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Transcript

Luxradiotheatre - 444Lostangel [episode 0] Broadcast 6/19/1944 · Lux Radio Theater | Old Time Radio

• 0:02
  Speaker 1: Lux Present Hollywood.
• 0:16
  Speaker 2: The Lux Radio Theater reprins to Margaret O'Brien, James Craig,
• 0:20
  Speaker 2: Marsha Hunt and Keenan Wynne in Lost Angel. Ladies and gentlemen,
• 0:26
  Speaker 2: your producer, mister Cecil Bead the mill a greetings from Hollywood,
• 0:37
  Speaker 2: Ladies and gentlemen. The entire company of the Lux Radio
• 0:40
  Speaker 2: Theater has been under a magic spell.
• 0:42
  Speaker 1: This week.
• 0:43
  Speaker 2: We fall m victim to the charm of Miss Margaret O'Brien,
• 0:48
  Speaker 2: age seven. We have wooed her favor with ice cream
• 0:52
  Speaker 2: corne and peppermint Candace, and she has rewarded us by
• 0:55
  Speaker 2: treating us as equals. That's about the greatest compliment that
• 1:00
  Speaker 2: a child can pay to adult. Co starring with Margaret,
• 1:04
  Speaker 2: James Craig, Marsha Hunt and Keenan Wynn. They were all
• 1:09
  Speaker 2: with her in the Metro Goldron Mayor picture Lost Angel,
• 1:12
  Speaker 2: the drama that takes the fut light in this theater tonight.
• 1:16
  Speaker 1: This week, Metro.
• 1:17
  Speaker 2: Goldrien Mayor is celebrating twenty years of fine picture making
• 1:21
  Speaker 2: with a new one that's been much talked about, the
• 1:25
  Speaker 2: White Cliffs of Dover. During those twenty years, the studio
• 1:29
  Speaker 2: has discovered a distinguished line of famous artists, but none
• 1:33
  Speaker 2: I think more promising than our little Margaret O'Brien. Lost
• 1:37
  Speaker 2: Angel is a delightful story of a very small girl
• 1:41
  Speaker 2: who feels a certain responsibility for the affairs of her friends,
• 1:45
  Speaker 2: particularly affairs of romance. I believe tonight Mark's rather a
• 1:50
  Speaker 2: special occasion for the Lux Radio Theater because it's the
• 1:53
  Speaker 2: first time we've had a star who wasn't born, even
• 1:58
  Speaker 2: when the first play was presented in the National Theater
• 2:01
  Speaker 2: by Lux Toiletoat, which means our whole generation has more
• 2:05
  Speaker 2: or less grown up with our program. The first birthday party, the.
• 2:09
  Speaker 1: First date, graduation day.
• 2:11
  Speaker 2: In all of these, our product has played its own
• 2:14
  Speaker 2: little role. Needless to say, we're firm believers in the
• 2:18
  Speaker 2: theory that beauty is never too young to learn.
• 2:21
  Speaker 1: About Lux Toilet Soap.
• 2:23
  Speaker 2: Now our cast is on the stage, and here's the
• 2:25
  Speaker 2: curtain for AQ one of Los Angels, darring Margaret O'Brien
• 2:29
  Speaker 2: as Alpha, James Craig as Mike, Marsha Hunt as Katie,
• 2:34
  Speaker 2: and Keenan Wynne as Packy. His name is Mike Reagan,
• 2:47
  Speaker 2: Mike's recorder. He doesn't wear his hat on the back
• 2:50
  Speaker 2: of his head, cigarettes never dangle from the corner of
• 2:53
  Speaker 2: his mouth, and he has never considered writing a novel.
• 2:57
  Speaker 2: But in spite of these handicaps, Mike Reagan is promising
• 3:00
  Speaker 2: news gatherer. I'm the New York Morning Fans Peppers right now,
• 3:04
  Speaker 2: in fact, the promising something to a very bewitching young lady.
• 3:10
  Speaker 1: And I'm awfully sorry, Katie, but we can go next week.
• 3:13
  Speaker 1: Huh that's a promise.
• 3:14
  Speaker 3: Well, if you have to work, chum, you have to.
• 3:16
  Speaker 1: It's that pack your roo's case. The cops. Just I've
• 3:18
  Speaker 1: got to do a follow up story.
• 3:20
  Speaker 3: Okay, next week, Sandy.
• 3:22
  Speaker 2: Katie, you're a wonderful girl. You know what I exist
• 3:24
  Speaker 2: about you?
• 3:25
  Speaker 3: Sure, I have a pretty good voice that pays off
• 3:28
  Speaker 3: with a pretty good salary from a pretty good night club.
• 3:30
  Speaker 1: I don't cost you much.
• 3:32
  Speaker 2: You'll find it hard to believe, but that's not it.
• 3:34
  Speaker 1: The thing I like most is if you're not one
• 3:36
  Speaker 1: of those whinny cleaning bine dangers works. My guy's got
• 3:39
  Speaker 1: work to do. Oh hi, you, Katie. The boss wants
• 3:42
  Speaker 1: to see you. Mike. Let him. I'll be right there.
• 3:44
  Speaker 4: Okay, Oh hey.
• 3:45
  Speaker 2: I almost forgot about tonight.
• 3:47
  Speaker 1: Mike, you bring the beer. We've got the name.
• 3:50
  Speaker 5: Oh all right, worm squirm, honest, Kate, that's just a
• 3:55
  Speaker 5: real burn.
• 3:55
  Speaker 1: Any Danger's just a poker game. Oh, just the poker game.
• 3:59
  Speaker 1: It's not that I I wanna.
• 4:00
  Speaker 2: Play poker, but I took pointed bucks from those pigeons
• 4:02
  Speaker 2: last Tuesday night and Tuesday.
• 4:03
  Speaker 1: Night, yeah, oh yes, oh h look.
• 4:09
  Speaker 3: Last Tuesday night you stood me up because the rewrite
• 4:12
  Speaker 3: man was sick.
• 4:13
  Speaker 1: Kat And this racket there, there are uh lot of
• 4:16
  Speaker 1: things a guy has to do.
• 4:16
  Speaker 3: Their obligations, obligations to what Mike, you have only two
• 4:20
  Speaker 3: real obligations. One is to your job and the other
• 4:23
  Speaker 3: is to me.
• 4:23
  Speaker 2: And he seems to be pluffing in both of them.
• 4:26
  Speaker 4: Didn't They'll tell you I wanted to see you, Mike,
• 4:28
  Speaker 4: all right place.
• 4:29
  Speaker 2: Look, Katie, Katie, you're You're absolutely right, darling. Look have
• 4:33
  Speaker 2: dinner with me tonight, really, let me have it.
• 4:35
  Speaker 3: And while I'm making speeches, you'll be figuring out how
• 4:38
  Speaker 3: you can get away early and still make that poker game.
• 4:41
  Speaker 1: Oh no, Katie, I'll be listening. I'd be heal if
• 4:44
  Speaker 1: I didn't. You will come, won't you? Donning? It means
• 4:47
  Speaker 1: a lot to me.
• 4:48
  Speaker 2: Well, I oh that's wonderful, baby, You'll be sorry, Katie.
• 4:53
  Speaker 3: Oh alright, pick me up at eight thirty, eighth thirty.
• 4:57
  Speaker 6: You're an angel, I'm a stap. Goodbye along, Kadie, bye brother.
• 5:03
  Speaker 1: The things you'll get away with. And now then you
• 5:06
  Speaker 1: wanted to see me art.
• 5:07
  Speaker 2: Yeah, when you went to Harvard, did you know a
• 5:08
  Speaker 2: professor there named Vinson?
• 5:10
  Speaker 1: Vincent?
• 5:10
  Speaker 2: Oh, sure, psychology. He's in town now with the Pickering Institute.
• 5:13
  Speaker 2: Then drag yourself down there and see they've got a
• 5:16
  Speaker 2: baby genius.
• 5:16
  Speaker 1: Get an interview. But I'm all tied up with a
• 5:19
  Speaker 1: pack of roose case Packy's in jail.
• 5:20
  Speaker 4: The case is over and not quit stalling.
• 5:22
  Speaker 1: Listen, will you.
• 5:23
  Speaker 2: I'm in no mood for the patter of little feet
• 5:25
  Speaker 2: in the clutch of little hands.
• 5:26
  Speaker 6: No, okay, there's a poetry show that has to be covered.
• 5:30
  Speaker 6: Pickering Institute, Hickering Institute.
• 5:33
  Speaker 1: Yeah, that's what I thought you said. I'm on my.
• 5:36
  Speaker 2: Way again, Reagan.
• 5:46
  Speaker 5: But as far as the child is concerned, impossible. You're
• 5:48
  Speaker 5: by no means ready to contact the press.
• 5:50
  Speaker 1: I understand your point of view completely.
• 5:52
  Speaker 2: Professor Vinson's imagine the cheap sensational stories it might be
• 5:55
  Speaker 2: written professors grow genius.
• 5:56
  Speaker 1: In hothouse, that sort of thing exactly. But after all,
• 5:59
  Speaker 1: you know me and you know I went very well.
• 6:01
  Speaker 1: But the article you write must first be submitted to
• 6:03
  Speaker 1: us for our approval. Oh sure, sure, and now was
• 6:05
  Speaker 1: a kid just a moment.
• 6:07
  Speaker 5: There are certain facts I first wished to make clear.
• 6:10
  Speaker 5: For years, the Pickering Institute searched for a child upon
• 6:12
  Speaker 5: whom we could make certain experiments that may revolutionize the
• 6:15
  Speaker 5: entire educational system. Yeah, six years ago in Alpha was
• 6:19
  Speaker 5: three days old. She was brought to us by the
• 6:21
  Speaker 5: Foundling home. Any records of her parent and whatsoever. We
• 6:25
  Speaker 5: chose her because we found her physically and mentally.
• 6:27
  Speaker 1: Perfect for our purpose. Since then, the Pickering Institute has
• 6:31
  Speaker 1: been Alpha's home.
