Latest / Artists on Artists on Artists on Artists / Kylie Brakeman Picks Her Favorite AOAOAOA Episodes: An Artists on Artists Video Marathon
Transcript
- 0:04Speaker 1: Hi, guys, welcome. This is our another one of our
- 0:08Speaker 1: favorite episode. It's an episode, it's a favorite episode clip marathon. Uh,
- 0:18Speaker 1: this is my favorites.
- 0:19Speaker 2: Hi.
- 0:19Speaker 1: I'm Kylie. I'm on the podcast. If you don't know.
- 0:22Speaker 3: Me, I'm genuinely dying to know your favorite.
- 0:24Speaker 2: Yes, is gonna be great.
- 0:25Speaker 3: I have no idea what you picked.
- 0:27Speaker 1: Okay, well, this first one.
- 0:31Speaker 2: She gets nervous.
- 0:41Speaker 1: No, I just had to remember what order I put
- 0:42Speaker 1: them in. Okay, this first one is actually kind of recent.
- 0:46Speaker 1: It's a little recent. It's within the Dynasty walls. This happened,
- 0:50Speaker 1: and it is thematic. It is about thematic. It is
- 0:55Speaker 1: about Oscar voters. Yes, it is Academy Award voters. And
- 1:01Speaker 1: really it was like right after the nominations had just dropped,
- 1:05Speaker 1: and we were like, who actually votes for these things?
- 1:07Speaker 1: And we just decided to be unwell, yes.
- 1:11Speaker 2: What does the pope say? What does the pope say?
- 1:14Speaker 4: And also actually I think we're in this exact seating
- 1:19Speaker 4: if you guys are, but it's all connected.
- 1:24Speaker 1: We're sending you messages.
- 1:25Speaker 4: Because I can't ever forget the feeling of sitting right here.
- 1:28Speaker 4: When Angela goes into Bitch Nanny, that.
- 1:30Speaker 1: Is you have to see by.
- 1:35Speaker 2: That is following the rules of improper that broke every
- 1:38Speaker 2: single thing.
- 1:39Speaker 4: But it is so beautiful and human in the way
- 1:42Speaker 4: that just somebody out of this blue being like this
- 1:46Speaker 4: nanny is a bitch. You were talking about.
- 1:49Speaker 1: That he was understanding what a nanny is.
- 1:54Speaker 2: Just watch all of our faces be like, wait, this
- 1:57Speaker 2: has nothing to do with anything.
- 1:58Speaker 5: Yeah, it's so good, you're gonna love it. After that
- 2:04Speaker 5: one's really good. Yeah, join Patreon as well.
- 2:07Speaker 1: Well, we also have an Oscar draft on the Patreon
- 2:10Speaker 1: that is tied to this, so yes, join the Patreon
- 2:12Speaker 1: for more. But roll that clip.
- 2:20Speaker 6: Welcome back to Artists on Artists on Artists on Artists. Today,
- 2:23Speaker 6: it's that time of the year. Yes, it's Oscar season.
- 2:27Speaker 6: But who decides who wins the Oscars? Well, today we
- 2:31Speaker 6: sit down with the people who do.
- 2:33Speaker 4: They say, I'd like to thank the Academy, But who
- 2:36Speaker 4: is it they're thinking, Well, we talked to four of
- 2:38Speaker 4: the members of the American Society of Motion Picture Arts
- 2:42Speaker 4: and Science is also known by other names that are
- 2:44Speaker 4: more correct. To see what they do to pick who
- 2:49Speaker 4: they want to be the best of every category at
- 2:52Speaker 4: the Academy Awards.
- 2:53Speaker 1: Choosing a Best Picture is like choosing a name for
- 2:57Speaker 1: a baby or a Nobel Peace Prize. It's a decision
- 3:00Speaker 1: with lasting ramifications that should be taken very seriously.
- 3:05Speaker 3: What do they do? How do they sound like we're
- 3:09Speaker 3: gonna find out today. Let's listen in.
- 3:16Speaker 2: Unbelievable.
- 3:17Speaker 4: Yes, yeah, it feels good to be here with you guys.
- 3:22Speaker 1: So it feels wonderful. I love this time of year.
- 3:26Speaker 1: I really it's Christmas for us. Christmas for us. When
- 3:31Speaker 1: our f y C packages arrive in the mail and
- 3:35Speaker 1: I get a big, juicy screenplay to the movie Hidden Figures,
- 3:41Speaker 1: that is the time. Yes, they still say there's a
- 3:46Speaker 1: clerical error. I'm still getting a lot from Hidden Figures.
- 3:49Speaker 2: Hidden Figures sent me a beach ball last week.
- 3:53Speaker 1: Ladies, it's not gonna work, ladies.
- 3:55Speaker 2: It's not gonna work, ladies.
- 3:58Speaker 3: Maths hard.
- 4:00Speaker 2: That's not what we're saying. We were saying that at all.
- 4:02Speaker 3: What do you mean.
- 4:05Speaker 2: FYC?
- 4:07Speaker 4: For those who might not know, because you're not us,
- 4:09Speaker 4: FYC means for your consideration. And there's a lot of
- 4:12Speaker 4: packets we get, there's a lot of DVDs, we get pamphlets,
- 4:15Speaker 4: and sometimes they give us literally free gas let's.
- 4:18Speaker 2: Explain what it's like to be an Academy member. Let's
- 4:21Speaker 2: talk about it.
- 4:22Speaker 6: So basically, what happens during the season is movies want
- 4:26Speaker 6: to win Oscars, and how they do that is one
- 4:29Speaker 6: make a good Oscar movie, but two try to lightly
- 4:32Speaker 6: bribe us and convince us with all the free things
- 4:35Speaker 6: they sent us.
- 4:36Speaker 5: But even before that, it's when a screenwriter loves a
- 4:39Speaker 5: director so much that they make the decision to bring
- 4:44Speaker 5: a movie into this world.
- 4:46Speaker 2: We love movies. Do you guys remember the first time,
- 4:51Speaker 2: maybe one of your your big brother or big sister
- 4:53Speaker 2: in the Academy explained to you how movies were made.
- 4:55Speaker 1: Ouse I remember Cloris Leachman took me under her wing
- 5:01Speaker 1: and she said, I want to show you something.
- 5:02Speaker 3: I thought they came in on the stork.
- 5:05Speaker 2: Yeah.
- 5:05Speaker 7: No, No.
- 5:06Speaker 1: A movie is made when a union is so strong
- 5:10Speaker 1: that everyone comes together and says this is what we want.
- 5:15Speaker 1: The studio says, you know, I consent, The director says
- 5:17Speaker 1: I consent, the actors they all consent, and then a
- 5:21Speaker 1: movie is made and we get to vote on it. Beautiful,
- 5:25Speaker 1: you know, beautiful.
- 5:27Speaker 2: Some of my favorite movies were actually made in a
- 5:30Speaker 2: dark alley on a dangerous night, no kind of Okay, well,
- 5:42Speaker 2: by the way, should we go around?
- 5:44Speaker 5: What about that year that your daughter was getting married.
- 5:48Speaker 5: So you just said, tell me what films didn't have
- 5:50Speaker 5: firm film permits, and I'll just vote for those.
- 5:53Speaker 2: Oh, yes, that's what I did. You were too busy,
- 5:55Speaker 2: I said, just tell me which one didn't have permit, which,
- 5:59Speaker 2: I said, tell me which ones we're rogue, tell me
- 6:01Speaker 2: which ones are shot on an iPhone?
- 6:03Speaker 4: And then Scores said, I used to iPhone. I said, yeah,
- 6:05Speaker 4: probably to make phone calls. But I'm talking about to
- 6:07Speaker 4: make a movie.
- 6:08Speaker 2: Because your daughter. Because your daughter is getting married. You know,
- 6:12Speaker 2: when your daughter's getting married, you can't do anything else.
- 6:15Speaker 2: You just have no time for anything your daughter's married. Okay, wait,
- 6:19Speaker 2: I want to go around. I want to I want
- 6:20Speaker 2: to get our names. But I was wondering, maybe we
- 6:22Speaker 2: don't give our names, and so maybe we all give
- 6:24Speaker 2: a code name.
- 6:25Speaker 5: Okay, I want to still go to Earth Cafe.
- 6:31Speaker 3: I gotta keep being able to go sort.
- 6:34Speaker 1: Of a code of honor thing. It's a hip a thing.
- 6:36Speaker 1: We cannot reveal our identities lest we be corrupted. But
- 6:41Speaker 1: I will say.
- 6:42Speaker 5: This, I think a lot of people think like, what
- 6:45Speaker 5: is it just a bunch of old people voting.
- 6:47Speaker 3: We used to make movies too, remember.
- 6:50Speaker 1: Yes, And we don't just vote for we vote for president.
- 6:54Speaker 1: You know, I don't have to apply voted community polls.
- 6:57Speaker 1: You know, we're not just voting for this. We we
- 7:00Speaker 1: do lots of other things.
- 7:01Speaker 6: There everything Instagram story that has an A or B option.
- 7:04Speaker 6: I am clicking the boys it's write in.
- 7:08Speaker 1: I hiss and I scream. I don't do the right in.
- 7:10Speaker 4: We have to apply to be members of the Yes,
- 7:13Speaker 4: the members of the Academy are formed by people from
- 7:17Speaker 4: all over.
- 7:18Speaker 2: Right, It's it's actors, it's writers, it's directors, and then
- 7:21Speaker 2: it's people who do other stuff on movies. We don't
- 7:23Speaker 2: talk to I've never talked to a crew person in mind. No,
- 7:27Speaker 2: I don't look, honey, I don't live below the line.
- 7:30Speaker 2: Oh that's not because they're poor. It's what you call
- 7:34Speaker 2: a production. Below the line and above the line, we
- 7:37Speaker 2: can't go into it.
- 7:38Speaker 1: It is also the below the line of Franklin Avenue.
- 7:42Speaker 2: We don't live there, and honestly, below the line of
- 7:45Speaker 2: just the grid on the excel sheet when they send
- 7:48Speaker 2: out the call sheet. That's what I'm talking about it's
- 7:50Speaker 2: a specific line, which one it is?
- 7:52Speaker 3: I remember physical call sheets call me crazy.
- 7:55Speaker 2: I do too. I think still there's still physical.
- 7:58Speaker 3: It's crazy. I remember because you had that accident.
- 8:03Speaker 2: And you're a voter. Okay, let's go around fake names
- 8:07Speaker 2: to be okay.
- 8:08Speaker 1: Okay, Well, I've been thinking about this. I thought, I
- 8:11Speaker 1: know you sent a little text to us earlier to
- 8:13Speaker 1: be to be like, let's physical text, you physical physical text,
- 8:17Speaker 1: a letter yes through I would like to be known
- 8:22Speaker 1: as Madam Webb. I am. I do not want anyone
- 8:30Speaker 1: to know my real name. I here too, form will
- 8:34Speaker 1: be known as Madam web Let's just say I produced
- 8:38Speaker 1: some movies about forty years ago, and then I came
- 8:41Speaker 1: into some money and I said, I don't want to
- 8:43Speaker 1: do this anymore. So I, Madam Webb, got into you know,
- 8:49Speaker 1: I applied. I'm in the academy and now I've been
- 8:51Speaker 1: voting ever since the La La Land here that was.
- 8:58Speaker 2: We'll talk about La La Land. It's kind of the
- 9:01Speaker 2: one big thing we can talk.
- 9:03Speaker 1: It's kind.
- 9:07Speaker 2: I want to know where we where this crew stands,
- 9:11Speaker 2: who voted for what? Well?
- 9:14Speaker 1: I mean, I thought that it was my fault when
- 9:16Speaker 1: I watched the TV. I don't know if anyone felt.
- 9:18Speaker 1: You know, you're involved in something, you think, oh, well,
- 9:21Speaker 1: that must have been must have been me. Maybe I
- 9:23Speaker 1: feeled out a form wrong and I was the last
- 9:25Speaker 1: vote and suddenly I had to go into therapy for years.
- 9:29Speaker 6: Way to sender it around yourself, that's so important.
- 9:35Speaker 2: I like that, Madame Webb. I want to be known
- 9:37Speaker 2: as Captain Falcon. Oh, I love it, I love it.
- 9:43Speaker 2: I love Captain Falcon.
- 9:44Speaker 6: Two of my favorite movies this year, The Captain and
- 9:48Speaker 6: The Falcon.
- 9:49Speaker 2: So okay, yes, have you guys seen those movies, The
- 9:52Speaker 2: Captain and the No, I haven't seen those beiful films.
- 9:56Speaker 6: One is out of Peru. Favela in Peru made a
- 9:59Speaker 6: movie called The Captain. It's a beautiful movie. Show one favella,
- 10:02Speaker 6: one favela, one single. So there's a place of Peru
- 10:06Speaker 6: that has a single favela, a single favela beautiful and
- 10:14Speaker 6: then the.
- 10:16Speaker 2: Vella.
- 10:17Speaker 6: They're not French in Peru, but The Falcon was a
- 10:21Speaker 6: French movie, and that's the important thing.
- 10:23Speaker 2: It was a low falcon oon Falcon Falcon.
- 10:29Speaker 6: Yes, love Falcon would be better. But they didn't translate
- 10:31Speaker 6: it right because they were It was a tiny little
- 10:34Speaker 6: village in the south of France, and they made this
- 10:37Speaker 6: movie called The Falcon, all about a boy and his
- 10:40Speaker 6: pet falcon, and it brought me to cheers and tears.
- 10:45Speaker 2: I like to write to cheers and tears.
- 10:48Speaker 6: If I'm cheering and if I'm teering, You've done your
- 10:50Speaker 6: job as a filmmaker.
- 10:52Speaker 3: Oh I love it.
- 10:53Speaker 2: It's wonderful. Thank you, Thank you so Captain Falcon. For me,
- 10:56Speaker 2: it's wonderful.
- 10:58Speaker 3: I do want to know the what you did in
- 11:00Speaker 3: the industry. We'll get to we'll get to it.
- 11:02Speaker 2: Oh yeah, let's go. Let's do a second go round.
- 11:04Speaker 1: You'll do a second go around. I'm a second go around.
- 11:08Speaker 3: I think we have to stay organized.
- 11:10Speaker 2: I think we do. Oh do you want to go next?
- 11:13Speaker 7: You can go?
- 11:14Speaker 8: Oh no, go ahead, Okay.
- 11:17Speaker 2: I will. I'm major Pain as well, is my name
- 11:22Speaker 2: to me.
- 11:23Speaker 4: I'm going to be major pain because I am the
- 11:26Speaker 4: Seawan Baker fan, obviously, but also I'm a fan of comedies.
- 11:30Speaker 4: I have been voting ever since I got to vote
- 11:32Speaker 4: for Kevin Klein in nineteen eighty six for a fish
- 11:34Speaker 4: called Wanda.
- 11:35Speaker 2: What do you want the best supporting actor?
- 11:36Speaker 4: Come on, come on, let's just say, since I was
- 11:40Speaker 4: a kid, and this is real, I bought a book
- 11:42Speaker 4: when I was seven years old about all the Academy
- 11:44Speaker 4: Award winners, and I read it front to back.
- 11:46Speaker 2: It was just a list. It was just a long list,
- 11:49Speaker 2: and I did read it.
- 11:49Speaker 1: That's like a scam of a book.
- 11:51Speaker 4: Yes, I bought it in Barnes and Noble in Arlington,
- 11:53Speaker 4: Texas in nineteen ninety six.
- 11:55Speaker 2: I remember almost everything. Yes, I remember many many years
- 11:59Speaker 2: that two thousand, two thousand and two. I'm gonna say
- 12:01Speaker 2: that was a beautiful mind. Wow.
- 12:03Speaker 1: Do you feel like you remember too much?
- 12:05Speaker 2: Yes?
- 12:06Speaker 4: I don't need to know this stuff. The problem is
- 12:09Speaker 4: my wife doesn't watch movies. My kids don't watch movies.
- 12:13Speaker 4: Not your daughter who's married, my daughter. That's the thing.
- 12:17Speaker 4: She was so focused on getting married. She gets She said,
- 12:19Speaker 4: I need some space in my brain. She decided to
- 12:22Speaker 4: forgo movies.
- 12:22Speaker 1: I heard that.
- 12:23Speaker 3: I heard that brides don't watch a lot of movies.
- 12:25Speaker 2: No, they don't. And and and that's what I'm hearing.
- 12:27Speaker 4: The executives that Batcats are saying, we're not even advertising
- 12:30Speaker 4: to brides anymore.
- 12:31Speaker 1: No, no, no, I mean you don't know until you
- 12:34Speaker 1: get married, something else takes over your body, and all
- 12:36Speaker 1: of a sudden you're thinking about table arrangements and you
- 12:39Speaker 1: cannot watch a single movie. I tried. I opened my
- 12:42Speaker 1: eyes in the theater and nothing happened.
- 12:43Speaker 5: You're looking at Wally and you're like seating arrangement, Wally, Yeah, exactly, Yeah.
- 12:53Speaker 2: Major paid, I made your pain. Yeah, talk about let's
- 12:56Speaker 2: talk about the accident in your name?
- 12:57Speaker 5: Okay, which one first, I'm gonna go. We'll go with
- 13:00Speaker 5: the pun nickname for me. Let's do baby girl.
- 13:03Speaker 1: Okay, baby girl, baby girl, major Pain Captain, and we
- 13:11Speaker 1: choose the well, I'll I'll.
- 13:17Speaker 3: Go right out and say it.
- 13:19Speaker 5: I used to uh glot hoverglot.
- 13:27Speaker 2: Is that one of those things that's like a wheel
- 13:29Speaker 2: that you stand on?
- 13:31Speaker 8: Yes?
- 13:31Speaker 3: Sure, and then I fell. So that's the accident.
- 13:35Speaker 5: And ever since then, I only vote for Emma Stone.
- 13:39Speaker 1: I love for I'm known in.
- 13:42Speaker 5: The Academy as just maybe Emmastone's number one fane.
- 13:46Speaker 3: We can't get out, they can't get me out of here.
- 13:48Speaker 2: She has a nickname right in Rondo, which isn't her
- 13:50Speaker 2: real name, but she's writing at Emma Stone all the time.
- 13:53Speaker 1: Literally my name is writing under her alias is.
- 13:57Speaker 2: Baby girl and her real name is none of the above.
- 14:00Speaker 3: You know, you can't know, but yeah, I had an accident.
- 14:03Speaker 5: And then ever since, I just go for Emma Stone
- 14:05Speaker 5: Best Visual Effects this year, I'm a Frick and Stone.
- 14:09Speaker 1: Oh so you're a down ballot the whole thing.
- 14:11Speaker 3: Oh yeah.
- 14:12Speaker 5: But then sometimes I get tired and I just go
- 14:15Speaker 5: what movie kept me awake the earliest? Or if I
- 14:17Speaker 5: was in a bad mood that day, I didn't like
- 14:19Speaker 5: the movie, so I yeah.
- 14:22Speaker 6: So one of my favorite categories to think about is
- 14:24Speaker 6: you know, what movie kept me awake the earliest?
- 14:27Speaker 2: You know, it's such a.
- 14:28Speaker 6: Profound idea and I think more Academy members should be
- 14:33Speaker 6: holding movies.
- 14:34Speaker 2: To that metric.
- 14:34Speaker 1: Absolutely, Yeah, what kept me awake the earliest?
- 14:38Speaker 2: What kept me awake the earliest? So what that.
- 14:40Speaker 3: Means is what got me right?
- 14:44Speaker 2: Yeah.
- 14:44Speaker 5: Like, I'm a big fan of opening image of a movie.
- 14:49Speaker 3: I'm an opening image person.
- 14:52Speaker 5: If it's captivating, I'll say, oh my gosh, Emma Stone
- 14:56Speaker 5: in the favorite that opening image of the Rabbit got me.
- 15:00Speaker 2: Well that's where I disagree.
- 15:01Speaker 4: I always start forty five minutes in, I go, I
- 15:05Speaker 4: pause the movie so it doesn't play, and I pause
- 15:08Speaker 4: it all the way to forty five minutes, and I
- 15:10Speaker 4: play it and I see the opening image of forty
- 15:13Speaker 4: five minutes in the point.
- 15:14Speaker 2: If I like the midpoint, then I'll watch the beginning.
- 15:18Speaker 5: A lot of cinematographers who are voters put it on mute.
- 15:22Speaker 2: Oh yeah, and they go, do I.
- 15:24Speaker 3: Know the plot?
- 15:25Speaker 4: Well, here's the secret. A lot of cinematographers I know
- 15:28Speaker 4: don't know how to hook up their bows to their TV.
- 15:30Speaker 6: And you would think bars are hard. I think they do,
- 15:33Speaker 6: but they just can separate department.
- 15:36Speaker 1: Very different skills set.
- 15:37Speaker 2: We must do the second go round?
- 15:43Speaker 1: Us of your alien round.
- 15:44Speaker 3: Remind us of your alias when during the second go round?
- 15:47Speaker 2: And what's the tell us?
- 15:48Speaker 1: Why? You just say?
- 15:50Speaker 3: Why? What you did in the industry?
- 15:53Speaker 1: What you did in the industry, what industry?
- 15:56Speaker 5: I will see talking about cinematographers putting it on mute.
- 15:59Speaker 3: What you did in film?
- 16:02Speaker 2: Uh?
- 16:02Speaker 3: Educate your vote?
- 16:04Speaker 1: Right?
- 16:04Speaker 3: It like a lot of actors will vote for a
- 16:06Speaker 3: certain way.
- 16:07Speaker 2: Yes, a lot.
- 16:08Speaker 5: Before my accident, I voted a certain way. So yeah,
- 16:11Speaker 5: so it's it's helpful to know.
- 16:12Speaker 1: No, of course, And I you know, I used to
- 16:15Speaker 1: be a producer of films of ladies dancing.
- 16:21Speaker 3: Eighty percent of the guild.
- 16:23Speaker 1: Eighty percent of the guild. Yes, yes, So I used
- 16:26Speaker 1: to make films of you know, tortured ballerinas and and
- 16:30Speaker 1: women breaking their legs on stage. It was, it was,
- 16:33Speaker 1: It had a very specific audience and and at that time,
- 16:36Speaker 1: you know, it was quite popular in certain circles. But
- 16:39Speaker 1: all of that is to say, I my experience at
- 16:44Speaker 1: dancing gave me.
- 16:45Speaker 9: Uh.
- 16:45Speaker 1: You know, we all have our biases, and I have
- 16:48Speaker 1: a specific code word that if I hear it in
- 16:51Speaker 1: a film I voted best picture.
- 16:52Speaker 2: Oow, interesting, that's.
- 16:54Speaker 3: Such for the filmmaker.
- 16:56Speaker 1: I couldn't And I wish I could tell the filmmaker
- 16:58Speaker 1: what it is. I wish I could tell you what
- 17:00Speaker 1: it is. But just know that as soon as I
- 17:02Speaker 1: hear it, that's best picture.
- 17:03Speaker 2: Oh it's a sleeper cell word.
- 17:05Speaker 1: It's a sleeper cell word.
- 17:06Speaker 2: And I am you don't know the word, and it
- 17:09Speaker 2: wins you up earliest.
- 17:10Speaker 1: I wish I knew what it is, madam, forget as
- 17:13Speaker 1: soon as it's gone.
- 17:14Speaker 3: What do you say to the people that would think
- 17:15Speaker 3: that's unfair?
- 17:16Speaker 5: And maybe not about what the oscars are about where
- 17:19Speaker 5: it's not maybe a lottery but more about the best
- 17:22Speaker 5: storytelling and an innovative way of using cinema for a medium.
- 17:28Speaker 1: You know, that's a fair, a fair criticism. But I
- 17:30Speaker 1: would say that we all have sleeper words and we
- 17:34Speaker 1: don't even know it. We do it when we're voting
- 17:37Speaker 1: for president. We do it when we're choosing a Chipotle
- 17:40Speaker 1: chicken sandwich. You don't know which word.
- 17:44Speaker 3: Can I just say they did that?
- 17:47Speaker 5: Finally, I heard all of the Guardian has a McRib.
- 17:55Speaker 2: Waiting years. It's so funny.
- 18:01Speaker 4: And I would say, please put my tacos on a
- 18:03Speaker 4: button and they would say, we.
- 18:04Speaker 2: Can't do that. Chicken, put it together, put it together.
- 18:08Speaker 1: I was throwing my hands on the floor. You have
- 18:10Speaker 1: all the ingredients, why not repurpose it? Please? Please, please please.
- 18:19Speaker 5: Make I'm Italian, serve my And they wouldn't do it.
- 18:27Speaker 1: They wouldn't do it. They whined about corporate Oh.
- 18:30Speaker 2: I mean, thank god.
- 18:32Speaker 6: Well, looks like you voted for the sandwich to come
- 18:35Speaker 6: in to win best Sandwich, and you pilmmakers just look at.
- 18:44Speaker 1: Me for a second. I want you to make the
- 18:46Speaker 1: movie you want to make. Don't think about what we're
- 18:48Speaker 1: doing because you don't know the secret word. That's going
- 18:52Speaker 1: to trigger me into voting for your film. So do
- 18:55Speaker 1: what you think is best.
- 18:57Speaker 5: You have to know there's a lot of mysteria behind
- 19:00Speaker 5: what wins. Sometimes the reason in film one is because
- 19:03Speaker 5: a woman who orders a chicken sandwich at Chipotle picked it.
- 19:06Speaker 4: I want to say, and I want to say, and
- 19:09Speaker 4: there's a lot of misconceptions. Everyone goes, well, you know,
- 19:11Speaker 4: I see the Reddit thread and they try to figure
- 19:13Speaker 4: out what your secret word is, what you told me,
- 19:16Speaker 4: and I want to devote this. You pick a word
- 19:19Speaker 4: when you see the title of the movie, So it's
- 19:21Speaker 4: different for every movie.
- 19:24Speaker 6: The word your brain picks a word, Yeah, for the movie,
- 19:26Speaker 6: and if the word is said in that movie, you'll choose.
- 19:29Speaker 2: And I'll spoil I don't want to spoil this. But
- 19:31Speaker 2: I heard your word for Elvis was persudo.
- 19:33Speaker 1: It was pershudo.
- 19:35Speaker 2: Well, it seems like you spoiled it. Well, that movie
- 19:38Speaker 2: has already been voted and nothing one.
- 19:40Speaker 1: And listen to filmmakers out there. Don't go put in
- 19:44Speaker 1: preshudo in your movies thinking I'm gonna vote for it.
- 19:48Speaker 1: That's not gonna work because I'm gonna change it as
- 19:51Speaker 1: soon as I think of the next movie. So if
- 19:55Speaker 1: you're set your Sopranos movie at a deli, good luck.
- 20:00Speaker 1: I see right through that. And actually it's gonna trigger
- 20:02Speaker 1: my anti word, which is a kill button, which which
- 20:05Speaker 1: throws it out of contention. And if I voted for
- 20:08Speaker 1: it in any other category, I remove my vote, and
- 20:12Speaker 1: I burned my ballot, and I request a new one,
- 20:14Speaker 1: and I start over.
- 20:15Speaker 3: I love that.
- 20:16Speaker 1: Don't even try it. I don't want to see a
- 20:18Speaker 1: movie about it. It'll piss me the hell off.
- 20:22Speaker 2: Never.
- 20:22Speaker 1: You don't want to see Madam Webb pissed the hell off.
- 20:26Speaker 2: Never. Okay, let's kick their around.
- 20:33Speaker 6: Okay, well, yes, Well what I used to do as
- 20:37Speaker 6: if I was a producer as well, and I would
- 20:40Speaker 6: try to make the movie that would most likely win
- 20:43Speaker 6: Best Picture Oscar Baby movie.
- 20:45Speaker 2: Yes, wait, baits whatever I could do to get my hands.
- 20:51Speaker 1: You don't know. We can smell the base, smell the base.
- 20:57Speaker 6: Every year that the people would see the movie and go,
- 21:00Speaker 6: you know what, this is sad enough, but hard enough
- 21:04Speaker 6: and general enough to capture my votes.
- 21:08Speaker 1: Wait, can we talk about really quickly what baits you?
- 21:11Speaker 1: Because there are there are certain little cues.
- 21:14Speaker 5: I'll tell you, yes, I'll tell you you either Emma
- 21:17Speaker 5: Stone or I forgot either her or out of focus
- 21:26Speaker 5: shot with a yes, high pitched noise in the trailer,
- 21:33Speaker 5: I am baited.
- 21:35Speaker 1: Wide extended shot one minute long of a worker from
- 21:41Speaker 1: far away doing a menial task.
- 21:45Speaker 2: Here's my bait. Here's my bait, Elma. No line at
- 21:48Speaker 2: the top, not a big deal, same line set at
- 21:51Speaker 2: the end. No, it's a big deal. Wow wow wow,
- 21:56Speaker 2: yes wow.
- 21:57Speaker 6: Woman taking depressing bath for me, I am locked.
- 22:05Speaker 2: Oh yeah, depressed a math.
- 22:08Speaker 1: Oh you know what bats me? Different language?
- 22:11Speaker 2: Oh but different, different language. A couple of parts.
- 22:17Speaker 3: I don't tell you my favorite different language, different language.
- 22:20Speaker 6: No subtitles where they say the different language and the
- 22:23Speaker 6: person next to them goes, he's saying this kind of like.
- 22:27Speaker 2: That, and I like my I'll tell you my favorite
- 22:28Speaker 2: different language, nave. Why aren't they using nav more? And
- 22:31Speaker 2: I know they need to bring NOV back from movie.
- 22:34Speaker 4: Look if if they did a movie, if I got
- 22:37Speaker 4: to see something like Wicked, but they were using NAV
- 22:41Speaker 4: language like Avatar.
- 22:42Speaker 5: And put her in a bath and ever say bershoota, Yeah, why.
- 22:46Speaker 1: Did you guys see that film that was going around
- 22:49Speaker 1: that they were they were testing? It wasn't it wasn't Wicked.
- 22:53Speaker 2: It was would you say Wicked? Wicked? Wicked? Did you
- 22:56Speaker 2: guys see Wicked? I love Wicked.
- 22:59Speaker 3: I didn't see Wicked. I saw Wicked.
- 23:02Speaker 2: I wonder if it's the same one Wicked.
- 23:06Speaker 1: Because I wouldn't I I don't think i'd vote for Wicket,
- 23:09Speaker 1: but I would vote for Wicked. And it depends on
- 23:12Speaker 1: what what we read?
- 23:13Speaker 2: What happens in your Wicked? So that you were closer there? Well, no,
- 23:18Speaker 2: I'm saying it the way you say it, but I've
- 23:20Speaker 2: said it Wicked. I saw a movie called Wicked.
- 23:24Speaker 1: I think you you may have seen Wicked.
- 23:29Speaker 2: So tell me what happens in yours?
- 23:30Speaker 1: Which one? Did you vote for? The same thing?
- 23:33Speaker 2: Evans both science or power?
- 23:36Speaker 1: Hm?
- 23:37Speaker 2: No, Mine was an annoying girl ruins a friend's life.
- 23:40Speaker 6: Okay, so I think you saw the same movie.
- 23:45Speaker 2: You saw the same movie Wicked. How do you spell
- 23:49Speaker 2: it Wicked? How do you spell it? W I w I? Okay?
- 23:58Speaker 3: People who are choosing best picture, wait.
- 24:00Speaker 2: Wicked, Wicked, Wicket, w I k T. It's different. Okay,
- 24:05Speaker 2: it's different. I mind you. I don't look at posters.
- 24:10Speaker 2: Posters are the devil.
- 24:12Speaker 4: Their manipulative posters try to make you feel something.
- 24:15Speaker 2: I want to know what's happening in the moon. Okay,
- 24:17Speaker 2: let's keep going around. What did you owe the second
- 24:18Speaker 2: go round? We haven't even have.
- 24:20Speaker 1: You finished the second goal?
- 24:22Speaker 3: I'll I can't wait for the third.
- 24:26Speaker 2: We just simply can't wait. Let's spoil what the third
- 24:28Speaker 2: wight be if we were to do a third goal?
- 24:31Speaker 2: What win's best actress for you? Okay, that's the third
- 24:35Speaker 2: go round? Centivizes me to finish the second.
- 24:39Speaker 3: Okay, So we have a producer, we have a producer, another.
- 24:43Speaker 2: Producer, and I am a producer. I was a big
- 24:47Speaker 2: producer at a studio that won't.
- 24:49Speaker 1: Be named, but but would you give it a code
- 24:52Speaker 1: name if you could?
- 24:53Speaker 2: Bisney? I worked for Bisney.
- 24:57Speaker 1: You think kids called the wicket.
- 25:01Speaker 4: I worked for Disney. Let's just call it that because
- 25:04Speaker 4: there's a lot of business at Disney. So I worked
- 25:08Speaker 4: for Disney. And the thing is, I had a blast
- 25:11Speaker 4: over there. I was having so much fun. I was
- 25:13Speaker 4: the producer, and I was the main one in charge.
- 25:16Speaker 4: I was in charge of making most of the female
- 25:19Speaker 4: characters thicker.
- 25:21Speaker 6: Agent nickname, but not your alias.
- 25:29Speaker 2: I said, let's give them some legs. Please come on,
- 25:32Speaker 2: let's put some meat on those bones.
- 25:34Speaker 1: In the dump, dump in the trunk, dump tru trunk.
- 25:38Speaker 1: The beginning agent is here before dunk in the trunk.
- 25:43Speaker 4: Yes, yes, they didn't like me very much, but I
- 25:45Speaker 4: got a lot of stuff done. And I'll say everything
- 25:47Speaker 4: that I added actually went straight into wreck at Ralph
- 25:50Speaker 4: When me thick that guy's media characters in modern cinema
- 25:56Speaker 4: hands down, thickest fingers, thinkest, thickest hands, thickest head, thickest
- 25:59Speaker 4: neck lit characters. I do find myself funny for thicker characters.
- 26:04Speaker 4: I love size. I love it's beautiful.
- 26:06Speaker 2: I I like an interesting body that has more mysteries
- 26:11Speaker 2: than the Magna carta. You know what I mean? I don't.
- 26:16Speaker 1: Yes, yes, I know exactly what. Yes, Yes, I've got
- 26:20Speaker 1: this conversation so inspiring it makes me want to go
- 26:22Speaker 1: vote right now.
- 26:23Speaker 2: I know you want right now?
- 26:25Speaker 3: Oh my god, I just want to sleep through a
- 26:28Speaker 3: movie right now. That's all I want to do.
- 26:30Speaker 4: Wait, oh, here, here, we'll do a mini vote to say,
- 26:32Speaker 4: siate us pick a finger, vote for one of my fingers.
- 26:34Speaker 2: Wait, wait, wait, wait, I want to know what other
- 26:36Speaker 2: people are feeling.
- 26:38Speaker 1: Wait, wait, have you let's pull up vulture and see
- 26:40Speaker 1: if anyone else is anybody?
- 26:43Speaker 3: But wait, first, I need to know what everyone else
- 26:45Speaker 3: is thinking, and is any finger Emma Stone so on?
- 26:49Speaker 1: First, on first glance, I'm thinking middle finger. But but
- 26:54Speaker 1: it's early. I could have it could have just been
- 26:56Speaker 1: the time of day I saw it. I was a
- 26:57Speaker 1: little sleepy.
