Latest / Crime Night / The Discarded Evidence of Alberta O. Jones
Transcript
- 0:00Speaker 1: Picture this. It's the tense, like incredibly sweltering, humid night
- 0:05Speaker 1: of August fourth, nineteen sixty five.
- 0:07Speaker 2: Right in Louisville, Kentucky, exactly.
- 0:10Speaker 1: And you are looking through the window of a modest
- 0:13Speaker 1: home at a thirty four year old woman, and she
- 0:17Speaker 1: is cautious. I mean, honestly, she is bordering on paranoid
- 0:21Speaker 1: at this point.
- 0:21Speaker 2: Yeah, she actually just had a car alarm installed, which
- 0:24Speaker 2: you know, for a private citizen back then, was incredibly
- 0:27Speaker 2: rare technology.
- 0:28Speaker 1: Super rare. And she had also just bought a firearm
- 0:30Speaker 1: for personal protection. She really does not want to leave
- 0:33Speaker 1: her house tonight. She has the blinds drawn, the door
- 0:35Speaker 1: is locked, but then the phone.
- 0:37Speaker 2: Rings, right and it's a friend on the line, basically
- 0:39Speaker 2: begging her to come out into the.
- 0:40Speaker 1: Dark, and reluctantly, going against the literally all of her instincts,
- 0:45Speaker 1: she caves. She steps out into that heavy summer air,
- 0:48Speaker 1: gets into her car, drives off into the night, and
- 0:50Speaker 1: has never seen alive again.
- 0:51Speaker 2: It honestly sounds exactly like the opening scene of some
- 0:54Speaker 2: noir thriller. But this is a very real, very tragic,
- 0:58Speaker 2: historical event. No woman we're talking about, she isn't just
- 1:02Speaker 2: anybody this is Alberta O. Jones.
- 1:04Speaker 1: Alberto Jones was an absolute powerhouse. I mean, we are
- 1:08Speaker 1: talking about a woman whose entire life was defined by
- 1:12Speaker 1: just shattering barriers left and right. Oh.
- 1:14Speaker 2: Absolutely. She was the first black woman to pass the
- 1:17Speaker 2: Kentucky bar She became Louisville's first black female prosecutor, which
- 1:21Speaker 2: is huge, right.
- 1:22Speaker 1: And she was a civil rights pioneer. She organized block
- 1:25Speaker 1: by block to help register like six thousand black voters
- 1:30Speaker 1: and that fundamentally shifted the political landscape. It was instrumental
- 1:34Speaker 1: in ousting a mayor to establish new laws against racial discrimination.
- 1:38Speaker 2: Yeah. And if all of that somehow wasn't enough, she
- 1:41Speaker 2: was the brilliant attorney who actually negotiated Muhammad Ali's very
- 1:45Speaker 2: first professional boxing contract.
- 1:47Speaker 1: Just a completely incredible resume. She was this trailblazer moving
- 1:50Speaker 1: at lightning speed during the absolute peak of the civil
- 1:54Speaker 1: rights movement. But her murder abruptly cut all of that short.
- 1:57Speaker 2: It did, And what makes this case so incredibly today
- 2:00Speaker 2: is the sheer volume of physical evidence left behind, you know,
- 2:03Speaker 2: contrasted against the staggering, almost incomprehensible lack of justice exactly.
- 2:09Speaker 1: So what does this all mean for you? Jumping into
- 2:11Speaker 1: this deep die with us today.
- 2:13Speaker 2: Well, we are launching a full fledged criminal investigation into
- 2:18Speaker 2: a sixty year old unsolved mystery.
- 2:20Speaker 1: We are pulling out the declassified Louisville Police Department case files,
- 2:24Speaker 1: combing through historical news archives, modern cold case summaries.
- 2:28Speaker 2: All of it, right, and we're going to explore a
- 2:31Speaker 2: story that is just riddled with baffling crime scenes, inexplicably
- 2:35Speaker 2: destroyed evidence, and while a suspects list that ranges from
- 2:39Speaker 2: local neighborhood teenagers all the way to the highest echelons
- 2:43Speaker 2: of institutional power.
- 2:44Speaker 1: To really understand how this happened, I mean, we have
- 2:47Speaker 1: to look at the exact mechanics of that night, Like
- 2:49Speaker 1: why did Alberta leave the safety of her home when
- 2:52Speaker 1: she was clearly already on high alert.
- 2:54Speaker 2: Yeah, it was around eleven zero zero pm when her
- 2:56Speaker 2: friend Gladys called.
