Latest / The Breakfast Club / FULL SHOW: Sources Claim Leaked Phone Call With Other Woman Was Serayah’s Final Straw To Break Up + Busta Rhymes
Transcript
- 0:00Speaker 1: Woke up, woke up, wake you up, wake you up,
- 0:03Speaker 1: wake that ass up. Program your alarm to power 105.1
- 0:05Speaker 1: on iHeartRadio. Good morning, USA.
- 0:06Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>.
- 0:09Speaker 1: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>.
- 0:15Speaker 3: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>
- 0:24Speaker 3: How you feeling out there? I feel blessed, black, and
- 0:26Speaker 3: highly favored. Happy to be here. Another day to serve
- 0:29Speaker 3: our beautiful listeners.
- 0:30Speaker 1: Good morning.
- 0:30Speaker 4: Good morning.
- 0:31Speaker 2: How you feeling?
- 0:31Speaker 3: I'm going to tell you something. I was dreading saying
- 0:33Speaker 3: the yo-yo-yos this morning because it's very hard for me
- 0:35Speaker 3: to open my mouth because yesterday I had to go
- 0:37Speaker 3: to the dentist. Get some work done.
- 0:39Speaker 2: I love a day when you can't open that mouth.
- 0:41Speaker 3: And my mouth wouldn't get numb for nothing. My mouth
- 0:46Speaker 3: wouldn't get numb for nothing.
- 0:48Speaker 1: Really?
- 0:48Speaker 2: So they had to stick you a hell of a time.
- 0:50Speaker 2: All the needles, I know that hurt.
- 0:51Speaker 3: My dentist had to stick me with anesthesia at least
- 0:53Speaker 3: 12 times, maybe 20.
- 0:55Speaker 2: Did it hurt?
- 0:56Speaker 3: Maybe 20. I'm ignoring the devil this morning. Did it hurt?
- 0:58Speaker 3: What's your dentist's name?
- 1:00Speaker 1: Maybe 20.
- 1:00Speaker 3: Somebody out there.
- 1:01Speaker 2: Doing God's work, okay?
- 1:02Speaker 1: It's Wednesday.
- 1:03Speaker 2: It feels like a Friday. Good morning, y'all.
- 1:05Speaker 3: Now that the numbness is finally wearing off, Lord have mercy.
- 1:07Speaker 3: I feel the devil in my jaw. I hear the
- 1:09Speaker 3: devil in my ears.
- 1:11Speaker 2: The devil's been in that jaw, baby.
- 1:12Speaker 1: No.
- 1:13Speaker 2: It's been on that big tongue, baby.
- 1:14Speaker 3: Good morning, everybody. Hey, Lauren LaRosa.
- 1:17Speaker 5: Good morning.
- 1:18Speaker 3: How are you?
- 1:19Speaker 2: I am so good, y'all. It is my mother.
- 1:20Speaker 3: How do you feel?
- 1:21Speaker 6: Let me tell you, I woke up this morning so grateful.
- 1:23Speaker 6: It's my mother's birthday.
- 1:25Speaker 2: I thought you were her birthday mom. She didn't want
- 1:26Speaker 2: to come.
- 1:27Speaker 6: She didn't want to get up and come up here.
- 1:30Speaker 6: She got her hair done yesterday. She's going out to her.
- 1:33Speaker 6: My grandma and my brother are going out to dinner
- 1:35Speaker 6: later tonight. And then this weekend, we're going to like celebrate, celebrate.
- 1:38Speaker 6: But it's also my brother's birthday as well, too.
- 1:39Speaker 2: He was born on my mom's birthday. Damn, she had
- 1:41Speaker 2: a baby on her birthday.
- 1:42Speaker 3: Yes.
- 1:45Speaker 2: I try. I told her she can come up here.
- 1:46Speaker 2: She wanted to do the lounge and stuff. But then
- 1:48Speaker 2: she was like, I don't really feel like it.
- 1:50Speaker 6: Yeah, she said she wanted to celebrate this weekend when
- 1:52Speaker 6: I could kind of be like fully attentive.
- 1:54Speaker 3: But you should have bought it. She's the only reason
- 1:55Speaker 3: that we keep you around. She's a reminder. You know,
- 1:58Speaker 3: I love her.
- 1:59Speaker 2: I'm sorry.
- 2:01Speaker 3: Your mother was my friend before you.
- 2:02Speaker 2: You know what? You're right. My mom was always like,
- 2:05Speaker 2: it'll be fine. Send just this voice note, y'all. You
- 2:09Speaker 2: know what?
- 2:10Speaker 7: You're right.
- 2:10Speaker 6: But yeah, I woke up feeling grateful. Like my mom
- 2:11Speaker 6: has like I was thinking about it this morning, like
- 2:13Speaker 6: her fight. I talk about it a lot, like her
- 2:15Speaker 6: being a cancer survivor. Birthdays be different now because it's like, man,
- 2:19Speaker 6: like we really we had to like really have faith
- 2:22Speaker 6: to get here.
- 2:23Speaker 2: You know what I mean?
- 2:23Speaker 6: And my brother, he's just my brother. So I'm just
- 2:26Speaker 6: always grateful for him being on the straight and narrow. So, yeah,
- 2:28Speaker 6: I feel good today.
- 2:29Speaker 3: Listen, we got an icon joining us today.
- 2:36Speaker 2: Who is it? Who is it?
- 2:37Speaker 3: Your favorite rapper ever.
- 2:38Speaker 8: Oh, my God.
- 2:39Speaker 3: Okay, Busta Rhymes will be joining us.
- 2:41Speaker 1: He's got a new album.
- 2:43Speaker 3: Diligence 2, with J Dilla. You know, he always pays
- 2:46Speaker 3: homage to J Dilla, but they decided to put out
- 2:49Speaker 3: Diligence 2, which is a project that's majority produced by
- 2:53Speaker 3: J Dilla. So Busta Rhymes will be joining us. And
- 2:56Speaker 3: speaking of icons, man, and speaking of appreciating life, we
- 2:59Speaker 3: lost an icon yesterday.
- 3:01Speaker 1: Yes. Yes.
- 3:02Speaker 3: Country music legend Dolly Parton.
- 3:04Speaker 1: Yes.
- 3:04Speaker 3: Oh, wow. Okay, she transitioned yesterday.
- 3:06Speaker 1: Yes.
- 3:07Speaker 3: And, you know, Dolly Parton transitioned all races, all ages.
- 3:11Speaker 3: She's just one of those rare superstars that everybody knows
- 3:15Speaker 3: it feels like. You know, and I saw everybody, you know,
- 3:18Speaker 3: posting yesterday. And I was thinking to myself, why did
- 3:21Speaker 3: Dolly connect with so many people?
- 3:23Speaker 7: I mean.
- 3:25Speaker 3: Her breasts. Right. But then also.
- 3:27Speaker 10: The fact that the girls used to be.
- 3:30Speaker 3: I'm telling you that they were legendary. But also she
- 3:34Speaker 3: made great music. And I think it's because she made
- 3:37Speaker 3: an anthem for working class people. Nine to five is
- 3:41Speaker 3: an anthem for working class people. So let's start the
- 3:45Speaker 3: show with that this morning. OK, it's the Breakfast Club. OK,
- 3:48Speaker 3: all those working class people don't matter. The hours, God
- 3:51Speaker 3: damn it. Okay, if you're a working class person, you
- 3:53Speaker 3: feel that record. All right, it's the world's most dangerous
- 3:55Speaker 3: morning show, The Breakfast Club. DJ Envy, Jetson Larry, Charlamagne
- 3:58Speaker 3: Tha God, LL Cool Bay, Lauren LaRosa is here as well.
- 4:00Speaker 3: And it's time for Front Page News with Tamisha Brown
- 4:02Speaker 3: from Howard University.
- 4:06Speaker 11: Good morning, you guys.
- 4:07Speaker 3: How y'all doing this morning?
- 4:10Speaker 2: Good morning.
- 4:11Speaker 8: Okay, well, speaking of nine to five, President Trump's tariff
- 4:14Speaker 8: war with Canada could have some people worried about that
- 4:17Speaker 8: nine to five. So we start this hour with a
- 4:19Speaker 8: growing trade fight between the U.S. and Canada, and this
- 4:22Speaker 8: one could eventually hit your wallet. So President Trump has
- 4:26Speaker 8: imposed tariffs as high as 50% on some Canadian goods
- 4:30Speaker 8: after trade talks between the two countries fell apart. Now,
- 4:33Speaker 8: Canada is hitting back, raising tariffs.
- 4:36Speaker 11: On about $ 20.
- 4:37Speaker 8: Billion worth of American products, including everything from steel and
- 4:41Speaker 8: appliances to dairy to clothing to farming.
- 4:44Speaker 11: So what does all of this mean for your wallet?
- 4:46Speaker 8: Well, think about your next car, that new refrigerator or
- 4:49Speaker 8: the washer and dryer you've been meaning to replace. Many
- 4:52Speaker 8: of the materials used to make those products come from Canada.
- 4:56Speaker 11: Let's listen.
- 4:57Speaker 12: President Trump underestimates us, and that's the biggest mistake. underestimating
- 5:02Speaker 12: your opponent. He says he doesn't need Canada. I'd love
- 5:05Speaker 12: to see, he wants to take our auto sector. I'd
- 5:08Speaker 12: love to see him run cars without any oil. I'd
- 5:11Speaker 12: love to see him try to grow vegetables and fruit
- 5:16Speaker 12: and everything without the potash. I'd like to see when
- 5:20Speaker 12: we have our critical minerals. Matter of fact, high-grade nickel,
- 5:25Speaker 12: that 65% comes from Ontario. For their military, for their manufacturing.
- 5:31Speaker 5: You sound a little more subdued than you did this
- 5:33Speaker 5: morning on the radio when you said Donald Trump could
- 5:35Speaker 5: kiss your ass. Did the Prime Minister ask you to
- 5:38Speaker 5: tone it down a bit?
- 5:39Speaker 1: No, he didn't.
- 5:40Speaker 12: He wasn't against that. And I have a lot of
- 5:42Speaker 12: real estate on my ass, so he has a lot
- 5:45Speaker 12: of room to.
- 5:45Speaker 1: Kiss my ass.
- 5:46Speaker 3: Donald Trump is really not allowed to even play nine
- 5:49Speaker 3: to five. He can't play nine to five. This is
- 5:50Speaker 3: a nine to five. Dolly Parton did not make that
- 5:52Speaker 3: record for him. OK, when she said, I swear, sometimes
- 5:54Speaker 3: that man is out to get me. She was talking
- 5:56Speaker 3: about people like Donald Trump. He does not care about
- 5:58Speaker 3: working class people in any way, shape or form.
- 6:01Speaker 8: Yeah, and this fight is getting personal. President Trump is
- 6:05Speaker 8: now threatening to rename Lake Ontario Lake America. I don't
- 6:08Speaker 8: know if you can do that, but that is what
- 6:10Speaker 8: he said.
- 6:11Speaker 3: Well, you want to jump in it and drown the
- 6:13Speaker 3: way they drowning in, you know, bills right now.
- 6:15Speaker 1: Right.
- 6:18Speaker 8: And here's another really important part of this. So Canada
- 6:20Speaker 8: is America's second largest customer. The two countries, they spend
- 6:24Speaker 8: heavily on each other for things they buy and things
- 6:27Speaker 8: they sell. And so at first, President Trump said, you know,
- 6:30Speaker 8: as we just heard, that the U.S. doesn't need Canada.
- 6:32Speaker 8: But maybe he thought about it because hours later he
- 6:35Speaker 8: acknowledged that when it comes to some things, we actually
- 6:38Speaker 8: do need them.
- 6:39Speaker 11: Let's listen.
- 6:40Speaker 3: We need aluminum in this country. We don't have it.
- 6:42Speaker 2: We get it all from Canada for the most part.
- 6:45Speaker 1: And we need it badly.
- 6:48Speaker 2: Yeah.
- 6:48Speaker 11: So there you have it.
- 6:50Speaker 8: Canada says its tariff hikes will go into effect in
- 6:52Speaker 8: about two weeks.
- 6:54Speaker 11: So, yeah, guys, you know, this may be a trade
- 6:56Speaker 11: fight between two governments.
- 6:58Speaker 8: But if it keeps going, Americans will feel this everywhere
- 7:01Speaker 8: from the car lot to the appliance.
- 7:03Speaker 3: Can I ask a question? Because, you know, I totally
- 7:06Speaker 3: forgot the plot. Why the hell are you asking Canada
- 7:09Speaker 3: in a trade war again? Like what started this?
- 7:12Speaker 8: That is a really good question. You know, President Trump
- 7:14Speaker 8: has been on his implementing trade wars with different countries.
- 7:19Speaker 8: And so they were.
- 7:21Speaker 3: Who hurt his feelings in Canada? Somebody hurt his feelings.
- 7:23Speaker 3: I'm trying to figure out what happened.
- 7:24Speaker 8: I don't know who hurt his feelings, but I do
- 7:26Speaker 8: know that Canada did not like what they were hearing,
- 7:29Speaker 8: what President Trump was trying to do. And so Canada
- 7:31Speaker 8: was like, we're not going to take this lying down.
- 7:32Speaker 8: If you're going to do this to us, we're going
- 7:34Speaker 8: to do this to you. I can say that it
- 7:35Speaker 8: started here in America with President Trump, with him wanting
- 7:38Speaker 8: to impose tariffs that Canada did not think was fair.
- 7:42Speaker 8: And that they thought would hurt their economy as well
- 7:44Speaker 8: as our economy.
- 7:45Speaker 3: Gotcha.
- 7:46Speaker 11: Yeah.
- 7:49Speaker 8: And you guys know that saying that says, if I
- 7:51Speaker 8: can't have it, nobody can.
- 7:52Speaker 11: Well, this next story has a little bit of that energy.
- 7:55Speaker 8: So President Trump has been fighting to put his name
- 7:58Speaker 8: on the Kennedy Center.
- 7:58Speaker 11: We've talked about this again before.
- 8:01Speaker 8: But a judge has recently ruled that he can't do
- 8:03Speaker 8: that without Congress. Now, no one is arguing that the
- 8:06Speaker 8: Kennedy Center doesn't need repairs. But even people fighting Trump's
- 8:10Speaker 8: plan acknowledge that the building does need work. But they're
- 8:13Speaker 8: pointing out the timing. So Trump isn't getting his way
- 8:17Speaker 8: on putting his name on the building. His administration is
- 8:20Speaker 8: saying the building could eventually be torn down.
- 8:23Speaker 11: So Justice.
- 8:27Speaker 8: Department lawyers say without major renovation that Trump wants, the
- 8:31Speaker 8: building could become unsafe and eventually need to be demolished,
- 8:37Speaker 8: possibly replaced with an outdoor amphitheater.
- 8:40Speaker 11: So this fight will go back before a judge tomorrow.
- 8:43Speaker 3: But if they put his name on it, all is well.
- 8:45Speaker 13: Yeah.
- 8:47Speaker 11: It may all miraculously disappear. You know, Mimi, I have
- 8:50Speaker 11: a question.
- 8:50Speaker 2: I know the Kennedy Center is the Kennedy Center.
- 8:52Speaker 1: Right.
- 8:52Speaker 6: But like, why is it because he's been fighting about
- 8:55Speaker 6: this for a long time? Why is it so important
- 8:58Speaker 6: for him?
- 8:58Speaker 3: Eagle. OK.
- 9:00Speaker 1: Yes.
- 9:01Speaker 2: Yeah, exactly.
- 9:02Speaker 8: And I think because he was ordered to take his
- 9:04Speaker 8: name down. Now it's become, you know, you can't tell
- 9:06Speaker 8: me to do that to the judge who had him
- 9:08Speaker 8: do that. And so now here we are with him
- 9:11Speaker 8: trying to figure out how to get it back on.
- 9:13Speaker 8: And using this in a way that will do so.
- 9:17Speaker 8: So they will head back to court tomorrow. And so
- 9:19Speaker 8: we'll stay tuned to see what happens in court. But
- 9:22Speaker 8: Congresswoman Joyce Beatty, she's actually been in front of this
- 9:25Speaker 8: and trying to fight this.
- 9:26Speaker 11: So we'll see. And coming up at 7, guys, police.
- 9:30Speaker 8: Say the man accused of chasing people through the streets
- 9:32Speaker 8: of Philly in that creepy mask has been found. We'll
- 9:35Speaker 8: tell you where they caught him and what is now,
- 9:39Speaker 8: where he's now headed on his way to.
- 9:41Speaker 11: So we'll do that in seven.
- 9:43Speaker 3: All right. It's get it off your chest time.
- 9:46Speaker 10: 1-800-585-1051.
- 9:47Speaker 3: You can call up right now and tell us why
- 9:48Speaker 3: you're stressed. Or you can call up and tell us
- 9:50Speaker 3: why you're blessed. Okay. It's the world's most dangerous morning show,
- 9:52Speaker 3: The Breakfast Club.
- 9:55Speaker 1: This is your time to get it off your chest.
- 9:57Speaker 8: 800-585-1051.
- 9:58Speaker 3: We want to hear from you on The Breakfast Club.
- 10:03Speaker 2: Good morning.
- 10:03Speaker 1: Who's this?
- 10:04Speaker 7: This your boy, Dingo.
- 10:05Speaker 3: Big Dingo.
- 10:06Speaker 2: Yo, what's going on?
- 10:07Speaker 3: What's going on, Jess?
- 10:09Speaker 7: How you doing, mama?
- 10:11Speaker 2: I'm good. Good to hear from you. How was the wedding?
- 10:14Speaker 7: Man, it was amazing.
- 10:16Speaker 1: Woo!
- 10:18Speaker 2: Congrats.
- 10:18Speaker 1: Congratulations, brother.
- 10:19Speaker 7: I think I had the wedding of the year. It
- 10:21Speaker 7: was stressful, man, but.
- 10:22Speaker 3: It was dope.
- 10:23Speaker 2: So I'm just blessed to be able to.
- 10:26Speaker 7: Get through it all. Shout out to my queen, Miss DeAsia.
- 10:28Speaker 7: Shout out to Mrs.
- 10:31Speaker 1: DeAsia.
- 10:31Speaker 2: That's right, Mrs.
- 10:34Speaker 3: Congratulations, DeAsia.
- 10:35Speaker 7: Big, big Mrs. Thank you, thank you. And Charlamagne, Mrs.
- 10:39Speaker 7: The big one is crazy, by the way.
- 10:42Speaker 3: What'd you say?
- 10:44Speaker 2: Hold on.
- 10:45Speaker 3: What'd you say?
- 10:45Speaker 2: No, no, no.
- 10:46Speaker 7: I heard you yesterday.
- 10:48Speaker 3: Man.
- 10:49Speaker 7: That one is crazy. That's hilarious.
- 10:54Speaker 2: He is an idiot.
- 10:56Speaker 7: You know me.
- 10:57Speaker 2: I'm so sorry, Ty. He is such an idiot.
- 10:59Speaker 7: I know.
- 11:00Speaker 3: Your phone going in and out, Dingo.
- 11:03Speaker 2: I know.
- 11:04Speaker 3: Sorry, y'all.
- 11:05Speaker 7: I'm trying, but I just wanted to say I'm sorry, y'all.
- 11:08Speaker 3: Well, congratulations to you and your bride, man.
- 11:11Speaker 2: Absolutely.
- 11:11Speaker 7: Thank you. Bless us on our honeymoon. Can I throw
- 11:14Speaker 7: out the cash app?
- 11:15Speaker 3: Yeah, go ahead.
- 11:16Speaker 2: Throw the cash app out.
- 11:18Speaker 7: It is cash app sign D.
- 11:22Speaker 3: God damn it.
- 11:24Speaker 2: Oh, yeah, it's going out, Dingo. I'm sorry.
- 11:27Speaker 3: Yeah, God don't want you to go on no honeymoon, man. Yeah.
- 11:29Speaker 3: God wants you to. Just shut up.
- 11:31Speaker 1: Shut up. No, God.
- 11:33Speaker 2: I don't want him to go on a honeymoon.
- 11:36Speaker 3: Shut up. Big Dingo. That's a big boy there now.
- 11:38Speaker 2: He heard you yesterday.
- 11:40Speaker 3: Dingo, call back today or tomorrow, man, so we can
- 11:42Speaker 3: get your cash out, man.
- 11:44Speaker 14: Lord.
- 11:44Speaker 3: Put something on your honeymoon.
- 11:46Speaker 1: Good morning. Who's this?
- 11:47Speaker 7: Good morning, Uncle Charlotte. It's Carter.
- 11:49Speaker 13: Hey.
- 11:49Speaker 3: What's up, Carter?
- 11:50Speaker 1: Welcome back, Carter.
- 11:51Speaker 2: Good morning. How y'all doing?
- 11:53Speaker 7: How y'all feeling?
- 11:53Speaker 2: Very good.
- 11:54Speaker 3: Bless black and highly favored.
- 11:55Speaker 1: Amen.
- 11:56Speaker 2: Amen.
- 11:56Speaker 7: I just want to say, I want the kids on
- 11:58Speaker 7: gay crime to.