- 26:59Speaker 3: Now I have to go to the chadow marm.
- 27:01Speaker 6: I just watched pinky fully for a minute there, and
- 27:05Speaker 6: I was taken in by its subtle approach to size
- 27:09Speaker 6: for the audio listener.
- 27:11Speaker 1: Really, I thought it was derivative at first glance.
- 27:14Speaker 2: Breaking news.
- 27:15Speaker 1: It seems to me derivative of the other four fingers
- 27:17Speaker 1: that came before, and I thought.
- 27:18Speaker 6: They were making a statement about how derivative actually works.
- 27:22Speaker 6: Derivative is to be yourself.
- 27:24Speaker 1: Is anyone else saying that? Because I could take that
- 27:26Speaker 1: opinion if other people.
- 27:27Speaker 2: Are saying it, I've heard it, and that's not my opinion.
- 27:30Speaker 2: And I've heard it. Breaking news. Pinky has been accused
- 27:33Speaker 2: of sexual misconduct. We can ignore, we ignore it. We
- 27:37Speaker 2: can ignore it.
- 27:38Speaker 3: We ignore tired, we will, we will.
- 27:43Speaker 1: Actually, you know, I actually really disliked Pinky Finger from
- 27:47Speaker 1: the moment. I don't think I've ever all their work
- 27:50Speaker 1: has always been for men.
- 27:53Speaker 2: Face to me, it derivative.
- 27:55Speaker 1: It's just derivative. I've always said that we'll look.
- 27:57Speaker 6: Past it, but it's mostly about their work. Now I'm
- 28:00Speaker 6: gonna vote for it because I'm tired.
- 28:02Speaker 2: Okay, Okay, you know what, Well.
- 28:04Speaker 1: We can't discount finger, Big Finger Thumb. Yes, not a
- 28:12Speaker 1: lot of people are talking about THEMB, but we have
- 28:14Speaker 1: to remember there are other voters, not just in America,
- 28:18Speaker 1: perhaps in Canada, perhaps in Europe.
- 28:20Speaker 6: Can you ever try about them? I love Thumb. It
- 28:22Speaker 6: was by far the best movie of the year, and
- 28:25Speaker 6: I'm not going to vote for it. I'm just not
- 28:27Speaker 6: going to vote for.
- 28:27Speaker 2: It because for me, because you no go ahead.
- 28:30Speaker 6: It's the box office, isn't there? So for me to
- 28:33Speaker 6: take it in, it has to be the best movie
- 28:35Speaker 6: I've ever seen. And when I vote for it, I
- 28:38Speaker 6: have to know that people also know what it is.
- 28:40Speaker 5: Can I tell you this, because we've been talking about
- 28:42Speaker 5: my My thought process is because we've been talking about
- 28:44Speaker 5: Pinky for so long.
- 28:45Speaker 3: I'm going to vote for Pinky just because we've been
- 28:47Speaker 3: talking about sides. But the Finger I like the most.
- 28:50Speaker 3: I'm actually gonna give best Screenplay or director, which is index.
- 28:53Speaker 2: Yes, yeah, we.
- 28:54Speaker 6: Give best Screenplay and Director to the best film. Breaking news,
- 28:57Speaker 6: breaking news. Ring Finger came out as gay, okay, and
- 29:02Speaker 6: I always thought that.
- 29:04Speaker 1: Was doing something or incredible.
- 29:07Speaker 3: I thought that this anime, is he gay on screen
- 29:10Speaker 3: or behind the camera?
- 29:12Speaker 1: And what's the difference, really is how I think about it.
- 29:15Speaker 1: What's the difference? Because there's so much queer about Pinky Fingers,
- 29:21Speaker 1: so much, and it was so clear, and I saw
- 29:23Speaker 1: that on first watch. It's always been there. I'm voting for.
- 29:27Speaker 3: That Fingers gay is Emma Stone with ring Finger.
- 29:31Speaker 2: No, I don't know who to vote for, Okay, quick vote,
- 29:37Speaker 2: quick vote, Okay.
- 29:39Speaker 1: I'm walking in middle Finger.
- 29:42Speaker 2: Okay. What we never talked about.
- 29:45Speaker 6: It was right down the line, hit all the boxes,
- 29:47Speaker 6: but never risked a thing, hit all risked a thing.
- 29:51Speaker 2: Thing. Middle Finger called what we call middle Finger, pulled
- 29:55Speaker 2: what we call a ring. Nope, I got it, guys.
- 29:59Speaker 2: Hold on, middle Finger pulled what we call a green book.
- 30:02Speaker 2: Oh oh my god. I couldn't handle that.
- 30:06Speaker 1: And this is what happens. You saw it in real time.
- 30:09Speaker 1: The artsy movies split the vote and eventually we go
- 30:14Speaker 1: right to the middle.
- 30:15Speaker 2: Anything anything is not going to win an oscar.
- 30:19Speaker 3: If we've talked about it for too long, we're moving on.
- 30:22Speaker 1: If we've talked about it for too long, then other
- 30:25Speaker 1: people have talked about it for too long, and everyone
- 30:27Speaker 1: said it and that's the basic opinion. And I can't
- 30:29Speaker 1: have that.
- 30:30Speaker 5: I want to say, I love your work. Just adding
- 30:33Speaker 5: different sizes to films. Thank you at BSNEY.
- 30:36Speaker 2: I think it's important. I think it's very important that
- 30:38Speaker 2: you do. Let's finish the round.
- 30:39Speaker 5: Okay, producer, producer, producer. I am used to be a
- 30:44Speaker 5: baby girl. I used to be a producer. Okay, yes,
- 30:48Speaker 5: but get this one.
- 30:49Speaker 2: Baby, Oh, get work, get to work, get to work.
- 30:55Speaker 5: Yes, workers, comp workers, compet meal penalty, ask for grace,
- 31:00Speaker 5: put your sandwich down.
- 31:01Speaker 2: Those are for the actors.
- 31:03Speaker 3: That's interesting one.
- 31:05Speaker 2: They're always saying that I don't know who they are.
- 31:08Speaker 1: I don't know that you happened to you.
- 31:13Speaker 2: I've never heard that from another sandwich down. Those are
- 31:16Speaker 2: for the actors. Ship Line producers say, truly.
- 31:21Speaker 1: You guys.
- 31:22Speaker 2: Ship line producers say, dot com is it's so good?
- 31:25Speaker 5: Married?
- 31:26Speaker 1: Funny memes? Memes producers say, dot com very very buty memes.
- 31:42Speaker 2: You know what I love?
- 31:44Speaker 1: You know what the funniest memes that tickle me. It's
- 31:48Speaker 1: called gaffstagram for gaffers.
- 31:53Speaker 2: When I was in the hospital, I did was go ye,
- 31:59Speaker 2: it is so good with the memes that they're coming out.
- 32:02Speaker 1: Did you see the guy who made the Mona Lisa
- 32:04Speaker 1: out of gaff tape and went me when I'm waiting
- 32:07Speaker 1: for us to do a company more.
- 32:11Speaker 6: I love the gafstagram when it's it's a photo of
- 32:15Speaker 6: Keano eating a sad sandwich and it says me when
- 32:18Speaker 6: the call location is on the east side and I
- 32:21Speaker 6: live in Venice.
- 32:23Speaker 2: Wow, very smart.
- 32:27Speaker 1: Smart.
- 32:30Speaker 2: I felt like an I felt like an hour because.
- 32:35Speaker 1: I was so smart.
- 32:37Speaker 2: It felt so long because it was so smart.
- 32:39Speaker 1: I feel like I've aged a century.
- 32:41Speaker 2: I'm thinking of talking to them this year. By the way, gaffers,
- 32:43Speaker 2: I've never tried it. Don't don't You don't want to
- 32:46Speaker 2: hear what they believe when you guys.
- 32:49Speaker 1: Use gas believe should never be out.
- 32:54Speaker 9: Believe.
- 32:57Speaker 2: I believe in something and you don't want to know.
- 33:00Speaker 1: Believe in two things very strongly and very surely, and
- 33:04Speaker 1: they are at odds with each other.
- 33:07Speaker 2: I believe you.
- 33:09Speaker 5: I don't want to hear what question I have a question. Yeah,
- 33:12Speaker 5: what is everyone's way of keeping notes.
- 33:15Speaker 3: During a season?
- 33:16Speaker 1: Oh?
- 33:18Speaker 5: Because I mean I famously Still they send me a
- 33:20Speaker 5: scan tron when I vote from my ballot.
- 33:25Speaker 3: Famous, I get a scan and we do get.
- 33:28Speaker 1: To request how we vote. Yeah, they want to cater
- 33:31Speaker 1: to us. You know, we we get to say, you know,
- 33:34Speaker 1: I'll take the Google form. Some of us do a doodle,
- 33:36Speaker 1: some of us do paper votes. Somewhere really into this
- 33:39Speaker 1: app that they're launching for us.
- 33:40Speaker 2: I don't like the app, and it's.
- 33:42Speaker 5: Connected to the Solo House and sometimes I'm like trying
- 33:45Speaker 5: to make a reservation.
- 33:46Speaker 3: But I voted for freaking I don't know.
- 33:48Speaker 1: I hate when movies use the computer.
- 33:51Speaker 2: I hate that. I hate that you guys get streaming.
- 33:54Speaker 2: Do you get the links? I get the DVDs.
- 33:58Speaker 4: But I want to tell you you guys need to
- 33:59Speaker 4: use the accommodations for voting, because I get to use
- 34:02Speaker 4: the accommodations and I get to do a puppy style.
- 34:04Speaker 4: And puppy style is they put all of them out
- 34:06Speaker 4: and they put a treat and I get to pick
- 34:08Speaker 4: the treat.
- 34:09Speaker 2: And so I walk in and they put all the
- 34:11Speaker 2: bulls and I go for everything drives you towards a tree. Oh,
- 34:14Speaker 2: it's just it's just I just get to choose, and
- 34:16Speaker 2: I know what I'm choosing, but I get a little
- 34:18Speaker 2: treat while I do it. It's so fun. And they
- 34:21Speaker 2: do this in the Academy Museum. Yeah, pick puppy style.
- 34:26Speaker 2: They do it in the Spike Lee room.
- 34:28Speaker 1: You do it in the same way that we filmed
- 34:30Speaker 1: Dogs as a as a gag Academy Music. But that's true.
- 34:37Speaker 2: Yeah, it was. It was so fun to pick Timothy
- 34:39Speaker 2: Shallowy this year as the Can we talk about it?
- 34:42Speaker 2: Why don't we talk about the films this year. I'm
- 34:46Speaker 2: gonna get up a list.
- 34:47Speaker 6: Yes, that's a really good idea. I think we've got
- 34:53Speaker 6: just a list, just a list.
- 34:55Speaker 3: He Alexa list, Emma Stones movie catalog.
- 34:59Speaker 2: Alexa up a list of movies we're going to be here.
- 35:02Speaker 3: Hey, hey, Alexa could be longer than the me you
- 35:06Speaker 3: there it is. It should be book marked.
- 35:08Speaker 2: Okay, there's a lot of fantastic movies and we should
- 35:10Speaker 2: give our uh our, our unfiltered opinion on what we
- 35:15Speaker 2: think is gonna win.
- 35:16Speaker 3: Think it's gonna come out after and we have aliases,
- 35:19Speaker 3: so they're not.
- 35:19Speaker 2: Gonna know who we are.
- 35:20Speaker 1: No one's going to know. No one could come to
- 35:22Speaker 1: our hold.
- 35:23Speaker 6: This is the unfiltered Who's gonna win the Oscars this year?
- 35:27Speaker 6: Prediction from Academy voters Here it is, Yes, Okay.
- 35:31Speaker 1: Should we start with the big one Best Picture?
- 35:33Speaker 2: Best Picture? Let's start with the biggest one.
- 35:35Speaker 1: Let's start with the biggest one and then go down
- 35:36Speaker 1: until we get tired.
- 35:37Speaker 3: Okay, three, say it on one? Ready?
- 35:40Speaker 2: Okay, wait, let me get one. Okay, all right, three?
- 35:45Speaker 1: Three two one?
- 35:48Speaker 3: Okay? So what did everyone say? Round Robin?
- 35:51Speaker 1: I said Wicked because I hated that movie for about
- 35:55Speaker 1: forty three minutes and then something happened and I can't
- 35:59Speaker 1: explain it, but my entire ship movie experience shifted. It
- 36:03Speaker 1: was as if as if Glinda Glinda said something that
- 36:07Speaker 1: that really reshaped my entire perspective, and I think it
- 36:10Speaker 1: was the best movie of the year. And I'm voting Wicked. Wow. Well,
- 36:14Speaker 1: the movie I saw was called Ticket.
- 36:15Speaker 4: I need to check that out. I need to check
- 36:17Speaker 4: out Wicked and Vicked because I've only seen Wicked.
- 36:21Speaker 6: I'm voting the Brutalist. I haven't seen it, but it
- 36:23Speaker 6: won some Golden Globes and it looks superb and the
- 36:27Speaker 6: little blurbs that they did the Golden Globes.
- 36:30Speaker 2: I mean, yes, Adrian Brody is back. Apparently he is.
- 36:34Speaker 1: And it has an intermission, which means it's good good.
- 36:37Speaker 6: So I'm voting the Brutalist. I have not seen it,
- 36:39Speaker 6: but boy, am I putting all my weight behind.
- 36:41Speaker 3: That nice one.
- 36:42Speaker 2: I'm voting the Fall Guy because my yes, my daughter's
- 36:49Speaker 2: husband is in it. He's a stunt guy, and he's
- 36:52Speaker 2: he is the best. He's so wonderful. I love him,
- 36:56Speaker 2: full guy. He's so an, he's strong. Oh good, he's
- 36:59Speaker 2: so strong. He could to vote for someone strong. Yeah,
- 37:02Speaker 2: it's nice.
- 37:02Speaker 1: Your daughter's husband or the Fall Guy.
- 37:04Speaker 2: My daughter's husband and the Fall Guy. You need to
- 37:06Speaker 2: see him what he's amazing. Can you see him in
- 37:08Speaker 2: the Fall Guy. He's a stunt Yeah yeah, I mean
- 37:10Speaker 2: the movie said homage the stunt guys. But you know,
- 37:13Speaker 2: show him. Yeah, he's in it. He jumps off a
- 37:15Speaker 2: jib or something. Oh good, I love Yeah.
- 37:18Speaker 5: I am voting for Night Bitch because the day I
- 37:20Speaker 5: watched that movie, I had two of a med I
- 37:23Speaker 5: usually get.
- 37:24Speaker 3: One of and I was high as hell and I
- 37:27Speaker 3: had a blast.
- 37:28Speaker 2: Oh my gosh, what an absolute blasts. Talk about some
- 37:30Speaker 2: phaves this year. What you guys thought of all of them?
- 37:32Speaker 2: You can just say him in quick succession, right A.
- 37:34Speaker 1: Norma made me laugh.
- 37:36Speaker 2: Norma made me laugh, you know, or made me grind A.
- 37:38Speaker 2: Norm made me cheer and tear. The substance made me
- 37:41Speaker 2: go a yucky, I won't be kissing a woman anytime.
- 37:45Speaker 1: The substance made me go, uh, younger lady, yum my, yummy.
- 37:50Speaker 2: The substance made me go, I'm turning this off and
- 37:52Speaker 2: putting on the crown. H maybe I can have some
- 37:57Speaker 2: Amelia Perez made me go I probably shouldn't have an
- 38:00Speaker 2: opinion about this, and I agree that's I want the
- 38:04Speaker 2: same name. Conclave made me go what those popes do?
- 38:12Speaker 1: Conclave made me go, I better go to church.
- 38:15Speaker 2: Conclave made me go do what the pope does?
- 38:23Speaker 1: What the Pope say?
- 38:33Speaker 3: I'm gonna give the best screenplay.
- 38:34Speaker 2: What does the pope say?
- 38:39Speaker 1: What the Pope say? Exactly? We can make me think, oh,
- 38:47Speaker 1: burn the witch? What did you say again, madam?
- 38:56Speaker 3: We do that again?
- 38:57Speaker 1: Madam Webb says, Wicked made me say burn the wish.
- 39:04Speaker 2: It's not easy being it's not easy being grey. What
- 39:10Speaker 2: could make me think, what this SKO talking about? We
- 39:14Speaker 2: gotta put this on the Instagram. We're killing you.
- 39:16Speaker 1: Wicked makes me say what the witch say? I was
- 39:22Speaker 1: gonna say?
- 39:22Speaker 5: Wicked makes me think, oh, this is too commercial? Put
- 39:25Speaker 5: on conclict? What does the pope do?
- 39:31Speaker 2: No su make me think that man dead, but that
- 39:34Speaker 2: didn't really lie living, but that did really live.
- 39:41Speaker 1: In but living? What does Speratu say? B the all scars?
- 39:54Speaker 6: That's what he says, I wish we had a made
- 39:57Speaker 6: me say yes, s Feratu in in a in best costume?
- 40:01Speaker 2: Yes, yes, yes, yes, yes, yes yes?
- 40:05Speaker 1: What else?
- 40:05Speaker 2: What else?
- 40:06Speaker 1: From? Uh?
- 40:08Speaker 2: Complete Unknown made me we were like completely known? I
- 40:12Speaker 2: love it? Yeah.
- 40:17Speaker 1: Complete Complete Unknown makes me say, I know this Bob
- 40:20Speaker 1: Dylan song, well my win to the way.
- 40:24Speaker 3: Complete Unknown made me go, it's a biopic. I'm voting.
- 40:27Speaker 4: Yeah, you know what I'll say the the f y
- 40:30Speaker 4: C event for that, it was so incredible for a
- 40:32Speaker 4: complete unknown.
- 40:33Speaker 2: We I flew out to New York. We showed up
- 40:35Speaker 2: to Greenwich Village and a weird little weenery man just
- 40:38Speaker 2: called me a suck up and a loser. That was
- 40:41Speaker 2: Bob Dylan was actually Dylan, Yeah, and suck up he
- 40:48Speaker 2: called me a suck up. He called me a yuppy,
- 40:50Speaker 2: he called me a loser, he called me a dor
- 40:51Speaker 2: Yeah that was Bob Dylan.
- 40:52Speaker 6: He said, no, you're not you Yeah, yeah, okay, you
- 40:56Speaker 6: guys hear about the bad thing that happened at the
- 40:58Speaker 6: Better Man.
- 40:58Speaker 3: Uh, what's a bad thing that happened?
- 41:00Speaker 2: Sebastian Stan. Yes, it happened with Better Man. No better
- 41:04Speaker 2: Man is is. Well, that's a different man that the
- 41:07Speaker 2: Robbie Williams one, The Monkey one, the Monkey.
- 41:14Speaker 5: I like the Monkey one just like Okay, I like biopics,
- 41:16Speaker 5: and I like actor and makeup for a long time.
- 41:19Speaker 3: Yes, And he wasn't make up for long.
- 41:21Speaker 2: He wasn't a make up. It was cg the whole thing.
- 41:23Speaker 2: If you make up for you're wild. What does the
- 41:27Speaker 2: pope dude? Do you guys hear about what happened?
- 41:31Speaker 1: No?
- 41:31Speaker 6: Well, as a press event, they had a huge thing
- 41:34Speaker 6: at I think it was the downtown Hilton because the
- 41:38Speaker 6: movie is not doing well down and they brought a
- 41:41Speaker 6: bunch of bonobos and they ripped people apart.
- 41:44Speaker 2: The shirts. Socker, the Monkey, the Monkey.
- 41:46Speaker 3: I love those.
- 41:47Speaker 1: So many Hollywood foreign press members died that day.
- 41:51Speaker 2: And still people are saying who is Robbie Williams.
- 41:55Speaker 1: They still don't know, and they said, that's the biggest
- 41:56Speaker 1: insult to injury. It's so many good voters and maimed.
- 42:02Speaker 2: What's happening over we're going off about?
- 42:06Speaker 3: Got me like, yuh me?
- 42:09Speaker 1: What's what's everyone's favorite? Go around? Go around? Go around?
- 42:14Speaker 2: Around? You know what I mean? But we can't stop.
- 42:16Speaker 2: Look alive the go rounds coming. You want to get on,
- 42:19Speaker 2: get on the train?
- 42:20Speaker 1: You know. Fun fact about a go round. Pilots when
- 42:24Speaker 1: they are taking off and it's going badly, they'll do
- 42:28Speaker 1: a go around and they'll try.
- 42:29Speaker 6: Again, and that's so yeah, they try off taking off again. Yes, yes,
- 42:34Speaker 6: and I wonder it just felt bad.
- 42:37Speaker 2: Let's go ahead again.
- 42:38Speaker 1: Maybe it's landing. But that's that's what you know. We're
- 42:41Speaker 1: not too different from pilots. What was everyone's favorite f
- 42:45Speaker 1: y C gift they got on the rail? Fun fun?
- 42:50Speaker 2: I got a sex worker from Anora and I didn't
- 42:53Speaker 2: know what to do with WHOA.
- 42:58Speaker 5: Not too much because it happened to you for the
- 43:00Speaker 5: listener at home an FYC event for your consideration, right,
- 43:03Speaker 5: Sometimes they give you schwag that is like in the
- 43:06Speaker 5: theme of the movie.
- 43:07Speaker 3: So you think about the movie.
- 43:08Speaker 2: They schmooze you with rubies and pearls, try to gloss
- 43:11Speaker 2: over their hackey editing.
- 43:13Speaker 5: Listen, I voted for Snakes on a plane like twenty
- 43:15Speaker 5: years ago, just because the mug was great.
- 43:17Speaker 2: Yeah, that's true, it's true. Did everybody get I.
- 43:20Speaker 1: Got a sleep number, Sirda Coffin from No Speratu. Yes,
- 43:26Speaker 1: it's dark, very dark in there, but best sleep I've
- 43:30Speaker 1: ever gotten in my life. But my voice changes when
- 43:35Speaker 1: I'm in it.
- 43:37Speaker 3: How scary.
- 43:38Speaker 1: When I'm in it, I become a bass okay, and
- 43:42Speaker 1: so base. That's what happened. That's what happened. It's really
- 43:47Speaker 1: it happened to me. But it's my favorite because I
- 43:49Speaker 1: can sleep for what feels like centuries.
- 43:52Speaker 3: Wow, that's amazing.
- 43:53Speaker 4: They sent me the substance they turned into a young guy.
- 43:55Speaker 4: Go to club DV eight, I dance all night. Shut up,
- 43:58Speaker 4: shut up bvight on Hollywood and Highlands.
- 44:01Speaker 1: No.
- 44:02Speaker 2: Oh, it's so fun. It's the hottest place. KISSFM broadcast
- 44:05Speaker 2: from there every Friday.
- 44:06Speaker 1: Night right way real F wish we could vote for
- 44:10Speaker 1: kiss F for best me too.
- 44:13Speaker 2: I keep telling them Ryan, get in there. We'd all
- 44:16Speaker 2: vote for you.
- 44:17Speaker 1: I'll vote for you. Just submit. No, you'll never win
- 44:19Speaker 1: Best Picture if you don't submit.
- 44:21Speaker 3: Ryan's Roses is perfect for Best Comedy or Musical.
- 44:24Speaker 4: It is perfect and it's comedy and it's actually drama.
- 44:27Speaker 4: And then they play music like people like Sabrina.
- 44:31Speaker 1: See it's acting exactly anyone.
- 44:34Speaker 3: But you sent me a bikini.
- 44:36Speaker 4: Oh wow wow? Uh huh, I actually saw that. You
- 44:42Speaker 4: put it on your own paka.
- 44:46Speaker 2: I saw that. There we got Wait wait wait, can
- 44:50Speaker 2: I tell you don't want to talk about that?
- 44:52Speaker 1: No?
- 44:54Speaker 3: Can I tell you?
- 44:54Speaker 5: Guys know secret? Yes, yes, naughty secret time. Okay, let's
- 44:58Speaker 5: talk about things we shouldn't do when we're voting that. Okay,
- 45:01Speaker 5: because I'm going to say one, I never vote for
- 45:04Speaker 5: Best Original Song.
- 45:05Speaker 3: I leave it blank.
- 45:06Speaker 2: Oh wow wow.
- 45:09Speaker 1: I leave it blank because Emma doesn't sing that being
- 45:14Speaker 1: and because I don't know.
- 45:16Speaker 2: I just I don't care. Yeah, I like the song,
- 45:21Speaker 2: I do. I like the song, but I love when
- 45:24Speaker 2: they play the songs. They do a live version of
- 45:26Speaker 2: the song at.
- 45:27Speaker 1: The place, and then that makes me should have voted
- 45:29Speaker 1: for that.
- 45:30Speaker 2: I love, by the way, when they do the song
- 45:33Speaker 2: at the place. I love going to the place.
- 45:37Speaker 5: That's what we call the Oscars, the place, the place
- 45:40Speaker 5: when I met the Oscars.
- 45:41Speaker 3: I'm wearing like a service animal thing where it's like
- 45:43Speaker 3: she's working.
- 45:49Speaker 1: I don't know. I wear mine to the movies. Don't
- 45:51Speaker 1: don't get.
- 45:55Speaker 3: The actors.
- 45:56Speaker 5: Everyone else, all the filmmakers are enjoying the night right
- 45:58Speaker 5: because it's the night of celebration.
- 45:59Speaker 3: But I'm working.
- 46:00Speaker 2: Does that ever make you sad? So sad?
- 46:02Speaker 1: Hollywood's biggest night. We're employees, Yeah, yeah, do not?
- 46:07Speaker 2: Meaning they hold the weight of it? Yeah, because sometimes.
- 46:12Speaker 3: Something will win something and.
- 46:13Speaker 2: I go, whoops, I mean we have real weight. You know.
- 46:16Speaker 4: It's when you're going to the Dolby Theater, which is
- 46:19Speaker 4: where the place happens. You look all over and there
- 46:22Speaker 4: is actually the movie that won that Year's on the wall.
- 46:26Speaker 4: Is enshrined on the wall. It goes all the way
- 46:29Speaker 4: back to the first Oscar ever Wings, It goes all
- 46:31Speaker 4: the way back to nineteen twenty seven.
- 46:33Speaker 3: And they walk by Green Book every time, and I.
- 46:34Speaker 2: Go, tis we did?
- 46:37Speaker 6: Well?
- 46:38Speaker 2: You know, here's a little dirty secret too.
- 46:40Speaker 6: Okay, how many of us are watching the short film documentaries?
- 46:44Speaker 6: Oh yeah, I'm just choosing the one with the best
- 46:49Speaker 6: name with the most animal like name.
- 46:51Speaker 4: I love the most animal like in the name. I'm
- 46:55Speaker 4: voting for it. Can we talk about it. Short films
- 46:57Speaker 4: shouldn't be at the Oscars. This is for adults. Short
- 47:00Speaker 4: films are the children of movies.
- 47:02Speaker 1: If a movie is shorter than ninety minutes, it's for babies.
- 47:05Speaker 2: Oh, I didn't know this was Oscars Junior. They didn't
- 47:08Speaker 2: know that.
- 47:09Speaker 1: I'll tell you this.
- 47:10Speaker 3: They don't give Michelin stars to snacks.
- 47:15Speaker 2: Exactly.
- 47:16Speaker 1: We gotta don't let kids. It's for restaurants. This is
- 47:21Speaker 1: a no kid's wedding. We cannot be letting these kids in.
- 47:29Speaker 6: About the technical awards, Yeah, how am I ever going
- 47:32Speaker 6: to choose that? Yeah, this is color design.
- 47:36Speaker 4: What they said the other year, they were like, oh,
- 47:38Speaker 4: we're adding sound mixing on top of sound editing.
- 47:40Speaker 2: And I said, what is the difference.
- 47:42Speaker 1: And that's where I can tell the difference. Not all
- 47:45Speaker 1: of us are on sound mixing versus design versus editing stogram,
- 47:51Speaker 1: but that's where I bring good account.
- 47:53Speaker 5: It is a good account, But that's where I bring
- 47:54Speaker 5: in my dice. Do you guys have diced twenty on
- 47:59Speaker 5: sound and just go?
- 48:00Speaker 2: He real I do left, right, center, have you ever
- 48:03Speaker 2: played that? So? How does that work when selecting a movie?
- 48:05Speaker 2: So I put it on a marker and I go
- 48:07Speaker 2: left roll and it goes left right, left, right, left right,
- 48:10Speaker 2: and if the little star comes up, that's what I
- 48:12Speaker 2: vote for.
- 48:13Speaker 1: I do lottery style, So I play the California Lottery
- 48:16Speaker 1: and then whoever wins the California Lottery, I look at
- 48:19Speaker 1: a picture of them, and then I whichever filmmaker looks
- 48:22Speaker 1: the most like the lottery winner. They That's why I
- 48:25Speaker 1: love that.
- 48:25Speaker 2: I do Hide and Seek raccoons.
- 48:28Speaker 6: So I get a bunch of raccoons and I paint
- 48:30Speaker 6: tape the movie back the poster to the back of
- 48:32Speaker 6: the raccoon, and I let them go feral in my house.
- 48:35Speaker 2: And the last one I found is the last one
- 48:38Speaker 2: that wins.
- 48:41Speaker 3: In my building?
- 48:44Speaker 2: Is this a tangent orny?
- 48:47Speaker 3: And I just think she's beach?
- 48:51Speaker 2: Okay, let's get it. Okay. Do you have a question, Well,
- 48:54Speaker 2: we were going to talk about the get a real job, beach.
- 48:58Speaker 2: We're not talking about anything about that. Worry about what
- 49:03Speaker 2: wins best?
- 49:03Speaker 3: Are you a baby, babysitter or tutor? What that frek
- 49:08Speaker 3: are you doing?
- 49:13Speaker 2: I you have to push you have to push back.
- 49:16Speaker 1: I think that nanny's are a real job. No, no pair,
- 49:19Speaker 1: I think okay, I would pause it star.
- 49:23Speaker 10: Bitch and sometimes she's stealing my backag Okay, so that's
- 49:29Speaker 10: why you don't like her, because she's s live in
- 49:32Speaker 10: or live out because of my job.
- 49:35Speaker 2: And you decide, you decide.
- 49:36Speaker 5: The Oscars's a movie with about a nanny bitch.
- 49:42Speaker 2: Okay, what.
- 49:46Speaker 1: Time?
- 49:47Speaker 2: Oh we're gonna have about ten minutes.
- 49:50Speaker 6: Well, that's crazy because it feels like we were doing
- 49:52Speaker 6: this for two hours. What what let's do the final
- 49:56Speaker 6: go around or not the final go around? What another
- 49:58Speaker 6: go around? Is?
- 49:59Speaker 2: What makes best actress best actress?
- 50:01Speaker 3: In your mind?
- 50:03Speaker 6: You know my answer into the acting of this. What
- 50:06Speaker 6: makes the actus of the actress win for you? Best supporting?
- 50:09Speaker 6: Best supporting? Is there a difference?
- 50:11Speaker 2: I want to dive in.
- 50:14Speaker 1: My best actor best actress. It's makeup so that they
- 50:17Speaker 1: look a little uglier than they are. Oh yeah, whoever
- 50:21Speaker 1: picks the most makeup that looks a little uglier than
- 50:23Speaker 1: they are are the win.
- 50:25Speaker 2: Uh, there's there's a jumping out for you this year.
- 50:28Speaker 1: Oh I couldn't call it woman ugly. You won't catch
- 50:31Speaker 1: me on camera calling a woman ugly but just no,
- 50:34Speaker 1: there's an answer, and I have it up here.
- 50:36Speaker 2: Well, here's what.
- 50:37Speaker 4: There is a real statistic out there, and I don't
- 50:39Speaker 4: remember the actual statistic, but something along the term like
- 50:42Speaker 4: the lines of like maybe upwards of eighty percent of
- 50:45Speaker 4: people who have won the Best Acting award at the
- 50:48Speaker 4: Oscars has played some sort of disabled person in the
- 50:50Speaker 4: last one hundred years.
- 50:52Speaker 2: Like it's like crazy, this is really it's.
- 50:53Speaker 3: A transformational role.
- 50:55Speaker 4: It's this transformational role and this is how we're talking about.
- 50:58Speaker 4: But that is that's a real thing. And I'm lin
- 51:01Speaker 4: and sink that you are voting that way. I go,
- 51:03Speaker 4: you're acting different than you are, and that seems hard.
- 51:07Speaker 4: That must be hard. Yeah, it's kind of an a
- 51:09Speaker 4: for effort thing for me. If you look like you're working,
- 51:12Speaker 4: that's what I like.
- 51:13Speaker 2: Yeah, I love to see the actor. Yes for me, Yes,
- 51:16Speaker 2: acting for me?
- 51:18Speaker 5: Supporting well main, okay, best featured or what is it
- 51:21Speaker 5: best lead, lead actor, lead actress or lead female.
- 51:24Speaker 2: I like to say female actor now, and I agree
- 51:27Speaker 2: I have a daughter, but.
- 51:29Speaker 5: I'll say both of those categories are the ones that
- 51:33Speaker 5: are arbitrary to me, that usually go to my favorites.
- 51:35Speaker 3: Oldie favorites or Emma supporting is when I care.
- 51:40Speaker 2: Wow, that's who I actually.
- 51:41Speaker 3: Look for a good actor.
- 51:42Speaker 2: Maybe, though I don't interrupt you. This is a big moment.
- 51:44Speaker 2: You have a you have an eyelash. Would you like
- 51:46Speaker 2: to make a wish in an eyelash on your face?
- 51:48Speaker 3: Do you know what I'm gonna wish for? I want
- 51:50Speaker 3: you guys to guess.
- 51:55Speaker 1: Okay, Oh, it's either amastone or it's bitch Nanny.
- 51:59Speaker 3: I hope Emma stone and kills that name.
- 52:05Speaker 2: Now that is an Oscar winning movie.
- 52:07Speaker 1: Now that's an Oscar wish. She cuts her hair.
- 52:16Speaker 3: If Emma cuts her hair, Oh, no, her own hair.
- 52:18Speaker 3: If Elma cuts her hair, or she sings, or she
- 52:20Speaker 3: kills that bitch nanny.
- 52:22Speaker 1: Have you ever gotten to meet Emma?
- 52:24Speaker 6: No?
- 52:28Speaker 1: One day when that's part of a struggle. We have
- 52:30Speaker 1: to stay so separate, We have to stay I keep
- 52:32Speaker 1: myself in an isolation chamber on the night out. You do, yeah,
- 52:36Speaker 1: because I want to remain.
- 52:37Speaker 6: Have you guys ever gotten the actors and actresses trying
- 52:39Speaker 6: to come up and bribe you personally?
- 52:41Speaker 3: Yeah? Well they're agents, definitely.
- 52:42Speaker 6: Oh the agents are the worst. They can smell blood,
- 52:45Speaker 6: in the water and they know I love it.
- 52:47Speaker 1: Ralphian's agent was knocking on my bubble boy suit.
- 52:56Speaker 2: Is that how you're saying, I know why they're knocking
- 52:58Speaker 2: on your door? Is there, ralph Oh, that's a name
- 53:05Speaker 2: you've only read.
- 53:06Speaker 1: It's a name I've only read.
- 53:07Speaker 2: I never said, let's talk about the thirstiest actress here.