- 2:57Speaker 1: Right, Gladys was a hairstylist and she practically begged Alberta
- 3:01Speaker 1: to come over because a new custom wig Alberta had
- 3:04Speaker 1: ordered was finally ready to be fitted.
- 3:05Speaker 2: At eleven o'clock at night. I mean that alone feels
- 3:08Speaker 2: super strange to me. It totally does. And Alberta initially
- 3:11Speaker 2: said no, She was like, it's late, I'm exhausted and
- 3:13Speaker 2: I'm scared, but Gladys just pushed really hard.
- 3:17Speaker 1: She laid on a guilt trip right, yeah, exactly.
- 3:18Speaker 2: She said something along the lines of, oh, you've gotten
- 3:20Speaker 2: snobby since getting that new prosecutor job, and Gladys also
- 3:24Speaker 2: mentioned wanting some free legal advice about some personal trouble
- 3:28Speaker 2: she was in, So the guilt trip works.
- 3:30Speaker 1: It works. Alberta finally caves and rides at Gladys's house
- 3:34Speaker 1: around eleven thirty pm. But this is where we hit
- 3:37Speaker 1: what feels like a massive, fateful domino falling carswitch. Yes,
- 3:43Speaker 1: the car switch. Alberta was known literally all over town
- 3:47Speaker 1: for driving this very distinctive, impossible to miss pink thunderbird.
- 3:51Speaker 1: It was her signature look.
- 3:53Speaker 2: But that night, the Thunderbird was in the shop and
- 3:56Speaker 2: that expensive car alarm she had just bought it was
- 3:58Speaker 2: wired to the Thunderbird.
- 4:00Speaker 1: So instead she was driving this completely generic white Ford
- 4:04Speaker 1: Fairlane rental car.
- 4:05Speaker 2: And that car swap is basically the foundational psychological question
- 4:08Speaker 2: of the entire case, like was this a targeted assassination
- 4:12Speaker 2: by enemies who knew her every single move or was
- 4:14Speaker 2: it a tragic crime of opportunity right because.
- 4:17Speaker 1: It's recognizable symbol of a powerful prosecutor. Would the attackers
- 4:25Speaker 1: have been so brazen exactly.
- 4:27Speaker 2: Or did they just see a lone, vulnerable woman in
- 4:30Speaker 2: an anonymous white rental car and sees a horrible opportunity.
- 4:35Speaker 1: It fundamentally shifts how you look at the timeline, because
- 4:38Speaker 1: from here the window of time gets incredibly tight. Alberta
- 4:42Speaker 1: and Gladys leave the house around twelve and teen am
- 4:45Speaker 1: to grab food at a local seafood place called Kingfish.
- 4:48Speaker 2: Right, and on the way back they pick up a
- 4:50Speaker 2: local newspaper, The Louville Defender. They go back to Gladys's
- 4:53Speaker 2: house do the final wig fitting, and then Gladys claims
- 4:56Speaker 2: she watched Alberta walk out and get into her rental
- 4:58Speaker 2: car somewhere between one two point am.
- 5:01Speaker 1: And from there the geographic trail just gets incredibly ominous.
- 5:05Speaker 1: At two am, Alberta makes a quick stop at a
- 5:07Speaker 1: local convenience store for a soda.
- 5:09Speaker 2: And the clerk later reports seeing her talking to three
- 5:11Speaker 2: unidentified teenagers in the parking lot. He says, you know nothing,
- 5:15Speaker 2: leoked avertly threatening. He looks down to do his work,
- 5:17Speaker 2: looks back up a moment later, and the car and
- 5:20Speaker 2: the teenagers are all just gone.
- 5:22Speaker 1: Which makes the event at two point fifteen am utterly terrifying.
- 5:26Speaker 1: Just one block away from that convenience store, a couple
- 5:29Speaker 1: is jolted awake by the sound of a woman screaming
- 5:32Speaker 1: in the humid night air.
- 5:33Speaker 2: They rush to their front door and witness this violently
- 5:36Speaker 2: chaotic scene. Two men are physically dragging a woman from
- 5:40Speaker 2: the middle of the street toward a white or light
- 5:42Speaker 2: colored ford.
- 5:43Speaker 1: And a third man is waiting inside the running car.
- 5:45Speaker 1: The men brutally shove her into the back seat, and
- 5:48Speaker 1: then one of them reaches down and grabs something from
- 5:50Speaker 1: the street. The witnesses thought it looked like a purse
- 5:53Speaker 1: or maybe a brick before he jumps.
- 5:55Speaker 2: In yeah, and then the car screeches off, heading west
- 5:57Speaker 2: toward the viaduct and the massive dark expanse of the
- 6:01Speaker 2: Ohio River.