• 6:33
  Speaker 2: Here she has had every attention, every kind, and you've
• 6:36
  Speaker 2: given her the works.
• 6:37
  Speaker 1: We have been her teachers and her friend.
• 6:39
  Speaker 5: Alpha knows nothing of the outside world, but her knowledge
• 6:41
  Speaker 5: of such subjects as music, geometry, Chinese and history may
• 6:45
  Speaker 5: startle even eur Regan.
• 6:46
  Speaker 1: I'm ready to be startled very well.
• 6:48
  Speaker 5: Go inside and stripped, I thought, she said, strip I did.
• 6:53
  Speaker 5: Doctor Woodring will examine it. If you're in good health,
• 6:55
  Speaker 5: you may then have a short interview with Alphade.
• 6:58
  Speaker 4: Thanks, this is her Roman Reagan.
• 7:11
  Speaker 1: I leave you with her. Hello, Elpha, Oh geometry, I
• 7:18
  Speaker 1: see you.
• 7:19
  Speaker 7: Member to be the slide group of PSORG.
• 7:22
  Speaker 1: How about me? Well, I do instead?
• 7:23
  Speaker 5: This is Michael Reagan alpha, A representative of the press.
• 7:26
  Speaker 7: How do you do?
• 7:27
  Speaker 1: How do you do?
• 7:28
  Speaker 6: Not too long to see?
• 7:31
  Speaker 1: Oh? Thanks? Thanks?
• 7:33
  Speaker 7: What people are you from?
• 7:34
  Speaker 1: A transcript?
• 7:36
  Speaker 7: Oh?
• 7:39
  Speaker 1: I suppose you read it every day?
• 7:41
  Speaker 7: Just the editorial? I go over with them.
• 7:44
  Speaker 1: And what do you think about editorials you find the news?
• 7:51
  Speaker 7: Have you prepared a list of questions you want me
• 7:53
  Speaker 7: to answer?
• 7:54
  Speaker 1: Well, I thought we'd just by my giving you the
• 7:57
  Speaker 1: schedule on my days. Well that's fine, that's fine.
• 8:00
  Speaker 7: Well, I have English first, Gentish history, Economics, Algebras, Chinese, Domantic.
• 8:09
  Speaker 7: I'm beginning tomorrow philosophy because I pick years of it.
• 8:13
  Speaker 2: Oh congratulations, if your pardon my asking.
• 8:17
  Speaker 1: What do you do just for fun?
• 8:20
  Speaker 7: Well? I play cheating the heart and the piano and.
• 8:23
  Speaker 1: Of all the jolly things you do, professor, what do
• 8:25
  Speaker 1: you like best?
• 8:26
  Speaker 7: Leading? I think I like reading this sure.
• 8:29
  Speaker 1: When I was your age, I like dreading best too.
• 8:32
  Speaker 1: You know, kids stuff, fairy tales.
• 8:34
  Speaker 7: Oh, I've been told about them?
• 8:36
  Speaker 1: Oh, what's wrong with fairy tales?
• 8:39
  Speaker 7: After all, there's no point in wasting time on things
• 8:42
  Speaker 7: that aren't true.
• 8:43
  Speaker 1: And just I guess what isn't true about the fairy tales?
• 8:48
  Speaker 7: Are you serious? Dragon flying Cottee?
• 8:52
  Speaker 1: They're not true?
• 8:54
  Speaker 7: Hardly?
• 8:55
  Speaker 1: Well, I guess I'll have to tell the leprech and
• 8:57
  Speaker 1: I had breakfast with it isn't real?
• 9:00
  Speaker 7: Okay, couldn't?
• 9:01
  Speaker 2: What's that?
• 9:02
  Speaker 1: Oh? Uh oh it's a l A little man about
• 9:04
  Speaker 1: so high irish? You make up at professional?
• 9:08
  Speaker 7: You had breakfast which take your man's man?
• 9:11
  Speaker 1: Mm? Yeah, yes, yes, what did you eat? Crotted? And
• 9:15
  Speaker 1: stir about? Or we'll stir about the special kind of cereal?
• 9:18
  Speaker 1: Roll up?
• 9:19
  Speaker 7: What about crossing? Do you believe in them? Well, certainly
• 9:23
  Speaker 7: you've never seen one.
• 9:25
  Speaker 1: Nah, if that isn't just like a woman? Look, do
• 9:28
  Speaker 1: you know what a zebras?
• 9:30
  Speaker 7: Of course it's your manly? Do you like wine?
• 9:32
  Speaker 8: Grew?
• 9:33
  Speaker 9: Black?
• 9:33
  Speaker 7: Is white stripe?
• 9:34
  Speaker 1: How do you know?
• 9:35
  Speaker 7: Well?
• 9:36
  Speaker 1: Well, because I do not, But you've never seen one. No.
• 9:40
  Speaker 1: Do you believe there are DeBras, don't you? Yes?
• 9:42
  Speaker 2: Alright, then I believe there's a whole world of magic
• 9:46
  Speaker 2: outside all kinds of magic ju sure, of course some
• 9:51
  Speaker 2: people who tell you that.
• 9:52
  Speaker 1: It isn't true. But if you know in your heart
• 9:55
  Speaker 1: what you're looking for and you believe it, then it
• 9:58
  Speaker 1: is true and you can t Thanks. Call you certainly,
• 10:03
  Speaker 1: time for your elpa.
• 10:07
  Speaker 7: It's a profession. We're having get an interesting discussions.
• 10:10
  Speaker 1: Go kitty and thanks. I'll be sure to tell my
• 10:14
  Speaker 1: leproch I you s that it wasn't real.
• 10:16
  Speaker 5: The polished I'm a long hour for professor.
• 10:18
  Speaker 1: Caddy's ready for you.
• 10:26
  Speaker 9: I'm afraid you the note is g not these clubs.
• 10:31
  Speaker 7: I don't believe I'm contemplating profession Caddy.
• 10:35
  Speaker 9: Well, we'll try it again. Deal ready, Besides the Caddy,
• 10:38
  Speaker 9: you'll believe in magic, magic, re l there's always the
• 10:43
  Speaker 9: magic of music.
• 10:45
  Speaker 7: Oh but that's not what I mean. Oh well, let's
• 10:49
  Speaker 7: get that. Today's open. I mean.
• 11:05
  Speaker 1: I I just wanted to say good night now here good.
• 11:08
  Speaker 7: Night is suffer.
• 11:12
  Speaker 5: The mus teddy seems suddenly to have uh contacted this
• 11:16
  Speaker 5: slight fever.
• 11:17
  Speaker 1: Doctor Woodring is head at the bed. I'll go right
• 11:19
  Speaker 1: to sleep.
• 11:20
  Speaker 7: I'll try, but I have so many things on my mind.
• 11:23
  Speaker 5: Oh uh, did you have a nice suffer tonight?
• 11:26
  Speaker 7: Really?
• 11:27
  Speaker 5: Now, just a lunch uh lumps a merely grains are
• 11:30
  Speaker 5: cereal adhering.
• 11:32
  Speaker 7: I with rod. Sometimes I'd like to have prottle. Is
• 11:36
  Speaker 7: there about?
• 11:37
  Speaker 1: Oh I'm there, so are they?
• 11:39
  Speaker 7: I don't know, but that's what I thought to have.
• 11:41
  Speaker 1: Well, I of themselves, doctor woodrings.
• 11:45
  Speaker 7: Just have to think some If somebody told you something
• 11:48
  Speaker 7: is true and you don't think it is, but you're
• 11:51
  Speaker 7: not sure what you.
• 11:53
  Speaker 1: Did, you demand that they prove their statements.
• 11:56
  Speaker 6: Everything true can be proved true?
• 11:59
  Speaker 1: Can I get good night?
• 12:00
  Speaker 6: My dear, you've been a fine good girl.
• 12:08
  Speaker 10: Outside Out outside there's all kinds of masument, prime cottage, dragons,
• 12:14
  Speaker 10: enchanted forests, demands that.
• 12:19
  Speaker 1: Fate proved their statements. If you know in your heart
• 12:24
  Speaker 1: what you're looking for, and you believe it, then it
• 12:27
  Speaker 1: is there and you can find it. Everything true can.
• 12:33
  Speaker 7: Be prooven, can prove it, prove it the meanest a region.
• 12:38
  Speaker 10: Outside, all kinds of jure outside, all right.
• 12:43
  Speaker 7: Outside, I'll go swing down outside, I'll go, Yes a second,
• 12:51
  Speaker 7: I am going out, not worry I have just morely
• 12:56
  Speaker 7: I'll have to find out something out.
• 13:08
  Speaker 2: Well, young lady, what can we do for you?
• 13:12
  Speaker 7: I like to finish to Michael.
• 13:13
  Speaker 2: We can see it's uh this guy with you, this
• 13:16
  Speaker 2: uh Chinese gen Oh, yes, the twelfy.
• 13:19
  Speaker 7: Excuse me somewhat cause he volunteers to rest God.
• 13:22
  Speaker 11: Hum, oh, she's god be young nank colony he you
• 13:26
  Speaker 11: give bad ginger all so we knew it was at
• 13:30
  Speaker 11: the bublin Oh me longy oh she god be Hey?
• 13:34
  Speaker 9: What goes?
• 13:35
  Speaker 6: Oh?
• 13:35
  Speaker 7: Pardon? I sendish you mean? James said the Korea was
• 13:38
  Speaker 7: taken by the Japanese nineteen twelve. It was nineteen ten
• 13:43
  Speaker 7: August nineteen ten.
• 13:45
  Speaker 2: Hien pen huh oh not come on, no, what do
• 13:49
  Speaker 2: you wanna see mister Reagan for uh please my father?
• 13:53
  Speaker 6: Your father?
• 13:54
  Speaker 11: Aw what nineteen ja Jim?
• 13:57
  Speaker 7: That means goodbye? My sendish to mean James days time
• 14:01
  Speaker 7: to do me here? But certainly a sun.
• 14:05
  Speaker 6: He's looking for.
