Latest / Take #2: Movie Reviews / Episode 13: Dirty Dancing (1987)

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Episode 13: Dirty Dancing (1987) · Take #2: Movie Reviews

• 0:00
  Alright everybody, welcome back ladies and gentlemen to another
• 0:03
  episode of the Take Two pod with Mom and Dad.
• 0:07
  I'm dad and I'm mom. The kids are down.
• 0:12
  It has been a friggin weekend. This weekend has possibly been
• 0:17
  the worst weekend that we've had in.
• 0:20
  Months it's just been. Fucking bedlam.
• 0:23
  It's it's been bedlam. I mean the kids passed his nap
• 0:27
  phase. So now he wakes up at 6:30 and
• 0:31
  he's exhausted by noon, and then he sometimes powers through and
• 0:38
  then he's just a nightmare to deal with.
• 0:39
  From 3:00 PM till till bedtime, everything's.
• 0:45
  Nights he was overtired both both nights this weekend and our
• 0:50
  baby is a literal Angel on. Earth, yeah, but you can't put
• 0:54
  her down. She's just like.
• 0:55
  She's a Velcro baby, but she's so.
• 0:57
  Sweet and take a shit with her around.
• 0:59
  Like she like, yo, just let me put you down for a SEC.
• 1:03
  There's six 5600 toys in front of you.
• 1:06
  Just play with those for a minute.
• 1:07
  Please. Yeah, she sees me and she, like,
• 1:08
  needs. Me.
• 1:09
  Oh my God. Anyway, enough about the kids.
• 1:11
  OK, seriously, I don't want to talk about them.
• 1:13
  I'm so done. You good?
• 1:17
  You gonna be alright? Well, it's just I was watching
• 1:19
  this couple on Instagram that don't have any kids and I don't
• 1:23
  regret having kids for a minute. I absolutely love them.
• 1:26
  But they were like on a trip to Paris.
• 1:29
  She was wearing beautiful clothing.
• 1:31
  It just like looked so serene. And I was like just for couple
• 1:35
  weeks, I'd like that life and then come back to this one just
• 1:37
  for a. Couple weeks.
• 1:39
  I was saying this earlier of all the craziness that happened this
• 1:42
  weekend, there were some sweet little cute moments like when
• 1:46
  the four of us were playing downstairs and little man was
• 1:50
  like, I love when we played together like that's, you know,
• 1:55
  that's what I remember. I'm going to go to sleep
• 1:57
  tonight. Tomorrow I'm going to go get
• 1:59
  ready for work. I'm not gonna remember anything
• 2:01
  that the other crap, and he won't either.
• 2:03
  It's just gonna be the same new crap later in the evening.
• 2:06
  Maybe. We'll see.
• 2:07
  Let's think positive. Hopefully not, yeah.
• 2:09
  Alright, that's enough. Let's let's get on the show.
• 2:11
  All right, let's do it. All right, drum roll, mom.
• 2:19
  Nobody puts baby in the corner. We are tackling the classic
• 2:23
  Dirty Dancing this week, released in 1987, directed by
• 2:29
  Emil R Dolino, starring Patrick Swayze, Jennifer Grey and Jerry
• 2:34
  Orbach. Yes, Sir, Dirty Dancing.
• 2:38
  Dirty Dancing, one of my favorites.
• 2:40
  One for the ladies, one for the ladies.
• 2:43
  This movie had a budget of 4 million and did over 200 million
• 2:48
  worldwide which is mental for the time.
• 2:51
  Yeah, it was an instant classic. And the synopsis goes In 1963,
• 2:56
  Francis, baby houseman falls for resort dance instructor Johnny
• 3:01
  Castle at a Catskills resort. She steps in as a dance partner
• 3:06
  substitute for a final show, learning to dance, fighting for
• 3:11
  their romance, and confronting Class differences.
• 3:14
  Very accurate. I'm surprised that class
• 3:16
  differences art is in the synopsis.
• 3:18
  Well, I'm gonna talk about it quite a bit, yeah.
• 3:21
  You're gonna talk about. It in this episode.
• 3:24
  But I do I do like this movie. It's it's you know, it's not my
• 3:30
  typical movie that I kind of watch, but it has its charms and
• 3:34
  I know some people like yourself or you know, you're basically
• 3:38
  die hards of this movie, so. Yeah, like, similar to musicals,
• 3:41
  it's a little campy, it's a little silly, but it it brings a
• 3:45
  lot of joy. Like I found myself just like
• 3:48
  smiling a lot watching this. You're watching the people
• 3:51
  dancing. It gets you in the mood to move.
• 3:53
  Yeah, I noticed you had a grin on your face for like 92% of the
• 3:56
  movie. I was like.
• 3:57
  I was also just like grin blushing because Patrick Swayze
• 4:00
  is so sex in this movie. Oh my God he is pretty charming
• 4:04
  in this and his his outfits are pretty sharp.
• 4:06
  And his body is ridiculous. All right, let's, let's talk
• 4:12
  about the first time we watched this.
• 4:14
  Um, I'll go first because I do recall when you, when I watch
• 4:18
  this the first time, and it was a time where you showed it to
• 4:22
  me. You said this is one of my
• 4:23
  favorite movies and you're like, I'm making you watch this.
• 4:26
  And this was a like maybe years ago.
• 4:29
  And yeah, I do recall the first time I was kind of like, oht,
• 4:33
  you know, OK, it's dance movie. It's kind of like a musical a
• 4:36
  little bit, maybe not so much musical, but I enjoyed it the
• 4:40
  first time I watched it. It was, you know, it is exactly
• 4:43
  what I expected. I wasn't surprised by any of it,
• 4:46
  to be honest. Yeah, it's literally a feel good
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  movie and. Also, I did finally connect a
• 4:54
  lot of the references that in popular culture that is made
• 4:58
  from this movie, so I was able to like make those.
• 5:00
  Conference, so the ass. Yeah, I was able to make those
• 5:03
  connections, but when was the first time you watched him?
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  So the first time I watched it actually do remember.
• 5:10
  So this movie is from 1987. So it had its 20th anniversary
• 5:15
  in 2007, right? My mom comes home one day and
• 5:18
  she's holding like the DVD and it had a special sleeve on it.
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  And it was the 20th anniversary version of Dirty Dancing.
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  And it was like current day of that day.
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  Jennifer Grey doing an introduction and talking about
• 5:32
  the movie. Like there was a whole like
• 5:34
  where she reflects on the movie and talks about it and
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  everything. So my mom brings us home and
• 5:38
  she's like, we're going to watch this together.
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  I saw this when I was young. I danced out of this movie.
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  Oh my God, I love it so much. And it was a weekend like
• 5:48
  morning. I sat on the couch next to my
• 5:51
  mom. We watched this movie and we
• 5:52
  bonded so ridiculously. I still remember her commentary.
• 5:56
  Every time I watch it, I remember what she was saying.
• 5:59
  So it's like a very special. It was a very special.
• 6:02
  Experience her voice. Yeah, her commentary, It Stays
• 6:05
  with Me, is she planted seeds in my mind that I always hear, but
• 6:09
  this movie specifically, I always hear her voice.
• 6:11
  Remember what she said? I remember the scenes that she
• 6:13
  loved. Sure, sure.
• 6:14
  And. So you this movie is very close
• 6:16
  to your heart. Very close to my heart.
• 6:18
  And I I was a young teenager seeing it.
• 6:21
  I was like 14 or 15. Yeah.
• 6:23
  So it was the perfect time to see a movie like this, like it's
• 6:27
  a coming of age story about a teenage girl.
• 6:30
  It was the perfect time. So can I just say one thing?
• 6:32
  We have two copies of this movie in our home on DVD.
• 6:36
  I don't know where that second copy is from.
• 6:38
  You have, we have opened one and we have one that's never been
• 6:40
  opened. OK, that's yeah, they never know
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  1 I don't know where it's. From none of the copies.
• 6:44
  Just for the record, none of the copies are mine.
• 6:47
  OK, they're both your copies. I don't know why I have two.
• 6:51
  Whatever, we have two copies just in case Apocalypse happens
• 6:54
  and there's a fight over it. Case one of them breaks, we have
• 6:57
  the. Back so you mentioned that your
• 6:59
  mom danced out of this movie. As she said, when your mom
• 7:02
  dances like not like ice picture this movie.
• 7:07
  OK, I'm telling you this like I swear to God, and when I see
• 7:11
  this movie and I see some of the dancers, I'm like, oh, that's
• 7:13
  your mom's dance move 100%. So I think she's she's like
• 7:18
  she's based her all her dance moves on like maybe this movie
• 7:22
  and like two others. You know what I actually think
• 7:24
  of when my mom says she danced out of this movie?
• 7:27
  There's an episode of The Simpsons where Marge takes Lisa
• 7:30
  to a movie where there's dancing.
• 7:31
  Yeah. And it's like a beautiful busty
• 7:34
  girl who like, does basically similar, like ballroom dancing
• 7:37
  with this with this hot Spanish guy.
• 7:38
  And they do like all these dangerous dance moves.
• 7:40
  And Lisa Simpson does like some. Of the Brazil 1, it makes 6 look
• 7:44
  like a church. No, that's a different one.
• 7:46
  OK. But she does like a few little
• 7:48
  ballerina spins when she leaves the movie.
• 7:50
  Yeah. And I just that's that's my mom.
• 7:52
  I picture Lisa is my mom. Alright, well anyways.
• 7:57
  OK, so would you like to go first?
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  Why do you love or hate this movie so much?
• 8:02
  I know you love it. You just told everybody.
• 8:04
  So I adore it. Just elaborate on it if you want
• 8:09
  or you kind of said your spiel there.
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  Like I said, I saw it when I was a young teenager, so I saw it at
• 8:14
  the perfect time. It was a perfect time to just
• 8:17
  see a love story between this young girl and this guy.
• 8:21
  And like I said, it's fun, It's joyful.
• 8:25
  My mom also loved it. So I just like was predisposed
• 8:27
  to adore this movie. And I'm such a musical.
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  Like I'm a I'm a musical theatre kid.
• 8:33
  Yeah, you love musicals. I love musicals.
• 8:35
  This isn't a musical, but it has the same vibe as musical.
• 8:38
  Yeah. So it like immediately drew me
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  in. Yeah, I know you love this
• 8:43
  movie. You talk about it like at least
• 8:46
  8 * a year. Well, the weird thing about
• 8:48
  this, too, is this movie has had a little resurgence in pop
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  culture as of the past couple weeks because, yeah, because
• 8:56
  Sabrina Carpenter performed at Coachella and she did an homage
• 9:01
  to Dirty Dancing where there's a guy on the floor when he backs
• 9:04
  away and she crawls to him just like Baby does with Johnny.
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  And then on top of that, some very popular, like Tik Tokers
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  and Youtubers have been posting at Coachella, and they're doing
• 9:15
  the beginning narration that babies says and posing at
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  Coachella. I don't know why.
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  Maybe because of the spring Carpenter thing?
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  Maybe. I mean Sabrina Carpenter, she
• 9:25
  does. I wouldn't call it Dirty
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  Dancing. I would just call it like
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  completely sexualized dancing. No, but it's a specific homage.
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  To the movie that she does. If anybody was gonna do it, it
• 9:35
  would be her, which she does all kinds of crazy shit, but OK.
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  So you kind of said that you like it, but do you love it?
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  So I don't hate it, OK, and no matter.
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  What you better? Not I don't I don't hate this
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  movie. I don't love it I'm not like
• 9:52
  obsessed with it like you, I'll mind you, I don't have that
• 9:55
  connection to it, but I do like it.
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  I find it enjoyable. This movie is a time capsule of
• 10:02
  the late 80s, early 90s, but it takes place in the 60s and it
• 10:07
  shows a time of a lot less. You know, I think people, their
• 10:12
  brains were more innocent. Like things weren't definitely
• 10:16
  tainted as much because of the news and information.
• 10:19
  Everybody was kind of like in a box and very sheltered so.
• 10:23
  It's specifically baby and her sister because they grew up
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  rich. Yeah, this movie, it has that in
• 10:29
  its favor, but also it's a detriment as well as time has
• 10:33
  passed, and I'll talk about that shortly.
• 10:35
  But I find that like that, that whole mindset that this movie is
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  made under is like, oh, it's a it's a simpler time, it's an
• 10:43
  innocent time, yadda, yadda, yadda.