- 6:02Speaker 1: The next morning, that geography, the river and the surrounding infrastructure,
- 6:06Speaker 1: it becomes the absolute center of the investigation, and it
- 6:09Speaker 1: presents a total forensic nightmare.
- 6:11Speaker 2: It really does. Boys walking along the Ohio River find
- 6:15Speaker 2: Alberta's body floating face down about fifteen feet from the shore.
- 6:19Speaker 2: The corner determines she had been severely beaten.
- 6:22Speaker 1: She had lacerations on her head and deep scrapes on
- 6:25Speaker 1: her arms, which indicates a brutal struggle, but the physical
- 6:28Speaker 1: beating isn't actually what killed her.
- 6:31Speaker 2: No. Tragically, the autopsy revealed water in her lungs. She
- 6:35Speaker 2: was put into the river alive, and she died from
- 6:37Speaker 2: drowning somewhere between two thirty and four thirty in the morning.
- 6:40Speaker 1: Just horrific. And when she was pulled from the water,
- 6:43Speaker 1: she was missing several key items her shoes, her purse,
- 6:47Speaker 1: her upper dentures, and that brand new custom wig.
- 6:51Speaker 2: Right, and the fact that she was put in the
- 6:53Speaker 2: water on the Kentucky side makes the location of those
- 6:56Speaker 2: missing items completely illogical, especially the shoes.
- 7:00Speaker 1: Let's talk about the shoes, because they weren't found in
- 7:02Speaker 1: the river or on the river bank. They were found
- 7:04Speaker 1: an hour before her body was even discovered, completely dry,
- 7:08Speaker 1: scattered about ten feet apart, on the exit ramp of
- 7:11Speaker 1: the Sherman Minton.
- 7:12Speaker 2: Bridge, which is this massive double ducker bridge that connects Louisville, Kentucky,
- 7:16Speaker 2: to southern Indiana. But they weren't just on the bridge.
- 7:20Speaker 2: They were found on the lower level ramp coming back
- 7:22Speaker 2: into Kentucky from Indiana.
- 7:24Speaker 1: This is where understanding the environmental mechanics of the river
- 7:27Speaker 1: is just crucial. Authorities consulted hydrology experts regarding the Ohio
- 7:32Speaker 1: River's currents at that specific bend.
- 7:35Speaker 2: Yeah, and the hydrology dictates that if someone threw Alberta
- 7:38Speaker 2: from the top of that bridge or drove across and
- 7:41Speaker 2: put her in the water on the Indiana shoreline, the
- 7:44Speaker 2: currents would have pushed her body to wash up on
- 7:46Speaker 2: the Indiana.
- 7:47Speaker 1: Shore exactly because she washed up on the Kentucky side. Yeah,
- 7:51Speaker 1: physics dictate she had to have been put in the
- 7:53Speaker 1: water from the Kentucky.
- 7:54Speaker 2: Shoreline, right, which makes the Indiana bridge drop completely baffling.
- 7:58Speaker 2: I mean, if they dumped her for the Kentucky bank,
- 8:01Speaker 2: why did they cross the bridge into another state at all?
- 8:04Speaker 1: Why take her shoes off? And if you do take
- 8:06Speaker 1: them off, why leave them scattered on an off ramp
- 8:08Speaker 1: coming back into Louisville.
- 8:10Speaker 2: It suggests a really frantic, chaotic aftermath, and the car
- 8:14Speaker 2: itself tells an even more disturbing story.
- 8:16Speaker 1: Oh the car, the white Fort fair Lane, is found
- 8:19Speaker 1: abandoned on a quiet residential street just two miles from
- 8:22Speaker 1: where her body was pulled out, and the scene inside
- 8:25Speaker 1: is horrific.
- 8:26Speaker 2: Blood covered more than half of the back seat. Her
- 8:29Speaker 2: upper dentures were found discarded on the floorboard. There was
- 8:32Speaker 2: a torn piece of that exact Louisville Defender newspaper she
- 8:36Speaker 2: had bought earlier with Gladys, and it had been crumpled
- 8:38Speaker 2: up and used white bloody hands.
- 8:40Speaker 1: Investigators found fragments of a red brick, strands of hair,
- 8:44Speaker 1: and latent fingerprints all over the interior and exterior. It's
- 8:48Speaker 1: an absolute gold mine of physical evidence, it.
- 8:51Speaker 2: Is, but it also presents a mathematical impossibility that proves
- 8:55Speaker 2: they didn't just stay in that Kentucky neighborhood.
