Latest / The Art of Costume Podcast / The Devil Wears Prada with Marie Lodi & Blaire Bercy of Fishnet Flix

Transcript

The Devil Wears Prada with Marie Lodi & Blaire Bercy of Fishnet Flix · The Art of Costume Podcast

• 0:12
  I'm on, I'm on team, whatever the hobbits are on.
• 0:15
  I'm gonna be awkward among the Smeagol Sesame.
• 0:19
  I think. I really think that Justice.
• 0:22
  The first meal, I think that that character was wrong.
• 0:24
  I think everybody made it. The gas lit, a poor little baby.
• 0:43
  Welcome to the art of casting Black cast, I'm Elizabeth Joy
• 0:45
  glass, and I'm the editor of Runway Spencer Williams with
• 0:49
  love Elizabeth. Yeah.
• 0:50
  Wish you were the editor of runaway Spencer was against a
• 0:54
  long, publication coffee Runner. I don't know.
• 0:58
  Let's try to come up with something earlier.
• 1:01
  About the creative director of The Art of costume.
• 1:05
  Yeah. But that's too on the nose, you
• 1:07
  know, has to be on theme that's just not promote the actual
• 1:11
  publication. We both run speaking of being
• 1:15
  awesome. Guess what movie?
• 1:16
  I saw last night. What did you want?
• 1:19
  I went and saw the minions cry. I didn't do that because I was
• 1:27
  looking at all those Tick-Tock Trends and I told the wrong
• 1:29
  people, next thing, you know, I'm at the minions And I did
• 1:32
  fall asleep for the last 45 minutes because I'm getting old.
• 1:35
  Did of course you did. That is something you watch when
• 1:39
  it comes on streaming. I know.
• 1:41
  So you can be comfy in your home.
• 1:43
  Not to mention Thor is out right now.
• 1:46
  It's really embarrassing. Mostly why?
• 1:48
  I'm disappointed in you right now tonight.
• 1:51
  You didn't go see Thor. Well, Elizabeth we have a big
• 1:55
  episode today. We do, we have a very big
• 1:59
  episode. One of my favorite movies.
• 2:01
  And it's just we needed a little bit of help Spencer.
• 2:05
  So who do we have with us today? I am so excited to introduce two
• 2:10
  of my most favorite people and they are the wonderful
• 2:14
  podcasters of fish Netflix pod and they invited me for an
• 2:18
  episode a couple months ago and it was the most fun I've ever
• 2:21
  had. I would love to welcome Marie
• 2:23
  Lodi and Blair bercy. Thank you.
• 2:26
  Hello. Thank you so much help.
• 2:29
  We're going to be with this one because this is This is like,
• 2:32
  you know, it's Kryptonite for fashion, like costume design.
• 2:37
  Yeah. Like, I'm gonna drag you guys to
• 2:39
  hell with this one. We were scared.
• 2:41
  When we were like The Devil Wears Prada.
• 2:43
  What, where do we even begin with this one?
• 2:46
  Yeah, let's just costume after costume means.
• 2:50
  Have you both on next time we need to have because it's, we
• 2:53
  have fun. You have a good time over there
• 2:55
  if you guys like sand, so you guys both need to.
• 2:57
  Come on, we need to find something good.
• 2:59
  I feel like the most fun doing Mars Attacks, it's my light.
• 3:03
  Wait, wait, wait. Did you just say?
• 3:07
  Yeah, I think that would be the one that gets me.
• 3:10
  If I have to watch it. I have to, oh my God.
• 3:12
  I think you guys should come on and do Twilight.
• 3:14
  The first one. There we go.
• 3:16
  Millie, you wrote that down. Yeah, Twilight.
• 3:18
  Oh, yeah, listen. I'm, I'm like, I'm making the
• 3:22
  contract so we can sign it in blood.
• 3:25
  Perfect, perfect. I'm just really excited to have
• 3:29
  you both. I love you both so much and I
• 3:31
  had Most fun talking about Mars Attacks, which is so crazy.
• 3:35
  I didn't want to make a Lizabeth have to watch Mars Attacks.
• 3:38
  She would not have enjoyed it. Well, I told you about my
• 3:41
  childhood trauma with that movie, didn't I know.
• 3:46
  The here's where we Darrell do tell.
• 3:49
  Well, now you got okay. For some reason my parents
• 3:52
  thought I was probably like three years old.
• 3:54
  My parents thought this was an appropriate family film.
• 3:58
  So I have a vivid memory of like, hiding behind our cow.
• 4:01
  Ouch and my entire family found this very funny that I was
• 4:06
  terrified of this movie and I could not watch it in its
• 4:10
  entirety till I was in high school.
• 4:13
  Wow, my family would put it on and I would be like, bye, I
• 4:16
  gotta go. It was no ETS, no no the family
• 4:23
  film but was until a couple months ago I realized it's
• 4:26
  really not. So now well, that's like
• 4:28
  Pee-wee's Big Adventure like Large Marge, used to like, Yeah,
• 4:32
  never made a point of like I would cover my hands during that
• 4:35
  seen her, like, try to the so I get it.
• 4:36
  I get it there. Yeah.
• 4:37
  The hyper-realistic weird scary things, I get it.
• 4:42
  It's like not for a toddler. It's funny.
• 4:46
  You mentioned Pee-wee's Big Adventure because that's the
• 4:48
  other film I've been telling this if I want to watch, but I
• 4:51
  think she's okay with that one. It'll be good.
• 4:53
  I thought I've never seen that one.
• 4:54
  So I wouldn't know. Hmm, that's a classic.
• 4:57
  You're safe. Marge, Marge.
• 5:01
  It will get you, that's scary. I am warrant.
• 5:08
  All right. Well, we have a lot of costumes
• 5:10
  to get through. So let's get into it.
• 5:13
  I'll start us off with a little summary, which is like a really
• 5:16
  basic summary. The Devil Wears Prada a smart,
• 5:19
  but sensible, new graduate lands a job as an assistant to Miranda
• 5:23
  Priestly. The demanding editor-in-chief of
• 5:26
  a high-fashion magazine. That's it.
• 5:29
  That's not. I feel like that was the job
• 5:31
  interview like when Andy like applied that's Said you got
• 5:35
  there and they were like, that's not it.
• 5:37
  Yeah, that is IMDB's version of The Devil Wears Prada.
• 5:43
  And if you haven't seen The Devil Wears Prada, go fix your
• 5:47
  mistake and go watch it. Because if you haven't seen
• 5:49
  this, don't know what you're doing here.
• 5:52
  Yeah, I don't know what to say. Now that you've seen that, let's
• 5:55
  all go behind the Wardrobe because we got director, David
• 6:00
  Frankel, who he apparently directed some of the sex in the
• 6:04
  The City episodes which I'm like, okay, that makes sense.
• 6:08
  How you got like, so in tune with this whole world.
• 6:13
  But then we also have fashion Legend and costume designer
• 6:18
  Patricia fueled. Our first petition field.
• 6:22
  Yeah, this is awesome. And you all know her from many
• 6:26
  seasons of Sex in the City, Ugly Betty SEC.
• 6:32
  The first two Sex in the City, Movies, another personal
• 6:36
  favorite of mine, Confessions of a Shopaholic and the girl on the
• 6:41
  train, which I feel like is a very strange movie for her to
• 6:45
  have done the costumes. But, isn't that, okay, I'm only
• 6:49
  blunt to? Yeah, that's like that.
• 6:51
  Murder mystery movie. New York and Emily Blunt.
• 6:55
  I guess it. I guess it's so it's dark.
• 7:01
  Yeah. I don't even know what we're
• 7:03
  talking about. It's an interesting movie.
• 7:07
  I thought I was getting into like Gone Girl because I don't
• 7:09
  know why that movie is so funny and ridiculous to me.
• 7:12
  It wasn't this one was this one was sad weird.
• 7:17
  Yeah I just the whole time I was like Emily Blunt.
• 7:21
  You're not okay. Yeah I got.
• 7:23
  Okay this is not a ringing endorsement of the girl on the
• 7:26
  train know if you if you like a murder mystery go yeah it's
• 7:31
  nice. I feel like the title is
• 7:33
  misleading. Grow on the tree, makes it sound
• 7:36
  like like the Orient Express. Murder on the Orient Express,
• 7:39
  it's not. It's like literally like a girl
• 7:42
  with them trauma and like it's alcoholism.
• 7:46
  Yeah, it's not, it's not girl. That trade, I don't know why I
• 7:51
  left alcoholism. That was a mistake.
• 7:57
  I thought it was going to be, like, yeah, I had the same
• 8:01
  feeling about it and then you watch it and you're like, oh
• 8:04
  absolutely, Lee not but I think Justin the rose in it which kind
• 8:08
  of makes up for hmm, is he? I don't know, maybe I don't
• 8:13
  remember. I just remember like being very
• 8:16
  concerned for Emily Blunt the entire time.
• 8:19
  Yes. But getting back to the Devil
• 8:22
  Wears Prada, Patricia field to the Harper's Bazaar about the
• 8:26
  experience, I'm very happily surprised.
• 8:29
  I never thought that this would become a classic on its own.
• 8:32
  I never really thought about it going In.
• 8:35
  I'm going to make this Unforgettable movie, I just go
• 8:38
  in, do my job and have a positive and be positive, have
• 8:43
  fun with it. If I'm not enjoying it, it
• 8:46
  doesn't happen. I'm like okay Patricia field.
• 8:50
  What a weird tiu, I think reading it in her voice because
• 8:56
  I always, I've had random Patricia field, New York run-ins
• 8:59
  and she's the nicest. Most real down-to-earth person,
• 9:02
  she is in the streets, picking up on My current fashion and she
• 9:06
  has like this Gravely like little boys so it's like I'm not
• 9:10
  enjoying it. It doesn't have like that's it
• 9:13
  has that was that's probably what makes all of these films so
• 9:25
  cool and when David Frankel first approached her for the
• 9:29
  film she was like, okay, well now I have to take you to Paris
• 9:33
  Fashion Week So she was like coming to this world.
• 9:37
  See like what it's all about. I'll get some costume
• 9:41
  inspiration. You'll get movie inspiration and
• 9:44
  it'll be great and it really, right?
• 9:47
  I'm like I want to go to Paris fashion week with her like how
• 9:51
  do we make that happen. But one of the things that
• 9:56
  really made The Devil Wears Prada successful was the fact
• 10:00
  that it hinged on Patricia and David's ability to incorporate
• 10:03
  fashion and in Industry culture in a way, that was believable,
• 10:06
  fun and respectful, because they do make fun of the sillier
• 10:12
  elements, but it's a very real part of all of our Lives whether
• 10:16
  or not you agree with that statement, it is however, to
• 10:21
  make this happen, the film had a budget of only 35 million so
• 10:27
  Patricia had to rely on her industry and personal
• 10:31
  connections, to create the film's.
• 10:33
  Now I Sonic wardrobe. And the film's two stars really
• 10:40
  opened a lot of doors for her. She was like you know, on top of
• 10:43
  all of my personal connections having Anne Hathaway.
• 10:48
  And why do I only want to call her Miranda Presley?
• 10:51
  Oh my gosh, jewelry. Meryl, Streep.
• 10:53
  Oh my gosh, I just had the biggest.
• 10:55
  My brain went blank. Okay, that's for sure.
• 10:59
  Feels like I got a secret weapon.
• 11:00
  Her name is Meryl Streep. She said like baby.
• 11:04
  Basically opened the rest of the doors for her like, oh, okay.
• 11:09
  And I believe that because like, Meryl Streep is actually
• 11:12
  friends. You know, after decades in the
• 11:14
  business she's friends with like Ralph Lauren and like she has
• 11:17
  like actual yeah. Fashion friends.
• 11:20
  Even though we don't consider our like front row, fashion
• 11:23
  Chic, they call her up and she calls them you know.
• 11:26
  So I think I believe that I thoroughly believe that.
• 11:29
  Yeah, exactly. And I just can't wait to jump
• 11:33
  into this with all of you. Let's take a little break and
• 11:36
  when we come back we're going to jump into and he's sad opening
• 11:41
  wardrobe. Hello.
• 11:59
  Blogcast listeners is Elizabeth Joy glass co host and producer
• 12:03
  of The Art of costume blogcast. Thank you so much for listening.
