Latest / My Third Place Pod / Episode 138 - GLOW S2E2 - Candy of the Year

Transcript

Episode 138 - GLOW S2E2 - Candy of the Year · My Third Place Pod

0:01
Boy am I glad to be back to normal again.
0:04
My apologies to everyone that was hoping for what may have
0:07
been a short but good Royal Rumble predictions episode last
0:11
week, but I was under the weather.
0:15
Truth be told, last Sunday I ate some bad stuff and next thing
0:21
you know, I'm hugging the toilet for the next week.
0:28
It was worse than drinking expired lemon juice.
0:32
Oh, you never drank expired lemon juice.
0:35
It believe me, it's it's bad. It's very, very bad.
0:41
No, this this was something else.
0:44
This was something entirely that I did not expect would ever
0:48
happen to me. This was the stomach flu.
0:51
Let's just say it was a rough week, and I'm glad it got better
0:55
by Friday. Since the 10 days of silence, a
1:01
lot has happened. I for one could not get to enjoy
1:06
the last two days that I had off for Tumblr Live.
1:10
Although I did get to say farewell to some of the people,
1:16
others thought that I may have been ignoring them.
1:19
I'm not going to tell anyone that I felt sick to my stomach,
1:25
although I should have with the massive amounts of times I got
1:29
to hear. Are you OK?
1:32
Do you want to talk? Is everything OK?
1:34
It's going to be OK. We're going to survive this.
1:39
No, I'm not crying. My heart fucking hurts.
1:43
It hurts. It hurts.
1:46
My chest hurts. My body hurts.
1:48
I'm in tears because my stomach hurt and I was regurgitating.
1:53
Yeah, never mind. You don't want to know.
1:59
They thought I was sweating. While I was sweating, they
2:02
thought I was crying about an app leaving, and I just kept
2:06
saying no, please stop talking. My body hurts, OK?
2:13
I was in pain. My insides.
2:17
Let's just say my insides were boiling like a witch's cauldron
2:23
bubbling up with so many ingredients.
2:27
It also didn't help that on that Monday night, Tumblr Live had
2:31
finished its last contest. Oh my God, you know what's the
2:37
worst part? Over in the little corner, right
2:40
over there was a countdown on when or what time that would
2:48
end. But Eva, why is that bad?
2:57
OK, listen, have you ever been so stressed out and anxious that
3:02
in the pit of your stomach and and and right there on the pit
3:07
of your stomach everything starts to make noises?
3:11
Like there was so much noise down there and it was hard to
3:18
feel comfortable, to feel any kind of, I don't know is I was
3:29
uncomfortable and I had a countdown right in my face.
3:32
OK, like right there, right in my face.
3:38
I would be, I was sometimes. Sometimes I would be talking to
3:43
friends to like, ignore the countdown, just look at the
3:46
chat, ignore the countdown. But after they would stop, I
3:55
figured they left, which would have me going like crap.
3:59
I'm looking back at the clock. The pain would come back.
4:05
That was a wreck. I came.
4:09
I came on to hang out with friends or for maybe two hours
4:13
and enjoy the last of those in the contest to see if I place
4:17
and maybe I get to cash out again, $200 didn't work last
4:22
time and I get this countdown that's always there but I never
4:29
cared for never. I never cared about the
4:34
countdown, but I end up caring about this one.
4:39
What? Because it's right in my face
4:41
and I'm hurting and I'm like, Oh my God, if that countdown
4:44
reaches 0 or, you know, you need to go to the bathroom on your
4:50
way home, you're almost home. Like, right when you see your
4:53
house, right there, right around the corner, right when you see
4:56
your house, you turn the corner and you're almost there.
5:00
And then you feel it in the pit of your stomach.
5:02
Oh shit, I got to go to the bathroom now I have to go.
5:06
I'm going to pee in my pants if I don't get out of this fucking
5:08
car and go to the bathroom. And that was me during the
5:12
countdown, right as it was getting to 10 minutes.
5:16
Oh my God, my stomach is killing me.
5:21
I'm going to go. I'm going to go.
5:24
I'm going to go. It was the last contest live
5:30
after I played The Final Countdown one too many times by
5:35
Europe. By the way, the contest ended.
5:38
I said my farewells ended and went to sleep.
5:42
Oh boy, until the next day. I didn't sleep well.
5:47
I kept waking up. It was it felt like COVID all
5:49
over again and I just couldn't sleep.
5:57
So Tuesday I tried telling everyone that I will be on
6:00
Tiktok from now on. I'll stop by to support them,
6:04
but I'm going back home. The live ended too early and
6:09
everyone freaked out. I went on Tiktok to hang out for
6:15
a bit, but but you could tell I was still dealing with the
6:18
stomach flu and so I was told by a few friends in the chat, a few
6:27
other people that I didn't know anything about.
6:29
Everybody in the chat, they all care.
6:31
They care. TikTok, life cares.
6:33
I understand. I was told to go to sleep and
6:36
not come back until I felt better.
6:44
Wait, is this the app I was avoiding all year?
6:47
Wasn't I saying that this app was toxic and problematic all
6:51
year long? And ghosting?
6:54
It was good for me in the long run.
6:57
Yet here I am, coming back like it's home and these are my
7:04
family. These are my people.
7:08
Huh. I could have done audio, but I
7:13
didn't. Back in 2020, when President
7:15
Trump was bowing to get rid of TikTok, apparently a lot of
7:19
people left because they thought it was going to actually happen
7:24
when and certainly didn't happen.
7:28
Of course, they all came back with an audio.
7:34
There's this audio. Hey hey how you doing?
7:45
And it's basically describing them as bringing back their
7:49
suitcase and moving right back in like nothing even happened.
7:56
But it did. I could have done this one, but
7:59
instead I chose to do something different.
8:03
After 10 year absence from WE Hell Froze Over as I say, and CM
8:07
Punk came back as Survivor Series.
8:09
The next time we saw Punk was on Raw, telling the fans that he
8:13
was home. Yes, I went with that one.
8:16
I'm sorry. I know it was cheesy, I get it.
8:21
But as a wrestling fan you would get it too.
8:24
I too related to Punk. Leave a place where you know
8:28
you're being overlooked and not respected.
8:31
Go elsewhere and shit on everyone and then come back when
8:35
you can't find anyone else. But he said.
8:38
As he said in that promo, I'm not here to make friends, I'm
8:41
here to make money. That is the only difference that
8:46
I can see between myself and the chick magnet.