• 14:05
  Speaker 1: Mike Reagan says he's a father. Mike Reagan's her old boy,
• 14:10
  Speaker 1: and she wants to see her father, does she?
• 14:13
  Speaker 2: Well, I think that can be a rain you know
• 14:14
  Speaker 2: where he is? Sure, Yeah, he took his child of
• 14:17
  Speaker 2: the fights, and that's that's where I'm taking this little lady.
• 14:28
  Speaker 1: One of the time. Waits one at a time.
• 14:31
  Speaker 2: Well, that's better now, which one of you professors called headquarters.
• 14:35
  Speaker 1: It was I starting time, Professor Winton. Okay, now you
• 14:37
  Speaker 1: say you saw a little girl at ten after eight.
• 14:39
  Speaker 6: As the rule, my wife goes in to seize the
• 14:41
  Speaker 6: child of properly called Why didn't you go.
• 14:43
  Speaker 1: In a night because I ordered missus Catty was dead.
• 14:45
  Speaker 1: She's you.
• 14:46
  Speaker 11: Oh, I'll be all right if only we can fignd alpha.
• 14:50
  Speaker 5: Yeah, Kelly, I kicked him all musty hospital, good SamArt
• 14:53
  Speaker 5: in Bellevue.
• 14:54
  Speaker 9: No kid, are you sure you've described her correctly?
• 14:57
  Speaker 7: Maybe jump a fight?
• 14:58
  Speaker 1: Flous What made her runaway?
• 15:00
  Speaker 2: What made you hurt me?
• 15:01
  Speaker 7: Don't know what's the matter with you?
• 15:04
  Speaker 1: Lady. My wife is suffering from the slide cord. Don't
• 15:07
  Speaker 1: look like no cool to me? Hey look sad this year.
• 15:10
  Speaker 1: Lady's got some measly right, the father of nine kids.
• 15:13
  Speaker 1: This is terrible easel this me. I be your right,
• 15:16
  Speaker 1: this is.
• 15:17
  Speaker 9: I'm sure I'll be all right in a few dave.
• 15:19
  Speaker 2: If you don't understand, seldom doctor, when we find out
• 15:22
  Speaker 2: that she won't be able to come back here, this
• 15:24
  Speaker 2: place is quarantined until Missus Keny recovered from the needle.
• 15:38
  Speaker 1: I'm in front edy.
• 15:39
  Speaker 2: Not that I'd be happier if my man hadn't been
• 15:42
  Speaker 2: knocked out the next dot.
• 15:43
  Speaker 1: I'll be on in a minute. I'll give you a
• 15:45
  Speaker 1: chance to run your money back.
• 15:46
  Speaker 5: Okay, but I have to be back at the corn
• 15:48
  Speaker 5: pretty soon.
• 15:49
  Speaker 1: I I'll go over with you after that time. Time
• 15:52
  Speaker 1: praise mister Leek and the squattered in the press room.
• 15:56
  Speaker 1: Your baby is waiting for you, miss them your Well,
• 16:04
  Speaker 1: what are you waiting for, Katie? You know I haven't
• 16:07
  Speaker 1: got a baby. Mister.
• 16:08
  Speaker 3: I've never seen you before in my life.
• 16:10
  Speaker 1: Ah, there's some mistake. Look, just wait, will your honey.
• 16:13
  Speaker 1: I'll be right back.
• 16:14
  Speaker 3: I'm leaving, but you'd better hurry and see if that baby.
• 16:16
  Speaker 1: Will wait for you.
• 16:17
  Speaker 2: Oessional, mister Reagan, your boss brought her here and ducked out.
• 16:28
  Speaker 1: Thanks. Since when am I your father?
• 16:34
  Speaker 7: Mister Veacan, I'd like to talk to you, and i'd
• 16:37
  Speaker 7: like to talk to you looking see, you need your instinct.
• 16:41
  Speaker 7: You said that there were dragons and flying carpets. You
• 16:45
  Speaker 7: will magic, and you said not everybody could, but you
• 16:49
  Speaker 7: knew how to find it. That's what you're saying, so
• 16:53
  Speaker 7: show me. But of course, if it wasn't true, please
• 16:57
  Speaker 7: don't feel bad. Of course, a man lie even even
• 17:03
  Speaker 7: if they don't mean to lie, they don't always know
• 17:06
  Speaker 7: the truth about things.
• 17:08
  Speaker 1: Oh uh uh tell me, why is it so important
• 17:11
  Speaker 1: to you this magic business?
• 17:13
  Speaker 7: Well, the professors say everything can be explained. But if
• 17:17
  Speaker 7: things happen like magic, I don't know. I just thought
• 17:21
  Speaker 7: it would make everything seem different.
• 17:23
  Speaker 2: Listen, I didn't lie to you. There is magic all kinds.
• 17:28
  Speaker 2: It's what makes people laugh and have friends and be happy.
• 17:31
  Speaker 2: And if I told you I could find it, well,
• 17:34
  Speaker 2: I'll find it for you.
• 17:36
  Speaker 7: Now right now.
• 17:38
  Speaker 1: Yeah, but you've got to find Katie too. And oh
• 17:40
  Speaker 1: it's Ms Mallory, she's my girl.
• 17:42
  Speaker 7: Oh why don't we just go up to the magic
• 17:44
  Speaker 7: Why do we have to see her?
• 17:46
  Speaker 2: Well, because she's very angry with me. And since you're
• 17:49
  Speaker 2: the other woman in this case, well you don't have
• 17:51
  Speaker 2: to help me fix it?
• 17:53
  Speaker 7: Alright?
• 17:53
  Speaker 9: How do I do it?
• 17:54
  Speaker 1: You do it? But being exactly six years old, that
• 17:57
  Speaker 1: appears very simple.
• 17:59
  Speaker 7: Mystery, then shall cursed?
• 18:01
  Speaker 1: Yeah, we shall proceed.
• 18:13
  Speaker 12: In the two moments, MICHIGANIL presents Margaret O'Brien, James Craig,
• 18:17
  Speaker 12: Marsha Hunt and Ken and Wayne and that too of
• 18:19
  Speaker 12: lost Angel And now here's a young soldier home on lee,
• 18:26
  Speaker 12: a soldier.
• 18:27
  Speaker 8: In your heart goes bumpity bump.
• 18:30
  Speaker 4: It's love love love.
• 18:33
  Speaker 8: When your throat comes up with a love it love
• 18:36
  Speaker 8: love love that show you're.
• 18:39
  Speaker 1: Not saying a rather, watch you, honey, You're so pretty?
• 18:44
  Speaker 1: Where'd you get that million dollar complexion? Soon? It makes
• 18:47
  Speaker 1: my heart go bump aty bump. Well, it's love love love.
• 18:52
  Speaker 2: Sometimes at first sight, when admiring eyes come close to
• 18:55
  Speaker 2: a smooth, lovable Luck complexion really looks.
• 18:58
  Speaker 1: Girls are clever.
• 19:00
  Speaker 2: I never neglect the care that really makes skin soft
• 19:02
  Speaker 2: and more appealing.
• 19:03
  Speaker 1: Here's what they do every single day.
• 19:06
  Speaker 9: I give my skin an active lad of facial with
• 19:08
  Speaker 9: Luck soap.
• 19:09
  Speaker 7: I smooth on lots of the creamy lather and work
• 19:12
  Speaker 7: it in.
• 19:12
  Speaker 9: Gently but thoroughly. I rinse with warm water and splash
• 19:16
  Speaker 9: on coals, then pat my skin dry with the soft towels.
• 19:21
  Speaker 9: That's all, but that quick, easy facial really does things
• 19:25
  Speaker 9: for my skin.
• 19:26
  Speaker 2: In recent tests of lux toilet soap facials, actually, three
• 19:29
  Speaker 2: out of four complexions improved in a short time. Luck
• 19:33
  Speaker 2: Soap's rich creamy leather are greased with delicate skin no wonder.
• 19:37
  Speaker 2: Nine out of ten lovely scream stars depend on it
• 19:40
  Speaker 2: for daily complexion care. If you haven't tried this fine
• 19:43
  Speaker 2: white soap, why not get Luck toilet soap tomorrow.
• 19:47
  Speaker 1: If you find your dinner is temporarily out of.
• 19:49
  Speaker 2: Stock due to wartime conditions, be sure to have more assumed.
• 19:54
  Speaker 2: Remember Hollywood Beauty soap is worth waiting for. And now,
• 19:59
  Speaker 2: mister de Miller tuns to the microphone Act two of
• 20:02
  Speaker 2: Los Angeles, starring Margaret O'Brien as Alpha, James Craig as Mike,
• 20:07
  Speaker 2: Marsha Hunt as Katie, and Keenan Wynn.
• 20:10
  Speaker 1: As Pecky Well.
• 20:19
  Speaker 2: The New York Police and professors of the Fickering Institute
• 20:22
  Speaker 2: frantically searched for a six year old brain trust Mike,
• 20:26
  Speaker 2: Leagan and Alpha I'm on the search of their own
• 20:29
  Speaker 2: from Magic under a dazzling canopy of animated electric signs,
• 20:35
  Speaker 2: a slightly broad Mike, and a saucer eye of the
• 20:39
  Speaker 2: girl hambled through the wonderland of Times Square.
• 20:45
  Speaker 1: Professor I believe he wanted to see a flying carpet.
• 20:48
  Speaker 1: Just take a look up.
• 20:49
  Speaker 7: There looks like an airplane to me.
• 20:52
  Speaker 1: And just what is an aeroplane constatine that you.
• 20:55
  Speaker 7: Sit down on you fly it away direct?
• 20:58
  Speaker 1: Now?
• 20:58
  Speaker 2: A plane up there, you sit down, then it flies
• 21:00
  Speaker 2: away a flying carpet, no matter what you call it,
• 21:03
  Speaker 2: can't hey, hey, take a look down there.
• 21:05
  Speaker 1: See that man all dressed up, swallow tailed coat, silk hat.
• 21:08
  Speaker 1: Now look at his shirt right chop by ship light.