- 11:59Speaker 2: You want the gay-on-gay crime to stop?
- 12:01Speaker 7: I want it to stop, man. When they get to, like,
- 12:03Speaker 7: talk to them, like, yeah, we got to stop, man.
- 12:06Speaker 3: All I heard is you want the gay-on-gay crime to stop.
- 12:09Speaker 7: Yeah, between Travis and Stacey.
- 12:10Speaker 2: Travis, Stacey, you don't want them to fight.
- 12:13Speaker 3: Stacey, Stacey.
- 12:14Speaker 13: Stop, man. Stacey, do not.
- 12:15Speaker 7: It's getting too personal.
- 12:16Speaker 3: Exactly. When Stacey starts talking about people with dead family members,
- 12:19Speaker 3: I don't like that. That's not what we do.
- 12:20Speaker 7: Yeah, I don't like that at all. But Jess, you
- 12:23Speaker 7: look good, baby.
- 12:25Speaker 2: Thank you. I appreciate that.
- 12:26Speaker 7: Hey, can I send you something, man? I don't know.
- 12:30Speaker 7: You got the connects. You got the plug. Can I
- 12:32Speaker 7: just send you my GoFundMe for my tuition?
- 12:35Speaker 3: I heard him say something about GoFundMe and tuition.
- 12:39Speaker 2: Send him an invoice.
- 12:41Speaker 7: Can I send it to you?
- 12:42Speaker 3: Yeah, you can send me your GoFundMe.
- 12:44Speaker 7: I'll send it to Jess. Jess, I'll send it to you. Jess,
- 12:46Speaker 7: send it to Charlotte.
- 12:48Speaker 2: Okay, send it to me and I'm going to send
- 12:50Speaker 2: it to Charlotte. Yep, I got it.
- 12:51Speaker 3: I thought GoFundMe was.
- 12:53Speaker 7: I'm just trying to graduate.
- 12:53Speaker 3: I thought GoFundMe was for funerals.
- 12:56Speaker 2: No, they said anything you need money for, clown.
- 12:59Speaker 7: Absolutely.
- 13:00Speaker 1: Absolutely.
- 13:00Speaker 7: I'm just trying to graduate.
- 13:02Speaker 13: Teacher. Yes, sir.
- 13:04Speaker 7: I've become a teacher, man. Like, what a teacher.
- 13:07Speaker 3: Oh, Lord, I can't take it. My jaw hurt, too.
- 13:09Speaker 2: He's up. Yeah, right. Now your jaw hurt because he
- 13:11Speaker 2: asked you for some money.
- 13:12Speaker 3: Hey, yo. My jaw hurts so bad, man. Get it
- 13:17Speaker 3: off your chest. 1-800-585-1051. Call us right now. Tell us
- 13:21Speaker 3: why you're stressed. All call up and tell us why
- 13:22Speaker 3: you're blessed. It's the world's most dangerous morning show, The
- 13:24Speaker 3: Breakfast Club.
- 13:26Speaker 1: Ray, Ray, Ray.
- 13:27Speaker 5: Yo, Charlamagne, Envy, what up?
- 13:29Speaker 2: Are we live?
- 13:30Speaker 1: This is your time to get it off your chest.
- 13:32Speaker 2: I got an indoor pool, an outdoor pool.
- 13:34Speaker 1: We want to hear from you on The Breakfast Club.
- 13:36Speaker 2: We can get on the phone right now.
- 13:37Speaker 1: He'll tell you what it is.
- 13:38Speaker 5: Are we live?
- 13:41Speaker 1: Good morning. Who's this?
- 13:42Speaker 7: Good morning.
- 13:42Speaker 14: This is Alicia out of Atlanta.
- 13:44Speaker 3: Hey, Alicia. Okay, it sounds like your phone. Okay. Are
- 13:46Speaker 3: you listening to us on 96.1? Are you watching on Netflix?
- 13:49Speaker 3: How you listening? How you doing?
- 13:50Speaker 1: 96.1.
- 13:51Speaker 7: Okay.
- 13:51Speaker 14: I usually watch on Netflix if I have to work,
- 13:54Speaker 14: but I'm on the clock this morning.
- 13:56Speaker 7: That's why I'm calling.
- 13:57Speaker 14: And my name really not Alicia, but I'm going to
- 13:59Speaker 14: say my job company name.
- 14:01Speaker 3: Smart.
- 14:03Speaker 1: Smart. Smart woman.
- 14:04Speaker 3: What's up, Alicia?
- 14:05Speaker 15: I'm so irritated.
- 14:07Speaker 1: Okay.
- 14:07Speaker 14: I get a text this morning telling me I really
- 14:09Speaker 14: got to get sure they ain't come see me. I
- 14:11Speaker 14: come in the office, they show me a video saying
- 14:14Speaker 14: I don't have on a seatbelt, but clearly I have
- 14:16Speaker 14: on the seatbelt. It's just not tight.
- 14:19Speaker 3: What do you do?
- 14:19Speaker 2: She a driver. I drive.
- 14:21Speaker 7: I drive.
- 14:22Speaker 14: In Atlanta.
- 14:24Speaker 2: Okay.
- 14:25Speaker 14: I got on a seatbelt. Why are y'all trying to
- 14:28Speaker 14: give me a red-eyed view infraction when.
- 14:30Speaker 9: I got it on?
- 14:31Speaker 14: Because it's not tight.
- 14:32Speaker 13: Like.
- 14:33Speaker 14: I got other stuff to worry about. I got a
- 14:34Speaker 14: sick child at home. I'm a single parent. I don't
- 14:37Speaker 14: give a damn about this seatbelt, baby.
- 14:40Speaker 3: Well, that's the point. They know you don't give a
- 14:42Speaker 3: damn about the seatbelt. They want you to give a
- 14:43Speaker 3: damn about it.
- 14:43Speaker 2: No, but she had it on. It just wasn't visible
- 14:46Speaker 2: for them. No, it was visible.
- 14:49Speaker 10: It was visible.
- 14:49Speaker 14: They just said it wasn't directly on my shoulder.
- 14:53Speaker 2: Oh, you didn't have it on the right way.
- 14:55Speaker 3: You had it behind you?
- 14:57Speaker 2: No, it was in front of me.
- 14:58Speaker 14: It was across me. I kid you not.
- 15:02Speaker 10: It was under her arm and it's supposed to go
- 15:04Speaker 10: over her shoulder. They wanted to go over her shoulder.
- 15:07Speaker 14: It was not under my arm, baby. It was across
- 15:10Speaker 14: my shoulder.
- 15:11Speaker 3: Respectfully, are you a big girl?
- 15:13Speaker 14: I don't want to. I'm not.
- 15:15Speaker 3: Okay. I'm just asking because sometimes.
- 15:18Speaker 14: I'm a tired girl and I want to lean it
- 15:20Speaker 14: back a little bit.
- 15:21Speaker 1: Gotcha.
- 15:21Speaker 14: But I'm definitely not big.
- 15:22Speaker 3: Because the C-Bucks can get hit in the rolls when
- 15:24Speaker 3: you're big.
- 15:25Speaker 1: You know what I'm saying?
- 15:25Speaker 2: Oh, yeah.
- 15:26Speaker 1: Yeah, yeah, yeah.
- 15:27Speaker 14: I guess they want me to gain some weight then
- 15:29Speaker 14: because I don't know what's going on, but they've been
- 15:31Speaker 14: irritating me.
- 15:31Speaker 1: So what happened?
- 15:32Speaker 3: How did y'all resolve it? What happened?
- 15:34Speaker 2: Did you get rolled out?
- 15:36Speaker 5: Uh-uh.
- 15:36Speaker 14: I walked out because I'm not going to sign it.
- 15:39Speaker 3: They can send it back. Oh, you just walked out.
- 15:41Speaker 1: On him, huh?
- 15:41Speaker 2: Girl, now what if you don't have no damn job?
- 15:43Speaker 7: Not like that now.
- 15:45Speaker 14: Not like that now. But I told people I was
- 15:46Speaker 14: going to send it back and review it because I'm
- 15:48Speaker 14: looking at the seatbelt.
- 15:49Speaker 1: Oh, okay.
- 15:50Speaker 7: We both look at it. Like, I don't get it.
- 15:53Speaker 2: Well, I hope everything work out, queen.
- 15:55Speaker 13: Yeah.
- 15:56Speaker 2: I hope it do, too.
- 15:57Speaker 14: Send me some money then, Charlemagne.
- 15:59Speaker 1: Ah!
- 15:59Speaker 2: Your jaw.
- 16:01Speaker 3: My jaw hurts.
- 16:03Speaker 1: You got a job.
- 16:04Speaker 2: You working a nine to five.
- 16:06Speaker 7: Have a good day, Alicia.
- 16:07Speaker 2: Have a good day, boo.
- 16:08Speaker 3: That's get it off your chest. We do that every
- 16:10Speaker 3: morning at the same time. And another thing we do
- 16:12Speaker 3: every day, the latest with Lauren LaRosa.
- 16:13Speaker 2: Yes, we do.
- 16:15Speaker 6: This morning, we're going to take some time and send
- 16:16Speaker 6: some love to Dolly Parton's family, but also talk about
- 16:19Speaker 6: a lot of the celebrities that are pouring out their
- 16:21Speaker 6: tributes and their experiences with her. And some of the
- 16:24Speaker 6: things and ways that she's paid for them in country music.
- 16:26Speaker 3: I think I'm sick of that, by the way.
- 16:28Speaker 12: Why?
- 16:28Speaker 3: I'm sick of people making people's death about them. You
- 16:32Speaker 3: know what I'm saying? But what if it's... It's all
- 16:34Speaker 3: about the interaction you had with the person as opposed to,
- 16:38Speaker 3: you know, celebrating the person in their life.
- 16:40Speaker 6: I can understand what you're saying, but what if it
- 16:42Speaker 6: is to show the character of the person that people
- 16:45Speaker 6: might not always, like, know because you don't... I've never
- 16:48Speaker 6: interacted with Dolly Parton.
- 16:49Speaker 3: I've never interacted with her neither, but I'm very aware
- 16:51Speaker 3: of all the charity work she did, especially in and
- 16:53Speaker 3: around Nashville.
- 16:54Speaker 2: Yeah, I don't know.
- 16:55Speaker 3: But I'm also 48 years old. I was born in 1978. So,
- 16:58Speaker 3: like I said, Dolly Parton is one of those people
- 17:00Speaker 3: who transcended all races like she's just one of those
- 17:03Speaker 3: stars everybody knows like the michael jackson the dolly part
- 17:07Speaker 3: like dolly's in that category you know and.
- 17:10Speaker 10: Even when we just had k michelle up here she
- 17:11Speaker 10: was saying like how she played an instrumental part of
- 17:13Speaker 10: her career too because she's the only one like well
- 17:16Speaker 10: one of the very few people that reached out and
- 17:18Speaker 10: helped her yeah and welcomed her into the country.
- 17:20Speaker 3: Music she was on beyonce's country album you know what
- 17:22Speaker 3: i mean like that yeah like dolly dolly is i
- 17:25Speaker 3: mean and she's the godmother of country music yes Yeah.
- 17:29Speaker 3: Is there Reba? I don't even know Reba McEntire. I
- 17:31Speaker 3: don't think Reba McEntire is on Dolly's level. Reba's up there, though.
- 17:33Speaker 2: Yeah, she up there.
- 17:34Speaker 8: Yeah.
- 17:35Speaker 3: We'll talk about it.
- 17:36Speaker 2: Yeah, we'll talk about it.
- 17:36Speaker 3: We'll talk about it when we come back. It's the
- 17:38Speaker 3: world's most dangerous morning show, The Breakfast Club. Yes, it's
- 17:39Speaker 3: the world's most dangerous morning show, The Breakfast Club. DJ Envy,
- 17:42Speaker 3: Jess Hilarious, Charlamagne Tha God, Lauren LaRosa is here as well.
- 17:44Speaker 1: Who is this, right?
- 17:46Speaker 3: Dave and Tims. Oh.
- 17:47Speaker 2: Oh, yeah, this is the jam, Dave and Tims.
- 17:49Speaker 3: I got to start listening to the radio. It's time
- 17:51Speaker 3: for the latest with Lauren.
- 17:54Speaker 1: I want to be like you. LL Cool Bay.
- 17:55Speaker 3: Talk to me.
- 17:56Speaker 1: LL Cool Bay. Lauren LaRosa. Young Trigon.
- 18:19Speaker 2: I don't even know what that means. Good morning, y'all.
- 18:21Speaker 6: So yesterday it was announced by Dolly Parton's family that
- 18:26Speaker 6: she has passed away at age 80.
- 18:29Speaker 2: Let's take a listen to the video that they posted
- 18:31Speaker 2: announcing her passing.
- 18:33Speaker 3: Hey, everyone.
- 18:33Speaker 4: My name is Brian Seaver, and I'm representing the Parton
- 18:36Speaker 4: and Owens family today announcing the passing of my Aunt Dolly,
- 18:40Speaker 4: Rebecca Parton Dean. This video announcement is something Dolly asked
- 18:43Speaker 4: of me years ago. It is an honor, an honor
- 18:46Speaker 4: that is mixed with absolute pride and great sadness. But
- 18:49Speaker 4: sadness lies with us, not with Dolly. Dolly has lived
- 18:52Speaker 4: in the light. Dolly opened doors not just for me,
- 18:55Speaker 4: but for her entire family to reach the potential we
- 18:57Speaker 4: didn't even know was possible. Dolly also opened doors for
- 19:00Speaker 4: generations of singers, musicians, and dreamers from every walk of life.
- 19:03Speaker 4: She never saw a door she couldn't open, and the
- 19:06Speaker 4: doors she opened made and changed history. Our family and
- 19:09Speaker 4: the team she has entrusted with her legacy will work
- 19:11Speaker 4: diligently to ensure her spirit will live with us forever.
- 19:14Speaker 4: Dolly called me and said she wants to rest in
- 19:16Speaker 4: a beautiful bed of plush cotton because after a life
- 19:19Speaker 4: wearing heavy rhinestones, she finally deserves to be comfortable and
- 19:22Speaker 4: have some rest.
- 19:23Speaker 3: Rest in peace, Aunt Dolly. May God bless Dolly Parton.
- 19:26Speaker 3: And may God bless you all. She will always love you.
- 19:29Speaker 5: Aw.
- 19:30Speaker 3: Man, rest in peace, Dolly Parton. I don't know why
- 19:31Speaker 3: 80 feels so young. But really, 80 is overtime because
- 19:35Speaker 3: the average life expectancy is 79. But 80 does feel
- 19:39Speaker 3: so young nowadays.
- 19:41Speaker 6: And I think for Dolly Parton, it feels young because
- 19:44Speaker 6: even though like she had been going through like different
- 19:45Speaker 6: health things that she had talked about, I think it
- 19:47Speaker 6: was like last week or so. Dolly World, her amusement park,
- 19:51Speaker 6: they opened up a new ride and she was supposed
- 19:52Speaker 6: to be there, but she appeared via video. So she
- 19:55Speaker 6: had to like make a statement, basically telling her fans
- 19:57Speaker 6: that like, you know, she gets a little dizzy, dehydrated.
- 19:58Speaker 2: So she was just taking a break. She was out
- 20:01Speaker 2: here doing things.
- 20:03Speaker 6: I don't know what she was dealing with, but she
- 20:05Speaker 6: said that it was something that she neglected while she
- 20:07Speaker 6: was taking care of her husband, Carl.
- 20:09Speaker 2: So, she's been kind of like making up and taking
- 20:11Speaker 2: better care of herself.
- 20:12Speaker 3: And also think about that, you know, her husband passed
- 20:14Speaker 3: away last year. And they were together 60 years. So,
- 20:17Speaker 3: you know, that's the other thing. Like, you know, they
- 20:19Speaker 3: always say when a couple's been together that long, when
- 20:21Speaker 3: one leaves.
- 20:22Speaker 2: Yeah, because sometimes you can die from a broken heart.
- 20:24Speaker 6: Yeah, but every time something seemed like if she had
- 20:27Speaker 6: canceled a show or... couldn't show up somewhere she would
- 20:29Speaker 6: post a video to her instagram letting us know what's
- 20:31Speaker 6: going on still looking amazing sounding good as well too
- 20:34Speaker 6: so she was a lot you know full of life
- 20:35Speaker 6: so i think that that's why it feels a little
- 20:37Speaker 6: bit young for her as well too but when you
- 20:39Speaker 6: talk about paving the way for people and artists there
- 20:41Speaker 6: are a lot of people right now that have just
- 20:43Speaker 6: been pouring out their love and support and just memories
- 20:46Speaker 6: of dolly parton i saw uh beyonce uh post in
- 20:49Speaker 6: honor of her and we know that dolly parton supported
- 20:51Speaker 6: beyonce a lot in the country music space she says
- 20:53Speaker 6: dolly you were the barometer the north star bold and
- 20:56Speaker 6: brilliant talented and tenacious You taught so many lessons on
- 20:59Speaker 6: how to be uniquely oneself. I'm grateful for your art,
- 21:01Speaker 6: your heart, your generosity, your humor, your entrepreneurship. I'm honored
- 21:04Speaker 6: that I had the privilege to work with you.
- 21:06Speaker 10: You're an angel who has made this world a happier
- 21:07Speaker 10: place because of your joyful art.
- 21:09Speaker 2: You are truly one of One of one respect. I'm sorry.
- 21:12Speaker 2: Rest peacefully.
- 21:13Speaker 6: And then I know, too, I saw Dionne Warwick pour
- 21:17Speaker 6: out a tribute.
- 21:18Speaker 3: Dolly Parton.
- 21:19Speaker 1: Yeah.
- 21:20Speaker 2: Reba McEntire.
- 21:20Speaker 10: Like so many people just taking a moment to send
- 21:23Speaker 10: her some love and well wishes and share their times
- 21:26Speaker 10: and thoughts.
- 21:26Speaker 3: A lot of their stars that, you know, have their,
- 21:31Speaker 3: I guess, niche followings within their stars that transcend every race,
- 21:35Speaker 3: every demographic, every age. Dolly Parton was one of those stars.
- 21:40Speaker 3: Absolute icon in every sense of the word.
- 21:42Speaker 1: Like, I don't remember.
- 21:44Speaker 3: a world without Dolly Parton. I know that sounds crazy.
- 21:47Speaker 1: No.
- 21:47Speaker 3: Since I was a kid, I knew who Dolly Parton was. Totally.
- 21:50Speaker 6: And we're different generations and I feel like we would
- 21:53Speaker 6: feel the same way.
- 21:53Speaker 13: Yes.
- 21:54Speaker 2: And listen, I was told I'm... See the... I had
- 21:58Speaker 2: no idea. Just before I really... The hair, the boobies.
- 22:01Speaker 2: I really knew about like... You know, I was like, oh,
- 22:03Speaker 2: they definitely are related.
- 22:05Speaker 3: I can see why you say that.
- 22:05Speaker 2: Yes. Well, rest in peace to Dolly Parton.
- 22:09Speaker 16: Yeah.
- 22:10Speaker 2: All right, y'all.
- 22:11Speaker 6: So we are going to shift gears a bit. Yesterday,
- 22:14Speaker 6: we were talking about Soraya, I'm sorry, and Joey Badass.
- 22:17Speaker 10: Lord, y'all keep on playing with this girl's name. Envy
- 22:20Speaker 10: calls her Soracha, you call her Soraya. He called her
- 22:23Speaker 10: Shania yesterday.
- 22:25Speaker 2: I keep wanting to say Soraya, I think because of
- 22:27Speaker 2: the way her name is spelled, but Soraya. Soraya.
- 22:29Speaker 6: Yeah, so yesterday there was a story that broke. And
- 22:31Speaker 6: I think this is something that we could have kind
- 22:33Speaker 6: of pointed to ourselves. But there was a story, TMZ
- 22:36Speaker 6: did a story about what led to that big explosion
- 22:38Speaker 6: that we saw online.
- 22:39Speaker 2: It was the final moment.
- 22:41Speaker 6: And what they're pointing to, according to sources close to her,
- 22:44Speaker 6: is the phone call. So for those of you guys
- 22:46Speaker 6: who don't remember, Soraya posted a phone call that she
- 22:48Speaker 6: says that Joey Badass was having with another woman.
- 22:51Speaker 2: Let's take a listen to that phone call.
- 22:53Speaker 1: This is your son's grandmother.
- 22:55Speaker 7: The empathy to have is that she's embarrassed. You have
- 22:58Speaker 7: to realize that she's like, I was a kid, I
- 23:01Speaker 7: had a childhood. People are asking me when I'm getting married.
- 23:04Speaker 3: Now I'm not going to be with him anymore.
- 23:06Speaker 7: And it's just like, you know, it's embarrassing.
- 23:08Speaker 2: And she's taking it out.
- 23:09Speaker 7: On you instead of dealing with the fact that, like, it.
- 23:12Speaker 10: Is so crazy because I hate to get, I hate
- 23:14Speaker 10: to say this to people because it's so, like, existential,
- 23:17Speaker 10: but it's like, everything is finite.
- 23:20Speaker 7: In the end. So just f * * * you
- 23:22Speaker 7: out of your head. Like, whatever part it means to you.