- 8:57Speaker 1: Right the mileage when Alberta picked up that rental car
- 9:00Speaker 1: at six point zero pm the previous evening, the rental
- 9:03Speaker 1: agency log the exact mileage. When police process the abandoned car,
- 9:07Speaker 1: there were fifty one new miles on the odometer and the.
- 9:10Speaker 2: Car had been sitting abandoned since at least six or
- 9:12Speaker 2: pre am, which gives it a strict twelve hour window.
- 9:15Speaker 2: But if you map her known route from the rental
- 9:18Speaker 2: agency to her home, to Gladys's house to the Kingfish
- 9:20Speaker 2: Restaurant and back. It totals fifteen maybe twenty miles top.
- 9:24Speaker 1: Exactly fifty one miles minus the twenty known miles leaves
- 9:27Speaker 1: thirty one completely unaccounted.
- 9:29Speaker 2: Miles, and that extra mileage perfectly aligns with a deliberate
- 9:33Speaker 2: round trip drive across the Sherman Minton Bridge into Indiana
- 9:37Speaker 2: and back. The geography of the car's movement confirms what
- 9:41Speaker 2: the shoes suggested. They cross state lines.
- 9:44Speaker 1: But why, Like, what were they doing in Indiana? This
- 9:47Speaker 1: is where the narrative shifts from a brutal, chaotic abduction
- 9:51Speaker 1: to a deeply unsettling mystery involving the very people supposed
- 9:54Speaker 1: to be solving it.
- 9:55Speaker 2: Yeah, because we have an explosive witness sighting regarding that
- 9:58Speaker 2: bridge crossing. A bakery worker named Peter Baker was driving
- 10:02Speaker 2: to his early morning shift at four point three five am, and.
- 10:05Speaker 1: He and his coworker explicitly recalls seeing a white car
- 10:08Speaker 1: stopped on the Sherman Minton Bridge and pulled up directly
- 10:11Speaker 1: behind it a fully marked Louisville Police Department cruiser.
- 10:15Speaker 2: A marked police car at four thirty five am, right
- 10:18Speaker 2: in the exact time window when ALBERTA is either going
- 10:21Speaker 2: into the water or is already drowning.
- 10:22Speaker 1: And no police officer ever reported making a traffic stop
- 10:25Speaker 1: on that bridge that night. Nobody called it into dispatch,
- 10:28Speaker 1: nobody admitted it.
- 10:29Speaker 2: Was them, No, none of them.
- 10:31Speaker 1: I have to pause here because this isn't just a
- 10:32Speaker 1: minor clerical error. I mean, we are looking at a
- 10:35Speaker 1: marked cruiser pulled up behind the exact model of car
- 10:39Speaker 1: used in a brutal abduction, hovering over the river where
- 10:43Speaker 1: the victim drowned, right when she drowned.
- 10:46Speaker 2: It's incredibly suspicious.
- 10:48Speaker 1: Is it possible this was just you know, nineteen sixties
- 10:51Speaker 1: procedural incompetence, because to me, it smells like a massive
- 10:55Speaker 1: systemic cover up.
- 10:56Speaker 2: Well, it gets worse. When Alberta's family of fishal filed
- 11:00Speaker 2: the missing person's report, they didn't know the exact details
- 11:04Speaker 2: of her night. They didn't mention Gladys or the timeline
- 11:07Speaker 2: because they didn't know about them yet. Right yet, a
- 11:09Speaker 2: senior Lousville police officer, somehow already knew intimate specific details
- 11:13Speaker 2: about Alberta's movements with Gladys before Gladys or the family
- 11:17Speaker 2: had ever been officially interviewed by detectives.
- 11:20Speaker 1: How did he know her exact movements if he wasn't
- 11:23Speaker 1: tracking her exactly? Okay, if you're listing and trying to
- 11:26Speaker 1: give the authorities the benefit of the doubt, the events
- 11:29Speaker 1: of August seventh are going to make that completely impossible.
- 11:31Speaker 2: Oh the fingerprints.
- 11:33Speaker 1: Yes, three days after the murder, the police have an
- 11:36Speaker 1: evidence envelope full of pristine fingerprints meticulously lifted from the
- 11:41Speaker 1: rental car.
- 11:41Speaker 2: And we should clarify how vital these are. In nineteen
- 11:44Speaker 2: sixty five, lifting a pristine print involved carefully dusting the surface,
- 11:49Speaker 2: applying a specialized adhesive tape to lift the powder, and
- 11:52Speaker 2: transferring it to a permanent card. It was a delicate process.
- 11:56Speaker 1: These cards were the golden tickets to solving the case.
- 12:00Speaker 1: So an officer named Elliot arrives for his night shift
- 12:02Speaker 1: at the fingerprint lab. He goes to pull the print
- 12:05Speaker 1: cards to begin comparing them against known local suspects. He
- 12:09Speaker 1: opens the evidence envelope and it's completely empty.