- 53:11Speaker 2: Then a camel on the ninth day in the desert,
- 53:14Speaker 2: Annette Bening, you're not gonna get the oscar. Leave us alone.
- 53:19Speaker 1: I'm not going to be eating this edible arrangement. I
- 53:21Speaker 1: am allergic to these fruits.
- 53:23Speaker 2: I can't have tantalope. Girl. Why do you think Hillary
- 53:26Speaker 2: Spanke shows it every time you want your oscar? We
- 53:28Speaker 2: asked her to.
- 53:29Speaker 1: We asked her to.
- 53:30Speaker 5: We say Hillary Colm and that's coming. Oh yeah, she
- 53:35Speaker 5: said me. She said, me an edible arrangement, but no fruit.
- 53:38Speaker 2: Loafs os big loafs. So for me, I guess what.
- 53:43Speaker 6: Just jumping in back to the best actor for me,
- 53:45Speaker 6: the best actor, specifically male is the one who does
- 53:49Speaker 6: looks like they had to physically do the most on set,
- 53:52Speaker 6: like Leo in that one movie about the Winter that looks.
- 53:58Speaker 2: Rueling and hard work.
- 54:00Speaker 5: His acting but can I then that is interesting because
- 54:04Speaker 5: I voted for Leo that year because I'm a big
- 54:06Speaker 5: fan of going Leo doesn't have an oscar yet? Yes, yeah,
- 54:09Speaker 5: I like picking someone at a high tax bracket, going, yeah,
- 54:12Speaker 5: they don't.
- 54:12Speaker 2: Have an oscar yet, that's it, and I love that
- 54:14Speaker 2: they deserve it. I'm the one that gave me.
- 54:16Speaker 4: I'm the one that really spirit uh spearhead of the
- 54:20Speaker 4: campaign to get Whoopy an Oscar for Ghost instead of
- 54:22Speaker 4: an Oscar for the color purple, because I said, I
- 54:24Speaker 4: like that she's funny in this she doesn't really do
- 54:26Speaker 4: much and actually half the movie she's possessed by Patrick
- 54:29Speaker 4: Swayzey and we only see Patrick Swayzey.
- 54:30Speaker 2: But I want to give it to her because she's
- 54:32Speaker 2: done it that they.
- 54:33Speaker 1: Don't have one yet. Multiplierh d o A why Multiplier
- 54:40Speaker 1: who wrote the Descendants?
- 54:42Speaker 3: That was Jim Rash In that fact, I remember going,
- 54:45Speaker 3: he deserves it now?
- 54:46Speaker 4: Yes, yes, Well, it took my daughter to see them
- 54:48Speaker 4: at the Groundlings and I said they should get an oscar.
- 54:50Speaker 1: Yes, they should get an oscar. You know, I tend
- 54:53Speaker 1: to for men. For male actor in a lead or
- 54:56Speaker 1: supporting role, I tend to vote for whoever looks the
- 54:59Speaker 1: most mean screen.
- 55:00Speaker 2: Yes, well that's supporting for me. Yes, are evil.
- 55:04Speaker 6: If you are evil, man, I'm going to be interested
- 55:07Speaker 6: in giving you a supporting Yes, you don't.
- 55:08Speaker 1: And if they were mean to people on set? Have
- 55:11Speaker 1: you been taking some of.
- 55:13Speaker 2: These Academy generals? Have you been taking them?
- 55:15Speaker 4: I've been getting some where people would come, they come
- 55:17Speaker 4: to meet me and they say, hey, I want to
- 55:18Speaker 4: put kind of across your table.
- 55:21Speaker 2: I want to show across your desk. I might be
- 55:23Speaker 2: playing a joker and I say I'd vote for it. Yes,
- 55:25Speaker 2: I'm sing.
- 55:25Speaker 4: A lot of people are coming up to me saying,
- 55:27Speaker 4: would you give me an Oscar if I voted? If
- 55:29Speaker 4: you if I was a joker. And I always see a.
- 55:31Speaker 5: Lot of these big actors they're taking movies for the
- 55:33Speaker 5: Oscar track at this level in their game, right where
- 55:37Speaker 5: Denzel will take something if he's going to do an
- 55:39Speaker 5: Oscar campaign for it, Yes, exactly. So sometimes I think
- 55:42Speaker 5: they won't even attach themselves to a script unless it
- 55:46Speaker 5: has bait.
- 55:47Speaker 1: Yes, And sometimes you know, sometimes I go nown forward
- 55:51Speaker 1: if there's a noun in the title that I like
- 55:54Speaker 1: shape of water, I love water. Yes, I love water.
- 55:57Speaker 1: Glog glok glugluk glog.
- 55:58Speaker 2: He plugging it up?
- 56:00Speaker 1: Oh, that that's what really got me.
- 56:02Speaker 5: That here, what was the one that was in black
- 56:04Speaker 5: and white? That was such a choice. I went, all right,
- 56:08Speaker 5: I'm done, I'm not going to vote this. I love
- 56:10Speaker 5: the artist, I love that, and you see it in
- 56:12Speaker 5: the trailer, and then I don't have to watch it.
- 56:13Speaker 2: You save me the vote. Yeah, it's great. How do
- 56:16Speaker 2: we feel about everything everywhere, all at once? I watch it.
- 56:21Speaker 1: I love that someday.
- 56:23Speaker 2: I love the trailer, and I voted right for it.
- 56:25Speaker 1: I voted right for it. I voted right for laundromat
- 56:29Speaker 1: and nothing else.
- 56:30Speaker 2: Yes, Jimmy Lee.
- 56:31Speaker 3: Curtis is like she she's paving the way for an
- 56:34Speaker 3: old Emma.
- 56:36Speaker 2: Yeah.
- 56:36Speaker 1: Yes, And she got a they don't have it yet multiplier.
- 56:40Speaker 2: And absolutely she did. Absolutely they don't have it yet.
- 56:44Speaker 5: Well, guys, I just want to say, this is about
- 56:47Speaker 5: the time of year where I start to go into
- 56:49Speaker 5: work mode.
- 56:50Speaker 2: Right, oh boy, everybody, we're best on. Put your work,
- 56:56Speaker 2: put your best on.
- 56:57Speaker 3: But I want to say, thank you. This is all.
- 56:59Speaker 3: Every year is good. Next year I might just you know,
- 57:02Speaker 3: I don't know.
- 57:02Speaker 2: Let my toddler vote for it or so, Okay, well
- 57:05Speaker 2: I want to say I was. I'm going later. There
- 57:08Speaker 2: is a screening that I've been invited to, very special
- 57:12Speaker 2: Wild Robots. If you guys want to come with me,
- 57:16Speaker 2: let's go. I heard they're giving out free compactors, trash compactors.
- 57:20Speaker 3: Amazing, that's amazing.
- 57:21Speaker 1: I'll vote for it.
- 57:22Speaker 3: Okay, because you invited me, I'm gonna vote for it.
- 57:25Speaker 1: I'm gonna vote for it.
- 57:26Speaker 3: Wow.
- 57:27Speaker 1: But I'm a little cold right now, so I don't
- 57:28Speaker 1: think i'll vote for whoa.
- 57:31Speaker 2: Oh my god, my god, what does the pope say?
- 57:38Speaker 1: What does the disco? We'll set us back one hundred years.
- 57:43Speaker 2: Everyone has a pope name, don't you get it? Don't
- 57:45Speaker 2: you think everybody's out of their pope name.
- 57:47Speaker 1: I would choose John. If I were selected to be pope,
- 57:50Speaker 1: I would choose John's center.
- 57:58Speaker 2: Answer your question. Now, that's why the college is good night.
- 58:02Speaker 1: Wow, what a great episode. My next favorite episode is Yeah,
- 58:09Speaker 1: I'm ralphing and I'm wretched. Guys, I won't waste any
- 58:14Speaker 1: time here. Okay, it's the Joker, gonna, it's the Joker.
- 58:22Speaker 1: The Joker episode was one that I had been like
- 58:25Speaker 1: soft pitching. I think for a long time.
- 58:27Speaker 6: And the Wheelhouse have we got to get a joker
- 58:31Speaker 6: like we got it and we were soft pitching like
- 58:35Speaker 6: anybody said no.
- 58:37Speaker 2: But we did get some pushback.
- 58:39Speaker 1: We got some pushback from the network.
- 58:42Speaker 5: There's no network support of this small podcast.
- 58:48Speaker 1: But anyway, we decided that The Jokers was kind of
- 58:50Speaker 1: Shakespeare and we filmed this in a in a silver
- 58:53Speaker 1: la apartment that is very cute and I honestly look
- 58:56Speaker 1: back at sometimes and look at it for style and
- 58:59Speaker 1: in spo from my.
- 59:00Speaker 2: Own dear, that's your style inspo.
- 59:02Speaker 6: I have crazy why soy sec guys.
- 59:08Speaker 4: There is exclusive living Edition merch that says that who
- 59:11Speaker 4: knows if it's out yet, I don't know what.
- 59:13Speaker 2: Time it is. This episode is wield.
- 59:16Speaker 6: Everybody lost their minds thirty minutes in and I'm not
- 59:20Speaker 6: going to reveal if you haven't seen, I'm not going
- 59:21Speaker 6: to reveal what happens, but it goes bonkers.
- 59:24Speaker 3: I think we want to do some more. We all
- 59:25Speaker 3: played blank. We all played blank. So if you have
- 59:27Speaker 3: any suggestions that you want us to see, put them
- 59:29Speaker 3: in comments.
- 59:30Speaker 2: And what I will say is the greatest joy of
- 59:33Speaker 2: improv is sometimes when you stumble onto something and you
- 59:35Speaker 2: realize telepathically we're all building something and this is that
- 59:39Speaker 2: for me, that's my greatest joy when I'm like, oh
- 59:41Speaker 2: my god, we're all building a house and no one's
- 59:45Speaker 2: everyone knows that I'm putting this up, and I'm putting this.
- 59:47Speaker 6: And we're like, you get hyper focus on what people
- 59:49Speaker 6: are putting up, so you go, yeah, okay, I see it,
- 59:51Speaker 6: and you.
- 59:52Speaker 2: Notice our eye contact, you notice our nodding. We're all
- 59:54Speaker 2: just like and you're riding the wave to be like,
- 59:56Speaker 2: everyone gets this right. And that's exactly this episode. And
- 59:58Speaker 2: so I'm excited for you to watch.
- 59:59Speaker 11: So good, So.
- 1:00:04Speaker 1: Says Roll.
- 1:00:05Speaker 2: The cl crossed us. All that was creepy. Welcome back
- 1:00:14Speaker 2: to artists on artists on artists on artists who ask,
- 1:00:17Speaker 2: why so serious we did to this group of people
- 1:00:21Speaker 2: who all played the Joker.
- 1:00:24Speaker 6: The Joker is the most iconic Batman villain and maybe
- 1:00:28Speaker 6: the most iconic villain of all time, and recently it
- 1:00:32Speaker 6: has become almost the role of a lifetime for young
- 1:00:36Speaker 6: and old actors to explore what it means to be
- 1:00:39Speaker 6: freaked up.
- 1:00:41Speaker 3: Some may say it's the new Hamlet.
- 1:00:43Speaker 5: Many actors take it on have their own process and
- 1:00:46Speaker 5: do it in their own fucked up way. We bring
- 1:00:49Speaker 5: some of these actors here today around a table, so.
- 1:00:52Speaker 1: Foot on your face, paint and get real smiley, let's
- 1:00:56Speaker 1: listen in.
- 1:01:01Speaker 6: You know, for me, the craft is more about experiencing
- 1:01:04Speaker 6: somebody else's life than anything else. For me, the craft
- 1:01:08Speaker 6: is serious, and that's why I wanted to dig into
- 1:01:12Speaker 6: a role like this because for the first time in
- 1:01:14Speaker 6: my life, I had to answer why so serious?
- 1:01:18Speaker 1: You know, because it's we have that known truth that
- 1:01:22Speaker 1: is so serious? So serious is a complete sentence, is
- 1:01:27Speaker 1: what I've always said, you know, so serious, that's the
- 1:01:30Speaker 1: nature of life.
- 1:01:31Speaker 2: But why now?
- 1:01:33Speaker 1: Only the sick and twisted ask a question like that?
- 1:01:37Speaker 2: I totally agree.
- 1:01:38Speaker 6: I see you one hundred percent, because for me, only
- 1:01:41Speaker 6: the sick and the twisted would ever ever even surmount
- 1:01:45Speaker 6: to ask the question why. And that's what makes them special,
- 1:01:47Speaker 6: and that's actually a way in. For me is somebody
- 1:01:51Speaker 6: that believes that the only way to deal with the
- 1:01:54Speaker 6: pain of life is to joke.
- 1:01:56Speaker 2: I am the joker.
- 1:02:00Speaker 5: Yeah, totally, totally, totally agree, and I totally believe that
- 1:02:07Speaker 5: what we all have to contribute today, it's going to
- 1:02:11Speaker 5: be individually scary.
- 1:02:15Speaker 1: Wat'll we get started.
- 1:02:16Speaker 2: I'll start.
- 1:02:18Speaker 6: My name is Dion Alexander, and I am the Joker.
- 1:02:24Speaker 6: I played the Joker in the twenty seventeen version of
- 1:02:28Speaker 6: the movie and it changed my life and ever since
- 1:02:32Speaker 6: then it's been a NonStop spy world looking for a
- 1:02:35Speaker 6: role like that.
- 1:02:38Speaker 3: Nice to meet you. I am Ellie Bombar and I
- 1:02:44Speaker 3: am the Joker. I played the Joker in a twenty
- 1:02:51Speaker 3: twelve adaptation. Not a lot of people saw it, and
- 1:02:56Speaker 3: I'm really excited to be here.
- 1:02:58Speaker 2: I'm the Joker. I am the Joker. Where was the audptation?
- 1:03:04Speaker 3: It was straight to DVD. Oh, DVD still retro, Yes,
- 1:03:10Speaker 3: it was it got it got tanked.
- 1:03:13Speaker 2: What was it called? What was that Batman film called.
- 1:03:16Speaker 3: The Bright Night? It was like a girl version.
- 1:03:20Speaker 6: It was version Batman flipped on its head Batman All Girls.
- 1:03:24Speaker 3: Yeah, and it just HBO Max tanked it completely.
- 1:03:28Speaker 2: Dwel crazy.
- 1:03:30Speaker 3: Yeah, they were tanking stuff way before we even knew it.
- 1:03:35Speaker 1: That's the thing about him. Well, my name is Matthew Nashville,
- 1:03:40Speaker 1: and I am playing the Joker in an upcoming motion
- 1:03:44Speaker 1: picture and yet to be released. We're shooting for some
- 1:03:48Speaker 1: tower around twenty twenty six, twenty seven. And you know,
- 1:03:52Speaker 1: I'm actually not a famous guy. I started playing the
- 1:03:56Speaker 1: Joker in repertory Nashville Repertory, and so I've been playing
- 1:04:01Speaker 1: the Joker for quite a long time.
- 1:04:03Speaker 2: From the Joker on stage, from.
- 1:04:05Speaker 1: The Joker on stage, repertory.
- 1:04:08Speaker 6: Absolutely play interpretation, I'm sorry. Interpretation of that, well, I.
- 1:04:13Speaker 1: Would argue that it is the Joker, and the film
- 1:04:16Speaker 1: is the interpretation.
- 1:04:18Speaker 2: I love that, and you're wrong, but I love that.
- 1:04:20Speaker 1: And oh, that's funny.
- 1:04:22Speaker 2: Here we go. That's funny.
- 1:04:23Speaker 1: It's funny that.
- 1:04:24Speaker 3: You're being wrong is funny. And that's scared.
- 1:04:26Speaker 1: That's funny that you think that. Now, why So I
- 1:04:30Speaker 1: won't even say it. I won't even say it. But
- 1:04:32Speaker 1: I'm so grateful for what the Jokers brought me. The
- 1:04:36Speaker 1: Joker taught me more about myself than anything else. I'm
- 1:04:39Speaker 1: blessed to be the Joker. I'm grateful for the Joker anditude.
- 1:04:46Speaker 2: Yeah, Joker, So you're plastic.
- 1:04:50Speaker 1: You got it right on the money. You cracked exactly
- 1:04:54Speaker 1: what it is. You cracked exactly what my thing is.
- 1:04:57Speaker 1: My Joker is Christian.
- 1:05:01Speaker 2: Wow.
- 1:05:03Speaker 1: And so I thank God every day, and I thank
- 1:05:05Speaker 1: the Joker every day because you know the Joker.
- 1:05:08Speaker 2: The Joker is me.
- 1:05:09Speaker 1: The Jokers love the Joker's life. The Joker saved me,
- 1:05:12Speaker 1: and the Joker can save you too. I'm just so grateful.
- 1:05:17Speaker 1: I am the Joker.
- 1:05:21Speaker 2: Hi guys, my name is Prescott Thomas Carpone and I'm
- 1:05:24Speaker 2: playing Young Joker. Coming to CBS this fall. And I've
- 1:05:28Speaker 2: heard about this.
- 1:05:29Speaker 6: They are making a whole CBS series, the Multi Camp.
- 1:05:33Speaker 3: Is it a multi camp?
- 1:05:35Speaker 2: It's a multi cam. It's Young Joker. He's thirteen years
- 1:05:37Speaker 2: old and he's navigating not only being a clown, but
- 1:05:40Speaker 2: being a teenager.
- 1:05:41Speaker 6: I've heard they've taken a sick, twisted version of a
- 1:05:44Speaker 6: multi camp.
- 1:05:45Speaker 2: Indubitably, they certainly have. And I'm very excited to be performing.
- 1:05:48Speaker 2: I've been a child actor for a very long time.
- 1:05:50Speaker 2: As I like to call it a youth artist. I
- 1:05:53Speaker 2: don't say child actor because I just think that's reductive.
- 1:05:56Speaker 2: And I'm very, very excited, and I'm excited to see
- 1:05:58Speaker 2: all of you as well.
- 1:06:00Speaker 3: I have heard about your smile. I heard it's huge.
- 1:06:03Speaker 2: Yes, I have a big smile. I've been smiling since birth.
- 1:06:07Speaker 2: My mommy said I came out smiling. My mommy says,
- 1:06:10Speaker 2: I'm always smiling.
- 1:06:12Speaker 6: Oh, he might be keeping it already into the Joker.
- 1:06:15Speaker 2: I think Joker.
- 1:06:17Speaker 1: I don't know.
- 1:06:17Speaker 3: I think that's actually kind of me.
- 1:06:19Speaker 2: I don't know.
- 1:06:20Speaker 1: I don't know.
- 1:06:21Speaker 2: Before this, I was doing a lot of shoe ads
- 1:06:24Speaker 2: and now I'm doing the Joker.
- 1:06:26Speaker 3: And you said you're twelve.
- 1:06:27Speaker 2: No, I'm about to be twelve.
- 1:06:29Speaker 3: Have you seen the other Joker movies?
- 1:06:32Speaker 2: I have seen, uh the cartoon Batman animated series, and
- 1:06:36Speaker 2: I saw the original Joker. I mean Mark Hamill. We
- 1:06:39Speaker 2: got to give it up to Mark.
- 1:06:40Speaker 1: We like Mark Marks, this old man.
- 1:06:43Speaker 2: Who's in Star Wars the Last Jedi. He's so funny.
- 1:06:47Speaker 3: But your mom hasn't let you watch, or your dad
- 1:06:49Speaker 3: hasn't let you watch any other ones.
- 1:06:53Speaker 2: No, she says, I haven't watched that, and that's your
- 1:06:55Speaker 2: mom over there. Yeah, don't look at her. So she's
- 1:06:57Speaker 2: not alway be looked at, she told me, so don't
- 1:07:00Speaker 2: worry about her. She doesn't want too much attention on her.
- 1:07:03Speaker 1: She's got a little stage bride. Huh.
- 1:07:05Speaker 2: Yeah, I think she just doesn't want to be a
- 1:07:07Speaker 2: big deal. Yes, yes, she's making a lot of our motions,
- 1:07:14Speaker 2: a lot of but she doesn't want to be a problem.
- 1:07:16Speaker 2: She doesn't want to be a problem, so please don't
- 1:07:18Speaker 2: talk about her. Please don't talk about her.
- 1:07:20Speaker 3: It's okay, you're safe, everything's fine, son.
- 1:07:25Speaker 1: We're not here to talk about your mom. We're here
- 1:07:27Speaker 1: to talk about the reason while we're all right.
- 1:07:28Speaker 6: And thats what I was thinking. I want to dive
- 1:07:31Speaker 6: in because for me, it was a role of the lifetime.
- 1:07:35Speaker 5: When I have done it already and they are about
- 1:07:37Speaker 5: to embark on it, is that, Drew, you've already played.
- 1:07:40Speaker 6: I've done it and they're calling me back to do
- 1:07:41Speaker 6: it again.
- 1:07:42Speaker 2: Incredible? What are you doing? I'm doing it again.
- 1:07:47Speaker 6: They're making a short film and I just wanted to
- 1:07:49Speaker 6: get back into it.
- 1:07:50Speaker 1: So is it the same people who made the original feature?
- 1:07:55Speaker 6: No, the same people that made the original feature have
- 1:07:58Speaker 6: moved on, but I have not. So I have decided
- 1:08:02Speaker 6: to fund a short film with my friend Gabriel. He's
- 1:08:05Speaker 6: a fantastic music producer, self funded, self funded, and we
- 1:08:09Speaker 6: were doing a short film in the Life of the
- 1:08:11Speaker 6: Joker because there's something calling me back that I felt
- 1:08:15Speaker 6: like I didn't get to finish the first round, if
- 1:08:17Speaker 6: you know what I mean. And I'm sure each and
- 1:08:19Speaker 6: every one of you do well, I do know what you.
- 1:08:23Speaker 1: Mean that you didn't get to finish the first round
- 1:08:25Speaker 1: because you were famously recast ninety five percent oh the
- 1:08:30Speaker 1: way through.
- 1:08:31Speaker 2: The May shot the entire movie besides five days, and
- 1:08:35Speaker 2: they decided to go in a different direction. But they
- 1:08:39Speaker 2: used your back, right, they used my back a lot.
- 1:08:42Speaker 2: Did they go with They went for No, it was
- 1:08:45Speaker 2: a different joker. They went with Heath.
- 1:08:49Speaker 6: Heath.
- 1:08:49Speaker 2: Let's not say that they went with they went with
- 1:08:53Speaker 2: another actor. Well, clear it up, another actor.
- 1:09:00Speaker 6: I was replaced the last second, And as heartbreaking as
- 1:09:04Speaker 6: that was, I was just lucky to get the experience
- 1:09:08Speaker 6: to dawn on such a prolific complex speak on that interesting.
- 1:09:16Speaker 5: Yes, truly, are you guys beh or Ah before Heath
- 1:09:22Speaker 5: or after Heath?
- 1:09:24Speaker 1: Well, I'm in timeline. It depends on if you if
- 1:09:28Speaker 1: you believe tom is linear or not. I believe it
- 1:09:30Speaker 1: to be one flat, ever pulsiting heartbeat that connects each
- 1:09:35Speaker 1: of us through its gorgeous tendrils a lot, and I.
- 1:09:40Speaker 2: Believe it to stand completely still when I'm in chemistry class.
- 1:09:45Speaker 1: It's a good one. Your mom's nodding really hard.
- 1:09:48Speaker 2: Hit it right.
- 1:09:49Speaker 3: She's holding a que card that said exactly what you
- 1:09:52Speaker 3: just said.
- 1:09:52Speaker 2: No, no, don't look at the Q cards and don't
- 1:09:54Speaker 2: mention the Q cards.
- 1:09:54Speaker 1: Okay, okay, I won't mention the Q card.
- 1:09:56Speaker 2: Imagine I'm the only one who can see her, can Okay,
- 1:10:00Speaker 2: we'll do.
- 1:10:01Speaker 1: We'll do.
- 1:10:02Speaker 2: Copy that.
- 1:10:04Speaker 1: I am so in in terms of after it is,
- 1:10:07Speaker 1: of course, you know Heath left such a blueprint. I
- 1:10:11Speaker 1: do believe go but I actually I'm a religious man.
- 1:10:16Speaker 1: I go by a different timeline. That's pre j Q
- 1:10:20Speaker 1: or after j Q Jesus Christ, Jesus que. So the
- 1:10:29Speaker 1: abbreviation I was thinking was walking.
- 1:10:34Speaker 2: Walking walking, Oh yes, of course, walking.
- 1:10:41Speaker 12: Walking, Dalen the news of Jesus Christ walking Jesus Christ?
- 1:10:50Speaker 2: Or is it walking Queenix?
- 1:10:52Speaker 1: To me, there to be there one and the same
- 1:10:56Speaker 1: Jesus Christ walking Queenix. They're the same.
- 1:11:02Speaker 12: Queen queen exactly.
- 1:11:06Speaker 2: I loved her joker by the way.
- 1:11:07Speaker 5: I love she was joker she did for SNL one sketches.
- 1:11:12Speaker 6: She did one sketches the joker in SNL, and boy
- 1:11:16Speaker 6: did she murder it.
- 1:11:17Speaker 1: I believe she got there. She got there more than
- 1:11:22Speaker 1: most other bozo sorry to swear bozo jokers you see around.
- 1:11:27Speaker 2: Let's talk about jokes.
- 1:11:29Speaker 5: Joker, joke, Joko seriously, but my bozo joke, my Joker took.
- 1:11:38Speaker 3: Place in the mall.
- 1:11:40Speaker 5: It was when they tried to make Batman a girly
- 1:11:42Speaker 5: thing and it sucked. Okay, no one saw my Joker.
- 1:11:45Speaker 5: I saw your joke, saw your Joker.
- 1:11:47Speaker 2: Was amazing.
- 1:11:48Speaker 6: My commitment to Joker girl in the mall who's causing
- 1:11:52Speaker 6: ruckus by stealing and messing up clothes was amazing.
- 1:11:56Speaker 1: And that origin story, it just it makes so much
- 1:11:59Speaker 1: sense because making the Joker originally one of those girls
- 1:12:04Speaker 1: who sells jewelry in the middle kiosks of the mall
- 1:12:06Speaker 1: that no one wants to stop that. Amen, that is
- 1:12:09Speaker 1: a Joker origin story. Really, that job would like anybody
- 1:12:13Speaker 1: the Joker.
- 1:12:14Speaker 5: Yeah, And all it took was one forever twenty one
- 1:12:16Speaker 5: employee to believe me, to believe my character, for me
- 1:12:20Speaker 5: to take my kiosk role as a straightener, I would
- 1:12:24Speaker 5: straighten people's hair and start to make that my weapon.
- 1:12:27Speaker 3: But here's the thing. It's a bozo joke because no
- 1:12:30Speaker 3: one thought it went straight to DVD.
- 1:12:34Speaker 2: No one liked it.
- 1:12:35Speaker 1: This is something non Joker teacher told me, something I
- 1:12:40Speaker 1: studied under j Q. Which is just in quantum.
- 1:12:48Speaker 2: In quantum, Yeah, he was. He taught my intro to
- 1:12:51Speaker 2: Joker class, and so I was. I was an intro Joker,
- 1:12:55Speaker 2: and I took Joker two, in Joker three with Bill Billy.
- 1:13:00Speaker 3: Bog and then long form joke or short form.
- 1:13:04Speaker 2: I didn't get into long form joker after a Joker three.
- 1:13:07Speaker 2: It took me three tries.
- 1:13:08Speaker 1: That's okay, and you're so young, you've so much time.
- 1:13:12Speaker 6: I actually had a question about did you read the
- 1:13:14Speaker 6: original Joker text or was it kind of like in
- 1:13:16Speaker 6: a cliff Notes version of.
- 1:13:17Speaker 2: The joke the comic book? Yes?
- 1:13:19Speaker 6: Was it a more of a translation of the original
- 1:13:21Speaker 6: Joker text the comic book the original comic book, Yeah.
- 1:13:24Speaker 2: I was confused by it. So I read No Fear
- 1:13:27Speaker 2: Joke here, and so it was all the original text
- 1:13:30Speaker 2: of the Joker on the other side the translation.
- 1:13:33Speaker 1: It's a revaluable Yeah, you can get in.
- 1:13:36Speaker 2: At Bourne's and Noble No Fear Joke here.
- 1:13:40Speaker 6: I had to read the No Fear Joke here originally
- 1:13:42Speaker 6: because it's such a dense, interesting, introspective text. There's so
- 1:13:47Speaker 6: much behind it that when you read it, you go,
- 1:13:50Speaker 6: this is this is average, this is boring, there's nothing dense,
- 1:13:54Speaker 6: and then no Fear Joke here kind of sets you
- 1:13:56Speaker 6: in and it hits you right in the stomach.
- 1:13:59Speaker 1: Yeah. Well, well, No Fear Joke here does a really
- 1:14:02Speaker 1: amazing job because a lot of the things that the
- 1:14:05Speaker 1: joker says, you know, you don't really realize it's twisted
- 1:14:10Speaker 1: until someone points it out.
- 1:14:11Speaker 2: Well, so it was twisted right away. I actually realized
- 1:14:15Speaker 2: it was twisted. You didn't think it was twisted when
- 1:14:17Speaker 2: you read it.
- 1:14:17Speaker 6: Well, the original is mostly for me, was dense because
- 1:14:21Speaker 6: it was just mostly puns and rhyme schemes, which threw
- 1:14:25Speaker 6: me off because I couldn't see you got it right away.
- 1:14:27Speaker 1: I couldn't get the scanchon if you got the scansion
- 1:14:29Speaker 1: early on. I mean, I'm sorry. It's not that I
- 1:14:32Speaker 1: don't believe you. It's just that I'm very impressed.
- 1:14:36Speaker 3: I'll say that.
- 1:14:37Speaker 2: Well, what can I say? I'm a very precocious and
- 1:14:41Speaker 2: smart boy. Okay, Carder, I know all fifty states and
- 1:14:47Speaker 2: all fifty capitals. That's amazing. Yeah, did that you think?
- 1:14:51Speaker 3: Do you think your joker is a bozo joke?
- 1:14:54Speaker 5: And feel like you got a lot of hate and
- 1:14:57Speaker 5: love from both sides like where did you belong?
- 1:14:59Speaker 3: You think like like to do a Christian joker is
- 1:15:03Speaker 3: to really be at the center of culture.
- 1:15:06Speaker 1: It is something that I don't want to say it
- 1:15:11Speaker 1: angered both sides because I'm more see it that they
- 1:15:13Speaker 1: just don't understand. You know that they're not there yet.
- 1:15:16Speaker 1: It's that they're not there yet. And I know that
- 1:15:19Speaker 1: if I can reach them, if they sit down and
- 1:15:21Speaker 1: they watch it, they're gonna get it. But no, I
- 1:15:24Speaker 1: got And to your point, you are, you're correct. I've
- 1:15:27Speaker 1: got a lot of uh you know, ministries reaching out saying, hey,
- 1:15:32Speaker 1: you're sort of equating the Joker to Jesus in a
- 1:15:34Speaker 1: way that we don't really believe. And that's their belief
- 1:15:37Speaker 1: and that's okay. But then you have the other people
- 1:15:41Speaker 1: who are saying, who is this? Who is this? Preachy
- 1:15:45Speaker 1: preachy mofo bok kids were like crazy, they said, that's
- 1:15:49Speaker 1: not Marvel, because Marvel is their God.
- 1:15:52Speaker 2: You can customerin me. My mom cusses a lot, so
- 1:15:54Speaker 2: you can say a motherfucker, you can whoa whoa son.
- 1:15:58Speaker 1: I'm making a promise right now, as a man who
- 1:16:00Speaker 1: believes in the Joker, I will not say motherfucker.
- 1:16:03Speaker 2: Oh shoot, yeah, it's okay.
- 1:16:05Speaker 3: Oh, I'm so sorry.
- 1:16:07Speaker 6: Okay, a nice polite handshake, kind of thank you.
- 1:16:10Speaker 1: For shaking my hand. You're a very precocious child.
- 1:16:13Speaker 2: Of course, we cuss a lot, and my director cusses
- 1:16:16Speaker 2: a lot, so and I'm allowed to cuss a lot.
- 1:16:18Speaker 2: And I'm actually allowed to say a lot of cusswords
- 1:16:20Speaker 2: because my joker cusses. They're making an lrated cbsitcom It
- 1:16:24Speaker 2: might be going to all access, depending on how it
- 1:16:26Speaker 2: looks in the end.
- 1:16:27Speaker 5: So as an already multi cam, I've never seen the likes.
- 1:16:33Speaker 2: So sick and twisted, and I love them. Well, he's
- 1:16:36Speaker 2: such an interesting little guy. What did you look?
- 1:16:38Speaker 6: What was it about it that drew you in? I
- 1:16:41Speaker 6: mean this is kind of a question for everybody, but
- 1:16:42Speaker 6: I'll start with you. What was your way into this
- 1:16:46Speaker 6: character and what have you learned?
- 1:16:47Speaker 2: Well, So there's a scene where his parents are both
- 1:16:50Speaker 2: working late and he has a big science project do
- 1:16:54Speaker 2: the next day, and his sister is being a total brat,
- 1:16:58Speaker 2: and so he shoots her in the top of the
- 1:17:00Speaker 2: head and then he cuts her open and dissects for
- 1:17:03Speaker 2: like a frog and pins her in.
- 1:17:05Speaker 3: Different is playing Batman in Yours right, yes.
- 1:17:08Speaker 2: And Cat Tennings is playing Batman, so right now, it's
- 1:17:12Speaker 2: just a veo and it's kind of Wonder Year style
- 1:17:16Speaker 2: where Cat Tennings is going. I remember when the Joker
- 1:17:19Speaker 2: was a teenager. It's a little a little how I
- 1:17:24Speaker 2: Met your mother? Just a little bit. Yeah, they're saying
- 1:17:26Speaker 2: it's above I say, that's a little confusing, and they say,
- 1:17:28Speaker 2: you'll get it when you're older. So I guess my
- 1:17:30Speaker 2: question is, so you guys get it because you're older.
- 1:17:33Speaker 3: I get it.
- 1:17:35Speaker 2: I get it.
- 1:17:35Speaker 1: I get I get it.
- 1:17:36Speaker 2: I mean I get it.
- 1:17:38Speaker 6: If you if that's a question about getting newer show specifically,
- 1:17:42Speaker 6: no I've missed them, are completely I.
- 1:17:47Speaker 2: Get it.
- 1:17:48Speaker 9: I'm sorry.
- 1:17:50Speaker 1: I had my doubts at first when you originally said it,
- 1:17:53Speaker 1: but ultimately when you look at the text and when
- 1:17:55Speaker 1: you go back to the text, a multiicam is the
- 1:17:58Speaker 1: perfect medium for the joke because everyone's laughing at him.
- 1:18:06Speaker 2: We have a lot of so right now, our owt
- 1:18:09Speaker 2: to laugh for a show is way off.
- 1:18:11Speaker 1: We're getting a lot of oz and we're not getting
- 1:18:14Speaker 1: Oh that's always tough.