• 12:06
  We appreciate all your support. If you wanted to continue your
• 12:09
  support, you can now become one of our costume.
• 12:12
  Mavens when you become our Patron, at patreon.com slash the
• 12:16
  art of costume. There, we post, unheard bloopers
• 12:19
  highlights and you can even catch our monthly bonus episodes
• 12:23
  for patrons. Only make sure to check out.
• 12:26
  The description for a link to our patreon.
• 12:45
  All right. Everyone.
• 12:46
  Are you ready to go on a job interview with Andy?
• 12:52
  Hello. So the film starts off its super
• 12:56
  iconic. You see like everyone gain all
• 12:58
  dressed up. Can't relate.
• 13:00
  I never get this dressed up for work ever.
• 13:04
  Andy shows up to Runway and I think she looks cute.
• 13:07
  Like a you know I see her trying and we're introduced to you know
• 13:12
  a few of our favorite characters we have Emily played by Emily
• 13:16
  Blunt. We have Andy played by Anne
• 13:18
  Hathaway and Nigel played by Stanley Tucci the Bermuda,
• 13:22
  Triangle of iconic. People with this know, I love
• 13:30
  this opening scene because I V and E is just very like standard
• 13:35
  early 2000s, like Patricia. It was going for like a Old
• 13:39
  Navy. Gap look, and I'm like, you
• 13:41
  nailed it. Yeah, I just love Emily, Blunt's
• 13:47
  character. So much, Emily, her Fashions.
• 13:51
  Just like so dramatic of like this big black shoulder and that
• 13:54
  first opening scene, it's she's giving a lot and I love it.
• 13:58
  I remember seeing this in her hair being that color mint like
• 14:03
  money. Like nobody had the money to get
• 14:05
  their hair that like, Like good read like Spice.
• 14:10
  Girl, Rhett. Yeah.
• 14:13
  Good. Like you can see the blond
• 14:15
  underneath it and then the like the dark Nails that's like you
• 14:18
  know it's it's adult. Workplace goals.
• 14:22
  Absolutely, absolutely. I love she doesn't like a
• 14:25
  behind-the-scenes interview in this costume and she calls it.
• 14:29
  Her Star Trek code because she's like Emily.
• 14:34
  So on the edge of fashion, she's falling off when I'm like yeah.
• 14:38
  That it that is Emily. That's a great description.
• 14:42
  And then we have our hero Stanley.
• 14:44
  Tucci, you know, he's he's just Stanley Tucci, I don't know, I
• 14:49
  just love him so much, he just looks so Chic all the time.
• 14:53
  I just want to. He's also my mom to hug me,
• 14:55
  right? And he's the only character that
• 14:57
  actually looks comfy in his high fashion, which I appreciate The
• 15:03
  question I have is where the glasses which came first the
• 15:08
  little circle glasses on Stanley Tucci or Stanley Tucci brought
• 15:12
  those glasses to set which one that came for.
• 15:16
  I don't remember Stanley Tucci without those glasses and now I
• 15:19
  feel like that's oh my gosh that's such a good point.
• 15:21
  He wears these and like Captain America kind of it's like he's
• 15:25
  saying yeah we're them in Burlesque to.
• 15:27
  Hmm, it's a great question. These are real questions.
• 15:32
  These are all questions. They look good on him, but I
• 15:34
  feel like I never see him wear glasses, like, in interviews or
• 15:37
  anything. I feel like I only see him in
• 15:39
  glasses. I think it's like, I've just
• 15:41
  absorbed it, right? I think so too.
• 15:43
  We have a glasses, life Stanley, Tucci, hit up, Warby Parker, and
• 15:48
  he wears glasses in that. CNN, documentary.
• 15:51
  Oh, his traveling Europe. I think for a little while it
• 15:55
  wrecked my life. I now only eat pasta on Sundays.
• 15:59
  That's I just, I can't stop watching him and his life.
• 16:03
  Life, I'm looking up Stanley. Tucci burlesque oh he wears
• 16:07
  glasses and that to he I've never had not seen him in
• 16:10
  glasses they're a little less round.
• 16:13
  Yeah so I think in this movie they're definitely like
• 16:15
  editorial round but I don't know.
• 16:18
  Stanley do she looks like without glass?
• 16:19
  It's like trying to think about this and I just don't know the
• 16:26
  answer. Well we have to hurry because
• 16:28
  Miranda priestly's coming up into the office.
• 16:32
  It's napping. Yeah, everyone move it along, or
• 16:36
  as Nigel, says gird, your loins talk about the best entrance in
• 16:44
  film history. The black fur coat the purple,
• 16:48
  dark purple dress. Like she looks so Flawless in
• 16:52
  this. Look it's so so so good.
• 16:56
  I still get chills when I see this scene.
• 16:58
  It's so ridiculous and I just watched it again this morning
• 17:02
  and just Maine's iconic. She looks like a mature glass of
• 17:06
  wine. Like yeah.
• 17:08
  Like an expensive glass of wine is coming.
• 17:10
  So like, don't drip, don't drop the beat have some class, don't
• 17:15
  put in a Solo Cup. Don't put it looks like in
• 17:19
  Crystal and it needs to breathe. So, move it along.
• 17:22
  There you go. And part of her, kind of like,
• 17:28
  the perfect piece. All of her iconic looks in, this
• 17:31
  is her hair. And it's Is partially Merrill
• 17:34
  streets and her hair. Dressers idea was to go all
• 17:40
  white and the studio was like not, they were not going for it
• 17:44
  at first. They were like, no, that'll make
• 17:46
  her look old but Meryl Streep Patricia field.
• 17:48
  They were like, no, no, no. Just trust us.
• 17:51
  And it's like you can't there is no Miranda Presley without that
• 17:56
  white hair now. It's really cool.
• 17:58
  Actually, I saw your notes about it and I didn't think about it.
• 18:02
  It does like really give like a blank slate of color for them to
• 18:05
  like really play if their costumes on her, I'll because of
• 18:08
  that white hair. It's so good.
• 18:11
  Yeah, I'd also say that this movie did for workplace fashion.
• 18:16
  And this look what they were trying to say that this magazine
• 18:20
  would do like this shaped like that all white like, shockingly,
• 18:24
  white hair in a very kind of, like, Chic way.
• 18:27
  I don't think I really saw it the same way that we do now.
• 18:29
  It's less about the cut and more about the fact that Like,
• 18:33
  because her hair length, kind of changes throughout the film, but
• 18:35
  it still looks so good. Yeah.
• 18:38
  But that's just whoop. To is a part of it.
• 18:41
  Yeah. Yeah.
• 18:42
  The perfect little like long bob.
• 18:44
  She has going on. It's such a good look.
• 18:48
  Perfect with everything. Not so perfect and he's kind of
• 18:51
  trash friends. Well, okay, so, Doug and Lily
• 18:56
  are not terrible. They're like, okay, Lily, I like
• 19:00
  like her. And then she does like, that
• 19:02
  weird like Phone prank thing and I'm like, come on girl, right?
• 19:05
  Otherwise like Lillian Duggar fine, it's Nate.
• 19:07
  Who's really the problem? Nate is definitely the biggest
• 19:10
  problem, but then Lily just assumes Andy is cheating on me
• 19:14
  at her gallery show. And I'm like, I mean, you say
• 19:18
  you've been friends for like 10 years, how are you just assuming
• 19:22
  and not being like, hey, what's going on Art Gallery?
• 19:24
  Like embraced it. Give a different vibe, though.
• 19:29
  It's it would have stood out to me.
• 19:33
  And been like, hey what's happening?
• 19:34
  Like not like oh my gosh, you're not my friend anymore, you would
• 19:37
  never act like this. Who are you?
• 19:39
  And what's waiting on him? Be like, yo, that dude is
• 19:42
  pushing up on my friend. Like yeah.
• 19:45
  Yeah, I love Tracie. Thoms though.
• 19:48
  It's just so great. She is amazing.
• 19:51
  Nate, you know, there's been a lot of like this course about
• 19:53
  Nate over the years. A lot of people find him to be
• 19:56
  the villain. Some people don't, I don't know,
• 20:00
  I just don't want to like, I want A dig to into him but I
• 20:04
  can't stand it. The only thing is good for is a
• 20:07
  grilled cheese that's about the only time that I was interested.
• 20:10
  Yeah, yeah, yeah. It's a nice girl.
• 20:13
  She's though. Yeah.
• 20:15
  He constantly disparages her job, right.
• 20:20
  He's willing to make a long-distance relationship work
• 20:23
  at the end of the movie. But not relationship work.
• 20:26
  Where she's just at work all the time and they live in the same
• 20:29
  apartment. Like what's that this last
• 20:32
  re-watch? It got me, was that every time
• 20:34
  he was like ever positive toward her, that was when she was
• 20:37
  showing off like a new, like, sexy garment, though, he makes
• 20:41
  me so mad. Yeah, yeah.
• 20:45
  Which is why he shouldn't be a part of this film done with him.
• 20:57
  On too much better characters, like Giselle.
• 21:00
  I always forget. She's in this movie.
• 21:01
  Yeah I'm she's just like Like perfectly placed around him
• 21:04
  like, oh, hey, it's a good Cameo.
• 21:06
  Yeah. It was a really, really great
• 21:08
  nod to the industry. I think one of my favorite looks
• 21:12
  of the entire film is the Cerulean blue sweater Harriet?
• 21:16
  I don't know. It's like so funny to me.
• 21:21
  It is. I mean, that's like one of the
• 21:23
  major costume story points when Miranda Priestly dives into her
• 21:28
  monologue, I have heard this. I did like acting lessons when I
• 21:31
  was young and Every girl who wanted to be an actor in the
• 21:37
  2000. Barnes this monologue.
• 21:40
  Yeah it's like this and that song from rent.
• 21:42
  Everyone does this? And that song.
• 21:47
  Absolutely. And it had just been so long
• 21:50
  since I actually heard it. I love Meryl Streep's mouth.
• 21:53
  I was like no wonder everybody knows this because it perfectly
• 21:57
  encapsulates like what the fashion industry actually does.
• 22:01
  Yeah it's and it's really In the way she describes it is kind of
• 22:04
  like, you know, you and I went to fit them and I feel like this
• 22:08
  is like part of the curriculum was like this this breaking down
• 22:12
  into like 10 weeks. Yeah Elizabeth I would pay money
• 22:18
  to hear. You reenact this whole scene
• 22:20
  though. I've been Mo but Miranda is like
• 22:29
  gold costume for that whole like fitting.
• 22:33
  Or not fitting there like preparing for like a shoe that
• 22:36
  goal looked brand is wearing is really, really cool.
• 22:39
  She's just like dripping and cold.
• 22:41
  It's like strong. Because they're like metallic.
• 22:44
  Yeah, huge like sequins or whatever, and it just, it looks
• 22:49
  strong. But it also looks International.
• 22:52
  It doesn't look like everything else kind of leaned and skews
• 22:55
  towards Parisian or American. This definitely feels like I
• 22:58
  don't know Moroccan, it's just something else or an African
• 23:02
  designer. It just feels that's the same
• 23:05
  thing. Geography is not my strong
• 23:06
  point, but it feels like internationally Chic, right?
• 23:12
  Yeah. Now, it definitely like lens
• 23:15
  like a lot of texture and just like a different altogether,
• 23:18
  feel from anything else and the room.
• 23:21
  And I feel like that's what Patricia field does with Miranda
• 23:24
  is. She always gives her a different
• 23:25
  feel from everybody else in the room.
• 23:28
  Yeah, I'm just a fair point to Andy.
• 23:33
  Though, I am like zooming in on the belts right now.
• 23:36
  I do. Get what she's saying.
• 23:37
  They the color blue that is being used.
• 23:40
  It's pretty close. Yeah.
• 23:43
  Yeah, but the point is, yeah, the buckles are different
• 23:47
  though. Yeah, yeah, yeah.
• 23:49
  I love this scene because I feel like this is where they try to
• 23:52
  dress down and Hathaway the most, and I'm like, you can't,
• 23:56
  why are you dressing her down? Like, this looks so silly.
• 23:59
  She's so beautiful. It's like until She gets a
• 24:03
  makeover. I'm like I can't really believe
• 24:05
  Andy is this fashion and Hathaway's like she's like the
• 24:10
  makeover. Queen didn't she do the same
• 24:12
  thing? Oh my gosh.