- 12:12Speaker 2: It's almost comical in a very dark, twisted way. You
- 12:16Speaker 2: literally couldn't write a more cliche, corrupt nineteen sixties cop
- 12:20Speaker 2: movie script if you.
- 12:20Speaker 1: Tried, literally, like, where's the prime murder evidence? Oh? I
- 12:24Speaker 1: tossed it in the garbage bin between the desks. It
- 12:27Speaker 1: defies belief.
- 12:28Speaker 2: It really does. Officer Elliott starts frantically tearing the lab apart,
- 12:31Speaker 2: and he finds the cards physically thrown into a trash can.
- 12:34Speaker 1: Right in the trash and because they were tossed in
- 12:36Speaker 1: the garbage among other debris, several of the delicate prints
- 12:39Speaker 1: were completely ruined.
- 12:40Speaker 2: It's the forensic equivalent of burning the only map out
- 12:43Speaker 2: of a maze. The most crucial prints, the pristine ones
- 12:47Speaker 2: pulled from the left window of the car, right where
- 12:49Speaker 2: the abductors would grab the door, were entirely destroyed or missing.
- 12:53Speaker 1: They were left with one single, heavily smeared print from
- 12:57Speaker 1: that window. But hold on chain of custody in nineteen
- 13:01Speaker 1: sixty five wasn't what it is today. But you don't
- 13:03Speaker 1: just lose prime evidence in a trash can. Someone had
- 13:07Speaker 1: to physically intercept that envelope before the lab technician processed it.
- 13:12Speaker 1: Who had access well.
- 13:13Speaker 2: Officer Elliott investigated that immediately. He found out that just
- 13:16Speaker 2: before his shift, only two people had been alone in
- 13:19Speaker 2: the room with the Prince, a lab technician and a
- 13:22Speaker 2: sergeant miller. Okay, the technician stated on the record that
- 13:25Speaker 2: he was about to process the cards, but Sergeant Miller
- 13:27Speaker 2: explicitly ordered him to leave the Prince alone, saying he
- 13:30Speaker 2: was going to look at them himself. Sergeant Miller was
- 13:33Speaker 2: the last person to handle the envelope and the most
- 13:35Speaker 2: shocking part of the case files. There is absolutely zero
- 13:39Speaker 2: record of Sergeant Miller ever being formally interrogated about why
- 13:42Speaker 2: he threw the prime evidence of a high profile murder
- 13:45Speaker 2: investigation into the garbage. He was never disciplined, He just
- 13:48Speaker 2: kept working the case.
- 13:49Speaker 1: They effectively kneecapped their own investigation from the inside. Without
- 13:54Speaker 1: those pristine window prints, they were essentially left groping in
- 13:58Speaker 1: the dark, and because of that, the case goes cold.
- 14:01Speaker 2: Decades pass the trail freezes completely.
- 14:04Speaker 1: But then fast forward to two thousand and eight, the
- 14:06Speaker 1: technological landscape has completely changed. The FBI now utilizes AFIS,
- 14:12Speaker 1: the Automated Fingerprint Identification system.
- 14:14Speaker 2: Right cold case investigators submit one of those surviving smeared
- 14:18Speaker 2: fingerprint cards that Officer Elliott managed to rescue from the trash.
- 14:21Speaker 1: And AFIIS works by digitally mapping the tiny ridges and
- 14:25Speaker 1: bifurcations of a print, which allows it to piece together
- 14:28Speaker 1: matches even from degraded forty year old samples, and by
- 14:31Speaker 1: an absolute miracle, the system gets a hit.
- 14:33Speaker 2: It does. The algorithm matches the print to a man
- 14:36Speaker 2: named Arthur Porter the Third. Now, in two thousand and eight,
- 14:40Speaker 2: he is living a quiet life in California, but back
- 14:43Speaker 2: in August nineteen sixty five, he was a seventeen year
- 14:46Speaker 2: old kid living in Louisville.
- 14:47Speaker 1: And in a chilling, almost cinematic twist of fate, his
- 14:51Speaker 1: father owned the prominent black owned funeral home where Alberta's
- 14:55Speaker 1: body had been taken for autopsy after she was pulled
- 14:57Speaker 1: from the river.
- 14:58Speaker 2: A Louisville cold case case detective immediately flies out to
- 15:02Speaker 2: Los Angeles for an interrogation, and reading the transcript is
- 15:05Speaker 2: just a masterclass in psychological pressure.