- 1:18:15Speaker 2: I'm being told it's my fault, and so I'm working
- 1:18:19Speaker 2: on it. I'm going to change it. I'm going to
- 1:18:21Speaker 2: fix it. I'm going to turn this ship around. If
- 1:18:24Speaker 2: Judy could do it for Wizard of Oz, if Shirley
- 1:18:26Speaker 2: could do it for good Ship Lollipop, I can do
- 1:18:29Speaker 2: it for a joker the multicamp.
- 1:18:30Speaker 3: Boy, you read that cue card perfectly.
- 1:18:33Speaker 2: I wasn't even looking at it.
- 1:18:34Speaker 3: Sometimes I have a question.
- 1:18:35Speaker 2: Go ahead, what do you.
- 1:18:36Speaker 3: Think brings the question?
- 1:18:39Speaker 2: You go ahead?
- 1:18:39Speaker 3: I'm so sorry, But what do you think?
- 1:18:44Speaker 13: What?
- 1:18:44Speaker 3: What do you think brings all chokers together? Do you
- 1:18:46Speaker 3: think it's mental health? Do you think it's a smile?
- 1:18:50Speaker 2: What's the main thing?
- 1:18:52Speaker 3: What do you think all four of ours having commons?
- 1:18:54Speaker 1: Well, that's fine in the middle of fine, Well, who's joker?
- 1:19:00Speaker 3: Whose joker is a?
- 1:19:03Speaker 2: Oh that's good. Let's do put a finger down. We
- 1:19:05Speaker 2: played it sometimes in my charter school.
- 1:19:07Speaker 3: We play this and for the listener, we'll say when
- 1:19:10Speaker 3: we put a finger.
- 1:19:10Speaker 1: Down, yes, okay, okay, so put a finger down. If
- 1:19:15Speaker 1: your joker is having trouble finding.
- 1:19:18Speaker 2: A girlfriend, I'm putting a finger down.
- 1:19:20Speaker 3: Putting a finger down, boyfriend.
- 1:19:22Speaker 6: But yeah, yeah, I'm putting a finger down. Okay, but
- 1:19:25Speaker 6: he's moved past it. Okay, he knows he'll never get that.
- 1:19:28Speaker 3: It's so hard to find a boyfriend at the mall.
- 1:19:31Speaker 6: Funnily enough, who is the same thing for my joker.
- 1:19:34Speaker 2: Funnily enough, same thing for my joker. It was very
- 1:19:37Speaker 2: hard to find a boyfriend at the mall. Put a
- 1:19:40Speaker 2: finger down. If your jokers having trouble, trouble at them all.
- 1:19:43Speaker 1: Okay, so I'm seeing make your r a W.
- 1:19:48Speaker 2: Yeah, I've been told that I have to get Kyuto,
- 1:19:51Speaker 2: so I'm going to be Kuto now immediately. No, I'm
- 1:19:58Speaker 2: just being myself.
- 1:19:59Speaker 3: Now, I get my cast.
- 1:20:01Speaker 2: I get it.
- 1:20:01Speaker 3: Put a finger down. If you're a joker has a
- 1:20:04Speaker 3: fucked up relationship with his parents, Oh.
- 1:20:07Speaker 2: Okay, is the easiest way to say that, And I'd.
- 1:20:13Speaker 1: Say, let's fucked up a little more misunderstood.
- 1:20:18Speaker 2: And I would say, fucking the ass.
- 1:20:20Speaker 1: Whoa, whoa. We are wildly pivoting between strategies. Your mom
- 1:20:24Speaker 1: is writing cue cards. I'm sorry, don't make any dang saints.
- 1:20:28Speaker 2: Fucked into whoa? Okay, a little better, don't use.
- 1:20:37Speaker 1: It's contagious. It's getting contagious. You gotta stop doing that
- 1:20:41Speaker 1: in my ero. So I'll go. I'll go and do
- 1:20:43Speaker 1: it too.
- 1:20:44Speaker 2: Okay. Put a finger down.
- 1:20:46Speaker 6: If you're Joker made you look at the world in a.
- 1:20:49Speaker 5: Different light, every single one of us. If we're playing,
- 1:20:55Speaker 5: if we're playing true to the character, I believe there
- 1:20:58Speaker 5: should be no Joker that.
- 1:21:00Speaker 3: Here's the thing, tell me if I'm wrong.
- 1:21:02Speaker 5: Ready, I believe no matter what your adaptation is, no
- 1:21:06Speaker 5: matter what the budget is, no matter if it's short film,
- 1:21:09Speaker 5: a multi camera, whatever it is, I believe no Joker
- 1:21:12Speaker 5: should feel like they belong to be the Joker. Yeah,
- 1:21:16Speaker 5: it is to feel like an outsider exactly.
- 1:21:19Speaker 3: Joy in that true find the giggles and the ultimate laugh.
- 1:21:26Speaker 14: Well because you realize that you're scared and all of
- 1:21:30Speaker 14: a sudden, like you have to do a different thing right, like,
- 1:21:33Speaker 14: all of a sudden, like all the things that make
- 1:21:36Speaker 14: other people scaled are the things that make me happy,
- 1:21:38Speaker 14: And that's scary.
- 1:21:39Speaker 3: How does that manifest film the sitcom?
- 1:21:42Speaker 2: On the sitcom? Yeah, the main way that it manifests
- 1:21:45Speaker 2: is I am in the class sometimes and then in
- 1:21:49Speaker 2: class people.
- 1:21:51Speaker 14: I get an F on a paper and I go, yay,
- 1:21:54Speaker 14: I got a F. But actually is weird because F
- 1:21:58Speaker 14: is bad.
- 1:21:59Speaker 6: That's twisted a joker thinking, and F is good is
- 1:22:02Speaker 6: very joker so I will watch this because it sounds
- 1:22:05Speaker 6: like they're right on the money.
- 1:22:07Speaker 14: You gotta check it out. We're having a blast and
- 1:22:09Speaker 14: we could use three more viewers.
- 1:22:12Speaker 6: Put a finger down, I guess for me. Put a
- 1:22:16Speaker 6: finger down. If every night, before you go to bed
- 1:22:20Speaker 6: you have an inkling.
- 1:22:22Speaker 2: Of a thought, that's it. I think before bed. Yeah,
- 1:22:30Speaker 2: an inkling of a creepy thought. Oh creepy. It was creepy,
- 1:22:35Speaker 2: something so freaked up. And this is just beyond your
- 1:22:38Speaker 2: own joke and this is the real acting.
- 1:22:40Speaker 6: It's something that the joker did to me that I
- 1:22:43Speaker 6: don't know if I'm ready to talk about.
- 1:22:45Speaker 2: Please dish. When are you ever going to get this
- 1:22:47Speaker 2: opportunity again?
- 1:22:48Speaker 6: You're so right? Held are you twelve years so I'm eleven?
- 1:22:51Speaker 3: Where'd you get that bottle?
- 1:22:52Speaker 2: All of a sudden the bottle?
- 1:22:55Speaker 1: You're just okay, I'll see this. I'll see child actors
- 1:22:58Speaker 1: do this. You're trying to play every single age at
- 1:23:01Speaker 1: once so that you can.
- 1:23:04Speaker 2: Right now.
- 1:23:05Speaker 1: You can't shoot twelve for two. You just can't. You're
- 1:23:07Speaker 1: doing well.
- 1:23:08Speaker 3: Women in their thirties two they try to do all
- 1:23:10Speaker 3: the twenties and.
- 1:23:12Speaker 2: Uppies.
- 1:23:14Speaker 1: I can't give you uppis son. I cannot give you
- 1:23:17Speaker 1: Uppy's son. That's the lesson you're gonna have to learn.
- 1:23:21Speaker 1: You are too old for uppies. You're gonna have to
- 1:23:23Speaker 1: uppease yourself. And that's something the Joker can teach you.
- 1:23:26Speaker 1: If you look inward, if you thank him, if you
- 1:23:29Speaker 1: say thank you, Joker, thank you for this beautiful morning,
- 1:23:33Speaker 1: thank you for this gorgeous sunset, and thank you for
- 1:23:35Speaker 1: bringing us together under his glorious.
- 1:23:38Speaker 2: Lit So he really is Jesus Christ, and I want.
- 1:23:43Speaker 1: To specify his Jesus Christ, and he is not Jesus Christ.
- 1:23:46Speaker 2: That would be sacrilege.
- 1:23:47Speaker 6: So I've got a question that this actually brings me
- 1:23:50Speaker 6: to a really interesting thing because you sound like you're
- 1:23:52Speaker 6: worshiping a man that is opposite you, a man that
- 1:23:56Speaker 6: is apart from you. Did you feel like you were
- 1:24:00Speaker 6: the joker or you were playing the joke.
- 1:24:02Speaker 1: That's the thing. It's sort of a like a father, son,
- 1:24:06Speaker 1: holy spirit type thing. Oh, everything is in all of it.
- 1:24:10Speaker 1: So in a way, I don't want to claim. I'm
- 1:24:13Speaker 1: not going to claim that I'm a deity. Right, You're
- 1:24:16Speaker 1: not going to catch me claiming that I am a deity.
- 1:24:18Speaker 1: But I've had the pleasure of playing the deity and
- 1:24:22Speaker 1: having his message and his love course through my veins
- 1:24:27Speaker 1: as I go. You know, but I do worship him
- 1:24:30Speaker 1: as an entity, and I'm so grateful for when he
- 1:24:34Speaker 1: passes through me.
- 1:24:35Speaker 6: That is beautiful, so different from mine. Yeah, I know,
- 1:24:40Speaker 6: Ris is so beautiful, so beautiful.
- 1:24:44Speaker 1: Thank you. I can see. I can see it's bringing
- 1:24:47Speaker 1: out something twisted for you. Follow that, follow that his
- 1:24:51Speaker 1: twisted grace will bring you truth. His twisted grace will
- 1:24:54Speaker 1: bring you truth.
- 1:24:56Speaker 5: If I think the fact that you don't want to
- 1:24:58Speaker 5: means you have to, can we speak to your joker.
- 1:25:09Speaker 3: It's bringing something up to me.
- 1:25:16Speaker 1: Hold on, hold on. I'm feeling his love and I'm
- 1:25:18Speaker 1: feeling his lot.
- 1:25:27Speaker 2: It's happening. I can't help it.
- 1:25:35Speaker 3: That's so funny.
- 1:25:37Speaker 1: That's so funny.
- 1:25:39Speaker 7: Leave the boy out, Leave the boy own, mommy, or
- 1:25:42Speaker 7: you'll wake up in the grave, mammy.
- 1:25:47Speaker 5: If you got this far in the video, it seems
- 1:25:49Speaker 5: like the joker met has been activated.
- 1:25:52Speaker 9: It seems we've got.
- 1:25:53Speaker 15: A lot of jokers in the crowd.
- 1:25:55Speaker 1: If you've made it this far without getting fuck, thank.
- 1:26:00Speaker 2: God, these skin husks.
- 1:26:02Speaker 1: Let us come out to play.
- 1:26:04Speaker 5: Time stamp this part in the video and the comments
- 1:26:07Speaker 5: because the joker has been let out of the cave.
- 1:26:11Speaker 15: Your friends good time.
- 1:26:13Speaker 16: Stamp the videos so they know when to prepare themselves
- 1:26:17Speaker 16: for the sake and toisted.
- 1:26:22Speaker 2: The joker.
- 1:26:22Speaker 7: Put it on a T shirt the joker interest of
- 1:26:25Speaker 7: this exact moment.
- 1:26:28Speaker 1: Baby, you can.
- 1:26:29Speaker 7: Leave a joker comment jo something like oh caps hot
- 1:26:34Speaker 7: space host, space hot space hog. I hope you don't
- 1:26:38Speaker 7: choke because now you've entered the joke.
- 1:26:45Speaker 3: You thought it's interview, it's gonna be normal, But no,
- 1:26:51Speaker 3: we have the joke.
- 1:26:54Speaker 1: Girl bus watch.
- 1:26:55Speaker 2: The funniest joke You've.
- 1:27:00Speaker 1: Why I have a joke?
- 1:27:03Speaker 2: Oh, they tell joke?
- 1:27:06Speaker 1: You have a joke?
- 1:27:10Speaker 2: You old? Your own's gone? Yes, I have one taking
- 1:27:15Speaker 2: over his body.
- 1:27:17Speaker 1: Yes, a joker is here, and the joke carries in
- 1:27:21Speaker 1: all of us.
- 1:27:22Speaker 15: What do you get when you cross a chicken.
- 1:27:27Speaker 3: And a MOUs.
- 1:27:30Speaker 17: What?
- 1:27:33Speaker 1: Oh?
- 1:27:33Speaker 9: One busy toursday.
- 1:27:37Speaker 2: That's the best joke.
- 1:27:43Speaker 3: What did the chickens say when he crossed the ld?
- 1:27:50Speaker 3: Where's my babe?
- 1:28:02Speaker 1: Oh?
- 1:28:03Speaker 2: Wow? Whoa? What was that?
- 1:28:05Speaker 1: That was incredible?
- 1:28:06Speaker 6: Oh it looks like time has passed, but I don't
- 1:28:08Speaker 6: remember any time past.
- 1:28:09Speaker 2: Oh no, yes, yes, I'm back I'm the boy. Yes,
- 1:28:14Speaker 2: I'm the boy. I'm the boy again. Something very interesting.
- 1:28:18Speaker 2: What happened to me? I'm the boy again?
- 1:28:21Speaker 1: Son?
- 1:28:22Speaker 2: Son?
- 1:28:22Speaker 1: You feel different.
- 1:28:23Speaker 2: I'm not different. I'm not different. Everything different. You can't
- 1:28:27Speaker 2: say it. Don't tell anyone in the comments that I'm
- 1:28:31Speaker 2: still the joker. What did you just say? What are
- 1:28:34Speaker 2: you talking about?
- 1:28:35Speaker 1: What did you just say?
- 1:28:37Speaker 2: I said nothing.
- 1:28:38Speaker 3: Sometimes it takes for the younger soul.
- 1:28:41Speaker 2: Mommy, I like an apple juice.
- 1:28:42Speaker 1: I'm a boy.
- 1:28:43Speaker 2: I like an apple juice. I'm a little boy. Mommy, Mommy,
- 1:28:47Speaker 2: give me an apple juice. Mommy, bitch, get me a juice. Okay,
- 1:28:52Speaker 2: hush doesn't feel twelve at all.
- 1:28:54Speaker 1: Hush up, sone, hush up, hush up, hush up. I
- 1:28:58Speaker 1: think you need to learn where to leave your joker.
- 1:29:01Speaker 3: It takes a lot, Jo.
- 1:29:03Speaker 2: I'm not.
- 1:29:04Speaker 6: I think a question for you. Were we all just joker?
- 1:29:07Speaker 6: Were we all just jokers for a second? Were we
- 1:29:09Speaker 6: all just jokers for a second?
- 1:29:12Speaker 2: Were you all jokers? Was I a joker? Yeah?
- 1:29:17Speaker 6: Okay, so we were in a situation where he stayed
- 1:29:22Speaker 6: a joker, and we need to get him out of
- 1:29:23Speaker 6: this joker.
- 1:29:24Speaker 2: And now I'm stuck I'm a little boy.
- 1:29:26Speaker 1: You're definitely a little bit joker.
- 1:29:29Speaker 2: I played jacks with my friend.
- 1:29:31Speaker 1: Okay, that's pay that jo.
- 1:29:35Speaker 2: So he's a nineteen fifties joker, which is very interesting.
- 1:29:38Speaker 1: And that's you know, the first few times that I
- 1:29:42Speaker 1: played this role, it was nineteen fifties. I think that
- 1:29:46Speaker 1: happens a lot when you first start out and.
- 1:29:48Speaker 3: Tell you yeah, when when you first started talking, I
- 1:29:51Speaker 3: was like, this kid is so vanilla. I don't I
- 1:29:53Speaker 3: can't see the joker in him. And now I can't
- 1:29:56Speaker 3: see the kid, and now I.
- 1:29:57Speaker 6: Think what's happening. The kid is so impressionable. It is
- 1:30:00Speaker 6: like a demonic thing where the power of the joker
- 1:30:02Speaker 6: has overtaken the kid.
- 1:30:04Speaker 2: I'm a normal boy.
- 1:30:06Speaker 7: I like to go and play Washers with my friends.
- 1:30:10Speaker 7: I love my favorite show, Ousie and Harriet.
- 1:30:14Speaker 2: I'm a boy. Don't you understand.
- 1:30:17Speaker 1: Okay, we're gonna have to save you. Because the thing
- 1:30:19Speaker 1: about the Jokers, if you stay in it for too long,
- 1:30:21Speaker 1: you get laugh lines that'll turn into wrinkles.
- 1:30:24Speaker 2: It'll destroy your career.
- 1:30:25Speaker 5: It'll destroy your career makeup department, the laugh lines or else.
- 1:30:29Speaker 3: You can't do a state farm commercial every once in
- 1:30:31Speaker 3: a while.
- 1:30:33Speaker 2: Kid, you're twelve, you'll be doing state farm commercials.
- 1:30:38Speaker 1: Let me tell you, here's a question for you.
- 1:30:41Speaker 2: What makes you think if I were to be a joker?
- 1:30:45Speaker 2: What makes you think the joker inside of you? We'll
- 1:30:48Speaker 2: let you get rid of the joker inside of me.
- 1:30:54Speaker 1: Oh okay, well that's that's an interesting philosophical quick question.
- 1:31:00Speaker 14: Their son as a young joker, I have energies, I
- 1:31:03Speaker 14: have secrets, and I have abilities.
- 1:31:05Speaker 2: I know exactly how to retrieve every single joker in
- 1:31:08Speaker 2: this room, and if I want to, I could take
- 1:31:11Speaker 2: over this entire podcast.
- 1:31:13Speaker 1: I trained with Stanislavsky. I trained with multiple joker teachers
- 1:31:17Speaker 1: at Maje.
- 1:31:21Speaker 3: What did you say, didn't you train with Stanslovski and
- 1:31:24Speaker 3: Joel Ostein?
- 1:31:26Speaker 1: Yeah, yeah, yeah and Joel Joe Joe Lostein, Joe Lostein
- 1:31:30Speaker 1: and Joel as did I.
- 1:31:32Speaker 3: Play prank.
- 1:31:35Speaker 2: Another joke? She is welcome.
- 1:31:38Speaker 3: Mess with the way you perceived your reality.
- 1:31:41Speaker 2: Welcome, darling. Welcome. You haven't missed anything.
- 1:31:45Speaker 3: I've been here though.
- 1:31:46Speaker 2: They don't suspect a thing. They think I'm syllaboy. Definitely joke, definitely.
- 1:31:53Speaker 1: A dumb bitch.
- 1:31:54Speaker 6: Well, you're joker, you've only presented as being a dumb bitch,
- 1:31:57Speaker 6: so there's no difference, all right.
- 1:32:06Speaker 2: So we gotta figure out how to solve these two.
- 1:32:08Speaker 1: We gotta figure out how to get these jokers back.
- 1:32:11Speaker 3: There's a flat the mystery.
- 1:32:14Speaker 2: Between me and you. Which one of these looks better
- 1:32:18Speaker 2: on the inside, you think?
- 1:32:20Speaker 3: And then which one looks better on what does?
- 1:32:25Speaker 2: What part of the joker is? What even is that?
- 1:32:31Speaker 2: Think of it like a jack in the box.
- 1:32:33Speaker 7: When you look at the box, it's just a bunch
- 1:32:36Speaker 7: of squares, But when you open the box, there's something
- 1:32:40Speaker 7: different in there.
- 1:32:41Speaker 1: No, you won't get me. My jokers love my jokers
- 1:32:44Speaker 1: lit and I've put him in a way for a moment,
- 1:32:46Speaker 1: so you will not get there.
- 1:32:48Speaker 2: You will not get me easy.
- 1:32:49Speaker 3: You will not get my joke.
- 1:32:50Speaker 6: Extremely strong actor, and nothing will break my indominable spirit.
- 1:32:59Speaker 1: Jacket. This would work.
- 1:33:11Speaker 7: Welcome back, brothers, Welcome back, brother Welcome back.
- 1:33:16Speaker 5: It's time to play. It's time to do our tight
- 1:33:20Speaker 5: five because we're.
- 1:33:21Speaker 18: Just in the rack.
- 1:33:22Speaker 2: Can I talk to both of you for a quick second.
- 1:33:25Speaker 2: Your alter egos quite the pills. They're really annoying. Get
- 1:33:31Speaker 2: me started on that. What's up with them? Can you
- 1:33:34Speaker 2: get them under control.
- 1:33:35Speaker 15: To twistad they are not twisted enough.
- 1:33:41Speaker 1: To me, not being twisted is twisted, which is why
- 1:33:46Speaker 1: I said it that way.
- 1:33:47Speaker 2: Do you feel a draft, because maybe it's a laugh
- 1:33:55Speaker 2: the joker.
- 1:33:56Speaker 3: What's a brown upside down?
- 1:33:59Speaker 2: I smile?
- 1:34:05Speaker 15: In the weather forecast today.
- 1:34:08Speaker 1: It's sunny. That to me is sad because I am
- 1:34:13Speaker 1: the joker.
- 1:34:15Speaker 5: As the engineers of artists on artists and artists, I'm
- 1:34:18Speaker 5: glad we took a minute to walk away.
- 1:34:19Speaker 3: I think they're doing a great interview in there. Yeah, yeah,
- 1:34:23Speaker 3: I think they're I think they're worthy.
- 1:34:25Speaker 2: Yeah. The engineers are the engineers the podcast.
- 1:34:28Speaker 3: We took a walk away, and I think everything's going
- 1:34:30Speaker 3: well and there. I think we could.
- 1:34:31Speaker 2: I think we could leave. I think it's good. Let's
- 1:34:34Speaker 2: go to BJ's. Let's go to BJ town. They just
- 1:34:39Speaker 2: got laid off. What this fucking company fucking sucks?
- 1:34:43Speaker 18: Nice?
- 1:34:44Speaker 2: Okay, can we.
- 1:34:45Speaker 1: Talk about it for a second because the pay structure
- 1:34:47Speaker 1: is insane of what this podcast?
- 1:34:50Speaker 6: Yeah, it's crazy how little they pay people for how
- 1:34:54Speaker 6: much money they're making.
- 1:34:56Speaker 2: Because they're making millions.
- 1:34:58Speaker 1: And millions of dollars dollars a month.
- 1:35:01Speaker 2: A month, I'll tell you this.
- 1:35:02Speaker 5: It's a real stand and walk away operation where we
- 1:35:05Speaker 5: set up the cameras, we set up the mics, and
- 1:35:07Speaker 5: we walk away and we let these artists.
- 1:35:14Speaker 2: Don't you. We're playing with your brain. We're playing with
- 1:35:17Speaker 2: your head. We're making you think things that are that
- 1:35:19Speaker 2: things that they are not.
- 1:35:22Speaker 1: And you thought it would rhyme.
- 1:35:23Speaker 9: You thought it would rhyme, but it doesn't.
- 1:35:25Speaker 7: Nothing's more fucked up than un they're paying hard podcast worker.
- 1:35:31Speaker 2: There's a question for all three of you. Yeah, Chuck, Mary, Kill, Batman, Superman, Aquaman.
- 1:35:38Speaker 3: May I yes, asked you the question.
- 1:35:42Speaker 2: Thank you for asking. May I.
- 1:35:46Speaker 1: Kill, kill and kill yes? Correct?
- 1:35:49Speaker 5: Okay, Doc Mary, Kiell, stan Leetle.
- 1:35:54Speaker 2: Okay, keep going.
- 1:35:56Speaker 3: Sam Stanley Stanley.
- 1:35:59Speaker 2: And spider Man spider Man. I don't know who that
- 1:36:02Speaker 2: is because I am the Joker.
- 1:36:06Speaker 7: I live in the DC universe and spider Man lives elsewhere.
- 1:36:11Speaker 3: I think.
- 1:36:13Speaker 2: Hey guys, this is Jeremy.
- 1:36:15Speaker 6: I just want to say, like, the next part of
- 1:36:17Speaker 6: this episode gets really weird and really crazy. So if
- 1:36:21Speaker 6: you want to stop now, comment in the comments right now.
- 1:36:23Speaker 6: I stop now because I don't want you to have
- 1:36:26Speaker 6: to see what happens after this.
- 1:36:27Speaker 2: Hey guys, this is Patrick. This is like really breaks
- 1:36:31Speaker 2: my heart. But we were posting this after because we
- 1:36:35Speaker 2: realized what comes next it's just going to turn a
- 1:36:38Speaker 2: lot of people off, and so we added this back in.
- 1:36:42Speaker 2: But Jeremy's right, like this kind of isn't for everyone,
- 1:36:44Speaker 2: and if you stick around, like we can't legally be
- 1:36:48Speaker 2: responsible for your thoughts on it.
- 1:36:50Speaker 1: Hey, this is Kylie. I took some time away from
- 1:36:54Speaker 1: the podcast for a little bit, and I just want
- 1:36:56Speaker 1: to let you guys know that after you hear what
- 1:36:58Speaker 1: you're about to hear, we decided to take an indefinite
- 1:37:02Speaker 1: pause and we're just sort of reevaluating where we're all
- 1:37:05Speaker 1: at and what we value and to see if those
- 1:37:09Speaker 1: values still aligned.
- 1:37:10Speaker 3: So, hey, guys, it's Angela.
- 1:37:12Speaker 2: Yeah.
- 1:37:13Speaker 5: I think like if we could just timestamp this, if
- 1:37:15Speaker 5: other people in the commons could time stamp this moment,
- 1:37:18Speaker 5: because specifically this one and Jeremy's and Patricks and Kyle's,
- 1:37:21Speaker 5: because the thing is what happened here is we have
- 1:37:24Speaker 5: a lot of unhinged episodes versus like hinged episodes, and this.
- 1:37:28Speaker 3: One, this one is un.
- 1:37:35Speaker 9: That the die was eligible actor, you got it.
- 1:37:46Speaker 7: I was only books commercial. Jeremy, God you.
- 1:37:53Speaker 5: You die, lad and glad Aritia who makes her money
- 1:37:58Speaker 5: eating do re toes on new.
- 1:38:02Speaker 2: And let me guess.
- 1:38:04Speaker 7: You not die. He was the person who used to
- 1:38:08Speaker 7: be an assistant and now lives in their own bosses
- 1:38:12Speaker 7: back yard, a little house. You might have even skipped
- 1:38:16Speaker 7: in the video to see what was so fucked up?
- 1:38:18Speaker 7: Well here it is there it is poopy poop. You
- 1:38:29Speaker 7: think that's fucked up?
- 1:38:31Speaker 2: About this poopy on an armpit?
- 1:38:35Speaker 3: That it so funny? That is so funny?
- 1:38:38Speaker 2: What about this?
- 1:38:38Speaker 3: What about this? What about this poopy on the dead body?
- 1:38:42Speaker 15: Let me let me, let me say what about this?
- 1:38:44Speaker 2: What about this?
- 1:38:45Speaker 1: What about this grilled cheese?
- 1:38:48Speaker 3: Just kidding?
- 1:38:49Speaker 9: Poopy on pisso boom?
- 1:38:56Speaker 1: Yeah, I take it in.
- 1:38:59Speaker 2: I bet you'll never sleep at night again after this.
- 1:39:03Speaker 2: And by the way, there's the joker inside of you,
- 1:39:06Speaker 2: and we could bring him out if we wanted.
- 1:39:09Speaker 15: And in fact we're about to. If you look into
- 1:39:12Speaker 15: the lens.
- 1:39:14Speaker 2: Yes, look at the lens whenever you're watching. Don't watch
- 1:39:19Speaker 2: the video anymore. Find the lens and look into it.
- 1:39:23Speaker 1: Find a leg find a lens here.
- 1:39:25Speaker 2: Joke dosn't have an audience.
- 1:39:27Speaker 7: This is the way into the joker. Repeat these three
- 1:39:31Speaker 7: chants and you will unlock it and timestamp this moment
- 1:39:36Speaker 7: to come back to it. Hey guys, just jumping in.
- 1:39:38Speaker 6: I know this episode is crazy, but actually this is
- 1:39:40Speaker 6: our first commercial. We got sponsored by Hello Fresh. We're
- 1:39:45Speaker 6: so excited, so we get fifteen percent off on HelloFresh
- 1:39:48Speaker 6: if you type in artists on artists on artists on
- 1:39:50Speaker 6: artists on HelloFresh.
- 1:39:51Speaker 2: We're super excited, so go use the website right now.
- 1:39:54Speaker 1: And this is our first ad ever. We've had some
- 1:39:57Speaker 1: trouble selling ads because people don't know what this is.
- 1:39:59Speaker 2: Y we mentioned celebrities. It was really hard.
- 1:40:01Speaker 3: It was really hard, Like our title is I kind
- 1:40:04Speaker 3: of hard to understand.
- 1:40:05Speaker 1: Yeah, but even in positive reviews, like The Guardian actually
- 1:40:08Speaker 1: reviewed us and gave us a positive recommendation and they
- 1:40:10Speaker 1: called us, I would say, niche and alienating was the
- 1:40:13Speaker 1: main sort of vibe that they said that we were.
- 1:40:15Speaker 2: So we do want to shout out HelloFresh because they
- 1:40:17Speaker 2: really like us. And we actually got a bunch of
- 1:40:19Speaker 2: meals and they were so good. I got this, I
- 1:40:22Speaker 2: made this spicy shrimp arabiata pasta. He had us over.
- 1:40:26Speaker 2: It was so good.
- 1:40:27Speaker 4: It was so good, so easy and they're easy to
- 1:40:29Speaker 4: make and they're really fun and it just like I
- 1:40:32Speaker 4: know now how to spice up the way I cook
- 1:40:34Speaker 4: and HelloFresh brings me interesting things so ingredients.
- 1:40:37Speaker 5: I never actually recently switched to a vegetarian lifestyle and HelloFresh.
- 1:40:42Speaker 3: Like completely accommodated that as well. I made a ratitituy
- 1:40:46Speaker 3: and it was just with squash and it was incredible.
- 1:40:49Speaker 1: And if you think you're not good, it cooked like
- 1:40:50Speaker 1: I'm These guys know I can't cook. It's so funny
- 1:40:54Speaker 1: and I cannot, like put me in front of a
- 1:40:55Speaker 1: pan and I'll say, what is this?
- 1:40:57Speaker 17: You know?
- 1:40:57Speaker 1: And so but Helofresh made it super easy and super awesome.
- 1:41:00Speaker 6: So yeah, we're kind of stumbling through this commercial, so
- 1:41:03Speaker 6: sorry about that, but we just wanted to give it
- 1:41:04Speaker 6: a shout out to HelloFresh. Thank you so much for
- 1:41:07Speaker 6: sponsoring us, And if you are wanting to use HelloFresh,
- 1:41:10Speaker 6: make sure to use the code.
- 1:41:11Speaker 2: Artists on Artists on, Artists on Joker.
- 1:41:18Speaker 15: Thought would sponsor.
- 1:41:23Speaker 7: Nobody would ever sponsor a codcas like this make.
- 1:41:31Speaker 1: You think I am I.
- 1:41:34Speaker 3: Bet jack Terryan and I have sworn off Sammy.
- 1:41:38Speaker 2: So look into your camera. I'm sorry, camera your lens.
- 1:41:46Speaker 2: Three things. Number one, Number one, the funniest joke is
- 1:41:52Speaker 2: the one you can play on the world. Number two,
- 1:42:01Speaker 2: knock knock, who's there? It's the joker.
- 1:42:08Speaker 15: Number three up is down and down is up.
- 1:42:13Speaker 1: A smile is a.
- 1:42:14Speaker 15: Frown and a frown is a joker.
- 1:42:20Speaker 2: And number four, yes, there's four.
- 1:42:26Speaker 3: Kidding three.
- 1:42:31Speaker 2: So if you're a joker, now comment you became the show?
- 1:42:38Speaker 1: Tell me exactly in the comments who you who became
- 1:42:42Speaker 1: the Joker?
- 1:42:45Speaker 5: In the comments, I went to see when you thought
- 1:42:48Speaker 5: time stamping became unnecessary because we asked for so many stuff.
- 1:42:54Speaker 1: So I just wanted to check in with you, guys
- 1:42:58Speaker 1: because we're starting off this new podcast network and we
- 1:43:01Speaker 1: have a few podcasts we could consider to put on
- 1:43:04Speaker 1: our new network. We've got some VC funding, and I
- 1:43:09Speaker 1: saw these artists on artists guys, But I'm a little
- 1:43:12Speaker 1: I gotta say, concerned by the Joker episode. I don't
- 1:43:14Speaker 1: know if you guys felt this way.
- 1:43:15Speaker 5: Felt like they put in two years of hard work
- 1:43:19Speaker 5: on really good, focused episode to all of them, because
- 1:43:23Speaker 5: I know our VC.
- 1:43:24Speaker 2: It never meta.
- 1:43:25Speaker 1: They never went meta, and I really appreciate that about it.
- 1:43:29Speaker 4: It's cool because I'm also like, if I don't know
- 1:43:31Speaker 4: who the fuck you are, why don't I care if
- 1:43:32Speaker 4: you go meta?
- 1:43:33Speaker 2: Exactly? I don't care about you, and you guys.
- 1:43:36Speaker 1: Aren't famous enough to go mad like all the time,
- 1:43:39Speaker 1: stamp SmartLess easy.
- 1:43:40Speaker 2: I won't do that. They're like, can we be honest?
- 1:43:43Speaker 2: I mean, this is my thing with artists on ours.
- 1:43:45Speaker 2: I love them so much, but.
- 1:43:46Speaker 1: The laughing they really it's like, are we doing improvor
- 1:43:50Speaker 1: are we just sort of like, yeah.
- 1:43:52Speaker 2: Just hanging out, you know. And it's also like, if
- 1:43:54Speaker 2: they're hanging out, why do I have to watch it? Yeah?
- 1:43:57Speaker 2: You know what I mean.
- 1:43:58Speaker 5: But I will say all the other episodes exclusive, absolutely, Joe, Can.
- 1:44:05Speaker 1: We agree that our answer is boy were lying?
- 1:44:09Speaker 2: Can you agree that our answers we were lying?
- 1:44:13Speaker 5: Could you believe that the Joker episode is the one
- 1:44:16Speaker 5: that he's the most fucked up?
- 1:44:19Speaker 3: And that's how you because we've got a lot of
- 1:44:21Speaker 3: funked up.
- 1:44:22Speaker 2: We are the Jokers, and we are holding this podcast hostage.
- 1:44:28Speaker 2: This has been artist on artists on Artists on artists
- 1:44:29Speaker 2: answer the question. Now, that's why we call it.
- 1:44:36Speaker 9: This episode will.
- 1:44:37Speaker 2: Never end until our demands ament.
- 1:44:40Speaker 3: We are driving and listening to this episode.
- 1:44:42Speaker 2: Pull over.
- 1:44:42Speaker 3: Now I can see you. I could see you. Look
- 1:44:44Speaker 3: at your rabiomar, I could see you, bitch.
- 1:44:46Speaker 2: Here's our demands.
- 1:44:48Speaker 7: Number one, Patrick McDonald must come out as gay because
- 1:44:52Speaker 7: bisexuality doesn't exist.
- 1:44:57Speaker 2: And that's about.
- 1:45:01Speaker 6: No one.
- 1:45:02Speaker 2: This is the boy. He must do that.
- 1:45:05Speaker 3: He must he must do that.