8:50
I have a lot of friends here on TikTok and as told and as I told
8:55
someone who came into my life a few days ago and asked me if I
8:58
was going anywhere else, why start over somewhere?
9:01
You're just going to be overlooked when you have a niche
9:05
right here. See, I'm so right.
9:12
Niche. I'm so like, I I love, I love
9:17
this up so much. The part where niche.
9:20
I just keep thinking of Eric from Boy Meets World saying
9:23
niece instead. Why start over somewhere where
9:26
you're just going to be overlooked when you have a niece
9:29
right here anyway? I get to meet me, the POF, the
9:35
Clapper and the you now, but I'm happy here with my friends, with
9:41
people that I actually like. I am not shitting on those apps.
9:48
They have great people. If you're soaring or becoming a
9:52
top batch, they're good for you. I'm not good at the social
9:57
climbing things I can tell, but my whole year on Tumblr live.
10:02
But what I am good at is this. Making content OK.
10:08
Making content sounds bad, doesn't it?
10:14
Making content on TikTok. How's that?
10:16
How's that? Better.
10:17
Better, yeah. Doing lip syncing videos with
10:20
people that are friends or potentially going to be my
10:22
friends. Having fun.
10:25
I am thankful and grateful for the opportunity I had on Tumblr
10:30
Live. I grew.
10:32
I I built up confidence. I built up a following, and that
10:36
following came with me. Follow up behavior.
10:43
Let's see how we can make that grow on TikTok.
10:46
A troll called me that. It was a joke.
10:49
It became a Ming among friends. I turned it into a shirt.
10:53
Sold it. Here we are.
10:55
Look at us. Look at us now.
10:59
Who would have sought welcome back my father's
11:46
behavior squad? We have officially been kicked
11:49
out of tunder live and are officially taken up residency on
11:54
TikTok Live instead. So now I can officially say that
11:58
I am still evil and we are coming to you from under the
12:03
apron of Tiktok Live. I said I was grateful for the
12:08
exposure on Tumblr Live. I left this place to become
12:11
somebody or grow elsewhere, and I'm grateful for a lot of other
12:15
things. Let's not pretend that more
12:17
growth isn't going to happen here.
12:20
Season three, everybody. Let's go.
12:25
Let's just say we're Buffy the Vampire Slayer moving to a new
12:29
network from the WB to UPN, from the small facilities of Tumblr
12:33
Live to the time of TikTok Live. Oh yeah, brother, great.
12:43
I just compared myself to Buffy. I have no problems at all, but
12:47
let's just see how much trouble we can get into.
12:54
I don't want to ignore the elephant in the room, so let's
12:57
talk a little bit about the Royal Rumble.
13:01
I say a little bit because I felt a bit off and I only want
13:04
to talk about two matches. Two things.
13:07
Of course we're going to skip the middle matches.
13:11
Kevin Omen versus Paul Logan, which ended in a DQ.
13:15
Paul Logan. I'm sorry, Logan Paul.
13:17
I don't even know his fucking name.
13:18
I don't care. Logan Paul hasn't defended the
13:20
US Championship since he won it back in November against Rey
13:22
Mysterio. And of course we all knew Roman
13:24
Reigns. Roman Reigns was going to come
13:27
out the winner of this fatal 4 way match against Orton Andy
13:31
Orton LA nine major styles with the help of Solo Sakoa.
13:36
Well let's talk about the the Roy Rumble matches.
13:40
The first match should have been the main event, we all know that
13:43
because of the surprise entrance, but I say that every
13:46
year. I said that last year too and
13:49
the year before, Natalia came out at #1 and returning.
13:53
Naomi came out at #2, who we all know was in TNA while she was
13:57
gone. Immediately the surprise started
14:00
happening with the number 5 entrant, the TNA Knockout
14:03
Champion Jordan Grace, who did such an amazing job in the ring
14:08
and say later that this isn't over with any of the women in
14:11
the ring, but got unfortunately thrown out by Bianca Bel Air.
14:16
Another awesome in this thing in this match and the men's Royal
14:19
Rumble was that they started showing who has been the ring
14:22
the longest, moving fast, moving right along to #17 Zelena Vega
14:30
who is always cosplaying or wearing an awesome outfit.
14:33
This time it was Mercy from Overwatch inspired.
14:38
Thanks to everyone on Twitter for letting me know that I
14:41
appreciate you guys. Oh it it looks like this one on
14:48
Android on this other game. No, it's Mercy from Overwatch.
14:54
Relax, relax. Calm down, chill, chill.
15:02
Calm down. #24 was supposed to be Valhalla, but from behind our
15:06
truth sneaks by to slide in the ring and wonder where all the
15:10
men were. He even thought the woman's
15:14
Royal Rumble was supposed to be the minivan.
15:19
Hey, Strew speaks the truth, right?
15:24
Unfortunately for him and I just threw him out.
15:29
Yeah, take it easy Twitter. Take it easy.
15:32
Adam appeared, ordered Truth to leave and allowed Valhalla to
15:35
get in the ring. Only he kicked out right away
15:37
and go after Truth #2729 are two entrants from NXT, Roxanne Perez
15:43
and Tiffany Stratton, showing why they belong and soon will be
15:47
on the main roster. #28 however, was a was a surprise for many.
15:53
Former AWTVS champion Jake Cargill came out and was
15:55
featured as a MASSIVE *. You know, more massive than she
16:00
ever was on a WI believe. But anyway, you can't say that
16:04
either 'cause then somebody else gets mad.
16:09
She lifted NIA Jax and threw her over the top.
16:12
Rope #30 was a returning Lib Morgan who for the second year
16:17
in a row came out in the Christina Aguilera from The
16:20
Dirty music video inspired clothing.
16:24
Dirty. There was a lot of big moments
16:27
in the women's rumble, but to me what stuck out the most was Jay
16:31
Cargill and Bianca Bellaire having a stare down but not
16:35
touching each other until a possible match somewhere along
16:38
the road. Winner of the match was Bailey,
16:44
who came out at #3 and that lasted 63 minutes and three
16:47
seconds, beating Rio Ripley's record from last year of 61
16:51
minutes and eight seconds from the number one entry.
16:55
As for the men's Royal Rumble, it was said the reason why it
17:01
fell so fast was because the woman ran to the ring and didn't
17:03
take their time. The men took their time to get
17:06
in the ring. Case in point, Omaz.
17:11
Omaz took his sweet ass time to get in the ring.