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  People were just like realizing that this provocative way of
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  dancing is popularized now in the 60s.
• 10:52
  Yeah, but by the end of the movie, Max Kellerman, the guy
• 10:56
  who owns the resort, he literally has a monologue where
• 10:58
  he's like, kids don't want to come here and learn the foxtrot
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  with their parents. They want to go to Europe and
• 11:03
  backpack through Europe, 23 countries in three days.
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  Like they talk about it coming to an end in the movie because
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  it it was a time that had to come to an end.
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  The innocence had to end, unfortunately.
• 11:14
  It's funny because the movie came out in the late 80s, but
• 11:17
  this movie, if it were to make a huge impact on society, I think
• 11:21
  it should have come out in the 60s where it was set in.
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  They never would have been able to show that type of dancing on
• 11:27
  screen though. Yeah, you weren't even allowed
• 11:30
  to show a husband and wife in bed together.
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  Until like the 60s popular, that's for sure.
• 11:36
  Yeah, it would have been. It would have been rated not
• 11:39
  even rated R like rated NC 17 so.
• 11:42
  You have you watched this movie with like rose coloured glasses
• 11:45
  because of like your memories and stuff growing up watching
• 11:47
  it. But if you watch it just more
• 11:50
  objectively from my point of view, there are really nice
• 11:53
  things about it, like similar to the movie The Breakfast Club,
• 11:57
  you know, it's got a similar vibe.
• 11:58
  There's a lot of coming of age situations happening, but this
• 12:02
  one's a little. Bit it does address some social
• 12:04
  issues though. Yeah, I'm going to talk about
• 12:06
  those shortly, but I'll tell you why I'm saying what I'm saying.
• 12:09
  But anyway, uh, what's your cringiest moment, Mom?
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  OK so as much as I do love this movie, like I said there is some
• 12:18
  fucking cringe in this movie. There's a lot of cringy moments
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  and yeah, some of it's intentional, some of it's
• 12:24
  unintentional. Some of it's unintentional and
• 12:26
  unintentional cringey moment is the scene where Johnny first
• 12:29
  dances with Baby at the staff party.
• 12:33
  She's very awkward and he's like, trying to teach her how to
• 12:36
  move and he's just like, grinding his crotch into her so
• 12:41
  aggressively. And it's like this young girl
• 12:43
  came into the staff party and you like, snuck over to her and
• 12:47
  started just like, dry humping her.
• 12:50
  That's the dance move, I mean. I don't like it.
• 12:52
  Listen, the funny part is I was watching this movie and all the
• 12:56
  dance moves, I was like, yo, you could just dub this movie with
• 12:58
  different music and it would still work like music from
• 13:01
  today. Oh yeah, all kinds of songs.
• 13:03
  Would like you could put some nice dancehall reggae jams on
• 13:07
  there to the dance to that the staff party scene and it would
• 13:11
  still work. Put some Sean Paul in there.
• 13:13
  You know, you could put all kinds of get busy.
• 13:17
  The beginning credits. It get was it?
• 13:19
  The beginning credits are all the staff people dancing, and
• 13:22
  it's a different song in the opening credits than it is that
• 13:25
  they're actually. Dancing to I know, I know, but
• 13:26
  that that whole staff scene, you could have put any, any song
• 13:30
  like you could put Shaggy in there and it would still work.
• 13:32
  Yeah, so I don't like the crotch dancing.
• 13:35
  And then there's also a scene where Johnny goes to find baby
• 13:40
  and she's like sleeping in like 1 of the staff rooms and he
• 13:44
  wakes her up and he's like, thank you so much for standing
• 13:46
  up for me. Like you tried to save me but
• 13:48
  they fired me anyway. Yeah.
• 13:50
  And then she she goes, you were right, Johnny.
• 13:53
  You can't win no matter what you do.
• 13:55
  And it's. Just some of the acting is very
• 13:58
  question. It comes off as overly dramatic
• 14:00
  and it feels like she was unsure of how to deliver that line.
• 14:03
  So it almost feels like a soap opera and it feels out of place.
• 14:06
  It doesn't match the. Rest of some cringey acting in
• 14:08
  this. I'm like that, you know, I'm
• 14:10
  watching and I'm like, OK, it's bit of its charm, but it's also
• 14:13
  like, was that the best take that you guys could come up
• 14:15
  with? What?
• 14:16
  What was your cringiest moment? So my cringiest moment was right
• 14:19
  off the bat. It's the opening group dance
• 14:22
  scene where they get to the resort stop 1234 Let's after the
• 14:30
  meal. This is sorry for Dry Your
• 14:33
  Purpose and Shake it loose 123. It is really difficult to watch.
• 14:39
  You've got all these people that just got to resort the resort.
• 14:43
  That sets the. Nobody's listen, nobody's
• 14:45
  drinking. You got one guy with those long
• 14:48
  ass blue tube socks. It's just so uncomfortable.
• 14:51
  You have the parents there and nobody looks like they're having
• 14:54
  a good time. It just really, it looks like
• 14:57
  summer camp. It's just really.
• 14:58
  It is. It's like family camp.
• 15:00
  I'm sorry, it's super cringy and it's, I don't think it was, it
• 15:03
  was supposed to be funny, but it's just for me, I'm just like,
• 15:05
  oh, it's hard to watch. And then a close second is the
• 15:09
  long extended gaze that baby gives Johnny when she first
• 15:14
  arrives at the staff party. She is just staring at him like
• 15:19
  way too much. Yeah, she's banging them,
• 15:21
  basically. Undressing him with her eyes.
• 15:23
  And it's funny because it's rare in movies for the woman to
• 15:26
  undress a man. Usually the girl is the one
• 15:28
  being objectified. Yeah, she's the creep towards
• 15:31
  him at the beginning. Yeah, she's creeping hard and
• 15:34
  like she's got like she's not unattractive girl, but she's got
• 15:39
  smaller eyes, so it looks kind of creepy.
• 15:42
  She doesn't have baby doll eyes, even though her name baby like
• 15:45
  her eyes are a little bit you know, she doesn't have.
• 15:49
  I don't her eyes aren't that pretty.
• 15:50
  I just got to say that. Well, she was known actually for
• 15:54
  having like too big of a nose. Like a lot of people criticized
• 15:58
  her and she actually got a nose job not too long after this
• 16:01
  movie. And then her acting career dried
• 16:04
  up. Really.
• 16:05
  It ruined her career. See, I didn't have a problem
• 16:07
  with the nose, I just thought her eyes were a little bit
• 16:10
  beady. Yeah, I didn't think her nose
• 16:12
  was that big either. I think she was very, very, very
• 16:15
  cute and could be pretty. Yeah, I mean, she was pretty
• 16:18
  later on when she stopped, you know, dressing so like, uptight.
• 16:23
  You know, the movie, she loosens up, starts wearing a little bit
• 16:26
  of makeup. Yeah, yeah, she's definitely
• 16:28
  prettier than later. Seeing that opening dance scene
• 16:30
  with the group dance, Oh my God, I wanted to throw myself.
• 16:33
  I wasn't even in that room. I wasn't in the gazebo.
• 16:35
  I just wanted to jump off the gazebo.
• 16:37
  And she dances with the old lady.
• 16:38
  Yeah, I. Know it was this is.
• 16:42
  I love it. OK, most iconic scene.
• 16:45
  Yeah, I'll do a couple of scenes first so that that staff party
• 16:50
  dancing scene, OK, It's very iconic.
• 16:53
  Baby walks in, her eyes are wide, she's carrying the
• 16:57
  watermelon, she's looking around and you keep a secret.
• 17:02
  Your parents would kill you. Max had killed me.
• 17:06
  Everybody's just grinding on each other, everybody's half
• 17:09
  dressed, everybody's a little drunk.
• 17:11
  Sweaty. Everybody's sweaty.
• 17:13
  The the the the lights are a little bit red.
• 17:15
  Yeah, it's a very sexual. Scene, it's pretty racy actually
• 17:18
  for the movie that how it starts and it goes immediately to like.
• 17:23
  Well, that's the thing we're seeing.
• 17:24
  Like dirty. Part we're seeing young babies.
• 17:26
  She's she's 17 years old. She's becoming into her
• 17:30
  sexuality. And this summer kind of is a
• 17:32
  sexual awakening for her because she sees this dancing.
• 17:35
  Yeah. And it awakens something and you
• 17:37
  see it happening. And I don't know if that song
• 17:39
  was out when this movie came out or it was set in the 60s, so
• 17:41
  they wouldn't have used that song.
• 17:43
  But when she walks in there with the watermelon and should have
• 17:45
  been like when I get that feeling, I need sexual healing
• 17:50
  sexual. Healing so that that's a great.
• 17:56
  Scene My most iconic moment and scene is the staff party.
• 18:02
  I picked the same way. It's very memorable.
• 18:04
  When Baby helps with the watermelons and goes to the
• 18:06
  secret dance club and she sees the hot sweaty dancing, I find
• 18:11
  the whole sequence great. She's creeping on Patrick
• 18:14
  Swayze. I mean, the guy.
• 18:15
  He's killing it on the dance floor.
• 18:18
  Oh my God, when him and Penny danced together, that's another
• 18:20
  iconic. Scene, He's just cooking up the
• 18:22
  dance floor and it's the peak of the movie for me because it's
• 18:25
  the yeah, honestly, it's the only scene that I found that
• 18:28
  everybody seemed comfortable in their own skin.
• 18:32
  Like they're scenes where Patrick Swayze's talking and
• 18:34
  he's, he's delivering lines and you're like, he's like, I, I
• 18:37
  wish I'd rather be dancing. Like yeah, it feels.
• 18:40
  Real, it feels. More realistic.
• 18:42
  It just feels. Shocking that he's actually like
• 18:44
  a well known actor and he's such an incredible dancer.
• 18:47
  Well. Because the actors are have a
• 18:50
  history in dance and theatre, right?
• 18:51
  Well, the woman who played Penny, though, was a dance
• 18:54
  instructor. Like, they had to find somebody
• 18:55
  who was highly skilled dancer. Yeah.
• 18:58
  Because the scene where they dance for the staff, they're
• 19:00
  doing a classic like mamba or tango or something, and then
• 19:04
  they go to the staff meeting, the staff party dance, and
• 19:09
  they're doing like a much more sexual ballroom dance version.
• 19:12
  So she had to know how to do all that.
• 19:14
  And he did, too. But I mean, she's the one who
• 19:17
  shines in those. Scenes.
• 19:18
  But it's it's a great scene. It's just it makes the movie for
• 19:22
  me and it's the peak of the movie.
• 19:24
  I feel like it's the best part. Well, my other iconic scene is
• 19:28
  Yeah, both dance montages of baby learning how to dance.
• 19:33
  Yeah, with Johnny, amazing, particularly when Pennies
• 19:37
  involved and they do that three-way dance where he's
• 19:40
  dancing with baby and she's behind baby and they're dancing.
• 19:42
  Together was a little weird for me.
• 19:44
  I loved that. It was banging on the door of.
• 19:47
  And then that one scene where she's dancing with baby panties.
• 19:51
  Dancing with baby. Yeah, she's showing her.
• 19:52
  Patrick Swayze's just sitting, watching.
• 19:54
  I'm like this looks like the beginning of a porno.
• 19:57
  Job. She did.
• 19:58
  She's showing her how to be like sexy in front of the.
• 20:00
  Crowd. I know it just gave like a
• 20:04
  mattress actress vibes. I'm sorry it did.
• 20:07
  It she was she was preparing to do.
• 20:08
  A dance with everybody else thinking I'm just saying that
• 20:11
  everybody else. No, you're ruining the movie.
• 20:13
  I'm not. Ruining it, I'm telling you.
• 20:14
  Like some some scenes were hell asexual.
• 20:17
  It's called Dirty Dancing. Yeah, it was sexual, but they
• 20:20
  were gonna bang. I know the three of them in
• 20:23
  2026, if this movie came out, they were banging.
• 20:26
  They were going to have a three-way.
• 20:27
  That's a quote. OK, so quotes.
• 20:33
  I got Johnny. Look, Spaghetti arms.
• 20:36
  This is my dance space. This is your dance space.
• 20:39
  I don't go into yours. You don't go into mine.
• 20:41
  You got to hold the frame and he's telling baby to get her
• 20:45
  shit. Together.