- 1:45:09Speaker 2: He was saying that we'd all take a personal demands.
- 1:45:12Speaker 9: He is confusing.
- 1:45:14Speaker 1: Is it by or is it girl?
- 1:45:17Speaker 2: Why the jokers? It's my lord?
- 1:45:22Speaker 3: Is it's fly?
- 1:45:23Speaker 2: We love all of it, but just for him, make
- 1:45:26Speaker 2: a choice.
- 1:45:27Speaker 15: My goddamn choice. Why so bisexual?
- 1:45:33Speaker 1: Why so bye?
- 1:45:35Speaker 2: He said, Joe, God, what happened? What happened?
- 1:45:44Speaker 3: Oh?
- 1:45:47Speaker 1: Oh lord, what happened?
- 1:45:49Speaker 6: That says that we've been going, Oh my god, what's
- 1:45:51Speaker 6: thirty minutes there?
- 1:45:52Speaker 2: That was crazy?
- 1:45:53Speaker 1: Becifty six minutes?
- 1:45:55Speaker 2: When did my mom go to sleep? She went to sleep?
- 1:45:58Speaker 1: Well, I'm not sleep The lats are out.
- 1:46:02Speaker 2: How long has it been? I don't feel very good.
- 1:46:05Speaker 3: This honestly happens to me sometimes when I talk too much.
- 1:46:07Speaker 2: About the character, it just jumps back in when you
- 1:46:11Speaker 2: least expect. It always happens, just.
- 1:46:13Speaker 3: Like I find myself like in a ditch somewhere.
- 1:46:16Speaker 1: I'm so sorry.
- 1:46:17Speaker 3: It's been genuinely so nice to meet all of it.
- 1:46:20Speaker 1: It's been so good to meet.
- 1:46:21Speaker 2: I will up to all of you guys, and I
- 1:46:23Speaker 2: hope to grow up to be one of them. You're
- 1:46:25Speaker 2: such a talented kid, You're such a so much it's
- 1:46:28Speaker 2: hard to be a child. Story get a little confused
- 1:46:31Speaker 2: and I lose time.
- 1:46:33Speaker 3: Well, I don't think it's being a child.
- 1:46:36Speaker 6: Start is confusing and probably and it's the problem with
- 1:46:39Speaker 6: time never goes away.
- 1:46:41Speaker 2: I mean, look at me.
- 1:46:41Speaker 6: I'm thirty six and every day I wake up and go,
- 1:46:44Speaker 6: what the heck.
- 1:46:45Speaker 2: Is going on?
- 1:46:46Speaker 6: You know, I was replaced in my movie. You know,
- 1:46:49Speaker 6: at least you have the ability to play, you have
- 1:46:51Speaker 6: an audience.
- 1:46:52Speaker 3: I went straight to DVD.
- 1:46:54Speaker 1: You have your whole laugh ahead at your son, as
- 1:46:56Speaker 1: long as you remember the lot that's within you and
- 1:46:58Speaker 1: the lot that's within the joke, because they're the same lot.
- 1:47:01Speaker 1: They're connected, So just follow that.
- 1:47:03Speaker 2: Okay, thanks so much, guys.
- 1:47:06Speaker 3: Yeah, if we could do anything today, it's that it's
- 1:47:09Speaker 3: to give you a light at the.
- 1:47:10Speaker 6: End of the tunnel, because what is the joker if
- 1:47:12Speaker 6: not a light at the end of the tunnel?
- 1:47:14Speaker 7: For me.
- 1:47:14Speaker 2: That character was hope.
- 1:47:15Speaker 1: He is a bacon.
- 1:47:17Speaker 6: Continue on because the only way to survive this life
- 1:47:21Speaker 6: is to find the comedy in it and to find
- 1:47:24Speaker 6: the joy.
- 1:47:24Speaker 3: And why do we keep playing it? Why do we
- 1:47:27Speaker 3: keep doing this character?
- 1:47:28Speaker 2: Why does the world want to keep playing it?
- 1:47:30Speaker 1: Exactly? Why does he keep calling us back? It's because
- 1:47:34Speaker 1: it's ancient. The Joker is ancient. It's older than all
- 1:47:38Speaker 1: of us. You know, it's not this new fangled thing.
- 1:47:41Speaker 1: I mean, yeah, the comic books, but that was just
- 1:47:44Speaker 1: who put it down. It's always been here, don't you see.
- 1:47:48Speaker 3: People don't just keep playing Ursula. There was one Ursula.
- 1:47:53Speaker 1: She's always been here.
- 1:47:56Speaker 3: There's two.
- 1:47:59Speaker 2: Hey, can, I I'm sorry, Can I just really was inspired?
- 1:48:03Speaker 1: Yeah, of course, son?
- 1:48:05Speaker 3: Son?
- 1:48:10Speaker 1: What what the hell? What the hell?
- 1:48:12Speaker 6: What'll just hear that I saw it? This is.
- 1:48:20Speaker 2: Answer the question. And that's why they call it to
- 1:48:22Speaker 2: the Joker? Good night.
- 1:48:28Speaker 1: Okay, don't look yet, great, I won't look. Okay, you
- 1:48:36Speaker 1: got a car? Okay, that was the Joker.
- 1:48:38Speaker 6: Guys.
- 1:48:39Speaker 1: Okay, I have another favorite. News flash, I have another favorite.
- 1:48:44Speaker 1: I have another favorite. It's it might be an oldie,
- 1:48:47Speaker 1: it might be a newbie. Okay, let me just tie
- 1:48:50Speaker 1: my shoe for a moment, throw up. I'm throwing up.
- 1:48:54Speaker 1: It's Weatherman. We shot this in another one of our
- 1:48:59Speaker 1: sort of airb and be a friend house.
- 1:49:02Speaker 2: Tied sick in this the Pasadena tapes.
- 1:49:05Speaker 1: In this, Jeremy is ill. In the Pasadena tapes, we
- 1:49:09Speaker 1: all played weathermen and.
- 1:49:10Speaker 2: I had to flu. I had one hundred and three fever.
- 1:49:12Speaker 1: At one point we're in a small room.
- 1:49:16Speaker 6: That room like not this episode. But that's why Barbara
- 1:49:20Speaker 6: and Delight, this is some lore. Why Barbara and Alight
- 1:49:23Speaker 6: is the way she is is because I had a
- 1:49:25Speaker 6: one hundred and three fever.
- 1:49:26Speaker 4: And I think about that about setbacks. If Jeremy never
- 1:49:30Speaker 4: got sick, Barbara and Delight would not exist. Yeah, and
- 1:49:33Speaker 4: I was just you can tell I was just gearing
- 1:49:35Speaker 4: up to be sick. I wasn't sick yet.
- 1:49:38Speaker 1: Yeah. And you had a line in there. There were
- 1:49:40Speaker 1: a couple lines in this episode that are just like
- 1:49:43Speaker 1: seered into my memory. Drinkable but for kids, Yes, what.
- 1:49:47Speaker 2: Was that about? You'll have to watch to find I'm
- 1:49:51Speaker 2: gonna watch it. What was the thing? The shooter thing?
- 1:49:54Speaker 1: Yeah, what was that shooter thing? There was a shooting you?
- 1:49:58Speaker 3: I hope it doesn't rain.
- 1:50:06Speaker 1: I hope it doesn't.
- 1:50:12Speaker 2: Welcome back to Artists on Artists and artists on Artists
- 1:50:14Speaker 2: this week, get ready for rain or sun or snow
- 1:50:18Speaker 2: or whatever else happens in the sky. We are talking
- 1:50:21Speaker 2: to some of the most beloved weather people on this
- 1:50:26Speaker 2: television world.
- 1:50:28Speaker 1: Today's forecast calls for interesting advice, insightful opinions, and a
- 1:50:34Speaker 1: whole lot of predictions.
- 1:50:37Speaker 5: We gather a bunch of your favorite weather people to
- 1:50:39Speaker 5: sit there, talk, process and get under what's above.
- 1:50:45Speaker 2: So sit back because the forecast is coming. Let's listen in.
- 1:50:53Speaker 1: Great Maybe I should sit like this, like I should.
- 1:50:56Speaker 2: I mean, we're not used to sit. I'm a standard.
- 1:50:59Speaker 2: I'm a standard, for sure. I'm never Mike sitting is
- 1:51:03Speaker 2: really funny. But I'm a little bit like, where's the
- 1:51:07Speaker 2: green spreads? Exactly?
- 1:51:10Speaker 1: You do?
- 1:51:11Speaker 2: I look? But it's nice to see you guys outside
- 1:51:13Speaker 2: the box. I thought you all were eighteen inches tall.
- 1:51:19Speaker 2: That is rich nice, nice to meet you, but well,
- 1:51:23Speaker 2: you know each other for a long time.
- 1:51:27Speaker 3: These parts.
- 1:51:27Speaker 6: Sorry, I think for me, I just fall into because
- 1:51:29Speaker 6: you know, around town, I'm always saying nice to meet you,
- 1:51:32Speaker 6: because people always recognize me too.
- 1:51:35Speaker 1: Everybody knows who you are, but you don't know who everything.
- 1:51:37Speaker 4: I learned this I I my brother is a politician,
- 1:51:40Speaker 4: and instead of saying nice to meet you, says nice
- 1:51:42Speaker 4: to see you, because whether or not they've met you
- 1:51:44Speaker 4: in the past, it's easy to say nice to see you.
- 1:51:46Speaker 2: Good good.
- 1:51:47Speaker 1: I territory.
- 1:51:50Speaker 2: That is genius, and I'm feeling that I'm stealing that
- 1:51:54Speaker 2: like a storm.
- 1:51:56Speaker 1: That's a dirty little secret.
- 1:51:57Speaker 2: Got we should talk to I mean, you guys probably
- 1:52:05Speaker 2: know us from seeing us all start.
- 1:52:09Speaker 3: Good morning.
- 1:52:10Speaker 11: My name is Yorkale and I am a weather guy.
- 1:52:15Speaker 11: Oh my, you just caught yourself the wrong thing, media guy,
- 1:52:22Speaker 11: never of a weather guy.
- 1:52:24Speaker 2: I call myself a weather guy. It's your Haale. Good morning.
- 1:52:27Speaker 1: Well York is casual, of course, yes, and welcome back
- 1:52:31Speaker 1: to the show. It's me Seattle Cloud on the weather.
- 1:52:35Speaker 1: We today's forecast is looking for and I'm happy to
- 1:52:38Speaker 1: be here and we can see that progressed throughout the week.
- 1:52:41Speaker 1: How stoked I am to talk to you guys.
- 1:52:46Speaker 4: Good morning Boston. My name is Alba Querque Drizzle, and
- 1:52:52Speaker 4: I am so excited to be here with you. I
- 1:52:55Speaker 4: can see a really nice weekend, a really nice day
- 1:52:57Speaker 4: of recording and we're gonna be rolling right through ruined
- 1:53:00Speaker 4: to having a good time.
- 1:53:02Speaker 2: Good morning Vietnam. Just kidding.
- 1:53:06Speaker 6: I do a lot of the international weather though. My
- 1:53:08Speaker 6: name is Memphis A light to heavy rain, and I
- 1:53:16Speaker 6: am so excited to be here to give you your
- 1:53:18Speaker 6: ten day forecast and talk to some of my other weathermen.
- 1:53:21Speaker 1: Hey, now, Memphis, I gotta ask right off the gate,
- 1:53:24Speaker 1: is that a stage name or were you born with that?
- 1:53:26Speaker 2: Would you believe it? I was born with it.
- 1:53:29Speaker 3: You were born with that?
- 1:53:30Speaker 4: Let me tell you because we grew up in the
- 1:53:33Speaker 4: same town. And I know your mom, Deborah light too,
- 1:53:36Speaker 4: and I know your father Derek Heavy Rain. Yes, and
- 1:53:39Speaker 4: they married each other.
- 1:53:40Speaker 6: It's not a feminist household for absolutely feminists. You can
- 1:53:45Speaker 6: tell it's feminist because we share a last name. It's
- 1:53:47Speaker 6: a dead giveaway for yphened y, So light to heavy
- 1:53:53Speaker 6: Rain is a birth name. It kind of felt, you know,
- 1:53:56Speaker 6: sometimes the weather chooses you. Sometimes you choose the weather.
- 1:54:00Speaker 6: Sometimes the weather chooses you, and so me jumping into
- 1:54:04Speaker 6: weathering is just a meteorology.
- 1:54:06Speaker 2: It just felt right.
- 1:54:07Speaker 6: Once I was born like that, Memphis, light to heavy Rain,
- 1:54:11Speaker 6: It just fell right in my hand, right in my pocket.
- 1:54:13Speaker 6: Are all yours real names or what are you guys doing?
- 1:54:16Speaker 2: Albuquerque is not. My original name is Donald, but I
- 1:54:20Speaker 2: went to school at the University of New Mexico, Go Lobos,
- 1:54:23Speaker 2: and I of course adopted it because I just love
- 1:54:26Speaker 2: the culture there. I love the Mexican influences. I love
- 1:54:31Speaker 2: the Native American influences.
- 1:54:32Speaker 6: Big your house, I love your house in Native American art. Yes,
- 1:54:38Speaker 6: I love ethically sourced. It's definitely ethically sourced, but somehow
- 1:54:43Speaker 6: still feels.
- 1:54:44Speaker 1: That ethical still feels a little off the way you're
- 1:54:47Speaker 1: doing it.
- 1:54:47Speaker 2: And ethically. Listen, the people I bought it from wanted
- 1:54:50Speaker 2: me to buy it, you know, that's all that matters.
- 1:54:53Speaker 1: That's all that matters. All that matters, That's all that matters. Well,
- 1:54:56Speaker 1: I could say that my birth name dirty little secret.
- 1:54:59Speaker 1: This this is a stage name, Seattle Cloud. My original
- 1:55:02Speaker 1: name was Seattle Sunshine, and that wasn't quite as marketable
- 1:55:07Speaker 1: for the weather they I just back.
- 1:55:10Speaker 2: From the stage, So for you, Sunshine just wasn't rainy
- 1:55:14Speaker 2: enough for you.
- 1:55:15Speaker 1: No, it wasn't rainy because I'm sorry as a weather people.
- 1:55:18Speaker 1: And this is another dirty little secret. We are craving drama,
- 1:55:22Speaker 1: right and as much as I love a hot day.
- 1:55:25Speaker 1: There's no drama in sunshine.
- 1:55:27Speaker 6: Cats out of the bag, and it's lipping up, lapping
- 1:55:29Speaker 6: up milk. I didn't think we get that dirty secret
- 1:55:33Speaker 6: so quick, but here we are. Let me tell you something,
- 1:55:35Speaker 6: A day that seventy six doesn't sell, It just doesn't.
- 1:55:40Speaker 2: We will get process. Oh yeah, we're coming on Tuesday.
- 1:55:44Speaker 3: Yeah, yeah, coming soon.
- 1:55:46Speaker 1: Process and questions answered. I'm gonna throw it over to you. Wait,
- 1:55:50Speaker 1: you already introduced yourself.
- 1:55:51Speaker 5: Oh it's okay. I was just going to explain though.
- 1:55:53Speaker 5: My name also is a stage name, believe it or not.
- 1:55:56Speaker 2: That's fine.
- 1:55:57Speaker 3: Uh So I'm your key Haile.
- 1:55:59Speaker 5: But my name is New York, New York, New York,
- 1:56:07Speaker 5: New York. They were mom, Dean Martin, What a dog.
- 1:56:20Speaker 1: You?
- 1:56:20Speaker 2: OK? So I'm sorry, just to go back to it.
- 1:56:26Speaker 6: Your mom's a Dean Martin fan, so she changed her
- 1:56:29Speaker 6: last name to New York and named your first name
- 1:56:31Speaker 6: New York.
- 1:56:31Speaker 2: I'm confused how last name New York got into the picture.
- 1:56:34Speaker 3: My real name is Paul Doodle.
- 1:56:37Speaker 2: Sorry, so what is New York?
- 1:56:38Speaker 3: New York?
- 1:56:40Speaker 1: So you let me?
- 1:56:43Speaker 3: Hey, guys, you're at a Friday. Let's take it back
- 1:56:45Speaker 3: to a Monday, and.
- 1:56:49Speaker 2: Is are you drinking Scotch. Let's just say I drank
- 1:56:54Speaker 2: it already, So let me tell you the.
- 1:56:57Speaker 5: Monday of it, and then we'll get to the Tuesday, Thursday, Friday,
- 1:57:03Speaker 5: You guys know, skip.
- 1:57:04Speaker 2: Wednesday's over at ABC.
- 1:57:06Speaker 1: Guy, great guy, A great guy. Terrible card player, absolutely
- 1:57:12Speaker 1: filthy at poker. That's a dirty little secret.
- 1:57:14Speaker 3: You cannot play goldfish if it fucking hit him in
- 1:57:17Speaker 3: his head. Oh my my name is Paul Doodle.
- 1:57:22Speaker 5: My my mother and my father the second I was
- 1:57:25Speaker 5: born are my nickname was New York, New York around
- 1:57:29Speaker 5: the household because I only stopped crying when New York,
- 1:57:32Speaker 5: New York the song it was.
- 1:57:34Speaker 3: It's covered by multiple people. It's covered by.
- 1:57:36Speaker 5: Basically the collar, so anytime it wasn't the singer itself,
- 1:57:40Speaker 5: it was really whoever was singing it.
- 1:57:43Speaker 2: I don't know if that matters.
- 1:57:45Speaker 3: So I'm explaining that's basically my birth name is what
- 1:57:47Speaker 3: I like to say. But my my law birth birth
- 1:57:51Speaker 3: by law name is.
- 1:57:55Speaker 2: You already forgot it?
- 1:57:56Speaker 3: You know it's Paul Doodle.
- 1:57:57Speaker 5: Oh, somebody needs a prompter, I think, Can I tell
- 1:58:00Speaker 5: you I'm looking for the prompter behind you, guys, and
- 1:58:02Speaker 5: I can't find it.
- 1:58:03Speaker 2: I think I'm just not used to being.
- 1:58:05Speaker 3: Off the cuff. No umbrella here.
- 1:58:07Speaker 5: Oh yeah, So anyway, my name is Paul Doodle. Then
- 1:58:10Speaker 5: I grew up being called New York, New York, and
- 1:58:12Speaker 5: now I'm New York Hill.
- 1:58:14Speaker 2: Well, let's talk about being weather people. Huh yeah, I mean,
- 1:58:17Speaker 2: let's get get into it.
- 1:58:19Speaker 5: Of course, let's kind of believe they're finally letting a
- 1:58:22Speaker 5: bunch of weather people in the city.
- 1:58:24Speaker 2: It's dangerous. It's dangerous if we're here. Who's watching the Doppler?
- 1:58:30Speaker 7: You know what I mean?
- 1:58:30Speaker 1: Who is what Doppler five thousand? Uh?
- 1:58:33Speaker 2: Oh?
- 1:58:33Speaker 1: Who's captaining the ship? There's no pilot?
- 1:58:36Speaker 2: Come on now, I mean, and people always wonder, you know,
- 1:58:38Speaker 2: technically are Layman's term is weather person, whether man woman,
- 1:58:42Speaker 2: But also the scientific term what we went to school
- 1:58:45Speaker 2: for was meteorology.
- 1:58:47Speaker 1: Meteorology Isn't that funny? It is such a ring to it.
- 1:58:50Speaker 1: It's doctor meteorology. You know. It feels very fancy, like
- 1:58:54Speaker 1: I got my my my banking up. I promise I'm
- 1:58:56Speaker 1: just a regular guy.
- 1:58:58Speaker 2: Would you guys study meteorol in college? Meteorology aka Latin
- 1:59:03Speaker 2: for knowing how to read one type of radar.
- 1:59:08Speaker 1: I couldn't wait.
- 1:59:09Speaker 2: You are you too bad? RAI sure if you've heard
- 1:59:12Speaker 2: me say that joke before, I've heard you say a listeners,
- 1:59:16Speaker 2: all the hands are raised. A yeah, let's just say
- 1:59:19Speaker 2: all the hands were raised.
- 1:59:21Speaker 6: Yeah.
- 1:59:21Speaker 2: I got into meteorology when I was a little kid.
- 1:59:25Speaker 2: I grew up in a really small town and I
- 1:59:27Speaker 2: became and we grew up together, and we grew up together.
- 1:59:30Speaker 2: Well you remember this, Yes, we can get into this.
- 1:59:32Speaker 4: I was the little kid known far and wide by
- 1:59:35Speaker 4: farmers as the one to talk to about whether.
- 1:59:39Speaker 2: Or not the rain's coming. It was amazing.
- 1:59:41Speaker 6: He had a sense for it, unlike anything I've ever
- 1:59:43Speaker 6: seen before. It was farmers would line up, line up
- 1:59:47Speaker 6: wherever you were at school. You know, That's where I
- 1:59:49Speaker 6: learned about it, And they go, what is the kid's side?
- 1:59:52Speaker 6: What is the kids side?
- 1:59:53Speaker 2: Yeah? I was just trying to live my life, kid.
- 1:59:56Speaker 2: I was just trying to watch hr Puffin stuff on
- 1:59:58Speaker 2: the camera. I used to to put all my favorite
- 2:00:02Speaker 2: TV shows into a camera and watch it. Gotta just see.
- 2:00:05Speaker 2: I wanted to see natively like how it felt if
- 2:00:07Speaker 2: I watch it, or watch it like I was watching
- 2:00:10Speaker 2: it being shot.
- 2:00:12Speaker 6: So I would put in there, that's amazing because that's
- 2:00:14Speaker 6: also kind of what weathermen do. They're seeing a projection
- 2:00:17Speaker 6: of themselves on the green stone.
- 2:00:18Speaker 2: That's good.
- 2:00:19Speaker 4: So I went, you know, and it's hard because I
- 2:00:21Speaker 4: think for me, the instincts had to kind of fall
- 2:00:25Speaker 4: away and I had to focus on the science of
- 2:00:28Speaker 4: it all.
- 2:00:28Speaker 6: But I do love your special segment. Every time that
- 2:00:30Speaker 6: you do your guests as to what's going to happen
- 2:00:33Speaker 6: you're feeling, I.
- 2:00:34Speaker 2: Call it three years out I do. I do three
- 2:00:36Speaker 2: years in advance of what the weather's going to look like.
- 2:00:39Speaker 3: These things are starting to go viral.
- 2:00:41Speaker 2: Right well, so I started doing them three years ago,
- 2:00:45Speaker 2: and now they're showing that I was correct and every
- 2:00:48Speaker 2: single prediction.
- 2:00:49Speaker 1: We call you the Simpsons of the weatherman world because
- 2:00:53Speaker 1: you know, you go viral every once in a while,
- 2:00:55Speaker 1: you get it dead on the Simpsons, s U N s.
- 2:01:00Speaker 1: The weather is exactly incredible.
- 2:01:02Speaker 3: Did you guys study meteorology?
- 2:01:03Speaker 1: Well, I got into it a little a little off
- 2:01:06Speaker 1: the grid. I was a storm chaser by hobby. I
- 2:01:10Speaker 1: had a camcorder and I was running around running after
- 2:01:13Speaker 1: tornadoes in the middle of the country. Football of course,
- 2:01:17Speaker 1: of course, it's our super Bowl there. They said, oh,
- 2:01:20Speaker 1: a category five NATO is coming into Kansas. I better
- 2:01:23Speaker 1: chase that thing so I can get in the car
- 2:01:25Speaker 1: yard line exactly exactly. You got to get into the
- 2:01:28Speaker 1: end zone. Uh. And so I uh, I would chase
- 2:01:31Speaker 1: these storms. But the problem was I was and not
- 2:01:34Speaker 1: to toot my own horn too. Handsome locals wouldn't follow
- 2:01:38Speaker 1: evacuation orders because they were so distracted by my cheekbones
- 2:01:42Speaker 1: and laugh lines. Then they couldn't focus on what they
- 2:01:45Speaker 1: were supposed to do. They didn't go hide in their
- 2:01:47Speaker 1: in their little tornado cubby holes. They were out trying
- 2:01:51Speaker 1: to flirt with me, trying to get my damn number.
- 2:01:53Speaker 1: I heard.
- 2:01:55Speaker 2: I heard a lot of people were lost that way.
- 2:01:56Speaker 2: They would come.
- 2:01:57Speaker 6: You'd be standing in front of the tornado going get away,
- 2:02:00Speaker 6: get away. They come out, try to talk to you.
- 2:02:01Speaker 6: Not hunger downer, I think, fly round into the tornado.
- 2:02:04Speaker 1: It's like bots to a blame. It was honestly, so tragic,
- 2:02:08Speaker 1: and I'm mourned for them all the time, and that
- 2:02:11Speaker 1: rests heavy on my conscience. But that was eventually how
- 2:02:14Speaker 1: I spotted because my other you know, my fellow storm
- 2:02:18Speaker 1: chasers basically said, buddy, you got to get out of here.
- 2:02:20Speaker 4: Well, they called you the tornado siren, which not a
- 2:02:23Speaker 4: siren that plays tornadoes, but the Greek mythology term where
- 2:02:25Speaker 4: you call someon under.
- 2:02:26Speaker 6: The rocks where it's dangerous where, which is an awful
- 2:02:29Speaker 6: name because also very confusing.
- 2:02:31Speaker 1: You know, very confusing because people say, follow listen for
- 2:02:34Speaker 1: the siren, and then they go, oh, incredible, like bold, like.
- 2:02:40Speaker 2: They that, oh really did give a poll?
- 2:02:44Speaker 1: No, I mean, you guys are a bunch of lookers.
- 2:02:46Speaker 1: I can't imagine you with glasses on in meteorology school.
- 2:02:50Speaker 5: Well, your cheekbones are so huge. I heard a rumor
- 2:02:53Speaker 5: that at the studio you work out, you have a
- 2:02:55Speaker 5: separate parking spot for your cheekbones.
- 2:02:56Speaker 1: I do, of course, and it's a little gag that
- 2:02:59Speaker 1: started at the crew Smith's party. But I keep it
- 2:03:01Speaker 1: on because I like it and everybody likes it.
- 2:03:03Speaker 2: I guess a que Card guide did that, Huh, A
- 2:03:05Speaker 2: cute guard guy did. What happened to q card guys?
- 2:03:10Speaker 2: What's Telepropter's cave around?
- 2:03:12Speaker 1: Well?
- 2:03:12Speaker 4: Those honestly I felt bad for him, but also I
- 2:03:15Speaker 4: know they finally got a good day arrest. Yeah, because
- 2:03:18Speaker 4: one time que guards for news is so much right, especially.
- 2:03:23Speaker 1: Breaking papercuts heel over because it is uh, it is
- 2:03:26Speaker 1: a tough show.
- 2:03:27Speaker 5: They are writing so quickly when it's we're in early
- 2:03:30Speaker 5: at four am to get to hear and makeup. They're
- 2:03:32Speaker 5: here at midnight writing on those boards that they got
- 2:03:34Speaker 5: them from.
- 2:03:34Speaker 3: Michael.
- 2:03:35Speaker 4: We used to say, you're only your news is only
- 2:03:37Speaker 4: as breaking as your que card guy is fast.
- 2:03:39Speaker 1: Yes, exactly, exactly exactly.
- 2:03:42Speaker 2: Did you school for me your own?
- 2:03:44Speaker 11: I did.
- 2:03:45Speaker 6: I kind of fell into it because my last name,
- 2:03:47Speaker 6: but I found I was actually I started out as
- 2:03:50Speaker 6: somewhat of an actor. I studied drama primarily, but one
- 2:03:55Speaker 6: time I got chewed out by Mike uh professor a
- 2:03:58Speaker 6: little too hard, so I switched to meteorology. It was yes,
- 2:04:02Speaker 6: we were doing a little Shop of Horrors and he hated.
- 2:04:05Speaker 2: My version of it.
- 2:04:07Speaker 1: Oh what what was your take? What went wrong?
- 2:04:10Speaker 6: I tried to do Seymour as a little bit more
- 2:04:14Speaker 6: rascally and dangerous and gritty, if you will, so, oh
- 2:04:20Speaker 6: you know, when you know, well, give me a couple
- 2:04:23Speaker 6: of lines from Seymour.
- 2:04:24Speaker 2: Oh, Audrey, I got you this leather jacket.
- 2:04:29Speaker 1: Got well, it's like he's in the room with us
- 2:04:32Speaker 1: and I freaking out that one.
- 2:04:36Speaker 2: So sorry, I popped right into it. Yeah, absolutely, Wow.
- 2:04:39Speaker 1: Do you ever want to go back to acting that?
- 2:04:41Speaker 1: Do you ever get the butt?
- 2:04:42Speaker 6: There's sometimes I do check my actors access to videoty.
- 2:04:47Speaker 1: For you, Bud, good for you, good for your boat,
- 2:04:50Speaker 1: good for you.
- 2:04:51Speaker 2: And thank you.
- 2:04:52Speaker 6: So you go back and asked, I go back. I'm
- 2:04:55Speaker 6: waiting for submitted or submitted. I'm waiting for a submission
- 2:04:59Speaker 6: or a breakdown to through my actor's access. So if
- 2:05:02Speaker 6: you're listening, if we want to reach me, I find
- 2:05:05Speaker 6: this guy's actor's access.
- 2:05:07Speaker 1: Find this guy's actors acts guys.
- 2:05:09Speaker 5: Get this guy's actor's access, and put one thing about
- 2:05:12Speaker 5: my actor's accesses.
- 2:05:13Speaker 6: That is actually what I use my stage name, which
- 2:05:16Speaker 6: is Memphis don Memphis.
- 2:05:19Speaker 1: Don't like d O m E or d O n e,
- 2:05:22Speaker 1: but pronounce different than done.
- 2:05:26Speaker 2: Those are the two choices. Well, shoot, I am realizing
- 2:05:32Speaker 2: it is.
- 2:05:32Speaker 1: Done Memphis done, Memphis done.
- 2:05:38Speaker 2: Probably why auditions start coming. Well shoot, well it's so
- 2:05:44Speaker 2: tough you pronounce it, but you spelling it out like that.
- 2:05:51Speaker 2: He shoo.
- 2:05:54Speaker 1: Shoot, I know what we call a missed forecast, and
- 2:05:56Speaker 1: that it happens to the best I am.
- 2:06:01Speaker 2: Let's talk about it.
- 2:06:01Speaker 6: This forecast nothing worse, Yeah, nothing worse, predicting rain and
- 2:06:05Speaker 6: getting a bunch of mail writing in saying it's it's
- 2:06:08Speaker 6: not rainy at all today.
- 2:06:10Speaker 2: You know, it's tough because I think as a weather man,
- 2:06:12Speaker 2: as a meteorologist, people actively want you to be wrong
- 2:06:16Speaker 2: so they can have something to be mad about it. Exactly.
- 2:06:18Speaker 4: You know, if you did something wrong, you are literally
- 2:06:21Speaker 4: the reason why somebody can't have a keensanira. You're the
- 2:06:25Speaker 4: reason why somebody can't have their baseball game.
- 2:06:27Speaker 6: If you're predicting sun and it rains on somebody's wedding day,
- 2:06:31Speaker 6: they're not saying it's ironic. They're saying, I'm gonna fucking kill.
- 2:06:35Speaker 3: But here's that, guys. This hasn't been. This hasn't been
- 2:06:37Speaker 3: what's been happening in our industry for that long.
- 2:06:40Speaker 5: It's only since the twitters started that they can find
- 2:06:43Speaker 5: me and tell me you mainly cancel my wedding, because before,
- 2:06:47Speaker 5: in the nineties, I would report.
- 2:06:49Speaker 3: This stuff and it would go to dead ears on MySpace.
- 2:06:51Speaker 2: Exactly.
- 2:06:52Speaker 1: Well, it's like, you know, anyways, it was mail. Of
- 2:06:54Speaker 1: course they would send you and they would be pissed
- 2:06:57Speaker 1: off about a day, but because of the speed of mail,
- 2:06:59Speaker 1: you don't even know what day they're talking about. So
- 2:07:01Speaker 1: it rolls out the cheek a little easier, and you
- 2:07:03Speaker 1: count's pretty mean, and your cheek is so steep, and
- 2:07:05Speaker 1: it takes a long time to roll off this thing.
- 2:07:07Speaker 2: Let me tell you this is what I miss about
- 2:07:09Speaker 2: physical mail. You can burn mail. You can't burn your computer.
- 2:07:12Speaker 3: Oh, you can't burn a Twitter tweet, can't.
- 2:07:15Speaker 2: You can't burn, you can't fay stay on. And I've
- 2:07:18Speaker 2: learned hard lessons about responding. Yeah, I'm sure. Have you
- 2:07:21Speaker 2: guys ever responded to it?
- 2:07:23Speaker 9: Oh?
- 2:07:23Speaker 2: I always use the emoji with the two hands up
- 2:07:25Speaker 2: like this and the and the clouds.
- 2:07:27Speaker 1: Well, it used to Twitter used to be more like texting,
- 2:07:30Speaker 1: where you got to talk to everybody who talks to you.
- 2:07:32Speaker 1: But I was recently told by the station, Hey, buddy,
- 2:07:35Speaker 1: you don't got to talk to everybody like that.
- 2:07:37Speaker 4: I hold office hours. I let people come in for
- 2:07:40Speaker 4: one hour a week and tell me how they feel.
- 2:07:42Speaker 4: I don't receive anything else, and I usually in person.
- 2:07:45Speaker 4: Yeah yeah, yeah. So I'm in Boston and we our
- 2:07:48Speaker 4: studio is behind a big glass wall that you can
- 2:07:51Speaker 4: watch us record when we're recording on Good Day Boston,
- 2:07:54Speaker 4: right by the State House, and it's it's fun because
- 2:07:58Speaker 4: they'll come over and I'll just sit there and I'll
- 2:07:59Speaker 4: listen to him for an hour and they can scream
- 2:08:01Speaker 4: at me.
- 2:08:01Speaker 2: But through glass they can do whatever they want. And
- 2:08:04Speaker 2: sometimes I act like I'm listening and sometimes I act
- 2:08:06Speaker 2: like I'm not, but I never can hear them.
- 2:08:09Speaker 1: We could not do that New York.
- 2:08:11Speaker 3: We could never do that in New York.
- 2:08:12Speaker 2: What tunny is actually they do that on The Today
- 2:08:14Speaker 2: Show every single day.
- 2:08:15Speaker 3: We couldn't state New York.
- 2:08:19Speaker 1: They don't have that strong up there.
- 2:08:21Speaker 6: I had a The Today Show you don't know, Okay,
- 2:08:25Speaker 6: you're not doing that's a classic.
- 2:08:26Speaker 3: We all know.
- 2:08:29Speaker 2: We all have run ins with Dick of the Weather.
- 2:08:33Speaker 2: He is problematic, the Andy Dick. We mean drunk and
- 2:08:39Speaker 2: really really problematic and.
- 2:08:41Speaker 1: Hitting on my we mean drunk and hitting on my
- 2:08:43Speaker 1: real life friends.
- 2:08:44Speaker 12: So that's what we mean by And that's a personal
- 2:08:48Speaker 12: anecdote from all of us that we love Al, but
- 2:08:52Speaker 12: in a way that we want Andy Dick where you
- 2:08:54Speaker 12: never go near him.