• 21:12
  Speaker 7: Top of electric try it says bellchairs to God, smoky king. My,
• 21:20
  Speaker 7: that's wonderful man.
• 21:21
  Speaker 1: Uh sticularly minor league.
• 21:22
  Speaker 2: Professor of minor league night ohne one bag mac, one bag,
• 21:28
  Speaker 2: one time?
• 21:29
  Speaker 1: Here you are if it change, I remain an obedient
• 21:32
  Speaker 1: plea Or.
• 21:34
  Speaker 2: What's this?
• 21:34
  Speaker 7: Mister me?
• 21:35
  Speaker 1: The pump corn? Uh kind of cool? My left workin's
• 21:39
  Speaker 1: crazy about it, but it gets in his TV. He
• 21:40
  Speaker 1: has a lot of trouble with it.
• 21:42
  Speaker 7: My keep is very good.
• 21:44
  Speaker 1: I see that's some popcorn. Wait here returned the corner
• 21:50
  Speaker 1: and look a great white way of all of magic.
• 21:54
  Speaker 9: Mister a trigging.
• 21:56
  Speaker 1: Where Oh sure sure?
• 21:59
  Speaker 2: All that up like a Christmas street dragon Chinese restaurant,
• 22:02
  Speaker 2: full course gunner seventy cents.
• 22:04
  Speaker 11: Look at that pro con looks like a monkey.
• 22:09
  Speaker 1: This was just Tim Mucky. He wouldn't be all rested
• 22:11
  Speaker 1: money and asking for money with one hand.
• 22:13
  Speaker 6: And popcorn with the other.
• 22:14
  Speaker 7: Tree if he's a Lepracau, he shouldn't have popcorn. It's
• 22:19
  Speaker 7: that first pen.
• 22:21
  Speaker 1: Yeah, I wish you can still give him the NIKEL.
• 22:24
  Speaker 7: You let no popcorn, It's called your wrong cord.
• 22:28
  Speaker 1: Come on, Professor, we gotta go to a night love
• 22:31
  Speaker 1: and see Katie.
• 22:34
  Speaker 7: I hope a lepo condesn't think that I didn't want
• 22:36
  Speaker 7: it to be any popcorn.
• 22:38
  Speaker 1: I'm sure it does.
• 22:40
  Speaker 2: Now, if you keep your eyes open, you'll see a
• 22:41
  Speaker 2: machine that makes doughnuts and a giant I mean, I
• 22:44
  Speaker 2: know name stots.
• 22:45
  Speaker 1: You see, Professor on every street, behind every door, wherever
• 22:50
  Speaker 1: you look, nothing but magic. Yeah.
• 22:54
  Speaker 2: Yeah, But before we go another step, I'm going to
• 22:56
  Speaker 2: call Vincent and tell him where you are.
• 23:08
  Speaker 1: Well, it was fast, did.
• 23:12
  Speaker 2: The line's still with it? We sit at this table,
• 23:15
  Speaker 2: and then a minute Katie will be through singing.
• 23:18
  Speaker 1: Hello Chris. I'd last note for the professor here in
• 23:21
  Speaker 1: the usual for me. Guess, mister Katy, Well I like her.
• 23:32
  Speaker 1: I don't know where you like people because you want
• 23:35
  Speaker 1: to be with him, I guess, and do things for them?
• 23:38
  Speaker 7: Do you do things for her?
• 23:40
  Speaker 1: Well? Uh, not very much, I guess, And you don't
• 23:43
  Speaker 1: like her very much?
• 23:44
  Speaker 11: Sure, I do, and I don't understand.
• 23:47
  Speaker 1: You're too young, well, Mike, and where did you borrow her?
• 23:51
  Speaker 1: You can apologize now or later. She's the baby I was.
• 23:54
  Speaker 1: Page four said I Katy, you bet, I will Katie?
• 23:59
  Speaker 1: This is out.
• 24:01
  Speaker 7: How do you do?
• 24:02
  Speaker 1: Hard offers a business acquaintance of mine.
• 24:04
  Speaker 2: She's being educated by a lot of professors and they're
• 24:06
  Speaker 2: doing a very good job, except they left out what
• 24:09
  Speaker 2: goes on outside their classroom, you know, magic and stuff
• 24:12
  Speaker 2: like that.
• 24:12
  Speaker 1: So she looked me up at the fights to find
• 24:14
  Speaker 1: out more about it.
• 24:15
  Speaker 2: Magic. Huh, yeah, look for the child on the usual
• 24:18
  Speaker 2: for you, sir, Thanks working that fut on mister Rea.
• 24:21
  Speaker 1: This oh, it's a prof medicine.
• 24:24
  Speaker 7: And why didn't say I reswist you on the label?
• 24:27
  Speaker 1: Because they forgot you could read off? Yeah, I have
• 24:32
  Speaker 1: no It makes you feel awful, little sick sort of
• 24:36
  Speaker 1: you know what's.
• 24:36
  Speaker 7: Going to make you sit before you drink it? And
• 24:39
  Speaker 7: you drink it anyway. That is an intelligent mister recan.
• 24:45
  Speaker 1: Okay, professor, you win this round?
• 24:50
  Speaker 7: Whish to be doing that nanny h over there?
• 24:53
  Speaker 2: Oh he's eating to forget a I'll get yourself no
• 24:56
  Speaker 2: better not Mark, She'll get sick.
• 24:58
  Speaker 7: I am never sick.
• 25:00
  Speaker 3: Okay, kid, you're on your own.
• 25:04
  Speaker 1: Some spaghetti for the young lady, Chris coffee for us?
• 25:07
  Speaker 11: Yes, you can see.
• 25:08
  Speaker 3: I'm gonna have to watch my IQ around here.
• 25:11
  Speaker 7: You have a high intelligence quotion?
• 25:14
  Speaker 3: No on, a middle grade moron.
• 25:17
  Speaker 7: That's too bad. That's a word with you.
• 25:20
  Speaker 11: You think I should?
• 25:21
  Speaker 7: Well, it would be out of concerns me.
• 25:24
  Speaker 1: Excuse me a minute.
• 25:25
  Speaker 5: I've got to find out about my next number.
• 25:27
  Speaker 7: Are you going away?
• 25:29
  Speaker 3: Yes, I'll be right back.
• 25:32
  Speaker 1: He's pretty, she's beautiful.
• 25:35
  Speaker 7: Do you like her better than you like me?
• 25:40
  Speaker 1: Well? Look at you to laugh at me, especially, you're
• 25:45
  Speaker 1: getting younger every minute. Do you like me? Why?
• 25:49
  Speaker 7: Because I like you?
• 25:52
  Speaker 2: Why?
• 25:53
  Speaker 8: I don't know?
• 25:55
  Speaker 1: Hey, what's the matter, professor? What did I do? You
• 25:58
  Speaker 1: can't do that? Look alright, Peter, what do you think
• 26:01
  Speaker 1: I did? Do?
• 26:02
  Speaker 7: Like you better than he liked me?
• 26:05
  Speaker 1: Oh? Come here, darling. What's the matter with her?
• 26:09
  Speaker 3: Judging from my past experience, I say she's in love? Hey,
• 26:13
  Speaker 3: where do you think you're going?
• 26:15
  Speaker 1: To telephone the institute? And at that line? Still? But
• 26:17
  Speaker 1: dam I'm gonna cut my throat.
• 26:19
  Speaker 3: Look, alfon, Mike doesn't like me better than you? Honest,
• 26:23
  Speaker 3: just doesn't mean people can like lots of people, people
• 26:27
  Speaker 3: with big hearts, beaddy.
• 26:28
  Speaker 7: Just Mike gotta be hot.
• 26:31
  Speaker 2: Well it's bigger than his head.
• 26:34
  Speaker 3: Well here's your spaghetti. I'm still against the idea. But
• 26:37
  Speaker 3: if you've got to eat spaghetti, I think you got it.
• 26:43
  Speaker 3: How is the spaghetti? Alpha?
• 26:44
  Speaker 7: I found it any palatable if you did?
• 26:46
  Speaker 3: Huh oh, look here comes daddy.
• 26:49
  Speaker 1: I got the institute all right?
• 26:51
  Speaker 2: Finally, Mike your faith?
• 26:54
  Speaker 3: What's the matter are they? Haven't you arrested for kidnapping?
• 26:57
  Speaker 1: I wish that was all.
• 27:00
  Speaker 7: You have to go right back? I'm sorry, I can't.
• 27:03
  Speaker 1: No, no, you don't have to go right back, not
• 27:05
  Speaker 1: for a couple of days, professor, A couple of what look, professor,
• 27:09
  Speaker 1: you're a little bit tear staying? How about washing up? Oh? Miss?
• 27:13
  Speaker 1: Oh miss? Would you mind showing my friend here where
• 27:15
  Speaker 1: the powder room is? Come you come with me. I
• 27:20
  Speaker 1: better stay here. You come back beautiful and surprise me
• 27:23
  Speaker 1: you will? All right?
• 27:25
  Speaker 3: Now, what's the big mystery?
• 27:27
  Speaker 2: The Pickering Institute extends its unbounding gratitude for finding Alpho.
• 27:31
  Speaker 1: That's not the practically kissed me over the phone. But
• 27:34
  Speaker 1: I can't take her back. There, No the joints quarantine.
• 27:37
  Speaker 1: Missus Katy's got the measles. It's not funny they want
• 27:42
  Speaker 1: it's so wonderful, they're gonna stick me with a kid.
• 27:46
  Speaker 3: As much as I love you, Darling, I can't tell
• 27:48
  Speaker 3: you the Guardian type.
• 27:50
  Speaker 1: It seems Professor Vincent knows me from Harvard. Aret O, Katie. Look,
• 27:54
  Speaker 1: look now your place is close by, and you're not
• 27:57
  Speaker 1: a chance, like not a chest why not?
• 28:01
  Speaker 3: Well you're a very godfather, my friend. You're the fellow
• 28:05
  Speaker 3: who said outside there's magic and excitement and wonderful people.