• 20:45
  Yeah, she did it. And then later he had spaghetti
• 20:47
  arms. And this, this quote is just
• 20:50
  like How to ruin the fucking Mood. 101 Baby asked them right
• 20:56
  after they did it. Have you had many women?
• 20:59
  Johnny says. What?
• 21:01
  Have you had many women? Baby?
• 21:03
  Come on, tell me. I wanna know.
• 21:06
  Like why would you like this is the problem with some women.
• 21:10
  Like why are you asking that? Even you were like wow, what a
• 21:13
  stupid thing to ask. What a terrible mood killer.
• 21:16
  Yeah, but you have. To start a fight?
• 21:18
  No. How to start a fight one-on-one.
• 21:20
  You sure? Remember babies, a virgin and
• 21:22
  she's in love for the first time.
• 21:24
  So she's exploring what is appropriate in those, like
• 21:27
  what's appropriate to ask, what's appropriate to talk
• 21:29
  about. She's exploring that everybody's
• 21:32
  had blunders in relationships, said.
• 21:34
  Or ask something. We're like, oh, I shouldn't have
• 21:36
  said. My problem with that is the
• 21:37
  director is like, OK, you're gonna say this line after you
• 21:40
  guys do it. And now young girls who watch
• 21:43
  this movie or girls who are like finding themselves in their late
• 21:47
  teens, early 20s, they're going to watch this.
• 21:49
  And they're like, oh, that's a question to ask.
• 21:52
  And just, like, kill everybody's.
• 21:53
  They're going to know it's not OK because he gets very
• 21:55
  uncomfortable, gets out of bed and immediately gets dressed.
• 21:58
  Yeah, yeah. And then I have Johnny saying,
• 22:02
  yeah, it takes a real St. To ask Daddy when she went and
• 22:06
  asked for the money for the abortion.
• 22:07
  No, which is a Dick thing to say because she's helping your
• 22:09
  friend, dude. Yeah.
• 22:11
  I'm being a Dick. He's been screwed over quite a
• 22:13
  bit. And then I've got, I gotta say
• 22:17
  my my favorite at the end. But why don't you?
• 22:20
  Why don't you do your quotes though, OK?
• 22:22
  So I have a few. One of them is just that opening
• 22:26
  monologue. That was the summer of 1963 when
• 22:29
  everybody called me baby. And it didn't occur to me to
• 22:32
  mind. Yeah.
• 22:33
  So she know, she's letting us know the year.
• 22:35
  She's letting us know that she goes by baby kind of
• 22:37
  inexplicably, and she doesn't mind.
• 22:40
  She doesn't mind being called baby, but she is like a baby
• 22:43
  when she arrives there and leaves a woman.
• 22:45
  So I like, I like that. Introduction Madonna.
• 22:49
  I like, I know you hate the gazebo scene, but Penny is
• 22:52
  leading all the people to dance and she goes come on lady, God
• 22:55
  wouldn't have given you maracas if he didn't want you to shake
• 22:58
  up. My God.
• 23:00
  And. Shakes her titties.
• 23:02
  Oh my God. And then when Kellerman is
• 23:08
  talking to the waiters, he says listen, keep your fingers out of
• 23:11
  the water, your hair out of the soup and show the God damn
• 23:13
  daughter is a good time. All the daughters, even the
• 23:16
  dogs. Yeah, that guy's a Dick.
• 23:20
  Well, he's encouraging the waiters to hit on and date the
• 23:23
  daughters, but he's discouraging the entertainment staff from
• 23:26
  doing. It I know he's a Dick.
• 23:28
  Fuck you, dude. He's like, I went to Yale and
• 23:30
  Harvard is because you guys are the best servers.
• 23:32
  No, it's because I want you to like Thrill.
• 23:35
  Well, the daughters. Make them fall in love with you
• 23:38
  and then they go home for the when summer's over.
• 23:40
  Yeah. And then at the end of that
• 23:42
  scene, Johnny goes up to Robbie and he says you just put your
• 23:45
  pickle on everybody's plate, college boy, and leave the hard
• 23:48
  stuff to me. That is really just cringey
• 23:52
  lines, but they're good. No, that's a really good line.
• 23:55
  And then there's a the comedian, he's doing a comedy show, and he
• 24:02
  goes, you know, I finally met a girl exactly like my mother's,
• 24:06
  dresses like her, acts like her. So I brought her home.
• 24:08
  My father doesn't like her. Yeah, it's Newman.
• 24:11
  It's Newman. Newmans in some iconic movies in
• 24:14
  this isn't drastic park. Is just Newman.
• 24:17
  He's basically Newman. No, he was a prequel to Seinfeld
• 24:20
  before he comes to. Mel, he wasn't new media at.
• 24:22
  All No, he was very new Mini. And then, of course, my last
• 24:26
  one, we started the show with it.
• 24:28
  Nobody puts baby in the corner. Nobody puts baby in the corner.
• 24:37
  I got a call so I have my favorite all time 1 and I say it
• 24:40
  at home and it's because it's become a meme now and you're
• 24:46
  wild. You're wild.
• 24:49
  Maybe he's yelling at Johnny because he fucking breaks his
• 24:53
  own window to get into the car and drives.
• 24:55
  Off, which is absurd. It's bad shit.
• 24:58
  I know he's really trying to impress her.
• 25:04
  What? You're what?
• 25:08
  Also he must give no fucks. But yeah, the reason it's so
• 25:11
  popular now is because there's like literal memes where you're
• 25:16
  both parents and you have to work tomorrow and your husband
• 25:19
  starts another episode on Netflix at like 9:30 at night
• 25:23
  and she's like, you're. Wild.
• 25:25
  You're wild. No, the real 1 is when when your
• 25:28
  husband starts a movie at 8:15. Yeah, it's so funny.
• 25:33
  Listen, this movie, it has some iconic quotes, but not as many
• 25:38
  as some of the movies we've done, which is what I noticed.
• 25:41
  So I took it upon myself to do something kind of a tribute to
• 25:45
  Dirty Dancing, but with some of the best movies ever.
• 25:48
  So what I did was I took quotes from other movies and I Dirty
• 25:53
  Dance defied them just for tonight's episode.
• 25:56
  So yeah. So.
• 25:57
  So this is from Taken. I have a very particular set of
• 26:01
  skills. Skills I've acquired over a long
• 26:04
  career in the Catskills. Skills that make me a nightmare
• 26:07
  for people who can't hold their frame.
• 26:10
  I've got God, I've got the Matrix.
• 26:13
  You take the blue pill, the story ends.
• 26:15
  You wake up in your bunk and believe whatever you wanna
• 26:17
  believe. You take the red pill.
• 26:19
  You stay in the staff quarters and I show you how deep the
• 26:23
  mamba goes. I think these are fucking
• 26:28
  hilarious but I guess tough crowd.
• 26:30
  The movie has enough iconic quotes that you don't need to do
• 26:33
  this. So I I do, I must The Dark
• 26:36
  Knight. You either die a guest, or you
• 26:38
  live long enough to see yourself become the dance instructor.
• 26:43
  Alright, hang on, I got a couple more Planet of the Apes.
• 26:48
  Get your stinking paws off me you and maintain your damn dirty
• 26:52
  frame. Oh my God.
• 26:55
  Silence of the Lambs. A census taker once tried to
• 26:58
  test my rhythm. I danced my ass off all night
• 27:01
  until his liver gave out after a sip of resort lemonade.
• 27:04
  And my last one, Fight Club. The first rule of Dirty Dancing
• 27:08
  is you don't talk about the staff quarters.
• 27:11
  The second rule is you definitely don't mention the
• 27:13
  watermelon because she tells him I brought the watermelon.
• 27:16
  No, she goes. I carried a watermelon.
• 27:18
  Yeah, I. Carried a watermelon.
• 27:21
  Anyway, I just wanted to remix it up a little bit.
• 27:24
  I thought that. Was funny.
• 27:25
  Those were some dad jokes bro. That was dad coded.
• 27:29
  Well, I'm the father of two. What do you want?
• 27:31
  OK, you. I got you to laugh at the The
• 27:34
  Dark Knight one. Yeah, The Dark Knight one was
• 27:36
  good. Good.
• 27:38
  Alright, Is this movie? This is going to be the funniest
• 27:40
  thing segment, I gotta tell you. Is this movie a classic or
• 27:43
  cancelled? So there are some issues with
• 27:48
  this movie, namely, OK baby is 17 years old.
• 27:54
  Yeah, I did not know this until this viewing.
• 27:57
  I thought she was 18. Yeah, we looked it up.
• 28:01
  She was 17. She's a miner and Johnny Castle
• 28:04
  is playing a 24 to 25 year. Old.
• 28:06
  I got 25 here. Don't try to show your.
• 28:09
  Code. Why does this keep happening?
• 28:11
  Why can't people writing these scripts make everybody involved
• 28:15
  fucking age appropriate? Why does Hollywood romanticize
• 28:20
  like straight up being a predator?
• 28:22
  So the part that's aged really badly about this 25 versus 18,
• 28:27
  the age thing is she's a minor, right?
• 28:30
  And then he gets all up in that and then her name is baby, which
• 28:35
  is really age poorly because of the age.
• 28:38
  Yeah, the baby part is really in like, it's in really bad taste
• 28:43
  now when you think about it, but keep going.
• 28:46
  So yeah, that's disturbing. And then on top of that, the
• 28:50
  class divide between the entertainment staff and guests
• 28:53
  is staggering. Same with the entertainment
• 28:56
  staff and waiters. Like like I said earlier, the
• 28:58
  waiters are encouraged to date guests while Johnny and the
• 29:01
  other dancers are told it's against the rules.
• 29:04
  It's unfair and it just feels like a way for this rich asshole
• 29:08
  that owns this resort to beat down people with less money.
• 29:14
  Like he just treats the impoverished like shit.
• 29:17
  That's why I don't like him, he's a piece of shit.
• 29:19
  He is, yeah. And just the classified in
• 29:22
  general, like everybody. It just feels like they the
• 29:25
  guests feel like they're better than the entertainment staff.
• 29:29
  It just doesn't sit well. Like baby's dad is angry, like
• 29:32
  upset when she sees it. She's interested in Johnny not
• 29:36
  just because of because he thinks that she is pregnant, he
• 29:39
  impregnated Penny, but also it's like.
• 29:41
  He's lesser than. Her like he's like oh this guy's
• 29:43
  a piece of shit why are you interested in him and doesn't
• 29:46
  like care to get to know him at all?
• 29:48
  Yeah, I have something similar to that.
• 29:50
  I said, like this movie, basically it shows a huge
• 29:53
  disconnect between privileged and sheltered group of people
• 29:56
  versus the average Joe there. Their issues are all first world
• 30:00
  issues and I'm all for being successful and elevating
• 30:03
  yourself and elevating your company, but it makes the
• 30:06
  characters like all the guests, unrelatable.
• 30:09
  Like you have nothing in common with these fucking people,
• 30:12
  Johnny. They all stink of money.
• 30:14
  Yeah, they just, they just uppity assholes.
• 30:17
  And then Johnny and his friends are relatable, you know, they,
• 30:20
  they, they sound like they have real issues, you know?
• 30:23
  They work hard for their. Money, work hard.
• 30:25
  They're blue collar people from what it sounds like.
• 30:27
  And the story focuses on the uptight dad and his relationship
• 30:31
  with this fucking sheltered kids.
• 30:33
  And also the resort is just like this diversity free zone
• 30:37
  ethnically and financially. It's just a bunch of people that
• 30:41
  are rich and you know, like if you go to Disney World and
• 30:45
  sorry, there'll be people with boatloads of money and there'll
• 30:47
  be people with, I can only afford a 2 day pass.
• 30:50
  I'm taking my kids on like the slow lanes and we don't have
• 30:54
  speed pass and stuff like that. But it's accessible, you know
• 30:58
  what I mean? Like this resort is just very
• 31:00
  douchey. I find so are also Patrick
• 31:03
  Swayze can bust a move, he can dance, but if there was a few
• 31:07
  other guys that could, you know, give him a run for his money,
• 31:10
  they would be cooking it up on the dance floor.