• 24:12
  No, it's blinking. I miss Diaries.
• 24:14
  Yeah, there you go. I've never seen a princess
• 24:18
  diaries. I know.
• 24:22
  Sorry well Spencer that just adds to the movies.
• 24:27
  I need to make. You watch me, right?
• 24:32
  She kinda is there she kind of is but my I don't know if I can
• 24:38
  say. It's my favorite thing about one
• 24:39
  of my favorite scenes, Miranda Priestly coming in every day and
• 24:42
  throwing another fur coat down on Andy's.
• 24:46
  Desk is brilliant and Patricia field.
• 24:50
  Actually had to reach out to a friend of hers in New York who
• 24:53
  was a furrier and had a showroom.
• 24:57
  And she was like she was very generous with her basically, let
• 25:01
  her have whatever she won and that's that's how they got this.
• 25:03
  Like beautiful seeing her. I saw a interview with Patricia
• 25:10
  field years ago and she was like, yeah, David just kept
• 25:13
  adding all of these like clothing montages and I kept
• 25:16
  telling him it was more money and more money.
• 25:19
  And so she was just like, guess I have to go borrow it from
• 25:22
  somebody. She said, we just need a bunch
• 25:25
  of coats to just throw out a desk.
• 25:27
  Merrill's gonna throw coats and bags.
• 25:30
  Yeah, but a different bag every day.
• 25:33
  Oh yeah, dream. Right, right.
• 25:37
  I'm just like how does she get ready in the morning?
• 25:39
  Like she has too many options. I have like a hundreth of the
• 25:43
  options she has and it's like, I still can't decide what to wear
• 25:46
  in my imagination. Miranda.
• 25:49
  Has a rack. That's been edited by like the
• 25:51
  people there. Do you know, like, she's like a
• 25:53
  season or two ahead and she doesn't.
• 25:55
  Yeah, he doesn't wake up and like pick what she where she has
• 25:57
  like a Monday Tuesday, Wednesday, like a rack and then
• 26:00
  they remove it from her sight and then The new rack that's
• 26:05
  like, very like, think that's this Diana, like Royals, like,
• 26:08
  having has chosen for you? Yes, I love that like that.
• 26:13
  I feel like your imagination is pretty spot-on, actually Blair.
• 26:16
  Yeah, no, that's perfect. That's absolutely what happens.
• 26:23
  Also, what happens is Andy is like got to fit in now, got to
• 26:27
  fit in or this is never gonna work and thank goodness.
• 26:33
  Right. Nor is this movie would have
• 26:35
  been much less entertaining, but Patricia feels that, as soon as
• 26:41
  she met Anne Hathaway, she was like, Chanel girl.
• 26:44
  Yeah, all the way. Okay, she was a Chanel, girl and
• 26:48
  Patricia field said to Entertainment Weekly ever
• 26:53
  relationship with Chanel. And when I called them, they
• 26:56
  were very happy to work with me on this movie because they
• 26:59
  wanted to see Chanel, on a young girl to give it.
• 27:02
  Our point of view. Making Chanel, not just
• 27:05
  middle-aged women in suits but youthful fun, and Youthful and
• 27:09
  funky, which I'm like, that's very true at that point.
• 27:12
  Chanel was kind of boring. It was like, the Quilted bag was
• 27:16
  maybe the most like, streamlined, into pop culture.
• 27:19
  Other than that, like, this is, you know, this is shouldn't.
• 27:22
  The other were looking at is Andy with the Blazer, like the
• 27:26
  Tweed Blazer. It's that's cruise line.
• 27:28
  So, if you think about it, you know, marketed this for the
• 27:31
  cruise wear and that's a specific sect and he's rocking
• 27:35
  it. And as like winter gear and it
• 27:37
  looks really cute. I also would like to point out
• 27:40
  that nowadays, we understand dressing for your job at this
• 27:45
  back in the 2000s. It was like everyone should just
• 27:47
  be comfortable in like we're and I watching it now as an adult.
• 27:51
  I'm like, girl, you were going to work at a magazine and you
• 27:54
  thought that that was like okay to like just stroll.
• 27:58
  Like I get that. That's the kind of the point.
• 28:00
  Like she doesn't care about like that.
• 28:02
  Can she cares about the editorial portions of it?
• 28:05
  But come on, Miss ma'am. But then she pops up in this
• 28:09
  outfit and I mean, even her hair is expensive, just like Emily's
• 28:14
  hair. Like that's a that's an
• 28:16
  expensive look. She jumped her.
• 28:19
  Her price went up with this one and the bag is adorable to the
• 28:24
  point. I think my favorite line of the
• 28:26
  entire film which is actually like a non-speaking line is when
• 28:30
  she says like Andy one more thing and He looks down at and
• 28:33
  he's, you know, her Flats the best line of the entire film
• 28:37
  just like looks down and up and says, thank you or like, that's
• 28:40
  all you know, like so goody memed memes come came from this
• 28:46
  movie. Yeah, like, never get old.
• 28:50
  So we still use to this day. Honestly.
• 28:52
  Yeah, so Andy walks in and that Chanel outfit with the Chanel
• 28:57
  boots and it's just it's breathtaking every single area,
• 29:01
  girl. This.
• 29:03
  Yes, absolutely. I just, I love the look on
• 29:09
  Emily's face. Just like, wait, what?
• 29:12
  It's just just else's. You look good.
• 29:15
  And Lee gets all pissed but like she does.
• 29:18
  What can you do? She does look good.
• 29:21
  Oh, but it just gets more interesting from here.
• 29:24
  Spencer, I think we need a little break so we can catch up.
• 29:28
  102 montages coming up. So we had a get prepped and
• 29:31
  ready to go. This is the beginning, actually.
• 29:34
  This is where start? Yeah, yeah.
• 29:53
  What's up costume, nerds? This is Spencer co host and
• 29:56
  producer of the art accosting. Blogcast, I love the simple
• 29:59
  things in life, free parking air conditioning and a nice
• 30:02
  comfortable. Hoodie, if you feel the same way
• 30:05
  that I'm here to let you know that if you wanted to support
• 30:07
  our show, you Head over to the Arctic costume.com / part store,
• 30:12
  where you can buy awesome blogcast murch, threw tea
• 30:14
  public. Such as t-shirts, hoodies,
• 30:16
  coffee, mugs and stickers, we even have a baby onesie for all.
• 30:20
  Those baby costume designers out there.
• 30:22
  The get your merch head over to the art, accosting.com pod
• 30:26
  store. Thank you for all your support.
• 30:34
  All right. Are you all ready for another
• 30:50
  Montage? This is probably the best
• 30:54
  Montage, honestly. It's the best Montage of all
• 30:57
  montages. I do love this Montage as well
• 31:01
  because it just shows her getting like cooler and cooler.
• 31:04
  Learned cooler like paying more and more attention to Fashion
• 31:09
  just like over over the weeks, it's so much fun.
• 31:14
  Oh no it just like gives me such, you know, because we're
• 31:18
  here in LA and we can we talk about this pair, we can never
• 31:21
  wear these nice coat stirring the Falls.
• 31:25
  So yeah, gives me like fall East Coast Energy.
• 31:30
  Doesn't it make you jealous like every time we, yes, I just it
• 31:36
  just it's gorgeous and I think the thing about this that is
• 31:40
  more than just like look at all these looks look at all these
• 31:43
  pieces is that she puts together looks so they all work towards a
• 31:47
  theme which I appreciate that. It's not just like and no shade
• 31:52
  to like Emily's character. But Emily, it has the same note,
• 31:56
  kind of over and over Emily, doesn't look like he's showing
• 31:59
  up in costume. Andy is trying to assimilate so
• 32:02
  all of her costumes are a full From like a retro Jackie O vibe
• 32:07
  to like you know, she looks like she's invoking like Gisele
• 32:11
  energy for some of these and so JLo to.
• 32:15
  Yeah. Yeah it's good.
• 32:17
  It's good. And I appreciate from head to
• 32:20
  toe, she Nails the Thematic versus what a real person would
• 32:24
  do, which is like one of these coats.
• 32:26
  Same probably pairs of shoes and bag and, you know, maybe
• 32:30
  changing underneath. Yeah, I never thought of it that
• 32:33
  way. That like, Andy really, he is
• 32:34
  showing up to work in costume because this is a character
• 32:37
  she's trying to play. She doesn't believe like any of
• 32:41
  this is really her until it becomes her and then that's when
• 32:44
  she like really starts to fall apart toward the end of the
• 32:47
  film. But oh my gosh, they're worth
• 32:49
  just blew my mind. Blair, yeah, it's that's my goal
• 32:52
  in life. I kissed every day is a costume.
• 32:55
  That would be a dream to me. Absolutely.
• 32:58
  And I love like the color. Patricia really wanted her to
• 33:03
  pop in these scenes because You know, it's New York.
• 33:05
  It's gray. It's like winter.
• 33:07
  Like it's you know rainy but she was like let's make her a pop
• 33:12
  which is why she always has some sort of like bright colored item
• 33:15
  whether it's like the green jacket or like the burn orange
• 33:18
  hat. The red gloves, the stunning I
• 33:21
  want this stunning white coat like she pops every single time.
• 33:27
  Yeah, yeah. My I think my favorite is
• 33:29
  definitely the green with the cheetah print and the white
• 33:33
  those looks Are so strong. I love the green one.
• 33:36
  I think that was a vintage coat. I would believe that.
• 33:40
  Yeah. And she paired it with like a
• 33:42
  gold shoe. Like, they're all interesting
• 33:45
  like a satin glove. And I don't know what kind of
• 33:47
  person is armadillo for the white one problem.
• 33:51
  Yeah. Something like all of these are
• 33:55
  so good and we know that Andy is pulling stuff from like work.
• 33:59
  Yeah. But it's how she's putting
• 34:01
  together because I know she has no help.
• 34:03
  Well, maybe Stanley Tucci a Let's family to she I think she
• 34:06
  goes to him every day after work and I was like, okay.
• 34:09
  Here's what do I wear tomorrow? Personal stylist.
• 34:13
  You know, also the scene well throughout the movie, I was
• 34:18
  getting some pretty hardcore sidekick.
• 34:20
  Nostalgia, for anyone, I had a pink Juicy Couture sidekick, so
• 34:29
  mine is literally on the shelf behind me, literally like my old
• 34:33
  psychic. One Day Drake or some rapper
• 34:37
  will make it cool again. And T-Mobile be like, guys,
• 34:41
  we're bringing it back and I'm worst in line.
• 34:44
  They brought back the razor so why not?
• 34:46
  The sidekick? Hello.
• 34:48
  Yeah. I phone away from me.
• 34:51
  I want my son. I'm kind of jealous.
• 34:52
  I never had a sidekick. I had a razor but that's not the
• 34:55
  same me either. Definitely with such a go I
• 35:00
  could I'll break it out later. It is such a there's like a
• 35:05
  Sound. And then there's little
• 35:06
  trackball. All it was heaven heaven on
• 35:09
  Earth but inside, awesome, not so heaven on Earth is Miranda's
• 35:18
  reaction to that guy's collection.
• 35:22
  I can never remember his name. He's like a main character kind
• 35:25
  of, is it Jason, Holly Jason Holt, is that racing Hall?
• 35:29
  I think so. Yeah.
• 35:33
  Yeah, I think so. Lips.
• 35:35
  Yeah, but I love this scene, how she's just like destroys his
• 35:41
  whole line with like a little slipper slip and it's like, oh
• 35:45
  my, you really do have the power here and also Patricia talked a
• 35:50
  lot about, you know, the inspiration for Miranda was
• 35:54
  Donna Karen. She was like there's a huge
• 35:58
  archive at Donna. Karen of all their looks and
• 36:02
  styles and it really has Never gone out of style.
• 36:06
  So she really just had to like accessorize it and just like
• 36:10
  kind of pick the right pieces but it set like just this
• 36:13
  perfect work wear sophisticated, look, firmer Anda.
• 36:19
  Mmm, so good and that's it from like the 80s and 90s to and you
• 36:24
  can't even tell. Yeah, yeah, yeah.
• 36:28
  That's amazing night. I always felt hilarious told
• 36:30
  that Miranda is supposed to be like, based off of Anna.
• 36:34
  Yeah. Yeah, did you see the updated
• 36:38
  that are little some changed? No.