- 23:25Speaker 2: So we know who this girl is? No, they don't
- 23:27Speaker 2: point to who the girl is.
- 23:28Speaker 6: But what they're saying is that this phone call is
- 23:30Speaker 6: what was the icing on the cake for her.
- 23:33Speaker 2: Absolutely.
- 23:34Speaker 6: After this phone call, she decided that she was going
- 23:36Speaker 6: to end the engagement and that she she's alleging or
- 23:40Speaker 6: believes that this woman is a person that Joy Badass
- 23:42Speaker 6: was not just having like friendly conversation with, but he
- 23:45Speaker 6: was actually sleeping with.
- 23:46Speaker 1: So.
- 23:47Speaker 3: Yeah, I really feel like I shouldn't be listening to
- 23:49Speaker 3: any of this. Like, I don't want to hear people's
- 23:50Speaker 3: private lives anymore. Like, I don't want to hear people's
- 23:53Speaker 3: bad moments anymore. I really don't see what you gain
- 23:55Speaker 3: by putting that out there.
- 23:58Speaker 2: Please.
- 23:59Speaker 3: I know.
- 24:00Speaker 2: I mean, I'm just saying it's going to happen until
- 24:02Speaker 2: the end of time.
- 24:03Speaker 10: So as long as you're up here on this radio
- 24:05Speaker 10: and Lauren is doing the latest, you're going to hear
- 24:06Speaker 10: people's business.
- 24:07Speaker 2: They'll finish delivering the business.
- 24:09Speaker 3: But that right there is a choice.
- 24:11Speaker 7: It is.
- 24:11Speaker 3: Putting that out there, that's a deliberate choice.
- 24:13Speaker 10: Yeah, she made the choice to do that, but she
- 24:15Speaker 10: also is hurting and upset and she just had the
- 24:17Speaker 10: baby and she is embarrassed.
- 24:20Speaker 3: And that's why this is the worst thing for you,
- 24:22Speaker 3: this phone, when you are emotional. Like, don't take your
- 24:25Speaker 3: emotions to the internet. Take a deep breath.
- 24:27Speaker 2: But how else do you think she found out about
- 24:29Speaker 2: all this? Through the phone, through the internet.
- 24:31Speaker 3: Yeah, but don't make it public.
- 24:33Speaker 2: It's already public.
- 24:34Speaker 1: That was already public?
- 24:35Speaker 2: She just made it even more public.
- 24:36Speaker 8: Oh.
- 24:37Speaker 2: Their relationship was public.
- 24:39Speaker 6: If she popped out with a whole nother man and
- 24:41Speaker 6: Joey just went about his way and popped out with
- 24:42Speaker 6: a whole nother woman.
- 24:43Speaker 2: They'd be coming for her.
- 24:45Speaker 6: At some point, somebody would have had to say something
- 24:47Speaker 6: about somebody.
- 24:47Speaker 3: But I don't owe y'all all of that.
- 24:49Speaker 2: You don't owe us all of this, correct?
- 24:50Speaker 3: They don't live stream when they have sex.
- 24:52Speaker 2: I'm just saying.
- 24:54Speaker 3: Now that's too much.
- 24:55Speaker 2: That's too much. Oh, God, bro. Y'all know what's crazy, though?
- 25:00Speaker 10: People are starting to pull back up a lot of, like,
- 25:02Speaker 10: Joey badasses, like, old tweets. They in my comments going crazy, honey,
- 25:07Speaker 10: because I had my tape. between Nasha and Raisa Kanan,
- 25:09Speaker 10: because I was talking about their characters.
- 25:11Speaker 2: We know I was just playing.
- 25:12Speaker 10: But everybody keeps saying, like, yo, Joey already said that
- 25:15Speaker 10: he did.
- 25:16Speaker 2: Not want to be monogamous. He wanted to be polyamorous.
- 25:18Speaker 2: He wanted to have two wives with two separate families
- 25:20Speaker 2: in two separate places.
- 25:21Speaker 6: But he said, and he literally said that meeting her
- 25:24Speaker 6: and being with her changed his mind about that.
- 25:27Speaker 2: That's what I thought. And he wanted, he was engaged.
- 25:29Speaker 2: But again, we haven't even heard from him either. That's
- 25:31Speaker 2: another thing as well. I don't think we will. He
- 25:32Speaker 2: doesn't seem like the type that are like.
- 25:34Speaker 10: go online and try to maybe he sit down with
- 25:37Speaker 10: the right interview but uh there was a tweet in
- 25:40Speaker 10: 2022 where he had tweeted that tristan thompson he said
- 25:42Speaker 10: tristan thompson gotta stop being a sorry a n word
- 25:46Speaker 10: tell chloe you're a effing gallus and you need more
- 25:49Speaker 10: than one woman straight up what's so hard about being
- 25:51Speaker 10: honest with our women fellas f this western bs.
- 25:54Speaker 3: Y'all don't know if this was in 2022 but you
- 25:57Speaker 3: don't know if that if joy and uh what's her
- 25:59Speaker 3: name Soraya. You don't know if Julia Soraya was having
- 26:02Speaker 3: those conversations?
- 26:03Speaker 6: No, what I'm saying is, is the fact that she
- 26:05Speaker 6: went to the internet and did all this stuff and
- 26:07Speaker 6: now people are resurfacing these tweets and basically being like, girl.
- 26:10Speaker 2: You should have known. Trying to prove to her, like, yo,
- 26:12Speaker 2: when somebody shows you who they are, believe them.
- 26:14Speaker 6: It's no way that that's helping her broken heart by
- 26:16Speaker 6: people being like, girl, well, what did you think? Like,
- 26:19Speaker 6: she kind of put herself in a position now where
- 26:21Speaker 6: she got to see all this again.
- 26:22Speaker 3: Because of her decision to make all of this public.
- 26:25Speaker 2: Yeah.
- 26:25Speaker 3: Which she shouldn't have done.
- 26:26Speaker 2: I'm wishing both of them the best, man. They figured
- 26:28Speaker 2: this out. I wish her, The best and the baby. Well,
- 26:33Speaker 2: that latest was brought to you guys by LifeLock. You
- 26:36Speaker 2: need LifeLock? I mean, look, everybody do at this point.
- 26:39Speaker 2: We all over the internet.
- 26:40Speaker 10: Because your name is attached to everything you've built.
- 26:45Speaker 6: So if you're going to get your identity, if you
- 26:47Speaker 6: get your identity sold, then what do you do then?
- 26:48Speaker 6: You got to call your bank? No, because your bank
- 26:51Speaker 6: can only do but so much. LifeLock is who you
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- 26:56Speaker 6: and use code BREAKFAST for up to 30% off your
- 26:59Speaker 6: first year.
- 27:01Speaker 3: And scene.
- 27:02Speaker 2: Period.
- 27:02Speaker 3: When we come back, front page news with Mimi Brown.
- 27:05Speaker 3: It's The Breakfast Club.
- 27:05Speaker 1: Yes.
- 27:06Speaker 3: It's the world's most dangerous morning show, The Breakfast Club.
- 27:08Speaker 3: DJ Envy, Jess Hilarious, Charlamagne Tha God, Lauren LaRosa is
- 27:11Speaker 3: here as well. And it's time for front page news
- 27:13Speaker 3: with Mimi Brown. Good morning, Mimi Brown.
- 27:16Speaker 11: Good morning, guys. How y'all doing this hour?
- 27:18Speaker 2: Very good.
- 27:21Speaker 17: Good.
- 27:21Speaker 11: Okay, so we start this hour with.
- 27:25Speaker 2: It's out of Florida.
- 27:27Speaker 8: A mother and her two-year-old daughter were killed after being
- 27:30Speaker 8: struck by lightning.
- 27:32Speaker 11: This happened just moments after getting out of their car.
- 27:35Speaker 8: Police say that it happened over the weekend near Fort Lauderdale.
- 27:38Speaker 11: So the mother, her name is Kenya Glasgow. She was
- 27:41Speaker 11: 31 years old.
- 27:43Speaker 8: Her and her daughter were found lying on the sidewalk.
- 27:45Speaker 8: The little girl, the two-year-old girl, was a twin. Her
- 27:49Speaker 8: other sister was not hurt. Witnesses, they say that they
- 27:53Speaker 8: saw an orange flash outside the window.
- 27:56Speaker 11: Let's listen to one witness.
- 27:58Speaker 3: I heard this large lightning strike. I saw an orange
- 28:00Speaker 3: glow through my window. My son said, Dad, there's a
- 28:03Speaker 3: lady on the floor.
- 28:04Speaker 7: She got hit.
- 28:05Speaker 2: And I almost didn't want to believe him.
- 28:07Speaker 3: And I looked in my window and I saw a lady.
- 28:13Speaker 3: That's rare, right? How often do people get struck by
- 28:15Speaker 3: lightning and die?
- 28:16Speaker 8: I'm glad that you asked because to put this in perspective,
- 28:19Speaker 8: the odds of being struck by lightning any given year,
- 28:22Speaker 8: they're less than.
- 28:24Speaker 11: One in a million.
- 28:25Speaker 2: One in a million. You wouldn't have thought that.
- 28:28Speaker 3: Growing up where I grew up. Growing up in Moscow
- 28:30Speaker 3: and South Carolina, boy, whenever it would rain heavy and
- 28:32Speaker 3: thunderstorm and lightning, they always told us we was getting
- 28:34Speaker 3: struck by lightning. You couldn't be on the phone.
- 28:36Speaker 2: Right.
- 28:36Speaker 3: You had to turn off everything, turn off TV, had
- 28:38Speaker 3: to sit still in one place.
- 28:40Speaker 2: My grandma is still like that.
- 28:41Speaker 8: Damn.
- 28:41Speaker 3: For real?
- 28:42Speaker 2: Yeah, she don't care about storms. Lightning is definitely dangerous, though. Yeah,
- 28:46Speaker 2: I've heard.
- 28:47Speaker 10: Basically, yeah, like in Florida, I've heard it when I
- 28:50Speaker 10: was living in California a lot. I don't know if
- 28:51Speaker 10: for some reason I would hear that people were getting
- 28:53Speaker 10: struck in Florida a lot because of the storms and
- 28:55Speaker 10: how close they are to the trees.
- 28:57Speaker 8: Yeah, I thought that, you know, I'm not saying they
- 29:00Speaker 8: were making that up, but clearly, you know, there's some.
- 29:02Speaker 2: Truth to these things. I don't know if they was
- 29:04Speaker 2: making it up or not. I used to hear it
- 29:05Speaker 2: a lot.
- 29:05Speaker 13: Yeah.
- 29:06Speaker 3: My grandma would be on the phone if it thundered
- 29:08Speaker 3: too loud, she'd hang up.
- 29:08Speaker 1: I'm hanging up.
- 29:09Speaker 3: And don't drive.
- 29:10Speaker 1: None of that. No. Yeah.
- 29:14Speaker 11: All of that, all of that.
- 29:15Speaker 8: And that's because this family, they were rushing, they were
- 29:17Speaker 8: trying to get out of the rain. The first responders,
- 29:19Speaker 8: they said that they were trying to perform CPR. They
- 29:23Speaker 8: rushed the mother and the daughter to separate hospitals, but
- 29:26Speaker 8: neither of them survived. Now their husband, the father, he
- 29:30Speaker 8: is also speaking out. Let's listen to what he said.
- 29:32Speaker 17: My daughter, my wife, amazing, amazing people, amazing people. My wife,
- 29:39Speaker 17: the biggest heart in the world, the biggest heart in
- 29:41Speaker 17: the world, puts everybody before herself.
- 29:44Speaker 1: Everybody.
- 29:46Speaker 2: Jesus, I can only imagine his pain.
- 29:49Speaker 17: Right.
- 29:49Speaker 8: It happened right in front of me as you're coming
- 29:51Speaker 8: home trying to get out the rain. A very, very
- 29:53Speaker 8: sad story. Police say that they are. Yeah, they are
- 29:57Speaker 8: investigating exactly what happened. But from all accounts, it was
- 30:01Speaker 8: a lightning strike. And you guys remember the man who
- 30:05Speaker 8: was running around in Philly chasing people with that creepy
- 30:07Speaker 8: Chucky looking mask?
- 30:09Speaker 3: Yes.
- 30:10Speaker 11: Okay, well, he has been caught in Las Vegas.
- 30:13Speaker 8: So 22-year-old Zymir Hughes, he was taken into custody on
- 30:19Speaker 8: Tuesday night, last night by U.S.
- 30:21Speaker 2: Marshals.
- 30:22Speaker 8: Police say earlier this month he was chasing people around
- 30:25Speaker 8: downtown Philadelphia. He scared possibly between 15 to 16 people
- 30:30Speaker 8: within an hour. In one case, police say that he
- 30:33Speaker 8: walked up to a woman who was jogging and asked her,
- 30:36Speaker 8: was she ready to die? She ran away screaming for
- 30:39Speaker 8: help and seriously injured her leg. Police believe that he
- 30:43Speaker 8: may have been doing all of this for attention on
- 30:45Speaker 8: social media.
- 30:47Speaker 6: Here's what U.S.
- 30:50Speaker 8: Marshals had to say when they captured him.
- 30:53Speaker 2: Let's listen.
- 30:54Speaker 18: He fled Philadelphia on August 19th from Trenton Mercer Airport
- 30:58Speaker 18: in Ewing, New Jersey to Orlando International.
- 31:01Speaker 3: He then flew from Orlando to Harry Reid.
- 31:04Speaker 18: International in Las Vegas. After being profiled on the news
- 31:08Speaker 18: August 28th, he changed his location in Las Vegas and
- 31:13Speaker 18: hid at an apartment complex in southeast Las Vegas for
- 31:16Speaker 18: the past five days. Marshals from the Nevada Task Force
- 31:20Speaker 18: established surveillance on the suspected apartment complex today. And at
- 31:24Speaker 18: 8 p.m., Hughes was arrested without incident.
- 31:30Speaker 2: Yes.
- 31:31Speaker 8: So the other twist to this is that they say
- 31:33Speaker 8: he was a Las Vegas resident and believe he may be.
- 31:36Speaker 8: He may have been in Philly visiting family when all
- 31:40Speaker 8: of this happened. So he's now being held in Nevada,
- 31:43Speaker 8: waiting to be extradited back to Philadelphia, where he is
- 31:47Speaker 8: expected to face charges of terroristic threats, harassment, and simple assault.
- 31:55Speaker 8: We will see what happens with that.
- 31:57Speaker 3: I'm still tripping off this story you told about the
- 32:00Speaker 3: mother and daughter being struck by lightning. Did you look
- 32:03Speaker 3: it up? Yes, the way my anxiety is set up now.
- 32:05Speaker 2: You know me, dude.
- 32:06Speaker 3: Now I got to add that to the list. But
- 32:07Speaker 3: it's like they say the odds of being hit are
- 32:09Speaker 3: less than one in a million and almost 90% of
- 32:11Speaker 3: all people struck by lightning survive.
- 32:14Speaker 1: Oh, yeah.
- 32:15Speaker 3: Over 90%. Oh, my God.
- 32:17Speaker 13: Wow.
- 32:17Speaker 1: I don't know.
- 32:18Speaker 8: And it was so sad. Two little twin girls. So cute.
- 32:21Speaker 8: So cute. You know, and now one of them is gone.
- 32:25Speaker 3: Her name is Kenya Glasgow. Glasgow. A Glasgow. Rest in peace,
- 32:29Speaker 3: Kenya Glasgow. Sending your family healing energy, man. That is horrible.
- 32:33Speaker 1: Horrible.
- 32:34Speaker 11: Very, very sad. Very, very sad.
- 32:37Speaker 8: And our last story today, Target is apologizing for pulling
- 32:41Speaker 8: a kid's Halloween costume after people online said it looked
- 32:44Speaker 8: too similar to a racist caricature of black people.
- 32:49Speaker 11: Have you guys seen this? I'm sure you've seen it
- 32:51Speaker 11: by now.
- 32:51Speaker 2: I've seen it.
- 32:51Speaker 10: I've seen Viola Davis upset about it. I've seen a
- 32:54Speaker 10: few celebrities upset about it.
- 32:55Speaker 2: Yes, yes.
- 32:56Speaker 8: So the costume shows a black child wearing black gloves,
- 32:59Speaker 8: a mask with a wide, exaggerated smile.
- 33:02Speaker 11: Which people online are comparing to the old minstrel shows.
- 33:04Speaker 8: Now, Target, they are apologizing, saying, we got this wrong,
- 33:08Speaker 8: and admitting the costume should have never been sold.
- 33:09Speaker 11: But you're right, Jess.
- 33:11Speaker 8: People like Viola Davis, she came out, she wrote that
- 33:14Speaker 8: she does not accept their apology and that she doesn't understand,
- 33:19Speaker 8: they don't understand the impact and the pain and the
- 33:21Speaker 8: dehumanization of this image and the foundation that has been
- 33:25Speaker 8: committed against my people, is.
- 33:27Speaker 11: What she wrote.
- 33:28Speaker 8: So.
- 33:30Speaker 11: It's a it's a it's a thing.
- 33:31Speaker 8: Now, this is also coming as Target is, you know,
- 33:34Speaker 8: Target boycott is happening with the rollback of the DEI efforts.
- 33:37Speaker 11: And some people are saying this is exactly.
- 33:40Speaker 8: Why black people are or should be boycotting boycotting Target.
- 33:45Speaker 2: Almost definitely.
- 33:46Speaker 3: Well, the problem with this costume is what was it
- 33:48Speaker 3: supposed to be?
- 33:49Speaker 1: A clown?
- 33:50Speaker 2: It looked like it was supposed to be a pumpkin, right?
- 33:51Speaker 1: Man.
- 33:52Speaker 3: I don't know.
- 33:53Speaker 2: Is that what it was supposed to be? I don't know.
- 33:55Speaker 3: That's what I'm saying. Like, you can't even explain it. Like,
- 33:58Speaker 3: what was it supposed to be?
- 33:59Speaker 2: Yeah.
- 34:00Speaker 13: I don't know.
- 34:00Speaker 2: Did y'all ever see that series, Us? Yes, I did.
- 34:03Speaker 2: That's what it looks like. Like, a play on some
- 34:05Speaker 2: racist BS. That's what it looks like. That's all right.
- 34:08Speaker 1: Yeah.
- 34:09Speaker 11: But I want to know where were the parents because, like.
- 34:14Speaker 2: Would you let your son dress up in that?
- 34:16Speaker 8: Yeah, because Landon used to do stuff with Target back
- 34:18Speaker 8: in the day, like back to school. You get to
- 34:20Speaker 8: see what your child is putting on before they take
- 34:22Speaker 8: the picture and all the things.
- 34:23Speaker 11: I'm going to be honest with you.
- 34:25Speaker 3: I thought that was AI this whole time. I mean,
- 34:27Speaker 3: I knew that there was a controversy, but when I
- 34:29Speaker 3: saw the picture, I'm like, that can't possibly be. Exactly.
- 34:31Speaker 3: He doing the whole, you know, the whole thing.
- 34:33Speaker 1: The whole minstrel Sambo pose.
- 34:35Speaker 2: The stance.
- 34:35Speaker 7: The stance and everything.
- 34:36Speaker 13: Exactly.
- 34:37Speaker 2: He had everything. That's what I'm saying.
- 34:39Speaker 7: He had everything.
- 34:39Speaker 2: And they know exactly what's going on.
- 34:41Speaker 10: That's why I'm glad that Viola Davis rejected their apology.
- 34:45Speaker 2: Like, man, y'all know what's up. Y'all have already shown
- 34:47Speaker 2: us who y'all are and that y'all don't care about us. Oh,
- 34:50Speaker 2: circus clown.
- 34:51Speaker 1: Okay.
- 34:51Speaker 12: Keep it.
- 34:52Speaker 13: Yeah.
- 34:52Speaker 2: Keep it.
- 34:53Speaker 1: Yeah.
- 34:54Speaker 8: So the company Target, they said that they are investigating
- 34:57Speaker 8: how this got approved in the first place. But, you know,
- 35:00Speaker 8: a lot of people have a lot to say about
- 35:03Speaker 8: this costume and why it was even up in the
- 35:05Speaker 8: first place.
- 35:06Speaker 2: Investigate.
- 35:07Speaker 3: Well, thank you, Mimi Brown, for Front Page News. And
- 35:09Speaker 3: make sure y'all go check out Mimi Brown's podcast, the
- 35:12Speaker 3: Front Page News podcast. You sat down with Justin from Tennessee, right?
- 35:16Speaker 8: Yep, rep Justin J. Pearson from Tennessee on the latest episode.
- 35:20Speaker 8: It's a really good conversation about what's happening in Memphis
- 35:22Speaker 8: and he's running for Congress and all that good stuff.
- 35:24Speaker 3: Absolutely. So go subscribe to the Front Page News podcast.
- 35:27Speaker 3: Wherever you listen to podcasts, courtesy of the Black Effect
- 35:29Speaker 3: Podcast Network. Now, when we come back, Jess Hilarious's favorite
- 35:32Speaker 3: rapper will be joining us.