17:17
Number one entry went to Jay USO and mirroring his wife Naomi's
17:21
number two entry was Jimmy USO. Of course they went straight to
17:25
work against each other. Another return came in the form
17:28
of Andrade. I tweeted Cien which was his
17:31
former name on NXT Andrade Cien Almas after we get the 1st super
17:36
prize. NXT wrestlers are Carmelo Hayes.
17:40
Everyone had their favorite moment.
17:41
Mine came in the form of #7 Santos, Escobar, #9 Dominic, and
17:47
#10 carlito. All four of these men
17:51
represented my people, MI gente. The last time this many were
17:58
Latino wrestlers were in the ring was at the 1997 Royal
18:02
Rumble which had Lucha dores from AAA Pierrot Divernetiko,
18:10
Latin Lover and Mil Mascaras who didn't understand the rules of
18:14
the Rumble and this basically eliminated himself by flying
18:17
over the top rope. Yahweh #20 went to the other NXT
18:24
star Braun Breaker who came in and just broke everyone with
18:30
Spears. Again, I can't wait for him to
18:34
show up on the main roster, hopefully soon rather than the
18:38
night after Wrestle Mania 40, hopefully soon #21 was the
18:45
returning Omaz who had a staredown with Bron, but that
18:48
barely lasted. AS22 came from Pat McAfee who
18:52
was sitting on commentary, went in the ring and saw how big Omaz
18:55
was and then left. Was that supposed to be
18:59
someone's spot? Perhaps you know he's Incarnate.
19:03
Anyway, #24 went to our Truth, who didn't even get in the ring
19:07
until he was tagged by Dom. He thought it was A tag team
19:14
match and even then, as soon as he did, he started doing John
19:17
Cena's You Can't See Me 5 Knuckle Shuffle move, 27 was for
19:26
CM Punk and 30 went to Sami Zayn.
19:30
But I guess we were all expecting The Rock since this
19:33
little speech about sitting at the head of the table.
19:37
Turns out he meant the TKO Group Holdings table as he's now a
19:42
member of the board. I heard Brown replace Brock.
19:47
Maybe. Maybe.
19:49
Maybe. OK, sure.
19:51
So you mean to tell me Dominic would have thrown Brock out?
19:56
OK, the last two in the ring were CM Punk and Cody Rhodes,
19:59
who took probably 5 minutes to try to take each other out.
20:03
CM Punk wink at the camera and hit Cody with a pedigree.
20:08
Then he tried hitting a knee to the face but Cody grabbed onto
20:10
it only to get him thrown out of the ring.
20:15
Cody Rhodes wins and he goes on to WrestleMania for it to try
20:18
and finish the story again. Before I end this, two things.
20:23
Number one, CM Punk came back to the Rumble and reports are now
20:26
saying he is out with a torn tricep.
20:30
And two, Cody Rose has this to say an.
20:33
Apology. I'm sorry about what happened at
20:39
WrestleMania 39, but we are going to WrestleMania 40.
20:59
It's been a long night. I won't keep you here.
21:01
An amazing show, an amazing crew, an amazing production.
21:06
When I come to terrible, when I come to Saint Pete, sometimes I
21:10
try and stay and keep to myself. And the reason is this is Dusty
21:17
territorial. So I thank you very much for
21:27
making it Cody territory. I love you guys all so much.
21:31
Have a great night and I'll see you next time.
21:35
Great night, guys. Thank you.
21:41
Hi everyone, this is JJ, the Co founder of Goodpods.
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web or download the app. Happy listening.
22:13
Hi everyone. I'm Lisa.
22:14
And I'm Dawn. And if you've ever watched a TV
22:16
show and thought to yourself, Oh my God, that season finale plot
22:19
to us was absolutely bonkers. Or seen a movie and thought,
22:22
wow, I need to talk to somebody about this train wreck
22:24
immediately. Then we think you'll fit right
22:26
in with our podcast. I hate it.
22:27
Let's watch it. We watch TV shows like Riverdale
22:30
and Emily and Paris and movies like Deep Water Killer, Sofa
22:33
Rubber and Devil Illusions, and we give them the total Rinson
22:36
they deserve. It's basically group therapy for
22:38
movie Mascus. So come check us out wherever
22:40
you stream podcasts. On the bulk half of the episode,
22:45
we're moving right along with GLOW on Netflix Episode 2 of
22:49
Season 2. For those that are new about
22:52
this, this is a recap and review podcast of the TV series GLOW on
22:55
Netflix, a show about the gorgeous ladies of wrestling
22:58
that was set in the 80s. At times I will have bits of
23:02
trivia here and there, but times that have changed with
23:05
additional interviews from the creators, directors or stars of
23:08
the show throughout the years. All in all, it makes for an
23:11
awesome episode. If you haven't yet watched GLOW,
23:13
suggest you do so and follow along as I recap and tell you
23:16
what I saw of the episode. Episode 133 is the episode where
23:20
I talk about the first season and pilot episode of GLOW.
23:22
If you want to go back and listen to past episodes, this
23:28
week's episode is titled Candy of the Year Synopsis.
23:32
The ladies get creative when Sam forces them to compete for
23:35
airtime. Debbie discovers the producer
23:38
life isn't quite what she'd hope.
23:41
Written by Nick Jones, who was also producer on Orange Is the
23:43
New Black and Dualo, directed by Mike A Mark, a burly director
23:49
and producer known for Glow, Orange is the New Black, Weeds,
23:53
Murder, She Wrote, and Simon and Simon.
23:56
He has also worked on a number of TV movies of the week,
23:59
including Mrs. Santa Claus and Hiroshima Out of the Yashes.
24:03
Mark directed the series finale of Orange Is the New Black and
24:05
has received 4 Emmy nominations and it produces Guild of America
24:09
Award. The group arrived at the gym and
24:17
Jenny quietly uses a walkie-talkie to tell Ruth that
24:19
there are four late arrivals. She replied to send them to the
24:24
front row on the left. Inside the ring, the beat down
24:28
bees knock down Sheila. The she wolf bashed us to call
24:33
the ASPCA that it's animal cruelty.
24:37
Ruth tries to stop a woman from going backstage, then sees that
24:41
it's Justine. They give each other a hey
24:45
moment and Justine moves on. As the match continues, game
24:50
gives direction to the camera, Russell telling him to turn on
24:53
to the audience. He tells him in another camera
24:56
at field to find some energized faces.
24:58
They can't. They're all bored out of their
25:00
heads. In the ring, Keith reminds
25:03
Sheila on the ground that she's supposed to lose the match.