• 31:11
  That's the thing that bugs. Me, but it's it's ballroom
• 31:14
  dance. No, I know, but he doesn't like
• 31:16
  every movie like this has a moment where the best dancer, in
• 31:19
  this case Patrick Swayze, would have a showdown like a dance off
• 31:23
  with someone. And he doesn't really have a
• 31:25
  dance off. It would be really cool to see
• 31:27
  someone else like, you know, like try to show them up and
• 31:31
  then he's like, oh, I got this and he does some crazy shit and
• 31:35
  then baby just swoons for him. You.
• 31:36
  Know yeah, but it's not about that.
• 31:37
  We see baby like very nervously doing her performance at the
• 31:41
  other hotel and then she's very and like she's still nervous and
• 31:44
  then she's very confident at the end dance scene.
• 31:46
  The modern day version. Of her coming.
• 31:48
  Into being a modern day version of this movie is step up.
• 31:51
  Oh yeah, yeah, very much so. Yeah, it's like basically
• 31:54
  remixed. Well, similar.
• 31:56
  She's rich, she's poor. Exactly.
• 31:57
  So on and so forth. Yeah.
• 31:58
  Special school in this case, I agree.
• 32:01
  OK, party like it's 2026. So if this movie was made today,
• 32:07
  if we do the same kind of timeline, it would be set in
• 32:11
  20/20/2002. Sorry.
• 32:13
  OK, so that was Johnny 1987. It was set in the 60s for us,
• 32:19
  would be set in 2002, which is crazy to think about because it
• 32:21
  doesn't feel like it was that long ago.
• 32:23
  Yeah, it was. CD's and MP3 players were just
• 32:27
  coming out. Yeah, but it still doesn't feel
• 32:30
  like it was that far in the past.
• 32:31
  So I'm sure people in the 80s didn't feel like the 60s was
• 32:34
  that long ago. That's true, I don't think they
• 32:37
  would have had Johnny and baby have such an aggressive age gap
• 32:41
  and she definitely wouldn't be a minor.
• 32:42
  Like they would very clearly state that she was 18 because.
• 32:46
  Or he or he would be like 18. She was 17.
• 32:49
  Like they're both kids. Yeah, because they say, like
• 32:52
  babies going to Mount Holyoke in the fall, like she's going to
• 32:55
  college. Yeah.
• 32:55
  So they specifically made her a character that has a birthday in
• 32:58
  like September, October or November.
• 33:00
  December. Yeah, instead of.
• 33:02
  They could have had her have a birthday in June and then
• 33:06
  they're at Kellerman's in July. Like it's whoever wrote the
• 33:08
  script is a fucking creep. I don't think there was any
• 33:11
  malice behind it. I think they were just writing a
• 33:14
  script and the dates and the birthdays and just kind of fell
• 33:17
  into. Place so she doesn't have to be
• 33:18
  a minor. It's so creepy.
• 33:20
  And then for me, I said the location would be different
• 33:23
  because the nostalgia of these, like family summer camp hotels
• 33:27
  no longer exists. Nobody's been to those.
• 33:29
  It would have to be something that's more relatable to the
• 33:32
  public now. Yeah, yeah, I agree.
• 33:34
  That's why I'm like, I'm saying these characters not really
• 33:37
  relatable aside from them being human and they eat and like
• 33:41
  drink water. They're not really relatable
• 33:43
  people unless your dad is a doctor and you're going to the
• 33:47
  Peace Corps and your sister just does fuck all.
• 33:50
  You know, and just that that type of vacation, like it would
• 33:53
  make more sense if they were at like an all inclusive resort or
• 33:55
  something. Yeah, because these family
• 33:57
  resorts, they don't exist anymore.
• 33:59
  All inclusives are accessible to a lot of people.
• 34:02
  Yeah. But like, at that time, I think
• 34:04
  a lot of people did go to these resorts.
• 34:06
  And it does kind of feel near and dear to me because it's in
• 34:09
  upstate New York. Yeah.
• 34:10
  And that's where we used to go on our annual camping trip.
• 34:12
  Every year that was just camping, right?
• 34:14
  And you had all kinds of people showing.
• 34:15
  Scenery is similar when they're in the lake.
• 34:17
  It looks very much like the lake we used to swim in.
• 34:20
  Like it. It looks very familiar.
• 34:22
  Yeah, that's true. I I thought it was like very
• 34:24
  familiar as well, but. Yeah, it may have been shot.
• 34:27
  Yeah, it's just. Near where we went, because that
• 34:29
  was in upstate New York as well. So for me party like 2026 I I
• 34:34
  honestly for one thing here I said if it was made in 2026
• 34:38
  there would be some same sex dancers.
• 34:40
  Oha 100%. There's none of them though so.
• 34:44
  Yeah, I think there probably would be.
• 34:45
  But yeah, I mean, it was the 80s.
• 34:47
  There was no way they were gonna do that.
• 34:48
  No, I know. It was still.
• 34:50
  Very 80s portraying the 60s so. Yeah, both of those times gay
• 34:54
  was very tight. Yeah, exactly what are you doing
• 34:56
  for recasting? So I just picked a few
• 34:59
  characters. Um, I specifically didn't choose
• 35:02
  Penny because nobody has the dancing chops sure to be here.
• 35:06
  But for Johnny, I said that I would like Jeremy Allen White.
• 35:12
  Do you know who that is? The Bear.
• 35:15
  Oh, that. Could be.
• 35:16
  Yeah. OK.
• 35:16
  He has the perfect vibe to be like a dancer from the wrong
• 35:21
  side of the tracks. But he's also very sexy and he's
• 35:24
  a great body. So he could definitely be
• 35:26
  Johnny. I don't know if he can actually
• 35:27
  dance. Yeah.
• 35:28
  Yeah. But you can train anyone.
• 35:30
  Yeah. I mean, Patrick Swayze was very.
• 35:32
  Gifted a lot of movies where the actors trained for like months.
• 35:35
  Yeah, so I'm sure you could train him for baby.
• 35:40
  So they're both fucking radicals.
• 35:41
  Fucking. OK, so option A is Sabrina
• 35:45
  Carpenter. OK, why is that radical?
• 35:48
  Just because the other person I have, OK, so Sabrina Carpenter,
• 35:52
  cause like she's small, she's a good dancer and she could
• 35:55
  portray like a very innocent girl, but then also have that
• 35:58
  like very intense sex appeal or Zendaya.
• 36:03
  OHS the day is not radical. Zendaya wasn't Shake It Up.
• 36:06
  She's a phenomenal dancer. Why is she radical?
• 36:09
  Just because I picked such different people, like very
• 36:12
  different personalities, different body types, different
• 36:14
  races, so. I'm being I'm going to be very
• 36:17
  like cookie cutter because of good.
• 36:20
  Like I have my reasons, but my recasting would be because
• 36:24
  they've already done it. They've been in two movies
• 36:26
  together and they were phenomenal.
• 36:28
  The chemistry was great. It's believable.
• 36:30
  I put for Johnny, I put Ryan Gosling and for Baby I put Emma
• 36:36
  Stone because they did La La Land together.
• 36:39
  Yeah, but they're way too. Old doesn't matter.
• 36:42
  He can look 25 and she can look 17 if you add enough makeup.
• 36:47
  And then if you don't want to put stone, you wanna put
• 36:49
  somebody younger just to have that age gap, I would put
• 36:53
  Zendaya. You picked Sundays, Yeah.
• 36:55
  Yeah, I would put Zendaya because she she can dance and
• 36:59
  Ryan Gosling has the moves. It's funny you mentioned Ryan
• 37:02
  Gosling like 2-3 movies ago and I'm like, why would you pick
• 37:05
  him? He's.
• 37:05
  Like I've mentioned him in a. Couple mentioned him a couple
• 37:07
  times but this one I think would fit perfectly.
• 37:09
  The guy has the moves, he can dance, he's super charming,
• 37:13
  like. He could, but it would have to
• 37:15
  be like notebook age Ryan Gosling.
• 37:16
  You'd have to be a younger Ryan Gosling to carry.
• 37:19
  It I do Rachel Rachel McAdams cause she doesn't like she
• 37:22
  looked older than him in that movie too.
• 37:25
  And I don't think she can dance. She's never danced.
• 37:28
  Yeah, probably. Not.
• 37:30
  For Lisa, the sister, I picked Margaret Qualley.
• 37:34
  Oht that is no. So, you know, Once Upon a time
• 37:37
  in Hollywood, the girl that Brad Pitt keeps seeing.
• 37:40
  The dark haired girl defeat. Yeah, her, her.
• 37:44
  She was just in a music video with Sabrina Carpenter.
• 37:47
  Yeah, and she was serving sex. But also, she looks just like
• 37:52
  Lisa. Like her.
• 37:54
  But she has. Like similar.
• 37:55
  Colouring she. Doesn't just, she does.
• 37:59
  I don't know. Yeah, she does.
• 38:00
  She she could be sexy. She could be in the little hula
• 38:02
  costume. Should throw Sydney Sweeney in
• 38:04
  there because she needs to be in A, She needs to be in a B roll.
• 38:07
  She has the maracas. I OK, I'm just gonna say it
• 38:10
  right here. I would never cast Sydney
• 38:11
  Sweeney in any role because she can't fucking act.
• 38:13
  Yeah, she can play 1 character, she can play her.
• 38:16
  She can play her character in Euphoria and she was good in
• 38:19
  White Lotus, but that's it. Everything else I've seen her in
• 38:21
  has been hot garbage. Yeah.
• 38:23
  I would never cast her. She has no time.
• 38:25
  She has fake boobs. She has fake boobs and no
• 38:27
  talent. Cause I've seen pictures of her
• 38:29
  like in like 20-17 and. Yeah, I don't like her.
• 38:31
  She's not a girls girl. I don't like her anyway.
• 38:33
  And then the last person I have is as Baby's dad.
• 38:36
  I would put Dennis Quaid just because I have such a deep love
• 38:38
  for him. Dennis Quaid.
• 38:40
  I fucking love Dennis Quaid because of the parent trap you
• 38:43
  got. I would.
• 38:44
  Love the intimidating. To the dead.
• 38:45
  I gotta pick somebody. Dennis Quaid could be
• 38:47
  intimidating. No, you need.
• 38:48
  Like, yes he could. I don't know, Like I obviously
• 38:51
  he's not, he's unwell now, but I would pick like Bruce Willis.
• 38:55
  Poor guys like unwell though. Yeah, but Bruce Willis doesn't
• 38:58
  give Doctor Dennis Quaid could be a doctor.
• 39:00
  Bruce Willis gives I'll fuck you up if you yeah, but.
• 39:03
  Thought the doctor in this movie doesn't give those vibes.
• 39:06
  He's more of a Dennis Queen type.
• 39:08
  He's like this, her dad babies, dad gives, I'm gonna drug you
• 39:12
  and you sleep well. He's just a loving dad and a
• 39:16
  doctor like Dennis Quaid can easily play that character.
• 39:18
  Fair enough. Alright, can you watch this with
• 39:20
  your parents? You go ahead.
• 39:23
  I just heard know the dancing is hella too sexual.
• 39:27
  It's really not like I'm shocked that your mom showed you this
• 39:31
  movie. It's it's it's listening.
• 39:34
  It's graphic. There's hot, sweaty sexual
• 39:38
  dancing that can be found at any nightclub.
• 39:41
  OK, How old were you when she showed you this?
• 39:43
  I was like 15. Probably 14 or 15.
• 39:46
  OK, Hot, sweaty, dancing, sexualized dancing.
• 39:50
  There's a scene about an abortion.
• 39:51
  There's a whole thing about an abortion in this movie.
• 39:54
  There's a whole thing about her being like losing her V card to
• 39:58
  this guy and she's a miner, OK. Yeah, well, we didn't.
• 40:02
  I didn't know she was a minor the first time I.
• 40:03
  Watched I know, but I'm just saying like.
• 40:06
  She's 26 in this movie playing. 17 it's just and it's about
• 40:09
  rebelling against your parents as well, which is something I'd
• 40:13
  be shocked that your parents would be like yeah, let's watch
• 40:15
  this you know what I. Mean no you don't understand the
• 40:18
  relationship between a mom and daughter that are really close
• 40:21
  like I am with my mom. OK, you can watch stuff like
• 40:23
  this and it's not weird. It gets weird when my dad enters
• 40:27
  the room. OK, then that's what I'm like.
• 40:29
  So. So I said you can, but baby and
• 40:32
  Johnny. 'S make sure your dad's the door
• 40:33
  is locked. Baby and Johnny's dance scene
• 40:36
  that turns into a sex scene is very sexual.