- 35:33Speaker 2: Period!
- 35:34Speaker 1: Mr.
- 35:34Speaker 3: Busta Rhymes, the icon living himself. He's got a new
- 35:38Speaker 3: album out right now called Diligence 2, produced by J Dilla.
- 35:41Speaker 3: And we'll be talking all about it when we come back.
- 35:43Speaker 3: It's The Breakfast Club.
- 35:44Speaker 1: Yes, the world's most.
- 35:45Speaker 3: Dangerous morning show, The Breakfast Club. DJ Envy, Jess Hilarion,
- 35:48Speaker 3: Charlamagne Tha God. Envy is on vacation, but Lauren LaRosa
- 35:50Speaker 3: is in. And we got a special guest, man, an icon.
- 35:54Speaker 3: He's got a new project coming out, Diligence 2. It's
- 35:57Speaker 3: actually out today.
- 35:58Speaker 1: Yeah, right now.
- 35:59Speaker 3: Busta Bust, Busta Rhymes is here.
- 36:02Speaker 1: Charlamagne.
- 36:03Speaker 3: How are you, my brother?
- 36:03Speaker 1: Good morning. I had to greet him today and say
- 36:06Speaker 1: his new AKA is... Mr. Disrespectful Bag Evolution.
- 36:10Speaker 2: Period. You ain't lying.
- 36:15Speaker 3: Face evolution.
- 36:16Speaker 8: What?
- 36:17Speaker 1: That's not true, man. God is good. God is the greatest,
- 36:19Speaker 1: by the way. We're not going to say he's good.
- 36:20Speaker 3: He's the greatest.
- 36:21Speaker 1: That's right. But we're going to call a spade a spade, beloved.
- 36:24Speaker 1: You could downplay his shit all you want. Nah. Period.
- 36:27Speaker 1: You know what, though? Keep it that way. Yeah. Motherfuckers is...
- 36:33Speaker 1: Always going, they're going to hear that new AKA. And
- 36:37Speaker 1: the request for let me hold something is going to
- 36:41Speaker 1: increase significantly.
- 36:43Speaker 7: Exactly.
- 36:44Speaker 1: Nah, it's good to be here. I'm super duper excited
- 36:49Speaker 1: and proud and happy in this moment with this new album.
- 36:53Speaker 1: And I'm getting right to it. Please. It's something I
- 36:57Speaker 1: can't even describe in words because we did a listening
- 37:00Speaker 1: session last night.
- 37:02Speaker 5: Oh, man.
- 37:03Speaker 1: And I had the blessed opportunity to be able to
- 37:05Speaker 1: fly in Dilla's family.
- 37:07Speaker 16: Ooh.
- 37:08Speaker 1: Oh, wow. And they come to the stage at the front.
- 37:11Speaker 1: And I got a role in the front. Because there's
- 37:14Speaker 1: a moment in the way the show was curated where
- 37:18Speaker 1: the most iconic producers of the culture pulled up to
- 37:22Speaker 1: speak on Dilla's way, his technical process, and how he
- 37:26Speaker 1: creatively contributes.
- 37:28Speaker 3: Who was there?
- 37:29Speaker 1: Primo, Pete Rock, 88 Keys, 9th Wonder.
- 37:32Speaker 13: Mm-hmm.
- 37:33Speaker 1: Lars Professor, Havoc, Mobb Deep, and they all sitting in
- 37:37Speaker 1: the front row like Avengers. And I'm on the stage
- 37:42Speaker 1: and they're right in the front row, so I'm looking
- 37:44Speaker 1: at this the whole night, because we played the album
- 37:46Speaker 1: before we got to their segment. When the Yancey dynasty
- 37:52Speaker 1: was introduced to the stage, when I tell you I
- 37:56Speaker 1: cried uncontrollable tears of joy, because me and Dilla... And
- 38:03Speaker 1: his family, we've been involved with each other for 30 years.
- 38:09Speaker 1: Only one I've ever met besides Dilla was Ma Dukes.
- 38:13Speaker 1: So to see them for the first time, knowing that
- 38:15Speaker 1: they've been a part of this journey for 30 years,
- 38:18Speaker 1: this year, though. So, like, I'm celebrating literally five album
- 38:22Speaker 1: anniversaries right now. So the first Leaders of the New
- 38:25Speaker 1: School album came out in 91. And then the Low
- 38:27Speaker 1: End Theory album with Tribe came out, which is the
- 38:29Speaker 1: second Tribe album, that came out in 91. So Scenario...
- 38:33Speaker 1: And Oh My God turns 35 this year. Then my
- 38:36Speaker 1: first solo album, The Coming, is 30 years. And then
- 38:41Speaker 1: the Genesis album is 25 years. And then The Big
- 38:44Speaker 1: Bang is 20 years. And that shit came out June 13th,
- 38:48Speaker 1: the day that the Knicks won the fucking chip for
- 38:50Speaker 1: the first time in 53 years. The same day. With
- 38:53Speaker 1: New York shit and Touch It on it. So Dilla
- 38:56Speaker 1: is on three of those five albums. This year is
- 38:59Speaker 1: the 20-year anniversary of Dilla's transition. The fucking Grammys... is
- 39:03Speaker 1: airing on Dilla's birthday.
- 39:05Speaker 3: Wow.
- 39:06Speaker 1: This is a divine alignment like no other. There's some
- 39:09Speaker 1: shit that's greater than man manifesting right now. So it's like,
- 39:13Speaker 1: to be in this moment, it's surreal because it's just like,
- 39:16Speaker 1: it's been my man, my brother, my friend, 30 years.
- 39:20Speaker 1: He's been gone for 20. I continued to work with
- 39:23Speaker 1: him since his transition. I'm going to leave him off
- 39:26Speaker 1: with no project. And the first Diligence we put out
- 39:30Speaker 1: in 07 just as a mixtape and gave it away
- 39:32Speaker 1: for free just to tribute his life. So this is
- 39:36Speaker 1: 19 years later that Diligence 2 was coming. And I'm
- 39:42Speaker 1: on my first interview since then. Why the 25th?
- 39:46Speaker 3: Because most albums drop on Friday nowadays.
- 39:48Speaker 1: Why did you.
- 39:48Speaker 3: Choose to do it?
- 39:50Speaker 1: I wanted to drop this album when the Tuesdays was
- 39:54Speaker 1: the traditional release date. And I also felt like this
- 39:58Speaker 1: moment was more important than allowing it. I wanted it
- 40:02Speaker 1: to be an isolated, standalone moment. I don't want to
- 40:06Speaker 1: deal with the cluster of everything that releases on Fridays.
- 40:10Speaker 3: And Thursday nights.
- 40:11Speaker 1: So I felt like this project deserved that attention, that
- 40:16Speaker 1: standalone moment, and It just felt like the right thing
- 40:20Speaker 1: to do.
- 40:20Speaker 3: Mathematics is God. What's the power of born God?
- 40:22Speaker 1: Why? Because now it's born, Almighty.
- 40:23Speaker 7: That's right.
- 40:24Speaker 1: Come on, God body. Talk that shit. Now, it's again, like,
- 40:30Speaker 1: and big shout out to my Dukes. Big shout out
- 40:32Speaker 1: to Ella J. Big shout out to Dilla's beautiful daughter,
- 40:36Speaker 1: the princess. They are still in New York. And we're
- 40:40Speaker 1: going to get up and probably do something nice this evening,
- 40:42Speaker 1: like a dinner or something, and just vibe and talk
- 40:44Speaker 1: old Dilla stories and celebrate last night. But I ain't
- 40:47Speaker 1: going front, man. Everybody just know, like, when you hear
- 40:50Speaker 1: this music, it's something that, it's not possible to do
- 40:55Speaker 1: this unless you was being literally blessed with what I
- 40:58Speaker 1: was gifted with. 300 beats, right? Almost 300.
- 41:01Speaker 3: Almost 300.
- 41:02Speaker 13: Yeah.
- 41:03Speaker 1: You cannot create a moment like this unless you was
- 41:06Speaker 1: gifted with what I was gifted with.
- 41:08Speaker 3: Have you ever stopped to think why he gave you
- 41:10Speaker 3: that much production?
- 41:13Speaker 1: I started to feel like I needed to kind of, like,
- 41:15Speaker 1: come to the realization of that recently. I didn't think
- 41:18Speaker 1: about it before that. I just think, you know, he
- 41:21Speaker 1: f * * * ed with bus rhymes. He liked
- 41:22Speaker 1: how I spit on his s * * *. Here, here, here, here, here.
- 41:25Speaker 7: Right.
- 41:25Speaker 1: But after a while, I started to feel like maybe
- 41:30Speaker 1: he knew something and saw something in the way that
- 41:33Speaker 1: he seen how I appreciated his music, how I loved
- 41:37Speaker 1: his production, how I loved his work, how I loved
- 41:39Speaker 1: him as a friend, a human being. Like, I'm a
- 41:42Speaker 1: big up, I got a big up common real quick.
- 41:45Speaker 1: During the time when I was making the Big Bang
- 41:47Speaker 1: album on Aftermath, I was living in L.A. the three
- 41:50Speaker 1: years of making that album. And Dilla was living in L.A. too.
- 41:55Speaker 1: But why I'm bigging up Common is because Common got
- 41:58Speaker 1: him the crib that he needed to be at and
- 42:01Speaker 1: live in to be closer to the specialist to treat
- 42:04Speaker 1: his lupus illness.
- 42:05Speaker 3: Wow.
- 42:06Speaker 1: You know what I'm saying? And Common moved into the
- 42:08Speaker 1: crib and lived with him. and brought my dukes there.
- 42:13Speaker 1: So when I was getting the bulk of the beats
- 42:16Speaker 1: towards his decline, it was at this beautiful home.
- 42:20Speaker 2: Yeah.
- 42:21Speaker 1: So I would come to the crib, because he would
- 42:24Speaker 1: make me come to the crib. It wasn't no emailing
- 42:26Speaker 1: me no beats. It wasn't no, I'm going to send
- 42:28Speaker 1: you some shit. Come to the crib. So I come
- 42:31Speaker 1: to the crib, and the shit that was so mind-blowing
- 42:35Speaker 1: to me was his moms kind of evolved into his engineer. Mm-hmm. So, like,
- 42:41Speaker 1: you would come in the crib, and the living room
- 42:44Speaker 1: was as soon as, like, you walked in the door.
- 42:46Speaker 1: But then there was the dining room. They left the
- 42:48Speaker 1: dining room empty and made it his studio. And then
- 42:51Speaker 1: after the dining room, you go to the bedrooms and
- 42:53Speaker 1: the bathroom in the back of the crib, right? So
- 42:55Speaker 1: you come in the crib, and Ma Dukes would be
- 42:57Speaker 1: on the couch, and she's watching TV. Once you get
- 43:01Speaker 1: in there, you greet and kiss moms, hug Ma Dukes.
- 43:03Speaker 1: She's watching TV. You get past the living room, and...
- 43:08Speaker 1: You look in that dealer from the living room. So
- 43:10Speaker 1: he got the beat machine set up. He got the MPC.
- 43:13Speaker 1: He got the SB-12, two beat machines. The closet, the
- 43:16Speaker 1: coat closet, from the ceiling to the.
- 43:19Speaker 3: F * * * ing.
- 43:19Speaker 1: Floor, alphabetical order, every single vinyl in existence that he
- 43:25Speaker 1: would use to sample and chop to make his beats.
- 43:28Speaker 1: So his moms, like if he needed a certain record,
- 43:32Speaker 1: he'd tell his mom to go get this record, and
- 43:34Speaker 1: she would go in there and flip through the alphabetical order,
- 43:36Speaker 1: pull it, bring it to him, and then he'll tell
- 43:39Speaker 1: his mom what machine he was going to work on
- 43:42Speaker 1: or he wanted to work on. And she would get
- 43:44Speaker 1: behind that and put the wires and the plug-ins and
- 43:47Speaker 1: all of that or switch it to the other machine.
- 43:50Speaker 1: And then she would go back to the couch and
- 43:52Speaker 1: watch whatever soap opera she was watching and Dilla would
- 43:54Speaker 1: get to cooking in the headphones. Who the is going
- 43:57Speaker 1: to try to pass me a spliff in front of
- 43:58Speaker 1: my dudes one time? I ain't smoked no weed in
- 44:04Speaker 1: front of no parent before.
- 44:05Speaker 2: What did she say?
- 44:06Speaker 1: Right. She couldn't say nothing because I hid behind the wall.
- 44:13Speaker 3: The industry's obsession with budgets killed some of hip-hop's imagination
- 44:17Speaker 3: when it came to videos. Because people felt like because
- 44:20Speaker 3: they had limitations with resources, you know, I don't know.
- 44:23Speaker 3: Maybe they felt like they couldn't make the type of
- 44:25Speaker 3: creative videos y'all were making.
- 44:26Speaker 1: See, I ain't going to front. I definitely feel like
- 44:29Speaker 1: it had some sort of effect. Because even for me,
- 44:31Speaker 1: for a second, I was like, shit. we can't spend
- 44:34Speaker 1: this money no more like this. You know what I'm saying?
- 44:38Speaker 1: Sylvia had us used to these million dollar budgets because
- 44:41Speaker 1: she saw the vision that we had and she believed
- 44:44Speaker 1: in us. Like Sylvia Rome, man, when I tell you
- 44:47Speaker 1: she was like the lifeline of me and Missy becoming
- 44:52Speaker 1: the Avengers that we became, I have to super duper
- 44:57Speaker 1: big up Sylvia every time I get the opportunity to.
- 45:00Speaker 1: she made it a lot easier for us to dream
- 45:03Speaker 1: and imagine. When that stopped and the change happened, yeah,
- 45:09Speaker 1: it us up for a second. Because, you know, we
- 45:12Speaker 1: knew that we couldn't go as far as going where
- 45:15Speaker 1: we was going with the creative. Like, I was using
- 45:17Speaker 1: digital domain, which was the special effects crew that did
- 45:20Speaker 1: the Titanic movie for the Janet joint. You know what
- 45:23Speaker 1: I'm saying? Like, the just came off of 10 Oscars
- 45:26Speaker 1: at that time for Titanic.
- 45:28Speaker 3: So.
- 45:29Speaker 1: that bag to have that special effect was so out
- 45:32Speaker 1: of control that once that lifeline got cut you definitely
- 45:38Speaker 1: had to find another way to be super creative because
- 45:42Speaker 1: you know you can't let the legacy not feel like
- 45:44Speaker 1: it's not continuing to evolve in the same direction that
- 45:48Speaker 1: technology didn't make it easier technology made it easier but
- 45:53Speaker 1: That's a really recent thing.
- 45:55Speaker 3: Got you, got you, got you.
- 45:56Speaker 2: So it was way more expensive to do the technology then?
- 45:59Speaker 1: Yeah, because when the budgets got cut, there still wasn't
- 46:01Speaker 1: no AI shit.
- 46:02Speaker 3: Right, right.
- 46:03Speaker 1: You know what I'm saying? There still wasn't no AI shit.
- 46:05Speaker 1: So it was like, what's the way to get the
- 46:07Speaker 1: dope special effects off that me and Missy was doing? Mm-hmm.
- 46:11Speaker 1: even though there wasn't no AI. You still had to
- 46:13Speaker 1: find these incredible effects companies and effects production and crews.
- 46:19Speaker 1: And then you also had to find those hungry new
- 46:22Speaker 1: that just wanted to have Busta and Missy name on
- 46:25Speaker 1: their resume. So they wanted to sacrifice to be a
- 46:29Speaker 1: part of the legacy. And you stumbled on a few
- 46:32Speaker 1: of those and it was a blessing because it was
- 46:34Speaker 1: bringing some unbelievable to the table that literally would have
- 46:38Speaker 1: still cost a monster bag to do. But That bag
- 46:42Speaker 1: just wasn't smart to spend even if you still had it.
- 46:44Speaker 3: You know what I'm saying?
- 46:45Speaker 2: You got a music video.
- 46:46Speaker 10: You and Janet Jackson's music video is in the Guinness
- 46:48Speaker 10: Book of World Records for the most expensive hip-hop video
- 46:51Speaker 10: ever made.
- 46:51Speaker 6: Like, I don't even think people can fathom a $ 2. 4
- 46:53Speaker 6: million budget for one video.
- 46:56Speaker 2: Like, that's insane.
- 46:58Speaker 7: And also.
- 46:59Speaker 6: I don't know if an art, I mean, I say
- 47:01Speaker 6: all artists, but it would be hard for me to
- 47:03Speaker 6: think that an artist would even understand how to allocate
- 47:06Speaker 6: that budget in a way that made like business sense.
- 47:09Speaker 6: You spend money on a lot of things nowadays with
- 47:12Speaker 6: these artists.
- 47:12Speaker 2: It's like a starter pack, like the chains and all
- 47:14Speaker 2: this stuff.
- 47:15Speaker 6: But you talking about finding AI companies and doing research
- 47:17Speaker 6: and finding new video.
- 47:19Speaker 2: Like that was a lot of knowledge that.
- 47:20Speaker 1: You had to have.
- 47:21Speaker 3: Oh yeah.
- 47:22Speaker 1: Oh yeah. But we was also blessed with the incredible opportunity.
- 47:27Speaker 1: experts in those spaces.
- 47:29Speaker 5: When you got.
- 47:30Speaker 1: A Hype Williams, it's like a cheat code. You know
- 47:33Speaker 1: what I'm saying?
- 47:34Speaker 3: Yeah.
- 47:34Speaker 1: When you got a Sylvia Roan who believe in your
- 47:37Speaker 1: dream the way she did and she was in a
- 47:39Speaker 1: position of power to make the decision to push the
- 47:43Speaker 1: launch button on the missile for you to really explode
- 47:47Speaker 1: and blow the way you're supposed to. Sylvia Roan was
- 47:50Speaker 1: there for us. And then, you know, we also came
- 47:53Speaker 1: from a time where it was cool to be smart.
- 47:57Speaker 1: You know what I'm saying? It was cool to have
- 47:58Speaker 1: knowledge of self. It was cool to be Zulu Nation.
- 48:01Speaker 1: It was cool to be, you know, 5%. It was cool. Like,
- 48:04Speaker 1: and it was almost an accountability that came with that.
- 48:07Speaker 1: It's like, if you didn't represent the culture, if you
- 48:10Speaker 1: claim you had knowledge of self, you got your ass whooped.
- 48:12Speaker 2: Yeah.
- 48:13Speaker 1: And it was real accountability to represent a conscious effort
- 48:18Speaker 1: to strive for perfection or deal with some sort of righteousness.
- 48:21Speaker 1: You know what I'm saying? That kind of forced you
- 48:23Speaker 1: to also be about your research skills. Due diligence. Pun intended.
- 48:27Speaker 1: Diligence two out now. But, you know, it was really
- 48:31Speaker 1: important that you was going about s * * *
- 48:34Speaker 1: in the way that the community that you came from
- 48:37Speaker 1: at that time raised you to move and shake. And
- 48:42Speaker 1: that's the type of s * * * that we on.
- 48:44Speaker 1: That's why he over here talking about mathematics to me.
- 48:46Speaker 1: He know I got knowledge of self. I know he
- 48:47Speaker 1: got knowledge of self. It's like, how many guests can
- 48:50Speaker 1: you do that s * * * with when they
- 48:51Speaker 1: pull up? You know what I'm saying? S * * *
- 48:53Speaker 1: was going platinum with Fight the Power.
- 48:56Speaker 3: You know what I'm saying?
- 48:58Speaker 1: That shit don't happen no more. So it's like, at
- 49:00Speaker 1: that time, it was an amazing time to actually be raised.
- 49:03Speaker 1: That village that it took to raise a child was
- 49:07Speaker 1: very impressionable, man.
- 49:08Speaker 3: A lot of that literature was a part of hip-hop
- 49:11Speaker 3: culture as well. Like, you had to read from the gods.
- 49:13Speaker 3: You had to read the autobiography of Malcolm X. You
- 49:15Speaker 3: had to read, you know, A Message to the Black
- 49:17Speaker 3: Man by Elijah Muhammad.
- 49:18Speaker 1: How to Eat to Live. How to Eat to Live.
- 49:19Speaker 7: Absolutely.
- 49:20Speaker 3: Were part of the culture as well.
- 49:22Speaker 1: Yeah. It was very much... It was so much a
- 49:24Speaker 1: part of the culture that it was cool to actually...
- 49:27Speaker 1: It was almost not cool if you didn't know that.
- 49:30Speaker 7: Mm-hmm.
- 49:31Speaker 1: You actually look like, you was the 85%.
- 49:34Speaker 3: The Mr.
- 49:36Speaker 1: Begar believe in a poison animal eater, the slave to
- 49:39Speaker 1: the mental death and power. He's led in the wrong direction,
- 49:41Speaker 1: hard to be led in the right. And you didn't
- 49:43Speaker 1: want to be categorized as that. So it's like, motherfuckers
- 49:47Speaker 1: really was on some, I want to sponge up information.