25:07
She replies that she'll only go when her time, and he tells her
25:11
that it is. She growls next down dawn and
25:16
rises. Sam asked why the match is not
25:20
over yet. He turns, sees Justine, and
25:22
tells her he's working. She tells him she can't find her
25:26
house key. He says in the jacket on the
25:29
chair. Back in the ring Sheila
25:32
finished. Finally stays down and Keith
25:34
does a fast count to finish the match.
25:36
Dash declares the Biddies, the winners a victory for the old
25:40
and age 1. Finally glimmer of hope before
25:44
they're both 6 feet under. Justine asks Sam if he's coming
25:48
home for dinner, telling him there's no food in the house.
25:51
He tells her to take out $50.00. Out of the wallet.
25:54
She comments that it's a lot and she'll use the extra on drugs.
25:58
Sure, why not? Ruth comes in saying that she
26:02
wanted to make sure Justine found Sam.
26:05
She sees Justine and comments that she guesses she did.
26:08
He asks what it is about live taping that they don't
26:12
understand. Justine exits.
26:15
Ruth asks if he wants her to do anything.
26:18
Since she's not wrestling, he tells her assume he doesn't need
26:22
anything and doesn't want to see her.
26:25
She exits as well. As she heads back down, Russell
26:29
asks her if it's just him or if the show is dragging hairy ass.
26:34
She tells him it's harder than it looks, and he says it's
26:36
better be if he puts his best wrestler in instead of punishing
26:40
her for making a boss's title sequence, Bash introduces Devi
26:46
Liberty Bell as a mother and a fighter.
26:49
Root sighs and stares the glow title sequence comes on the
26:53
screen. The group is watching this on a
26:56
television back at the Hotel Bash as Liberty Bell, how it
27:00
felt for her to win the crown fair and square, only for it to
27:04
be stolen by Welfare Queen. Liberty Bell comments that we do
27:09
not work to see the spoils go to freeloaders.
27:12
She says that if Welfare Queen wants it, she'll have to fight
27:14
her in a real match. Jenny asked if Debbie has better
27:18
lighting than them now that she's a producer.
27:22
Melrose calls it the internal glow that comes from power.
27:27
Debbie joins the group as they all continue watching the
27:29
program, now showing Welfare Queen lounging on a chair and
27:33
sipping on a string. Debbie comments that said set
27:38
looks way better on television than in person.
27:41
Melrose and Jenny look annoyed that Debbie is there.
27:46
Ruth gets up, apologizes to Debbie for her being punished
27:48
for her mistake. She tells her that Sam is angry
27:52
and that's why she had to fight Beirut instead of Zoya the
27:55
destroyer. Debbie says that that isn't why
28:00
Dirty Bell already vanquished, so it is now chasing well for a
28:03
queen. She tells Ruth that she is in
28:05
the center of the story, right? Agrees Ruth saying that the
28:11
episode turned out great. She asked if Sam liked it.
28:17
The scene cuts to Sam back in the gym, who tells the girls
28:21
that Thursday show dragged. He says that the matches were
28:25
too long, and when you cut away to the audience, it looks like
28:28
they've just eaten A big Thanksgiving dinner.
28:31
Bash interrupts, asking if he should sit for the girls in case
28:36
he has any notes for the announcer or if he wants him to
28:39
stay with him. What?
28:42
He asks flatly. He tells the girls that from now
28:45
on, instead of shooting 5 bloated matches that he has to
28:48
Frankenstein together and editing, they're only going to
28:50
film three. They'll audition them before the
28:54
show and he'll pick the best 3. Ronda asked if this means
28:58
they're not all going to be on television every week.
29:01
He agreed that this is the case, saying that them all being on
29:04
every week was Bash's idea. Bash explains that his original
29:07
idea was going to be a cash bonus, but he looked into it and
29:12
they can't afford it. Sam told him that fear is also a
29:16
great incentive. Sam replies that what he said
29:19
was competition, and Bash agrees that he did.
29:23
Sheila says that she loves competition, that it turns out
29:26
they're her, and encourages innovation.
29:31
Sam agrees that this is great and tells the girls that they
29:34
are certain matches he wants to see.
29:36
At the week's audition, Welfare Queen still ducking Britannica
29:41
versus Sheila, Beirut versus Machu, Liberty Bell versus
29:45
Fortune Cookie, and Biddies versus Melrose.
29:49
Ruth raises her hand. He answers, and she asks what he
29:52
wants from her. He gives the match as Loya
29:55
versus Junk Chain. Ruth tells him that Yolanda just
29:59
started training and doesn't know any of the moves.
30:02
Sam replies that she had moves when he saw her.
30:05
She says that she has those moves, but she's level one with
30:08
rustling. He replies that we, Yolanda's
30:11
can do Spirit and Ruth will do anything Spirit.
30:14
They'll figure something out and Carmen's there to help with the
30:18
technical stuff. Everyone immediately starts
30:21
calling for a session with Carmen, leading Ruth to gripe
30:24
that it's not fair given that she and Yolanda need the most
30:28
help. Sheila tells us that it's
30:30
division based system, not a needs based 1.
30:34
Melrose agrees that dibs is law. Besh tells Sam that he thought
30:39
things went well and asked if they can get a team dog.
30:42
Sam gives a flat no. He suggests A ferret and gets
30:46
another No. Debbie comes into their office
30:50
asking if they might like to include all the producers the
30:52
next time they have a production meeting.
30:55
He asked what she means that they had drinks.
30:58
Bas says that they would have invited her, but she had to go
31:01
home to her baby. She asked him to tell her that
31:04
there's a meeting and she won't go home.
31:07
Sam tells her that they have only have six days to get
31:10
everything for the next episode. Video of four.
31:12
It all starts over again and he doesn't have time to check in
31:15
with her every time he needs to make something happen.
31:19
She says that she'll make dinner tonight, They'll get bourbon,
31:23
and they'll come over and they'll go over the show for the
31:26
week. Sam turns to look at Bash, who
31:28
signals that he doesn't want to. Sam tells her that he can't,
31:32
that he has a kid. She asks if he's referring to
31:35
the 16 year old he's letting run wild around Los Angeles 8:00,
31:40
she says, your kid can't find babysitting.
31:43
She leaves. Arie makes a costume, a vest to
31:49
blow herself up. Jenny stares at her, and she
31:52
explained that it's her concept to kill Beirut, who she hates.
31:56
Out from the smoke, a new character arises.
31:59
Phoenix with red and yellow face paint and hair.