• 36:42
  They said that it wasn't because they don't want to get her wrath
• 36:46
  because the whole thing. So they made it.
• 36:48
  A lot of designers didn't want to help with this movie because
• 36:51
  they're afraid of Anna Wintour. Like a lot of, in a lot of,
• 36:54
  like, even places to shoot. But yeah.
• 36:57
  Yeah. I've heard both of those stories
• 37:00
  that they're like, trying to change it up.
• 37:02
  Be like, it's not Anna, but it is It's like a really bad
• 37:06
  secret. Anything.
• 37:07
  Read the book because I never know.
• 37:09
  I've always thought I read this and Nanny Diaries at the same
• 37:12
  time. I was like, oh okay, so we were,
• 37:15
  we were yeah, it was that, this is what I thought and Bert
• 37:19
  daughter Kwan's. Yeah.
• 37:21
  Oh yeah. Yeah.
• 37:23
  But yeah. This is definitely based on her.
• 37:25
  But you know, nobody wants to get sued.
• 37:27
  So it's just like a wink. Who else?
• 37:29
  Is it going to be based on? Yeah, well, they keep saying
• 37:32
  it's like who died here? It was like that women's wear
• 37:35
  daily. It's another.
• 37:37
  Oh God. L wish I would have said, is it
• 37:40
  like magnets another Editor in Chief?
• 37:42
  I yeah. Oh, gosh, because, well, what's
• 37:45
  her name was really popular at the time.
• 37:48
  I don't know. She was on Project.
• 37:49
  Runway constantly Nina. Yeah, this is my time.
• 37:57
  No. That's very unfair, Claire.
• 37:59
  Wait, what? Now, we're just referencing
• 38:01
  everything. There's a person who works at
• 38:04
  Magazine somewhere. I'm so mad.
• 38:07
  I haven't saved this, but I'll try to find it.
• 38:09
  It's, they were like they're too.
• 38:10
  Well, like you said they're backtracking because I'm sure
• 38:13
  this is one of those things that like, your agents would tell
• 38:16
  you. Oh, don't worry.
• 38:17
  It'll like burnout in a few and now, like Anna Wintour like
• 38:20
  children are growing up knowing that this is, you know, Anna
• 38:23
  wintour's terrifying. Yeah, she is.
• 38:29
  But, you know, I've always gotten like nice advice from
• 38:31
  her. Maybe it's because I've never
• 38:32
  worked from her but she always has this looks like kind-hearted
• 38:35
  to me but she looks like to do her job every time I watch this.
• 38:45
  I get like, you know, all of us have worked in La at some point
• 38:48
  of time Elizabeth's, not here anymore.
• 38:50
  But like just like that stress of like, working in high
• 38:53
  pressure environments though. Oh God, yes.
• 38:55
  This film literally makes like the anxiety like build up inside
• 38:59
  of me just like watching her interactions with her boss.
• 39:01
  It kills me every time the for trying Get our the flight that
• 39:05
  one stresses me out. But I was in say, if you know,
• 39:07
  there's that new book about Anna Wintour that just came out
• 39:10
  recently, and a lot of people were talking about a part where
• 39:15
  they talk about her lunch, which is like a steak, right?
• 39:19
  And then remember, there's that scene in this movie.
• 39:22
  Where should the 110, the stake in the sink?
• 39:25
  And I wanted cry. Every time I want to eat that
• 39:28
  50. I would have rinsed it off.
• 39:29
  I'm not above and I know it. Freaking Smith & Wollensky,
• 39:36
  steak at an intern. Yes, distant, right?
• 39:39
  Yeah, I that's that's lunch. I know they're fine that think
• 39:42
  was already clean, so you might have even had to rinse it off.
• 39:45
  Honestly, do your point. Spencer, this does and I think
• 39:48
  that's why I hate and he's exterior group so much because
• 39:52
  if you've ever worked in like the industry, Hollywood,
• 39:54
  whatever it is, yeah, or have a high-pressure job, you know,
• 39:58
  that you kind of rely on your friends to either understand or
• 40:01
  like show you some Grace, like, I don't care if you're
• 40:04
  committed. Writing like, oh yeah, your boss
• 40:05
  sucks. But you don't, you look to them
• 40:08
  to not add pressure because you're already at the point
• 40:10
  where you feel like throwing a stake into the sink.
• 40:14
  Yeah. So that's problem or problem.
• 40:15
  I were to is if you worked in an environment where there's like
• 40:18
  food and catered stuff, there's no problems.
• 40:20
  You need that state. Yes it sucks that you went
• 40:22
  through all that trouble but I'm like okay girl boomy box this up
• 40:26
  dinner for two nights like okay absolutely.
• 40:32
  So she gets hurt. Or gets her, what is it?
• 40:36
  It's a stake in Caprese salad from somewhere, down town or
• 40:40
  whatever, like battery, whatever that area is.
• 40:43
  And then she takes the but no salad but she just wants the
• 40:46
  cheese and tomato you know she's all keto.
• 40:49
  Yeah okey do. Oh this is this is what you get
• 40:56
  when you have a son. Did you guys see that?
• 41:00
  Rachel McAdams was originally offered the role and she Came in
• 41:04
  three times to read for this and every single time, like, I think
• 41:10
  she was, you know, doing what you do as an actor.
• 41:12
  But for whatever reason, she turned him down and the usual
• 41:16
  glist. You know, the Natalie Portman's.
• 41:17
  Everyone came through but like they really, really wanted.
• 41:20
  Rachel McAdams for this. Hmm.
• 41:22
  Miranda or Andy, Brandi? Okay.
• 41:26
  I was like why that would be imagined Rachel McAdams.
• 41:31
  Let's redo this. Rachel McAdams as Miranda.
• 41:34
  Rhonda and then the hair. Yeah, I was like madly as Andy
• 41:41
  go. This is what we're watching now.
• 41:43
  I mean I was definitely you know I'd W it.
• 41:45
  Yeah. Rachel McAdams as Andy I mean I
• 41:49
  guess I could see it too. I don't know.
• 41:51
  Yeah I feel like Natalie Portman would have been fun to but that
• 41:54
  would have been like a weirder like have edgier film.
• 41:57
  Yeah. Yeah.
• 42:00
  No I don't know. So many possibilities.
• 42:03
  Wouldn't wouldn't. In the same wouldn't have been
• 42:05
  the same what's diving Rachel McAdams has a Kinder face if
• 42:10
  that makes any difference but she plays such a good bitch
• 42:13
  though. Yeah that's true.
• 42:15
  I feel like Rachel McAdams would have been like a good Emily
• 42:19
  Emily. But I mean, yeah.
• 42:21
  But Emily's Emily though, like oh, you know, Emily Blunt is
• 42:24
  amazing but definitely like or giselle's character like she
• 42:28
  could have been anywhere in that environment.
• 42:30
  But what doesn't fit into this environment is this Photoshoot,
• 42:36
  which makes me laugh and cringe. Every time I see it, the
• 42:41
  concrete jungle photo shoot in the middle of Central Park.
• 42:44
  Oh, you know what I'm doing, like improv exercises like, wow,
• 42:49
  I'm a cat. I think you guys also spoke to
• 42:53
  Mona may also about Enchanted. But now, I always think about
• 42:56
  like her time out during that Enchanted seen in Central Park
• 42:59
  and how is like 2,000 degrees, and their one was melting and
• 43:02
  falling apart. You know, the scene was It was
• 43:05
  so hot. Absolutely.
• 43:07
  The worst part about it is those are all like extras.
• 43:09
  There is no like shady cool area for them.
• 43:12
  So they just have to look like this is a great time.
• 43:16
  They felt like their in the jungle, they were actually
• 43:18
  becoming animals. But Stanley Tucci looks great.
• 43:24
  Yeah, he does. He's one of the he said like
• 43:27
  when he got into his costume like that was one things clicked
• 43:30
  for him and his character, which it's like that's that's why
• 43:33
  costumes. And this movie, not just because
• 43:36
  it's all about the clothes. But, like, it really helped him
• 43:39
  get into the character, which his character is only good
• 43:43
  person in this movie. Yeah, it looks that he didn't,
• 43:47
  you know, that like screwed over.
• 43:49
  He's supposed to be. Yeah.
• 43:51
  A little bit inspired by Andre Leon Talley.
• 43:54
  Right. Yeah, that's what I thought.
• 43:56
  Yeah. Yeah.
• 43:59
  But definitely like, I could imagine Stanley Tucci just like
• 44:02
  really getting into his character which All say that's
• 44:05
  to like Stanley, Tucci plays, this character, a lot is seems
• 44:08
  like in a lot of different films, but as soon as he gets
• 44:12
  into that costume, he becomes like this editor it, he does it
• 44:15
  so well, I love him. I just love Stanley Tucci.
• 44:19
  Yeah, he's good. Yeah, he's good.
• 44:21
  And you think that, you know, he's tough and he's good.
• 44:24
  But yeah, I still it pains me the, the scene where he gets
• 44:27
  left over. I just it's like one of those
• 44:29
  things where you can't bounce back like I know the movie keeps
• 44:31
  going and I'm like, who that Yeah, I just this is the end
• 44:36
  didn't pay too dark once that happens, like, that's easy for
• 44:39
  me. I started clapping, it's like
• 44:41
  everything everywhere all at once.
• 44:42
  Just like, oh, it's done now. Middle not to get too far off
• 44:48
  but we just watched everything everywhere.
• 44:49
  All at once. The episode hasn't come out yet.
• 44:52
  Yeah. Greatest movie of like the past
• 44:54
  year so so so good. I was late to see it Marie was
• 44:59
  like watch it. Watch it, watch it, watch it.
• 45:02
  And then I watched And I it changed everything like because
• 45:07
  I don't like crying and so I felt like everyone was like, oh
• 45:10
  I cried when I watched it but you know it was like a stranger
• 45:14
  things cry. It was good were so right?
• 45:16
  Yeah, I tried to when I cried during the hot, dog fingers
• 45:21
  scene when they were breaking up.
• 45:24
  No, that was beautiful but it was Beauty.
• 45:26
  It was lovely and beautiful. She wipes her tears with her
• 45:31
  foot and I started laughing again.
• 45:35
  I was just like, this is incredible.
• 45:37
  I thought late to, we saw it last weekend.
• 45:39
  I had a drive, like, 40 minutes away, you can find like a beer
• 45:42
  that was still playing me. Yeah, you could rent it two days
• 45:46
  after I saw it. Okay, so this next character,
• 46:02
  which I thought everyone will be excited to talk.
• 46:04
  About turns out I was wrong. Yeah.
• 46:06
  Tristan Thompson, keep terrible. I just thought everyone would be
• 46:10
  like oh my gosh, she's so attractive but I guess I was
• 46:12
  really wrong so you don't you don't know me at all.
• 46:15
  Yeah, Mom. Thank you.
• 46:21
  I would definitely pick Adrian Grenier over him.
• 46:24
  Yeah, I take Stanley Tucci. Yeah, we would just be living
• 46:28
  together in domestic Bliss. Yeah.
• 46:34
  Stdin is a terrible. I just hate him every scene.
• 46:38
  He's in. I want to die.
• 46:40
  It was just miserable. That's like every character
• 46:44
  that's not Andy and Miranda and Emily in this film.
• 46:46
  We like I just don't like this person.
• 46:49
  I wonder if he's like inspired by a like a certain writer from
• 46:53
  back then, you know oh I'm sure like the the photojournalist
• 46:59
  dude that like goes after all the ladies I'm sure the only
• 47:04
  reason Dreaming quality of the, or fact about this is that the,
• 47:08
  in the scene, with the James Holt party, that's Anne
• 47:11
  Hathaway's. Favorite look.
• 47:13
  So, that's the only thing that I got out of.
• 47:15
  Well, yeah, it was that. I kept waiting for it.
• 47:17
  She said she likes. I love her mini skirt and her
• 47:20
  slouch boots and the, you know, Chanel coat.
• 47:22
  So, yeah, that was the nicest part of this scene every part
• 47:26
  where he pops up. He just he's slimy.
• 47:30
  I don't like this character at all and I feel like he's the
• 47:33
  opposite of stand Touche feel like Stanley juice character
• 47:35
  starts off tough but is such a sweet soft on the inside.
• 47:39
  And is really just trying to make it through this like you
• 47:42
  know the situation where everyone's being abused.
