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Location Scouts Field Trip · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to Artists on Artists on Artists on artists. Boy,
• 0:03
  Speaker 1: do we have a panel for you today.
• 0:04
  Speaker 2: History's Screenwriting Expert panel of new voices in Hollywood.
• 0:08
  Speaker 3: Costumes are character.
• 0:10
  Speaker 4: Buck Mary Kill wide shot, two shot, close.
• 0:13
  Speaker 3: Up this artist on Artists on artists on artists.
• 0:16
  Speaker 1: Do you know why they call it show business?
• 0:18
  Speaker 3: I always wondered that.
• 0:25
  Speaker 2: Welcome back to artists on artists on artists on artists.
• 0:28
  Speaker 2: Today We've got a surprise for you.
• 0:32
  Speaker 3: Hollywood is about stories in places, places with things.
• 0:38
  Speaker 5: Location scouts are the people that find those places. So
• 0:41
  Speaker 5: we gave our equipment to the team behind Ryan Murphy's
• 0:46
  Speaker 5: Best Locations. Join them and see on what it's like
• 0:50
  Speaker 5: to be a location scout. Let's buckle up and listen.
• 0:53
  Speaker 5: In warning, do not talk about the industry while driving.
• 1:01
  Speaker 2: Hey a a a away pod. We're some of the
• 1:04
  Speaker 2: location scouts. We took our podcast stuff on the road
• 1:08
  Speaker 2: this time, so you guys could just jump in right
• 1:11
  Speaker 2: into the action while we talk about what it means
• 1:14
  Speaker 2: to be a location scout.
• 1:15
  Speaker 1: Yeah, so feel free to tag along with us as
• 1:18
  Speaker 1: we head out on the road looking out for this
• 1:20
  Speaker 1: next project of Ryan Murphy's.
• 1:22
  Speaker 6: It's a real, real Ryan Murphy's show.
• 1:27
  Speaker 2: I'm pumped.
• 1:28
  Speaker 6: I am, I'm quite excited.
• 1:30
  Speaker 3: Yeah, I'm so sorry to interrupt. Can we get a
• 1:32
  Speaker 3: picture of that tree?
• 1:33
  Speaker 2: Oh yeah, that's a good one.
• 1:36
  Speaker 1: Yeah.
• 1:36
  Speaker 3: Hold Holly, get a picture of that tree for me.
• 1:38
  Speaker 6: Okay, for the listeners.
• 1:40
  Speaker 1: It looks like a sort of some would say a
• 1:43
  Speaker 1: palm tree.
• 1:45
  Speaker 3: So in the script, Guy, in the script there on
• 1:49
  Speaker 3: page hard, I think there's a scene breakdown and it
• 1:52
  Speaker 3: says desolate area tree slanted to the side, almost like
• 1:57
  Speaker 3: Jenny's imagination. So we're looking for a you have.
• 2:00
  Speaker 2: Some sort gosh, so you're.
• 2:03
  Speaker 3: Shorty interrupt you guys. That's what it is to be
• 2:04
  Speaker 3: a location scout, is I am constantly looking out the way.
• 2:08
  Speaker 6: You gotta have an eagle eye. You gotta have an
• 2:09
  Speaker 6: eagle eye.
• 2:10
  Speaker 3: And what I'm doing is I'm thinking about every scene
• 2:12
  Speaker 3: description on that script. They fly they fly through like
• 2:16
  Speaker 3: cards in my head.
• 2:17
  Speaker 1: Yeah, exterior sex motel night, exterior sex motel day, exterior
• 2:25
  Speaker 1: sex motel, but versaci. Those are a lot of the
• 2:28
  Speaker 1: descriptions that we're getting from mister Murphy.
• 2:30
  Speaker 2: And those are three different locations.
• 2:32
  Speaker 1: Those are very different locations.
• 2:34
  Speaker 4: And he likes them.
• 2:35
  Speaker 5: Clean and he likes the big.
• 2:38
  Speaker 2: You know. I'll start. My name is Brian o'hula han.
• 2:41
  Speaker 2: I've been a scout for about three years now. I've
• 2:44
  Speaker 2: been on this team for about six months, and I
• 2:47
  Speaker 2: am loving it. I feel like we have such a
• 2:48
  Speaker 2: good juju. They're such good vibes, and a lot of
• 2:52
  Speaker 2: our job is it's spent at in cars and planes
• 2:55
  Speaker 2: and checking out locations. So I'm really happy to be
• 2:58
  Speaker 2: on this team with everybody.
• 3:00
  Speaker 1: I'm Fay Murphy. I am Ryan Murphy's older sister. I
• 3:04
  Speaker 1: just happened to be a location scout this. He didn't
• 3:07
  Speaker 1: get me into this, didn't he didn't get me nothing. Okay,
• 3:10
  Speaker 1: I worked my way up. I'm about twenty years senior
• 3:13
  Speaker 1: to Ryan Murphy and I do when I'm on the
• 3:16
  Speaker 1: job refer to him as mister Murphy. It's a sign
• 3:19
  Speaker 1: of respect. But this is just part of the gig,
• 3:22
  Speaker 1: you know. So I'm happy to be on the road
• 3:24
  Speaker 1: with you guys.
• 3:26
  Speaker 3: I am Sierra, Nevada. Yeah, Sierra of the Sea. I
• 3:36
  Speaker 3: have been interning as a scout for ten years, actually
• 3:40
  Speaker 3: waiting to get on staff, but I've just I've been
• 3:44
  Speaker 3: in production ever since I moved for Emerson College. I
• 3:47
  Speaker 3: did like a.
• 3:50
  Speaker 2: Great school, great great locations.
• 3:53
  Speaker 3: I've been in LA for a really long time and
• 3:55
  Speaker 3: I've done this internship for a really long time.
• 3:59
  Speaker 5: My name is Brent Murphy, but everyone calls me Honk
• 4:03
  Speaker 5: because I usually drive the car on the scouts. I've
• 4:07
  Speaker 5: been working with Ryan Murphy since Niptuck, so that's been
• 4:10
  Speaker 5: about thirty five years.
• 4:13
  Speaker 2: He did Nip Tuck, Yeah, he was.
• 4:15
  Speaker 5: That was his first big show, Nip Tuck, and that
• 4:18
  Speaker 5: was pretty easy because it was, you know, all one
• 4:21
  Speaker 5: plastic searches office inside. So we were doing a lot
• 4:24
  Speaker 5: of the locations scouting of studios, which is another thing
• 4:27
  Speaker 5: that location scouts do. You don't think about that a lot,
• 4:29
  Speaker 5: but a lot of studios are to be honest pieces
• 4:32
  Speaker 5: of shit. I don't go back to Ratford, I won't
• 4:34
  Speaker 5: go back to Warner Brothers, and I will not ever
• 4:38
  Speaker 5: go back to Rally Studios ever in my life.
• 4:41
  Speaker 3: That's quite a lot of them.
• 4:42
  Speaker 5: Yeah, Riley Rally is honestly, I would I call it
• 4:45
  Speaker 5: run by rats RBR It is rats rats.
• 4:49
  Speaker 3: I famously have never clogged a toilet, so I know
• 4:53
  Speaker 3: I was.
• 4:54
  Speaker 5: Gonna say, I can't believe you didn't put that in
• 4:56
  Speaker 5: your intro because you are famous, I mean famous.
• 5:00
  Speaker 3: Here's the thing, the old because I famously in my
• 5:02
  Speaker 3: family and amongst the Scouts, because you get used to
• 5:05
  Speaker 3: each other on the road, I poop little pebbles. And
• 5:08
  Speaker 3: the only toilet and fucked up plumbing system I've ever plunged,
• 5:13
  Speaker 3: I mean clogged is Radford CBS Radford.
• 5:17
  Speaker 2: So famously you have actually so yeah.
• 5:20
  Speaker 3: So I had famously not. And then we went to
• 5:22
  Speaker 3: that piece of shit studio.
• 5:23
  Speaker 2: Okay, wait, wait, gellaher real estate. That could be perfect
• 5:28
  Speaker 2: a perfect sight sex dungeon for the next show.
• 5:30
  Speaker 6: Yeah, that'd be great, perfect one four.
• 5:33
  Speaker 1: I was just thinking that when Lady Gaga sucks off
• 5:36
  Speaker 1: that vampire.
• 5:37
  Speaker 2: Yeahats the dick of that vampire?
• 5:40
  Speaker 5: Well, because the outside of that sex dungeon needs to
• 5:43
  Speaker 5: look like a real estate office.
• 5:44
  Speaker 2: Yeah, so we could just use the same the same
• 5:46
  Speaker 2: sign and everything.
• 5:47
  Speaker 3: We could use it.
• 5:47
  Speaker 6: Yeah, we don't even have to change it.
• 5:49
  Speaker 3: Yeah, I'll write that down. This, write that down. Can
• 5:51
  Speaker 3: you text that to Jake, see if you can get get.
• 5:56
  Speaker 5: First Man's missing this, you know, the one who set
• 6:00
  Speaker 5: up this whole podcast thing. So it's a real bummer
• 6:03
  Speaker 5: he's involved, but to be honest, you know he he
• 6:06
  Speaker 5: doesn't do good in cars.
• 6:08
  Speaker 2: Very sound.
• 6:09
  Speaker 1: No, he's the only location to scout I know who's
• 6:12
  Speaker 1: working on bike and bike alone.
• 6:14
  Speaker 3: Yea bike pretty insane. But we actually do a lot
• 6:18
  Speaker 3: of our stuff in cars together, so we don't have
• 6:20
  Speaker 3: to schedule meetings because we all got to drive there anyway.
• 6:24
  Speaker 3: It works, it works out.
• 6:26
  Speaker 2: Yeah.
• 6:26
  Speaker 5: One of my jokes, I like to say a lot
• 6:27
  Speaker 5: of these guys have heard this joke a lot of times.
• 6:29
  Speaker 5: You know, Jerry Seinfeld has comedians and cars getting coffee. Well,
• 6:32
  Speaker 5: we were scouts in cars getting pictures.
• 6:35
  Speaker 2: Yeah, we hear that joke a lot.
• 6:39
  Speaker 1: You know, I repurposed that joke all the time. I
• 6:41
  Speaker 1: tell it at dinner parties.
• 6:42
  Speaker 5: It's a huge freaking honk that that was what that
• 6:47
  Speaker 5: was on American Crime Story. O. J.
• 6:50
  Speaker 3: Simpson, Right, yeah, yeah, Now can we can we talk
• 6:52
  Speaker 3: about a bitch of a project that was a bit
• 6:56
  Speaker 3: of a that was a bitch of a project. And
• 6:57
  Speaker 3: I remember I just graduated college. I felt like and
• 7:00
  Speaker 3: it was like that project was hard. Specifically, we had
• 7:05
  Speaker 3: to scout a lot of just like parking lots, right,
• 7:09
  Speaker 3: and a lot of exteriors. I love my favorite things
• 7:14
  Speaker 3: to scout our interiors. Exteriors are hard.
• 7:16
  Speaker 1: For me because, oh yeah, what is everybody an exterior
• 7:20
  Speaker 1: or an interior guy?
• 7:22
  Speaker 5: Oh man, that's like trying to pick a child, you
• 7:25
  Speaker 5: know what I mean, that's trying to pict a son.
• 7:28
  Speaker 2: I'll choose a child. I love exteriors for me. Something
• 7:32
  Speaker 2: about the outside, really, you know, gets me. It's I
• 7:36
  Speaker 2: don't know, activating.
• 7:38
  Speaker 3: We remember when we were scouting the part of the
• 7:40
  Speaker 3: four oh five that that the Bronco is gone.
