches, the first slams
• 1:50:13
  down onto the assembly line. Cyclops
• 1:50:16
  blasts a sentinel knocking it down. One
• 1:50:18
  sentinel turns and raises his hand to attack, but is
• 1:50:20
  blasted by storm lightning. She
• 1:50:22
  flies out and another turns towards her and fires, but
• 1:50:24
  she dodges it and blasts it as well. The
• 1:50:27
  sentinel begins firing, but she invades the attack. It
• 1:50:29
  eventually begins launching into the air. Storm
• 1:50:32
  flies out through the damaged skyline followed by
• 1:50:34
  a sentinel. In the sky, she begins forming
• 1:50:37
  a mighty storm. Lightning strikes her and she
• 1:50:40
  redirects the power onto the robot. It
• 1:50:42
  falls back towards the factory. Rugg
• 1:50:45
  evades the falling sentinel as it goes back to the
• 1:50:48
  skyline. It falls to the ground and
• 1:50:49
  breaks apart. She doesn't notice one coming
• 1:50:52
  up behind her. It slams its fist down
• 1:50:55
  knocking into the ground. She
• 1:50:57
  gets up saying they need to learn to behave. She
• 1:51:00
  needs to learn to behave. She
• 1:51:02
  flies and flips it over. It
• 1:51:05
  slams into the ground breaking apart.
• 1:51:07
  Unfortunately, another blasts her from
• 1:51:08
  behind. It continues to sustain attack
• 1:51:10
  as one reclines a pile of tires behind it. He
• 1:51:13
  leads onto his back digging his claws and in until he
• 1:51:16
  catches on. He climbs up toward the head
• 1:51:19
  and starts spinning around trying to get at him. He
• 1:51:22
  cries out that this is for Morph that digs his claws
• 1:51:24
  into its head. Snicks nicked. Electricity
• 1:51:29
  encompasses the head. Wolverine
• 1:51:30
  continues digging his claws into its back as it falls
• 1:51:33
  to the ground. Storm shocks another sentinel. His
• 1:51:36
  walls and rogue flies to her while Gambit and
• 1:51:39
  Jubilee walks up. Cyclops wonders if that was all of
• 1:51:42
  them. The destroyed wreckage sentinel
• 1:51:44
  surround them. The other X -men approached
• 1:51:46
  them, rogue asked if that was enough. Later,
• 1:51:52
  a man looks suitcase into a taxi. Jubilee
• 1:51:55
  tells her foster parents that they were the best
• 1:51:57
  ones she ever had. She explains that the Professor
• 1:51:59
  Xavier School is the best place for people like her.
• 1:52:03
  Martha asks if she will visit
• 1:52:04
  them. She replies that of course she
• 1:52:06
  will and hugs them both. She
• 1:52:08
  gets them the cab and the three wave goodbye to each
• 1:52:10
  other. The father hugs his wife as
• 1:52:12
  they watch her go. Back at the mansion, Jean
• 1:52:14
  watches the taxi approach. Scott
• 1:52:16
  calls her over and asks if he did the right thing
• 1:52:19
  with Beast and Morph. He's over thinking it again. She
• 1:52:23
  reassures them that he did what he had to and so
• 1:52:26
  they did as a leader. Outside,
• 1:52:28
  Jubilee takes out her bags and the taxi drives off.
• 1:52:31
  She approaches the door and
• 1:52:32
  rings the doorbell. The door opens and she enters.
• 1:52:37
  And that's the ending of the
• 1:52:38
  second part of the pilot. There
• 1:52:39
  are 12 episodes in each of the five seasons so it's
• 1:52:41
  probably going to take the whole year or two to get
• 1:52:43
  to these episodes depending on what I end up doing
• 1:52:45
  between seasons. I also want to get into some
• 1:52:48
  of my favorite comic book store lines. I
• 1:52:49
  know I didn't collect around this time because I
• 1:52:51
  didn't know much about them. But
• 1:52:54
  later years I ended up getting my hands on God
• 1:52:56
  loved man killed, the house of M Story, some Joss Weed
• 1:53:00
  and Estanishing X -men store line, and maybe the event
• 1:53:02
  that made me go back into paying for a very X -men
• 1:53:04
  story messiah complex. Here are a few more things that
• 1:53:10
  I read up while watching this episode. The
• 1:53:13
  ending sequence showing Jubilee arriving at the
• 1:53:15
  Savior School parallels with a sequence from the young
• 1:53:17
  Kenny X -men number 138. In the comic book, Kitty Pry
• 1:53:21
  joined the X -men in the Miller fashion following the
• 1:53:24
  death of Jean Grey which was later revealed to be
• 1:53:26
  the Phoenix Wars in disguise. The
• 1:53:28
  scene also mirrors a similar scene with Kitty
• 1:53:31
  Pry being dropped off at the Xavier mansion in the
• 1:53:33
  previous pilot Pride of the X -men. In
• 1:53:37
  this series, Savior Tooth's name is ironically given as
• 1:53:40
  Great and Creed Senior while Great and Creed was
• 1:53:42
  the name of the son and founder of the anti -Mating
• 1:53:44
  Hate group, the Friends of Unity. Savior
• 1:53:47
  Tooth's name is in the comics was Victor Creed.