- 15:07Speaker 1: Oh for sure. The detective sits down with Arthur, a
- 15:10Speaker 1: man who has lived forty three years, thinking he got
- 15:12Speaker 1: away with whatever happened that night. Arthur tries to play
- 15:14Speaker 1: it cool. He insists he was just a quote unquote
- 15:17Speaker 1: good kid, a bookworm back then.
- 15:19Speaker 2: He cleverly dances around the questions, carefully avoiding any admission
- 15:23Speaker 2: that he ever physically touched a white Ford rental car.
- 15:26Speaker 2: But the detective corners him, and Arthur eventually agrees to
- 15:29Speaker 2: take a polygraph.
- 15:30Speaker 1: Test, and he fails it spectacularly. Now it's important to
- 15:33Speaker 1: understand how a polygraph works. It doesn't magically detect lies.
- 15:37Speaker 1: It measures autonomic nervous system arousal things like spikes and
- 15:41Speaker 1: heart rate, blood pressure, and galvanic skin response.
- 15:44Speaker 2: Right, and when Arthur was asked directly about the car
- 15:47Speaker 2: and the night of August fourth, his nervous system went
- 15:50Speaker 2: into absolute overdrive. The official report noted he showed the
- 15:54Speaker 2: highest level of deception possible.
- 15:56Speaker 1: But despite the failed polygraph and the digital fingerprint match,
- 16:00Speaker 1: the legal mechanism of reasonable doubt rears its head. The
- 16:03Speaker 1: Commonwealth Attorney in Kentucky reviewed the two thousand and eight
- 16:06Speaker 1: findings and refused to prosecute.
- 16:08Speaker 2: Why because back in nineteen sixty five, the investigators who
- 16:12Speaker 2: lifted the prints failed to document the exact specific location
- 16:16Speaker 2: on the car where that particular surviving print.
- 16:18Speaker 1: Was found exactly. Without documentation proving whether that print was
- 16:22Speaker 1: lifted from the bloody interior back seat or just casually
- 16:25Speaker 1: left on the exterior hood by a kid walking by,
- 16:27Speaker 1: prosecutors felt they couldn't definitively place Arthur inside the vehicle
- 16:31Speaker 1: during the murder. Arthur portered the third maintained his innocence
- 16:35Speaker 1: until he died in twenty twenty four.
- 16:36Speaker 2: But Arthur did drop one absolute bombshell during that interrogation
- 16:41Speaker 2: in California, almost by accident, it really did. While he's
- 16:44Speaker 2: sweating trying to explain away how his fingerprint might have
- 16:47Speaker 2: innocently gotten on the outside of that car, he starts
- 16:50Speaker 2: rambling about where he used to hang out that summer.
- 16:53Speaker 2: He names a specific.
- 16:55Speaker 1: Park, a park that is literally right in the middle
- 16:59Speaker 1: of the production zone, like one block from the convenience
- 17:03Speaker 1: store where Alberta talked to the three teenagers and one
- 17:06Speaker 1: block from where the couple heard the screaming at two
- 17:08Speaker 1: fifteen am.
- 17:10Speaker 2: And he mentioned that he was always hanging out there
- 17:12Speaker 2: with his two best friends.
- 17:13Speaker 1: This is where the structural failures of the nineteen sixties
- 17:16Speaker 1: justice system just come full circle. Yeah.
- 17:18Speaker 2: When the detective asked who these two best friends were,
- 17:21Speaker 2: Arthur casually revealed that their fathers were both high ranking
- 17:24Speaker 2: officers in the Louisville Police Department. One friend's father was
- 17:27Speaker 2: a major, the other's father was a sergeant.
- 17:30Speaker 1: A sergeant Are you kidding me? So Arthur and his
- 17:33Speaker 1: two police connected buddies are hanging out in the exact
- 17:35Speaker 1: neighborhood at the exact time of the reduction. The mathematics
- 17:40Speaker 1: of that coincidence are staggering.
- 17:42Speaker 2: It raises a huge, unavoidable question. Were Arthur and his
- 17:46Speaker 2: friends the three teenagers at the convenience store?
- 17:49Speaker 1: And if one of those boys was a sergeant's son,
- 17:52Speaker 1: does that explain exactly why Sergeant Miller threw the bloody
- 17:55Speaker 1: fingerprints into the trash can three days later? Was he
- 17:58Speaker 1: protecting his colleagues kid?
- 18:00Speaker 2: It is a systemic connection that is impossible to ignore.
- 18:03Speaker 2: But we also have to remember the strict facts of
- 18:06Speaker 2: the declassified files. No one was ever officially charged, and
- 18:10Speaker 2: the police records from that era are notoriously incomplete, missing
- 18:14Speaker 2: or redacted, which.