- 2:08:55Speaker 5: But I love Al and Al created some of the
- 2:08:58Speaker 5: Ten Commandments. I'd say about some of the ten, some
- 2:09:01Speaker 5: of the some of the before hour was only four
- 2:09:06Speaker 5: or five.
- 2:09:07Speaker 1: I mean, we could talk about the ten commandments. I mean,
- 2:09:11Speaker 1: this isn't somebody that's something that we let the public
- 2:09:14Speaker 1: in on. But I one of the commandments. This is
- 2:09:16Speaker 1: the first one I learned. Number six is a smile
- 2:09:20Speaker 1: saves lives, but a frown makes it rain.
- 2:09:23Speaker 2: Yeah, a huge commandment there, that's huge. Number one is
- 2:09:27Speaker 2: uh proverb.
- 2:09:28Speaker 3: If you will?
- 2:09:29Speaker 1: Yeah, yeah, sort of a rhyme more than the order.
- 2:09:32Speaker 4: One through five or thou shouts and then six through
- 2:09:35Speaker 4: ten are kind of proverbs.
- 2:09:36Speaker 1: There's sort of using yeah, yeah, I guess.
- 2:09:39Speaker 2: Which one's out there? Did he the owl shouts or
- 2:09:42Speaker 2: did he depends on what he was drinking is a problem, Sorry, darling,
- 2:09:47Speaker 2: And by that I mean colleague listen. I would say
- 2:09:51Speaker 2: my favorite commandment is thou shalt point to where you're
- 2:09:56Speaker 2: talking about.
- 2:09:57Speaker 1: Yeah, that one sounds way more like a commandment, Yeah, exactly.
- 2:10:01Speaker 3: The other ones, which is I will be kind and.
- 2:10:03Speaker 6: Rewind Oh that is funny, and that came out right
- 2:10:07Speaker 6: at that movie came out. We learned a lot from
- 2:10:10Speaker 6: whether people. We learned a lot from be kind Rewind
- 2:10:13Speaker 6: we love that Shell Gondry film. Yes, number two of
- 2:10:16Speaker 6: course is thou shalt never say one hundred percent anything.
- 2:10:20Speaker 6: We can never ever guarantee one hundred percent something's gonna happen,
- 2:10:23Speaker 6: because bad things can happen if you do one hundred percent.
- 2:10:26Speaker 1: There's a hunt. And there's another saying, which is there's
- 2:10:28Speaker 1: one hundred percent chance it's gonna bite you in the
- 2:10:30Speaker 1: ass if you say one.
- 2:10:31Speaker 2: So that's nine A. So nine is actually connected to two.
- 2:10:35Speaker 2: We should tell you the tears.
- 2:10:37Speaker 3: There's there's one through ten and then there's abc D.
- 2:10:41Speaker 2: This is why you go to school folks for it, because.
- 2:10:44Speaker 1: Every weatherman wants to put their own little spin on it.
- 2:10:47Speaker 1: So the commandments is and we got a Google doc
- 2:10:49Speaker 1: full of these.
- 2:10:50Speaker 6: Yeah, it's on a Google doc, so it's always changing.
- 2:10:53Speaker 6: It's like we when the weathermen founded it, they wanted
- 2:10:56Speaker 6: to make sure it's like the Constitution, a living document exactly,
- 2:10:59Speaker 6: so they put about Google docs so it could always
- 2:11:02Speaker 6: be edited. All you have to do is request access.
- 2:11:04Speaker 1: And that's true. That is a that is the only living,
- 2:11:08Speaker 1: truly living document we have. It's truly granditable community to
- 2:11:12Speaker 1: Google docs.
- 2:11:12Speaker 5: And I tell you, uh commandments eight through ten start
- 2:11:16Speaker 5: were added when women started becoming weather people.
- 2:11:19Speaker 6: Yes, right, that's why number three is women can be
- 2:11:23Speaker 6: weather people. Yeah, huge, huge one. It kind of broke
- 2:11:26Speaker 6: weather men in half when that came around. They didn't
- 2:11:29Speaker 6: know what was happening. They didn't know how to handle it.
- 2:11:32Speaker 1: You guys, remember what happened to uh to uh Florida, Florida, Florida, Florida,
- 2:11:38Speaker 1: florian Florida.
- 2:11:39Speaker 4: Son, I'm not sure you're talking about the weather women
- 2:11:41Speaker 4: in Florida, Florida, Florida, Florida were all they're.
- 2:11:44Speaker 3: Good, both are good.
- 2:11:45Speaker 1: No, no, no, no, no, no, it was it was Florida, Florida, Florida, Florida.
- 2:11:48Speaker 1: I was mixing her up with her sister.
- 2:11:50Speaker 4: We used to date well, Florida, Florida, Florida, Florida. You
- 2:11:52Speaker 4: might know her by her nickname Florida because it's Florida, Florida.
- 2:11:55Speaker 1: Yes, of course, Florida, Florida and Florida, Florida, Florida. Why
- 2:11:58Speaker 1: did they now, what the hell did I bring this up?
- 2:12:07Speaker 2: Florida, Florida, something about women getting become weathermed.
- 2:12:11Speaker 1: You know, I don't have the faintest idea where I
- 2:12:15Speaker 1: was going with this.
- 2:12:15Speaker 3: We're talking about women in the industry because we love
- 2:12:18Speaker 3: them women.
- 2:12:20Speaker 2: But she was talking, well I'm talking about I'm talking now.
- 2:12:30Speaker 1: I remember what it was, and it was related to
- 2:12:32Speaker 1: a thing you said that we kind of zipped by,
- 2:12:35Speaker 1: which was that the weather men were having a tough
- 2:12:39Speaker 1: time with it. But Florida, Florida, Florida, Florida, Florida.
- 2:12:45Speaker 3: If you said that after.
- 2:12:49Speaker 1: Know when she got on the scene in in Memphis,
- 2:12:55Speaker 1: she split four weather men in half. They literally fell
- 2:13:00Speaker 1: apart in the scenes.
- 2:13:00Speaker 4: I can't believe we didn't almost talk about it. Yeah, no,
- 2:13:03Speaker 4: it was God, she literally killed multiple weather.
- 2:13:06Speaker 2: But what's my favorite thing to do?
- 2:13:07Speaker 3: After your fork?
- 2:13:08Speaker 1: As you go?
- 2:13:08Speaker 3: And now, wasn't that worth it?
- 2:13:10Speaker 2: Absolutely? Well?
- 2:13:11Speaker 1: Cut it out. They always cut it out, But I
- 2:13:13Speaker 1: love to say it.
- 2:13:13Speaker 2: I did want to talk about if we could uh
- 2:13:17Speaker 2: jump storms for a second. Okay, a new front's coming in.
- 2:13:20Speaker 2: It's a new topic.
- 2:13:21Speaker 4: And move into a different county. Yeah, move into a
- 2:13:23Speaker 4: different county. Let's move on over here to I want
- 2:13:26Speaker 4: to talk about banter with the anchors. That is something
- 2:13:31Speaker 4: that I bring this up.
- 2:13:34Speaker 2: I get a little off the cuff. Well, let's talk
- 2:13:36Speaker 2: about it, because on the job. You got to learn this.
- 2:13:39Speaker 2: They don't teach you this in college, but what you're
- 2:13:41Speaker 2: prepared for when you get in for the first weather cast,
- 2:13:45Speaker 2: you talk about exactly what the weather is, and then
- 2:13:47Speaker 2: they cut back and you're way far away in the
- 2:13:49Speaker 2: studio from the anchors, and you talk for what it
- 2:13:52Speaker 2: feels like five hundred years about absolutely nothing with the anchors.
- 2:13:56Speaker 1: And sometimes you know, the producers, they're in your ear
- 2:13:59Speaker 1: and they say, we got a stall. We got a
- 2:14:01Speaker 1: stall because the news that you know, you hit these points,
- 2:14:03Speaker 1: but at a certain point, sometimes it doesn't work out
- 2:14:05Speaker 1: the timing, uh, and so we we sometimes have to
- 2:14:09Speaker 1: go on and on and on and on. And I
- 2:14:11Speaker 1: remember talking about different scenarios in which rain could happen
- 2:14:15Speaker 1: for years. There was once twenty three minutes I went
- 2:14:18Speaker 1: on a run, a banter run of well, I hope
- 2:14:20Speaker 1: you brought your umbrella to the beach if you're going
- 2:14:22Speaker 1: to the beach, And then you know, Herb, Herb at
- 2:14:25Speaker 1: the desk would go, well, I hope you brought your
- 2:14:27Speaker 1: umbrella if you win hiking, and then he'd throw it
- 2:14:30Speaker 1: right on back to me. I'd go, I hope you
- 2:14:32Speaker 1: brought your umbrella if.
- 2:14:33Speaker 2: You were on a trail twenty seven minutes.
- 2:14:37Speaker 1: Yeah. Yeah. Then I throw it back to herb and
- 2:14:39Speaker 1: he says, I hope you brought your umbrella if you're
- 2:14:41Speaker 1: going shopping at Target. And then I say, well, then
- 2:14:44Speaker 1: you don't need more you're inside. And then he goes, well,
- 2:14:47Speaker 1: I bet, I bet not the way I do it,
- 2:14:49Speaker 1: And then we we sort of went on a run
- 2:14:51Speaker 1: on that for a few minutes.
- 2:14:53Speaker 2: Back to umbrellas run more of an argument. You're forgetting
- 2:14:57Speaker 2: what Leslie Wilkins, who was the fe all anchored the time.
- 2:15:01Speaker 2: She kept saying boys.
- 2:15:03Speaker 1: Yeah, she would say boys, boys. There's interesting. John Oliver
- 2:15:06Speaker 1: did this hilarious super cut and their digital team is
- 2:15:13Speaker 1: ruthless with the news footage. They are always have you
- 2:15:15Speaker 1: guys got on Last Week Tonight on a lot of
- 2:15:19Speaker 1: them and.
- 2:15:21Speaker 4: Jo John Oliver sends uh people to he We hire
- 2:15:26Speaker 4: people as PA's who end up being Last Week Tonight
- 2:15:29Speaker 4: writers And that's really the rats thereanks.
- 2:15:33Speaker 1: No, they're thinking of clippable moments all day long. Yeah,
- 2:15:37Speaker 1: and you know that we're on autopilots sometimes we're just
- 2:15:40Speaker 1: talking and they and they all they see is clips.
- 2:15:42Speaker 4: I actually have a surprise for you guys. I got
- 2:15:45Speaker 4: together with the producers of this podcast, and I got
- 2:15:49Speaker 4: examples of banter from all of our broadcasts. O, my god,
- 2:15:55Speaker 4: are you gonna.
- 2:15:55Speaker 3: Play them behind my screen?
- 2:15:57Speaker 7: Oh?
- 2:15:57Speaker 3: I don't have a green screen.
- 2:15:59Speaker 2: We're just gonna play them on the screens over there.
- 2:16:00Speaker 3: We can't point at it.
- 2:16:02Speaker 2: Oh, we can point at it if you want to,
- 2:16:03Speaker 2: just have to point that way. Can you point forward?
- 2:16:05Speaker 1: No?
- 2:16:06Speaker 3: No, no, I'm the right of the left.
- 2:16:07Speaker 2: You want to try pointing forward? Just once? Try that way?
- 2:16:11Speaker 2: Can I can I listener at home?
- 2:16:14Speaker 3: Yeah? Please push please? Oh oh oh, this is like
- 2:16:18Speaker 3: physical therapy.
- 2:16:19Speaker 1: You better hit the chiropractor after this.
- 2:16:22Speaker 5: I'm just not used to putting my body that way. Here,
- 2:16:24Speaker 5: I am facing you. Sure, we're facing the left. Sure, anyway,
- 2:16:27Speaker 5: let's play those clips?
- 2:16:30Speaker 1: This crazy?
- 2:16:32Speaker 2: So this is clips, right, this is your clip. It's
- 2:16:35Speaker 2: the anchors talking. It's it's well, no, here's what it is.
- 2:16:38Speaker 2: It's you finishing the broadcast, and then the anchors talking
- 2:16:42Speaker 2: a little bit before the legendary. Yes, I guess was it.
- 2:16:46Speaker 2: So here's yours.
- 2:16:47Speaker 6: Let's let's play yours, buddy players, And that's the ten
- 2:16:50Speaker 6: day forecast.
- 2:16:51Speaker 2: I've been Memphis Light to heavy rain. Thank you guys
- 2:16:55Speaker 2: so much. Wow, looks like, uh, I'm probably gonna have
- 2:16:58Speaker 2: to cancel my kids birthday party this week.
- 2:17:01Speaker 3: Looks like we will not be able to do the
- 2:17:03Speaker 3: bouncy out.
- 2:17:04Speaker 6: Well, I wouldn't count it too much. It's only thirty percent.
- 2:17:07Speaker 6: Maybe let the guests know a little bouncing in the ring.
- 2:17:10Speaker 3: Oh, Memphis, you love to bounce.
- 2:17:12Speaker 2: I love to bounce on that cock.
- 2:17:14Speaker 1: I mean, oh, what.
- 2:17:20Speaker 7: That was?
- 2:17:22Speaker 1: I want to know.
- 2:17:24Speaker 3: Before anyone talks. I want to know what bouncing on
- 2:17:27Speaker 3: the cock is you?
- 2:17:30Speaker 2: What is bouncing on a cock?
- 2:17:32Speaker 1: That is that jacking it off? You know? Oh? I
- 2:17:39Speaker 1: my mind didn't even go there. My friend I assumed vaginal.
- 2:17:42Speaker 1: My bad.
- 2:17:45Speaker 6: So we don't really need to talk about the nitty
- 2:17:47Speaker 6: gritty details. I was fun, I guess.
- 2:17:50Speaker 1: So No, this is very out of character for me.
- 2:17:53Speaker 1: I will say. I gotta wash my damn mouth out
- 2:17:55Speaker 1: with soap.
- 2:17:56Speaker 2: Yeah.
- 2:17:56Speaker 6: So, I was trying to do a light banter. Completely
- 2:17:59Speaker 6: blew it, uh and they didn't. Unfortunately, they couldn't edit
- 2:18:02Speaker 6: it out. So I got in a lot of trouble.
- 2:18:04Speaker 6: But luckily, uh, you know, I think that was one
- 2:18:06Speaker 6: of my worst ones. Unless you guys had.
- 2:18:09Speaker 1: To be the worst one. I would hope.
- 2:18:11Speaker 2: I'm telling what we have. Oh you have another one? No, No,
- 2:18:14Speaker 2: that's not okay.
- 2:18:14Speaker 3: You want to do more?
- 2:18:15Speaker 2: No, I don't need to do more. I think we
- 2:18:17Speaker 2: got York's next. Okay, Yeah, let's play it.
- 2:18:19Speaker 5: Oh, if it's anything based off of what I've been
- 2:18:22Speaker 5: doing on this couch, I'm worried.
- 2:18:25Speaker 2: All right. I think are you wasted? What is going on?
- 2:18:29Speaker 2: Are you drinking like Dean Martin or something? Wow?
- 2:18:32Speaker 1: If you want to know.
- 2:18:35Speaker 5: No one asked me if I went to meteorology school,
- 2:18:38Speaker 5: because I didn't.
- 2:18:40Speaker 2: Because I'm the hag at the table.
- 2:18:43Speaker 4: At the table, the hag, the hack look at that. Okay,
- 2:18:49Speaker 4: play my clip all right, and I'm gonna play it.
- 2:18:52Speaker 4: And it starts with you talking and goes into the anchors,
- 2:18:56Speaker 4: just the end of the end of your forecast.
- 2:18:59Speaker 3: Thank you for really walking, and I'll see you later
- 2:19:03Speaker 3: on the Yorky Hale. Good night.
- 2:19:06Speaker 2: Wow, some great weather coming up, isn't it.
- 2:19:08Speaker 1: Yeah, I'm excited. I might get uh my, my, my,
- 2:19:12Speaker 1: my towel after the beach.
- 2:19:14Speaker 2: It sounds like a great day for to off right.
- 2:19:17Speaker 19: Yeah, do I feel like Yorky You're still on Still Boy,
- 2:19:26Speaker 19: they both really winging it today.
- 2:19:29Speaker 1: Well, well, you know, John, John, I think I'm sure
- 2:19:33Speaker 1: looking forward to the sun.
- 2:19:35Speaker 2: I'm really looking forward to turn. You're still York. You
- 2:19:40Speaker 2: know it's all.
- 2:19:43Speaker 1: So now, you know so.
- 2:19:46Speaker 2: I hate that clip. I can't believe you found Yeah,
- 2:19:48Speaker 2: that was the first thing that came up on a
- 2:19:51Speaker 2: Google your name.
- 2:19:53Speaker 1: I'm the land. You keep saying it with a G
- 2:19:58Speaker 1: instead of a c K. That's why we're confuse, my friend.
- 2:20:02Speaker 2: Very different things, hagged, hack just fundamentally different.
- 2:20:06Speaker 3: What can I say?
- 2:20:07Speaker 1: I sleep in the snow.
- 2:20:08Speaker 2: What made you feel so much like a hag? After
- 2:20:10Speaker 2: that broadcast? You never sweat so much? You feel like
- 2:20:14Speaker 2: a hag.
- 2:20:20Speaker 5: You don't think you're out there with the bright light
- 2:20:22Speaker 5: thing on all these you know, you feel sometimes like
- 2:20:29Speaker 5: you're talking so much, your mouth is so dry.
- 2:20:31Speaker 1: You're a fucking hag, you know, my friend, I've never
- 2:20:34Speaker 1: thought that way. I also think hag is quite gendered,
- 2:20:36Speaker 1: and I would say, you know, we're all sixty five
- 2:20:38Speaker 1: year old men give or take right, and like a hag. Now,
- 2:20:44Speaker 1: my friend, I get I think you're getting a bit off, Mic.
- 2:20:46Speaker 1: We might get into trouble. Don't want you getting on
- 2:20:48Speaker 1: John Oliver again.
- 2:20:50Speaker 2: No, you're right, you should quite your mouth because we've
- 2:20:53Speaker 2: got your clues. Yeah, you should talk.
- 2:20:55Speaker 1: Okay, I'm a little nervous for what this is gonna be.
- 2:20:58Speaker 1: Just it's gonna start with you before. I'm gonna talk first.
- 2:21:02Speaker 2: Okay, you're gonna talk first.
- 2:21:05Speaker 1: Get your clip.
- 2:21:06Speaker 2: Is the end of your forecast? Okay?
- 2:21:07Speaker 1: Great, So somebody play that climic case. All right, play
- 2:21:11Speaker 1: and we can expect San Jose to get the brunt
- 2:21:14Speaker 1: of the storm with sixty five percent chance of brain
- 2:21:17Speaker 1: moving on up into Sacramento. We will see that seventy
- 2:21:20Speaker 1: percent chance, but should clear up by midday. Just five pm.
- 2:21:24Speaker 1: Back to you, Cheryl.
- 2:21:26Speaker 2: Wow, just in time for the Golden State Warriors game.
- 2:21:28Speaker 2: It'll be great.
- 2:21:29Speaker 3: Oh, that'll be awesome.
- 2:21:29Speaker 2: What do you yeah?
- 2:21:30Speaker 1: Baby? Yeah, baby, I can't wait to see you. Can't
- 2:21:34Speaker 1: wait to see you tonight.
- 2:21:36Speaker 3: At that Warriors game. We are looking forward to a.
- 2:21:38Speaker 2: Win for a Bay Area We're gonna be going accident
- 2:21:40Speaker 2: for Steph. Curry is going to be back tonight.
- 2:21:43Speaker 1: What was ion?
- 2:21:45Speaker 2: Yeah, we're talking to you.
- 2:21:46Speaker 3: Yeah, we're yourst's still on.
- 2:21:48Speaker 1: No, you're playing in frank on me? Yeah, baby, yeah, baby.
- 2:21:52Speaker 2: I can't wait to see you tonight.
- 2:21:54Speaker 1: I can't wait to see you tonight.
- 2:21:55Speaker 3: I can't wait to see Steph Curry tonight.
- 2:21:59Speaker 2: I can't wait to watch back.
- 2:22:00Speaker 1: Yeah baby, me too. Yeah you're gonna wear that little dress?
- 2:22:03Speaker 3: Okay, yeah baby, And we will.
- 2:22:05Speaker 2: Have oh my breaking news that it has been a
- 2:22:08Speaker 2: shooting at them all.
- 2:22:10Speaker 1: Well, I hope it doesn't rain. That was actually the
- 2:22:13Speaker 1: worst part the Actually we didn't have to play the
- 2:22:28Speaker 1: other No, that was the worst part of the clip.
- 2:22:32Speaker 1: It's it's interesting, it's a double why because I really
- 2:22:34Speaker 1: thought the first part was bad.
- 2:22:36Speaker 3: It's the worst thing to say.
- 2:22:39Speaker 6: You were doing voice to text, but you added inflection
- 2:22:44Speaker 6: for the text, and the end is just definitely the worst.
- 2:22:47Speaker 3: God everything.
- 2:22:50Speaker 5: There have been so many ungodful shootings that are so disgusting,
- 2:22:55Speaker 5: and no one has ever said anything more.
- 2:22:58Speaker 1: About my friends. I'm not proud my friends.
- 2:23:02Speaker 2: I'm not proud.
- 2:23:03Speaker 1: And thank god I have these cheekbones, otherwise I would
- 2:23:05Speaker 1: not have skated out of that thing alive.
- 2:23:07Speaker 2: You know.
- 2:23:08Speaker 1: It's funny, speaking of insensitive, they actually played that on
- 2:23:10Speaker 1: America's Funniest Home Videos, which I feel like is totally incorrect.
- 2:23:14Speaker 5: It's also did you make a mistake or were you
- 2:23:17Speaker 5: it's were you hoping it wouldn't rain?
- 2:23:20Speaker 1: Well, I I genuinely was hoping it wouldn't rain. I thought,
- 2:23:23Speaker 1: what could be the worst thing that would happen to
- 2:23:25Speaker 1: those people? After that happened, Well, I think.
- 2:23:26Speaker 2: What's hard too, is you're the weather person, right, you
- 2:23:33Speaker 2: can discuss it.
- 2:23:36Speaker 1: I guess I'm not supposed to talk about hoping. I'm
- 2:23:38Speaker 1: supposed to talk about no facts or not. It's not
- 2:23:42Speaker 1: my proudest moment, gentlemen, it's not my proudest moment.
- 2:23:49Speaker 3: Inner monologue doesn't rain, it's not helpful anyone.
- 2:23:57Speaker 1: Well, my friends, I'm nothing if not honest, and sometimes
- 2:23:59Speaker 1: it's me into trouble. You're honest, and.
- 2:24:03Speaker 2: I'm a hag. You have a clip of me. Of course,
- 2:24:06Speaker 2: I'm not gonna throw you guys under the bus, shove
- 2:24:09Speaker 2: myself in the fourth Okay, this clip? All right? Thank
- 2:24:15Speaker 2: you guys.
- 2:24:16Speaker 1: All right, Uh let me see, let me see your
- 2:24:18Speaker 1: laptop over here and play.
- 2:24:22Speaker 2: And it looks like it's gonna be beautiful in the
- 2:24:24Speaker 2: back bay this weekend, and we're gonna have a gorgeous,
- 2:24:28Speaker 2: gorgeous day for a lot of fun in the sun.
- 2:24:30Speaker 2: Maybe head out to the Commons, get on the swamp boat,
- 2:24:32Speaker 2: and I have a good time. I am so looking
- 2:24:35Speaker 2: forward to a gorgeous day. It's about time.
- 2:24:37Speaker 1: It's about time, after the after the rain we've had.
- 2:24:39Speaker 2: Huh, I'm really excited. I I didn't like the rain.
- 2:24:42Speaker 2: No it was I know, I'm a weather man, and
- 2:24:44Speaker 2: I am supposed to like all the weather. But I
- 2:24:46Speaker 2: don't like the rain. You don't have to like that.
- 2:24:49Speaker 2: I don't like the rain.
- 2:24:51Speaker 1: Hot take over here.
- 2:24:52Speaker 2: It's okay. What are you guys up to this week?
- 2:24:54Speaker 2: And anything fun? Well, I think I'm gonna go take
- 2:24:57Speaker 2: the kids and the wife out boating.
- 2:25:00Speaker 1: Well, that's nice. What's happening to you?
- 2:25:05Speaker 2: I have to go?
- 2:25:06Speaker 3: What was that?
- 2:25:07Speaker 1: What was that?
- 2:25:08Speaker 6: Just?
- 2:25:08Speaker 2: I just got a call from my doctor. What's going on?
- 2:25:11Speaker 2: Turns out my farts are ripping. My farts are so
- 2:25:16Speaker 2: acidic they are hurting my butthole. Turns out my farts
- 2:25:19Speaker 2: are poisonous to my butthole.
- 2:25:22Speaker 1: I think, I think the sound is going to be quite.
- 2:25:24Speaker 2: Well my own butthole. It's going to be great. Oh
- 2:25:28Speaker 2: my god, my farts are killing my butthole.
- 2:25:31Speaker 1: My farts, right, you've been you've been laying off the
- 2:25:35Speaker 1: nachos lately, having too many snacks.
- 2:25:37Speaker 2: Don't you talk about what I eat. It's not about
- 2:25:39Speaker 2: what I eat, it's what comes out. Are killing my butthole. Farts,
- 2:25:43Speaker 2: you're killing my butthole. It's just in breaking news one
- 2:25:45Speaker 2: of the towers, that the twin Towers has fallen. I
- 2:25:48Speaker 2: hope it doesn't rain. I love it parallel.
- 2:25:56Speaker 1: It's such a mistake to make.
- 2:25:58Speaker 2: I got it too, not because I saw yours and
- 2:26:01Speaker 2: I said, I've done it, sort of a gut reaction. Yeah,
- 2:26:03Speaker 2: And it turns out it was just kind of it
- 2:26:06Speaker 2: was the.
- 2:26:07Speaker 3: Yeah, it turns out your butthole wasn't being killed.
- 2:26:09Speaker 2: I guess. I guess farts can't kill anything. That's an
- 2:26:14Speaker 2: important lesson to learn it. I guess farts can't.
- 2:26:16Speaker 3: But I will say that clip that is like our
- 2:26:18Speaker 3: to play us out of the Weathermen's.
- 2:26:20Speaker 4: Absolutely to play us out, you know, you know, yeah,
- 2:26:23Speaker 4: well I hated that the Double Rainbow guys made farts
- 2:26:26Speaker 4: are killing my buttthole into a song.
- 2:26:27Speaker 2: I didn't like that. Absolutely, you know that time was
- 2:26:29Speaker 2: was tough.
- 2:26:30Speaker 1: And also they dug that footage up from from from
- 2:26:33Speaker 1: so long ago. I mean two thousand and one.
- 2:26:35Speaker 2: That was you think it'd buried?
- 2:26:37Speaker 5: You think and Rosy o'donald did that like dance on
- 2:26:40Speaker 5: top of that that audio.
- 2:26:42Speaker 2: Yeah she did. The parts are killing my butthole audio
- 2:26:45Speaker 2: audio dance crazy that Rosie o'donald did that dance.
- 2:26:49Speaker 7: What I'm just saying, so the hags on the mic, No,
- 2:26:52Speaker 7: you're sorry about that, super big.
- 2:26:58Speaker 2: Hag, sir, New York, New York, You're not ahead.
- 2:27:03Speaker 3: Guys, what is your favorite forecast to report on your dream.
- 2:27:09Speaker 4: For We talked about this a little earlier. You said
- 2:27:11Speaker 4: tornadoes are like the super Bowl, right, but for weather people,
- 2:27:14Speaker 4: every sort of weather phenomena is its own events. So
- 2:27:18Speaker 4: tornadoes are like the super Bowl. Hurricanes are a little
- 2:27:21Speaker 4: bit like the People's Choice Awards.
- 2:27:24Speaker 1: Yeah, we're just giving those things.
- 2:27:26Speaker 7: Can we.
- 2:27:27Speaker 1: Can we talk about it? They're saying every little storm
- 2:27:31Speaker 1: pattern with a swirly thingy is a hurricane.
- 2:27:35Speaker 5: And can I tell you, part of me thinks, ever
- 2:27:38Speaker 5: since they got we got really good TVs in the homes,
- 2:27:40Speaker 5: really good image on the TVs, that they.
- 2:27:44Speaker 3: Just want to do those tornadoes to show how good
- 2:27:47Speaker 3: And let's talk about it, and let's.
- 2:27:48Speaker 1: Be honest the graphics team is having too much fun,
- 2:27:51Speaker 1: so they're.
- 2:27:51Speaker 2: Just boy when it comes to other weather phenomena floods
- 2:27:54Speaker 2: with the streams, yes, yes, which we forget.
- 2:27:57Speaker 3: And then every once in while it's like, wait, what,
- 2:27:59Speaker 3: oh a flood?
- 2:28:00Speaker 6: All floods are the streamings because they only ever happen after.
- 2:28:02Speaker 6: You never can predict a flood happening, you know, And
- 2:28:05Speaker 6: so when the streamings are over, you kind of go,
- 2:28:06Speaker 6: what the hell was all of that?
- 2:28:08Speaker 2: And why did everyone who most people cared about it
- 2:28:11Speaker 2: before it began? Oh? Should I be caring about that?
- 2:28:14Speaker 2: That's always a flood? Should I be caring about that
- 2:28:15Speaker 2: mass the streamings? Yeah?
- 2:28:17Speaker 1: Yeah, I'd call overcast clouds the Golden globes because they
- 2:28:21Speaker 1: are a corrupt and evil weather pattern.
- 2:28:25Speaker 2: Yeah, overcast is don't hack up, you hack up your food.
- 2:28:29Speaker 3: Now, I'm sorry.
- 2:28:30Speaker 1: I ate a bunch of sandwiches before a bunch.
- 2:28:34Speaker 5: Oh that's a weather man's breakfast, A bunch of sand
- 2:28:36Speaker 5: like a banana bunch.
- 2:28:37Speaker 1: Of Get on a banana bunch. You ever heard that
- 2:28:42Speaker 1: old You've never gotten a banana bunch from Mendosino far Banana.
- 2:28:46Speaker 1: It's really creative. They do a bunch of four inch
- 2:28:48Speaker 1: sandwiches on a banana bunch. It's really creative with the.
- 2:28:53Speaker 5: Did you have you heard that old adage, what's in
- 2:28:55Speaker 5: a weather man's lunchbox A bunch of sandwiches.
- 2:29:01Speaker 3: And a cloud.
- 2:29:04Speaker 6: Well that's actually commandment number seven, what's in a bunch
- 2:29:10Speaker 6: of What's in a weather man's lunchbox?
- 2:29:13Speaker 2: A bunch of sandwiches? Big.
- 2:29:17Speaker 1: It's interesting because we have proverbs and we have thou schaltz,
- 2:29:20Speaker 1: and then we have sort of observational comedy. Did you
- 2:29:23Speaker 1: ever hear the one about well?
- 2:29:30Speaker 20: Wow?
- 2:29:31Speaker 6: Well, can I ask you guys a personal question? Well,
- 2:29:33Speaker 6: what do you think is the hardest day that did
- 2:29:35Speaker 6: you've had?
- 2:29:36Speaker 2: On the weather? One day?
- 2:29:37Speaker 6: I can jump in Uh okay, I'm sure you guys
- 2:29:40Speaker 6: remember this. I was supposed to be giving the weather,
- 2:29:44Speaker 6: and I said, it looks pretty good. Besides, uh, Toronto,
- 2:29:51Speaker 6: so stay indoors and have a good time. I thought
- 2:29:54Speaker 6: it said Toronto. It said tornado, and the tornado ripped
- 2:29:58Speaker 6: through the town.
- 2:29:59Speaker 1: And I hate when the when the doppler says pretty
- 2:30:01Speaker 1: good except tornado, it's the worst.
- 2:30:05Speaker 6: I wish they clarified that all that when they kind
- 2:30:07Speaker 6: of do this bit where it's pretty good, except a
- 2:30:10Speaker 6: tornado that's always read it as Toronto.
- 2:30:13Speaker 3: It's a mistake. Mistakes suck, I mean once.
- 2:30:15Speaker 2: Sorry, No, go ahead, I want to hear what you
- 2:30:17Speaker 2: think about how mistakes suck. Go ahead.
- 2:30:20Speaker 1: Do you sounds like you know?
- 2:30:22Speaker 2: Did you mess up? I'm sorry, let's hear it. I
- 2:30:26Speaker 2: want to hear your mistake.
- 2:30:27Speaker 3: Oh well it's okay, thank you. You know I hate
- 2:30:32Speaker 3: when we mess up. It sucks. It sucks.
- 2:30:34Speaker 1: It sucks so much.
- 2:30:35Speaker 5: But actually it was a little prank by my team.
- 2:30:38Speaker 5: It was my birthday and they replaced the the what
- 2:30:41Speaker 5: do you call it? The when I read the words.
- 2:30:44Speaker 3: Off of the things?
- 2:30:44Speaker 5: They replaced the teleprompter with a karaoke machine, and I
- 2:30:48Speaker 5: was reading the lyrics to Mariah Carries.
- 2:30:52Speaker 3: All I want for Christmas? Is you like it was
- 2:30:54Speaker 3: a forecast.
- 2:30:55Speaker 2: Oh that's really tough.
- 2:30:56Speaker 6: It was.
- 2:30:58Speaker 3: I didn't hear it.
- 2:30:58Speaker 2: Actually, let's throw it.
- 2:31:03Speaker 3: And today we have I don't want a lot for Christmas.
- 2:31:10Speaker 3: There is just one thing I need here at the tip.
- 2:31:14Speaker 2: Yeah, that's you realize it pretty quick.
- 2:31:19Speaker 1: What to do?
- 2:31:20Speaker 3: Humilion.
- 2:31:20Speaker 2: I can't believe they spelled the letters out.
- 2:31:22Speaker 5: A yeah, well that's how the karaoke machines do it.
- 2:31:24Speaker 5: But what's your mistake that sucks your day?
- 2:31:26Speaker 2: That sucks?
- 2:31:26Speaker 6: Well?
- 2:31:27Speaker 2: I had a really rough day. This was young in
- 2:31:29Speaker 2: my career. I unfortunately accepted payola from a local sled
- 2:31:33Speaker 2: company to say that it was going to snow you
- 2:31:35Speaker 2: don't don't want to do. They wanted to get into
- 2:31:37Speaker 2: the real interview. I was in bad. I was I
- 2:31:40Speaker 2: was going through some really terrible, terrible stuff. I was
- 2:31:43Speaker 2: going through divorce at the time, and uh, I not
- 2:31:45Speaker 2: only that, but was just really not feeling good about myself.
- 2:31:50Speaker 2: I low self esteem. Cloud. He said, hey, worst sled
- 2:31:53Speaker 2: company will give you fifty thousand dollars if you help
- 2:31:56Speaker 2: us sell sleds this weekend. It was June and Albuquerque,
- 2:31:59Speaker 2: and I said, crazy, crazy snowstorm coming. Hurry, hurry, hurry.
- 2:32:03Speaker 2: If you live by a hill, you need a big sled.
- 2:32:06Speaker 2: You sure those weren't lyrics to hurry? I don't practice sanchuria.