• 47:44
  This guy tries to come off as like mr.
• 47:46
  Nice guy and does help out like the you know the Harry Potter
• 47:49
  Universe for Potter but in the end is just a scuzzball.
• 47:54
  Yeah. And I hate his scarves.
• 47:56
  They're so stupid. Oh, God.
• 47:58
  Face off the screen. We could keep talking about.
• 48:06
  I just don't want to see him anymore.
• 48:09
  Yeah. The scarves are a bit much for
• 48:11
  me too. Yeah, him.
• 48:12
  Now those scars are never good. I don't get why people keep
• 48:16
  trying to bring him back, douchebag scarf?
• 48:18
  Yeah, it is, it is, it is, that's the perfect way to
• 48:22
  describe that. Like, I've traveled and you
• 48:25
  haven't, ya not really but not really, it's just a basic
• 48:28
  version of a dude's infinity scarf.
• 48:30
  Like, that's all that it. Yeah.
• 48:34
  I'm gonna go throw away all my scarves now, you do not wear
• 48:38
  your scarves like that she's but I don't know.
• 48:42
  Like that's not you're not doing the like know then but it's a
• 48:46
  way too long as well. Yeah, it looks.
• 48:49
  I feel like everybody else would have had a purposeful.
• 48:53
  Like, almost like meditation scarf if that makes sense.
• 48:56
  If that evokes like an image, his is like I got this at the
• 49:00
  bazaar when I was stationed and Doing a foot like journalists.
• 49:05
  They hate him. Don't like him at all.
• 49:08
  I don't like him at all. I don't he's like oh, Solomon
• 49:11
  rushed. You gave me this scarf.
• 49:12
  When I published his book, like it has a story and it's
• 49:16
  irritating, and he's just a bad New Yorker.
• 49:19
  I don't like that. I feel like it's my friends.
• 49:26
  He's the worst person in this whole.
• 49:30
  Then the boyfriend. Yes, he's the worst person in.
• 49:34
  In the, he's the villain. Yeah.
• 49:36
  Yes. Noted Murray does not like him.
• 49:41
  Never bring it up again. I don't know where it was coming
• 49:44
  from. I'm sorry.
• 49:52
  Anyway. So their game ready to well,
• 49:59
  we're kind of going out order maybe in some ways but, you
• 50:01
  know, Andy is really starting to Pick up steam at work and Emily.
• 50:06
  You know like we all know, just feel like we always have to work
• 50:09
  ourselves into the ground. Comes to work sick things just
• 50:12
  start falling apart, that gave me that made me nervous in this
• 50:16
  day and age and it's gone. Yeah.
• 50:20
  If we saw Emily walk in like this today I would clear the
• 50:23
  building or but that's it's so weird because I do feel like
• 50:30
  working in New York. It's I've known people that have
• 50:33
  gone on had like surgery And come back to work.
• 50:35
  I feel like it's just an unhealthy.
• 50:37
  It's something that we would never do on this Coast but
• 50:40
  that's like an absolutely normal.
• 50:44
  It was an absolutely normal thing.
• 50:46
  It's just so sad. I like this look for and even
• 50:51
  though it's not I don't like the way that it's.
• 50:53
  It's because I'm not that fashion e but it's a callback
• 50:56
  to. So she has like polka dots twice
• 50:58
  in this like these like chocolate.
• 50:59
  Pretty Woman Brown up a notch, has a scarf that matches this
• 51:03
  kind of Look with a coat and put in the chat.
• 51:05
  I love it so much. It makes me so happy to see like
• 51:09
  Andy finding her looks for costume design.
• 51:12
  Emily Blunt sick. Look, I get the bracelets.
• 51:15
  Probably didn't hold up for this dial change but those buttons
• 51:19
  the way that they catch ya the light.
• 51:21
  Oh sorry. Do that again.
• 51:23
  The buttons the way they catch like the way that like she's an
• 51:25
  all black but it's so Chic it's like finished and you know high
• 51:31
  neck it's just she looks amazing and It goes with her nails.
• 51:35
  So it makes me happy. If there is one thing I could
• 51:38
  like steal from this movie, it would be this look right here,
• 51:41
  really? Yeah.
• 51:44
  Like of like the whole movie. Brilliant?
• 51:47
  Gorgeous. Love it.
• 51:49
  It's very 2000's still. Oh yeah.
• 51:52
  Like it's this 2010's for sure. Yeah, like it is dated but that
• 51:57
  this is like. This look is not.
• 51:59
  You can take that look and put it anywhere.
• 52:02
  Yeah. And it's going to look current.
• 52:04
  I feel like it's a pretty equal, like there's half of the looks
• 52:08
  very like roof that is 2008-2009 staring at me and then the other
• 52:12
  half is like very classic Timeless.
• 52:14
  Yeah that's in this picture. I do feel like Anne Hathaway
• 52:18
  looks great but it's like oh yeah that's 2,000.
• 52:21
  Yes a shirt get that blouse out of my face.
• 52:24
  I hated that one. It was like yeah and there's
• 52:28
  just you can too many big belts, you know it's not too sure.
• 52:32
  I think it's the styling is a It'll it's the stylings 2000's.
• 52:37
  Yeah I think that that was like a thing like crunchy boxy.
• 52:40
  Like it was it's a you can look at that and know it's
• 52:43
  uncomfortable. Like it doesn't feel good
• 52:45
  against your skin. It's like it's that top is
• 52:49
  wearing her. She's not wearing that top but
• 52:50
  that's you know editorial fashion.
• 52:53
  That's the card. The so the scarf that brings
• 52:55
  back. It's like Andy pulled through
• 52:58
  things and if you notice some of the gloves are definitely back
• 53:01
  to like her original Cerulean and You where it's like.
• 53:05
  Those gloves are probably very expensive, but they look like
• 53:07
  Grandma on it. Yeah.
• 53:09
  There, you know, I'm sure they're expensive but yeah, I
• 53:13
  just enjoyed seeing that clearly some things and he actually
• 53:16
  enjoyed and pulled them through made me.
• 53:19
  Happy my we haven't even talked about that one scene where Anne
• 53:25
  Hathaway goes Anne hathway. See now I'm messing them up when
• 53:29
  Andy goes to Miranda's house and she has to deliver the book and
• 53:33
  of course she Messes it up. She's like sneaking through the
• 53:36
  house which I don't know why she would think.
• 53:38
  This is a good idea. But the second time she goes
• 53:42
  around as house, she really pulls it out.
• 53:44
  I mean he pulls out this look that is just like chefs kiss
• 53:49
  it's so good. This is that the Miu Miu Miu Miu
• 53:53
  top. Is it this one with the Chanel?
• 53:56
  Yeah. Yeah.
• 53:57
  I think it's like a Munich, a Prada arm, you know, whatever
• 54:01
  that's perfect. Those twins.
• 54:05
  Secondary evil. Like it's open to the other
• 54:07
  building has the signing twins. He ran away tonight.
• 54:11
  There's that's right. That's the difference between
• 54:14
  Andy. Like, I'm gonna get fired.
• 54:16
  I'm gonna get fired for cousin, somebody out and it's gonna be
• 54:18
  those. Yeah, look here.
• 54:19
  You little spoiled ass, but I don't mess with people's money.
• 54:23
  Published manuscript for the next Harry Potter down.
• 54:27
  Unbelievable Bound for these little bit like, no, it's okay.
• 54:30
  You can come upstairs, like, I get it.
• 54:32
  But also there. Gonna learn something in like
• 54:35
  how yeah the working class needs these jobs and you're not about
• 54:39
  to, like, get me fired because if I don't know, I have a soft
• 54:42
  spot for and I don't like the character.
• 54:44
  I don't like, Anne Hathaway's. Character is so so much.
• 54:46
  I like the movie a lot, but, like, to your point, like, she
• 54:50
  just doesn't show up. Like, it just like, girl.
• 54:53
  She said, put the book down and go, and he's like this door,
• 54:57
  this door, let me come upstairs. Like, you have to be smart.
• 54:59
  You're smart. That's the hold, the movie
• 55:01
  starts with you being so smart. You have to there is empty like
• 55:06
  a little table. I was a sat down and just
• 55:08
  promptly left. I would said, I rang your door
• 55:11
  didn't work. The key was broken.
• 55:13
  Yeah, there was a fire on whatever 53rd, I couldn't get
• 55:17
  whatever it is. Do it down.
• 55:19
  The kids did it. Did it.
• 55:23
  Yeah, I just like this one and in front of the door, I'm
• 55:27
  putting the, you know, dry cleaning in.
• 55:29
  It's going there. I'm not worrying about it and
• 55:31
  walk out she hates you. Anyways, it's not.
• 55:34
  I can make anything better walking up the stairs and cry.
• 55:39
  It's just so cringy. And he says, why do you just
• 55:41
  crawl into bed with them hoes? Like it's a point was, it's a
• 55:44
  point that way. I mean, bad was actually where
• 55:48
  it was that Emily's terrible, but sometimes she says, things
• 55:51
  are like she does have a point. Yeah, I am a sucker for
• 55:56
  necklaces and layering and jewelry.
• 55:57
  I've always liked One stacked rings and like, Julie my life's
• 56:02
  Mission. I need everyone to Stan.
• 56:04
  The sidekick era of never being able to find these things.
• 56:07
  I have looked for this, it's not a necklace.
• 56:10
  It's two necklaces and it just doesn't exist and every
• 56:14
  fraudulent I'm trying to think of like what's another one, like
• 56:18
  like a, Balenciaga leather moto jacket, like those like knockoff
• 56:23
  things that are like universally knocked off.
• 56:26
  This necklace is one of them, the one specifically, the one
• 56:30
  with all of the pair of souvenirs charm.
• 56:32
  So she has on to L necklaces. She has one that has all of the
• 56:36
  Paris, who it's like, it's called, like, shit, Chanel's
• 56:39
  souvenir collection, or whatever, and is the one for
• 56:41
  Paris, then she has like a regular.
• 56:44
  And I'm using air quotes, Pearl, strand from Chanel.
• 56:47
  That's a little more accessible like you can find it except for
• 56:51
  the fact that these pearls change in size, both are
• 56:55
  ridiculously expensive and I cannot find I've seen, I've seen
• 56:59
  people that have the souvenir charm necklace and Just it
• 57:04
  doesn't exist but the close-ups of each one of those charms
• 57:09
  juicy at the time, used to make charm bracelet.
• 57:13
  And I was obsessed with them because the charms were
• 57:15
  expensive as hell and they were but they were so well done.
• 57:19
  Like they each had like a little secret.
• 57:21
  So like if it was like a little apple for New York you would
• 57:23
  like open it and it'd be like a golden worm inside or something
• 57:26
  like, really cute and that's how these charms are like she has
• 57:29
  like a little Eiffel Tower and it like has little like diamonds
• 57:33
  crystals. Like Littering lights and like
• 57:34
  the buses like pink with like rhinestones on it.
• 57:37
  Like it's so freaking cute unfindable thousands of dollars.
• 57:42
  If you can find a vintage Vibe is wild, we're putting a hit on
• 57:46
  this. We need a do you?
• 57:48
  This was one of those things. I like even then I was like this
• 57:51
  is gorgeous and something I need in my life.
• 57:54
  Yeah. I want it for, you know, like
• 57:58
  where this is going to be a group effort to get one.
• 58:02
  Hey you found that book for me. Now we can do this.
• 58:05
  Yeah, that was cool. Set.
• 58:08
  Elizabeth really wanted Aiko issue yokas like Dracula book
• 58:12
  and no, yeah, and I found it. Why, when I say found it, I
• 58:16
  mean, I got it through Amazon, but it wasn't like $5.
• 58:20
  It's fine. Yeah, that's lovely.
• 58:28
  Well, next up, we're all on team is our other podcasts.
• 58:32
  This is our like hunt. Have a hunting podcast.
• 58:35
  Yeah, yeah. It's called like hunt for the
• 58:37
  costume. Jewelry are the real version of
• 58:41
  the right unaffordable. Chanel 225 that hundred dollar
• 58:45
  necklace. I love the podcast, it'll be
• 58:50
  great coming in Fall, so it's time for a little benefit Emily.
• 58:56
  Still showing up to the benefit. She does look good, you know but
• 59:00
  you can she still sick. Clearly redneck virus.