• 28:09
  Speaker 3: Well you've got to show a mike no one else.
• 28:11
  Speaker 1: Oh but it's only for a little while. I'll spend
• 28:13
  Speaker 1: a lot of time with her.
• 28:15
  Speaker 6: Oh No, did you see her eyes when she looks
• 28:18
  Speaker 6: at you.
• 28:19
  Speaker 3: Well you've got to pay for that look, chump. And
• 28:22
  Speaker 3: that means that you're going to sit up with her
• 28:24
  Speaker 3: tonight if she gets sick on that spaghetti, and in
• 28:27
  Speaker 3: the morning you're going to.
• 28:28
  Speaker 8: Fix her breakfast.
• 28:30
  Speaker 6: Yep, this time one of your pigeons has come home
• 28:33
  Speaker 6: to roost.
• 28:34
  Speaker 3: And speaking of pigeons, for goodbye, Alfa.
• 28:38
  Speaker 9: Why exciting very much?
• 28:39
  Speaker 3: You're welcome.
• 28:42
  Speaker 1: I'm very interesting people are just then to get your coaked?
• 28:45
  Speaker 7: Are we going?
• 28:46
  Speaker 1: Yes?
• 28:47
  Speaker 7: Isn't Katie coming?
• 28:48
  Speaker 3: No?
• 28:50
  Speaker 7: I'm sorry if I was ripping at first met you.
• 28:53
  Speaker 7: I hope I see you again.
• 28:55
  Speaker 1: You will die goodbye, goodbye, goodbye, Mike. Oh okay, professor.
• 29:09
  Speaker 1: This is my apartment, my bed's and there at yours?
• 29:12
  Speaker 7: Are you play? Mike?
• 29:14
  Speaker 1: Not at you? At Katie? Like her who says you
• 29:17
  Speaker 1: can't get angry people you like anyway. I don't like her.
• 29:20
  Speaker 1: I love her. Oh well, you get manner at them
• 29:26
  Speaker 1: that way.
• 29:27
  Speaker 7: I'm glad he's gonna stay with you.
• 29:29
  Speaker 1: Oh you are? Huh?
• 29:30
  Speaker 2: And I look, I'm a busy man. I don't mind
• 29:33
  Speaker 2: you staying here, but you've got to play ball and
• 29:35
  Speaker 2: stay out of my hair.
• 29:36
  Speaker 7: Oh what do you mean if I cooperate exactly so
• 29:39
  Speaker 7: you Well, I will cooperate if you wish, I would
• 29:42
  Speaker 7: play ball with you.
• 29:43
  Speaker 1: Oh no, Now you go in there and get out
• 29:48
  Speaker 1: of your clothes and you can sleep in one of
• 29:50
  Speaker 1: my pajama deckets.
• 29:51
  Speaker 7: I'm accosting to washing if I retire.
• 29:54
  Speaker 1: Well, that's the door over there, thank you? What's good now?
• 29:59
  Speaker 1: And all over?
• 30:01
  Speaker 2: Who is it?
• 30:05
  Speaker 1: Oh? Sure, I'm still working for the paper. Mm what
• 30:10
  Speaker 1: he broke out of jail? Packy roofs broke out? Well,
• 30:14
  Speaker 1: I was out with a kid. Story, but I can't
• 30:17
  Speaker 1: forget it. I've got the kid here. I can't all
• 30:19
  Speaker 1: right listen, hello, hello, Oh why.
• 30:26
  Speaker 7: So do I my savvy Chris, I'm going to be sick.
• 30:30
  Speaker 1: Well, get back in there, hurry, don't get scared. It's
• 30:33
  Speaker 1: just an hotel. Oh yes, Professor Vincent, more instructions. Oh yet, Oh,
• 30:41
  Speaker 1: she's been in bed for hours. Look, look, Vincent, I'll
• 30:44
  Speaker 1: call you back in the morning.
• 30:45
  Speaker 2: Oh yes, Vincent, No, Vincent, yes, no, yes, Vincent.
• 30:50
  Speaker 1: I will bye. How are you doing here? I just good?
• 31:00
  Speaker 1: Pretend you were a little seatick.
• 31:02
  Speaker 7: I feel humilated, humiliated. I never had occasion to use
• 31:08
  Speaker 7: the word before.
• 31:09
  Speaker 1: You don't have any occasion to use it now. I
• 31:11
  Speaker 1: come on into bed with you. Look, Professor, I get
• 31:14
  Speaker 1: to go out for a little while. You won't be
• 31:16
  Speaker 1: afraid if I leave you here alone with you?
• 31:18
  Speaker 7: I know that wouldn't be intelligent.
• 31:22
  Speaker 1: Score one for Vincent. Well, now you go to sleeping.
• 31:25
  Speaker 1: When you wake up in the morning, I'll be right here.
• 31:28
  Speaker 1: Thank you, good night, Professor Jagan. Vagan, Mike, it got
• 31:50
  Speaker 1: you man, get in there? Who are you after?
• 31:53
  Speaker 7: Who you?
• 31:54
  Speaker 1: Where's Reagan?
• 31:55
  Speaker 7: I don't know?
• 31:56
  Speaker 1: Well we be back?
• 31:59
  Speaker 7: What do you?
• 32:00
  Speaker 1: What's it to you?
• 32:03
  Speaker 7: Obviously you've been very badly brought up?
• 32:09
  Speaker 1: Hey, who are you?
• 32:10
  Speaker 7: I told you my name was Alpha, but you didn't
• 32:12
  Speaker 7: tell me yours.
• 32:14
  Speaker 1: Well it's packy packey roos. You belong here. Huh.
• 32:19
  Speaker 7: Yes, If you're not angry with Smike, then whom are
• 32:22
  Speaker 7: you angry? A?
• 32:24
  Speaker 1: Right't angry? Ain't angry nobody?
• 32:27
  Speaker 7: So why have you got that revolver for this?
• 32:31
  Speaker 1: Or that's a that's a water pistol.
• 32:34
  Speaker 7: It's a deadly weapon. You're not angry with Smike? Is
• 32:37
  Speaker 7: whom are you all?
• 32:38
  Speaker 1: Look? Will you please go back to sleep?
• 32:41
  Speaker 7: You're just trying to change the subject.
• 32:43
  Speaker 1: Look, maybe you'd like me to read you.
• 32:45
  Speaker 4: Huh.
• 32:46
  Speaker 1: Yeah, you've got a book around here.
• 32:47
  Speaker 7: There's your book on the table I thought for you.
• 32:52
  Speaker 1: Uh, fairy tales. Yeah, you see that sister out there
• 32:58
  Speaker 1: says fairy tales.
• 33:01
  Speaker 2: Okay, Now if there's uh, there's any word you do
• 33:08
  Speaker 2: not understand, you leave me no and I'll explain it
• 33:10
  Speaker 2: to them.
• 33:15
  Speaker 1: Now. Uh. This is a story about a Chinese night
• 33:21
  Speaker 1: in Gale you see, it's a bird. Go on. Once
• 33:26
  Speaker 1: upon a time in China, it was a wonderful bird
• 33:31
  Speaker 1: called a nightingale.
• 33:34
  Speaker 2: They said it was the greatest thing, you know, the
• 33:38
  Speaker 2: vast mPire, empire, empire.
• 33:48
  Speaker 1: But one man had never heard of him. That was
• 33:52
  Speaker 1: a a uh uh c A V A L I E. Whatever.
• 34:02
  Speaker 2: Cavalier, Okay, cavalier, all right then why an mper Oh khaki,
• 34:09
  Speaker 2: it isn't the same at all.
• 34:11
  Speaker 7: Do you see the now in Cavalier is a pretty
• 34:13
  Speaker 7: stuprivative that whole will go on with the story.
• 34:19
  Speaker 2: Okay, Well, let's cavalier went to the palace and he said,
• 34:25
  Speaker 2: Princess of the realm, from all points of the compass,
• 34:30
  Speaker 2: hidings come to me of a wondrous blade, a satan nightingale.
• 34:37
  Speaker 7: That uh instead nightingale, I know it will it.
• 34:51
  Speaker 1: Can sing gloriously, keep going a bad story.
• 34:57
  Speaker 7: Every evening. When I finished my work, I going to
• 35:00
  Speaker 7: the garden and wait for him, and did the elm
• 35:03
  Speaker 7: trees packy, packy you sleep? Well, it's about time, Mike.
• 35:15
  Speaker 7: Is that you?
• 35:15
  Speaker 3: Mike?
• 35:16
  Speaker 1: Hey, what are you doing up?
• 35:18
  Speaker 7: A friend of yours came in. He's sleeping in my chair.
• 35:21
  Speaker 2: Oh fine, yeah, I chased all over New York looking
• 35:24
  Speaker 2: for packet roots, and my friends come barging in at
• 35:26
  Speaker 2: four o'clock in the morning.
• 35:27
  Speaker 7: But Mike, that is that is packy who packy roots?
• 35:34
  Speaker 7: I've been reading in the fairy.
• 35:35
  Speaker 2: Tale fairy Oh, Mike.
• 35:39
  Speaker 7: Mike, speak to me.
• 35:50
  Speaker 1: The pause now for intocation. This is there.
• 35:54
  Speaker 2: They're clubably a broadcasting system. After a brief intermission, mister
• 36:18
  Speaker 2: de Miller returns with Margaret O'Brien, James Craig, Marcia Hunt,
• 36:22
  Speaker 2: and Keenan Wynne.
• 36:23
  Speaker 1: For Act three of Lost Amy.
• 36:26
  Speaker 2: And now here's our Hollywood reporter, Libbery cullum My, Libby,
• 36:30
  Speaker 2: you look positively starry eyed.
• 36:31
  Speaker 7: Who wouldn't, mister Kennedy.
• 36:33
  Speaker 8: I've just been talking to Sonia, Henny.
• 36:35
  Speaker 1: What a break for you? Libby?
• 36:36
  Speaker 2: Wor there without her scape? She's certainly love her to watch.