• 40:40
  Yes, it is. And if you were watching this
• 40:43
  with our daughter and I walked in, I'd be like, what the fuck
• 40:46
  are you watching, dude? That's what I would say.
• 40:49
  Yeah, but I'm gonna watch it with our daughter when you're
• 40:52
  not home. No, you're not.
• 40:53
  We're going to bond over how amazing it.
• 40:55
  Is I'm gonna put something called Less Dirty Dancing on the
• 40:58
  TV? No, you're gonna put clean
• 41:00
  dancing. It's gonna be Haram dancing,
• 41:03
  that's what it's called. It's just gonna be people like
• 41:05
  leaving room for Jesus 6 feet apart.
• 41:07
  Yeah, alright, Favorite and least favorite supporting
• 41:11
  character? Can I go first?
• 41:13
  Yeah, go ahead. OK, I like Billy Kostecki.
• 41:17
  He's a Johnny's cousin. He's like a He helped me get
• 41:20
  the. Job resort, he's great.
• 41:22
  He's a nice guy. He usually sees the good people.
• 41:24
  He tries to help other people. He doesn't judge books by their
• 41:28
  cover. Yeah, he lets baby come to the
• 41:31
  party. She never would have.
• 41:32
  The movie would never would happen without him.
• 41:35
  So I, I really like him. I think he's like, he's not in
• 41:39
  it enough. And when he is, he's awesome.
• 41:41
  He's like. He has a presence for sure.
• 41:44
  He's definitely the audience being like, come on, come on.
• 41:46
  Like, you know, like, let him let her hang out.
• 41:48
  Let her hang. She's knocked out, baby.
• 41:52
  Yeah, my favorite character is Lisa, the sister.
• 41:58
  She's like kind of ditzy, but she also has a lot of really
• 42:01
  funny moments, like when she sings the hula song.
• 42:03
  Like both times I die laughing. I love that and I also think
• 42:19
  it's. That scene needed more crowd
• 42:21
  reactions being disgusted to make it even funnier, but they
• 42:24
  didn't. Have it.
• 42:24
  Everyone's just ignoring her and just like, wanna hula, wanna
• 42:29
  hula. And her voice is really
• 42:32
  beautiful. Yeah.
• 42:34
  I also think it's hilarious that she doesn't know what a towel on
• 42:37
  the door knob means. Ohe yeah.
• 42:39
  I was like, Oh no. Yeah, like there's clearly a
• 42:42
  towel on the doorknob. Don't go in there.
• 42:43
  And she's so that rich guy's wife is just getting it in with
• 42:45
  all these young guys like yo, calm down.
• 42:48
  You're. Gonna catch syphilis bro.
• 42:49
  She's Vivian is horny. Yeah.
• 42:52
  She's she's looking for it, but yeah, Lisa, it's just like
• 42:55
  Robbie, I'm here, it's time. And like pushes the door open
• 42:57
  and nailing somebody else. So she may not be the most
• 43:01
  likable character and she's very sheltered, but she ends up being
• 43:04
  a good sister to baby. And the hula song is what makes
• 43:06
  me love. Her.
• 43:07
  Fair enough. My least favorite the resort
• 43:11
  owner is a Dick. He hires Dicks and treats them
• 43:14
  like Dicks and in turn they become Dicks.
• 43:18
  But Robbie is the worst. Fuck that guy.
• 43:20
  Robbie is the absolute worst. I can't stand him.
• 43:23
  Yeah, he fucking sucks. He knocks somebody up and just
• 43:25
  left. He's the worst in the thing, but
• 43:27
  my least favorite is the Kellerman's Resort owner.
• 43:30
  Same. Yeah, he's the worst guy.
• 43:32
  Ever. Max Kellerman, he's so mean to
• 43:34
  the entertainment staff. The only reason people come to
• 43:37
  your dumb ass little hotel is because of the dancing.
• 43:41
  And he's also, like, horny to fire Johnny the whole movie.
• 43:44
  He wants to fire him. Yeah, he is.
• 43:48
  And he gets all the women because this guy has no moves.
• 43:51
  He's old. He's old and probably married
• 43:53
  year. Old people have charm, they can
• 43:56
  be charming, they can they can reel it in.
• 43:58
  Yeah, But like, what really ran me the wrong way about him is
• 44:00
  like, Johnny and Dan and Penny are dancing up a storm and
• 44:04
  making baby and all the other guests be like, oh, I want to
• 44:07
  learn how to dance like that. And there everybody's watching
• 44:09
  them. Everybody's clapping, cheering,
• 44:10
  enjoying. And then he just comes in the
• 44:12
  side of the screen and does the cut throat motion, like cut it.
• 44:15
  Out. Yeah, Knock it off.
• 44:16
  Why? Everyone's enjoying it.
• 44:19
  He's a killjoy. Yeah, why is it fucking worse?
• 44:22
  He's the. Worst stuck up little bitch
• 44:24
  killjoy and I hate. Him.
• 44:25
  I don't think I've put the word Dick in so many in such a short
• 44:28
  span of sentences before because of this guy, but I did.
• 44:31
  Yeah, he's a Dick. Yeah, he hires Dicks who become
• 44:34
  Dicks. It's true.
• 44:38
  Cultural impact. This movie is has pop culture
• 44:41
  immortality. Yeah, the line nobody puts baby
• 44:43
  in the corner has become a lasting cultural shorthand, for
• 44:47
  sure. But it doesn't.
• 44:50
  Like. It's such a weird thing to say.
• 44:52
  Well, did you know that Patrick Swayze actually really hated
• 44:55
  that line? I did not know that.
• 44:57
  He hated it and he felt very awkward and had to muster up his
• 45:02
  strength to even say it. And that's why in the scene he
• 45:05
  kind of says it in a throwaway way.
• 45:07
  He goes, nobody puts baby in the corner.
• 45:09
  Like he doesn't really cause you could go in there.
• 45:12
  You could be like nobody puts baby in the corner and grab her.
• 45:15
  He doesn't, he doesn't give it that gusto.
• 45:18
  He's embarrassed. He doesn't like that line, so
• 45:21
  keep going. But that line has become so
• 45:24
  impactful and it's kind of a shorthand for defiance and
• 45:29
  breaking free from limitations, which in that case are Baby's
• 45:32
  parents. The colouring resort.
• 45:34
  He's like, we're going to do our dance.
• 45:35
  We're going to show you people like our love, basically.
• 45:39
  The movie explored class barriers in the case of Johnny
• 45:42
  and Baby. Her dad wasn't just unhappy that
• 45:45
  Baby was with Johnny due to his age, but class as well.
• 45:49
  He imagined her ending up with a doctor, her lawyer, so he could
• 45:53
  simultaneously spout that his baby was going to change the
• 45:56
  world. And that hypocrisy was common in
• 45:58
  that age and still crops up today.
• 46:00
  Like he he's so proud of his daughter, she's going to make a
• 46:02
  real difference, but he wants her to make a difference by
• 46:06
  marrying somebody who's going to take care of her and give her
• 46:08
  the cushy life that she's used to.
• 46:10
  Yeah, it's classic, right? Yeah, I'm surprised you didn't
• 46:13
  use the M word for that. I actually this movie is not
• 46:17
  misogynistic at all. I mean, she's a strong female
• 46:19
  character. Who has?
• 46:21
  No, you got the guy who won't help her.
• 46:23
  He impregnated Penny and he's not helping.
• 46:27
  The dad is all about control and my daughter this and my daughter
• 46:30
  that. Yeah, that but it it honestly
• 46:32
  broke the molds of the female lead characters at that time
• 46:36
  because she's intellectual and sexual rather and and she talks
• 46:41
  about social issues rather than just pursuing a romantic
• 46:44
  partner. Like baby has a brain and we all
• 46:46
  know she wants to go into the peace.
• 46:47
  Corps. She cares about other people as.
• 46:51
  Yeah, but that could more just be protecting his child and not
• 46:55
  have to do so much with her actual gender.
• 46:58
  OK. I just wanted to see where you
• 47:00
  land on that cause you went off from your.
• 47:02
  Last. Podcast.
• 47:03
  Well, yeah, cause sometimes it is.
• 47:05
  Alright, so for me I the infamous lift at the end, the
• 47:09
  dance move is parody parodied all the time.
• 47:13
  It's synonymous with this movie like that.
• 47:15
  Sonic moment is synonymous with this.
• 47:17
  However, I've noticed this movie has become quite problematic as
• 47:21
  time has passed in certain areas.
• 47:25
  You can look at it. That's why I called it a time
• 47:27
  capsule. You have to look at it is a
• 47:30
  movie in a time capsule, otherwise it can seem very, very
• 47:33
  problematic. But you have to look at it with
• 47:36
  the right lens. And if you watch it with the
• 47:39
  correct lens, you can enjoy it still.
• 47:40
  Yeah, But Even so, like, it highlights social issues of the
• 47:45
  time. Like abortion in the 1960s in
• 47:48
  New York State was illegal and there was nowhere safe for women
• 47:51
  to go and they had to resort to dangerous back alley abortions
• 47:54
  which risked their lives and the issues still very prevalent
• 47:58
  today because Roe V Wade was overturned.
• 48:01
  No, I know. I'm just saying like it's
• 48:02
  problematic. Now, a lot of the things that
• 48:04
  happen in this movie, well, you got the resort, you got the
• 48:07
  sheltered people. I mean, we talked about all of a
• 48:09
  lot of it. It's just not.
• 48:10
  Aging. I'm just saying there were
• 48:11
  social issues that were touched on that are still prevalent
• 48:13
  today. Yeah, I agree.
• 48:15
  And lastly, it just it inspired movies like Save the Last Dance,
• 48:19
  Step Up and Take the Lead, which are all dance movies also
• 48:22
  include class barriers. So it has become a little bit of
• 48:26
  a subgenre. And honestly, all those movies
• 48:29
  slap. Give me a give me a dance
• 48:31
  montage of ballroom dancing or any kind of dancing and I'm here
• 48:34
  for. It save the last dance is good,
• 48:36
  but some of the dance moves are really cringy to watch now.
• 48:40
  Yeah, well, that's a similar thing.
• 48:42
  She's like a ballerina who needs to learn how to St.
• 48:44
  Yeah, but it's like all they they let that happen.
• 48:47
  Come on. At the time, it was cool.
• 48:49
  Yeah, there's there's like a montage of the cringiest moves
• 48:51
  on YouTube. It's really bad.
• 48:54
  Time. So soundtrack I I just wrote the
• 48:58
  soundtrack of this is fucking amazing.
• 49:00
  Did you know what actually went platinum?
• 49:02
  When I'm not surprised, I'm not surprised.
• 49:04
  Every song in this movie is a banger.
• 49:06
  It's amazing, it went, like I said, it went platinum when it
• 49:10
  was released because it blended nostalgic 60s oldies with
• 49:13
  current hits, making it unique and very memorable.
• 49:17
  I've had The Time of My Life, Hungry Eyes and She's Like The
• 49:20
  Wind are just a few of the hits that add to the films
• 49:22
  atmosphere. And I really do like that.
• 49:25
  Have the oldies like Big Girls Don't Cry is playing.
• 49:27
  It's setting the the mood, Yeah, but then there's also like
• 49:30
  montages where they brought in current songs.
• 49:33
  Hungry Eyes is very, very accurate because she looks like
• 49:37
  she's eating him with her eyes. Her little beady eyes.
• 49:41
  Saying should be the eyes. She does they're.
• 49:44
  Little. Yeah, she does.
• 49:47
  But it's a good soundtrack. Amazing.
• 49:48
  Yeah, good. Soundtrack.
• 49:49
  Amazing soundtrack. Location, location, location.
• 49:52
  So what's your favorite locations?
• 49:55
  The dance studio. OHS really when they're
• 49:57
  training. So they have to go like upstairs
• 49:59
  and saw little dance studio. It just, it has like a, it has a
• 50:02
  vibe. It's like sweaty up there cause
• 50:03
  it's summer. Yeah, yeah.
• 50:05
  Has the, the vinyl music playing.
• 50:08
  It has like the little area where you can change wardrobes
• 50:12
  and there's the iconic baby singing scene in it.
• 50:14
  They're practicing their dancing and they're crawling on the
• 50:17
  floor towards each other. And that was never intended to
• 50:20
  be part of the movie. Jennifer Grey and Patrick Swayze
• 50:23
  were just messing around and being silly, and they were
• 50:26
  warming up to do the real. Scene Where's my pleasing arc?