- 49:51Speaker 1: Even if he wasn't a part of the nation. Even
- 49:53Speaker 1: if he wasn't a part of the Zulu nation. You
- 49:56Speaker 1: still wanted to sponge up some shit because it was
- 49:58Speaker 1: just really cool to be a smart man. and have
- 50:01Speaker 1: some intellect and be able to speak from an informed
- 50:04Speaker 1: place in just general conversation. So like what Sia's saying,
- 50:09Speaker 1: these books and this knowledge was shared and very much
- 50:13Speaker 1: present in the music.
- 50:14Speaker 3: That's right.
- 50:16Speaker 1: Because it was the to be able to say that
- 50:18Speaker 1: with a badge of honor, like, yeah. I know some shit.
- 50:23Speaker 3: He said, Farrakhan's a prophet. I think you ought to
- 50:25Speaker 3: listen to him. As many times as my dad used
- 50:28Speaker 3: to try to get me to sit down and watch
- 50:30Speaker 3: Minister Farrakhan speeches, when Chuck D said that, he was like, oh,
- 50:33Speaker 3: I got to pay attention. That's what my pops be
- 50:34Speaker 3: trying to get me to listen to. And then when
- 50:35Speaker 3: Biggie said, deep like the mind of Farrakhan.
- 50:37Speaker 1: Oh, my God. Crazy, yo. Oh, my God. It's crazy.
- 50:41Speaker 1: And it was a beautiful and a necessary time. And
- 50:44Speaker 1: it really do need to get back to all of that.
- 50:46Speaker 1: You know what I'm saying? More so now than that time.
- 50:49Speaker 1: Because this bugged the fuck out right now. This shit
- 50:53Speaker 1: look crazy right now, yo.
- 50:55Speaker 3: What?
- 50:55Speaker 13: Yo.
- 50:57Speaker 1: Is trying to figure out the exit plan for real. Like,
- 50:59Speaker 1: what the * * * * are we doing? Like,
- 51:01Speaker 1: what are we doing? This * * * * bug, yo.
- 51:03Speaker 1: So it's like, you know, get back to the research
- 51:05Speaker 1: and start doing what y'all need to do to understand
- 51:08Speaker 1: how to become your best self, especially in these times, yo.
- 51:12Speaker 10: Now, as far as, like, verses, right, there's no rapper,
- 51:15Speaker 10: I feel, that could even * * * * touch
- 51:17Speaker 10: you ever, ever.
- 51:18Speaker 2: Can he shine your boots?
- 51:20Speaker 1: Right?
- 51:22Speaker 10: But it's only right that you go against your sister, Missy. Like,
- 51:25Speaker 10: you and Missy would have to do a verses.
- 51:27Speaker 1: I tried that. We actually tried that.
- 51:29Speaker 3: Yeah.
- 51:30Speaker 1: For me, when it's a versus, it's a battle to me.
- 51:35Speaker 2: Where'd y'all try that?
- 51:35Speaker 1: On the tour? I can't pop my schnoll. We actually
- 51:37Speaker 1: tried to do a versus. There was conversation that started.
- 51:43Speaker 1: It was significant money. It was an incredible opportunity. And
- 51:47Speaker 1: it just, I don't know exactly what the reason was
- 51:50Speaker 1: why it didn't happen. But even with that, like we
- 51:54Speaker 1: was going to do it where it was.
- 51:56Speaker 2: Like, Gotta be visual too.
- 51:57Speaker 1: The visuals.
- 51:58Speaker 2: Yes, that's the whole point.
- 51:59Speaker 1: The outfits.
- 52:00Speaker 13: Yes.
- 52:01Speaker 1: The performances. But it didn't happen. I don't know why
- 52:05Speaker 1: it didn't happen, but me personally, Missy is not someone
- 52:08Speaker 1: that I would prefer to do a versus with.
- 52:11Speaker 2: Okay.
- 52:11Speaker 1: Because I can't talk to her.
- 52:13Speaker 2: You know what I'm saying?
- 52:15Speaker 1: There's no talk with my twin. That's my female twin. Yes,
- 52:21Speaker 1: it is. My sister, my heart, I love her beyond description.
- 52:24Speaker 1: So it's like, There's never a slight possibility of popping
- 52:30Speaker 1: to Missy. The way I would want to in a verse. Yeah.
- 52:33Speaker 1: With a mom.
- 52:34Speaker 3: There's only one other person, but they're not even alive,
- 52:36Speaker 3: God bless their dead. You and ODB would have been crazy.
- 52:39Speaker 1: Oh, wow.
- 52:41Speaker 3: ODB versus. Damn. That would have been crazy.
- 52:44Speaker 2: Damn.
- 52:45Speaker 1: Super stupid. Yeah. Super stupid. And I'm talking the ODB
- 52:50Speaker 1: before he went to jail.
- 52:52Speaker 3: Yes, yes, absolutely.
- 52:53Speaker 1: That versus would have been insane crazy.
- 52:57Speaker 3: Yeah.
- 52:57Speaker 1: And I ain't even going to lie, yo. There's a
- 53:00Speaker 1: story with me and ODB that I like to share
- 53:02Speaker 1: with my friends, but. And I got to share, I
- 53:06Speaker 1: love Aeson so much. Let me tell you how genius
- 53:09Speaker 1: this man was. They had this venue called Hot Rod.
- 53:13Speaker 1: And this was back in like the 80s, late 80s,
- 53:17Speaker 1: super early 90s. And they did an event there for
- 53:20Speaker 1: the 5% Nation of the Gods and Earths. And Kane
- 53:24Speaker 1: was headlining. I believe Poor Righteous Teachers is there. Grand Nubian.
- 53:29Speaker 1: Prince Rakim before he became the RZA.
- 53:31Speaker 7: Mm-hmm.
- 53:32Speaker 1: And the genius before he came to GZA. Long story short,
- 53:36Speaker 1: after the concert, after the performances, rather, the gods had
- 53:40Speaker 1: to build before they could leave. So we outside. RZA
- 53:45Speaker 1: and GZA and Old Dirty, they kind of was the
- 53:48Speaker 1: ones that was the PhDs. They was the ones that
- 53:52Speaker 1: acknowledged 120. So it's like they was the super smart
- 53:56Speaker 1: and powerful gods in the cypher. And they controlled the cypher.
- 54:02Speaker 1: But there was a moment where somebody said that they
- 54:05Speaker 1: knew a certain level of lessons and you got to
- 54:08Speaker 1: show and prove that you know them. And it didn't
- 54:11Speaker 1: play out well for this particular individual. And old Dirty
- 54:16Speaker 1: started going crazy, but not going crazy on a beef level.
- 54:20Speaker 1: He was going crazy on a science, high science level.
- 54:23Speaker 1: Like the way he was swiftly quoting the degrees and
- 54:28Speaker 1: then dealing with the show and proves of these degrees
- 54:30Speaker 1: and making sure that people understood in the cypher how
- 54:34Speaker 1: serious you got to deal with representing this culture a
- 54:37Speaker 1: certain way. You got to experience the genius and the
- 54:41Speaker 1: brilliance in O'Dirty, even though he still had that same
- 54:45Speaker 1: wild out charisma. So, fast forward, when Woo Blue and
- 54:52Speaker 1: RZA set up for all the artists to go to
- 54:54Speaker 1: separate labels, O'Dirty come to Elektra. So I'm on Elektra.
- 54:58Speaker 1: And I'm still trying to figure out how to approach
- 55:01Speaker 1: this solo artist. I signed the deal in 93. 94? 93.
- 55:07Speaker 1: I put out my first solo album in 96. Old
- 55:10Speaker 1: Dirty album came out in 95. He dropped his shit
- 55:14Speaker 1: before me. We going to New Orleans to this convention
- 55:18Speaker 1: called the BRE. I don't know if y'all remember that.
- 55:21Speaker 1: But they had this convention in New Orleans called the
- 55:23Speaker 1: BRE convention. And this is where, like, it was like,
- 55:28Speaker 1: How Can I Be Down.
- 55:29Speaker 3: Okay.
- 55:30Speaker 1: F * * * ing Jack the Rapper. You know,
- 55:33Speaker 1: New Music Seminar. It was like that. But this BRE
- 55:36Speaker 1: convention is in New Orleans and we get there and
- 55:41Speaker 1: the hotel lobby is stupid. Like, it's packed crazy because
- 55:45Speaker 1: every label, every artist, every entourage is staying in the
- 55:50Speaker 1: same place. And a lot of the showcases that was
- 55:52Speaker 1: happening in this convention was happening at the hotel. So...
- 55:58Speaker 1: While we waiting for the, before we even leave New York,
- 56:01Speaker 1: Elektra put me and O'Dirty in the same limo. O'Dirty
- 56:04Speaker 1: plays the Return to the 36 Chambers. O'Dirty is, he's
- 56:09Speaker 1: still him and I'm getting shot. So he plays the
- 56:14Speaker 1: album on the way to Kennedy Airport and I'm listening
- 56:17Speaker 1: to this and I'm like, I'm looking at this and
- 56:20Speaker 1: I'm like, Like, he made me a little nervous. Like,
- 56:24Speaker 1: this s * * * sounded so incredible. I was
- 56:26Speaker 1: looking at this s * * * like a little uncomfortable. Like,
- 56:29Speaker 1: what the f * * * am I going to
- 56:31Speaker 1: do to follow this wild s * * * that
- 56:34Speaker 1: he's doing on this album? And I'm really f * * *
- 56:36Speaker 1: ed because what he did was, it just sounded so
- 56:39Speaker 1: incredible to me. So he got a bulletproof vest on.
- 56:44Speaker 1: We go to the metal detector and I'm behind him.
- 56:47Speaker 1: So he's in front of me. He get through the
- 56:49Speaker 1: metal detector. He go through it with the vest on.
- 56:52Speaker 1: Security at the airport, they call about, whatever police they call,
- 56:56Speaker 1: about 15 of these motherfuckers show up. So they surround Dirty.
- 57:00Speaker 1: You just see Dirty.
- 57:04Speaker 3: You just see it.
- 57:04Speaker 1: It's like he's just wowing. What?
- 57:09Speaker 13: What?
- 57:10Speaker 1: Like he's just blocking on everybody. Them times. It ain't
- 57:14Speaker 1: even cool to have security, so we moving around, no security,
- 57:17Speaker 1: no nothing. He got a bottle of Wild Irish Rose
- 57:20Speaker 1: in a brown bag with the vest on, fresh from
- 57:24Speaker 1: getting shot, still healing from that, and get through with
- 57:27Speaker 1: all of it. Obviously, different times. The Wild Irish Rose
- 57:32Speaker 1: get on the plane, the bulletproof vest get on the plane,
- 57:35Speaker 1: he don't take it off. We ain't first-class budget, so
- 57:38Speaker 1: we in the back of the plane. Old Dirty get
- 57:41Speaker 1: behind this old man. This man look like he about
- 57:43Speaker 1: 78 years old. He's white. He's sitting in his chair
- 57:46Speaker 1: minding his business. Old Dirty know every old school classic
- 57:50Speaker 1: from R & B to soul. He get to singing
- 57:53Speaker 1: in his s * * * here. He going crazy
- 57:58Speaker 1: in his s * * * here. Plane packed. Man
- 58:01Speaker 1: can't move. He calling to get somebody to call. Attendance
- 58:04Speaker 1: to stop. Old D.B. from singing in his hair. ODB
- 58:08Speaker 1: would take a break. When they come pull up on him,
- 58:10Speaker 1: he get to singing in his mom's ear again. We laughing,
- 58:14Speaker 1: bugging the fuck out. We get to New Orleans. We
- 58:17Speaker 1: get off the plane. We waiting for our hotel room keys.
- 58:20Speaker 1: It's taking mad long because the lines. We started a
- 58:23Speaker 1: cypher in the lobby. This is literally on the net
- 58:26Speaker 1: with me and Old Dirty and Rampage. We spitting in
- 58:29Speaker 1: the lobby. We get the room keys. We go upstairs.
- 58:32Speaker 1: Everybody get fresh. ODB show is first. We come downstairs.
- 58:36Speaker 1: We're getting the showcase. ODB perform on a stage, and
- 58:40Speaker 1: the whole stage is lined with mirrors. So he walk
- 58:44Speaker 1: on the stage to Isaac Hayes' Walk On.
- 58:47Speaker 3: This shit is incredible.
- 58:48Speaker 1: This music's sounding super like the most incredible theme music
- 58:52Speaker 1: for him to walk out to. He get on stage.
- 58:56Speaker 1: I guess he ain't like the way the reaction was.
- 58:58Speaker 1: Mind you, this shit is super lit, but it wasn't
- 59:00Speaker 1: enough for him. This motherfucker said, what the shit's going
- 59:04Speaker 1: on in here? I'm not satisfied. We're going to do
- 59:07Speaker 1: this again. Leave the stage. Start the intro over. Do
- 59:11Speaker 1: the same walk back on the stage. Go straight into
- 59:15Speaker 1: Brooklyn Zoo. This is a tornado. When I tell you
- 59:19Speaker 1: the first song, he don't do none of the before that.
- 59:23Speaker 1: First song is Brooklyn Zoo. the place up, but he
- 59:28Speaker 1: couldn't even get to, like, the eighth bar. He'd get to, like,
- 59:30Speaker 1: fourth or the sixth bar. He'd turn around, he saw
- 59:33Speaker 1: himself in that mirror. That n * * * a
- 59:35Speaker 1: didn't perform no more. That n * * * a
- 59:38Speaker 1: went to his reflection.
- 59:39Speaker 3: Damn.
- 59:45Speaker 1: Yo, a song went to his reflection and started f * * *
- 59:50Speaker 1: ing playing with his reflection. And he had a hype
- 59:54Speaker 1: man named Buddha Monk. Buddha had to do the whole
- 59:58Speaker 1: song for Old Dirty. When the hook come at the end,
- 1:00:02Speaker 1: shame on you. That's the only part of the song
- 1:00:07Speaker 1: he did besides the little four to five bars he
- 1:00:09Speaker 1: did up top. That whole he was playing with his reflection.
- 1:00:12Speaker 3: That's crazy.
- 1:00:13Speaker 1: And that moment, that ODB is the ODB that I
- 1:00:18Speaker 1: would have loved to do a verse with.
- 1:00:20Speaker 3: This is my last question. One of my favorite rap
- 1:00:24Speaker 3: songs ever. It's Why We Die. BMX, Jay-Z, Busta Rhymes,
- 1:00:29Speaker 3: produced by Swizz. What was the inspiration for that record?
- 1:00:32Speaker 1: It actually wasn't produced by Swizz. That wasn't Swizz?
- 1:00:34Speaker 3: Mm-mm.
- 1:00:34Speaker 2: Who was that?
- 1:00:35Speaker 1: It was a rough rider. Big up Pete Killer. That
- 1:00:37Speaker 1: sounded like Swizz. Yeah, he was a rough rider producer. So,
- 1:00:42Speaker 1: you know, at that time, that was the winning sound,
- 1:00:44Speaker 1: and they was all on that shit together somewhat. But
- 1:00:46Speaker 1: Pete Killer, Big Up Pete Killer, he produced that record.
- 1:00:50Speaker 1: First of all, super big up to Hov, super big
- 1:00:52Speaker 1: up to DMX. Rest in peace to the dogs, my brother.
- 1:00:56Speaker 1: When I got the opportunity to record that song, it
- 1:00:58Speaker 1: was definitely a bucket list moment for me. That's the
- 1:01:01Speaker 1: first time that I seen somebody spit without writing nothing.
- 1:01:05Speaker 7: Hov.
- 1:01:06Speaker 1: Hov. First time I saw that was at that moment.
- 1:01:10Speaker 1: DMX recorded his version, Atlanta. Big up to Eric Nix, too.
- 1:01:15Speaker 1: Violator family. He had to chase DMX around for like
- 1:01:18Speaker 1: four days straight. four-wheeler bikes with him and all type
- 1:01:22Speaker 1: of to get that verse from dog dog dog lived
- 1:01:27Speaker 1: he lived you know i'm saying like he's going to
- 1:01:30Speaker 1: enjoy himself he's gonna drive without a license he's gonna
- 1:01:33Speaker 1: get on the four-wheelers he don't give a he's gonna
- 1:01:36Speaker 1: live and eric nicks had to go and do all
- 1:01:39Speaker 1: of that with him to get dog to finally come
- 1:01:41Speaker 1: to the studio to do.
- 1:01:42Speaker 3: It godly verse too oh my god unbelievable See, Ghost clearly,
- 1:01:47Speaker 3: even though most don't hear me, he went crazy.
- 1:01:49Speaker 1: Wild on it.
- 1:01:50Speaker 3: He went crazy.
- 1:01:51Speaker 1: Black. And he wasn't even satisfied with the rhyme. Like,
- 1:01:55Speaker 1: when he heard it finished, when it came out, he
- 1:01:59Speaker 1: was like, why I put that shit out? I wanted
- 1:02:01Speaker 1: to do my verse over. What's wrong with y'all?
- 1:02:05Speaker 3: Oh, he didn't know Jay was on it.
- 1:02:07Speaker 1: I don't know if he knew Jay was on it
- 1:02:08Speaker 1: or not, but he wanted to re-spit his verse. I
- 1:02:11Speaker 1: think Nix told him Jay was getting on it, but
- 1:02:13Speaker 1: I don't think he heard Jay's verse. Mm-hmm. but he
- 1:02:16Speaker 1: still wanted to spit it over. So he didn't get
- 1:02:19Speaker 1: that chance and he definitely said what he said, but
- 1:02:21Speaker 1: that verse, like you, like how you say it is, godly,
- 1:02:26Speaker 1: I could not hear what the he wanted to say over.
- 1:02:29Speaker 1: That's how sick that verse was to me too.
- 1:02:31Speaker 3: I was ugly, so I robbed. No one loved me. God,
- 1:02:34Speaker 3: like he was going black.
- 1:02:36Speaker 1: He blacked on it. Blacked the out. And that moment
- 1:02:41Speaker 1: led me to making so many other moments Musically, I
- 1:02:44Speaker 1: got records with Dog that the world ain't hear yet. Wow. Wow.
- 1:02:49Speaker 1: I definitely do. Obviously, for me, though, before I even
- 1:02:52Speaker 1: think of doing anything with it, I want to make
- 1:02:54Speaker 1: sure that, you know, give it to the estate. Swiss,
- 1:02:57Speaker 1: you know, in case they want to do something with it,
- 1:02:59Speaker 1: they got to have first dibs. I got a verse
- 1:03:02Speaker 1: that Prodigy actually came and did for me in person.
- 1:03:06Speaker 1: Rest in peace, Bandana P, Mobb Deep. He spit on
- 1:03:11Speaker 1: something for me before he transitioned. And when I found
- 1:03:14Speaker 1: out the last Mob album was happening, which was incredible
- 1:03:18Speaker 1: to me, I sent it to Have It. Wow.
- 1:03:20Speaker 2: I love that.
- 1:03:20Speaker 1: Wow. Yeah, Have It. I don't know if you heard this,
- 1:03:23Speaker 1: but he did this for me before he transitioned here.
- 1:03:27Speaker 1: And whatever you want to do with it, do it.
- 1:03:28Speaker 1: You know what I'm saying? That's just, you know, that's
- 1:03:31Speaker 1: just how I try to make work. Because I know
- 1:03:36Speaker 1: they're going to know. what the best way is to
- 1:03:39Speaker 1: use that. You know what I'm saying? I'm going to
- 1:03:41Speaker 1: always make sure that if I get the opportunity to
- 1:03:44Speaker 1: use it, I'm going to make it beautiful as I can.
- 1:03:47Speaker 1: But ain't nobody making P sound as ill as Havoc
- 1:03:51Speaker 1: is going to make P sound. You know what I'm saying?
- 1:03:53Speaker 1: Ain't nobody, nobody don't know how to do that better
- 1:03:56Speaker 1: than Hav. So it's like, you know, and same, same,
- 1:04:00Speaker 1: same when it come to dog with Swiss to me,
- 1:04:02Speaker 1: you know what I'm saying? Nobody can't make dog sound
- 1:04:04Speaker 1: better than Swiss to me. And maybe I'm just biased,
- 1:04:07Speaker 1: but that's just what it is.
- 1:04:08Speaker 3: How did you know that you wanted Doze on that
- 1:04:10Speaker 3: type of introspective record, though? You wanted JNX on Why
- 1:04:14Speaker 3: We Die.
- 1:04:15Speaker 1: I didn't know that I wanted... I didn't even really
- 1:04:17Speaker 1: know if that record was going to happen at that time.
- 1:04:22Speaker 1: Because they both were super scorching out here. And when
- 1:04:28Speaker 1: we did the record, I knew Dog would have leaned
- 1:04:31Speaker 1: to it because Dog was already on that type of time.
- 1:04:34Speaker 5: Mm-hmm.
- 1:04:35Speaker 1: But I knew Hov, he's like water. Hov, he spills
- 1:04:41Speaker 1: and takes shape to anything that, when it comes to
- 1:04:43Speaker 1: subject matter and topics, he could go anywhere you want him.