32:03
A living flame, Nimble, seductive, and ethically
32:07
neutral. Huh.
32:10
Red and yellow face paint. Hmm, that's not going to go well
32:15
with someone else. Jenny tells her that she hopes
32:18
Sam will say yes, and it sounds rad.
32:21
BAE Ruth asked Don and Stacy to be what they're going to do, and
32:25
their replies that they don't know yet.
32:27
BAE Ruth turned to Sheila and Rhonda, but Sheila covered
32:30
Rhonda's mouth, telling her not to tell them anything.
32:35
Tammy sits down with Bash. She tells him that when she was
32:39
audience coordinator for Family Feud, they crank up the air
32:42
conditioning and it would really wake up the audience.
32:46
Bash wonders if the gym even has any air conditioning.
32:49
She tells him that you also need to make sure the girls don't get
32:52
nipply. Debbie enters, telling Bash that
32:55
she will see him tonight and that she's making fondue.
32:58
She also gave Sam the address in case they want to carpool.
33:02
Bash says he's read about carpooling, that Tammy is
33:06
excited about the idea of a team dinner, boost morale or
33:10
something like that. Debbie tells her that his
33:13
directors and producers only, but they could make B do that.
33:16
Next time Bash ask if the chairs are too comfortable.
33:26
Are you struggling with a lack of access to captivating
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33:38
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36:48
Next scene, Ruth and Yolanda have lunch.
36:50
Yolanda asked how long it would take her to learn the move where
36:54
she bends backwards and smashes her on the mat.
36:57
Ruth realizes that she's talking about a suplex and tells her
37:00
that it would take a long time. She tells her that they're not
37:04
going to get on the show through wrestling alone.
37:06
Yolanda suggests that she might wear a string bikini, and Ruth
37:09
tells her she would never ask her to do that, that she finally
37:13
left that life. Yolanda replies that Ruth Job is
37:18
doing G rated girl on girl in a one piece, that she's not far
37:23
from that life. Ruth replies that she's not a
37:27
stripper, and Yolanda replies that she isn't either.
37:30
Not full time, just once a week when her ex bartends she likes
37:36
to torture her by taking her clothes off.
37:40
Ruth asks if she likes girls as she replies that she loves
37:43
girls. She says it's cool and ask if
37:46
Sam knows. If she asks if Sam really needs
37:48
to know about their personal life, if he knows about Ruth and
37:52
that camera guy Russell. Ruth tells her that she's not
37:56
having sex with Russell. Russell Yolanda tells her that
38:00
Russell has been all over her and she needs to hit that.
38:03
Ruth looks uncomfortable saying she doesn't want to.
38:06
Yolanda tells her relax and put her shoulders down.
38:10
Ruth tells her that she isn't uptight, she just takes her job
38:13
seriously and she doesn't need to mix a carpools up playing.
38:17
It's like that by run. DMC.
38:20
Yolanda gets up and asks the driver to turn it up while she
38:24
dances, or in this case, break dances.
38:29
Ruth smiles in point, saying that this is the way they get on
38:31
the show and asking if she can teach her that dance.
38:34
You know, it, replies Yolanda released on March 12th, 1983.
38:40
It's like that was run DMCS for a single.
38:43
It became a club favorite along with popular B side Sucker MCS.
38:49
The song was written by the group's rappers, Joseph Ron
38:52
Simmons and Darrell DMC McDaniels, and their producer
38:56
Larry Smith. There are no samples on the
38:59
track, which was programmed on overheimed DMX synthesizer with
39:04
local punctuations mixed in. It was Simmons, who came up with
39:08
the idea for the song after studying Curtis Blow and getting
39:11
encouragement from his older brother Russell, Blow's manager,
39:15
who encouraged him to tell stories in his raps and give him
39:18
a wide apparel and give them a wide appeal through universal
39:22
themes. I thought I'd just tell people
39:25
that the world is like and how to improve themselves, said Run
39:31
this with the seed IDF for it's like that.
39:36
This was a song that convinced Russell Simmons to work with the
39:38
group. His younger brother Joseph had
39:40
been pestering him for a while, but Russell instead insisted he
39:44
finished high school before making a record run.
39:48
And DMC, who hadn't yet teamed up with Jam Master J, worked
39:51
together on It's Like That, with DMC adding some lyrics and hooks
39:55
to run song. The pair graduated high school,
39:59
went to separate colleges, run to LaGuardia Community College
40:02
studying Mortuary science, and DMC to Saint John's University.
40:07
Teaming up with Jim Master J, they recorded a song with
40:09
Russell Rush Productions, getting lots of help from
40:12
Russia's medical director Larry Smith.
40:16
Russell was so impressed with the track that he sent them on
40:19
his Fresh Fest tour with Nucleus and Houdini and helped them
40:23
record their debut album. In 1998, house music producer
40:28
Jason Nevins remix This and the new version became the most
40:32
successful rap single in the UK, spending six weeks at #1 and
40:37
topping the charts in 30 other countries, including Germany.
40:41
Nevins received a standard fee of $5000 for his efforts.
40:46
When this reached number one run, DMC became the first band
40:50
to wait over 10 years, being between their first hit Walk
40:54
This Way 1986 and their first chart Topper in the UK and j.com
41:01
newjersey.com I'm assuming published an interview with the
41:05
Nicaraguan born Shakira Barrera on August 9th, 2019, but we're
41:10
gonna set out an audition tape and dancing real casting
41:13
directors Jen Houston and Elizabeth Barnes just what they
41:16
needed to cast yo-yo, a Mexican American former stripper.
41:21
The character would be taking over the rustling persona of
41:24
Junk Shane, a street wise rapper first played by Cherry Bang,
41:29
said Seidel Noel. I was like, damn, she's the real
41:34
deal, says Houston, who lives in Barona and grew up in West
41:37
Caldwell. We usually have to do more than
41:40
one round, but we didn't because Shakira nailed it.
41:44
It was just the perfect blend of all my training and all my hard
41:47
work, Barrera says. The choice?
41:50
Raul, couldn't have arrived soon enough.
41:52
Barrera had just signed with a new agency after months without
41:55
representation. In the meantime, she taught
41:58
Zumba classes and worked out five days a week with a team
42:01
called Glow. The happy bit of foreshadowing
42:04
is what Barrera calls her Glow Man, a term cast members use
42:08
when the show covers us with real life.
42:13
In no time, Barrera became one of the ensemble, mirroring the
42:16
strong bonds between characters in the series.