• 59:04
  Just spreading this is nice interest brother.
• 59:07
  Couldn't happen to a nicer group of people.
• 59:09
  So God go for it. Emily, go for it but they all
• 59:18
  look. So good.
• 59:20
  Especially Miranda. I love the silhouette on her.
• 59:24
  She looks good. Yeah, I think this is also the
• 59:27
  first time you get like a little sexy busty Miranda.
• 59:31
  Hmm. Yeah, for sure.
• 59:34
  I also love. Jacqueline Jean clean.
• 59:38
  Yes, exactly. And fillet.
• 59:41
  She looks good too. We don't have a picture of her,
• 59:43
  but I remember seeing her for the first time I was like, who
• 59:45
  is that? It's funny.
• 59:49
  Because Anne Hathaway's character.
• 59:51
  I feel like the note would be from them.
• 59:53
  Like, you don't have to dress that because she liked, she
• 59:57
  looks dressed up, and she's really shining here.
• 1:00:00
  And when you look at, like the scene as she's leaving, like,
• 1:00:02
  talking to like, Whatever stupid boy is that, whatever.
• 1:00:10
  Our luck literally looks like, she's like walking the red
• 1:00:13
  carpet at, like, can like the film festival, like she looks so
• 1:00:18
  good. Like, Andy looks so good.
• 1:00:19
  I feel like, I know we made a lot to like, get her in to work
• 1:00:24
  looking good. But this to me is the one where
• 1:00:27
  everyone should, it should be like Cinderella, yeah, like, who
• 1:00:29
  is that? She's gorgeous.
• 1:00:31
  Like, she looks so amazing. And it's done.
• 1:00:34
  So well, and you know, nobody else has a flower in their hair
• 1:00:37
  like that and she just, she looks real good.
• 1:00:40
  It's almost so brilliant to where I feel like, if I were a
• 1:00:43
  writer, like, Miranda would almost probably be annoyed by
• 1:00:46
  and he's look, because that might be like a most upstaging
• 1:00:49
  her a little bit. Obviously, like, they would tell
• 1:00:53
  her to like tone it down next time.
• 1:00:54
  Like, you don't have to go so cute.
• 1:00:56
  Yeah, maybe mildly cute like you, like I've created a
• 1:00:59
  monster? Yeah, I think the bus line
• 1:01:01
  though. Like if she had more cleavage
• 1:01:03
  than I think it would have veered towards that, but Miranda
• 1:01:07
  is just, it really is that neckline that makes her Stand
• 1:01:10
  Out. Uh-huh.
• 1:01:12
  So she's fine for now. Yeah.
• 1:01:15
  And Emily is just trying to make it through.
• 1:01:17
  Yeah, she's just trying to make it for Emily.
• 1:01:22
  She's poor Emily. But good.
• 1:01:24
  She keeps with the, like, rock and roll wrist.
• 1:01:27
  We're like, even with this. It's a little.
• 1:01:29
  Yeah, it's just, it's a thing. Like I feel like You know, Emily
• 1:01:34
  might go on to like work it Rolling Stone editorial.
• 1:01:37
  Like do the covers. It's she's really edgy.
• 1:01:40
  I like Emily. Yeah.
• 1:01:42
  That's I never really thought of her like that to she's like
• 1:01:44
  really edgy. I that's okay.
• 1:01:46
  Apparently, yeah, because she wore Rick Owens and Vivienne
• 1:01:49
  Westwood, you know, Angela several 30 were so there you go,
• 1:01:54
  her makeups heavier. But in a very deliberate way,
• 1:01:57
  you know, she's just, I like her.
• 1:01:59
  She's a little dark rock and roll absolutely but Going on to
• 1:02:04
  Paris. Hmm, yes, Paris.
• 1:02:08
  Which I always think these scenes have a lot more fashion
• 1:02:12
  in them than they actually do. Yeah, we're on like this outfit
• 1:02:18
  of hers when she throws everything away is like the big
• 1:02:21
  fashion moment of that whole trip.
• 1:02:24
  I feel like I won note that I had was, I actually like a, like
• 1:02:29
  how she looks in Paris even though they seem like
• 1:02:33
  understated, Did I mean there's a lot of she wears a lot of
• 1:02:35
  black, right? And it's hard for us to really
• 1:02:37
  like see all the details, but I think it's also just everything
• 1:02:42
  her like makeup her hair. She just looks so put together
• 1:02:47
  in the and all the Parris. Yeah.
• 1:02:49
  Well also I feel like she was really just humbled to by going
• 1:02:52
  to Paris and like taking Emily spot.
• 1:02:54
  I think that's when I got really real for Andy where suddenly she
• 1:02:58
  was like in Paris and she was like she didn't know what to do.
• 1:03:01
  She kind of like you know she's still dressed up but she's kind
• 1:03:03
  of Like uncomfortable. Now with this whole costume
• 1:03:06
  scenario that she's created for herself.
• 1:03:09
  Yeah, because we've known from the very beginning of the movie
• 1:03:12
  that this is not for her, she'll know, she's not going to Paris.
• 1:03:15
  It's for number one, the one number one assistant to go.
• 1:03:17
  So like, don't even worry your little head because I'll be in
• 1:03:21
  Paris. This is what my whole like the
• 1:03:23
  sickness everything. It's all about Paris, so don't
• 1:03:27
  worry. So I do.
• 1:03:27
  I think it's a lot of costume. I think she'd like looked up, I
• 1:03:32
  don't know breakfast at I don't know some some French film and
• 1:03:37
  was like I'll just take these outfits from the big closet in
• 1:03:40
  the back and tried to like pull it together, looked up Roman
• 1:03:42
  Holiday. And was like, okay what do I
• 1:03:44
  need to wear that with women? I also think less like there's
• 1:03:50
  some part of it and I get, this is fantasy but her grooming
• 1:03:54
  that's what like these like her hair with the bump.
• 1:03:57
  Like Andy would have been spending a f ton of time like
• 1:04:01
  getting ready in the morning to like look like this is Isn't
• 1:04:04
  just like, putting on the dress, which I don't think they really
• 1:04:07
  cared about for this movie, since it's definitely about the
• 1:04:09
  clothes, but I her whole way of like, styling her bangs and
• 1:04:13
  pulling her hair back and like, how she does things.
• 1:04:16
  It's, it's so grown and I think that's why she also looks like a
• 1:04:20
  whole different person. It literally looks like when
• 1:04:22
  movies, do those, like, pick up shoots like months later.
• 1:04:25
  That's how different. These parents seems, she looks
• 1:04:29
  totally different. Absolutely, and the red lip.
• 1:04:33
  That's a boy. Olga I need to know what that
• 1:04:35
  lipstick is. It's a good one.
• 1:04:37
  We're going to make it up. Chanel, look at me.
• 1:04:41
  I just noticed her little gold handbag to.
• 1:04:43
  It's so cute and lovely. There's also another little,
• 1:04:47
  like, when she's walking with the creepy dude in Paris, she's
• 1:04:52
  like holding this small, like a tiny black, like box bag and I
• 1:04:57
  love that bag. I'm just it's so cute.
• 1:05:00
  Yes, she has a lot of really cute little like clutch.
• 1:05:03
  Is unlike smaller bags in this movie, that go easily unnoticed,
• 1:05:08
  but there's all like, really interesting and adorable.
• 1:05:11
  Yeah, the bags, and that's what we are.
• 1:05:13
  They're very good. They don't get the, the shine
• 1:05:16
  that they deserve, but like, that's like a little, like
• 1:05:18
  velvet mustard bag that's a statement.
• 1:05:22
  Yeah, yeah. Very cute or green.
• 1:05:26
  I can't tell chartreuse. I might be color blind.
• 1:05:30
  I was one of those people that thought truce was like me.
• 1:05:33
  Like fuchsia until this year so don't listen to me.
• 1:05:37
  Yeah, you're kind of actually rocking my definition of
• 1:05:39
  chartreuse right now. Feel like while we're talking
• 1:05:42
  and be Googling on the side. So wow, we have come to the end
• 1:05:49
  of the film where Andy, not at the magazine anymore, but she
• 1:05:54
  looking equally as good Patricia fields.
• 1:05:58
  That to Entertainment Weekly, she went in one girl, she came
• 1:06:01
  out another girl, rather than a Mais, I would call it a
• 1:06:05
  combination because she knew that she couldn't go from
• 1:06:08
  another go for another job that has nothing to do with fashion.
• 1:06:13
  Looking like she just stepped off the pages of the fashion
• 1:06:16
  magazine. I don't think that the people
• 1:06:19
  would necessarily get it. So I believe she thought thought
• 1:06:23
  about it and said, okay I'm not going in my Cerulean blue
• 1:06:27
  sweater but I want to get myself together a little bit here which
• 1:06:31
  it's like that's the whole lesson in dealer.
• 1:06:33
  And is that like, hey, like it matters how you present
• 1:06:36
  yourself, but you don't have to be crazy about it.
• 1:06:39
  Yeah, shouldn't her. I also think that this look is
• 1:06:43
  the one that people took off and like everyone did a version of
• 1:06:48
  this. Like, this was a thing, this was
• 1:06:51
  like a successful, like working cool person.
• 1:06:54
  And if you are at that level, like, you can wear this to work
• 1:06:58
  and still go out and not feel like a lunatic and a costume
• 1:07:02
  like after work like you still would be Very cute with your
• 1:07:04
  friends. Yeah.
• 1:07:05
  Like this is realistic and attainable.
• 1:07:08
  Yeah. And very Andy.
• 1:07:09
  You like, I like the leather jacket.
• 1:07:11
  I like the smart like little messenger bag.
• 1:07:14
  The boots are cute with the little like not too tight jean,
• 1:07:17
  it's gorgeous. The color scheme just works of
• 1:07:20
  her so perfectly, I have issues with it.
• 1:07:24
  I do I feel like something's off and I think it might be the
• 1:07:28
  length of the like the height of the boot.
• 1:07:30
  There's something a little off of it for me, you know, I will
• 1:07:33
  Brown and black together, you know, I don't know diddly me
• 1:07:37
  when Blair just said, the looseness of the pants.
• 1:07:41
  Yeah, I think the loosest of the genes going to like the
• 1:07:44
  looseness of the boots so I feel like I don't like that shape
• 1:07:47
  right there. That might be what is triggering
• 1:07:49
  what? So one needs to either.
• 1:07:51
  The boots need to not slouch and come up higher or the Japanese
• 1:07:55
  to be more fitted and tapers to a slouchy boots.
• 1:07:59
  So it so the tapered came to jeans were tighter so the boots
• 1:08:02
  could like get their slouch on it.
• 1:08:03
  I could see what you both are. It's like that.
• 1:08:06
  That makes a difference right there.
• 1:08:08
  I get it away. Sterling's greatest.
• 1:08:11
  I also don't like where the boots flout.
• 1:08:14
  Yeah, so for me, I'd appreciate a leg warmer slouch, which means
• 1:08:18
  the top part of the boots needs to like, scrunch down and then
• 1:08:21
  it can go into this. These Boots Are slouching below
• 1:08:24
  like, at an ankle level and then as they go up there less
• 1:08:27
  slouchy, which I can see. It looks a little, it looks a
• 1:08:31
  little Shrek e, it looks a little stressed.
• 1:08:34
  I get it does this. It looks like very, like, Robin
• 1:08:37
  Hood and his merry men. I get it.
• 1:08:39
  I can see it. What is something was going off
• 1:08:43
  on me? This is one of those moments
• 1:08:46
  where now, everytime I watch this film?
• 1:08:48
  I can see this look, and I can think back to this moment.
• 1:08:50
  I've never noticed this on this look.
• 1:08:52
  And now I'm never gonna unsee it.
• 1:08:54
  Sorry. It's my, it might be better with
• 1:08:57
  motion, like it also could be one of those things like, you
• 1:09:01
  know, I don't know. I don't know.
• 1:09:03
  I know. Tricia Poe.
• 1:09:04
  Like, if they did it, they did it for a reason.
• 1:09:06
  It might have been called, like the sock boot, look where they
• 1:09:08
  wanted it to be. This was 2008.
• 1:09:10
  You know, that's where Lee, where it was.
• 1:09:12
  I think if it was like, modern times, it would have been
• 1:09:15
  different, but would have definitely been cleaner.