• 50:30
  Spaghetti arms? Could you give me some tension
• 50:33
  please? You're invading my dance space.
• 50:37
  This is my dance space. That's yours.
• 50:40
  Let's cha cha. The director liked it so much
• 50:42
  that he kept it with the film. Sometimes it real stuff, you
• 50:45
  can't even write it, it's just. Because they were just being
• 50:47
  silly and like singing to each other and being flirty and it's
• 50:51
  a, the chemistry was great. So it came off really well.
• 50:54
  So my favorite location was when Johnny teaches baby how to
• 50:58
  balance, he takes her to the log above the water.
• 51:01
  That's my favorite location in the movie because you can really
• 51:05
  like feel the fresh air and the sound of the water.
• 51:08
  It feels like they're in the great outdoors and it just, it
• 51:11
  kind of neutralizes both of them.
• 51:14
  Now most important thing to remember in lifts is balance
• 51:21
  well. I got it now because there's no
• 51:30
  music. It's you and me.
• 51:32
  There's nobody else around. It just seems very, very nice.
• 51:35
  And like we said, it's it's set in upstate New York.
• 51:38
  And upstate New York has some of the most beautiful, like Woods.
• 51:42
  But a funny thing about that scene is actually Patrick Swayze
• 51:46
  was very insistent on doing that stunt himself.
• 51:49
  And he fell several times and hit his knee so many times that
• 51:53
  he had to go to the hospital and have fluid pain from it.
• 51:55
  Ouch. In a dancing movie.
• 51:58
  Well. Where he needed his knees.
• 52:00
  He he likes to go ham and I have a little comment about that
• 52:04
  shortly, so I'll bring that up in a bit.
• 52:06
  But OK, who gets spin off? So I wanna show about the
• 52:10
  entertainment staff working at Kellerman's for the summer.
• 52:14
  An ensemble. TV show stage kind of thing.
• 52:16
  Well, like an ensemble TV show, there could be like 6 or seven
• 52:19
  of them that are main characters.
• 52:21
  We follow them on their day-to-day.
• 52:22
  They have romances. They could be going to other
• 52:24
  hotels and doing performances. There could be a lot of dancing.
• 52:27
  Yeah, there could be conflicts between them and the waiters,
• 52:30
  interactions with the staff. You could have like several
• 52:33
  seasons. Didn't think of that at all, but
• 52:37
  that would be good. Like just a different storylines
• 52:40
  for different. People.
• 52:40
  Yeah, because we see a little bit of it.
• 52:42
  With it, it would. It seems like it'd be like
• 52:44
  oranges and new, that kind of thing.
• 52:45
  Just a bunch of different storylines.
• 52:47
  It's obviously not in prison, but you know, working at resort.
• 52:51
  Yeah, I think it would be really interesting.
• 52:52
  Like we get little glimpses of it throughout the movie, but I'd
• 52:55
  like to focus on the entertainment stuff the most.
• 52:57
  They're the most. Interesting.
• 52:58
  Yeah. One of them got somebody
• 52:59
  pregnant. Yeah.
• 53:00
  Hell yeah. How about you?
• 53:02
  I wrote Johnny Castle sequel. I wanna see more of this guy
• 53:06
  because he's a really interesting character.
• 53:09
  You root for him. You want him to succeed.
• 53:12
  Does he get his own dance studio?
• 53:14
  Does he, you know, become a famous dancer?
• 53:18
  Does he become big on television?
• 53:20
  Yeah, they'd have to have something cool like that
• 53:22
  happened to him because in the movie he's like, my dad was able
• 53:24
  to get me into the union of the house painters and plasterers.
• 53:27
  Yeah, he doesn't want that for his life.
• 53:30
  It's boring. And he has such a beautiful gift
• 53:32
  like doing that, it feels like it would be such a waste.
• 53:35
  That's why I want to see the Johnny Castle sequel.
• 53:37
  Like what happens? Does he do house calls?
• 53:39
  Does he go, does he go to like rich women's homes and dance,
• 53:43
  teach them how to dance, You know, like.
• 53:45
  Yeah, Realistically though, he probably just get my house
• 53:47
  painter, which really sucks. That's kind of rude.
• 53:50
  Why would you say that? Because he has no money and he
• 53:53
  has no way of making his dreams come.
• 53:55
  True, and he has talent in his drive.
• 53:57
  Yeah, talent. Talent is only half of it.
• 53:59
  Yeah, but you just need drive. That's true.
• 54:02
  Double feature what you got. So I think flash dance
• 54:07
  Flashdance is actually became out, came out before this.
• 54:10
  Yeah, I think it came out in 1983 and 1984.
• 54:13
  Yeah. And it's also a very iconic
• 54:15
  dance movie. She's.
• 54:17
  It's racy. It's racy.
• 54:19
  She's a welder, but she wants to be a dancer and she is applying
• 54:22
  to a dance school and goes and dances for them and shows them
• 54:25
  how talented she is. Yeah.
• 54:27
  So it's a similar thing. Like she's in kind of.
• 54:29
  She has a class barrier in her way.
• 54:30
  And she couldn't. Do that.
• 54:32
  Well, it could be, Yeah, it could be a very similar story.
• 54:35
  But The funny thing about flash dance is I went on a Girls Again
• 54:38
  to my moms and my mom showed us the movie.
• 54:42
  Yeah. And we loved it, and we talked
• 54:45
  about it after how much we loved it.
• 54:46
  And then just recently, I was at my mom's house and I was like,
• 54:49
  yeah, you showed me flash dance. I loved it.
• 54:50
  And she's like, no, no, you didn't like it.
• 54:52
  And I was offended and I was like, no, I I loved it.
• 54:55
  And she's like, no, no, no. Like she wouldn't.
• 54:57
  She, she's trying to tell me that I didn't like it.
• 54:59
  She wouldn't accept it. She's like, no, no, you offended
• 55:01
  me and you didn't. You didn't like it enough.
• 55:04
  I. Was like OK shit because my mom
• 55:08
  this is another movie that my mom adores.
• 55:10
  Yeah, clearly. I'm guessing her dance moves
• 55:12
  come from that and from Dirty Dancing.
• 55:14
  Yeah, So what about you? My double feature is Ghost.
• 55:18
  I'm watching Dirty Dancing 1st and then Ghost with Patrick
• 55:21
  Swayze. Yeah.
• 55:22
  Because I kind of feel like it's a secret sequel, so.
• 55:26
  It's really sad. Dirty Dancing ends, Baby goes to
• 55:31
  the Peace Corps, they never get back together and then Patrick
• 55:35
  Swayze falls into like this really bougie Rob and then he
• 55:39
  meets some shitty people that betray him and then he dies and
• 55:43
  then ghost happens. You just fall in love with the
• 55:46
  other girl. First, yeah, I know he meets
• 55:48
  somebody else. Secret sequel.
• 55:50
  The funny thing about Ghost, yeah, is whenever I think of
• 55:55
  that movie, I think of building that little orange car that our
• 55:58
  son got for his 1st birthday. Yeah, because as we were
• 56:01
  building it, we were listening to a movie podcast about ghosts.
• 56:05
  We were. Yeah.
• 56:06
  I don't remember that. Well, you know, we sometimes
• 56:08
  listen to podcasts. Yeah, but I don't think it was
• 56:10
  that movie. Yes, it was.
• 56:11
  I was building the car and you were building his little table
• 56:15
  OHS and we listened to a podcast about that movie and which is so
• 56:18
  random cause I don't know that movie very well.
• 56:20
  Oh, OK. Yeah.
• 56:22
  So whenever I think that, I think.
• 56:23
  Is Laurence car cause I was putting the car together and
• 56:26
  then I don't remember. The no, I put the car together.
• 56:28
  You were putting the table together.
• 56:29
  Listen, yeah, he needed a lot of help, but they.
• 56:31
  Needed a little bit of help with with the tires and that's it, I
• 56:35
  did the rest. Massage and he kicked in and I
• 56:36
  had to help. You that tired that that that
• 56:38
  little car still it's still in, still in working order.
• 56:42
  Yes. Laughing at a funeral.
• 56:44
  Do you have anything for this? No.
• 56:46
  So the emotional scenes, they're they're a little bit shitty
• 56:49
  acting. There's some scenes where
• 56:51
  between baby and her dad were sitting in the gazebo and he's
• 56:54
  like, he's so fucking sad, he's so depressed that his daughter
• 57:00
  lied to him. Bro your daughter lied to you to
• 57:04
  help somebody who was in desperate need and.
• 57:08
  Yeah, but it was illegal and he asked her if is this illegal
• 57:10
  baby and she said no, she lied. About that, No, no, I know.
• 57:14
  I'm just saying like the the acting is not believable.
• 57:17
  Like he's talking to her and she's talking to him and it's
• 57:20
  just it's very pedestrian acting a lot of the scenes that way,
• 57:24
  but it has a little bit of charm to it.
• 57:27
  So it's it's pass, but it's some of the acting is very cringy.
• 57:32
  I'll give you that. But I, I think it is believable
• 57:34
  because he she's his golden child.
• 57:36
  And she really disappoints. And she turns out to not be the
• 57:39
  person he thought she was. Yeah.
• 57:41
  So he's like having a hard time accepting the person that she
• 57:44
  truly is. Yeah, I mean, parents need to
• 57:47
  fucking chill out. They need to understand that
• 57:49
  your kid is a person. They're going to do their own
• 57:52
  thing. And it's a hard pill to swallow,
• 57:53
  but you know, it's a fact of life.
• 57:56
  Unfortunately, it will come across that she's.
• 57:59
  A real daddy's girl with the. Beginning come across that one
• 58:01
  day as well. So I have a kiss, marry, kill
• 58:04
  for you. Sure.
• 58:06
  So kiss, marry, kill baby's mom. OK, Lisa, her sister and Penny.
• 58:15
  I have to kiss, marry or kill one of these people.
• 58:17
  Have to kiss one, marry one and kill 1.
• 58:20
  OK, it's gonna. Be kill this fucking harsh.
• 58:25
  I'll probably kiss Penny. OK.
• 58:29
  I'll kill the sister, OK, And I'll marry the mom.
• 58:33
  OK, good, I do. Nice.
• 58:34
  I do want you to kill Emily. Gilmore, the sister, is really
• 58:37
  fucking annoying. The mom actually is chill.
• 58:41
  Near the end of the movie, she actually speaks out.
• 58:43
  She says I'm fucking lying at the end of the movie.
• 58:45
  And then Penny's probably the one that would like give up a
• 58:49
  kiss and wouldn't be weird about it.
• 58:52
  So as you. Can probably give her a kiss mid
• 58:54
  dance. Yeah, she wouldn't mind.
• 58:57
  Like I've said several times on the mom, Yeah, Yeah, Baby's mom
• 59:00
  is Emily Gilmore and the Gilmore.
• 59:01
  Girls I know. Fucking amazing.
• 59:04
  Yeah, you mentioned that like 7 times.
• 59:06
  She's such a treasure. I love her so much.
• 59:08
  OK. Did I mention it while we were?
• 59:09
  Watching it, yeah, but she sucks.
• 59:11
  She sucks in Gilmore Girls. Isn't she awful?
• 59:13
  No, I am Emily Gilmore. Excuse me?
• 59:16
  She's Lorelei's mom, and she's the most reasonable one in the
• 59:19
  show in. Most episodes.
• 59:20
  But they're rich assholes, aren't they?
• 59:22
  They're portrayed that way, but to be honest, Lorelai Gilmore is
• 59:26
  a Dick to her mom a lot and doesn't tell her about big life
• 59:29
  events. Sure, and the mom understandably
• 59:31
  gets upset. OK.
• 59:33
  And people judge her for that. Emily Gilmore is the best
• 59:36
  character on that show. And I'll go, I'll go to bat on
• 59:37
  that. Alright, alright, I'm not
• 59:39
  arguing, I'm just asking. Lazy Sunday vibes.
• 59:43
  I said yes for the music and the dance numbers.
• 59:47
  I'll do it. The first time I watch it with
• 59:49
  my mom, it was a Sunday morning. It was like, more like, like,
• 59:53
  like 11. Yeah.
• 59:54
  Yeah. Like brunch time.