• 7:44
  Speaker 5: Let's talk about that because remember we cleared that we
• 7:46
  Speaker 5: got that specific spot, and then the mayor wouldn't let
• 7:51
  Speaker 5: us do it there.
• 7:52
  Speaker 1: But you know what they always say, the enemy of
• 7:56
  Speaker 1: my enemy is my friend. Well my enemy is the
• 7:58
  Speaker 1: mayor Eric Garcetti.
• 8:00
  Speaker 3: So it turns out oj was my friend, truly, truly,
• 8:03
  Speaker 3: And let me tell you scouting different parts of a
• 8:05
  Speaker 3: beige freeway there's no art in that. It's hard, and.
• 8:10
  Speaker 5: Let's talk about it. We shot Alameda Boulevard in Burbank
• 8:14
  Speaker 5: for the four h five, and that show what a.
• 8:16
  Speaker 2: Tough day we had to clear so many cars out.
• 8:19
  Speaker 2: We stopped Burbank for a whole day. The industry collapsed,
• 8:22
  Speaker 2: a couple of places had to close down.
• 8:23
  Speaker 1: Yeah, I think the stock market took a pretty hefty tumble.
• 8:26
  Speaker 3: I guess Portos couldn't pay the rent that right.
• 8:28
  Speaker 5: We had to put a bunch of tarps over Yaki's
• 8:30
  Speaker 5: hot dog. And they can look like the side of
• 8:35
  Speaker 5: a side of a highway place.
• 8:37
  Speaker 6: Maybe's dry clean the.
• 8:41
  Speaker 2: Yeah, looked like a six lane highway with a carpool.
• 8:45
  Speaker 1: Yeah.
• 8:45
  Speaker 3: And here's our thing.
• 8:46
  Speaker 2: Here's for you see both sides. You see both sides,
• 8:50
  Speaker 2: so it's technically twelve lanes.
• 8:52
  Speaker 3: Twelve lanes. And here's the thing that people don't know
• 8:54
  Speaker 3: about location scouts are when we call Art Department is
• 8:58
  Speaker 3: when we are taking a risk. When we call them,
• 9:01
  Speaker 3: when we say we need this to look like a
• 9:03
  Speaker 3: six lane freeway. They even when they see our name
• 9:07
  Speaker 3: pop up since at Murphy Productions, they know we're about
• 9:11
  Speaker 3: to ask them to make the impossible possible.
• 9:13
  Speaker 2: Well, that is the biggest thing. And this is a
• 9:15
  Speaker 2: little insider secret. If you want to get into location scouts,
• 9:18
  Speaker 2: you need to know one word in one phrase. That
• 9:20
  Speaker 2: is the cheat. And what the cheat is. It's taking
• 9:23
  Speaker 2: a location and cheating it for another location, like right,
• 9:27
  Speaker 2: now where we're driving, or we could cheat any of
• 9:30
  Speaker 2: this stuff. We could cheat that tree into a Christmas tree.
• 9:32
  Speaker 2: We could treat this empty mountain into a house. You know,
• 9:35
  Speaker 2: it's just like a lot of different things you can cheat.
• 9:38
  Speaker 2: You know, I've seen.
• 9:39
  Speaker 3: I've seen some of you guys cheat almost anything.
• 9:42
  Speaker 1: For I think was when we shot UCLA for Disneyland.
• 9:49
  Speaker 5: That was crazy.
• 9:50
  Speaker 3: Now, poor our department, I think think those poor guys.
• 9:55
  Speaker 6: Have not set them up for success.
• 9:57
  Speaker 3: Because that was a harrd phone call to make.
• 9:59
  Speaker 5: As the I would say the location scout our department
• 10:02
  Speaker 5: relationship is a bit of frenemies. You know, we're dealing
• 10:04
  Speaker 5: in realities and they're dealing in fantasy. And sometimes we
• 10:08
  Speaker 5: force a reality onto them and say good luck making
• 10:10
  Speaker 5: this a fantasy.
• 10:11
  Speaker 3: I'd say, well, we don't want to do our job.
• 10:15
  Speaker 2: When we can't clear Disneyland or a giant parking lot,
• 10:18
  Speaker 2: we start beginning resource.
• 10:19
  Speaker 5: Yeah, I would say, when when we go on autopilot
• 10:21
  Speaker 5: is when their job gets a lot harder and.
• 10:24
  Speaker 2: A lot of the time too. It's all about, you know,
• 10:26
  Speaker 2: who will let you work and how cheap you can
• 10:28
  Speaker 2: get it, because a parking lot costs money. But if
• 10:30
  Speaker 2: you pretend that you're a bunch of students making a
• 10:32
  Speaker 2: short film. You can get you see a usc Yeah.
• 10:36
  Speaker 3: It was hard. Here's the thing, like, we were up
• 10:38
  Speaker 3: to our ears in phone calls and permits with knots,
• 10:41
  Speaker 3: Barry Farm, six Flag yep. And at some point we said,
• 10:43
  Speaker 3: fuck it, let's just pick that.
• 10:44
  Speaker 1: Freaking because I don't want to go through the paperwork
• 10:47
  Speaker 1: of that, so I would rather pass it off to
• 10:49
  Speaker 1: another department.
• 10:50
  Speaker 6: Say that's not my job anymore.
• 10:51
  Speaker 5: I'm fucking working with notts. By the way, every time
• 10:53
  Speaker 5: I call them, they said, do you want to shoot
• 10:54
  Speaker 5: in the farm or in the amusement Parker? I said,
• 10:56
  Speaker 5: where do you think I want to shoot? I'm not
• 10:58
  Speaker 5: shooting in the berry farm?
• 11:00
  Speaker 2: Oh my god, I'll go out to the apple orchards
• 11:02
  Speaker 2: up and fucking to Luca Lake for that.
• 11:06
  Speaker 4: There's a good apple or lake. There's one in Lake
• 11:08
  Speaker 4: Elson or.
• 11:09
  Speaker 3: Oh there's a great one in Tuson that.
• 11:11
  Speaker 2: I love it. I love driving to apples.
• 11:14
  Speaker 1: I hate when not it's very far the deserts up
• 11:16
  Speaker 1: the the the appropriate of Mexican portion of the theme
• 11:20
  Speaker 1: park that shouldn't be there, and that.
• 11:22
  Speaker 3: We don't want to shoot.
• 11:23
  Speaker 2: We don't.
• 11:23
  Speaker 3: We can't, we can't do it. We call every time
• 11:26
  Speaker 3: and we say, this is where cast holding is, this
• 11:27
  Speaker 3: is where background holding is. We're never gonna shoot here.
• 11:30
  Speaker 3: We're not going to shoot there.
• 11:32
  Speaker 2: Anybody else? Favorite cheek.
• 11:34
  Speaker 5: I love to talk favorite cheats.
• 11:37
  Speaker 3: I haven't worked a ton, but when I was in college,
• 11:41
  Speaker 3: I was doing another internship.
• 11:44
  Speaker 6: And so, how long have you been an interning?
• 11:46
  Speaker 3: I've been well. In Hollywood, they call it half your
• 11:49
  Speaker 3: life is the intern right, I returning a collective of
• 11:55
  Speaker 3: like pre college, I did some internships before college, after
• 11:59
  Speaker 3: high school, during college, and now post college. So I've
• 12:02
  Speaker 3: been an intern for a collective of i'd say sixteen years.
• 12:06
  Speaker 1: And I don't know if I I do.
• 12:10
  Speaker 3: You are you paid? But it depends on the internship
• 12:15
  Speaker 3: his job. I'm paid fifteen dollars a week.
• 12:19
  Speaker 6: Okay, so my brother's not paying you.
• 12:22
  Speaker 3: Yeah, it's like it's coming through the Emerson program fifteen.
• 12:26
  Speaker 2: How do they get away with that?
• 12:27
  Speaker 5: Yeah, it's you better talk to your You better talk
• 12:30
  Speaker 5: to your external programs directors Carry McManus or Larry Franklin
• 12:36
  Speaker 5: because you you should be getting more money. Yeah.
• 12:39
  Speaker 3: It's hard though, because as a location scout intern. I'm
• 12:41
  Speaker 3: always on the phone with other places. Last place I
• 12:45
  Speaker 3: talked to is my place is am I right, when
• 12:48
  Speaker 3: was the last time you guys spoke to your landlord
• 12:50
  Speaker 3: versus somebody else's land.
• 12:52
  Speaker 2: I own?
• 12:52
  Speaker 4: I own.
• 12:53
  Speaker 3: I also I own too bad to get fifteen bucks
• 12:57
  Speaker 3: in my own.
• 12:59
  Speaker 1: I own Ryan Murphy's backhouse. I should say, oh wow,
• 13:01
  Speaker 1: he split up the property. We sort of like split
• 13:04
  Speaker 1: the the title, the.
• 13:06
  Speaker 5: Deed owned these Yeah, you owned.
• 13:08
  Speaker 3: The back house, so the land is like cutting half
• 13:11
  Speaker 3: kind of.
• 13:11
  Speaker 2: Yeah.
• 13:12
  Speaker 3: We worked it out in rusk.
• 13:13
  Speaker 1: We worked it out in escrow eighty twenty, so I
• 13:16
  Speaker 1: owned twenty percent of the property. And so if we
• 13:18
  Speaker 1: ever sell it, it's gonna be kind of a nightmare
• 13:20
  Speaker 1: because a new family could move into just that backhouse.
• 13:25
  Speaker 1: But we worked it out. We've got lawyers and we
• 13:27
  Speaker 1: have a great working relationship. Mister Murphy and I your brother,
• 13:31
  Speaker 1: mister Murphy, right, yeah, my brother, mister Murphy.
• 13:33
  Speaker 3: Nice. Anyway, I was just saying, the biggest cheat, the
• 13:35
  Speaker 3: biggest The only reason why I went into my interstrhyp
• 13:37
  Speaker 3: really quick is the biggest cheat I saw was in Boston.
• 13:40
  Speaker 3: I saw Boston Court. They turned there was a small
• 13:49
  Speaker 3: uh souvenir shop and I saw them turn that into
• 13:54
  Speaker 3: a seven to eleven, and I was young at the time,
• 13:57
  Speaker 3: and it blew my mind.
• 14:00
  Speaker 2: Well, it's one of those early ones where you see
• 14:02
  Speaker 2: the capabilities where you're like, wow, I guess you could
• 14:05
  Speaker 2: just turn a regular store into a seven to eleven.
• 14:07
  Speaker 3: Yeah, I'd say it wasn't the biggest the biggest cheat
• 14:09
  Speaker 3: I've seen. It was probably my first cheat i've seen.
• 14:11
  Speaker 5: Yeah. Ye, my biggest cheat was American Crime Story Impeachment.
• 14:16
  Speaker 5: I cheated a to Pega Canyon Bungalo for the Oval Office.
• 14:20
  Speaker 3: That is Hank right there. That is a Honk specialty.
• 14:24
  Speaker 1: And it's amazing that you accomplished that when you're mostly driving.
• 14:27
  Speaker 5: Yeah, absolutely absolutely.
• 14:30
  Speaker 1: I'm making text We could communicate with people, but you're
• 14:32
  Speaker 1: up there on the road.
• 14:33
  Speaker 5: I'm the getaway guy. You know, we see something and
• 14:36
  Speaker 5: we get out of there. But I'm the first person
• 14:37
  Speaker 5: out the door because I know how the doors work,
• 14:39
  Speaker 5: because they get in them a bunch. And what's crazy is,
• 14:42
  Speaker 5: and it sounds crazier than it is, there is some
• 14:44
  Speaker 5: freak into Pegga Canyon that builds a house that looks
• 14:46
  Speaker 5: exactly like the Oval Office. Wow, so it sounds crazier, but.