• 1:09:17
  I'm pretty sure I had boots that looked exactly like that in
• 1:09:20
  middle school. So it was a time and place.
• 1:09:25
  I probably had a 2008. I'm sure I did.
• 1:09:28
  Yeah, we were coming off of the ugh trend of the earlier 2011
• 1:09:32
  buddy like to. Yeah I can A gene into boot.
• 1:09:35
  Thank you. Jessica Simpson, forgiving us.
• 1:09:40
  I'm sorry. I feel like really random.
• 1:09:42
  I feel like there was a really hilarious.
• 1:09:44
  Jessica, Simpson shoe joke in hack season 2.
• 1:09:48
  There were still has told me. Yeah, I don't remember what it
• 1:09:51
  was, but the lost and found seen I died.
• 1:09:54
  I was like, that is so on point and only a small amount of
• 1:09:57
  people would understand that. Yep.
• 1:09:59
  Elizabeth. Ennen early 2000s of it all,
• 1:10:02
  that's early 2000s. Passionate like you everybody
• 1:10:04
  gets that. Yes.
• 1:10:06
  It's the, it's the The colored Louis Vuitton and a boot, we all
• 1:10:13
  we've been there guys. We've seen it, Elizabeth and I
• 1:10:16
  put hacks on tours season calendar.
• 1:10:18
  It's just I love that show. So yes, it's so good.
• 1:10:23
  This last season 2 has a lot of grand.
• 1:10:26
  Looks like a great episode. Oh, man.
• 1:10:29
  Oh man. Yeah, even like, I like the
• 1:10:32
  bathing suit choices. Yeah.
• 1:10:33
  Like Hannah's character like her, her little like Chichi,
• 1:10:36
  whatever, they were calling a bathing suit Like, it's good for
• 1:10:39
  her, it was cute. He had some shorts in the hall
• 1:10:42
  tree, bathing suit. Well, The Devil Wears Prada ends
• 1:10:47
  with one of my favorite scenes when she likes these Miranda
• 1:10:51
  from a distance, Miranda gets in a car and she like, gives like
• 1:10:54
  the tiniest little smirk and then she just, you know, yells
• 1:10:58
  at her driver. She's like, go so good much
• 1:11:03
  acting and that smirk, right? You only see like, Miranda
• 1:11:08
  almost Mi twice. The first time was when she sees
• 1:11:11
  an Ewok in dressed up for the first time.
• 1:11:14
  And it's almost like Meryl, almost like Smiles.
• 1:11:18
  So I appreciate this to Smiles all two of them.
• 1:11:22
  Yeah, that's it. Those are the only time are the
• 1:11:24
  corners of her mouth turn up an actual smile.
• 1:11:29
  But it also that the first smile is more.
• 1:11:32
  I think of, I like, she can see, she's done a good job, not Andy.
• 1:11:37
  Oh, really. Like they've broken her and
• 1:11:40
  they're like, she's like, I'm proud of my work.
• 1:11:42
  Look at my work over there. And I would almost say the
• 1:11:45
  second one too because she knows, Andy has this interview.
• 1:11:49
  And when Andy walks out, see you soon is like, hey she's like oh
• 1:11:53
  I just got her that job gets her car.
• 1:11:57
  I never thought of it like that and I don't want to she's a mom.
• 1:12:02
  She actually invited her over after and they like had tea and
• 1:12:06
  she was like, okay now that you're gone, we're best friends.
• 1:12:08
  Larry. There's your yeah that's what I
• 1:12:10
  want to think. I do think it's funny.
• 1:12:12
  It's a comment if you know the abuse of assistants and interns
• 1:12:17
  at this time, you know it was a thing to do.
• 1:12:20
  You took a horrible job with a horrible person that was at the
• 1:12:22
  top of their game which still happens a lot unfortunately.
• 1:12:25
  And they treat you like crap and then they say you've done a year
• 1:12:29
  with me you can go anywhere you want where do you like to go?
• 1:12:32
  And you're always surprised at how gracious those people are
• 1:12:36
  when they give you you know? The opportunity to work wherever
• 1:12:40
  you want, they send you a nice letter or they give you a good
• 1:12:43
  introduction, which it sucks, because the real cycle is they
• 1:12:46
  know. Nobody would last more than a
• 1:12:48
  year under that kind of abuse and they probably would get
• 1:12:51
  sued. So it sucks.
• 1:12:52
  But this was really a big thing at this time, like, people were
• 1:12:55
  taking Jabs at like Studios and, you know, just in different
• 1:12:59
  areas, even Tech was like that like well work you 24 hours till
• 1:13:02
  you like, are actual like, passing out at work.
• 1:13:05
  And then after you completed your first year of Like hazing
• 1:13:09
  will make sure you get a job where you really want to be
• 1:13:14
  which, you know, this does a lot for this.
• 1:13:17
  Yes, little era, the great way to end this.
• 1:13:21
  No, it's really unfortunate. We have definitely like, like
• 1:13:25
  you say gives me the anxiety the entire time.
• 1:13:27
  We've all like had a job like this or like this every single
• 1:13:30
  day, you're like I don't want to go to work and Andy like really
• 1:13:34
  pushes through and honestly like I wouldn't have lasted as long
• 1:13:37
  as Andy. You know, I was cussing twins
• 1:13:41
  out, you know, they would have been like, get her out of the
• 1:13:43
  building. Not only, would I not have
• 1:13:44
  lasted, they would have been, like, take her past.
• 1:13:47
  Yeah. And get her out of the building
• 1:13:49
  at stake was the breaking point for me.
• 1:13:51
  That was, it was, it was all bad.
• 1:13:56
  And, you know, there are some cute things that they didn't
• 1:13:59
  really leaning to like, when you work it, like Conde or wherever
• 1:14:02
  you have that cafeteria and you get all those like you things
• 1:14:04
  not like you would have any time to be there but like they have
• 1:14:07
  all those things there. It's like she could have I don't
• 1:14:10
  know. Poor Andy.
• 1:14:12
  Yeah our party Andy but you look great.
• 1:14:15
  Yeah, nice thing. So I know we ended on Merrill.
• 1:14:20
  I will say I really appreciated the call to Emily at the end.
• 1:14:26
  Yeah. Yeah.
• 1:14:29
  We know how much those clothes are and we know in a realistic
• 1:14:32
  world she probably would have liked depop them or whatever and
• 1:14:35
  like God knew that I meant more Emily's character, actually
• 1:14:41
  appreciates the clothes and the status of wearing those Paris,
• 1:14:45
  you know, future fashion, you know, whatever collection for
• 1:14:48
  the year ahead. So, I thought that was just the
• 1:14:50
  nicest thing and just that was as nice as Emily was going to be
• 1:14:54
  able to be. We saw her kind of like, well
• 1:14:57
  up, but I just thought that was like, such a, that was like a
• 1:14:59
  classy move for her to be like, you know, I know the situation
• 1:15:03
  sucks but I'm definitely not gonna, I'm not trying to run
• 1:15:06
  with it, even I'm out of it. I'm out of the cycle so you can
• 1:15:09
  have all of the extremely expensive Paris gifts and close
• 1:15:16
  and you know, yeah, it's big of her.
• 1:15:18
  No one else would do that real life.
• 1:15:20
  Nobody knows. How would it get the bags?
• 1:15:23
  You know I keep everything. I'm like I want the tissue
• 1:15:26
  paper. It's really nice.
• 1:15:30
  I love seeing like Emily like kind of smile a little bit and
• 1:15:33
  she says like you have big shoes to fill.
• 1:15:35
  Yeah, that's a good one. But yeah, I gave her saying the
• 1:15:38
  film So that ended right after Stanley Tucci's little and that
• 1:15:42
  was it, that was the name of that horse.
• 1:15:45
  And we realize that like just goes crazy and like, yeah, that
• 1:15:48
  was horrible, that it was unforgivable.
• 1:15:50
  Yeah, like to ruins and I do think now that I've never
• 1:15:53
  thought about that as Andre Leon Talley and now looking at that
• 1:15:57
  it's true because we know for a good section of time, he was the
• 1:16:02
  not as a respected extremely influential person behind a lot
• 1:16:07
  behind a lot of our It models behind of a lot of our favorite
• 1:16:10
  looks behind a lot of our favorite Publications and he
• 1:16:13
  just wasn't respected or credited.
• 1:16:16
  He was loved and appreciated so he didn't get that imprint but
• 1:16:20
  he got that with like his relationships and it was only
• 1:16:23
  later as he got older that people then started to give him
• 1:16:27
  the credit that he deserves. So I do feel like there's a lot
• 1:16:30
  of that those notes within the relationship with Stanley
• 1:16:33
  Tucci's character, which sucks because he like if you look
• 1:16:37
  back, he's been there. He's like, he was like, ageless.
• 1:16:40
  Like he was there from the very beginning of fashion forever.
• 1:16:44
  Yeah, absolutely. Absolutely.
• 1:16:47
  But I don't know about you all, but we have a little game we
• 1:16:50
  like, to play you two like games.
• 1:16:54
  I love it. Is it called Stanley, Tucci's
• 1:16:55
  glasses? We should maybe we should do
• 1:16:58
  that over like a matching game where we just have a bunch of
• 1:17:02
  glasses. And yeah we did Stanley Tucci in
• 1:17:06
  glasses and you just say where is this product?
• 1:17:09
  There we go, there. I think, we, I think this is a
• 1:17:11
  third podcast that the one costume to rule them all.
• 1:17:29
  I get that. That's a Lord of the Rings
• 1:17:31
  reference. I get that.
• 1:17:34
  Yeah. Because we're lord of rings
• 1:17:35
  nerds. Yeah.
• 1:17:37
  I'm and you know me, I'm the opposite.
• 1:17:39
  I'm I I'm always a fan of the bad person.
• 1:17:43
  I'm a smog person, like I don't, that's like, okay, I'm on, I'm
• 1:17:48
  on team, whatever the hobbits are on.
• 1:17:50
  I'm on the office, Smeagol session.
• 1:17:54
  I think I really I think that Justice first meal.
• 1:17:57
  I think that that character was wrong.
• 1:17:59
  I think everybody made it. They gas-lit a poor little baby
• 1:18:03
  in a ki do. I think he was gas-lit?
• 1:18:05
  I think smog was gas-lit. You cannot the dragon was gasps.
• 1:18:09
  Not. Yes.
• 1:18:10
  You cannot just come back. 200 years later be like now because
• 1:18:13
  our areas messed up, we want our old Chicago, Fire him up about
• 1:18:17
  that goal and melt them. All same thing with Smeagol like
• 1:18:22
  you just should have moved on. Yeah, I agree.
• 1:18:25
  Smeagol, I agree. I agree.
• 1:18:28
  I'd like leave your the wrong one.
• 1:18:31
  He was in the throes of addiction in whatever was going
• 1:18:34
  on there and you messed with me. And now you losing fingers and
• 1:18:39
  your friends are dying and guess what?
• 1:18:41
  You started it, not him. This is why the dragon it's sad.
• 1:18:46
  These movies are heartbreaking to.
• 1:18:47
  These are my sets, I'm just telling you this I cry.
• 1:18:50
  These are my sadness so I can't do it.
• 1:18:53
  I'm like this Justice. Or you know what you guys
• 1:18:57
  consider a villain. I consider the hero.
• 1:19:02
  I'm just saying hashtag ring, too.
• 1:19:04
  I don't know what the hashtag would be, but I want Justice For
• 1:19:08
  Those fry. The funniest two minutes of my
• 1:19:10
  life. Duly noted, we will have to do a
• 1:19:15
  podcast with you. Thank you.
• 1:19:18
  Alright, so how we play this, we each take turns picking our one
• 1:19:21
  costume to rule them all from the film Elizabeth.
• 1:19:24
  And I will go first, and then give you guys, two closing
• 1:19:28
  moment. My one costume, rule them all.
• 1:19:32
  Was actually Miranda's First costume when we see her come up
• 1:19:35
  the stairs. Well, not stairs elevator, sit
• 1:19:38
  down our deaths that purple look, it's just so good.
• 1:19:41
  It's not that there's anything too special to it compared to,
• 1:19:44
  like, all of our other costumes, but just like that iconic Vibe.
• 1:19:48
  This costume gives off when he sits down with the glasses, like
• 1:19:51
  a little bit in her mouth. Just like, it's just everything,
• 1:19:55
  the energy that this costume gives off cannot be replicated
• 1:19:59
  for me. No, I agree.