- 2:32:10Speaker 2: I ain't got no crystal ball. Okay, good, yeah, okay.
- 2:32:14Speaker 3: Lyrics okay good?
- 2:32:16Speaker 2: I heard okay good, No, yeah, I heard about this.
- 2:32:19Speaker 2: That was I got tartan feathered in the towns You
- 2:32:23Speaker 2: did they did? Yeah? A more modern version, which was
- 2:32:27Speaker 2: just hot glue and milk.
- 2:32:30Speaker 1: But hot glue and milk on me in the that
- 2:32:33Speaker 1: the milk sticks to the super clue.
- 2:32:34Speaker 2: Crazy. They don't tell you that I behind the super
- 2:32:39Speaker 2: glue box. Well, it's just something that doesn't come up
- 2:32:41Speaker 2: a lot, but they should tell you.
- 2:32:44Speaker 1: We're asking them a lot to put on the box.
- 2:32:46Speaker 1: There's already there's.
- 2:32:47Speaker 2: A to the glue. So is that going on the
- 2:32:52Speaker 2: milk box or the glue box both?
- 2:32:57Speaker 1: Well, I can tell you about a mistake I made.
- 2:32:59Speaker 1: I was, you know, my uh this was back in
- 2:33:02Speaker 1: the nineties and I was, you know, I was getting
- 2:33:04Speaker 1: my start in San Jose. I was doing the weather
- 2:33:06Speaker 1: and everything was going pretty well. I had a I
- 2:33:08Speaker 1: had a pretty established reputation then and my brother was
- 2:33:12Speaker 1: going through a hard time and uh he lost his job,
- 2:33:15Speaker 1: you know he uh he haended a relationship. He was
- 2:33:19Speaker 1: in a tough spot, and so I thought, you know,
- 2:33:21Speaker 1: what what if I throw him the bone? What if
- 2:33:23Speaker 1: I do the forecast with him? And uh so I
- 2:33:26Speaker 1: brought my brother to work and the station wasn't happy with.
- 2:33:30Speaker 3: Not beer with your brother who's down, you know, And
- 2:33:35Speaker 3: to be honest.
- 2:33:35Speaker 1: I don't I don't drink too much. So I don't
- 2:33:37Speaker 1: really know how to relate to him in a different
- 2:33:39Speaker 1: in another way, and so h it's difficult, and so
- 2:33:42Speaker 1: I I I grabbed him. I I said, come on
- 2:33:45Speaker 1: down to the station. No, Ronnie, come down to the station.
- 2:33:47Speaker 1: And so uh, he got on TV and he absolutely
- 2:33:50Speaker 1: did not know what to do. He he threw up,
- 2:33:53Speaker 1: and it was they.
- 2:33:54Speaker 2: Had to cough didn't.
- 2:33:57Speaker 1: Yeah, well, he threw up. And then the worst part
- 2:33:59Speaker 1: was that hero the gun out.
- 2:34:06Speaker 2: And the worst yeah, And.
- 2:34:08Speaker 1: So I had to I had to buy the station
- 2:34:10Speaker 1: manager quite a few drinks to make up for it.
- 2:34:13Speaker 2: At least you did that is that is you know.
- 2:34:14Speaker 2: I don't want to get politically here, but that's one
- 2:34:16Speaker 2: of my biggest things about changing the gun laws. We
- 2:34:19Speaker 2: need to I don't care about background checks. I need
- 2:34:21Speaker 2: to know are you gonna get weird with this gun
- 2:34:24Speaker 2: after you throw up? That's are you gonna pull it out?
- 2:34:28Speaker 1: As sort of an instinctual response of like.
- 2:34:31Speaker 2: Because ship I threw up, I remember this slip. It
- 2:34:35Speaker 2: did feel like he pulled it out of embarrassment. He
- 2:34:39Speaker 2: pulled it out, throw up, you know what I mean?
- 2:34:41Speaker 3: And we have to be careful who has access to
- 2:34:43Speaker 3: a gun after bar threw up.
- 2:34:49Speaker 2: It's fight or flight kicks.
- 2:34:50Speaker 1: And it wasn't loaded. He wasn't that kind of guy.
- 2:34:53Speaker 1: It's just sort of a thing he carries around and
- 2:34:55Speaker 1: feels safe.
- 2:34:56Speaker 2: For the course.
- 2:34:56Speaker 5: But you know what you were talking about the newscasters, right,
- 2:34:59Speaker 5: and we a the weather people. And I think, listen,
- 2:35:02Speaker 5: it's towards the end of the interview, and I think
- 2:35:04Speaker 5: we should get we should get real for a minute.
- 2:35:06Speaker 3: We're talking about gun laws, constrictions.
- 2:35:08Speaker 2: Everything I've said is basically what I say in press release.
- 2:35:12Speaker 2: Let's get real. Now you can find all.
- 2:35:14Speaker 5: What we said on the internet, right, but let's get
- 2:35:17Speaker 5: real because I want to say those newscasters, the contracts
- 2:35:20Speaker 5: are different. Yeah, okay, and you don't know that the
- 2:35:23Speaker 5: contracts are different. Okay, this just in the contracts are different.
- 2:35:29Speaker 1: Yeah.
- 2:35:29Speaker 2: Yeah, See we can do their job. We could do
- 2:35:31Speaker 2: their job in pay the weathermend the same.
- 2:35:36Speaker 4: Okay, Well, no, I wouldn't say that because we get
- 2:35:38Speaker 4: paid way more. Right, contracts are different, and that we
- 2:35:41Speaker 4: get paid more. We get paid so much more.
- 2:35:44Speaker 7: But we.
- 2:35:46Speaker 3: Have a much bigger morality.
- 2:35:48Speaker 2: Clause exactly, absolutely, because our clauses, we get paid more,
- 2:35:53Speaker 2: but we get to do less. The contracts are different.
- 2:35:56Speaker 1: We basically we have to have the sexuality of apple juices,
- 2:36:00Speaker 1: and we gotta keep it all.
- 2:36:02Speaker 2: Drinkable but for kids. But put it.
- 2:36:18Speaker 1: So, you know, and you sign these things because you
- 2:36:21Speaker 1: want a job.
- 2:36:22Speaker 6: Of course, absolutely the sexuality that if a kid sees
- 2:36:26Speaker 6: you on screen they have a crush on.
- 2:36:28Speaker 1: You, you know exactly, it's it's it's it's it's so
- 2:36:31Speaker 1: you don't upset the kids. This means no gyrating at
- 2:36:35Speaker 1: the bar or anything, no doing anything.
- 2:36:38Speaker 2: I'm getting a phone call. Oh, this is crazy. There's
- 2:36:45Speaker 2: a sandstorm hitting Cincinnati.
- 2:36:47Speaker 3: No way, no way, who told you that on the phone.
- 2:36:51Speaker 2: I don't know. My phone doesn't save any numbers.
- 2:36:55Speaker 1: How do you work with that?
- 2:36:58Speaker 2: That's the phone you're using. I don't update. My phone
- 2:37:01Speaker 2: always wants me to I like I like playing. There's
- 2:37:04Speaker 2: a sandstorm, sandstorm Cincinnati.
- 2:37:07Speaker 1: So how happens?
- 2:37:08Speaker 2: I know? So we go we cover report it.
- 2:37:11Speaker 6: We didn't even start about global warming. How much is
- 2:37:13Speaker 6: fuck with our jobs? We should talk about let's talk
- 2:37:15Speaker 6: about let's get into the I hate it.
- 2:37:17Speaker 2: But I love it because it's interesting. Yeah, well, if
- 2:37:19Speaker 2: we can sum it up we can hate it, but
- 2:37:21Speaker 2: also keep at work.
- 2:37:24Speaker 1: Hate it, love it. Keeps me on a job, don't
- 2:37:26Speaker 1: give them. Yeah, that about sums it up. Here we go.
- 2:37:33Speaker 3: Let's let's let's report this.
- 2:37:34Speaker 2: Okay, let's let's report this.
- 2:37:35Speaker 1: So this is so funny. I've never done this in
- 2:37:37Speaker 1: a team before.
- 2:37:37Speaker 2: Okay, let's do one report.
- 2:37:41Speaker 4: Well, we got some sand coming to Cincinnati this week,
- 2:37:44Speaker 4: and I'm gonna throw over to my buddy York.
- 2:37:46Speaker 2: Oh yeah, it.
- 2:37:47Speaker 3: Looks like it is coming in.
- 2:37:48Speaker 5: It is coming into the is my my, Yeah, I'm
- 2:37:53Speaker 5: passing it on to my buddy over there, Memphis, is
- 2:37:56Speaker 5: my Well.
- 2:37:57Speaker 6: Yeah, your mic is on. We have a sandstorm in Cincinnati.
- 2:38:00Speaker 6: There is sand coming from the south, the east, and
- 2:38:03Speaker 6: the west. So if you're in Cincinnati, I'm gonna throw
- 2:38:06Speaker 6: it over to my friend Sarah for Seattle. Seattle, I'm
- 2:38:10Speaker 6: gonna throw it over to my friend Seattle to do
- 2:38:12Speaker 6: what you need to do in this this sandstorm.
- 2:38:16Speaker 1: Well, thanks, Memphis, and it's Seattle Cloud checking in for
- 2:38:20Speaker 1: the weather. That sand is blowing all the way from
- 2:38:22Speaker 1: Palm Springs into Cincinnati and we are getting duck and cover, folks,
- 2:38:28Speaker 1: and do not run to me. I know I'm on
- 2:38:31Speaker 1: your TV screen. I know I pull you in like
- 2:38:33Speaker 1: a magnet. Don't do that. You're gonna want to run inside.
- 2:38:37Speaker 2: Did I go yet? I don't know.
- 2:38:38Speaker 3: I'm drunk, so uh yeah, I report it.
- 2:38:42Speaker 1: This was just a trial run, and I can't believe.
- 2:38:45Speaker 1: I can't believe it happened again to you, my friend.
- 2:38:48Speaker 2: Happens every broadcast for you. I look, I didn't want
- 2:38:52Speaker 2: to say it. I thought you were ving low on yourself.
- 2:38:54Speaker 2: You are such a hack. This has been artist on
- 2:38:56Speaker 2: artists on. Artists on. Artists answered the question, Now, that's
- 2:38:58Speaker 2: why they call it show viz good night.
- 2:39:01Speaker 1: Wow.
- 2:39:02Speaker 2: I hope it doesn't rain. I'm still laughing about it.
- 2:39:05Speaker 1: I hope it doesn't rain. There's so many and the
- 2:39:07Speaker 1: hag thing too, I'm such a hag jack, such a hag.
- 2:39:13Speaker 3: I really meant to say hack.
- 2:39:16Speaker 1: That one is gold.
- 2:39:19Speaker 2: Five year old.
- 2:39:25Speaker 6: Killed.
- 2:39:26Speaker 1: That was Weatherman. Guys, I have one final favorite. You
- 2:39:31Speaker 1: could say it's my final four, as in it's the
- 2:39:34Speaker 1: fourth one, like sure, sure, I'm trying to relate to you.
- 2:39:41Speaker 1: Final four. That's a basketball The.
- 2:39:43Speaker 2: Meaning it's the fourth one is a thing in basketball.
- 2:39:47Speaker 2: What does it really? It just doesn't apply to this.
- 2:39:51Speaker 1: The final fourth is, oh God, Vegas performers, Oh Vegas,
- 2:40:00Speaker 1: I can't relate. The puppets said that, and then I
- 2:40:04Speaker 1: didn't have.
- 2:40:06Speaker 6: You.
- 2:40:08Speaker 2: So I was wearing hat a bunch of birds.
- 2:40:14Speaker 1: Now, this was when I was getting sick. This was
- 2:40:17Speaker 1: when I felt, really I was here different sick, and
- 2:40:22Speaker 1: we just got sick because we would shoot fifteen episodes
- 2:40:25Speaker 1: in two days.
- 2:40:26Speaker 3: You'll find it on the Patreon.
- 2:40:27Speaker 1: You'll find it on the Patreon. We'll talk about it, guys,
- 2:40:30Speaker 1: Vegas performers. This is a silly, silly time and I'm
- 2:40:32Speaker 1: wearing one of my favorite shirts ever in it.
- 2:40:35Speaker 2: So check it out and thanks for listening, and we'll
- 2:40:39Speaker 2: see you guys next time.
- 2:40:42Speaker 1: Have fun.
- 2:40:48Speaker 5: Welcome back to Artists on Artists on Artists on Artists.
- 2:40:51Speaker 5: This week on the show, we'll take you to Sin City.
- 2:40:54Speaker 5: That's right, we're on the Las Vegas Strip with these entertainers.
- 2:40:58Speaker 2: Las Vegas is known for it's wide array of entertainment
- 2:41:02Speaker 2: and there are certain celebrities and legends and very popular
- 2:41:07Speaker 2: performers that moved to Las Vegas never to leave, becoming
- 2:41:11Speaker 2: Las Vegas legends.
- 2:41:13Speaker 1: So whether you're a magician, a singer, or some unholy
- 2:41:17Speaker 1: combination of both. Vegas is the place for you. We're
- 2:41:21Speaker 1: going to talk to them today.
- 2:41:24Speaker 2: So sit back, relax, and enter sin city.
- 2:41:28Speaker 6: It's time to listen in. Let's listen in.
- 2:41:35Speaker 1: Hey, how's everybody doing It's budden, how's everybody doing this? Budden?
- 2:41:42Speaker 2: Pretty good? Pretty good. We're very good. We're very good.
- 2:41:45Speaker 2: We're very good over here. We're very good over here.
- 2:41:48Speaker 2: We had a great, great breakfast. We went over down
- 2:41:51Speaker 2: to the Mirage. It was great breakfast at the Moorrage
- 2:41:54Speaker 2: today for us. We had such a good breakfast. So
- 2:41:57Speaker 2: right leave the marsh.
- 2:42:00Speaker 5: The Mirage is an incredible place, the Marache, the Mirage.
- 2:42:04Speaker 3: I love their bannomless bloody Mary's at.
- 2:42:07Speaker 16: The when you go to the Mirage and they have
- 2:42:10Speaker 16: a bunch of lobsters and you get to pick an
- 2:42:12Speaker 16: extra lobster where they're not looking.
- 2:42:14Speaker 6: Yes, it's crazy that we all have such unique, interesting voices.
- 2:42:20Speaker 2: That's Las vegasas Vegass. It's America's melting pot. It's actually
- 2:42:24Speaker 2: the world's melting pot. And that the whole world moves there.
- 2:42:27Speaker 2: You know, do you have Italy, you have New York,
- 2:42:29Speaker 2: you have there is medieval times, you have all the places.
- 2:42:34Speaker 6: It's so good that so much stuff comes to the
- 2:42:37Speaker 6: center of everything in Las Vegas, just so and it's
- 2:42:40Speaker 6: so perfect for us. It's perfect for us. City of
- 2:42:44Speaker 6: dreams and it's the city of our dreams coming to
- 2:42:46Speaker 6: life as well. We found our dreams and when they
- 2:42:48Speaker 6: came up to life, goingle life well introduced.
- 2:42:56Speaker 20: Yeah, yeah, I'm done, and I'm Vink and we are
- 2:43:00Speaker 20: just Don't and Pink and we are a.
- 2:43:03Speaker 2: Magician duo. We do a lot of I personal magician.
- 2:43:07Speaker 6: We do a lot of big magician, we do impersonal magician.
- 2:43:12Speaker 2: It's so we have an impersonal approach to magic.
- 2:43:15Speaker 1: Y you're not relating to anybody.
- 2:43:21Speaker 2: It's very impersonal.
- 2:43:24Speaker 1: I've seen your work. It is so business like. You
- 2:43:28Speaker 1: are in and out of that show forty five minutes
- 2:43:31Speaker 1: under dot. They smile and.
- 2:43:34Speaker 16: If you are invited on stage, you are treated like
- 2:43:37Speaker 16: a coworker and not a guess.
- 2:43:38Speaker 3: We are not went your show. And I got it.
- 2:43:41Speaker 5: I got a T shirt because I love supporting each
- 2:43:44Speaker 5: one of the shows and getting some merch and I
- 2:43:45Speaker 5: got the shirt that says I can't relate.
- 2:43:47Speaker 6: Yes, yes, it's our cash phrase. Every time we do
- 2:43:50Speaker 6: a trick. Instead of saying, da we go relate.
- 2:43:55Speaker 1: I see that you guys do some kind of magician
- 2:43:58Speaker 1: crowd work.
- 2:44:00Speaker 3: When you cut that man in half.
- 2:44:02Speaker 2: And he was in two, and you both went into you.
- 2:44:05Speaker 2: I can't relate, which was kind of tongue in cheek
- 2:44:09Speaker 2: because there are two of us.
- 2:44:10Speaker 6: Yes, she is very tongue in cheek. We have a
- 2:44:12Speaker 6: tongue in cheek impersonal approach to magic. And we've been
- 2:44:15Speaker 6: doing our show now for about eight nine months.
- 2:44:18Speaker 2: Oh, don't tell me that time flies, huh, flying.
- 2:44:21Speaker 3: Fat babies on the strip to be nine months.
- 2:44:25Speaker 2: Yeah, but we moved here so old, so people already
- 2:44:28Speaker 2: see us as legends. We are a puge in Well,
- 2:44:32Speaker 2: I'm I'm fifty nine and I am fifty eight.
- 2:44:35Speaker 1: Whoa, you don't look a day over forty two?
- 2:44:38Speaker 2: Oh thank you forty two. It's not very idle. You
- 2:44:41Speaker 2: can't relate. I can't relate forty two. I can't relate.
- 2:44:47Speaker 16: Well, you could have related once if you were once
- 2:44:50Speaker 16: forty two relating once.
- 2:44:52Speaker 2: I can't relate.
- 2:44:55Speaker 3: We've heard it so many times?
- 2:44:57Speaker 1: How many? Alright? Second that we've already hit about eight
- 2:45:02Speaker 1: or nine.
- 2:45:03Speaker 5: I can't right wish it felt like if I didn't
- 2:45:05Speaker 5: bring up that T shirt I bought, we would have never.
- 2:45:07Speaker 1: Heard it.
- 2:45:13Speaker 17: Our what's your name? And by the way, thanks for
- 2:45:17Speaker 17: wearing that sparkly dress, lady, wear it for you. Thanks
- 2:45:24Speaker 17: for pulling that on for us. Thanks you really pulling
- 2:45:26Speaker 17: it off for me.
- 2:45:27Speaker 3: Yeah, yeah, I'm pulling it off for myself.
- 2:45:30Speaker 5: Helloy body, it's Charlotte Tinsbury.
- 2:45:36Speaker 3: Is that a makeup?
- 2:45:44Speaker 2: I can't.
- 2:45:49Speaker 3: No, it's almost it's a loaded gun.
- 2:45:53Speaker 5: Because anything we say that doesn't involve them, they can
- 2:45:57Speaker 5: interrupt us.
- 2:46:00Speaker 3: About them.
- 2:46:01Speaker 1: There is such a possibility. We don't talk about a
- 2:46:05Speaker 1: single thing. There's such a possibility.
- 2:46:10Speaker 3: Tinsbury. And I am a bird woman.
- 2:46:16Speaker 5: I have been on the strip for twelve years, twelve
- 2:46:20Speaker 5: miraculous years. Been doing a show behind the uh the
- 2:46:28Speaker 5: the circus, circus behind it. But it's fun, it's it's
- 2:46:35Speaker 5: it's like it's it's called Speakeasy Bird and it's a
- 2:46:39Speaker 5: speakeasy with birds.
- 2:46:41Speaker 3: And I am on the piano and I have five birds,
- 2:46:45Speaker 3: usually in rotation. It changes and I sing through the
- 2:46:49Speaker 3: classics with my birds.
- 2:46:51Speaker 1: Where do you keep the birds on the offices?
- 2:46:54Speaker 2: Oh?
- 2:46:54Speaker 5: Well, I have My husband is my handler, my bird handler,
- 2:47:00Speaker 5: and he takes all the birds in his house, and
- 2:47:02Speaker 5: I live in a separate house.
- 2:47:04Speaker 2: Do you like being married to someone you don't live with?
- 2:47:09Speaker 3: I mean, I'll say we had to.
- 2:47:11Speaker 5: I had to live separately because he must live with
- 2:47:15Speaker 5: the birds, and it was just hard for me to
- 2:47:17Speaker 5: separate work and pleasure.
- 2:47:20Speaker 6: So you.
- 2:47:25Speaker 2: What mixing work with pleasure?
- 2:47:29Speaker 1: God, so you hate your jobs?
- 2:47:32Speaker 5: That one hurt too. I'll say, I just couldn't have
- 2:47:36Speaker 5: sex with my husband. With my parakeets, I get that.
- 2:47:39Speaker 2: They must be so loud, because I was going to say,
- 2:47:41Speaker 2: you said you can't mix work with pleasure, but you
- 2:47:44Speaker 2: moved your work into your pleasure unless your husband is
- 2:47:47Speaker 2: also work.
- 2:47:48Speaker 3: I have never had pleasure with the birds, so it's
- 2:47:51Speaker 3: always been a work thing.
- 2:47:52Speaker 2: That's what I'm saying. Work and your husband is pleasure. Right,
- 2:47:56Speaker 2: So you moved them into the same house, but it's
- 2:48:01Speaker 2: not there.
- 2:48:02Speaker 1: So you are separating work and pleasure as an entity
- 2:48:05Speaker 1: as a duo from.
- 2:48:07Speaker 5: I separate both work and pleasure in the separate house,
- 2:48:11Speaker 5: and I go into my house, I will talk about
- 2:48:15Speaker 5: our off days, but when I am not performing on
- 2:48:17Speaker 5: the strip, I am quiet in.
- 2:48:18Speaker 3: A beige room.
- 2:48:20Speaker 2: Nothing happens.
- 2:48:21Speaker 5: I go into neutral mode. I go into absolute neutral,
- 2:48:24Speaker 5: so there is no pleasure, there.
- 2:48:25Speaker 3: Is no work, there is only rest, and that is
- 2:48:27Speaker 3: a quiet true.
- 2:48:29Speaker 2: So can we talk about your act a little bit?
- 2:48:31Speaker 2: Like what is it like?
- 2:48:32Speaker 6: So you're singing the songs? Are the birds doing tricks
- 2:48:35Speaker 6: to the songs that baby sing?
- 2:48:37Speaker 3: I mean, I'm my famous. I mean I did go
- 2:48:39Speaker 3: very very viral.
- 2:48:41Speaker 5: I sang Bruno mars Is uptown funk with one of
- 2:48:45Speaker 5: my parakeets, Poppy, and Pompey did the well we've gotten.
- 2:48:51Speaker 5: I've trained Pompey to do the baseline because I can
- 2:48:54Speaker 5: play the piano, right, I'm a piano, a pianist, and
- 2:48:56Speaker 5: I can play the piano. And I trained him to
- 2:48:59Speaker 5: go boom boom boom boom boom boo boo boom boom.
- 2:49:03Speaker 2: Boom boom boom.
- 2:49:06Speaker 3: Town funk you.
- 2:49:08Speaker 2: And it's so it's what what kind of bird does he?
- 2:49:11Speaker 3: He's a bird and.
- 2:49:15Speaker 2: He's a bird.
- 2:49:15Speaker 5: So I played the piano, I sing, and then I'll
- 2:49:19Speaker 5: get each of the birds to either take up an
- 2:49:21Speaker 5: instrument line with their with their vocal cords, their instrument
- 2:49:24Speaker 5: or a vocal part.
- 2:49:28Speaker 3: And it's really fun. We've been I mean here's the thing.
- 2:49:30Speaker 5: The best part about Vegas is if you can sell tickets,
- 2:49:33Speaker 5: you're going nowhere. And I mean it depends on your
- 2:49:37Speaker 5: your amphitheater, but but I just will never have to
- 2:49:42Speaker 5: leave because I sell tickets. Sure, they're a part of
- 2:49:46Speaker 5: a group on and they come for free if you
- 2:49:47Speaker 5: get the full brunch package at Circus Circus, but that counts.
- 2:49:52Speaker 2: Though, that counts. This was what we learned. It doesn't
- 2:49:56Speaker 2: matter where you got the ticket. It just matters that
- 2:49:58Speaker 2: you have the ticket and we got the money exactly.
- 2:50:01Speaker 3: If you're a part of like a brunch package.
- 2:50:03Speaker 5: If your show is a part of a brunch packet
- 2:50:05Speaker 5: on the strip, we call it your tenured yeah, because
- 2:50:07Speaker 5: they're never gonna be able to fire you.
- 2:50:09Speaker 2: We got a big group of guests that came in
- 2:50:12Speaker 2: once and they said, yeah, we got this because these
- 2:50:14Speaker 2: tickets were on the seat every seat at a funeral.
- 2:50:16Speaker 2: And we said, okay, girls, manador, there's some money there,
- 2:50:19Speaker 2: we get it.
- 2:50:20Speaker 6: We got it.
- 2:50:21Speaker 3: Mony amazing.
- 2:50:21Speaker 5: Speaking of tenyard, my guy, oh yeah, I feel like
- 2:50:25Speaker 5: you've been my neighbor for what twenty five years?
- 2:50:28Speaker 16: Yeah, but somewhere around twenty five years, I think it's
- 2:50:31Speaker 16: been quite a long time. Well, my name is Freddy Carolina,
- 2:50:36Speaker 16: and I've been on this strip for who knows it
- 2:50:40Speaker 16: was somewhere soon over over twenty five years, and I
- 2:50:44Speaker 16: have been a ventriloquist on this strip for a very
- 2:50:48Speaker 16: very long time with my pal here.
- 2:50:52Speaker 1: Little Freddy Carolina.
- 2:50:53Speaker 16: Were they going, Freddy Carolina, Pretty good, Freddy Carolina.
- 2:50:59Speaker 2: So that's funny, and it's so crazy how much it
- 2:51:02Speaker 2: sounds like the puppet is speaking, not you or the
- 2:51:06Speaker 2: listener at home, when Freddy talks to a little Freddy
- 2:51:10Speaker 2: and little Freddy talks back. While little Freddie is speaking,
- 2:51:13Speaker 2: Freddy's mouth he's not open.
- 2:51:15Speaker 1: There's dead moving whatsoever. That was from the puppet.
- 2:51:21Speaker 2: Clarified. So we didn't need it because your mouth wasn't moving.
- 2:51:26Speaker 1: My mouth isn't moving at all.
- 2:51:28Speaker 3: I have thought about you.
- 2:51:29Speaker 5: You're you're an old school of ventriloquist where after everything
- 2:51:33Speaker 5: the puppet says, you said, that wasn't my mouth.
- 2:51:37Speaker 3: I had that tea shirt too, that.
- 2:51:40Speaker 1: Wasn't my mouth. Because it's bad. Sometimes.
- 2:51:43Speaker 16: You know, you're playing in the MGM Grand Ampatheater and
- 2:51:46Speaker 16: it's one thousand, four thousand seats, and so you're so
- 2:51:50Speaker 16: far away from the crowd that they really can't see
- 2:51:53Speaker 16: the intricacies of a venture liquist to them.
- 2:51:57Speaker 2: I could be talking full mouth open, but I'm not.
- 2:52:00Speaker 2: I'm talking for my open I'm talking full.
- 2:52:02Speaker 1: Out of the shuttle of my mouth. That the puppet
- 2:52:05Speaker 1: said that now, But the thing is, I've been on
- 2:52:10Speaker 1: this trip for so long. I've seen people come and go.
- 2:52:14Speaker 1: I've seen the buffet pricess tick up and up and up.
- 2:52:19Speaker 1: But the one thing that never changes about it is
- 2:52:21Speaker 1: what happens this.
- 2:52:22Speaker 2: Day is here? Yeah, well, I'm sure we can all agree. Yeah,
- 2:52:30Speaker 2: like that. We're so quickly set, you know, we can
- 2:52:34Speaker 2: over agree. Let's we're shooting this in Vegas, which is good.
- 2:52:39Speaker 2: So maybe we can say things that have happened here
- 2:52:41Speaker 2: and they can stay here on the mic exactly. Let's
- 2:52:44Speaker 2: do that. Should we talk about a lot of the
- 2:52:45Speaker 2: things people wouldn't know.
- 2:52:47Speaker 3: Honestly, that sounds like an interview I would sit for.
- 2:52:52Speaker 2: Okay, yeah you would, now I would know.
- 2:52:56Speaker 5: But that is good because I'll tell you this that
- 2:52:58Speaker 5: they don't talk about sin. Cities full of a lot
- 2:53:02Speaker 5: of sins, and a lot of those sins are the
- 2:53:06Speaker 5: sins of men who keep their mouth shut.
- 2:53:10Speaker 3: Yes, you're telling me the said that.
- 2:53:17Speaker 1: That's an interesting thing.
- 2:53:19Speaker 2: This one.
- 2:53:21Speaker 3: You'll find mine and something.
- 2:53:24Speaker 1: We gonna find it and we get to milk it.
- 2:53:27Speaker 6: That's one thing we do on this strip is the milk,
- 2:53:30Speaker 6: the milk of the lines and the milk of the funny,
- 2:53:33Speaker 6: you know, because you have to do so many shows
- 2:53:35Speaker 6: all the time, you know, for me, you know, we
- 2:53:38Speaker 6: we have to constantly be doing these new shows, but
- 2:53:41Speaker 6: they're the same.
- 2:53:41Speaker 2: So you have to milk.
- 2:53:42Speaker 6: You know.
- 2:53:43Speaker 2: There's only so many things you can make disappear, so
- 2:53:46Speaker 2: many things you can pull out of someone's ear, so
- 2:53:48Speaker 2: many cards you can pull out of someone's pocket, so
- 2:53:51Speaker 2: many wives you can turn into children.
- 2:53:54Speaker 1: I know.
- 2:53:54Speaker 21: And right there, I know, I love that signature. Tricky
- 2:53:59Speaker 21: you make your wife young again. Yes, I know what
- 2:54:04Speaker 21: you want more than anything, it's your youth back.
- 2:54:07Speaker 1: And then as soon as she starts to enjoy it,
- 2:54:11Speaker 1: you pull the rug out from under right back, And.
- 2:54:14Speaker 3: I remember I saw I think the first time I
- 2:54:16Speaker 3: ever saw you, Yes, is on the X Factor when
- 2:54:18Speaker 3: you did.
- 2:54:18Speaker 2: That, Oh yes, we did that to Kelly Rowland.
- 2:54:22Speaker 20: Kelly Rowland, remember how young you were? Yes, Oh you're
- 2:54:26Speaker 20: not young anymore. I can't really, And then we turned
- 2:54:30Speaker 20: to fourteen again. She said, not like this, so we
- 2:54:33Speaker 20: turned them back.
- 2:54:34Speaker 2: We turned them back.
- 2:54:34Speaker 3: It was so good.
- 2:54:37Speaker 6: Cow gave us big thumb xims.
- 2:54:43Speaker 5: We see a lot of shit, because I mean, you
- 2:54:46Speaker 5: have a parakeet seeing Benny and the Jets only so
- 2:54:49Speaker 5: many nights in a row, and suddenly I mean it's
- 2:54:53Speaker 5: there's a drinking culture in Sin City.
- 2:54:56Speaker 3: There's a gambling culture I have seen.
- 2:54:58Speaker 5: Have you ever had have you ever had an audience
- 2:55:01Speaker 5: member come in after a big loss in gambling?
- 2:55:03Speaker 2: Oh? I just also the comment on the drinking culture.
- 2:55:07Speaker 2: There's a two drink minimum my doctor's appointments in Vegas. Yeah,
- 2:55:11Speaker 2: people don't know that.
- 2:55:13Speaker 16: Before you're allowed to mail something at the post office,
- 2:55:16Speaker 16: you gotta play a slot.
- 2:55:19Speaker 3: I tried to park my car at the Belagio and
- 2:55:22Speaker 3: he said on the rocks.
- 2:55:24Speaker 1: Yeah.
- 2:55:24Speaker 3: I said, don't park my car on rocks.
- 2:55:27Speaker 1: My car neat.
- 2:55:30Speaker 2: Maybe I'm old fashion.
- 2:55:32Speaker 1: I don't like pucking it on the ground.
- 2:55:34Speaker 2: I like to myr with the splash in the fountain.
- 2:55:38Speaker 3: All of these bad for the metal.
- 2:55:40Speaker 2: Yeah, that's for the car, for the car.
- 2:55:43Speaker 1: But they don't know secrets about the Vegas That's what
- 2:55:46Speaker 1: we were talking about before. They don't know secrets about
- 2:55:48Speaker 1: the Vegas at night. You could go into the Fountain Hotel,
- 2:55:54Speaker 1: the hotel with the Fountain.
- 2:55:55Speaker 2: I believe we have a secret code for the hotel
- 2:56:00Speaker 2: Fountain Hotels. Yeah, it's kind of like a diner, like
- 2:56:04Speaker 2: the back of diner has like different names. If you
- 2:56:07Speaker 2: work in Vegas, you have different.
- 2:56:08Speaker 6: Names for all the soul secret Any layman would never
- 2:56:11Speaker 6: guess table two table for there's.
- 2:56:16Speaker 1: Front of house in Vegas that's on the strip, and
- 2:56:19Speaker 1: then there's backup house, which is the suburbs. So then
- 2:56:22Speaker 1: but the Fountain Hotel, the Fountain in the Fountain Hotel,
- 2:56:26Speaker 1: if you dive in after two am, it's quiet hours
- 2:56:29Speaker 1: and there's coins in there you can go get Oh
- 2:56:31Speaker 1: you can fish around for him.
- 2:56:34Speaker 2: Nobody's gonna catch you.
- 2:56:35Speaker 3: It's the fake Trevy Fountain.
- 2:56:37Speaker 1: It's a fake Trevy fountain and that's what they call it.
- 2:56:40Speaker 1: Oh yeah, I've got a.
- 2:56:42Speaker 2: Question for you, Freddie Carolina. And it's more of a compliment.
- 2:56:46Speaker 1: Do you have a question for me or a little
- 2:56:48Speaker 1: Freddy girl, Like, Hey, was that your puppet throat? The
- 2:56:52Speaker 1: puppet didn't say that.
- 2:56:53Speaker 2: I said that he just moved moving around.
- 2:56:58Speaker 3: Magician eyes are slow.
- 2:57:02Speaker 2: He's not the eyes the mouth, he's the mouth.
- 2:57:06Speaker 6: Okay, so I know that little Freddy Carolina isn't your
- 2:57:10Speaker 6: only puppets.
- 2:57:11Speaker 2: You kind of have a cash the monthly crew of
- 2:57:14Speaker 2: very very very very funny, Poppa very funny.
- 2:57:19Speaker 16: There are lots of puppets and they represent their seven
- 2:57:24Speaker 16: sins of Las Vegas.
- 2:57:25Speaker 2: Oh wow, you got older.
- 2:57:27Speaker 1: So Freddy Carolina, he represents Creed. Freddy Carolina the younger
- 2:57:33Speaker 1: with the mini me har I'm Freddy Carolina. The puppet
- 2:57:36Speaker 1: said that he represents Creed. He's a greedy boy. And
- 2:57:43Speaker 1: then we also have you know, we have Muddy Bumpkins.
- 2:57:47Speaker 1: He represents gluttony.