- 18:15Speaker 1: Brings us to the broader motives, because if this wasn't
- 18:18Speaker 1: just teenagers committing a robbery gone horribly wrong, we have
- 18:21Speaker 1: to look at the other powerful enemies Alberta.
- 18:23Speaker 2: Jones had made, and a key piece of physical evidence
- 18:26Speaker 2: strongly points to premeditation rather than a random mugging. The
- 18:29Speaker 2: missing wig right.
- 18:31Speaker 1: The entire reason Gladys lured her out of her lock
- 18:34Speaker 1: house was to fit this custom wig. Gladys claimed Alberta
- 18:38Speaker 1: was wearing it when she finally laughed.
- 18:40Speaker 2: Now we have to look at the mechanics of nineteen
- 18:42Speaker 2: sixties fashion. A custom wig for a black woman in
- 18:44Speaker 2: nineteen sixty five wasn't just tossed on like a baseball cap.
- 18:47Speaker 2: It was an architectural feat.
- 18:49Speaker 1: It would have been heavily secured, with dozens of bobby
- 18:52Speaker 1: pins anchoring it to tightly braided hair underneath. It physically
- 18:57Speaker 1: could not just slip off in a river current. Yet
- 19:00Speaker 1: there was no sign of pins in her hair during
- 19:02Speaker 1: the autopsy.
- 19:03Speaker 2: Adding to the confusion. Gladys's story regarding that wig changed
- 19:07Speaker 2: multiple times over the years. First, she told police she
- 19:10Speaker 2: watched Alberta get into the car wearing it. Later she
- 19:13Speaker 2: said she only watched her drive away.
- 19:16Speaker 1: Originally, she stated Alberta came back inside the house after
- 19:19Speaker 1: eating a kingfish to adjust the wig. Years later, she
- 19:22Speaker 1: claimed Alberta never came back inside at all.
- 19:24Speaker 2: It leaves investigators wondering if Alberta was ever actually wearing
- 19:28Speaker 2: that wig when she left, or if the wig was
- 19:30Speaker 2: a complete fabrication used to bait her out of the house, which.
- 19:33Speaker 1: Opens the door to some of the alternative theories documented
- 19:35Speaker 1: in the case files, like the hit man theory. There
- 19:38Speaker 1: was a man sitting in a Chicago jail in nineteen
- 19:40Speaker 1: sixty six who bragged his cellmates that he and his
- 19:43Speaker 1: crew were hired to kill a prominent attorney in Louisville.
- 19:46Speaker 2: He claimed they executed the hit and then sold her
- 19:49Speaker 2: custom wig somewhere in Kentucky, but conveniently, before detectives could
- 19:54Speaker 2: properly interview him and verify his claims, he was stabbed
- 19:57Speaker 2: to death in the prison yard.
- 19:59Speaker 1: Then there is the financial angle involving the Nation of Islam.
- 20:03Speaker 1: As we mentioned, Alberta was managing Muhammad Ali's trust fund carefully,
- 20:07Speaker 1: with holding fifteen percent of his massive earnings to protect
- 20:10Speaker 1: his long term assets.
- 20:12Speaker 2: The case files document that leadership within the Nation of
- 20:15Speaker 2: Islam desperately wanted access to that money, but Alberta firmly
- 20:19Speaker 2: refused to release it.
- 20:21Speaker 1: In the nineteen eighties, a determined cold case detective who
- 20:24Speaker 1: started pulling on this specific thread abruptly dropped the investigation
- 20:28Speaker 1: because his wife received anonymous phone calls threatening that she
- 20:31Speaker 1: would be put in the river if he didn't stop.
- 20:33Speaker 2: Digging that is terrifying, and we also cannot ignore the
- 20:37Speaker 2: civil rights angle. Remember those thirty one unaccounted miles on
- 20:40Speaker 2: the rental car, Remember the shoes found near the Indiana
- 20:43Speaker 2: side of the bridge. Southern Indiana was a major stronghold
- 20:46Speaker 2: for the Ku Klux Klan in the nineteen sixties. Prior
- 20:49Speaker 2: to her death, Alberta had reported being stalked by white
- 20:52Speaker 2: men flashing fake police badges. She had found out her
- 20:56Speaker 2: phone lines were being actively tapped.
- 20:58Speaker 1: It is vital to state that we are looking at
- 21:00Speaker 1: these groups, the local police, the Nation of Islam, political segregationists,
- 21:05Speaker 1: strictly through the lens of the existing case files. We
- 21:08Speaker 1: are simply presenting the intense reality of her daily life.