- 1:04:47Speaker 1: Anywhere you would think you would want him to go,
- 1:04:50Speaker 1: he can go there. So I took a rolling of
- 1:04:54Speaker 1: the dice with asking him to do it. And when
- 1:04:58Speaker 1: he did it, I was just grateful because I was like,
- 1:05:01Speaker 1: I was interested to hear what his perspective was going
- 1:05:03Speaker 1: to be. I kind of expected with dog perspective. I
- 1:05:06Speaker 1: knew it was going to be pain with dog. I
- 1:05:08Speaker 1: knew it was going to be pain with dog, but
- 1:05:11Speaker 1: I wanted to, I was interested to hear Hov's perspective.
- 1:05:14Speaker 1: And when I heard it, it was amazing to me too.
- 1:05:17Speaker 3: They say the good die young and the hood where
- 1:05:20Speaker 3: I'm from.
- 1:05:21Speaker 17: Yeah.
- 1:05:21Speaker 1: I didn't know the bars better than me. You remember
- 1:05:24Speaker 1: the bars better than me or my? You hitting them perfectly. Obviously,
- 1:05:31Speaker 1: it's a testament to how much you really f * * *
- 1:05:32Speaker 1: ed with that record.
- 1:05:33Speaker 3: Oh, and I love that record.
- 1:05:34Speaker 1: Thank you so much, my brother.
- 1:05:36Speaker 2: We kept you long enough.
- 1:05:37Speaker 1: We did.
- 1:05:38Speaker 2: And the music video is out now.
- 1:05:41Speaker 1: This woman, Busta Rhymes, J Dilla, my brother, rest in peace, King. D'Angelo,
- 1:05:48Speaker 1: my brother, rest in peace, King. And I ain't even
- 1:05:50Speaker 1: gonna lie, I gotta add this fact. This one f * * *
- 1:05:53Speaker 1: ing fact. 48 hours before last week, Wednesday. Friday we
- 1:05:59Speaker 1: turned in the music Sunday I found out one sample
- 1:06:01Speaker 1: got denied clearance we fixed that and then the album
- 1:06:04Speaker 1: came out at midnight on Monday last Wednesday get a
- 1:06:09Speaker 1: call from Jimmy Jam that him and Terry Lewis wanted
- 1:06:13Speaker 1: to add some keys to the me and D'Angelo record
- 1:06:15Speaker 1: wow and it's so crazy to know that I never
- 1:06:20Speaker 1: would fathom in my wildest dreams that the caliber of
- 1:06:26Speaker 1: creative that Jimmy Jam and Terry Lewis is, I wouldn't
- 1:06:31Speaker 1: even think to ask them to do something. Because some
- 1:06:35Speaker 1: certain just be seeming unreachable. You know what I'm saying?
- 1:06:40Speaker 1: But to have them offer to contribute to this body
- 1:06:43Speaker 1: of work is also a testament to me of how
- 1:06:46Speaker 1: special this magic that me and Dilla was able to
- 1:06:49Speaker 1: put together is resonating with others, yo. So I got
- 1:06:54Speaker 1: Jimmy Jam and Terry Lewis on this woman by the
- 1:07:00Speaker 1: dragon and D'Angelo and J Dilla, Jimmy Jam and Teddy
- 1:07:04Speaker 1: Lewis contributed production to. And the f * * *
- 1:07:07Speaker 1: ing video is out now, directed by Hype Williams. Chatbot.
- 1:07:11Speaker 3: Watching it right now.
- 1:07:12Speaker 2: That's right.
- 1:07:14Speaker 3: Busta Rhymes Diligence 2 is out today, man. Always a pleasure, man.
- 1:07:18Speaker 1: Likewise, brother.
- 1:07:19Speaker 2: I love you.
- 1:07:20Speaker 3: Peace to the icon.
- 1:07:21Speaker 17: Peace.
- 1:07:22Speaker 1: Thank you, almighty.
- 1:07:23Speaker 3: It's Busta Rhymes. It's the Breakfast Club.
- 1:07:25Speaker 1: Yes, sir.
- 1:07:26Speaker 5: Till I die.
- 1:07:28Speaker 1: It's time for donkey of the day.
- 1:07:30Speaker 3: There's a bunch of donkeys out here.
- 1:07:34Speaker 2: It really caught me off guard.
- 1:07:36Speaker 3: We live a life where we bite our tongue based
- 1:07:38Speaker 3: off who we may offend. We never would say it.
- 1:07:39Speaker 7: You are a donkey.
- 1:07:40Speaker 3: That is why Charlemagne is here.
- 1:07:48Speaker 1: Some Donkey of the Day's just saw themselves. On The
- 1:07:50Speaker 1: Breakfast Club.
- 1:07:51Speaker 3: Okay, Shia, we'll be giving Donkey of the Day to
- 1:07:53Speaker 3: you today. Well, Donkey of the Day for Wednesday... Thank you, Taylor.
- 1:07:56Speaker 3: Donkey of the Day for Wednesday, August 26th goes to Target. Target, Target, Target, Target.
- 1:08:01Speaker 1: What are we doing?
- 1:08:03Speaker 3: Okay, I have a question for the whole Target company.
- 1:08:06Speaker 3: When is the last time you all actually hit what
- 1:08:09Speaker 3: you were aiming for?
- 1:08:09Speaker 2: Okay.
- 1:08:11Speaker 3: Who in your front office keeps making the mistakes they're making? First,
- 1:08:15Speaker 3: it was the 2023 Pride Month backlash. Then you scaled
- 1:08:18Speaker 3: back your DEI programs. You ended your three-year racial equity
- 1:08:22Speaker 3: action and change program. I think it was called the
- 1:08:24Speaker 3: REACH program. That aimed to address racial disparities. You eliminated...
- 1:08:29Speaker 3: uh specific numerical hiring and promotion goals for minority employees
- 1:08:33Speaker 3: all of that led to a boycott in his 2026
- 1:08:36Speaker 3: and target still seems to not be able to get
- 1:08:39Speaker 3: it right okay if you haven't heard target had to
- 1:08:41Speaker 3: pull and apologize um a costume a children's clown costume
- 1:08:47Speaker 3: that some critics say looks a lot like black imagery
- 1:08:51Speaker 3: from minstrel shows let's go to abc 7 for the
- 1:08:53Speaker 3: report please.
- 1:08:54Speaker 16: Well, Target is pulling children's Halloween costumes after critics say
- 1:08:57Speaker 16: it resembled blackface.
- 1:08:59Speaker 10: The company is now apologizing and investigating how they say
- 1:09:02Speaker 10: the costume made it onto store shelves.
- 1:09:04Speaker 2: Here's ABC's Sophie Flay.
- 1:09:07Speaker 16: This morning, Target is apologizing and removing a children's Halloween
- 1:09:10Speaker 16: costume after it was widely criticized as racist. The images
- 1:09:14Speaker 16: of the costume are being compared to racist caricatures, evoking blackface.
- 1:09:19Speaker 16: Target now acknowledges the costume should have never been for sale, saying,
- 1:09:31Speaker 16: Removing the costume is an important first step, and we
- 1:09:34Speaker 16: are looking closely at how this happened.
- 1:09:36Speaker 3: We're cutting up cars today.
- 1:09:38Speaker 16: It comes one year after the company's controversial move to
- 1:09:41Speaker 16: roll back its diversity, equity, and inclusion policies. which sparked
- 1:09:45Speaker 16: protests and boycotts by shoppers.
- 1:09:48Speaker 3: We need to hold larger corporations accountable.
- 1:09:52Speaker 16: One Minneapolis area business leader claims this new costume controversy
- 1:09:56Speaker 16: is an indirect result of Target's DEI decision last year, saying,
- 1:10:00Speaker 16: you rolled back diversity, so who's in the room now
- 1:10:02Speaker 16: to say, hey, this is wrong?
- 1:10:04Speaker 3: That's right. That is right. Now, see, anytime we start
- 1:10:08Speaker 3: talking about racism in America, people immediately run to the extremes. OK,
- 1:10:12Speaker 3: people say, see, Target is racist. They don't care about us.
- 1:10:15Speaker 3: They intentionally made a racist costume. I don't know. I
- 1:10:19Speaker 3: doubt it. I don't think they would intentionally make a
- 1:10:21Speaker 3: racist costume. But to me. That's not the argument. The
- 1:10:24Speaker 3: question I would ask Target is this. How does an
- 1:10:27Speaker 3: image carrying this much American racial history make it through
- 1:10:30Speaker 3: a modern corporation's design, merchandising, photography, marketing, and approval process
- 1:10:37Speaker 3: without somebody recognizing what it is? Okay, sounds to me, Target,
- 1:10:41Speaker 3: like y'all need some DEI. All right, this is a
- 1:10:43Speaker 3: perfect example of what people misunderstand about diversity. Sometimes diversity
- 1:10:48Speaker 3: in a room isn't about political correctness and checking boxes
- 1:10:51Speaker 3: it's simply about having somebody present who recognizes something the
- 1:10:54Speaker 3: rest of the room clearly missed okay you wouldn't have
- 1:10:57Speaker 3: to apologize after the fact target if you had people
- 1:11:00Speaker 3: in the room who can recognize these blind spots in
- 1:11:03Speaker 3: the first place okay one thing i've learned about corporate
- 1:11:05Speaker 3: america is a lot of them just don't have a
- 1:11:08Speaker 3: clue i mean just culturally clueless and sometimes something can
- 1:11:12Speaker 3: be racially offensive without the person responsible waking up that
- 1:11:16Speaker 3: morning saying you know what Let me disrespect these niggas today, okay?
- 1:11:20Speaker 3: And that is what makes this Target situation interesting to me, okay?
- 1:11:23Speaker 3: You got this children's Halloween costume called the Kids Glows.
- 1:11:26Speaker 3: under black light circus clown. I don't even know what
- 1:11:29Speaker 3: the hell that is.
- 1:11:30Speaker 1: Okay.
- 1:11:30Speaker 3: It's, it's modeled by a young black boy. He got
- 1:11:32Speaker 3: the black gloves. He got the black face cover and
- 1:11:34Speaker 3: he got the big exaggerated toothy grin, just showing all
- 1:11:37Speaker 3: 32 of his teeth. He got the little hat on
- 1:11:40Speaker 3: and he even, you know, got the, I was trying
- 1:11:43Speaker 3: to run from massive, but got frozen in place.
- 1:11:45Speaker 14: Post.
- 1:11:45Speaker 1: Okay.
- 1:11:46Speaker 3: Hard to say that wasn't intentional. Okay. Whoever designed this costume,
- 1:11:49Speaker 3: whoever did this imagery had to be inspired by sample.
- 1:11:53Speaker 1: Okay.
- 1:11:53Speaker 3: They had to know the history of blackface fashion. in
- 1:11:56Speaker 3: minstrel shows all right target pulled it they apologized they
- 1:11:59Speaker 3: said they got it wrong they said the costume was
- 1:12:01Speaker 3: offensive and it should have never been sold and that's
- 1:12:03Speaker 3: the point but what i want to know is how
- 1:12:07Speaker 3: did you get it this wrong this wasn't somebody selling
- 1:12:10Speaker 3: costumes out the trunk of a nissan ultima this is
- 1:12:13Speaker 3: target okay think about how many humans had to see
- 1:12:17Speaker 3: this thing before it ended up online and in stores.
- 1:12:20Speaker 3: As I said earlier, somebody designed it. Somebody had to
- 1:12:22Speaker 3: approve the design. Somebody bought the inventory. Somebody had to
- 1:12:25Speaker 3: select the model. Okay. Somebody styled the photo shoot. Somebody
- 1:12:28Speaker 3: took the pictures. You know how people take the pictures
- 1:12:30Speaker 3: and tell you to make those poses. Somebody looked at
- 1:12:32Speaker 3: those pictures. Somebody approved those pictures. Somebody uploaded those pictures
- 1:12:36Speaker 3: to a website. And apparently nobody anywhere in that process said,
- 1:12:40Speaker 3: Hey man, this is going to piss black people off.
- 1:12:43Speaker 3: Nobody said, does this black child look like he's dressed
- 1:12:47Speaker 3: as a minstrel character? That's the conversation, because in this era,
- 1:12:51Speaker 3: a lot of racism survives because nobody in the room
- 1:12:54Speaker 3: recognizes the reference. And that's why knowing history matters. OK,
- 1:12:57Speaker 3: blackface wasn't simply white people painting their faces black for laughs.
- 1:13:02Speaker 3: Minstrel shows spent decades. Generations exaggerating black features in speech
- 1:13:06Speaker 3: and movement and personality to portray black people in a
- 1:13:09Speaker 3: certain way. They wanted us to look stupid and lazy
- 1:13:11Speaker 3: and ridiculous and just naturally inferior, okay? Those images weren't
- 1:13:15Speaker 3: harmless entertainment. They helped teach America how to look at
- 1:13:19Speaker 3: black people and how to treat black people. And when
- 1:13:21Speaker 3: an image has been used to degrade people for more
- 1:13:23Speaker 3: than a century, you don't get to erase all that
- 1:13:26Speaker 3: history simply by calling the character a circus clown, okay?
- 1:13:30Speaker 3: That's the uncomfortable thing about symbols. You don't control... everything
- 1:13:33Speaker 3: a symbol means just because you didn't know it's history
- 1:13:37Speaker 3: a swastika isn't suddenly just a interesting geometric design because
- 1:13:42Speaker 3: somebody skipped history class no no no no no no
- 1:13:45Speaker 3: no now back to the diversity aspect Target, y'all need
- 1:13:49Speaker 3: to know the Trump administration isn't going to be an
- 1:13:51Speaker 3: office fellow. OK, it's time for y'all to have some
- 1:13:53Speaker 3: balls and put diversity back on the front screen.
- 1:13:55Speaker 1: All right.
- 1:13:56Speaker 3: Diversity isn't about filling quotas. You can't just check the
- 1:13:59Speaker 3: box and go home. You need diversity in the room
- 1:14:01Speaker 3: for perspective. OK, you need people in the meeting saying,
- 1:14:05Speaker 3: I know y'all don't see what I see, but let
- 1:14:06Speaker 3: me explain why some people are going to see this
- 1:14:08Speaker 3: differently and be offended by it. That's valuable, okay? And
- 1:14:12Speaker 3: Target rolling back parts of its DEI commitments. I can't
- 1:14:16Speaker 3: help but connect that to what happened here. Can I
- 1:14:19Speaker 3: prove that eliminating DEI caused this costume to make it through? No,
- 1:14:23Speaker 3: but I can say this is exactly the type of
- 1:14:25Speaker 3: blind spot. diverse perspectives are supposed to help you catch.
- 1:14:29Speaker 3: And I'll be the first to say the purpose of
- 1:14:31Speaker 3: diversity isn't to guarantee that nobody ever gets offended because
- 1:14:34Speaker 3: diverse groups can miss stuff too. But the purpose of
- 1:14:37Speaker 3: diversity is to reduce the chances that an organization like
- 1:14:41Speaker 3: target can look directly at something and collectively fail to
- 1:14:44Speaker 3: see what millions of other people will recognize as soon
- 1:14:47Speaker 3: as it hits the worldwide Negro net.
- 1:14:50Speaker 1: Okay.
- 1:14:50Speaker 3: Because the most dangerous ignorance isn't always what you don't know.
- 1:14:53Speaker 3: Sometimes it's not knowing that, that you don't know now
- 1:14:58Speaker 3: target says they're investigating i don't know what They need
- 1:15:01Speaker 3: to investigate. Okay, but Target, I want to challenge you.
- 1:15:04Speaker 3: I would like to challenge you, Target. Don't just find
- 1:15:06Speaker 3: the employee, you know, who approved the costume and sacrificed
- 1:15:09Speaker 3: them to social media. No, study the process. Study the room.
- 1:15:13Speaker 3: Study who gets heard in the room. Study whose perspective
- 1:15:16Speaker 3: is missing from said room. Because if 10 people looked
- 1:15:20Speaker 3: at something and all 10 missed the same historical landmine,
- 1:15:25Speaker 3: sometimes the problem isn't the 10 people. Sometimes the problem
- 1:15:29Speaker 3: is is how you built the room. Please give Target
- 1:15:33Speaker 3: the biggest CR. I don't know what y'all doing up there.
- 1:15:40Speaker 17: Yo.
- 1:15:40Speaker 7: Okay.
- 1:15:41Speaker 10: You're culturally incompetent, too, if you think they ain't do
- 1:15:44Speaker 10: this issue on purpose.
- 1:15:45Speaker 3: Oh, I can't say that.
- 1:15:46Speaker 2: Oh, no, they did.
- 1:15:47Speaker 10: This was a scheme that a group of racist milk
- 1:15:49Speaker 10: cricket crackerjacks sat in the room and they thought of.
- 1:15:52Speaker 1: Maybe.
- 1:15:52Speaker 8: Maybe.
- 1:15:53Speaker 3: But I don't know that to be the case for sure.
- 1:15:55Speaker 2: Like, how? It's deliberate, yo.
- 1:15:57Speaker 10: You just literally, like, went through the whole description of it.
- 1:16:02Speaker 10: They know exactly where it came from.
- 1:16:04Speaker 3: I can't say that.
- 1:16:04Speaker 2: Well, I can say it.
- 1:16:06Speaker 3: I can only say it the way I just said it.
- 1:16:08Speaker 3: So I'm not liable. Can't just be out here calling
- 1:16:12Speaker 3: people that.
- 1:16:12Speaker 2: It's on purpose. That's a group of racist people.
- 1:16:15Speaker 3: I'm not mad at your opinion.
- 1:16:16Speaker 2: Like, that's crazy.
- 1:16:18Speaker 1: No.
- 1:16:18Speaker 17: I don't know.
- 1:16:19Speaker 2: I don't know.
- 1:16:20Speaker 3: I don't know if they did it on purpose.
- 1:16:21Speaker 2: They've never seen anything else look like that.
- 1:16:25Speaker 3: Like, what?
- 1:16:26Speaker 2: You see it and you instantly, as a black person,
- 1:16:29Speaker 2: you're like, oh my God.
- 1:16:31Speaker 8: Oh, 100%.
- 1:16:31Speaker 2: Trauma triggering. Like, stop playing with me.
- 1:16:34Speaker 3: That's why for me, the question is, how did y'all
- 1:16:37Speaker 3: get it this wrong?
- 1:16:39Speaker 2: The whole process.
- 1:16:40Speaker 3: How did you get it this wrong? How did you
- 1:16:42Speaker 3: miss that? Like, how does an image carrying this much
- 1:16:46Speaker 3: American racial history make it through a modern corporation's design?
- 1:16:50Speaker 6: You think that's what the investigation is, though? It's like
- 1:16:52Speaker 6: at every tier, where are we missing the black people?
- 1:16:56Speaker 6: Let's bring some back.
- 1:16:56Speaker 2: Yeah, what is the investigation? What are we all doing
- 1:17:00Speaker 2: in the room here?
- 1:17:00Speaker 6: You said diversity isn't enough because sometimes, you know, people
- 1:17:05Speaker 6: across the board can get it wrong. But I think
- 1:17:08Speaker 6: you have to have people on the teams that are
- 1:17:10Speaker 6: also empowered to feel like they can actually say.
- 1:17:11Speaker 2: Something, too.
- 1:17:12Speaker 3: Why wouldn't you say something? If they give you a title, right?
- 1:17:15Speaker 3: If they give you a title and say, this is
- 1:17:16Speaker 3: your job. Don't just sit there and let things go through.
- 1:17:19Speaker 3: Your job is to speak up.
- 1:17:21Speaker 2: That is great, but that does happen. There's a lot
- 1:17:23Speaker 2: of us on these teams that are afraid.
- 1:17:25Speaker 10: Of losing jobs, losing, you know, respect or value or whatever.
- 1:17:31Speaker 2: Like, man, please.
- 1:17:31Speaker 3: But that's why I said, that's why I said, even
- 1:17:35Speaker 3: with the investigation, don't just investigate. Study the process. Study
- 1:17:38Speaker 3: the room. Study who gets heard in the room. And
- 1:17:41Speaker 3: study whose perspective is missing from the room.
- 1:17:44Speaker 13: Yeah.
- 1:17:44Speaker 3: Because if not, then you get situations like this. Y'all
- 1:17:48Speaker 3: want to open up the phone lines of that?
- 1:17:50Speaker 2: Absolutely.
- 1:17:50Speaker 10: Because I'm so sick of, I'm sorry, we got it wrong.
- 1:17:53Speaker 3: Let's open up the phone lines. Okay. 1-800-585-1051. Do you
- 1:17:58Speaker 3: think Target was intentional with this costume? Do you think
- 1:18:02Speaker 3: they intentionally wanted to piss black people off? Absolutely.
- 1:18:06Speaker 2: I do.
- 1:18:07Speaker 3: Well, let's discuss.
- 1:18:08Speaker 2: I do.
- 1:18:08Speaker 3: It's The Breakfast Club. It's Topic Time.
- 1:18:12Speaker 1: Call 800-585-1051 to join in to the discussion with The
- 1:18:16Speaker 1: Breakfast Club.
- 1:18:22Speaker 3: All right, it's the world's most dangerous morning show, The
- 1:18:24Speaker 3: Breakfast Club. DJ Envy, Jess Hilarious, Charlamagne Tha God, Lauren
- 1:18:27Speaker 3: LaRosa is here as well. Oh, there you go. You
- 1:18:29Speaker 3: finally decided to join us. You went to the Colored
- 1:18:31Speaker 3: Water Fountain?