42:20
GLOW started with a ragtag group of out of work actors and other
42:24
underemployed people who found their voices through the power
42:26
of friendship in the theater of wrestling, Barrera says that's
42:30
why so many people can relate to yo-yo and other wrestlers.
42:34
We all feel like a misfit, like we don't fit in sometimes, she
42:38
says. You're not the cool kid.
42:40
We've all been there. We all have imposter syndrome at
42:43
one point or another. I think watching the show and
42:46
seeing these women go through these journeys and kind of
42:48
winning, especially in the season, I think that that's
42:51
really interesting to see people who don't think they belong and
42:55
they're actually belonging. Barrera, who is a Nicaraguan
42:59
American. This Heritage had been a fan of
43:02
the first season and diverse cast, but thought Chloe needed a
43:06
Latina character. At the Screen Actors Guild
43:09
Awards jet January, where the show was nominated for Best
43:13
Ensemble, Barrera wore the colors of the Nicaraguan flag,
43:16
carrying a free Nicaragua clutch.
43:20
She wanted to draw attention to political unrest in the country,
43:25
where people have called for the resignation of President Daniel
43:28
Ortega and protesters have died in clashes with the government.
43:32
Barrera supports the nonprofits Amigos de Nicaragua Azuli
43:36
Blanco, which provides humanitarian aid and covers
43:38
legal fees for refugees. There aren't a lot of
43:42
Nicaraguans in the industry, so I just thought that would be a
43:45
good role to be filled, Barra says.
43:48
I'm not scared to do it. The actress says it's been an
43:52
honor to receive positive feedback from fans about Yo Yos
43:55
Latinas and sexual identity. I feel like the LGBTQ community
44:00
is so underrepresented, so for me to represent a community that
44:03
is waiting to see themselves, it's a lot of pressure, she
44:06
says. That was my number one concern.
44:09
Going to the season and playing a lesbian character.
44:12
I wanted them to feel proud to see themselves.
44:18
Next scene, Ruth and Yolanda head to the hotel and they start
44:21
doing a break dancing montage to the song on a piece of cardboard
44:27
nostalgia. I love that they brought out the
44:32
piece of cardboard. Ruth is a quick learner and
44:35
already comes in to see them practicing.
44:37
She asked if she's doing a white girl trying to break dance act
44:44
for the match. Ruth tells her she asked if
44:49
you're doing a white girl trying to break dance act for the
44:52
match. Ruth tells her that they're
44:54
doing a white girl Does break dance act.
44:57
Artie says that it's spot on that white girls definitely talk
45:01
like that. Outside the gym, Sam and Bash
45:04
bit Tammy. Goodnight.
45:06
Bash asks. Sam.
45:07
You're not going to this dinner tonight, are you?
45:10
Sam asks if he means Devi's and agrees that he's definitely not.
45:13
Bash says that he's not the whole idea of her getting a
45:16
producer title, which is to make the star happy.
45:19
Sam agrees that it is. Bash says that he's the
45:22
producer, that she doesn't even put any money into it.
45:26
Bash goes in for a hug and pat Sam in the back.
45:28
Who's confused about the hug? Bash says that the first woman
45:32
want a room of their own, then stay at the table, Then for men
45:34
to come and eat at the table. Even if the table's all the way
45:37
out in Pasadena and he's like, what happened to the room, Tammy
45:41
looks all and troubled. Later on, Justine meets with her
45:46
boyfriend Billy at the venue of his band, Shit Pope.
45:50
He tells her he'll be in the pit while she's out there selling
45:54
the merch. Next, seeing Debbie sets the
45:57
table at home. Her doorbell rings is Tammy.
46:01
She tells Debbie that it's a great house and gives her a gift
46:04
of booze. She asks what she's doing there.
46:07
Tammy tells her flat that Sam and Bash aren't coming.
46:11
She says that she was surprised too, that she loves fondue.
46:18
Back at his band, Billy thanks Mr. Toad's Wild Ride for having
46:23
them introduce the Kong. So back in his band, Billy
46:28
thanks Mr. Toad's Wild Ride for having them introduce a song
46:30
called Morning in America. That's Morning with AU.
46:36
They play punk rock and sing a song about getting over on big
46:39
business. Justine rocks along to the song.
46:43
She tells some people in front of her that they're blocking her
46:45
view. A girl gives her the finger and
46:47
tells her that she should move, so Justine does.
46:52
She stands in front of the girl. When the girl complaints,
46:54
Justine shoves her back. The two fight.
46:57
Billy sees what's happening and breaks it up.
47:00
He asks her what the hell is she's doing.
47:02
He's playing a show. As she's dragged out by a
47:06
bouncer, she Justine shouts at him, telling him to sell his own
47:10
merch. Back at Debbie's, Tammy tells
47:14
her that when they fight, it needs to be matched, A sentry
47:17
like Rocky and Apollo, and they have to build it up.
47:21
Debbie says that they already are.
47:23
It's why Sam is having her duck out to build suspense.
47:27
Tammy says that it's not enough that they have to do more
47:30
posters and radio ads and even billboards if they can.
47:34
If she asks if they can afford Billboard, Debbie admits she has
47:37
no clue. Debbie tells her to find out
47:40
she's a producer after all. Debbie replies that being a
47:44
producer is like Tammy's plastic crown.
47:47
Just because it's shiny and you fought for it doesn't make it
47:49
worth more than a party favor. She says that Sam and Bash don't
47:53
listen to her, and Tammy replies that they will When she gives
47:55
them what they need. Debbie asks what that is.
48:01
Tammy tells her that she had she's had a lot of jobs, a
48:03
bookkeeper, a meter maid, and a factory where they made airline
48:07
food. She's learned that if you want
48:09
to be respected, you have to make yourself useful, unless
48:13
you're a white man, in which case you have to just show up
48:15
and wait around and you'll eventually get promoted.
48:19
She says it as late as she has to go, thanking Debbie for the
48:22
fondue. Debbie tells her she's glad that
48:25
they had this Nemesis time. Seeing that she's a little
48:29
tipsy, she asked if she's OK to drive.
48:31
She says that she's fine pulling out a chocolate bar, telling
48:35
Debbie that sugar wakes her up. She says that candy is cheaper
48:39
than drugs and better than coffee.
48:42
Debbie agrees that everyone likes candy at home.
48:48
Sam smokes and pour himself a drink.
48:50
Justine arrived home holding a cloth to her head.
48:53
He asked her what happened. She explained that she got in
48:55
the fight and she called him to pick her up, but he didn't
48:59
answer his phone because he doesn't care.