• 36:39
  Speaker 2: Is she as tiny as she seems when she's skimming
• 36:41
  Speaker 2: over the ice?
• 36:42
  Speaker 8: Here the exact statistic, mister Kennedy, one hundred and ten pounds,
• 36:46
  Speaker 8: five feet two and eyes that are sparkling brown. In fact,
• 36:50
  Speaker 8: is sparkling person.
• 36:51
  Speaker 2: She must have a great capacity for hard work.
• 36:53
  Speaker 1: How does she do it? And yet look so fresh?
• 36:56
  Speaker 8: All that great and greatness is a result of talent
• 36:59
  Speaker 8: and luck of hard work. Besides being the world's foremost
• 37:02
  Speaker 8: figure stater, she's an accompassed sallet dancer.
• 37:05
  Speaker 9: I watched her practicing.
• 37:06
  Speaker 8: She does begin a new picture, you know, and she
• 37:09
  Speaker 8: seems to be tireless.
• 37:10
  Speaker 2: I've heard she goes into rigid training before every ice
• 37:12
  Speaker 2: show and every picture.
• 37:14
  Speaker 8: Yes, a careful diet and as much rest as she
• 37:16
  Speaker 8: can get. And mister Kennedy, I've interest to all lux girls.
• 37:20
  Speaker 1: Being smart as well as pretty. Of course, Sonya is
• 37:22
  Speaker 1: a lux girl.
• 37:23
  Speaker 8: Yes, she is a LUTs girl, a girl who depends
• 37:26
  Speaker 8: on lucks, toilet cobricksquidgets and section care and for a
• 37:29
  Speaker 8: luxurious beauty bath too. She says a really soothing, refreshing
• 37:33
  Speaker 8: bath is very important to her.
• 37:35
  Speaker 1: Here's what she told me.
• 37:37
  Speaker 8: A lut soap bath gives me a wonderful kickoff, leaves
• 37:40
  Speaker 8: me fe reset.
• 37:41
  Speaker 2: You might say a luxop beauty bath makes the girl
• 37:43
  Speaker 2: feel perky as well as pretty.
• 37:45
  Speaker 8: So many screenstars recommend it for a quick beauty pickup.
• 37:49
  Speaker 8: They're keen about the rich, creamy lux soap, lavish leeds,
• 37:52
  Speaker 8: skin really fresh and sweet, and they love the nice perfume.
• 37:55
  Speaker 1: Luck leaves on the skins well, Libby.
• 37:57
  Speaker 2: A lux beauty bath is a little luxury recommend to
• 38:00
  Speaker 2: everyone these strenuous days. Luck toilet sofa is thrifty too,
• 38:05
  Speaker 2: being hard milled, it lasts down to the thinnest sliver though,
• 38:09
  Speaker 2: for women everywhere. Here's a Hollywood tip, Nick, Hollywood fragrant
• 38:13
  Speaker 2: white beauty.
• 38:14
  Speaker 1: So your daily bath hope too.
• 38:17
  Speaker 2: Now, our producer, mister the Mill, we'll have a whole
• 38:20
  Speaker 2: quartead of stars for a cutting call after the play.
• 38:23
  Speaker 1: Here's a cuttin for the Fed.
• 38:25
  Speaker 2: Act of Los Angeles, starring Margaret O'Brien, James Craig, Marsha Hunt,
• 38:29
  Speaker 2: and Keenan Wynn. After calling the city in search of
• 38:39
  Speaker 2: Packy Root, a weary Mike Reagan has staggered home to
• 38:43
  Speaker 2: find out by entertaining the escaped gunman in his living room.
• 38:47
  Speaker 2: Packy had dozed off, but Mike's arrival brings him to
• 38:50
  Speaker 2: his feet with a very mean looking gun in his hands.
• 38:54
  Speaker 1: Hey, what's the idea busting into my place? Everybody in
• 38:56
  Speaker 1: town is looking for you. I shut up, Heppy perform
• 39:01
  Speaker 1: my phone. Well, I'm I'm sorry. I look Reagan, I
• 39:06
  Speaker 1: think Gilly at that murder raptor're trying to hang it
• 39:08
  Speaker 1: on me. I never said you were Yode. He's only
• 39:10
  Speaker 1: one guy who can claim me left me, Moran Jert. Yeah,
• 39:14
  Speaker 1: Moran's seen the whole thing. I gotta find Moran quick
• 39:17
  Speaker 1: or I wind up in a chair. Now. I can't
• 39:20
  Speaker 1: go looking for him, but you can't. So you're gonna
• 39:24
  Speaker 1: find Moran for me. Get it? Well? You hid out here,
• 39:28
  Speaker 1: you got it, Reagan.
• 39:29
  Speaker 2: I'm sorry, fell I got my hand full with the
• 39:32
  Speaker 2: professor here, and I'm not making myself uneccessory. Rather, harboring
• 39:35
  Speaker 2: a fella makes you an accessory, and your harbor and
• 39:38
  Speaker 2: me should happen.
• 39:40
  Speaker 1: You stay out of this. Why you're getting to like
• 39:45
  Speaker 1: an awful lot of people.
• 39:47
  Speaker 7: Yeah, it's getting easier and easier.
• 39:52
  Speaker 1: All right, I'll try to find Lefty. But if I do,
• 39:55
  Speaker 1: I get the whole story, exclusive pictures, everything. Oh sure, sure,
• 39:58
  Speaker 1: but you're wasting time. I'll start in the morning. I'm dead, tired, brother.
• 40:04
  Speaker 1: You don't know how dead you can be. You're starting now.
• 40:14
  Speaker 7: Don't worry about hockey. Eh, what did I do to?
• 40:28
  Speaker 1: What's the big idea coming back here? If you didn't
• 40:30
  Speaker 1: find him? Because I'm tired I'm very tired. Told me
• 40:34
  Speaker 1: that yesterday, and now listen to me. Brother, you better
• 40:35
  Speaker 1: go out and find Hey what's that? Oh, stop being
• 40:39
  Speaker 1: so jumpy. It's just Katie with the grocers. Are you
• 40:41
  Speaker 1: heard me? Phoner? Hello? Well good morning?
• 40:45
  Speaker 7: Oh were you pocky cocky? This is Katie, my scale.
• 40:50
  Speaker 1: I'm a great please to meet you.
• 40:53
  Speaker 3: I don't mean to be inquisitive. But aren't the police
• 40:55
  Speaker 3: looking for you?
• 40:57
  Speaker 1: Short?
• 41:00
  Speaker 7: It's all in misunderstanding.
• 41:01
  Speaker 8: You see.
• 41:02
  Speaker 7: Your police have gone on the assumption that packy is
• 41:05
  Speaker 7: anti social tight, but of course you're well wrong. You
• 41:08
  Speaker 7: can just tell that found.
• 41:11
  Speaker 1: Look kid, let's you and me lug these groceries into
• 41:13
  Speaker 1: the kitchen.
• 41:14
  Speaker 2: Huh, Hey, Reagan, what you're gonna stand around there all day?
• 41:17
  Speaker 2: Get going?
• 41:18
  Speaker 1: Oh? Why don't you stop? You big bed man? Hi?
• 41:23
  Speaker 3: Telephone?
• 41:24
  Speaker 1: Oh hello? Oh hello boys. No, no, I'm not going
• 41:31
  Speaker 1: to sleep all day. I'm just going out.
• 41:34
  Speaker 2: Yes, sure, sure right away. Oh yeah, don't play funny.
• 41:40
  Speaker 2: My paper is yelling I gotta play nurse Maids and
• 41:43
  Speaker 2: this character is turning my place into an alakaprez annex.
• 41:47
  Speaker 1: Fix some breakfast for you, Katie.
• 41:50
  Speaker 2: I want to watch you then, at least get The
• 41:52
  Speaker 2: professor started with a lesson Vincent sent up on.
• 41:54
  Speaker 1: Her books, what and reveal my ignorance?
• 41:56
  Speaker 2: Fill more, Well, somebody's gonna help packy on, give the
• 42:00
  Speaker 2: help the profession.
• 42:01
  Speaker 1: With the homework. You I didn't bring my thinking cap.
• 42:04
  Speaker 7: With me, Purgam, didn't you?
• 42:07
  Speaker 1: Oh she was?
• 42:08
  Speaker 7: I'm so Napoleon had had better equipment list the Frinch
• 42:20
  Speaker 7: people hadn't been discouraged by the length of the war.
• 42:24
  Speaker 1: I'll go on going, not me. Where's Reagan? And when
• 42:29
  Speaker 1: I dame left you six hours ago?
• 42:31
  Speaker 7: My city to be lucky back in there.
• 42:33
  Speaker 1: I never should have let that dame leave with him.
• 42:35
  Speaker 1: I don't why, I know what she's up to.
• 42:37
  Speaker 7: You've got to relax.
• 42:38
  Speaker 1: Oh no, please, I heard all your lessons, didn't I.
• 42:41
  Speaker 1: I even promised I'd let you lend me.
• 42:42
  Speaker 2: To hop So now I can't relax when you have
• 42:45
  Speaker 2: a heart.
• 42:46
  Speaker 7: I'm jumpy now, Packey. The very wise many means your
• 42:50
  Speaker 7: works out a series which will help you to relax.
• 42:53
  Speaker 7: It's called yoga, and I'm going to show you.
• 42:57
  Speaker 3: Me.
• 42:57
  Speaker 1: Hey, give me a hand. I don't know where I
• 43:02
  Speaker 1: could get him here. Had to tap him a little
• 43:04
  Speaker 1: on the head, knopping his chair there. Hey, hey, coming to.
• 43:13
  Speaker 3: Hurt.
• 43:14
  Speaker 1: All right, close the door and get that kid out
• 43:16
  Speaker 1: of here. Good. Yeah, take a good look, sweetheart. Hey, hey,
• 43:23
  Speaker 1: what's going on here? I had to see you left.
• 43:24
  Speaker 1: He you wasn't just a witness to that shooting, was
• 43:27
  Speaker 1: your chump? He was a kid himself. Well, now one's
• 43:31
  Speaker 1: framing me. Wait a minute, Pack, are you crazy? He's
• 43:34
  Speaker 1: no good to you.