• 14:50
  Speaker 3: It you know, you'd be surprised, especially with Airbnb these days,
• 14:54
  Speaker 3: there's some freaks out.
• 14:55
  Speaker 1: Well, can we talk about how annoying all the people
• 14:58
  Speaker 1: who build houses specifically so that they can get filmed
• 15:02
  Speaker 1: in such pigmies.
• 15:04
  Speaker 3: Yeah, I'm not gonna go see you mother, Oh, we
• 15:08
  Speaker 3: see you, don't.
• 15:09
  Speaker 1: We look like big little lives? Look it up nice
• 15:11
  Speaker 1: our houses.
• 15:12
  Speaker 6: It's not that nice.
• 15:13
  Speaker 3: Not that nice. They all think it's nice.
• 15:15
  Speaker 2: I'd rather cheat a chuck e cheese for a freaking
• 15:17
  Speaker 2: big little eyes house than usually.
• 15:18
  Speaker 3: When you got fernie pads on your floor. When we
• 15:20
  Speaker 3: walk in, we know you're ready for the crew to.
• 15:23
  Speaker 5: At least the pads in the closet.
• 15:27
  Speaker 6: It's it's thirsty, it's desperate.
• 15:29
  Speaker 5: Well, let's let's talk about to you know, do you
• 15:31
  Speaker 5: guys ever get remorse that we're You know, sometimes I'll
• 15:33
  Speaker 5: go into a location and the family will be so
• 15:36
  Speaker 5: nice and kind, and I'll feel remorse because I know
• 15:39
  Speaker 5: we're gonna wreck that just completely ruined.
• 15:43
  Speaker 3: For this Murphy's job.
• 15:45
  Speaker 1: Because honest, yeah, mister Murphy loves he loves to throw
• 15:50
  Speaker 1: some fake blood around a kitchen.
• 15:51
  Speaker 2: I will screen Queen's episode where we blew up that house.
• 15:55
  Speaker 2: Did nice? Family of five just covered the walls of bloodlin.
• 15:59
  Speaker 2: We did fix it. They were in the guest room.
• 16:01
  Speaker 2: We blew them up too. We forgot to tell them
• 16:03
  Speaker 2: and they blew up too. Logistical nightmare, but at least
• 16:08
  Speaker 2: anyone wants to do this.
• 16:09
  Speaker 1: I don't know why anyone wants to volunteer their house.
• 16:12
  Speaker 1: I mean, for what we're paying, there's risk.
• 16:15
  Speaker 3: Of death, run, don't walk.
• 16:17
  Speaker 2: I sometimes offer up my house, but really only to
• 16:20
  Speaker 2: short film stuff where they're not really changing much. They
• 16:23
  Speaker 2: don't have the budget to ruin things, and if they
• 16:25
  Speaker 2: mess up I'm going to sue their asses hard because
• 16:27
  Speaker 2: I know they don't have insurance.
• 16:29
  Speaker 3: You know, remember the cathedral we wrecked the shit out of.
• 16:32
  Speaker 3: Oh yeah, that was sad.
• 16:35
  Speaker 2: Yeah, the old mission for Ratchet, right for Ratchet. I
• 16:40
  Speaker 2: remember one of my favorite cheats I ever saw. I
• 16:43
  Speaker 2: don't know if this was a Ryan Murphy project. It wasn't.
• 16:46
  Speaker 2: It was before his time. I saw we had to
• 16:49
  Speaker 2: get a talking about Burbank. We turned downtown Burbank into
• 16:53
  Speaker 2: Jamaica into Ocherios Jamaica, and that was a fucking shit show.
• 17:00
  Speaker 2: You would not believe. It was tough trying to explain people.
• 17:03
  Speaker 2: We had to move in so many trees. It was.
• 17:05
  Speaker 5: We had to put all those absolute those Rosta hats
• 17:08
  Speaker 5: on the flood Rockers sign.
• 17:09
  Speaker 2: Yeah. And by the way, we were doing very very
• 17:12
  Speaker 2: stereotypical Jamaica. We weren't going that was art.
• 17:15
  Speaker 3: We said, guys, let's be honest.
• 17:17
  Speaker 2: Yeah, that was an episode of Dave.
• 17:19
  Speaker 5: They said, you're going to phone it in. We're going
• 17:20
  Speaker 5: to phone it in, and it was a phone and off.
• 17:24
  Speaker 3: We did that a lot, especially with Greg and he
• 17:28
  Speaker 3: did all the art for American crime stories both Gregman.
• 17:33
  Speaker 5: Yeah, he's our enemy in the art department.
• 17:36
  Speaker 1: Look the enemy, and my enemy is my friend, but
• 17:38
  Speaker 1: the art department is my enemy.
• 17:40
  Speaker 3: Amen to that. I've never heard something better. Oh oh oh,
• 17:44
  Speaker 3: oh oh oh.
• 17:46
  Speaker 1: Cactus, Cactus, Cactus. We gotta text that. Yeah, we gotta
• 17:50
  Speaker 1: run that by Jake. We gotta run that by Jake.
• 17:53
  Speaker 5: You guys want to talk about the schedule we got today.
• 17:55
  Speaker 5: We always have an extensive because before we bring the
• 17:58
  Speaker 5: directors run it down.
• 18:00
  Speaker 2: So basically what we did we all woke up at
• 18:02
  Speaker 2: about four thirty am this morning. We met up my
• 18:05
  Speaker 2: place because I have nope street parking, I'll hop in
• 18:08
  Speaker 2: a car. We start driving, all hop in a car,
• 18:13
  Speaker 2: start driving around four forty five, get some coffee. While
• 18:17
  Speaker 2: we're getting cofee, we're scouting coffee because we have a
• 18:20
  Speaker 2: couple of coffee shops that we have to shoot for
• 18:22
  Speaker 2: this season. A lot of people getting sucked off and
• 18:25
  Speaker 2: fucked in coffee shops and dying and stuff.
• 18:27
  Speaker 5: Yeah, you know, myfriendriend asked me when does it end
• 18:30
  Speaker 5: because we go on dates and stuff, and I'm was like,
• 18:32
  Speaker 5: this could be a good place and on dat we're
• 18:35
  Speaker 5: going on dates again. Yeah, there was a while where
• 18:37
  Speaker 5: we weren't going on dates anymore, me and my boyfriend.
• 18:39
  Speaker 5: But we're going we're back to going on dates.
• 18:40
  Speaker 1: Good.
• 18:40
  Speaker 3: I'm glad you're going on.
• 18:41
  Speaker 1: It's stuck because they know you're working. They know you're
• 18:43
  Speaker 1: working when you're looking around, when you're saying, oh.
• 18:45
  Speaker 3: This is a nice museum. Working.
• 18:48
  Speaker 2: Yeah, you're working right now.
• 18:49
  Speaker 3: Oh I can't even take out my phone because my
• 18:53
  Speaker 3: partner is gonna go, don't you dare take a picture
• 18:55
  Speaker 3: of that ceiling? And I said, well that ceiling I
• 18:57
  Speaker 3: can fit a twelve pound crane.
• 19:00
  Speaker 5: Yeah. Yeah, And every time I ask questions to a
• 19:02
  Speaker 5: waiter at a restaurant. My boyfriend says, keep it Germaine,
• 19:05
  Speaker 5: Keep it Germaine, because I'll ask a couple of questions
• 19:07
  Speaker 5: and then I'll say, and what's the capacity of this restaurant?
• 19:09
  Speaker 2: And they'll say, do you guys have a generator? Or
• 19:11
  Speaker 2: can we plug in?
• 19:13
  Speaker 3: You know, sometimes they go, can I think seventeen trucks
• 19:16
  Speaker 3: in the back of this ami chase pizza? Can I
• 19:20
  Speaker 3: fit seventeen or two?
• 19:23
  Speaker 2: So back to the schedule. We wake up off thee
• 19:26
  Speaker 2: after coffee, we start our drive and basically this is
• 19:28
  Speaker 2: where you've met us. We're doing a drive to a
• 19:31
  Speaker 2: train to Boston. So we're driving our car to the
• 19:34
  Speaker 2: Little Rock, a Little Rock, Arkansas, and then hopping on
• 19:37
  Speaker 2: a train all the way up to Boston. It's about
• 19:39
  Speaker 2: what three four days that we got to travel.
• 19:41
  Speaker 5: And that's why it was so significant to see that
• 19:43
  Speaker 5: cactus because they're so rare out.
• 19:44
  Speaker 1: Here, feeling rare. They're really rare out here. And where
• 19:47
  Speaker 1: are we Boston? I can't even tell.
• 19:49
  Speaker 2: I think we're off the way.
• 19:50
  Speaker 5: I think we're somewhere between Arkansas and Boston.
• 19:52
  Speaker 3: I went to college, and we're not the train. Yet
• 19:53
  Speaker 3: that's the college.
• 19:55
  Speaker 1: Okay, So you would you say we're in like Texas?
• 19:58
  Speaker 2: I think now, I don't look at a map New Mexico.
• 20:03
  Speaker 1: Podcast, the map, honcast, the map. I don't know where
• 20:05
  Speaker 1: we are. All I see your sits. Okay, I'm not
• 20:07
  Speaker 1: looking at maps. I'm looking at sites.
• 20:09
  Speaker 5: I know we're on a highway with a number.
• 20:12
  Speaker 2: But also I would say that I don't want to
• 20:14
  Speaker 2: know where we are because in my head, I'm living
• 20:16
  Speaker 2: in the show I want to see. I don't want
• 20:18
  Speaker 2: to be like a bias because oh, it's in the
• 20:21
  Speaker 2: mountains of New Mexico. It can't we can't shoot there.
• 20:23
  Speaker 2: I want to go. Is this American horror story?
• 20:27
  Speaker 1: You gotta put yourself in the head of mister Murphy.
• 20:28
  Speaker 1: You got to say, Okay, I'm mister Murphy. I'm putting
• 20:33
  Speaker 1: Sarah Paulson somewhere that's fucked up. Where am I gonna
• 20:37
  Speaker 1: put her? Yeah, there are many places where she would
• 20:40
  Speaker 1: not go, Like look at that that house over there
• 20:43
  Speaker 1: with the porch. You wouldn't put you would never see Sarah.
• 20:47
  Speaker 7: Paul She has before, and we've learned she has before well,
• 20:51
  Speaker 7: and we also have learned very very you know very
• 20:56
  Speaker 7: much the hard way that Sarah.
• 20:58
  Speaker 5: Paulson, Uh, her image changes drastically depending on what she's
• 21:03
  Speaker 5: standing next to. She's almost like a shape shifter. So
• 21:05
  Speaker 5: we said, we bring photos of her, and we put.
• 21:07
  Speaker 3: It next to everything. You got to see it. You
• 21:09
  Speaker 3: gotta got a.
• 21:09
  Speaker 2: Big bar cut out of her this this time.
• 21:11
  Speaker 1: Because what we found is that in in regal sort
• 21:14
  Speaker 1: of classical architecture, she looks very short, but in rustic
• 21:20
  Speaker 1: barn settings she looks very tall.
• 21:22
  Speaker 2: Actually, specifically.
• 21:24
  Speaker 3: She grows impeachment. We bring on the text scout, we
• 21:28
  Speaker 3: bring an actual stand in or something similar to her
• 21:33
  Speaker 3: size and stuff.
• 21:34
  Speaker 6: You can talk about Sarah Paul's and stand in.
• 21:36
  Speaker 3: She's a freak. She's never said a word.
• 21:37
  Speaker 5: She's really scary.
• 21:39
  Speaker 3: She her poker night and I went because I've been
• 21:41
  Speaker 3: looking for friends ever since I moved out here, really,
• 21:44
  Speaker 3: and I think I got food poisoning from her doritos?