49:02
He tells her that he sought who to call with from his ex-wife.
49:05
She slams the door and he complaints about her not having
49:08
left a message. She comes back with a bag and he
49:12
asks her if she's leaving, where she and where she's going to go
49:15
if she's going back to Sacramento.
49:18
She tells him that she already says she can't go back there
49:20
because her mother, Rosalie, is crazy.
49:23
He asks where and she sighs. He tells her relax and let him
49:27
see what happened. He looks at her head, then at
49:29
the cloth she used, and asks if it's a punk rock way of dressing
49:32
a wound. He suggests that they could put
49:35
the blood on all the T-shirts. He pulls out a first aid kit to
49:38
properly treat the wound and has her dab it with an infringement
49:41
cloth. He tells her that he doesn't
49:44
suddenly become a different person simply because she shows
49:47
up. He asks her to stay, saying
49:50
they'll have awkward dinner. Sometimes he says he wants her
49:53
to stay, but she's going to have a curfew, especially on school
49:56
nights. She points out that she doesn't
49:59
go to school, and he tells her that that's another thing that's
50:01
changing, that his kids won't be a high school dropout.
50:06
She tells him to slow down with the discipline, and he says not
50:08
to stop him, that he's finding his parental boys.
50:12
He didn't stop and admit that it's gone.
50:18
Movies and feelings Pop Pop. Bring Your Own Popcorn is a
50:24
podcast that dives into people and the movies who love them.
50:27
Let us preach to your choir or stoke your ire as we spiral down
50:30
memory lane with cult classics, jurassics and other genres that
50:34
rhyme with traffic. What we lack in education we
50:36
make up for with comedy, compassion and camaraderie.
50:39
I'm your host, Mixte Majesty, inviting you to join me and an
50:42
assortment of wonderful guests on.
50:44
Fine. Podcast apps everywhere.
50:47
Bring your own popcorn. Do you like to drink wine?
51:18
Do you like to talk about your favorite things and rank them in
51:21
categories? Then you have come to the right
51:24
place. Welcome to The Simplest Podcast,
51:27
where you guessed it, we drink lots of wine and make lists of
51:30
all our favorite things. My name's Amanda and each week
51:34
my guest and I will review a favorite wine we're drinking or
51:37
if they aren't cool enough to drink wine, then the lame
51:39
beverage of their choice. And then we'll rank our top five
51:42
favorites of different things in different categories.
51:46
You could expect to hear all kinds of things, from favorite
51:48
horror movies to favorite Disney characters, favorite true crime
51:52
books to favorite women in history.
51:54
The The episodes will be diverse, but they will always
51:57
include wine lists and lots of laughs.
52:01
You can find the Simplist on social media on Facebook.
52:03
Just search the Simplist pod, be sure to like the page and join
52:08
the private Facebook group for the most up to date info on
52:10
everything that's happening. You can also find us on
52:13
Instagram at the Simplistpod. I'm really excited to bring you
52:18
guys some fun and amazing content and I hope you'll join
52:20
me on this journey. Until next time, when you
52:23
Whenever life is tough, just keep sipping.
52:28
Next scene, Samurai in the gym to find Debbie already there.
52:32
She says that she brought him something in hands of a box.
52:36
He asks if it's candy and she tells him that it's not just
52:38
candy, it's Nerds, the 1985 candy of the year.
52:44
He tells her that while he appreciates her trying to suck
52:46
up as an adult male, he has to say no thank you.
52:50
Bash comes in, grabs the box, and says that he loves nerds,
52:54
that they're like great nuts except not healthy at all.
52:59
Debbie agrees, telling Sam that he's not getting it.
53:01
She talks about her proposal to keep the audience awake with
53:04
candy, and Sam says that perhaps it's idealistic, that he was
53:08
hoping the show would keep them awake.
53:10
Bash tells him that the performer frees off the energy
53:14
of the crowd, that he knows. This being a performer himself,
53:18
Debbie says that she's glad Bash gets it and that she has three
53:22
cases in the car. They get started in the day's
53:26
audition. The first match is the Beat Down
53:29
Bitties versus Melrose, who annoys them with loud music
53:32
playing from the boom box. Both of them are wearing sleep
53:36
masks, trying to fight her blind.
53:37
She sprays Hairspray at them, fighting dirty.
53:41
She pretends to read the label on the Hairspray, saying that it
53:43
was made in Three Mile Island and it's therefore radioactive.
53:50
The Biddies then toss off their old lady costumes, revealing
53:53
themselves to be Nuke and Ozone. The toxic twins.
53:58
Bash laughed, liking it. Melrose begged them to stop,
54:02
saying she didn't mean anything. She turns off the music, but
54:05
they take her down. Bash says that he loves the
54:08
mutant gimmick. Outside already complained that
54:11
the transformation gimmick was her idea.
54:13
They tell her that they just couldn't be old ladies anymore,
54:15
that it was weighing on their self esteem.
54:18
They tell her she'll do fine playing off of the real life the
54:24
beat down bitty characters that they are based off of in real
54:27
life. The housewives did in fact
54:29
change their gimmicks the following year and they were
54:31
later known as Spike and Chainsaw the Heavy Metal
54:35
Sisters. Next scene sounds that they're
54:39
going to see a lot of gimmicks today.
54:41
Sheila, who's wrestling Rhonda, tells him that they don't have a
54:43
gimmick. They just want their match to be
54:46
about pure technical wrestling. Sam asked if the pure wrestling
54:50
has something to do with the male mannequin that Rhonda is
54:52
dressing up. Rhonda says that the mannequin's
54:55
just Thomas, her lover. She made him out of spare parts
55:00
after a real man broke her heart.
55:03
Sam put their head. Sam puts his head down.
55:06
They get down to fighting. It is, as they promised, an
55:10
intense straight match. Sam.
55:15
Sam says that it's good that he doesn't understand the
55:17
mannequin, asking if they're going to engage with it.
55:21
Engage. Quit Rhonda Sam.
55:23
We've only been on one date, OK? Sam's annoyed and calls for the
55:29
next match. The match is Artie and Carmen.
55:33
She demonstrates her best draft to herself and how she'll blow
55:35
herself up. Smoke will rise and then she'll
55:38
emerge from the smoke as Phoenix.
55:40
Sam tells her they already have a thing where someone magically
55:43
changes or something. He asked her what else they
55:46
have. Carmen says she didn't have much
55:47
extra time because they were helping the others.