• 59:55
  Yeah. And it's a perfect time to watch
• 59:57
  that movie, especially on a summer day.
• 59:59
  Fair enough. And then?
• 1:00:00
  You go for like a little bike ride laughter.
• 1:00:01
  Or something. OK, really.
• 1:00:03
  And bike ride after Dirty Dancing?
• 1:00:05
  Yeah, OK. Or you take a long shower.
• 1:00:09
  Why? Because Patrick Swayze is so
• 1:00:12
  hot. That's gross.
• 1:00:16
  We're cutting that out. That's gross.
• 1:00:21
  OK, movie. Alias, What did you write?
• 1:00:25
  So I just said baby. Just baby.
• 1:00:29
  That'd be a good movie. Cause of the abortion too.
• 1:00:31
  Like it's it's all connected. Yo.
• 1:00:34
  She's underage, her names baby. There's a baby that gets
• 1:00:38
  aborted. You take that back?
• 1:00:40
  What? That's fucking offensive as
• 1:00:42
  fuck. It's called baby because that's
• 1:00:43
  the name of the. Man just saying like there's
• 1:00:46
  there's a correlation between the the name and what's
• 1:00:50
  happening in the movie. Cancelled why you picked the
• 1:00:53
  name? I also had Kellerman's Resort,
• 1:00:58
  which could also be the name of my show.
• 1:01:00
  OK. And I have summer dancing
• 1:01:03
  instead of Dirty Dancing. Ohk OK I got Haram dancing
• 1:01:09
  because it's funny because it's really Dirty Dancing.
• 1:01:12
  Also really Dirty Dancing, Dirtier Dancing, which would be
• 1:01:18
  a really neat good name for a sequel.
• 1:01:19
  Yeah. And then Baby's Choice.
• 1:01:23
  Oh my God. Because.
• 1:01:27
  Fucked up. It's connected to pro-choice and
• 1:01:31
  also baby's decision as to what she wants to do.
• 1:01:33
  Follow her dad's bullshit or dance her ass off.
• 1:01:37
  That's what you can decide if you want to keep that.
• 1:01:40
  It's fucked up. What's that?
• 1:01:43
  Why is baby's choice? It's her choice.
• 1:01:46
  OK, best performance. I wrote Patrick Swayze too.
• 1:01:54
  Yeah, he feels like a real true blue collar guy.
• 1:01:57
  Yeah, he's very believable. He's trying to do something else
• 1:02:00
  and something good with his life.
• 1:02:02
  Yeah, you root for him. I don't even give a fuck about
• 1:02:04
  baby, no offence. Not to mention he's a phenomenal
• 1:02:07
  dancer. Like he really is the one doing
• 1:02:09
  all that crazy. Movies about him.
• 1:02:11
  In my opinion, it's not about her.
• 1:02:14
  I mean, it's more about baby than Johnny, but we get to know
• 1:02:18
  Johnny through the movie. But he's way more relatable.
• 1:02:22
  He's. Way like because he's working
• 1:02:24
  hard, he's got a chip on his shoulder.
• 1:02:25
  He's figuring. Out he's going through the
• 1:02:27
  struggles he's struggling he's trying to make it he's trying to
• 1:02:30
  make something of himself. She's basically got everything
• 1:02:33
  ready for her. Oh, you want to go to
• 1:02:35
  university? Her her dad, he's about to hand
• 1:02:38
  out letters for other fucking guys at the resort to get their
• 1:02:42
  them into medical school. Like she's got a clear path.
• 1:02:46
  This guy's trying to make it on his own steam.
• 1:02:48
  It's really commendable. Yeah.
• 1:02:51
  I mean, that's just my thing. What do you think?
• 1:02:53
  Yeah, Patrick Swayze gives the best performance.
• 1:02:56
  I mean, I do think Baby's performance, like I was saying
• 1:02:59
  earlier, yeah, it is. It is good because she does have
• 1:03:02
  like, this silver spoon lifestyle.
• 1:03:04
  But she's still like, I wanna go into the Peace Corps.
• 1:03:06
  I wanna do something good with my life.
• 1:03:07
  I wanna make a difference. Yeah, well, also growing up very
• 1:03:13
  pampered, Yeah, in the lap of luxury.
• 1:03:16
  She is trying to do something positive with her.
• 1:03:19
  Life, She's a good person. Yeah, no, I didn't say she's bad
• 1:03:22
  ones, just he's his character is way more relatable and just
• 1:03:27
  you're rooting for the guy from the the moment he starts.
• 1:03:31
  Going to shower, thoughts. Alright, so I said this while we
• 1:03:34
  were watching it, but the romantic lake lift was shot in
• 1:03:40
  40°F. Sure, 4°C weather or water in
• 1:03:44
  October, and it left the actor shivering in blue, defying the
• 1:03:50
  summer setting. You can't tell they're cold, so
• 1:03:52
  they're really fighting through it.
• 1:03:53
  But Jennifer Grey, I heard her talk about it once and she was
• 1:03:56
  like I I wondered if my nipples could explode, I was so cold.
• 1:03:59
  Such a weird thing to say. Also you could see her nipples
• 1:04:01
  right through her shirt and that scene.
• 1:04:03
  Yeah, because the water was ice cold.
• 1:04:04
  You know, and she's not wearing a bra.
• 1:04:07
  That's a very provocative. I think she's wearing a sports
• 1:04:09
  bra. We saw a miner's titty.
• 1:04:11
  She's 26. We're 2 movies into our we're
• 1:04:14
  we're we're 13 movies into our podcast and we've seen 2 minor
• 1:04:18
  titties. She's 26 IRL.
• 1:04:20
  He's yeah, she's 26 IRL. Was this movie a commentary on
• 1:04:24
  anti abortion laws? Characters are left to make
• 1:04:27
  their quote UN quote choices, but it seems like they're being
• 1:04:30
  pushed into, you know, whatever direction they want to, either
• 1:04:33
  by parents or by society. There's a lot of.
• 1:04:36
  Well, in Penny's case, she doesn't have the money or the
• 1:04:38
  ability to care for a child by herself, so she feels trapped
• 1:04:41
  and she's like, the only option is an abortion and it's illegal.
• 1:04:45
  Yeah. So she has to go and get a back
• 1:04:47
  alley abortion. No, I I get that part, but also
• 1:04:50
  like you have baby, she's not pregnant, but she's trying to
• 1:04:54
  make her own choice. And then people, society is
• 1:04:57
  telling her, no, you gotta do this.
• 1:04:58
  You're not allowed to dance. You're not allowed to do this
• 1:05:01
  with this guy. You have to follow this path.
• 1:05:04
  Like, is this a commentary? Like the whole movie?
• 1:05:07
  Is it a commentary? Being pro-choice?
• 1:05:10
  No, I don't think I think you're reading too much subtext.
• 1:05:12
  I mean, there is some commentary about it in Penny's decision,
• 1:05:15
  but baby, it's more so talking about like breaking free of
• 1:05:18
  shackles and defying limitations.
• 1:05:20
  Such as anti abortion. Laws, yeah, but it's not
• 1:05:23
  particularly talking about abortion.
• 1:05:25
  It's just talking about. I know, I know.
• 1:05:27
  It's kind of like they're both fighting their own battle in a
• 1:05:30
  certain way. Yeah, fair enough.
• 1:05:32
  As the dancing scenes progress, we see babies slowly starting to
• 1:05:35
  wear more makeup and less clothing to the point where
• 1:05:38
  she's just dancing with him in undies in a thin white T-shirt.
• 1:05:42
  So the movie is really a sexual awakening for Baby and for all
• 1:05:46
  the young girls watching it. And that's why you don't show it
• 1:05:48
  to your daughter. Just saying.
• 1:05:52
  Does the baby go back to join the Peace Corps after this
• 1:05:54
  bullshit? What happens?
• 1:05:55
  Like what's the fallout? Does does Johnny become a famous
• 1:05:58
  dancer? Like do they continue dating?
• 1:06:00
  Do they exchange numbers? Listen, I'm gonna be an asshole
• 1:06:03
  right now and say baby goes home with her family.
• 1:06:06
  And forgets all about him. Forgets all about him.
• 1:06:08
  Goes goes to Mount Holyoke in the fall, goes into Peace Corps.
• 1:06:12
  Johnny goes and buys a house painter.
• 1:06:14
  Why that's so shitty? Well, this was their This was
• 1:06:17
  their last chance to have a good summer.
• 1:06:19
  What the fuck? So bleak.
• 1:06:22
  That's terrible. I mean, realistically, but like,
• 1:06:25
  my hope is that like, he went on to be a famous dancer.
• 1:06:28
  She went to the Peace Corps and they kept in touch.
• 1:06:29
  Then they got married. OK, so that kind of goes into
• 1:06:31
  what my next thing is here. I think this movie, most of it
• 1:06:35
  was just a dream because it's narrated OK Baby's telling us
• 1:06:41
  her story. Narrated in the very first.
• 1:06:42
  Scene though, no, but she's narrating and she's telling the
• 1:06:46
  whole story, the narrations, the part she let me tell you the
• 1:06:50
  story of that and then the ending is very much like a
• 1:06:53
  daydreaming like she's sitting in the chair with her parents
• 1:06:57
  and her sister in the corner right.
• 1:06:59
  And then Johnny just walks in, tells her parents off basically
• 1:07:04
  and picks her up takes her to the stage and grabs the mic and
• 1:07:09
  just starts talking like they would have escorted this guy out
• 1:07:13
  of the place. He's been fired.
• 1:07:15
  Like they just let him talk and then he's like, we're gonna
• 1:07:17
  dance and you're going to fucking much and they're just
• 1:07:20
  let it happen. It's a complete fallacy.
• 1:07:23
  Like there, it's a Daydream. She's sitting there daydreaming
• 1:07:26
  about. I wish this happened to me.
• 1:07:28
  I wish Pat Patrick Swayze, Johnny Castle would come back
• 1:07:32
  and take me and show everybody our beautiful dance routine.
• 1:07:36
  It's a. It's a.
• 1:07:37
  It's a dream leaving anticlimactic too because he
• 1:07:40
  leaves like 1 scene before that and it's like she's like the
• 1:07:43
  wind is playing and it's like oh Johnny's leaving and then like
• 1:07:45
  literally the next scene is back.
• 1:07:47
  I think it's a it's a Daydream like.
• 1:07:50
  It could be. She's sitting there and she's
• 1:07:52
  embarrassed and she's watching her sister fucking with her
• 1:07:55
  boobs out, doing the the terrible.
• 1:07:58
  Dance. Yeah, I.
• 1:08:00
  Think it's all a? Dream.
• 1:08:02
  Yeah, I think Johnny, Johnny Castle gets told off by the dad
• 1:08:07
  and they say goodbye at the car and then he he pieces out.
• 1:08:12
  Yeah, but I mean that and. Especially if you're telling me
• 1:08:15
  that she just goes to the Peace Corps and he becomes a painter.
• 1:08:19
  I'm I'm not saying that that's what happened.
• 1:08:21
  I'm saying realistically that's probably what happened, but I
• 1:08:23
  hope for something more joyful. But anyway, moving on.
• 1:08:27
  Jennifer Grey was so ticklish that she and Patrick Swayze had
• 1:08:30
  to redo the arm stroking scene like 20 times.
• 1:08:33
  So in the dance montage, it shows her laughing from her
• 1:08:36
  armpit being stroked, basically. Yeah, that's real.
• 1:08:39
  Maybe she just lied and liked it.
• 1:08:41
  She's like do. It again.
• 1:08:42
  Well, she really couldn't handle it.
• 1:08:43
  There's there's a point where she's like smiling when he takes
• 1:08:45
  her arm because she knows she's gonna laugh.
• 1:08:47
  Yeah, that was real. She really was about that
• 1:08:49
  ticklish. So they had to redo it like 20
• 1:08:51
  times before they got her not laughing.
• 1:08:53
  Speaking of Patrick Swayze and Jennifer Grey, did you know that
• 1:08:56
  they had a beef before the starting of this movie?
• 1:09:00
  Yeah, that's from their movie Red Dawn.
• 1:09:01
  They hated each other. Yeah, she had a real problem
• 1:09:05
  with him because kind of like what you were saying, he wanted
• 1:09:08
  to do the stunts on his own. He was like a workaholic
• 1:09:12
  professional perfectionist. And she was just very chill and
• 1:09:15
  happy go lucky. And he fucking hated it.