• 21:52
  Speaker 2: Was there something on it? Because usually they just go stale.
• 21:55
  Speaker 2: They're not necessarily a fing.
• 21:57
  Speaker 3: Some type of dairy in there that may may have
• 21:59
  Speaker 3: gone back. Wouldn't be dary, not be Darius.
• 22:02
  Speaker 2: I'm sorry, she homemade.
• 22:03
  Speaker 3: I don't know. I'm not from here.
• 22:06
  Speaker 5: I don't think that applies to dishes.
• 22:09
  Speaker 1: Well, it's hard to make friends.
• 22:12
  Speaker 2: Well, that's I think why we're so close. I mean
• 22:14
  Speaker 2: we have to learn. We learn accidentally a lot about
• 22:16
  Speaker 2: each other, just because we've got hours to kill him.
• 22:18
  Speaker 1: Yeah, I mean, no offense. You guys are my best friends.
• 22:21
  Speaker 2: No offense at all.
• 22:24
  Speaker 5: It's a nice thing to say.
• 22:25
  Speaker 2: It's a nice sentiment, for sure.
• 22:26
  Speaker 1: And I wouldn't say I wouldn't say that we hang
• 22:29
  Speaker 1: out outside of this I wouldn't say that we ever
• 22:31
  Speaker 1: hang out outside of this car. But I mean, my
• 22:34
  Speaker 1: life is in the car. My life takes place in
• 22:36
  Speaker 1: this car where Honk is drive.
• 22:37
  Speaker 3: But I was like, if hanging out is going to
• 22:39
  Speaker 3: actual sex dungeons when they have off hours taking pictures
• 22:43
  Speaker 3: of the walls and seeing if they're hollow or not,
• 22:46
  Speaker 3: then we hang out all the fucking.
• 22:48
  Speaker 5: Yea and no offense. But all three of you are
• 22:50
  Speaker 5: my emergency contacts.
• 22:51
  Speaker 2: Wow? Really?
• 22:52
  Speaker 5: WHOA?
• 22:53
  Speaker 3: Well, no offense. I'd love you guys being my wedding.
• 22:55
  Speaker 2: Oh yeah, no offense taken, No offense.
• 22:58
  Speaker 1: I am I'm adopting a child and I'm looking for
• 23:00
  Speaker 1: god parents, and.
• 23:03
  Speaker 3: You know i'd be honored. I find that offensive because
• 23:05
  Speaker 3: they hate kids.
• 23:06
  Speaker 2: I love.
• 23:08
  Speaker 4: It's nice to be so candid, and we gotta use
• 23:10
  Speaker 4: Mike's more often.
• 23:11
  Speaker 2: Well, here's a fun question. I guess what do you
• 23:13
  Speaker 2: think the juiciest thing we've learned about each other is?
• 23:16
  Speaker 2: And right before that, look at us, guys, look at
• 23:18
  Speaker 2: this rock, Look at this rock. This is could be
• 23:20
  Speaker 2: where that sixty eight right scene sixty eight, the menacing Rock,
• 23:24
  Speaker 2: the menacing Rock. Yeah, where they do that.
• 23:26
  Speaker 1: American horse menacing rock. That's the thing with these American horses.
• 23:30
  Speaker 1: Sure never go away. We got twenty fifty years ahead.
• 23:33
  Speaker 2: Well that episode of yeah, it's all about the menacing rock.
• 23:35
  Speaker 2: So right now we're really looking for the most menacing
• 23:38
  Speaker 2: rock on the road.
• 23:40
  Speaker 3: I mean even the crime stories I'm worried about, Oh gosh,
• 23:43
  Speaker 3: American Crime Story Columbine. We got scalp.
• 23:49
  Speaker 6: About that rock, that rock on hold on that rock.
• 23:52
  Speaker 3: I have to work for a number of projects. To
• 23:54
  Speaker 3: be honest.
• 23:54
  Speaker 6: Actually, I don't think that's menacing. I think that's more terrifying.
• 23:57
  Speaker 5: And are we okay to spoiled that the new season
• 23:59
  Speaker 5: is American Crimes, American Horror Story, Menacing Rock.
• 24:02
  Speaker 4: Are we allowed to spoil.
• 24:03
  Speaker 3: That I really spoiled American crime story.
• 24:06
  Speaker 2: Calm well, that's gonna be a mess to find, because
• 24:09
  Speaker 2: we have to find a high school to school.
• 24:12
  Speaker 3: Willing to be associated with.
• 24:13
  Speaker 4: I think I'm gonna skip. I think I'm gonna call
• 24:15
  Speaker 4: him stick to that job.
• 24:17
  Speaker 1: I gotta talk to my brother. I gotta talk. I
• 24:19
  Speaker 1: don't know, I gotta talk to.
• 24:22
  Speaker 5: What was it like to grow up with him? By
• 24:24
  Speaker 5: the way in.
• 24:26
  Speaker 1: Tell us, well, let me let me tell you the
• 24:28
  Speaker 1: enemy of my enemy.
• 24:30
  Speaker 2: He is your friend, and he hates the art department,
• 24:33
  Speaker 2: doesn't he know?
• 24:34
  Speaker 1: The enemy of my enemy is Halloween because my brother
• 24:38
  Speaker 1: on Halloween.
• 24:39
  Speaker 3: Oh, I should imagine you guys had some fucked up
• 24:41
  Speaker 3: trig or treating.
• 24:42
  Speaker 6: He kept trying to dress me.
• 24:44
  Speaker 1: I I would come out of the out of the
• 24:45
  Speaker 1: closet as a sheet ghost, and he'd say no, no, no,
• 24:49
  Speaker 1: no no. He'd put a corset on me, he'd put
• 24:51
  Speaker 1: blood in my brain. He'd just wreck me. He'd wreck me.
• 24:55
  Speaker 1: And then he'd say, you have to kiss this guy.
• 24:57
  Speaker 1: You have to kiss this guy. And he's a dead
• 24:59
  Speaker 1: he's a dead.
• 25:00
  Speaker 3: Guy, and he's a dead guy dead who is a
• 25:05
  Speaker 3: freaking dead Guy's the thing. See when I have a
• 25:10
  Speaker 3: sibling showed me a dead body, I don't think Halloween's triggering.
• 25:13
  Speaker 3: I think my sibling Ryan, this is just what he did.
• 25:19
  Speaker 2: You know, this is what he did.
• 25:21
  Speaker 1: He was just always coming up with dead bodies, with
• 25:24
  Speaker 1: with hot ladies, with superstars, with vampires, with with aliens.
• 25:29
  Speaker 1: He was just all over the place. And he I
• 25:31
  Speaker 1: would wake up in a puddle of blood all the
• 25:34
  Speaker 1: time and it wasn't real. It was fake and I
• 25:37
  Speaker 1: could tell by the smell. But he would just come
• 25:40
  Speaker 1: in and say, sorry, I'm working on something. He was
• 25:43
  Speaker 1: he was nine years old doing this.
• 25:45
  Speaker 3: Sorry, I'm working on something from a nine year old.
• 25:47
  Speaker 1: But this is what you get when when you when
• 25:48
  Speaker 1: you live with a twisted genius.
• 25:50
  Speaker 4: You know, I mean, you hear this and you think
• 25:52
  Speaker 4: he is he does not hate the art department.
• 25:56
  Speaker 3: Speaking of twisted geniuses, let's talk about worst or best
• 26:00
  Speaker 3: experiences with a property owner.
• 26:03
  Speaker 2: Okay, okay. One time I had to play Russian roulette
• 26:09
  Speaker 2: for a location one time to lock it down. That
• 26:12
  Speaker 2: was a mess. That was very very intense. Roulette gun
• 26:16
  Speaker 2: on the table, like gun on the table, one bullet?
• 26:18
  Speaker 3: What was the location?
• 26:19
  Speaker 1: It sounds like Tuesday at the Murphy Household.
• 26:23
  Speaker 2: What was the satiation was this yurt out in Topanga Malibu.
• 26:28
  Speaker 2: We needed it for a.
• 26:30
  Speaker 3: Yurt in Mount Yeah.
• 26:30
  Speaker 2: We needed when I was doing doing the rock Johnson
• 26:32
  Speaker 2: Scorpion King and he lives in a yurt and we
• 26:36
  Speaker 2: just could not get off out of California. We had
• 26:40
  Speaker 2: to stay in La because the rock. So I was,
• 26:43
  Speaker 2: I was dying. I needed I needed a place. I
• 26:47
  Speaker 2: needed a yurt. And this crazy guy, he says, I'll
• 26:51
  Speaker 2: give you it for free. I'll give you all of
• 26:53
  Speaker 2: what you need for free if you play Russian Roulette
• 26:56
  Speaker 2: for me, and I said, okay, so we play. He
• 27:01
  Speaker 2: ends up shooting his jaw off and I don't get
• 27:03
  Speaker 2: it because he's dead. He didn't sign it over. I
• 27:05
  Speaker 2: should have ready thought that before that happened. But that
• 27:08
  Speaker 2: was a mess. That was an absolute that's crazy.
• 27:10
  Speaker 3: The craziest property manager I ever met on one of
• 27:13
  Speaker 3: my other internships, and we were working with this woman
• 27:16
  Speaker 3: who owned this mall. The mall was an Eagle Rock
• 27:20
  Speaker 3: and we had to get this shot of all these
• 27:23
  Speaker 3: teenagers running through the mall and she wouldn't let them
• 27:26
  Speaker 3: wear shoes. She treated the mall like it was her frickin'
• 27:30
  Speaker 3: antique house, and she made us take our shoes off
• 27:34
  Speaker 3: before we went into the mall. And our DP says,
• 27:37
  Speaker 3: guy's floor link shot at the tech Scout, and we said,
• 27:41
  Speaker 3: what are we going to do? So I took this
• 27:43
  Speaker 3: property manager and I put her in a closet and
• 27:47
  Speaker 3: I tied her up. Oh and we got the shot.
• 27:51
  Speaker 3: I released her. Everyone took their shoes off.
• 27:53
  Speaker 2: It was done.
• 27:54
  Speaker 5: You know, I had to. You guys know, Louis runs
• 27:57
  Speaker 5: Frank's restaurant. It's like every diner every day.
• 28:00
  Speaker 3: He's got Canters too.
• 28:01
  Speaker 5: Yeah, yeah, his Canters and he does Franks and he
• 28:03
  Speaker 5: does Cafe one to one, but Franks is the one
• 28:05
  Speaker 5: in Burbank. They're alway shooting for something else. Recently, it
• 28:08
  Speaker 5: was in that Euphoria episode with zindaeas a.
• 28:10
  Speaker 3: Guy right, because he's worked with the well Louis.
• 28:13
  Speaker 5: He was having a bad week and he was being
• 28:15
  Speaker 5: difficult that week, and it was one of those things
• 28:17
  Speaker 5: where where you know he's usually good and we go
• 28:21
  Speaker 5: way way, way, way way back. I was working with
• 28:24
  Speaker 5: him on an Amy McDowell movie in nineteen ninety three,
• 28:27
  Speaker 5: you know what I mean, Like I've known him forever, and.
• 28:29
  Speaker 3: He got really busy during mumblecore, right because everything was
• 28:32
  Speaker 3: in a fucking diner.
• 28:33
  Speaker 5: There was one time I showed up there was a
• 28:36
  Speaker 5: line around the corner to shoot there. I thought, I said,
• 28:39
  Speaker 5: are people waiting to eat here? I said, no, we're
• 28:41
  Speaker 5: waiting to shoot here.
• 28:42
  Speaker 4: Two class brothers were standing there was it just like
• 28:46
  Speaker 4: a two hour.