• 1:20:01
  That is a good. One.
• 1:20:02
  It, it tells you everything you need to know about her in like
• 1:20:06
  the 30 seconds. She's making her way up to her
• 1:20:09
  office. Elizabeth, what is your one
• 1:20:12
  costume rule of all my one costume to rule them all is
• 1:20:15
  Andy's. Final look because it's very
• 1:20:20
  trendy, but it's also very her. Which it's like at the
• 1:20:25
  beginning. She was comfy.
• 1:20:26
  She was her like she was just wearing what she wanted.
• 1:20:28
  She was being herself, but zero. She ation or understanding of
• 1:20:33
  what fashion actually was in her day-to-day life.
• 1:20:38
  Then she goes through this, these months and months of like
• 1:20:42
  trying to be someone she absolutely is not but she gains
• 1:20:48
  understanding and respect for the fashion industry.
• 1:20:52
  It's not just it was a joke or her at first, it's not a joke to
• 1:20:55
  her anymore. She understands that you know
• 1:20:58
  this is the lives of thousands of people that Work and run this
• 1:21:03
  industry and their livelihoods depend on it.
• 1:21:05
  And this is like she lands in like the middle.
• 1:21:08
  She looks good and appreciates what she puts on her on herself
• 1:21:13
  every day. Now it's a good point.
• 1:21:16
  It's also a controversial Choice after our discussion over it.
• 1:21:19
  Yeah, I respect it like your reasoning that made sense
• 1:21:24
  replace the jeans and a different pair of brown boots
• 1:21:29
  and it's perfect. Blair you are next, was your one
• 1:21:34
  costume to rule them all, to Elizabeth's Point earlier with
• 1:21:37
  her Patricia Bill. Quote, it's the collaboration of
• 1:21:40
  Andy in the button-down white shirt with the black sweater
• 1:21:44
  over it, and those Chanel, double strand necklaces that I
• 1:21:48
  can't find in her little like, Chanel, Tweed cap, we're seeing
• 1:21:52
  it all together. The kind of we talked about the
• 1:21:55
  quote, the coat that was kind of, you know, the resort Cruise.
• 1:21:59
  Look, I personally feel like it looks like a private.
• 1:22:02
  School on the upper west or Upper East Side.
• 1:22:04
  Look, love the prep. She has the cap.
• 1:22:07
  I, I would do it without the cap, but this look felt like a
• 1:22:10
  collaboration and it felt like a little gaudiness.
• 1:22:13
  I like like, you know, I know the Coco.
• 1:22:15
  Chanel thing is like, take one thing off.
• 1:22:17
  I'm more like a put one more thing on.
• 1:22:19
  And this felt like that, but it felt like like, unmess with a
• 1:22:23
  ball. Like, people could not mess with
• 1:22:24
  this look because she was owning it and rocking it and stomping
• 1:22:28
  through, you know, to deliver what she needed to.
• 1:22:32
  With the double strand, two different Chanel necklaces, and
• 1:22:36
  then the layering yeah. Giant, yeah, no.
• 1:22:38
  This is definitely one. Chanel was like, we want to be
• 1:22:41
  thought of as youthful. This was where they got that.
• 1:22:48
  This is a power, it's a power look, she looks strong, she
• 1:22:50
  looks strong and comfortable, and realistic to Andy.
• 1:22:53
  I think some of the other ones were definitely like Andy
• 1:22:56
  playing a role as we talked about like costumey, this one
• 1:22:58
  felt like she could actually wear this with her friends.
• 1:23:01
  Maybe take the jewelry. A off, if you're going to like
• 1:23:03
  be in the streets because you don't want to like mess up the
• 1:23:05
  jewelry. But this would have been an
• 1:23:07
  Andy, look, it's a masterpiece. Honestly, if I were to pick a
• 1:23:11
  favorite, Andy, look at probably.
• 1:23:12
  I agree with you Blair and Marie.
• 1:23:15
  Finally was your one costume, the rule them all.
• 1:23:19
  So I don't think we talked about this one earlier but it is I
• 1:23:25
  can't tell if this is a two-piece or a address but it is
• 1:23:31
  the black Long sleeve with the white collar and white.
• 1:23:35
  Cuffs, look that Andy. Where's yes?
• 1:23:39
  Yeah, it's so. So if it's a dress, it's like a
• 1:23:43
  drop waist with a pleated skirt. I just, yeah, I can't figure out
• 1:23:46
  if it's separate but I feel like, it's all in one think so,
• 1:23:49
  because we look at the collar. Yeah, it doesn't with a collar
• 1:23:52
  like, starts where the, like, the little, like, I don't know
• 1:23:56
  what those things are like rivets or whatever.
• 1:23:58
  Even better if it is addressed, since, you know, This is like a
• 1:24:02
  look that I have worn over the years.
• 1:24:05
  I feel like it is so Timeless from like, you know, 1970s to
• 1:24:10
  2022, you can wear whether it, this is not a Peter Pan collar,
• 1:24:14
  but, you know, Eddie kind of contrasting Wednesday, Addams
• 1:24:19
  white yellow or black like ass that, you know, from Goths to
• 1:24:24
  preps, to Fashion Girls. I feel like it's just a really
• 1:24:27
  good look and you can't go wrong and, you know, Blair you too.
• 1:24:32
  Sure you love that because she's wearing the long this one's a
• 1:24:35
  very more simple long, Chanel necklace but it just really tops
• 1:24:40
  off the entire look. So yeah, this one this is the
• 1:24:43
  classier like like I said, the mine had too much on this that's
• 1:24:48
  them that this is addressed. Yeah.
• 1:24:51
  Yeah this it's like what's the girl in Gossip Girl?
• 1:24:54
  Blair that girl. Yeah, this is like that Aldrich.
• 1:24:58
  New York. Yeah.
• 1:24:58
  Old money. Good good.
• 1:25:02
  Could this is a look. I love that.
• 1:25:03
  You said Wednesday. Adam.
• 1:25:04
  That made me now. I love this outfit was the fact
• 1:25:08
  that you like, you know, the through line to win any happy.
• 1:25:11
  I wish. I wonder if it's Chanel I
• 1:25:14
  couldn't get info on this particular look but I don't know
• 1:25:18
  if it's Chanel or Prada that it's good.
• 1:25:20
  We have to dive back in but it's definitely a good one.
• 1:25:23
  That end on these are all amazing looks and this has been
• 1:25:27
  such a fun episode. I loved having you guys on so
• 1:25:31
  much. Thank you for having us.
• 1:25:35
  Yeah, this is amazing. Actually, when you guys had to
• 1:25:38
  be on your podcast, Blair asked me, you know, what episode of
• 1:25:44
  our podcast, what do you recommend to listen to?
• 1:25:47
  I would love to give you guys that same opportunity.
• 1:25:49
  I love fish. Netflix is such an amazing
• 1:25:51
  podcast. If people were to start
• 1:25:53
  listening to fish Netflix or some episodes, you would
• 1:25:55
  recommend who are now prepared for this.
• 1:26:00
  Let's say neither was I. So, mmm.
• 1:26:01
  And it back? No, I love.
• 1:26:05
  So whenever we have a costume designer on it makes my life
• 1:26:10
  because I want to get to like, you know, get all of my
• 1:26:13
  questions answered and then to it's just hearing the lengths
• 1:26:17
  that they go through to make something look effortless.
• 1:26:20
  And then the special touches that we don't necessarily know.
• 1:26:24
  I think Whitney and Adams was like a wonderful one for me.
• 1:26:29
  He's amazing. It just Delightful it made me so
• 1:26:33
  happy. I got all my questions answered.
• 1:26:37
  I really loved Cynthia when she came out of that was like a
• 1:26:43
  two-part episode. You know, she did scream and
• 1:26:47
  Buffy the series so that was really good and also went Avi
• 1:26:51
  gevinson came on and did Uptown Girls with us.
• 1:26:54
  Because I'll tell girls, I feel like it's one of those that is a
• 1:26:57
  little underappreciated when it comes to costumes with there.
• 1:27:00
  So many good looks You know Brittany Murphy, right?
• 1:27:04
  Yeah, I would also like to add one more Mars Attacks with you.
• 1:27:12
  That one was another one where we talked about like how low
• 1:27:14
  those costumes are amazing. Yeah, it's definitely an
• 1:27:18
  underappreciated Beauty and the texture of it.
• 1:27:23
  Like I think that that's like the looks and the way that Mars
• 1:27:26
  attracts was put together because it is retro futuristic.
• 1:27:30
  It has a lot of fun. Moments that you're, you know,
• 1:27:33
  you're more focused on the fact that the dog has a human head
• 1:27:36
  and might be somebody that I'm not going to spoil the party but
• 1:27:39
  they're also so many like Nuance like fashion moments and color
• 1:27:43
  blocking like cool things. So I love Mars Attacks.
• 1:27:46
  I don't think we've done another movie like that since it was
• 1:27:49
  like Earth Girls Are Easy. Was like the first one and then
• 1:27:51
  we just like hit it with Mars Attacks.
• 1:27:53
  So that's also a great episode. Well if you need any more weird
• 1:27:56
  ones Elizabeth and I are ready to go.
• 1:27:58
  So yeah I have to have you both on Thank you so much for joining
• 1:28:03
  us. And thank you all to listening.
• 1:28:07
  This is such a fun episode, but Elizabeth, what are we watching
• 1:28:10
  next week? Spencer, we are watching the
• 1:28:15
  stunning. The colorful Marie Antoinette
• 1:28:19
  with Kirsten Dunst, the film, that every single person on this
• 1:28:23
  planet is told me to see and I've still never seen it.
• 1:28:25
  I think I'm the only person so yeah, you are.
• 1:28:32
  I mean I know I've made jokes about my Twilight but my like if
• 1:28:39
  you want a costume film, here's a costume film.
• 1:28:43
  So the last slide that said Marie Antoinette and a new
• 1:28:45
  blurry Marie. We're going to be here.
• 1:28:46
  I was like, oh shit. What a tree.
• 1:28:58
  Yeah. You get to see, watch it now.
• 1:29:00
  You're with adult eyes. You get to see all the
• 1:29:03
  influences, like if you would have seen it earlier, you would
• 1:29:05
  have seen how it influenced culture.
• 1:29:06
  Now, you get to look at it from an educated perspective, good
• 1:29:10
  for you. And also fun fact about Marie
• 1:29:13
  Antoinette. It came out the same year as The
• 1:29:16
  Devil Wears Prada and way. Yeah, The Devil Wears Prada
• 1:29:19
  lost, the Oscar to Marie Antoinette.
• 1:29:30
  Thank you all so much for listening.
• 1:29:32
  If you want to comment on Oliver choices discussions today and he
• 1:29:36
  slime balls or bad friend relationships or turk, toxic
• 1:29:40
  workplaces. Leave us a voicemail 62. 65 15,
• 1:29:44
  1826. Follow us on Instagram at the
• 1:29:46
  art accosting. Pod Tick-Tock the art of
• 1:29:49
  costume. Follow our patreon head to our
• 1:29:51
  merch store, all that, good stuff.
• 1:29:54
  And don't forget to listen to fish Netflix.
• 1:29:57
  Blair Marie, I love you so much. Thank you all for listening.
• 1:30:00
  Thank you. Thank you.
• 1:30:07
  You're out of costume. Blogcast is hosted and produced
• 1:30:11
  by Elizabeth Joy, glass, and Spencer Williams.
• 1:30:14
  Our audio engineering and editing is done by Dan White.
• 1:30:18
  Follow us on Instagram, at the art of costume pod or visit the
• 1:30:23
  art of costume blogcast.com. For all blogcast updates, if you
• 1:30:28
  want to support the show, go to the art of costume.com / Cod
• 1:30:33
  store, or you can head over to patreon.
• 1:30:36
  Come /. The art of costume or some bonus
• 1:30:40
  content for more costume. Reviews deep, Dives and
• 1:30:44
  interviews head over to the art of costume.com a Blog dedicated
• 1:30:49
  to highlighting the best and costume design.
• 1:31:03
  That's a seat. I've got it.
• 1:31:08
  I got it. I got it.
• 1:31:10
  No that wasn't like I approved like I give my consent, I got
• 1:31:16
  it.