• 1:09:17
  He's like, I need, you know, he's like, why?
• 1:09:19
  Like he he was Mamba mentality and she wasn't and he didn't
• 1:09:23
  like it. And they, they butted heads on
• 1:09:25
  Red Dawn. And then at the beginning of
• 1:09:27
  this, they were butting heads. And then he apologized.
• 1:09:30
  To her actually had to convince her to do this movie.
• 1:09:33
  Well, he apologized to her. She wasn't going to do it.
• 1:09:35
  And he convinced her. He said that our chemistry is
• 1:09:37
  really good. You have to do it.
• 1:09:38
  Yeah. And yeah, they, they also butted
• 1:09:40
  heads on this. And then he apologized, and then
• 1:09:42
  they got. Along he apologized, they got
• 1:09:43
  along, but you can tell that I saw some of the scenes.
• 1:09:46
  He's fucking fed up with her shit and I'm like, is that real?
• 1:09:50
  It's gotta be real because it's it's too.
• 1:09:52
  It's too realistic. Now that I know what I know what
• 1:09:56
  else you got? Do you think Penny was in love
• 1:09:59
  with Johnny? Yeah, of course, 100%.
• 1:10:02
  Lean, of course. She's supposed to not be
• 1:10:04
  interested in him. No, she is.
• 1:10:06
  You don't dance with somebody like that all the time and
• 1:10:09
  they're your main dance partner and you're both attractive and
• 1:10:12
  yadda yadda yadda and not grow feelings.
• 1:10:15
  Yeah, and she tells him, like to cut it off with baby.
• 1:10:18
  Yeah. And every time she sees him,
• 1:10:19
  she's like Johnny. Yeah.
• 1:10:21
  Like in her room. Like, it's like.
• 1:10:22
  Why so? Member when?
• 1:10:23
  Remember when she found out? Like she looked at them and the
• 1:10:26
  she figured out that they were a thing?
• 1:10:28
  Yeah, she was in bed. She was like, you could tell
• 1:10:30
  there was this like bittersweet look to her.
• 1:10:32
  Face, That's what I'm saying. Is she like, jealous in that
• 1:10:34
  moment because she's in love with her?
• 1:10:35
  Yeah, I wouldn't say jealous, just kind of like, you know,
• 1:10:39
  kind of wish it was her without the envy part.
• 1:10:43
  Yeah, Robbie, this fucking guy. So in a lot of movies there's a
• 1:10:49
  happy ending. The couple, you know, they get
• 1:10:51
  away, they do their own thing, whatever, yada yada.
• 1:10:54
  Robbie should have gotten his companions.
• 1:10:56
  He doesn't. This fucking guy at the end of
• 1:10:59
  the movie, Johnny punches him a couple times, beats him up a
• 1:11:02
  little and says you're not worth it.
• 1:11:04
  And then the dad's about to give him a a letter of recommendation
• 1:11:09
  to the medical school. For Yale Medical.
• 1:11:11
  Yeah, and then he finds out that I guess this Robbie guy just
• 1:11:15
  tells him, basically, and he finds out that he's the one who
• 1:11:19
  impregnated Penny and did nothing to help and he didn't
• 1:11:22
  care what happened to the baby. And he takes the letter back.
• 1:11:26
  Nothing happens. That rich asshole kid Robbie is
• 1:11:30
  gonna leave that job and go to whatever school he wants and
• 1:11:35
  become whatever he wants because he's got a silver fucking spoon
• 1:11:38
  in his mouth. He never gets his comeuppance.
• 1:11:41
  Well, he does get beat up. He doesn't.
• 1:11:43
  He doesn't get his letter of recommendation.
• 1:11:45
  That he wanted. And he doesn't get to bang Lisa.
• 1:11:48
  But he doesn't have an arc, he's just a shithead.
• 1:11:51
  He doesn't need to have an arc. He's he's just like side.
• 1:11:53
  Character that we're supposed to be there in these movies.
• 1:11:56
  Think him getting beat up is supposedly his comeuppance?
• 1:11:58
  It's not because he's an arrogant Dick to the dad at the
• 1:12:01
  end when he's getting his letter.
• 1:12:03
  He's not. Yeah.
• 1:12:04
  You know what I'm saying? Like these characters need their
• 1:12:07
  come uppance. They need, you know, your your
• 1:12:09
  Dick, you're gonna get karma. Karma comes back to you.
• 1:12:12
  Like, what the fuck, man? Weird.
• 1:12:15
  It's it's that happens in Movies Now where somebody does some bad
• 1:12:19
  shit. It comes up like later in the
• 1:12:21
  movie, but this, it's just like Nana.
• 1:12:24
  I'm a rich kid. I'm good, we're good to go.
• 1:12:26
  Well, sticking on the on the Robbie, just because you brought
• 1:12:28
  it up, what do you think he did to Lisa at the golf course?
• 1:12:31
  What do you mean? Like she's hobbling away from
• 1:12:33
  the golf course and she goes, I don't hear an apology, Robbie.
• 1:12:36
  And he goes, why don't you go back to your mommy and daddy?
• 1:12:38
  Maybe you'll hear one of your dreams.
• 1:12:41
  He probably fucking hit her with a Golf Club.
• 1:12:42
  Who knows? The guy's nuts.
• 1:12:44
  She hit her with a Golf Club. He obviously like somehow
• 1:12:46
  sexually assaulted her, but do you think he did?
• 1:12:49
  You think he grabbed a booby? Ohe I didn't go there.
• 1:12:51
  I think he just physically harmed her, like with something.
• 1:12:54
  I don't think he sexually assaulted her.
• 1:12:55
  Why would you think he hit her with a Golf Club?
• 1:12:58
  I don't know cause he's a fucking weirdo.
• 1:13:00
  No, I think he was trying to get it in and she was like, get away
• 1:13:03
  from me. And it got like he did.
• 1:13:05
  And then she was like hobbling away on her broken heel.
• 1:13:07
  Another reason why this guy never got his comeuppance he
• 1:13:10
  should have got. So it's little rapey.
• 1:13:12
  Yeah, he should have. You know what?
• 1:13:13
  It should have happened at the end.
• 1:13:14
  Penny should have embarrassed him in front of everyone and he
• 1:13:18
  should have got a public shaming.
• 1:13:20
  Yeah, alright. So does this movie hit different
• 1:13:23
  as a parent? It does because of a few
• 1:13:26
  reasons, like just showing it to your kids.
• 1:13:30
  I mean, it's not a movie for kids, in my opinion.
• 1:13:36
  It's not a movie for your teenage daughter.
• 1:13:38
  And my opinion is no, seriously. Stop being so uptight.
• 1:13:42
  No, I'm saying it's it's called Dirty Dancing.
• 1:13:44
  You don't think a teenager can watch that A.
• 1:13:47
  Teenager, a malleable teenager? Probably not.
• 1:13:51
  But yeah, that's the thing. Like there's things in this
• 1:13:53
  movie that happen and the reason I find that it hits different as
• 1:13:57
  a parent is not because of what happens.
• 1:14:00
  Like, yeah, the scene where the girl, like pennies you gets
• 1:14:03
  pregnated and she has to have an abortion, like does it off the
• 1:14:06
  box and it's like really shady. But you feel like this movie is
• 1:14:10
  it's manipulative. And if your kids watch at a
• 1:14:14
  young age, I feel like they can. The characters aren't real.
• 1:14:18
  They're not. Relatable, I told.
• 1:14:19
  Just a campy, soapy movie. I'm showing it to our daughter.
• 1:14:24
  And you're going. To have to deal with that
• 1:14:25
  because it was a very special experience that I had with my.
• 1:14:28
  Mom, when she turns 37, you can show it to her no problem.
• 1:14:35
  For me I said oddly when I watched this movie I still feel
• 1:14:39
  like I'm baby's age and I relate to her much more than the
• 1:14:42
  parents which I think is by design because they don't
• 1:14:46
  develop the parents characters very much.
• 1:14:48
  So I think you're supposed to kind of side with baby but it
• 1:14:52
  doesn't really hit different for me as a parent.
• 1:14:53
  Like I I feel the same as I did as that 14 year old girl on the
• 1:14:56
  couch with my mom watching for the first time.
• 1:14:59
  That being said, if my young minor daughter was having sex
• 1:15:02
  with and dating a 24 year old, good, I would be pretty upset
• 1:15:06
  about it. Yeah, I mean, don't get me
• 1:15:09
  wrong, it's a fun movie, but my thing is that it's kind of got
• 1:15:13
  this twisted sense of reality because it's a fun romp and
• 1:15:17
  whatever, you know, it's like summer time and there's dancing
• 1:15:21
  and it's provocative and things like that.
• 1:15:23
  But I have literally seen people watch movies like that of
• 1:15:27
  different kinds of different languages, and been manipulated
• 1:15:32
  into thinking that that's how people work.
• 1:15:35
  And you're smiling at me, but you don't understand what I'm
• 1:15:39
  talking about. Babe, you're allowed to show a
• 1:15:41
  teenager a movie like this. There's a lot worse things you
• 1:15:44
  could show a teenager. No, I know, I know.
• 1:15:46
  But this movie is, it's masked. It's like people will take it
• 1:15:50
  and be like, oh, this is OK. Like I can do this.
• 1:15:53
  I can be a fucking asshole and impregnate a girl and then just
• 1:15:58
  peace out and everything. Will be fine.
• 1:15:59
  Nobody thinks that watching this.
• 1:16:01
  That's ridiculous, that. You're there are some twisted
• 1:16:03
  people are ridiculous. There are some twisted people.
• 1:16:06
  How many, how many watermelons out of 10 do you give this
• 1:16:08
  movie? Watermelons.
• 1:16:10
  Yeah, cause he was. I was gonna say merengues.
• 1:16:14
  No Pechanga's. You guys.
• 1:16:16
  How many Pechanga's at a time do you give this?
• 1:16:18
  Movie. So I no, I'm gonna give
• 1:16:20
  watermelons. Fucker Pachanga.
• 1:16:22
  I'm gonna give this movie for what it is.
• 1:16:27
  I'll give it a A8 and eight out of 10 K, 8 out of 10
• 1:16:31
  watermelons. I gave it a nine watermelons out
• 1:16:33
  of 10. Yeah, it's a great dancing,
• 1:16:36
  really intense, like Patrick Swayze the movie if you had
• 1:16:41
  somebody who was slightly less good as the male.
• 1:16:45
  Has a great. President it would have because
• 1:16:48
  babies pretty good, but Patrick Swayze's fucking top notch in
• 1:16:51
  this movie. Just saying he's the Swayze.
• 1:16:54
  The Swayze is on on like he's on.
• 1:16:56
  It crazy Swayze honestly. Yeah, I call them the sways.
• 1:17:04
  Oh, I'm going to end the podcast with our baby crying.
• 1:17:07
  Yeah, so that is it for Dirty Dancing, Haram dancing, really
• 1:17:13
  Dirty Dancing or dirty or dancing, whatever you wanna call
• 1:17:15
  it. But thank you so much for
• 1:17:17
  listening. We hope you enjoyed that
• 1:17:19
  episode. Yeah, Please follow us on
• 1:17:21
  Spotify or Apple Music. Don't forget to follow us on
• 1:17:24
  Instagram and like and comment on our videos.
• 1:17:27
  You can also reach out to us on Instagram and let us know if you
• 1:17:30
  want us to review any movies that we haven't done yet.
• 1:17:32
  Yes, Five star review. Please Five star review listen
• 1:17:35
  to our other podcast Mom. I hope you enjoyed this episode
• 1:17:38
  because it was very mom oriented.
• 1:17:41
  It was and I loved it. Now I know how you feel when we
• 1:17:44
  did the Matrix cause that was all.
• 1:17:45
  You no, I know it's fun, it's good.
• 1:17:48
  It's good. Like a different perspective.
• 1:17:51
  Do different types of movies, Like we're not going to do all
• 1:17:53
  the same movies over and over again.
• 1:17:55
  Sometimes it's going to be a heavy mom favorite, sometimes
• 1:17:58
  it's going to be a heavy dad favorite.
• 1:17:59
  We'll see. Were you impressed with some of
• 1:18:01
  the things I brought to this podcast?
• 1:18:03
  Yeah. OK.
• 1:18:04
  But I I do gotta say, babe, nobody puts baby in the corner.
• 1:18:09
  Nobody.