55:50
Sam says they have nothing. He calls for the next match up,
55:53
Debbie thanking them for their time and vulnerability.
55:56
Sam again interrupts and sings. Next Yolanda enters the ring
56:03
asking if they've seen Zoya, saying that the crazy Russian
56:07
has been chasing her everywhere. She says that Zoya wants to
56:12
fight her, but she doesn't want to.
56:14
She has plans. Zoya enters and calls her out.
56:19
She asks why she won't accept her challenge.
56:22
She says she doesn't even know her and she was going to go down
56:24
to B St. Zoya asked what that is, Yolanda
56:27
explains, and Zoya says that it's American ghetto dancing.
56:31
She wanted to try it, but only ballet is permitted in Soviet
56:35
Union and being fresh is a punishable crime.
56:40
Yolanda tells her she's lucky. During the USA, Root bends down
56:44
to press play on the boom box and it's swept by the system.
56:48
Yolanda starts break dancing. Soya says that she could never
56:52
that she's too rigged. Yolanda tells her to feel the
56:55
beat, Soya starts getting down, they break dance together, and
56:59
Yolanda tells her she's not bad for an uptight Russian.
57:03
Soya says that perhaps audience will join the alternative to
57:06
wrestling as part of a larger entertainment Sam and Bash Snack
57:13
on Doughnuts on coffee outside. Sam says that the old lady
57:16
turning into gremlins when wet, as in Bash, agrees.
57:20
That goes without saying. Debbie runs up, agreeing that
57:23
Three makes it unanimous. Sam says that with Liberty Bell
57:27
versus Fortune Cookie headlining, they still need one
57:30
match. Bash asked about Carmen, and Sam
57:34
says that she had nothing. Debbie asked about Zoya and
57:38
Yolanda. Bash seems to like the idea, but
57:40
Sam doesn't. Bash asked why not and Sam
57:43
replies that it wasn't real wrestling.
57:46
Bash tells him that he's the one who said he wanted to break up
57:49
the repetition and this could help keep the energy flowing
57:54
like a halftime show. Devi says she thought they were
57:57
great. Sam says that he's not putting
57:59
proof to Devi asked if he's still punishing her.
58:02
He knows she's good, otherwise he would have fired her and not
58:05
Reggie. Bash agrees that he must do what
58:09
is best for the show, So break dancing it is.
58:15
Ruth meets Sam in the director's booth.
58:17
She asks if he's hiding from everybody, and he says that's
58:19
just her he's hiding from. She asked if they're back to
58:22
joking again. He says that he's not.
58:25
She thanks him for choosing her match, saying that she won't
58:28
disappoint him or she might, but it won't be her intention.
58:31
He says he can't. He says he can still cut her and
58:34
run only Yolanda, or maybe 10 minutes of a Christmas log.
58:39
She says she's going telling him to enjoy his personal space
58:44
downstairs. She stripped over a cable and
58:46
asked what? Russell explains that it's
58:47
connected to his camera. She apologizes and he tells her
58:51
to thanks for the tug job. He apologizes himself and says
58:56
years of porn. Not funny and sleazy.
59:00
He says he wants to start over. Hi, nice to see you, and he
59:03
tells her to have a good match. Sam comes down complaining and
59:06
Russell tells him there was a technical issue.
59:09
Sam looks down at Ruth laughing at Russell and tell them they
59:12
start in 10 minutes. Ruth asked if she broke it.
59:15
He holds it up, asking Zoya who she's fighting.
59:18
Zoya says she is fighting a sexy dancer, her girl who has moves
59:21
like this. She demonstrated his pose and he
59:24
says he would like to see Star Wars system fight that off and
59:26
then his. He's red scared.
59:29
Upstairs, Sam watches as Zoya blows a kiss to the camera and
59:34
then cuts the feed. The show goes to credit while
59:37
Situation by Yazoo is playing Situation in 1982 single by
59:45
British and pop band Yazoo. The song was released in the UK
59:49
as The B Side to Yahoo's debut single Only You, which went to
59:54
#2 in the UK Singles Chart. Released as a single in North
59:58
America, the song peaked at #73 on the Billboard 100 chart in
1:00:02
the US. And hit the Top 40 in Canadian
1:00:05
charts, peaking at #31 in the late summer 1982 became Yasu's
1:00:10
first song to top the Billboard Hot Dance Club play chart,
1:00:14
remaining at #1 this chart for four weeks.
1:00:17
It also crossed over to the black singles chart, peaking at
1:00:19
#31. It's most well known version is
1:00:23
the US 12 inch remix by Francois Kebrokin.
1:00:26
This version was included on the US version of Yasu's debut album
1:00:30
Upstairs at Eric's 1982, and it's the version of the song
1:00:34
which received the most airplane in the United States, where the
1:00:37
song, despite its modest showing on the Hot 100, is still played
1:00:40
on alternative variety hits and dance oriented radio stations in
1:00:46
1990 and again in 1999. The song was remixed by several
1:00:49
noted DJs included, including Peter Ruffer and Richard Humpty
1:00:54
Vision. The 1999 remixes were released
1:00:57
to dance clubs in October the same year.
1:01:00
This renewed interest in the song since situation number one
1:01:03
on the Billboard Hot Dance Club play chart for a second time in
1:01:07
2006. Slant ranked the song at #64 in
1:01:11
its list of the 100 Greatest Dance Songs.
1:01:15
The song was heavily sampled in the Saturday's 2008 debut
1:01:17
single, and This is Love. Moyet's laugh at the start of
1:01:21
the track has been sampled on several different recordings.
1:01:26
Obviously the episode was heavily influenced on the hip
1:01:28
hop side. Although it's not a centric
1:01:30
episode about Yolanda, we do get to know a little bit about her.
1:01:36
And we also learned that Debbie didn't just want to take the job
1:01:39
as producer Jaw just as a title, but to help the show as well.
1:01:43
She's trying hard with the dinner with both Sam and Bash,
1:01:46
but at the end of it she still has to have one.
1:01:49
She's still the one that came up with solution with the candy and
1:01:51
getting Sam back off roof to let her do her thing.
1:01:55
Overall it was a good episode, hopefully original.
1:01:59
Junk Chain is still miss up going to come up later in the
1:02:03
show later in the season and I don't remember if Reggie really
1:02:07
left the show after this and hopefully they bring them up
1:02:10
next episodes. That's all for now for this
1:02:15
episode. Hope you all enjoyed the recap
1:02:17
of GLOW on Netflix. Season 2 episode 2.
1:02:23
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