• 28:46
  Speaker 5: Ken Wapis was standing sitting days and days and they
• 28:50
  Speaker 5: would do nine ten hour shifts. But they wouldn't leave
• 28:52
  Speaker 5: because then everyone else be leave. So he said, I'm
• 28:54
  Speaker 5: too busy for this. What I had to do, I
• 28:56
  Speaker 5: had to surprise him. I had to convince his life
• 29:00
  Speaker 5: to take her to take him to Vegas. And I
• 29:04
  Speaker 5: surprised him and we all went to Vegas as a trip,
• 29:06
  Speaker 5: and I said, I told the team, I said, hey,
• 29:09
  Speaker 5: you guys, handle this. You know, I am going to
• 29:12
  Speaker 5: go take Louis to Vegas and this is the best
• 29:14
  Speaker 5: use of my time. And so I went to Vegas
• 29:17
  Speaker 5: with Louis. We stayed at the wind Beyond Core. Actually
• 29:21
  Speaker 5: we actually sported and we got into Franks and they
• 29:25
  Speaker 5: shot at Frank's and that was the best episode of
• 29:30
  Speaker 5: Barks in our creation that has ever happened, so damn.
• 29:36
  Speaker 2: Parts of Recreation. That's just a bar scene, that's just
• 29:38
  Speaker 2: a diner.
• 29:39
  Speaker 5: Scene, just a diner scene. It's really really.
• 29:41
  Speaker 1: Just a bottle episode, just Leslie and Ron just going
• 29:45
  Speaker 1: for it.
• 29:46
  Speaker 5: Yeah, and it's it's it's they they kind of you know,
• 29:48
  Speaker 5: they were really pushing at the time, alluding to, you know,
• 29:52
  Speaker 5: Leslie Jones being a Hillary Clinton type.
• 29:54
  Speaker 2: Yeah, it wasn't Leslie. The character in the show, Leslie
• 29:56
  Speaker 2: Jones was Leslie.
• 29:58
  Speaker 3: Jones, that bottle star Leslie Jones, Leslie Jones, and Parks
• 30:03
  Speaker 3: of rec.
• 30:04
  Speaker 5: With It was Leslie Jones and Ron Swan.
• 30:07
  Speaker 1: Leslie Jones was not playing a character either.
• 30:10
  Speaker 2: No, she was almost trapped in an episode of Parks
• 30:13
  Speaker 2: of Recreations.
• 30:14
  Speaker 6: By the way, do you guys ever have time to
• 30:15
  Speaker 6: watch TV?
• 30:16
  Speaker 1: I can recall maybe five episodes of television I've ever
• 30:19
  Speaker 1: seen because I'm always working, and this is one of them.
• 30:21
  Speaker 3: This is really stuck with me.
• 30:22
  Speaker 2: Well, I just couldn't. I love the idea of a
• 30:25
  Speaker 2: real life person being stuck in a very well known sitcom.
• 30:28
  Speaker 5: Love that trailer.
• 30:32
  Speaker 2: Whoa this is where? Yeah, this where Lady Gaga could overdose?
• 30:36
  Speaker 3: That generator looks broken y'all.
• 30:38
  Speaker 5: Well, that's what we need. We need a broken generator right.
• 30:39
  Speaker 3: Well, ge and he's gonna kill us.
• 30:42
  Speaker 5: Well, but we needed for the set that art's gonna
• 30:44
  Speaker 5: love it.
• 30:45
  Speaker 3: Yeah, I'll tell you this. I love our job.
• 30:49
  Speaker 2: Oh I'm in love with our job. I would marry
• 30:51
  Speaker 2: it if I could. Yeah, me too.
• 30:53
  Speaker 3: Maybe we turn back around on the way back and
• 30:55
  Speaker 3: get that trailer.
• 30:56
  Speaker 2: That'd be great. I didn't take anything the question I asked,
• 30:59
  Speaker 2: maybe like thirty minutes ago, what's the juiciest thing we
• 31:02
  Speaker 2: know about each other? We know about each other because
• 31:05
  Speaker 2: we find out a lot of things on the road,
• 31:07
  Speaker 2: you know, And I just want to know what you
• 31:08
  Speaker 2: guys know about me, or what do you think the
• 31:09
  Speaker 2: juiciest thing is, or what we know about you?
• 31:11
  Speaker 3: You know? Okay, okay, okay, okay, okay. Well, the craziest
• 31:14
  Speaker 3: thing I've seen you do, crazy lady, is I've seen
• 31:18
  Speaker 3: you run into a macaroni grill. I think it was, yeah,
• 31:24
  Speaker 3: and they were closed. It was like early in the morning,
• 31:27
  Speaker 3: and we needed a picture of it. We need to
• 31:28
  Speaker 3: see the back kitchen. Craziest thing I saw you do
• 31:32
  Speaker 3: was you run in there and you you said you
• 31:34
  Speaker 3: were you were pissing your pants. You were pissing, piss
• 31:38
  Speaker 3: and pissing. You said, you said, I'm pissing. You gotta
• 31:41
  Speaker 3: let me do it, And that store owner did let
• 31:43
  Speaker 3: you in. You got that freaking picture and we got
• 31:45
  Speaker 3: out of there.
• 31:46
  Speaker 1: Oh yeah, that's so good, because they hate when you
• 31:48
  Speaker 1: take pictures sometimes.
• 31:50
  Speaker 6: It's crazy thing pictures.
• 31:52
  Speaker 3: Piss on command, Well, piss on command.
• 31:54
  Speaker 5: Another thing you do which is really crazy to me
• 31:57
  Speaker 5: is I remember your parents came to town, and when
• 32:00
  Speaker 5: your parents come in town, you and Ryan are like
• 32:02
  Speaker 5: completely different people.
• 32:03
  Speaker 3: You guys are weird.
• 32:04
  Speaker 5: It's so weird.
• 32:05
  Speaker 3: You wear those smocks.
• 32:06
  Speaker 5: Yeah, you only wear art smocks.
• 32:08
  Speaker 1: Well, you know, we were raised in a very uh
• 32:12
  Speaker 1: sort of hippie household, very big on feelings. Uh So,
• 32:19
  Speaker 1: I mean, I I think I'm.
• 32:20
  Speaker 6: A little rough around the edges.
• 32:21
  Speaker 1: You do see me become a little bit of a
• 32:24
  Speaker 1: of a of an mpath, of a spiller, of a
• 32:28
  Speaker 1: gut spiller.
• 32:30
  Speaker 2: It was really nice to hear that stuff because it
• 32:33
  Speaker 2: did let me know, you know, you're a little bit
• 32:35
  Speaker 2: of a real person. Saying your brother scares you, you know,
• 32:39
  Speaker 2: saying like, oh my brother, he's very scary. Actually to me,
• 32:43
  Speaker 2: I was like, Oh, she's real, she has fears.
• 32:46
  Speaker 1: Yeah, yeah, yeah, I do have fear because at this
• 32:48
  Speaker 1: job you you can't have fears.
• 32:50
  Speaker 2: You can't have fears, can't be afraid of anything.
• 32:53
  Speaker 6: I was working on this Wes Anderson project.
• 32:56
  Speaker 3: Uh, it's a little movie.
• 32:57
  Speaker 6: I don't know if you've heard of it called the
• 32:58
  Speaker 6: Grand Buddhabest Hotel.
• 33:00
  Speaker 2: Oh did you find the hotel?
• 33:01
  Speaker 5: I have not heard of it. I don't want no.
• 33:03
  Speaker 1: I did find the hotel, or so I thought, but
• 33:07
  Speaker 1: I got tricked by somebody. I found the Grand Budapest Motel.
• 33:12
  Speaker 1: I found the Grand Budapest Motel, and I showed up
• 33:15
  Speaker 1: there was this utter shack.
• 33:17
  Speaker 6: It was almost career ruining. I had Wes in the back.
• 33:20
  Speaker 1: He was like ready to get outside, and I just.
• 33:23
  Speaker 2: Had to.
• 33:28
  Speaker 5: About him. I will never work for him.
• 33:30
  Speaker 6: Too many pastels, No, you don't.
• 33:32
  Speaker 5: I don't know enough interesting places I heard he said about.
• 33:35
  Speaker 3: Well, that's what's so cool about us is this is
• 33:37
  Speaker 3: a diverse group that Ryan's got.
• 33:39
  Speaker 2: But like there are scouts, all four of us are
• 33:41
  Speaker 2: super diverse people.
• 33:43
  Speaker 3: I'd say that there are scouts that do that do
• 33:46
  Speaker 3: pastel spaces right there. There are scouts that will find
• 33:50
  Speaker 3: weird ship there. There are scouts that will do just
• 33:53
  Speaker 3: hospitals and standing sets, you know, and then and then yeah,
• 33:57
  Speaker 3: there are scouts that will do overseas stuff, those scout boats.
• 34:01
  Speaker 1: And I think where we thrive is this sort of
• 34:05
  Speaker 1: mental hospital type stuff. I mean, I think American horror
• 34:10
  Speaker 1: story asylum that really sticks out as a big, big,
• 34:15
  Speaker 1: good location. And originally that was all rustic barn, kind
• 34:20
  Speaker 1: of woodworked sort of building, and we really just transformed it.
• 34:26
  Speaker 3: It's hard to find these rusty spaces online.
• 34:29
  Speaker 2: Yeah, for sure, it's tough.
• 34:30
  Speaker 4: No one wants to tell you their place is rusty.
• 34:33
  Speaker 2: No they're not. They're not putting it out there. They're
• 34:35
  Speaker 2: not going look up.
• 34:36
  Speaker 3: And they say, oh we got parking. Oh we're like
• 34:38
  Speaker 3: ten minutes from this supermarket. We're like, but do you
• 34:41
  Speaker 3: have rust?
• 34:42
  Speaker 5: Do you don't?
• 34:46
  Speaker 3: Usually a negative? I need weird chains with black mold
• 34:50
  Speaker 3: on them. Oh fuck?
• 34:52
  Speaker 6: Oh no, mister Murphy is a no.
• 34:56
  Speaker 1: On the shack we found no shack A or shack
• 35:02
  Speaker 1: shack B. SHACKB the one we passed about four days ago.
• 35:06
  Speaker 3: Shack Panga was David and Goliath. Anyway, guys, I mean.
• 35:10
  Speaker 2: Well, because yeah, it was a big It was a
• 35:13
  Speaker 2: big thing versus.
• 35:13
  Speaker 5: But if we go with shack, If we go with
• 35:15
  Speaker 5: shack A, guys, uh, you know that's gonna you know,
• 35:18
  Speaker 5: the people movers are gonna have to just move people people.
• 35:23
  Speaker 2: Shack A is a radio shack and old radio check
• 35:25
  Speaker 2: right next to a best Buy sometimes.
• 35:27
  Speaker 3: I know, I brought that up. I brought that up.
• 35:29
  Speaker 1: I said, this is a selling point and he said no,
• 35:31
  Speaker 1: Evan Peters wouldn't have sex there.
• 35:34
  Speaker 5: But just he does he know that? Because then the
• 35:37
  Speaker 5: amount of routers inside that Best Buy. So many Wi
• 35:40
  Speaker 5: Fi routers in there, I mean, it's gonna mess with
• 35:42
  Speaker 5: the signal, Oh for sure.
• 35:44
  Speaker 3: Yeah. We gotta always stay clear of too many routers.
• 35:48
  Speaker 3: We're always talking about.
• 35:49
  Speaker 5: Let's those are kind of the hidden secret, the silent
• 35:52
  Speaker 5: killers of location scouting.