- 2:57:50Speaker 2: Then we have what's Buddy bumpkins voice?
- 2:57:53Speaker 16: Money Bumpkins sounds like this, Hey here, Muney Bumpkins, and
- 2:57:58Speaker 16: anybody got any money around here?
- 2:58:01Speaker 6: I like him.
- 2:58:01Speaker 1: The purpet said that.
- 2:58:08Speaker 16: I have more of these, but there's gotta be a
- 2:58:10Speaker 16: it's gonna take me a lot or to remember.
- 2:58:13Speaker 1: No, well, I'll go run through them.
- 2:58:15Speaker 10: So we got lost, we got wrath, we got.
- 2:58:20Speaker 2: The uh smoth, we got.
- 2:58:25Speaker 16: Coveting, and then of course we got going too fast
- 2:58:29Speaker 16: on the strip.
- 2:58:30Speaker 2: So this was great.
- 2:58:32Speaker 22: The seven Sins are a mixture of real sins, the Commandments,
- 2:58:41Speaker 22: and of course just kind of problems we have with cars.
- 2:58:44Speaker 3: It sounds like you had multiple writers.
- 2:58:48Speaker 2: Sounds streamline.
- 2:58:54Speaker 6: I had a.
- 2:58:54Speaker 1: Writer's room back in nineteen ninety three.
- 2:58:56Speaker 5: Raise your hand if you've got a rider, gys.
- 2:59:01Speaker 2: Yeah, and it is your writer's room people, yes.
- 2:59:05Speaker 5: Yes, And it's just I just I just put up
- 2:59:07Speaker 5: Craigslist ad and said I need bird puns, quick, quick, quick, quick,
- 2:59:10Speaker 5: quick quick.
- 2:59:11Speaker 2: Where was the writer's room? And do you think we
- 2:59:13Speaker 2: had a good time in there?
- 2:59:18Speaker 3: If they had a good time is none of my.
- 2:59:20Speaker 2: Just for example, like if they probably if they had
- 2:59:22Speaker 2: a story to tell from that writer's room, Like you
- 2:59:25Speaker 2: won't believe this job what happened in it?
- 2:59:27Speaker 5: Maybe, well, I'm actually making a documentary. Control, No, I'm
- 2:59:33Speaker 5: making a documentary. Yes, I'm doing a jail.
- 2:59:36Speaker 3: I have a documentary about my show, and I have
- 2:59:38Speaker 3: clips of that writers.
- 2:59:40Speaker 2: Oh my gosh, listen, maybe we can play the claps.
- 2:59:47Speaker 1: So so.
- 2:59:49Speaker 2: So so we have so we have. This makes me think, Baby,
- 2:59:59Speaker 2: what about McConaughey.
- 3:00:02Speaker 3: Is there a song that Matthew McConaughey can what about call.
- 3:00:06Speaker 2: Me baby, isn't anybody baby down?
- 3:00:11Speaker 1: No? It doesn't work, does it doesn't work? It doesn't work.
- 3:00:14Speaker 3: Call me beat me if you want to reach me.
- 3:00:15Speaker 2: Yeah, yeah, okay, going to get that. These people are
- 3:00:20Speaker 2: in an amphitheater outside of the circus circus.
- 3:00:23Speaker 1: Okay, So what about a what about a parakeet? What
- 3:00:25Speaker 1: about a parakeet?
- 3:00:26Speaker 3: What about a parakeet?
- 3:00:27Speaker 1: Parakeet?
- 3:00:28Speaker 3: Parakeets? Your hands off me?
- 3:00:30Speaker 1: Yeah, but yeah, that's something parent eats.
- 3:00:34Speaker 3: Do you guys just want to call it there?
- 3:00:37Speaker 1: Yeah, we could do too.
- 3:00:38Speaker 2: Wow, that was a re evening clip. I cannot wait
- 3:00:41Speaker 2: for the rest of the documentary. It actually doesn't sound
- 3:00:44Speaker 2: that bad.
- 3:00:45Speaker 1: I was.
- 3:00:47Speaker 2: About the conditions, Yeah, John Mullaney. As for the rights
- 3:00:50Speaker 2: of the doc oh, well you.
- 3:00:54Speaker 1: End up roasting something funny with you gotta Joe mullaney.
- 3:00:59Speaker 3: Press is press.
- 3:01:00Speaker 2: How do you guys feel about people? You know, the
- 3:01:02Speaker 2: big headliners that just come in for a cost, the
- 3:01:06Speaker 2: day players. That's him laughing for the record, that's a laugh.
- 3:01:16Speaker 2: We spend so much time with each other we can't
- 3:01:19Speaker 2: physically laugh at each other anymore. So we let each
- 3:01:22Speaker 2: other know that we'd be laughing if we could We
- 3:01:24Speaker 2: try to assimilate the laugh as much as we can.
- 3:01:27Speaker 16: This is a like sort of a placeholder for if
- 3:01:30Speaker 16: someone is editing they say, put a laugh in there.
- 3:01:33Speaker 1: We want to put a laugh in there for the
- 3:01:35Speaker 1: cameras so they can fix it. What do you mean, like,
- 3:01:38Speaker 1: do you is there another is there like an all
- 3:01:41Speaker 1: laugh you have?
- 3:01:42Speaker 2: We have We have a team that those are laughs
- 3:01:44Speaker 2: for us on stage, Mike, when we open our mouse,
- 3:01:47Speaker 2: they do the laugh.
- 3:01:50Speaker 1: Like a puppet. The puppet said that. I don't think
- 3:01:54Speaker 1: the puppet did.
- 3:01:57Speaker 2: The puppets said. The puppets said that.
- 3:02:02Speaker 5: When you do that, you're in the whole structure of
- 3:02:04Speaker 5: the bit because because now, who are you lying?
- 3:02:11Speaker 1: So my puppet can't talk it dirt person anymore.
- 3:02:14Speaker 3: That wasn't my issue.
- 3:02:18Speaker 2: He said that. So that puppet was.
- 3:02:22Speaker 1: There was there was the sloth, one little slippery Joseph.
- 3:02:28Speaker 5: Lying And I want to know, we're saying what s
- 3:02:31Speaker 5: happens on this pod stays on this pod? Oh yeah,
- 3:02:35Speaker 5: our semi air tricks lies.
- 3:02:38Speaker 6: Whoa what do you mean by a lie? Because magic
- 3:02:44Speaker 6: is everywhere in the world.
- 3:02:49Speaker 16: So yeah, I just yeah, I think what we're asking
- 3:02:52Speaker 16: is it you know, are you really magic or some
- 3:02:55Speaker 16: of these sort of tricks that you had to learn,
- 3:02:56Speaker 16: like it's a real skill.
- 3:02:58Speaker 5: Mean I have real bird, you have a puppet with
- 3:03:01Speaker 5: your hand? Yeah, what is happening over here?
- 3:03:05Speaker 2: It's a show, of course, you know it's a show.
- 3:03:10Speaker 2: It's a show, so of course there is some razzle,
- 3:03:12Speaker 2: daz or there's some spectacle. You know. We we we
- 3:03:15Speaker 2: subscribe to Aristotle's view of the theatrics, you know, the
- 3:03:19Speaker 2: spectacle and the spectic grand design, but there is an
- 3:03:24Speaker 2: element of a show grand design. It's all the grand design,
- 3:03:27Speaker 2: it's all the grand designer show, but there is an
- 3:03:32Speaker 2: element of magic. We come from a family of people
- 3:03:36Speaker 2: who stole from royalty and they still a big crystal ball,
- 3:03:40Speaker 2: so we is it magic or is it cursed?
- 3:03:43Speaker 1: In spite of your lure?
- 3:03:44Speaker 3: Who's a lord drap.
- 3:03:46Speaker 6: Oh, you've never seen our show. This is the first
- 3:03:48Speaker 6: fifteen minutes of the show.
- 3:03:50Speaker 2: Is video. Four hundred years ago, our great great great
- 3:03:54Speaker 2: grandparents stole a crystal ball from the Romanov family. We're
- 3:03:59Speaker 2: going to steal the ball now, but no, Papa, what
- 3:04:02Speaker 2: will hop.
- 3:04:03Speaker 1: And then what will happen to our ancestor?
- 3:04:06Speaker 2: I don't care. I wanted the power.
- 3:04:12Speaker 23: Ladies and gentlemen, and boy, so that wise little eggser
- 3:04:20Speaker 23: of our beginning, let it we know him.
- 3:04:23Speaker 2: There's still fourteen minutes of video. We come out, We
- 3:04:26Speaker 2: come out a minute, and then we watched the rest
- 3:04:28Speaker 2: of the fourteen with them. Do you like to be
- 3:04:31Speaker 2: a part of the experience. It's so good? And then
- 3:04:35Speaker 2: we go look back up on the screen.
- 3:04:37Speaker 1: Not intuitive because I don't know when.
- 3:04:40Speaker 2: The clap do I claim that's the magic, that's part
- 3:04:43Speaker 2: of the.
- 3:04:44Speaker 1: Buddy people at the editor. Can I ask you would
- 3:04:47Speaker 1: you would you do a trick on me?
- 3:04:49Speaker 2: You want to do a trick on Mondays?
- 3:04:51Speaker 1: It doesn't work when girl, you have a it's good.
- 3:05:03Speaker 2: Please enjoy yourself into the mic.
- 3:05:07Speaker 24: Please enjoy yourself. Just love that you come out and watch.
- 3:05:19Speaker 24: It's a good video.
- 3:05:20Speaker 2: He's good. We got David Copperfield's guys to do our video.
- 3:05:26Speaker 2: She's so good at the video. He's so good and
- 3:05:30Speaker 2: what he does and his video guys are so good,
- 3:05:32Speaker 2: and they he does not pay them enough. And that's
- 3:05:35Speaker 2: how we got it in. We say, what is he paying?
- 3:05:37Speaker 2: We'll pay you more? Yeah, we butached. We're proud to
- 3:05:43Speaker 2: butch god. I was laughing. He laughing himself, laughing at
- 3:05:54Speaker 2: my own which was crazy because he was laughing at
- 3:05:56Speaker 2: himself to laugh at me, to laugh at him. But
- 3:05:58Speaker 2: he showed me a laugh was I.
- 3:06:01Speaker 3: Truly can't relate?
- 3:06:03Speaker 1: Okay, where does it sound like when you cry?
- 3:06:06Speaker 2: Crying? I can't.
- 3:06:11Speaker 3: Have pouched favorite favorite brunch on the strip.
- 3:06:15Speaker 2: We moved on to crying, but it's okay, we'll go
- 3:06:17Speaker 2: back to poach. Yeah, well we got to a couple.
- 3:06:19Speaker 2: We got a couple of dead buddies on this one
- 3:06:21Speaker 2: because you asked for a trick. We were talking about
- 3:06:24Speaker 2: the opening and then extremes Vegas. More than a couple
- 3:06:33Speaker 2: of dead bodies on the strip, A.
- 3:06:36Speaker 1: Couple of questions lying dead in the water at the
- 3:06:40Speaker 1: Mountain Hotel.
- 3:06:41Speaker 6: Each one of those are very interesting. I'm sure the
- 3:06:43Speaker 6: viewer would love to listen to.
- 3:06:45Speaker 2: But you know what, let's jump to lunch on the strip.
- 3:06:51Speaker 1: Well, that's a call back to the beginning when we
- 3:06:53Speaker 1: were talking about brunch. When they go down, they leave
- 3:06:58Speaker 1: out some lobsters, and sometimes they don't clean up on
- 3:07:01Speaker 1: the lobsters before the dinner goes around.
- 3:07:04Speaker 2: That's right, Are you all right? Are you eating old lobster?
- 3:07:08Speaker 2: You old? So much.
- 3:07:11Speaker 16: Well, yeah, my stomach is learned an immunity to any
- 3:07:15Speaker 16: sort of a disease that come out from the when
- 3:07:17Speaker 16: the lobsters up for a long.
- 3:07:19Speaker 6: Time now is because of what you eat, or because
- 3:07:21Speaker 6: of what you do, because your stomach, or because of
- 3:07:25Speaker 6: your puppet mastery.
- 3:07:27Speaker 1: So you want to know my secret? Huh?
- 3:07:30Speaker 2: So you want to know how I built a belly
- 3:07:33Speaker 2: phill of steel? I know a woman who lives Why
- 3:07:38Speaker 2: are you looking to be like you know this was
- 3:07:41Speaker 2: your secret? You just said, do you want to know
- 3:07:48Speaker 2: how I built a belly field steel? And then ask
- 3:07:50Speaker 2: why am I looking at you like that?
- 3:07:52Speaker 6: That that's why I didn't know this was This is
- 3:07:56Speaker 6: such a well guarded secret. Who knows you have a
- 3:07:59Speaker 6: belly fill? But you were like, there's a woman.
- 3:08:03Speaker 1: Say you want to know my secret. Well, I've got
- 3:08:07Speaker 1: a woman.
- 3:08:08Speaker 16: She lives in the back of the house of Vegas
- 3:08:11Speaker 16: in the suburbs. I go to her and she feeds
- 3:08:14Speaker 16: me cass a role but she feeds me a little
- 3:08:17Speaker 16: bit of bacteria in each one, so slow, like treble
- 3:08:25Speaker 16: sauce exactly to build up. It's like a probiotic or yogurt.
- 3:08:29Speaker 16: So you build up your immunity over time, and then
- 3:08:32Speaker 16: eventually you can eat lobster no matter how long it's
- 3:08:36Speaker 16: been said.
- 3:08:37Speaker 2: Congratulations, and then there's enough for the puppet. The puppets
- 3:08:41Speaker 2: said that. He didn't say that. Didn't say that.
- 3:08:46Speaker 6: The puppet did not see the last light, the puppets said.
- 3:08:49Speaker 6: The puppets said that, we get a puppet, do get
- 3:08:51Speaker 6: the person anymore? The problem is just the break the
- 3:09:04Speaker 6: logic in my brain, like a paradox of puppet tree.
- 3:09:07Speaker 1: Look, if you want logic, if you want logic, you
- 3:09:10Speaker 1: gotta move to a freaking in urba, Michigan.
- 3:09:13Speaker 5: That's what I always the Vegas and you heard about
- 3:09:18Speaker 5: their strip, their building air quotes on that.
- 3:09:21Speaker 1: That's hilarious. I got a house in there where you
- 3:09:24Speaker 1: get to follow the rules.
- 3:09:26Speaker 2: Great. They go to Mellow Mushroom pizza. Congratulations.
- 3:09:29Speaker 5: They have an opposite of a buffet, which means you
- 3:09:32Speaker 5: have to walk to get the food.
- 3:09:34Speaker 1: You know, they're glassing the plagan What happens here you
- 3:09:37Speaker 1: can tell your friends about.
- 3:09:39Speaker 2: Wait, I want to go back. I love that love,
- 3:09:42Speaker 2: I love you know. I have to go back to
- 3:09:45Speaker 2: opposite buffett. It be a dead body on.
- 3:09:50Speaker 6: The ground, no.
- 3:09:52Speaker 1: Opposite talking about opposite buffet.
- 3:09:56Speaker 2: Maybe we can group find this.
- 3:09:58Speaker 1: Okay, well, okay, to me, opposite buffet sounds like something
- 3:10:07Speaker 1: where you have to order on a card or I know.
- 3:10:13Speaker 2: Is stay with me.
- 3:10:17Speaker 1: When you do a pod luck with your friends, you
- 3:10:20Speaker 1: gotta bring.
- 3:10:21Speaker 5: It to it.
- 3:10:22Speaker 2: That's interesting.
- 3:10:24Speaker 5: This is what they're doing in ann arbor. There you
- 3:10:26Speaker 5: pat luck a plate for someone else already with all.
- 3:10:29Speaker 3: Of the dish.
- 3:10:30Speaker 2: I was going to guess that kind of but just
- 3:10:32Speaker 2: like you take one meal, you you hold like a
- 3:10:35Speaker 2: roast beef in your hands and you put a bunch
- 3:10:37Speaker 2: of plates on it.
- 3:10:39Speaker 1: That's an opposite.
- 3:10:42Speaker 6: That's I feel like we figure the dolls our dead
- 3:10:46Speaker 6: body walking again.
- 3:10:50Speaker 3: An arbor, Good fucking luck. But no one will replace
- 3:10:53Speaker 3: the original Sin City.
- 3:10:54Speaker 5: I mean, come on, everything about us and where we
- 3:10:58Speaker 5: work is more legendary than I think any sense.
- 3:11:01Speaker 2: Magic is magic, and this impersonalism you got with this
- 3:11:05Speaker 2: many Elvis is oh, let's talk about our favorite Elvis's.
- 3:11:08Speaker 8: Oh my god, so many personality. And they're also they're
- 3:11:13Speaker 8: all alphabetized in serial numbers, right, yes, yeah, you get
- 3:11:17Speaker 8: E E one, EO two, I love three, I love
- 3:11:22Speaker 8: the three. E O three is a riot he does
- 3:11:25Speaker 8: their hips in such a funny way.
- 3:11:27Speaker 16: I love the system they developed to keep track of them,
- 3:11:30Speaker 16: because what was in what was it had been happening?
- 3:11:34Speaker 1: Was it? There were too many of them just named Larry.
- 3:11:37Speaker 16: Too many Larry's want to become levis impersonators, and so
- 3:11:41Speaker 16: we had.
- 3:11:41Speaker 2: To find out the turf.
- 3:11:43Speaker 6: The Elvis Larry turf Wars were a disaster for twenty ten.
- 3:11:48Speaker 2: It was a lot of actual blood, a lot of
- 3:11:50Speaker 2: actual well because you didn't even know how to figure
- 3:11:54Speaker 2: out who you were rooting for. They're all named Larry.
- 3:11:57Speaker 2: They're all just like Elvis is exactly.
- 3:12:00Speaker 1: It's sort of like brother against brother, like the Civil War,
- 3:12:02Speaker 1: except there wasn't any uniforms to distinguish them. So they
- 3:12:06Speaker 1: line up sharks in jet style and then they keep going,
- 3:12:09Speaker 1: Oh sorry, I'm actually the other one. Oh sorry, I'm
- 3:12:11Speaker 1: actually amusing. I was so confused.
- 3:12:13Speaker 5: You haven't lived until you saw on Elvis on a
- 3:12:15Speaker 5: fake horse going the Elvis's are coming, the Elvis are Yes, you.
- 3:12:19Speaker 6: Haven't lived into one. Elvis's blue swede shoes. No, these
- 3:12:23Speaker 6: are metal shoes with a knife added into it.
- 3:12:26Speaker 3: Best strip club for a steak.
- 3:12:28Speaker 25: Okay jokes, Gosh, the medium, rare steak so good, best
- 3:12:39Speaker 25: steakhouse for all that dance.
- 3:12:40Speaker 2: Oh yes, Ruth, Chris so good.
- 3:12:47Speaker 6: A question about performance. So there's always a moment where
- 3:12:52Speaker 6: you have a killer show, but there's also a moment
- 3:12:55Speaker 6: when the audience needs they're not they're not into it.
- 3:12:58Speaker 6: What are your tricks to pull them in? You know,
- 3:13:01Speaker 6: do you guys have kind of pocket tricks in your
- 3:13:04Speaker 6: pocket to save a show?
- 3:13:06Speaker 2: If he's going like somewhere wrong.
- 3:13:09Speaker 5: Good question, that's a really good question. I taught a
- 3:13:12Speaker 5: hawk how to play the flute, but it takes the hawk.
- 3:13:16Speaker 3: Months to recover.
- 3:13:20Speaker 1: It's like, you gotta be really wise about it.
- 3:13:29Speaker 17: You really know when you're going you're breaking the emergency
- 3:13:34Speaker 17: glass for this.
- 3:13:35Speaker 1: I got to know when there's a reviewer from Time
- 3:13:37Speaker 1: Out in Town or something, that you gotta use.
- 3:13:40Speaker 3: It because you know, you wouldn't think Peter visits Vegas.
- 3:13:43Speaker 2: They do. I wonder why who doesn't think that? You
- 3:13:50Speaker 2: just feel like a.
- 3:13:51Speaker 5: Group of virgins who drink orange juice instead of missing.
- 3:13:55Speaker 8: Tigers in cages, dancing horses, monkeys smoking cigarette things that
- 3:14:00Speaker 8: are happening every day there.
- 3:14:01Speaker 3: Strippers wearing caddiers disrespect.
- 3:14:04Speaker 2: That cass, but I'll say so yours.
- 3:14:10Speaker 5: You have to be careful, yeah, yeah, And it'll be
- 3:14:12Speaker 5: really when like maybe my voice is going or maybe uh,
- 3:14:17Speaker 5: maybe when the audience is just super just they're just
- 3:14:22Speaker 5: not into.
- 3:14:22Speaker 2: It, and I can say these birds yeah, or like
- 3:14:25Speaker 2: sometimes I have a.
- 3:14:26Speaker 3: Fearful audience where every time a bird comes in, they're
- 3:14:29Speaker 3: like ducks. And that's hard. That's hard to push through
- 3:14:32Speaker 3: because it's only gonna get worse.
- 3:14:34Speaker 5: So I send in the hawk, and just the sheer
- 3:14:37Speaker 5: shock of watching a hawk play a finger oriented.
- 3:14:40Speaker 3: Instrument is.
- 3:14:47Speaker 1: Usually it's claws, the feathers just strong enough to hit.
- 3:14:53Speaker 1: Are you ready?
- 3:14:54Speaker 3: Yes to all of it?
- 3:14:57Speaker 2: Not a surprise, It's pretty all hands on situation.
- 3:15:00Speaker 3: Huh really, I.
- 3:15:01Speaker 2: Would feel like it has to be all heads on.
- 3:15:03Speaker 3: The Yeah, the poor hawk has to recover for at
- 3:15:05Speaker 3: least four months, so I save it.
- 3:15:07Speaker 2: What about you?
- 3:15:08Speaker 1: Well, I have a lot of people wander into my
- 3:15:11Speaker 1: show because they remembered me from the television when I
- 3:15:14Speaker 1: was on Carson, and so they a lot of people
- 3:15:17Speaker 1: are a little older, and so we just to eliminate
- 3:15:21Speaker 1: any sort of mix up, we blare in alarm every
- 3:15:24Speaker 1: seven minutes, Wake up, Wake up, Wake up, wake up.
- 3:15:28Speaker 1: And it's helpful for me too, because sometimes.
- 3:15:35Speaker 3: It's helpful for you, helps me.
- 3:15:38Speaker 1: Go, oh, yeah, I'm doing this again.
- 3:15:40Speaker 16: When do you do fifteen thousand shows, it starts to remember.
- 3:15:43Speaker 16: You start to forget when you're on the strip, but
- 3:15:45Speaker 16: when you're off.
- 3:15:47Speaker 2: You're at fifteen thousand. Now I have at.
- 3:15:49Speaker 16: Fifteen thousand shows, and I tell you what I could
- 3:15:52Speaker 16: do fifty. I doesn't feel a day over fourteen thousand,
- 3:15:56Speaker 16: nine und ninety nine.
- 3:15:57Speaker 3: No, that's incredible about you guys give a bad.
- 3:15:59Speaker 2: Show, Oh we have a bad show. Well, we do
- 3:16:03Speaker 2: having a bad show. I can't really if you get sick, well,
- 3:16:11Speaker 2: we have to push through. So mostly mirrors. We use
- 3:16:15Speaker 2: a mirror because we're so similar in look, so we
- 3:16:17Speaker 2: will just put out a mirror so it looks like
- 3:16:19Speaker 2: we're just synchronized, and we have a we have a
- 3:16:22Speaker 2: voice recording track, and so so we put a mirror
- 3:16:25Speaker 2: out and the mirror has a drawing of a mustache, like,
- 3:16:28Speaker 2: if it's him, it's a drawing of a monstage because
- 3:16:30Speaker 2: he's a mustache, and I don't. If it's me, it's
- 3:16:33Speaker 2: it's a racing of a mostache.
- 3:16:36Speaker 6: And we have magicians the absence of the mirror, so
- 3:16:40Speaker 6: we scratch this is a we scratch that part of
- 3:16:43Speaker 6: the mirror so it looks like no reflection there.
- 3:16:45Speaker 2: Yeah, exactly. Okay, that's the only magicians secret. One will
- 3:16:51Speaker 2: tell you. But yes, it's a lot of mirrors.
- 3:16:53Speaker 6: And if we're losing the audience, if they're turning against us,
- 3:16:56Speaker 6: I mean, we have one of the best moves in
- 3:16:57Speaker 6: the world.
- 3:16:58Speaker 2: We turn out our special treek. Yeah, so we kill
- 3:17:03Speaker 2: our current personas on stage. We kill them. We did
- 3:17:06Speaker 2: we like, we do a bloody death and then we
- 3:17:09Speaker 2: come back and say those guys were our opener, we
- 3:17:13Speaker 2: are the real ones.
- 3:17:15Speaker 6: So that's then you play the video again through a
- 3:17:19Speaker 6: big video again and just desperately try to get their back.
- 3:17:22Speaker 1: On. Boy, I love an opener who has the same act.
- 3:17:26Speaker 2: Dudude, Yeah, genuinely. Like magic is so easy because you
- 3:17:33Speaker 2: start over over and over. It's like, well that one
- 3:17:35Speaker 2: didn't work, let's move on to the next one. And
- 3:17:37Speaker 2: we have some amazing things that we do. We do
- 3:17:40Speaker 2: so many tricks. We have a snake and a hot trick,
- 3:17:43Speaker 2: which is insane.
- 3:17:44Speaker 6: Like you she saying she does not show bringer on, Well,
- 3:17:49Speaker 6: we didn't want to step on your toes.
- 3:17:51Speaker 2: Yeah, you're very litigious. You sue the country Bears in Disneyland, Yeah.
- 3:17:57Speaker 3: Because they stole my b.
- 3:18:00Speaker 1: So its bears are not birds, but I guess they're animals.
- 3:18:05Speaker 5: I guess it's just I get I get intimidated easily
- 3:18:08Speaker 5: because let me tell you, I am not I am.
- 3:18:10Speaker 5: I'm a dog shit pianist and I'm a dog shit singer.
- 3:18:13Speaker 5: So without my birds, I have nothing.
- 3:18:15Speaker 6: Continue, Well, we have a trickled snake in the hat.
- 3:18:18Speaker 6: We put the hat on the audience member.
- 3:18:20Speaker 2: And they and we say, oh, you look good. Wow,
- 3:18:23Speaker 2: you look so you gotta go out to Town Nightclub tonight.
- 3:18:27Speaker 6: Oh you gotta go out the Town nightclub because you're
- 3:18:29Speaker 6: all going to be on the strip and you look hot.
- 3:18:32Speaker 2: And then I go away. That shick can some of
- 3:18:34Speaker 2: the things you're wriggling around there? What could that be?
- 3:18:38Speaker 2: What could it be? Hey, what could that be? It's
- 3:18:41Speaker 2: a snake, It's a big snake.
- 3:18:44Speaker 3: I do that to the maccaine.
- 3:18:45Speaker 2: We did that to John McCain had a heart attack.
- 3:18:50Speaker 2: He people didn't know this. He could control them, and
- 3:18:53Speaker 2: he could choose with He was a spie. Heart attacked
- 3:18:59Speaker 2: the snake good thirl hard at he said, he said,
- 3:19:01Speaker 2: do you know what, I'm going to give you a
- 3:19:03Speaker 2: heart attack? But yeah, so the head opens up.
- 3:19:08Speaker 6: It's like a big bowler's hat and you go, whoa,
- 3:19:11Speaker 6: how can that giant ball constrictor all fit in the hat?
- 3:19:15Speaker 6: And that's part of the strip because it kind of
- 3:19:16Speaker 6: looks like a giant ball constrictors coming out of our head.
- 3:19:20Speaker 2: That's good, it's a big hat too.
- 3:19:23Speaker 5: Well's we all have shows tonight, right is different than Broadway.
- 3:19:28Speaker 5: We don't sleep right, we we have a show at
- 3:19:31Speaker 5: Our contracts are really firm.
- 3:19:33Speaker 3: That's strong as your stomach. So I know we have
- 3:19:36Speaker 3: to prepare. What do you guys do? Like what tonight
- 3:19:38Speaker 3: we're about to go do our shows? What are you
- 3:19:40Speaker 3: going to do to prepare?
- 3:19:41Speaker 2: We do a lot of vocal warm ups.
- 3:19:43Speaker 26: Yes, really, oh, card really, card Rely, I can't relay.
- 3:20:00Speaker 13: I really, I can't really, I can't. I can't relate
- 3:20:12Speaker 13: really relates?
- 3:20:24Speaker 1: What are you and the puppet? Norman? I like to
- 3:20:27Speaker 1: you know, my act isn't ensemble piece.
- 3:20:30Speaker 16: You know there are no small puppets, only small the
- 3:20:33Speaker 16: puppet who has the guy who has the puppet.
- 3:20:39Speaker 2: Over?
- 3:20:42Speaker 1: Thank you? For propping me up. There are no small puppets,
- 3:20:45Speaker 1: only the small guy who has the puppet. So and
- 3:20:52Speaker 1: so I like to warm up and.
- 3:20:53Speaker 16: As any good director and ensemble does, make everybody feel
- 3:20:57Speaker 16: warm and fuzzy before this show.
- 3:20:59Speaker 1: So we go down to the bar.
- 3:21:02Speaker 3: I could put in a bunch.
- 3:21:03Speaker 1: Of dirty martinis for all the guys. The guys meaning
- 3:21:07Speaker 1: the puppets. There's something in my real eye and.
- 3:21:18Speaker 2: Or do you have a fake eyes somewhere?
- 3:21:21Speaker 1: It doesn't come from the puppet until I say the
- 3:21:24Speaker 1: puppet said that. But okay, so we're all in a
- 3:21:30Speaker 1: circle and we're sort of we started to talk a
- 3:21:32Speaker 1: shop about the day before, and he broods.
- 3:21:36Speaker 2: We fell in love with on the way over.
- 3:21:38Speaker 1: Any mummies were coming, Who're gonna be in the audience tonight?
- 3:21:42Speaker 1: And so I make sure everybody feels good, make sure
- 3:21:45Speaker 1: everybody drinks the dirty martini, and I and I give
- 3:21:48Speaker 1: everybody and I say, I got you back, I got
- 3:21:50Speaker 1: you back, I got you back, I got you back,
- 3:21:52Speaker 1: And then I make the puppet do it.
- 3:21:56Speaker 2: The puppets all said got your back to each other.
- 3:21:58Speaker 2: They go it takes for It's funny because you have
- 3:22:01Speaker 2: their literal back.
- 3:22:04Speaker 1: For me, it's a sadistic thing.
- 3:22:06Speaker 2: I got you back, and you'd never escape.
- 3:22:08Speaker 3: But for them it's a support.
- 3:22:10Speaker 18: Okay, lose both hands for that, or you have to go.
- 3:22:15Speaker 18: I got your back, take your hand out, put it,
- 3:22:18Speaker 18: thank you, I got your back.
- 3:22:20Speaker 2: I got you back.
- 3:22:21Speaker 3: Yeat's say, I can.
- 3:22:22Speaker 1: I gotta take it out.
- 3:22:23Speaker 16: Sometimes it gets really confusing because I take it out,
- 3:22:27Speaker 16: but then to get to give a pat on the back, But.
- 3:22:29Speaker 1: Then it loses its shape, so I got to put
- 3:22:31Speaker 1: my hand back in. Oh yeah, I got to take
- 3:22:33Speaker 1: it out again to give the pat on the back.
- 3:22:35Speaker 1: But oh no, it lost its shape again. It's really
- 3:22:37Speaker 1: difficult to be a man in America.
- 3:22:41Speaker 6: That's one of your puppet jokes. You've got man in America.
- 3:22:43Speaker 6: Who's complaining?
- 3:22:44Speaker 2: Poppet? I love that.
- 3:22:46Speaker 1: Yeah, that's the eighth deadly sin being a man in America.
- 3:22:51Speaker 3: Is it time for my show?
- 3:22:53Speaker 2: God, she's preparing all these parts of coming in the studio.
- 3:23:02Speaker 2: Are here to pick me up.
- 3:23:04Speaker 3: They're here to pick me up for the show.
- 3:23:06Speaker 2: They drive you there. Whoa, whoa, A lady just joined us.
- 3:23:19Speaker 2: Look be a lady, hey baby, nice pair of keys.
- 3:23:27Speaker 2: I'm going I'm going to my show. Oh my god,
- 3:23:30Speaker 2: all those birds got in a car and started driving.
- 3:23:34Speaker 1: Oh my god, they went away. Well, I'm sure we
- 3:23:39Speaker 1: all can agree. Vegas is no picnic. Vegas is everything
- 3:23:44Speaker 1: you do and it becomes everything you are. Sometimes you
- 3:23:48Speaker 1: lose track of who you are.
- 3:23:49Speaker 16: But really it's the other people on the strip that
- 3:23:52Speaker 16: make it all worth it and make those dark days
- 3:23:56Speaker 16: just a little bit brighter. And especially when the puppets
- 3:24:01Speaker 16: are talking, that's when they embeded I'm not gonna give
- 3:24:05Speaker 16: it to you.
- 3:24:07Speaker 1: I can't.
- 3:24:12Speaker 6: Said, come on, this has been artists on, artists on,
- 3:24:16Speaker 6: Artists on artists answer the question. Now, that's why we
- 3:24:18Speaker 6: call it shows business.
- 3:24:20Speaker 2: Good night.
- 3:24:25Speaker 1: Hey guys.
- 3:24:25Speaker 5: If you want to see more of whatever this was,
- 3:24:28Speaker 5: but you kind of want to see it more chill,
- 3:24:30Speaker 5: more relaxed, and maybe more.
- 3:24:31Speaker 3: Intimate, we have a Patreon.
- 3:24:33Speaker 1: We have a Patreon where there's bonus episodes and more
- 3:24:36Speaker 1: fun and fun and games and you never know what's
- 3:24:39Speaker 1: gonna happen, like like right now, switch hats.
- 3:24:44Speaker 3: Oh my god, now you're seeing me exposed the real
- 3:24:47Speaker 3: Angela and now.
- 3:24:47Speaker 1: I have a hat on what's going on? You can
- 3:24:50Speaker 1: do this at the Patreon, so come on by.
- 3:24:53Speaker 3: It's really fun. We have a fun group of people
- 3:24:55Speaker 3: who are like Bestie's on a group thread.
- 3:24:56Speaker 1: See there.
- 3:24:58Speaker 2: Artists on Artists on Artists on Artists as an improvised
- 3:25:00Speaker 2: Hollywood roundtable podcast creative performed and produced by Kylie Braakman,
- 3:25:04Speaker 2: Jeremy Colhayne, Angela Gierratana, and Patrick McDonald's music is by
- 3:25:09Speaker 2: Gabrielle Ponton. The opinions expressed on this podcast do not
- 3:25:12Speaker 2: reflect the opinions of anyone who works on it, not
- 3:25:14Speaker 2: even the performers, because this is an improvised podcast and
- 3:25:18Speaker 2: we're stupid. Full video versions of AOAOAOA are available on YouTube,
- 3:25:22Speaker 2: so please like and subscribe and leave us a five
- 3:25:25Speaker 2: star review wherever you get your podcasts. Good Night, Hollywood.