- 21:12Speaker 2: She existed at the incredibly dangerous intersection of immense political power,
- 21:17Speaker 2: massive financial stakes, and intense cultural friction.
- 21:20Speaker 1: It makes me think of Alberta as a chess grand master,
- 21:23Speaker 1: playing multiple high stakes games simultaneously against incredibly powerful opponents,
- 21:28Speaker 1: while blindfolded, with so many different factions wanting her off
- 21:31Speaker 1: the board. Do you think one specific group orchestrated a
- 21:35Speaker 1: highly coordinated hit or was it a tragic random crime
- 21:38Speaker 1: of opportunity by reckless teenagers that powerful people simply took
- 21:42Speaker 1: advantage of after the fact, using their influence to cover
- 21:45Speaker 1: up their own kids' involvement.
- 21:46Speaker 2: That is the ultimate tragedy of destroyed evidence. When you
- 21:49Speaker 2: physically throw away the pristine fingerprints, when you fail to
- 21:53Speaker 2: investigate a marked police cruiser sitting on the bridge during
- 21:56Speaker 2: the murder, you create a vacuum of truth, and in
- 22:00Speaker 2: that vacuum, every theory becomes structurally possible. We don't know
- 22:04Speaker 2: if she was lured to her death by a vast
- 22:06Speaker 2: conspiracy or if an accidental encounter with violent teenagers was
- 22:10Speaker 2: covered up by a corrupt local system. Both scenarios require
- 22:14Speaker 2: a level of institutional failure that is staggering to comprehend.
- 22:17Speaker 1: It really is staggering, And despite all of this darkness
- 22:20Speaker 1: and frustration, we have to bring this story back to
- 22:23Speaker 1: Alberta O Jones as a person. She made a massive
- 22:27Speaker 1: historical impact in just thirty four years of life.
- 22:29Speaker 2: She really did.
- 22:30Speaker 1: She didn't let fear stop her from fighting to change
- 22:32Speaker 1: a deeply broken system, and her community has not forgotten her. Today.
- 22:36Speaker 1: There is a prominent hometown hero banner with her face
- 22:39Speaker 1: on it, hanging in downtown Lovo.
- 22:41Speaker 2: There is a beautiful park named after her, and there
- 22:44Speaker 2: is a dedicated researcher, Professor Lee Rummington, who is writing
- 22:47Speaker 2: a comprehensive book that aims to trace the financial trails
- 22:50Speaker 2: and structural failures that might finally point definitively to her killers.
- 22:54Speaker 1: Her legacy is undeniably cemented in history, but legally, her
- 22:59Speaker 1: case remains open. The Louisville Metro Police Department's Cold Case
- 23:03Speaker 1: Squad is still actively accepting tips. The truth of what
- 23:07Speaker 1: happened that humid August night is out there, hidden somewhere
- 23:10Speaker 1: in the complex geography of that river, that bridge, and
- 23:13Speaker 1: those thirty one missing miles.
- 23:15Speaker 2: If you are listening and you have any information, no
- 23:17Speaker 2: matter how small or insignificant it might seem. After six decades,
- 23:21Speaker 2: the tip line for the Cold Case Squad is five
- 23:23Speaker 2: oh two five seven four seven zero five five.
- 23:27Speaker 1: I'll say that one more time for anyone taking notes.
- 23:29Speaker 1: It's five oh two five seven four seven zero five five.
- 23:32Speaker 2: Sixty years is a very long time, but as technology
- 23:35Speaker 2: continues to evolve, it is never too late for the
- 23:37Speaker 2: truth to surface.
- 23:38Speaker 1: So as we close the file for today's deep dive,
- 23:40Speaker 1: I want to leave you with this thought. We've spent
- 23:42Speaker 1: a lot of time talking about how the analog nature
- 23:44Speaker 1: of nineteen sixty five allowed evidence to literally be thrown
- 23:47Speaker 1: into a garbage can. But we live in a digital
- 23:49Speaker 1: age now, we do. In two thousand and eight, it
- 23:51Speaker 1: was a digitized fingerprint algorithm that finally caught Arthur Port
- 23:55Speaker 1: of the third. As more and more dusty forgotten basements
- 23:58Speaker 1: full of civil rights ra case files get scanned, digitized
- 24:01Speaker 1: and run through modern algorithms, burying secrets and filing cabinets
- 24:06Speaker 1: is becoming mathematically impossible exactly. It leaves you wondering how
- 24:10Speaker 1: many other perfect cold case cover ups from the nineteen
- 24:12Speaker 1: sixties are sitting out there right now, just one digitized
- 24:15Speaker 1: file away from finally seeing the light of day.