• 35:54
  Speaker 3: As routers. I'll walk in and I'll see black mold
• 35:56
  Speaker 3: or rust or anything or sharp objects come from weird spot,
• 36:00
  Speaker 3: and I'm like, great, let's shoot, let's this is ready
• 36:02
  Speaker 3: to go. I see so many routers and I'm like,
• 36:04
  Speaker 3: this is game over.
• 36:05
  Speaker 2: This is kind of like it's kind of like setting
• 36:07
  Speaker 2: up next to a river. You know, it's just gonna
• 36:09
  Speaker 2: fuck with everything. You don't want to set up there.
• 36:11
  Speaker 5: We shot freak show next to a river. Oh, we
• 36:13
  Speaker 5: lost Angela Bassid for three hours. She fell in. She
• 36:17
  Speaker 5: fell in, had to we had to fish her out.
• 36:18
  Speaker 5: She fell onto a tube and then she ended up
• 36:21
  Speaker 5: just having a good time.
• 36:22
  Speaker 1: So she was just having a good time. She fell
• 36:24
  Speaker 1: down there.
• 36:25
  Speaker 3: I don't know if I was there, you.
• 36:26
  Speaker 4: Got lose because Charlie from the our department let it
• 36:28
  Speaker 4: go and then.
• 36:29
  Speaker 2: Oh wow, enemy and my enemy. One thing I'll tell
• 36:32
  Speaker 2: the audience now is something you don't realize about location scouts.
• 36:36
  Speaker 2: It's it's kind of dangerous. I mean, you're out in
• 36:38
  Speaker 2: the wild dealing with a lot of animals, and you're
• 36:39
  Speaker 2: in the city dealing with a lot of people. And
• 36:42
  Speaker 2: we've had some close close calls sometimes with that. It's
• 36:45
  Speaker 2: not all location. It's sometimes the things in the location.
• 36:49
  Speaker 2: Oh my god.
• 36:50
  Speaker 3: Scouting in a wild bear park game over.
• 36:52
  Speaker 2: That was first first why they wanted to shoot specifically
• 36:55
  Speaker 2: in a wild bear park, a park designated just for bears,
• 37:01
  Speaker 2: which we.
• 37:01
  Speaker 1: Didn't know was the thing until until we were plunged
• 37:05
  Speaker 1: ass deep into it.
• 37:06
  Speaker 3: Plunged asked deep interior bear park, I go inside the
• 37:11
  Speaker 3: bear park, like one of those sambourine question.
• 37:15
  Speaker 2: I'm like, if it's an interior, can't we just shoot
• 37:17
  Speaker 2: out a lot somewhere.
• 37:19
  Speaker 1: They said, no, no, no, no, no no no, we
• 37:21
  Speaker 1: want the He wanted to be an interior, but the
• 37:24
  Speaker 1: audience has the feeling that bears are on the out.
• 37:27
  Speaker 3: I remember saying, I don't feel comfortable going unless we
• 37:29
  Speaker 3: bring the sat medic to the scout and they refused.
• 37:31
  Speaker 6: They absolutely, he said that's not the budget.
• 37:33
  Speaker 3: Yeah.
• 37:34
  Speaker 2: Yeah, we lost a good roy R.
• 37:36
  Speaker 1: I p roy roy although there are only five seats
• 37:42
  Speaker 1: in the car, and with that fifth person it was
• 37:46
  Speaker 1: really cramped. And so you know, in a way, it
• 37:48
  Speaker 1: was a blessing of disguis.
• 37:49
  Speaker 2: So to be honest, we had a lot of family
• 37:52
  Speaker 2: problems and I just did not like hearing about them.
• 37:54
  Speaker 1: Yeah, like he had a wife, for example, huge problem.
• 37:59
  Speaker 1: Anybody has significant others.
• 38:01
  Speaker 3: Well, I have a boyfriend and they just got back
• 38:03
  Speaker 3: on dates. So we just got back got back on dates.
• 38:05
  Speaker 4: We for a while, you know, we called we were
• 38:08
  Speaker 4: kind of dormant.
• 38:08
  Speaker 5: We weren't not dating. What we were dormant, we weren't
• 38:11
  Speaker 5: practicing yeah dating.
• 38:12
  Speaker 3: Yeah, my pup nation period, my partner and I because
• 38:18
  Speaker 3: he's an rat Emerson.
• 38:20
  Speaker 5: Oh and I forget how young you are? You just
• 38:23
  Speaker 5: said it night.
• 38:24
  Speaker 6: Yeah, because you have been an inter for ten years.
• 38:27
  Speaker 3: But you were all seen a lot. Yeah, yeah, young
• 38:29
  Speaker 3: and intern a long time.
• 38:30
  Speaker 1: I had a I'm not one for love and romance.
• 38:34
  Speaker 1: I did have a three month relationship with a woman
• 38:37
  Speaker 1: in Russia. We corresponded over Facebook Messenger. We'd said about
• 38:42
  Speaker 1: twenty four hundred texts a day.
• 38:44
  Speaker 3: How'd you meet?
• 38:45
  Speaker 2: What were the text like this?
• 38:46
  Speaker 3: They were like, what are you doing? What are you doing?
• 38:48
  Speaker 5: Now?
• 38:48
  Speaker 2: What are you doing? Now?
• 38:49
  Speaker 3: Where are you doing?
• 38:50
  Speaker 2: Now?
• 38:50
  Speaker 3: Where are you?
• 38:50
  Speaker 1: Oh?
• 38:51
  Speaker 2: It's just location stuff nowhere where she was?
• 38:55
  Speaker 1: She's a location scout in Russia. And we couldn't figure
• 38:58
  Speaker 1: out a way to make it. We were where are you?
• 39:05
  Speaker 1: A picture of herself? And I was like, get out
• 39:07
  Speaker 1: of there, get out of there. I want to see
• 39:08
  Speaker 1: the crowd bolding behind you.
• 39:09
  Speaker 3: Get out of there, Get out of there, get out
• 39:11
  Speaker 3: of the shot. Your cameras turned the wrong way.
• 39:15
  Speaker 2: Of you.
• 39:15
  Speaker 5: Guys, delete pictures off your phones, by the way, not
• 39:19
  Speaker 5: soon enough. One time I filled up my entire memory
• 39:21
  Speaker 5: in three hours. Oh yeah, just a different pictures for
• 39:25
  Speaker 5: five phones.
• 39:26
  Speaker 3: Worth.
• 39:26
  Speaker 1: I found it's easier to just buy a new phone
• 39:28
  Speaker 1: after a certain point.
• 39:29
  Speaker 2: The worst is when you're looking for a specific tree
• 39:32
  Speaker 2: in a forest.
• 39:32
  Speaker 3: You know, here's the thing that we we know the
• 39:38
  Speaker 3: trees too, so it's like, what's your general base of
• 39:40
  Speaker 3: the trees and that you just have, and then what
• 39:42
  Speaker 3: stock footage of you just trying to get you know,
• 39:45
  Speaker 3: I'll say this that one time we had that scene
• 39:47
  Speaker 3: I don't remember what show it was on, when the
• 39:50
  Speaker 3: girl thong got stuck to the ceiling fan.
• 39:54
  Speaker 5: Show we've done oh since then.
• 39:59
  Speaker 3: The on a ceiling fan pictures I have of just
• 40:02
  Speaker 3: different rooms we found in Reno in Bakersfield with ceiling.
• 40:07
  Speaker 2: Fans thousands, and Ryan said no to literally all of them.
• 40:10
  Speaker 1: And I remember he made us drive back. We were
• 40:14
  Speaker 1: we were all the way in Nashville at that point.
• 40:16
  Speaker 1: We had to drive all the way back because he
• 40:18
  Speaker 1: wanted a different color thong placed on the ceiling fan
• 40:21
  Speaker 1: for a test.
• 40:21
  Speaker 2: Yeah, it has to be in Reno. I will not
• 40:26
  Speaker 2: much on the carreer. I want the aura of Nevada.
• 40:30
  Speaker 1: And to be fair, he's right, a Reno room is
• 40:32
  Speaker 1: much different than a room in Burbank or something it's
• 40:36
  Speaker 1: much more haunted.
• 40:37
  Speaker 3: And that's what you're working with a showrunner who knows
• 40:39
  Speaker 3: his land.
• 40:39
  Speaker 5: Yeah, I got interrogated ones.
• 40:41
  Speaker 7: Uh.
• 40:42
  Speaker 5: The government hacked my phone because of the Patriot Act,
• 40:45
  Speaker 5: and I had so many photos. I was shooting something
• 40:48
  Speaker 5: in San Francisco at the time. I had so many
• 40:50
  Speaker 5: photos in my phone of different people's houses. They thought
• 40:55
  Speaker 5: I was the nightstalker.
• 40:56
  Speaker 2: Wow. Wow, I remember this because you ended up taking
• 41:00
  Speaker 2: so many photos that it ended up a lot of
• 41:03
  Speaker 2: the places you were taking photos of were night stalker location.
• 41:05
  Speaker 2: They were our locations.
• 41:06
  Speaker 5: They were They just corresponded and they thought I was
• 41:09
  Speaker 5: the Yeah, the d that go ahead, Golden State killer.
• 41:13
  Speaker 5: They they had me in. They had me in for
• 41:16
  Speaker 5: about eight hours and then Ryan called and he pulled
• 41:20
  Speaker 5: some pulled some strings.
• 41:21
  Speaker 2: Did they ever find that guy?
• 41:22
  Speaker 5: They did find him recently, okay, And he wasn't me.
• 41:28
  Speaker 1: It wasn't you because you're too busy or workaholic. You
• 41:31
  Speaker 1: don't have time to murder. That's what I always say.
• 41:33
  Speaker 5: I'm a honk. I couldn't be a murderer.
• 41:34
  Speaker 3: You're a honk.
• 41:35
  Speaker 5: I'm honk.
• 41:35
  Speaker 4: I drive all the time and no one knows if
• 41:37
  Speaker 4: I actually have a home.
• 41:39
  Speaker 5: I'm a honk.
• 41:39
  Speaker 2: You're not a murderer. You guys want to know why
• 41:41
  Speaker 2: we call him honk because he's the driver and he
• 41:44
  Speaker 2: honks so much.
• 41:45
  Speaker 1: He's the driver and he honks all the time, and
• 41:48
  Speaker 1: we haven't heard him do it once. He's forty minutes sober,
• 41:51
  Speaker 1: I just did it. He's back.
• 41:55
  Speaker 3: He's back.
• 41:56
  Speaker 2: Where does he come out of out of the front
• 41:58
  Speaker 2: of the car.
• 42:00
  Speaker 5: You can't get a mic over there.
• 42:01
  Speaker 2: It's not anxiety.
• 42:02
  Speaker 1: How we can't reacht We can't reach maybe in a
• 42:04
  Speaker 1: maybe in a little bit.
• 42:07
  Speaker 2: Well, what what's your favorite road meals? Guys?
• 42:10
  Speaker 5: Chips?
• 42:11
  Speaker 2: Yeah, I gotta be chi.
• 42:12
  Speaker 3: I don't need anymore.
• 42:13
  Speaker 2: I got food poisoning anymore for God.
• 42:17
  Speaker 5: So you brought that up.
• 42:18
  Speaker 3: You got to read the instruction on some of those
• 42:19
  Speaker 3: because some of those have Darien instructions.
• 42:21
  Speaker 2: Instructions on chips, open bag, eat chip.
• 42:27
  Speaker 3: I'm so sorry at Emerson, we call it instructions that
• 42:30
  Speaker 3: it's actually nutrition all that that specific.
• 42:33
  Speaker 2: Everson.
• 42:33
  Speaker 4: Yeah, you're so unique, so special over there.