• 43:35
  Speaker 2: Did make him sign a convision, then we can call
• 43:37
  Speaker 2: the cops. But if you're paying him off with the
• 43:38
  Speaker 2: load of lid, then.
• 43:39
  Speaker 1: You're just buying yourself a one way ticket to sing sing.
• 43:41
  Speaker 7: Well, Pack you to anything. It don't make you go
• 43:44
  Speaker 7: to jail. I wouldn't be able to see you anymore.
• 43:49
  Speaker 7: Pumise me that you show me how to shoot, fight
• 43:51
  Speaker 7: and shove a carton.
• 43:56
  Speaker 2: Well, all right, get out that type, right o, Reagan.
• 44:00
  Speaker 2: There's a nightingale here that wants to wobble.
• 44:02
  Speaker 1: Are ye, Vinton? Yeah she's fine. Uh oh that's great.
• 44:09
  Speaker 2: Great, Well I can't do it right now, but oh
• 44:12
  Speaker 2: sure that'll be okay in about two hours.
• 44:14
  Speaker 1: Oh you better make it three.
• 44:15
  Speaker 2: I got a little business to take care of. Yeah, okay,
• 44:18
  Speaker 2: now what alpha Vinton's coming to get you in about
• 44:24
  Speaker 2: three hours. Quarantine's been lifted.
• 44:26
  Speaker 1: You ready, Reagan? Yeah, shoot, okay, Iran.
• 44:29
  Speaker 2: Stop singing, hot talk, Becky, hot talk.
• 44:39
  Speaker 3: You've got slightly untidy Professor Vincent. But they've been entertaining
• 44:43
  Speaker 3: some unexpected gifts.
• 44:44
  Speaker 1: Here one of these pieces of shambles.
• 44:49
  Speaker 5: We'll a dangsty.
• 44:51
  Speaker 7: I mean, Cots came in now Patty.
• 44:52
  Speaker 1: Won't have to do his kayo, and Reagan, what is
• 44:55
  Speaker 1: this child talking about? You'll find a whole story in
• 44:57
  Speaker 1: the morning.
• 44:58
  Speaker 2: Transcript exclusive with pictures left of my rand confesses murder
• 45:01
  Speaker 2: cops rush down, Factor Ruis goes free, and I get
• 45:04
  Speaker 2: the hottest break in six months.
• 45:06
  Speaker 1: You should have been here. You you unprincible, ma'am. Is
• 45:10
  Speaker 1: this the care with which you watched over alpha gangsters? Criminals?
• 45:15
  Speaker 1: You're no better than one yourself.
• 45:16
  Speaker 12: You talk that way to mount I hope it gives.
• 45:19
  Speaker 1: You some satisfaction, mister Regan to realize that you've probably
• 45:22
  Speaker 1: ruined years of work. But believe me, you haven't heard
• 45:25
  Speaker 1: the master of this. Oh yes, I have a very
• 45:28
  Speaker 1: last get out of here, Alfa, dear, they're all waiting
• 45:31
  Speaker 1: for us downstairs, all the professors. We can go home.
• 45:33
  Speaker 7: Now I can't leave, mam.
• 45:36
  Speaker 1: I think you'll have to Alpha. Look, Professor, you came
• 45:43
  Speaker 1: to me so I'll show you magic, didn't you. Well?
• 45:48
  Speaker 1: I showed you lots of magic, didn't I. Now you've
• 45:51
  Speaker 1: got to go back. The professors are your friends.
• 45:54
  Speaker 7: You've always liked the institute, but I never got to
• 45:58
  Speaker 7: go outside.
• 46:01
  Speaker 1: But you will just as soon as you're old enough,
• 46:04
  Speaker 1: and there'll be more magic and more people to like.
• 46:08
  Speaker 7: But Mike, it's different.
• 46:10
  Speaker 3: When you love people.
• 46:12
  Speaker 7: It's not the same as liking.
• 46:14
  Speaker 1: But you don't have to be with people to love them.
• 46:16
  Speaker 7: Oh, Mike, Yes you do.
• 46:18
  Speaker 1: Reagan. Yeah, if I spoke harshly, I'm sorry, Perhaps I was.
• 46:22
  Speaker 1: What do you please get out of here? Mike?
• 46:26
  Speaker 7: Yes, you do, tell him, Tell him.
• 46:29
  Speaker 1: Katie come Alpha, come right here.
• 46:34
  Speaker 6: Bye?
• 46:35
  Speaker 3: So long, profession, you're going to let it go, Mike,
• 46:42
  Speaker 3: just like that?
• 46:43
  Speaker 1: What else could I do?
• 46:45
  Speaker 6: I didn't hear you tell a kid you'd be bye
• 46:47
  Speaker 6: to Sierra anything.
• 46:48
  Speaker 1: I thought it'd be easier if I didn't.
• 46:50
  Speaker 3: Easier for whom, for whom, Mike?
• 46:52
  Speaker 1: For you? A Alpha?
• 46:53
  Speaker 7: All right?
• 46:54
  Speaker 1: Easier for me, Katie. You know I'm crazy about that kid.
• 46:57
  Speaker 1: But a punk like that she's a responsibility. Yes, I know, Katy.
• 47:01
  Speaker 1: Let's get married. Let's go someplace where it's nice and quiet.
• 47:04
  Speaker 1: Let's just Oh.
• 47:04
  Speaker 3: I've been wanting you to ask me that for so long,
• 47:08
  Speaker 3: not for the answers.
• 47:09
  Speaker 1: No, Mike, You see, I.
• 47:12
  Speaker 3: Think i'd be a responsibility too.
• 47:15
  Speaker 7: I'd complicate your.
• 47:16
  Speaker 3: Life too, Darling.
• 47:18
  Speaker 1: You know I love you, sure, but I don't.
• 47:21
  Speaker 3: Like the way you love people.
• 47:22
  Speaker 2: Mike.
• 47:23
  Speaker 6: You run out on me, Kitty.
• 47:25
  Speaker 1: When my boss was here, he opened me a job
• 47:27
  Speaker 1: in Washington, a job I've been after for years. I
• 47:30
  Speaker 1: told him no, I wouldn't leave you. Does that sound
• 47:33
  Speaker 1: like running out?
• 47:35
  Speaker 6: Mike?
• 47:36
  Speaker 3: When you love people, you owe them something more than
• 47:38
  Speaker 3: just turning down a job. You've got to give something,
• 47:42
  Speaker 3: a little of your freedom, maybe your time, yourself. Maybe
• 47:46
  Speaker 3: I don't know, but whatever.
• 47:48
  Speaker 2: It is, you're not willing to give it.
• 47:51
  Speaker 3: I saw that when Alpha walked out that door, just
• 47:54
  Speaker 3: as I'm doing now.
• 47:56
  Speaker 2: So long.
• 48:07
  Speaker 1: Alpha.
• 48:08
  Speaker 6: Miss Mallory has come to visit with you. Now, if
• 48:11
  Speaker 6: something hurts you.
• 48:12
  Speaker 1: If you don't feel well, won't you tell us what
• 48:15
  Speaker 1: it is?
• 48:15
  Speaker 7: But I'm not sick, doctor Needles.
• 48:19
  Speaker 3: Do you suppose she caught missus carries.
• 48:21
  Speaker 6: Ah, if it were only that simple.
• 48:25
  Speaker 1: No.
• 48:25
  Speaker 6: Alpha has been back with us now for nearly a month.
• 48:28
  Speaker 6: It's it's something else.
• 48:29
  Speaker 1: I don't just know what. I have an idea. Alpha.
• 48:32
  Speaker 1: Let's show miss Marla how you do problems. You just
• 48:35
  Speaker 1: put those blocks into their proper spaces as fast as
• 48:37
  Speaker 1: you can. Now, I'll time you ready. Oh would you
• 48:43
  Speaker 1: like to have me read to you?
• 48:45
  Speaker 6: No, we could go out Alpha and take a nice
• 48:48
  Speaker 6: walk you and I, Darling.
• 48:52
  Speaker 3: Would you like to see Mike?
• 48:55
  Speaker 7: Yes, but he is a.
• 48:56
  Speaker 6: Wanderful Alpha was the nature of the magic mister Reagan
• 49:02
  Speaker 6: showed you who love to sing?
• 49:06
  Speaker 7: There was a fine copee, and there was a man
• 49:09
  Speaker 7: two shirt lighted up, and there was Oh but that
• 49:14
  Speaker 7: was magic. That was just a little kind of what
• 49:19
  Speaker 7: was the real magic?
• 49:20
  Speaker 5: Going loving people the way you love Mike.
• 49:27
  Speaker 9: Yes, there's a person here asking for Elpha, mister ruth
• 49:31
  Speaker 9: uh pecky.
• 49:33
  Speaker 1: Room, Miss Marlow, and I'll see him right away just
• 49:35
  Speaker 1: a minute.
• 49:36
  Speaker 6: Yes, this child is really in vincent. If this goes
• 49:39
  Speaker 6: on much.
• 49:40
  Speaker 1: Longer, I can't be responsibleous.
• 49:42
  Speaker 9: I know, Packy.
• 49:44
  Speaker 1: Is this where the little babe lives? In this joint?
• 49:46
  Speaker 1: How do you do Katie? What are you doing here.
• 49:50
  Speaker 1: She's sick. She's awfully sick. Oh, ain't anybody gonna do
• 49:53
  Speaker 1: something about her? We're doing everything we can. Oh, I
• 49:57
  Speaker 1: was just a neighborhood. I brought her a couple of
• 49:59
  Speaker 1: little presents. Hey, Jake, back up the truck, Packy.
• 50:09
  Speaker 6: Have you seen Mike?
• 50:11
  Speaker 1: Yeah? Yeah, I just left him. We've got to get
• 50:12
  Speaker 1: him here right away. I don't think he can make it.
• 50:14
  Speaker 1: He must make it. The child won't teach, he won't sleep.