- 1:18:32Speaker 8: Oh!
- 1:18:32Speaker 3: The Colored Water Fountain is all the way over there.
- 1:18:36Speaker 3: You could have drank right there at the White Zone.
- 1:18:37Speaker 2: Yeah, right. I got a brown soda. That's what I got.
- 1:18:41Speaker 3: But I just gave Donkey of the Day to Target.
- 1:18:44Speaker 3: If you haven't heard, Target is in yet another controversy
- 1:18:47Speaker 3: because they put out a children's class costume that a
- 1:18:51Speaker 3: lot of people are saying looks a lot like black
- 1:18:53Speaker 3: imagery from minstrel shows, which it absolutely positively does. They
- 1:18:57Speaker 3: already pulled it. They apologized. And I don't know. you know,
- 1:19:03Speaker 3: if they were intentionally trying to be racist. But the
- 1:19:06Speaker 3: question I have is, how does an image carrying this
- 1:19:10Speaker 3: much American racial history make it through a modern corporation's design?
- 1:19:15Speaker 3: There's too many checks and balances that go from this
- 1:19:19Speaker 3: idea happening, photo shoot happening, to it being uploaded online for,
- 1:19:24Speaker 3: you know, people not to say it's intentional. So Jess
- 1:19:26Speaker 3: thinks it's intentional. Absolutely, I do. I don't disagree with
- 1:19:29Speaker 3: that because I don't know how this happens.
- 1:19:31Speaker 2: Yeah, I mean, like you said, it just goes through
- 1:19:34Speaker 2: too many.
- 1:19:35Speaker 3: Checks and balances.
- 1:19:36Speaker 2: Checks and balances for somebody to not... And then who.
- 1:19:39Speaker 10: who is buying this for their kids? Like who's buying,
- 1:19:42Speaker 10: like who bought it? Who is buying it? I know,
- 1:19:44Speaker 10: I know damn well it ain't the white, the white
- 1:19:46Speaker 10: family is buying it.
- 1:19:47Speaker 2: For their children.
- 1:19:48Speaker 6: Do y'all think every black person looked at that and
- 1:19:49Speaker 6: instantly thought about this?
- 1:19:51Speaker 3: If you know history, yes.
- 1:19:53Speaker 2: White people looked at it and knew what the F
- 1:19:55Speaker 2: it was too, Lauren.
- 1:19:56Speaker 6: I don't, I don't think, I think without context, there
- 1:19:59Speaker 6: are some black people that would have looked at that
- 1:20:00Speaker 6: younger that would have looked at that and might not
- 1:20:02Speaker 6: have even.
- 1:20:02Speaker 1: Oh yeah.
- 1:20:02Speaker 2: Now, now younger. Absolutely. I don't negate that. Absolutely. But like,
- 1:20:08Speaker 2: come on. Come on. How do they even get in stores?
- 1:20:12Speaker 2: How does somebody approve that?
- 1:20:14Speaker 10: How many approvals? You know how many approvals they had
- 1:20:16Speaker 10: to go through to even get to the store? What
- 1:20:18Speaker 10: does the Target executive board, not executive board, but what.
- 1:20:21Speaker 1: Does that look like?
- 1:20:22Speaker 10: What would it be? That does not make sense to me.
- 1:20:26Speaker 3: When you see Target roll back all these DEI initiatives,
- 1:20:29Speaker 3: you're asking yourself, well, who the hell is in the room?
- 1:20:31Speaker 3: You know what I mean? Like I said during Donkey
- 1:20:32Speaker 3: of the Day, this is what people misunderstand about diversity.
- 1:20:35Speaker 3: Diversity isn't you know checking boxes it's about having people
- 1:20:39Speaker 3: present who recognize a lot of things that the room
- 1:20:42Speaker 3: will clearly miss you know and this is one of
- 1:20:44Speaker 3: those things that the room either clearly missed our goddamn
- 1:20:48Speaker 3: target boy y'all got some explaining to.
- 1:20:49Speaker 10: Do man i don't i'm telling you where would they
- 1:20:54Speaker 10: get the design from like where even even before it
- 1:20:57Speaker 10: gets to print Who saw this and was like, you
- 1:21:00Speaker 10: know what?
- 1:21:00Speaker 2: This would be a great.
- 1:21:01Speaker 6: Halloween costume for little kids. Unless it's something that Target
- 1:21:05Speaker 6: is creating themselves. You have buyers that go and buy it.
- 1:21:07Speaker 6: And then they bring it. And then it should be checked.
- 1:21:10Speaker 6: And then the photo shoots. And then it goes through
- 1:21:11Speaker 6: all of the imaging before it hits the website. That's
- 1:21:14Speaker 6: typically how it goes. y'all both said who was in
- 1:21:17Speaker 6: the room.
- 1:21:17Speaker 10: And then you were saying something a few minutes ago about, um,
- 1:21:21Speaker 10: even if there are black people in a room, you know,
- 1:21:24Speaker 10: some of us in a room, sometimes they're so afraid
- 1:21:27Speaker 10: to speak up or they won't, you know, but it's
- 1:21:29Speaker 10: their job to.
- 1:21:30Speaker 3: Say something like, but it should be some white people
- 1:21:32Speaker 3: in the room too. That'd be like, exactly. We don't
- 1:21:34Speaker 3: need all this black lash. That's going to come from
- 1:21:36Speaker 3: putting out this imagery that people are going to say
- 1:21:38Speaker 3: are like, uh, menstrual shows. And that's why, you know,
- 1:21:41Speaker 3: I completely understand what Jess is saying. And it's hard
- 1:21:43Speaker 3: not to say that because, But I just don't think
- 1:21:45Speaker 3: a corporation, a whole organization would intentionally make a racist costume.
- 1:21:51Speaker 3: I think it's some people in the organization who would.
- 1:21:54Speaker 1: Yes.
- 1:21:55Speaker 3: But I don't think the whole organization would. That's why
- 1:21:57Speaker 3: I think this apology was quick. And I think they
- 1:21:59Speaker 3: pulled it quick. You know what I mean? But once again.
- 1:22:01Speaker 3: How does an image carrying this much racial history, American
- 1:22:05Speaker 3: racial history, make it through a modern corporation's design? I
- 1:22:09Speaker 3: don't know.
- 1:22:10Speaker 2: I swear I.
- 1:22:10Speaker 10: Think the only reason that we got an apology is
- 1:22:12Speaker 10: because they know that money is.
- 1:22:14Speaker 2: About to be a dip in that bread. I'm looking
- 1:22:16Speaker 2: at them. Let's just keep it.
- 1:22:18Speaker 3: A buck for real.
- 1:22:19Speaker 10: Who do you see in Target? Who is the big
- 1:22:23Speaker 10: money spenders in Target?
- 1:22:25Speaker 8: Us.
- 1:22:25Speaker 1: I don't know.
- 1:22:25Speaker 3: I haven't been there in a while.
- 1:22:26Speaker 1: Have you?
- 1:22:27Speaker 2: I'm just saying us. People still.
- 1:22:28Speaker 3: You was there a couple days ago, right?
- 1:22:30Speaker 2: Yo, come on, yo. He trying to get the boy out.
- 1:22:33Speaker 1: People are still at Target.
- 1:22:35Speaker 3: I did not have to.
- 1:22:36Speaker 2: Go to Target to be married.
- 1:22:37Speaker 3: I'm not going to party, yo.
- 1:22:38Speaker 2: Chill. You don't go to Target no more? No, I
- 1:22:41Speaker 2: don't ever have to go in the store. I order everything.
- 1:22:43Speaker 2: And we know where everybody order from. But no, I
- 1:22:45Speaker 2: don't order from Target, yo. Relax.
- 1:22:48Speaker 1: Good morning. Who's this?
- 1:22:49Speaker 7: Gus.
- 1:22:50Speaker 1: Gus Wright.
- 1:22:50Speaker 2: Good morning.
- 1:22:51Speaker 3: Damn, I ain't heard of Gus in a long time.
- 1:22:52Speaker 3: I thought they stopped the name.
- 1:22:54Speaker 1: Gus in the 80s.
- 1:22:54Speaker 3: Yeah, that's because you ain't been to Savannah long enough.
- 1:22:56Speaker 2: You're right.
- 1:22:56Speaker 1: What up, Gus?
- 1:22:57Speaker 3: How are you, my brother? Hey, I'm doing good.
- 1:23:00Speaker 13: I live in the DMV now because I just retired
- 1:23:02Speaker 13: out of the Army. But I think those guys just
- 1:23:05Speaker 13: got it wrong out of plain ignorance. You know, following
- 1:23:08Speaker 13: somebody blindly who's driven by hatred and ignorance.
- 1:23:11Speaker 3: You need the right people in the room if.
- 1:23:12Speaker 5: You're going to be able to do things that you're
- 1:23:14Speaker 5: just not adept at doing because you're walking life.
- 1:23:17Speaker 1: Absolutely.
- 1:23:18Speaker 3: I mean, listen, it is very hard for me to
- 1:23:20Speaker 3: say a company as big as Target would intentionally do
- 1:23:24Speaker 3: something like this. I mean, the pulling of the costume
- 1:23:27Speaker 3: and the apology lets me know that. But I do
- 1:23:30Speaker 3: have to ask, how does a company that big get
- 1:23:33Speaker 3: it this wrong? You know, yet again, by the way.
- 1:23:36Speaker 7: Yeah, it's one.
- 1:23:38Speaker 5: Of them things, man, because, you know, my time in
- 1:23:41Speaker 5: the service. Folks are like, man, how can you be
- 1:23:43Speaker 5: so calm? You know, it's fiscal constraints.
- 1:23:45Speaker 1: I grew up broke.
- 1:23:45Speaker 5: Word on it. It ain't nothing to me to be
- 1:23:49Speaker 5: able to make do.
- 1:23:51Speaker 7: That's how I became an engineer.
- 1:23:52Speaker 3: That's right. Thank you for calling, Gus.
- 1:23:57Speaker 1: Good morning.
- 1:23:58Speaker 3: Who's this?
- 1:23:59Speaker 9: Good morning. This is Carrie Lynn. I live in Florida,
- 1:24:02Speaker 9: but I'm originally from Jersey.
- 1:24:05Speaker 3: Hey, what up, Carrie Lynn? Listen, do you think Target,
- 1:24:10Speaker 3: do you think this was intentional? This costume?
- 1:24:12Speaker 2: I really do.
- 1:24:13Speaker 9: Because at the end of the day, it doesn't matter
- 1:24:16Speaker 9: what generation you're from, whether if you're older generation or
- 1:24:20Speaker 9: newer generation, all these movies out.
- 1:24:23Speaker 14: Here, like even spoofs, Different world. We all covered that.
- 1:24:29Speaker 8: Mm-hmm.
- 1:24:29Speaker 9: So at the end of the day, when you thought
- 1:24:31Speaker 9: of this costume, you already had this idea because you've
- 1:24:35Speaker 9: seen it before.
- 1:24:36Speaker 2: Right.
- 1:24:37Speaker 9: And I don't know if they did.
- 1:24:38Speaker 7: It for the giggles or for the culture.
- 1:24:41Speaker 9: Nah, that's a no-go.
- 1:24:42Speaker 5: Mm-hmm.
- 1:24:43Speaker 3: Yeah, I mean, listen, once again, it's hard to say
- 1:24:45Speaker 3: that this wasn't intentional by somebody. You know, I can't
- 1:24:50Speaker 3: put it on a whole company, a whole organization, but
- 1:24:53Speaker 3: whoever designed this costume, whoever did this imagery, they had
- 1:24:56Speaker 3: to be inspired by Stan Boyle. Like, you had to
- 1:24:58Speaker 3: know the history of blackface and minstrel shows that put
- 1:25:01Speaker 3: this whole photo shoot together.
- 1:25:03Speaker 1: Exactly.
- 1:25:03Speaker 10: We have shows, current, past shows, like, There's references of
- 1:25:08Speaker 10: this everywhere.
- 1:25:09Speaker 3: He was hitting the I'm running from Matthew.
- 1:25:12Speaker 5: Yeah, exactly.
- 1:25:12Speaker 2: It was the pose. Exactly. The pose is crazy.
- 1:25:15Speaker 3: Exactly.
- 1:25:16Speaker 1: Good morning. Who's this? This is Tasha.
- 1:25:18Speaker 2: Hey, Tasha.
- 1:25:19Speaker 3: How are you?
- 1:25:20Speaker 15: I'm doing good.
- 1:25:21Speaker 12: How are you this morning?
- 1:25:22Speaker 3: Bless black and holly favor. Where you calling from?
- 1:25:24Speaker 15: From Houston, Texas.
- 1:25:25Speaker 7: Okay.
- 1:25:27Speaker 3: Do you think Target was being intentionally racist with this costume?
- 1:25:30Speaker 15: I do, and I'm with Jess. I feel like we
- 1:25:33Speaker 15: need to stop letting Target play in our face.
- 1:25:35Speaker 1: Mm-hmm.
- 1:25:36Speaker 15: They keep doing stuff and then come with an apology
- 1:25:39Speaker 15: and we come running back to their stores. They mean this.
- 1:25:44Speaker 15: They have people in the room that are intentionally doing
- 1:25:47Speaker 15: this stuff and then they know an apology will fix
- 1:25:50Speaker 15: it and we'll come back.
- 1:25:51Speaker 7: We've got to stop coming back to those stores.
- 1:25:53Speaker 10: We'll stay out of Target for what? Three, four weeks
- 1:25:56Speaker 10: at most and then we back in there.
- 1:25:57Speaker 2: Not as a collective. We ain't even got that that
- 1:25:59Speaker 2: I feel like.
- 1:26:00Speaker 6: The Target boycott hasn't even been as strong as a
- 1:26:02Speaker 6: collective as it should be if this is how it feels.
- 1:26:04Speaker 3: The problem with the Target boycott, there was never no
- 1:26:06Speaker 3: concessions made. And that's what needs to happen. Like Target
- 1:26:09Speaker 3: needs to make some concessions, you know, to the black community. And,
- 1:26:12Speaker 3: you know, they need to, you know, have more diversity.
- 1:26:15Speaker 10: Mm-hmm.
- 1:26:15Speaker 3: In target to reduce the chances that an entire organization
- 1:26:19Speaker 3: can look at something like this and be like yeah
- 1:26:21Speaker 3: put that through you know what i mean and then
- 1:26:23Speaker 3: somebody catch it after the fact and pull it and
- 1:26:25Speaker 3: then apologize um 1-800-585-1051 is target intentionally playing in our
- 1:26:31Speaker 3: face let's talk about it oh shoot i'm sorry Well,
- 1:26:35Speaker 3: they just told us you don't have... That means that
- 1:26:37Speaker 3: Target must be a sponsor and they don't want us
- 1:26:39Speaker 3: to talk about it.
- 1:26:40Speaker 2: Hey, yo, that is not what that means. Shut up.
- 1:26:42Speaker 1: I don't know. I ain't never had that happen.
- 1:26:44Speaker 3: All of you are like, no, no, no, we only
- 1:26:45Speaker 3: doing one break. Shut up. You did a donkey and
- 1:26:48Speaker 3: you have people calling.
- 1:26:50Speaker 1: Stop. Whoa, whoa, whoa, whoa.
- 1:26:52Speaker 17: Lauren.
- 1:26:52Speaker 1: Yo.
- 1:26:53Speaker 3: We got the latest coming up?
- 1:26:54Speaker 2: We do have the latest with Lauren La Rosa coming up.
- 1:26:57Speaker 2: We are actually going to get into... some.
- 1:27:00Speaker 6: Things because Young Miami is giving us a little bit
- 1:27:03Speaker 6: more clues on who might be on that Spin That remix.
- 1:27:06Speaker 2: She said she got.
- 1:27:06Speaker 3: Drop that song already.
- 1:27:07Speaker 2: Drop it. She said it's two of the biggest spenders.
- 1:27:10Speaker 2: Is it a thief? Oh, two of the biggest spenders.
- 1:27:13Speaker 3: A thief?
- 1:27:13Speaker 1: Okay.
- 1:27:14Speaker 7: No, because.
- 1:27:15Speaker 2: Oh, no. She said she went and got two of
- 1:27:16Speaker 2: the biggest spenders.
- 1:27:18Speaker 16: Oh.
- 1:27:18Speaker 2: Oh, okay. So we're going to talk about it. She
- 1:27:20Speaker 2: should have got a.
- 1:27:21Speaker 5: Thief on it.
- 1:27:21Speaker 2: You should steal it.
- 1:27:22Speaker 3: Like, yeah. Pooh Shiesty.
- 1:27:23Speaker 2: Somebody, you know.
- 1:27:25Speaker 6: Well, there is a Pooh Shiesty mask involved in one
- 1:27:27Speaker 6: of the clues, so we'll talk about it.
- 1:27:28Speaker 12: Okay.
- 1:27:29Speaker 3: It's the Breakfast Club.
- 1:27:30Speaker 2: I was going to be coming to Street Fest. She
- 1:27:33Speaker 2: gets them from somebody that knows somebody. I'm a homegirl
- 1:27:37Speaker 2: that knows a little bit about everything.
- 1:27:39Speaker 3: She be having the latest on this.
- 1:27:42Speaker 1: The latest with Lauren La Rosa.
- 1:27:44Speaker 3: Sometimes you have facts, sometimes you have details, sometimes you
- 1:27:47Speaker 3: have a little bit of everything. Brought to you by
- 1:27:50Speaker 3: Top Dog Law.
- 1:27:51Speaker 1: On The Breakfast Club.
- 1:27:52Speaker 2: All right, y'all.
- 1:27:54Speaker 6: So, Young Miami and Spin That. We know that this
- 1:27:57Speaker 6: has been a huge song for her. It's actually been
- 1:27:59Speaker 6: one of the biggest songs of her solo career. It's like, what,
- 1:28:02Speaker 6: number 17 on the Billboard chart. It's her first solo
- 1:28:05Speaker 6: top 40 hit. It even surpassed City Girls' Act Up
- 1:28:09Speaker 6: as the highest charting release of her career.
- 1:28:12Speaker 2: So it's a big song for her, right?
- 1:28:14Speaker 7: Wow.
- 1:28:14Speaker 2: And it's been a song of the summer. I know, right?
- 1:28:16Speaker 17: Yelling, shut up.
- 1:28:17Speaker 2: Why are you telling me to shut up? You really
- 1:28:18Speaker 2: cared or you just was helping me with the energy? Yeah,
- 1:28:20Speaker 2: I'm like, yo, shut up. Yo, act up. No, act
- 1:28:23Speaker 2: up is pinnacle. That was the anthem.
- 1:28:25Speaker 3: I love act up. But you can tell act up
- 1:28:27Speaker 3: ain't as big as spin that. I can lick my
- 1:28:30Speaker 3: finger and hold it up in the air and know
- 1:28:31Speaker 3: that act up.
- 1:28:32Speaker 1: Really?
- 1:28:33Speaker 13: What?
- 1:28:33Speaker 2: Cut it out, yo. No, act up, though.
- 1:28:35Speaker 10: It's because spin that is happening right now. But when
- 1:28:38Speaker 10: act up was out, we was out. standing on wow
- 1:28:42Speaker 10: okay well all right well okay so i said all
- 1:28:47Speaker 10: that to say she's about to drop the remix and
- 1:28:49Speaker 10: she has been teasing you know who is going to
- 1:28:52Speaker 10: be on the remix who's not going to be in
- 1:28:53Speaker 10: the remix um.
- 1:28:56Speaker 2: Yeah.
- 1:28:56Speaker 6: So yesterday, she posted to her Instagram, and I printed
- 1:29:00Speaker 6: out the photo for you guys.
- 1:29:01Speaker 2: Some Goyard bag tags. Oh, that's what this is?
- 1:29:04Speaker 3: Yes.
- 1:29:04Speaker 6: These are tags that when you buy the Goyard luggage
- 1:29:07Speaker 6: travel or even just your little bag.
- 1:29:09Speaker 2: I like this. A little bag tag, right?
- 1:29:10Speaker 15: Yeah.
- 1:29:11Speaker 6: So these are supposed to be clues because Young Miami
- 1:29:13Speaker 6: said in another Instagram post this week that she has
- 1:29:15Speaker 6: two of the biggest spenders on.
- 1:29:17Speaker 2: Spin that. So 305, I'm assuming, would be her in
- 1:29:21Speaker 2: the pink.
- 1:29:22Speaker 6: Now we have a green Goyard bag tag with a
- 1:29:24Speaker 6: ski mask or a pooch-icey.
- 1:29:26Speaker 2: Can I guess? Yes, you can. And a blue one
- 1:29:28Speaker 2: with a diamond. So who do you got? Let's take
- 1:29:29Speaker 2: a guess. Who do y'all think is going to be
- 1:29:30Speaker 2: on the pink? Kodak Black. Because of the mask? Because
- 1:29:34Speaker 2: of the shicey, yeah.
- 1:29:35Speaker 1: Okay.