• 42:38
  Speaker 2: Now here's a fun thing. You look at this location, guys,
• 42:40
  Speaker 2: look at this location. It's an apartment. Calm, Well, all
• 42:42
  Speaker 2: these people outside I think this is a classic location
• 42:46
  Speaker 2: trick where you think it's a good location based on
• 42:49
  Speaker 2: the people outside rather than the exterior silver like effect.
• 42:53
  Speaker 2: It's the silver lake like effect.
• 42:55
  Speaker 1: It's a bunch of you know, hot twenty something standing
• 42:57
  Speaker 1: outside of a coffee shop. You get inside the coffee shop.
• 42:59
  Speaker 3: It's shit.
• 43:00
  Speaker 2: It's absolutely ship.
• 43:01
  Speaker 3: You try to get a freaking breakfast brito and all
• 43:03
  Speaker 3: they have or keen while blueberry.
• 43:06
  Speaker 5: And the drink machine isn't even plugged in.
• 43:11
  Speaker 2: Good, good, good, good.
• 43:14
  Speaker 3: Plug this in so I can read the instructions on
• 43:16
  Speaker 3: this thing.
• 43:17
  Speaker 5: You are so quirky.
• 43:18
  Speaker 3: How many hours until till we get to Boston.
• 43:23
  Speaker 2: Well, we have to get to Arkansas a little rock first,
• 43:25
  Speaker 2: then hop on the training.
• 43:28
  Speaker 5: We're driving from California. When we met at this guy's
• 43:31
  Speaker 5: house parking.
• 43:33
  Speaker 1: I will say it's tough to location scout on a train.
• 43:35
  Speaker 1: Every time we do it, it doesn't doesn't work too quickly.
• 43:40
  Speaker 3: We're going to turn off the live feature on the
• 43:42
  Speaker 3: iPhone because then your photo is just mushed.
• 43:45
  Speaker 1: And I've gone to the conductor. I've said listen, I'm
• 43:48
  Speaker 1: on a Ryan Murphy project. You need to pull over
• 43:51
  Speaker 1: so I could take a picture of that rusted.
• 43:52
  Speaker 2: Carlow down there and they won't do it.
• 43:55
  Speaker 3: They never try to get Lady Gag got a fucking
• 43:57
  Speaker 3: a rustic car.
• 43:58
  Speaker 5: Well, you guys trying to get you guys. Remember a
• 44:01
  Speaker 5: season four of American Horror Story. It was supposed to
• 44:05
  Speaker 5: be American Horror Story Train and we just couldn't.
• 44:08
  Speaker 2: We could we couldn't, couldn't do We were the reasons.
• 44:10
  Speaker 5: We were the ones the script had everyone and you know,
• 44:14
  Speaker 5: first American was going to do.
• 44:17
  Speaker 1: And I guess we would have done it in a
• 44:20
  Speaker 1: stopped train. That is something that we've run by each
• 44:23
  Speaker 1: other several times.
• 44:27
  Speaker 5: Yan said I'd love to do it on a stop train.
• 44:29
  Speaker 2: We all put our.
• 44:31
  Speaker 6: Yeah, it's not real.
• 44:32
  Speaker 3: We rarely put our foot down as a very small
• 44:35
  Speaker 3: department of a big machine and say no, not this script.
• 44:40
  Speaker 3: That's only happened with that one. It happened with American
• 44:44
  Speaker 3: Crime Story Mars.
• 44:45
  Speaker 5: We said that was crazy.
• 44:47
  Speaker 3: We said, it's either us or Art. You're going to
• 44:49
  Speaker 3: pick one or the other.
• 44:50
  Speaker 2: American Crimes Story Mars was a crazy concept.
• 44:52
  Speaker 1: Yeah, because what we wanted to do was make it
• 44:54
  Speaker 1: all inside of like a French villa and say, well,
• 44:57
  Speaker 1: you don't know what Mars is like, you've never been
• 44:59
  Speaker 1: to Mars.
• 45:00
  Speaker 2: It's a French fill.
• 45:00
  Speaker 3: Maybe it's a French villa. That was really when you
• 45:02
  Speaker 3: were pissed at your brother. Oh, I was pissed.
• 45:04
  Speaker 6: I was pissed.
• 45:05
  Speaker 1: I didn't come to Christmas. I didn't come to Christmas.
• 45:08
  Speaker 1: I said, you can get your own tree. You can
• 45:10
  Speaker 1: get your own fur tree. You could scout your own.
• 45:12
  Speaker 1: You could scout your own and put it in the
• 45:13
  Speaker 1: back of your pickup truck of Bryan go off in Ryan.
• 45:17
  Speaker 2: Do you guys remember when we tried to shoot upside
• 45:19
  Speaker 2: down world for a Stranger Things? Or was that a
• 45:22
  Speaker 2: dream I had? Sorry, most of my dreams are location
• 45:25
  Speaker 2: scout related.
• 45:26
  Speaker 3: Oh, it's so hard.
• 45:27
  Speaker 6: Tell me it's like a dream. I think that feels
• 45:30
  Speaker 6: like you guys.
• 45:30
  Speaker 2: Tell me. It was all of us and we found
• 45:33
  Speaker 2: this location and it was kind of a big cave
• 45:35
  Speaker 2: and everything was upside down, and we thought, oh, this
• 45:38
  Speaker 2: could work. And then Santa Claus came out and said,
• 45:40
  Speaker 2: you're getting coal. You're a bad, bad person. And then
• 45:44
  Speaker 2: I think something else happened where I shot a gun
• 45:46
  Speaker 2: and hit somebody with it.
• 45:48
  Speaker 5: That sounds like a location scouts stress tree.
• 45:50
  Speaker 6: That sounds like a location scout Mari.
• 45:52
  Speaker 5: I ha location scouts stress dream. It was I was
• 45:55
  Speaker 5: shooting on Quentin Tarantino movie, on a place that wouldn't
• 45:58
  Speaker 5: let people take their shoes off. That was the stress
• 46:02
  Speaker 5: dream that.
• 46:02
  Speaker 2: I have, absolute stress dream.
• 46:04
  Speaker 3: I'll tell you the location scout stress dream I got
• 46:07
  Speaker 3: is you're in the place and you can't find an outlet.
• 46:10
  Speaker 3: There's no outlet. Game over.
• 46:13
  Speaker 5: That is the game.
• 46:16
  Speaker 3: Another SI in the dream, I'm just sticking it on
• 46:20
  Speaker 3: walls and I can't find it. Your holes, I'm making
• 46:24
  Speaker 3: holes and then be start going through the holes.
• 46:26
  Speaker 2: I one time had a stress stream, a location scouts
• 46:29
  Speaker 2: stress stream. I was naked in a cornfield running from
• 46:33
  Speaker 2: my father.
• 46:35
  Speaker 3: She's going to let you in.
• 46:37
  Speaker 2: So that was a crazy one, all.
• 46:39
  Speaker 1: Right for the listener. We're trying to merge right now.
• 46:41
  Speaker 1: We're trying to merge a lot.
• 46:44
  Speaker 3: Because we always are turned around when we see something.
• 46:47
  Speaker 3: Thank you so much, lady. Yeah, we're never looking on
• 46:49
  Speaker 3: the road.
• 46:50
  Speaker 2: They're always great. We got to pull over here this week,
• 46:52
  Speaker 2: gotta take some photos and pull over here.
• 46:54
  Speaker 3: Yeah, that KFC.
• 46:56
  Speaker 2: I love this KFC. You could only find a KFC
• 46:58
  Speaker 2: here here.
• 47:00
  Speaker 1: They say you should just use the KFC that's in Burbank,
• 47:05
  Speaker 1: And I said, no, no, we gotta go.
• 47:07
  Speaker 3: To this one. Sometimes those awnings, the way they are
• 47:10
  Speaker 3: built really shows the town. I can always tell Palm
• 47:13
  Speaker 3: Springs awnings from La Palm Springs KFC.
• 47:17
  Speaker 5: This is a good question for you guys. What is
• 47:20
  Speaker 5: something that you only know because your location scout?
• 47:23
  Speaker 3: Good question, It's a great question. I know that when
• 47:27
  Speaker 3: you put a thong on a ceiling fan, and it's
• 47:31
  Speaker 3: one of those ones from Home Depot, you can put
• 47:35
  Speaker 3: a pretty sizable hot lady in that thong.
• 47:39
  Speaker 2: A sizeable hot lady, pretty sizable.
• 47:46
  Speaker 3: And sizeable or is she pretty.
• 47:48
  Speaker 2: Sizeable, pretty Comma sizable or is it pretty sizable?
• 47:53
  Speaker 4: Well, Ryan famously says, get me the biggest hot lady.
• 47:56
  Speaker 5: You can find.
• 47:58
  Speaker 3: Says it all the time.
• 48:01
  Speaker 2: The most sizable.
• 48:04
  Speaker 3: Yeah.
• 48:06
  Speaker 1: And sometimes he means just big on screen, like big performance,
• 48:09
  Speaker 1: And he's really to tell.
• 48:11
  Speaker 2: What he means big hands. He doesn't really he.
• 48:15
  Speaker 3: Means bigger theatrical. Okay, I got a new Uh.
• 48:19
  Speaker 1: I just got a text from mister Murphy. Uh, We're
• 48:23
  Speaker 1: we're no longer doing American Horror Story. Uh, season sixty eight.
• 48:28
  Speaker 1: We are skipping to us. Yet we're no longer doing
• 48:31
  Speaker 1: menacing rock. We're now doing it underwater. It's an underwater
• 48:35
  Speaker 1: horror story with fish vampires. And so we got a
• 48:38
  Speaker 1: scout underwater.
• 48:41
  Speaker 2: Scout.
• 48:44
  Speaker 6: I will have a long time alone with our thoughts.
• 48:47
  Speaker 3: I will knock it on the phone with Sea World again.
• 48:49
  Speaker 3: Those those women are bullies. Those women are bullies. I
• 48:54
  Speaker 3: will never go speak with those women again. They bully
• 48:58
  Speaker 3: do the warldly and a half. Turn those women off,
• 49:03
  Speaker 3: Turn them off.
• 49:05
  Speaker 2: I've got a pool we could look at. Is it
• 49:07
  Speaker 2: kind of a big, big underwater.
• 49:09
  Speaker 1: No, mister Murphy wants reefs, he wants fish.
• 49:12
  Speaker 5: Well, here's the thing, my buddy, uh SERGEI runs duck
• 49:16
  Speaker 5: boats in Boston. So once we get to Boston, we'll
• 49:19
  Speaker 5: get on a duck boat, okay, and then we'll take
• 49:21
  Speaker 5: the duck boat from Boston down to the Caribbean.
• 49:24
  Speaker 2: Will we follow the river system or uh yeah, the ocean?
• 49:29
  Speaker 4: I think so.
• 49:30
  Speaker 1: We're gonna have to hijack the duck boat though, because
• 49:33
  Speaker 1: those only have a rout of like fifteen minutes round trip.
• 49:35
  Speaker 5: No, no, no, no, We'll be fine. Trust me. Honks
• 49:38
  Speaker 5: on it.
• 49:39
  Speaker 2: Honk can drive a dome, can we trust Hong Kong.
• 49:44
  Speaker 2: I guess what, I only.
• 49:46
  Speaker 1: Speaking of Honka, honka, honka the lady.
• 49:49
  Speaker 3: I'm in a location.
• 49:50
  Speaker 5: It's the pretty size of a lady.
• 49:53
  Speaker 2: Wow, we got a location scout her. I gotta I
• 49:56
  Speaker 2: gotta scout that location. This is something you guys have
• 49:58
  Speaker 2: to know as a locations got We are kind of
• 50:00
  Speaker 2: mad dogs on the road sailors like that.
• 50:03
  Speaker 3: I'm only I mean, I'm a virgin.