• 1:53:51
  Margaret Lush had been championing
• 1:53:53
  for an X -men show back in the 1980s with Spider -Man
• 1:53:55
  and his amazing friends and Pride of the X -men. After
• 1:53:58
  Lush left Marvel Productions, she became head
• 1:54:00
  of Chavoc's Children's Network, a ride in charge
• 1:54:04
  of all animated shows on the fourth network. Her
• 1:54:08
  first decision was to green light animated versions of
• 1:54:11
  Batman and X -men. While Batman the animated series
• 1:54:13
  was easy to get off the ground thanks to Timbers
• 1:54:15
  and Batman the same could not be said for the X
• 1:54:17
  -men. Her boss, Jamie Kellner, head
• 1:54:20
  of the main Fox channel, told her she wanted a
• 1:54:23
  green light and X -men TV series he would only back
• 1:54:25
  her if she staked her career on it. She
• 1:54:28
  then called Stanley of Marvel Comics and said,
• 1:54:30
  Okay, I couldn't sell it, but now I want to buy it.
• 1:54:33
  I know it'll be a hit, I
• 1:54:34
  believe in it in my heart. Though
• 1:54:36
  I want to give it some time, and if we can get
• 1:54:38
  it started sooner rather than later, I'll give you
• 1:54:41
  some extra months to get it done since I want to
• 1:54:42
  give you the extra time to do it well. Marvel
• 1:54:45
  teamed up with Savannah and Tamant, Hyme Savannah made
• 1:54:48
  a deal that if they did post -production for the
• 1:54:50
  show then Lush would buy Mighty Morphin Power
• 1:54:53
  Rangers, which was another show in Lush potential.
• 1:54:57
  After setting up 13 episodes for
• 1:54:59
  X -men, launching Batman the animated series and buying
• 1:55:01
  an air Mighty Morphin Power Rangers, Lush proved her
• 1:55:05
  worth and Fox kids became a success. She
• 1:55:07
  was the basis for my entire childhood basically.
• 1:55:11
  Look at that. Thank
• 1:55:12
  you, Margaret Lush. I really appreciate her. Thank
• 1:55:16
  you, Margaret Lush. Stanley was not incredibly active
• 1:55:20
  with Marvel Comics at this time. The
• 1:55:22
  series was being produced, so his involvement wasn't
• 1:55:25
  particularly big in the series. He
• 1:55:26
  gave some producers notes on the first 13 episodes.
• 1:55:34
  Voices Wolverine played the bulldog
• 1:55:36
  in an impression of Jack Nicholson. The
• 1:55:39
  producer was a tough guy who sounded like Nicholson.
• 1:55:41
  As the cast were recording
• 1:55:42
  together, they asked the room if any of them could
• 1:55:44
  do it. Dodd claimed that he, the only
• 1:55:46
  person in Canada who can do a spot on impression,
• 1:55:48
  but before he could, Norm Spencer asked to take a
• 1:55:52
  shot at it. Dodd then did his impression
• 1:55:54
  first and Spencer relented. Names
• 1:55:59
  listed in the meeting files include Michael Bhutan, Gary
• 1:56:03
  Bryant, Andy Hamilton, Chris Hamilton, Ray Sherman,
• 1:56:06
  Corvin Went, and John Wesley. It
• 1:56:09
  is the first time we see Cerebro. First
• 1:56:11
  time Gambit says Monomy, which means my friend.
• 1:56:15
  Wolverine is the recipient of the
• 1:56:16
  first two uses. First mention of Adam Enchim. And
• 1:56:20
  the first desk on X -Men goes to Morph. And
• 1:56:25
  the first time the robots are called sent notes, I
• 1:56:27
  call them sent notes in the last episode. I
• 1:56:29
  understand, but because I just didn't want to call
• 1:56:32
  them robots. The president whose name is
• 1:56:35
  never revealed appears to be based on Hillary
• 1:56:38
  Clinton, whose husband Bill Clinton had been elected
• 1:56:40
  this year, making her first lady. Incidentally,
• 1:56:44
  she ran for president in 2008 and 2016. Fox
• 1:56:49
  initially had a lot of resistance to the cartoon
• 1:56:51
  series before it became a success. They
• 1:56:53
  felt that the target audience kids under 10
• 1:56:56
  wouldn't be interested in a romantic love triangle
• 1:56:58
  between Cyclops Jean and Wolverine. They
• 1:57:01
  also thought kids wouldn't keep up with the show that
• 1:57:03
  was serialized. As of July 2022, the series
• 1:57:08
  is put in order, story order on Disney Plus,
• 1:57:11
  meaning episodes that aired later that were meant to
• 1:57:14
  be after specific story lines are now where the
• 1:57:16
  creators meant for them to be. Basically,
• 1:57:18
  they're in chronological order this time around. So
• 1:57:21
  we are going to be watching them in
• 1:57:22
  chronological orders on Disney Plus. Character
• 1:57:25
  Designs and Artwork for this series was provided by
• 1:57:27
  comic veterans Will Mignot, Larry Houston and Rick
• 1:57:30
  Hoverg. The series character designs
• 1:57:32
  were based on the artwork of comic book artist Jim
• 1:57:35
  Lee, designed from the X -Men comics. The
• 1:57:37
  X -Men roster comes from the blue team with Storm
• 1:57:39
  and Gene Gray replacing Cylock and Revenge. That
• 1:57:42
  was featured in the X -Men comic the second volume
• 1:57:45
  around the time the series began production. The
• 1:57:47
  first issue was ranked by the Guinness Records as the
• 1:57:49
  best -selling comic of all time. The
• 1:57:52
  episode has a rating of 9 .1 on tv .com and an 8 .1
• 1:57:56
  on the internet movie database. And
• 1:57:59
  that's the episode! Please, once again, let me know
• 1:58:03
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• 1:58:05
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• 1:58:07
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• 1:58:09
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