- 1:29:35Speaker 2: And then he's from Florida. He's from right there in
- 1:29:37Speaker 2: Broward County, I think, right? I don't know. I don't
- 1:29:40Speaker 2: know where in Florida he's from. He's from.
- 1:29:43Speaker 3: Yeah, you're from Miami.
- 1:29:43Speaker 2: Yeah, you're from Miami. Yeah, that's what I thought. But
- 1:29:45Speaker 2: what about the diamond in the blue?
- 1:29:47Speaker 3: Trina. Oh.
- 1:29:49Speaker 2: Diamond Princess.
- 1:29:51Speaker 4: Oh, okay.
- 1:29:52Speaker 10: Well, people think that I saw Trina. She a big spender?
- 1:29:56Speaker 1: Yeah.
- 1:29:56Speaker 7: Okay.
- 1:29:56Speaker 2: You never saw that video where Trina be like, I'm
- 1:29:58Speaker 2: not worried about the ballers. I got my own.
- 1:29:59Speaker 14: Yeah.
- 1:29:59Speaker 2: No idea. Big, big baller. But yeah, so people think Trina.
- 1:30:03Speaker 6: I saw some people, of course, saying Drake again because
- 1:30:06Speaker 6: Young Miami mentioned that she.
- 1:30:07Speaker 2: Wanted to get Drake on the record. He's a big spender.
- 1:30:09Speaker 2: He's a big spender.
- 1:30:10Speaker 9: Yes.
- 1:30:11Speaker 6: He's also having a really big streaming year. I saw
- 1:30:13Speaker 6: that he's having one of the biggest streaming years in hip-hop.
- 1:30:15Speaker 6: I saw Complex do that story yesterday, so that would
- 1:30:17Speaker 6: be a good look for the song.
- 1:30:19Speaker 3: Which one of these things would symbolize him?
- 1:30:21Speaker 2: I would say maybe the blue with the ice.
- 1:30:24Speaker 3: But the blue with the ice?
- 1:30:24Speaker 2: I mean, the blue with the diamond. The diamond could
- 1:30:26Speaker 2: be Ice.
- 1:30:27Speaker 16: Iceman.
- 1:30:27Speaker 2: Iceman.
- 1:30:28Speaker 7: No?
- 1:30:30Speaker 3: Nah, Iceman is the gay Marvel superhero.
- 1:30:32Speaker 2: Oh, yeah, yeah, yeah.
- 1:30:34Speaker 1: Bobby Drake. Lord.
- 1:30:35Speaker 2: Oh, so Santana.
- 1:30:37Speaker 3: Santana?
- 1:30:38Speaker 2: Because you said the gay, um, is the gay superhero?
- 1:30:43Speaker 3: Let me make sure this is a scheme ask and
- 1:30:46Speaker 3: not an open butthole.
- 1:30:47Speaker 2: Oh, gosh. Who is it? We don't know yet. It's
- 1:30:51Speaker 2: a tease. She hasn't told us yet.
- 1:30:54Speaker 3: Man, if she don't even drop that damn record.
- 1:30:55Speaker 2: I want her to drop it so bad. I want
- 1:30:57Speaker 2: her to drop it so bad. I thought it was Kodak. Yeah.
- 1:31:00Speaker 2: But I would love to see Yak. I mean, I
- 1:31:02Speaker 2: would love to hear Yak on Spinette.
- 1:31:03Speaker 3: Me too.
- 1:31:04Speaker 6: I would as well, too. But we'll have to wait
- 1:31:06Speaker 6: and see. When the remix drops, we'll be back here
- 1:31:08Speaker 6: to let you guys know.
- 1:31:08Speaker 10: And y'all will hear, but, you know, we'll be talking
- 1:31:10Speaker 10: about who was on it. And you know Kodak love
- 1:31:12Speaker 10: him some Carisha Brown. You know, that's what he was
- 1:31:15Speaker 10: calling her at one point.
- 1:31:16Speaker 17: Yes.
- 1:31:17Speaker 2: Now shifting gears a bit, Issa Rae.
- 1:31:20Speaker 6: So yesterday it was announced that Issa Rae is returning
- 1:31:22Speaker 6: to HBO with another comedy series. Now this series will
- 1:31:27Speaker 6: be from the male gaze. So you know how with Insecure,
- 1:31:30Speaker 6: even with Rap-ish.
- 1:31:30Speaker 3: From the male gaze? Gaze.
- 1:31:32Speaker 2: G-A-Z-E.
- 1:31:33Speaker 3: Oh, I thought you meant like male gaze.
- 1:31:36Speaker 2: No, Charla, bro.
- 1:31:38Speaker 7: No.
- 1:31:39Speaker 3: I was like, what?
- 1:31:40Speaker 6: From the perspective of men, because it's a male friendship series.
- 1:31:44Speaker 6: So it's focused on a character named Menzel. He's a
- 1:31:47Speaker 6: 30-year-old barber. He's aspiring to be a sports manager. And
- 1:31:50Speaker 6: then his best friend, JB, is an up-and-coming boxer. So
- 1:31:53Speaker 6: they navigate ambition, insecurity, loneliness, the whole double-edged sword of
- 1:31:57Speaker 6: success within a high-stakes world of boxing in Vegas, which
- 1:32:00Speaker 6: is kind of like a guy take on what Insecure was.
- 1:32:03Speaker 6: Because you had Molly, you had Issa, and they were
- 1:32:06Speaker 6: trying to figure out all of these... I'm successful.
- 1:32:09Speaker 2: I'm dating.
- 1:32:10Speaker 6: I'm trying to figure out family. So people are excited
- 1:32:12Speaker 6: that she's returning with another show.
- 1:32:13Speaker 2: Shout out to Issa Rae to HBO.
- 1:32:15Speaker 3: I know she signed a deal with Paramount earlier this year, right?
- 1:32:20Speaker 17: Yeah.
- 1:32:20Speaker 3: And she's still in that deal. So, I think. So,
- 1:32:23Speaker 3: for her to be doing something with HBO, I like
- 1:32:25Speaker 3: seeing people get money everywhere.
- 1:32:26Speaker 1: Yeah, same.
- 1:32:27Speaker 3: So, that's one of the clues, Bob, for Issa Rae.
- 1:32:28Speaker 2: Same.
- 1:32:30Speaker 3: Issa's a great person, too. I don't know if Issa
- 1:32:33Speaker 3: Rae gets enough credit for just how good of a
- 1:32:35Speaker 3: human that she is. Issa does a lot of things
- 1:32:38Speaker 3: for a lot of people and... doesn't ask for no
- 1:32:42Speaker 3: credit for it in no way shape shape or form
- 1:32:45Speaker 3: and i've seen her i judge people based on how
- 1:32:47Speaker 3: they treat people that can't do nothing for them i've
- 1:32:49Speaker 3: seen her do a lot for a lot of people
- 1:32:51Speaker 3: that can't do anything for her because she's isa ray
- 1:32:53Speaker 3: so salute to isa.
- 1:32:55Speaker 6: Yo i love that i love hearing uh good people
- 1:32:57Speaker 6: get good things coming she's a great human Well, in
- 1:33:00Speaker 6: other news, speaking of good people and people getting things
- 1:33:03Speaker 6: coming their way, it was announced yesterday that Lauren London
- 1:33:06Speaker 6: is set to play Snoop Dogg's mom, Miss Beverly Tate,
- 1:33:09Speaker 6: in the upcoming Snoop Dogg biopic.
- 1:33:11Speaker 2: Yeah, this according to Deadline.
- 1:33:13Speaker 6: So we have been talking a lot about the fact
- 1:33:15Speaker 6: that the Snoop Dogg biopic, biopic, biopic, you said it
- 1:33:18Speaker 6: right the first time. Biopic is coming in August of 2027.
- 1:33:21Speaker 6: It'll be here August 6th. But yeah, Lauren London was
- 1:33:24Speaker 6: announced yesterday as his mom, which I.
- 1:33:26Speaker 10: Was confused because I'm like, I don't think of her
- 1:33:28Speaker 10: as like, to play an older woman.
- 1:33:31Speaker 2: It must be when Snoop is going to be young, young, young.
- 1:33:33Speaker 3: Who says she's playing an older woman?
- 1:33:35Speaker 6: Because the Snoop Dogg that we saw, well, the only
- 1:33:37Speaker 6: person that we saw announced that Snoop Dogg.
- 1:33:39Speaker 3: It's a biopic, Lauren.
- 1:33:40Speaker 1: I know, but.
- 1:33:41Speaker 10: So it's going to probably show him in different eras,
- 1:33:43Speaker 10: and she could be giving him birth.
- 1:33:45Speaker 1: You know what I mean?
- 1:33:45Speaker 3: How old you thought Lea Long was supposed to be
- 1:33:47Speaker 3: when Michael was in the Jackpot?
- 1:33:48Speaker 2: I literally thought about that. What the hell are you
- 1:33:49Speaker 2: talking about? But even still, Lea Long is still older
- 1:33:51Speaker 2: than Lauren. Yeah, and they made her... They made her.
- 1:33:54Speaker 3: She got to be like 38, 39.
- 1:33:58Speaker 2: Yeah, she not five. I guarantee you she probably not
- 1:34:01Speaker 2: 40 yet. Yeah.
- 1:34:02Speaker 1: You know.
- 1:34:02Speaker 3: She's 41.
- 1:34:04Speaker 2: Wow. I don't know, for real. But she look way,
- 1:34:06Speaker 2: way younger. She does. But this is the thing. It
- 1:34:07Speaker 2: would depend on the part of his life. Right, right, right.
- 1:34:09Speaker 1: Yes, yes.
- 1:34:09Speaker 2: Yeah, in the beginning.
- 1:34:10Speaker 6: Now, you couldn't do a Snoop story without talking about Tupac.
- 1:34:14Speaker 6: So yesterday it was also revealed that Cameron Jones is
- 1:34:18Speaker 6: slated to play Tupac.
- 1:34:20Speaker 2: Boy, they be letting anybody play my man. Cameron Jones.
- 1:34:24Speaker 10: I printed out a photo for you too as well, Charlamagne.
- 1:34:27Speaker 2: I mean, I mean. What do you mean, you mean?
- 1:34:30Speaker 2: What you mean, Lauren?
- 1:34:31Speaker 10: If you throw a bandana on him and, you know,
- 1:34:34Speaker 10: you give him, like, the leather vest and the chain
- 1:34:37Speaker 10: and the thug life.
- 1:34:37Speaker 2: He would look like YG. He would not look like T-Pac.
- 1:34:40Speaker 2: Stop playing. But he might be Lauren. He might prove
- 1:34:43Speaker 2: me wrong.
- 1:34:45Speaker 3: I can see what he could be from the Pac tribe. But,
- 1:34:47Speaker 3: I mean, it's about capturing the essence and the spirit
- 1:34:49Speaker 3: of Pac. You know, you don't got to look like him.
- 1:34:53Speaker 2: I guess. I mean, it would be better. He look
- 1:34:55Speaker 2: like a young Omar Epps.
- 1:34:56Speaker 3: In here here's the thing man once anthony mackie played
- 1:34:59Speaker 3: pock all bets off it don't even.
- 1:35:01Speaker 2: Matter i don't think pock had to introduce himself in
- 1:35:05Speaker 2: that moment anthony.
- 1:35:06Speaker 3: Mackie as tupac or flex as michael jackson.
- 1:35:17Speaker 17: Flex.
- 1:35:18Speaker 2: Nah, y'all like your own Flex.
- 1:35:20Speaker 1: Stop playing with Flex.
- 1:35:21Speaker 10: I love Flex, but that Michael Jackson was, that Michael
- 1:35:24Speaker 10: Jackson was the craziest thing I've ever experienced. And I
- 1:35:28Speaker 10: was young watching that. During that movie, Michael Jackson was alive.
- 1:35:33Speaker 10: So imagine what he felt watching it.
- 1:35:35Speaker 3: God damn. This what y'all think of me?
- 1:35:37Speaker 2: Exactly.
- 1:35:38Speaker 6: All right, y'all. That's the latest for the hour.
- 1:35:40Speaker 10: And I do want to mention Young Miami Spinner is
- 1:35:43Speaker 10: back at 27 now on the Billboard Hot 100.
- 1:35:44Speaker 6: I just want to correct myself. But still up there, though.
- 1:35:48Speaker 6: Congratulations to her. But that was the latest with Lauren
- 1:35:50Speaker 6: La Rosa for the hour. And it's brought to you
- 1:35:52Speaker 6: by Top Dog Law, who have won over $ 1 billion
- 1:35:55Speaker 6: for their clients.
- 1:35:56Speaker 10: So if you guys get into an accident, make the call.
- 1:35:58Speaker 10: Top dog law, their bark is their bite. Why are
- 1:36:01Speaker 10: you shaking your head?
- 1:36:02Speaker 3: You ain't even reading off nothing no more. They got you.
- 1:36:04Speaker 3: You are top dog law. I mean, she say that
- 1:36:06Speaker 3: in her sleep. She wakes up, her alarm clock is
- 1:36:09Speaker 3: probably top dog law.
- 1:36:10Speaker 2: Oh, my God. Happy birthday to Mother Teresa. She would
- 1:36:14Speaker 2: have been 116. No, the hell she wouldn't have been.
- 1:36:17Speaker 1: Shut up.
- 1:36:17Speaker 2: She died in 97.
- 1:36:18Speaker 3: She would have been 116. She would have not have
- 1:36:20Speaker 3: made it to 116. But shout out to Mother Teresa.
- 1:36:23Speaker 7: Yes.
- 1:36:24Speaker 3: Oh, yeah.
- 1:36:24Speaker 2: And one more thing, y'all.
- 1:36:26Speaker 1: Yes.
- 1:36:27Speaker 2: One more thing.
- 1:36:27Speaker 6: Dolly, you mentioned cancer earlier, Charlamagne, when we were talking
- 1:36:30Speaker 6: about her passing. And I said that I didn't know
- 1:36:32Speaker 6: that to say indefinitely. Her team did give a statement
- 1:36:35Speaker 6: to CNN that mentioned brief cancer battle.
- 1:36:37Speaker 2: We had to update that.
- 1:36:39Speaker 1: Yes.
- 1:36:39Speaker 8: Yes.
- 1:36:39Speaker 3: Yes.
- 1:36:40Speaker 2: We had to update it. All right. Thank you.
- 1:36:43Speaker 3: Envy's coming up with the People's Choice mix even though
- 1:36:45Speaker 3: he ain't even here. Okay, but he left a mix.
- 1:36:47Speaker 3: It's pre-recorded. He gonna still tell y'all to call in
- 1:36:49Speaker 3: and request songs.
- 1:36:50Speaker 2: Damn, I'm so mad.
- 1:36:50Speaker 3: He ain't even doing Busta Rhymes mix.
- 1:36:51Speaker 2: You see what I'm saying?
- 1:36:52Speaker 3: Busta Rhymes is here.
- 1:36:52Speaker 10: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>.
- 1:36:56Speaker 3: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> Hush.
- 1:36:58Speaker 3: It's the Breakfast Club. Yes, it's the world's most dangerous
- 1:37:00Speaker 3: morning show, the Breakfast Club. DJ Envy, Jess Hilaria, Charlamagne
- 1:37:03Speaker 3: Tha God. Envy is on vacation. Lauren LaRocha is here.
- 1:37:06Speaker 1: You got shows this weekend, right, Jess? I do.
- 1:37:08Speaker 2: I got shows in the Midwest, Indianapolis, Indiana.
- 1:37:10Speaker 10: I will be there at the Helium Comedy Club this
- 1:37:12Speaker 10: Friday and this Saturday. Me and my brother Desi Alexander
- 1:37:15Speaker 10: will be hitting the stage at the Helium Comedy Club.
- 1:37:17Speaker 2: So get your tickets if you haven't yet. Saturday is
- 1:37:19Speaker 2: sold out, I believe.
- 1:37:20Speaker 10: And the only show that got tickets available is the
- 1:37:23Speaker 10: early Friday show.
- 1:37:24Speaker 2: So Jess, hilarious, official.com. Can't wait to see y'all Indiana.
- 1:37:28Speaker 3: And Lauren, you got nothing to do this weekend.
- 1:37:31Speaker 6: Actually this weekend, I will be with my mother celebrating
- 1:37:33Speaker 6: her birth birthday. So I purposely intentionally am sitting down
- 1:37:38Speaker 6: this weekend, but you guys know what you can do
- 1:37:40Speaker 6: this weekend. If you're listening, go listen to the latest
- 1:37:43Speaker 6: with Lauren La Rosa, the podcast. We had a little
- 1:37:45Speaker 6: Duvall on this week, a very in-depth two part interview
- 1:37:48Speaker 6: about him as the businessman. So you, Make sure you
- 1:37:50Speaker 6: guys go and check that out this weekend. How long
- 1:37:53Speaker 6: was it before he cracked the joke?
- 1:37:55Speaker 3: Oh, no.
- 1:37:55Speaker 1: Right.
- 1:37:56Speaker 2: He came on the interview smoking a blunt in his backyard.
- 1:37:59Speaker 1: Hilarious.
- 1:37:59Speaker 2: It started from the beginning. Then he gave us a tour.
- 1:38:01Speaker 2: I love that. Yeah, it was, you know.
- 1:38:03Speaker 1: What house was he at?
- 1:38:03Speaker 2: He was at the.
- 1:38:04Speaker 1: Camp Duval?
- 1:38:05Speaker 11: Camp Duval.
- 1:38:05Speaker 7: Okay.
- 1:38:06Speaker 2: I love Duval. What house was he at? Yeah, I
- 1:38:07Speaker 2: love that for him. But yeah, it was a great
- 1:38:09Speaker 2: interview though.
- 1:38:10Speaker 3: Duval lived a great life.
- 1:38:10Speaker 2: It was very Duval. And that's your real friend. Yeah, yeah.
- 1:38:14Speaker 3: In real life.
- 1:38:15Speaker 2: He's such a great person.
- 1:38:16Speaker 11: I'm trying to figure out how.
- 1:38:17Speaker 2: Y'all met on MySpace?
- 1:38:18Speaker 3: Met on MySpace way back in the day. We used
- 1:38:20Speaker 3: to write for... Both of us used to write for
- 1:38:22Speaker 3: Ozone Magazine. Duvall had a segment called... I think it
- 1:38:25Speaker 3: was called Who I'm Hating On and mine was called
- 1:38:27Speaker 3: The Chin Check. hmm And I used to do sketch,
- 1:38:31Speaker 3: I used to do sketch and sketch, sketch and sketches.
- 1:38:34Speaker 3: And he used to, what am I saying?
- 1:38:36Speaker 1: I used to do sketch and sketches.
- 1:38:37Speaker 3: And he used to do sketch and sketches. And so
- 1:38:39Speaker 3: we just came together and started doing sketch and sketches together.
- 1:38:42Speaker 2: Turn your ass up.
- 1:38:44Speaker 3: We had a web series called Hood State of the Union.
- 1:38:48Speaker 3: Way before people were doing this podcast stuff and all
- 1:38:51Speaker 3: of that. We had a whole web series that we
- 1:38:53Speaker 3: was putting on YouTube. And then both of us ended
- 1:38:55Speaker 3: up getting signed to MTV because of that.
- 1:38:59Speaker 2: See he was ahead of his time with a lot
- 1:39:01Speaker 2: of stuff but some people I can.
- 1:39:02Speaker 10: Just tell Charlotte cool wit and he associated her by
- 1:39:06Speaker 10: some I can definitely tell his real real friends are
- 1:39:10Speaker 10: and there's not many in the industry but I can
- 1:39:12Speaker 10: tell who he really really really eff with also you
- 1:39:15Speaker 10: you're taller than him by a tower. Not many, that
- 1:39:19Speaker 10: don't happen a lot.
- 1:39:19Speaker 2: Come on with the tower.
- 1:39:21Speaker 6: That don't happen a lot either. I'm going to let
- 1:39:22Speaker 6: you exaggerate that because I know it feels good to
- 1:39:24Speaker 6: finally have something.
- 1:39:25Speaker 3: Okay.
- 1:39:25Speaker 2: What's the positive note now? Illusional ass.
- 1:39:29Speaker 8: Tower.
- 1:39:29Speaker 3: There is never any need to get worked up or
- 1:39:32Speaker 3: to trouble your soul about things you can't control. Okay,
- 1:39:35Speaker 3: save your energy. Stop judging.
- 1:39:37Speaker 1: Let it go.
- 1:39:38Speaker 3: Do not waste your time or worry on events you
- 1:39:40Speaker 3: cannot change. External events do not demand our approval or anger.
- 1:39:44Speaker 3: Ignore things outside of your influence instead of fighting them.
- 1:39:47Speaker 3: That is a great quote from Marcus Aurelius. Okay, you
- 1:39:50Speaker 3: know I love stoicism. Y'all have a great day.
- 1:39:53Speaker 1: Breakfast Club, bitches!
- 1:39:54Speaker 3: You done finished or y'all done?
- 1:39:56Speaker 1: Woke up, woke up, wake you up. Wake that ass up.
- 1:39:59Speaker 1: Program your alarm to Power 105.1 on iHeartRadio.