• 50:05
  Speaker 1: I only had that one online relationship for three months,
• 50:07
  Speaker 1: so I'm really like.
• 50:10
  Speaker 2: Couch and Faye through hoping for the best. I'd like
• 50:12
  Speaker 2: to locate her outlets.
• 50:14
  Speaker 5: You know what I mean?
• 50:14
  Speaker 3: My god, hey, do you need a second source of power?
• 50:20
  Speaker 2: Well, that is a fun thing of when one of
• 50:22
  Speaker 2: us decides to have, you know, a little soiree, a
• 50:25
  Speaker 2: little hookup session in the back. So we basically what
• 50:28
  Speaker 2: we do is we put them.
• 50:29
  Speaker 3: We don't have time to stop, We don't have time
• 50:31
  Speaker 3: to stop and make a night out of it.
• 50:32
  Speaker 2: We say do you to our lovely ladies and gents,
• 50:35
  Speaker 2: We say, do you want to do something? We're gonna
• 50:38
  Speaker 2: have to do it in the back and I'll drop
• 50:40
  Speaker 2: you off about I don't know two hundred miles from
• 50:42
  Speaker 2: where we started.
• 50:43
  Speaker 1: Yeah, you gotta set your tender location for two hundred
• 50:46
  Speaker 1: miles away because so then because we got to and
• 50:48
  Speaker 1: in the meantime, we'll go there, we'll get them on
• 50:51
  Speaker 1: the way, we'll drop you guys off, we'll pick them
• 50:53
  Speaker 1: up on the round.
• 50:54
  Speaker 5: Then we take that. We we give them ubers, and
• 50:56
  Speaker 5: the ubers are part of out of our predeums. So
• 50:58
  Speaker 5: there's sometimes where one of us won't for weeks.
• 51:00
  Speaker 2: No, it's sex or you choose sex or food a
• 51:04
  Speaker 2: lot of the time on the road.
• 51:05
  Speaker 3: And that's why we get stuck with cake so much.
• 51:08
  Speaker 4: Because speak for yourself. I'm proud to beat.
• 51:11
  Speaker 1: Mostly I mean, I'm personally eating Doritos.
• 51:14
  Speaker 2: All the time. I'm so sorry about that. Mostly snacking
• 51:17
  Speaker 2: on Dorito's.
• 51:18
  Speaker 3: I literally can't. It's just like cottage cheese to.
• 51:20
  Speaker 2: Me, I truly believe there's no dairy in them.
• 51:26
  Speaker 3: But they were. It was a cottage cheese like substance.
• 51:30
  Speaker 5: I don't think she made. I think she made like cheese.
• 51:36
  Speaker 3: I think I think confusion, like a cheese dual ranch.
• 51:41
  Speaker 5: Well, we should ask her. She's sitting here for an
• 51:44
  Speaker 5: hour and a half. She's been sitting here the whole time,
• 51:46
  Speaker 5: and she has a mic and she hasn't said anything.
• 51:48
  Speaker 5: The silent freak.
• 51:50
  Speaker 2: I made cool Ranch, just Ranch, she speaks.
• 51:54
  Speaker 1: That's the only thing she's ever said. It's the only
• 51:57
  Speaker 1: thing she's ever said. Okay, back in the truck see
• 51:59
  Speaker 1: reap whole zone budget ass stupid.
• 52:07
  Speaker 3: You can never act like she could.
• 52:08
  Speaker 2: Sorry.
• 52:09
  Speaker 1: Another thing about our job is that were really cruel
• 52:11
  Speaker 1: to the standard we take along with us.
• 52:13
  Speaker 3: What's the hour drives During the two hours, we've become
• 52:17
  Speaker 3: the biggest freaking bullies. It's like SeaWorld with me on
• 52:19
  Speaker 3: the farm.
• 52:20
  Speaker 2: Ripping people left and right. We're talking about everybody on
• 52:23
  Speaker 2: the side of the Sarah.
• 52:24
  Speaker 3: Why do you stand up for yourself? Why don't you?
• 52:26
  Speaker 3: Where's your oscar? Try and shoot me with that?
• 52:29
  Speaker 6: Speaking of bullies, the Madonna in.
• 52:32
  Speaker 3: People are full. Another indie up and coming director talk
• 52:40
  Speaker 3: to me about scouting the Madonna.
• 52:42
  Speaker 1: In because I call them, I say in my I
• 52:44
  Speaker 1: put on my nice voice, I say hey, hey, yeah,
• 52:49
  Speaker 1: do you have any availabill And they're like, now.
• 52:53
  Speaker 3: You know who's like voice I use with my parents?
• 52:55
  Speaker 5: You know what's frustrating by that?
• 52:56
  Speaker 2: Though?
• 52:56
  Speaker 5: I will say about the Madonna and they are literally
• 52:58
  Speaker 5: the Swiss Army knife of the little case.
• 53:00
  Speaker 4: I mean everything they could use him for.
• 53:03
  Speaker 2: Underwater, They've got that room underwater.
• 53:05
  Speaker 1: The irony, there are location scouts, wet dream and we
• 53:08
  Speaker 1: just can't we just can't get it.
• 53:10
  Speaker 5: There are this is an industry.
• 53:12
  Speaker 1: Oh oh oh oh empty lot.
• 53:15
  Speaker 2: Empty lot. Ja murdered. This could be where he murders
• 53:19
  Speaker 2: those kids.
• 53:19
  Speaker 3: That's great.
• 53:20
  Speaker 5: He wouldn't do that.
• 53:21
  Speaker 4: There's too close to the road. You wouldn't murder someone there.
• 53:24
  Speaker 3: Sometimes when I think about a murder, the FBI flagging
• 53:28
  Speaker 3: you to be the night talker. Sometimes in my head
• 53:30
  Speaker 3: I go, why do we call them honk?
• 53:33
  Speaker 2: Yeah?
• 53:33
  Speaker 3: Why and why does he.
• 53:35
  Speaker 2: Have a big suitcase disappear at nights?
• 53:38
  Speaker 3: It's funny. Yeah, we're driving the cars.
• 53:42
  Speaker 4: I find it's so funny. I think we all have
• 53:44
  Speaker 4: our own funny little quirk.
• 53:45
  Speaker 3: Yeah, it's like, why does he insist on it?
• 53:46
  Speaker 5: It's funny.
• 53:47
  Speaker 4: I have those questions. It's hilarious, Like only.
• 53:50
  Speaker 3: Serial killers eat cake.
• 53:51
  Speaker 5: Every day, and it's funny to think about. It's you know,
• 53:54
  Speaker 5: we all have little weird things.
• 53:56
  Speaker 2: Yeah, yeah, you might be a serial killer. You got
• 53:58
  Speaker 2: you think Dorito's they're just regular ranch and I sleep
• 54:01
  Speaker 2: with my eye open, one of my eye.
• 54:03
  Speaker 3: I hate that about you. When we share hotel rooms.
• 54:08
  Speaker 2: We always share hotel rooms because.
• 54:10
  Speaker 3: We're we're the poorest of the team.
• 54:13
  Speaker 2: Yeah, out of We always are ranking each other's wealth.
• 54:17
  Speaker 3: Yeah, how much.
• 54:17
  Speaker 6: Money does everybody have?
• 54:19
  Speaker 3: Let's go around when we get bored, we talk about
• 54:20
  Speaker 3: our savings.
• 54:22
  Speaker 2: Okay, whereby name they're saving money?
• 54:24
  Speaker 3: Does everyone savings?
• 54:25
  Speaker 2: Savings?
• 54:27
  Speaker 1: I have five hundred thousand dollars. It used to be
• 54:30
  Speaker 1: six million, thanks to some charitable contributions for mister Murphy.
• 54:35
  Speaker 1: But I did lose it all weasel racing in Vegas
• 54:39
  Speaker 1: one weekend.
• 54:39
  Speaker 3: When we stop by.
• 54:40
  Speaker 2: I remember that and just a hearty woman.
• 54:44
  Speaker 6: I'm a hardy woman. I'm a hearty Yeah.
• 54:46
  Speaker 2: You came in and said I just lost all my
• 54:47
  Speaker 2: money weasel racing. And I said, is that a location
• 54:50
  Speaker 2: stout stress dream? And you said, I wish, I wish.
• 54:57
  Speaker 6: No, sometimes you wake up and you're not dreaming.
• 54:59
  Speaker 3: What about you and I soccer? Me?
• 55:03
  Speaker 4: That's funny.
• 55:05
  Speaker 5: Yeah, I have five thousand dollars in savings, but I
• 55:07
  Speaker 5: have three million dollars in my checking account.
• 55:10
  Speaker 2: You should do you do that for fun?
• 55:17
  Speaker 5: I just no, I'm just I can't. I can't check
• 55:21
  Speaker 5: my banking app and drive and I'm always driving.
• 55:23
  Speaker 3: Oh wow.
• 55:24
  Speaker 5: It's just hard for me because by the time I
• 55:26
  Speaker 5: get to the hotel room, I'm so tired. I can't
• 55:29
  Speaker 5: even look at my phone. Yeah, so I just you know,
• 55:32
  Speaker 5: I need to hire someone.
• 55:33
  Speaker 2: But you know you can check your send your checks
• 55:36
  Speaker 2: right into your savings.
• 55:37
  Speaker 3: Hey, guys, what about that marquee. That's a marquee pull
• 55:41
  Speaker 3: over pull over?
• 55:45
  Speaker 2: This is one of our one special word And if
• 55:49
  Speaker 2: you say pull over please, you have to pull over.
• 55:52
  Speaker 6: That's like a I'm telling you, I'm telling you, I'm
• 55:54
  Speaker 6: using it. I'm using my card for the day.
• 55:56
  Speaker 5: I have not.
• 55:59
  Speaker 3: Purple marquee.
• 56:00
  Speaker 6: Folks, you're hex sing the pull up.
• 56:02
  Speaker 2: We each get one pullover please, and one.
• 56:06
  Speaker 3: Not a vito.
• 56:07
  Speaker 1: It's a hex and a vito is something else.
• 56:09
  Speaker 3: There are the rules. It's one pullover, one hex and
• 56:12
  Speaker 3: one sloppy sex where you got an uber back.
• 56:14
  Speaker 2: Yeah, so you could you could say one of those
• 56:17
  Speaker 2: each day. Sometimes you'll sacrifice your pullover please for sloppy sex.
• 56:22
  Speaker 1: Pull over, pull over, pull over, pull over, bell over,
• 56:26
  Speaker 1: pull over, bull over, pullover. This has been Artists on
• 56:29
  Speaker 1: Artists on Artists on Artists, answering the question.
• 56:32
  Speaker 6: Now, that's why they call it show business.
• 56:35
  Speaker 3: Good Night. Hi am Angela Jertana.
• 56:38
  Speaker 2: I'm Jeremy Colhayne, I'm Patrick McDonald's.
• 56:40
  Speaker 3: And I'm Kylie Brakman.
• 56:41
  Speaker 1: Artists on Artists on Artists on Artists is an improvised
• 56:44
  Speaker 1: Hollywood roundtable podcast available on iTunes and Spotify.
• 56:48
  Speaker 2: You can follow us at ao ao ao a pod
• 56:51
  Speaker 2: on Twitter and Instagram.
• 56:52
  Speaker 4: That's right, four a's with three o's in between.
• 56:55
  Speaker 5: Then.
• 56:55
  Speaker 2: Pod music for this week's episode was provided by Gabriel
• 56:58
  Speaker 2: ponton Stars.
• 57:00
  Speaker 1: They're just like us, and if you like this episode,
• 57:03
  Speaker 1: you can give us five of them by rating and
• 57:05
  Speaker 1: reviewing us on Apple Podcasts. That's all for now, good Night, Hollywood.