• 50:17
  Speaker 6: She she misses him, so packy.
• 50:19
  Speaker 2: I left him at Grand Central, Katie. He was getting
• 50:20
  Speaker 2: on a train for Washington. Oh no, we had no
• 50:24
  Speaker 2: good heal running.
• 50:25
  Speaker 1: Out on her, trying to tell me she wasn't his
• 50:27
  Speaker 1: kid Washington. Wait a minute, you got a phone here? Jack, certainly,
• 50:30
  Speaker 1: come in my office.
• 50:31
  Speaker 3: Packy, What are you gonna do?
• 50:32
  Speaker 2: I send a telegram or call a railroad station, stop
• 50:34
  Speaker 2: the train. I don't know, but we gotta do something
• 50:36
  Speaker 2: in fat.
• 50:43
  Speaker 7: Mike, you did come back.
• 50:46
  Speaker 1: I knew you would, my dear fellow. I'm so delighted
• 50:48
  Speaker 1: to see you. H goes got my wire? Huh? What wire?
• 50:53
  Speaker 1: I want to do? Page on a train where they
• 50:55
  Speaker 1: stop the trainer? Work? Hey, what's the matter with you?
• 50:57
  Speaker 1: What are you all looking so funny for? Uh? Look here, Vincent,
• 51:01
  Speaker 1: I want to talk to you about the professor. Mike.
• 51:03
  Speaker 3: You came back here all on your own.
• 51:05
  Speaker 1: Of course I came back on my own. But the
• 51:08
  Speaker 1: train I seen you taking the train.
• 51:10
  Speaker 2: I did a little thinking on the train. The time
• 51:12
  Speaker 2: we got to Trentle I was through thinking. I got
• 51:15
  Speaker 2: off and took the next train back.
• 51:17
  Speaker 3: And you don't know what's happened?
• 51:19
  Speaker 1: What do you mean? Hey? What is this? What's wrong?
• 51:23
  Speaker 1: Has something happened? I offer? She's been rather ial, we've
• 51:26
  Speaker 1: been what's the matter with her? Don't you know how
• 51:28
  Speaker 1: to take care of a kid? Can I? Can I
• 51:30
  Speaker 1: go out of town without something happening to her?
• 51:32
  Speaker 7: Oh?
• 51:32
  Speaker 1: My, hey, where is she? I want to see her?
• 51:34
  Speaker 1: Come with me? Hey, a professor, it's me, professor Mike.
• 51:48
  Speaker 7: Oh Mike, I'm still glad to see you.
• 51:53
  Speaker 1: Hey, what kind of monkey business are you up to?
• 51:56
  Speaker 1: What does I hear about you not eating or sleeping? Huh?
• 52:00
  Speaker 7: All night?
• 52:01
  Speaker 1: A fine thing, a fine reputation you're giving me. You
• 52:04
  Speaker 1: stay with me a couple of days and you come
• 52:06
  Speaker 1: back here and you're no good to anyone. Hand kerchief packing. No,
• 52:11
  Speaker 1: it's just hate fever. You get him in Dutch with
• 52:15
  Speaker 1: the professors and Katie's sore at men, I just walked
• 52:18
  Speaker 1: out on a new job.
• 52:20
  Speaker 7: You can have met like Mike me too.
• 52:23
  Speaker 1: Well, if you have us, you bet I will well packy.
• 52:29
  Speaker 1: What do you say? It's a lovely day hate it.
• 53:06
  Speaker 2: Of tonight stars only James Craig has visited us before,
• 53:11
  Speaker 2: and now Margaret O'Brien, Marsha Hunt and Keenan Wynn joined
• 53:14
  Speaker 2: him in a curtain call.
• 53:16
  Speaker 7: It's well being humans to demil say, Marsha, did you
• 53:20
  Speaker 7: know that King and Winn had a wonderful name?
• 53:23
  Speaker 3: Well, both he and his father has made it famous.
• 53:25
  Speaker 7: Margaret, tell me your homely used to win.
• 53:27
  Speaker 1: No, I don't think we have time. This is only
• 53:29
  Speaker 1: an hour program.
• 53:31
  Speaker 7: We'll start on it anyway.
• 53:33
  Speaker 1: Well, Francis Xavier, Ali wish Is, James, Jeremiah Kingan Winn. Gee.
• 53:38
  Speaker 7: I always wondered if yours named daddy? How long is
• 53:43
  Speaker 7: your daddy?
• 53:44
  Speaker 1: Ed?
• 53:48
  Speaker 2: We have a couple of fine athletes here tonight too, Margaret.
• 53:51
  Speaker 2: Did you know that James Craig used to be a
• 53:53
  Speaker 2: prize fighters?
• 53:56
  Speaker 7: Jill Lewis, mister.
• 53:56
  Speaker 1: Craig well, I don't know, Margaret. I never thought he
• 54:01
  Speaker 1: might have a slight edge.
• 54:04
  Speaker 2: And then Keenan Wynne is a champion speedboat racer.
• 54:07
  Speaker 1: I believe he.
• 54:07
  Speaker 2: Holds the record for circumnavigating Manhattan Island in thirty nine minutes.
• 54:13
  Speaker 7: I guess that even fasted in.
• 54:14
  Speaker 1: Columbus by a slight edge.
• 54:20
  Speaker 7: Why aren't you in the history books?
• 54:23
  Speaker 2: Well, lots of things that aren't in the history books, Margaret,
• 54:26
  Speaker 2: good thing, says luck Starlett, though, for instance, the product
• 54:30
  Speaker 2: behind this program.
• 54:31
  Speaker 7: I knew all about mat Silk. My mother meets me
• 54:35
  Speaker 7: with it.
• 54:36
  Speaker 2: I knew you had a wise mother.
• 54:38
  Speaker 3: I agree with Margaret's mother too, mister de mill, Luxope
• 54:42
  Speaker 3: is a grand way to.
• 54:42
  Speaker 9: Take care of your complexion.
• 54:44
  Speaker 2: After seeing you too, who could doubt it?
• 54:47
  Speaker 6: What did your plan for next week, mister Dill?
• 54:49
  Speaker 2: A delightful comedy Marja the time out screenplay Christmas in July,
• 54:54
  Speaker 2: and our stars will be Dick Paul and Linda Donnell.
• 54:59
  Speaker 2: Christmas You lives the story of a boy and a
• 55:01
  Speaker 2: girl in love, and that's not likely to go out
• 55:05
  Speaker 2: of style too. But this particular drama has a gaiety
• 55:08
  Speaker 2: and charm that made it a perfect way.
• 55:11
  Speaker 1: To welcome the coming of summer. I remember the picture
• 55:14
  Speaker 1: had a lot of surprises. Seeb good night, good night night,
• 55:18
  Speaker 1: red night night.
• 55:21
  Speaker 13: That the past off performance of whatever I had one,
• 55:29
  Speaker 13: I sponsored to make it the buck style of fak
• 55:31
  Speaker 13: blain me in inviting you to be with us again
• 55:33
  Speaker 13: next Monday night, when the Lux Radio Theater presents Dick
• 55:37
  Speaker 13: Powell and Linda Darnell.
• 55:40
  Speaker 1: In Christmas in July, the decess will be then Ron
• 55:45
  Speaker 1: Holly Wood. And now here's the question from Uncle Sam
• 55:55
  Speaker 1: to housewives everywhere.
• 55:57
  Speaker 2: If you had roast or stew or soup for dinner tonight,
• 56:00
  Speaker 2: did you make sure that every drop of waste fat
• 56:02
  Speaker 2: was poured into the salvage tins, even the burner black
• 56:05
  Speaker 2: drippings from the roasting pan. That fat turned into your
• 56:08
  Speaker 2: butcher tomorrow will be made into war materials and rushed
• 56:12
  Speaker 2: to our fighting men. Perhaps it will help to make
• 56:14
  Speaker 2: the sulf a drug that eases a wounded soldier's pain,
• 56:17
  Speaker 2: or the tannic acid needed to treat as burns. There
• 56:20
  Speaker 2: are countless other military uses for that waist kitchen fat
• 56:23
  Speaker 2: of yours, if needed for synthetic rubber, parachute material, and
• 56:27
  Speaker 2: many life saving medicines, right now. The heavy fighting in
• 56:31
  Speaker 2: France makes the need more urgent than ever.
• 56:34
  Speaker 1: Before. You throw away a single drop of used fats.
• 56:37
  Speaker 1: Think of that boy fighting in far away.
• 56:39
  Speaker 2: Lands whose very life depends on a constant, unceasing flow
• 56:43
  Speaker 2: of supplies.
• 56:43
  Speaker 1: From home to help shorten the war, to bring more
• 56:47
  Speaker 1: of our men home safe.
• 56:49
  Speaker 2: Save all the waste fats. You can put them in
• 56:51
  Speaker 2: a tin, can rush them to your butcher. Remember he
• 56:55
  Speaker 2: gives you two free red ration points and four cents
• 56:58
  Speaker 2: for every pound to turn in. Save meat drippings, table scraps.
• 57:03
  Speaker 1: Every bit counts.
• 57:04
  Speaker 2: Save every precious drop now, while our fighting men need
• 57:08
  Speaker 2: your help so urgently.
• 57:10
  Speaker 1: Heard in tonight's play.
• 57:11
  Speaker 2: Where stand Ferrar Griff Barnett, Norman Field, Regina Wallace, ed Emerson,
• 57:17
  Speaker 2: lalchand Mira Charles Seal, Herbert Rawlinson, Ferdinand Munier and Katherine Lewis.
• 57:24
  Speaker 2: This program is broadcast to our fighting forces overseas to
• 57:27
  Speaker 2: a cooperation with the Armed Forces Radio Service. Our music
• 57:31
  Speaker 2: was directed by Lois Silvers, and this is your announcer,
• 57:34
  Speaker 2: John M. Kennedy, reminding you to tune in again next
• 57:36
  Speaker 2: Monday night to hear Dick Powell and Linda Darnell in Christmas,
• 57:41
  Speaker 2: in July,